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Works
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Kiyomizu Temple Collection Image, Figure 1, Total 4 Figures
Kiyomizu Temple Collection Image, Figure 2, Total 4 Figures
Kiyomizu Temple Collection Image, Figure 3, Total 4 Figures
Kiyomizu Temple Collection Image, Figure 4, Total 4 Figures
Kiyomizu Temple

Author:Fujibayashi Chibana

Size:Length:48 x Width:87.5 (cm)

Size description:54.5x94.5x5.5(含框)

Introduction: Fujibayashi Chibana, who inherited the stage name of the 14th generation of Fujibayashi Tokusen, is a well-known Japanese lacquer artist recognized by UNESCO after the 12th generation of Fujibayashi Tokusen. Her style and subject matter inherit the fine tradition of the Fujibayashi family, and is known for her elegant and noble pattern designs with a touch of royalty. For instance, her works on the obi and kimono, which are known for their elegant and noble style, were transformed under her craft. The artist used the 12th Fujibayashi’s painting technique (so-called Tokusen maki-e): painting the obi and kimono with gold, silver, carnelian, lapis lazuli, beryl, diamonds, pearls, and other powders. Furthermore, the artist further combines her work with the dyeing technique of Kyoto Nishijin-ori to create gorgeous and exquisite lacquer works on the obi and kimono.
Maki-e is a unique technique in Japanese lacquer art painting that uses spraying powders to draw. Different from the traditional maki-e that only uses gold and silver powders, the use of other precious stone powders gives the painting a more vivid and colorful appearance, creating a completely different visual effect that is widely loved, appreciated and admired.
This painting depicts the early spring scenery of Kiyomizu Temple, a famous place in Kyoto. The technique and perspective are similar to that of 12th Tokusen Fujibayashi’s work of the same name. The view of downtown Kyoto portrayed between the numerous cherry blossoms and the old buildings of Kiyomizu Temple are breathtaking. The overall painting has a cold color hue, which mirrors the mellow chilliness often found in early spring. The temple is portrayed in a fresh and tranquil vibe; the magnification of the cherry blossoms further highlights the poetic scene. The overlapping mountain in the distance adds a sense of mystery. On the one hand, the author inherits the family’s techniques and expresses the traditional images; on the other hand, she tries to innovate her own style, revealing her unique feminine, gentle and romantic aesthetic in arts.

Accession Number:PT09600500