[{"Identifier":"199002001","MainTitle":"聖母透光鏡面夜燈","Creator":"王武同","CreatedYear":"1990","Size":"10.5×9.5×22.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1990","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199002002","MainTitle":"盤/櫻桃","Creator":"王武同","CreatedYear":"1990","Size":"17×13×2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1990","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199002003","MainTitle":"盤/藍花","Creator":"設計者：王武同","CreatedYear":"1990","Size":"17.3×13×2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1990","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MDAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199002004","MainTitle":"盤/葡萄","Creator":"設計者：王武同","CreatedYear":"1990","Size":"17×13.5×2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1990","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MDAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199002005","MainTitle":"盤/牽牛花","Creator":"設計者：王武同","CreatedYear":"1990","Size":"17×13×2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1990","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MDAyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199002006","MainTitle":"美國鷹","Creator":"設計者：王武同","CreatedYear":"1990","Size":"40×24×28","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1990","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MDAyMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199101001","MainTitle":"竹製乳母椅","Creator":"設計者：顏水龍
其他-製作者 ：李榮烈
其他-製作者：許正","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 臺灣竹材豐富，竹製器物為先民以來無論衣、食、住、行、育、樂、農、漁業之使用，皆是方便周邊生活，安全生命、滿足社會禮俗之需求。\r\n 從事農務家事的婦女對於嬰幼兒的照顧，除背負在身上外，視線所及的範圍內有竹材的揺籃、乳母車、乳母椅乘載著孩子活動量與母親的安心感。\r\n 顏水龍先生早於四Ｏ年代在臺南成立「竹藝工房」期間，即著手對乳母椅這重要的家庭用物有所發想，並由師傅製作成型，其中也多次為椅之安全、穩定而修正。適用於乳哺期且稍能挺坐的嬰幼孩。孩子入座，拍拍座前的竹板，撥弄竹環擊出吸引的樂音。孩子抓取竹板上的玩具或食物，眼觀附近忙碌的大人身影，應該是一個孩子獨處的成長訓練。當哺乳時，母親抱起小孩，一手將原本處於坐姿的背面翻轉朝於上，則成了親子時間的坐椅。萬一，椅有汚物，水沖、太陽曬就乾淨了。\r\n 據顏先生時常提及：「德國工業設計師在五Ｏ年代來臺參訪，很欣賞乳母椅的實用功能，多次翻轉椅面上下觀看，且駐足良久。」此椅正符合包浩斯一物多功能的設計概念。\r\n 這張乳母椅係由顏先生繪圖，與李榮烈先生商討後選材，委由許正師傅製作。（詮釋委員：簡玲亮）","ImageUrl":""}
,{"Identifier":"199101002","MainTitle":"籐製單人扶手沙發椅組","Creator":"創作者：新藝籐業
新藝籐業股份有限公司研發部集體創作","CreatedYear":"","Size":"茶几附玻璃","Type":"工藝類\\籐材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此籐製單人扶手沙發椅組係由兩椅一桌構成，特別適用於飯店或酒店的套房，當然居家生活的臥室也非常適合；即使是單獨一張的單人扶手沙發椅，也很容易被接受，亦得搭配其他不同材質的茶几，端看使用者的選擇與室內設計師的安排。\r\n由於取籐為桌椅的主體材料，充分運用材質的長度無限制與可撓性，讓座椅扶手的3D造形曲線顯得非常地柔順又無需繁複的榫接結構，與簡潔的圓柱狀茶几外形、覆以細籐心材料、完全手工施作的感覺頗具自然韻味、有如生絲手捻紗所織出來的布一般，得以互相呼應。乳黃色塗裝的框架配上桃紅色的椅墊，既顯眼又溫馨，別具休閒的感覺。沙發椅的座墊椅套為可換洗或更新。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199101002001","MainTitle":"籐製沙發椅組-單人扶手沙發椅","Creator":"創作者：新藝籐業","CreatedYear":"","Size":"","Type":"工藝類\\籐材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTAxMDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為籐製單人扶手沙發椅組之一，原組件係由兩椅一桌構成，特別適用於飯店或酒店的套房，當然居家生活的臥室也非常適合；本件作品即使是單獨一張的單人扶手沙發椅，也很容易被接受，亦得搭配其他不同材質的茶几，端看使用者的選擇與室內設計師的安排。\r\n由於取籐為桌椅的主體材料，充分運用材質的長度無限制與可撓性，讓座椅扶手的3D造形曲線顯得非常地柔順又無需繁複的榫接結構，與簡潔的圓柱狀茶几外形、覆以細籐心材料、完全手工施作的感覺頗具自然韻味、有如生絲手捻紗所織出來的布一般，得以互相呼應。乳黃色塗裝的框架配上桃紅色的椅墊，既顯眼又溫馨，別具休閒的感覺。沙發椅的座墊椅套為可換洗或更新。(詮釋委員：盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"199101002002","MainTitle":"籐製沙發椅組-單人扶手沙發椅","Creator":"創作者：新藝籐業","CreatedYear":"","Size":"","Type":"工藝類\\籐材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTAxMDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為籐製單人扶手沙發椅組之二，原組件係由兩椅一桌構成，特別適用於飯店或酒店的套房，當然居家生活的臥室也非常適合；本件作品即使是單獨一張的單人扶手沙發椅，也很容易被接受，亦得搭配其他不同材質的茶几，端看使用者的選擇與室內設計師的安排。\r\n由於取籐為桌椅的主體材料，充分運用材質的長度無限制與可撓性，讓座椅扶手的3D造形曲線顯得非常地柔順又無需繁複的榫接結構，與簡潔的圓柱狀茶几外形、覆以細籐心材料、完全手工施作的感覺頗具自然韻味、有如生絲手捻紗所織出來的布一般，得以互相呼應。乳黃色塗裝的框架配上桃紅色的椅墊，既顯眼又溫馨，別具休閒的感覺。沙發椅的座墊椅套為可換洗或更新。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199101002003","MainTitle":"籐製沙發椅組-圓形茶几","Creator":"創作者：新藝籐業","CreatedYear":"","Size":"附玻璃","Type":"工藝類\\籐材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTAxMDAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為籐製單人扶手沙發椅組之三，原組件係由兩椅一桌構成，特別適用於飯店或酒店的套房，當然居家生活的臥室也非常適合；本作品籐製圓形茶几和另外兩件沙發椅雖然是成套的設計，但是亦可單獨使用，適用的空間亦不設限於臥室，其他公共空間都可以被巧妙安排置入，作為檯燈桌或花器與盆景的擺設皆宜。\r\n由於取籐為本產品的主體材料，充分運用材質的長度無限制與可撓性；簡潔的圓柱狀茶几外形，覆以細籐心材料，完全手工施作的感覺頗具自然韻味，有如生絲手捻紗所織出來的布一般。乳黃色塗裝既顯眼又溫馨，別具休閒的感覺。\r\n茶几桌面為了平整度與容易清理的理由，配備有一片適形的機器磨邊透明強化平板玻璃，讓上置物件有浮起與多層次感覺，可以選擇性使用。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199101003","MainTitle":"籐製桌椅組","Creator":"創作者：新藝籐業","CreatedYear":"","Size":"","Type":"工藝類\\籐材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199102001","MainTitle":"貴蛇紋石正方形檯燈桌","Creator":"創作者：盧祥華
廠商：裕崧工業股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199102002","MainTitle":"貴蛇紋石正方形咖啡桌","Creator":"創作者：盧祥華
廠商：裕崧工業股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199102003","MainTitle":"大理石桌椅組","Creator":"創作者：陳一青","CreatedYear":"","Size":"477.05kg","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105001","MainTitle":"兩小無猜","Creator":"創作者：唐永哲","CreatedYear":"1991","Size":"22×10×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生，小時候在福建長大，充滿兒時家鄉的回憶，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將小時候記憶中的情境故事，以裝飾陶瓷的表達方式展現出來。\n 本作品199105001〈兩小無猜〉是在描述一對男女小孩坐在牛背上，充分流露出天真可愛的樣子。只是就比例上來看，為了強調小孩的表情與姿態而將兩位小孩做大了，蹲著的大牛相對之下身體顯得小了一點；合理的解釋可以說是，兩位小孩坐在公園裡以陶瓷製作的景觀雕塑牛身上。推測作者的創作觀點，正確的比例關係被認為並不重要，重點是小孩的姿態與表情；象徵性的牛只是一座立體的背景，牛的全身刻劃著浪形裝飾紋樣，視覺效果極佳，益增本作品的觀賞價值。\n 製作上嘗試將苗栗陶土的注漿坏體，陰乾後經過素燒才上釉；由於臉、頸部和手、腳的部位要保留陶土本色，頭髮部位還要塗上黑色色料，眉毛、眼睛也要經過手工描繪，方才進行二次燒烤；因此必須事先以手工將上述部位塗上蠟油，防止沾到釉藥，接著以浸釉方式施釉，可以得到比較厚實的釉層。本作品採1,230℃氧化方式燒成，整體作品大致呈現有如汝窯的極佳釉色質感，頗富典雅古意，非常耐看。(詮釋委員：盧祥華)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000e19e20b96171674b9b67d2beb976b70322df21d13c6b5cca09899ba7c54f52c42ac5f999fe0b735a0223cc80cbb2a585d59392e9775f4de26e67ff0444c1974d"}
,{"Identifier":"199105002","MainTitle":"和諧(男)","Creator":"創作者：唐永哲","CreatedYear":"1991","Size":"10.5×8.5×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生，小時候在福建長大，充滿兒時家鄉的回憶，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將小時候記憶中的的情境故事，以裝飾陶瓷的表達方式展現出來。\n 本作品199105002〈和諧〉，描述一位坐在長方形墊子上吹笛的男子，正以悠遊自在的姿態吹奏著和諧的樂章；若與同系列作品（199105003〈和諧〉女）配對成雙更是別具意義，猶如一起演出和諧的協奏曲，因此將此作品命名為「和諧」。本作品細看之下，與同一作者之其它系列作品，同樣具有半寫實的抽象風格兼寫意的感覺。\n 技術上嘗試採用苗栗陶土注漿成形，陰乾後經過素燒的坏體，由於臉和手及笛子的部位要保留陶土本色，頭髮和眉毛、眼睛、嘴巴部位還要塗上不同顏色的色料或手工描繪，方才進行二次燒烤；因此須事先以手工將上述部位塗上蠟油以防止沾到釉藥，接著以浸釉方式施釉，可以得到比較厚實的釉層，採1,230℃氧化方式燒成，作品外觀有如宋代汝窯的釉色質感，頗富古意。(詮釋委員：盧祥華)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000060b43c0f6992bf4989acf3b00bbe9b67909fd921ffbfc0826fe9ff03903d7e81b55065ed8b9b6f9f945a31eef2b59d665fd90be5dcfdf4b220e78a63b3316212"}
,{"Identifier":"199105003","MainTitle":"和諧(女)","Creator":"創作者：唐永哲","CreatedYear":"1991","Size":"10×8.5×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生，小時候在福建長大，充滿兒時家鄉的回憶，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將小時候記憶中的的情境故事，以裝飾陶瓷的表達方式展現出來。\n 本作品199105003〈和諧〉，描述一位坐在方形矮凳上拉胡琴的女子，正在演奏和諧樂章；若與同系列作品（199105002〈和諧〉男）配對成雙更是別具意義，猶如一起演出和諧的協奏曲，因此將此作品命名為「和諧」。本作品細看之下，與同一作者之其它系列作品，同樣具有半寫實的抽象風格兼寫意的感覺。\n 技術上嘗試採用苗栗陶土注漿成形，陰乾後經過素燒的坏體，由於臉和手及樂器的部位要保留陶土本色，頭髮和眉毛、眼睛及嘴巴等部位還要塗上不同顏色的色料或手工描繪，方才進行二次燒烤；因此必須事先以手工將上述部位塗上蠟油以防止沾到釉藥，接著以浸釉方式施釉，可以得到比較厚實的釉層，採1,230℃氧化方式燒成，作品外觀有如宋代汝窯的釉色質感，頗富古意。(詮釋委員：盧祥華)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000ea632b9568b60d6df772332620d14c1afdfe655f0b32a8ac23c341f26ea851a25941c3cbee763e4f2b38649976b9cc2c313cda3a768122d0b2df8e07761d04d3"}
,{"Identifier":"199105004","MainTitle":"回娘家1 / 青灰色（陶土上汝窯質感釉藥）","Creator":"創作者：唐永哲","CreatedYear":"1991","Size":"29×15×23","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生，小時候在福建長大，充滿兒時家鄉的回憶，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將小時候記憶中的的情境故事，以裝飾陶瓷的表達方式展現出來。\n 中國民間有大年初二「回娘家」的傳統習俗，圖中作品199105004〈回娘家1〉，就是在描述剛出嫁不久的鄉下女子騎著驢子、肩挑行囊與伴手禮回娘家的情境。這一件作品嘗試將苗栗陶土的注漿坏體，陰乾後經過素燒，然後以浸釉方式施以清一色的平光釉藥，可以得到比較厚實的釉藥質感，採1,230℃氧化方式燒成，整體作品呈現汝窯的釉色質感，頗富高雅古意，非常耐看。\n 本作品驢子的形態饒富卡通畫一般的趣味性，採取接近幾何造形的塊狀處理手法，特別是頭上的鬃毛、尾部及腿足部等，作者於身上空白處巧妙的飾以豆苗狀之刻劃紋飾，平添許多美感；人物的表情、姿態及服飾等充份顯現純樸、婉約，造形上與驢子取得和諧，整體作品於細細品味、觀賞之餘，足以讓人從現實人生進入思古幽情意境。(詮釋委員：盧祥華)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000364185de09d8598a712068c79038df70a2dd1f15a4aa8e44e3a06d336bd1910a0ada77c8e37a0c3584eca230958c70fd333c4f2b341fd983626d90241855e2cf"}
,{"Identifier":"199105005","MainTitle":"回娘家2 / 酒紅色（陶土鐵紅平光釉色）","Creator":"創作者：唐永哲","CreatedYear":"1991","Size":"29×15×23","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生，小時候在福建長大，充滿兒時家鄉的回憶，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將小時候記憶中的的情境故事，以裝飾陶瓷的表達方式展現出來。\n 中國民間有大年初二「回娘家」的傳統習俗，圖中作品199105005〈回娘家2〉，就是在描述剛出嫁不久的鄉下女子騎著驢子、肩挑行囊與伴手禮回娘家的情境，這一件作品與199105004〈回娘家1〉係為同一原形，施以不同的釉色。嘗試採用苗栗陶土注漿成形，陰乾後經過素燒的坏體，由於臉和手的部位要保留陶土本色，頭髮部位還要塗上黑色色料進行二次燒烤，因此須事先以手工塗上蠟油得防止沾到釉料，接著以浸釉方式施以三氧化二鐵平光釉藥，採1,230℃氧化燒成；整體作品呈現酒紅色，不但顯得溫馨、華麗又富喜氣，與回娘家的主題更為貼切。\n 本作品驢子的形態饒富卡通畫一般的趣味性，採取接近幾何造形的塊狀處理手法，特別是頭上的鬃毛、尾部及腿足部等，作者於身上空白處巧妙的飾以豆苗狀之刻劃紋飾，平添許多美感；人物的表情、姿態及服飾等充份顯現純樸、婉約，造形上與驢子取得和諧，整體作品於細細品味、觀賞之餘，足以讓人從現實人生進入思古幽情意境。(詮釋委員：盧祥華)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000e1aca3b7b1f6911a974f2763c2d224aed01b5d5353b623915963bfa43d4a338e9016cb7f6a2b90de5450c39396faf590c8c43e6344aa2d519d90911e38489832"}
,{"Identifier":"199105006","MainTitle":"守望相助","Creator":"創作者：唐永哲","CreatedYear":"1991","Size":"19.5×8×23.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生，小時候在福建長大，充滿兒時家鄉的回憶，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將小時候記憶中的的情境故事，以裝飾陶瓷的表達方式展現出來。\n 199105006〈守望相助〉，是在描述古代中國民間「巡夜人（更夫）」夜間報時的情境，人物組合是由兩人構成，打更時一人擊打梆子，一人敲鑼，邊走邊敲打，先梆子、後銅鑼、富節奏，同時還要不斷地大聲喊著：「戌時一更，天乾物燥，小心火燭！」每一個時辰是兩個小時，喊的話都不一樣。以下全部列出提供參考：「亥時二更，門窗關好，慎防偷盜！」、「子時三更，平安無事！」、「丑時四更，天寒地凍，注意保暖！」、「寅時五更，早睡早起，身體健康！」五更之後雞啼天將亮。打更的除了打梆、敲鑼、報時之外，還要負責防火、防盜、防止突發狀況發生，萬一發生意外時必須採取緊急措施；因此之故，本作品取名為：里鄰照應、「守望相助」。\n 本作品所描繪的盡忠職守打更人，捏塑手法與唐永哲先生的系列作品，同樣都具有半寫實的抽象風格，從衣服的塊狀形體處理可以明顯窺見，臉部表情和手的部分還隱約可見雕塑的筆觸，愈看愈覺創作之美；除了打更用具之外，衣著下半身的風火、日月、星辰淺浮雕裝飾圖騰是為一大特色，與打更者的工作身分取得十足呼應關係。\n 技術上嘗試採用苗栗陶土注漿成形，陰乾後經過素燒的坏體，由於臉和手的部位要保留陶土本色，帽子和眉毛、眼睛、嘴巴等部位還要塗上不同顏色的色料或手工描繪，背心和手持的梆子、銅鑼等部位需上不同顏色的釉，方才進行二次燒烤；因此必須事先以手工將上述部位塗上蠟油以防止沾到釉藥，接著以浸釉方式施釉，可以得到比較厚實的釉層，採1,230℃氧化方式燒成，作品外觀有如宋代汝窯的釉色質感，頗富古意。(詮釋委員：盧祥華)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000003657434c3881244e1761e5aaeb4b5b54ecb17586c64c15ac705c55d26fafefad3f9a5d4a011a5a01a723114153fd8964e38d8ad6b984610f8eded5b247992b29"}
,{"Identifier":"199105007","MainTitle":"搖擺馬","Creator":"創作者：唐永哲","CreatedYear":"1991","Size":"23×10×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生，小時候在福建長大，充滿兒時家鄉的回憶，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將小時候記憶中的的情境故事，以裝飾陶瓷的表達方式展現出來。\n 本作品199105007〈搖擺馬〉，是描述一位小孩很高興地騎在搖擺木馬上的情境，當然目前看到的木馬是陶瓷做的。本作品中木馬的形態饒富卡通畫一般的趣味性，採取接近幾何造形的塊狀處理手法，特別是頭上的鬃毛、尾部及腿足部，包括木馬弧形的底座及小孩上衣的袖擺皆然。作者於木馬身上空白處巧妙的飾以豆苗狀之刻劃紋飾，平添許多美感；人物的表情、姿態及胸前附有口袋的吊帶褲裝等充份顯現純樸、婉約，造形上與木馬取得和諧，整體作品於細細品味、觀賞之餘，足以讓人從現實人生進入思古幽情意境。\n 技術上嘗試採用苗栗陶土注漿成形，陰乾後的坏體經過素燒，臉和手的部位保留陶土本色充分顯示雕塑的筆觸與陶土質感之美；將木馬和小孩的衣服、襪子等部位塗上氧化鐵釉藥，吊帶褲裝的部位塗上鈷藍釉藥，採1,230℃氧化方式燒成，整體釉色的質感略顯結晶狀，呈現多層次色彩效果，加上兩個主要顏色的對比、呼應，頗富古意。帽子和鞋子還要塗上咖啡色的色料，眉毛、眼睛及嘴巴等部位經由手工精細描繪之後，進行二次燒烤，這樣的作品才算完成。(詮釋委員：盧祥華)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000000bb9c0a0e3b16a539c37f8366a81867c9ce561c0efd0c02a97fd7bf9fdff5a47249fb5476e402cbdb9ff40aac863787289dece590afe01b5dba04aca42d7c2dc"}
,{"Identifier":"199105008","MainTitle":"抽水煙的日子","Creator":"創作者：唐永哲","CreatedYear":"1991","Size":"12.5×12×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生，小時候在福建長大，充滿兒時家鄉的回憶，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將小時候記憶中的的情境故事，以裝飾陶瓷的表達方式展現出來。\n 本作品199105008〈抽水煙的日子〉，描述一位頭戴斗笠、腳穿木屐的憨實中年男子，坐在長方形石塊上，慢條斯理地抽著用老刺竹管做成的水煙斗，充分反映鄉間悠閒生活情境。顯然不合比例的超小斗笠反而凸顯壯碩的頭部與身軀，這是作者試著採取詼諧、對比的表現手法。\n 技術上嘗試採用苗栗陶土注漿成形，陰乾後經過素燒的坏體，事先以手工塗上蠟油以防止沾到釉藥，接著以浸釉方式施釉，可以得到比較厚實的釉層，採1,230℃氧化方式燒成，衣服佔了作品外觀的大部分，整體視覺效果有如宋代龍泉窯的釉色質感，頗富古意。接著將頭髮和木屐的帶子塗上黑色陶瓷色料，眉毛、眼睛、鬍子和嘴唇等以毛筆沾色料手工精細描繪，然後入窯二次燒烤；其餘部位完全保留陶土本色自然質感，並未施釉，讓雕塑的筆觸顯露無遺。(詮釋委員：盧祥華)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000319cc1bf205330466bb0849062480f85ab17502fe293553bed21c3a49f92bbc96fe93d35f20bf9e92ee6fc5388611e8c31451fce5ec847e019a77ca294718fea"}
,{"Identifier":"199105009","MainTitle":"母與子","Creator":"創作者：唐永哲","CreatedYear":"1991","Size":"13×9.5×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生，小時候在福建長大，充滿兒時家鄉的回憶，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將小時候記憶中的的情境故事，以裝飾陶瓷的表達方式展現出來。\n 本作品199105009〈母與子〉，描述一位母親懷抱小孩席地而坐，母子之情溢於言表。母親的臉部、小孩的頭部以及手的部位沒有上釉，讓陶土質感與雕塑筆觸之美充分顯露。佔了整個作品極大部分面積的母親的服飾，作者採用淺浮雕紋樣與線條刻劃混合技法作為裝飾，視覺效果強烈、極富特色。\n 技術上嘗試採用苗栗陶土注漿成形，陰乾後經過素燒的坏體，由於臉和手的部位要保留陶土本色，頭髮和眉毛、眼睛及嘴巴等部位還要塗上不同顏色的色料或手工描繪，方才進行二次燒烤；因此須事先以手工將上述部位塗上蠟油以防止沾到釉藥，接著以浸釉方式施釉，可以得到比較厚實的釉層，採1,230℃氧化方式燒成，作品外觀有如宋代龍泉窯的釉色質感，頗富古意。(詮釋委員：盧祥華)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000b6cfdefef4ae558e81e7d0829cc67af1bf39b31a14ad76ee1c4ca4cb87a4fe453281fb6eba03698ecd9c2d7a5b34a1df8ab4c83bfbc95adc32b692962c28e5d9"}
,{"Identifier":"199105010","MainTitle":"男女小孩盪鞦韆","Creator":"設計者：王秀美
設計者：林三進","CreatedYear":"1991","Size":"23×18.5×34","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。兩位創作者王秀美與林三進是參與計畫的遴選設計師之一，一起合作發揮雕塑長才，嘗試將孩提時代的一些生活情境記憶，以裝飾陶瓷的表達方式展現出來。\r\n 本作品199105010〈男女小孩盪鞦韆〉是盪鞦韆系列的作品之一，描述一位小女孩坐在鞦韆的座板上，小男孩從旁協助，兩小無猜的甜蜜情境意象，地上還放了一個小熊熊布偶玩具，平添生活情趣的真實感；主角是兩位小孩，背景是大樹，整件作品係以寫實、擷景佈局的手法表現。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能開模，會有很多組石膏模具；整組注漿成形的瓷土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。上過釉藥的作品經由1,300℃高溫氧化燒成之後，還需局部手工塗上色料，以較低溫度二度入窯燒烤才算完成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199105011","MainTitle":"男孩盪鞦韆","Creator":"設計者：王秀美
設計者：林三進","CreatedYear":"1991","Size":"19×14.5×28","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。兩位創作者王秀美與林三進是參與計畫的遴選設計師之一，一起合作發揮雕塑長才，嘗試將孩提時代的一些生活情境記憶，以裝飾陶瓷的表達方式展現出來。\r\n 本作品199105011〈男孩盪鞦韆〉是盪鞦韆系列的作品之一，描述一位男孩在樹下盪鞦韆的生活情境意象，樹頭附近的草地上有一顆大球，旁邊還有一隻小狗陪伴著；主角是男孩，背景是大樹，整件作品係以寫實、擷景佈局的手法表現。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能開模，會有很多組石膏模具；整組注漿成形的瓷土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。上過釉藥的作品經由1,300℃高溫氧化燒成之後，還需局部手工塗上色料，以較低溫度二度入窯燒烤才算完成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199105012","MainTitle":"女孩盪鞦韆","Creator":"設計者：王秀美
設計者：林三進","CreatedYear":"1991","Size":"18×14.5×26","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。兩位創作者王秀美與林三進是參與計畫的遴選設計師之一，一起合作發揮雕塑長才，嘗試將孩提時代的生活情境記憶，以裝飾陶瓷的表達方式展現出來。\r\n 本作品199105012〈女孩盪鞦韆〉是盪鞦韆系列的作品之一，描述一位小女孩在樹下盪鞦韆的生活情境意象，帽子丟在草地上，布偶娃娃斜靠在樹頭；主角是女孩，背景是大樹，整件作品係以寫實、擷景佈局的手法表現。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能開模，會有很多組石膏模具；整組注漿成形的瓷土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。上過釉藥的作品經由1,300℃高溫氧化燒成之後，還需局部手工塗上色料，以較低溫度二度入窯燒烤才算完成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199105013","MainTitle":"玩彈珠","Creator":"設計者：王秀美
設計者：林三進","CreatedYear":"1991","Size":"29×22.8×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。兩位創作者王秀美與林三進是參與計畫的遴選設計師之一，一起合作發揮雕塑長才，嘗試將孩提時代的一些生活情境記憶，以裝飾陶瓷的表達方式展現出來。\r\n 玩彈珠是民國四零年代以後出生的過來人共同持有的記憶，本作品199105013〈玩彈珠〉是描述三位小孩子在地上玩彈珠遊戲、猴子在樹上觀戰的生活情境意象；主角是三位小孩，背景是大樹和猴子，整件作品係以寫實、擷景佈局的手法表現。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能開模，會有很多組石膏模具；整組注漿成形的瓷土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。上過釉藥的作品經由1,230℃高溫氧化燒成之後，還需局部手工塗上陶瓷色料，以較低溫度二度入窯燒烤才算完成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199105014","MainTitle":"瓜農","Creator":"設計者：王秀美
設計者：林三進","CreatedYear":"1991","Size":"16.2×12.2×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。兩位創作者王秀美與林三進是參與計畫的遴選設計師之一，一起合作發揮雕塑長才，嘗試將孩提時代的生活情境記憶，以裝飾陶瓷的表達方式展現出來。\r\n 本作品199105014〈瓜農〉是描述一對年輕瓜農夫婦，於小玉西瓜豐收時，在瓜田裡大啖西瓜的歡愉情境，男主人懷抱一顆西瓜加上肩扛一顆西瓜，地上還散置三顆西瓜，感覺上西瓜的主題非常明顯；整件作品係以寫實、擷景佈局的手法表現。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能開模，會有很多組石膏模具；整組注漿成形的瓷土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。上過釉藥的作品經由1,300℃高溫氧化燒成之後，還需局部手工塗上色料，以較低溫度二度入窯燒烤才算完成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199105015","MainTitle":"家庭系列/女孩與天鵝","Creator":"設計者：王秀美","CreatedYear":"1991","Size":"9×9×16.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者王秀美是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將孩提時代的生活情境記憶，以裝飾陶瓷的表達方式展現出來。\r\n 本作品199105015〈女孩與天鵝〉是家庭系列的作品之一，描述一位可愛的小女孩與三隻天鵝互動的情境，兩隻小天鵝抱在手上，一隻大天鵝跟隨在腳邊張嘴呱呱叫，配合小女孩略顯動態的身軀，感覺上異常生動；整件作品係以寫實、擷景佈局的手法表現。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能開模，會有很多組石膏模具；整組注漿成形的瓷土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。上過釉藥的作品經由1,300℃高溫氧化燒成之後，還需局部手工塗上色料，以較低溫度二度入窯燒烤才算完成。(詮釋委員：盧祥華)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000006964e2b6c0486bb37e44a74603c5619e721943ef5d3d5b4761f94c12d8f51d5c81d2d3452b1c641e4af57697960510490ae73c9f5b4900ce98476f4f24bb0a3f"}
,{"Identifier":"199105016","MainTitle":"家庭系列/女孩與兔子","Creator":"設計者：王秀美","CreatedYear":"1991","Size":"8.5×9×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者王秀美是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將孩提時代的生活情境記憶，以裝飾陶瓷的表達方式展現出來。\r\n 本作品199105016〈女孩與兔子〉是家庭系列的作品之一，描述一位可愛的小女孩與兩隻兔子互動的情境，一隻白兔抱在手上，另一隻站立在腳邊，小女孩右手的手勢有如等著地上的兔子一躍而上，非常生動、可愛；整件作品係以寫實、擷景佈局的手法表現。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能開模，會有很多組石膏模具；整組注漿成形的瓷土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。上過釉藥的作品經由1,300℃高溫氧化燒成之後，還需局部手工塗上色料，以較低溫度二度入窯燒烤才算完成。(詮釋委員：盧祥華)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000009e89fed2d885c5da50274ee049c40671dde92e347a189746395cb0ca5a5e66fc980007ab4e4ebb5b8d665b40d091a6e2f5f0a5db1cdea16da8f853af39f701d1"}
,{"Identifier":"199105017","MainTitle":"家庭系列/女孩與小貓","Creator":"設計者：王秀美","CreatedYear":"1991","Size":"8.5×9×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者王秀美是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將孩提時代的生活情境記憶，以裝飾陶瓷的表達方式展現出來。\r\n 本作品199105017〈女孩與小貓〉是家庭系列的作品之一，描述一位可愛的小女孩與兩隻貓咪互動的情境，一隻小小貓抱在手上，另一隻小貓站立在腳邊，小女孩右手的手勢有如等著地上的小貓一躍而上，非常生動、可愛；整件作品係以寫實、擷景佈局的手法表現。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能開模，會有很多組石膏模具；整組注漿成形的瓷土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。上過釉藥的作品經由1,300℃高溫氧化燒成之後，還需局部手工塗上色料，以較低溫度二度入窯燒烤。(詮釋委員：盧祥華)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000022c653463b0f8b8ee79a64ccd95b31fe988512dd3809eeec756c46712b6531cc0b6ea24d5f1196e95e074e53cfad463c05ad5c0885ae472405b3aa8ad3f73755"}
,{"Identifier":"199105018","MainTitle":"結婚系列/擁抱","Creator":"設計者：王秀美","CreatedYear":"1991","Size":"10×10×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105019","MainTitle":"結婚系列/舞","Creator":"設計者：王秀美","CreatedYear":"1991","Size":"10.5×10.5×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105020","MainTitle":"結婚系列/吹腊燭","Creator":"設計者：王秀美","CreatedYear":"1991","Size":"10.5×10.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105021","MainTitle":"豐收","Creator":"設計者：王秀美
設計者：林三進","CreatedYear":"1991","Size":"30.5×29×24","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。兩位創作者王秀美與林三進是參與計畫的遴選設計師之一，一起合作發揮雕塑長才，嘗試將孩提時代的生活情境記憶，以裝飾陶瓷的表達方式展現出來。\r\n 本作品199105021〈豐收〉是農村生活的系列作品之一，描述農村稻子收成時，一家大小忙著將那些從鼓風機裡篩選出來的稻穀裝袋之互動情境，故取名為「豐收」；小妹妹蹲在地上將稻穀把稻穀用手撥進畚箕裡頭，媽媽將畚箕從地上擡起來交給爸爸，站立的弟弟負責張開麻布袋的口，等著爸爸將稻穀倒進袋子，整件作品的故事性安排非常緊湊，係採取寫實、擷景佈局的手法表現，背景的鼓風機和人物的穿著，與當時的時代背景完全吻合，細細品味之下，回憶無窮。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能開模，會有很多組石膏模具；整組注漿成形的苗栗陶土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。上過釉藥的作品經由1,230℃高溫氧化燒成之後，還需局部手工塗上色料，以較低溫度二度入窯燒烤。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199105022","MainTitle":"汲水長流","Creator":"設計者：王秀美
設計者：林三進","CreatedYear":"1991","Size":"30.2×29.2×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。兩位創作者王秀美與林三進是參與計畫的遴選設計師之一，一起合作發揮雕塑長才，嘗試將孩提時代的生活情境記憶，以裝飾陶瓷的表達方式展現出來。\r\n 本作品199105022〈汲水長流〉是農村生活的系列作品之一，描述臺灣農村早期沒有自來水的時代，家庭成員們在井邊取水洗衣的互動情境，因此取名為「汲水長流」；爸爸負責從井裡打水上來，弟弟在井邊觀察，媽媽蹲在地上的木桶旁洗衣服，還可以看見洗衣板，姊姊也幫忙著在地面的石頭上捶打衣服同時伸手撫摸身邊的大鵝，整件作品的故事性安排非常緊湊，係採取寫實、擷景佈局的手法表現，背景的大樹、古井和人物的行為等情境安排非常緊湊，與當時的時代背景完全吻合，細細品味之下，回憶無窮。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能開模，會有很多組石膏模具；整組注漿成形的苗栗陶土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。上過釉藥的作品經由1,300℃高溫氧化燒成之後，還需局部手工塗上色料，以較低溫度二度入窯燒烤。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199105023","MainTitle":"雙鴿音樂鈴","Creator":"設計者：凱藝陶瓷","CreatedYear":"1991","Size":"13×13.5×13.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105024","MainTitle":"心形雙鴿盒","Creator":"設計者：凱藝陶瓷","CreatedYear":"1991","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105025","MainTitle":"雙鴿餐鈴(大)","Creator":"設計者：凱藝陶瓷","CreatedYear":"1991","Size":"10×9.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105026","MainTitle":"雙鴿餐鈴(小)","Creator":"設計者：凱藝陶瓷","CreatedYear":"1991","Size":"3.3×4×4.9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105027","MainTitle":"雙鴿心形掛飾","Creator":"設計者：凱藝陶瓷","CreatedYear":"1991","Size":"9.8×9×3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105028","MainTitle":"雙鴿心形相框","Creator":"設計者：凱藝陶瓷","CreatedYear":"1991","Size":"13×6.3×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105029","MainTitle":"跳舞新郎新娘","Creator":"","CreatedYear":"1991","Size":"12.7×13×23.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105030","MainTitle":"雙天鵝","Creator":"設計者：昇威陶瓷","CreatedYear":"1991","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105031","MainTitle":"雙鴿瓷盒 ","Creator":"設計者：昇威陶瓷","CreatedYear":"1991","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105032","MainTitle":"祈禱男女孩 ","Creator":"設計者：昇威陶瓷","CreatedYear":"1991","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105033","MainTitle":"結婚男女天使瓷盒","Creator":"設計者：昇威陶瓷","CreatedYear":"1991","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105034","MainTitle":"淑女遛狗","Creator":"其他-代工：昇威陶磁股份有限公司","CreatedYear":"1991","Size":"14×18.5×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一位盛裝淑女的裝飾陶瓷雕像。從品名和淑女手中握有繩子綜合判斷，應是表現淑女遛狗的情景，但現存有繫繩卻缺狗隻。臺灣的裝飾陶瓷產業在1970-1990年代盛極一時，早期從日本引入生產技術與指導人才，多數以OEM代工生產的方式營運，外銷歐美傢飾禮品市場，為臺灣帶來非常豐厚的外匯收入。\r\n 仔細觀察這件裝飾陶瓷，可以看見極為精細與高超的技巧，在整體人物造型、衣飾表現上無不展現精巧細膩的優美輕盈，層層蕾絲般的皺褶蓬裙背後，傳達了高度密集勞力、技術和創造力的累積。樹脂材料製成的底座由日本大阪的颶風有限公司（株式会社ハリケーン）所生產。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"199105035","MainTitle":"犀牛母子 ","Creator":"設計者：榮昶陶瓷","CreatedYear":"1991","Size":"13.9×10.2×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105036","MainTitle":"大黑熊","Creator":"設計者：榮昶陶瓷","CreatedYear":"1991","Size":"13×11.9×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105037","MainTitle":"大角羊母子","Creator":"設計者：榮昶陶瓷","CreatedYear":"1991","Size":"14×11.4×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105038","MainTitle":"動物音樂鈴組/駱駝","Creator":"設計者：惠光陶瓷","CreatedYear":"1991","Size":"13.5×8.5×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105039","MainTitle":"動物音樂鈴組/象","Creator":"設計者：惠光瓷器","CreatedYear":"1991","Size":"13.5×8.5×21.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105040","MainTitle":"動物音樂鈴組/獅","Creator":"設計者：惠光瓷器","CreatedYear":"1991","Size":"14.5×8.5×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105041","MainTitle":"動物音樂鈴組/虎","Creator":"設計者：惠光瓷器","CreatedYear":"1991","Size":"14.5×8.5×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105042","MainTitle":"卡通豬奶杯","Creator":"設計者：福泉陶瓷","CreatedYear":"1991","Size":"9.7×8.5×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105043","MainTitle":"卡通豬小糖罐 ","Creator":"設計者：福泉陶瓷","CreatedYear":"1991","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199105044","MainTitle":"卡通豬餐巾架","Creator":"設計者：福泉陶瓷","CreatedYear":"1991","Size":"10×8.5×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA1MDQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106001","MainTitle":"項鍊、胸針、耳環","Creator":"設計者：吳俊美
製作者：東大洋行","CreatedYear":"","Size":"\"001項鍊：長：13 寬：23 高：0.6 \r\n002胸針：長：4.5 寬：7.3 高：1\r\n003-004耳環：長：2.5 寬：3 高：1.5\"\t\t\t\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本首飾套組作品以雲、玫瑰、露珠之聯想為主題，為吳俊美於1991年珠寶飾品設計競賽之作品。創作者運用圖像轉化方式，將古代雲紋圖案的滑順線條幾何化，並將此化柔為剛的折線圖紋進行弧狀排列，以簡化符號引起人們對於玫瑰花串的聯想。作品中所搭配的圓潤珍珠，不僅表現了大小錯落且晶瑩清新的水珠，並且將此珠串巧妙地延伸串連成項鍊，而兼具了美感表現及配戴功能，更是彰顯了本組作品的造形特色。\r\n創作者選用了人造珍珠、銅合金及水鑽等材質，工藝上則運用了金屬加工、串珠工藝、寶石鑲嵌、電鍍處理等技法。本組作品包含了典型首飾套組的基本品項（一套四件款）：由一條項鍊、一件胸針及一對耳環組成，亦真實反應我國民眾於1990年代，對於珠寶飾品的收藏款式需求與風格喜好傾向，更貼切呈現了當時女性於婚慶喜宴等正式場合的配戴選件習慣。(詮釋委員：江怡瑩)","ImageUrl":""}
,{"Identifier":"199106001001","MainTitle":"項鍊、胸針、耳環","Creator":"設計者：吳俊美
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106001002","MainTitle":"項鍊、胸針、耳環","Creator":"設計者：吳俊美
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106001003","MainTitle":"項鍊、胸針、耳環","Creator":"設計者：吳俊美
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106001004","MainTitle":"項鍊、胸針、耳環","Creator":"設計者：吳俊美
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106002","MainTitle":"胸針、耳環","Creator":"設計者：黃弘鎮
製作者：會聯公司","CreatedYear":"","Size":"\"001胸針（大）：長：8.3 寬：5.2 高：1.2\r\n002-003耳環：長：2.2 寬：3.5 高：1\r\n004胸針（小）：長：5.5 寬：7.6 高：1.7\r\n005-006耳環：長：2.5 寬：3.5 高：1\"\t\t\t\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本組首飾作品之設計構思，主要參考自東方玉珮或翡翠雕刻常見之鳳凰主題，為黃弘鎮於1991年珠寶飾品設計競賽之作品。創作者運用簡化曲面及紋理變化表現鳳凰造型：頭冠及鳥喙部份以高亮度拋光處理，表現滑順金屬的獨特光澤，頸部及翅膀部份則以細膩的羽毛紋飾變化搭配小顆鑲鑽，為整體作品帶來豐富的視覺張力。\r\n創作者選用了錫合金及人造鑽石等材質，工藝上則運用了金屬加工、寶石鑲嵌及電鍍處理等技法。本組作品包含了大小兩個套組（兩組六件款），每一套組則各包含了：一件胸針及一對耳環。\r\n本組作品藉由鳳凰主題的華麗風格，亦反應我國民眾於1990年代，對於珠寶飾品結合吉祥寓意的喜好，適於母女、婆媳、姐妹或摯友結伴出席晚宴等正式場合時一起配戴。大件組的胸針呈現雙鳳展翅、互為環繞的構圖層次，小件組的胸針則展現鳳凰回眸、擺動轉身的姿態風韻；大小件組的耳環部分，因為金屬重量的負荷考量，則皆設計為扣夾式配戴。(詮釋委員：江怡塋)","ImageUrl":""}
,{"Identifier":"199106002001","MainTitle":"胸針、耳環","Creator":"設計者：黃弘鎮
製作者：會聯公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106002002","MainTitle":"胸針、耳環","Creator":"設計者：黃弘鎮
製作者：會聯公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106002003","MainTitle":"胸針、耳環","Creator":"設計者：黃弘鎮
製作者：會聯公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106002004","MainTitle":"胸針、耳環","Creator":"設計者：黃弘鎮
製作者：會聯公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106002005","MainTitle":"胸針、耳環","Creator":"設計者：黃弘鎮
製作者：會聯公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDAyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106002006","MainTitle":"胸針、耳環","Creator":"設計者：黃弘鎮
製作者：會聯公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDAyMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106003","MainTitle":"項鍊、手鐲、戒子","Creator":"設計者：唐欣
製作者：東大洋行","CreatedYear":"","Size":"\"001項鍊：長：37.5 寬：46 高：0.7\r\n002手鐲：長：7 寬：6.5 高：3.5 \r\n003戒子：長：2.2 寬：2.7 高：3\"\t\t\t\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本首飾套組包含項鍊、手鐲及戒子等三個品項，為唐欣於1991年珠寶飾品設計競賽之作品。其中，鍊墜主體之設計構思以十字架造型為發想主體，運用放射狀的構成原則，由中心向外配置銅合金、錫合金，展現金黃至銀白的色澤變化；金屬底胎的正中鑲嵌著橢圓形的藍紫色水晶為主石，並於其四周各搭配一顆三角形的綠色水晶，有色寶石的對稱式配置則為整體帶來穩定的和諧氛圍。\r\n再者，手鐲的線性設計呈現線條交錯的造型，由三角斜面構成立體線材，搭配雙色金屬的變化，產生靈巧活潑的韻律效果；其以蝴蝶頁軸配合金屬彈片的開闔扣頭，亦是方便配戴者單手操作的機關設計。此外，戒臺底座以馬眼形為主體，施以四周對稱式的粗爪鑲嵌，搭配藍紫色水晶主石，呈現大方霸氣之勢。整體而言，本系列飾品套組之造型設計，在簡單元素中注入靈巧變化，可謂兼具典雅簡潔及裝飾華麗之效果，且男女皆適於配戴。(詮釋委員：江怡瑩)","ImageUrl":""}
,{"Identifier":"199106003001","MainTitle":"項鍊、手鐲、戒子","Creator":"設計者：唐欣
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106003002","MainTitle":"項鍊、手鐲、戒子","Creator":"設計者：唐欣
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106003003","MainTitle":"項鍊、手鐲、戒子","Creator":"設計者：唐欣
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106004","MainTitle":"項鍊、手鐲、耳環","Creator":"設計者：林淑鈴
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106004001","MainTitle":"項鍊、手鐲、耳環--項鍊","Creator":"設計者：林淑鈴
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106004002","MainTitle":"項鍊、手鐲、耳環--手鐲","Creator":"設計者：林淑玲
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106004003","MainTitle":"項鍊、手鐲、耳環--耳環","Creator":"設計者：林淑玲
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106004004","MainTitle":"項鍊、手鐲、耳環--耳環","Creator":"設計者：林淑玲
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDA0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106005","MainTitle":"項鍊、耳環","Creator":"設計者：張妙如
製作者：會聯公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106005001","MainTitle":"項鍊、耳環--項鍊","Creator":"設計者：張妙如
製作者：會聯公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106005002","MainTitle":"項鍊、耳環--耳環 ","Creator":"設計者：張妙如
製作者：會聯公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106005003","MainTitle":"項鍊、耳環--耳環","Creator":"設計者：張妙如
製作者：會聯公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDA1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106006","MainTitle":"別針、耳環","Creator":"設計者：滕傑
製作者：會聯公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106013001","MainTitle":"項鍊、別針、耳環--項鍊","Creator":"設計者：林雅菁
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDEzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106013002","MainTitle":"項鍊、別針、耳環--別針","Creator":"設計者：林雅菁
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDEzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106013003","MainTitle":"項鍊、別針、耳環--耳環","Creator":"設計者：林雅菁
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDEzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106013004","MainTitle":"項鍊、別針、耳環--耳環","Creator":"設計者：林雅菁
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDEzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106014","MainTitle":"項鍊、耳環","Creator":"設計者：孫龍育
製作者：會聯公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106014001","MainTitle":"項鍊、耳環--項鍊","Creator":"設計者：孫龍育
製作者：會聯公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDE0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106014002","MainTitle":"項鍊、耳環--耳環","Creator":"設計者：孫龍育
製作者：會聯公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDE0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199106014003","MainTitle":"項鍊、耳環--耳環","Creator":"設計者：孫龍育
製作者：會聯公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTA2MDE0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205001","MainTitle":"童畫--項鍊、手鍊、胸針、耳環","Creator":"設計者：吳俊美
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本組首飾為吳俊美於1992年珠寶飾品設計競賽之作品。創作者以兒童畫的天真塗鴉為創意起點，由不規則的有機造型發展出相似的曲面基本單位元，進而延伸出包含項鍊、手鍊、胸針及耳環的珠寶套組。金屬胎底以脫臘鑄造為鉛錫合金後，處理為砂光的霧面質感並電鍍為仿金色系，且於表面淺槽區域施以冷琺瑯上色（米黃、鮮紅帶亮粉的環氧樹脂），並鑲嵌、黏貼各式圓潤收邊的有色半寶石（方形、圓形），以表現豐富的色彩變化。\r\n金屬元件之表面浮現點綴小房屋、繩結及井字符號等隨心所欲的塗鴉線條，且各單位元件間以甜甜圈般的小環銜接，更增加本套作品活潑嬉戲的熱鬧氛圍。\r\n本首飾套組的表現風格，亦顯露1990年代一般民眾對於搭配流行服飾的珠寶喜好之一。(詮釋委員：江怡瑩)","ImageUrl":""}
,{"Identifier":"199205001001","MainTitle":"童畫--項鍊、手鍊、胸針、耳環","Creator":"none：none
設計者：吳俊美
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205001002","MainTitle":"童畫--項鍊、手鍊、胸針、耳環","Creator":"設計者：吳俊美
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205001003","MainTitle":"童畫--項鍊、手鍊、胸針、耳環","Creator":"設計者：吳俊美
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205001004","MainTitle":"童畫--項鍊、手鍊、胸針、耳環","Creator":"設計者：吳俊美
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,{"Identifier":"199205001005","MainTitle":"童畫--項鍊、手鍊、胸針、耳環","Creator":"設計者：吳俊美
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205002","MainTitle":"金色流梳--項鍊、胸針、耳環","Creator":"設計者：邱瓊梅
製作者：光興飾品有限公司","CreatedYear":"","Size":"\"001項鍊：長：13.5 寬：25 高：1.2\r\n002胸針：長：2 寬：12.5 高：1.4\r\n003-004耳環：長：2 寬：13.5 高：1.5\"\t\t\t\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本組首飾作品為邱瓊梅於1992年珠寶飾品設計競賽之作品。作品主題以流梳（又稱流蘇）為造型特色，呈現誇大的流行款式並強調飾品的金色貴氣。流蘇原為東方民族自古喜愛且常用的穗狀飾物，以往多由彩絲或羽毛做成，並裝置在門簾、旌旗、馬車、帳幕、樓閣、居家空間或生活用具的邊緣，後來更延伸此垂墜式的擺盪裝飾為髪髻、服裝或飾品造型之應用。\r\n本組作品取用量產之金屬扁平軟鍊，裁成線段後聚集為穗狀飾物，以產生金色流蘇的華貴裝飾效果。另以臘線纏繞雕塑出長螺形的流蘇花帽與串珠蓋頭，脫蠟鑄造成錫合金後施以打磨拋修，再送霧金電鍍處理。此外，創作者以金屬流蘇搭配螺旋花帽及珍珠的擺盪效果，使整組作品在典雅的裝飾風格中融入大膽的異國風情與活潑氣息，而適於個性大方之豪情人士配戴。(詮釋委員：江怡瑩)","ImageUrl":""}
,{"Identifier":"199205002001","MainTitle":"金色流梳--項鍊、胸針、耳環","Creator":"設計者：邱瓊梅
製作者：光興飾品有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205002002","MainTitle":"金色流梳--項鍊、胸針、耳環","Creator":"設計者：邱瓊梅
製作者：光興飾品有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205002003","MainTitle":"金色流梳--項鍊、胸針、耳環","Creator":"設計者：邱瓊梅
製作者：光興飾品有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205002004","MainTitle":"金色流梳--項鍊、胸針、耳環","Creator":"設計者：邱瓊梅
製作者：光興飾品有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205003","MainTitle":"春風--項鍊、胸針、耳環","Creator":"設計者：吳秋慧
製作者：會聯有限公司","CreatedYear":"","Size":"\"001項鍊：長：15 寬：19 高：0.8 \r\n002胸針：長：8.9 寬：1.5 高：5.3\r\n003-004耳環：長：3.3 寬：1.2 高：3.5\"\t\t\t\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本組首飾為吳秋慧於1992年珠寶飾品設計競賽之作品。本組作品以「春風」為題，借用「七巧板」的概念，運用菱形單位元拼構出多種組合變化。有些單位元以蝕刻紋理增加金屬表面的肌理變化，有些單位元則以密釘鑲法鋪滿蘇聯鑽，使金屬表面縝密排列了人造鋯石，此寶石鑲嵌工藝之金屬鑲爪細微，使寶石能夠進行完美的光線互動作用（透射、折射、散射、反射、反光），而彰顯如滿天星光之華麗貴氣效果。藉由包鑲水鑽之軸柱，使之穿過綠色水晶玻璃中間孔隙而固定排列於菱形單位元件之上，猶如晶瑩剔透的涼味果凍糖錠，使整體首飾作品點綴如可口甜點般的感官體驗。\r\n此外，一對耳環另以有機曲線為輪廓，產生春風舞動的旋轉聯想，亦為胸針、項鍊的幾何配置，增添整體首飾套件的活潑變化。(詮釋委員：江怡瑩)","ImageUrl":""}
,{"Identifier":"199205003001","MainTitle":"春風--項鍊、胸針、耳環","Creator":"設計者：吳秋慧
製作者：會聯有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205003002","MainTitle":"春風--項鍊、胸針、耳環","Creator":"設計者：吳秋慧
製作者：會聯有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205003003","MainTitle":"春風--項鍊、胸針、耳環","Creator":"設計者：吳秋慧
製作者：會聯有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205003004","MainTitle":"春風--項鍊、胸針、耳環","Creator":"設計者：吳秋慧
製作者：會聯有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDAzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205004","MainTitle":"藍色的夢--項鍊、胸針、耳環","Creator":"設計者：林立忠
製作者：大東山珊瑚寶石公司","CreatedYear":"","Size":"\"001項鍊：長：21 寬：27 高：1.2 \r\n002胸針：長：6 寬：2 高：6.4\r\n003-004耳環：長：2 寬：1.2 高：6 \"\t\t\t\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本組首飾為林立忠於1992年珠寶飾品設計競賽之作品。本套組作品以「藍色的夢」為主題，鍊墜及胸針的主體以鉛錫合金為底胎，將之曲折形塑為包覆狀的立體空間，其間夾鑲珍珠造成珠鍊穿越、珍珠滿溢的視覺效果。鍍金（22KT）的立體曲面施以寶藍色系的冷琺瑯，串連起深邃海洋或縹渺宇宙的綺夢聯想；金屬邊緣以釘鑲點綴人造鑽石造成華麗滾邊，而產生別具特色的高雅印象。鍊墜、胸針及耳環的下緣，串連雙色的大小珍珠形成垂墜結構，亦延伸出葫蘆意象的吉祥隱喻。\r\n此以珍珠為主要媒材的套組設計，運用珍珠之圓潤寓意，共構成為頗受1990年代民間人士喜愛的首飾風格。(詮釋委員：江怡瑩)","ImageUrl":""}
,{"Identifier":"199205004001","MainTitle":"藍色的夢--項鍊、胸針、耳環","Creator":"設計者：林立忠
製作者：大東山珊瑚寶石公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205004002","MainTitle":"藍色的夢--項鍊、胸針、耳環","Creator":"設計者：林立忠
製作者：大東山珊瑚寶石公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205004003","MainTitle":"藍色的夢--項鍊、胸針、耳環","Creator":"設計者：林立忠
製作者：大東山珊瑚寶石公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205004004","MainTitle":"藍色的夢--項鍊、胸針、耳環","Creator":"設計者：林立忠
製作者：大東山珊瑚寶石公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205005","MainTitle":"花之舞--項鍊、胸針、耳環 ","Creator":"設計者：蔡慧珍
製作者：飾藝企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205005001","MainTitle":"花之舞--項鍊","Creator":"設計者：蔡慧珍
製作者：飾藝企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205005002","MainTitle":"花之舞--胸針","Creator":"設計者：蔡慧珍
製作者：飾藝企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205005003","MainTitle":"花之舞--耳環","Creator":"設計者：蔡慧珍
製作者：飾藝企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205005004","MainTitle":"花之舞--耳環 ","Creator":"設計者：蔡慧珍
製作者：飾藝企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205006","MainTitle":"朝瓊玉露--項鍊、胸針、戒子","Creator":"設計者：盧錦堂
製作者：余展企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205006001","MainTitle":"朝瓊玉露--項鍊","Creator":"設計者：盧錦堂
製作者：余展企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205006002","MainTitle":"朝瓊玉露--胸針","Creator":"設計者：盧錦堂
製作者：余展企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205006003","MainTitle":"朝瓊玉露--戒子","Creator":"設計者：盧錦堂
製作者：余展企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205007","MainTitle":"唐詩三百首--項鍊、髮簪、胸針、耳環","Creator":"設計者：查保俊
製作者：旺德飾品公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205007001","MainTitle":"唐詩三百首--項鍊","Creator":"設計者：查保俊
製作者：旺德飾品公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205007002","MainTitle":"唐詩三百首--髮簪","Creator":"設計者：查保俊
製作者：旺德飾品公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205007003","MainTitle":"唐詩三百首--胸針","Creator":"設計者：查保俊
製作者：旺德飾品公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA3MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205007004","MainTitle":"唐詩三百首--耳環","Creator":"設計者：查保俊
製作者：旺德飾品公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA3MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205007005","MainTitle":"唐詩三百首--耳環","Creator":"設計者：查保俊
製作者：旺德飾品公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA3MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205008","MainTitle":"親密戀人--項鍊、胸針、耳環","Creator":"設計者：林淑玲
製作者：飾藝企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205008001","MainTitle":"親密戀人--項鍊","Creator":"設計者：林淑玲
製作者：飾藝企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205008002","MainTitle":"親密戀人--胸針","Creator":"設計者：林淑玲
製作者：飾藝企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205008003","MainTitle":"親密戀人--耳環","Creator":"設計者：林淑玲
製作者：飾藝企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA4MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205008004","MainTitle":"親密戀人--耳環","Creator":"設計者：林淑玲
製作者：飾藝企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA4MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205009","MainTitle":"陽剛之美--項鍊、手環、耳環","Creator":"設計者：張靜玉
製作者：珈新珠寶有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205009001","MainTitle":"陽剛之美--項鍊","Creator":"設計者：張靜玉
製作者：珈新珠寶有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205009002","MainTitle":"陽剛之美--手環","Creator":"設計者：張靜玉
製作者：珈新珠寶有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA5MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205009003","MainTitle":"陽剛之美--耳環","Creator":"設計者：張靜玉
製作者：珈新珠寶有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA5MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205009004","MainTitle":"陽剛之美--耳環","Creator":"設計者：張靜玉
製作者：珈新珠寶有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDA5MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205010","MainTitle":"七月的浪潮--項鍊、胸針、耳環","Creator":"設計者：鍾清瑛
製作者：飾藝企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205010001","MainTitle":"七月的浪潮--項鍊","Creator":"設計者：鍾清瑛
製作者：飾藝企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDEwMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205010002","MainTitle":"七月的浪潮--胸針","Creator":"設計者：鍾清瑛
製作者：飾藝企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDEwMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205010003","MainTitle":"七月的浪潮--耳環","Creator":"設計者：鍾清瑛
製作者：飾藝企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDEwMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205010004","MainTitle":"七月的浪潮--耳環","Creator":"設計者：鍾清瑛
製作者：飾藝企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDEwMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205011","MainTitle":"丹扉之戀--項鍊、手環、胸針、耳環","Creator":"設計者：白銀蓉
製作者：白銀蓉工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205011001","MainTitle":"丹扉之戀--項鍊","Creator":"設計者：白銀蓉
製作者：白銀蓉工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDExMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205011002","MainTitle":"丹扉之戀--手環","Creator":"設計者：白銀蓉
製作者：白銀蓉工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDExMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205011003","MainTitle":"丹扉之戀--胸針","Creator":"設計者：白銀蓉
製作者：白銀蓉工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDExMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205011004","MainTitle":"丹扉之戀--耳環","Creator":"設計者：白銀蓉
製作者：白銀蓉工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDExMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205011005","MainTitle":"丹扉之戀--耳環","Creator":"設計者：白銀蓉
製作者：白銀蓉工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDExMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205012","MainTitle":"雲朵--項鍊、戒子、耳環","Creator":"設計者：王姿瓔
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205012001","MainTitle":"雲朵--項鍊","Creator":"設計者：王姿瓔
製作者：東大洋行樓","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDEyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205012002","MainTitle":"雲朵--戒子","Creator":"設計者：王姿瓔
製作者：東大洋行樓","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDEyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205012003","MainTitle":"雲朵--耳環","Creator":"設計者：王姿瓔
製作者：東大洋行樓","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDEyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205012004","MainTitle":"雲朵--耳環","Creator":"設計者：王姿瓔
製作者：東大洋行樓","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDEyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205013","MainTitle":"比翼乘雲--項鍊、耳環","Creator":"設計者：粘碧華
製作者：紅河馬貿易有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205013001","MainTitle":"比翼乘雲--項鍊","Creator":"創作者：粘碧華
製作者：紅河馬貿易有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDEzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205013002","MainTitle":"比翼乘雲--耳環","Creator":"設計者：粘碧華
製作者：紅河馬貿易有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDEzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205013003","MainTitle":"比翼乘雲--耳環","Creator":"設計者：粘碧華
製作者：紅河馬貿易有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDEzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205014","MainTitle":"秋天的楓葉--胸針、耳環","Creator":"設計者：呂政男
製作者：北新金銀珠寶有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205014001","MainTitle":"秋天的楓葉--胸針","Creator":"設計者：呂政男
製作者：北新金銀珠寶有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDE0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205014002","MainTitle":"秋天的楓葉--耳環","Creator":"設計者：呂政男
製作者：北新金銀珠寶有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDE0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199205014003","MainTitle":"秋天的楓葉--耳環","Creator":"設計者：呂政男
製作者：北新金銀珠寶有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2005","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA1MDE0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199206001","MainTitle":"羅漢喝茶","Creator":"創作者：唐永哲","CreatedYear":"1992","Size":"18×19×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生，小時候在福建長大，充滿兒時家鄉的回憶，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將小時候記憶中的的情境故事，以裝飾陶瓷的表達方式展現出來。\r\n 本作品199206001〈羅漢喝茶〉，描述一位身著青衣長袍的羅漢以悠閒自在的姿態，左手握著茶杯坐在大石塊上喝茶，石塊上擺著一隻容量略大的方形茶壺，好像還在等著誰來一起品茗共享；羅漢是佛陀得道弟子中修證最高的果位，羅漢六根清凈、了脫生死，受世間眾人敬仰。\r\n 技術上嘗試採用苗栗陶土注漿成形，陰乾後經過素燒的坏體，由於頭部、頸部、胸口、手及茶壺等部位要保留陶土本色，地上的大石頭和人物的眼睛、嘴巴等部位還要塗上不同顏色的色料或手工描繪，方才進行二次燒烤；因此須事先以手工將上述部位塗上蠟油以防止沾到釉藥，接著以浸釉方式施釉，可以得到比較厚實的釉層，採1,230℃氧化方式燒成，整個作品外觀有如宋代汝窯的釉色質感，優雅耐看又富古意；長袍衣摺隆起的線條，明顯出現和協、美觀、自然的褐色線條，那是因為釉燒時坏體表面的釉藥呈熔融、流動狀態，上述線條部位的釉變薄，隱約露出底下陶土的顏色之故，形成特殊效果。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199206002","MainTitle":"仕女系列（綠底金圈裙）","Creator":"設計者：王秀美
設計者：林三進","CreatedYear":"1992","Size":"22.2×23×25.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。兩位創作者王秀美與林三進是參與計畫的遴選設計師之一，一起合作發揮雕塑長才，嘗試將孩提時代的一些生活情境以裝飾陶瓷的表達方式展現出來。\r\n 本作品199206002〈仕女系列（綠底金圈裙）〉是兩位作者共同創作的四件「仕女系列」作品之一，每一件作品無論是造形設計或釉色與圖案的安排都是令人為之驚艷，充分顯現裝飾陶瓷之美；作品描述的是一位身穿歐美古代傳統華麗服裝，體態勻稱有緻的女子，上身往前傾、左手托著下巴、右手往後伸直的動作有如舞蹈般優美，但不失重心的穩固性，這是設計上的巧妙之處。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能進行開模作業，會有多組石膏模具；整組注漿成形的瓷土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。因為是釉下彩的關係，所以必須先在素燒坏上依照需要的各種顏色施以不同的色釉，等乾了之後再全面噴上透明釉，經由1,300℃高溫氧化燒成。最後還須以毛筆沾上陶瓷色料，手工描繪眉毛、眼線及嘴巴，包括裙子上的金色圈圈圖案，然後以略低於本燒的溫度二度入窯燒烤才算完成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199206003","MainTitle":"仕女系列（白底藍色橫紋裙）","Creator":"設計者：王秀美
設計者：林三進","CreatedYear":"1992","Size":"23×22.5×25.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。兩位創作者王秀美與林三進是參與計畫的遴選設計師之一，一起合作發揮雕塑長才，嘗試將孩提時代的一些生活情境以裝飾陶瓷的表達方式展現出來。\r\n 本作品199206003〈仕女系列（白底藍色橫紋裙）〉是兩位作者共同創作的四件「仕女系列」作品之二，每一件作品無論是造形設計或釉色與圖案的安排都是令人為之驚艷，充分顯現裝飾陶瓷之美；作品描述的是一位身穿歐美古代傳統華麗服裝，體態勻稱有緻的女子，上身往後仰、兩手自然張開加上手指頭的姿態表現有如舞蹈般優美，但不失重心的穩固性，這是設計上的巧妙之處。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能進行開模作業，會有多組石膏模具；整組注漿成形的瓷土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。因為是釉下彩的關係，所以必須先在素燒坏上依照需要的各種顏色施以不同的色釉，等乾了之後再全面噴上透明釉，經由1,300℃高溫氧化燒成。最後還須以毛筆沾上陶瓷色料，手工描繪眉毛、眼線及嘴巴，然後以略低於本燒的溫度二度入窯燒烤才算完成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199206004","MainTitle":"仕女系列（藍底金圈裙）","Creator":"設計者：王秀美
設計者：林三進","CreatedYear":"1992","Size":"21.3×21×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。兩位創作者王秀美與林三進是參與計畫的遴選設計師之一，一起合作發揮雕塑長才，嘗試將孩提時代的一些生活情境以裝飾陶瓷的表達方式展現出來。\r\n 本作品199206004〈仕女系列（藍底金圈裙）〉是兩位作者共同創作的四件「仕女系列」作品之三，每一件作品無論是造形設計或釉色與圖案的安排都是令人為之驚艷，充分顯現裝飾陶瓷之美；作品描述的是一位身穿歐美古代傳統華麗服裝，體態勻稱有緻的女子，上身往前傾、雙手下垂靠到膝蓋上的動作有如舞蹈般優美，但不失重心的穩固性，這是設計上的巧妙之處。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能進行開模作業，會有多組石膏模具；整組注漿成形的瓷土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。因為是釉下彩的關係，所以必須先在素燒坏上依照需要的各種顏色施以不同的色釉，等乾了之後再全面噴上透明釉，經由1,300℃高溫氧化燒成。最後還須以毛筆沾上陶瓷色料，手工描繪眉毛、眼線及嘴巴，包括裙子上的金色圈圈圖案，然後以略低於本燒的溫度二度入窯燒烤才算完成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199206005","MainTitle":"仕女系列（綠色滾金邊花裙）","Creator":"設計者：王秀美
設計者：林三進","CreatedYear":"1992","Size":"19×18.5×25.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。兩位創作者王秀美與林三進是參與計畫的遴選設計師之一，一起合作發揮雕塑長才，嘗試將孩提時代的一些生活情境以裝飾陶瓷的表達方式展現出來。\r\n 本作品199206005〈仕女系列（綠色滾金邊花裙）〉是兩位作者共同創作的四件「仕女系列」作品之四，每一件作品無論是造形設計或釉色與圖案的安排都是令人為之驚艷，充分顯現裝飾陶瓷之美；作品描述的是一位身穿歐美古代傳統華麗服裝，體態勻稱有緻的女子，身子略往右側前傾、右手彎曲抬起摸著後腦杓的馬尾綁髮、左手自然往下的動作有如舞蹈般優美，但不失重心的穩固性，這是設計上的巧妙之處。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能進行開模作業，會有多組石膏模具；整組注漿成形的瓷土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。因為是釉下彩的關係，所以必須先在素燒坏上依照需要的各種顏色施以不同的色釉，等乾了之後再全面噴上透明釉，經由1,300℃高溫氧化燒成。最後還須以毛筆沾上陶瓷色料，手工描繪眉毛、眼線及嘴巴，包括裙子上的滾邊金色線條，然後以略低於本燒的溫度二度入窯燒烤才算完成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199206006","MainTitle":"三寶童","Creator":"設計者：青茂工藝社","CreatedYear":"1992","Size":"15×24×27.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199206007","MainTitle":"嬰兒脫鞋","Creator":"設計者：今冠陶瓷","CreatedYear":"1992","Size":"12.5×12.5×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷人偶造型是一名正在脫襪子的金髮女嬰孩。她穿著飾有粉紅花邊的白色洋裝，頭上戴著小蝴蝶結；左腳微抬起，右手拉扯著毛襪，一隻鞋子脫在旁邊。嬰孩瓷偶表現了嬰兒成長的學習過程，尚且不太熟練的肢體動作，肌膚的釉色表現以及衣服的皺摺，皆塑畫擬真。瓷偶的肢體該塑像以瓷土注漿成型後經瓦斯窯1250-1280℃燒成，再將釉色料塗繪於白坯，以低溫700-800℃電爐烤色而成。底部沒有落款，無以得知生產年代與地點。僅以黑筆書寫記載著「今冠 小孩脫鞋」。1970-80年代，受到日本的技術引進，與苗栗在地乾淨的天然瓦斯資源，苗栗裝飾陶瓷產曾發展蓬勃一時，享有「裝飾陶瓷王國」的美譽。1974年，貿易公司開始直接招募陶瓷技術人員成立工廠，苗栗地區的陶瓷工廠如雨後春筍般拓展開來。(《苗栗裝飾陶瓷產業》p.20)(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"199206008","MainTitle":"天使唱詩及彈琵琶","Creator":"設計者：易慶陶瓷","CreatedYear":"1992","Size":"13×16×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199206009","MainTitle":"小鳥與天使音樂鈴","Creator":"設計者：今冠陶瓷","CreatedYear":"1992","Size":"10.5×10.5×22","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是件優美的天使陶瓷雕像兼具音樂盒功能，從著錄資料登錄設計者今冠陶瓷看來，是臺灣自行設計，推估為臺灣外銷裝飾陶瓷盛產時期較晚期的作品。1960-90年代，臺灣以大量裝飾陶瓷外銷歐美等地，贏得裝飾陶瓷王國之稱，苗栗地區更是其中產業生產重鎮。1960年代中期開始，日本移轉生產技術至本地，1970年代陸續成立的臺資或中日合資公司，帶動以代工生產西洋風格的人偶、動植物、節慶飾品等產品的蓬勃發展，期間雖然陸續養成產業環節的各項人材，但自行開發與創建品牌仍屬少數。\r\n 以瓷土注漿成形、釉上彩繪製成的天使，透過女性纖長的造型姿態，帶出優雅又散發慈愛關懷的光輝，各種裝飾細節一一兼顧，髮帶、裙飾更加以金色點綴畫龍點睛，顯現出整合成熟的工藝技術與美感掌握。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"199206010","MainTitle":"撥時鐘女孩","Creator":"","CreatedYear":"1992","Size":"9×10.5×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 站在一疊書上，小女孩踮起腳，伸手想撥弄一座比她還高的立鐘。她穿著淺藍色洋裝，金黃頭髮整齊的梳向兩旁，以粉紅蝴蝶結紮起。一隻小灰貓也跳上了立鐘，從上往下探看，小狗則咬著小女主人的衣裙衣角，小女孩站在散落疊起的書堆上，不太穩固的樣子；從正面觀看這座瓷偶，並看不見小女孩的面容，她背對著我們，如同她瞞著大人，自己想盡辦法地去調整立鐘的指針。這件陶瓷人偶在造型上捕捉了小孩的思維，以多樣複雜的物件塑造情境，表現出人物的動態與視覺張力。瓷偶的肢體該塑像以瓷土注漿成型後經瓦斯窯1250-1280℃燒成，再將釉色料塗繪於白坯，以低溫700-800℃電爐烤色而成。底部沒有落款，無以得知生產年代與地點。僅以黑筆書寫記載著「今冠 撥時鐘女孩」。\r\n 陶瓷人偶的製程先後大致分為：原型雕塑、製模分片、注漿成型、整修粘接、生檢、窯燒、締檢、彩繪和繪燒、品檢與包裝幾個步驟，是一項勞力密集且技術性高的作業。1970-80年代，受到日本的技術引進，與苗栗在地乾淨的天然瓦斯資源，苗栗裝飾陶瓷產曾發展蓬勃一時，享有「裝飾陶瓷王國」的美譽。1974年，貿易公司開始直接招募陶瓷技術人員成立工廠，苗栗地區的陶瓷工廠如雨後春筍般拓展開來。(《苗栗裝飾陶瓷產業》p.20)(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"199206011","MainTitle":"西洋淑女Sarah(粉紅)","Creator":"其他-品牌商：Lesser＆Pavey Ltd
其他-代工：富鈺實業股份有限公司","CreatedYear":"1992","Size":"13.5×13.5×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋仕女Sarah盛裝打扮的裝飾陶瓷雕像，以骨瓷製作，採注漿成形、釉上彩繪的精美之作，人物動作姿態造型鮮活，衣著細節繁複而細膩，反映生產技術之精良。\r\n 雕像底部壓印了〝The Leonardo Collection, Fine Bone China, Foreign Sarah〞的商標與品名註記，說明了是成立於1971年的英國家飾禮品商Lesser & Pavey旗下歷久不衰的品牌〝The Leonardo Collection〞產品之一。該系列產品涵蓋了居家用品、人偶塑像以及紀念性禮品，本作屬於精美的擺飾塑像產品，在生產地臺灣以「裝飾陶瓷」稱呼。\r\n 裝飾陶瓷在臺灣的產業發展，屬OEM代工生產的性質，供應歐美廣大的家居飾品、紀念禮品之需求，為高勞力密集的產業，在1970-80年代輝煌一時，為臺灣創造豐厚的經濟收入，但邁入各項生產成本開始飆漲的1990年代後，迅速沒落。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"199206012","MainTitle":"西洋淑女Sarah(藍)","Creator":"其他-品牌商：Lesser＆Pavey Ltd
其他-代工：富鈺實業股份有限公司","CreatedYear":"1992","Size":"11.5×11.5×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件以西洋仕女Sarah盛裝打扮為題材的裝飾陶瓷雕像，以骨瓷製作，採注漿成形、釉上彩繪的精美之作，人物動作姿態衣著造型高貴優雅，深具擺動感的裙擺，讓人感受轉身動作的瞬間，反映製造者富鈺陶瓷在製作上的純熟掌握和生產技術之精良。\r\n 雕像底部壓印了〝The Leonardo Collection, Fine Bone China, Foreign Sarah〞的商標與品名註記，說明了是成立於1971年的英國家飾禮品商Lesser & Pavey旗下歷久不衰的品牌產品之一。品牌〝The Leonardo Collection〞的產品面涵蓋了居家用品、人偶塑像以及紀念性禮品，本作屬於精美的擺飾塑像產品，在生產地臺灣以「裝飾陶瓷」稱呼。\r\n 裝飾陶瓷在臺灣的產業發展，屬OEM代工生產的性質，供應歐美廣大的家居飾品、紀念禮品之需求，屬高勞力密集的產業，在1970-80年代輝煌一時，為臺灣創造豐厚的經濟收入，但邁入各項生產成本開始飆漲的1990年代社會環境後，迅速沒落。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"199206013","MainTitle":"大天使吹笛","Creator":"","CreatedYear":"1992","Size":"14.5×15.5×26.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件瓷土注漿成形、釉上彩繪的人物雕像形塑身著古典衣飾，有著褐色長捲髮，背上一對翅膀的女性，正吹著樂器。雕像底部一行字註記「元好大天使吹號角」，並且可見1991 COSMOS的壓印字樣，因此推測雕像主題出自西方宗教經典聖經裡所提—「天使吹號角」，為元好藝術陶瓷1991年的產品。在聖經裡，先知吹奏樂器，天使吹號則意味重要事件將發生—號角聲一出，上帝便到來。\r\n 元好陶瓷公司登記於1981年，所在地苗栗頭份，時值苗栗裝飾陶瓷產業發展的高峰時期，1987年更在美國成立COSMOS Gift品牌。官網提及產品特色為「結合歐美及臺灣瓷藝創作家，瓷器為典雅傳統、歐式風格，過去外銷歐洲、日本或美國。」(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"199206014","MainTitle":"陶瓷手造花/酒紅色玫瑰","Creator":"設計者：佳興陶器","CreatedYear":"1992","Size":"16×10.7×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199206015","MainTitle":"陶瓷手造花/桃紅色玫瑰","Creator":"設計者：佳興陶器","CreatedYear":"1992","Size":"16×10.7×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199206016","MainTitle":"陶瓷手造花/黃茶花","Creator":"設計者：佳興陶器","CreatedYear":"1992","Size":"15.5×8.8×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199206017","MainTitle":"美國國旗馬","Creator":"設計者：佳興陶器","CreatedYear":"1992","Size":"45×18×49.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199206018","MainTitle":"珍珠釉獨角馬","Creator":"設計者：崧楊陶瓷","CreatedYear":"1992","Size":"50×30×34","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199206019","MainTitle":"母子狗系列/蠟腸狗","Creator":"設計者：崧楊陶瓷","CreatedYear":"1992","Size":"13.7×8.3×10.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199206020","MainTitle":"母子狗系列/純黑","Creator":"設計者：崧楊陶瓷","CreatedYear":"1992","Size":"13.7×6.6×9.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199206021","MainTitle":"母子狗系列/沙皮狗","Creator":"設計者：崧楊陶瓷","CreatedYear":"1992","Size":"14×8.8×7.9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199206022","MainTitle":"母子狗系列/褐白花色狗","Creator":"設計者：崧楊陶瓷","CreatedYear":"1992","Size":"16.5×10×9.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199206023","MainTitle":"母子狗系列/黑白花色狗","Creator":"設計者：崧楊陶瓷","CreatedYear":"1992","Size":"16×10×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1992","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MjA2MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199301001","MainTitle":"花草景泰藍圓瓶","Creator":"創作者：郭明橋","CreatedYear":"","Size":"附錦盒","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199301002","MainTitle":"黑釉銹斑竹大盤","Creator":"設計者：劉美鳳
廠商：映東陶藝有限公司","CreatedYear":"","Size":"附木箱\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此物為一件著重釉彩妝飾技法的仿古陶瓷盤。烏亮的黑盤中繪有鐵青色的雙竹紋樣，盤緣與圈足底緣都露出鐵褐色線。製作過程起於將雙竹紋樣轉畫到坯體上，再在施好黑釉的坯體上以氧化鐵作著色劑繪飾雙竹紋樣，經高溫氧化還原燒製過程，紋飾中的鐵晶體呈現出斑斕的鐵鏽斑。黑釉中富含氧化鐵，在氧化燒過程中呈褐色或黑色，還原燒法則轉為青色。作品大盤器形適合展現釉色變化，除收藏觀賞，亦可承裝實用。\r\n黑釉器物自漢朝發現以來，至兩宋時期透過黑釉茶盞實踐鬥茶文化，產出如天目釉（黑釉）、南宋吉州窯黑釉瓷多元的茶盞色貌，顯現黑釉豐富多變的釉層質地，與青瓷並列為兩種最能闡釋宋代美學的陶瓷釉色。此件作品即是創作者利用黑釉的特質表現於現代的陶瓷盤上，流域慈以釉下彩繪飾技法，營造出類似南宋吉州窯黑釉木葉貼花、北宋或金磁州窯黑釉鐵銹的風采，讓此件作品不僅以中國藝術四君子之竹作圖像符號上的仿古，也是釉色上的仿古。\r\n於鶯歌發展的創作者劉美鳳（後更名為劉育慈）以此件作品參加1988年臺灣手工業產品評選展，獲得優良獎佳績，展現她優越的仿古彩繪技藝，也反映了臺灣彩繪陶瓷產業的時代風格。於〈台灣彩繪陶瓷的分期及繪畫性初探〉（註1）一文中提到，「仿古陶瓷把彩繪的風格帶到明清時期官窯風格的表現，以「仿古三兄弟」之稱的北投蔡曉芳、高東朗和中和林德文最為著名，聞名於古董界及政經界。鶯歌漢宇陶藝的林明體以燒製釉裡紅的大型瓷器聞名，映東陶瓷的劉育慈擅長仿元明青花及甜白、青瓷、銅紅等單色釉，仿古陶瓷業者日以繼夜不斷的試煉，在短短十年內，將陶瓷技術發展到相當成熟的階段。」 可見當時創作水準。關於臺灣手工業產品評選展，其前身為「全國手工業產品評選」，是本中心「臺灣省手工業研究所」時期（1973-1999）舉辦的推廣活動，自1977年開辦至1994年結束，徵選內容以媒材分類；於1995年更名為「臺灣生活用品評選」，反映出製造方式隨時代的進步（註2）。 (詮釋委員：杜文田)\r\n\r\n註1 林慧貞，〈臺灣彩繪陶瓷分期及繪畫表現初探〉，陳秀珠、巫漢青策畫編輯，《臺灣彩繪陶瓷的發展與未來—研討會暨工作營專輯》，臺北縣立鶯歌陶瓷博物館，2003/12，頁24-38。\r\n註2 賴佩君，〈一部微型的臺灣工藝發展史─臺灣工藝競賽發展綜論〉，《臺灣工藝期刊》，第71期，國立臺灣工藝研究發展中心，頁9。","ImageUrl":""}
,{"Identifier":"199301003","MainTitle":"寶串佛手","Creator":"創作者：林纖穎","CreatedYear":"","Size":"","Type":"工藝類\\珠寶類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199302001","MainTitle":"一鳴天下白","Creator":"程精鈞","CreatedYear":"","Size":"","Type":"工藝類\\籐材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品用籐編技法單蕊捲繞完成，技巧成熟，編作精準形體順暢，簡練的雄雞編飾，造型富創意。生漆髹塗色彩溫潤樸實，作品予人穩練、典雅的感覺。(詮釋委員：張憲平)","ImageUrl":""}
,{"Identifier":"199302002","MainTitle":"刁虫小記","Creator":"創作者：湯澎君","CreatedYear":"","Size":"附木箱","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"刁蟲小記係作者從各種印刷品中精心蒐集剪雕，以構成組合方式製作，造型上統一且富趣味與新鮮感，每件小昆蟲都有出處與故事，是作者用心之所繫，從平凡的生活中產生創意，你我都可嘗試。(詮釋委員：翁徐得)\r\n","ImageUrl":""}
,{"Identifier":"199302003","MainTitle":"彩雲飛","Creator":"創作者：李幸龍","CreatedYear":"","Size":"附木箱","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199303001","MainTitle":"日安巴黎--項鍊、別針、耳環","Creator":"設計者：王姿瓔
製作者：東大洋行","CreatedYear":"","Size":"\"001項鍊：長：12.5 寬：15 高：0.6\r\n002別針：長：13.5 寬：2.5 高：0.8 \r\n003-004耳環：高：1.5 徑：2 \"\t\t\t\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本首飾套組為王姿瓔於1993年珠寶飾品設計競賽(第1名)之作品，以「日安巴黎」為主題，包含了項鍊、別針及耳環等三個品項。創作者從巴黎鐵塔的結構發想，而衍生此相關現代建物氣勢的摩登發想。本組作品以C形造型為主要元素，單位元的金屬底胎以蠟雕工藝刻畫出不規則的六角凹凸紋理，此類似鍛敲痕跡的表面肌理，在翻鑄成錫合金後施以霧金電鍍的處理，使之產生隱隱內斂的折射光芒，與邊框及鍊條的閃亮光澤形成耀眼的對比呼應。C形單位元的正中圓形區域，則是以五瓣花朵配置般地鑲滿了人造鑽石，使之成為目光的閃耀焦點。\r\n此外，別針的設計藉由鍊條結構，使鑲鑽圓心成為靈活的活動部件，亦使得源自建物結構的穩定風格增添靈動的活潑氛圍，因而展現時尚之都的浪漫風情。(詮釋委員：江怡瑩)","ImageUrl":""}
,{"Identifier":"199303001001","MainTitle":"日安巴黎--項鍊、別針、耳環","Creator":"設計者：王姿瓔
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199303001002","MainTitle":"日安巴黎--項鍊、別針、耳環","Creator":"設計者：王姿櫻
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199303001003","MainTitle":"日安巴黎--項鍊、別針、耳環","Creator":"設計者：王姿瓔
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199303001004","MainTitle":"日安巴黎--項鍊、別針、耳環","Creator":"設計者：王姿瓔
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199303002","MainTitle":"衝上雲霄--項鍊、胸針、手鐲","Creator":"設計者：朱歡娣
製作者：東大洋行","CreatedYear":"","Size":"\"001項鍊：長：14 寬：12 高：0.6 \r\n002胸針：長：7.5 寬：2.5 高：3 \r\n003手鐲：高：1.5 徑：7\"\t\t\t\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本首飾套組為朱歡娣於1993年珠寶飾品設計競賽(第2名)之作品，以「衝上雲霄」為主題，包含了項鍊、胸針及手鐲等三個品項，材質選用了錫合金鍍銠、黑瑪瑙、人造真珠及環氧樹脂。\r\n創作者運用了典型東方雲朵的視覺符號，搭配藍色環氧樹脂表達雲霄之境。整體構成以白色的水滴型珍珠為起點，接續安排使雲朵往上延伸群集，並造成氤氳瀰漫至黑珍珠之處，觀者的視線經此佈局導引，猶如身歷其境般地穿越雲層而直抵頂端，以象徵勇者無所畏懼、向前衝刺的心態。\r\n此外，作品中亦隨處鑲貼數顆大小不一的黑瑪瑙及人造鑽石，表現水氣凝聚的圓珠，增添自然輕盈的清新感受。(詮釋委員：江怡瑩)","ImageUrl":""}
,{"Identifier":"199303002001","MainTitle":"衝上雲霄--項鍊、胸針、手鐲","Creator":"設計者：朱歡娣
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199303002002","MainTitle":"衝上雲霄--項鍊、胸針、手鐲","Creator":"設計者：朱歡娣
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199303002003","MainTitle":"衝上雲霄--項鍊、胸針、手鐲","Creator":"設計者：朱歡娣
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199303003","MainTitle":"幾何--項鍊、胸針、耳環","Creator":"設計者：周雅琪
製作者：會聯有限公司","CreatedYear":"","Size":"\"001項鍊：長：13.5 寬：17 高：3\r\n002胸針：長：8.5 寬：1.2 高：3.6\r\n003-004耳環：長：3.6 寬：3.2 高：1.4\"\t\t\t\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本首飾套組為周雅琪於1993年珠寶飾品設計競賽(第3名)之作品，以「幾何」為題，包含了項鍊、胸針及耳環等三個品項，材質選用了銅、錫合金鍍金、黑漆、人造寶石。\r\n創作者以方形的金屬板片構成不同組合的幾何式圖案，頸飾由幾何方形組合成V字形的符號，產生方向性的指示效果及重心安定的對稱平衡，往後延伸搭配運用滑順的金屬曲線使頸飾符合人體起伏的配戴曲度，並呼應音樂性的律動變化，使整體作品在陽剛幾何的穩定中，增添柔美的和諧變化。\r\n本組作品以金黃色系為主，搭配黑漆構成的方形、長方形及綠色人造寶石的方陣區域，是十分具有對照效果的色彩搭配，也使得整體作品具有嶄新的現代風貌。(詮釋委員：江怡瑩)","ImageUrl":""}
,{"Identifier":"199303003001","MainTitle":"幾何--項鍊、胸針、耳環","Creator":"設計者：周雅琪
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,{"Identifier":"199303003003","MainTitle":"幾何--項鍊、胸針、耳環","Creator":"設計者：周雅琪
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,{"Identifier":"199303003004","MainTitle":"幾何--項鍊、胸針、耳環","Creator":"設計者：周雅琪
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,{"Identifier":"199303004","MainTitle":"水分子--項鍊、手環、耳環","Creator":"設計者：陳莉珊
製作者：三杰貿易股份有限公司","CreatedYear":"","Size":"\"001項鍊：長：18 寬：17 高：2\r\n002手環：高：3 徑：7.5\r\n003-004耳環：長：7 寬：2.5 高：1.3\"\t\t\t\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本首飾套組為陳莉珊於1993年珠寶飾品設計競賽(第3名)之作品，包含了項鍊、手環及耳環等三個品項，材質選用了錫合金鍍銀及人造仿珠。創作者以「水分子」為主題，運用了隨興的纏繞手法，自在地彎折金屬線條使之產生立體的塗鴉筆觸，再於金屬線條的穿越空間中添加各形各色的串珠，比擬水分子的漂盪流動變化，並表現其童稚般地趣味感與活潑性。\r\n項鍊的鏈條部分則是交錯融合，並用了工業量產的軟扁鍊及手工製作的8字形線段；手環則以環狀封閉結構收尾，毋需複雜精細的開闔機構；耳環則採用現成量產的可調鬆緊的夾扣式耳夾。整體製作成本經濟實惠，亦透露我國1990年代手作流行飾品的平價選擇之一。(詮釋委員：江怡瑩)","ImageUrl":""}
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,{"Identifier":"199303004003","MainTitle":"水分子--項鍊、手環、耳環","Creator":"設計者：陳莉珊
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,{"Identifier":"199303005","MainTitle":"早晨的露珠兒--項鍊、胸針、耳環","Creator":"設計者：周慧真
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,{"Identifier":"199303005002","MainTitle":"早晨的露珠兒--胸針","Creator":"設計者：周慧真
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,{"Identifier":"199303005003","MainTitle":"早晨的露珠兒--耳環","Creator":"設計者：周慧真
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,{"Identifier":"199303005004","MainTitle":"早晨的露珠兒--耳環","Creator":"設計者：周慧真
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,{"Identifier":"199303006","MainTitle":"蚓--項鍊、手環、耳環","Creator":"設計者：何愛蘭
製作者：光興飾品有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199303006001","MainTitle":"蚓--項鍊","Creator":"設計者：何愛蘭
製作者：光興飾品有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199303006002","MainTitle":"蚓--手環","Creator":"設計者：何愛蘭
製作者：光興飾品有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199303006003","MainTitle":"蚓--耳環","Creator":"設計者：何愛蘭
製作者：光興飾品有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDA2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199303006004","MainTitle":"蚓--耳環","Creator":"設計者：何愛蘭
製作者：光興飾品有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDA2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199303007","MainTitle":"無題--項鍊、手環、耳環","Creator":"設計者：鍾維
製作者：飾藝企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199303007001","MainTitle":"無題--項鍊","Creator":"設計者：鍾維
製作者：飾藝企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDA3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199303007002","MainTitle":"無題--手環","Creator":"設計者：鍾維
製作者：飾藝企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDA3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199303007003","MainTitle":"無題--耳環","Creator":"設計者：鍾維
製作者：飾藝企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDA3MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199303007004","MainTitle":"無題--耳環","Creator":"設計者：鍾維
製作者：飾藝企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDA3MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199303008","MainTitle":"古錢今繹--項鍊、手環、耳環","Creator":"設計者：王清良、陳妙玲
製作者：會聯有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199303008001","MainTitle":"古錢今繹--項鍊","Creator":"設計者：王清良、陳妙玲
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,{"Identifier":"199303008002","MainTitle":"古錢今繹--手環","Creator":"設計者：王清良、陳妙玲
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,{"Identifier":"199303008003","MainTitle":"古錢今繹--耳環","Creator":"設計者：王清良、陳妙玲
製作者：會聯有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDA4MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199303008004","MainTitle":"古錢今繹--耳環","Creator":"設計者：王清良、陳妙玲
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,{"Identifier":"199303015004","MainTitle":"生活組曲--耳環","Creator":"設計者：陳惠玲
製作者：上杰有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzAzMDE1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304001","MainTitle":"兩小無猜","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品為陶藝手捏成型，小女生抱著小男生親暱地坐在牛背上，互相依偎親密的騎坐在牛隻背上，牛的造型省略牛的四肢，簡約的只以牛身表意，牛身軀以雲紋及水紋、陰刻作為裝飾，除人物皮膚保留土色、髮色以化妝土作色、眉毛沾釉塗繪，作品通體施以青瓷釉色，主要因釉藥中有一定量之氧化鐵在還原焰中焙燒所致，青瓷釉一經燒融流動，些微露出原來土色，使牛身紋飾顯出黃土邊線，益顯一種意想之外的框金效果，本作品將傳統中牧童水牛的形象加以轉換創新，添入愛情的想像、友情的珍貴，也為裝飾陶瓷注入文化意涵與送禮誘因，色彩運用協調，不失為充滿台灣文化風格的家居擺設與適合餽贈的作品。(詮釋委員：不具名)","ImageUrl":""}
,{"Identifier":"199304002","MainTitle":"母與子","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品為陶藝品，以手捏成型，造型採坐姿屈起一腿抱著襁褓中嬰兒的姿勢，通體衣服的線條以寬袍大袖的簡化線性為造型語彙，衣服做成平滑面施以青釉，紋飾綜合了陰雕與陽雕兩種作法，主要依據古典的鳳紋加演化，所穿的背心以粗糙面作為肌理，塗以棕色釉，跟衣袍做一對比，母親與嬰兒的頭手，則為原土色，頭髮則為化妝土，成品在還原焰中焙燒而成。整體作品造型沉穩，設色協調，母親表情慈祥、嬰兒可愛，充分傳達出偉大母愛呵護、關懷的孺慕之情。(詮釋委員：不具名)","ImageUrl":""}
,{"Identifier":"199304003","MainTitle":"守望相助","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品為陶藝青瓷作品，其在釉藥中有一定量之氧化鐵，在還原焰中燒焙而成。作品以打更人作為造型的想像依據，「更」在古代人把一夜分成五更，夜裡的每個時辰被稱為「更」，一更為兩個小時，打更人會口裡喊著「天乾物燥，小心火燭」、「寒潮來襲，關燈關門」等語，這樣的故事依據裡，以兩人一組作為造型，一人敲著鑼，一人打著竹梆子，把打更人具體的形象型塑出來。下擺的長褲上則浮雕日、夜、星辰、火焰、鳥、燈籠、雲的圖案於其上，把打更人在夜裡行動替人們守護的辛勞形象以及他們工作內涵的象徵，明白的統合在一個具體的形象上，是一個充滿故事、歷史的創意作品。(詮釋委員：不具名)","ImageUrl":""}
,{"Identifier":"199304004","MainTitle":"木雕漆盤","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品是一個自由造型的木製可盛裝物品、食物等用途的木盤。因不屬定軸車製成型，乃是屬於用鋸、刨、磨、雕、髹漆等技法綜合各工序產生之作品。作品一側雕刻低陷下挖成一盤狀器皿，經修飾打磨工序成型，再以原木擦漆成保護層，另一側約整體四分之一部份綜合陰雕及浮雕兩種設計，浮雕部分飾以鳥禽、甲蟲、圓球等圖案，陰紋則飾以雲紋及波紋，經打磨後髹以朱漆，此品因係有使用一段時期，故朱漆表面呈斑駁現象。背面接觸桌面部分，保留一大片平坦，讓其在表面盛裝物品時可保持平穩，邊緣部分則削成約60度傾斜，整個背面再擦漆成保護層，通體古樸、優美、自然，反映製作者追求質樸、自然的審美心態！(詮釋委員：不具名)","ImageUrl":""}
,{"Identifier":"199304005","MainTitle":"回娘家","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是一件以回娘家為題材的青瓷作品，青瓷是以定量的氧化鐵釉料在還原焰中焙燒而成的，故成青色。構想來自我們民間習俗農曆春節大年初二，出嫁的女兒都要回鄉省親，因農業社會交通工具很多是以牲口代步，由於驢子本性溫馴，耐力又好，就以驢子、新嫁娘、禮品這幾樣主意象來構成這件作品，整體以簡練的線性、塊面、紋飾造成很好的視覺與空間的平衡感。前後擺動的驢耳、飛揚的鬃毛、豎直的驢尾，是一件很有設計感又富有文化意涵的青瓷作品。(詮釋委員：不具名)","ImageUrl":""}
,{"Identifier":"199304006","MainTitle":"和諧","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品是描述一女子拉胡琴的陶藝作品，女子拉琴，樂在其中，怡然自得的形象表露無遺，主要以概括的方式作為琴與弦的表意，另一描述男子吹簫或吹直笛的陶藝作品，男子吹簫或吹笛同顯樂在其中、怡然自得的形象，主要是以簡素手法塑成笛或簫，女子、男子臉、手、樂器，皆以土的本色呈現，頭髮飾以化妝土，所穿的背心及鞋再塗以棕色釉，最後以還原焰焙燒而成。整體作品造型沉穩，設色典雅。兩件一組的作品採一高一低的造型配置，讓這一組作品空間錯落，產生一種和諧與平衡的感覺。(詮釋委員：不具名)","ImageUrl":""}
,{"Identifier":"199304006001","MainTitle":"和諧-拉胡琴","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品是描述一女子拉胡琴的陶藝作品，女子拉琴，樂在其中，怡然自得的形象表露無遺，主要以概括的方式作為琴與弦的表意，臉、手、樂器，皆以土的本色呈現，頭髮飾以化妝土，所穿的背心及鞋再塗以棕色釉，最後以還原焰焙燒而成。整體作品造型沉穩，設色典雅。(詮釋委員：不具名)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000006784101729ef7347a2104067356b42c2eca83263e533213f204464f149984bfb51dc02a4e6eebdc59442120b4c21aecfafe48fc3d97bc07b5e0a57438de70946"}
,{"Identifier":"199304006002","MainTitle":"和諧-吹笛子","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品是描述男子吹簫或吹直笛的陶藝作品，男子吹簫或吹笛顯得樂在其中，怡然自得的情景，主要是簡素概括手法塑成笛或簫，臉、手、樂器，皆以土的本色呈現，頭髮飾以化妝土，所穿的背心及鞋再塗以棕色釉，最後以還原焰焙燒而成。整體作品造型沉穩，設色典雅。(詮釋委員：不具名)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000064980b3f4d4500b24164855bc0c1d6d9898aae2ab5a6fda429bd7a4034a328f7deb2885a91e9e8002ec61ea2bc8c06c907a7c1f1c654d2f4ac35244879067e9e"}
,{"Identifier":"199304007","MainTitle":"搖馬","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"搖搖馬的童趣作品做主題設計，是讓人們回到孩提時代的歡樂回憶的陶藝作品，搖馬的身軀飾以陰刻的裝飾圖案再施以棕色釉，孩童的臉、手均以土之本色，帽子則以化妝土捏塑，衣服、襪子施以棕色釉，連身褲施以黑色鐵釉，整體造型活潑生動，色彩配置也優美典雅，充分顯示出一幅歡愉淘氣的童年景象。(詮釋委員：不具名)","ImageUrl":""}
,{"Identifier":"199304008","MainTitle":"木雕花器","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這木雕花器(盛器)是以台灣原住民風格的人物造型花器或盛器，總共環器雕製分正面二，後面二，兩側各一的人物花器或盛器，通體以實心木頭鑿刻挖空而成，六個人物中，只有一人為女性，其餘均為男性，其中一面的男性手持盾牌及矛，應是負責打獵及征戰的象徵裝扮，女性手持織機的棒與梭，臉部紋面，頭綁織帶，另一面則刻鑿兩個共持交杯的頭飾百步蛇的勇士，兩側則刻上頭上飾有百步蛇的勇士，整體器形充滿強烈的原住民藝術粗獷、樸素的風格。(詮釋委員：不具名)","ImageUrl":""}
,{"Identifier":"199304009","MainTitle":"酒具組","Creator":"創作者：黃熙宗","CreatedYear":"","Size":"1.外箱尺寸：40*41*32.5公分\r\n2.含外箱重：7550 公克\r\n3.裸重：001-400公克；002~007：40公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"酒具組一組七件，包含一件帶把瓷壺與六件瓷杯。瓷壺為直口，口部一邊些微向外延伸作為流嘴，束頸，弧肩，直壁微微隆起。瓷杯敞口微撇，由上往下漸收，通體施白釉，無其他彩釉裝飾。\r\n瓷壺整體造型類似於日本清酒瓶，肩部至腹部連接有一耳形細把。全器白色為底，以氧化鐵做為發色劑之黑色釉彩描繪兩組兩側相對的紋飾，一組上下平行的橫線，另為渦卷筆畫構成上下一組的圓型，氧化鐵彩繪因濃淡不同，而產生黑與褐色深淺不一的色彩變化，黑色釉料表面可見釉層中繁密氣泡。瓷壺上恣意揮灑的線條，與乳白色的底釉，畫面產生富有童趣的韻味。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"199304009001","MainTitle":"酒具組-黑釉點彩溫酒壺","Creator":"創作者：黃熙宗","CreatedYear":"","Size":"1.外箱尺寸：40*41*32.5公分\r\n2.含外箱重：7550 公克)\r\n3.裸重：001-400公克；002~007：40公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDA5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"酒具組一組七件，此件為帶把瓷壺，另有六件瓷杯。瓷壺為直口，口部一邊些微向外延伸作為流嘴，束頸，弧肩，直壁微微隆起。瓷杯敞口微撇，由上往下漸收，通體施白釉，無其他彩釉裝飾。\r\n瓷壺整體造型類似於日本清酒瓶，肩部至腹部連接有一耳形細把。全器白色為底，以氧化鐵做為發色劑之黑色釉彩描繪兩組兩側相對的紋飾，一組上下平行的橫線，另為渦卷筆畫構成上下一組的圓型，氧化鐵彩繪因濃淡不同，而產生黑與褐色深淺不一的色彩變化，黑色釉料表面可見釉層中繁密氣泡。瓷壺上恣意揮灑的線條，與乳白色的底釉，畫面產生富有童趣的韻味。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"199304009002","MainTitle":"酒具組-白瓷酒杯","Creator":"創作者：黃熙宗","CreatedYear":"","Size":"1.外箱尺寸：40*41*32.5公分\r\n2.含外箱重：7550 公克\r\n3.裸重：001-400公克；002~007：40公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDA5MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"酒具組一組七件，包含有一件帶把瓷壺，六件瓷杯，此件為其中瓷杯之一。瓷壺為直口，口部一邊些微向外延伸作為流嘴，束頸，弧肩，直壁微微隆起。瓷杯敞口微撇，由上往下漸收，通體施白釉，無其他彩釉裝飾。\r\n瓷壺整體造型相似於日本清酒瓶，肩部至腹部連接有一耳形細把。全器白色為底，以氧化鐵做為發色劑之釉彩描繪兩組兩側相對的紋飾，一組上下平行的橫線，另為渦卷筆畫構成上下一組的圓型，氧化鐵彩繪因濃淡不同，而產生黑與褐色深淺不一的色彩變化，黑色釉料表面可見釉層中繁密氣泡。瓷壺上恣意揮灑的線條，與乳白色的底釉，畫面產生富有童趣的韻味。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"199304009003","MainTitle":"酒具組-白瓷酒杯","Creator":"創作者：黃熙宗","CreatedYear":"","Size":"1.外箱尺寸：40*41*32.5公分\r\n2.含外箱重：7550 公克\r\n3.裸重：001-400公克；002~007：40公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDA5MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"酒具組一組七件，包含有一件帶把瓷壺，六件瓷杯，此件為其中瓷杯之二。瓷壺為直口，口部一邊些微向外延伸作為流嘴，束頸，弧肩，直壁微微隆起。瓷杯敞口微撇，由上往下漸收，通體施白釉，無其他彩釉裝飾。\r\n瓷壺整體造型相似於日本清酒瓶，肩部至腹部連接有一耳形細把。全器白色為底，以氧化鐵做為發色劑之釉彩描繪兩組兩側相對的紋飾，一組上下平行的橫線，另為渦卷筆畫構成上下一組的圓型，氧化鐵彩繪因濃淡不同，而產生黑與褐色深淺不一的色彩變化，黑色釉料表面可見釉層中繁密氣泡。瓷壺上恣意揮灑的線條，與乳白色的底釉，畫面產生富有童趣的韻味。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"199304009004","MainTitle":"酒具組-白瓷酒杯","Creator":"創作者：黃熙宗","CreatedYear":"","Size":"1.外箱尺寸：40*41*32.5公分\r\n2.含外箱重：7550 公克\r\n3.裸重：001-400公克；002~007：40公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDA5MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"酒具組一組七件，包含有一件帶把瓷壺，六件瓷杯，此件為其中瓷杯之三。瓷壺為直口，口部一邊些微向外延伸作為流嘴，束頸，弧肩，直壁微微隆起。瓷杯敞口微撇，由上往下漸收，通體施白釉，無其他彩釉裝飾。\r\n瓷壺整體造型相似於日本清酒瓶，肩部至腹部連接有一耳形細把。全器白色為底，以氧化鐵做為發色劑之釉彩描繪兩組兩側相對的紋飾，一組上下平行的橫線，另為渦卷筆畫構成上下一組的圓型，氧化鐵彩繪因濃淡不同，而產生黑與褐色深淺不一的色彩變化，黑色釉料表面可見釉層中繁密氣泡。瓷壺上恣意揮灑的線條，與乳白色的底釉，畫面產生富有童趣的韻味。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"199304009005","MainTitle":"酒具組-白瓷酒杯","Creator":"創作者：黃熙宗","CreatedYear":"","Size":"1.外箱尺寸：40*41*32.5公分\r\n2.含外箱重：7550 公克\r\n3.裸重：001-400公克；002~007：40公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDA5MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"酒具組一組七件，包含有一件帶把瓷壺，六件瓷杯，此件為其中瓷杯之四。瓷壺為直口，口部一邊些微向外延伸作為流嘴，束頸，弧肩，直壁微微隆起。瓷杯敞口微撇，由上往下漸收，通體施白釉，無其他彩釉裝飾。\r\n瓷壺整體造型相似於日本清酒瓶，肩部至腹部連接有一耳形細把。全器白色為底，以氧化鐵做為發色劑之釉彩描繪兩組兩側相對的紋飾，一組上下平行的橫線，另為渦卷筆畫構成上下一組的圓型，氧化鐵彩繪因濃淡不同，而產生黑與褐色深淺不一的色彩變化，黑色釉料表面可見釉層中繁密氣泡。瓷壺上恣意揮灑的線條，與乳白色的底釉，畫面產生富有童趣的韻味。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"199304009006","MainTitle":"酒具組-白瓷酒杯","Creator":"創作者：黃熙宗","CreatedYear":"","Size":"1.外箱尺寸：40*41*32.5公分\r\n2.含外箱重：7550 公克\r\n3.裸重：001-400公克；002~007：40公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDA5MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"酒具組一組七件，包含有一件帶把瓷壺，六件瓷杯，此件為其中瓷杯之五。瓷壺為直口，口部一邊些微向外延伸作為流嘴，束頸，弧肩，直壁微微隆起。瓷杯敞口微撇，由上往下漸收，通體施白釉，無其他彩釉裝飾。\r\n瓷壺整體造型相似於日本清酒瓶，肩部至腹部連接有一耳形細把。全器白色為底，以氧化鐵做為發色劑之釉彩描繪兩組兩側相對的紋飾，一組上下平行的橫線，另為渦卷筆畫構成上下一組的圓型，氧化鐵彩繪因濃淡不同，而產生黑與褐色深淺不一的色彩變化，黑色釉料表面可見釉層中繁密氣泡。瓷壺上恣意揮灑的線條，與乳白色的底釉，畫面產生富有童趣的韻味。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"199304009007","MainTitle":"酒具組-白瓷酒杯","Creator":"創作者：黃熙宗","CreatedYear":"","Size":"1.外箱尺寸：40*41*32.5公分\r\n2.含外箱重：7550 公克\r\n3.裸重：001-400公克；002~007：40公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDA5MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"酒具組一組七件，包含有一件帶把瓷壺，六件瓷杯，此件為其中瓷杯之六。瓷壺為直口，口部一邊些微向外延伸作為流嘴，束頸，弧肩，直壁微微隆起。瓷杯敞口微撇，由上往下漸收，通體施白釉，無其他彩釉裝飾。\r\n瓷壺整體造型相似於日本清酒瓶，肩部至腹部連接有一耳形細把。全器白色為底，以氧化鐵做為發色劑之釉彩描繪兩組兩側相對的紋飾，一組上下平行的橫線，另為渦卷筆畫構成上下一組的圓型，氧化鐵彩繪因濃淡不同，而產生黑與褐色深淺不一的色彩變化，黑色釉料表面可見釉層中繁密氣泡。瓷壺上恣意揮灑的線條，與乳白色的底釉，畫面產生富有童趣的韻味。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"199304010","MainTitle":"臥貓文鎮","Creator":"創作者：黃弘鎮","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304011","MainTitle":"大老鼠小老鼠","Creator":"創作者：陳接枝","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"華夏文化中，老鼠有多子多孫的寓意，在工藝創作與美術語意，更具可愛與足智多謀之形象，本大老鼠與小老鼠為設計議題，是極為貼切時代的趨勢。\r\n本作品以極簡且流暢的圓弧造型，而內部挖空安裝圓形木球做為靈活的老鼠腳，是具突破性構思與機構創新的幼兒玩具設計。精彩的應用木質材料的天然紋理與豐富的色彩變化，使木材溫潤特性展現無遺，令人討喜。應用木車床技術讓松木千變萬化的肌理，所示現的線條更具獨特性，無形中每一隻老鼠產生不相同的個性與美感。\r\n本作品形體內凹外圓的製作是以木車床技術完成，就其技術層面是需應用模具輔助方能完成外型的製作，是屬高階技巧。(詮釋委員：黃俊傑)","ImageUrl":""}
,{"Identifier":"199304011001","MainTitle":"大老鼠","Creator":"創作者：陳接枝","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDExMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件作品為大老鼠小老鼠之一。華夏文化中，老鼠有多子多孫的寓意，在工藝創作與美術語意，更具可愛與足智多謀之形象，本大老鼠與小老鼠為設計議題，是非常貼切現今時代的演進趨勢。其製作應注意下列事項：一、要特別注意選擇好的部位材料，因為針葉樹材較軟，易產生龜裂。在車製老鼠身體內部凹面時因為較薄容易產生崩裂現象。二、木材的乾燥是否得宜，因木材乾燥條件是木材安定性與保存性的關鍵。三、塗裝是木器必備的製程；佛要金裝、人要衣裝、木器要塗裝。唯有將木器塗上一層保護衣裳，可達到隔離濕氣侵入而防止發霉的情形發生，更可以讓優美的木紋清晰呈現。四、塗料的選擇，要安全無毒的塗料，因為是兒童會接觸把玩的玩具。(詮釋委員：黃俊傑)","ImageUrl":""}
,{"Identifier":"199304011002","MainTitle":"小老鼠","Creator":"創作者：陳接枝","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDExMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"\"本作品是大小老鼠之二。於華夏文化，老鼠有多子多孫的寓意，在工藝創作與美術語意，更具可愛與足智多謀之形象，本大老鼠與小老鼠為設計議題，是很貼近時代的趨勢。在木工車製技巧上，要依設計圖之弧度準備好1：1的內外形板，依照形板在木工車床機具上車製加工，必需要配合內、外固定輔助模具加工，才能完成如圖樣一般的圓弧造型；再依設計圖尺寸，用木工鑽頭鑽取各部位的孔洞，以便組裝老鼠各部位的組件。\r\n現今電腦輔助加工機械已相當進步，若需要大量生產此類玩具，在加工技術方面即可仰賴電腦輔助加工機械完成形製作，但在木材的研磨與表面處理上，還是要用我們萬能的雙手來完成，才能達到完美又安全的觸感。(詮釋委員：黃俊傑)\r\n","ImageUrl":""}
,{"Identifier":"199304012","MainTitle":"鴨子章魚老鼠魚","Creator":"創作者：陳接枝","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"兒童玩具在中外傳統文化，常應用垂手可得的材料來製作，本系列作品都是應用木材如美國白松、非洲花梨木設計製造而成。1993年，台灣森林已全面禁伐木材時期，當時台灣為世界家具製造王國之際，大宗的進口木材湧入台灣，所以台灣工藝研究推廣中心為研發系列性之木質玩具而應用了進口的木材。\r\n應用木材具下列優點：1、木材是可重複使用，可回收再利用，同時可生物分解。2、木材的絕緣性優於其他天然材料。3、在製作成品過程中，能源耗損比其他天然材料來得少，故二氧化碳排放量也較少。4、樹木成長中能吸收大氣中的二氧化碳，並提供維持生命的氧氣。5、木製品可將大氣中的二氧化碳儲存起來，減少環境的危害，木材是最具環保的天然材料。本系列的四種作品皆用同一元素搭配組合，利於量產是非常成功的設計。(詮釋委員：黃俊傑)\r\n","ImageUrl":""}
,{"Identifier":"199304012001","MainTitle":"鴨子","Creator":"創作者：陳接枝","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDEyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作者應用木材適中的硬度特性，完成兒童系列的鴨子作品。在整體造型上以簡約意象呈現鴨子的特徵，巧妙應用非洲花梨木的圓形木球以最簡易的安置方式製作於內框，因一端安放鴨頭而產生的重量讓玩具在推動時就像鴨子在水面悠游戲水般的自在快樂，更顯現設計者的用心巧思。\r\n於製作技法上先以25mm厚的美國白松木，用木工車床製作一只105mm直徑，寬30mm的圓框做為鴨子身體。再用美國白松車製成鴨頭及非洲花梨木的鴨嘴；先將鴨頭與鴨嘴上膠黏合，待膠乾修飾打磨完成後，再與鴨身上膠結合於圓框上；鴨身的製作程序需先用木工鑽頭在30mm寬的圓框通過圓心直徑軸上的兩邊各鑽直徑8mm的貫穿圓棒孔，還有圓形木球鑽9mm的貫穿孔。應注意圓框與圓木球的貫穿孔一定精準通過圓心，這樣鴨子在滾動時才不會上下起伏晃動，最後再做組裝工作。(詮釋委員：黃俊傑)\r\n","ImageUrl":""}
,{"Identifier":"199304012002","MainTitle":"章魚","Creator":"創作者：陳接枝","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDEyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"可愛的章魚，在現代生物學對牠的部位名稱，概分為頭部、胴體（軀幹）、眼睛、 漏斗、腕（腕足）、吸盤、口器等；於清代徐葆 光云石鮔描述如下「首圓，下生八手，無腳」。清代李調元云章舉「八足聚處有細眼如針孔，其後尻也，其口邇尻，幸有足為之間上下耳。」；本作品則以極簡且逗趣的造型隱喻出章魚的可愛，讓小朋友一看就可認出。原本章魚有八隻爪，因把玩的機能考慮而減至五支爪，但也不失其趣味性。尤其那兩顆小眼睛恰巧如真實般的細眼如針孔。而中間用非洲花梨木的顯著標誌，就像鼓起的口器更顯現本作品的設計巧思。就其五支爪應用原木球與圓木棒，在適切的比例與強固下，與大圓框做為章魚的特徵組合，真是完美的創意。(詮釋委員：黃俊傑)\r\n","ImageUrl":""}
,{"Identifier":"199304012003","MainTitle":"魚","Creator":"創作者：陳接枝","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDEyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這隻魚的設計簡明俐落，應用與其他三種玩具同一元素搭配組合而成可愛造型。讓幼齡小朋友把玩與說故事極具方便性。尤其松木質輕又具應有的強度，是很好的材質應用。\r\n在製作技法方面是先以25mm厚的美國白松木應用木工車床技術或落地式銑花機配合模具製作一只105mm直徑寬30mm的圓框做為魚的身體。接著用美國白松車製成魚尾及用非洲花梨木車製魚的肚子；先將魚尾鑽不貫穿孔再與圓木棒上膠組合，魚身的製作程序，需先用木工鑽頭在30mm寬的圓框通過圓心直徑軸上的兩邊各鑽直徑8mm的貫穿圓棒孔，還有圓形木球鑽9mm的貫穿孔作魚肚，應注意圓框與圓木球的貫穿孔一定精準通過圓心；最後再做組裝及砂磨修飾塗裝上漆的工作。(詮釋委員：黃俊傑)","ImageUrl":""}
,{"Identifier":"199304012004","MainTitle":"老鼠","Creator":"創作者：陳接枝","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDEyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本系列木質兒童玩具中，唯一使用異材質的設計作品，應用了棉繩柔軟性，讓作品「老鼠」的尾巴表現得維妙維肖。另外就是那雙眼睛的位置，搭配整體比例在視覺上讓人會心一笑，這雙小小眼睛巧妙的與中間大圓球的鮮明色彩會引導把玩者立即聯想到老鼠的可愛模樣。本作品的最佳設計是沒有正反面的使用限制，兩面看都是老鼠的精靈模樣。\r\n老鼠的製作技法方面，先用美國白松木製作圓框做為老鼠的身體，可用木工車床技術車製或落地式銑花機配合模具完成。接著用非洲花梨木車製老鼠的肚子與兩顆小眼睛的圓球；在身體部分需用8mm木工鑽頭由圓框邊通過圓心直徑軸上的兩邊各鑽取貫穿圓棒孔及3mm鼠尾巴孔洞。在大圓木球上鑽9mm貫穿孔，使老鼠肚子大圓球可以轉動為佳。應注意圓框與圓木球的貫穿孔一定精準通過圓心；最後再做組裝及砂磨修飾塗裝上漆的工作。(詮釋委員：黃俊傑)\r\n","ImageUrl":""}
,{"Identifier":"199304013","MainTitle":"音樂鴨","Creator":"創作者：陳接枝","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"會唱歌的鴨子！頭會動的鴨子！牠會吸引幼兒及兒童的好奇心而把玩。本作品配合鮮明的木材原木色彩，在造型比例上真是非常完美的設計。機能的設計上應用鴨頭來旋轉隱藏於鴨身裡的音樂盒而達到本作品的趣味性。\r\n本作品製作得全仰賴木工車床加工製作，鴨身上下兩個半圓球的尺寸控制精度要有非常老練的技術，才能控制得宜將上下組件緊密接合。鴨子橢圓形的頭部加工必須先經兩種木材接合再車製。但因木材長度拼接時會斷面接斷面，在上膠接合的強度是最弱，所以一定要做榫卯來增加其強度，故鴨子的頭要先在兩木料中鑽取圓孔來植入木釘圓棒，上膠接合後待膠合劑乾後，才能按照設計圖比例車製鴨頭，成形後再應用模具開鋸鴨嘴與鑽取鴨子眼睛及安裝鴨脖子的孔洞。(詮釋委員：黃俊傑)\r\n","ImageUrl":""}
,{"Identifier":"199304014","MainTitle":"扭扭車","Creator":"創作者：陳接枝","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"如同毛毛蟲般，起伏行走又能左右擺動的扭扭車，看似簡單但卻以科學性的「兩輪轉向力學」應用，而讓前後組的輪子在運轉時因方向不同，而在牽拉走動時產生左右擺動的有趣動作。\r\n本作品五種木工車製的組件構成，一、雙輪。二、輪軸木棒。三、軸承橢圓木球。四、連結小木球。五、握把橢圓木球，最後以棉質繩子串接所需的長度而形成老少皆宜的生動玩具。其製作工序可個別生產，但在輪子車製後的輪軸孔洞鑽取之角度，以深度的精確性是整個作品的重點，故需模具協助製作，其餘組件的穿孔皆可應用木車床機具上的尾座安裝夾頭，以適當尺寸鑽頭鑽取一次完成。另外一個技術門檻就是雙邊輪子組裝、輪軸木棒、軸承橢圓木球，3個零件構成時其雙輪的角度必須一致，讓扭扭車行走平順，又會扭扭來扭扭去，這便是技術的關鍵！(詮釋委員：黃俊傑)","ImageUrl":""}
,{"Identifier":"199304015","MainTitle":"紊編圓型花器","Creator":"創作者：林秀鳳","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"竹材生長快速，3-5年即可砍伐，從平地至高山都有它的足跡，其材質自然優雅，且從地下莖至其株葉都可應用，除此，竹林可蓄水、釋放氧氣、為地球降溫，是節能減碳的最佳材料，竹器的產品從取材、加工、使用至回歸大地，其汙染性也極低，是非常環保的台灣珍貴在地材料。\r\n此件作品為1993年，傳統工藝大展之展品，使用去油帶皮的桂竹為材，經剖竹、定寬、定厚、倒角、修薄等程序備材，以米字編法起底，三條絞編做圍，經篾迴繞收編法做緣口，器身外圍複以亂編法自由插入竹篾，以三層劍紋竹圈為底，器型圓滿順暢，看似紊亂，實則亂中有序，除可作為室內插花之用外，也適宜做為居家擺飾。(詮釋委員：林秀鳳)","ImageUrl":""}
,{"Identifier":"199304016","MainTitle":"蠶絲餐墊（咖啡系列）","Creator":"設計者：柳秋色
創作者：大屯公司","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「墊」有隔熱、防污、防滑、防磨之功能；一般生活中墊物有多種材質提供選擇用於不同場合的需求，如紙墊、竹墊、木墊、草墊、塑膠墊等。而餐墊有襯托食物秀色與餐具之美，要求生活品味，提昇飲食的優雅，很值得注重餐墊的使用。\r\n此組餐墊共五件，是通常市售品的數量，由染色及手織技法製織的絲織物，無論視覺或觸覺感都有別於其他纖維織物，非常頂級。絲線材質因撚而形成不一樣的粗細、鬆柔，以其設計做為經線、緯線的交織，加上段染在織面的分佈，單單只是平織紋的呈現，就足以滿滿地構成豐富的線條、色彩――一個食慾的色味。把經線做為流蘇，是織物最簡單的處理方式，更增柔和、生動。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"199304016001","MainTitle":"蠶絲餐墊（咖啡系列）-1","Creator":"創作者：柳秋色","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"餐墊用於飲食生活，墊在食物餐具之下，有隔熱、防污，更有襯托食物之功能，營造秀色可餐的心情與品味。\r\n此餐墊為手織絲織品，絲線來自1.蠶繭繅絲後之蠶絲線去絲膠，再以2-3股線合股成為撚絲，柔軟富光澤。2.蠶繭泡溫水，撐開成薄片狀物即為絲綿，絲綿經手工或機械引拉成線，則為紬線，質樸鬆柔。3.經線用1.素染棕色撚絲三條線，與2.棕色加以段染成深棕色的紬線一條之組合，反覆排列成幅寬所需的條數。4.緯線是棕色紬線，以平織技法織作織紋，其中深棕色段染呈深色線條佈於織面中。而餐墊兩端以棕色撚絲為緯線，各織1公分寬，有收編處理的效果，質地較細薄，流蘇鬆柔地延伸出去。撚絲、紬絲的交織與段染線條，加上手織絲布的後背布，材質質感豐富，充滿手作的溫度。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"199304016002","MainTitle":"蠶絲餐墊（咖啡系列）-2","Creator":"創作者：柳秋色","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"使用餐墊，讓您的餐食更美，心情更愉悅！\r\n此餐墊為手織絲織品，材料是蠶絲，屬動物性織維，在天然纖維中是最長的纖維；本產品之絲線來自1.蠶繭繅絲後之蠶絲線去絲膠，再以2-3股線合股成為撚絲，柔軟富光澤。2.蠶繭泡溫水，撐開成薄片狀物即為絲綿，絲綿經手工或機械引拉成線，則為紬線，質樸鬆柔。3.經線用1.素染棕色撚絲三條線，與2.棕色加以段染成深棕色的紬線一條之組合，反覆排列成幅寬所需的條數。4.緯線是棕色紬線，以平織技法織作織紋，其中深棕色段染呈深色線條佈於織面中。而餐墊兩端以棕色撚絲為緯線，各織1公分寬，有收編處理的效果，質地較細薄，流蘇打結後鬆柔地延伸出去。加上手織絲布的後背布，材質質感豐富，一番手織品的風味。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"199304016003","MainTitle":"蠶絲餐墊（咖啡系列）-3","Creator":"創作者：柳秋色","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"您會使用餐墊嗎？選用什麼材質？如何製造出來？\r\n此餐墊為手織絲織品，材料是蠶絲，屬動物性織維，在天然纖維中是最長的纖維；本產品之絲線來自1.蠶繭繅絲後之蠶絲線去絲膠，再以2-3股線合股成撚絲，柔軟富光澤。2.蠶繭泡溫水，撐開成薄片狀物即為絲綿，再經手工或機械引拉成線，就是紬線，質樸鬆柔。3.經線用1.素染棕色撚絲三條線，與2.棕色加以段染成深棕色的紬線一條之組合，反覆排列成幅寬所需的條數。4.緯線是棕色紬線，以平織技法織作織紋，其中深棕色段染呈深色線條佈於織面中。而餐墊兩端以棕色撚絲為緯線，各織1公分寬，有收編處理的效果，質地較細薄，流蘇打結後鬆柔地延伸出去。後背布仍是手織絲布，與正面經、緯交織的整體材質，其質感豐富。手織絲織品不愧是鑽石纖維的詮釋。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"199304016004","MainTitle":"蠶絲餐墊（咖啡系列）-4","Creator":"創作者：柳秋色","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此餐墊為手織絲織品，材料是蠶絲，屬動物性織維，在天然纖維中是最長的纖維，有鑽石纖維之稱；本產品之絲線來自1.蠶繭繅絲後之蠶絲線去絲膠，再以2-3股線合股成為撚絲，柔軟富光澤。2.蠶繭泡溫水，撐開成薄片狀物即為絲綿，絲綿經手工或機械引拉成線，就是紬線，質樸鬆柔。3.經線用1.素染棕色撚絲三條線，與2.棕色加以段染成深棕色的紬線一條之組合，反覆排列成幅寬所需的條數。4.緯線是棕色紬線，以平織技法織作織紋，其中深棕色段染呈深色線條佈於織面中。而餐墊兩端以棕色撚絲為緯線，各織1公分寬，有收編處理的效果，質地較細薄，流蘇打結後鬆柔地延伸出去。後背布仍是手織絲布，縫合固定增產品厚度，與正面經、緯交織的整體材質，質感非常豐富。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199304016005","MainTitle":"蠶絲餐墊（咖啡系列）-5","Creator":"創作者：柳秋色","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE2MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此餐墊為手織絲織品，材料是蠶絲，屬動物性織維，在天然纖維中是最長的纖維，有鑽石纖維之稱；本產品之絲線來自1.蠶繭繅絲後之蠶絲線去絲膠，再以2-3股線合股成撚絲，柔軟富光澤。2.蠶繭泡溫水，撐開成薄片狀物即為絲綿，絲綿經手工或機械引拉成線，就是紬線，質樸鬆柔。3.經線用1.素染棕色撚絲三條線，與2.棕色加以段染成深棕色的紬線一條之組合，反覆排列成幅寬所需的條數。4.緯線是棕色紬線，以平織技法織作織紋，其中深棕色段染呈深色線條佈於織面中。而餐墊兩端以棕色撚絲為緯線，各織1公分寬，有收編處理的效果，質地較細薄，流蘇打結後鬆柔地延伸出去。後背布仍是手織絲布，縫合固定增產品厚度，與正面經、緯交織的整體材質感非常豐富。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199304017","MainTitle":"蠶絲餐墊（銀灰系列）","Creator":"創作者：大屯公司
設計者：柳秋色","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"提昇飲食生活品質，除美食外，餐具、桌布、餐墊的擺置也是優雅品質不可或缺的物件；「墊」有襯托之美，食物變得秀色，餐食者更表現出禮儀與對生活的要求。\r\n紙墊、竹墊、木墊、草墊、布墊、塑膠墊都有隔熱、防磨損、防污、防滑之功能；視場合使用不同材質墊物，為一般大眾的選擇考量。\r\n此五件餐墊是以市面販售一組的數量為準，所設計製作的手織絲織物；用於餐墊，非常頂級，尤其不同絲線材質與捻出粗細質地的組合，經緯交織，形成一片值得視覺、觸覺探索的織物。經線必然地做為流蘇，它的姿勢隨時流動著。又加上各種刺繡技法，增添點綴亮麗色彩與局部紋路的跳躍。刷上紫、黑色顏料，是落款！？(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"199304017001","MainTitle":"蠶絲餐墊（銀灰系列）-1","Creator":"創作者：柳秋色","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"餐墊有隔熱、防污、防磨損，更有襯托食物、餐具之功能。餐墊的使用是提昇飲食生活的一環。\r\n此餐墊為手織絲織品，絲線來自1.蠶絲線去絲膠，再以二、三股線合股成為撚絲，柔軟富光澤。2.蠶繭泡溫水，撐開成片狀物即為絲綿，再經手拉或機械引拉成線則為紬線，若手紡成粗細不一，具撚度的紬線，稱為SLUB紬線。3.經線銀灰色；用撚絲三條線與SLUB紬線一條線之組合，反覆排列成幅寬所需的條數。4.緯線為銀灰色SLUB紬線，以平織技法織作；在餐墊兩端用撚絲為緯線，各織1公分寬，質地較細薄，流蘇打結後往外延伸出去。又以紫色、黑色顏料刷飾之。背面縫合手織後背布，增其厚度，與正面經緯交織的整體材質感非常地豐富。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"199304017002","MainTitle":" 蠶絲餐墊（銀灰系列）-2","Creator":"創作者：柳秋色","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"您的餐墊是什麼材質？紙、竹、木、草、布、塑膠等，都可按自己的需要選擇使用。但，材質各有不同特色。\r\n此餐墊為手織絲織品，絲線來自1.蠶絲線去絲膠，再以二、三股線合股成撚絲，柔軟富光澤。2.蠶繭泡溫水，撐開成片狀物即為絲綿，再經手拉或機械引拉成線則為紬線，若手紡成粗細不一，具撚度的紬線，稱為SLUB紬線。3.經線銀灰色；用撚絲三條線與SLUB紬線一條線之組合，反覆排列成幅寬所需的條數。4.緯線為銀灰色SLUB紬線，以平織技法織作；在餐墊兩端用撚絲為緯線，各織1公分寬，質地較細薄，流蘇打結後往外延伸出去。為增亮麗色彩，在右下方刺繡圖案，各色蠶絲線奪目。又以紫色、黑色顏料刷飾之。背面縫合手織後背布，可增厚度，與正面經緯交織的整體材質感非常地豐富。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"199304017003","MainTitle":"蠶絲餐墊（銀灰系列）-3","Creator":"創作者：柳秋色","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE3MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"餐墊襯托食物、餐具，多了一層材質、色彩的欣賞，飲食有加分。\r\n此餐墊為手織絲織品，絲線來自1.蠶絲線去絲膠，再以二、三股線合股成撚絲，柔軟富光澤。2.蠶繭泡溫水，撐開成片狀物即為絲綿，再經手拉或機械引拉成線則為紬線，若手紡成粗細不一，具撚度的紬線，稱為SLUB紬線。3.經線銀灰色；用撚絲三條線與SLUB紬線一條線之組合，反覆排列成幅寬所需的條數。4.緯線為銀灰色SLUB紬線，以平織技法織作；在餐墊兩端用撚絲為緯線，各織1公分寬，質地較細薄，流蘇打結後往外延伸出去。為增亮麗色彩，在右下方刺繡圖案，各色蠶絲線奪目。又以紫色、黑色顏料刷飾之。背面縫合手織後背布，可增厚度，與正面經緯交織的整體材質感非常地豐富。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199304017004","MainTitle":"蠶絲餐墊（銀灰系列）-4","Creator":"創作者：柳秋色","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE3MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此餐墊為手織絲織品，絲線來自1.蠶絲線去絲膠，再以二、三股線合股成撚絲，柔軟富光澤。2.蠶繭泡溫水，撐開成片狀物即為絲綿，再經手拉或機械引拉成線則為紬線，若手紡成粗細不一，具撚度的紬線，稱為SLUB紬線。3.經線用三條銀灰色撚絲線與一條銀灰色SLUB紬線之組合，反覆排列成幅寬所需的條數。4.緯線為銀灰色SLUB紬線，以平織技法織作；在餐墊兩端用撚絲為緯線，各織1公分寬，質地較細薄，流蘇打結後往外延伸出去。為增亮麗色彩，在右下方刺繡圖案，白色結粒繡與各色蠶絲線奪目。又以紫色、黑色顏料刷飾之。背面縫合手織後背布，可增厚度，與正面經緯交織的整體材質感非常地豐富。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199304017005","MainTitle":"蠶絲餐墊（銀灰系列）-5","Creator":"創作者：柳秋色","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE3MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此餐墊為手織絲織品，絲線來自1.蠶絲線去絲膠，再以二、三股線合股成撚絲，柔軟富光澤。2.蠶繭泡溫水，撐開成片狀物即為絲綿，再經手拉或機械引拉成線則為紬線，若手紡成粗細不一，具撚度的紬線，稱為SLUB紬線。3.經線用三條銀灰色撚絲線與一條銀灰色SLUB紬線之組合，反覆排列成幅寬所需的條數。4.緯線為銀灰色SLUB紬線，以平織技法織作；在餐墊兩端用撚絲為緯線，各織1公分寬，質地較細薄，流蘇打結後往外延伸出去。為增亮麗色彩，在右下方刺繡圖案，各色蠶絲線奪目。又以紫色、黑色顏料刷飾之。背面縫合手織後背布，可增厚度，與正面經緯交織的整體材質感非常地豐富。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
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,{"Identifier":"199304018002","MainTitle":"餐具組-圓盤","Creator":"創作者：廖素慧","CreatedYear":"","Size":"外箱尺寸：38*38*28\r\n含外箱重：9800公克\r\n裸重：001-1030公克；002-822公克；003-801公克；004-865公克；005-254公克；006-231公克；007-219公克；008-205公克；009-611公克；010-567公克；011-495公克；012-488公克；013-299公克；014-334公克；015-294公克；016-289公克；017-276公克；018-178公克；019-200公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304018003","MainTitle":"餐具組-圓盤","Creator":"創作者：廖素慧","CreatedYear":"","Size":"外箱尺寸：38*38*28\r\n含外箱重：9800公克\r\n裸重：001-1030公克；002-822公克；003-801公克；004-865公克；005-254公克；006-231公克；007-219公克；008-205公克；009-611公克；010-567公克；011-495公克；012-488公克；013-299公克；014-334公克；015-294公克；016-289公克；017-276公克；018-178公克；019-200公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE4MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304018004","MainTitle":"餐具組-圓盤","Creator":"創作者：廖素慧","CreatedYear":"","Size":"外箱尺寸：38*38*28\r\n含外箱重：9800公克\r\n裸重：001-1030公克；002-822公克；003-801公克；004-865公克；005-254公克；006-231公克；007-219公克；008-205公克；009-611公克；010-567公克；011-495公克；012-488公克；013-299公克；014-334公克；015-294公克；016-289公克；017-276公克；018-178公克；019-200公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE4MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304018005","MainTitle":"餐具組-小圓盤","Creator":"創作者：廖素慧","CreatedYear":"","Size":"外箱尺寸：38*38*28\r\n含外箱重：9800公克\r\n裸重：001-1030公克；002-822公克；003-801公克；004-865公克；005-254公克；006-231公克；007-219公克；008-205公克；009-611公克；010-567公克；011-495公克；012-488公克；013-299公克；014-334公克；015-294公克；016-289公克；017-276公克；018-178公克；019-200公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE4MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304018006","MainTitle":"餐具組-小圓盤","Creator":"創作者：廖素慧","CreatedYear":"","Size":"外箱尺寸：38*38*28\r\n含外箱重：9800公克\r\n裸重：001-1030公克；002-822公克；003-801公克；004-865公克；005-254公克；006-231公克；007-219公克；008-205公克；009-611公克；010-567公克；011-495公克；012-488公克；013-299公克；014-334公克；015-294公克；016-289公克；017-276公克；018-178公克；019-200公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE4MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304018007","MainTitle":"餐具組-小圓盤","Creator":"創作者：廖素慧","CreatedYear":"","Size":"外箱尺寸：38*38*28\r\n含外箱重：9800公克\r\n裸重：001-1030公克；002-822公克；003-801公克；004-865公克；005-254公克；006-231公克；007-219公克；008-205公克；009-611公克；010-567公克；011-495公克；012-488公克；013-299公克；014-334公克；015-294公克；016-289公克；017-276公克；018-178公克；019-200公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE4MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304018008","MainTitle":"餐具組-小圓盤","Creator":"創作者：廖素慧","CreatedYear":"","Size":"外箱尺寸：38*38*28\r\n含外箱重：9800公克\r\n裸重：001-1030公克；002-822公克；003-801公克；004-865公克；005-254公克；006-231公克；007-219公克；008-205公克；009-611公克；010-567公克；011-495公克；012-488公克；013-299公克；014-334公克；015-294公克；016-289公克；017-276公克；018-178公克；019-200公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE4MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304018009","MainTitle":"餐具組-大湯碗","Creator":"創作者：廖素慧","CreatedYear":"","Size":"外箱尺寸：38*38*28\r\n含外箱重：9800公克\r\n裸重：001-1030公克；002-822公克；003-801公克；004-865公克；005-254公克；006-231公克；007-219公克；008-205公克；009-611公克；010-567公克；011-495公克；012-488公克；013-299公克；014-334公克；015-294公克；016-289公克；017-276公克；018-178公克；019-200公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE4MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304018010","MainTitle":"餐具組-大湯碗","Creator":"創作者：廖素慧","CreatedYear":"","Size":"外箱尺寸：38*38*28\r\n含外箱重：9800公克\r\n裸重：001-1030公克；002-822公克；003-801公克；004-865公克；005-254公克；006-231公克；007-219公克；008-205公克；009-611公克；010-567公克；011-495公克；012-488公克；013-299公克；014-334公克；015-294公克；016-289公克；017-276公克；018-178公克；019-200公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE4MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304018011","MainTitle":"餐具組-湯碗","Creator":"創作者：廖素慧","CreatedYear":"","Size":"外箱尺寸：38*38*28\r\n含外箱重：9800公克\r\n裸重：001-1030公克；002-822公克；003-801公克；004-865公克；005-254公克；006-231公克；007-219公克；008-205公克；009-611公克；010-567公克；011-495公克；012-488公克；013-299公克；014-334公克；015-294公克；016-289公克；017-276公克；018-178公克；019-200公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE4MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304018012","MainTitle":"餐具組-湯碗","Creator":"創作者：廖素慧","CreatedYear":"","Size":"外箱尺寸：38*38*28\r\n含外箱重：9800公克\r\n裸重：001-1030公克；002-822公克；003-801公克；004-865公克；005-254公克；006-231公克；007-219公克；008-205公克；009-611公克；010-567公克；011-495公克；012-488公克；013-299公克；014-334公克；015-294公克；016-289公克；017-276公克；018-178公克；019-200公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE4MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304018013","MainTitle":"餐具組-碗","Creator":"創作者：廖素慧","CreatedYear":"","Size":"外箱尺寸：38*38*28\r\n含外箱重：9800公克\r\n裸重：001-1030公克；002-822公克；003-801公克；004-865公克；005-254公克；006-231公克；007-219公克；008-205公克；009-611公克；010-567公克；011-495公克；012-488公克；013-299公克；014-334公克；015-294公克；016-289公克；017-276公克；018-178公克；019-200公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE4MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304018014","MainTitle":"餐具組-碗","Creator":"創作者：廖素慧","CreatedYear":"","Size":"外箱尺寸：38*38*28\r\n含外箱重：9800公克\r\n裸重：001-1030公克；002-822公克；003-801公克；004-865公克；005-254公克；006-231公克；007-219公克；008-205公克；009-611公克；010-567公克；011-495公克；012-488公克；013-299公克；014-334公克；015-294公克；016-289公克；017-276公克；018-178公克；019-200公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE4MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304018015","MainTitle":"餐具組-碗","Creator":"創作者：廖素慧","CreatedYear":"","Size":"外箱尺寸：38*38*28\r\n含外箱重：9800公克\r\n裸重：001-1030公克；002-822公克；003-801公克；004-865公克；005-254公克；006-231公克；007-219公克；008-205公克；009-611公克；010-567公克；011-495公克；012-488公克；013-299公克；014-334公克；015-294公克；016-289公克；017-276公克；018-178公克；019-200公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE4MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304018016","MainTitle":"餐具組-碗","Creator":"創作者：廖素慧","CreatedYear":"","Size":"外箱尺寸：38*38*28\r\n含外箱重：9800公克\r\n裸重：001-1030公克；002-822公克；003-801公克；004-865公克；005-254公克；006-231公克；007-219公克；008-205公克；009-611公克；010-567公克；011-495公克；012-488公克；013-299公克；014-334公克；015-294公克；016-289公克；017-276公克；018-178公克；019-200公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE4MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304018017","MainTitle":"餐具組-碗","Creator":"創作者：廖素慧","CreatedYear":"","Size":"外箱尺寸：38*38*28\r\n含外箱重：9800公克\r\n裸重：001-1030公克；002-822公克；003-801公克；004-865公克；005-254公克；006-231公克；007-219公克；008-205公克；009-611公克；010-567公克；011-495公克；012-488公克；013-299公克；014-334公克；015-294公克；016-289公克；017-276公克；018-178公克；019-200公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE4MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304018018","MainTitle":"餐具組-小壺","Creator":"創作者：廖素慧","CreatedYear":"","Size":"外箱尺寸：38*38*28\r\n含外箱重：9800公克\r\n裸重：001-1030公克；002-822公克；003-801公克；004-865公克；005-254公克；006-231公克；007-219公克；008-205公克；009-611公克；010-567公克；011-495公克；012-488公克；013-299公克；014-334公克；015-294公克；016-289公克；017-276公克；018-178公克；019-200公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE4MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304018019","MainTitle":"餐具組-小壺","Creator":"創作者：廖素慧","CreatedYear":"","Size":"外箱尺寸：38*38*28\r\n含外箱重：9800公克\r\n裸重：001-1030公克；002-822公克；003-801公克；004-865公克；005-254公克；006-231公克；007-219公克；008-205公克；009-611公克；010-567公克；011-495公克；012-488公克；013-299公克；014-334公克；015-294公克；016-289公克；017-276公克；018-178公克；019-200公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE4MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304019","MainTitle":"木漆盤","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"保留原木木紋的美感，以精緻生漆薄薄一層固胎後，再施以透漆塗裝後漆藝彩繪花卉圖案最後以茶油及鹿角粉推光。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304020","MainTitle":"木漆盤","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"保留原木木紋的美感，以精緻生漆薄薄一層固胎後，再施以透漆塗裝後漆藝彩繪花卉圖案最後以茶油及鹿角粉推光。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304021","MainTitle":"刻花圓漆盤","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"木胎以車床車製後，先雕刻花紋，再以生漆薄薄一層固胎後，再施以暗紅色朱漆下塗、上塗以透漆多層塗裝後將雕刻花紋處磨顯出暗紅色色調，最後以茶油及鹿角粉推光。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304022","MainTitle":"小點心盤","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"木胎以車床車製後，在盤面雕刻花紋，再以生漆薄薄一層固胎後，再施以暗紅色朱漆下塗、上塗以褐色色漆塗裝後將雕刻花紋處磨顯出暗紅色色調，最後以茶油及鹿角粉推光。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304022001","MainTitle":"小點心盤-1","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDIyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"木胎以車床車製後，在盤面雕刻花紋，再以生漆薄薄一層固胎後，再施以暗紅色朱漆下塗、上塗以褐色色漆塗裝後將雕刻花紋處磨顯出暗紅色色調，最後以茶油及鹿角粉推光。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304022002","MainTitle":"小點心盤-2","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDIyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"木胎以車床車製後，在盤面雕刻花紋，再以生漆薄薄一層固胎後，再施以暗紅色朱漆下塗、上塗以褐色色漆塗裝後將雕刻花紋處磨顯出暗紅色色調，最後以茶油及鹿角粉推光。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304022003","MainTitle":"小點心盤-3","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDIyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"木胎以車床車製後，在盤面雕刻花紋，再以生漆薄薄一層固胎後，再施以暗紅色朱漆下塗、上塗以褐色色漆塗裝後將雕刻花紋處磨顯出暗紅色色調，最後以茶油及鹿角粉推光。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304022004","MainTitle":"小點心盤-4","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDIyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"木胎以車床車製後，在盤面雕刻花紋，再以生漆薄薄一層固胎後，再施以暗紅色朱漆下塗、上塗以褐色色漆塗裝後將雕刻花紋處磨顯出暗紅色色調，最後以茶油及鹿角粉推光。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304022005","MainTitle":"小點心盤-5","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDIyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"木胎以車床車製後，在盤面雕刻花紋，再以生漆薄薄一層固胎後，再施以暗紅色朱漆下塗、上塗以褐色色漆塗裝後將雕刻花紋處磨顯出暗紅色色調，最後以茶油及鹿角粉推光。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304023","MainTitle":"漆盒","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"附蓋","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"木胎以車床車製後，在盒蓋雕刻花紋，再以生漆薄薄一層固胎後，再施以暗紅色朱漆褐色色漆塗裝後將雕刻花紋處磨顯出暗紅色、褐色色調，最後以茶油及鹿角粉推光。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304023001","MainTitle":"漆盒-1","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDIzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"木胎以車床車製後，在盒蓋雕刻花紋，再以生漆薄薄一層固胎後，再施以暗紅色朱漆褐色色漆塗裝後將雕刻花紋處磨顯出暗紅色、褐色色調，最後以茶油及鹿角粉推光。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304023002","MainTitle":"漆盒-2","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"附蓋","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDIzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"木胎以車床車製後，在盒蓋雕刻花紋，再以生漆薄薄一層固胎後，再施以暗紅色朱漆褐色色漆塗裝後將雕刻花紋處磨顯出暗紅色、褐色色調，最後以茶油及鹿角粉推光。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304023003","MainTitle":"漆盒-3","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"附蓋","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDIzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"木胎以車床車製後，在盒蓋雕刻花紋，再以生漆薄薄一層固胎後，再施以暗紅色朱漆褐色色漆塗裝後將雕刻花紋處磨顯出暗紅色、褐色色調，最後以茶油及鹿角粉推光。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304024","MainTitle":"漆盤","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"紅面高腳漆盤：廣口、深腹、有圈足及廣口、淺腹、有高圈足造型，為此二件產品的外觀形體，產品實用，落落大方。胎體由楠木膠合，車製成型，紅、黑色漆髹飾，盤面以棉布裱貼，整齊的錦紋呈現，使平實的盤面富有變化。\r\n黑面高腳漆盤：木胎以車床車製後，在盤面雕刻花紋，再以生漆薄薄一層固胎後，施以暗紅色朱漆下塗、上塗以褐色色漆塗裝後將雕刻花紋處磨顯出暗紅色色調，最後以茶油及鹿角粉推光。(詮釋委員：李本育)\r\n","ImageUrl":""}
,{"Identifier":"199304024001","MainTitle":"漆盤-1","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"紅面高腳漆盤：廣口、深腹、有圈足及廣口、淺腹、有高圈足造型，為此二件產品的外觀形體，產品實用，落落大方。胎體由楠木膠合，車製成型，紅、黑色漆髹飾，盤面以棉布裱貼，整齊的錦紋呈現，使平實的盤面富有變化。\r\n◎黑面高腳漆盤：木胎以車床車製後，在盤面雕刻花紋，再以生漆薄薄一層固胎後，施以暗紅色朱漆下塗、上塗以褐色色漆塗裝後將雕刻花紋處磨顯出暗紅色色調，最後以茶油及鹿角粉推光。(詮釋委員：李本育)\r\n","ImageUrl":""}
,{"Identifier":"199304024002","MainTitle":"漆盤-2","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"紅面高腳漆盤：廣口、深腹、有圈足及廣口、淺腹、有高圈足造型，為此二件產品的外觀形體，產品實用，落落大方。胎體由楠木膠合，車製成型，紅、黑色漆髹飾，盤面以棉布裱貼，整齊的錦紋呈現，使平實的盤面富有變化。\r\n黑面高腳漆盤：木胎以車床車製後，在盤面雕刻花紋，再以生漆薄薄一層固胎後，施以暗紅色朱漆下塗、上塗以褐色色漆塗裝後將雕刻花紋處磨顯出暗紅色色調，最後以茶油及鹿角粉推光。(詮釋委員：李本育)\r\n","ImageUrl":""}
,{"Identifier":"199304024003","MainTitle":"漆盤-3","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"紅面高腳漆盤：廣口、深腹、有圈足及廣口、淺腹、有高圈足造型，為此二件產品的外觀形體，產品實用，落落大方。胎體由楠木膠合，車製成型，紅、黑色漆髹飾，盤面以棉布裱貼，整齊的錦紋呈現，使平實的盤面富有變化。\r\n黑面高腳漆盤：木胎以車床車製後，在盤面雕刻花紋，再以生漆薄薄一層固胎後，施以暗紅色朱漆下塗、上塗以褐色色漆塗裝後將雕刻花紋處磨顯出暗紅色色調，最後以茶油及鹿角粉推光。(詮釋委員：李本育)\r\n","ImageUrl":""}
,{"Identifier":"199304024004","MainTitle":"漆盤-4","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"紅面高腳漆盤：廣口、深腹、有圈足及廣口、淺腹、有高圈足造型，為此二件產品的外觀形體，產品實用，落落大方。胎體由楠木膠合，車製成型，紅、黑色漆髹飾，盤面以棉布裱貼，整齊的錦紋呈現，使平實的盤面富有變化。\r\n黑面高腳漆盤：木胎以車床車製後，在盤面雕刻花紋，再以生漆薄薄一層固胎後，施以暗紅色朱漆下塗、上塗以褐色色漆塗裝後將雕刻花紋處磨顯出暗紅色色調，最後以茶油及鹿角粉推光。(詮釋委員：李本育)\r\n","ImageUrl":""}
,{"Identifier":"199304025","MainTitle":"漆盤","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"紅色漆盤：產品由楠木車製成型，以日常實用的器皿為設計重點，造型以廣口平腹的淺盤呈現。盤面以纏枝刻花紋飾，纏枝花為吉祥紋樣，結構連綿不斷具有生生不息，委婉多姿、優美生動。(詮釋委員：李本育)\r\n","ImageUrl":""}
,{"Identifier":"199304025001","MainTitle":"漆盤-1","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"紅色漆盤：產品由楠木車製成型，以日常實用的器皿為設計重點，造型以廣口平腹的淺盤呈現。盤面以纏枝刻花紋飾，纏枝花為吉祥紋樣，結構連綿不斷具有生生不息，委婉多姿、優美生動。(詮釋委員：李本育)\r\n","ImageUrl":""}
,{"Identifier":"199304025002","MainTitle":"漆盤-2","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"紅色漆盤：產品由楠木車製成型，以日常實用的器皿為設計重點，造型以廣口平腹的淺盤呈現。盤面以纏枝刻花紋飾，纏枝花為吉祥紋樣，結構連綿不斷具有生生不息，委婉多姿、優美生動。(詮釋委員：李本育)\r\n","ImageUrl":""}
,{"Identifier":"199304025003","MainTitle":"漆盤-3","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"紅色漆盤：產品由楠木車製成型，以日常實用的器皿為設計重點，造型以廣口平腹的淺盤呈現。盤面以纏枝刻花紋飾，纏枝花為吉祥紋樣，結構連綿不斷具有生生不息，委婉多姿、優美生動。(詮釋委員：李本育)\r\n","ImageUrl":""}
,{"Identifier":"199304026","MainTitle":"漆盤","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"素髹工藝，也叫無紋髹漆，單色髹漆。即在髹漆器物上不裝飾紋樣，突出表現各色漆地的質感，素髹工藝包括厚料髹塗，薄料髹塗，罩髹工藝。素髹也稱單色塗，是中國最傳統的髹漆技法，中國紅木家具所採用的髹漆工藝便是素髹。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304026001","MainTitle":"漆盤-1","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品一組兩件，此為其一。素髹工藝，也叫無紋髹漆，單色髹漆。即在髹漆器物上不裝飾紋樣，突出表現各色漆地的質感，素髹工藝包括厚料髹塗，薄料髹塗，罩髹工藝。素髹也稱單色塗，是中國最傳統的髹漆技法，中國紅木家具所採用的髹漆工藝便是素髹。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304026002","MainTitle":"漆盤-2","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品一組兩件，此為其二。素髹工藝，也叫無紋髹漆，單色髹漆。即在髹漆器物上不裝飾紋樣，突出表現各色漆地的質感，素髹工藝包括厚料髹塗，薄料髹塗，罩髹工藝。素髹也稱單色塗，是中國最傳統的髹漆技法，中國紅木家具所採用的髹漆工藝便是素髹。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304027","MainTitle":"葉紋形漆盤","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"利用竹篾編織而成的幾何圖案，極為簡潔自然，又利用熱壓成型，製作成本低，極適宜推廣做為日常餐桌上盛放水果、糕餅之容器，產品表面以生漆塗裝，因之不擔心食物起化學作用。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304027001","MainTitle":"葉紋形漆盤-1","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"利用竹篾編織而成的幾何圖案，極為簡潔自然，又利用熱壓成型，製作成本低，極適宜推廣做為日常餐桌上盛放水果、糕餅之容器，產品表面以生漆塗裝，因之不擔心食物起化學作用。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304027002","MainTitle":"葉紋形漆盤-2","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"利用竹篾編織而成的幾何圖案，極為簡潔自然，又利用熱壓成型，製作成本低，極適宜推廣做為日常餐桌上盛放水果、糕餅之容器，產品表面以生漆塗裝，因之不擔心食物起化學作用。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304027003","MainTitle":"葉紋形漆盤-3","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI3MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"利用竹篾編織而成的幾何圖案，極為簡潔自然，又利用熱壓成型，製作成本低，極適宜推廣做為日常餐桌上盛放水果、糕餅之容器，產品表面以生漆塗裝，因之不擔心食物起化學作用。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304027004","MainTitle":"葉紋形漆盤-4","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI3MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"利用竹篾編織而成的幾何圖案，極為簡潔自然，又利用熱壓成型，製作成本低，極適宜推廣做為日常餐桌上盛放水果、糕餅之容器，產品表面以生漆塗裝，因之不擔心食物起化學作用。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304028","MainTitle":"籃胎漆盤","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"利用竹篾編織而成的幾何圖案，極為簡潔自然，又利用熱壓成型，製作成本低，極適宜推廣做為日常餐桌上盛放水果、糕餅之容器，產品表面以生漆塗裝，因之不擔心食物起化學作用。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304028001","MainTitle":"籃胎漆盤-1","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"利用竹篾編織而成的幾何圖案，極為簡潔自然，又利用熱壓成型，製作成本低，極適宜推廣做為日常餐桌上盛放水果、糕餅之容器，產品表面以生漆塗裝，因之不擔心食物起化學作用。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304028002","MainTitle":"籃胎漆盤-2","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"利用竹篾編織而成的幾何圖案，極為簡潔自然，又利用熱壓成型，製作成本低，極適宜推廣做為日常餐桌上盛放水果、糕餅之容器，產品表面以生漆塗裝，因之不擔心食物起化學作用。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304028003","MainTitle":"籃胎漆盤-3","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI4MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"利用竹篾編織而成的幾何圖案，極為簡潔自然，又利用熱壓成型，製作成本低，極適宜推廣做為日常餐桌上盛放水果、糕餅之容器，產品表面以生漆塗裝，因之不擔心食物起化學作用。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304028004","MainTitle":"籃胎漆盤-4","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI4MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"利用竹篾編織而成的幾何圖案，極為簡潔自然，又利用熱壓成型，製作成本低，極適宜推廣做為日常餐桌上盛放水果、糕餅之容器，產品表面以生漆塗裝，因之不擔心食物起化學作用。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304028005","MainTitle":"籃胎漆盤-5","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI4MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"利用竹篾編織而成的幾何圖案，極為簡潔自然，又利用熱壓成型，製作成本低，極適宜推廣做為日常餐桌上盛放水果、糕餅之容器，產品表面以生漆塗裝，因之不擔心食物起化學作用。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304028006","MainTitle":"籃胎漆盤-6","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI4MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"利用竹篾編織而成的幾何圖案，極為簡潔自然，又利用熱壓成型，製作成本低，極適宜推廣做為日常餐桌上盛放水果、糕餅之容器，產品表面以生漆塗裝，因之不擔心食物起化學作用。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304029","MainTitle":"藍胎漆盤","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"圓形：利用竹篾編織斜紋之美，熱壓成形，和藤邊配合應用，增加產品的工藝特性，提升產品附加價值。\r\n方形：利用竹篾編織而成的幾何圖案，極為簡潔自然，又利用熱壓成型，四周加製騰邊，增加其強度，製作成本低，極適宜推廣做為日常餐桌上盛放水果、糕餅之容器，產品表面以生漆塗裝，因之不擔心食物起化學作用。(詮釋委員：李本育)\r\n","ImageUrl":""}
,{"Identifier":"199304029001","MainTitle":"藍胎漆盤（圓形）","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"利用竹篾編織斜紋之美，熱壓成形，和藤邊配合應用，增加產品的工藝特性，提升產品附加價值。(詮釋委員：李本育)\r\n","ImageUrl":""}
,{"Identifier":"199304029002","MainTitle":"藍胎漆盤（方形）","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDI5MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"利用竹篾編織而成的幾何圖案，極為簡潔自然，又利用熱壓成型，四周加製騰邊，增加其強度，製作成本低，極適宜推廣做為日常餐桌上盛放水果、糕餅之容器，產品表面以生漆塗裝，因之不擔心食物起化學作用。(詮釋委員：李本育)\r\n","ImageUrl":""}
,{"Identifier":"199304030","MainTitle":"籃胎漆器","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以竹篾編織成籃胎，雖然以刮灰來保護胎體，但仍可看出是竹編物。也有將竹編處包上布來解決藏汙納垢及加強，塗漆也能增加籃胎強度與耐久性，是結合竹編與漆藝兩個工藝領域的創作。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304030001","MainTitle":"籃胎漆器-1","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDMwMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件藍胎漆器外部竹編後刮灰研磨後塗上透漆，胎內包布披土灰後罩紅漆研磨推光，藍胎包不可避免竹編一藏汙納垢的缺點。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304030002","MainTitle":"籃胎漆器-2","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDMwMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件籃胎漆器在口緣包布上黑漆，內外編織的竹胎刮漆灰後髹塗透漆。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304030003","MainTitle":"籃胎漆器-3","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDMwMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件藍胎漆器外部竹編後刮灰研磨後塗上透漆，胎內包布披土灰後罩紅漆研磨推光，藍胎包不可避免竹編一藏汙納垢的缺點。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304030004","MainTitle":"籃胎漆器-4","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDMwMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件藍胎漆器外部竹編後刮灰研磨後塗上透漆，胎內包布披土灰後罩紅漆研磨推光，藍胎包不可避免竹編一藏汙納垢的缺點。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304030005","MainTitle":"籃胎漆器-5","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDMwMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件藍胎漆器外部竹編後刮灰研磨後塗上透漆，胎內包布披土灰後罩紅漆研磨推光，藍胎包不可避免竹編一藏汙納垢的缺點。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304031","MainTitle":"描彩漆盤","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"三件漆器產品由楠木車製成型，以日常實用的器為設計重點，造型以廣口平腹的淺盤。在素色的盤面蒔粉彩漆裝飾，圖案有花卉、水果、梅花，用金、銀粉及色漆粉繪畫，圖紋自然、活潑生動。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304031001","MainTitle":"描彩漆盤-1","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDMxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"三件漆器產品由楠木車製成型，以日常實用的器為設計重點，造型以廣口平腹的淺盤。在素色的盤面蒔粉彩漆裝飾，圖案有花卉、水果、梅花，用金、銀粉及色漆粉繪畫，圖紋自然、活潑生動。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304031002","MainTitle":"描彩漆盤-2","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDMxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"三件漆器產品由楠木車製成型，以日常實用的器為設計重點，造型以廣口平腹的淺盤。在素色的盤面蒔粉彩漆裝飾，圖案有花卉、水果、梅花，用金、銀粉及色漆粉繪畫，圖紋自然、活潑生動。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304031003","MainTitle":"描彩漆盤-3","Creator":"創作者：黃麗淑","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDMxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"三件漆器產品由楠木車製成型，以日常實用的器為設計重點，造型以廣口平腹的淺盤。在素色的盤面蒔粉彩漆裝飾，圖案有花卉、水果、梅花，用金、銀粉及色漆粉繪畫，圖紋自然、活潑生動。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199304032","MainTitle":"百鳥齊鳴花器","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"花器為工藝器物之創作與設計大宗，除因應花形種類與作為花藝流派偕同表現之功能需求外，亦重視花器本身之造形雅趣與溫馨形象，為現代設計中美好居家空間的協調者。\r\n本件作品以雕塑手法處理原件，經翻模與青銅鑄造完成。創作者藉由減法之陰刻線條描繪群鳥爭鳴圖像，線條表情樸實奮力，行進間流露出率真與踏實的個性；紋樣設計以經過簡化的半抽象鳥禽圖紋結合幾何線條，經由畫面的錯置安排與相互銜接組合，以全面布局的手法呈現群鳥聚集的雀躍與躍動之姿，讓青銅器的厚實凝重形象與視覺形式上的輕鬆調性相互調節，將圖紋主題於規律之中帶入居家生活閒適的意象。(詮釋委員：康立穎)\r\n","ImageUrl":""}
,{"Identifier":"199304033","MainTitle":"雲紋小花器","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"青銅器上的幾何紋飾多以點、線、圓形、方形或三角形等作為基本元素構成，其中的雲紋(雲雷紋)主要表現在圖地關係中用以烘托主題的背景圖紋，或作為器物邊緣連續構成之收邊造形飾帶。本件雲紋小花器異於常態，完全以雲紋做為表現的主體圖案。器物造形小巧玲瓏，肩形渾厚。以簡單、素樸、和緩的圓弧線條構成瓶身，並於器物表面刻畫雲紋圖案。雲紋圖案有粗有細，於寬窄之間流動變化，收尾節點處迴轉收筆，讓線條表情更顯圓潤。線條筆畫滑動順暢，粗細之間漸次遞轉，並於反向曲度的變化中營造出動感。當視覺游移於雲紋圖樣與背景，提供圖地反轉的趣味性，位於高處的弧形平面在視覺上呈現包覆效果，增添器物的厚實與穩重。(詮釋委員：康立穎)","ImageUrl":""}
,{"Identifier":"199304034","MainTitle":"藺草編地毯","Creator":"設計者：顏水龍
其他-編製者：王銘鑫","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，為三角藺。於四○年代間，顏水龍先生設計並指導「台南藺草產銷合作社」成員編製鹹草地毯銷售國內外。尤其在民國四十年左右，鹹草地毯受到美國市場喜愛、使用，帶動此產業的發展，工廠曾多達十餘家，栽植面積也大幅提昇。七○年代後因塑膠業興起，且工資高漲，鹹草產業漸没落，至九○年代僅存數人製作，鹹草轉由大陸或越南進口。\r\n此件地毯的編製是將草乾燥後，以三股編之技法編成縄，再置於木板上，從中間處將編縄依序盤繞，並在兩道間用線縫合，如此盤成40cmx30cm的長方形為一塊，一塊接一塊地縫合成大地毯。產品纖維質樸，經編、盤的手法，踏之有硬軟彈性與涼爽透氣舒適感，是用於生活空間的好產品。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199304035","MainTitle":"木蓮花餐具組","Creator":"創作者：林秀娟","CreatedYear":"","Size":"徑：80~220mm、附筷子6雙、筷枕5個（103.7.28）\r\n外箱尺寸：38*58*33\r\n含外箱重：18400公克\r\n裸重：001-1184公克；002-1223公克；003-578公克；004-557公克；005-587公克；006-547公克；007-207公克；008-209公克；009-215公克；010-209公克；011-213公克；012-203公克；013-886公克；014-928公克；015-840公克；016-900公克；017-578公克；018-547公克；019-568公克；020-585公克；021-317公克；022-309公克；023-304公克；024-289公克；025-291公克；026-291公克；027-138公克；028-145公克；029-146公克；030-124公克；031-137公克；032-132公克；033~044-8.25公克；045~049-9.2公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304035001","MainTitle":"木蓮花餐具組-大碗","Creator":"創作者：林秀娟","CreatedYear":"","Size":"附筷子6雙、筷枕5個（103.7.28）\r\n外箱尺寸：38*58*33\r\n含外箱重：18400公克\r\n裸重：001-1184公克；002-1223公克；003-578公克；004-557公克；005-587公克；006-547公克；007-207公克；008-209公克；009-215公克；010-209公克；011-213公克；012-203公克；013-886公克；014-928公克；015-840公克；016-900公克；017-578公克；018-547公克；019-568公克；020-585公克；021-317公克；022-309公克；023-304公克；024-289公克；025-291公克；026-291公克；027-138公克；028-145公克；029-146公克；030-124公克；031-137公克；032-132公克；033~044-8.25公克；045~049-9.2公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304035002","MainTitle":"木蓮花餐具組-大碗","Creator":"創作者：林秀娟","CreatedYear":"","Size":"附筷子6雙、筷枕5個（103.7.28）\r\n外箱尺寸：38*58*33\r\n含外箱重：18400公克\r\n裸重：001-1184公克；002-1223公克；003-578公克；004-557公克；005-587公克；006-547公克；007-207公克；008-209公克；009-215公克；010-209公克；011-213公克；012-203公克；013-886公克；014-928公克；015-840公克；016-900公克；017-578公克；018-547公克；019-568公克；020-585公克；021-317公克；022-309公克；023-304公克；024-289公克；025-291公克；026-291公克；027-138公克；028-145公克；029-146公克；030-124公克；031-137公克；032-132公克；033~044-8.25公克；045~049-9.2公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304035003","MainTitle":"木蓮花餐具組-中碗","Creator":"創作者：林秀娟","CreatedYear":"","Size":"附筷子6雙、筷枕5個（103.7.28）\r\n外箱尺寸：38*58*33\r\n含外箱重：18400公克\r\n裸重：001-1184公克；002-1223公克；003-578公克；004-557公克；005-587公克；006-547公克；007-207公克；008-209公克；009-215公克；010-209公克；011-213公克；012-203公克；013-886公克；014-928公克；015-840公克；016-900公克；017-578公克；018-547公克；019-568公克；020-585公克；021-317公克；022-309公克；023-304公克；024-289公克；025-291公克；026-291公克；027-138公克；028-145公克；029-146公克；030-124公克；031-137公克；032-132公克；033~044-8.25公克；045~049-9.2公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304035004","MainTitle":"木蓮花餐具組-中碗","Creator":"創作者：林秀娟","CreatedYear":"","Size":"附筷子6雙、筷枕5個（103.7.28）\r\n外箱尺寸：38*58*33\r\n含外箱重：18400公克\r\n裸重：001-1184公克；002-1223公克；003-578公克；004-557公克；005-587公克；006-547公克；007-207公克；008-209公克；009-215公克；010-209公克；011-213公克；012-203公克；013-886公克；014-928公克；015-840公克；016-900公克；017-578公克；018-547公克；019-568公克；020-585公克；021-317公克；022-309公克；023-304公克；024-289公克；025-291公克；026-291公克；027-138公克；028-145公克；029-146公克；030-124公克；031-137公克；032-132公克；033~044-8.25公克；045~049-9.2公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304035005","MainTitle":"木蓮花餐具組-中碗","Creator":"創作者：林秀娟","CreatedYear":"","Size":"附筷子6雙、筷枕5個（103.7.28）\r\n外箱尺寸：38*58*33\r\n含外箱重：18400公克\r\n裸重：001-1184公克；002-1223公克；003-578公克；004-557公克；005-587公克；006-547公克；007-207公克；008-209公克；009-215公克；010-209公克；011-213公克；012-203公克；013-886公克；014-928公克；015-840公克；016-900公克；017-578公克；018-547公克；019-568公克；020-585公克；021-317公克；022-309公克；023-304公克；024-289公克；025-291公克；026-291公克；027-138公克；028-145公克；029-146公克；030-124公克；031-137公克；032-132公克；033~044-8.25公克；045~049-9.2公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM1MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304035006","MainTitle":"木蓮花餐具組-中碗","Creator":"創作者：林秀娟","CreatedYear":"","Size":"附筷子6雙、筷枕5個（103.7.28）\r\n外箱尺寸：38*58*33\r\n含外箱重：18400公克\r\n裸重：001-1184公克；002-1223公克；003-578公克；004-557公克；005-587公克；006-547公克；007-207公克；008-209公克；009-215公克；010-209公克；011-213公克；012-203公克；013-886公克；014-928公克；015-840公克；016-900公克；017-578公克；018-547公克；019-568公克；020-585公克；021-317公克；022-309公克；023-304公克；024-289公克；025-291公克；026-291公克；027-138公克；028-145公克；029-146公克；030-124公克；031-137公克；032-132公克；033~044-8.25公克；045~049-9.2公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM1MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304035007","MainTitle":"木蓮花餐具組-小碗","Creator":"創作者：林秀娟","CreatedYear":"","Size":"附筷子6雙、筷枕5個（103.7.28）\r\n外箱尺寸：38*58*33\r\n含外箱重：18400公克\r\n裸重：001-1184公克；002-1223公克；003-578公克；004-557公克；005-587公克；006-547公克；007-207公克；008-209公克；009-215公克；010-209公克；011-213公克；012-203公克；013-886公克；014-928公克；015-840公克；016-900公克；017-578公克；018-547公克；019-568公克；020-585公克；021-317公克；022-309公克；023-304公克；024-289公克；025-291公克；026-291公克；027-138公克；028-145公克；029-146公克；030-124公克；031-137公克；032-132公克；033~044-8.25公克；045~049-9.2公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM1MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304035008","MainTitle":"木蓮花餐具組-小碗","Creator":"創作者：林秀娟","CreatedYear":"","Size":"附筷子6雙、筷枕5個（103.7.28）\r\n外箱尺寸：38*58*33\r\n含外箱重：18400公克\r\n裸重：001-1184公克；002-1223公克；003-578公克；004-557公克；005-587公克；006-547公克；007-207公克；008-209公克；009-215公克；010-209公克；011-213公克；012-203公克；013-886公克；014-928公克；015-840公克；016-900公克；017-578公克；018-547公克；019-568公克；020-585公克；021-317公克；022-309公克；023-304公克；024-289公克；025-291公克；026-291公克；027-138公克；028-145公克；029-146公克；030-124公克；031-137公克；032-132公克；033~044-8.25公克；045~049-9.2公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM1MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304035009","MainTitle":"木蓮花餐具組-小碗","Creator":"創作者：林秀娟","CreatedYear":"","Size":"附筷子6雙、筷枕5個（103.7.28）\r\n外箱尺寸：38*58*33\r\n含外箱重：18400公克\r\n裸重：001-1184公克；002-1223公克；003-578公克；004-557公克；005-587公克；006-547公克；007-207公克；008-209公克；009-215公克；010-209公克；011-213公克；012-203公克；013-886公克；014-928公克；015-840公克；016-900公克；017-578公克；018-547公克；019-568公克；020-585公克；021-317公克；022-309公克；023-304公克；024-289公克；025-291公克；026-291公克；027-138公克；028-145公克；029-146公克；030-124公克；031-137公克；032-132公克；033~044-8.25公克；045~049-9.2公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM1MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"199304037","MainTitle":"木蓮花餐具組","Creator":"創作者：林秀娟","CreatedYear":"","Size":"外箱尺寸：38*58*33\r\n含外箱重：18400公克\r\n裸重：001-545公克；002-134公克；003-134公克；004-131公克；005-131公克；006-130公克；007-136公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304037001","MainTitle":"木蓮花餐具組-茶壺","Creator":"創作者：林秀娟","CreatedYear":"","Size":"附蓋\r\n外箱尺寸：38*58*33\r\n含外箱重：18400公克\r\n裸重：001-545公克；002-134公克；003-134公克；004-131公克；005-131公克；006-130公克；007-136公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304037002","MainTitle":"木蓮花餐具組-茶杯（低）","Creator":"創作者：林秀娟","CreatedYear":"","Size":"外箱尺寸：38*58*33\r\n含外箱重：18400公克\r\n裸重：001-545公克；002-134公克；003-134公克；004-131公克；005-131公克；006-130公克；007-136公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304037003","MainTitle":"木蓮花餐具組-茶杯（低）","Creator":"創作者：林秀娟","CreatedYear":"","Size":"外箱尺寸：38*58*33\r\n含外箱重：18400公克\r\n裸重：001-545公克；002-134公克；003-134公克；004-131公克；005-131公克；006-130公克；007-136公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM3MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304037004","MainTitle":"木蓮花餐具組-茶杯（低）","Creator":"創作者：林秀娟","CreatedYear":"","Size":"外箱尺寸：38*58*33\r\n含外箱重：18400公克\r\n裸重：001-545公克；002-134公克；003-134公克；004-131公克；005-131公克；006-130公克；007-136公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM3MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304037005","MainTitle":"木蓮花餐具組-茶杯（低）","Creator":"創作者：林秀娟","CreatedYear":"","Size":"外箱尺寸：38*58*33\r\n含外箱重：18400公克\r\n裸重：001-545公克；002-134公克；003-134公克；004-131公克；005-131公克；006-130公克；007-136公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM3MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304037006","MainTitle":"木蓮花餐具組-茶杯（低） ","Creator":"創作者：林秀娟","CreatedYear":"","Size":"外箱尺寸：38*58*33\r\n含外箱重：18400公克\r\n裸重：001-545公克；002-134公克；003-134公克；004-131公克；005-131公克；006-130公克；007-136公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM3MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304037007","MainTitle":"木蓮花餐具組-茶杯（低）","Creator":"創作者：林秀娟","CreatedYear":"","Size":"外箱尺寸：38*58*33\r\n含外箱重：18400公克\r\n裸重：001-545公克；002-134公克；003-134公克；004-131公克；005-131公克；006-130公克；007-136公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM3MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199304038","MainTitle":"藺草提籃","Creator":"設計者：顏水龍
其他-重製/編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺(Cyperus tegetiformis Roxburgh)與大甲藺同是莎草科植物。早期以台南、高雄產量最多，彰化、嘉義、宜蘭次之；都做為生活中草縄、草蓆、草鞋、茄荎提袋等的材料。\r\n顏水龍先生於民國三十年成立「南亞工藝社」，設計、指導台南鄉親編製鹹草產品並銷售，又組織「台南藺草產銷合作社」，拓展市場外銷日本及大陸東北各省，鹹草產業興盛，經濟效益好。然因工業塑膠品漸充斥，加上香港、菲律賓的競銷，造成此產業沒落，栽種面積縮小，材料來源稀少。\r\n這幾件造形、大小各異的鹹草提籃都是日常生活中購物、外出訪客、室內收納用的好袋物。鹹草散發著太陽光的草香且質地樸實，頗受喜愛。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"199304038001","MainTitle":"藺草提籃-四方提籃（有色、扣鈕、大）","Creator":"設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期以台南、高雄種植面積最廣。民國三十年，顏水龍先生成立「南亞工藝社」，設計、指導台南鄉親編製鹹草提籃，致力開發新產品，組織「台南藺草產銷合作社」拓展市場，產品遠銷日本及大陸東北各省，其經濟利益讓鄉親受惠良多。\r\n此件提籃係以日晒乾燥、染色後的鹹草，依設計圖尺寸、色彩排列，從籃底以壓一平紋編技法編製，再於四角及四邊轉折往上，用壓二斜紋編技法編製籃體，達至高度後在籃口收編，並捲縫籃口處，尤其在兩長邊各加一竹片於捲縫中，增其硬挺。屬厚度的兩側邊籃口處依角度摺凹入，則兩長邊的籃口易密合，以四股扁編帶扣住鈕扣結固定之。提把是由四股圓編帶而成。造形新穎，合乎美觀、實用需求。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199304038002","MainTitle":"藺草提籃-四方提籃（有色、無扣鈕）","Creator":"設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期盛產於台南、高雄，其次為彰化、嘉義、宜蘭。\r\n民國三十年，顏水龍先生成立「南亞工藝社」，指導台南鄉親編製鹹草提籃、提袋等產品銷售，進而組織「台南藺草產銷合作社」，推展鹹草編製外銷，遠及日本、大陸東北各省，嘉惠鄉親增加經濟收入。後因工業塑膠產品大量製造，加上香港、菲律賓的競銷，造成鹹草製品漸沒。\r\n此方形提籃是將原草色與染色草，依設計圖排列，並以壓一平紋編技法編出方形底部，於四角、四邊轉折往上，用壓二斜紋編技法編製籃體，最後以緣口編技法將籃口修飾完成，提把則是四股圓編帶。整個造形合乎時宜、大方兼具實用的置物及購物功能。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"199304038003","MainTitle":"藺草提籃-四方提籃(有色、扣鈕、小)","Creator":"設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM4MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺，與大甲藺同是莎草科植物。早期以台南、高雄種植面積最廣。\r\n顏水龍先生於民國三十年成立「南亞工藝社」，設計、指導鄉親們編製鹹草產品並銷售，增加經濟收入。又組織「台南藺草產銷合作社」，拓展市場至日本及大陸東北各省，鹹草產業興盛一時。\r\n此提籃是以日晒乾燥及染色後的鹹草，依設計圖以壓一平紋編技法編籃底，再將四角、四邊轉折往上，用壓二斜紋編技法編製籃體，在籃口收編並捲縫，其兩長邊又各加一竹片於捲縫中，使其硬挺。屬厚度的兩側邊籃口處依角度摺凹，則兩長邊的籃口密合，以四股扁編帶扣住鈕扣結固定。提把是由四股編圓帶而成。造形時尚，也實用。\r\n(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199304038004","MainTitle":"藺草提籃-圓型提籃(有色、大)","Creator":"設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM4MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期以台南、高雄種植面積最廣，其次是彰化、嘉義、宜蘭。\r\n顏水龍先生於民國三十年成立「南亞工藝社」，設計、指導鄉親們編製鹹草產品並銷售，增經濟收入。又組織「台南藺草產銷合作社」，推展鹹草產品外銷日本及大陸東北各省，彼時鹹草產業非常興盛。\r\n此件提籃係採用日晒乾燥及染色後之鹹草編製；依設計圖以壓二斜紋編法完成底部，再於四角處折角往上，續以壓二斜紋編法編至籃口，用緣口編技法收編。四方底、體圓之造形，加上四股編帶的提把，樣式柔，很有容納雜物、衣服的空間。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"199304038005","MainTitle":"藺草提籃-圓型提籃(有色、中)","Creator":"設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM4MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期以台南、高雄種植面積最廣，彰化、嘉義、宜蘭次之。\r\n顏水龍先生於民國三十年成立「南亞工藝社」，設計、指導台南鄉親們編製鹹草提籃，致力推展鹹草產品，又組織「台南藺草產銷合作社」，開拓產銷市場外銷至日本及大陸東北各省，增益經濟效能。後因工業塑膠興起、工資漸漲，以及國外競銷等各因素影響，致鹹草產業沒落。\r\n此提籃是由日晒乾燥及染色後的鹹草，依設計圖以壓二斜紋編技法編底部，再於四角轉折，往上續用壓二斜紋編法編出籃體高度，籃口以緣口編技法收編。提把是四股編帶法編製而成。提籃呈方底、體圓之形，置於室內收納雜物、工具材料或衣物等，有儉樸風。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199304038006","MainTitle":"藺草提籃-圓型提籃(有色、小)","Creator":"設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM4MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期以台南、高雄產量最多，彰化、嘉義、宜蘭次之。\r\n顏水龍先生有感於鹹草植物纖維的素樸質地，極富工藝性，特於民國三十年成立「南亞工藝社」，設計並指導台南鄉親編製各式鹹草提籃，致力拓展產銷，又組織「台南藺草產銷合作社」，產品外銷日本及大陸東北各省，產業興盛。然因塑膠興起、工資高漲、國外競銷等之影響，而漸沒落。\r\n此小提籃是採用日晒乾燥、染色後的鹹草，依設計圖以壓二斜紋編技法編出方形底部，再由四角處轉折往上，續用壓二斜紋編技法編出籃體的高度，在籃口處以緣口編技法收編，加上四股編帶的提把即完成。方形底圓體之造形，用手捏緊後放鬆，仍恢復原狀。收納小物方便、易清理。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"199304038007","MainTitle":"藺草提籃-四方提籃(本色、扣鈕)","Creator":"設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM4MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期以台南、高雄種植面積最廣，彰化、嘉義、宜蘭次之。\r\n顏水龍先生於民國三十年成立「南亞工藝社」，設計改良鹹草產品，指導台南鄉親編製各式提籃、提袋並銷售；又組織「台南藺草產銷合作社」，將產品外銷至日本及大陸東北各省。鹹草產業興盛。帶給生活的是最環保的用品。\r\n此四方提籃係以日晒乾燥之原草，依設計圖以壓一平紋編技法編製長方形籃底，再於四角處轉折向上，用壓二斜紋編技法編籃體，達至高度後收編，取與籃口兩長邊等長的竹片，在捲縫邊時包於內，使硬挺。兩側邊籃口處依角度摺凹，則兩長邊才易靠近密合，另以四股扁編帶扣住鈕扣結固定，提把是由四股圓編帶而成。造形美、簡單、實用。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"199304038008","MainTitle":"藺草提籃-圓型提籃(本色、大)","Creator":"設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM4MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期以台南、高雄種植面積最廣，彰化、嘉義、宜蘭次之。\r\n鹹草植物纖維的素樸質地，深受顏水龍先生之喜愛，特於民國三十年成立「南亞工藝社」，設計、指導台南鄉親編製鹹草各式產品，並致力拓展產銷市場，又組織「台南藺草產銷合作社」，將產品外銷日本及大陸東北各省。其鹹草產業興盛，在當時環境中是運用植物纖維的好製品。\r\n此提籃係以日晒乾燥之鹹草，依設計圖以壓二斜紋編技法編成方形籃底，再於四角處轉折往上，續以壓二斜紋編技法編出籃體，達至高度後，用緣口編技法將籃口收編。提把則是四股扁編帶技法。用於買、購物、收納衣物、雜物等實用功能，造形一團和氣的美。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199304038009","MainTitle":" 藺草提籃-圓型提籃(本色、中)","Creator":"設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM4MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期以台南、高雄產量最多，彰化、嘉義、宜蘭次之。\r\n顏水龍先生有感於鹹草素樸質地之工藝性，特於民國三十年成立「南亞工藝社」，設計、指導台南鄉親編製鹹草各式產品，積極拓展市場，又組織「台南藺草產銷合作社」，產品外銷日本及大陸東北各省。後因工業塑膠品漸充斥、工資高漲、國外的競銷而致鹹草產業慢慢沒落。\r\n此提籃是以日晒乾燥之鹹草，依設計圖以壓二斜紋編之技法編製方形籃底，於四角處轉折向上，續用壓二斜紋編技法編出籃體，達至高度後，用緣口編技法將籃口收編，另以四股扁編帶做為提把。外出購物或室內收納置物，都是現今環保減塑生活中的好提籃。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"199304038010","MainTitle":" 藺草提籃-圓型提籃(本色、小)","Creator":"設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM4MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期產地以台南、高雄最多，彰化、嘉義、宜蘭次之。\r\n顏水龍先生有感於鹹草植物纖維的素樸質地，特設計並指導台南鄉親編製提籃；於民國三十年成立「南亞工藝社」拓展產銷市場，又組織「台南藺草產銷合作社」，將各式產品外銷日本及大陸東北各省。此之經濟利益亦嘉惠參與產業的工作者。鹹草產品應是現今生活最想使用的天然纖維產品。\r\n此提籃是以日晒乾燥的鹹草，用壓二斜紋編法編出方形底部，由四個角處轉折，壓二斜紋編法往上形成籃體，狀似圓筒，最後以緣口收編技法完成籃口的修飾；提把則是四股扁編帶。此提籃透氣性良好，置放物品或水果的好容器。亦可盛物入蒸鍋內蒸煮，食物風味佳。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"199304039","MainTitle":"藺草拖鞋","Creator":"設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期盛產於台南、高雄，其次彰化、嘉義、宜蘭，其餘縣市零星栽植。鹹草大都加工應用於草蓆、草縄、草鞋及茄荎提袋之編製；後經顏水龍先生設計改良造形，產品變得多樣，更合乎使用的需求，如提籃、拖鞋、地毯等。\r\n草鞋以草類植物纖維編製；稻草、藺草在台灣不同的時期、區域被使用於草鞋的材料。藺草草鞋加以改良為藺草(鹹草)拖鞋，在室內摩擦於地面或榻榻米上有阻力與舒適感，所以拖鞋產品外銷日本頗受喜愛。\r\n這七件拖鞋有男性、女性、小孩之分，除原草色外，也染色佈於鞋面。鞋底有厚度，是因多根原草或搓成縄互交編的多層效果，故踏之有彈性，些許纖維的凹凸刺激感、透氣、涼爽，很環保的產品。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"199304039001","MainTitle":"藺草拖鞋-女鞋‧右腳","Creator":"設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"(此藺草俗稱鹹草，又稱海草，學名為三角藺。早期盛產於台南、高雄，其次彰化、嘉義、宜蘭，大都加工應用為草蓆、草縄、草鞋及茄荎提袋之編製。後經顏水龍先生設計改良造形，產品如提籃、拖鞋、地毯等富手作工藝之美，使用貼切方便，材質環保、健康。\r\n此拖鞋是將材料日晒乾燥，染紅、綠色，搥打、搓成縄後，1.先編鞋底：以原草搓縄為鞋底的經線繞掛於編製草鞋工具的立柱上，共四股，另端則固定在編製者身上，取原草為緯線，上下穿梭於經線編織成形，編織中以大木梳推緊緯線。2.編製鞋面：以搓縄穿繞鞋底的邊緣，同時構成位於鞋面的經線，取原草、染色草用二股絞編技法絞與經線成為面。用鈎針將原草在鞋面與鞋底邊緣鈎成短針修飾，增其美觀、堅牢。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199304039002","MainTitle":"藺草拖鞋-女鞋‧左腳","Creator":"設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM5MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期以台南、高雄種植最多，其次彰化、嘉義、宜蘭。加工產品大都為草蓆、草縄、草鞋及茄荎提袋之編製。顏水龍先生有感鹹草纖維素樸質地的工藝性與在地產業之理念，特於民國三十年成立「南亞工藝社」，設計改良並指導台南鄉親編製時尚、實用的產品，外銷日本及大陸東北各省。\r\n此拖鞋是將材料日晒乾燥，染紅、綠色，搥打、搓成縄後，先編鞋底：以原草搓縄為經線，繞掛於工具立柱與編製者身上，再取原草為緯線，上下穿梭於經線編織成形。編製鞋面：以原草搓縄穿繞鞋底的邊緣，同時繞成鞋面的經線；取原草、染色草用二股絞編技法絞與經線成為面。用鈎針將原草在鞋面與鞋底邊緣鈎成短針修飾，也增強堅牢度。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"199304039003","MainTitle":"藺草拖鞋-女鞋‧右腳","Creator":"創作者：不詳
設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM5MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期盛產於台南、高雄，其次彰化、嘉義、宜蘭，大都應用於草蓆、草縄、草鞋及茄荎提袋之編製；後經顏水龍先生加以改良設計，指導台南鄉親編製富工藝手作感、且時尚實用產品，如提籃、拖鞋、地毯等，也外銷日本、大陸、美國。\r\n此拖鞋是將材料日晒乾燥，染紅、綠、紫色，搥打、搓成縄後，1.先編鞋底：以原草搓縄為鞋底的經線繞掛於編製草鞋工具的立柱上，共四股，另端則固定在編製者身上，取原草為緯線，上下穿梭於經線編織成形，編織中以大木梳推緊緯線。2.編製鞋面：以搓縄穿繞鞋底的邊緣，同時構成位於鞋面的經線，取原草、染色草用二股絞編技法絞與經線成為面。用鈎針將原草在鞋面與鞋底邊緣鈎成短針修飾，也增其堅牢。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199304039004","MainTitle":"藺草拖鞋-女鞋‧左腳","Creator":"創作者：不詳
設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM5MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期以台南、高雄種植面積最廣，彰化、嘉義、宜蘭次之，大都用於草蓆、草鞋、搓縄及茄荎提袋的編製。後經顏水龍先生設計改良造形，指導台南鄉親製作提籃、拖鞋、地毯等生活實用產品且時尚有手作工藝之美。這些鹹草產品經拓展行銷，也受日本、大陸東北各省、美國之喜愛。\r\n此拖鞋是將材料日晒乾燥，染紅、綠、紫色，搥打、搓成縄後，先編鞋底：以原草搓縄為經線，繞掛於工具立柱與編製者身上，再取原草當緯線，上下穿梭於經線編織成形。編製鞋面：以原草搓縄穿繞鞋底的邊緣，同時繞成鞋面的經線；取原草、染色草用二股絞編技法與經線成為面。用鈎針將原草在鞋面與鞋底邊緣鈎成短針修飾，增美觀與堅牢。\r\n(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199304039005","MainTitle":"藺草拖鞋-男鞋‧右腳","Creator":"創作者：不詳
設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM5MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期盛產於台南、高雄，其次彰化、嘉義、宜蘭。鹹草大都加工應用做為草蓆、草縄、草鞋及茄荎提袋之編製；後經顏水龍先生設計改良造形，製作提籃、拖鞋、地毯等產品，更合乎使用的需求，植物纖維的利用達到工藝美觀、實用要件。\r\n此拖鞋是將材料日晒乾燥，染淡黃綠色，搥打、搓成縄後，1.先編鞋底：以原草搓縄為鞋底的經線繞掛於編製草鞋工具的立柱上，共四股，另端則固定在編製者身上，取原草為緯線，上下穿梭於經線編織成形，編織中以大木梳推緊緯線。2.編製鞋面：以搓縄穿繞鞋底的邊緣，同時構成位於鞋面的經線，取原草、染色草用二股絞編技法絞與經線成為面。用鈎針將原草在鞋面與鞋底邊緣鈎成短針修飾，以增其堅牢。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199304039006","MainTitle":"藺草拖鞋-男鞋‧左腳","Creator":"創作者：不詳
設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM5MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期以台南、高雄產量最多，彰化、嘉義、宜蘭次之，大都應用於草蓆、草縄、草鞋、茄荎提袋的編製；顏水龍先生喜愛鹹草纖維的質地與手作的工藝價值，經設計改良造形並指導台南鄉親編製產品，如提籃、拖鞋、地毯等更合乎需求，發展在地產業，開拓外銷市場，興盛一時。\r\n此拖鞋是將材料日晒乾燥，染淡黃綠色，搥打、搓成縄後，先編鞋底：以原草搓縄為經線，繞掛於工具立柱與編製者身上，再取原草當緯線，上下穿梭於經線編織成形。編製鞋面：以原草搓縄穿繞鞋底的邊緣，同時繞成鞋面的經線；取原草、染色草用二股絞編技法絞與經線成為面。用鈎針將原草在鞋面與鞋底邊緣鈎成短針修飾，增其美觀與堅牢。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199304039007","MainTitle":"藺草拖鞋-男鞋‧右腳","Creator":"創作者：不詳
設計者：顏水龍
其他-編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM5MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期盛產於台南、高雄，其次彰化、嘉義、宜蘭。大都應用於草蓆、草縄、草鞋、茄荎提袋之編製。顏水龍先生於民國三十年成立「南亞工藝社」，設計改良造形並指導台南鄉親製作提籃、拖鞋、地毯等鹹草產品，實用美觀受好評，也外銷日本、大陸東北各省。\r\n此拖鞋是將材料日晒乾燥，染淡黃綠色，搥打、搓成縄後，1.先編鞋底：以原草搓縄為鞋底的經線繞掛於編製鞋工具的立柱上，共四股，另端則固定在編製者身上，取原草為緯線，上下穿梭於經線編織成形，編織中以大木梳推緊緯線。2.編製鞋面：以搓縄穿繞鞋底的邊緣，同時構成位於鞋面的經線，取原草、染色草用二股絞編技法絞與經線成為面。用鈎針將原草在鞋面與鞋底邊緣鈎成短針修飾，增其美觀與堅牢。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"199304039008","MainTitle":"藺草拖鞋-男鞋‧左腳","Creator":"創作者：不詳
設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM5MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期以台南、高雄產量最多，彰化、嘉義、宜蘭次之，大都為草蓆、草縄、草鞋及茄荎提袋之編製材料。顏水龍先生對鹹草纖維用於生活工藝質感與發展在地產業之理念，特設計改良造形並指導台南鄉親製作提籃、拖鞋、地毯等產品，具實用、美觀，深受喜愛也外銷日本、大陸東北各省、美國。\r\n此拖鞋是將材料日晒乾燥，染淡黃綠色，搥打、搓成縄後，先編鞋底：以原草搓縄為經線，繞掛於工具立柱與編製者身上，再取原草當緯線，上下穿梭於經線編織成形。編製鞋面：以原草搓縄穿繞鞋底的邊緣，同時繞成鞋面的經線；取原草、染色草用二股絞編技法與經線成為面。用鈎針將原草在鞋面與鞋底邊緣鈎成短針修飾，增其美觀與堅牢。\r\n(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199304039009","MainTitle":"藺草拖鞋-成人鞋‧右腳","Creator":"創作者：不詳
設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM5MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期盛產於台南、高雄，其次彰化、嘉義、宜蘭。鹹草大都加工應用於草蓆、草縄、草鞋及茄荎提袋之編製；後經顏水龍先生設計改良造形，產品多樣實用，合時宜的工藝之美，材質貼切生活，如提籃、拖鞋、地毯等。\r\n此拖鞋是將材料日晒乾燥，染紅、綠色，搥打、搓成縄後，1.先編鞋底：以原草搓縄為鞋底的經線繞掛於編製草鞋工具的立柱上，共四股，另端則固定在編製者身上，取原草為緯線，上下穿梭於經線編織成形，編織中以大木梳推緊緯線。2.編製鞋面：以搓縄穿繞鞋底的邊緣，同時構成位於鞋面的經線，取原草、染色草用二股絞編技法絞與經線成為面。用鈎針將原草在鞋面與鞋底邊緣鈎成短針修飾，也增強堅牢度。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"199304039010","MainTitle":"藺草拖鞋-成人鞋‧左腳","Creator":"創作者：不詳
設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM5MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期以台南、高雄種植最多，其次彰化、嘉義、宜蘭。大都為草蓆、草縄、草鞋及茄荎提袋之編製材料。顏水龍先生有感鹹草纖維素樸質地的工藝性與在地產業之理念，特於民國三十年成立「南亞工藝社」，設計改良並指導台南鄉親編製時尚、實用的產品，外銷日本、大陸東北各省。\r\n此拖鞋是將材料日晒乾燥，染紅、綠色，搥打、搓成縄後，先編鞋底：以原草搓縄為經線，繞掛於工具立柱與編製者身上，再取原草當緯線，上下穿梭於經線編織成形。編製鞋面：以原草搓縄穿繞鞋底的邊緣，同時繞成鞋面的經線；取原草、染色草用二股絞編技法絞與經線成為面。用鈎針將原草在鞋面與鞋底邊緣鈎成短針修飾，也增強堅牢度。\r\n(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199304039011","MainTitle":"藺草拖鞋-童鞋‧右腳","Creator":"創作者：不詳
設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM5MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期盛產於台南、高雄，其次彰化、嘉義、宜蘭，其餘縣市零星栽植。鹹草大都加工應用於草蓆、草縄、草鞋及茄荎提袋之編製；後經顏水龍先生設計改良造形，產品變得多樣，更合乎使用的需求，如提籃、拖鞋、地毯等。\r\n此拖鞋是將材料日晒乾燥，染淡黃綠色，搥打、搓成縄後，1.先編鞋底：以原草搓縄為鞋底的經線，繞掛於編製草鞋工具的立柱上，共四股，另端則固定在編製者身上，取原草為緯線，上下穿梭於經線編織成形，編織中以大木梳推緊緯線。2.編製鞋面：以搓縄穿繞鞋底的邊緣，同時構成位於鞋面的經線，取原草、染色草用二股絞編技法絞與經線成為面。用鈎針將原草在鞋面與鞋底邊緣鈎成短針修飾，也增強堅牢度。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"199304039012","MainTitle":"藺草拖鞋-童鞋‧左腳","Creator":"創作者：不詳
設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM5MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期以台南、高雄種植最多，其次彰化、嘉義、宜蘭。加工產品大都為草蓆、草縄、草鞋及茄荎提袋之編製。顏水龍先生有感鹹草纖維質地素樸的工藝性與在地產業之理念，特於民國三十年成立「南亞工藝社」，設計改良並指導台南鄉親編製時尚、實用的產品，外銷日本及大陸東北各省。\r\n此拖鞋是將材料日晒乾燥，染淡黃綠色，搥打、搓成縄後，1.先編鞋底：以原草搓縄為經線，繞掛於工具立柱與編製者身上，再取原草為緯線，上下穿梭於經線編織成形。2.編製鞋面：以原草搓縄穿繞鞋底的邊緣，同時繞成鞋面的經線；取原草、染色草用二股絞編技法絞與經線成為面。用鈎針將原草在鞋面與鞋底邊緣鈎成短針修飾，也增強堅牢度。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199304039013","MainTitle":"藺草拖鞋-童鞋‧右腳","Creator":"創作者：不詳
設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM5MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期盛產於台南、高雄，其次彰化、嘉義、宜蘭，大都加工應用於草蓆、草縄、草鞋及茄荎提袋之編製；後經顏水龍先生設計改良造形，產品多樣，更富手作工藝之美，使用方便，如提籃、拖鞋、地毯等。\r\n此拖鞋是將材料日晒乾燥，染紅色、紫色、綠色後，經選草、搥打，搓成縄，1.先編鞋底：以原草搓縄為鞋底的經線繞掛於編製草鞋工具的立柱上，共四股，另端則固定在編製者身上，取原草為緯線，上下穿梭於經線編織成形，編織中以大木梳推緊緯線。2.編製鞋面：以搓縄穿繞鞋底的邊緣，同時構成位於鞋面的經線，取原草、染色草用二股絞編技法絞與經線成為面。用鈎針將原草在鞋面與鞋底邊緣鈎成短針修飾，並增堅牢。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"199304039014","MainTitle":"藺草拖鞋-童鞋‧左腳","Creator":"創作者：不詳
設計者：顏水龍
編製者：謝春子","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDM5MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此藺草俗稱鹹草，又稱海草，學名為三角藺。早期盛產於台南、高雄，彰化、嘉義、宜蘭次之，大都用於草蓆、草縄、草鞋及茄荎提袋之編製材料。顏水龍先生有感鹹草纖維質地素樸的工藝性與創造在地產業之理念，特於民國三十年成立「南亞工藝社」，設計改良並指導台南鄉親編製提籃、拖鞋、地毯等具實用、時尚的產品，亦外銷大陸、日本、美國。\r\n此拖鞋是將材料日晒乾燥，染紅、綠、紫色，搥打、搓成縄後，先編鞋底：以原草搓縄為經線，繞掛於工具立柱與編製者身上，再取原草當緯線，上下穿梭於經線編織成形。編製鞋面：以原草搓縄穿繞鞋底的邊緣，同時繞成鞋面的經線；取原草、染色草用二股絞編技法絞與經線成為面。用鈎針將原草在鞋面與鞋底邊緣鈎成短針修飾，也增其堅牢度。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199304040","MainTitle":"抽水煙的日子","Creator":"設計者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA0MDQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"三、四十年代左右，現代香菸雖已經發明，但農村地區水煙則還相當盛行，而水煙原是源自於中東地區的吸食工具，傳到台灣，因台灣盛產竹子，這工具即參照水煙的功能而被改良，利用本地材料製成吸食的工具，這件陶藝作品，即描寫農夫悠閒的抽吸水煙，其愜意滿足的形態，作品中農夫穿著六分褲、足蹬木屐，雙手握住水煙傾斜著頭，臉上表情愉悅，臉部、手臂、腳脛、木屐、水煙都保留原土色，上衣塗棕色釉，褲子塗青釉，頭髮與斗笠則用化粧土，坐的石塊則薄施黑釉，整體作品在還原焰中燒焙而成。(詮釋委員：不具名)","ImageUrl":""}
,{"Identifier":"199309001","MainTitle":"張良進履","Creator":"創作者：唐永哲","CreatedYear":"1993","Size":"附鞋子1支\r\n黃石老人14*12*19、張良12*7*15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生，小時候在福建長大，充滿兒時家鄉的回憶，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將小時候記憶中的情境故事，以裝飾陶瓷的表達方式展現出來。\r\n 本作品199309001〈張良進履〉，兩件互為一組，是以中國歷史上膾炙人口的故事為題材，描述張良正在為所謂的「黃石公」老者穿上鞋子。雖然故事內容曲折，不過最大的啟示在於：張良因為「忍得」而獲得老人交付之「（姜）太公兵法」，融會貫通後因此昇華而產生質變，成為偉大的政治家、軍事家，最後亦為帝王之師。單從作品的角度來欣賞、觀察，的確已經詮釋得非常感人惟妙惟肖；如果能加上以橋上情境為背景的話，相信會更精采。\r\n 製作上嘗試將苗栗陶土的注漿坏體，陰乾後經過素燒才上釉；由於臉和手的部位要保留陶土本色，頭髮、長髯部位還要塗上黑色色料，眉毛、眼睛和嘴唇也要經過手工描繪，方才進行二次燒烤；因此必須事先以手工局部塗上蠟油，防止沾到釉藥，接著以浸釉方式施釉，可以得到比較厚實的釉層。本作品採1,230℃氧化方式燒成，整體作品大致呈現有如汝窯的極佳釉色質感，頗富典雅古意，非常耐看又具教化功能。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199309002","MainTitle":"臺灣鄉村家庭：做木工","Creator":"設計者：王秀美
設計者：林三進","CreatedYear":"1993","Size":"24.5×17.2×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。兩位創作者王秀美與林三進是參與計畫的遴選設計師之一，一起合作發揮雕塑長才，嘗試將孩提時代的生活情境以裝飾陶瓷的表達方式展現出來。\r\n 本作品199309002〈臺灣鄉村家庭組（做木工）〉是臺灣鄉間生活的系列作品之一，描述一家之主親自動手做板凳，小孩圍繞在周圍幫忙、觀摩的互動情境，因此取名為「做木工」；早期鄉間的生活型態裡板凳的用途廣泛，沒有家具店在賣板凳，通常都要自己做，可貴的是整件作品的故事性安排得非常緊湊，連裝鐵釘的盒子都考慮到，所有人物都是穿著木屐，與當時的時代背景完全吻合，係採取寫實、擷景佈局的手法表現，細細品味之下讓人產生無窮的回憶。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能開模，會有很多組石膏模具；整組注漿成形的苗栗陶土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。上過釉藥的作品經由1,230℃高溫氧化燒成之後，還需局部手工塗上色料，以較低溫度二度入窯燒烤。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199309003","MainTitle":"臺灣鄉村家庭：理髮","Creator":"設計者：王秀美
設計者：林三進","CreatedYear":"1993","Size":"25×17.8×21.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。兩位創作者王秀美與林三進是參與計畫的遴選設計師之一，一起合作發揮雕塑長才，嘗試將孩提時代的生活情境以裝飾陶瓷的表達方式展現出來。\r\n 本作品199309003〈臺灣鄉村家庭組（理髮）〉是臺灣鄉間生活的系列作品之一，描述家庭裡的女主人親自為小孩剃頭，旁邊有三位小朋友圍觀的情境，因此取名為「理髮」。其中一位剛剃過頭的小孩手還伸手摸著後腦勺，好像覺得光頭涼涼的；最小的弟弟拉著哥哥的手臂，好像很怕剃頭的樣子，哥哥手上拿著痱子粉，隨時準備提供給媽媽使用；坐在高凳上正在剃頭的小孩，抓住肩上披著的一塊布以免頭髮從脖子滑進身體，他的另一隻手上居然還拿著彈弓；地上的矮凳上準備著熱水和毛巾，要給媽媽於剃頭前、後使用。雖然這樣的生活型態，早期在鄉下經常可見，不過可貴的是整件作品的故事情節設想周到，安排得非常緊湊，所有人物都是穿著木屐，與當時的時代背景完全吻合，此作品係採取寫實、擷景佈局的手法表現，細細品味之下讓人產生無窮的回憶。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能開模，會有很多組石膏模具；整組注漿成形的苗栗陶土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。上過釉藥的作品經由1,230℃高溫氧化燒成之後，還需局部手工塗上色料，以較低溫度二度入窯燒烤。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199309004","MainTitle":"白瓷公雞","Creator":"創作者：楊景天","CreatedYear":"1993","Size":"10.5×7×17.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 本作品199309004〈白瓷公雞〉屬抽象主義風格，作者楊景天，早期擔任過中華民國美術設計學會第三、四屆理事長，創作當時為臺灣省手工業研究所顧問，長時期受聘擔任日本金城大學顧問教授，年輕時師承前輩畫家郭柏川教授，藝術造詣極高，素描、雕塑能力很強，與其胞兄楊英風不相上下。\r\n 為了豐富手工業研究所的試作品陣容，作為年輕後進的學習典範，楊教授蒞臨草屯親自示範，完成此一組、兩件之經典作品—「白瓷公雞」、「白瓷母雞」。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\r\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片的表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑形的掌握亦具同樣道理。\r\n 從欣賞的角度來看白瓷公雞：無論體型或特質而言公雞皆屬陽剛，因此作者抓住公雞站立著喔喔啼的雄姿，將形體簡化，去掉稜角，使作品易於脫模，並與同組創作的另一件母雞作品取得一致性之處理手法。公雞的尾毛長又豎起、啼叫時會昂首、因為用力而翅膀下垂及較大型的雞冠等，都是公雞的特徵；為了造形簡化加上陶瓷材料結構上的問題，因此將腳以下省略、切齊，作成收尾，成就作品站立時的穩固性。\r\n 製作上採用瓷土為原料，以注漿技法產生的坏體，脫模後必須細心地修坏，不得留下任何痕跡，陰乾後經過素燒，然後噴上一層乳白釉，入窯以1,300℃氧化方式燒成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199309005","MainTitle":"白瓷母雞","Creator":"創作者：楊景天","CreatedYear":"1993","Size":"13×7×7.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 本作品199309005〈白瓷母雞〉屬抽象主義風格，作者楊景天，早期擔任過中華民國美術設計學會第三、四屆理事長，創作當時為臺灣省手工業研究所顧問，長時期受聘擔任日本金城大學顧問教授，年輕時師承前輩畫家郭柏川教授，藝術造詣極高，素描、雕塑能力很強，與其胞兄楊英風不相上下。\r\n 為了豐富手工業研究所的試作品陣容，作為年輕後進的學習典範，楊教授蒞臨草屯親自示範，完成此一組、兩件之經典作品—「白瓷母雞」、「白瓷公雞」。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\r\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片的表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑形的掌握亦具同樣道理。\r\n 從欣賞的角度來看白瓷母雞：無論體型或特質而言母雞皆屬嬌小而溫柔，因此作者抓住母雞孵蛋的姿態，將形體簡化，去掉稜角，使作品易於脫模，並與同組創作的另一件公雞作品取得一致性之處理手法。母雞的尾部羽毛短而尖、孵蛋時為了確實覆蓋大面積的雞蛋因此翅膀放鬆、縮頸、低頭及雞冠較小等，都是母雞的特徵；為了造形簡化加上陶瓷材料結構上的問題，因此將腳以下省略、切齊，作成收尾，有如窩在巢裡的感覺。(詮釋委員：盧祥華)\r\n製作上採用瓷土為原料，以注漿技法產生的坏體，脫模後必須細心地修坏，不得留下任何痕跡，陰乾後經過素燒，然後噴上一層乳白釉，入窯以1,300℃氧化方式燒成。","ImageUrl":""}
,{"Identifier":"199309006","MainTitle":"騎木馬（拍手）","Creator":"設計者：王秀美
設計者：林三進","CreatedYear":"1993","Size":"11×5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。兩位創作者王秀美與林三進是參與計畫的遴選設計師之一，一起合作發揮雕塑長才，嘗試將孩提時代的一些生活情境以裝飾陶瓷的表達方式展現出來。\r\n 本作品199309006〈騎木馬（拍手）〉是描述一位可愛的小男孩身穿平光釉色質感的背心褲和大圓頭鞋子騎在木馬上，因為感到非常高興而自發性拍手的模樣，木馬採取整個往前傾的動態設計極為生動；整件作品係以寫實的臉部表情、稍微誇張的身材比例以強調主題特色，類似公仔設計的表現方式。木馬、臉部及手臂等部位保留陶土特有質感，完全未上釉。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能開模，會有多組石膏模具；整組注漿成形的苗栗陶土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。上過釉藥的作品經由1,230℃高溫氧化燒成之後，還需局部手工描繪、塗上陶瓷色料，以較低溫度二度入窯燒烤才算完成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199309007","MainTitle":"騎木馬（策馬）","Creator":"設計者：王秀美
設計者：林三進","CreatedYear":"1993","Size":"11×5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。兩位創作者王秀美與林三進是參與計畫的遴選設計師之一，一起合作發揮雕塑長才，嘗試將孩提時代的一些生活情境以裝飾陶瓷的表達方式展現出來。\r\n 本作品199309007〈騎木馬（策馬）〉是描述一位可愛的小男孩身穿平光釉色質感的背心褲和大圓頭鞋子騎在木馬上，右手緊握木馬，左手往後擺，有如拍打馬屁股催促前進狀，故謂「策馬」，木馬採取整個往後仰的動態設計極為生動，木馬的底盤採用整個橢圓形的設計，與圓胖感覺的人物形成極佳的和諧感；整件作品係以寫實的臉部表情、稍微誇張的身材比例來強調主題特色，類似公仔設計的表現方式。木馬、臉部及手臂等部位保留陶土特有質感，完全未上釉。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能開模，會有多組石膏模具；整組注漿成形的苗栗陶土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。上過釉藥的作品經由1,230℃高溫氧化燒成之後，還需局部手工描繪、塗上陶瓷色料，以較低溫度二度入窯燒烤才算完成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199309008","MainTitle":"騎木馬（抱姿）","Creator":"設計者：王秀美
設計者：林三進","CreatedYear":"1993","Size":"11×5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。兩位創作者王秀美與林三進是參與計畫的遴選設計師之一，一起合作發揮雕塑長才，嘗試將孩提時代的一些生活情境以裝飾陶瓷的表達方式展現出來。\r\n 本作品199309008〈騎木馬（抱姿）〉是描述一位可愛的小男孩身穿平光釉色質感的背心褲和大圓頭鞋子騎在木馬上，木馬呈水平狀態而小男孩的整個上身往前趴著，抱住馬頭有如對木馬產生孺慕之情，故謂「抱姿」；整件作品係以寫實的臉部表情、稍微誇張的身材比例來強調主題特色，類似公仔設計的表現方式。木馬、臉部及手臂等部位保留陶土特有質感，完全未上釉。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能開模，會有多組石膏模具；整組注漿成形的苗栗陶土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。上過釉藥的作品經由1,230℃高溫氧化燒成之後，還需局部手工描繪、塗上陶瓷色料，以較低溫度二度入窯燒烤才算完成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199309009","MainTitle":"坐火車","Creator":"設計者：王秀美
設計者：林三進","CreatedYear":"1993","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。兩位創作者王秀美與林三進是參與計畫的遴選設計師之一，一起合作發揮雕塑長才，嘗試將孩提時代的一些生活情境以裝飾陶瓷的表達方式展現出來。\r\n 無論是甚麼時代，火車對小孩子的吸引力總是不言而喻，本作品199309009〈坐火車〉是描述兩位可愛的小男孩身穿同款式平光釉色質感的背心褲和大圓頭鞋子，分別跨、坐在幾乎跟身體同樣大小的兩節玩具小火車上，高興得不得了；整件作品係以寫實的臉部表情、稍微誇張的身材比例來強調主題特色，類似公仔設計的表現方式。路面、小火車、臉部及手臂等部位保留陶土特有質感，僅在額頭、手臂等處局部刷上淡淡的褐色，增加色彩的層次感。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能開模，會有多組石膏模具；整組注漿成形的苗栗陶土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。上過釉藥的作品經由1,230℃高溫氧化燒成之後，還需局部手工描繪、塗上陶瓷色料，以較低溫度二度入窯燒烤才算完成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199309010","MainTitle":"打棒球（扛球棒）","Creator":"設計者：王秀美
設計者：林三進","CreatedYear":"1993","Size":"6×6×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。兩位創作者王秀美與林三進是參與計畫的遴選設計師之一，一起合作發揮雕塑長才，嘗試將孩提時代的一些生活情境以裝飾陶瓷的表達方式展現出來。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品199309010〈打棒球（扛球棒）〉是描述一位身穿球衣、帽子反戴的少年棒球員將球棒擱在肩上的可愛模樣；整件作品係以寫實的臉部表情、誇張的身材比例強調主題特色，類似公仔設計的表現方式。木質球棒、臉部、手肘及小腿等部位保留陶土質感，並未上釉。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能開模，會有多組石膏模具；整組注漿成形的苗栗陶土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。上過釉藥的作品經由1,230℃高溫氧化燒成之後，還需局部手工描繪、塗上陶瓷色料，以較低溫度二度入窯燒烤才算完成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199309011","MainTitle":"打棒球（敬禮）","Creator":"設計者：王秀美
設計者：林三進","CreatedYear":"1993","Size":"6×6×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。兩位創作者王秀美與林三進是參與計畫的遴選設計師之一，一起合作發揮雕塑長才，嘗試將孩提時代的一些生活情境以裝飾陶瓷的表達方式展現出來。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品199309011〈打棒球（敬禮）〉是描述一位身穿球衣、頭上戴著帽子的少年棒球員將球棒垂直立於地上，行戴帽舉手禮的可愛模樣；整件作品係以寫實的臉部表情、誇張的身材比例強調主題特色，類似公仔設計的表現方式。木質球棒、臉部、手肘及小腿等部位保留陶土質感，並未上釉。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能開模，會有多組石膏模具；整組注漿成形的苗栗陶土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。上過釉藥的作品經由1,230℃高溫氧化燒成之後，還需局部手工描繪、塗上陶瓷色料，以較低溫度二度入窯燒烤才算完成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199309012","MainTitle":"打棒球（揮棒）","Creator":"設計者：王秀美
設計者：林三進","CreatedYear":"1993","Size":"6×6×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。兩位創作者王秀美與林三進是參與計畫的遴選設計師之一，一起合作發揮雕塑長才，嘗試將孩提時代的一些生活情境以裝飾陶瓷的表達方式展現出來。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品199309012〈打棒球（揮棒）〉是描述一位身穿球衣、帽子反戴的少年棒球員手持球棒做出打擊揮棒姿勢的可愛模樣；整件作品係以寫實的臉部表情、誇張的身材比例強調主題特色，類似公仔設計的表現方式。木質球棒、臉部、手肘及小腿等部位保留陶土質感，並未上釉。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能開模，會有多組石膏模具；整組注漿成形的苗栗陶土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。上過釉藥的作品經由1,230℃高溫氧化燒成之後，還需局部手工描繪、塗上陶瓷色料，以較低溫度二度入窯燒烤才算完成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199309013","MainTitle":"元寶母子","Creator":"設計者：王秀杞","CreatedYear":"1993","Size":"32×24×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199309014","MainTitle":"溫情","Creator":"設計者：王秀杞","CreatedYear":"1993","Size":"23×18×29.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199309015","MainTitle":"母與女","Creator":"設計者：陳石年(振榮)","CreatedYear":"1993","Size":"19×14×31","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199309016","MainTitle":"母與子","Creator":"設計者：陳石年(振榮)","CreatedYear":"1993","Size":"27×18×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199309017","MainTitle":"賞鳥","Creator":"設計者：余燈銓","CreatedYear":"1993","Size":"19×18×40","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199309018","MainTitle":"母子親","Creator":"設計者：余燈銓","CreatedYear":"1993","Size":"25×20×29","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199309019","MainTitle":"沐髮少女","Creator":"設計者：王龍森","CreatedYear":"1993","Size":"25×24×28","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199309020","MainTitle":"浴後","Creator":"王龍森","CreatedYear":"1993","Size":"19.5×19×35","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199309021","MainTitle":"台灣彌猴","Creator":"設計者：王武同","CreatedYear":"1993","Size":"11.5×11.5×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199309022","MainTitle":"櫻花鉤吻鮭","Creator":"設計者：王武同","CreatedYear":"1993","Size":"17.7×12.5×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這個西洋瓷偶以臺灣櫻花鉤吻鮭為創作主題，利用瓷土注漿成形坯體，上釉高溫燒製坯體後再加上彩色釉料低溫燒製而成。櫻花鉤吻鮭屬於相當稀有且曾經瀕臨絕種，再加上它的生活習性迥異於其他魚類，於是又有「國寶魚」之美譽。 \n創作者是王武同先生，剛好一雙臺灣稀有國寶魚悠然迴游於清翠潔淨河流之中，又有水草溪石相為伴，忽隱忽現之神情顯得有些神秘感，好像隨時會游走的樣子相當可愛，不愧為珍貴山中之神奇。在眾多西洋瓷偶中算是少數具有本國文化識別性之代表創作，整體造形充分表現臺灣高山河流健康生態之意象，櫻花鉤吻鮭身軀姿態及身上班爛彩色斑點條紋，栩栩如生、活靈活現充滿生命力，充分表現臺灣之精神，好不令人驚豔。（詮釋委員：何明泉）","ImageUrl":""}
,{"Identifier":"199309023","MainTitle":"台灣闊尾鳳蝶","Creator":"設計者：王武同","CreatedYear":"1993","Size":"17×11×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199309024","MainTitle":"貓熊","Creator":"設計者：何晉焜","CreatedYear":"1993","Size":"14.1×14.1×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199309025","MainTitle":"台灣帝雉","Creator":"設計者：盧蘭芷","CreatedYear":"1993","Size":"15×10.5×22.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1993","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MzA5MDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這個西洋瓷偶作品以臺灣國寶級珍禽臺灣帝雉為創作主題，以白瓷土注漿成胚陰乾，加以上釉料高溫燒製後，再上彩色釉料低溫燒製而成。臺灣帝雉是臺灣特有常尾雉屬鳥類，分布於臺灣的中、高海拔山區，是臺灣的雉科鳥類中棲息於最高海拔者。帝雉曾被列為世界近危鳥類，與藍腹鷴同為名列國際自然保護聯盟瀕危物種紅色名錄中。\n創作者乃是一位女性作者盧蘭芷女士，作品顯得較為溫柔婉約，卻是相當細緻，艷紅眼眶特別引人注目，尤其羽毛之纖細栩栩如生，極為優雅。在眾多西洋瓷偶中，能有以臺灣特色珍禽為主題之作品相當不容易，充分傳達臺灣生態文化之珍貴性，非常值得珍藏欣賞。整體造形及色澤搭配適切，可以感受到珍禽之活力與自然生態及花朵之芬芳，極為難得之好作品。（詮釋委員：何明泉）","ImageUrl":""}
,{"Identifier":"199401001","MainTitle":"守柔－躺椅","Creator":"創作者：洪達仁
創作者：李萬財
製作/廠商：達大居室事務有限公司","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件作品從明式家具不務妍媚、僕雅堅緻的風格中，以「簡、厚、精、雅」的審美觀，結合良工美材與現代科技，以作品詮釋現代中國家居生活新意境，大方的造型與柔和的線條，吸引人去親近它。(詮釋委員:翁徐得)","ImageUrl":""}
,{"Identifier":"199401001001","MainTitle":"守柔－躺椅(圓把)","Creator":"創作者：洪達仁
創作者：李萬財
製作/廠商：達大居室事務有限公司","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAxMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"結合傳統工藝、現代科技設備及國際美學的藝術價值，為中國傢俱工藝展現代風格。本產品運用科技設備改良傳統工法，充份運用現代科技的長處，堪稱現代傢俱經典之作。本系列產品強調良工美材、古為今用、古意創新、為現代中國居室之國際化美學重塑高品質形象。","ImageUrl":""}
,{"Identifier":"199401001002","MainTitle":"守柔－躺椅(方把)","Creator":"創作者：洪達仁
創作者：李萬財
製作/廠商 ：達大居室事務有限公司","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAxMDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"結合傳統工藝、現代科技設備及國際美學的藝術價值，為中國傢俱工藝展現代風格。本產品運用科技設備改良傳統工法，充份運用現代科技的長處，堪稱現代傢俱經典之作。本系列產品強調良工美材、古為今用、古意創新、為現代中國居室之國際化美學重塑高品質形象。","ImageUrl":""}
,{"Identifier":"199401002","MainTitle":"壁飾","Creator":"創作者：施阿菊","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以鮮明的色彩和渾厚的造型、對稱的構圖以及反覆性的圖案作框飾，畫面中充滿豐年祭豐收季節的氣氛，表達歡快的慶典，以杵臼製成獻感恩祭予太陽神和祖先。\n排灣族衣飾文化上的刺繡紋樣，與傳統階級制度及社會組織息息相關。人頭紋象徵祖靈，百步蛇紋象徵父親，陶壺紋壺紋則有公壺、母壺及陰陽壺三種：公壺有百步蛇圖，母壺有乳凸紋，陰陽壺則是涵蓋以上兩種圖紋，為財富之表徵。太陽紋為時間及權利的象徵。作者自由變化與重組圖像，意喻著自然生命的變幻莫測，也是祖靈永恆的庇佑循環。排灣族常見的刺繡針法有八種，包括一點繡、一線繡、一撇繡、小牛角、口繡、人字繡、菊花繡、十字繡，其中十字繡最為著名，仔細看即可發現十字繡的萬千世界。（詮釋委員：吳佩珊）","ImageUrl":""}
,{"Identifier":"199401003","MainTitle":"思情綿綿二連作","Creator":"創作者：葉發原","CreatedYear":"","Size":"附木箱","Type":"工藝類\\皮革類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"採用不同加工適性皮革，綜合應用皮革工藝雕與塑等之技法，以寫實手法表現田園生活，栩栩如生地表現出草蔬昆蟲靈動的姿態，充滿野趣與絲瓜綿綿的生命力，是一件極具鄉土文化特色之創作。(詮釋委員：翁徐得)","ImageUrl":""}
,{"Identifier":"199401003001","MainTitle":"思情綿綿二連作(圓瓜)","Creator":"創作者：葉發原(個人工作室負責人)","CreatedYear":"","Size":"附木箱","Type":"工藝類\\皮革類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAxMDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"採用不同加工適性皮革，綜合應用皮革工藝雕與塑等之技法，以寫實手法表現田園生活，栩栩如生地表現出草蔬昆蟲靈動的姿態，充滿野趣與絲瓜綿綿的生命力，是一件極具鄉土文化特色之創作。(詮釋委員：翁徐得)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000022c7fadc7b325487a254c0ec2e8f116c84559aa34b5cd28a019f97e3346d7dba6acc88015d189994f66743b5d293a6aef42a98cdaef127e0116bbbba5edcd9b4"}
,{"Identifier":"199401003002","MainTitle":"思情綿綿二連作(長瓜)","Creator":"創作者：葉發原(個人工作室負責人)","CreatedYear":"","Size":"附木箱","Type":"工藝類\\皮革類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAxMDAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"採用不同加工適性皮革，綜合應用皮革工藝雕與塑等之技法，以寫實手法表現田園生活，栩栩如生地表現出草蔬昆蟲靈動的姿態，充滿野趣與絲瓜綿綿的生命力，是一件極具鄉土文化特色之創作。(詮釋委員：翁徐得)","ImageUrl":""}
,{"Identifier":"199402001","MainTitle":"侏羅紀公園之漫遊--項鍊、戒指、耳環","Creator":"設計者：張開誠
製作者：蝶夢寶飾設計工作室","CreatedYear":"","Size":"\"001項鍊：長：19 寬：29.5 高：1.3 \r\n002戒指：長：6 寬：3 高：2.8\r\n003-004耳環：長：7.5 寬：4 高：0.8\"\t\t\t\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本首飾套組為張開誠於1994年珠寶飾品設計競賽(傑出設計奬及傑出製作奬)之作品，包含了項鍊、戒指及耳環等三個品項。創作者以「侏羅紀公園之漫遊」為主題，運用了劇本導引的說故事手法進行創意設計的開展。「侏羅紀公園」是由美國著名導演史蒂芬・史匹伯於1993年執導的著名科幻電影，本組首飾創作者受此全球賣座、經典電影的啟發，巧妙援引相關元素與媒材（基因符碼、恐龍骨骼造型、有機化石），喚起多數人的共通認知，進而創造其首飾設計的共鳴與認同。\r\n本組作品以蠟雕刻劃地層肌理及骨骼結構，再施以脫蠟鑄造工藝翻鑄為925銀，並搭配色澤如瑪瑙、透明似水晶的松科松屬植物的樹脂化石（琥珀）及皮繩項圈，整體而言，本組作品造型雖屬具象，但引發考古探險、灑脫不羈的帥氣風格，為適於豪邁人士搭配的流行飾物。(詮釋委員：江怡瑩)","ImageUrl":""}
,{"Identifier":"199402001001","MainTitle":"侏羅紀公園之漫遊--項鍊、戒指、耳環","Creator":"設計者：張開誠
製作者：蝶夢寶飾設計工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402001002","MainTitle":"侏羅紀公園之漫遊--項鍊、戒指、耳環","Creator":"設計者：張開誠
製作者：蝶夢寶飾設計工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402001003","MainTitle":"侏羅紀公園之漫遊--項鍊、戒指、耳環","Creator":"設計者：張開誠
製作者：蝶夢寶飾設計工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402001004","MainTitle":"侏羅紀公園之漫遊--項鍊、戒指、耳環","Creator":"設計者：張開誠
製作者：蝶夢寶飾設計工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402002","MainTitle":"天使心--項鍊、手鍊、耳環","Creator":"設計者：郭安舜
製作者：三杰貿易股份有限公司","CreatedYear":"","Size":"\"001項鍊：長：16 寬：13 高：0.7 \r\n002手鍊：高：2.5 徑：8 \r\n003-004耳環：高：1.5 徑：3\"\t\t\t\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本首飾套組為郭安舜於1994年珠寶飾品設計競賽(傑出設計奬)之作品，包含了項鍊、手鍊及耳環等三個品項。\r\n創作者以「天使心」為主題。整體作品風格統一，皆以半圓球體為主要元素，並於鉛錫合金的鍍銀表面凹槽處，填上紅、綠、藍紫等色的環氧樹脂（EPOXY），造成心形點綴的變化圖樣，且其上鑲貼的各色人造鑽石與金屬表面的光亮反射作用，共同造成目不暇給的色彩耀動，形成可能預期的趣味效果。(詮釋委員：江怡瑩)","ImageUrl":""}
,{"Identifier":"199402002001","MainTitle":"天使心--項鍊、手鍊、耳環","Creator":"設計者：郭安舜
製作者：三杰貿易股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402002002","MainTitle":"天使心--項鍊、手鍊、耳環","Creator":"設計者：郭安舜
製作者：三杰貿易股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402002003","MainTitle":"天使心--項鍊、手鍊、耳環","Creator":"設計者：郭安舜
製作者：三杰貿易股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402002004","MainTitle":"天使心--項鍊、手鍊、耳環","Creator":"設計者：郭安舜
製作者：三杰貿易股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402003","MainTitle":"蛇蠍美人--項鍊、胸針、耳環","Creator":"設計者：蔡幸倪
製作者：桔昇企業有限公司","CreatedYear":"","Size":"\"001項鍊：長：14 寬：15.5 高：0.7 \r\n002胸針：長：9 寬：5.5 高：1\r\n003-004耳環：長：5 寬：2.5 高：1.5\"\t\t\t\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本首飾套組為蔡幸倪於1994年珠寶飾品設計競賽(傑出設計奬)之作品，包含了項鍊、胸針及耳環等三個品項。創作者因為喜愛蛇，而以蛇的柔軟身體進行飾品設計的造型發想與特色元素。\r\n整體作品風格華麗，以鍍金的鉛錫合金、人造鑽石、環氧樹脂（EPOXY）為主要媒材。鍍金的金屬以來回穿梭的曲線造型，表達蛇身的靈活鑽動與曼妙舞動，而呈現極富裝飾效果的繩結圖紋。特別是以紫、綠、黑等三色線段的色彩搭配，勾勒出整體作品的鮮明輪廓與活潑韻味，使本組作品在華貴中更加彰顯獨特的個性品味，亦呼應了創作者原先對於「蛇蠍美人」的主題精神。(詮釋委員：江怡瑩)","ImageUrl":""}
,{"Identifier":"199402003001","MainTitle":"蛇蠍美人--項鍊、胸針、耳環","Creator":"設計者：蔡幸倪
製作者：桔昇企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402003002","MainTitle":"蛇蠍美人--項鍊、胸針、耳環","Creator":"設計者：蔡幸倪
製作者：桔昇企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402003003","MainTitle":"蛇蠍美人--項鍊、胸針、耳環","Creator":"設計者：蔡幸倪
製作者：桔昇企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402003004","MainTitle":"蛇蠍美人--項鍊、胸針、耳環","Creator":"設計者：蔡幸倪
製作者：桔昇企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDAzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402004","MainTitle":"天使展翅--項鍊、胸針、耳環","Creator":"設計者：白銀蓉
製作者：東大洋行","CreatedYear":"","Size":"\"001項鍊：長：14.5 寬：12 高：0.8 \r\n002胸針：長：7.5 寬：3 高：1\r\n003-004耳環：長：4.5 寬：2.5 高：1.3\"\t\t\t\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本首飾套組為白銀蓉於1994年珠寶飾品設計競賽(傑出製作奬)之作品，包含了項鍊、胸針及耳環等三個品項。創作者以「天使展翅」為設計靈感，採用雕蠟翻鑄鉛錫合金，將金屬底胎拋修打磨至平滑光亮後，進行金銀雙色的電鍍處理，並搭配整齊排列的白色人造鑽石，共同勾勒出整體作品的飛揚造型，以律動的線條表達了迎風而飛，且意氣風發的朝氣精神。\r\n作品主體的雕刻起伏，呈現古典對稱的柔和美感，輔以藍色馬眼形的人造刻面寶石，增添視覺豐富的點綴效果。再者，以人造圓形半珠為視覺重心，使作品產生聚焦的重點。整體而言，本首飾套組兼具古典和諧的穩重平衡，也兼具華麗貴氣的旖旎風情，適於出席宴會活動時搭配禮服配戴，展現輕奢華的名流氣度。(詮釋委員：江怡瑩)","ImageUrl":""}
,{"Identifier":"199402004001","MainTitle":"天使展翅--項鍊、胸針、耳環","Creator":"設計者：白銀蓉
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402004002","MainTitle":"天使展翅--項鍊、胸針、耳環","Creator":"創作者：白銀蓉
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402004003","MainTitle":"天使展翅--項鍊、胸針、耳環","Creator":"設計者：白銀蓉
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402004004","MainTitle":"天使展翅--項鍊、胸針、耳環","Creator":"設計者：白銀蓉
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402005","MainTitle":"戀--項鍊、戒指、耳環","Creator":"設計者：蔡慧珍
製作者：會聯有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402006","MainTitle":"游靈--胸針、戒指、耳環","Creator":"設計者：沈玉萍
製作者：大鈿有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402006001","MainTitle":"游靈--胸針","Creator":"設計者：沈玉萍
製作者：大鈿有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402006002","MainTitle":"游靈--戒指","Creator":"設計者：沈玉萍
製作者：大鈿有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402006003","MainTitle":"游靈--耳環","Creator":"設計者：沈玉萍
製作者：大鈿有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402006004","MainTitle":"游靈--耳環","Creator":"設計者：沈玉萍
製作者：大鈿有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402007","MainTitle":"綠意--項鍊、胸針、耳環","Creator":"設計者：龔塋慧
製作者：光興珠寶公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402007001","MainTitle":"綠意--項鍊","Creator":"設計者：龔塋慧
製作者：光興珠寶公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402007002","MainTitle":"綠意--胸針","Creator":"設計者：龔塋慧
製作者：光興珠寶公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402007003","MainTitle":"綠意--耳環","Creator":"設計者：龔塋慧
製作者：光興珠寶公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA3MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402007004","MainTitle":"綠意--耳環","Creator":"設計者：龔塋慧
製作者：光興珠寶公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA3MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402008","MainTitle":"潮--項鍊、胸針、耳環","Creator":"設計者：劉信煌
製作者：光興珠寶公司","CreatedYear":"","Size":"\"001項鍊：長：13 寬：18 高：0.7 \r\n002胸針：長：6.5 寬：3 高：0.7\r\n003-004耳環：長：2.9 寬：2.5 高：1\"\t\t\t\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本首飾套組為劉信煌於1994年珠寶飾品設計競賽(傑出製作奬)之作品，包含了項鍊、胸針及耳環等三個品項。\r\n創作者以「潮」為設計靈感，採用雕蠟翻鑄925銀，將金屬底胎拋磨至所需之凹凸肌理後，再進行霧金、亮銀的雙色電鍍處理，並於主體物件周遭設置爪鑲鑲座，使人造白鑽的閃耀光點與金銀雙色的金屬光澤，達成互相輝映的波光粼粼效果。\r\n項鍊的主體部分，呈現波濤洶湧、漩渦湍急的戲劇張力，搭配兩端往後延伸的鍊條，更是增添擺盪的律動效果。胸針的長形佈局，聚焦呈現長浪翻飛的優雅，及簡潔有力的曲柔彈性。一對耳環，則以圓形輪廓為範疇，展現浪花前緣即將消逝的泡沫。直得一提的是，創作者將整體作品的淺凹槽區域設計並處理成皺皮肌理，且施以霧金色的電鍍處理，與亮銀色的浪花對比之下，產生金色沙灘的美好聯想。(詮釋委員：江怡瑩)","ImageUrl":""}
,{"Identifier":"199402008001","MainTitle":"潮--項鍊、胸針、耳環","Creator":"設計者：劉信煌
製作者：光興珠寶公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402008002","MainTitle":"潮--項鍊、胸針、耳環","Creator":"設計者：劉信煌
製作者：光興珠寶公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402008003","MainTitle":"潮--項鍊、胸針、耳環","Creator":"設計者：劉信煌
製作者：光興珠寶公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA4MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402008004","MainTitle":"潮--項鍊、胸針、耳環","Creator":"設計者：劉信煌
製作者：光興珠寶公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA4MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402009","MainTitle":"心情故事--手鍊、胸針、耳環","Creator":"設計者：鄭旭凱
製作者：大東山珊瑚寶石公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402009001","MainTitle":"心情故事--手鍊","Creator":"設計者：鄭旭凱
製作者：大東山珊瑚寶石公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402009002","MainTitle":"心情故事--胸針","Creator":"設計者：鄭旭凱
製作者：大東山珊瑚寶石公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA5MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402009003","MainTitle":"心情故事--耳環","Creator":"設計者：鄭旭凱
製作者：大東山珊瑚寶石公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA5MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402009004","MainTitle":"心情故事--耳環","Creator":"設計者：鄭旭凱
製作者：大東山珊瑚寶石公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDA5MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402010","MainTitle":"竹--項鍊、手鍊、耳環","Creator":"設計者：陳莉珊
製作者：三杰貿易股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402010001","MainTitle":"竹--項鍊","Creator":"設計者：陳莉珊
製作者：三杰貿易股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDEwMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402010002","MainTitle":"竹--手鍊","Creator":"設計者：陳莉珊
製作者：三杰貿易股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDEwMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402010003","MainTitle":"竹--耳環","Creator":"設計者：陳莉珊
製作者：三杰貿易股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDEwMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402010004","MainTitle":"竹--耳環","Creator":"設計者：陳莉珊
製作者：三杰貿易股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDEwMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402011","MainTitle":"春意--項鍊、胸針、耳環","Creator":"設計者：周慧真
製作者：余展企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402011001","MainTitle":"春意--項鍊","Creator":"設計者：周慧真
製作者：余展企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDExMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402011002","MainTitle":"春意--胸針","Creator":"設計者：周慧真
製作者：余展企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDExMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402011003","MainTitle":"春意--耳環","Creator":"設計者：周慧真
製作者：余展企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDExMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402011004","MainTitle":"春意--耳環","Creator":"設計者：周慧真
製作者：余展企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDExMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402012","MainTitle":"時空過客--項鍊、胸針、耳環","Creator":"設計者：張開基
製作者：蝶夢寶飾設計工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402012001","MainTitle":"時空過客--項鍊","Creator":"設計者：張開基
製作者：蝶夢寶飾設計工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDEyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402012002","MainTitle":"時空過客--胸針","Creator":"設計者：張開基
製作者：蝶夢寶飾設計工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDEyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402012003","MainTitle":"時空過客--耳環","Creator":"設計者：張開基
製作者：蝶夢寶飾設計工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDEyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402012004","MainTitle":"時空過客--耳環","Creator":"設計者：張開基
製作者：蝶夢寶飾設計工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDEyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402013","MainTitle":"新銅器時代--項鍊、胸針、耳環","Creator":"設計者：廖娟鳳
製作者：蝶夢寶飾設計工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402013001","MainTitle":"新銅器時代--項鍊","Creator":"設計者：廖娟鳳
製作者：蝶夢寶飾設計工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDEzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402013002","MainTitle":"新銅器時代--胸針","Creator":"設計者：廖娟鳳
製作者：蝶夢寶飾設計工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDEzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402013003","MainTitle":"新銅器時代--耳環","Creator":"設計者：廖娟鳳
製作者：蝶夢寶飾設計工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDEzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402013004","MainTitle":"新銅器時代--耳環","Creator":"設計者：廖娟鳳
製作者：蝶夢寶飾設計工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDEzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402014","MainTitle":"貝--項鍊、手鍊、耳環","Creator":"設計者：王清良
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402014001","MainTitle":"貝--項鍊","Creator":"設計者：王清良
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDE0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402014002","MainTitle":"貝--手鍊","Creator":"設計者：王清良
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDE0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402014003","MainTitle":"貝--耳環","Creator":"設計者：王清良
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDE0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199402014004","MainTitle":"貝--耳環","Creator":"設計者：王清良
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDAyMDE0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199404001","MainTitle":"裝飾陶瓷人物類組(1)－(6)","Creator":"台灣區裝飾陶瓷輸出業同業公會","CreatedYear":"","Size":"外箱尺寸：41.5*32*26公分\r\n含外箱重：4850公克\r\n裸重：001-625公克；002-753公克；003-538公克；004-770公克；005-635公克；006-663公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"裝飾陶瓷產業晚期在1990年代，由外銷為主導的西洋玩偶，試圖轉型開發本土風格或中國特色的產品。於1994年臺北國際陶瓷博覽會所收錄的這一組玩偶，有阿美族原住民搗米、鄉土風格的農夫喝茶聊天、修補蒸籠以及中國風的仙女和刺繡，甚至還有孫悟空太空人的卡通人物……。可以看出是在90年代這樣的社會環境變遷下，有意識開發的產物。檯座上有Nomiso草寫字樣，據查證為何晉焜先生1979年成立的「尚美(Nomiso)陶瓷設計中心」所創作。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"199404001001","MainTitle":"裝飾陶瓷人物類組(1)太空人孫悟空","Creator":"台灣區裝飾陶瓷輸出業同業公會","CreatedYear":"","Size":"外箱尺寸：41.5*32*26公分\r\n含外箱重：4850公克\r\n裸重：001-625公克；002-753公克；003-538公克；004-770公克；005-635公克；006-663公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA0MDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"裝飾陶瓷產業晚期在1990年代，由外銷為主導的西洋玩偶，試圖轉型開發本土風格或中國特色的產品。於1994年臺北國際陶瓷博覽會所收錄的這一組玩偶，有阿美族原住民搗米、鄉土風格的農夫喝茶聊天、修補蒸籠以及中國風的仙女和刺繡，甚至還有孫悟空太空人的卡通人物……。可以看出是在90年代這樣的社會環境變遷下，有意識開發的產物。檯座上有Nomiso草寫字樣，據查證為何晉焜先生1979年成立的「尚美(Nomiso)陶瓷設計中心」所創作。\r\n此件太空人孫悟空，是傳統裝飾陶瓷中相當前衛的作品，翻轉眾人對西遊記故事中的印象，其中所設計的觔斗雲，藍白色、凹凸明暗交錯，雲朵中包覆著地球，以表現孫悟空騰雲駕霧躍出太空的動作，畫面令人會心一笑。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"199404001002","MainTitle":"裝飾陶瓷人物類組(2)修補蒸籠","Creator":"台灣區裝飾陶瓷輸出業同業公會","CreatedYear":"","Size":"外箱尺寸：41.5*32*26公分\r\n含外箱重：4850公克\r\n裸重：001-625公克；002-753公克；003-538公克；004-770公克；005-635公克；006-663公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA0MDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"裝飾陶瓷產業晚期在1990年代，由外銷為主導的西洋玩偶，試圖轉型開發本土風格或中國特色的產品。於1994年臺北國際陶瓷博覽會所收錄的這一組玩偶，有阿美族原住民搗米、鄉土風格的農夫喝茶聊天、修補蒸籠以及中國風的仙女和刺繡，甚至還有孫悟空太空人的卡通人物……。可以看出是在90年代這樣的社會環境變遷下，有意識開發的產物。檯座上有Nomiso草寫字樣，據查證為何晉焜先生1979年成立的「尚美(Nomiso)陶瓷設計中心」所創作。\r\n此件的陶偶主題為修補蒸籠，早期農業社會愛物惜物，廚房使用的竹編蒸籠有損壞，會請工匠用竹片修補，站立一旁的老婦，殷切期盼著；而坐在竹椅上的匠師，正在聚精會神手持工具修補蒸籠，而逗趣的布局是蒸籠下方的白貓，也在凝視著蒸籠，表現出農村的生活趣味。(詮釋委員：鄧淑慧)\r\n","ImageUrl":""}
,{"Identifier":"199404001003","MainTitle":"裝飾陶瓷人物類組(3)少女繡花","Creator":"台灣區裝飾陶瓷輸出業同業公會","CreatedYear":"","Size":"外箱尺寸：41.5*32*26公分\r\n含外箱重：4850公克\r\n裸重：001-625公克；002-753公克；003-538公克；004-770公克；005-635公克；006-663公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA0MDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"裝飾陶瓷產業晚期在1990年代，由外銷為主導的西洋玩偶，試圖轉型開發本土風格或中國特色的產品。於1994年臺北國際陶瓷博覽會所收錄的這一組玩偶，有阿美族原住民搗米、鄉土風格的農夫喝茶聊天、修補蒸籠以及中國風的仙女和刺繡，甚至還有孫悟空太空人的卡通人物……。可以看出是在90年代這樣的社會環境變遷下，有意識開發的產物。檯座上有Nomiso草寫字樣，據查證為何晉焜先生1979年成立的「尚美(Nomiso)陶瓷設計中心」所創作。\r\n此件少女繡花的創作，著清末民初的色彩鳳仙裝，少女正在聚精會神看著繡布繡花，姿勢和動作柔和，所穿衣服上的花紋設計相當典雅，還搭配的桌子和燭臺，表現夜間點蠟燭辛勤努力的氛圍。(詮釋委員：鄧淑慧)\r\n","ImageUrl":""}
,{"Identifier":"199404001004","MainTitle":"裝飾陶瓷人物類組(4)舞蹈 ","Creator":"台灣區裝飾陶瓷輸出業同業公會","CreatedYear":"","Size":"外箱尺寸：41.5*32*26公分\r\n含外箱重：4850公克\r\n裸重：001-625公克；002-753公克；003-538公克；004-770公克；005-635公克；006-663公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA0MDAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"裝飾陶瓷產業晚期在1990年代，由外銷為主導的西洋玩偶，試圖轉型開發本土風格或中國特色的產品。於1994年臺北國際陶瓷博覽會所收錄的這一組玩偶，有阿美族原住民搗米、鄉土風格的農夫喝茶聊天、修補蒸籠以及中國風的仙女和刺繡，甚至還有孫悟空太空人的卡通人物……。可以看出是在90年代這樣的社會環境變遷下，有意識開發的產物。檯座上有Nomiso草寫字樣，據查證為何晉焜先生1979年成立的「尚美(Nomiso)陶瓷設計中心」所創作。\r\n此件主題為中國仙女舞蹈陶偶，呈現一蹲一站的布局。站的仙女，手握團扇向左抬起；蹲姿的仙女，一手握花籃，一手朝左下灑花。在色料使用淡粉色系，並使用漸層塗佈，視覺上相當柔和。比較特別的部分，是陶偶的頭髮不夠黝黑，不知是故意使用灰色，還是黑色沒燒成功，西洋玩偶的風格相當濃厚。(詮釋委員：鄧淑慧)\r\n","ImageUrl":""}
,{"Identifier":"199404001005","MainTitle":"裝飾陶瓷人物類組(5)阿美族搗小米","Creator":"台灣區裝飾陶瓷輸出業同業公會","CreatedYear":"","Size":"外箱尺寸：41.5*32*26公分\r\n含外箱重：4850公克\r\n裸重：001-625公克；002-753公克；003-538公克；004-770公克；005-635公克；006-663公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA0MDAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"裝飾陶瓷產業晚期在1990年代，由外銷為主導的西洋玩偶，試圖轉型開發本土風格或中國特色的產品。於1994年臺北國際陶瓷博覽會所收錄的這一組玩偶，有阿美族原住民搗米、鄉土風格的農夫喝茶聊天、修補蒸籠以及中國風的仙女和刺繡，甚至還有孫悟空太空人的卡通人物……。可以看出是在90年代這樣的社會環境變遷下，有意識開發的產物。檯座上有Nomiso草寫字樣，據查證為何晉焜先生1979年成立的「尚美(Nomiso)陶瓷設計中心」所創作。\r\n此件作品主題為阿美族豐年祭搗小米，充滿原住民風格，以兩位身著阿美族傳統服飾的婦女，正在進行豐年祭的搗米儀式，手握搗米工具，身體斜角表示扭動的感覺，另外，服飾與配件所使用的紋飾、配件、綁腿和衣服，經過考據不失真。鮮紅色的衣服顏色為當時裝飾陶瓷開發的色料。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"199404001006","MainTitle":"裝飾陶瓷人物類組(6)農閒 ","Creator":"台灣區裝飾陶瓷輸出業同業公會","CreatedYear":"","Size":"外箱尺寸：41.5*32*26公分\r\n含外箱重：4850公克\r\n裸重：001-625公克；002-753公克；003-538公克；004-770公克；005-635公克；006-663公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA0MDAxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"裝飾陶瓷產業晚期在1990年代，由外銷為主導的西洋玩偶，試圖轉型開發本土風格或中國特色的產品。於1994年臺北國際陶瓷博覽會所收錄的這一組玩偶，有阿美族原住民搗米、鄉土風格的農夫喝茶聊天、修補蒸籠以及中國風的仙女和刺繡，甚至還有孫悟空太空人的卡通人物……。可以看出是在90年代這樣的社會環境變遷下，有意識開發的產物。檯座上有Nomiso草寫字樣，據查證為何晉焜先生1979年成立的「尚美(Nomiso)陶瓷設計中心」所創作。\r\n本作品以兩位農夫在農忙休息時話家常作為主題，一邊是脫掉斗笠的農人在仔細聆聽，呈現較為靜態；另一邊是戴著斗笠的農人正在說話，呈現較為動態。一靜一動之間，形成很自然的對比畫面，衣服上與小白狗身上的泥污，表達著在農田間的工作的狀態。後方為傳統農村補充水的茶壺，又稱「龍罐」，以大壺茶為背景，增添了一份懷舊情味。(詮釋委員：鄧淑慧)\r\n","ImageUrl":""}
,{"Identifier":"199405001","MainTitle":"陶雕小品","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199407001","MainTitle":"美女與勇士","Creator":"創作者：唐永哲","CreatedYear":"1994","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生對於南島語系臺灣原住民的文化與藝術頗有研究，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將其對於原住民所瞭解的印象及其情境故事，以裝飾陶瓷的表達方式展現出來，並將部分圖騰應用到實用器物及木雕壁飾等作品。\n 本作品199407001〈美女與勇士〉主要是在描述南島語系臺灣原住民當中的排灣族男、女服飾裝扮，由一女、一男兩件作品互為成組，其服飾的華麗與細緻，在臺灣的原住民當中獨占鼇頭，由於階級制度明顯，貴族女性有充裕時間專心織繡，因此成就排灣族的織繡藝術，充分展現於作品的服飾上；從作品身上可以發現許多排灣族特有的圖騰如：太陽紋、祖靈像、百步蛇紋等，此外排灣族人平時從事農耕，也會打獵、捕魚、製作陶壺，因此也可以看到：陶罐、羽毛冠、獵刀鞘、長矛、盾牌、小米麥穗等物件的造形融入作品。\n 通常藝術創作都會隱含作者的個人風格，從本作品可以看出整體略為方形的造形特色，其它多處細節也都作出接近方形的處理，因此視覺上顯得協調又有特色。技術上是採注漿成形的作法，等坏體充分晾乾之後，由於沒有上釉，因此一次入窯就直接將陶土素坏燒到熟成，窯燒溫度是1,230℃，整體作品裸露雕塑的筆觸與苗栗陶土特有的質感，樸實耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199407002","MainTitle":"連杯","Creator":"創作者：唐永哲","CreatedYear":"1994","Size":"9×20×30","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生對於南島語系臺灣原住民的文化與藝術頗有研究，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將其對原住民所瞭解的印象及情境故事，以裝飾陶瓷的表達方式展現出來，並將部分圖騰應用到實用器物及木雕壁飾等作品。\n 本作品199407002〈連杯〉是在描述兩位站立的勇士舉著剛剛共飲完杯中酒的連杯，可以看見杯底。南島語系臺灣原住民排灣、魯凱及卑南族等，有使用連杯飲酒的習俗。連杯通常是兩人共飲，也可以有多人共飲者。連杯的用途與使用意義在此稍作說明：婚禮（夫妻同心相敬如賓）、勇士出獵前（勇敢同心面對困難合作無間）、與敵人復合（化解怨恨立約同心）及對待尊貴賓客（致最高敬意表示友誼）等。至於連杯本身的形狀、尺寸規格、材質及上頭的紋飾等，都有個別不同的規範。\n 通常藝術創作都會隱含作者的個人風格，從本作品可以看出整體略為方形的造形特色，其它多處細節也都作出接近方形的處理，因此視覺上顯得協調又有特色。技術上是採注漿成形的作法，等坏體晾乾之後進行素燒，然後上釉。因為臉部、手和腳要保留苗栗陶土特有的質感，又想要得到較厚的釉層，讓釉色的質感凸顯，因此採用浸釉的方式上釉，但是必須事前將上述部位塗上蠟油以防止沾到釉藥。上過釉的坏體以1,230℃氧化方式燒成，整體作品大致呈現有如中國古代龍泉窯的釉色質感，頗富典雅古意，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199407003","MainTitle":"蘭嶼風情/滿載而歸","Creator":"唐永哲","CreatedYear":"1994","Size":"5.2×18.3×27.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"蘭嶼船上載滿漁獲，被三人高高舉起，短刀配在胸前，勇士們身著短背心及丁字褲的設計作品。\r\n作品以樸拙的形式，設計上呼應原住民粗獷的美感風格，充分的體現蘭嶼達悟族原住民的生活方式，將之融入設計，呈現一個立體的，代表蘭嶼達悟族風情的擺設物件。（詮釋委員：陳培澤）","ImageUrl":""}
,{"Identifier":"199407004","MainTitle":"挑柴夫","Creator":"唐永哲","CreatedYear":"1994","Size":"13.2×21×28.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生對於南島語系臺灣原住民的文化與藝術頗有研究，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將其對原住民所瞭解的印象及情境故事，以裝飾陶瓷的表達方式展現出來，並將部分圖騰應用到實用器物及木雕壁飾等作品。\n 本作品199407004〈挑柴夫〉是在描述南島語系臺灣的原住民，一位賽夏族勇士剛從山上砍柴回來，雙肩挑著樹枝薪柴的寫照；從作品上服裝與配飾的紋樣特徵可以分辨出所屬族群，除了欣賞藝術創作之美以外，還可以認識臺灣的原住民族文化，別具意義。通常藝術創作都會隱含作者的個人風格，從本作品可以看出整體略為方形的造形特色，其它多處細節也都作出接近方形的處理，因此視覺上顯得協調又有特色。\n 技術上採用注漿成形的作法，等坏體晾乾之後進行素燒，然後上釉。因為臉、手及腳等部位要保留苗栗陶土燒成後的特有質感，又想要得到較厚的釉層讓釉色的質感凸顯，因此選擇浸釉的方式上釉，但是必須事前將上述部位塗上蠟油以防止沾到釉藥。上過釉的坏體以1,230℃氧化方式燒成，整體作品大致呈現有如中國古代龍泉窯的釉色質感，頗富典雅古意，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199407005","MainTitle":"蘭嶼風情/收獲","Creator":"創作者：唐永哲","CreatedYear":"1994","Size":"2×13.5×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生對於南島語系臺灣原住民的文化與藝術頗有研究，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將其對原住民所瞭解的印象及情境故事，以裝飾陶瓷的表達方式展現出來，並將部分圖騰應用到實用器物及木雕壁飾等作品。\n 本作品199407005〈蘭嶼風情（收穫）〉是蘭嶼風情的系列作品之一，主要在描述漁獲的意象，兩位善於捕魚的蘭嶼達悟族又稱雅美族（Yami Zoku）人，穿著蘭嶼島民獨特的丁字褲，頭上頂著魚，手上也抱著魚，與作品取名「收穫」吻合，創意構想源自蘭嶼有名的飛魚祭典。\n作者有一系列這一類的作品，嘗試以陶瓷的技法做出像木雕又像素描，同時帶有版畫味道的作品，裝框裱褙之後成為裝飾畫作品，適合掛在室內空間作為壁飾（又稱「補壁」）欣賞或是由喜好者收藏。\n 技術上是先取油土塑形，經過石膏翻模，然後將濕軟的陶土板放在石膏模上壓出作品的原形，取下的泥坏翻面後稍加整理、靜待陰乾，泥坏底下需鋪上舊報紙方便吸收水分，同時讓泥坏於乾燥過程可以均勻收縮。為了容易上釉，避免變形、開裂，泥坏需先經過素燒（800℃）；上釉技巧不同於一般浸、噴、塗、畫的做法，是先在素燒坏表面塗上一層黑色色料（類似濃度高的氧化鐵，也可以加入少許的氧化鈷），然後取濕的海綿將表面比較凸出部位的色料擦拭去除，在塗裝技法上稱為「洗黑」，意即將塗上去的黑色不是很徹底地去除，獲得深、淺色的介面附近有比較自然的層次變化，接著就可以放進窯裡，以1,230℃氧化方式燒成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199407006","MainTitle":"蘭嶼風情/蘭嶼之舞","Creator":"創作者：唐永哲","CreatedYear":"1994","Size":"2×13.5×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生對於南島語系臺灣原住民的文化與藝術頗有研究，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將其對原住民所瞭解的印象及情境故事，以裝飾陶瓷的表達方式展現出來，並將部分圖騰應用到實用器物及木雕壁飾等作品。\n 本作品199407006〈蘭嶼風情（蘭嶼之舞）〉是蘭嶼風情的系列作品之一，主要在描述蘭嶼舞蹈的意象，兩位蘭嶼達悟族又稱雅美族（Yami Zoku）的婦女，穿著傳統服裝，手牽手甩頭的舞姿，讓頭髮隨之飄動，故取名「蘭嶼之舞」，創意構想源自蘭嶼達悟族婦女的「頭髮舞」。\n 作者有一系列這一類的作品，嘗試以陶瓷的技法做出像木雕又像素描，同時帶有版畫味道的作品，裝框裱褙之後成為裝飾畫作品，適合掛在室內空間作為壁飾（又稱「補壁」）欣賞或是由喜好者收藏。\n 技術上是先取油土塑形，經過石膏翻模，然後將濕軟的陶土板放在石膏模上壓出作品的原形，取下的泥坏翻面後稍加整理、靜待陰乾，泥坏底下需鋪上舊報紙方便吸收水分，同時讓泥坏於乾燥過程可以均勻收縮。為了容易上釉，避免變形、開裂，泥坏需先經過素燒（800℃）；上釉技巧不同於一般浸、噴、塗、畫的做法，是先在素燒坏表面塗上一層黑色色料（類似濃度高的氧化鐵，也可以加入少許的氧化鈷），然後取濕的海綿將表面比較凸出部位的色料擦拭去除，在塗裝技法上稱為「洗黑」，意即將塗上去的黑色不是很徹底地去除，獲得深、淺色的介面附近有比較自然的層次變化，接著就可以放進窯裡，以1,230℃氧化方式燒成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199407007","MainTitle":"蘭嶼風情/蘭嶼守護神","Creator":"創作者：唐永哲","CreatedYear":"1994","Size":"2×13×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生對於南島語系臺灣原住民的文化與藝術頗有研究，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將其對原住民所瞭解的印象及情境故事，以裝飾陶瓷的表達方式展現出來，並將部分圖騰應用到實用器物及木雕壁飾等作品。\n 本作品199407007〈蘭嶼風情（蘭嶼守護神）〉是蘭嶼風情的系列作品之一，主要在描述蘭嶼傳統生活文化意象，兩位蘭嶼達悟族又稱雅美族（Yami Zoku）人，女性穿著單片裙加背心上衣傳統服裝、頸戴琉璃珠、頭上頂著裝水陶壺，勇士身著傳統丁字褲加背心上衣、頭戴籐條盔甲、手持長矛、肩上斜掛佩刀，一起為著族人內、外守護，畫面上頭取蘭嶼獨特的彩繪拼板舟為背景，集蘭嶼達悟族人特徵之印象於同一畫面中，因此取名為「蘭嶼守護神」。\n 作者有一系列這一類的作品，嘗試以陶瓷的技法做出像木雕又像素描，同時帶有版畫味道的作品，裝框裱褙之後成為裝飾畫作品，適合掛在室內空間作為壁飾（又稱「補壁」）欣賞或是由喜好者收藏。\n 技術上是先取油土塑形，經過石膏翻模，然後將濕軟的陶土板放在石膏模上壓出作品的原形，取下的泥坏翻面後稍加整理、靜待陰乾，泥坏底下需鋪上舊報紙方便吸收水分，同時讓泥坏於乾燥過程可以均勻收縮。為了容易上釉，避免變形、開裂，泥坏需先經過素燒（800℃）；上釉技巧不同於一般浸、噴、塗、畫的做法，是先在素燒坏表面塗上一層黑色色料（類似濃度高的氧化鐵，也可以加入少許的氧化鈷），然後取濕的海綿將表面比較凸出部位的色料擦拭去除，在塗裝技法上稱為「洗黑」，意即將塗上去的黑色不是很徹底地去除，獲得深、淺色的介面附近有比較自然的層次變化，接著就可以放進窯裡，以1,230℃氧化方式燒成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199407008","MainTitle":"蘭嶼風情/蘭嶼之舟","Creator":"創作者：唐永哲","CreatedYear":"1994","Size":"2×21.5×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生對於南島語系臺灣原住民的文化與藝術頗有研究，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將其對原住民所瞭解的印象及情境故事，以裝飾陶瓷的表達方式展現出來，並將部分圖騰應用到實用器物及木雕壁飾等作品。\n 本作品199407008〈蘭嶼風情（蘭嶼之舟）〉是蘭嶼風情的系列作品之一，主要在描述四位蘭嶼達悟族又稱雅美族（Yami Zoku）的勇士，身著傳統丁字褲加背心上衣、頭戴籐條盔甲、肩上斜掛佩刀，合力抬起蘭嶼傳統的彩繪拼板舟，因此取名為「蘭嶼守護神」。\n 作者有一系列這一類的作品，嘗試以陶瓷的技法做出像木雕又像素描，同時帶有版畫味道的作品，裝框裱褙之後成為裝飾畫作品，適合掛在室內空間作為壁飾（又稱「補壁」）欣賞或是由喜好者收藏。\n 技術上是先取油土塑形，經過石膏翻模，然後將濕軟的陶土板放在石膏模上壓出作品的原形，取下的泥坏翻面後稍加整理、靜待陰乾，泥坏底下需鋪上舊報紙方便吸收水分，同時讓泥坏於乾燥過程可以均勻收縮。為了容易上釉，避免變形、開裂，泥坏需先經過素燒（800℃）；上釉技巧不同於一般浸、噴、塗、畫的做法，是先在素燒坏表面塗上一層黑色色料（類似濃度高的氧化鐵，也可以加入少許的氧化鈷），然後取濕的海綿將表面比較凸出部位的色料擦拭去除，在塗裝技法上稱為「洗黑」，意即將塗上去的黑色不是很徹底地去除，獲得深、淺色的介面附近有比較自然的層次變化，接著就可以放進窯裡，以1,230℃氧化方式燒成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199407009","MainTitle":"蘭嶼風情","Creator":"唐永哲","CreatedYear":"1994","Size":"1.5×62.5×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品由四片浮雕作品組合而成，目前已裝框完成。左起第一片雕飾婦女跳舞之情狀;第二片雕飾兩個達悟族男性合抱魚獲及頭上各裝飾性一條魚的情景;第三片雕飾四個站立的達悟族男性，其頭上裝飾著蘭嶼船;第四片左邊為女性、右邊為男性，男性胸前配戴短刀，右手持長矛，其頭上飾以蘭嶼船圖案。\r\n作品以樸拙的形式，呼應原住民粗獷的美感風格，設計出蘭嶼達悟族原住民生活的各種風情的陶藝掛飾。(詮釋委員：陳培澤）","ImageUrl":""}
,{"Identifier":"199407010","MainTitle":"匙之歌花器","Creator":"創作者：唐永哲","CreatedYear":"1994","Size":"10.5×12×28.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生對於南島語系臺灣原住民的文化與藝術頗有研究，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將其對原住民所瞭解的印象及情境故事，以裝飾陶瓷的表達方式展現出來，並將部分圖騰應用到實用器物及木雕壁飾等作品。\n 本作品199407010〈匙之歌花器〉，方形圓角的柱狀體外形，外圍完全佈滿作者對臺灣原住民木雕刻湯匙意象的印象，將圖案抽象化、作成陰陽對比，採用半立體浮雕的處理手法，略作規則性排列組合，加上內外全部乳白色的平光釉，視覺上富有十足的當代藝術美感。圖案內容係以人頭的變化為主題，加上一些其它的裝飾圖紋，當使用者接觸或觀賞此一花器的同時，無形中宛如與原住民文化更為接近。\n 技術上採用注漿成形的作法，等坏體陰乾之後進行素燒，然後上釉。為了想要得到較厚的釉層讓釉色的質感凸顯，因此選擇浸釉的方式上釉，上過釉的坏體以1,300℃氧化方式燒成，整體作品的呈現有如白色玉石雕刻，頗富現代感，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199407011","MainTitle":"阿美族雙姝","Creator":"創作者：唐永哲","CreatedYear":"1994","Size":"9×18.5×30.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生對於南島語系臺灣原住民的文化與藝術頗有研究，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將其對原住民所瞭解的印象及情境故事，以裝飾陶瓷的表達方式展現出來，並將部分圖騰應用到實用器物及木雕壁飾等作品。\n 本作品199407011〈阿美族雙姝〉是在描述南島語系臺灣的原住民，兩位身子相連、站立著的阿美族女性，身著生活上的單片裙或兩片裙傳統服裝，內著褲裝，其中一位年長者還戴著耳飾及項間珠鍊，頭上頂著有蓋陶盆和裝水陶罐。每逢豐年祭，阿美族的男女歌舞表演是為家喻戶曉的文化特色之一。由於材質表現的限制，除了臉、手及腳等露出部位保留陶土本色以外，其餘部位全部施以同一釉色，作者以簡約的表現方式替代原本阿美族女性傳統服飾鮮豔華麗的色彩。此外一般的藝術創作都會隱含作者的個人風格，從本作品可以看出整體略為方形的造形特色，其它多處細節也都作出接近方形的處理，因此視覺上顯得協調又有特色。\n 技術上採用注漿成形的作法，等坏體晾乾之後進行素燒，然後上釉。因為臉、手及腳等部位要保留苗栗陶土燒成後的特有質感，又想要得到較厚的釉層讓釉色的質感凸顯，因此選擇浸釉的方式上釉，但是必須事前將上述部位塗上蠟油以防止沾到釉藥。上過釉的坏體以1,230℃氧化方式燒成，整體作品大致呈現有如中國古代龍泉窯的釉色質感，頗富典雅古意，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199407012","MainTitle":"泰雅少女花器","Creator":"唐永哲","CreatedYear":"1994","Size":"10.5×14×24","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品以流暢的線性構成，注入泰雅少女的臉部紋面特徵及裝扮，並將之作頭部開口之設計，使之成為實用之花器。（詮釋委員：陳培澤）","ImageUrl":""}
,{"Identifier":"199407013","MainTitle":"花器","Creator":"創作者：唐永哲","CreatedYear":"1994","Size":"10.5×17.5×23.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生對於南島語系臺灣原住民的文化與藝術頗有研究，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將其對原住民所瞭解的印象及情境故事，以裝飾陶瓷的表達方式展現出來，並將部分圖騰應用到實用器物及木雕壁飾等作品。\n 本作品199407013〈花器〉，外形略呈扁橢圓的柱狀體，外表佈滿臺灣排灣族原住民文化圖騰的多層次淺浮雕裝飾。整體設計採取半抽象化圖案規則性排列組合，內容包括男性和女性祖靈圖像、百步蛇圖騰、編織物底紋、連杯及山豬圖像等；代表著族群起源的傳說、守護者的神話、農耕、蓄牧及生活習俗等，當使用者接觸或觀賞此一花器的同時，宛如與原住民文化更為接近。\n 技術上採用注漿成形的作法，等坏體陰乾之後進行素燒，然後上釉。為了想要得到較厚的釉層讓釉色的質感凸顯，因此選擇浸釉的方式上釉，上過釉的坏體以1,230℃氧化方式燒成，整體作品大致呈現有如中國古代汝窯的釉色質感，頗富典雅古意，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199407014","MainTitle":"布農合音","Creator":"創作者：唐永哲","CreatedYear":"1994","Size":"2.3×24×20.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生對於南島語系臺灣原住民的文化與藝術頗有研究，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將其對原住民所瞭解的印象及情境故事，以裝飾陶瓷的表達方式展現出來，並將部分圖騰應用到實用器物及木雕壁飾等作品。\n 臺灣的原住民當中布農族富有與生俱來的音樂天分，本作品199407014〈布農合音〉是在描述布農族部落為祈求來年豐收所進行的祈天儀式，由於小米是布農族最重要的農作物，因此在「八部合音」的過程中，有一首壓軸的關鍵曲稱之為《祈禱小米豐收歌》；族人相信合音鳴唱之間的是否和諧，將影響來年小米的收成，因此作者將本作品取名為「布農合音」。\n 作者有一系列這一類的作品，嘗試以陶瓷的技法做出像木雕又像素描，同時帶有版畫味道的作品，裝框裱褙之後成為裝飾畫作品，適合掛在室內空間作為壁飾（又稱「補壁」）欣賞或是由喜好者收藏。\n 技術上是先取油土塑形，經過石膏翻模，然後將濕軟的陶土板放在石膏模上壓出作品的原形，取下的泥坏翻面後稍加整理、靜待陰乾，泥坏底下需鋪上舊報紙方便吸收水分，同時讓泥坏於乾燥過程可以均勻收縮。為了容易上釉，避免變形、開裂，泥坏需先經過素燒（800℃）；上釉技巧不同於一般浸、噴、塗、畫的做法，是先在素燒坏表面塗上一層黑色色料（類似濃度高的氧化鐵，也可以加入少許的氧化鈷），然後取濕的海綿將表面比較凸出部位的色料擦拭去除，在塗裝技法上稱為「洗黑」，意即將塗上去的黑色不是很徹底地去除，獲得深、淺色的介面附近有比較自然的層次變化，接著就可以放進窯裡，以1,230℃氧化方式燒成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199407015","MainTitle":"泰雅黥面的尊榮","Creator":"創作者：唐永哲","CreatedYear":"1994","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生對於南島語系臺灣原住民的文化與藝術頗有研究，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將其對原住民所瞭解的印象及情境故事，以裝飾陶瓷的表達方式展現出來，並將部分圖騰應用到實用器物及木雕壁飾等作品。\r\n 黥面是臺灣泰雅族人最為珍貴的文化精髓之一，又稱「刺墨」，它不僅是泰雅族人的審美標準也是身份地位的象徵，相傳還能驅除邪魔。本作品199407015〈泰雅黥面的尊榮〉主要是在描述泰雅族人男性與女性黥面之特徵；通常泰雅族人的黥面圖紋設計：男子做在前額與下顎中央，女子從前額和兩耳的根源處開始經由兩頰至口緣。黥面的故事考據提到：男子必須善於打獵，做事認真負責，而且在打仗時還要奮勇獵取敵人首級，這樣才有資格刺墨；女子在十六歲左右，有能力獨立製作織品時，就具備在額上刺墨資格。已經有刺墨的男女才可以結婚成立家庭，公開參加部落中的各種活動，穿戴與自己身分相稱的服飾，可以表達意見。所以黥面是泰雅族人生命中的成熟標記，是一種尊榮、榮耀的表徵。\r\n 作者有一系列這一類的作品，嘗試以陶瓷的技法做出像木雕又像素描，同時帶有版畫味道的作品，裝框裱褙之後成為裝飾畫作品，適合掛在室內空間作為壁飾（又稱「補壁」）欣賞或是由喜好者收藏。\r\n 技術上是先取油土塑形，經過石膏翻模，然後將濕軟的陶土板放在石膏模上壓出作品的原形，取下的泥坏翻面後稍加整理、靜待陰乾，泥坏底下需鋪上舊報紙方便吸收水分，同時讓泥坏於乾燥過程可以均勻收縮。為了容易上釉，避免變形、開裂，泥坏需先經過素燒（800℃）；上釉技巧不同於一般浸、噴、塗、畫的做法，是先在素燒坏表面塗上一層黑色色料（類似濃度高的氧化鐵，也可以加入少許的氧化鈷），然後取濕的海綿將表面比較凸出部位的色料擦拭去除，在塗裝技法上稱為「洗黑」，意即將塗上去的黑色不是很徹底地去除，獲得深、淺色的介面附近有比較自然的層次變化，接著就可以放進窯裡，以1,230℃氧化方式燒成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199407016","MainTitle":"長盤","Creator":"唐永哲","CreatedYear":"1994","Size":"2.3×19.8×30.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以蘭嶼達悟勇士抓魚及手持長矛、頭戴藤笠、身著短背心及丁字褲，外形則不作四角形而自右下一邊揚起一圓角作為蘭嶼拼板船之象徵，外框再飾以拼板船的紋樣設計。\r\n作品提煉自蘭嶼拼板船作為創作原素，邊框飾以拼板船紋樣，畫面中間飾以達悟族勇士各種姿勢圖樣，充分傳達一種原住民族的特色風情。（詮釋委員：陳培澤）","ImageUrl":""}
,{"Identifier":"199407017","MainTitle":"獵者與土狗","Creator":"王武同","CreatedYear":"1994","Size":"17×10.5×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者王武同是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將他孩提時代的一些生活情境記憶，以裝飾陶瓷的表達方式展現出來。\r\n 本作品199407017〈獵者與土狗〉是描述一位穿著毛皮背心、繫著腰帶、頭帶編織髮圈的原住民勇士帶著兩條土狗出獵，整件作品係以寫實、擷景佈局的手法表現。獵者左手持弓，右手掌控的箭已經鬆手，離弦飛向獵物；兩條土狗目光炯炯有神，正在搜尋被射中的獵物，準備飛奔出去取回獵物。從土狗身上與獵者手臂的雕塑處理手法，看出作者留下的獨特筆觸。\r\n 從技術面來看，類似這種結構性多元作品的製作方式，因為脫模的問題，必須先將雕塑原型做好分件切割之後才能開模，會有很多組石膏模具；整組注漿成形的瓷土坏體，需要細心地沾上泥漿逐一接合、靜置陰乾，然後素燒、上釉。上過釉藥的作品經由1,230℃高溫氧化燒成之後，還需局部手工塗上陶瓷色料，以較低溫度二度入窯燒烤才算完成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199407018","MainTitle":"郊遊","Creator":"設計者：王武同","CreatedYear":"1994","Size":"23.5×18×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199407019","MainTitle":"頑童系列之一/吮指","Creator":"韓旭東","CreatedYear":"1994","Size":"8×7×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者韓旭東是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將他孩提時代的一些生活情境記憶，以裝飾陶瓷的表達方式展現出來。\n 本作品199407019〈頑童系列之一（吮手指）〉是以詼諧的模糊意象手法，描寫一位頭戴鴨舌帽、身著連身裙裝的小頑童，右手抓著一顆水果，同時吸允著左手手指頭的可愛模樣；以小小凹陷的圓點代表眼珠和微微鼓出的嘴巴，小小微凸的小尖點表示鼻子，微微突起的隱約耳形，附在身上的雙手，整體作品的造形雖然有點混沌不清的感覺，但是該有的每一個細節卻又交待得清清楚楚，容易搏得觀賞者會心的微笑，誠屬傑作。雖然所呈現的外觀，於視覺上是屬模糊意象，但是創作者在塑造的過程，其內心實際上是十足掌握著作品主題想要訴求之概念；本頑童系列作品共有四件，每一件都能充分展現雕塑藝術的純真之美。\n 最後來探討技術面的問題，從雕塑原形經由兩道手續翻成石膏原形，接著再翻製出生產用的石膏模具即可開始量化生產。以陶土泥漿採注漿法製作所產生的泥坏，需先將分模線細心修整，等待自然陰乾，然後經過約800℃的溫度素燒；這樣的素燒坏就可以將氧化鐵釉藥溶液，採浸釉的方式上釉，最後入窯，經由1,230℃高溫氧化燒成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199407020","MainTitle":"頑童系列之二/捧水果","Creator":"韓旭東","CreatedYear":"1994","Size":"8×7×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者韓旭東是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將他孩提時代的一些生活情境記憶，以裝飾陶瓷的表達方式展現出來。\n 本作品199407020〈頑童系列之二（捧水果）〉是以詼諧的模糊意象手法，描寫一位頭戴鴨舌帽、身著短褲裙的小頑童，雙手捧著整籃水果的可愛模樣；以小小凹陷的圓點代表眼珠和微微鼓出的嘴巴，小小微凸的小尖點表示鼻子，微微突起的隱約耳形，附在身上的雙手，整體作品的造形雖然有點混沌不清的感覺，但是該有的每一個細節卻又交待得清清楚楚，容易搏得觀賞者會心的微笑，誠屬傑作。雖然所呈現的外觀，於視覺上是屬模糊意象，但是創作者在塑造的過程，其內心實際上是十足掌握著作品主題想要訴求之概念；本頑童系列作品共有四件，每一件都能充分展現雕塑藝術的純真之美。\n 最後來探討技術面的問題，從雕塑原形經由兩道手續翻成石膏原形，接著再翻製出生產用的石膏模具即可開始量化生產。以陶土泥漿採注漿法製作所產生的泥坏，需先將分模線細心修整，等待自然陰乾，然後經過約800℃的溫度素燒；這樣的素燒坏就可以將氧化鐵釉藥溶液，採浸釉的方式上釉，最後入窯，經由1,230℃高溫氧化燒成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199407021","MainTitle":"頑童系列之三/抱水果","Creator":"韓旭東","CreatedYear":"1994","Size":"8×7×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者韓旭東是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將他孩提時代的一些生活情境記憶，以裝飾陶瓷的表達方式展現出來。\n 本作品199407021〈頑童系列之三（抱水果）〉是以詼諧的模糊意象手法，描寫一位頭戴鴨舌帽、身著連身裙裝的小頑童，肩上斜背著小包包，雙手抱著水果置於胸口的可愛模樣；以小小凹陷的圓點代表眼珠和微微鼓出的嘴巴，小小微凸的小尖點表示鼻子，微微突起的隱約耳形，附在身上的雙手，整體作品的造形雖然有點混沌不清的感覺，但是該有的每一個細節卻又交待得清清楚楚，容易搏得觀賞者會心的微笑，誠屬傑作。雖然所呈現的外觀，於視覺上是屬模糊意象，但是創作者在塑造的過程，其內心實際上是十足掌握著作品主題想要訴求之概念；本頑童系列作品共有四件，每一件都能充分展現雕塑藝術的純真之美。\n 最後來探討技術面的問題，從雕塑原形經由兩道手續翻成石膏原形，接著再翻製出生產用的石膏模具即可開始量化生產。以陶土泥漿採注漿法製作所產生的泥坏，需先將分模線細心修整，等待自然陰乾，然後經過約800℃的溫度素燒；這樣的素燒坏就可以將氧化鐵釉藥溶液，採浸釉的方式上釉，最後入窯，經由1,230℃高溫氧化燒成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199407022","MainTitle":"頑童系列之四/托水果","Creator":"韓旭東","CreatedYear":"1994","Size":"8×7×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者韓旭東是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將他孩提時代的一些生活情境記憶，以裝飾陶瓷的表達方式展現出來。\n 本作品199407022〈頑童系列之四（托水果）〉是以詼諧的模糊意象手法，描寫一位頭戴鴨舌帽、身著連身短褲裝的小頑童，背後背了一個大包包，雙手托著水果呈自然下垂狀的可愛模樣；以小小凹陷的圓點代表眼珠和微微鼓出的嘴巴，小小微凸的小尖點表示鼻子，微微突起的隱約耳形，附在身上的雙手，整體作品的造形雖然有點混沌不清的感覺，但是該有的每一個細節卻又交待得清清楚楚，容易搏得觀賞者會心的微笑，誠屬傑作。雖然所呈現的外觀，於視覺上是屬模糊意象，但是創作者在塑造的過程，其內心實際上是十足掌握著作品主題想要訴求之概念；本頑童系列作品共有四件，每一件都能充分展現雕塑藝術的純真之美。\n 最後來探討技術面的問題，從雕塑原形經由兩道手續翻成石膏原形，接著再翻製出生產用的石膏模具即可開始量化生產。以陶土泥漿採注漿法製作所產生的泥坏，需先將分模線細心修整，等待自然陰乾，然後經過約800℃的溫度素燒；這樣的素燒坏就可以將氧化鐵釉藥溶液，採浸釉的方式上釉，最後入窯，經由1,230℃高溫氧化燒成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199407023","MainTitle":"母與子","Creator":"設計者：王秀杞","CreatedYear":"1994","Size":"29×15×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199407024","MainTitle":"祖與孫","Creator":"設計者：王秀杞","CreatedYear":"1994","Size":"15×14×26","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199407025","MainTitle":"滿足","Creator":"設計者：王秀杞","CreatedYear":"1994","Size":"20×15×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199407026","MainTitle":"依偎","Creator":"設計者：王秀杞","CreatedYear":"1994","Size":"16×11×22","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199407027","MainTitle":"嬉戲","Creator":"設計者：王秀杞","CreatedYear":"1994","Size":"18×12×26","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199407028","MainTitle":"親一親","Creator":"設計者：王秀杞","CreatedYear":"1994","Size":"16×12×24","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199407029","MainTitle":"原住民裝飾盤/我們捉到大魚","Creator":"","CreatedYear":"1994","Size":"22.5×22.5×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199407030","MainTitle":"原住民裝飾盤/豐收舞曲","Creator":"","CreatedYear":"1994","Size":"22.5×22.5×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199407031","MainTitle":"原住民裝飾盤/日月潭邵族杵歌","Creator":"","CreatedYear":"1994","Size":"22.5×22.5×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199407032","MainTitle":"原住民裝飾盤/勇士與淑女","Creator":"","CreatedYear":"1994","Size":"22.5×22.5×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199407033","MainTitle":"原住民裝飾盤/蘭嶼風情","Creator":"","CreatedYear":"1994","Size":"22.5×22.5×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199407034","MainTitle":"原住民裝飾盤/木梳","Creator":"","CreatedYear":"1994","Size":"22.5×22.5×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199407035","MainTitle":"原住民裝飾盤/陶甕","Creator":"","CreatedYear":"1994","Size":"22.5×22.5×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199407036","MainTitle":"原住民裝飾盤/海水不污染天天有魚吃","Creator":"","CreatedYear":"1994","Size":"22.5×22.5×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199407037","MainTitle":"原住民裝飾盤/祖先的傳說","Creator":"設計者：廖素慧","CreatedYear":"1994","Size":"22.5×22.5×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199407038","MainTitle":"原住民裝飾盤/梅花鹿群","Creator":"設計者：廖素慧","CreatedYear":"1994","Size":"22.5×22.5×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1994","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NDA3MDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199501001","MainTitle":"中國玩偶一達摩","Creator":"白晶企業有限公司","CreatedYear":"","Size":"附木箱","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199501002","MainTitle":"皮塑螃蟹","Creator":"葉發原
正奇興業有限公司","CreatedYear":"","Size":"附錦盒","Type":"工藝類\\皮革類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件作品，以擺飾、觀賞為目的，利用皮革高度可塑性的特質，採雕塑手法，相當精細而寫實地表現出毛蟹栩栩如生的姿態；且進一步地把原本各自單獨存在的三隻毛蟹，結合在一塊朽木上，交待出山林野地的自然情景，給人一種回歸原始，脫離凡塵的想像。其中毛蟹巨大的雙螯，以及甲殼上朱、黑相襯的色彩，更讓人感覺到這些生物宛若真實存在的生命力，振奮人心，也愉悅心靈，更跳脫傳統工藝以「甲殼」暗喻「科甲」功名的俗世喻意。\r\n此件螃蟹，是以台灣野生毛蟹為題材，其特徵除雙螯巨大及甲殼朱黑相襯的顯目色彩外，且活動力強；本件作品巧妙地選擇一塊具有破洞的朽木為基座，讓這些張揚著蟹足的小動物，攀爬、纏鬥，表現出旺盛的生命力，尺寸越小越考驗創作者的雕造功力。(詮釋委員：蕭瓊瑞)","ImageUrl":""}
,{"Identifier":"199501003","MainTitle":"百寶篋","Creator":"創作者：奇古堂藝飾有限公司","CreatedYear":"","Size":"部件包括百寶篋-把手連底座、盒蓋、上層內盒、中層盒、底盒、銅棒鎖 （一式共6件）。（103.7.28）\r\n","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「篋」是中國古代傳統的生活器用之一，以竹材做成供收納、保存物件之用。也可作為存放書畫或外出旅遊放置衣服物品的行李箱。傳統的「篋」，以竹籐為媒材，如用「竹」則是利用竹皮削成的「竹篾」編製，而本件則以現代科技，將孟宗竹切片、碳化、膠合後，作成可層疊、組合、拆缷，且能提握移動的精美家具。\r\n 此件計含上、下二盒，另加最上面的盒蓋，可以銅棒鎖穿透固定。竹材細緻並打磨成圓潤邊緣，予人以溫暖、親切之感；而提把連同底座的葫蘆造型，既有加固作用，又具「福」、「祿」之吉祥寓意。\r\n在以直線為造型的篋器中，創作者加入了提把底座的葫蘆曲線造形，既是加固之用、吉祥之意，也同時活化了整件器物的形制之美，完美結合傳統與現代，是精美又富實用價值的佳構。(詮釋委員：蕭瓊瑞)","ImageUrl":""}
,{"Identifier":"199501004","MainTitle":"瓷蘭花組","Creator":"熊鄉藝品有限公司","CreatedYear":"","Size":"外箱尺寸：38*54*47公分\r\n含外箱重：8900公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199501005","MainTitle":"瓷梅花","Creator":"熊鄉藝品有限公司","CreatedYear":"","Size":"附錦盒\r\n外箱尺寸：74*47*48.3公分\r\n含外箱重：15700公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199501006","MainTitle":"青花餐具組","Creator":"曉芳陶藝有限公司","CreatedYear":"","Size":"外箱尺寸：18*42*26公分\r\n含外箱重：3500公克\r\n裸重：001-851公克；002-564公克；003-417公克；004-133公克；005-132公克；006-48公克；007-29公克；008-352公克；009-336公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199501007","MainTitle":"竹簡","Creator":"創作者：陳志臣
製作/廠商：大金記竹業社","CreatedYear":"","Size":"89.5*7*42(含框)","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAxMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199501008","MainTitle":"五行壺之四「火鳳凰」 ","Creator":"廠商：天仁茶葉","CreatedYear":"","Size":"附蓋\r\n外箱尺寸：40*41*32.5公分\r\n含外箱重：7550公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAxMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199501009","MainTitle":"如意竹盒（大）","Creator":"創作者：劉明昆
製作/廠商：大禾竹工廠","CreatedYear":"","Size":"含內盤1件","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAxMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199501010","MainTitle":"如意竹盒（小）","Creator":"創作者：劉明昆
製作/廠商：大禾竹工廠","CreatedYear":"","Size":"含內盤1件","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAxMDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199501011","MainTitle":"漆器供盤","Creator":"聖將企業林建正","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAxMDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件『漆器供盤』是一件以車床車出的木圓盤，運用漆藝「紙藤貼附變塗」技法的創作。藉由臺灣本土闊葉樹木材為胎，並以生漆打底後塗刷紅漆於盤面，趁朱色漆未乾時，採用臺製紙藤平面編織物貼附於漆盤表面，後續待漆乾凅後陸續塗上四層紅色色漆，最終於表面塗上一層深褐色漆後研磨推光，呈現出紙籐編織的深色線條與紅底的分明效果。\r\n日治時代豐原區域是漆器產業加工的繁盛地，除了位於臺灣中部大雪山及八仙山林場提供了大量木材外，加上日本人有計畫的扶植漆器產業，也造就了「聖將企業」負責人林健正從事漆器量產的事業。\r\n此作品是依據臺灣當時為日本代工製作漆器商品時，販賣商所提供的產品宣傳冊中，菓子器盒、杯墊上會出現的仿竹編效果所採用的紙藤貼附變塗裝飾技法。畢竟要用竹篾編出可盛裝供品的供盤器形再加以批土漆研磨，相較之下車出木盤佐以貼附紋理裝飾，便可大量與快速生產。\r\n這件供盤作品的風格形式簡約，是作者運用長期製作商品的裝飾手法經驗累積，所延伸出的創作品。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199501012","MainTitle":"竹茶罐、匙組","Creator":"創作者：大金記竹業社","CreatedYear":"","Size":"11*10.6*18.5(茶罐)。\r\n10*4.2*2(茶匙)。","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAxMDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199501013","MainTitle":"歡歡喜喜","Creator":"百匯通股份有限公司","CreatedYear":"","Size":"附底座","Type":"工藝類\\樹脂類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAxMDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199502001","MainTitle":"石花器","Creator":"創作者：奇峰工藝社","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199502002","MainTitle":"石刻一蓮花抱珠","Creator":"創作者：石道企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199502003","MainTitle":"石刻一全球在握","Creator":"創作者：石道企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199502004","MainTitle":"九如","Creator":"煥臣陶瓷藝術有限公司","CreatedYear":"","Size":"附木座、壓克力盒、束帶\r\n16*11.8*15(含台座)。12.5*9*9.5(茶壺)。\r\n外箱尺寸：40*41*32.5公分\r\n含外箱重：7550公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199502005","MainTitle":"五福茶碗","Creator":"廠商：金昌陶瓷","CreatedYear":"","Size":"附錦盒\r\n外箱尺寸：42*33*26公分\r\n含外箱重：4750公克\r\n裸重：001-126公克；002-127公克；003-126公克；004-129公克；005-126公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199502006","MainTitle":"長頸鹿","Creator":"廠商：雙羨手藝","CreatedYear":"","Size":"1.含外箱尺寸:40*41*32.5公分\r\n2.含外箱重： 7550公克\r\n3.裸重：001-260g；002-250g；003-250g；004-240g；005-120g；006-120g；\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAyMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199502007","MainTitle":"小公雞","Creator":"創作者：雙羨手藝","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAyMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199502008","MainTitle":"陶豬","Creator":"廠商：雙羨手藝","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAyMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199503001","MainTitle":"傳統漢式太師椅","Creator":"王漢松","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"造型接近明式官帽之樣款古意盎然。雕刻以透雕工法為主，紋樣係傳統花鳥圖「鳳凰朝牡丹」─鳳凰為三百六十鳥之長，牡丹花自唐始貴為國花，是百花之王，國色天香又稱富貴花。鳳凰來儀一伏擊祥富貴之景象。加上官帽造型之極品豈不是完美的「一品富貴」吉祥文明。(詮釋委員：施鎮洋)\r\n「太師椅」名稱，現在大家耳熟能詳，其起於明代，主要指圈椅，到了清末，款樣式並無定是，大抵指置於廳堂的獨座扶手椅。本件整體不佳圖裝，以強調檜木材質，風格端正堂堂，又見細緻雕飾之美；若依其形制，可明確稱之為「官帽椅」。\r\n(詮釋委員：莊伯和)\r\n","ImageUrl":""}
,{"Identifier":"199503001001","MainTitle":"傳統漢式太師椅-茶几","Creator":"創作者：王漢松(藝師)","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAzMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"造型接近明式官帽之樣款古意盎然。雕刻以透雕工法為主，紋樣係傳統花鳥圖「鳳凰朝牡丹」─鳳凰為三百六十鳥之長，牡丹花自唐始貴為國花，是百花之王，國色天香又稱富貴花。鳳凰來儀一伏擊祥富貴之景象。加上官帽造型之極品豈不是完美的「一品富貴」吉祥文明。(詮釋委員：施鎮洋)\r\n「太師椅」名稱，現在大家耳熟能詳，其起於明代，主要指圈椅，到了清末，款樣式並無定是，大抵指置於廳堂的獨座扶手椅。本件整體不佳圖裝，以強調檜木材質，風格端正堂堂，又見細緻雕飾之美；若依其形制，可明確稱之為「官帽椅」。\r\n(詮釋委員：莊伯和)\r\n","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000ce3f6b27103bcd2f71bb54a58bd07c9d931175a3344d9b9a186388e498e19daf9b8d51ef7e23c8e9e35be40f76f6b76935760eaf81437c675a90c2ceffb1d9a4"}
,{"Identifier":"199503001002","MainTitle":"傳統漢式太師椅-椅","Creator":"創作者：王漢松(藝師)","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAzMDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"造型接近明式官帽之樣款古意盎然。雕刻以透雕工法為主，紋樣係傳統花鳥圖「鳳凰朝牡丹」─鳳凰為三百六十鳥之長，牡丹花自唐始貴為國花，是百花之王，國色天香又稱富貴花。鳳凰來儀一伏擊祥富貴之景象。加上官帽造型之極品豈不是完美的「一品富貴」吉祥文明。(詮釋委員：施鎮洋)\r\n「太師椅」名稱，現在大家耳熟能詳，其起於明代，主要指圈椅，到了清末，款樣式並無定是，大抵指置於廳堂的獨座扶手椅。本件整體不佳圖裝，以強調檜木材質，風格端正堂堂，又見細緻雕飾之美；若依其形制，可明確稱之為「官帽椅」。\r\n(詮釋委員：莊伯和)\r\n","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000008225441df51aca56a20ea3d413286598993280116187fa2e16ed837c4e79a16c78726367e37dcfe986c797054bcf19af842cf08090d3c490c690c2f5bf4ab6d8"}
,{"Identifier":"199503001003","MainTitle":"傳統漢式太師椅-椅","Creator":"創作者：王漢松(藝師)","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAzMDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"造型接近明式官帽之樣款古意盎然。雕刻以透雕工法為主，紋樣係傳統花鳥圖「鳳凰朝牡丹」─鳳凰為三百六十鳥之長，牡丹花自唐始貴為國花，是百花之王，國色天香又稱富貴花。鳳凰來儀一伏擊祥富貴之景象。加上官帽造型之極品豈不是完美的「一品富貴」吉祥文明。(詮釋委員：施鎮洋)\r\n「太師椅」名稱，現在大家耳熟能詳，其起於明代，主要指圈椅，到了清末，款樣式並無定是，大抵指置於廳堂的獨座扶手椅。本件整體不佳圖裝，以強調檜木材質，風格端正堂堂，又見細緻雕飾之美；若依其形制，可明確稱之為「官帽椅」。\r\n(詮釋委員：莊伯和)\r\n","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000005fa7d7b0709b2ed18e39b8f632d8251e3530603aecec9eea3828e13186ec15df9ace23084b947c40be9cb2f72b15cd6b16d4098816e509bb45b841f8f7d5e4dd"}
,{"Identifier":"199503001004","MainTitle":"傳統漢式太師椅-茶几","Creator":"創作者：王漢松(藝師)","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAzMDAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"造型接近明式官帽之樣款古意盎然。雕刻以透雕工法為主，紋樣係傳統花鳥圖「鳳凰朝牡丹」─鳳凰為三百六十鳥之長，牡丹花自唐始貴為國花，是百花之王，國色天香又稱富貴花。鳳凰來儀一伏擊祥富貴之景象。加上官帽造型之極品豈不是完美的「一品富貴」吉祥文明。(詮釋委員：施鎮洋)\r\n「太師椅」名稱，現在大家耳熟能詳，其起於明代，主要指圈椅，到了清末，款樣式並無定是，大抵指置於廳堂的獨座扶手椅。本件整體不佳圖裝，以強調檜木材質，風格端正堂堂，又見細緻雕飾之美；若依其形制，可明確稱之為「官帽椅」。\r\n(詮釋委員：莊伯和)\r\n","ImageUrl":""}
,{"Identifier":"199503001005","MainTitle":"傳統漢式太師椅-椅","Creator":"創作者：王漢松(藝師)","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAzMDAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"造型接近明式官帽之樣款古意盎然。雕刻以透雕工法為主，紋樣係傳統花鳥圖「鳳凰朝牡丹」─鳳凰為三百六十鳥之長，牡丹花自唐始貴為國花，是百花之王，國色天香又稱富貴花。鳳凰來儀一伏擊祥富貴之景象。加上官帽造型之極品豈不是完美的「一品富貴」吉祥文明。(詮釋委員：施鎮洋)\r\n「太師椅」名稱，現在大家耳熟能詳，其起於明代，主要指圈椅，到了清末，款樣式並無定是，大抵指置於廳堂的獨座扶手椅。本件整體不佳圖裝，以強調檜木材質，風格端正堂堂，又見細緻雕飾之美；若依其形制，可明確稱之為「官帽椅」。\r\n(詮釋委員：莊伯和)\r\n","ImageUrl":""}
,{"Identifier":"199503001006","MainTitle":"傳統漢式太師椅-椅","Creator":"創作者：王漢松(藝師)","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAzMDAxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"造型接近明式官帽之樣款古意盎然。雕刻以透雕工法為主，紋樣係傳統花鳥圖「鳳凰朝牡丹」─鳳凰為三百六十鳥之長，牡丹花自唐始貴為國花，是百花之王，國色天香又稱富貴花。鳳凰來儀一伏擊祥富貴之景象。加上官帽造型之極品豈不是完美的「一品富貴」吉祥文明。(詮釋委員：施鎮洋)\r\n「太師椅」名稱，現在大家耳熟能詳，其起於明代，主要指圈椅，到了清末，款樣式並無定是，大抵指置於廳堂的獨座扶手椅。本件整體不佳圖裝，以強調檜木材質，風格端正堂堂，又見細緻雕飾之美；若依其形制，可明確稱之為「官帽椅」。\r\n(詮釋委員：莊伯和)\r\n","ImageUrl":""}
,{"Identifier":"199503002","MainTitle":"鄉村系列－牧牛","Creator":"李耀堂","CreatedYear":"","Size":"附木箱\r\n","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「牧牛」茶盤，為李耀堂利用黑膽石的細緻肌理、間應材質與天然造型，雕琢台灣水牛悠遊鄉村池塘的景緻，作成兼具實用與觀賞功能的茶盤，造型設計富生活情趣，兼具寫實主義之美。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199503003","MainTitle":"步步高昇","Creator":"創作者：廖益龍","CreatedYear":"","Size":"附木箱\r\n","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"孟孟宗竹優美的纖維質感，又鏤空雕技法，呈現出數隻栩栩如生可愛樹蛙相爭往上攀爬。利用竹節留下半片，每節層板代表著節節上升，正意涵著「步步高陞」。將竹開膛更能展現它內在之美。唐 孟郊以詩讚美：「破松見貞心，裂竹見直文」。(詮釋委員：施鎮洋)","ImageUrl":""}
,{"Identifier":"199504001","MainTitle":"浪情--胸針、領飾、釦子","Creator":"設計者：李玉萍
製作者：大鈿有限公司","CreatedYear":"","Size":"\"001胸針：長：5 寬：5 高：1.5 \r\n002-003領飾：長：3.5 寬：2.3 高：2\r\n004-009釦子：高：0.4 徑：2\r\n\"\t\t\t\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本首飾套組為李玉萍於1995年珠寶飾品設計競賽(傑出設計奬)之作品，包含了胸針、領飾及釦子等三個品項。\r\n創作者以「浪情」為設計主題，浪濤的起伏比擬心情的變化。製作上採用雕蠟翻鑄925銀，將金屬底胎拋修打磨後，再進行金銀雙色的電鍍處理，之後分區填上藍色系的環氧樹脂（EPOXY），搭配清透藍色系的人造鑽石，以彰顯浪濤的流動線條，表現出動與靜的對比與調和。\r\n此首飾套組有別於一般的飾品品項，設計了一對裝飾於衣領前端的三角形領飾，更設計了一組七顆的鈕釦組，適於搭配服裝設計進行整體的造型考量。(詮釋委員：江怡瑩)","ImageUrl":""}
,{"Identifier":"199504001001","MainTitle":"浪情--胸針、領飾、釦子","Creator":"設計者：李玉萍
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,{"Identifier":"199504001002","MainTitle":"浪情--胸針、領飾、釦子","Creator":"設計者：李玉萍
製作者：大鈿有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504001003","MainTitle":"浪情--胸針、領飾、釦子","Creator":"設計者：李玉萍
製作者：大鈿有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504001004","MainTitle":"浪情--胸針、領飾、釦子","Creator":"設計者：李玉萍
製作者：大鈿有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504001005","MainTitle":"浪情--胸針、領飾、釦子","Creator":"設計者：李玉萍
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,{"Identifier":"199504001006","MainTitle":"浪情--胸針、領飾、釦子","Creator":"設計者：李玉萍
製作者：大鈿有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDAxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504001007","MainTitle":"浪情--胸針、領飾、釦子","Creator":"設計者：李玉萍
製作者：大鈿有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDAxMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504001008","MainTitle":"浪情--胸針、領飾、釦子","Creator":"設計者：李玉萍
製作者：大鈿有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDAxMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504001009","MainTitle":"浪情--胸針、領飾、釦子","Creator":"設計者：李玉萍
製作者：大鈿有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDAxMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504002","MainTitle":"虹--髮夾、戒指、耳環","Creator":"創作者：呂政原","CreatedYear":"","Size":"\"001髮夾：長：9.5 寬：7 高：2.8\r\n002戒指：長：4 寬：3 高：1.4 \r\n003-004耳環：長：4 寬：3 高：1.4 \"\t\t\t\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本首飾套組為呂政原於1995年珠寶飾品設計競賽(傑出設計奬)之作品，包含了髮夾、戒指及耳環等三個品項。創作者以「虹」為設計主題，以山間瀑布出現之彩虹，聯想飄逸的長髮，因此設計製作了以髮飾為主體的首飾套組。\r\n創作者在銀胎上鑲綴繽紛亮麗的人造鑽石，更以橫越式的佈局構成，激發觀者對於彩虹的幻化想像。特別的是，創作者採用了透明壓克力象徵瀑布水景，也連結長髮飄逸之意境，此結合工業加工素材的大膽運用，亦隱隱透露此時我國飾品創作者對於當代首飾創作材質的實驗性探索。(詮釋委員：江怡瑩)","ImageUrl":""}
,{"Identifier":"199504002001","MainTitle":"虹--髮夾、戒指、耳環","Creator":"創作者：呂政原","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504002002","MainTitle":"虹--髮夾、戒指、耳環","Creator":"創作者：呂政原","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504002003","MainTitle":"虹--髮夾、戒指、耳環","Creator":"創作者：呂政原","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504002004","MainTitle":"虹--髮夾、戒指、耳環","Creator":"創作者：呂政原","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504003","MainTitle":"歐洲風情--項鍊、胸針、耳環","Creator":"設計者：吳俊美
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504003001","MainTitle":"歐洲風情--項鍊","Creator":"設計者：吳俊美
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504003002","MainTitle":"歐洲風情--胸針","Creator":"設計者：吳俊美
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504003003","MainTitle":"歐洲風情--耳環","Creator":"設計者：吳俊美
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504003004","MainTitle":"歐洲風情--耳環","Creator":"設計者：吳俊美
製作者：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDAzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504004","MainTitle":"星事--項鍊、胸針、耳環","Creator":"設計者：鄭旭凱
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製作者：光興珠寶公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDExMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504011004","MainTitle":"深情--耳環","Creator":"設計者：蔡青琉(蔡任惠)
製作者：光興珠寶公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDExMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504012","MainTitle":"緣--手鍊、胸針、耳環","Creator":"創作者：陳進中","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504012001","MainTitle":"緣--手鍊","Creator":"創作者：陳進中","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDEyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504012002","MainTitle":"緣--胸針","Creator":"創作者：陳進中","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDEyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504012003","MainTitle":"緣--耳環","Creator":"創作者：陳進中","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDEyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504012004","MainTitle":"緣--耳環","Creator":"創作者：陳進中","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDEyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504013","MainTitle":"下樓梯的女人--項鍊、胸針、戒指、耳環","Creator":"設計者：繆坤泰
製作者：大鈿有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504013001","MainTitle":"下樓梯的女人--項鍊","Creator":"設計者：繆坤泰
製作者：大鈿有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDEzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504013002","MainTitle":"下樓梯的女人--胸針","Creator":"設計者：繆坤泰
製作者：大鈿有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDEzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504013003","MainTitle":"下樓梯的女人--戒指","Creator":"設計者：繆坤泰
製作者：大鈿有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDEzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504013004","MainTitle":"下樓梯的女人--耳環","Creator":"設計者：繆坤泰
製作者：大鈿有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDEzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504013005","MainTitle":"下樓梯的女人--耳環","Creator":"設計者：繆坤泰
製作者：大鈿有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDEzMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504014","MainTitle":"孕--手鍊、胸針、耳環","Creator":"設計者：李中傑
製作者：蝶夢工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504014001","MainTitle":"孕--手鍊","Creator":"設計者：李中傑
製作者：蝶夢工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDE0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504014002","MainTitle":"孕--胸針","Creator":"設計者：李中傑
製作者：蝶夢工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDE0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504014003","MainTitle":"孕--耳環","Creator":"設計者：李中傑
製作者：蝶夢工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDE0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199504014004","MainTitle":"孕--耳環","Creator":"設計者：李中傑
製作者：蝶夢工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA0MDE0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199505006","MainTitle":"June六月","Creator":"創作者：林子鏗","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA1MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199506001","MainTitle":"方形餐桌椅組","Creator":"設計者：顏水龍
製作者：李榮烈
製作者：許正","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 在國立臺灣美術館舉辦有關顏水龍先生的展覽，其中於1997年「顏水龍95回顧展」，除繪畫作品外，顏水龍先生不忘將大半輩子喜愛的竹家具展現出來；盤點原製作有的客廳桌椅數量，還特在籌備展覽前設計這組餐廳桌椅，整個展覽空間道盡竹製家具的美好。\r\n 請李榮烈先生編製桌面：\r\n 選擇三年生桂竹管，經前加工處理後，劈修成細長且薄的竹蔑，以壓二的人字編法編成大菱紋，中心點往四方擴張，紋路很美。此片竹編面再與合板膠黏，成為桌板的厚度，竹編面塗以天然漆固胎，使竹篾間穩合後再填漆灰土，再次上漆。桌邊包以竹管，完成餐桌桌面。\r\n 另請許正先生製作餐桌腳及四張餐椅：\r\n 許師傅以竹片構成椅面、椅背。竹管鑿洞，好連接各竹管。用彎曲法將椅背主支架形成椅背的高與寬度後，管長延伸至地面，作為後椅腳。把彎曲的竹管環繞桌板下及桌腳下方，還有椅面下及椅腳下也都框住，並用竹栓釘牢，使其穩定有重力。\r\n 桌腳卡進桌板背面己鑿好的凹洞內，一組餐桌椅紮實地完成。（詮釋委員：簡玲亮）","ImageUrl":""}
,{"Identifier":"199506002","MainTitle":"木製餐桌椅組","Creator":"設計者：顏水龍
製作/廠商：李榮烈","CreatedYear":"","Size":"餐桌：101.5×101.5×76\r\n椅：41×45×100","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品「木製餐桌椅組」的設計者顏水龍老師（1903 ~ 1997）是二十世紀臺灣的重要畫家之一，也是民俗工藝、原住民文化的研究者及藝術教育家，有「臺灣工藝之父」稱譽。年輕時到過日本、法國留學。返國後任教於臺南高工（今成功大學建築學系），教授素描、美術工藝史。擔任過「南投縣工藝研究班」主任、東方工藝專科學校美術工藝科創始主任、實踐家政經濟專科學校美術工藝科創始主任。退休之後不遺餘力於臺灣工藝的推廣，經常利用時間到當時的臺灣省手工業研究所喝茶，與蕭所長及年輕人座談。\r\n為了探討圖中餐桌椅組的設計風格與造形問題，在此有必要提到丹麥的椅子木工匠師漢斯韋格納（Hans J. Wegner / 1914 ~ 2007）。顏主任比韋格納早11年出生，可以算是前輩，椅子的設計風格倒有幾分相似之處。最大特徵在於椅子靠背的兩根圓柱，中段的直徑顯現較為粗大，上下端則逐漸變細，並不影響結構強度，卻可以讓整體造形顯得輕巧、秀氣。橫向結構的圓棒支條，採用同樣的造形語彙，都是中段粗大、頭尾端呈漸細狀。椅面的麻繩編織作法，充分呈現自然的感覺又非常耐用，充分顯現顏主任對天然材料質感的鍾愛；每次見到顏主任，總是繫著一條羊毛的領帶。顏主任曾經為了原住民織布的再現，親自到霧社教導原住民栽種瓊麻。\r\n餐桌的桌面與桌腳可以輕易分開，桌面的實木框架是中式家具的作法，中間取夾板及實木薄片膠合，是西方家具的作法，為求大面積平板材料的穩定性。表面塗裝採用優力旦漆塗料，具安全、耐磨之特性。桌腳的結構採用與桌面可分離的活動型式，收合後不佔空間。四根實木桌腳的車枳造形，同時融合了東西方的特色，充分反映顏主任成長背景當中對事物的印象。(詮釋委員：盧祥華)\r\n餐桌椅組含一桌四椅，為顏水龍設計，李榮烈製作之作品。\r\n顏水龍係台灣當代工藝發展的導師，也是國立台灣工藝研究發展中心草創的引領者。李榮烈長期服務於台灣工藝研究所（今國立台灣工藝研究發展中心），從事木竹工藝之研發傳承，曾獲教育部民族藝術薪傳獎，國立台灣工藝研究發展中心工藝成就獎，近年來積極投入籃胎漆器之研發創作與教學。\r\n餐桌椅組之桌面與桌腳，以及座椅之結構，以橡木製作以瓊麻繩捲繞編織而成。桌面與桌腳可分開，桌腳可摺合，使得居家使用與收拾的空間規劃更具彈性。(詮釋委員：黃志農）\r\n","ImageUrl":""}
,{"Identifier":"199506002001","MainTitle":"木製餐桌椅組-桌子","Creator":"設計者：顏水龍
製作/廠商：李榮烈","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA2MDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品「木製餐桌」的設計者顏水龍老師（1903 ~ 1997）是二十世紀臺灣的重要畫家之一，也是民俗工藝、原住民文化的研究者及藝術教育家，有「臺灣工藝之父」稱譽。年輕時到過日本、法國留學。返國後任教於臺南高工（今成功大學建築學系），教授素描、美術工藝史。擔任過「南投縣工藝研究班」主任、東方工藝專科學校美術工藝科創始主任、實踐家政經濟專科學校美術工藝科創始主任。退休之後不遺餘力於臺灣工藝的推廣，經常利用時間到當時的臺灣省手工業研究所喝茶，與蕭所長及年輕人座談。\r\n餐桌的桌面與桌腳可以輕易分開，桌面的實木框架是中式家具的作法，中間取夾板及實木薄片膠合，是西方家具的作法，這是為求大面積平板材料的穩定性之折衷作法。表面塗裝採用優力旦漆（Polyurethane Lacquer）塗料，具安全、耐磨之特性。桌腳的結構採用與桌面可分離的活動型式，收合後不佔空間。四根實木桌腳的車枳造形，同時融合了東西方的特色，充分反映顏主任成長背景當中對事物的印象。(詮釋委員：盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"199506002002","MainTitle":"木製餐桌椅組-椅子","Creator":"設計者：顏水龍
製作/廠商：李榮烈","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA2MDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品「木製餐椅之一」的設計者顏水龍老師（1903 ~ 1997）是二十世紀臺灣的重要畫家之一，也是民俗工藝、原住民文化的研究者及藝術教育家，有「臺灣工藝之父」稱譽。年輕時到過日本、法國留學。返國後任教於臺南高工（今成功大學建築學系），教授素描、美術工藝史。擔任過「南投縣工藝研究班」主任、東方工藝專科學校美術工藝科創始主任、實踐家政經濟專科學校美術工藝科創始主任。退休之後不遺餘力於臺灣工藝的推廣，經常利用時間到當時的臺灣省手工業研究所喝茶，與蕭所長及年輕人座談。\r\n為了探討圖中餐桌椅組的設計風格與造形問題，在此有必要提到丹麥的椅子木工匠師漢斯韋格納（Hans J. Wegner / 1914 ~ 2007）。顏主任比韋格納早11年出生，可以算是前輩，椅子的設計風格倒有幾分相似之處。最大特徵在於椅子靠背的兩根圓柱，中段的直徑顯現較為粗大，上下端則逐漸變細，並不影響結構強度，卻可以讓整體造形顯得輕巧、秀氣。橫向結構的圓棒支條，採用同樣的造形語彙，都是中段粗大、頭尾端呈漸細狀。椅面的麻繩編織作法，充分呈現自然的感覺又非常耐用，充分顯現顏主任對天然材料質感的鍾愛；每次見到顏主任，總是繫著一條羊毛的領帶。顏主任曾經為了原住民織布的再現，親自到霧社教導原住民栽種瓊麻。\r\n椅子的表面塗裝採用優力旦漆（Polyurethane Lacquer）塗料，具安全、耐磨之特性。(詮釋委員：盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"199506002003","MainTitle":"木製餐桌椅組-椅子","Creator":"設計者：顏水龍
製作/廠商：李榮烈","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA2MDAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品「木製餐椅之二」的設計者顏水龍老師（1903 ~ 1997）是二十世紀臺灣的重要畫家之一，也是民俗工藝、原住民文化的研究者及藝術教育家，有「臺灣工藝之父」稱譽。年輕時到過日本、法國留學。返國後任教於臺南高工（今成功大學建築學系），教授素描、美術工藝史。擔任過「南投縣工藝研究班」主任、東方工藝專科學校美術工藝科創始主任、實踐家政經濟專科學校美術工藝科創始主任。退休之後不遺餘力於臺灣工藝的推廣，經常利用時間到當時的臺灣省手工業研究所喝茶，與蕭所長及年輕人座談。\r\n為了探討圖中餐桌椅組的設計風格與造形問題，在此有必要提到丹麥的椅子木工匠師漢斯韋格納（Hans J. Wegner / 1914 ~ 2007）。顏主任比韋格納早11年出生，可以算是前輩，椅子的設計風格倒有幾分相似之處。最大特徵在於椅子靠背的兩根圓柱，中段的直徑顯現較為粗大，上下端則逐漸變細，並不影響結構強度，卻可以讓整體造形顯得輕巧、秀氣。橫向結構的圓棒支條，採用同樣的造形語彙，都是中段粗大、頭尾端呈漸細狀。椅面的麻繩編織作法，充分呈現自然的感覺又非常耐用，充分顯現顏主任對天然材料質感的鍾愛；每次見到顏主任，總是繫著一條羊毛的領帶。顏主任曾經為了原住民織布的再現，親自到霧社教導原住民栽種瓊麻。\r\n椅子的表面塗裝採用優力旦漆（Polyurethane Lacquer）塗料，具安全、耐磨之特性。(詮釋委員：盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"199506002004","MainTitle":"木製餐桌椅組-椅子","Creator":"設計者：顏水龍
製作/廠商：李榮烈","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA2MDAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品「木製餐椅之三」的設計者顏水龍老師（1903 ~ 1997）是二十世紀臺灣的重要畫家之一，也是民俗工藝、原住民文化的研究者及藝術教育家，有「臺灣工藝之父」稱譽。年輕時到過日本、法國留學。返國後任教於臺南高工（今成功大學建築學系），教授素描、美術工藝史。擔任過「南投縣工藝研究班」主任、東方工藝專科學校美術工藝科創始主任、實踐家政經濟專科學校美術工藝科創始主任。退休之後不遺餘力於臺灣工藝的推廣，經常利用時間到當時的臺灣省手工業研究所喝茶，與蕭所長及年輕人座談。\r\n為了探討圖中餐桌椅組的設計風格與造形問題，在此有必要提到丹麥的椅子木工匠師漢斯韋格納（Hans J. Wegner / 1914 ~ 2007）。顏主任比韋格納早11年出生，可以算是前輩，椅子的設計風格倒有幾分相似之處。最大特徵在於椅子靠背的兩根圓柱，中段的直徑顯現較為粗大，上下端則逐漸變細，並不影響結構強度，卻可以讓整體造形顯得輕巧、秀氣。橫向結構的圓棒支條，採用同樣的造形語彙，都是中段粗大、頭尾端呈漸細狀。椅面的麻繩編織作法，充分呈現自然的感覺又非常耐用，充分顯現顏主任對天然材料質感的鍾愛；每次見到顏主任，總是繫著一條羊毛的領帶。顏主任曾經為了原住民織布的再現，親自到霧社教導原住民栽種瓊麻。\r\n椅子的表面塗裝採用優力旦漆（Polyurethane Lacquer）塗料，具安全、耐磨之特性。(詮釋委員：盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"199506002005","MainTitle":"木製餐桌椅組-椅子","Creator":"設計者：顏水龍
製作/廠商：李榮烈","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA2MDAyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品「木製餐椅之四」的設計者顏水龍老師（1903 ~ 1997）是二十世紀臺灣的重要畫家之一，也是民俗工藝、原住民文化的研究者及藝術教育家，有「臺灣工藝之父」稱譽。年輕時到過日本、法國留學。返國後任教於臺南高工（今成功大學建築學系），教授素描、美術工藝史。擔任過「南投縣工藝研究班」主任、東方工藝專科學校美術工藝科創始主任、實踐家政經濟專科學校美術工藝科創始主任。退休之後不遺餘力於臺灣工藝的推廣，經常利用時間到當時的臺灣省手工業研究所喝茶，與蕭所長及年輕人座談。\r\n為了探討圖中餐桌椅組的設計風格與造形問題，在此有必要提到丹麥的椅子木工匠師漢斯韋格納（Hans J. Wegner / 1914 ~ 2007）。顏主任比韋格納早11年出生，可以算是前輩，椅子的設計風格倒有幾分相似之處。最大特徵在於椅子靠背的兩根圓柱，中段的直徑顯現較為粗大，上下端則逐漸變細，並不影響結構強度，卻可以讓整體造形顯得輕巧、秀氣。橫向結構的圓棒支條，採用同樣的造形語彙，都是中段粗大、頭尾端呈漸細狀。椅面的麻繩編織作法，充分呈現自然的感覺又非常耐用，充分顯現顏主任對天然材料質感的鍾愛；每次見到顏主任，總是繫著一條羊毛的領帶。顏主任曾經為了原住民織布的再現，親自到霧社教導原住民栽種瓊麻。\r\n椅子的表面塗裝採用優力旦漆（Polyurethane Lacquer）塗料，具安全、耐磨之特性。(詮釋委員：盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"199507001","MainTitle":"陶製甕 ","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199507002","MainTitle":"陶製花器 ","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199507003","MainTitle":"陶製矮凳","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA3MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199507004","MainTitle":"陶製鼓椅","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA3MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199507005","MainTitle":"陶製水缸","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA3MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199507006","MainTitle":"陶製盆","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA3MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199507007","MainTitle":"陶製火爐","Creator":"創作者：不詳","CreatedYear":"","Size":"展覽中暫未測重","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA3MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199507008","MainTitle":"陶製暖爐","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA3MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199508001","MainTitle":"水桶","Creator":"林田桶店
林相林","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件作品是以臺灣紅檜為材，其性穩定、紋理細緻美觀、具芳香氣味並含檜木特有的油脂，因此耐用年限長。早期先民的生活裡為了盛水使用的器具，會有：陶缸、陶盆、金屬水桶、木桶及塗灰的竹簍等。臺灣因為日治時代受到日本文化的影響，多數的盥洗、盛水用具會使用木製的泡澡浴缸或木桶。臺灣出產的紅檜非常適合製作木桶，使用上既溫馨又具保溫效果；除了選擇優質的材料之外，還必須要有精湛木工手藝，才能做出品質優良的木桶。\r\n西元1937年創立的林田桶店，第二代負責人林相林，十二歲時國民小學一畢業，就被父親送到基隆，向日本籍嚴師學習傳統的木桶工藝。六十年來，繼承父業，秉持一貫的製作精神，目前還有第三代跟著一起做。臺北市中山北路上已經八十多年還是維持原樣的老店，不少日本客人不遠千里慕名而來。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199508002","MainTitle":"木製洗碗桶組合","Creator":"林田桶店
林相林","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"早期先民的生活裡為了盛水使用的器具，會有：陶缸、陶盆、金屬水桶、木桶及塗灰的竹簍等。臺灣因為日治時代受到日本文化的影響，多數的盥洗、盛水用具會使用木製的泡澡浴缸或木桶，因為臺灣出產的紅檜，材性穩定、紋理細緻美觀、具芳香氣味與特有的檜木油脂，非常適合製作木桶，使用上既溫馨又有保溫效果，耐用年限長；除了選擇優質的材料之外，還必須要有精湛木工手藝，才能做出品質優良的木桶。\r\n西元1937年創立的林田桶店，第二代負責人林相林，十二歲時國民小學一畢業，就被父親送到基隆，向日本籍嚴師學習傳統的木桶工藝。六十年來，繼承父業，秉持一貫的製作精神，目前還有第三代跟著一起做。臺北市中山北路上已經八十多年還是維持原樣的老店，不少日本客人不遠千里慕名而來。\r\n圖片中這組作品於早期係為民間日常生活用具，如今則經常在溫泉泡湯景點或專業的美容SPA工作坊現蹤，亦有民眾將之作為家中擺飾品或當作水果、食物置入之用，甚至有人將此木桶盛水栽培水生植物怡情養性，例如荷花、水草，還有小魚悠游其中；檜木精油具芳香氣味，聞之有舒緩壓力功效，讓現代人在工作繁忙之餘的休閒生活樂於使用。此外木桶的比例勻稱、造形簡潔優美，加上木料的天然色澤與質感，極富療癒作用，是故深受使用者喜愛。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199508002001","MainTitle":"木製洗碗桶組合(大)","Creator":"林田桶店
林相林","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA4MDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件作品為木製洗碗桶組合之一。早期先民的生活裡為了盛水使用的器具，會有：陶缸、陶盆、金屬水桶、木桶及塗灰的竹簍等。臺灣因為日治時代受到日本文化的影響，多數的盥洗、盛水用具會使用木製的泡澡浴缸或木桶，因為臺灣出產的紅檜，材性穩定、紋理細緻美觀、具芳香氣味與特有的檜木油脂，非常適合製作木桶，使用上既溫馨又有保溫效果，耐用年限長；除了選擇優質的材料之外，還必須要有精湛木工手藝，才能做出品質優良的木桶。\r\n西元1937年創立的林田桶店，第二代負責人林相林，十二歲時國民小學一畢業，就被父親送到基隆，向日本籍嚴師學習傳統的木桶工藝。六十年來，繼承父業，秉持一貫的製作精神，目前還有第三代跟著一起做。臺北市中山北路上已經八十多年還是維持原樣的老店，不少日本客人不遠千里慕名而來。\r\n本件作品於早期係為民間日常生活用具，如今則經常在溫泉泡湯景點或專業的美容SPA工作坊現蹤，亦有民眾將之作為家中擺飾品或當作水果、食物置入之用，甚至有人將此木桶盛水栽培水生植物怡情養性，例如荷花、水草，還有小魚悠游其中；檜木精油具芳香氣味，聞之有舒緩壓力功效，讓現代人在工作繁忙之餘的休閒生活樂於使用。此外木桶的比例勻稱、造形簡潔優美，加上木料的天然色澤與質感，極富療癒作用，是故深受使用者喜愛。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199508002002","MainTitle":"木製洗碗桶組合(小)","Creator":"林田桶店
林相林","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA4MDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件作品為木製洗碗桶組合之二。早期先民的生活裡為了盛水使用的器具，會有：陶缸、陶盆、金屬水桶、木桶及塗灰的竹簍等。臺灣因為日治時代受到日本文化的影響，多數的盥洗、盛水用具會使用木製的泡澡浴缸或木桶，因為臺灣出產的紅檜，材性穩定、紋理細緻美觀、具芳香氣味與特有的檜木油脂，非常適合製作木桶，使用上既溫馨又有保溫效果，耐用年限長；除了選擇優質的材料之外，還必須要有精湛木工手藝，才能做出品質優良的木桶。\r\n西元1937年創立的林田桶店，第二代負責人林相林，十二歲時國民小學一畢業，就被父親送到基隆，向日本籍嚴師學習傳統的木桶工藝。六十年來，繼承父業，秉持一貫的製作精神，目前還有第三代跟著一起做。臺北市中山北路上已經八十多年還是維持原樣的老店，不少日本客人不遠千里慕名而來。\r\n本件作品於早期係為民間日常生活用具，如今則經常在溫泉泡湯景點或專業的美容SPA工作坊現蹤，亦有民眾將之作為家中擺飾品或當作水果、食物置入之用，甚至有人將此木桶盛水栽培水生植物怡情養性，例如荷花、水草，還有小魚悠游其中；檜木精油具芳香氣味，聞之有舒緩壓力功效，讓現代人在工作繁忙之餘的休閒生活樂於使用。此外木桶的比例勻稱、造形簡潔優美，加上木料的天然色澤與質感，極富療癒作用，是故深受使用者喜愛。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199508003","MainTitle":"木製炊飯桶系列(大、中、小)","Creator":"林田桶店
林相林","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA4MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"早期先民的生活裡為了盛水以及生活上的需要，所使用的器具多樣化，有如：陶缸、陶盆、金屬水桶、木桶及塗灰的竹簍等。臺灣因為日治時代受到日本文化的影響，多數的盥洗、盛水、炊飯用具會使用木製的泡澡桶或各式木桶，因為臺灣出產的紅檜，材性穩定、紋理細緻美觀、具芳香氣味與特有的檜木油脂，非常適合製作木桶，使用上既溫馨又有保溫效果，耐用年限長；除了選擇優質的材料之外，還必須要有精湛木工手藝，才能做出品質優良的木桶。\r\n西元1937年創立的林田桶店，第二代負責人林相林，十二歲時國民小學一畢業，就被父親送到基隆，向日本籍嚴師學習傳統的木桶工藝。六十年來，繼承父業，秉持一貫的製作精神，目前還有第三代跟著一起做。臺北市中山北路上已經八十多年還是維持原樣的老店，不少日本客人不遠千里慕名而來。\r\n這一組作品專門用於各種炊飯製作，依實際需要量可以選擇不同的尺寸規格。其底部有六道縫隙開口，讓鐵鍋裡的沸水所產生之蒸汽進入木桶裡，直接將襯以白細布包裹的生米炊熟。上蓋於炊飯時可以在上面覆蓋厚的棉布，幫助木桶內部的溫度提升，縮短生米炊熟時間。以這種方式炊熟的米飯，因為沒有加水一起煮而得以保留米粒完全的氣味，還融入木桶材料特有的天然風味，因此這種做法的米飯特別好吃，香甜Q軟又富彈性。如果已炊熟的米飯繼續置於木桶中，還可以有比較長時間的保溫作用。目前這一組作品大多數提供給專業炊飯厨房使用。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199508003001","MainTitle":"木製炊飯桶系列(大)","Creator":"創作者：林田桶店
林相林","CreatedYear":"","Size":"附蓋","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA4MDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件為木製炊飯桶系列作品之一。早期先民的生活裡為了盛水以及生活上的需要，所使用的器具多樣化，有如：陶缸、陶盆、金屬水桶、木桶及塗灰的竹簍等。臺灣因為日治時代受到日本文化的影響，多數的盥洗、盛水、炊飯用具會使用木製的泡澡桶或各式木桶，因為臺灣出產的紅檜，材性穩定、紋理細緻美觀、具芳香氣味與特有的檜木油脂，非常適合製作木桶，使用上既溫馨又有保溫效果，耐用年限長；除了選擇優質的材料之外，還必須要有精湛木工手藝，才能做出品質優良的木桶。\r\n西元1937年創立的林田桶店，第二代負責人林相林，十二歲時國民小學一畢業，就被父親送到基隆，向日本籍嚴師學習傳統的木桶工藝。六十年來，繼承父業，秉持一貫的製作精神，目前還有第三代跟著一起做。臺北市中山北路上已經八十多年還是維持原樣的老店，不少日本客人不遠千里慕名而來。\r\n這一組作品專門用於各種炊飯製作，依實際需要量可以選擇不同的尺寸規格。其底部有六道縫隙開口，讓鐵鍋裡的沸水所產生之蒸汽進入木桶裡，直接將襯以白細布包裹的生米炊熟。上蓋於炊飯時可以在上面覆蓋厚的棉布，幫助木桶內部的溫度提升，縮短生米炊熟時間。以這種方式炊熟的米飯，因為沒有加水一起煮而得以保留米粒完全的氣味，還融入木桶材料特有的天然風味，因此這種做法的米飯特別好吃，香甜Q軟又富彈性。如果已炊熟的米飯繼續置於木桶中，還可以有比較長時間的保溫作用。目前這一組作品大多數提供給專業炊飯厨房使用。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199508003002","MainTitle":"木製炊飯桶系列(中)","Creator":"林田桶店
林相林","CreatedYear":"","Size":"附蓋","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA4MDAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件為木製炊飯桶系列作品之二。早期先民的生活裡為了盛水以及生活上的需要，所使用的器具多樣化，有如：陶缸、陶盆、金屬水桶、木桶及塗灰的竹簍等。臺灣因為日治時代受到日本文化的影響，多數的盥洗、盛水、炊飯用具會使用木製的泡澡桶或各式木桶，因為臺灣出產的紅檜，材性穩定、紋理細緻美觀、具芳香氣味與特有的檜木油脂，非常適合製作木桶，使用上既溫馨又有保溫效果，耐用年限長；除了選擇優質的材料之外，還必須要有精湛木工手藝，才能做出品質優良的木桶。\r\n西元1937年創立的林田桶店，第二代負責人林相林，十二歲時國民小學一畢業，就被父親送到基隆，向日本籍嚴師學習傳統的木桶工藝。六十年來，繼承父業，秉持一貫的製作精神，目前還有第三代跟著一起做。臺北市中山北路上已經八十多年還是維持原樣的老店，不少日本客人不遠千里慕名而來。\r\n這一組作品專門用於各種炊飯製作，依實際需要量可以選擇不同的尺寸規格。其底部有六道縫隙開口，讓鐵鍋裡的沸水所產生之蒸汽進入木桶裡，直接將襯以白細布包裹的生米炊熟。上蓋於炊飯時可以在上面覆蓋厚的棉布，幫助木桶內部的溫度提升，縮短生米炊熟時間。以這種方式炊熟的米飯，因為沒有加水一起煮而得以保留米粒完全的氣味，還融入木桶材料特有的天然風味，因此這種做法的米飯特別好吃，香甜Q軟又富彈性。如果已炊熟的米飯繼續置於木桶中，還可以有比較長時間的保溫作用。目前這一組作品大多數提供給專業炊飯厨房使用。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199508003003","MainTitle":"木製炊飯桶系列(小)","Creator":"林田桶店
林相林","CreatedYear":"","Size":"附蓋","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA4MDAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件為木製炊飯桶系列作品之三。早期先民的生活裡為了盛水以及生活上的需要，所使用的器具多樣化，有如：陶缸、陶盆、金屬水桶、木桶及塗灰的竹簍等。臺灣因為日治時代受到日本文化的影響，多數的盥洗、盛水、炊飯用具會使用木製的泡澡桶或各式木桶，因為臺灣出產的紅檜，材性穩定、紋理細緻美觀、具芳香氣味與特有的檜木油脂，非常適合製作木桶，使用上既溫馨又有保溫效果，耐用年限長；除了選擇優質的材料之外，還必須要有精湛木工手藝，才能做出品質優良的木桶。\r\n西元1937年創立的林田桶店，第二代負責人林相林，十二歲時國民小學一畢業，就被父親送到基隆，向日本籍嚴師學習傳統的木桶工藝。六十年來，繼承父業，秉持一貫的製作精神，目前還有第三代跟著一起做。臺北市中山北路上已經八十多年還是維持原樣的老店，不少日本客人不遠千里慕名而來。\r\n這一組作品專門用於各種炊飯製作，依實際需要量可以選擇不同的尺寸規格。其底部有六道縫隙開口，讓鐵鍋裡的沸水所產生之蒸汽進入木桶裡，直接將襯以白細布包裹的生米炊熟。上蓋於炊飯時可以在上面覆蓋厚的棉布，幫助木桶內部的溫度提升，縮短生米炊熟時間。以這種方式炊熟的米飯，因為沒有加水一起煮而得以保留米粒完全的氣味，還融入木桶材料特有的天然風味，因此這種做法的米飯特別好吃，香甜Q軟又富彈性。如果已炊熟的米飯繼續置於木桶中，還可以有比較長時間的保溫作用。目前這一組作品大多數提供給專業炊飯厨房使用。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199508004","MainTitle":"內外圓弧木製炊飯桶組","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA4MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"早期先民的生活裡為了盛水所使用的器具多樣，有如：陶缸、陶盆、金屬水桶、木桶及塗灰的竹簍等。臺灣因為日治時代受到日本文化影響，多數的盥洗、盛水用具會使用木製的泡澡浴缸或木桶，本作品採用相對稍厚一點的杉木乾燥材製作，材性穩定、紋理細緻美觀、具杉木芳香氣味，適合用來製作木桶，使用上既溫馨又有保溫效果，正常使用耐用年限長；除了選擇優質材料外，還必須要有精湛木工手藝，才能做出品質優良的木桶。圖中木桶的上蓋有五道溝縫係為了讓多餘的蒸氣冒出，底部的圓洞係為了讓蒸汽進入。\r\n本組作品當中的主件：「透氣有蓋無手把木製炊飯桶」，其底部有一個直徑約五公分的大圓洞，可對準放置於大型鐵鍋上覆鐵板的同規格圓形開口上，讓鐵鍋裡的沸水所產生之蒸汽，直接通過鐵板及木桶底下的圓洞進入木桶裡，將襯以白細布包裹的生米炊熟，上蓋有五道溝縫係為了讓多餘的蒸氣冒出，炊飯時可以在木桶的透氣蓋子上面覆蓋厚的棉布，幫助木桶內部的溫度提升，縮短生米炊熟時間。\r\n本組作品當中的副件：「無蓋無手把木製炊飯桶」，規格上比較小，還可以加上蓋子使用。該桶子的內、外牆面都刨削成柔順的圓弧形，箍桶的材料採用籐皮編織環，別具溫馨的感覺，只是籐皮比較不耐用，但是若有損壞容易換修。使用此極具親和力的天然材料手工製作木桶炊飯，直接將其置於用餐環境，感覺上非常溫馨，還可以促進食慾。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199508004001","MainTitle":"內外圓弧木桶組-透氣有蓋無手把木製炊飯桶","Creator":"","CreatedYear":"","Size":"附蓋","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA4MDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"早期先民的生活裡為了盛水所使用的器具多樣，有如：陶缸、陶盆、金屬水桶、木桶及塗灰的竹簍等。臺灣因為日治時代受到日本文化影響，多數的盥洗、盛水用具會使用木製的泡澡浴缸或木桶，本作品採用相對稍厚一點的杉木乾燥材製作，材性穩定、紋理細緻美觀、具杉木芳香氣味，適合用來製作木桶，使用上既溫馨又有保溫效果，正常使用耐用年限長；除了選擇優質材料外，還必須要有精湛木工手藝，才能做出品質優良的木桶。圖中上蓋有五道溝縫係為了讓多餘的蒸氣冒出，底部的圓洞係為了讓蒸汽進入。\r\n本件作品是內外圓弧木桶組當中的主件：「透氣有蓋無手把木製炊飯桶」，該桶子的內、外牆面都刨削成柔順的圓弧形，其底部有一個直徑約五公分的大圓洞，可對準放置於大型鐵鍋上覆鐵板的同規格圓形開口上，讓鐵鍋裡的沸水所產生之蒸汽，直接通過鐵板及木桶底下的圓洞進入木桶裡，將襯以白細布包裹的生米炊熟，上蓋有五道溝縫係為了讓多餘的蒸氣冒出，炊飯時可以在木桶的透氣蓋子上面覆蓋厚的棉布，幫助木桶內部的溫度提升，縮短生米炊熟時間。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199508004002","MainTitle":"內外圓弧木桶組-無蓋無手把木製炊飯桶","Creator":"","CreatedYear":"","Size":"無蓋","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA4MDA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"早期先民的生活裡為了盛水所使用的器具多樣，有如：陶缸、陶盆、金屬水桶、木桶及塗灰的竹簍等。臺灣因為日治時代受到日本文化影響，多數的盥洗、盛水用具會使用木製的泡澡浴缸或木桶，本作品採用相對稍厚一點的杉木乾燥材製作，材性穩定、紋理細緻美觀、具杉木芳香氣味，適合用來製作木桶，使用上既溫馨又有保溫效果，正常使用耐用年限長；除了選擇優質材料外，還必須要有精湛木工手藝，才能做出品質優良的木桶。圖中木桶的上蓋有五道溝縫係為了讓多餘的蒸氣冒出，底部的圓洞係為了讓蒸汽進入。\r\n本件作品是內外圓弧木桶組當中的副件：「無蓋無手把木製炊飯桶」，只是規格上比較小，還可以加上蓋子使用。其底部同樣有一個直徑約五公分的大圓洞，可對準放置於大型鐵鍋上覆鐵板的同規格圓形開口上，讓鐵鍋裡的沸水所產生之蒸汽，直接通過鐵板及木桶底下的圓洞進入木桶裡，將襯以白細布包裹的生米炊熟，上蓋有五道溝縫係為了讓多餘的蒸氣冒出，炊飯時可以在木桶的透氣蓋子上面覆蓋厚的棉布，幫助木桶內部的溫度提升，縮短生米炊熟時間。\r\n該桶子比較特別的是內、外牆面都刨削成柔順的圓弧形，箍桶的材料採用籐皮編織環，別具溫馨的感覺，只是籐皮比較不耐用，但是若有損壞容易換修。使用此極具親和力的天然材料手工製作木桶炊飯，直接將其置於用餐環境，感覺上非常溫馨，還可以促進食慾。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199508005","MainTitle":"籐編提籃","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA4MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"民國四、五○年代，臺灣大部分的家庭主婦，都會於上午時段，提著手工製作的菜籃到傳統菜市場買菜；回想起來，那種工藝融入生活的感覺，實在值得回味。早期的菜籃形式多樣化，大多以天然材質編製而成，常見者有竹、籐及藺草等；往後逐漸被塑化材質的提籃或容器甚至塑膠袋取代。\r\n圖中的提籃係取材細籐心，以手工編製而成。雖然曾經是日常生活用具，由於精心編製的成品，造形比例勻稱，籃身的兩側大面有提花編織裝飾，提籃的上緣口有籐皮纏繞收邊，提把也有同樣的籐皮纏繞包覆，方便手持，提把上還加了幾處小裝飾；就整體而言不失優良工藝品的感覺。以當代生活美學來看待此提籃，若搭配合適時裝，上街購物，自然顯露時尚。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199508006","MainTitle":"籐編花器","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA4MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"大約民國五○到七○年代，臺灣曾經是全球籐製家具的生產王國，當時以竹、籐材料編製的手工產品同樣盛極一時；產地大多集中於臺南的關廟一帶，當地居民幾乎家家戶戶都有人會編製斗笠、竹簍及各式花器。\r\n圖中花器的製作方式係將籐心交叉呈放射狀為經線，緯線為螺旋狀平鋪起底的籐心，逐漸往上，完全以手工編製成形，由於緯線於三分之二以上的地方開始採用不同的編製技法，讓外觀呈現豐富的紋理質感。花器上緣口及圈足以同樣材質的籐心斜向纏繞收邊，雙圈收口的做法讓器物更顯細緻。花器上方的裝飾性雙耳環以細籐皮纏繞將籐心包覆，同時以籐皮穿過花器壁面的籐心縫隙，將活動性雙耳環分別固定於花器對側，平添裝飾性美感與趣味性。\r\n此花器適合單獨欣賞或投入乾燥花；若要插入鮮花，必須在裡頭置入適當的盛水容器。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199508007","MainTitle":"籐編置物籃","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA4MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"大約民國五O到七O年代，臺灣曾經是全球籐製家具的生產王國，當時以竹、籐材料編製的手工產品同樣盛極一時；產地大多集中於臺南的關廟一帶，當地居民幾乎家家戶戶都有人會編製斗笠、竹簍及各式花器。\r\n圖中置物籃的製作方式，係將籐心呈放射狀交叉排列為經線，緯線為螺旋狀平鋪起底的籐心，逐漸往上，完全以手工編製成形，由於緯線於三分之二以上的地方開始採用不同的編製技法，讓外觀呈現豐富的紋理質感；上緣口及圈足以同樣材質的籐心斜向纏繞收邊，採雙圈不同編法的收口做法，讓此件作品整體顯現粗中帶細的感覺。\r\n此置物籃在歐、美國家有一些觀光酒店或旅館的早餐檯上常見以此置物籃鋪上乾淨白色棉布盛裝長條形麵包，極具生活化溫馨的感覺。此置物籃亦適合置於浴室盛裝脫下待洗的衣物，當置入紅磚色陶質花盆時具美化作用，也可以當作乾燥花的花器使用，當然於高級辦公室或居家生活空間亦可當紙屑簍使用。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199509001","MainTitle":"堆漆項鍊","Creator":"創作者：光山行","CreatedYear":"","Size":"橢圓形:92.5\r\n圓柱形:長87","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"每天塗一層漆，塗付在約A3大小的玻璃板上，以夏天每天2～3層，冬天每天1層的累積方式，（每層可更換顏色）經過數百層重重疊疊積累成1.5公分後厚的漆板材。從玻璃板上刮取下這漆板材下來，切成小塊後再研磨成型，鑽洞後串連成首飾項鍊。\r\n千層堆漆經研磨後的花紋線條優美是其特色，充分利用研磨時造型的曲弧形狀，便能製作出千變萬化的自然漆藝線條美，再加以推光，這最小體積內有最多色彩且無窮變化的漆塊，便能呈現面中含有無數抽象線條的千層堆漆之美。\r\n這項商品還結合了古銅幣的串接，除了增添獨特性，亦有貫穿歷史賦予新生命的設計運用概念。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199509001001","MainTitle":"堆漆項鍊-1","Creator":"創作者：光山行","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA5MDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"每天塗一層漆，塗付在約A3大小的玻璃板上，以夏天每天2～3層，冬天每天1層的累積方式，（每層可更換顏色）經過數百層重重疊疊積累成1.5公分後厚的漆板材。從玻璃板上刮取下這漆板材下來，切成小塊後再研磨成型，鑽洞後串連成首飾項鍊。\r\n千層堆漆經研磨後的花紋線條優美是其特色，充分利用研磨時造型的曲弧形狀，便能製作出千變萬化的自然漆藝線條美，再加以推光，這最小體積內有最多色彩且無窮變化的漆塊，便能呈現面中含有無數抽象線條的千層堆漆之美。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199509001002","MainTitle":"堆漆項鍊-2","Creator":"創作者：光山行","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA5MDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"每天塗一層漆，塗付在約A3大小的玻璃板上，以夏天每天2～3層，冬天每天1層的累積方式，（每層可更換顏色）經過數百層重重疊疊積累成1.5公分後厚的漆板材。從玻璃板上刮取下這漆板材下來，切成小塊後再研磨成型，鑽洞後串連成首飾項鍊。\r\n千層堆漆經研磨後的花紋線條優美是其特色，充分利用研磨時造型的曲弧形狀，便能製作出千變萬化的自然漆藝線條美，再加以推光，這最小體積內有最多色彩且無窮變化的漆塊，便能呈現面中含有無數抽象線條的千層堆漆之美。\r\n這項商品還結合了古銅幣的串接，除了增添獨特性，亦有貫穿歷史賦予新生命的設計運用概念。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199509002","MainTitle":"漆盤","Creator":"創作者：美研公司","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA5MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以金銀色彩來表現枯竹及竹葉，背景單純靜謐的黑底，對比分明，非常能將主題襯托凸顯。\r\n這是美妍工藝公司所量產外銷歐美的商品，用腰果漆及運用反覆可套色印刷的網版印刷，來大量印刷製作的商品。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199509003","MainTitle":"漆盤","Creator":"創作者：美研公司","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA5MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是一件以舞獅吉祥喜慶為主題所做的作品，將立德粉加透明漆槌打成漆黏土狀，將此含漆的黏土，用板子搓成漆線，此作品即是以漆線條為主，製作出浮雕的畫面，不似推錦的多彩，這件作品在漆線上還罩了透漆。\r\n堆錦，是日本琉球沖繩地方特有的技法名稱，在台灣有類似的技法稱為漆線雕，是以線條表現為主，堆錦是將漆與顏料混合而成的材料敲打成薄片，再貼成紋樣形狀的技法，立體的造型令人印象深刻。由於特殊而略帶繁瑣的製作工藝，堆錦藝術品顯出精細、生動、立體的藝術特色，同時色彩絢麗、紋理細膩，被稱為絲質的軟浮雕藝術。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199509004","MainTitle":"果盒 ","Creator":"創作者：美研公司","CreatedYear":"","Size":"附蓋\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA5MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以金銀色彩來表現枯竹及竹葉，背景單純瑰麗的紅底，對比分明，非常能將主題襯托凸顯。\r\n這是美妍工藝公司所量產外銷歐美的商品，用腰果漆及運用反覆可套色印刷的網版印刷，來大量印刷製作的商品。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199509005","MainTitle":"漆盒 ","Creator":"創作者：美研公司","CreatedYear":"","Size":"附蓋","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA5MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此器型上半部白色底漆上彩繪蘭花，蘭葉草以紅、綠搭配黑色是少見的色澤處理方式，也讓這件作品從原本上白下黑，黑白對比分明的器型，因此而有了典雅又不失單調的瑰麗色彩。\r\n盒內也在黑底上散撒上金粉作裝飾，內外都作了細緻的處理。器盒的側面幾條設計感明確的線條表現，搭配暈染的色塊氛圍，是這件作品跳脫一般漆器給人厚重的黑紅印象，附予漆藝有年輕活潑的新鮮饗宴。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199509006","MainTitle":"漆盒 ","Creator":"創作者：美研公司","CreatedYear":"","Size":"附蓋","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA5MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以金色色彩來表現枯竹及竹葉，背景單純木目塗保留木紋，於金色色澤作暖色雕的協調搭配，讓主題不會太突兀。\r\n這是美妍工藝公司所量產外銷歐美的商品，用腰果漆及運用反覆可套色印刷的網版印刷，來大量印刷製作的商品。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199509007","MainTitle":"漆盒 ","Creator":"創作者：美研公司","CreatedYear":"","Size":"附蓋","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA5MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以兩種不同種類的楓葉形型版來打印出三片楓葉的圖案，有虛實面積及色彩的設計。\r\n盒身為木目塗方式保留木紋，木地上彩印葉形後，再勾勒細線葉脈，這是美妍工藝公司所量產外銷歐美的商品，用腰果漆及運用反覆可套色印刷的網版印刷，來大量印刷製作的商品。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199509008","MainTitle":"漆盒 ","Creator":"創作者：美研公司","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA5MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"大紅底色上，以兩種不同顏色的菊花葉形並以漆厚塗的方式描繪，再用細筆勾勒出葉脈的細節。用含膠性的金蔥直接擠壓描繪出菊花細製的花瓣。\r\n這是美妍工藝公司所量產外銷歐美的商品，用腰果漆及運用反覆可套色印刷的網版印刷，來大量印刷製作的商品。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199509009","MainTitle":"小牙籤盒 ","Creator":"創作者：美研公司","CreatedYear":"","Size":"附蓋","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA5MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件作品的器盒較特殊，不是一般的圓型盒，是專用來放牙籤的盒子。\r\n紅底充滿著喜氣味，重複套版印繪上蘭葉及蘭花圖案，這是美妍工藝公司所量產外銷歐美的商品，用腰果漆及運用反覆可套色印刷的網版印刷，來大量印刷製作的商品。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199509010","MainTitle":"小牙籤盒 ","Creator":"創作者：美研公司","CreatedYear":"","Size":"附蓋","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA5MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以金色彩來表現枯竹及竹葉，背景單純瑰麗的紅底，對比分明，非常能將主題襯托凸顯。\r\n這是美妍工藝公司所量產外銷歐美的商品，用腰果漆及運用反覆可套色印刷的網版印刷，來大量印刷製作的商品。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199509011","MainTitle":"茶盤","Creator":"創作者：美研公司","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA5MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以五片竹葉設計出彷彿是隻蝴蝶的設計。\r\n圓形盤上木目塗保留木紋，黑紅的配置不算是新意。但是施以盤心向外螺旋放射規律的波動淺雕、盤緣也以呼應式的環繞一圈刻紋、一抹金箔飄搖而至，一切似乎都在詮釋這件作品的流動生命感。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199509012","MainTitle":"茶盤","Creator":"創作者：美研公司","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA5MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在上了底漆的圓盤上，用調製過的漆裝入擠袋後，由擠袋小出口擠出花卉圖案在漆盤上，製造變塗起紋，擠時須注意線條的流暢性與間距的安排。\r\n待圖案的漆乾凅後、罩上數層紅、白漆，再加以研磨平整推光完成。\r\n變途中龜裂、起皺的效果極佳，色彩的平衡也達到鮮明的效果，是一種有新意的漆藝變塗呈現。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199509013","MainTitle":"漆盤 ","Creator":"創作者：美研公司","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTA5MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在上了底漆的圓盤上，用調製過的漆裝入擠袋後，由擠袋小出口擠出原住民圖案在漆盤上，製造變塗起紋，擠時須注意線條的流暢性與間距的安排。\r\n待圖案的漆乾凅後、罩上數層深淺不同的紅漆，再加以研磨平整推光完成。\r\n變途中線條細緻流暢的效果極佳，色彩的平衡也達到鮮明的效果，是一種非常熟練成熟的漆藝變塗呈現。(詮釋委員：李本育)\r\n","ImageUrl":""}
,{"Identifier":"199511001","MainTitle":"堂桌","Creator":"創作者：陳一青
台灣石材股份有限公司","CreatedYear":"","Size":"190.5*39.9*10(花崗石板)","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTExMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199515001","MainTitle":"排灣風情","Creator":"創作者：唐永哲","CreatedYear":"1995","Size":"9.5×9.5×23.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者唐永哲先生對於南島語系臺灣原住民的文化與藝術頗有研究，於臺灣省手工業研究所擔任研究員兼設計組組長期間發揮雕塑長才，將其對原住民所瞭解的印象及情境故事，以裝飾陶瓷的表達方式展現出來，並將部分圖騰應用到實用器物及木雕壁飾等作品。\r\n 本作品199515001〈排灣風情〉，外形呈圓筒狀，外表佈滿臺灣排灣族原住民文化圖騰的淺浮雕裝飾，作為筆筒或擺飾品使用。整體設計採取半抽象化圖案規則性排列組合，內容主要是祖靈意象與連杯圖像，因此將作品名稱定為「排灣風情」；代表著族群起源的傳說和生活習俗的表徵，當使用者接觸或觀賞此一筆筒的同時，宛如與原住民文化更為接近。\r\n 技術上採用注漿成形的作法，脫模之後，使用尖刀將泥坏的局部挖空，形塑一種穿透感，等坏體充分陰乾之後直接進行本燒，以1,230℃氧化方式燒成。因為在灌注用的泥漿裡混入鋁礬土熟料，可以幫助器物燒成的穩定性、不易變形，因此浮現顆粒性質感的特殊效果，增加視覺上的美感，頗富典雅古意，與原住民傳統陶器純樸特色相近，值得玩味。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199515002","MainTitle":"飛魚與蘭嶼","Creator":"唐永哲","CreatedYear":"1995","Size":"10×26.5×22","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品以蘭嶼特色之飛魚與船作為造型基礎，加以變形、製作出無釉之器皿，左右共配置六人，船首左右各一人手持火炬。\r\n以樸拙的表現趣味呼應原住民族的粗獷美感，融入蘭嶼的地域文化特色-飛魚與船，加以造物成型，呈現作者獨具特色的造形風格。（詮釋委員：陳培澤）","ImageUrl":""}
,{"Identifier":"199515003","MainTitle":"水沙連之夜","Creator":"唐永哲","CreatedYear":"1995","Size":"10×23×21.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"前後兩端一邊以日月潭邵族用木杵搗米之型態，另一邊則描述水沙漣的逐鹿傳奇。\r\n作者以樸拙的表現趣味呼應原住民族粗獷的美感，再融入日月潭邵族的地域文化特色-杵音與逐鹿傳奇，加以設計成型，呈現作者獨具特色的造型風格。（詮釋委員：陳培澤）","ImageUrl":""}
,{"Identifier":"199515004","MainTitle":"閣家歡/坐姿牛","Creator":"創作者：陳一青","CreatedYear":"1995","Size":"29×11.5×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者陳一青先生曾經在國立臺灣藝術專科學校美工科任教、在中國生產力中心任職，之後到臺中市沙鹿區清泉崗空軍基地的美軍顧問團擔任工藝教師，專精木雕、泥塑、攝影，音樂造詣深、美學鑑賞能力高。於臺灣省手工業研究所擔任設計組約聘技師期間得以發揮雕塑長才，配合工藝研究所的專題開發計畫，以牛為創作題材，藉裝飾陶瓷的表達方式展現。\r\n 本作品199515004〈閣家歡（坐姿牛）〉係屬作者「闔家歡」的系列作品之一，全系列共有三件典藏品；除了本作品之外還有其它兩件：199515005〈閣家歡（立姿牛）〉、199515006〈閣家歡（小牛）〉，內容分別為公牛、母牛、小牛，是在描述乳牛的家族；當然可以單件欣賞，如果集結成群一次收藏，更具可看性。\r\n 圖中這一件前足內縮的坐姿公牛作品係採半寫實、形體簡化的雕塑手法進行創作；昂起的碩大頭部，粗壯的脖子，兩支小彎角，兩個小小招風耳，睜開的眼睛似乎想要與人對話，面相和善，讓人有亟欲親近的感覺。作者對乳牛的特質存在有深度觀察和體會，進而以其藝術造詣的美感與雕塑能力，將作品詮釋得非常細膩，足以讓欣賞者感動。\r\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片兩者之表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑造形的掌握亦具同樣道理。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\r\n技術上採用注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後進行素燒，然後上釉、入窯，以1,300℃氧化方式燒成，整體作品的呈現宛如白色玉石雕刻，充分顯現雕塑藝術與陶瓷之美，頗富現代感，非常耐看。。(詮釋委員：盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"199515005","MainTitle":"閣家歡/立姿牛","Creator":"創作者：陳一青","CreatedYear":"1995","Size":"21×13×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者陳一青先生曾經在國立臺灣藝術專科學校美工科任教、在中國生產力中心任職，之後到臺中市沙鹿區清泉崗空軍基地的美軍顧問團擔任工藝教師，專精木雕、泥塑、攝影，音樂造詣深、美學鑑賞能力高。於臺灣省手工業研究所擔任設計組約聘技師期間得以發揮雕塑長才，配合工藝研究所的專題開發計畫，以牛為創作題材，藉裝飾陶瓷的表達方式展現。\n 本作品199515005〈閣家歡（立姿牛）〉係屬作者「闔家歡」的系列作品之二，全系列共有三件典藏品；除了本作品之外還有其它兩件：199515004〈閣家歡（坐姿牛）〉、199515006〈閣家歡（小牛）〉，內容分別為母牛、公牛、小牛，是在描述乳牛的家族；當然可以單件欣賞，如果集結成群一次收藏，更具可看性。\n 圖中這一件站立的母牛作品係採半寫實、形體簡化的雕塑手法進行創作，造形結構的設計巧妙又富感性；母牛龐大的身軀當中下墜到接近地面的乳房佔了很明顯的量體，有如充滿豐沛的乳汁；帶有一雙彎月形犄角、一雙可愛耳朵、睜大的眼睛和明顯鼻孔的頭部猛然回眸一顧，好像是在關心她的小牛；從尾部的角度來看，連著身體的尾巴與後腿之間略為垂直起伏的造形拿捏是為特色之一，包括合併在一起的一雙前腳，皆以適合裝飾陶瓷生產技術為考量。作者對乳牛的特質存在有深度觀察和體會，進而以其藝術造詣的美感與雕塑能力，將作品詮釋得非常細膩，足以讓欣賞者感動。\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片兩者之表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑造形的掌握亦具同樣道理。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\n 技術上採用注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後進行素燒，然後上釉、入窯，以1,300℃氧化方式燒成，整體作品的呈現宛如白色玉石雕刻，充分顯現雕塑藝術與陶瓷之美，頗富現代感，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199515006","MainTitle":"閣家歡/小牛","Creator":"創作者：陳一青","CreatedYear":"1995","Size":"12×5×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者陳一青先生曾經在國立臺灣藝術專科學校美工科任教、在中國生產力中心任職，之後到臺中市沙鹿區清泉崗空軍基地的美軍顧問團擔任工藝教師，專精木雕、泥塑、攝影，音樂造詣深、美學鑑賞能力高。於臺灣省手工業研究所擔任設計組約聘技師期間得以發揮雕塑長才，配合工藝研究所的專題開發計畫，以牛為創作題材，藉裝飾陶瓷的表達方式展現。\n 本作品199515006〈閣家歡（小牛）〉係屬作者「闔家歡」的系列作品之三，全系列共有三件典藏品；除了本作品之外還有其它兩件：199515004〈閣家歡（坐姿牛）〉、199515005〈閣家歡（立姿牛）〉，內容分別為小牛、公牛、母牛，是在描述乳牛的家族；當然可以單件欣賞，如果集結成群一次收藏，更具可看性。\n 圖中這一件小牛作品係採半寫實、形體簡化的雕塑手法進行創作，造形結構的設計巧妙又富感性；尚未長出犄角、一雙可愛耳朵、閉著眼睛睡覺和略為長形的頭部，讓坐臥地上捲縮成一團的小身軀顯得非常可愛，整體乳牛家族的身軀大小與量體關係有著明顯的區別。作者對乳牛的特質存在有深度觀察和體會，進而以其藝術造詣的美感與雕塑能力，將作品詮釋得非常細膩，足以讓欣賞者感動。\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片兩者之表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑形的掌握亦具同樣道理。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\n 技術上採用注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後進行素燒，然後上釉、入窯，以1,300℃氧化方式燒成，整體作品的呈現宛如白色玉石雕刻，充分顯現雕塑藝術與陶瓷之美，頗富現代感，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199515007","MainTitle":"赤牛","Creator":"陳石年(振榮)","CreatedYear":"1995","Size":"28×13.5×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者陳石年先生原名陳振榮，畢業於國立臺灣藝術專科學校雕塑科，曾經服務於臺灣省手工業研究所，職位為副研究員兼設計組組長，因為參與專題開發計畫得以發揮雕塑長才，配合該年度的研究主題以牛為創作題材，藉裝飾陶瓷的表達方式展現。\n 本作品199515007〈赤牛〉主角，在臺灣鄉間人們稱為「赤牛仔」，亦即「黃牛」是也。係作者三件同一風格的典藏品中之其中一件，除了本作品之外還有其它兩件：199515008〈悠游〉、199515009〈母子情深〉。在臺灣鄉間人們得力於水牛之助從事農耕犁田，的確勞苦功高。\n 圖中這一件赤牛作品係採半寫實、形體簡化的雕塑手法進行創作，作者嘗試以保有稜線的塊、面處理方式，成為作品表現特色，描述黃牛典型的站立姿態。從作品的仔細觀察，可以瞭解作者對赤牛特質持有深度觀察和體會，進而以其個人的藝術造詣和雕塑能力對作品作忠實詮釋。因為立姿的關係，身體底下與腳連結的大方塊和代表土地的基座，都是支撐作品的載體，為結構強度上所必需者。\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片兩者之表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑形的掌握亦具同樣道理。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\n 技術上採用注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後進行素燒，然後上釉、入窯，以1,300℃氧化方式燒成，整體作品的呈現宛如白色玉石雕刻，充分顯現雕塑藝術與陶瓷之美，頗富現代感，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199515008","MainTitle":"悠游","Creator":"陳石年(振榮)","CreatedYear":"1995","Size":"26×16.5×100","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者陳石年先生原名陳振榮，畢業於國立臺灣藝術專科學校雕塑科，曾經服務於臺灣省手工業研究所，職位為副研究員兼設計組組長，因為參與專題開發計畫得以發揮雕塑長才，配合該年度的研究主題以牛為創作題材，藉裝飾陶瓷的表達方式展現。\n 本作品199515008〈悠游〉，係作者三件同一風格的典藏品中之其中一件，除了本作品之外還有其它兩件：199515007〈赤牛〉、199515009〈母子情深〉；是描述大熱天底下浸泡於水中、半身浮出水面的一頭水牛「悠游自在、怡然自得」之神情，頭部的表現是本作品的焦點所在；在臺灣鄉間人們得力於水牛之助從事農耕犁田，的確勞苦功高。\n 圖中這一件作品「悠游」係採半寫實、形體簡化的雕塑手法進行創作，作者嘗試將主題以保有稜線的塊、面加上比較剛硬線條感覺的造形處理方式，成為作品表現特色；頂面呈波浪狀的平臺代表水層，平臺面積的大小依主題正投影範圍取成直線作取捨，以雙層次構成的基座，表示水面下還有泥土。\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片兩者之表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑形的掌握亦具同樣道理。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\n 技術上採用注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後進行素燒，然後上釉、入窯，以1,300℃氧化方式燒成，整體作品的呈現宛如白色玉石雕刻，充分顯現雕塑藝術與陶瓷之美，頗富現代感，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199515009","MainTitle":"母子情深","Creator":"陳石年(振榮)","CreatedYear":"1995","Size":"28×16.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者陳石年先生原名陳振榮，畢業於國立臺灣藝術專科學校雕塑科，曾經服務於臺灣省手工業研究所，職位為副研究員兼設計組組長，因為參與專題開發計畫得以發揮雕塑長才，配合該年度的研究主題以牛為創作題材，藉裝飾陶瓷的表達方式展現。\n 本作品199515009〈母子情深〉，係作者三件同一風格的典藏品當中之其中一件，除了本作品之外還有其它兩件：199515007〈赤牛〉、199515008〈悠游〉；描述小牛依偎在母牛身上，而母牛的頭靠在小牛身上之感人情境；在臺灣鄉間人們得力於水牛之助從事農耕犁田，的確勞苦功高。 \n 圖中這一件作品「母子情深」係採半寫實、形體簡化的雕塑手法進行創作，作者嘗試以保有稜線的塊、面處理方式，成為作品表現特色。從作品的仔細觀察，可以瞭解作者對水牛特質持有深度觀察和體會，進而以其個人的藝術造詣和雕塑能力對作品作忠實詮釋。因為主題採立姿的關係，身體底下與腳連結的大方塊和代表土地的基座，都是支撐作品的載體，為結構強度上所必需者，為了化解過於僵硬的感覺，作者將地面線以弧形作出高低起伏的變化。\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片兩者之表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑形的掌握亦具同樣道理。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\n 技術上採用注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後進行素燒，然後上釉、入窯，以1,300℃氧化方式燒成，整體作品的呈現宛如白色玉石雕刻，充分顯現雕塑藝術與陶瓷之美，頗富現代感，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199515010","MainTitle":"牧童與牛","Creator":"王秀杞","CreatedYear":"1995","Size":"22.5×15×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者王秀杞先生住在山明水秀的陽明山山谷地區，是一位很有才華的著名雕塑家，也是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，對裝飾陶瓷的新產品設計開發注入一股清新的能量。\n 本作品199515010〈牧童與牛〉的創作者嘗試將其對水牛的深化認知，藉由純白裝飾陶瓷的表達方式展現出來；以半寫實的抽象手法，將牛的形體整個扁平化，牧童坐在牛背上看書；從正立面觀之，一橫、一豎的感覺，充分顯露牧童與牛之間很有意思的造形相互關係，故取名為「牧童與牛」。\n 牧童的頭部有一點卡通漫畫式的誇張表現，呈現左右扁平的長橢圓球體形狀，簡化的身體部分比較接近寫實的意象，低頭看書的姿態讓作品顯現寧靜的感覺；形同作品底座的臥牛，造形處理上經過變形、簡化的意象，這種洗鍊手法不失為大師級作品，諒必可以得到觀賞者的共鳴。這種具結構性的裝飾陶瓷作品，生產的時候為了脫模問題，必須拆解成幾個分件，製作分件的石膏注漿模具，於同一時間內個別注漿，然後再將泥坏接合成完整物件。\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片兩者之表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑形的掌握亦具同樣道理。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\n 技術上採用注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後進行素燒，然後上釉、入窯，以1,300℃氧化方式燒成，整體作品的呈現宛如白色玉石雕刻，充分顯現雕塑藝術與陶瓷之美，頗富現代感，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199515011","MainTitle":"母子樂","Creator":"王秀杞","CreatedYear":"1995","Size":"24.5×16×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者王秀杞先生住在山明水秀的陽明山山谷地區，是一位很有才華的著名雕塑家，也是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，對裝飾陶瓷的新產品設計開發注入一股清新的能量。\n 本作品199515011〈母子樂〉的創作者嘗試將其對水牛的認識，以半寫實的抽象手法，將牛媽媽與依偎在旁的牛小寶，藉由純白裝飾陶瓷的表達方式展現出來，充分顯露母牛與小牛之間的親子孺慕之情，故取名為「母子樂」。 \n 體積略顯龐大、橫向半蹲著的母牛，將其頭部往左前方彎曲並低下靠向小牛，襯托出前方躺著的小牛，讓小牛感到溫暖親情的滿足。整個母牛的身軀採取大塊狀的處理手法，有如去掉稜角的天然大理石般的那種感覺；尾巴採用淺浮雕的方式表現，如果觀賞者可以化作小人而接近觀察的話，會很有臨場感；頭部與犄角的造形採用同樣的塊狀簡化方式表現；小牛的身軀採取扁平化的手法表現，比較偏渾圓的造形，益顯小牛可愛的感覺；大、小牛連體的造形處理方式，對裝飾陶瓷的結構性是合理的。\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片兩者之表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑形的掌握亦具同樣道理。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\n 技術上採用注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後進行素燒，然後上釉、入窯，以1,300℃氧化方式燒成，整體作品的呈現宛如白色玉石雕刻，充分顯現雕塑藝術與陶瓷之美，頗富現代感，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199515012","MainTitle":"高歌一曲","Creator":"黃輝雄","CreatedYear":"1995","Size":"21.5×13.5×16.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者黃輝雄先生是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將水牛以裝飾陶瓷的表達方式展現出來。\n 本作品199515012〈高歌一曲〉，描寫一頭蹲姿而昂首高歌的水牛，幾條流暢的線條從水牛的嘴部一直延伸至尾部，從水牛的下巴直接拉到腹部接近作品的底部；牛不再是牛，所展現的是作者賦予作品的視覺美感，留下的只是一種對牛的印象和些許的印象，如同一雙彎月形的長長觭角與一條捲曲的尾巴，牛頭和牛腳好像都不重要了；顛覆人們對臺灣水牛辛勤耕田那種溫馴、勞苦功高之傳統印象。\n 作者在工藝中心有兩件同一風格的典藏品，另外一件是為199515013〈深情款款〉。圖中這一件造形簡潔的抽象作品「高歌一曲」，係作者嘗試以其對水牛的認知與豐富想像力，採取比較抽象的雕塑手法進行創作。從作品的仔細觀察，可以瞭解作者對水牛的特質持有深度觀察和體會，進而以其個人的藝術造詣和雕塑能力對作品作出大膽抽象的詮釋。\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片兩者之表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑形的掌握亦具同樣道理。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\n 技術上採用注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後進行素燒，然後上釉、入窯，以1,300℃氧化方式燒成，整體作品的呈現宛如白色玉石雕刻，充分顯現雕塑藝術與陶瓷之美，頗富現代感，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199515013","MainTitle":"深情款款","Creator":"黃輝雄","CreatedYear":"1995","Size":"23×21.5×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者黃輝雄先生是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將水牛的生活情境以裝飾陶瓷的表達方式展現出來。\n 本作品199515013〈深情款款〉，描寫兩頭蹲姿而昂首面對面的水牛，一高一低的頭部顯見其對話關係，因此命名為「深情款款」。整個形體只是拉了幾條簡單的線條和簡潔的面塊處理；牛不再是牛，所展現的是作者賦予作品的視覺美感，留下的只是一種對水牛特有的印象如同那形同鐮刀的觭角，牛頭和牛腳好像都不重要了；顛覆人們對臺灣水牛辛勤耕田那種溫馴、勞苦功高之傳統印象。\n 作者在工藝中心有兩件同一風格的典藏品，另外一件是為199515012〈高歌一曲〉。圖中這一件造形簡潔的抽象作品「深情款款」，係作者嘗試以其對水牛的認知與豐富想像力，採取比較抽象的雕塑手法進行創作。從作品的仔細觀察，可以瞭解作者對水牛的特質持有深度觀察和體會，進而以其個人的藝術造詣和雕塑能力對作品作出大膽抽象的詮釋。\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片兩者之表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑形的掌握亦具同樣道理。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\n 技術上採用注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後進行素燒，然後上釉、入窯，以1,300℃氧化方式燒成，整體作品的呈現宛如白色玉石雕刻，充分顯現雕塑藝術與陶瓷之美，頗富現代感，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199515014","MainTitle":"窕","Creator":"余燈銓","CreatedYear":"1995","Size":"28×16×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者余燈銓先生是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將黃牛以裝飾陶瓷的表達方式展現出來。\n 本作品199515014〈窕〉，描寫一頭動感十足，以腹部著地、手舞足蹈的黃牛；顛覆人們對牛的辛勤工作、勞苦功高之傳統印象。作者在工藝中心有兩件同一風格的典藏品，另外一件是為199515015〈躍〉。\n 圖中這一件充滿戲劇化動態的作品「躍」，係作者嘗試以其對牛的豐富想像力，採半寫實、半抽象的雕塑手法進行之創作。從作品的仔細觀察，可以瞭解作者對黃牛的特質持有深度觀察和體會，進而以其個人的藝術造詣和雕塑能力對作品作擬人性化的詮釋。\n 因為創作主題「牛」的手和腳完全離地，必需以身體的腹部作支撐，同時有必要抬高作品的視覺效果，因此作者在腹部底下，為作品加了一個同樣材質而比腹部範圍略為縮小的適當高度檯座，讓整件作品的完整性益臻完美。\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片兩者之表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑形的掌握亦具同樣道理。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\n 技術上採用注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後進行素燒，然後上釉、入窯，以1,300℃氧化方式燒成，整體作品的呈現宛如白色玉石雕刻，充分顯現雕塑藝術與陶瓷之美，頗富現代感，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199515015","MainTitle":"躍","Creator":"余燈銓","CreatedYear":"1995","Size":"32×13×24","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者余燈銓先生是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將黃牛以裝飾陶瓷的表達方式展現出來。\n 本作品199515015〈躍〉，描寫一頭一躍而起，前足即將著地的黃牛，那種動感十足的一剎那畫面；顛覆人們對黃牛溫馴地辛勤拉車、勞苦功高之傳統印象。作者在工藝中心有兩件同一風格的典藏品，另外一件是為199515014〈窕〉。\n 圖中這一件臉部有表情、充滿戲劇化動態的作品「躍」，係作者嘗試以其對牛的豐富想像力，採半寫實、半抽象的雕塑手法進行之創作。從作品的仔細觀察，可以瞭解作者對黃牛的特質持有深度觀察和體會進而以其個人的藝術造詣和雕塑能力對作品作出超乎想像的詮釋。由於創作主題「牛」的身體完全騰空，作者於前足以及和身體之胸、腹有連結的部位，巧妙地做出一個同樣材質的檯座作為支撐，讓整件作品動態的完整性達到完美境界。\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片兩者之表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑形的掌握亦具同樣道理。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津 窯的1300藝術中心品牌最具代表性。\n 技術上採用注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後進行素燒，然後上釉、入窯，以1,300℃氧化方式燒成，整體作品的呈現宛如白色玉石雕刻，充分顯現雕塑藝術與陶瓷之美，頗富現代感，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199515017","MainTitle":"陶碗","Creator":"","CreatedYear":"","Size":"15.7×15.7×6.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"199515022","MainTitle":"陶盤","Creator":"","CreatedYear":"","Size":"13.7×13.7×2.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"199515025","MainTitle":"陶甕","Creator":"","CreatedYear":"","Size":"24×24×27","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199515026","MainTitle":"陶茶壺","Creator":"","CreatedYear":"","Size":"25×22×23","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199515027","MainTitle":"硫酸管","Creator":"","CreatedYear":"","Size":"12.5×12.5×25.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199515028","MainTitle":"瓦片","Creator":"","CreatedYear":"","Size":"21.6×32×3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199515029","MainTitle":"蓋","Creator":"","CreatedYear":"","Size":"17.8×17.8×6.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTE1MDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199601001","MainTitle":"共體時艱","Creator":"創作者：葉大川","CreatedYear":"","Size":"附木箱","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"竹頭蒼老的質地，以圓體雕技法讓枯葉成真，蟲鬥展現大自然的活力，虎視眈眈的蜥蜴蓄勢待發，小蟲不覺危機即在身邊，簡直像普羅大眾的生態縮影。植物葉枯即將是新生的開始，希望無窮。嚴冬過後百葉即欣欣向榮，亦意味著「否極泰來」，藉自然生態啟示大家困難時局，共體時艱。(詮釋委員:施鎮洋)","ImageUrl":""}
,{"Identifier":"199601002","MainTitle":"皇筍硯","Creator":"蔡龍雄","CreatedYear":"","Size":"附木座,錦盒","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"依照黃色螺溪石的色澤與筍香進而創作筍形硯，此種運用天然素材的巧思，接近當代材料屬性美學觀點。\r\n然而硯池開口若能配合撥、切、裂筍等造型則更佳。(詮釋委員：廖秀玲)\r\n\r\n「皇筍硯」為蔡龍雄利用稀有棕黃螺溪石天然造型，設計竹筍硯品，象徵台灣鄉土純厚、樸實，與甘於淡泊的意境。此時溫潤其美如玉，黃色為傳統皇帝顏色，個稱「皇筍」。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199601003","MainTitle":"祥獅戲球","Creator":"創作者：蕭在淦","CreatedYear":"","Size":"附木箱\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"相傳漢武帝下詔每逢正月十五放燈，以避火神，但賞燈已是目前元宵節的主要活動，其實還可追溯自上古人類對火的崇拜；台灣更傳燈會時，婦女故意在燈下穿梭，表示「添丁」。此建立用透光布料製成，表現絢麗美感，並寓意吉祥。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"199602001","MainTitle":"女魔術師--項圈、胸飾、耳環","Creator":"創作者：郭安舜","CreatedYear":"","Size":"001項圈：長：13.5 寬：24 高：2.8 \r\n002胸飾：長：13.5 寬：24 高：2.8\r\n003-004耳環：高：1 徑：3\t\t\t\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本首飾套組為郭安舜於1996年珠寶飾品設計競賽(傑出設計奬)之作品，包含了項圈、胸飾及耳環等三個品項。\r\n創作者以「女魔術師」為設計發想，以鉛錫合金為底胎進行金銀雙色的配色電鍍，更於各配件上分別點綴紅、綠、白的人造寶石，並結合運用磁石材料，賦予項圈、耳飾及胸針之間的小巧配件以磁吸作用迅速地交替變換，讓配戴者可以隨心所欲地與自己的首飾配件進行互動，創造猶如魔術玩耍般地驚喜。項圈的配戴結構以金屬線材簡單塑型，創造現代幾何的俐落風格，配戴在身上時亦形成誇張的戲劇效果，有助於強化本首飾套組創作者對於魔術與嬉戲主題的詮釋。(詮釋委員：江怡瑩)","ImageUrl":""}
,{"Identifier":"199602001001","MainTitle":"女魔術師--項圈、胸飾、耳環","Creator":"創作者：郭安舜","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"199602001003","MainTitle":"女魔術師--項圈、胸飾、耳環","Creator":"創作者：郭安舜","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602001004","MainTitle":"女魔術師--項圈、胸飾、耳環","Creator":"創作者：郭安舜","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602002","MainTitle":"漁趣--組合式項鍊、組合式耳環、手鍊","Creator":"設計者：吳俊美
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,{"Identifier":"199602002001","MainTitle":"漁趣--組合式項鍊、組合式耳環、手鍊","Creator":"設計者：吳俊美
製作廠商：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602002002","MainTitle":"漁趣--組合式項鍊、組合式耳環、手鍊","Creator":"設計者：吳俊美
製作廠商：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602002003","MainTitle":"漁趣--組合式項鍊、組合式耳環、手鍊","Creator":"設計者：吳俊美
製作廠商：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602002004","MainTitle":"漁趣--組合式項鍊、組合式耳環、手鍊","Creator":"設計者：吳俊美
製作廠商：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602002005","MainTitle":"漁趣--組合式項鍊、組合式耳環、手鍊","Creator":"設計者：吳俊美
製作廠商：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDAyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602002006","MainTitle":"漁趣--組合式項鍊、組合式耳環、手鍊","Creator":"設計者：吳俊美
製作廠商：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDAyMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602003","MainTitle":"TIMELESS--項鍊、手環、耳環","Creator":"設計者：王清良
製作廠商：富源金銀珠寶有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602003001","MainTitle":"TIMELESS--項鍊","Creator":"設計者：王清良
製作廠商：富源金銀珠寶有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602003002","MainTitle":"TIMELESS--手環","Creator":"設計者：王清良
製作廠商：富源金銀珠寶有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602003003","MainTitle":"TIMELESS--手環","Creator":"設計者：王清良
製作廠商：富源金銀珠寶有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602003004","MainTitle":"TIMELESS--耳環","Creator":"設計者：王清良
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,{"Identifier":"199602010","MainTitle":"白芽--項圈、胸飾、耳環","Creator":"設計者：郭安舜
製作廠商：浚貿企業有限公司","CreatedYear":"","Size":"001項圈：高1.3*徑14.5 ；002胸飾：長8*高1 ； 003-004耳環：長3.4*寬2*高2 ","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本組套件是包括有五節零件串連的活動式項鍊、一對利用螺紋轉動調整以夾住耳垂的耳環、及一個胸針的首飾，作品以仿樹枝初冒新芽的意象轉化而成，用蠟雕法仿刻植物的生長紋理，再以鉛錫合金鑄造而成，並鑲上透光效果好、潤澤亮麗的台灣白玉髓作為裝飾，象徵幼嫩新芽的欣欣向榮含意，作品呈現銀白色配上自然通透雪花玉，增添素雅貴氣的美感。\r\n鉛錫合金的飾品材質多以離心法鑄造而成，材質本身易因時間易氧化變黑色，因此鑄件多在加工完成後會先電鍍一層鎳的隔離層，再鍍上銀色或金色，使成品看來亮麗新穎，是很普遍的流行首飾材質，由於鉛錫合金材質配戴一段時日後表面的銀色或金色的電鍍層因磨耗，鎳的顏色會露出而接觸到皮膚，但是許多人對鎳容易過敏引起皮膚紅腫，因此鉛錫合金的飾品在配戴一段時間後，很容易被替換，不過由於製造成本較低，是流行飾品經常採用的材質。\r\n在1980年代啟正值臺灣經濟起飛外銷貿易鼎盛時期，臺灣當時曾是最大的流行飾品輸出國家，但本地業者多僅限於為國外品牌代工生產，以廉價勞力賺取微薄利潤，為協助業者重視設計提升產品的發展水準，增進外銷競爭力之任務，國立臺灣工藝研究發展中心的前身「臺灣省手工業研究所」與台灣藝品禮品輸出業同業公會，連續數年共同舉辦珠寶設計競賽，推舉出優良飾品設計，藉以刺激提升台灣外銷技術研究發展水準。「浚貿企業有限公司」為台灣區藝品禮品輸出業同業公會會員，此件作品即為該公司參加1996年珠寶飾品設計競賽獲得傑出設計奬的作品。(詮釋委員：王梅珍)","ImageUrl":""}
,{"Identifier":"199602010001","MainTitle":"白芽--項圈、胸飾、耳環","Creator":"設計者：郭安舜
製作廠商：浚貿企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDEwMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602010002","MainTitle":"白芽--項圈、胸飾、耳環","Creator":"設計者：郭安舜
製作廠商：浚貿企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDEwMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602010003","MainTitle":"白芽--項圈、胸飾、耳環","Creator":"設計者：郭安舜
製作廠商：浚貿企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDEwMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602010004","MainTitle":"白芽--項圈、胸飾、耳環","Creator":"設計者：郭安舜
製作廠商：浚貿企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDEwMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602011","MainTitle":"風馳電掣--項鍊、胸針、袖釦","Creator":"設計者：李玉萍
製作廠商：光興珠寶公司","CreatedYear":"","Size":"001項鍊：長：29.5*寬：33*高：1.4 ；002胸針：長：6.5 寬：2 高：1 ； 003-004袖扣：長：2 寬：1.5 高：1.2","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此套首飾數量包括：一條銀錬的墜飾，胸針一個和袖釦一對，女性或男性都適合於日常配戴的首飾。\r\n作品以「風馳電掣」為首飾的主題。靈感來自觀察風起雲動的天空，感嘆自然界中的不同現象，猶如不同心情的領受。看著天空有時寧靜得祥和，有時陰晴起伏轉變，將此抽象概念轉化為實體創作，如何考驗創作者從觀察思維的轉換，揮灑詮釋細膩思維的沉澱。主體以銀色雲朵圖騰，搭配流線形線條的925銀材包夾扣住長形紫色玉石，其上裝飾鍍金色的閃電造型，強化大自然符號。墜飾與胸針造型皆以蠟雕成型再以925銀鑄造完成，銀色金屬與中間佔有穩重比例的紫玉更加襯托出金色閃電的重點。袖釦則是圓形紫玉被925銀包圍，同樣裝飾了金色閃電符號；因此，整體作品呼應風馳電掣主題，成為一套女性或男性都適合配戴的首飾。\r\n光興珠寶公司原是電鍍廠起家，後來轉入飾品製造與設計開發，原先主要做OEM與ODM代工，兩者的差別在OEM是按照國外客戶要求進行生產，提供符合客戶要求的產品，並為品牌商節省開發成本；ODM則能根據客戶需求進行產品設計和生產，從而滿足品牌商的創新需求。於累積足夠的經驗後光興珠寶並開發自有品牌「夢幻金」、「Hollow Gold」，1980年代是少數有設計與生產部門的公司，也曾是臺灣最大的黃金飾品製造商，在當時的世界黃金協會的倡議下，參加各項珠寶競賽獲獎無數，因而栽培不少設計人才，並使黃金飾品從傳統銀樓通路進入百貨公司設立專櫃等，是當年臺灣經濟起飛到盛況時期很重要的廠商代表。(詮釋委員：王梅珍)\r\n(參考資料：商業週刊1995年-12-14出刊/產業風雲，撰文者彭杏珠 https://www.businessweekly.com.tw/Archive/Article?StrId=1239&rf=google)","ImageUrl":""}
,{"Identifier":"199602011001","MainTitle":"風馳電掣--項鍊、胸針、袖釦","Creator":"設計者：李玉萍
製作廠商：光興珠寶公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDExMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602011002","MainTitle":"風馳電掣--項鍊、胸針、袖釦","Creator":"設計者：李玉萍
製作廠商：光興珠寶公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDExMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602011003","MainTitle":"風馳電掣--項鍊、胸針、袖釦","Creator":"設計者：李玉萍
製作廠商：光興珠寶公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDExMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602011004","MainTitle":"風馳電掣--項鍊、胸針、袖釦","Creator":"設計者：李玉萍
製作廠商：光興珠寶公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDExMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602012","MainTitle":"CIRCLE--項鍊、胸針、手環","Creator":"設計者：王清良
製作廠商：富源金銀珠寶有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602012001","MainTitle":"CIRCLE--項鍊","Creator":"設計者：王清良
製作廠商：富源金銀珠寶有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDEyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602012002","MainTitle":"CIRCLE--胸針","Creator":"設計者：王清良
製作廠商：富源金銀珠寶有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDEyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602012003","MainTitle":"CIRCLE--手環","Creator":"設計者：王清良
製作廠商：富源金銀珠寶有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDEyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602013","MainTitle":"羽--胸針、手環、耳環","Creator":"創作者：呂政原","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602013001","MainTitle":"羽--胸針","Creator":"創作者：呂政原","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDEzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602013002","MainTitle":"羽--手環","Creator":"創作者：呂政原","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDEzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602013003","MainTitle":"羽--耳環","Creator":"創作者：呂政原","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDEzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602013004","MainTitle":"羽--耳環","Creator":"創作者：呂政原","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDEzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602014","MainTitle":"星空月華--項鍊、手鍊、耳環","Creator":"設計者：吳俊美
製作廠商：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602014001","MainTitle":"星空月華--項鍊","Creator":"設計者：吳俊美
製作廠商：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602014002","MainTitle":"星空月華--手鍊","Creator":"設計者：吳俊美
製作廠商：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602014003","MainTitle":"星空月華--耳環","Creator":"設計者：吳俊美
製作廠商：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602014004","MainTitle":"星空月華--耳環","Creator":"設計者：吳俊美
製作廠商：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602014005","MainTitle":"星空月華--項鍊-2","Creator":"創作者：吳俊美","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602015","MainTitle":"變形虫--項圈、胸針、耳環","Creator":"創作者：陳莉珊","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602015001","MainTitle":"變形虫--項圈","Creator":"創作者：陳莉珊","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602015002","MainTitle":"變形虫--胸針","Creator":"創作者：陳莉珊","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602015003","MainTitle":"變形虫--耳環","Creator":"創作者：陳莉珊","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602015004","MainTitle":"變形虫--耳環","Creator":"創作者：陳莉珊","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602016","MainTitle":"運行--項鍊、胸針、耳環","Creator":"設計者：蔡幸倪
製作廠商：佑展實業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602016001","MainTitle":"運行--項鍊","Creator":"設計者：蔡幸倪
製作廠商：佑展實業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602016002","MainTitle":"運行--胸針","Creator":"設計者：蔡幸倪
製作廠商：佑展實業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602016003","MainTitle":"運行--耳環","Creator":"設計者：蔡幸倪
製作廠商：佑展實業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602016004","MainTitle":"運行--耳環","Creator":"設計者：蔡幸倪
製作廠商：佑展實業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602017","MainTitle":"流星--領帶夾、耳環、戒指","Creator":"設計者：張琬琪
製作廠商：佑展實業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602017001","MainTitle":"流星--領帶夾","Creator":"設計者：張琬琪
製作廠商：佑展實業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602017002","MainTitle":"流星--耳環","Creator":"設計者：張琬琪
製作廠商：佑展實業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602017003","MainTitle":"流星--耳環","Creator":"設計者：張琬琪
製作廠商：佑展實業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE3MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602017004","MainTitle":"流星--戒指","Creator":"設計者：張琬琪
製作廠商：佑展實業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE3MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199602017005","MainTitle":"流星--戒指","Creator":"設計者：張琬琪
製作廠商：佑展實業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAyMDE3MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199604001","MainTitle":"賣藝郎","Creator":"正大藝品股份有限公司","CreatedYear":"","Size":"1.含外箱尺寸:40*41*32.5公分\r\n2.含外箱重： 7550公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199604002","MainTitle":"玉胡琴","Creator":"向宸國際事業有限公司","CreatedYear":"","Size":"35*22*69(含木座)。36.5*24.5*25(木座)。\r\n木座(放置於4B區-5架-5櫃-2抽)與玉胡琴分開放置。","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199604003","MainTitle":"富貴滿堂","Creator":"廠商：向宸國際事業公司
創作者：胡孔燊","CreatedYear":"","Size":"附蓋、木座(23.5*23.5*6.5)","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199604004","MainTitle":"八芝蘭刀","Creator":"創作者：士林名刀","CreatedYear":"","Size":"附收藏盒","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這組大小七把折刀，是「士林名刀奇鋒刀行」於1996年的作品。另外與之齊名知名的還有「郭合記刀店」。兩家店所産「士林刀」，都是臺灣土產的折刀，享譽古今。\r\n 士林刀缘起於清代一位廣東鐵匠，俗稱「貓牛師」，來臺在士林開店授徒打鐵製刀。1869年，其徒「郭合」手産折刀，被稱「茄柄竹葉刀」或「八芝蘭刀」。店名「郭合記」，曾在日治時期的各種工商展、博覽會得獎，後來才因「八芝蘭」地名改為「士林」，被稱「士林刀」。迄今「郭合記刀店」已經傳到第五代郭明讓。據郭明讓口述，「八芝蘭刀」整把刀須經200多個工序，一天最多只能做個兩把。刀可折合可開直，在刀身右側打上「合」字。\r\n 「貓牛師」另有傳人「邱建枝、邱建業」，製作士林刀，技藝皆佳。昭和12年邱建業所製士林刀獲得臺北州七星郡物産品評會頒發二等賞狀。邱建枝開設「士林名刀行」，傳子「邱顯倫(長子)」、邱顯曜(次子)、邱顯貴(三子)、邱顯誠(四子)。邱顯貴於社子士林刀工廠繼續生產士林刀，避免仿冒，取名「士林名刀」，並在刀身上鑄記「註冊商標士林」及店址，今名「士林奇鋒有限公司」，負責人為邱世源。\r\n 士林刀，刀身如竹葉狀，刀柄為牛角包銅，形如茄子，刀身可折疊收入刀柄中。士林刀鋒利異常，耐磨耐用，攜帶方便，刀柄觸感細膩，拿握順手，工藝精美，深受民眾愛用。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199604005","MainTitle":"籐竹桌鏡框組","Creator":"華崇實業股份有限公司","CreatedYear":"","Size":"91.5*40*90(梳妝桌)。\r\n81*3.5*112(鏡框)。","Type":"工藝類\\籐材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199604006","MainTitle":"粉彩花蝶紋蛋形壺組","Creator":"廠商：曉芳窯","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"琺瑯彩（粉彩）花蝶紋蛋形瓷壺包含茶壺、茶杯、杯托，1組共13件，白地瓷胎，以琺瑯彩技法作為裝飾，器身上以細膩的工筆畫描繪出花草、蝴蝶等紋飾，暈染的漸層效果使整體色彩活潑豐富。\r\n瓷胎畫琺瑯是清代官窯發展出的陶瓷裝飾技法，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。\r\n本組彩瓷壺茶具為蔡曉芳的仿古作品，茶壺器形仿明清紫砂茶壺「美人肩壺」，器身彩繪則仿清代宮廷瓷胎畫琺瑯風格。本組瓷壺功能為沖泡式的茶具，用沸水直接沖泡散茶的飲茶法興起於明代，沖泡式的茶具也應運而生，並一直沿用至今日。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"199604006001","MainTitle":"粉彩花蝶紋蛋形壺組-壺","Creator":"廠商：曉芳窯","CreatedYear":"","Size":"附蓋\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件彩瓷壺為蔡曉芳的仿古作品，茶壺器形仿明清紫砂茶壺「美人肩壺」，器身彩繪則仿清代宮廷瓷胎畫琺瑯風格。瓷壺帶蓋，蓋上有繫鈕，壺身圓肩，腹部微弧向下漸收，流嘴呈S形，壺把細瘦，臥式底足。瓷壺白地瓷胎，以琺瑯彩技法作為裝飾，器身上以細膩的工筆畫描繪出花草、蝴蝶等紋飾，暈染的漸層效果使整體色彩活潑豐富。\r\n瓷胎畫琺瑯是清代官窯發展出的陶瓷裝飾技法，在高溫燒成的瓷胎上勾繪紋飾，再入窯低溫燒成，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。\r\n本瓷壺功能為沖泡式的茶具，用沸水直接沖泡散茶的飲茶法興起於明代，沖泡式的茶具也應運而生，並一直沿用至今日。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"199604006002","MainTitle":"粉彩花蝶紋蛋形壺組-杯","Creator":"廠商：曉芳窯","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件彩瓷杯為蔡曉芳的仿古作品――琺瑯彩（粉彩）花蝶紋蛋形瓷壺組之二，敞口外撇，弧腹下收，圈足，白地瓷胎，以琺瑯彩技法作為裝飾，器身上以細膩的工筆畫描繪出花草、蝴蝶等紋飾，暈染的漸層效果使整體色彩活潑豐富。\r\n瓷胎畫琺瑯為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，其布局和筆法，都具有傳統的中國畫的特徵，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。\r\n本瓷杯功能為沖泡式的茶具，用沸水直接沖泡散茶的飲茶法興起於明代，沖泡式的茶具也應運而生，並一直沿用至今日。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"199604006003","MainTitle":"粉彩花蝶紋蛋形壺組-杯","Creator":"廠商：曉芳窯","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDA2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件彩瓷杯為蔡曉芳的仿古作品――琺瑯彩（粉彩）花蝶紋蛋形瓷壺組之三，敞口外撇，弧腹下收，圈足，白地瓷胎，以琺瑯彩技法作為裝飾，器身上以細膩的工筆畫描繪出花草、蝴蝶等紋飾，暈染的漸層效果使整體色彩活潑豐富。\r\n瓷胎畫琺瑯是清代官窯發展出的陶瓷裝飾技法，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。\r\n本瓷杯功能為沖泡式的茶具，用沸水直接沖泡散茶的飲茶法興起於明代，沖泡式的茶具也應運而生，並一直沿用至今日。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"199604006004","MainTitle":"粉彩花蝶紋蛋形壺組-杯","Creator":"廠商：曉芳窯","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDA2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件彩瓷杯為蔡曉芳的仿古作品――琺瑯彩（粉彩）花蝶紋蛋形瓷壺組之四，敞口外撇，弧腹下收，圈足，白地瓷胎，以琺瑯彩技法作為裝飾，器身上以細膩的工筆畫描繪出花草、蝴蝶等紋飾，暈染的漸層效果使整體色彩活潑豐富。\r\n瓷胎畫琺瑯是清代官窯發展出的陶瓷裝飾技法，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。\r\n本瓷杯功能為沖泡式的茶具，用沸水直接沖泡散茶的飲茶法興起於明代，沖泡式的茶具也應運而生，並一直沿用至今日。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"199604006005","MainTitle":"粉彩花蝶紋蛋形壺組-杯","Creator":"廠商：曉芳窯","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDA2MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件彩瓷杯為蔡曉芳的仿古作品――琺瑯彩（粉彩）花蝶紋蛋形瓷壺組之五，敞口外撇，弧腹下收，圈足，白地瓷胎，以琺瑯彩技法作為裝飾，器身上以細膩的工筆畫描繪出花草、蝴蝶等紋飾，暈染的漸層效果使整體色彩活潑豐富。\r\n瓷胎畫琺瑯是清代官窯發展出的陶瓷裝飾技法，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。\r\n本瓷杯功能為沖泡式的茶具，用沸水直接沖泡散茶的飲茶法興起於明代，沖泡式的茶具也應運而生，並一直沿用至今日。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"199604006006","MainTitle":"粉彩花蝶紋蛋形壺組-杯","Creator":"創作者：曉芳窯","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDA2MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件彩瓷杯為蔡曉芳的仿古作品――琺瑯彩（粉彩）花蝶紋蛋形瓷壺組之六，敞口外撇，弧腹下收，圈足，白地瓷胎，以琺瑯彩技法作為裝飾，器身上以細膩的工筆畫描繪出花草、蝴蝶等紋飾，暈染的漸層效果使整體色彩活潑豐富。\r\n瓷胎畫琺瑯是清代官窯發展出的陶瓷裝飾技法，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。\r\n本瓷杯功能為沖泡式的茶具，用沸水直接沖泡散茶的飲茶法興起於明代，沖泡式的茶具也應運而生，並一直沿用至今日。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"199604006007","MainTitle":"粉彩花蝶紋蛋形壺組-杯","Creator":"廠商：曉芳窯","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDA2MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件彩瓷杯為蔡曉芳的仿古作品――琺瑯彩（粉彩）花蝶紋蛋形瓷壺組之七，敞口外撇，弧腹下收，圈足，白地瓷胎，以琺瑯彩技法作為裝飾，器身上以細膩的工筆畫描繪出花草、蝴蝶等紋飾，暈染的漸層效果使整體色彩活潑豐富。\r\n瓷胎畫琺瑯是清代官窯發展出的陶瓷裝飾技法，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。\r\n本瓷杯功能為沖泡式的茶具，用沸水直接沖泡散茶的飲茶法興起於明代，沖泡式的茶具也應運而生，並一直沿用至今日。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"199604006008","MainTitle":"粉彩花蝶紋蛋形壺組-杯托","Creator":"廠商：曉芳窯","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDA2MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件彩瓷杯托為蔡曉芳的仿古作品――琺瑯彩（粉彩）花蝶紋蛋形瓷壺組之八，敞口，斜壁，折腹，圈足，白地瓷胎，以琺瑯彩技法作為裝飾，器身上以細膩的工筆畫描繪出花草、蝴蝶等紋飾，暈染的漸層效果使整體色彩活潑豐富。\r\n瓷胎畫琺瑯是清代官窯發展出的陶瓷裝飾技法，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。\r\n本件杯托功能為沖泡式的茶具，用沸水直接沖泡散茶的飲茶法興起於明代，沖泡式的茶具也應運而生，並一直沿用至今日。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"199604006009","MainTitle":"粉彩花蝶紋蛋形壺組-杯托","Creator":"廠商：曉芳窯","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDA2MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件彩瓷杯托為蔡曉芳的仿古作品――琺瑯彩（粉彩）花蝶紋蛋形瓷壺組之九，敞口，斜壁，折腹，圈足，白地瓷胎，以琺瑯彩技法作為裝飾，器身上以細膩的工筆畫描繪出花草、蝴蝶等紋飾，暈染的漸層效果使整體色彩活潑豐富。\r\n瓷胎畫琺瑯是清代官窯發展出的陶瓷裝飾技法，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。\r\n本件杯托功能為沖泡式的茶具，用沸水直接沖泡散茶的飲茶法興起於明代，沖泡式的茶具也應運而生，並一直沿用至今日。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"199604006010","MainTitle":"粉彩花蝶紋蛋形壺組-杯托","Creator":"廠商：曉芳窯","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDA2MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件彩瓷杯托為蔡曉芳的仿古作品――琺瑯彩（粉彩）花蝶紋蛋形瓷壺組之十，敞口，斜壁，折腹，圈足，白地瓷胎，以琺瑯彩技法作為裝飾，器身上以細膩的工筆畫描繪出花草、蝴蝶等紋飾，暈染的漸層效果使整體色彩活潑豐富。\r\n瓷胎畫琺瑯是清代官窯發展出的陶瓷裝飾技法，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。\r\n本件杯托功能為沖泡式的茶具，用沸水直接沖泡散茶的飲茶法興起於明代，沖泡式的茶具也應運而生，並一直沿用至今日。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"199604006011","MainTitle":"粉彩花蝶紋蛋形壺組-杯托","Creator":"廠商：曉芳窯","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDA2MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件彩瓷杯托為蔡曉芳的仿古作品――琺瑯彩（粉彩）花蝶紋蛋形瓷壺組之十一，敞口，斜壁，折腹，圈足，白地瓷胎，以琺瑯彩技法作為裝飾，器身上以細膩的工筆畫描繪出花草、蝴蝶等紋飾，暈染的漸層效果使整體色彩活潑豐富。\r\n瓷胎畫琺瑯是清代官窯發展出的陶瓷裝飾技法，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。\r\n本件杯托功能為沖泡式的茶具，用沸水直接沖泡散茶的飲茶法興起於明代，沖泡式的茶具也應運而生，並一直沿用至今日。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"199604006012","MainTitle":"粉彩花蝶紋蛋形壺組-杯托","Creator":"廠商：曉芳窯","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDA2MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件彩瓷杯托為蔡曉芳的仿古作品――琺瑯彩（粉彩）花蝶紋蛋形瓷壺組之十二，敞口，斜壁，折腹，圈足，白地瓷胎，以琺瑯彩技法作為裝飾，器身上以細膩的工筆畫描繪出花草、蝴蝶等紋飾，暈染的漸層效果使整體色彩活潑豐富。\r\n瓷胎畫琺瑯是清代官窯發展出的陶瓷裝飾技法，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。\r\n本件杯托功能為沖泡式的茶具，用沸水直接沖泡散茶的飲茶法興起於明代，沖泡式的茶具也應運而生，並一直沿用至今日。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"199604006013","MainTitle":"粉彩花蝶紋蛋形壺組-杯托","Creator":"廠商：曉芳窯","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDA2MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件彩瓷杯托為蔡曉芳的仿古作品――琺瑯彩（粉彩）花蝶紋蛋形瓷壺組之十三，敞口，斜壁，折腹，圈足，白地瓷胎，以琺瑯彩技法作為裝飾，器身上以細膩的工筆畫描繪出花草、蝴蝶等紋飾，暈染的漸層效果使整體色彩活潑豐富。\r\n瓷胎畫琺瑯是清代官窯發展出的陶瓷裝飾技法，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。\r\n本件杯托功能為沖泡式的茶具，用沸水直接沖泡散茶的飲茶法興起於明代，沖泡式的茶具也應運而生，並一直沿用至今日。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"199604007","MainTitle":"馬尾毛手織女用皮夾","Creator":"其他-提供：萬美行 ","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"馬毛是馬匹為人類飲食生活外所貢獻的產物。在馬匹的背腹之毛為馬毛，尾巴之毛為馬尾毛，側腹之毛為側毛，脖子上之毛為鬃毛。各部位之毛有長短、軟硬、色澤深淺之差異，可用於多樣生活用品，如毛筆、刷子、篩網或裝置藝術的纖維表現。\r\n此件女用皮夾係選用纖維較長、品質優的馬尾毛為主，再與色紗線交織而成。以深棕色紗線為經線，當提經線後，把深棕色馬尾毛以長鈎針鈎在經線開口中，依梭織的原理逐一將馬尾毛織成布片。\r\n布片結合皮革以皮夾加工技術車縫完成；此皮夾是以馬尾毛織片為主，動物纖維的光澤、色彩使物件更挺緻。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199604008","MainTitle":"馬尾毛手織男女皮夾","Creator":"其他-提供：萬美行 ","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"馬毛於染織纖維中屬於動物纖維之獸毛類；其毛髓質、毛幹都較羊毛粗硬、富光澤、高級感，取得量不如羊毛之容易，極具神秘的材料。\r\n此件男女用皮夾，採淺棕色馬尾毛織作的織片為主。織作時，以淺棕色紗線為經線，每當提出經線開口時，用長鈎針鈎一根馬尾毛放在開口中做為緯線，筘打緯線，一緯一緯與經線交織成織片。織片完成後配上淺棕色皮革滾邊，並加內裏、夾層，其之皮夾加工技術襯托出馬尾毛呈現的亮澤、平滑，觸感佳。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199604009","MainTitle":"馬尾毛手織男用短夾","Creator":"其他-其他：萬美行 ","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"取得帶皮的馬毛後，要洗淨去皮再充分將馬毛處理清潔日晒乾燥，依不同部位之馬毛分類待用外，還要按色澤區分出棕色毛、淺棕色毛、濃棕色毛、花白毛、花黑毛、花棕毛、全白毛、全黑毛等顏色，各有使用上的需求。全白毛高雅、價值高，其次全黑毛、全棕色毛。\r\n此件男用半夾是馬尾毛的織片結合皮革，以皮夾的加工技術完成的。主要工序採深棕色紗線為經線，深棕色的馬尾毛為緯線的織作，在每一經線的開口，用長鈎針鈎進一根馬尾毛，再打緯，亦即織片是由馬尾毛一緯一緯與經線交織而成。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199604010","MainTitle":"馬尾毛手織桶形小錢包","Creator":"其他-提供：萬美行 ","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本在百年前即有馬毛織的記載；利用馬尾毛的織片做成篩網，因經緯間形成細目，很適合用於過濾的處理，如食品業的篩粉、釀醋、製糖等提昇食材品質。直至化學纖維出現後，馬毛篩網的製作漸衰，加上戰後馬毛取得不易，此行業式微技術也慢慢消失。但在八○年代，文化工作者再予復元此技術，則用於服裝產業製作。\r\n這件桶形小錢包的袋口布即是馬毛織，以藍色紗線為經線，當提經線呈開口時，用長鈎針鈎馬尾毛為緯線，置於開口中，再用筘打緯。經緯交織成織片，依袋口形狀大小裁剪，以口金夾合；桶形袋身是皮革裁製縫合，袋口仍以口金夾合。此桶形錢包的袋身可摺疊縮小，使用方便。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199604011","MainTitle":"馬尾毛手織桶形小錢包","Creator":"其他-提供：萬美行 ","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"桶形小錢包立體容量，可放錢幣或小飾品；袋蓋是馬尾毛手織織片，平滑有光澤的材質與口金合成亮麗。因馬毛材料來源極少，產品在市面不易見。\r\n馬毛織片係以濃棕色紗線為經線，當經線開口時，以長鈎針鈎一根濃棕色馬尾毛通緯並打筘，一緯接一緯構成面狀，也就是袋蓋的織片。織片裁剪成形，與袋身的表、裏皮革縫合，並在袋蓋、袋口各夾合金屬口金。袋身可扭轉摺疊，是有趣的隨身用品。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199604012","MainTitle":"馬尾毛手織桶形小錢包","Creator":"其他-提供：萬美行 ","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這桶形小錢包袋蓋的織片係採棕色紗線為經線，手織時，提經線成開口，以長鈎針鈎一根馬尾毛通緯並打筘，如此提綜開口，穿入馬尾毛緯線，一緯一緯累積織片面積。織片完成，按大小形狀裁剪，與袋身表裏的皮革縫合成桶形，再分別夾上口金。金屬口金閃亮，馬尾毛有光澤，很富財源滾滾的喜氣。在七○、八○年代，此造形的小錢包非常流行。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199604013","MainTitle":"馬尾毛手織女用肩背包-(棕色)","Creator":"其他-提供：萬美行 ","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"人類食用馬肉，連帶馬毛也提供人們生活用品之需。馬毛是動物性纖維富含蛋白質，具靭性，適合做為工藝產品的優質纖維。如傳統的毛筆、毛刷、篩網等之工藝製作。然因價廉產量大的化學纖維出現，加上馬毛來源不易，馬毛纖工藝消失了。直到八○年代，在有心人士、文化工作者的努力下，將之復元重現，開發製作服裝產業的服裝材料、服飾品等。\r\n此件女用肩背包即是馬毛織之產品；以棕色紗線為經線，當織作時提起經線，以長鈎針鈎一根棕色馬尾毛在經線開口內通緯，用筘打緯，一緯一緯地織成織片，再配以棕色皮革、金屬釦、環，完成皮包多內層及長背帶的加工技術。實用與美觀兼備。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199604014","MainTitle":"馬尾毛手織女用肩背包-(藍色)","Creator":"其他-提供：萬美行 ","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"馬的背腹毛為馬毛，尾巴的毛為馬尾毛，側腹的毛為側毛，脖子上的毛是為鬃毛。因部位不同，其軟硬度、長短及光澤各異，依用途而選用之，一般是製作毛筆、毛刷、篩網，也有做為西裝布襯的材料及小提琴的特殊弓弦。馬尾毛織作技法使用於早期篩網之製作；以馬尾毛為經緯線，交織成各種規格細目，方更過濾篩選，馬尾毛篩網精緻耐用。馬毛織之技藝因化學纖維出現而失傳多時，經文化工作者努力復元，並開發服飾工藝產品，充分表現馬毛纖維的特質。\r\n此肩背包包面以深藍色紗線為經線，深棕色馬尾毛為緯線，以長鈎針鈎馬尾毛通緯，用筘打緯交織成織片，搭配藍色皮革，有內層、隔層的皮包加工，蓋上綴金屬，點亮整個產品。(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"199605001","MainTitle":"雕漆圓盒","Creator":"創作者：光山行","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"每天塗一層漆，塗附著在約A3大小的玻璃板上，以夏天每天2～3層，冬天每天1層的累積方式，（每層可更換顏色）經過數百層重重疊疊積累成塊狀立體的漆塊。\r\n先用車床車出上下蓋盒內直徑，在車盒外型，達到上下吻合的尺寸。手工結合吊鑽雕刻出盒子外觀的花卉浮雕，以滾筒式研磨整體，水砂紙研磨到＃400，布輪打蠟拋光。\r\n千層堆漆經研磨後的花紋線條優美是其特色，充分利用研磨時造型的曲弧形狀，便能製作出千變萬化的自然漆藝線條美，再加以推光，便能呈現面中含有無數抽象線條的千層堆漆之美。(詮釋委員：李本育)\r\n","ImageUrl":""}
,{"Identifier":"199605002","MainTitle":"堆漆杯組","Creator":"創作者：光山行","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在塑膠水管上，每天塗一層漆，以夏天每天2～3層，冬天每天1層的累積方式，經過60層重重疊疊積累成管狀立體中空堆漆管。\r\n先用車床車出外觀形狀上的紋理，再與底部結合，杯身與底部不是一體成形，而是接合成型。這可從杯身與杯底紋理方向不統一看出。杯托也是從一塊千層堆漆板車製而成。\r\n以滾筒式研磨整體，水砂紙研磨到＃400，布輪打蠟拋光。\r\n千層堆漆經研磨後的花紋線條優美是其特色，充分利用研磨時造型的曲弧形狀，便能製作出千變萬化的自然漆藝線條美，再加以推光，便能呈現面中含有無數抽象線條的千層堆漆之美。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199605002001","MainTitle":"堆漆杯組-杯","Creator":"創作者：光山行","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA1MDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在塑膠水管上，每天塗一層漆，以夏天每天2～3層，冬天每天1層的累積方式，經過60層重重疊疊積累成管狀立體中空堆漆管。\r\n先用車床車出外觀形狀上的紋理，再與底部結合，杯身與底部不是一體成形，而是接合成型。這可從杯身與杯底紋理方向不統一看出。\r\n以滾筒式研磨整體，水砂紙研磨到＃400，布輪打蠟拋光。\r\n千層堆漆經研磨後的花紋線條優美是其特色，充分利用研磨時造型的曲弧形狀，便能製作出千變萬化的自然漆藝線條美，再加以推光，便能呈現面中含有無數抽象線條的千層堆漆之美。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199605002002","MainTitle":"堆漆杯組-盤","Creator":"創作者：光山行","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA1MDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"每天塗一層漆，塗附著在約A3大小的玻璃板上，以夏天每天2～3層，冬天每天1層的累積方式，（每層可更換顏色）經過數百層重重疊疊積累成1.5公分後厚的漆板材。從玻璃板上刮取下這漆板材下來，切成小塊後再研磨成型。\r\n千層堆漆經研磨後的花紋線條優美是其特色，充分利用研磨時造型的曲弧形狀，便能製作出千變萬化的自然漆藝線條美，再加以推光，便能呈現面中含有無數抽象線條的千層堆漆之美。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199605003","MainTitle":"堆漆手環","Creator":"創作者：光山行","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在塑膠水管上，每天塗一層漆，以夏天每天2～3層，冬天每天1層的累積方式，每層可塗不同色澤，經過60層重重疊疊積累成管狀立體中空堆漆管。\r\n先用車床車出外觀形狀上的紋理，再車管內紋理。從管狀千層堆漆裁成一段一段，即成一個個手環。\r\n以滾筒式研磨整體，水砂紙研磨到＃400，布輪打蠟拋光。\r\n千層堆漆經研磨後的花紋線條優美是其特色，充分利用研磨時造型的曲弧形狀，便能製作出千變萬化的自然漆藝線條美，再加以推光，便能呈現面中含有無數抽象線條的千層堆漆之美。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199605004","MainTitle":"堆漆手環","Creator":"創作者：光山行","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在塑膠水管上，每天塗一層漆，以夏天每天2～3層，冬天每天1層的累積方式，每層可塗不同色澤，經過60層重重疊疊積累成管狀立體中空堆漆管。\r\n先用車床車出外觀形狀上的紋理，再車管內紋理。從管狀千層堆漆裁成一段一段，即成一個個手環。\r\n以滾筒式研磨整體，水砂紙研磨到＃400，布輪打蠟拋光。\r\n千層堆漆經研磨後的花紋線條優美是其特色，充分利用研磨時造型的曲弧形狀，便能製作出千變萬化的自然漆藝線條美，再加以推光，便能呈現面中含有無數抽象線條的千層堆漆之美。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199605005","MainTitle":"堆漆手環","Creator":"創作者：光山行","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA1MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在塑膠水管上，每天塗一層漆，以夏天每天2～3層，冬天每天1層的累積方式，每層可塗不同色澤，經過60層重重疊疊積累成管狀立體中空堆漆管。\r\n先用車床車出外觀形狀上的紋理，再車管內紋理。從管狀千層堆漆裁成一段一段，即成一個個手環。\r\n以滾筒式研磨整體，水砂紙研磨到＃400，布輪打蠟拋光。\r\n千層堆漆經研磨後的花紋線條優美是其特色，充分利用研磨時造型的曲弧形狀，便能製作出千變萬化的自然漆藝線條美，再加以推光，便能呈現面中含有無數抽象線條的千層堆漆之美。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199605006","MainTitle":"堆漆項鍊","Creator":"創作者：光山行","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA1MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"每天塗一層漆，塗付在約A3大小的玻璃板上，以夏天每天2～3層，冬天每天1層的累積方式，（每層可更換顏色）經過數百層重重疊疊積累成1.5公分後厚的漆板材。從玻璃板上刮取下這漆板材下來，切成小塊後再研磨成型，鑽洞後串連成首飾項鍊。\r\n千層堆漆經研磨後的花紋線條優美是其特色，充分利用研磨時造型的曲弧形狀，便能製作出千變萬化的自然漆藝線條美，再加以推光，這最小體積內有最多色彩且無窮變化的漆塊，便能呈現面中含有無數抽象線條的千層堆漆之美。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199605007","MainTitle":"堆漆項鍊","Creator":"創作者：光山行","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA1MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"每天塗一層漆，塗付在約A3大小的玻璃板上，以夏天每天2～3層，冬天每天1層的累積方式，（每層可更換顏色）經過數百層重重疊疊積累成1.5公分後厚的漆板材。從玻璃板上刮取下這漆板材下來，切成小塊後再研磨成型，鑽洞後串連成首飾項鍊。\r\n千層堆漆經研磨後的花紋線條優美是其特色，充分利用研磨時造型的曲弧形狀，便能製作出千變萬化的自然漆藝線條美，再加以推光，這最小體積內有最多色彩且無窮變化的漆塊，便能呈現面中含有無數抽象線條的千層堆漆之美。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199605008","MainTitle":"結晶釉花瓶","Creator":"廠商：金昌陶瓷","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA1MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199605009","MainTitle":"金童玉女","Creator":"創作者：葉星佑","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA1MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"金童玉女為觀音大士身旁的隨侍。民間相傳人世間行善積德者在往生後，觀音大士會派遣散財童子施予陰間買路錢，使其走陰路時不至於負債，助良善之靈魂能順利接引至極樂世界，日後逐漸轉變為民間工藝常見的創作主題，現今常見用於祭祀往生者之紙人形貌。本作品為低溫鉛釉燒製的交趾陶作品，由人物身上的飛巾可判定為成仙的仙童及仙女。金童圓臉大眼象徵慈悲喜捨之意，雙手捧拖之物疑似為圓珠香爐，身體呈月形微彎。玉女臉頰豐腴，頭部微微向下，瞇眼嬌柔，手持長頸寶瓶，前後躬腳，優雅呈現婀娜多姿的體態。兩童皆腳踏珠形天鵬雲檯座，臉部天真無邪微笑顯露無遺‧作品以交趾陶常見針筆刻釉溝的技法作為圖紋的裝飾，童子的服飾裝飾有古藍色蝙蝠圖紋，童女則為簡單的植物花邊。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"199605009001","MainTitle":"金童玉女-金童","Creator":"創作者：葉星佑","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA1MDA5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"金童玉女為觀音大士身旁的隨侍，傳說在人間行善積德者，為不使其走陰路時負債，觀音大士會派遣散財童子施予陰間買路錢，助其接引靈魂至天堂，後來逐漸轉化為民間工藝常見的創作主題，現今常見於往生者祭祀之紙人的創作。此為低溫鉛釉交趾陶作品，從身上的飛巾得知為成仙的仙童。金童圓臉頰、大眼帶有慈悲喜捨之意，疑似手持圓珠香爐，身體呈月形微彎，腳踏珠形天鵬雲檯座，臉部顯露天真無邪微笑感‧作品以交趾陶常見的針筆刻釉溝的技法作為圖紋的裝飾，童子有古藍色蝙蝠圖紋的服飾裝飾。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"199605009002","MainTitle":"金童玉女-玉女","Creator":"創作者：葉星佑","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA1MDA5MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"金童玉女為觀音大士身旁的隨侍，傳說在人間行善積德者，為不使其走陰路時負債，觀音大士會派遣散財童子施予陰間買路錢，助其接引靈魂至天堂，後來逐漸轉化為民間工藝常見的創作主題，現今常見於往生者祭祀之紙人的創作。此為低溫鉛釉交趾陶作品，從身上的飛巾得知為成仙的仙女。玉女臉頰豐腴，頭部微微向下，瞇眼嬌柔，手持長頸寶瓶，前後躬腳，體態呈現婀娜多姿優雅姿態，腳踏珠形天鵬雲檯座，臉部顯露天真無邪微笑感‧作品以交趾陶常見的針筆刻釉溝的技法作為圖紋的裝飾，服飾為簡單的植物花邊。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"199605010","MainTitle":"檜木蒸籠（1尺2）","Creator":"創作者：陳錦煌","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA1MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統檜木蒸籠在早期臺灣民間的生活裡非常普遍，隨著工商業社會的發展，大家庭組織逐漸轉變為小家庭型態，忙碌的現代社會專業分工愈來愈細，因此「炊糕」這種原本普遍的技能卻被工廠生產取代。大型蒸籠的使用在臺灣百姓的生活當中變成少見；中型蒸籠還可以在一些賣包子、饅頭的店家門口瞥見；小型蒸籠在未來的發展，若與電鍋結合使用，大有可為。\r\n檜木蒸籠的優點，金屬製品無法取代。本作品取木薄片容易彎曲特性，由許多層木薄片連續性圍繞出厚實結構，木薄片的頭尾端、底部承重格柵及手把等重要部位，皆以細籐皮穿透縫合或綑綁，堅固耐用。在圈圍的上下緣口都有做出錯位卡榫，可多層堆疊，因為做工精細，因此氣密性甚佳。頂蓋呈微凸拱形狀，以複層桂竹篾壓二編織技法密集構成，底下有竹片支撐補強。整體蒸籠的隔熱性與保溫效果非常好，可謂先人智慧的展現。同時在綿密、溫和的蒸氣包圍下，蒸出來的食物特別好吃，風味獨特。當蒸籠用久了，若有損壞，可由專業師傅修復。\r\n圖中這件中型蒸籠作品如果能仔細觀察，會發現其中有許多製作者的用心，無論是材料的挑選或工法上的運用都非常合理、講究，足堪稱其為優良工藝品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199605011","MainTitle":"檜木蒸籠（8寸8）","Creator":"創作者：陳錦煌","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA1MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統檜木蒸籠在早期臺灣民間的生活裡非常普遍，隨著工商業社會的發展，大家庭組織逐漸轉變為小家庭型態，忙碌的現代社會專業分工愈來愈細，因此「炊糕」這種原本普遍的技能卻被工廠生產取代。大型蒸籠的使用在臺灣百姓的生活當中變成少見；中型蒸籠還可以在一些賣包子、饅頭的店家門口瞥見；小型蒸籠在未來的發展，若與電鍋結合使用，大有可為。\r\n檜木蒸籠的優點，金屬製品無法取代。本作品取木薄片容易彎曲特性，由許多層木薄片連續性圍繞出厚實結構，木薄片的頭尾端、底部承重格柵及手把等重要部位，皆以細籐皮穿透縫合或綑綁，堅固耐用。在圈圍的上下緣口都有做出錯位卡榫，可多層堆疊，因為做工精細，因此氣密性甚佳。頂蓋呈微凸拱形狀，以複層桂竹篾壓二編織技法密集構成，底下有竹片支撐補強。整體蒸籠的隔熱性與保溫效果非常好，可謂先人智慧的展現。同時在綿密、溫和的蒸氣包圍下，蒸出來的食物特別好吃，風味獨特。當蒸籠用久了，若有損壞，可由專業師傅修復。\r\n圖中這件小型蒸籠作品如果能仔細觀察，會發現其中有許多製作者的用心，無論是材料的挑選或工法上的運用都非常合理、講究，足堪稱其為優良工藝品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199605012","MainTitle":"情趣系列","Creator":"創作者：合美玻璃","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA1MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199606001","MainTitle":"守望相助 ","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件為臺灣知名傑出漆雕藝師唐永哲漆器作品。藝師以布及天然漆夾紵技法製作胎體，並仿古漆雕表現古樸、靜穆的更夫型態，題名「守望相助」。\n 這件漆作的造型設計構想，來自閩南地區「更夫」。早昔傳統農村社會，每至寒冬季節，為了防患盜竊宵小與當心火燭成災，鄰里間年輕力壯者輪流守夜，巡邏庄頭、庄內、庄尾，並以竹筒銅鑼打數通報五更訊息，俗稱「更夫」，此種習俗行為，表現了農村守望相助的精神，也是「團結產生力量、互助以策安全」的良風美俗。\n 本件漆器，寫實與寫意兼具，古樸與美感並存，是觀賞用品與社會教育的擺飾，曾在「唐永哲工藝創作回顧展」引起佳評。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199606002","MainTitle":"鼓吹者","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件為臺灣知名傑出漆雕藝師唐永哲漆器作品。藝師以布及天然漆夾紵技法製作胎體，其工序繁複，需先塑胎後以一層層漆灰及布貼付而成，並仿古漆雕表現古樸、敦厚的鑼鼓八音鼓吹者型態，題名「鼓吹者」。\n 這件漆作的造型設計構想，來自臺灣地區的民間音樂～鑼鼓八音。早昔傳統農村社會，多數村落組織「曲館」、「武館」，平常娛樂練武，廟會活動時加入陣頭表演，年節祭典的伴奏，婚禮的吉祥演藝，送聖蹟字紙的前導，鑼鼓八音鼓吹都是傳統生活文化的表演藝術。\n本件漆器，寫實與寫意兼具，古樸與美感並存，是觀賞用品與社會教育的擺飾，曾在「唐永哲工藝創作回顧展」引起佳評。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199606003","MainTitle":"羊","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件為臺灣知名傑出漆雕藝師唐永哲作品。藝師以布及天然漆夾紵技法製作胎體，並仿古漆雕表現淳樸、優雅、靜穆的跪羊型態，兼具寫實、寫意，表現優美吉祥的意境。\n 羊，是一種哺乳、反芻、偶蹄類動物，為傳統「六畜」之一。羊品性溫馴，肉質鮮美，毛皮可以製襖禦寒，羊毛並可編織衣毯，經濟價值高。民俗信仰以之薦祭神靈，俗信易於得福召祥！「祥」字从示从羊，「吉祥」二字，一直是美好的象徵文化；羊祥同意，漢書「大吉羊」也就是「大吉祥」；「三羊開泰」為新年祝賀語，羊陽通假，即是「三陽開泰」。又羊有跪乳習性，傳統視為「至孝、親情」的表徵。「羊」是十二生肖支神中的「未神」，是上古圖騰之一。\n 本件漆器，羊造型呈跪姿，樣態憨厚可愛，既是觀賞用品，也藴涵吉祥意涵。曾在「唐永哲工藝創作回顧展」引起佳評。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199606004","MainTitle":"豬","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件為臺灣知名傑出漆雕藝師唐永哲作品。藝師以布及天然漆夾紵技法製作胎體，並仿古漆雕表現淳樸、優雅、靜穆的福豬型態，兼具寫實、寫意，表現優美吉祥的意境。\n 豬 ，為中國傳統「六畜」之一。其肉質鮮美，經濟價值高，是漢民族主要的肉食來源。傳統農村幾乎家家飼豬，豬隻可以賣錢，是財貨象徵；豬糞為農家施肥製畚原料， 農業依靠養豬成為副業。\n 「家」字从宀从豕，無豕不成家，由此可見，豬對家庭的重要性。民俗信仰以之薦祭神靈，是獻禮中的重要祭品，「受福胙」是祭禮中享受神祖所賜的福肉，即豬肉。上古先民崇拜豬，以其生存能力強，列為十二生肖，是上古圖騰之一。\n本件漆器，豬伏地昂嘴，身上有蝙蝠紋，隠喻「福豬」，樣態福泰憨厚可愛，既是觀賞用品，也藴涵吉祥意涵。曾在「唐永哲工藝創作回顧展」引起佳評。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199606005","MainTitle":"年年有餘壁飾","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件為臺灣知名傑出漆藝師唐永哲作品。技法以喜氣的紅漆為主，經過磨顯的黑漆，透出古樸的美感。造型圖案各以三尾圈繞的魚，形成大小同心圓，宛如太極圖，既有相互扶持的動感，且蘊年年有餘之含意。\n 「魚」是水產動物，自古人類依賴甚深，與陸產禽獸，同為先民主要營養來源，魚肉羊肉，合而為「鮮」，可見一斑。魚又善繁殖，因此也成為上古崇拜圖騰，五千年前仰韶文化的彩陶繪畫妝飾圖案，三千年前的玉石雕刻魚佩，便可探知「魚文化」的源遠流長！「魚米之鄉」便是古代先民對於豐富生活資源地區的嚮往。\n 本件「年年有餘」壁飾，紋路設計優美，魚口含水草，「魚餘」同音相假借，魚草相連，寓意連綿而有餘。既是觀賞用品，也涵吉祥意義，曾在「唐永哲創作回顧展」引起佳評。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199606006","MainTitle":"慈母心壁飾","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件是臺灣知名傑出藝師唐永哲作品。藝師以雕漆技法雕出母親揹兒縫補衣服的浮雕，形象感人，令人懷念！\n 人世間最偉大的親情是「母愛」，女人柔弱而為母則強，為了子女，什麼苦都忍得吃得。圖中母親揹著嬰兒，一刻都沒有閑著，仍然低頭聚精會神的縫補衣服，反映了勤勞、慈愛的美德，這樣的畫面，是傳統人間最嫻熟常見的場景。\n 「雕漆」需要數百層次的髹漆堆漆，俟乾了再以雕漆技法雕出圖案形體高低，衣物曲褶，使人物神韻活化！加上配飾翔鳳圖纹，象徵婦女的高貴情操。背景之地，貼上銀箔，透光的效果，襯托充滿慈母溫情及聖潔的光芒，象徵母愛的偉大。\n 這件「慈母心壁飾」，圖案設計佈局匠心獨具，既是觀賞用品，也涵人間溫馨，曾經在「唐永哲工藝創作回顧展」引起佳評。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199606007","MainTitle":"鏤空透雕花插","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件是臺灣知名傑出工藝師唐永哲作品，名為「鏤空透雕花插」。花插器體係以荷花荷葉浮雕造形，朵朵曲側偃仰，構成美好視覺的圓筒，並以鏤空透雕手法，以精密脱蠟鑄造技術，用銅漿灌鑄一體成型，並加以修飾，強化了花插視覺美感及精緻表現。\n 「脫蠟鑄造法」又稱「失蠟法」，中國古代在青銅器鑄造上已經使用，且留下一些名器。其製作方法首先用蠟料雕出要鑄的產品蠟型，然後往蠟型外反覆多次噴砂製作型殻，加熱，蠟遇熱融化流失，將型殼燒結，再向型殼內倒入融化的金屬液進行鑄造，冷卻後敲掉型殼，即得到蠟型形狀一模一樣鑄造産品。\n 荷花荷葉，形態高雅飄逸，不蔓不枝，中空淨植，出淤泥而不染，濯清漣而不妖，在傳統文化被視為聖潔之象徵，也被比喻為高人雅士君子。\n 本件銅質花插，造型單純大方，實用觀賞兩相宜！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199606008","MainTitle":"小口鑄瓶","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件為臺灣知名傑出藝師唐永哲作品。藝師以銅鑄小口天球瓶之造型設計，瓶面以古代傳統「採桑圖」紋飾，以浮雕圖案創造視覺之美；以精密脫蠟鑄造法，使短頸小口之球瓶，達到中空與一體成形的效果。\n 「脫蠟鑄造法」又稱「失蠟法」，中國古代在青銅器鑄造上已經使用，且留下一些名器。其製作方法首先用蠟料雕出要鑄的產品蠟型，然後往蠟型外反覆多次噴砂製作型殻，加熱，蠟遇熱融化流失，將型殼燒結，再向型殼內倒入融化的金屬液進行鑄造，冷卻後敲掉型殼，即得到蠟型形狀一模一樣鑄造産品。\n 中國傳統古代農村生活，注重種植稻麥桑麻，桑陌廣濶，桑椹可食可醬可酒，桑葉可藥可茶可養蠶，養蠶可以紡絲織錦，是傳統珍貴高尚的綾羅綢緞來源。因此「採桑圖」便是數千年來農村的景象。\n 本件作品，造型精美，既具文化性，也涵鄉土情懷。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199606009","MainTitle":"「滿」燈","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件為臺灣知名傑出藝師唐永哲作品。藝師以兩隻豬親密情景構成畫面，以精密脫蠟鑄造技術，設計製作一體成型的燈具，鏤空透光，創造照明效果，命名「滿燈」。\n 「脫蠟鑄造法」又稱「失蠟法」，中國古代在青銅器鑄造上已經使用，且留下一些名器。其製作方法首先用蠟料雕出要鑄的產品蠟型，然後往蠟型外反覆多次噴砂製作型殻，加熱，蠟遇熱融化流失，將型殼燒結，再向型殼內倒入融化的金屬液進行鑄造，冷卻後敲掉型殼，即得到蠟型形狀一模一樣鑄造産品。\n 至於作品何以取名「滿燈」呢？因為燈的外飾圖案是兩隻歡樂親善的豬，豬的外型憨厚肥壯，好像無憂無愁，一副滿足快樂的模樣。豬又象徵財富，滿足無求便是貴、便是吉祥。因此，溫和的燈光，映影豬隻的吉祥、滿足、富貴，便自然洋溢著實用與裝飾之美。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199606010","MainTitle":"「餘」燈","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件為臺灣知名傑出藝師唐永哲作品。藝師以兩條魚相互在水中嬉戲情景構成造型畫面，以精密脫蠟鑄造技術，設計製作一體成型的燈具，鏤空透光，創造照明效果，命名「餘燈」，因「魚、餘」同音，假借為「有餘燈」。\n 「脫蠟鑄造法」又稱「失蠟法」，中國古代在青銅器鑄造上已經使用，且留下一些名器。其製作方法首先用蠟料雕出要鑄的產品蠟型，然後往蠟型外反覆多次噴砂製作型殻，加熱，蠟遇熱融化流失，將型殼燒結，再向型殼內倒入融化的金屬液進行鑄造，冷卻後敲掉型殼，即得到蠟型形狀一模一樣鑄造産品。\n 至於作品何以取名「餘燈」呢？因為燈的外飾圖案是兩隻歡樂親善的魚，如太極圖之首尾相接；魚的外型古樸典雅，好像十分親善的模樣。魚又象徵魚米豐收，有魚有米，使傳統先民感到知足而快樂！知足無求便是貴、便是吉祥。因此，溫和的燈光，映影雙魚的吉祥、知足、豐收，便自然洋溢著實用與裝飾之美。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199606011","MainTitle":"花器","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件為臺灣知名傑出藝師唐永哲作品。藝師設計一對圓筒形的鑄花銅器作為花器，以纎維布紋盤繞圓體環面，並飾以幾何化之樹叢、太陽、飛鳳，透過脫蠟鑄造法工藝，表達大自然風景美。\n 「脫蠟鑄造法」又稱「失蠟法」，中國古代在青銅器鑄造上已經使用，且留下一些名器。其製作方法首先用蠟料雕出要鑄的產品蠟型，然後往蠟型外反覆多次噴砂製作型殻，加熱，蠟遇熱融化流失，將型殼燒結，再向型殼內倒入融化的金屬液進行鑄造，冷卻後敲掉型殼，即得到蠟型形狀一模一樣鑄造産品。\n 大自然的風景美，使人心曠神怡，樹叢帶來綠意，太陽帶來光明，鳳鳥飛翔天地，象徵生機與祥瑞。這對圓筒花器，造型簡潔實用、美觀大方。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199606011001","MainTitle":"花器（一）-樹叢、太陽","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDExMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199606011002","MainTitle":"花器（二）-鳳鳥","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDExMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199606012","MainTitle":"文具系列-書靠","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件為臺灣知名傑出藝師唐永哲作品。藝師設計一對貓咪，從妝飾觀察，公母各一，並以精密脫蠟鑄造技術加予製成，作為「文具系列－書靠」，可謂藝術性、別致性、趣味性。\n 「脫蠟鑄造法」又稱「失蠟法」，中國古代在青銅器鑄造上已經使用，且留下一些名器。其製作方法首先用蠟料雕出要鑄的產品蠟型，然後往蠟型外反覆多次噴砂製作型殻，加熱，蠟遇熱融化流失，將型殼燒結，再向型殼內倒入融化的金屬液進行鑄造，冷卻後敲掉型殼，即得到蠟型形狀一模一樣鑄造産品。\n 公母貓的造型設計，帶有卡通化的趣味，人立而起，線條簡潔，殊為可愛！貓善捕鼠，古代已有養狗飼貓顧家之俗，貓且是海南島黎族的圖騰物之一，今人多飼養為寵物。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199606012001","MainTitle":"書靠-（公貓）","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDEyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199606012002","MainTitle":"書靠-（母貓）","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDEyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199606013","MainTitle":"文具系列-信夾","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件為臺灣知名傑出藝師唐永哲作品。藝師設計正反兩面的信夾，夾面飾以飛翔的雁鳥，並以精密脫蠟鑄造技術加予製成；作為「文具系列－信夾」，可謂藝術性、別致性、趣味性。\n 「脫蠟鑄造法」又稱「失蠟法」，中國古代在青銅器鑄造上已經使用，且留下一些名器。其製作方法首先用蠟料雕出要鑄的產品蠟型，然後往蠟型外反覆多次噴砂製作型殻，加熱，蠟遇熱融化流失，將型殼燒結，再向型殼內倒入融化的金屬液進行鑄造，冷卻後敲掉型殼，即得到蠟型形狀一模一樣鑄造産品。\n 古人敬仰雁鳥，有「信禽節雁」之說；古詩：「莫烹池上雁，雁行如弟兄」；就是有鑒於雁群飛翔時，在空中都作「人」字形，古稱「雁序」。雁鳥十分合群，且甚為守節，古稱「貞禽」。在中國古代婚禮，男方以雁為贄，就是象徵夫妻倫常既堅貞又高尚。又古代有「雁鳥傳書」的故事，因此也被視為信息的傳遞天使。\n 本件作品以飛雁作妝飾主題，就蘊涵傳遞訊息之義，與「信夾」功能，互相輝映！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199606014","MainTitle":"文具系列-筆筒","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件為臺灣知名傑出藝師唐永哲作品。藝師設計橢圓筒形筆筒，上下唇緣對稱一圈，中間周邊浮雕花卉，並以精密脫蠟鑄造技術加予製成；作為「文具系列－筆筒」，具有藝術性、別致性。\n 「脫蠟鑄造法」又稱「失蠟法」，中國古代在青銅器鑄造上已經使用，且留下一些名器。其製作方法首先用蠟料雕出要鑄的產品蠟型，然後往蠟型外反覆多次噴砂製作型殻，加熱，蠟遇熱融化流失，將型殼燒結，再向型殼內倒入融化的金屬液進行鑄造，冷卻後敲掉型殼，即得到蠟型形狀一模一樣鑄造産品。\n 筆筒呈橢圓形，口緣底足皆有唇，上下對稱。中間周邊的花卉，呈現花葉繁榮的形態，洋溢著幸福與青春氣氛。全器美觀大方，穩重耐用。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199606015","MainTitle":"浮雕花器","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件為臺灣知名傑出藝師唐永哲作品。藝師在圓筒型表面浮雕持蓮菩薩、蓮花蓮葉，構成一幅清高超逸脫俗的境界，並以精密脫蠟鑄造技術，鑄作此件「浮雕持蓮菩薩花器」。\n 「脫蠟鑄造法」又稱「失蠟法」，中國古代在青銅器鑄造上已經使用，且留下一些名器。其製作方法首先用蠟料雕出要鑄的產品蠟型，然後往蠟型外反覆多次噴砂製作型殻，加熱，蠟遇熱融化流失，將型殼燒結，再向型殼內倒入融化的金屬液進行鑄造，冷卻後敲掉型殼，即得到蠟型形狀一模一樣鑄造産品。\n 「持蓮菩薩」又稱「持蓮觀音」，在三十三觀音之中位列第三十二尊。觀世音菩薩以蓮花為本誓象徵，蓮花淑世芬芳，出污泥而不染，濯清漣而不妖，佛教常以蓮花比喻為佛菩薩或佛法。\n 本件花器既合實用，也具有觀賞、宗教、哲學意涵。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199606016","MainTitle":"蘭嶼之舟花器","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件為臺灣知名傑出藝師唐永哲作品，藝師以長方筒型外緣浮雕，作三度空間造型設計。浮雕圖案主題以蘭嶼雅美族頂著拼板漁舟出海捕魚為裝飾，並以精密脫蠟鑄造技術，製作器皿，名之為「蘭嶼之舟花器」。\n 「脫蠟鑄造法」又稱「失蠟法」，中國古代在青銅器鑄造上已經使用，且留下一些名器。其製作方法首先用蠟料雕出要鑄的產品蠟型，然後往蠟型外反覆多次噴砂製作型殻，加熱，蠟遇熱融化流失，將型殼燒結，再向型殼內倒入融化的金屬液進行鑄造，冷卻後敲掉型殼，即得到蠟型形狀一模一樣鑄造産品。\n 位於台東外海的蘭嶼雅美族，每逢「新船下水祭」儀式，男士們便會頂著新船下水。而每年「飛魚祭」期間，也會頂著漁舟下海，形成十分具有地方特色的海洋文化。\n 本花器造型設計卓越，紋飾藴涵民族文化特色，可實用、可觀賞、可知史。本件為臺灣知名傑出藝師唐永哲作品。藝師設計一對圓筒形的鑄花銅器作為花器，以纎維布紋盤繞圓體環面，並飾以幾何化之樹叢、太陽、飛鳳，透過脫蠟鑄造法工藝，表達大自然風景美。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199606017","MainTitle":"觀音","Creator":"創作者：唐永哲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA2MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件為臺灣知名傑出藝師唐永哲作品，以觀音菩薩立身造型設計，致力於表現悟境的祥和深邃，衣褶力求簡化，並以自足的微笑展現福慧雙修的境界。在工藝技術運用方面，藝師以精密脫蠟鑄造技術，製作立像觀世音菩薩，法相慈祥。\n 「脫蠟鑄造法」又稱「失蠟法」，中國古代在青銅器鑄造上已經使用，且留下一些名器。其製作方法首先用蠟料雕出要鑄的產品蠟型，然後往蠟型外反覆多次噴砂製作型殻，加熱，蠟遇熱融化流失，將型殼燒結，再向型殼內倒入融化的金屬液進行鑄造，冷卻後敲掉型殼，即得到蠟型形狀一模一樣鑄造産品。\n 「觀音菩薩」的信仰，在中國民間十分普遍，在臺灣又稱「觀音佛祖、觀音媽」，成為家戶供奉的神明。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199608001","MainTitle":"冬陽","Creator":"創作者：蔡永武","CreatedYear":"","Size":"83.1kg","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「蔡永武」是現代優秀雕塑藝術家，臺灣嘉義人。復興美工科習藝，並自民國73年起著手宗教藝術研究，追隨當代名家賴鎮遠鑽研佛像雕塑，以石、木雕刻十幾年；78年師事許禮憲精進石雕，陶藝、陶壁、佛造像等為其所長。\r\n 本件石雕「冬陽」作品，於80年獲臺灣工藝研究所優良創作獎，並獲典藏。其技法技術主要運用了「切割、雕刻、琢磨、拋光、潤飾」，將一件石材，賦予造型設計、題材生命。「冬陽」表達了在寒冷的冬天，鄕村一位身穿厚裘，左手腕帶著環飾，光著雙腳，髪後龜髻打扮的老婦人，孤單的坐在石階上，俯身低頭，露手屈臂，懷抱著唯一倚靠的拐杖閉目休息。溫暖的冬陽，彷彿撫慰著孤獨且行動蹣跚的老人，讓她擁有了短暫的暖和、幸福與恬適。\r\n 這件作品將冰冷的石材，透過凝練的技藝，巧妙的構思，圓熟的刀法，老婦的神態，衣服的皺摺，使人物充滿了滄桑歲月的無奈，寒冷現實生活的殘酷，「負日之暄」的溫馨畫面，令人感慨、感動卻也百感交集！(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199608002","MainTitle":"融","Creator":"創作者：黃輝雄","CreatedYear":"","Size":"32.145kg","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「黃輝雄」是現代優秀雕塑藝術家，臺灣彰化人。其雕塑技法在彰師附工養成，1980年代開始創作，1984－93年屢獲國省市各種美展獎賞。創作從造型與表現中可以延伸至石雕、鐵雕等各式各樣十幾種材質。其藝術核心思想，是「前進大自然，頌揚生命和諧、親情之愛、及隂陽太極」。\r\n本件作品「融」，於1991年獲國立臺灣工藝研究所傑出石雕創作獎首獎，並獲典藏。石雕透過石材切割、雕刻、琢磨、拋光、潤飾技法，呈現一座抽象雙身連體的型像，像是兩個動物或植物，或直接是兩個連結的石像，也可能是兩個社會或世界，或國家或宇宙。雖然看是兩位個體，但身體其實是相連的，身體的本質原素相同，而互相融合，血濃於水，如父如母，如兄如弟，如姊如妹，且是同胞。對立與對抗，都是違反天道自然。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199614001","MainTitle":"雄姿(一)","Creator":"賴廷鴻","CreatedYear":"1996","Size":"32×15×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjE0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者賴廷鴻先生是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將水牛以裝飾陶瓷的表達方式展現出來。\n 本作品199614001〈雄姿（一）〉，描寫一頭蹲著的水牛，因為接近寫實的感覺又是刻劃入微，讓人想起早期沒有耕耘機的年代，水牛溫馴地辛勤工作、勞苦功高之深刻印象。在工藝中心有三件類似風格的作品被典藏，另外兩件是：199614002〈雄姿（二）〉、199614003〈神氣的母牛〉。\n 圖中這一件作品「雄姿（一）」，係作者嘗試以其對牛的豐富想像力，採用形體簡化、半抽象、接近寫實的雕塑手法進行之創作。從作品的仔細觀察，可以瞭解作者對水牛的特質持有深度觀察和體會，進而以其個人的藝術造詣和雕塑能力對作品作出獨特風格的詮釋。\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片兩者之表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑形的掌握亦具同樣道理。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\n 技術上採用注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後進行素燒，然後上釉、入窯，以1,300℃高溫氧化方式燒成，整體作品的呈現宛如白色玉石雕刻，充分顯現雕塑藝術與陶瓷之美，頗富現代感，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199614002","MainTitle":"雄姿(二)","Creator":"賴廷鴻","CreatedYear":"1996","Size":"29×18×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjE0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者賴廷鴻先生是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將黃牛以裝飾陶瓷的表達方式展現出來。\n 本作品199614002〈雄姿（二）〉，描寫一頭以微蹲姿勢蓄勢待發狀的黃牛，頭上的一對觭角與整體造形的感覺，頗有非洲野牛雄勁有力的特質。因為接近寫實的感覺又帶有強烈個人風格的創作，讓人對黃牛的印象不只是早期溫馴拉車辛勤工作、勞苦功高之深刻印象，還增加了對黃牛強壯有力的新認知。在工藝中心有三件類似風格的作品被典藏，另外兩件是：199614001〈雄姿（一）〉、199614003〈神氣的母牛〉。\n 圖中這一件作品「雄姿（二）」，係作者嘗試以其對黃牛的豐富想像力，採用形體簡化、半抽象、接近寫實的雕塑手法進行之創作。從作品的仔細觀察，可以瞭解作者對黃牛的特質持有深度觀察和體會，進而以其個人的藝術造詣和雕塑能力對作品作出獨特風格的詮釋。\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片兩者之表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑形的掌握亦具同樣道理。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\n 技術上採用注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後進行素燒，然後上釉、入窯，以1,300℃高溫氧化方式燒成，整體作品的呈現宛如白色玉石雕刻，充分顯現雕塑藝術與陶瓷之美，頗富現代感，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199614003","MainTitle":"神氣的母牛","Creator":"余燈銓","CreatedYear":"1996","Size":"27×11×16.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjE0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者余燈銓先生是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將乳牛以裝飾陶瓷的表達方式展現出來。\n 本作品199614003〈神氣的母牛〉，描寫一頭感覺上有骨有肉、背部與腹部下墜、頭部高仰又表情豐富、擁有豐滿乳房的乳牛媽媽。因為接近寫實的感覺又帶有強烈個人風格的創作，讓欣賞者對乳牛的印象不是只會產出豐沛乳汁的傳統印象，還增加了對乳牛內心感受洋溢於外那種驕傲感覺的新認知，好像在訴說著：有很多人類都在喝我的奶哦！在工藝中心有三件類似風格的作品被典藏，另外兩件是：199614001〈雄姿（一）〉、199614002〈雄姿（二）〉。\n 圖中這一件作品「神氣的母牛」，係作者嘗試以其對乳牛的豐富想像力，採用形體簡化、半抽象、接近寫實的雕塑手法進行之創作。從作品的仔細觀察，可以瞭解作者對黃牛的特質持有深度觀察和體會，進而以其個人的藝術造詣和雕塑能力對作品作出獨特風格的詮釋。\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片兩者之表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑形的掌握亦具同樣道理。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\n 技術上採用注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後進行素燒，然後上釉、入窯，以1,300℃高溫氧化方式燒成，整體作品的呈現宛如白色玉石雕刻，充分顯現雕塑藝術與陶瓷之美，頗富現代感，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199614004","MainTitle":"嬉","Creator":"余燈銓","CreatedYear":"1996","Size":"30×13×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjE0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者余燈銓先生是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，配合該年度的主題「牛」，嘗試將水牛以裝飾陶瓷的表達方式展現出來。\n 本作品199614004〈嬉〉，描寫一頭神情悠閒蹲著的水牛，天上飛來一隻烏秋鳥，停在牠的鼻子上與其嬉戲互動，還會幫牠抓癢、啄掉身上毛叢中的蝨子。由於寫實的作品加上刻劃入微的細節，讓人想起早期沒有耕耘機的年代，水牛溫馴地辛勤耕作、勞苦功高之深刻印象。這是作者被工藝中心典藏的多件作品之一。\n 圖中這一件作品「嬉」，係作者於鄉間生活以其對水牛的感情，採用寫實的雕塑手法進行之創作，細膩感人，還有烏秋小鳥作伴。從作品的仔細觀察，可以瞭解作者對水牛和鳥類生物的特質持有深度觀察和體會，進而以其個人的藝術造詣和雕塑能力對作品作出獨特風格的傳神詮釋。\n 技術上採用苗栗陶土打成的泥漿，採注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體充分陰乾之後直接入窯，以1,230℃高溫氧化方式燒成。整體作品呈現茶褐色略帶平光的質感，充分顯現雕塑藝術與陶瓷之美，頗富古典、優雅感覺，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199614005","MainTitle":"對牛談琴","Creator":"王壬癸","CreatedYear":"1996","Size":"22.5×16.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjE0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者王壬癸是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將成語故事裡的「對牛談琴」的意涵，以裝飾陶瓷的表達方式具體地展現出來。\n 本作品199614005〈對牛談琴〉屬抽象主義風格，所謂的對牛談琴是源自戰國時代的音樂家公明儀很用心地對著牛彈琴，可是牛繼續低頭吃草無動於衷，最後更是不領情走開了。後人用以譏笑說話的人未先看清對象，也比喻對不懂道理的人講道理是沒有用的。從作品中可以看出來，有一位牧童盤腿坐在地上，懷抱月琴對著臥牛彈奏樂曲，可惜牛好似無視於優雅琴音。\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片的表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑形的掌握亦具同樣道理。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\n 從欣賞的角度來看這一件作品：不談牛或彈琴者的造形細節，作者想要強調的是彈琴者與牛之間的對話關係，盤坐的彈琴者抱著月琴只是一個模糊意象的前景造形，作為背景的臥姿大水牛其眼睛卻是閉著的；整件作品的造形呈現渾圓狀，沒有任何稜角，調性非常統一，絕對有考慮到易於脫模的問題，同時為了造形簡化加上陶瓷材料結構上的問題，因此將腳以下省略、切齊，作成收尾，感覺非常完整。\n 技術上採用注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後進行素燒，然後上釉、入窯，以1,300℃高溫氧化方式燒成，整體作品的呈現宛如白色玉石雕刻，充分顯現雕塑藝術與陶瓷之美，頗富現代感，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199614006","MainTitle":"天倫樂","Creator":"王秀杞","CreatedYear":"1996","Size":"30×10×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjE0MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者王秀杞先生住在山明水秀的陽明山山谷地區，是一位很有才華的著名雕塑家，也是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，對裝飾陶瓷的新產品設計開發注入一股清新的能量。\n 本作品199614006〈天倫樂〉的作者嘗試將其對水牛的認識，以半寫實的抽象手法，將緊緊依偎在一起的牛爸爸、牛媽媽和牛小孩，藉由純白裝飾陶瓷的表達方式展現出來，充分顯露牛家族的親子孺慕之情，故取名為「天倫樂」。三條接近水平、高低不一的牛背線條，將公、母牛和小牛三者之間的大、小比例明確作出交代，同時很自然地巧妙分出遠近層次感，加上優美的比例關係與協調的造形線條，讓整件作品的視覺效果自然而然搏得觀賞者的共鳴與讚嘆。\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片兩者之表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑形的掌握亦具同樣道理。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\n 技術上採用注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後進行素燒，然後上釉、入窯，以1,300℃高溫氧化方式燒成，整體作品的呈現宛如白色玉石雕刻，充分顯現雕塑藝術與陶瓷之美，頗富現代感，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199614007","MainTitle":"牧童戲牛(一)","Creator":"韓旭東","CreatedYear":"1996","Size":"23×11×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjE0MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者韓旭東是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將他孩提時代的一些生活情境記憶，以裝飾陶瓷的表達方式展現出來。\n 本作品199614007〈牧童戲牛（一）〉是以詼諧的模糊意象手法，描寫一位騎在水牛背上的牧童，激怒了牛，牛正往前奔跑的狀態，整件作品充滿了動感與張力，誠屬傑作。雖然所呈現的外觀視覺上是屬模糊意象，但是創作者在塑造的過程，其內心實際上是十足掌握著無比的動態與力道之概念；從牛的姿勢、臉部表情與腹部筋肉的收縮現象與尾巴的持平狀，以及牛背上牧童身子往後傾倒的互動與衣褶的線條處理等，都可以充分感受得到而讓觀者產生共鳴。由於塑形的指尖功夫一流，因此本作品不需上釉，完全藉由陶土的原始質感來展現雕塑的原創本質之美。\n 就技術面來看，類似這種具結構性作品的製作方式，由於脫模的問題，必須先將雕塑原型做好分件、切割之後才能開模，因此會有多組石膏模具；整組注漿成形的瓷土坏體，需要細心地沾上泥漿逐一接合、靜置並等待充分陰乾，始得入窯，經由1,230℃高溫氧化燒成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199614008","MainTitle":"牧童戲牛(二)","Creator":"韓旭東","CreatedYear":"1996","Size":"21.5×8.5×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjE0MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者韓旭東是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將他孩提時代的一些生活情境記憶，以裝飾陶瓷的表達方式展現出來。\n 本作品199614008〈牧童戲牛（二）〉是以詼諧的模糊意象手法，描寫一位騎在水牛背上的牧童，激怒了牛，牛正收起後腳準備往前奔跑的狀態，整件作品充滿了動感與張力，誠屬傑作。雖然所呈現的外觀視覺上是屬模糊意象，但是創作者在塑造的過程，其內心實際上是十足掌握著無比的動態與力道之概念；從牛的姿勢、臉部表情與腹部筋肉還有尾巴的收縮現象，以及牛背上牧童身子往前傾的互動與衣褶的線條處理等，都可以充分感受得到而讓觀者產生共鳴。由於塑形的指尖功夫一流，因此本作品不需上釉，完全藉由陶土的原始質感來展現雕塑的原創本質之美。\n 就技術面來看，類似這種具結構性作品的製作方式，由於脫模的問題，必須先將雕塑原型做好分件、切割之後才能開模，因此會有多組石膏模具；整組注漿成形的瓷土坏體，需要細心地沾上泥漿逐一接合、靜置並等待充分陰乾，始得入窯，經由1,230℃高溫氧化燒成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199614009","MainTitle":"BORE牛","Creator":"王福長","CreatedYear":"1996","Size":"19×8.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjE0MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者王福長先生，畢業於國立臺灣藝術專科學校雕塑科，曾經服務於臺灣省手工業研究所，派駐鶯歌陶瓷技術輔導中心，因為參與專題開發計畫得以發揮雕塑長才，配合該年度的研究主題以「牛」為創作題材，藉裝飾陶瓷的表達方式展現。\n 本作品199614009〈BORE牛〉是作者以詼諧、諷刺的意念，描寫一頭「無聊」的牛。只見站立著的陶牛低著頭，無所事事、感覺很無辜的樣子；從身材的比例看起來，顯然整個身子是肥大的，四條腿也是粗壯的，對比之下頭卻變小了，好像在表明沒事做又多吃的結果，與作者內心的創作概念似乎是吻合的，可以讓觀者產生共鳴。外觀的處理有別於一般作品，既無上釉也不是自然的平滑感覺或手塑觸感，係全部以金屬用鋸片細心刮出來的特殊質感有如牛毛，展現雕塑的原創本質之美。\n 就技術面來看，因為考量到脫模的問題，必須先將雕塑原型加以分片、切割處理後才能開模，因此會有多組石膏模具；於同一時間內注漿成形的整組陶土坏體，需要以手工細心沾上泥漿、逐一接合，靜置並等待充分陰乾後始得入窯，經由1,230℃高溫氧化燒成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199614010","MainTitle":"憩","Creator":"許慶福","CreatedYear":"1996","Size":"23×10.5×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjE0MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者許慶福先生，曾經服務於臺灣省手工業研究所技術組，專精石材創作，因為參與專題開發計畫得以發揮雕塑長才，配合該年度的研究主題以「牛」為創作題材，藉裝飾陶瓷的表達方式展現。\n 本作品199614010〈憩〉，作者以模糊、可愛的意象描寫一頭跪趴著的水牛，狀極溫馴、放鬆的感覺，因此取名為「憩」，此與作者內心的創作理念似乎是吻合的。就視覺上來看，身體的部分非常有牛的味道，有如立體的寫意畫；頭部的牛角和面部表情，將臺灣水牛特質做了高度傳神的表達，顯然帶有卡通畫的味道，相信連小朋友都會喜歡，希望觀賞者也會產生同樣的共鳴。整體外觀的表面處理極為平滑、細緻，完全沒有上釉，充分展現雕塑的原創本質與陶土的材質之美。\n 就技術面來看，因為考量到脫模的問題，必須先將雕塑原型加以分片、切割處理後才能開模，因此會有多組石膏模具；於同一時間內注漿成形的整組陶土坏體，需要以手工細心沾上泥漿、逐一接合，靜置並等待充分陰乾後始得入窯，經由1,230℃高溫氧化燒成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199614011","MainTitle":"臥牛盤","Creator":"黃弘鎮","CreatedYear":"1996","Size":"25×25×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjE0MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者黃弘鎮先生，畢業於國立臺灣藝術專科學校美術工藝科，曾經服務於臺灣省手工業研究所設計組，因為參與專題開發計畫得以發揮雕塑長才，配合該年度的研究主題以「牛」為創作題材，藉裝飾陶瓷的表達方式展現。\n 本作品199614011〈臥牛盤〉是情感豐富的作者在鄉間以其成長過程從小到大對水牛的觀察與感情，採用寫實作風來進行創作，陶盤裡頭靜靜臥著一頭可愛的小水牛，閉眼小憩，仔細觀察會令觀者愈看愈喜愛，的確是一件具有相當程度的雕塑作品，盤面背景做了一些簡單的處理，類似石材裂面那種自然的質感，遠遠觀之又有如一幅叢山峻嶺圖，就像埔里的牛眠山群；反之，假如以微觀的角度來看待此作品，將此陶盤縮小到錢幣大小，有可能它就會是一件傑出的金、銀紀念幣雕刻。\n 就技術面問題來看，因為陶盤表面的雕塑圖案都是採取淺浮雕作法，沒有脫模困難的問題，如果需要量化生產，只要以石膏翻製，做出一組注漿用的模具即可；為了品質穩定，亦可製作石膏高壓注漿模，採用高壓注漿成形法做出泥坏。澆注、倒漿產生的泥坏，需靜置等待充分陰乾後始得入窯，經由1,230℃高溫氧化燒成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199614012","MainTitle":"蠻牛","Creator":"黃弘鎮","CreatedYear":"1996","Size":"31×19×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjE0MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者黃弘鎮先生，畢業於國立臺灣藝術專科學校美術工藝科，曾經服務於臺灣省手工業研究所設計組，因為參與專題開發計畫得以發揮雕塑長才，配合該年度的研究主題以「牛」為創作題材，藉裝飾陶瓷的表達方式展現。\n 本作品199614012〈蠻牛〉是作者以保守又誇張的手法，描寫一頭胸肌發達、歪著頭正想展現實力的「未被馴服、力道強大」的年輕水牛。只見站立著的這頭陶牛，胸部以下的四條腿還沉浸在水中被省略掉，已經泡水休憩夠了感覺很舒服，正準備要上岸幹活；此與作者內心的創作概念似乎是吻合的，或許可以讓觀賞者產生共鳴。外觀的表面處理有別於一般作品，既無上釉也不是自然的平滑感覺或手塑觸感，係由作者以工具細心處理出來的特殊質感有如牛毛象徵，展現雕塑的原創本質之美。\n 就技術面來看，因為考量到脫模的問題，必須先將雕塑原型加以分片、切割處理後才能開模，因此會有多組石膏模具；於同一時間內注漿成形的整組陶土坏體，需要以手工細心沾上泥漿、逐一接合，靜置並等待充分陰乾後始得入窯，經由1,230℃高溫氧化燒成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199614013","MainTitle":"跪牛","Creator":"林雲龍","CreatedYear":"1996","Size":"23.5×11×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjE0MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。作者林雲龍先生，曾經服務於臺灣省手工業研究所技術組，因為參與專題開發計畫得以發揮雕塑長才，配合該年度的研究主題以「牛」為創作題材，藉裝飾陶瓷的表達方式展現。\n 本作品199614013〈跪牛〉，作者以簡化、半抽象的四方體造形概念，描述一頭「跪姿」的年輕水牛。最大量體的身體部分呈現最明顯的長形立方體；牛角的斷面以及嘴鼻的部分都是統一形成四方形的味道；從嘴唇、鼻樑、頭頂一直到牛角，形同是在同一個平面下的感覺，與身體部分的四方體取得一致的造形語彙，讓整體造形的協調性更高；背部明顯隆起的脊樑一直延續到下垂的尾巴。跪姿的四隻牛腳採半浮雕的技法表現，有如中國古代鎮墓獸縮小版的感覺。外觀的表面處理，作者特地在比較平面的部位坐上有如石材表面粗造質感的處理，讓作品充分展現雕塑的原創本質之美。\n 就技術面來看，因為考量到脫模的問題，必須先將雕塑原型加以分片、切割處理後才能開模，因此會有多組石膏模具；於同一時間內注漿成形的整組陶土坏體，需要以手工細心沾上泥漿、逐一接合，靜置並等待充分陰乾後始得入窯，經由1,230℃高溫氧化燒成。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199701001","MainTitle":"新油滴釉瓶","Creator":"創作者：郭明慶","CreatedYear":"","Size":"附木箱\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199701002","MainTitle":"蛻變","Creator":"創作者：曾鳳珠","CreatedYear":"","Size":"附木箱","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品用竹篾編作圓筒狀內層，外面則以藤皮編成無數結飾，宛若朵朵盛開的花團簇擁一起，構成優美的圖案，增添了無數溫馨和愉悅。雙層結構的組合具有層次感。\r\n(詮釋委員：張憲平)\r\n","ImageUrl":""}
,{"Identifier":"199701003","MainTitle":"沈金透漆砵","Creator":"創作者：林建正","CreatedYear":"","Size":"附木箱","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件作品胎體為木質，木材膠合後經車旋製成，為扁形身寬腹，平底無圈足之缽型。造型渾厚、簡潔。作品內、外以傳統漆工技法髹塗。作品外表面無紋飾，全體以罩金來呈現作品的色澤。(詮釋委員：黃麗淑)","ImageUrl":""}
,{"Identifier":"199701004","MainTitle":"茶具組（傳承）","Creator":"創作者：林裕允(竹雕老師)","CreatedYear":"","Size":"附木箱","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「虛心成大事，勁節見奇才」是古人稱讚「竹」之美言，勸君多學堅忍不屈、勁節虛心之精神。以竹刻竹表裡皆美。母鼠攜子一副家庭興旺之景象，頗富傳承正在進行中。具象之茶則、茶匙也是將茶葉導入茶壺之器具組件。(詮釋委員：施鎮洋)","ImageUrl":""}
,{"Identifier":"199701004001","MainTitle":"茶具組（傳承）-茶杯墊","Creator":"創作者：林裕允(竹雕老師)","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAxMDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199701004002","MainTitle":"茶具組（傳承）-茶則","Creator":"創作者：林裕允(竹雕老師)","CreatedYear":"","Size":"附木箱","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAxMDA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199701004003","MainTitle":"茶具組（傳承）-茶匙","Creator":"創作者：林裕允(竹雕老師)","CreatedYear":"","Size":"附木箱","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAxMDA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199702001","MainTitle":"潮浪王子--領帶夾、戒指、袖扣","Creator":"設計者：張琬琪
配合廠商：余展企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199702002","MainTitle":"軍裝時尚--腰帶、胸針、袖扣","Creator":"設計者：鄭旭凱
配合廠商：魏素娥工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199702003","MainTitle":"西藏新娘--項鍊、髮飾、耳環","Creator":"設計者：陳姿佚
配合廠商：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199702004","MainTitle":"時尚的迷思--項鍊、手鐲、胸針","Creator":"設計者：呂學堯
配合廠商：光興珠寶公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此套首飾作品名稱題為「時尚的迷思」，作品包含硬式頸環的墜飾、手鐲和胸針是成套的首飾。到底珠寶設計該重視貴金屬的純粹美感，或是追逐短暫的流行時尚，這個永恆與瞬間的矛盾共存關係，令人困惑產生迷思，激盪出這組作品的結晶。 \r\n項鍊主體採925銀板包折鍛敲成型的環狀硬式頸環，下方連接兩個圓角的長方形茶金寶石，周圍以圓線圍繞，正面裝飾有橫向排列的四段線條，寶石自後方以爪鑲固定，兩個寶石間以線材串聯。胸針採上下兩個寶石插過衣服布料的固定法，手鍊也是兩個寶石勾住銀線板敲成的主體，整體造型呈現有機自然的流暢線型，具自然樸質且輕快的美感。\r\n在1980年代啟正值臺灣經濟起飛外銷貿易鼎盛時期，台灣當時曾是最大的流行飾品輸出國家，但本地業者多僅限於為國外廠牌代工生產，以廉價勞力賺取微薄利潤，為協助業者重視設計提升產品的發展水準，以增進外銷競爭力之任務，國立臺灣工藝研究發展中心的前身「臺灣省手工業研究所」與台灣藝品禮品輸出業同業公會，連續數年共同舉辦珠寶設計競賽，推舉出優良飾品設計，以提升台灣外銷技術研究發展水準。光興珠寶公司為台灣區藝品禮品輸出業同業公會會員，同時是少數有設計與生產部門的公司，亦有自創品牌「夢幻金」珠寶，因而栽培不少設計人才，是當年台灣經濟起飛盛況時期很重要的廠商代表。此件作品即為參加1997年珠寶飾品設計競賽獲得傑出設計奬的作品。(詮釋委員：王梅珍)","ImageUrl":""}
,{"Identifier":"199702005","MainTitle":"烒煉生命的火鳳凰--項鍊、戒指、耳環、袖扣","Creator":"設計者：陳文雄
配合廠商：天新寶石工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199702006","MainTitle":"分、合--項鍊、胸針、耳環","Creator":"設計者：顏文茹
配合廠商：浚貿企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAyMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199702007","MainTitle":"迷--項圈、胸針、戒指","Creator":"設計者：彭瓊慧
配合廠商：呂政男珠寶設計工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAyMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"人生旅途就像遊戲般，當我們憑著直覺踏腳出第一步，路就由你闖蕩開來，時而順遂亦或是困頓碰壁，選擇的的方向是對或錯？如同迷宮一般，奇妙地我們仍然能突破重圍找到出口，實現自己的夢想。創作者透過墜飾、胸針和戒指三件成套的飾品，巧妙傳達對人生旅途的詮釋語彙。銀色橄欖外形的墜飾配上一條黑色繩圈，主體以直線條分格拼出如窗花般迷宮的圖案裝飾，配上圓潤的珍珠；長方形的胸針，上面同樣裝飾了精緻的迷宮造型，左右兩端各加飾兩粒和三粒圓形珍珠以柔和又展現理智的直線性作品；戒指的主結構以方形的外框中間鏤空圓形指環，兩片方型中間以線條隔出的迷宮結構相連著，亦鑲著一顆珍珠凸顯造型。整體套組首飾造型簡潔中凸顯著質樸，做工精美。\r\n呂政男珠寶設計工作室於1992年成立，設計開發許多受歡迎的首飾。呂政男不僅活耀於台灣珠寶行業多年，曾任台灣藝品禮品輸出業同業公會開設的珠寶設計班授課老師，亦著有「珠寶式樣呂政男設計手稿」、「珠寶式樣PartII 呂政男設計手稿」二書，是台灣最早的珠寶手繪設計專書，啟蒙甚多珠寶設計後輩。(詮釋委員：王梅珍)","ImageUrl":""}
,{"Identifier":"199702008","MainTitle":"草原上的悄悄話--項鍊、胸針、耳環","Creator":"創作者：吳秋慧","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAyMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199702009","MainTitle":"魚--項圈、手環、胸針","Creator":"設計者：薛君如
配合廠商：富源金銀珠寶有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAyMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199702010","MainTitle":"人魚與浪潮--項鍊、戒指、耳環","Creator":"設計者：廖雅梅
配合廠商：星晟企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAyMDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199702011","MainTitle":"DOT--項鍊、手鍊、領結","Creator":"設計者：王清良
配合廠商：魏素娥工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAyMDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199702012","MainTitle":"城市變奏曲--項鍊、戒指、耳環","Creator":"設計者：薛紹晴
配合廠商：會聯有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAyMDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199702013","MainTitle":"花苞--項鍊、胸針、耳環","Creator":"設計者：周銘淑
配合廠商：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAyMDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199702014","MainTitle":"井蛙之夢--項鍊、胸針、耳環","Creator":"設計者：張琬琪
配合廠商：會聯有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAyMDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199702015","MainTitle":"初生--項圈、戒指、耳環","Creator":"設計者：杜瑞凌
配合廠商：塋樺珠寶有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAyMDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199702016","MainTitle":"藏月--項鍊、戒指、耳環","Creator":"設計者：陳高登
配合廠商：天新寶石工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAyMDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199702017","MainTitle":"盒心(核心)--項鍊、胸針、耳環","Creator":"設計者：顏文茹
配合廠商：大東山珊瑚寶石公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAyMDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"創作者感於宇宙中的運轉，造就萬物，進行中控制了世界核心，因而發想創作此命名為盒心(核心)的作品。整體作品中墜飾係以切割成橄欖外形的黑色瑪瑙為主，中間鑲上圓白玉髓以銀線材上下固定，並以銀鍊穿過其後成為項鍊；胸針及耳針式耳環則都是長型黑瑪瑙板片，以銀板鋸出造型上下固定馬眼型白玉髓寶石，整體首飾黑瑪瑙占較大的面積，僅以通透的白玉髓及銀材作為點綴，顯得很穩重高雅。\r\n大東山珊瑚寶石股份有限公司原是發跡於澎湖的珊瑚加工廠，1970年代採撈的珊瑚質地佳的大都加工後外銷日本，大東山則善用當時被認為廢料的白珊瑚細枝加工成平價飾品外銷，因懂得利用原料優勢，很快的成為台灣最大的珊瑚出口供應商。民國77年轉攻珍珠市場，以珍珠加工廠及養殖場垂直整合生產、加工與銷售品牌，成功建立自有品牌Luperla，打進美國梅西(Macy's)百貨公司及布魯明岱爾(Bloomingdale's)精品百貨公司。其最廣為人稱道的是2009年美國總統歐巴馬夫人密雪兒陪同歐巴馬參加G20領袖高峰會期間，身上佩戴的白色珠鍊，正是台灣大東山的產品。它是遠看像珍珠但其實是硨磲貝打磨而成，零售價只需約一九九美元，是平價的珠鍊，正是大東山珠寶銷售成功的有力證明。(詮釋委員：王梅珍)","ImageUrl":""}
,{"Identifier":"199702018","MainTitle":"網、惘--項鍊、戒指、胸針","Creator":"設計者：彭瓊慧
配合廠商：呂正男珠寶設計工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAyMDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這套「網、惘」飾品作者以白玉髓象徵純淨的心，被自我所糾結的網困住而迷惘，卻仍堅強的在裂縫中求生存的意象，包含墜飾、胸針，及戒指，皆以蠟雕鑄造成型，墜飾與胸針都是長方形，表面裝飾如樹幹的粗造質感，中間部分鏤空以線狀架構出蜘蛛網的意象，並鑲嵌馬眼形白玉髓為視覺焦點；戒指則以箱型男戒造型，表面有相似的直線粗糙質感，中間也是鏤空線狀包鑲住馬眼形白玉髓，採雙色電鍍，襯托白玉髓的通透。整體首飾造型粗獷，尤其是戒指較為寬大，顯見為適合男性配戴的飾品。\r\n呂政男珠寶設計工作室於1992年成立，設計開發許多受歡迎的首飾。呂政男不僅活耀於台灣珠寶行業多年，曾任台灣藝品禮品輸出業同業公會開設的珠寶設計班授課老師，亦著有「珠寶式樣呂政男設計手稿」、「珠寶式樣PartII 呂政男設計手稿」二書，是台灣最早的珠寶手繪設計專書，啟蒙甚多珠寶設計後輩。這組「網、惘」飾品正是呂政男珠寶設計工作室為男性設計的珠寶作品。(詮釋委員：王梅珍)","ImageUrl":""}
,{"Identifier":"199702019","MainTitle":"螺--項圈、胸針、耳環","Creator":"設計者：鄭致弘
配合廠商：光興珠寶公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAyMDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199702020","MainTitle":"始--項鍊、髮釵、胸針","Creator":"設計者：謝思瑩
配合廠商：浚貿企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAyMDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199703001","MainTitle":"寶島新樂園","Creator":"徐建發","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件作品表現一座立體生動的農村意象雕塑群組。五個小孩圍繞著一隻農耕牛，兩位在側、兩位在牛背上，一位在前引導，他們快樂地伴隨牛隻前進。每個孩子手抱著不同的吉祥象徵作物：白蘿蔔（好采頭）、鳳梨（旺來）、甘蔗（漸入佳境）、魚（豐餘），兩隻伴隨的鴨子躲在頭戴紅色彩結與頸間懸吊鈴鐺的牛頭下方。牛背上載著攀坐在木材堆上、雙手抱著鳳梨的男孩，以及穿著制服百褶裙、頭頂西瓜皮髮型的女孩；形成複雜險峻的結構也突顯出牛的刻苦耐勞與可靠。牛隻身上的毛髮、牛角紋、小孩的頭髮、衣服皺摺、草地與石頭紋理的刻畫皆鉅細靡遺。孩子們斜肩背著綠皮書包，有的穿鞋、有的赤腳，臉帶笑容的表情，形塑出台灣農業過渡至工商發展時期，鄉下農村成長的小孩所擁有的純真快樂與自由。作品以手塑成形個體後，黏貼組合成一整體，經雕刻細節、彩繪，再燒成完成。\r\n創作者徐建發以此件作品獲得首屆殘障人士工藝創作競賽最優選獎。作品不僅展現出高水準的雕塑功力，溫暖快樂的台灣農村題材表現，更反映出他樂觀的人生態度，透過工藝創作展現突破身體限制，力求傳遞真善美的精神。該項競賽是1997年由臺灣省手工業研究所與中華民國工藝發展協會合辦，為期能讓具有創作天份與熱情的殘障朋友能取得工藝及美術方面的資訊與參賽權利，主辦單位秉持「尊重與鼓勵」精神舉辦此一系列創作競賽、座談及展覽的活動（註1）。(詮釋委員：杜文田)\r\n\r\n註1 參考本中心前所長翁徐得先生序文，《一九九七殘障人士工藝創作競賽》，臺灣省手工業研究所（臺灣省手工業研究所現為國立臺灣工藝研究發展中心），1997，頁1。","ImageUrl":""}
,{"Identifier":"199703002","MainTitle":"牧場看羊去","Creator":"張俊賢","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199703003","MainTitle":"宇宙之子－誕生","Creator":"郭美芳","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"老子有言：有物混成，先天地生……。\r\n天地未開之前，就有運行不輟的混成物，乃是萬物的源頭，如西方宗教所信奉的上帝，即是宇宙一切萬物之主。\r\n混沌初開，宇宙萬物之主由天上降臨大地，銜宇宙之子的重責開創世間。畫面上從空而來的一團火球，迸出人類的初始者，大鵬般的神鳥衛護，身邊澎湃湧起如潮水如險峻奇岩的雙翼，籠罩著神秘的氛圍，一股撼動的力量可振傳浩潮宇宙。\r\n表現這幅的工藝技法是以縫紉機帶動線材佈於布塊上的車繡法。古老的針車使用，純以手的敏銳操作完成一針一線，所繡出的針法都稱為車繡。針法之運用變化多端；可直線前進的平針線條，以小平針旋得圈狀的線條，也有拉長針腳的浮線，顆粒般的圓點，釘線繡法，或者是年代記憶中的繡學號針法等，都可用車繡裝扮生活物件之美。\r\n作者郭美芳先以小平針連續繞小圓的方式進行，慢慢在繡布上鋪滿厚度，剛開始的布面上可見由圈狀所形成似花瓣的組合，通常被以「梅花繡」稱之，但確切的認知應還是車繡針法之一。同時，畫面上因繡線堆高厚度後已見不到圈狀的花瓣，在本作品中所繡出的效果就是如此。最後以上述的各種繡法強調局部線條的輕重、震動、崩裂景象，色彩的表現掌握全視線。\r\n目前車繡線材大都為嫘縈絲線，有化學纖維的亮光澤，色彩多樣，購得方便。作者先完成原圖的色彩計畫，一幅可欣賞的圖畫製作因熟練的車繡線條而更生動。(詮釋委員：簡玲亮)","ImageUrl":""}
,{"Identifier":"199703004","MainTitle":"日正當中","Creator":"黃天來","CreatedYear":"","Size":"提樑壺(附蓋)、茶爐(附內盤)\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件名為「日正當中」的茶器組由工藝家黃天來於1997年所創作，主要部分為提樑壺與茶爐；不銹鋼提樑壺上附壺蓋，壺蓋上特意拉高的壺紐，鑲有紅色石榴石，不銹鋼提樑壺通體先上綠漆、再上黃漆，顯現活潑層次的色彩，提樑壺渾厚圓潤的壺身上面部過半飾以小立體浮雕圖案，質感紋飾雅緻規律，壺流勁挺有力，壺底下面加上均勻顆粒表面，增加燒壺時的安全穩定而不滑動。提梁使用可拆卸的銅製曲線，線條流暢飽滿、玲瓏有緻，方便握持。青銅茶爐中附有生鐵內盤，棕色銅鏽展現古樸，更加襯托黃色提樑壺的主體性。茶爐中的支撐、提環、角飾等細節都是以昆蟲圖樣裝飾，增加趣味。\r\n「日正當中」的茶器組整體造形設計具有巧思；紅色石榴石象徵太陽、黃綠色壺身象徵生長的農作與田野、棕色茶爐則象徵大地生機繁榮。造形象徵天地之間生氣蓬勃、欣欣向榮的景象。而茶爐及提樑壺則皆具有為實用功能的考量。是材質性能及藝術涵養兼備的佳作，工藝技巧純熟、精心雕琢紋樣更富收藏價值，展現精美優雅的茶文化內涵。(詮釋委員：陳國珍)","ImageUrl":""}
,{"Identifier":"199703005","MainTitle":"綠意","Creator":"蔡成發","CreatedYear":"","Size":"","Type":"工藝類\\皮革類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzAzMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以裝框的畫幅形式，利用牛皮柔軟的特質，將綠葉、向日葵，及蘆葦進行巧妙的構圖，讓人在集中的視覺意象中，卻有豐美、廣闊的自然想像；特別是綠色的葉片包圍中，與盛開的橙黃向日葵形成強烈的對比，再加上蘆葦的細莖與白花，讓原本較為陽剛的構成，有了更細膩、輕柔的表現。\r\n此作之困難在向日的不同面向，正、側向的花朵造形，增加了畫面的活潑與空間的暗示，在皮革雕造的過程中，是頗為難得的表現，也代表著創作者不屈、陽光的正向性格。\r\n作為一種具觀賞、掛飾用途的藝術形式，以皮革為媒材，呈顯工藝的精巧技術與難度，同時也傳達或映現了創作者的信念與美感，向日葵的向陽、大器，蘆葦的細緻、柔軟，都包裹在綠葉的環境中，或與真實情境不符，反而深具生命的寓意與啟示：在幽暗、封閉的環境，永不放棄向陽的努力與順應環境的柔軟。(詮釋委員：蕭瓊瑞)","ImageUrl":""}
,{"Identifier":"199704001","MainTitle":"米羅拼花西餐桌","Creator":"山輝石業股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「米羅拼花西餐桌」是由不同色澤的石材，以水刀切割鑲嵌拼貼而成，其工法類似傳統螺鈿的異材質組合，但又必須克服石材本身的厚度及硬度。桌板不宜太厚，避免增加承載的重量，且切削過後石板本身主體強度已經破壞，實務面其結構支撐必須補強，這也是「米羅拼花西餐桌」在技術層面上所面臨的一大考驗。\n拜現代科技與材料進步所賜，環氧樹脂與玻璃纖維網的使用，讓薄型石材的物理特性得以提升，解決了這方面的問題。\n水刀切割技術的引進，在當代石材加工產業中，扮演一個非常積極重要的角色。特別在鑲嵌工藝領域的應用，精準度不僅獲得極大的提升，加工速度與效率也獲致倍數的成長。\n典藏「米羅拼花西餐桌」最大的意義，是克服了傳統工法的限制，提供石材產業一個不同向度嶄新的思維，讓未來有志於從事石材家具設計的工藝師們，更游刃有餘得以展現各種創意與表現。(詮釋委員：邱泰洋)","ImageUrl":""}
,{"Identifier":"199704002","MainTitle":"翹頭案","Creator":"創作者：大禾竹工廠","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此〈翹頭案〉比一般桌面為高，在傳統家具中稱「頂桌」，基本上是作為物件擺設之用；在宗教活動中，也是擺設香爐、燭檯之用，並配較寬、矮的「下桌」，形成「頂、下桌」的組合。此件將「頂桌」獨立，以孟宗竹為材料，經切片、碳化、膠合後，仿木作形式作成；翹頭的裝飾外，桌腳與桌面間的弧形裝飾，也有加固的作用。另在前方增設一抽屜，顯然這樣的設計，也方便作為現代人寢室、書房擺設之用。\r\n類此「翹頭案」的家具，傳統漢人家居又稱「高几」，也就是高足的桌子；以往富貴人家，也可作為宴席中擺放食物、點的小桌，這件作品，加了前方的抽，在功能上，就和人的家居生活更為貼近，可放置一些私密的小物件，給人更親和的感受，而四足的簡潔，又富明式家具的特色。(詮釋委員：蕭瓊瑞)","ImageUrl":""}
,{"Identifier":"199704003","MainTitle":"花架","Creator":"創作者：大禾竹工廠","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"將碳化、膠合過的竹材，做成六角形的桌面及六足高几，成為可擺置花盆、花瓶的「花架」，相對於傳統木作花架之易腐，及現代鋼材花架之生冷，此件顯然在實用、美觀上均具特色與價值；尤其六角形的結構，花架下方聯結六足的橫槓，形成猶如攝影鏡頭般的圖案，更顯創意。\r\n 此件在許多細節上，展現創作者的用心，除六足橫槓的交錯造形外，足頂和桌面連接處的弧形細條，以及足下反向翹起的葉形裝飾，在在顯示作者的匠心與創意。\r\n 此作雖名為「花架」，但用途顯然不限於花架，因為上頭擺置的也可能是各種具觀賞或紀念價值的物件；即使未擺置物件，此高几本身的造型、工法，也足以成為一件獨立的藝術品。\r\n竹材為台灣山林最重要的物種之一，由竹材衍生的工藝產品也就特別豐、多；在草屯手工藝研究所創立時期，「竹工藝」就是一項大宗。本作屬可大批量產的案例。(詮釋委員：蕭瓊瑞)","ImageUrl":""}
,{"Identifier":"199704004","MainTitle":"竹製迴水茶池","Creator":"創作者：大禾竹工廠","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"茶池又稱茶洗、茶船，或壺承，是泡茶時盛放茶壺的器具，也可用於承接溢水或淋壺茶湯的必備器具。\r\n此件茶池，採竹材製成，以條狀構成的池面，是放置茶壺之處；平面部份則放茶杯，並設有出水口以連接水管出水；整件造型，簡潔大器，在量產化的情形下，仍不失工藝的精緻與美感。竹材不易吸水，也就不會發霉生苔，既溫潤可感、更持久耐用，是最好的茶具用料。\r\n台灣是盛產茶葉的地區，茶葉既作為輸出、貿易的大宗，也是民眾生活中不可或缺的飲品，泡茶、品茶，成為生活中不可或缺的一部份；進而激發出泡茶時的各種器具，茶池正是這些器具和活動時的中心角色。大量的需求，工業風的現代茶池也成為滿足社會需求的產品，也就是在極簡的線性構成中，達到量產的目的，又不影響其實用的需求與美感。(詮釋委員：蕭瓊瑞)","ImageUrl":""}
,{"Identifier":"199704005","MainTitle":"碗","Creator":"創作者：安達陶瓷藝術有限公司","CreatedYear":"","Size":"外箱尺寸：40*41*32.5公分\r\n含外箱重：7550公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704006","MainTitle":"碗","Creator":"安達陶瓷藝術有限公司","CreatedYear":"","Size":"1.含外箱尺寸:40*41*32.5公分\r\n2.含外箱重： 7550公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704007","MainTitle":"碗","Creator":"安達陶瓷藝術有限公司","CreatedYear":"","Size":"1.含外箱尺寸:40*41*32.5公分\r\n2.含外箱重： 7550公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704008","MainTitle":"樹皮編藝－匯集","Creator":"李永謨","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704009","MainTitle":"愛","Creator":"李永謨","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704010","MainTitle":"常關照（母子戲獅）","Creator":"呂建勳","CreatedYear":"","Size":"附展示箱、木箱；\r\n含木箱尺寸47.5*47.5*54.5cm ，\r\n含木箱重量17750公克，\r\n含玻璃尺寸41*41*45.5cm，\r\n含玻璃重量8200公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704011","MainTitle":"迷你竹家具－餐桌椅","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「竹」是臺灣農業最豐富的資源，不但可作食品，還可以用來製作各式各樣的器具。竹子在臺灣使用廣泛，清乾隆中期，各市集出現「篾套間」販賣竹器和竹家具，及至光緒初年，台南已有竹仔街、嘉義敢石路、竹街、鹿港竹篾街等，可見竹藝行業的興盛。\r\n 竹子質輕、中空莖直，其纎維靭度張力較木質為強。其莖幹粗細均勻、筒桿挺直、表皮光滑、色澤潤瑩柔和、格調高雅、清涼爽目、造型多變、強度可靠、加工單純，價廉物美、運搬輕便，甚受傳統民間歡迎而喜用。民國五十年代以前，竹器種類繁多，食、衣、住、行、育、樂、信仰、禮俗等等，都廣泛分佈。人與竹，關係比今日密切多了！\r\n 本組「迷你竹製餐桌椅家具」，是陳炎清匠師仿大型竹管鑿抝家具的縮小版。傳統家庭慣用竹管製餐桌椅，很適合臺灣亞熱帶氣候環境，清洗搬運容易，使用也涼爽。其工藝細緻，具體而微，引人注目，並發思古幽情。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199704011001","MainTitle":"迷你竹家具－餐桌椅-四方桌","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDExMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704011002","MainTitle":"迷你竹家具－餐桌椅-折合椅","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDExMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704011003","MainTitle":"迷你竹家具－餐桌椅-折合椅","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDExMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704011004","MainTitle":"迷你竹家具－餐桌椅-折合椅","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDExMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704011005","MainTitle":"迷你竹家具－餐桌椅-折合椅","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDExMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704012","MainTitle":"迷你竹家具－八角桌椅","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「竹」是臺灣農業最豐富的資源，不但可作食品，還可以用來製作各式各樣的器具。竹子在臺灣使用廣泛，清乾隆中期，各市集出現「篾套間」販賣竹器和竹家具，及至光緒初年，台南已有竹仔街、嘉義敢石路、竹街、鹿港竹篾街等，可見竹藝行業的興盛。\r\n 竹子質輕、中空莖直，其纎維靭度張力較木質為強。其莖幹粗細均勻、筒桿挺直、表皮光滑、色澤潤瑩柔和、格調高雅、清涼爽目、造型多變、強度可靠、加工單純，價廉物美、運搬輕便，甚受傳統民間歡迎而喜用。民國五十年代以前，竹器種類繁多，食、衣、住、行、育、樂、信仰、禮俗等等，都廣泛分佈。人與竹關係比今日密切多了！\r\n 本組「迷你竹家具－八角桌椅」，是陳炎清匠師仿大型竹管鑿抝家具的縮小版。傳統家庭慣用竹管製餐桌椅，很適合臺灣亞熱帶氣候環境，清洗搬運容易，使用也涼爽。八角形桌及扶手椅，讓人想起～星月下、門口埕，泡茶聊天的古早休閒。其工藝細緻，具體而微，引人注目，並發思古幽情。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199704012001","MainTitle":"迷你竹家具－八角桌椅-八角高桌","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDEyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704012002","MainTitle":"迷你竹家具－八角桌椅-椅","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDEyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704012003","MainTitle":"迷你竹家具－八角桌椅-椅","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDEyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704013","MainTitle":"迷你竹家具－躺椅","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「竹」是臺灣農業最豐富的資源，不但可作食品，還可以用來製作各式各樣的器具。竹子在臺灣使用廣泛，清乾隆中期，各市集出現「篾套間」販賣竹器和竹家具，及至光緒初年，台南已有竹仔街、嘉義敢石路、竹街、鹿港竹篾街等，可見竹藝行業的興盛。\r\n 竹子質輕、中空莖直，其纎維靭度張力較木質為強。其莖幹粗細均勻、筒桿挺直、表皮光滑、色澤潤瑩柔和、格調高雅、清涼爽目、造型多變、強度可靠、加工單純，價廉物美、運搬輕便，甚受傳統民間歡迎而喜用。民國五十年代以前，竹器種類繁多，食、衣、住、行、育、樂、信仰、禮俗等等，都廣泛分佈。人與竹，關係比現代密切多了！\r\n 本組「迷你竹家具－躺椅」，是陳炎清匠師仿大型竹管鑿抝家具的縮小版。傳統家庭慣用竹管製餐桌椅，很適合臺灣亞熱帶氣候環境，清洗搬運容易，使用也涼爽。躺椅，讓人想起舊時農業社會，在客房清爽午休，或在星月下、門口埕，夜涼如水，仰躺小憩的古早休閒。其工藝細緻，具體而微，引人注目，並發思古幽情。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199704014","MainTitle":"迷你竹家具－搖籃","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「竹」是臺灣農業最豐富的資源，不但可作食品，還可以用來製作各式各樣的器具。竹子在臺灣使用廣泛，清乾隆中期，各市集出現「篾套間」販賣竹器和竹家具，及至光緒初年，台南已有竹仔街、嘉義敢石路、竹街、鹿港竹篾街等，可見竹藝行業的興盛。\r\n 竹子質輕、中空莖直，其纎維靭度張力較木質為強。其莖幹粗細均勻、筒桿挺直、表皮光滑、色澤潤瑩柔和、格調高雅、清涼爽目、造型多變、強度可靠、加工單純，價廉物美、運搬輕便，甚受傳統民間歡迎而喜用。民國五十年代以前，竹器種類繁多，食、衣、住、行、育、樂、信仰、禮俗等等，都廣泛分佈。人與竹，關係比現代密切多了！\r\n 本組「迷你竹家具－搖籃」，是陳炎清匠師仿大型竹管鑿抝家具的縮小版。傳統家庭慣用竹管製餐桌椅，很適合臺灣亞熱帶氣候環境，清洗搬運容易，使用也涼爽。搖籃，讓人想起舊時農業社會，母親或阿嬷將兒孫放在竹搖籃內，涼爽的籃裡，本來就很舒適，又在長輩的輕唱「搖嬰歌」中，恬然安眠。這件「迷你搖籃」工藝細緻，具體而微，引人注目，並發思古幽情。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199704015","MainTitle":"迷你竹家具－菜櫥","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「竹」是臺灣農業最豐富的資源，不但可作食品，還可以用來製作各式各樣的器具。竹子在臺灣使用廣泛，清乾隆中期，各市集出現「篾套間」販賣竹器和竹家具，及至光緒初年，台南已有竹仔街、嘉義敢石路、竹街、鹿港竹篾街等，可見竹藝行業的興盛。\r\n 竹子質輕、中空莖直，其纎維靭度張力較木質為強。其莖幹粗細均勻、筒桿挺直、表皮光滑、色澤潤瑩柔和、格調高雅、清涼爽目、造型多變、強度可靠、加工單純，價廉物美、運搬輕便，甚受傳統民間歡迎而喜用。民國五十年代以前，竹器種類繁多，食、衣、住、行、育、樂、信仰、禮俗等等，都廣泛分佈。人與竹，關係比現代密切多了！\r\n 本組「迷你竹家具－菜櫥」，是陳炎清匠師仿大型竹管鑿抝家具的縮小版。傳統家庭慣用竹管製餐桌椅，很適合臺灣亞熱帶氣候環境，清洗搬運容易，使用也涼爽。菜櫥，讓人想起舊時農業社會窮苦人家，灶腳廚房的靠壁，放置矮形菜櫥，櫥面可當飯桌，扇門之內分隔可收拾殘餚醬漬。這件菜櫥工藝細緻，具體而微，引人注目，並發思古之幽情。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199704016","MainTitle":"迷你竹家具－太師椅","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「竹」是臺灣農業最豐富的資源，不但可作食品，還可以用來製作各式各樣的器具。竹子在臺灣使用廣泛，清乾隆中期，各市集出現「篾套間」販賣竹器和竹家具，及至光緒初年，台南已有竹仔街、嘉義敢石路、竹街、鹿港竹篾街等，可見竹藝行業的興盛。\r\n 竹子質輕、中空莖直，其纎維靭度張力較木質為強。其莖幹粗細均勻、筒桿挺直、表皮光滑、色澤潤瑩柔和、格調高雅、清涼爽目、造型多變、強度可靠、加工單純，價廉物美、運搬輕便，甚受傳統民間歡迎而喜用。民國五十年代以前，竹器種類繁多，食、衣、住、行、育、樂、信仰、禮俗等等，都廣泛分佈。人與竹關係比今日密切多了！\r\n 本組「迷你竹家具－太師椅」，是陳炎清匠師仿大型竹管鑿抝家具的縮小版。傳統家庭慣用竹管製餐桌椅，很適合臺灣亞熱帶氣候環境，清洗搬運容易，使用也涼爽。太師椅，是舊時社會小康人家所慣用，在正廳放置一套四椅二几或八椅四几的竹太師椅，讓人想起～嫁娶的熱閙場面，新娘捧茶𥕥，親長食甜茶、壓紅包、講好話的情景。竹太師椅高靠背及雙扶手，工藝細緻，具體而微，引人注目，並發思古幽情。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199704016001","MainTitle":"迷你竹家具－太師椅-八角矮桌","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDE2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704016002","MainTitle":"迷你竹家具－太師椅-椅","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDE2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704016003","MainTitle":"迷你竹家具－太師椅-椅","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDE2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704017","MainTitle":"迷你竹家具－兒童車椅","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「竹」是臺灣農業最豐富的資源，不但可作食品，還可以用來製作各式各樣的器具。竹子在臺灣使用廣泛，清乾隆中期，各市集出現「篾套間」販賣竹器和竹家具，及至光緒初年，台南已有竹仔街、嘉義敢石路、竹街、鹿港竹篾街等，可見竹藝行業的興盛。\r\n 竹子質輕、中空莖直，其纎維靭度張力較木質為強。其莖幹粗細均勻、筒桿挺直、表皮光滑、色澤潤瑩柔和、格調高雅、清涼爽目、造型多變、強度可靠、加工單純，價廉物美、運搬輕便，甚受傳統民間歡迎而喜用。民國五十年代以前，竹器種類繁多，食、衣、住、行、育、樂、信仰、禮俗等等，都廣泛分佈。人與竹關係比今日密切多了！\r\n 本組「迷你竹家具－兒童車椅」，又稱迷你「奶母車仔」，是陳炎清匠師仿大型竹管鑿抝家具的縮小版。傳統家庭慣用竹管製餐桌椅，很適合臺灣亞熱帶氣候環境，清洗搬運容易，使用也涼爽。兒童竹車椅，是舊時社會人家所慣用，常見親長推著兒童散步兜風；似椅那件，又稱「椅轎」，一器雙用，可以讓嬰兒坐在框椅內，嬰兒不坐，一翻爿，可當大人坐椅用。竹製兒童車椅，在造型設計，頗具巧思，這件迷你兒童車椅工藝細緻，具體而微，引人注目，並發思古幽情。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199704017001","MainTitle":"迷你竹家具－兒童車椅(有輪子)","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDE3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704017002","MainTitle":"迷你竹家具－兒童車椅","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDE3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704018","MainTitle":"迷你竹家具－擔仔麵組","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「竹」是臺灣農業最豐富的資源，不但可作食品，還可以用來製作各式各樣的器具。竹子在臺灣使用廣泛，清乾隆中期，各市集出現「篾套間」販賣竹器和竹家具，及至光緒初年，台南已有竹仔街、嘉義敢石路、竹街、鹿港竹篾街等，可見竹藝行業的興盛。\r\n 竹子質輕、中空莖直，其纎維靭度張力較木質為強。其莖幹粗細均勻、筒桿挺直、表皮光滑、色澤潤瑩柔和、格調高雅、清涼爽目、造型多變、強度可靠、加工單純，價廉物美、運搬輕便，甚受傳統民間歡迎而喜用。民國五十年代以前，竹器種類繁多，食、衣、住、行、育、樂、信仰、禮俗等等，都廣泛分佈。人與竹關係比今日密切多了！\r\n 本組「迷你竹家具－擔仔麵組」，是陳炎清匠師仿大型竹管鑿抝家具的縮小版。台灣早期傳統賣小吃的，也慣用竹管製餐桌椅，很適合臺灣亞熱帶氣候環境，清洗搬運容易，使用也涼爽。竹製擔仔麵組家具，優點很輕巧，好擔運，可以走街串巷，也可挑到定點，如廟口、亭仔腳，一落腳，炊具都在擔子外裏，馬上開張做生意。這組家具，一對懸樑擔，四張矮凳、一張小桌，在造型設計，頗具巧思，工藝細緻，具體而微，引人注目，並發思古幽情。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199704018001","MainTitle":"迷你竹家具－擔仔麵組-擔桶","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDE4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704018002","MainTitle":"迷你竹家具－擔仔麵組-擔桶","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDE4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704018003","MainTitle":"迷你竹家具－擔仔麵組-桌","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDE4MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704018004","MainTitle":"迷你竹家具－擔仔麵組-椅","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDE4MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704018005","MainTitle":"迷你竹家具－擔仔麵組-椅","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDE4MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704018006","MainTitle":"迷你竹家具－擔仔麵組-椅","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDE4MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704018008","MainTitle":"迷你竹家具－擔仔麵組-扁擔","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDE4MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704019","MainTitle":"迷你竹家具－搖椅","Creator":"創作者：陳炎清","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「竹」是臺灣農業最豐富的資源，不但可作食品，還可以用來製作各式各樣的器具。竹子在臺灣使用廣泛，清乾隆中期，各市集出現「篾套間」販賣竹器和竹家具，及至光緒初年，台南已有竹仔街、嘉義敢石路、竹街、鹿港竹篾街等，可見竹藝行業的興盛。\r\n 竹子質輕、中空莖直，其纎維靭度張力較木質為強。其莖幹粗細均勻、筒桿挺直、表皮光滑、色澤潤瑩柔和、格調高雅、清涼爽目、造型多變、強度可靠、加工單純，價廉物美、運搬輕便，甚受傳統民間歡迎而喜用。民國五十年代以前，竹器種類繁多，食、衣、住、行、育、樂、信仰、禮俗等等，都廣泛分佈。人與竹，關係比現代密切多了！\r\n 本組「迷你竹家具－搖椅」，是陳炎清匠師仿大型竹管鑿抝家具的縮小版。傳統家庭慣用竹管製餐桌椅，很適合臺灣亞熱帶氣候環境，清洗搬運容易，使用也涼爽。搖椅，坐時斜坐可輕搖，頗為恬適。讓人想起舊時農業社會，在客房清爽午休，或在星月下、門口埕，夜涼如水，斜坐小憇的古早休閒。其工藝細緻，具體而微，引人注目，並發思古幽情。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199704020","MainTitle":"新意官帽禪椅、新意茶几","Creator":"創作者：上巧傢俱","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704021","MainTitle":"響木屐（1雙）","Creator":"創作者：宜蘭文化","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199704022","MainTitle":"筷子籠","Creator":"創作者：高雄大樹","CreatedYear":"","Size":"展出中暫未測量重量","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199705001","MainTitle":"凱福造景鐘","Creator":"貿遠實業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199705002","MainTitle":"倍尊高級鑲木文具組","Creator":"佳鉅木業股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品是一套完整又實用的高級辦公文具組，包含桌墊、文件盒、名片盒、筆桶、筆插座及兩支精緻木製的筆，本典藏品應用胡桃木為其主要用材料，再以「彩紅木」巧妙的鑲崁於各個組件中，讓文具組在視覺上產生有趣的色彩變化，增添了雅緻的感覺，讓整套文具組更顯高貴。本作品的重點是在於「彩紅木」的製作時木條寬窄比例拿捏美感與應用木材的自然色彩的適當搭配得宜，才能使沉穩的胡桃木因彩紅木的不規則的拼接，更顯其活潑而不失穩健。\n佳鉅木業股份有限公司的這款高級辦公文具組在桌墊上使用高級牛皮為主，兩側以微微高起的木質材料為墊手臂的設計令使用者可備感舒適，其長度為61.5公分是精巧的應用人體工程學的設計，可讓使用者的手臂微離開桌面且手腕及手掌握筆的手指得到書寫時最佳的施力點。故本典藏作品是一件非常成熟的商業產品。(詮釋委員：王俊傑)","ImageUrl":""}
,{"Identifier":"199705003","MainTitle":"御璽","Creator":"創作者：煥臣陶瓷藝術有限公司","CreatedYear":"","Size":"1.附塑膠放大鏡(尺寸8*4*0.5)\r\n2.含外箱尺寸:40*41*32.5公分\r\n3.含外箱重： 7550公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199705004","MainTitle":"般若鐘","Creator":"煥臣陶磁藝術有限公司","CreatedYear":"","Size":"附放大鏡(11.5*8.5*4)、底座*、錦盒\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件取古代青銅梵鐘造形的茗壺，壺身除了以電腦微雕技術刻有般若心經經文，兩側分別有24枚乳丁飾紋；配有雙龍首壺鈕、龍身壺把與龍尾壺嘴，壺體為灰黑泥注漿成形；經組黏上壺嘴、壺鈕與壺把配件，整形素燒後，進行壺身的紋飾與文字雕刻，接著上泥釉後進窯燒成。注漿成形法使黏土結構緊密，運用廣闊的鐘形作為壺身，益於茶葉在壺中舒展，彰顯壺的功能性。壺身刻文為佛教「般若波羅蜜多心經」文與「六字大明咒真言」，並附上放大鏡、底座與錦盒以利觀賞與收藏。多重造形與符號的運用與精湛工藝技術集於一身，使壺超越了本身實用性，增添了宗教信仰的精神性，更加吸引特定使用族群。煥臣陶磁藝術有限公司由陳煥臣於1976年創立於鶯歌，專注茶壺型制研發與經銷；1990年代由第二代郭介民接手經營，持續與鶯歌製壺師合作開發，結合微雕等多重工藝技法，創新臺灣飲茶器用的天地（註1）。\r\n此件作品係參加臺灣手工業研究所1997年舉辦的「臺灣生活用品評選展」，在多達105家廠商、290項近500件競賽產品中入圍優選。該競賽舉辦宗旨除了鼓勵產業工藝的研究與創新，促進產銷功能，同時提倡「工藝生活化」的標的（註2）。此競賽前身為「全國手工業產品評選」（1977年開辦），於1995年競賽名稱從「手工業」更名為「生活用品」，改以產品功能分類評選，反映出製造方式隨時代的進步；參賽者為登記有案之公司廠商，參賽作品為上市之工藝產品；2003年該競賽併入「臺灣工藝設計競賽」（註3）。在眾多競賽機會的培養下，台灣工藝的發展生機蓬勃。(詮釋委員：杜文田)\r\n\r\n註1 參考新北市鶯歌陶瓷博物館數位博物館展覽「硘味鶯歌城」之展覽內容介紹，網址https://digital.ceramics.ntpc.gov.tw/zh-tw/Collection/2_33.htm?105\r\n註2 資料來源：本中心前所長翁徐得先生序文，陳文標主編，《中華民國八十六年度臺灣生活用品評選展 工藝家邀請展》，臺灣省手工業研究所，1997，頁1。\r\n註3資料來源：呂明燦、許峰旗，〈本所歷年舉辦三大工藝競賽介紹〉，《臺灣工藝期刊》，第14期，國立臺灣工藝研究發展中心，頁5-6。 ","ImageUrl":""}
,{"Identifier":"199705005","MainTitle":"春秋戰國","Creator":"廠商：煥臣陶磁藝術有限公司","CreatedYear":"","Size":"199705005001有蓋；199705005002-004無蓋，附錦盒、放大鏡\r\n外箱尺寸：18.5*54.5*10.5公分\r\n含外箱重：2550公克\r\n裸重：001-252公克；002-205公克；003-138公克；004-154公克；放大鏡246公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA1MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199705006","MainTitle":"全節雕刻筆、拆信刀、放大鏡","Creator":"創作者：尚祥貿易有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA1MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199705007","MainTitle":"祥龍文具組","Creator":"創作者：迪雅國際有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA1MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199705008","MainTitle":"二式燒水茶組","Creator":"廠商：勤貿實業有限公司","CreatedYear":"","Size":"附酒精燈\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA1MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"臺灣早期的茶文化承襲閩南工夫茶的傳統，以潮汕四寶的潮汕烘爐、玉書煨、孟臣壺、若深杯為主要的茶器。烘爐與玉書煨（煮水茶壺）的組合，在現代化的過程中隨著電水瓶、電磁爐的普及而漸銷聲匿跡。1970年興起的現代茶藝風潮延燒至今，臺灣品茗人士也越趨講究，從80年代對品茗茶具的講究，到90年代為備好材料—茶與水，茶葉罐、煮水器也開始獲得重視，慢火煮水與茶席品茗待客的步調相近，成為愛茶人士們逐漸採用的方式。\r\n 這件產品以一組兩件：壺與爐的組合量產，成為臺灣茶文化興起的好幫手。使用低膨脹耐熱陶土製作，能耐受冷熱溫差；壺大寬廣可容納至少1200 C.C的水量，足夠沖泡三回以上的茶水。以酒精燈取代古代的煤炭雖然精簡方便，但能量不及電力，仍需等待至少十幾分鐘煮沸，使用者多半注入近沸點的水作加溫，並在行茶間適時添水控溫，出水補水。\r\n二式燒水茶組由勤貿實業有限公司製作，奠定該企業品牌「陶作坊」以器引茶的形象，1983年由林榮國先生創辦，開發介於手工陶藝壺與量產之間的產品，以達能深入居家日用，是今日知名的專業茶器具創作品牌。\r\n1997年參加臺灣手工業研究所舉辦的「臺灣生活用品評選展」，在多達105家廠商、290項近500件競賽產品中入圍優選。該競賽舉辦宗旨除了鼓勵產業工藝的研究與創新，促進產銷功能，同時提倡「工藝生活化」的標的（註1）。此項競賽自1977年開辦以來，甄選優良產品予以鼓勵並隆重表揚，幫助廠商提升形象，嘉惠數千家廠商；透過此競賽的推行，足見臺灣工藝廠商漸脫離代工模式，轉為具有成熟研發產品的能力，以工藝為基底，積極研發外銷工藝產品的市場榮景。(詮釋委員：杜文田)\r\n\r\n註1 資料來源：本中心前所長翁徐得先生序文，陳文標主編，《中華民國八十六年度臺灣生活用品評選展 工藝家邀請展》，臺灣省手工業研究所，1997，頁1。","ImageUrl":""}
,{"Identifier":"199705009","MainTitle":"火車大鬧鐘","Creator":"創作者：商科企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\樹脂類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA1MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199705010","MainTitle":"桌鐘","Creator":"紅屋家具股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA1MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199705011","MainTitle":"便條座（名片座）","Creator":"廠商：乾唐軒美術工藝公司","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA1MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199705012","MainTitle":"交趾陶虎神愛鞋烘乾器","Creator":"創作者：乾唐軒美術工藝股份公司","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA1MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件產品是一對取傳統交趾陶色彩與樣貌的虎神陶塑，利用陶瓷加熱器PTC 原理使其具烘乾的機能性。一改虎神威風形象，以匍匐之姿顯得討喜，水釉色彩變化自唐三彩色系，活潑現代，是運用傳統意象作新創，結合生活實體需求的產品。形體為陶瓷注漿成形，面部、耳與側身腹部皆留有孔洞以通風散熱。PTC（positive temperature coefficient）為正溫度係數熱敏材料，具有電阻率隨溫度升高而增大的特性，自動恆溫，加上陶瓷外殼可耐高溫、無明火，通電後即可使用（註1）。 \r\n乾唐軒美術工藝股份公司創辦於1986年，以唐三彩的陶作研發出發，產品以結合傳統元素與新技術、新題材、新樣式，追求完美為標的；1998年經多項技研發，創造「活瓷」品牌之系列日用陶瓷產品，2002年進入中國大陸市場。\r\n此件作品參加臺灣手工業研究所1996年舉辦的「臺灣生活用品評選展」競賽，榮獲前五名的最優獎。評審評語，「在舊材質上給予新機能的利用是此件產品設計最成功之處。又以虎型表達烘乾器的功能和效果，讓人如視珍寶，樂於使用，是工業設計和傳統陶藝品結合的最佳驗證。」（註2）此項競賽自1977年開辦以來，甄選優良產品予以鼓勵並隆重表揚，幫助廠商提升形象，嘉惠數千家廠商；透過此競賽的推行，足見臺灣工藝廠商漸脫離代工模式，轉為具有成熟研發產品的能力，以工藝為基底，積極研發外銷工藝產品的市場榮景。(詮釋委員：杜文田)\r\n\r\n註1參考網頁〈陶瓷加熱器PTC的基礎認識〉https://www.pauli.com.tw/news/details.php?id=5078\r\n註2資料來源：陳文標主編，《中華民國八十五年度臺灣生活用品評選展 工藝家邀請展》，臺灣省手工業研究所，1996，頁16。","ImageUrl":""}
,{"Identifier":"199705013","MainTitle":"灰釉窯變","Creator":"創作者：游曉昊","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA1MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"有著傳統簡約的圓腹陶罐型制，這件作品表面鋪陳著從綿密細緻到流淌的灰釉肌理，色澤如泥的沉穩也如礦石般閃耀，是前輩陶藝家游曉昊以柴窯燒製而成。柴燒與灰釉兩者的組合，有如一趟未知探索的過程，當中的不確定因子可能形成窯變，或許窯內溫度或氣氛改變，或許灰釉中不安定的成分有所反應，又或許是窯壁積累的木灰釉如汗滴累，以致表面出現不預期的、令人驚喜的藍綠斑斕效果。\r\n游曉昊1938年出生於台中，畢業於國立師範大學體育系，1974年隨陶藝先進林葆家學陶；曾獲國家現代陶瓷展會長獎、史博館國家榮譽金質獎章、中華民國陶瓷學會陶藝貢獻獎等。參與多項展出（註1）。陶藝藝評先進宋龍飛先生介紹他，「為倡導臺灣現代陶藝新古典主義之先驅。作品曾入選義大利法恩札、法國瓦洛利等國際陶展，並應邀故宮近代館展出。作品以無光鐵、灰釉高溫燒成，配合魚雕裝飾，產生原始的粗獷美。」（註2）。又說明他使用的灰釉材料，是從花生殼、稻草、樹皮、貝殼，以及多種有機物或無機物燒成的，並在灰釉中摻進了細砂，使釉面呈現粗獷的氣息，展現他陶藝作品獨到的風格（註3）。\r\n此件作品曾於1997年「臺灣生活用品評選展 工藝家邀請展」展出，隨同「臺灣生活用品評選」競賽成果展覽、同年的「臺灣工藝設計競賽」、「埔里地方特色產業展」、「殘障人士工藝創作展」一併於台南新光三越百貨公司文化館展出（註4）。(詮釋委員：杜文田)\r\n\r\n註1謝東山，《臺灣現代陶藝發展史》，藝術家出版社，2005，頁72。 \r\n註2宋龍飛，〈誌上陶藝展—神州’89現代陶藝大展—才氣遠勝名氣的陶藝家〉，《藝術家》，168期，1989.5，頁202-204，同時收錄於莊秀玲、廖櫻華編輯企劃，《臺灣現代陶藝啟示錄：宋龍飛文集 II.1988-1993》，臺北縣立鶯歌陶瓷博物館，2010.12，頁48。\r\n註3宋龍飛，〈為秋韻陶展補韻—遙想著游曉昊陶展〉，《藝術家》，172期，1989.9，頁247，同時收錄於其上，頁67。\r\n註4前所長翁徐得先生序文，陳文標主編，《中華民國八十六年度臺灣生活用品評選展 工藝家邀請展》，臺灣省手工業研究所，1997，頁1。","ImageUrl":""}
,{"Identifier":"199705014","MainTitle":"草編老鷹","Creator":"創作者：林信雄","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA1MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 林信雄是草編工藝名家，從小家境變遷流離，12歲才入小學，軍中退伍後，他號召善心人士共同成立「樹仁殘障基金會」，因而認識了許多民俗藝人，乃接觸草編，他不斷硏究草編技法，並從創作中發現，只要加入巧思與創意，草編這項民俗技藝就不會沒落，甚至可以發展為獨樹一格的工藝製品。經過他的努力，皇天不負有心人，在這草編領域，他終於嶄露頭角。\r\n 林信雄的草編，最常以棕櫚科植物作為編織材料，其餘還有林投類植物、蘆葦花桿類，也都是他創作材料。林老師以草編技藝為主題，有系統加以記錄和整理，民國81年出版《編草》一書，貢獻草編工藝巨大。他綜合各家之長，加上個人的創意，至今林信雄已經創造出上百種編法。\r\n 本件作品「草編老鷹」，經過林老師的巧手，老鷹飛停在枯木之端，表現老鷹的高飛遠翥，志向堅毅，神態生動，令人感動！(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199705015","MainTitle":"草編蛇","Creator":"創作者：林信雄","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA1MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 林信雄是草編工藝名家，從小家境變遷流離，12歲才入小學，軍中退伍後，他號召善心人士共同成立「樹仁殘障基金會」，因而認識了許多民俗藝人，乃接觸草編，他不斷硏究草編技法，並從創作中發現，只要加入巧思與創意，草編這項民俗技藝就不會沒落，甚至可以發展為獨樹一格的工藝製品。經過他的努力，皇天不負有心人，在這草編領域，他終於嶄露頭角。\r\n 林信雄的草編，最常以棕櫚科植物作為編織材料，其餘還有林投類植物、蘆葦花桿類，也都是他創作材料。林老師以草編技藝為主題，有系統加以記錄和整理，民國81年出版《編草》一書，貢獻草編工藝巨大。他綜合各家之長，加上個人的創意，至今林信雄已經創造出上百種編法。\r\n 本件作品「草編蛇」，經過林老師的巧手，大蛇盤繞蜿蜒於枯木縫間，昂首吐信，蛇身鱗片歷歷，生動逼真，令人望之生畏！(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199705016","MainTitle":"草編螞蟻","Creator":"創作者：林信雄","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA1MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 林信雄是草編工藝名家，從小家境變遷流離，12歲才入小學，軍中退伍後，他號召善心人士共同成立「樹仁殘障基金會」，因而認識了許多民俗藝人，乃接觸草編，他不斷硏究草編技法，並從創作中發現，只要加入巧思與創意，草編這項民俗技藝就不會沒落，甚至可以發展為獨樹一格的工藝製品。經過他的努力，皇天不負有心人，在這草編領域，他終於嶄露頭角。\r\n 林信雄的草編，最常以棕櫚科植物作為編織材料，其餘還有林投類植物、蘆葦花桿類，也都是他創作材料。林老師以草編技藝為主題，有系統加以記錄和整理，民國81年出版《編草》一書，貢獻草編工藝巨大。他綜合各家之長，加上個人的創意，至今林信雄已經創造出上百種編法。\r\n 本件作品「草編螞蟻」，經過林老師的巧手，將微小的螞蟻頭頸身軀、六支小腳、兩根觸鬚，動作體態，編得唯妙唯肖，真是巧手神工！(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199705017","MainTitle":"猛虎下山","Creator":"創作者：卓柏章","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA1MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品「猛虎下山」是臺灣銀雕知名藝術家卓柏章在1997年創作。\r\n 「卓柏章」，臺灣新竹人，從事打銀技藝七十幾年，可以說是臺灣在廿世紀五十年代至廿一世紀一O年代，長達半世紀銀器工藝的巨擘。在這段期間，臺灣所有民間銀樓、飾品工廠、家庭加工、私人工作室，所有打銀工匠藝師的技藝，幾乎沒有人能夠超越他的技藝水準。前臺灣省文獻會主委簡榮聰從事多年調研所著《臺灣銀器藝術》上下冊專書、《文心雕鳳－簡榮聰先生口述傳記》，比較可以得知。卓柏章擅長銀器雕塑、鑲嵌、鏨花、纍絲、造型設計，他的創作藝術人文水準，直追元朝銀器名匠朱碧山。\r\n 「金工」的工藝創作，除了要講究美術，兼顧實用，技藝要卓絕，文化要豐富。這些條件卓柏章藝師都具備。他的「飛禽走獸系列」銀雕作品創作，曾經獲得「國立傳統藝術中心」邀請展出。\r\n 透過雕塑、製模、熔銀、灌漿、焊接、修飾、打磨的技術，本件「猛虎下山」銀雕，猛虎身軀矯健，姿態勇猛，面目猙獰作怒吼狀，搭配竹木山石，真是虎虎生風，形神兼備。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199706001","MainTitle":"籐竹高背扶手椅","Creator":"創作者：盧祥華","CreatedYear":"","Size":"","Type":"工藝類\\籐材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此籐竹高背扶手椅之原創設計係為六椅一桌（臺灣產雲紋色系貝殼化石桌面）完整搭配的餐桌椅組，原作實體樣品由華崇實業公司製作，1987於臺北市立美術館展出時，在邱創煥省主席陪同參訪下，由時任獅子會國際總會長Mr. Sten A. Akestam的夫人Martha認購，三個月後送達瑞典斯德哥爾摩總會長宅邸；另外還有由兩張椅子搭配一張同款式小茶几的組合，取名為〈竹香〉，由新藝籐業公司製作，非常適合於臥室或會客情境使用。當然亦可單獨靈活運用，當使用於十二人座大餐桌時，有如圍在一座環形屏風的空間裡用餐。本作品有六種不同顏色塗裝。\r\n由於選擇籐條為座椅的主體材料，充分運用材質的長度無限制與可彎曲特色，讓扶手椅的3D造形曲線顯得非常地柔順、典雅。靠背部位選擇細桂竹搭配，益顯天然材質的無可取代性。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199709001","MainTitle":"魁","Creator":"創作者：張也（俊雄）","CreatedYear":"1997","Size":"19×12×32","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者張也先生，原名張俊雄，是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，配合該年度的主題「虎」，嘗試將老虎以裝飾陶瓷的表達方式展現出來。\n 本作品199709001〈魁〉描寫的正是張大嘴巴呈吼叫狀的強健、矯捷老虎，故取名為魁梧的「魁」；作者以球形、渾圓的概念，讓老虎的身體捲縮成一團，利用半浮雕的創作方式來作表現，底下加上比本體作品略小的適形正方柱體檯座將渾圓球形作品撐起。\n 圖中這一件作品「魁」，係作者以其對老虎的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，身上刻有許多自由彎曲的短線條代表老虎身上的黑色斑紋特色；作品外表隱約可見的稀疏小白點，是在陶土的泥漿裡頭混入一些熟料的關係，對作品燒成的穩定度和陶土質感美觀的增加有幫助。從作品的仔細觀察，可以瞭解作者對老虎的特質持有深度觀察和體會，進而以其個人的藝術造詣和雕塑能力，對作品作出獨特風格的傳神詮釋。\n 就技術面來看，因為考量到脫模的問題，必須先將雕塑原型加以分片、切割處理後才能開模，因此會有多組石膏模具；採用苗栗陶土打成的泥漿，採注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體充分陰乾之後直接入窯，以1,230℃高溫氧化方式燒成。整體作品呈現咖啡色澤略帶白點的質感，充分顯現雕塑藝術與陶瓷之美。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199709002","MainTitle":"白晝與黑夜","Creator":"張育瑋","CreatedYear":"1997","Size":"29×18×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA5MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者張育瑋先生，是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，配合該年度的主題「虎」，嘗試將老虎以裝飾陶瓷的表達方式展現出來。\n 本作品199709002〈白晝與黑夜〉描寫的正是「晝伏夜出」的老虎，故取名為「白晝與黑夜」；雖然本作品是以黑夜為主要訴求，但是從作品的整體色澤與沒有眼睛的誇大頭部幾何形大塊面表現，加上幾道明顯金色線條裝飾，足以讓人深深感受到白晝與黑夜交替的神祕氛圍。\n 圖中這一件作品「白晝與黑夜」，係作者以其對老虎的認知與豐富想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人又有趣。從作品的仔細觀察，可以瞭解作者對老虎的特質持有深度觀察和體會，進而以其個人的藝術造詣和雕塑能力，對作品作出獨特風格的傳神詮釋。\n 就技術面來看，因為考量到脫模的問題，必須先將雕塑原型加以分片、切割處理後才能開模，因此會有多組石膏模具；取苗栗陶土打成泥漿，採注漿成形的作法，多件同一時間脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整；等坏體陰乾之後先經過素燒，然後噴上帶有高濃度氧化鐵成分的化妝土，入窯以1,230℃高溫氧化方式燒成；接著還要以釉上彩的方式手工描繪老虎額上的三道橫線和嘴邊的金色鬚鬚，再次入窯以大約800℃的較低溫度燒烤。整體作品呈現微顆粒性突起、深咖啡色澤略帶微微光澤的質感，充分顯現雕塑藝術與陶瓷之美。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199709003","MainTitle":"古老的傳說","Creator":"林碧燕","CreatedYear":"1997","Size":"30×16×23","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA5MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者林碧燕小姐，是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，配合該年度的主題「虎」，嘗試將老虎以裝飾陶瓷的表達方式展現出來。\n 本作品199709003〈古老的傳說〉，蹲姿、昂首、閉目養神的「老虎」，雖然是當代創新作品卻有如中國漢代陶俑的歷史價值感，集結諸多古代對老虎的傳說，形成具體的形象，真是名如其實的「古老的傳說」；因為雕塑能力加上技術表現及材質之助，方得成就如此不凡之作。\n 圖中這一件作品「古老的傳說」，係作者以其對老虎的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，視覺上除了身上甚具骨感的塊狀肌肉凹凸有致之外，還刻有許多隱約可見的淺凹雕雲紋和類似饕餮紋之裝飾圖紋，除了美感之外更添古意；作品外表可見的稀疏小白點，是在陶土的泥漿裡頭混入一些熟料的關係，對作品燒成的穩定度和陶土質感的增加美觀有幫助。從作品的仔細觀察，可以瞭解作者對老虎的特質和古代文獻資料持有深度研究和體會，進而以其個人的藝術造詣和雕塑能力，對作品作出獨特風格的傳神詮釋。\n 就技術面來看，因為考量到脫模的問題，必須先將雕塑原型加以分片、切割處理後才能開模，因此會有多組石膏模具；採用苗栗陶土打成的泥漿，採注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體充分陰乾之後直接入窯，以1,230℃高溫氧化方式燒成。整體作品呈現深褐色略帶白點的質感，充分顯現雕塑藝術與陶瓷之美。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199709004","MainTitle":"如虎添翼","Creator":"黃國書","CreatedYear":"1997","Size":"45×18×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA5MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者黃國書先生，是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，配合該年度的主題「虎」，嘗試將老虎以裝飾陶瓷的表達方式展現出來。\n 本作品199709004〈如虎添翼〉，趴在地上、四肢往前後充分伸展、頭部呈回首狀、張嘴、尾巴拱起有力、背部長翼的「老虎」，雖然是當代創新作品卻有如中國古代玉石雕刻的歷史價值感；因為雕塑能力加上技術表現及材質之助，方得成就如此不凡之作。\n 圖中這一件作品「如虎添翼」，係作者以其對老虎的認知與想像力加上頗受古代玉器形制的意象影響，採用抽象、半寫實的雕塑手法進行之創作，視覺上除了前後足的大伸展、回首的動態感、筋肉感凹凸有致之外，還有半浮雕的雲紋形翅膀和立體裝飾，除了美感之外更添古意。從作品的仔細觀察，可以瞭解作者對老虎的特質和古物文獻持有深度研究和體會，進而以其個人的藝術造詣和雕塑能力，對作品作出獨特風格的傳神詮釋。\n 就技術面來看，因為考量到脫模的問題，必須先將雕塑原型加以分片、切割處理後才能開模，因此會有多組石膏模具；採用苗栗陶土打成的泥漿，採注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體充分陰乾之後直接入窯，以1,230℃高溫氧化方式燒成讓整體作品呈現略有深淺層次的褐色陶土質感，充分顯現雕塑藝術與陶瓷之美。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199709005","MainTitle":"伺機","Creator":"湯文德","CreatedYear":"1997","Size":"32×15×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA5MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者湯文德先生是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將他對老虎生性機警、兇殘的既有認知，以裝飾陶瓷的表達方式展現出來。\n 本作品199709005〈伺機〉，描寫一頭採取蹲姿，虎視眈眈、伺機行動、蓄勢待發的老虎，因此將作品取名為「伺機」。\n 因為蹲姿的關係身體顯得肥胖飽滿，粗壯的腳，露出爪子，眼睛睜大大。黑色斑紋以淺凹線條作為替代表現，臉上的表情聚精會神狀。作者嘗試以其對老虎的認知與豐富想像力，採取比較抽象的雕塑手法進行創作。從作品的仔細觀察，可以瞭解作者對老虎的特質持有深度觀察和體會，進而以其個人的藝術造詣和雕塑能力對作品作出大膽抽象的詮釋。\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片兩者之表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑形的掌握亦具同樣道理。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\n 技術上採用注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後進行素燒，然後上釉、入窯，以1,300℃氧化方式燒成，整體作品的呈現宛如白色玉石雕刻，充分顯現雕塑藝術與陶瓷之美，頗富現代感，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199709006","MainTitle":"小虎哥","Creator":"創作者：黃雲瞳（淑華）","CreatedYear":"1997","Size":"27×17×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA5MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者黃淑華小姐是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將她對「小虎哥」暱稱意涵的認知和對老虎印象的另類思考，以裝飾陶瓷的表達方式展現出來。\n 本作品199709006〈小虎哥〉，描寫一頭拱起身子、伸展懶腰的可愛小老虎，因此將作品取名為「小虎哥」。就一般人的印象，都是認為老虎生性兇殘；不過在許多童話故事與繪本中對老虎的描述可是非常可愛的。作者嘗試以其對老虎的認知與豐富想像力，採取比較抽象的雕塑手法進行創作；從作品的仔細觀察，可以瞭解作者對小虎仔的體會，進而以其個人的藝術造詣和雕塑能力對作品作出大膽的詮釋，讓小虎仔有如家貓般的逗趣形象。\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片兩者之表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑造形的掌握亦具同樣道理。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\n 技術上採用注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後進行素燒，然後上釉、入窯，以1,300℃氧化方式燒成，整體作品的呈現宛如白色玉石雕刻，充分顯現雕塑藝術與陶瓷之美，頗富現代感，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199709007","MainTitle":"蓄勢待發","Creator":"史嘉祥","CreatedYear":"1997","Size":"26×17×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA5MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者史嘉祥先生，是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，配合該年度的主題「虎」，嘗試將老虎以裝飾陶瓷的表達方式展現出來。\n 本作品199709007〈蓄勢待發〉，一頭十足放鬆趴臥地上、半回首狀、嘴閉合、尾巴收起、橘黃色身體黑色斑紋明顯的「老虎」，雖然是當代創新作品卻有如中國古畫的感覺；因為雕塑能力加上技術表現及材質之助，方得成就如此具特色之作。\n 圖中這一件作品「養精蓄銳、蓄勢待發」，係作者以其對老虎的認知與想像力加上受古畫意象影響，採用抽象、半寫實的雕塑手法進行之創作，視覺上除了放鬆、半回首的動態感之外，還有書法味道十足的黑色斑紋裝飾，呈現特色美感與古意。從作品的仔細觀察，可以瞭解作者對老虎的特質和古畫文獻持有深度研究和體會，進而以其個人的藝術造詣和雕塑能力，對作品作出獨特風格的傳神詮釋。\n 就技術面來看，因為考量到脫模的問題，必須先將雕塑原型加以分片、切割處理後才能開模，因此會有多組石膏模具；採用苗栗陶土打成的泥漿，採注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後先經過素燒，然後噴上橘黃色無光的化妝土，入窯以1,230℃高溫氧化方式燒成；接著還要以釉上彩的方式手工繪畫老虎身上的無光黑色斑紋，再次入窯以大約800℃的較低溫度燒烤。整體作品呈現有如古畫般的立體雕塑藝術與陶瓷之美。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199709008","MainTitle":"笑面虎","Creator":"林金昌","CreatedYear":"1997","Size":"28×15×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA5MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者林金昌先生是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，嘗試將他對成語故事意涵的認知和對老虎的印象，以裝飾陶瓷的表達方式展現出來。\n 本作品199709008〈笑面虎〉，描寫一頭蹲姿、昂首、面帶微笑的老虎；老虎天生侵略性很強，可是面帶笑容的老虎，內心是在想甚麼，可能是：「哈哈！你就即將成為我的囊中物。」不懷好意的意思，因此將作品取名為「笑面虎」。\n 作者嘗試以其對老虎的認知與豐富想像力，採取比較抽象的雕塑手法進行創作。從作品的仔細觀察，可以瞭解作者對老虎的特質持有深度觀察和體會，進而以其個人的藝術造詣和雕塑能力對作品作出大膽抽象的詮釋。\n 純白而沒有任何上彩輔助之裝飾陶瓷作品的表現其實非常不容易，必須要有極深厚的雕塑基礎才有可能產出好作品；有如黑白照片與彩色照片兩者之表現差異，前者是完全靠光、影與層次來作表現，後者是有色彩來輔助表現；黑白照片要拍得好，素描的基礎能力很重要，素描能力之於雕塑形的掌握亦具同樣道理。純白色的裝飾陶瓷作品在歐洲市場以德國德列斯登的麥森瓷廠為最有名，目前在臺灣以高雄市旗津窯的1300藝術中心品牌最具代表性。\n 技術上採用注漿成形的作法，多件脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整，等坏體陰乾之後進行素燒，然後上釉、入窯，以1,300℃氧化方式燒成，整體作品的呈現宛如白色玉石雕刻，充分顯現雕塑藝術與陶瓷之美，頗富現代感，非常耐看。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199709009","MainTitle":"落山風","Creator":"陳定宏","CreatedYear":"1997","Size":"29×11×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA5MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者陳定宏先生，是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，配合該年度的主題「虎」，嘗試將老虎以裝飾陶瓷的表達方式展現出來。\n 本作品199709009〈落山風〉描寫一頭正要下山到平原獵食的老虎，威風凜凜、行動快速有如勁風過境，故取名為「落山風」；所謂的「落山風」現象就是於晴朗的天空，地面上的強風伴隨有強烈陣風，漫天風沙滾滾狂飆，有如東北季風翻山越嶺後，由山頂直落而下一般，與颱風來臨時之情景有幾分相似。\n 圖中這一件作品「落山風」，係作者以其對老虎的認知與豐富想像力，採用寓意式的情境描述、寫實的雕塑手法進行之創作，細膩感人；只見張嘴、翹尾的兇猛老虎，後腿曲弓，位處山坡上，準備下山展開行動的作勢。從作品的仔細觀察，可以瞭解作者對老虎的特質持有深度觀察和體會，進而以其個人的藝術造詣和雕塑能力，對作品作出獨特風格的傳神詮釋。\n 就技術面來看，因為考量到脫模的問題，必須先將雕塑原型加以分片、切割處理後才能開模，因此會有多組石膏模具；取苗栗陶土打成泥漿，採注漿成形的作法，多件同一時間脫模之後的分件泥坏還需要沾上泥漿仔細接合、修整；等坏體陰乾之後先經過素燒，然後噴上亮光透明釉，入窯以1,230℃高溫氧化方式燒成。整體作品呈現帶有茶葉末釉色感覺的深褐色油光質感，充分顯現雕塑藝術與陶瓷之美。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199709010","MainTitle":"虎面","Creator":"蘇玉珍","CreatedYear":"1997","Size":"74×66×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA5MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發。創作者蘇玉珍小姐，是參與計畫的遴選設計師之一，因此得以發揮雕塑長才，配合該年度的主題「虎」，嘗試將老虎以裝飾陶瓷的表達方式展現出來。\n 本作品199709010〈虎面〉，以老虎面具為裝飾陶瓷表現標的，裝上完全木製的畫框，有一點交趾陶的民俗味道，只不過釉色單純，單一主題，燒成溫度高；老虎面上特別處理的皺褶、淺凹坑質感是為特色之一，尤其是鼻樑、嘴部、眉頭、耳朵及臉頰等處。雖然是當代創新作品卻有如古董畫作的感覺。\n 圖中這一件作品「虎面」，係作者以其對老虎的認知與想像力加上受古畫意象影響，採用抽象、半寫實的雕塑手法進行之創作，陶瓷部分燒製完成之後，裝上藍綠色的玻璃眼珠和銅線虎鬚，視覺上有裝飾畫的味道，可作為壁飾，呈現特色美感與古意。從作品的仔細觀察，可以瞭解作者對老虎的特質和古畫文獻持有深度研究和體會，進而以其個人的藝術造詣和雕塑能力，對作品做出獨特風格的傳神詮釋。\n 就技術面來看，因為此老虎面具只有半面，雕塑的部分沒有脫模分片的問題，因此只需要單一石膏模具，坏體採用陶土打成的泥漿以澆注、倒漿方式製作，修坏時事先留出眼珠的凹洞並將擬置入虎鬚的位置穿孔，等坏體陰乾之後要經過素燒，然後噴上鉻黃色釉藥，入窯以1,230℃高溫氧化方式燒成；接著以釉上彩方式手工描繪虎面上的黑色斑紋，再次入窯以大約800℃的較低溫度燒烤；最後還要黏上眼珠、裝上虎鬚、裝裱。整體作品的呈現有如半浮雕的陶瓷裝飾藝術畫。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"199709011","MainTitle":"煮藥罐","Creator":"精華陶瓷","CreatedYear":"","Size":"20×17×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA5MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199709012","MainTitle":"南蠻土茶碗","Creator":"精華陶瓷","CreatedYear":"","Size":"13.6×13.6×8.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA5MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199709013","MainTitle":"薄胎瓷","Creator":"","CreatedYear":"","Size":"7.2×7.2×25.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA5MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199709014","MainTitle":"綠頭鴨酒瓶","Creator":"","CreatedYear":"","Size":"29.5×17×26.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA5MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199709015","MainTitle":"彩釉燈座","Creator":"精華陶瓷","CreatedYear":"","Size":"20×20×39.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA5MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199709016","MainTitle":"黑釉刻畫花盆","Creator":"精華陶瓷","CreatedYear":"","Size":"25×25×27","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA5MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199709017","MainTitle":"黑陶","Creator":"","CreatedYear":"","Size":"11×11×24","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA5MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199709018","MainTitle":"陶瓷花","Creator":"","CreatedYear":"","Size":"27.5×14×30","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA5MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199801001","MainTitle":"探索","Creator":"創作者：洪美朱","CreatedYear":"","Size":"附深咖啡色底座","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"農村的老鼠偷吃花生，老題活用。以木質纖維詮釋故事，用圓體雕技法，叫老鼠套索新滋味。刀法穩健使麻袋內的花生，散發出鄉土的原味。鼠為十二生肖之首，隱含著「掄元」之意。有濃濃的傳統元素。(詮釋委員：施鎮洋)\r\n","ImageUrl":""}
,{"Identifier":"199801002","MainTitle":"澄明茶具","Creator":"創作者：潘宗盛","CreatedYear":"","Size":"附底座（陳列館提供95.9.15）","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「澄明」茶具，為潘宗盛採埔里灰色石心石，以輕量感之食材配合主題「空靈澄明」意象，雕琢大小圓弧淺池，襯托茶盤之圓潤光華，呈現整體祥和之空靈美，頗具創意。其大小圓弧可分別沖水泡茶及置茶巾工具。(詮釋委員：簡榮聰)\r\n\r\n造型來自自身的閉目冥思，乃依據經驗法則的創作。冥想時虛設的指躍，與茶盤上的杯舞契合，再加上內外虛實與本體造型的相互呼應，作品靈感可謂天成。(詮釋委員：廖秀玲)","ImageUrl":""}
,{"Identifier":"199801003","MainTitle":"大甲鐵壺－水舞","Creator":"創作者：黃天來","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品以鋼硬的不鏽鋼與石材，藉由粗重的脫臘鑄造法與石材雕刻技術，以水波紋與鷺鷥展翅呈現柔美自然的、生活的、生命的水元素，情趣化現代生活的飲茶空間。(詮釋委員:翁徐得)\r\n","ImageUrl":""}
,{"Identifier":"199801003001","MainTitle":"大甲鐵壺－水舞-（提梁壺）","Creator":"創作者：黃天來","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAxMDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199801003002","MainTitle":"大甲鐵壺－水舞-（茶爐）","Creator":"創作者：黃天來","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAxMDAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199801004","MainTitle":"絲瓜（生生不息）","Creator":"創作者：卓柏章","CreatedYear":"","Size":"附壓克力展示框罩、木箱\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作者以金屬工藝與木材共同創作出此一描寫自然生態的工藝作品，枝葉扶疏、瓜藤飽滿姿態栩栩如生。展現植物綿延不斷的生命力與堅強意志。(詮釋委員:陳國珍)","ImageUrl":""}
,{"Identifier":"199802001","MainTitle":"情詩系列I─收藏--項圈、手環、耳環","Creator":"設計者：吳慈萍
配合廠商：鱒工房","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件名為「情詩系列I─收藏」作品主要工法為將長條狀925銀片鍛敲，分別整型成長形硬式頸鍊及手鐲，其底端彎成如彩帶般曲線，裝飾有銀片材鍛敲包裹著珍珠與包鑲蘇聯鑽；耳環亦是鍛敲成花苞造型，彷彿含苞待放般將寶石收藏於其中。整體造型曲線柔和別緻，具備女性化的飾品質感。\r\n創作者吳慈萍 2003畢業自國立臺南藝術學院應用藝術研究所（現改制為國立臺南藝術大學），她參加「1998年度珠寶飾品新產品設計競賽」，曾獲得Ａ組的傑出設計獎及Ｂ組的優良設計獎。\r\n成立於1997年的國立臺南藝術學院應用藝術研究所係全國第一個提供研究生完善的個人工作室空間與設備，讓學生透過直接的技術實作探索，發揮更自由的設計構想。這是吳慈萍進入臺南藝術學院應用藝術研究所，得以直接手作實踐設計構想的成果。這使年輕人的無限創意透過手作能揮灑自如，這類教學環境也刺激台灣很多工藝教學，樂於提供學生更多設備完善的工坊設備與空間，實驗發揮更多創意的無限可能。(詮釋委員：王梅珍)","ImageUrl":""}
,{"Identifier":"199802002","MainTitle":"交織--項圈、胸針、耳環","Creator":"設計者：范嘉凌
配合廠商：丹那有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"創作者以「生命的時間，總是和他人有著交疊，織就著人生」的感受發想轉換成實體首飾作品，線性構圖比擬成可盤根錯節，亦能向上生長，時間淬鍊終能閃爍出如鑽石般的璀璨耀眼。\r\n作品套件雖然一式項圈、胸針、耳環三件，但若是單件配戴主題視覺亦很獨立。作品在視覺上著重線條的比例、空間配置與配戴重心的協調性。施作工法上，墜飾、胸針主體以厚蠟片鋸刻出六條直線性造型，前端以線條交錯重疊，再經鑄造為銀材料，爪鑲水鑽作為點綴，傳達「交織」的主題。其項鍊配件部分使用麻花鋼索，鋼索頸圈在造型上顯現時尚設計感。在開關的鎖頭部分，特意加上幾個活動環圈，可供配戴者隨意調整項鍊的長短，耳針式耳環則為考量配戴的舒適性，減輕重量改為以三條直線狀的交錯造型設計。不論項鍊墜飾、胸針、耳環的設計皆沒有繁瑣花俏的裝飾，平整的線性造型簡潔俐落，適合搭配各種的服飾，就客戶端為具時尚性的配件；同時在製造生產時加工步驟簡單化，量產時易於掌控成本，就廠商方而言可獲得較高利潤，是很成功的首飾設計。(詮釋委員：王梅珍)","ImageUrl":""}
,{"Identifier":"199802003","MainTitle":"紅樓夢─蝶曲--胸針、戒指、耳環","Creator":"創作者：徐瑛琦","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199802004","MainTitle":"善變--項圈、戒指、耳環","Creator":"設計者：陳高登
配合廠商：浚貿企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199802005","MainTitle":"音樂盒--項圈、戒指、耳環","Creator":"設計者：翁振誠
配合廠商：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199802006","MainTitle":"亂世佳人--項圈、手環、耳環","Creator":"設計者：劉心鈿
配合廠商：光興珠寶股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAyMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199802007","MainTitle":"立異--項圈、胸針、耳環","Creator":"設計者：陳佩君
配合廠商：流星田設計工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAyMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199802008","MainTitle":"化妝舞會--項圈、胸針、耳環","Creator":"設計者：林世杰
配合廠商：二一珠寶學園","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAyMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199802009","MainTitle":"流金歲月--墜飾、胸針、耳環","Creator":"設計者：林漢元
配合廠商：光興珠寶股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAyMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199802010","MainTitle":"圓生--項圈、耳環、耳環","Creator":"設計者：黃明珠
配合廠商：佑展實業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAyMDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"創作者以天地初創時，原是空虛渾沌，但天地乍變誕生出了新生命，萬物生生之德，給天地間注入一股新氣息，賦予其不同以往的新氣象。將此「圓生」意念轉化成此作品。\r\n這套「圓生」作品以蠟雕刻出長橄欖形狀造型，中間有曲線狀隔開的間距，正面修整平順，背面則盡量挖薄以減輕重量，再經鑄造成925銀材質後，表面做拋光處理，使其光亮平整，再以一顆包鑲的紫水晶橫跨作為裝飾。作品雖因表面呈弧形造型，看似具量感，其實由背面儘量減輕重量，因此墜飾及胸針都不會因重量，配戴時令衣服布料造成負擔，而耳環也因重量較輕，不容易在長期配戴後因重量向下拉耳垂，造成配戴者頭痛的困擾，這是符合人因工學很體貼的設計做法，整體作品突出部分鍍成銀色，凹陷部分鍍成金色，雙色電鍍使作品呈現不同的層次，搭配黑色皮繩線圈，顯現年輕時尚質感。\r\n925銀材質(Sterling Silver)為含銀量92.5%，其他成分則為銅或其他金屬成分，但看各廠商的不同配方，這是目前被認為在製作銀飾品時最完美的銀合金比例，為廣泛使用的銀合金比例。999純銀才是真正的純銀，也稱「足銀」，指銀含量高達99.9%，剩下的0.1%是在煉製過程中所產生的細微分子與雜質，然而，999純銀在質地上來說過於柔軟，容易被刮傷與變形，不易製作成飾品。925銀則由於加入其它金屬，製成品在打磨後除了硬度增加不易變形外，光澤比「足銀」更耀眼，深邃有層次的陰影效果將成品的立體感展現無遺，適合鑲嵌寶石做成各種精美的首飾。(詮釋委員：王梅珍)","ImageUrl":""}
,{"Identifier":"199802011","MainTitle":"平等--領帶夾、戒指、袖扣","Creator":"設計者：蔡依達
配合廠商：吳照明珠寶有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAyMDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199802012","MainTitle":"星淚--項圈、胸針、耳環","Creator":"設計者：吳佩蓉
配合廠商：東大洋行","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAyMDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199802013","MainTitle":"原始之美--項圈、手環、耳環","Creator":"創作者：沈妙如","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAyMDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"創作者採用台灣花東玉石的白玉髓、雪花玉、血絲玉、年糕玉等天然寶礦石作為創作取材。玉石研磨為台灣花東重要的加工產業，手工研磨半面長橢圓形寶石，呈現由大到小的比例排列，石頭的色彩配置也由淺到深的變化，漸層中顯現花東原始地質的特色，以及手工研磨工藝的獨特趣味。以金屬鍛敲成曲線型，去包鑲固定這些蛋面型的寶石。由於這些天然的寶石，其質感與紋理都是獨一無二的，僅以最單純簡約的金屬線條更能襯托出這些色彩豐富，質樸又原始的石頭。畢竟這些石頭稍有重量，為了能更穩定的去固定這些寶石，須採用硬度較高的金屬成型作雙色電鍍，能更增添這套作品的質感與價值。\n由於花東寶礦石具獨特的色澤與紋理，作品中選擇四種材質的原石，規律的造型，漸層的比例，採用金屬流暢簡約的立體線條分別串聯項圈、手環、耳環的設計，使金玉之間互有烘托，變化中不難看出作者想表達「原始之美」的用心。(詮釋委員：王梅珍)","ImageUrl":""}
,{"Identifier":"199802014","MainTitle":"脫軌--項圈、胸針、髮釵","Creator":"設計者：廖芝菁
配合廠商：鱒工房","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAyMDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"台灣東部的交通以鐵路為主，這套作品以尋常熟悉的鐵道，順向行駛的造型中創造破壞常軌的交錯堆疊，使之產生立體層次。套組包括項圈、胸針、髮釵，主要以線材焊接成不規則的如欄柵或是軌道般的造型，中間搭配包鑲的血絲玉寶石，及穿過數顆黑膽石作為裝飾，血絲玉與黑膽石皆為花東的天然礦石，巧妙應用，作品命名為「脫軌」。\r\n金屬採雙色電鍍，創作者很巧妙地將物件分成兩部分，分別電鍍成K黃與K白顏色，黃色金屬則以螺絲自白色主體背面鎖上固定。這套「脫軌」作品項圈的設計，是將一條銀線鍛敲整型成符合脖子弧度的頸圈，中間再串上黃金色小圈環及黑膽石裝飾，墜飾主體也是電鍍後再掛上銀項圈。由頸圈已經氧化略帶深色可知是未經電鍍的銀材。台灣業界普遍習慣即使是K金材料，也會透過電鍍，使成品顯得嶄新。由墜飾主體經過數年仍保持光亮的黃與白的色澤，可知電鍍確可維持飾品的光澤。又因為是硬頸圈的設計，配戴時則須由脖子側面套進項圈，胸針則採垂直式直線插針的配戴方式設計，加上一般首飾較少見的髮釵的設計，整套配件呈現流利的線條具時尚的風情。(詮釋委員：王梅珍)","ImageUrl":""}
,{"Identifier":"199802015","MainTitle":"福在眼前--領帶夾、戒指、腰帶扣 (附皮帶)","Creator":"設計者：徐瑛琦
配合廠商：大東山珊瑚寶石股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAyMDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199802016","MainTitle":"起伏--項圈、胸針、戒指","Creator":"設計者：李玉萍
配合廠商：丹那有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAyMDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199802017","MainTitle":"星月--項圈、胸針、髮釵","Creator":"設計者：吳慈萍
配合廠商：盧春雄個人工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAyMDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199802018","MainTitle":"棋子--項圈、戒指、耳環","Creator":"設計者：顏文茹
配合廠商：晶品個人工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAyMDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199802019","MainTitle":"竹--項圈、別針、耳環","Creator":"設計者：劉麗禎
配合廠商：浚貿企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAyMDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199802020","MainTitle":"夜--項圈、戒指、領夾","Creator":"創作者：楊麗玲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAyMDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199803001","MainTitle":"萬佛朝宗","Creator":"徐建發","CreatedYear":"","Size":"","Type":"工藝類\\樹脂類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199803002","MainTitle":"瓜架一隅","Creator":"董英豐","CreatedYear":"","Size":"附木箱","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「瓜架一隅」是採集自濁水溪的螺溪石作為雕刻材料，螺溪石質感溫潤但色澤迥異，本件作品的顏色偏向灰褐色，墨堂及墨池研磨之處，則明顯呈現較深的灰黑色，與絲瓜雕刻的部分形成強烈的對比。\r\n作者董英豐先生十四歲國小畢業後，即投入硯台雕刻的工作，早期從事商品化的雕刻，以支撐其創作及生活。二十歲以後，開始嘗試將作品做藝術化的表現，「瓜架一隅」就是其步入成熟期後的代表作。\r\n沿著竹節攀爬而上的絲瓜，展現頑強的生命力，與依附筆直的竹節，形成柔弱與剛強的畫面，一前一後相互輝映。作者同時在竹節的部分施以研磨，使作品的層次感更顯豐富，硯側則保留一些粗曠的肌理質感，使整件作品看起來更為生動活潑。低垂而下的絲瓜，巧妙的將觀者的視覺又拉回硯面，不知作者是否有意讓觀賞者順藤摸瓜，看到其作品精妙的佈局與巧思。(詮釋委員：邱泰洋)","ImageUrl":""}
,{"Identifier":"199803003","MainTitle":"小胖","Creator":"江碧娥","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"應是寵貓的「小胖」，頭部緊縮在圓圓滾滾的軀幹上，膨鬆白毛遮掉下巴不易見著的嘴部線條，猶如戲台上演員所掛上的那一大撮鬍子。整個外形亦成弧狀，重量感很夠。\n如此造像，作者以細膩的刺繡法，一針一線疊出混色，經營明暗，勾勒毛絨狀，點出神韻。\n刺繡是以針帶線穿刺布料，由針法呈現點、線、面佈於圖上，映出所使用的棉質或蠶絲繡線所具有的材質感—樸素的、溫暖的、光澤亮麗的，……。挑針法及刺針法之使用，則視操作需求而定；挑針法是於布面下針後，針由下往上回到布面，一直都在布面上進行。刺針法則是一手在布面下針，另手在布的背面接住並刺回表面，故布料需以繡繃或木框繃緊，才得以進行刺針。\n本作品採刺針法，在木框上繃緊背景用的棉緞布，其之材質與所使用的蠶絲繡線都富光澤且柔和，讓小胖在夜晚的燈光下顯得嬌貴。\n按照圖像內局部之紋理方向，先以平針繡出一小長度的直線條鋪底，重覆長短針的運用，層層鋪滿。其中下層的顏色也將在表面混合透出，色彩效果更佳。\n眼睛用小平針走圓，最外的輪廓以深褐色圈起，黑眼球點上幾筆白色小平針，烱烱有神立刻亮眼地往框外望向目標。最後繡上臉部的眉毛、鬍鬚線條，除點綴畫面外，生動的氣勢說足了「小胖」的歲月。(詮釋委員：簡玲亮)","ImageUrl":""}
,{"Identifier":"199803004","MainTitle":"殘而不廢","Creator":"邱東德","CreatedYear":"","Size":"畫架：12.5*9*22\r\n人：10*6*23.5\r\n附木箱\r\n","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199803004001","MainTitle":"殘而不廢-（手舉物）","Creator":"邱東德","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAzMDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199803004004","MainTitle":"殘而不廢-（木墊）","Creator":"邱東德","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAzMDA0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199803005","MainTitle":"陶燈","Creator":"郭鎮彬","CreatedYear":"","Size":"外箱尺寸：40*40*63公分\r\n含外箱重：13850公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAzMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199804001","MainTitle":"木雕船","Creator":"創作者：黃雅海","CreatedYear":"","Size":"附木箱","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199804002","MainTitle":"水月觀音","Creator":"進龍實業有限公司","CreatedYear":"","Size":"附壓克力盒,木箱、沈香杯","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199804003","MainTitle":"交趾十二生肖盤飾文鎮","Creator":"三唐企業有限公司","CreatedYear":"","Size":"均附木架\r\n外箱尺寸：37*37*24公分\r\n含外箱重：4050公克\r\n裸重：001-180公克；002-172公克；003-164公克；004-190公克；005-175公克；006-177公克；007-179公克；008-178公克；009-173公克；010-165公克；011-181公克；012-166公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199804004","MainTitle":"孫子兵法系列造形典藏茗壺","Creator":"廠商：煥臣陶磁藝術有限公司","CreatedYear":"","Size":"附放大鏡","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"孫子兵法系列造形典藏茗壺一組共八件，包括一對尊爵杯、六件以中國典故作造形表現概念的壺，分別以〈春秋戰國〉、〈鳯陽花鼓〉、〈三國鼎立〉、〈九五至尊〉、〈臥虎藏龍〉、〈歌舞笙平〉命名，以下就個別的外觀與內涵分述： \r\n1.尊爵杯：取商晚期青銅酒器的「爵」造形，底部有三個外撇的板形尖足支撐，開口一端為長流嘴，一端呈上揚的圓弧花瓣狀，器身紋飾狀如饕餮。杯身為深赭陶土，杯內上白色釉。爵於古代作為祭典禮儀中的酒器，於今在茶器上應可作為茶海（又稱公道杯）來應用。\r\n2.春秋戰國：同尊爵杯取古代青銅酒器「爵」的造形，唯此處作為壺器之用，附與壺蓋，壺身也更為寬廣高大。壺嘴隱藏於爵造形的長流嘴中，壺把上有獸首紋飾，壺身兩側如獸面紋飾中夾以開光形式或如竹簡隔出區域，其上微雕有《孫子兵法》中的第一篇始計、第二篇作戰的文字。\r\n3.鳯陽花鼓：壺身即為鼓形，底部以三尖足支撐，壺蓋上蹲坐一隻鳳鳥作為壺鈕，壺身寬廣可裝達280c.c.的水量，兩側鼓面上微雕有《孫子兵法》中的第三篇謀攻、第四篇軍形的文字。\r\n4.三國鼎立：取商晚期青銅器的「鼎」造型，底部以三足支撐，口緣有兩立耳作為持壺之處，足上分別篆刻魏、蜀、吳三字，壺鈕上刻有「統」字，寓意三國群雄終歸一統。壺蓋上以環狀排列微雕文字，刻有《孫子兵法》中第五、六、七篇文字。\r\n5.九五至尊：取青銅編鐘造形為壺身，整體以龍形紋樣浮雕裝飾，共計有九十五條龍，壺身兩側於紋飾中夾以開光形式或如竹簡隔出區域，其上微雕有《孫子兵法》中的第八、九篇的文字。\r\n6.臥虎藏龍：取玉琮瓶造型為壺身，外觀上橄欖綠色釉。壺蓋上的壺鈕設計成一隻坐臥的虎，壺蓋內側鑲有一鏤雕環狀的龍，從而由造形的翻轉形成「臥虎藏龍」字意。壺身兩側微雕文字，刻有《孫子兵法》中第十、十一篇文字。\r\n7.歌舞笙平：壺身為一水滴形柱狀，壺嘴隱身於體，壺蓋平嵌，其上的壺鈕造形為一只中國傳統樂器「笙」，壺把以獸身型形成雙孔如耳垂，與壺身等高。在壺身頂部與壺嘴下身處，以微雕技術刻有《孫子兵法》中第十二篇火攻、第十三篇用間的文字。\r\n以上八件容器皆為注漿成形，以紋飾、浮雕、動物造形為主要的裝飾，整體材質多為單色泥釉，佐施予部分色釉，在多重造形巧思與文化意涵的設計中，兼顧茶壺本身的功能性；以《孫子兵法》為主軸特色（註1），頗有壺上談兵、茶席間推演的趣味，加上附有放大鏡供閱讀兵書文字於錦盒，更是具有收藏價值的工藝禮品。煥臣陶磁藝術有限公司由陳煥臣於1976年創立於鶯歌，專注茶壺型制研發與經銷；1990年代由第二代郭介民接手經營，持續與鶯歌製壺師合作開發，結合微雕、漆瓷等工藝技法，創新臺灣飲茶器用的天地（註2）。\r\n此件作品入圍1998年「臺灣生活用品評選展」決選（優選），此項競賽的參賽者以公司廠商為限，透過此競賽的推行，足見臺灣工藝廠商漸脫離代工模式，轉為具有成熟研發工藝產品的能力，並且超越於實用性之上，著眼於創造富本土特色，代表臺灣精神的產品（註3）。(詮釋委員：杜文田)\r\n\r\n註1 產品描述參考煥臣陶磁公司網站http://www.etchina.com.tw/main/zh/\r\n註2參考新北市鶯歌陶瓷博物館數位博物館展覽「硘味鶯歌城」之展覽內容介紹，網址https://digital.ceramics.ntpc.gov.tw/zh-tw/Collection/2_33.htm?105\r\n註3 參考本中心前所長翁徐得序文，陳文標主編，《中華民國八十七年度臺灣生活用品評選展 工藝家邀請展》，臺灣省手工業研究所，1998，頁3。","ImageUrl":""}
,{"Identifier":"199804005","MainTitle":"西方三聖光感念佛座","Creator":"廠商：煥臣陶磁藝術有限公司","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件陶瓷浮雕塑像三聯屏是以西方三聖—阿彌陀佛、觀世音菩薩（於右側）、大勢至菩薩（於左側）為主題的佛教用品。三聯屏之間以內嵌的鉸鍊連接，使其可展開立於桌上，成為念佛時冥想的立體屏像，亦可完全收合成為一個六邊形立柱，方便移動；當收合起西方三聖像時可見背面有「般若波羅蜜多心經」經文陽刻，蓮花底座內似可放置燈或蠟燭、香，使燈光或薰香可經由格柵傳送出來。整體外表使用土黃釉色，模擬木材質的顏色質地。\r\n這件作品由煥臣陶磁藝術有限公司製作，參加1998年「臺灣生活用品評選展」，入圍決選的優選。煥臣陶磁由陳煥臣於1976年創立於鶯歌，專注茶壺型制研發與經銷，此件作品顯示廠商具備研發、轉換材質運用的能力，以及為特定族群使用者打造專屬用品的產銷企圖。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"199804006","MainTitle":"青花山水文字畫筒","Creator":"創作者：蔡曉芳","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA0MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件作品出自仿古陶瓷名家蔡曉芳先生，外觀為直筒型的青花瓷器，是文人書房中放置書畫卷軸的收納筒，也可作花瓶裝飾擺件，兼具實用與觀賞功能。筒身一面畫上瀑布山水，一面題有詩文。瀑布山林的左下方有一處觀景涼亭，亭中約莫有二三人聚首，整體看似中國山水構圖，卻有現代遊記的布局；詩文記述：「碧嶂雲巖噴玉泉/飛濤百尺帶寒煙/遙望素練明秋壑/坐到忘機夕照邊（丁丑冬玉鄉）」。\r\n丁丑年為1997年，由此判斷此作品創作的年代，1998年連同另一件朱砂紅觀音瓶，受邀於「臺灣生活用品評選展工藝家邀請展」展出。蔡曉芳專研釉藥與坯體，經日本窯業訓練班與北投磁磚窯廠的歷練，於1975年在北投成立曉芳窯。1983至2000年與故宮合作仿古陶瓷，仿製宋元明清文物作為故宮陳設展覽之用，1994年研發仿宋瓷汝窯茶器以及單色釉如嬌黃、乳黃、牙白、豆青等多色調青瓷的器物，受到兩岸國際藏家高度喜愛與收藏。2000年受故宮博物院委託製作「千禧年紀念龍鳳盤」贈禮，於2003年應台北縣鶯歌陶瓷博物館之邀參加「古意與新顏—臺灣彩繪陶瓷展」、2007-2008年參加「茶顏—臺灣．茶具．茶風景」歐洲巡迴展至捷克、比利時。曉芳窯以量少、質精、樣多在仿古陶瓷藝品與茶器市場上供不應求。（註1）\r\n蔡曉芳曾於本中心「臺灣省手工業研究所」時期（1973-1999）多次榮獲「臺灣省手工業產品評選」最優獎；此件作品系受邀參展本中心「1998臺灣生活用品評選展工藝家邀請展」所收藏。2003年以汝窯菱式茶具組獲國立臺灣工藝研究所「良品美器—臺灣優良工藝品評鑑」最美質獎。(詮釋委員：杜文田)\r\n\r\n註1 文獻參考：陳庭宣主編，《百年風華：臺灣陶瓷品牌經典特展》，新北市立鶯歌陶瓷博物館，2011，頁73-79。江淑玲主編，《青韻流動：東亞青瓷的誕生與發展（現代青瓷）》，新北市立鶯歌陶瓷博物館，2011，頁166","ImageUrl":""}
,{"Identifier":"199804007","MainTitle":"茶匙、茶則組","Creator":"創作者：彭定松","CreatedYear":"","Size":"附錦盒","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA0MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"茶匙、茶則都是品茶人士常用的小工具。茶匙是有長柄的匙，用在將茶葉從茶罐中取出，茶則是將以茶匙取出後的茶葉加以集中，之後再一次倒入茶壺中；總之，茶匙、茶則都是為避免直接以手接觸，影響茶葉的品質。其中茶則更是為了保持茶葉的一次入壺，既可目視控制茶葉的份量，也保障所有茶葉一次入壺後，浸泡時間的一致，以保持茶湯品質。這些小工具，以竹材製成，既容易保持乾燥，也避免潮濕發霉。此件作者，在茶匙、茶則中均加入打褶、纏繞的工法，既有容易以手持之功，更有增加造形上的美感之意。\r\n台灣因盛產茶葉，茶葉出口成為台灣經貿大宗外，亦影響台灣居民生活，泡茶、喝茶、品茶，成為民眾生活中的一項重要活動；而對茶味的講究，也成為激發各種茶具出現的重要動力。茶則斜向的切口，正是將茶葉順利倒入茶壺的重要工具。此件茶則之巧妙，並非以竹節直接切成，而是將竹管切割成兩邊不對稱的流線包裹狀，十分講究。(詮釋委員：蕭瓊瑞)","ImageUrl":""}
,{"Identifier":"199804008","MainTitle":"根源","Creator":"創作者：陳文亮","CreatedYear":"","Size":"附展示箱,木箱","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA0MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件樟木雕刻名稱「根源」，是木雕工藝師陳文亮的創作。陳文亮18歲就跟著父親學做木雕，他擅長雕刻蔬菜瓜果及蚱蜢，作品栩栩如生，曾獲三義木雕藝術創作比賽第三名，及臺灣省手工業研究所第六屆臺灣工藝設計競賽優選，作品都獲得典藏。\r\n 陳文亮喜愛以大自然為創作主題，從作品中表現出自然的生生不息、希望與和諧，從事木雕對他來說是一種思考上的修行與沈澱、執行的力道與恆毅。\r\n 本件優選的木雕作品「根源」，陳文亮以精湛的刀法，雕刻已經老化剝皮露出絲絡的菜瓜，從右上的破洞發芽伸展，瓜藤已漸茁壯，向上沿著老樹枝幹攀援，生長花葉芽鬚。細細觀看，藤莖帶著皺紋，葉子脈絡分明，卷曲自然，一切都那麼生機盎然、栩栩如生。\r\n 老絲瓜落地，瓜子從裡新生定根，孕育出生命的意志力及堅毅不拔。老絲瓜有如我們祖先，在這塊土地上辛勤賣力的付出，新芽又如代代子孫攀爬前人留下的精神支柱，吸取精華，找尋希望，但也不忘根源！(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199804009","MainTitle":"達觀(三)","Creator":"創作者：王慶民","CreatedYear":"","Size":"附木箱","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA0MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「王慶民」臺灣臺中人，1965年出生。從事雕塑創作二十多年，並曾在楊英風、謝棟樑、陳松等多位名家工作室接受指導。歷經1995－2008參加臺北、北京、上海、臺中幾次雕塑大展獲獎，本件「達觀」，就是1998年他參加第六屆工藝設計競賽優選，獲得臺灣工藝研究所典藏。\r\n 王慶民的創作理念，力求自己的風格，在樸實的原形中，表達臺灣人特有的純真與憨厚。他的雕塑從早期追求工與巧、力與美的歷練之後，於2007年前後轉入另一層次的表現，從「形之像」轉入「神之似」，從「精準的技法」轉向「無為之法」。\r\n 這件青銅雕塑，以傳統題材賦予新詮釋，藉以塊面單純的造型符號，訴說「禪修」冥想的感情世界。達摩祖師的達觀，物我一體，藉由同質材料特有的質感，輝映作品的內涵與空間。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199804010","MainTitle":"被遺忘的角落","Creator":"創作者：黃國雄","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA0MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199804011","MainTitle":"結晶釉魚簍瓶","Creator":"創作者：孫超","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA0MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199804012","MainTitle":"雕花脫蠟琉璃瓶","Creator":"創作者：聯恆公司","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA0MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 位於新竹市的「聯恆公司」，專營各種玻璃製品製造，包括諸高級玻璃藝術、書鎮器皿、及理化學儀器之買賣與進出口業務。其質料包含水晶、玻璃、琉璃，其特色是各種藝術玻璃之設計製造，從民國65年成立至今，經歷44年歴史，品牌信譽，頗為良好。\r\n 本件玻璃工藝製品「雕花脫蠟琉璃瓶」，是玻璃花器之一。先畫出設計圖，到製作瓶器型原形模、陰模、蠟模，左右上下簍瓶宛如青藤夾編骨架，前後周圍細雕大小高山松樹，然後以脫蠟法製作玻璃初胚，染色，再燒、冷處理、修整，作品必須經過47道手工工序才能完成。光是冷處理，就要等四十天。\r\n 晶瑩的琉璃花器，展現的是高山的嵐霧飄渺，映襯著大小靑松，或挺立、或欹斜，景觀優雅。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199804013","MainTitle":"蕨耳脫蠟琉璃瓶","Creator":"創作者：聯恆公司","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA0MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 位於新竹市的「聯恆公司」，專營各種玻璃製品製造，包括諸高級玻璃藝術、書鎮器皿、及理化學儀器之買賣與進出口業務。其質料包含水晶、玻璃、琉璃，其特色是各種藝術玻璃之設計製造，從民國65年成立至今，經歷44年歴史，品牌信譽，頗為良好。\r\n 本件玻璃工藝製品「蕨耳脫蠟琉璃瓶」，是玻璃花器之一。先畫出設計圖，到製作瓶器型原形模、陰模、蠟模，大開口的花瓶，瓶身左右宛如蕨藤夾編耳部骨架，圓周瓶身腰下整齊排列蕨葉，身部素面，口緣再呈現方格葉紋。然後以脫蠟法製作玻璃初胚，染色，再燒、冷處理、修整，作品必須經過47道手工工序才能完成。光是冷處理，就要等四十天。\r\n 本件作品因瓶身綠色色調的漸層，使得琉璃花瓶頗為雅致。晶瑩的花器，呈現大自然綠色嶡類的生機與優美。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199804014","MainTitle":"琮型脫蠟瓶","Creator":"創作者：聯恆公司","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA0MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 位於新竹市的「聯恆公司」，專營各種玻璃製品製造，包括諸高級玻璃藝術、書鎮器皿、及理化學儀器之買賣與進出口業務。其質料包含水晶、玻璃、琉璃，其特色是各種藝術玻璃之設計製造，從民國65年成立至今，經歷44年歴史，品牌信譽，頗為良好。\r\n 本件玻璃工藝製品「琮型脫蠟瓶」，是玻璃花器之一。先畫出設計圖，到製作瓶器型原形模、陰模、蠟模，大開口的花瓶，瓶身仿史前良渚文化玉琮造型，方琮身四節，每節在面與面之對角，雕出神人獸面紋。然後以脫蠟法製作玻璃初胚，染色，再燒、冷處理、修整，作品必須經過47道手工工序才能完成。光是冷處理，就要等四十天。\r\n 本件作品因瓶身綠色色調的漸層，至頸口部轉為棕黃色，整體工藝既典雅又優秀。晶瑩的琮型花器，融合古禮器與現代花器的設計，呈現人文與自然之美。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199804015","MainTitle":"淵明愛菊","Creator":"李松林","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA0MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件木雕掛屏「淵明愛菊」，是鹿港木雕大師李松林創作。李松林是民國七十四年教育部首屆木雕類薪傳獎得主，民國七十八年榮獲教育部「國家重要民族藝術藝師」。\r\n 李松林(1906～1998)，彰化鹿港人。從曾祖父李克鳩於清道光年間自福建永春來臺參與鹿港龍山寺重修，落籍鹿港，四代皆從事木雕。李松林於1924年與堂兄李煥美以「師傅頭」領修鹿港天后宮，從此聞名。著名作品散見於全臺各廟宇建築，其成就緣於天份、家族工團的輔助，及契合時代變遷，並曾受郭新林、李梅樹、周定山、施讓甫等友人啟發，也深受臺灣早期知名雕塑家黃土水作品的影響。\r\n 本件李松林掛屏「淵明愛菊」，其典故出自於中國傳統「四愛」中的「晉·陶淵明愛菊」。故事是：東晉文學家、詩人陶潛，字淵明，江西九江人，志節高邁，因不滿社會黑暗、政治腐敗，更不願趨炎附勢，毅然棄官歸隠，以田園詩酒自娛，過著恬淡自然的生活。他喜愛菊花，欣賞菊傲霜的品味與高尚情操。本件剔地起凸木雕，表現陶淵明高士打扮，採菊東籬下，悠然捧著盆花自得，童子執杖掛書追隨的畫面，工藝卓越，人物生動。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199804016","MainTitle":"達摩人偶","Creator":"創作者：白晶企業","CreatedYear":"","Size":"附展示箱","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA0MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199804017","MainTitle":"銀雕十二生肖皮帶環","Creator":"創作者：卓柏章","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA0MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本組作品「銀雕十二生肖皮帶環」，是臺灣銀雕知名藝術家卓柏章在1998年之創作。\r\n 「卓柏章」，臺灣新竹人，從事打銀技藝七十幾年，可以說是臺灣在廿世紀五十年代至廿一世紀一O年代，長達半世紀銀器工藝的巨擘。在這段期間，臺灣所有民間銀樓、飾品工廠、家庭加工、私人工作室，所有打銀工匠藝師的技藝，幾乎沒有人能夠超越他的技藝水準。前臺灣省文獻會主委簡榮聰從事多年調研所著《臺灣銀器藝術》上下冊專書、《文心雕鳳－簡榮聰先生口述傳記》，比較可以得知。卓柏章擅長銀器雕塑、鑲嵌、鏨花、纍絲、造型設計，他的創作藝術人文水準，直追元朝銀器名匠朱碧山。\r\n 「十二生肖」的民俗信仰，源於上古史前的圖騰崇拜與部族輪值習俗，其順序「鼠牛虎兔龍蛇馬羊猴雞狗豬」，後來發展為「地支～子丑寅卯辰巳午未申酉戌亥」配合生肖的記年方式，沿用至今，並在華文社會有巨大影響。\r\n 「卓柏章」以其卓越的造型設計，在短短數寸的皮帶扣，各留小長方、大橫拱門之開窗。小長方開窗外塑雙錢形，大橫拱門窗上雕刻十二生肖動物，各搭配植物花草果實，玲瓏剔透，可愛生動，足見其雕塑之精美，設計之巧思。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199805001","MainTitle":"彩繪盤","Creator":"創作者：顏水龍","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 八Ｏ年代正興起工藝藝術化之風潮，在新北市土城區的瓷揚窯主人林振龍先生邀請前輩畫家們，以已燒成的素面瓷器為畫布，釉上彩為色料，自在地彩繪於瓷器上，再由林先生燒製完成。\r\n 畫家們對釉藥之掌握能力畢竟不似油畫顏料的自如，所以都從小盤子開始練習，再進階到大盤、燈座、甕、缸等，表現的畫作思維、手法，與一般傳統匠師彩繪氛圍有著截然不同的風味，很有收藏的價值。彩繪此盤，就釉藥的特性，用筆帶過的簡單線條，描出花、葉、枝，有別於顏水龍先生一向在油畫上的精雕細琢。這盤可作裝飾、欣賞用，當然也可是裝水果、天婦羅的食器。\r\n 曾於1991年在國立歷史博物館「顏水龍90回顧展」展出。因1997年國立臺灣工藝研究所籌畫、辦理顏水龍先生治喪事宜，之後顏家家屬將此盤贈予工藝研究所（國立臺灣工藝研究發展中心）存藏，表達感謝之意。（詮釋委員：簡玲亮）","ImageUrl":""}
,{"Identifier":"199805002","MainTitle":"布目紋小缽","Creator":"創作者：陳火慶","CreatedYear":"","Size":"展出中暫未量重量","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 陳火慶，為臺灣著名漆藝師，臺中縣清水鎮人。1927年（昭和2年）進入日籍漆藝家山中公主持的「山中工藝美術漆器製作所」，隨多位日籍及中國福州師傅學藝，技術與修養都紮下深厚的根基。1932年學藝期滿後，繼續留在山中工藝所擔任師傅，並兼任私立臺中工藝專修學校漆工教師。1973年起擔任臺中豐原地區木業公司漆器技術指導兼製作，因漆藝精湛獲日本貿易商信賴，促使當地漆器業得以進軍日本巿場。1976年創立欣徳公司，接受日商委託改善天然漆與化學漆的技術，同時擔任技術顧問。1984年應聘至臺灣手工業硏究所傳習傳統漆藝。\r\n 陳老師因漆工藝精湛，作品屢獲民族工藝獎肯定，並榮獲民族藝術薪傳獎、國家重要民族藝師等榮譽。\r\n 本件陳火慶作品「布目紋小缽」，缽內髹塗朱紅漆，缽外以多層磨顯技法露出璀燦多彩的黑紅黃綠紋，十分典雅高貴。「布目紋」是在木地上貼上布之後直接反覆上漆，在木肌上看見布紋質感的技法；此外，在木地上以色漆塗上凹凸有致的模樣後，磨平表面呈現特殊色樣，稱「變塗」；本件小缽，造型、紋理、色様、磨顯技術，結合布目與變塗，尤見純熟的工藝與斑斕之美感。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199805003","MainTitle":"草垛","Creator":"創作者：吳川","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 臺灣省手工業硏究所於1996年舉辦「漆器藝人陳火慶技藝傳習計畫」開班授徒，除了聘請陳火慶、王清霜兩位藝師外，以學術交流方式，也聘請大陸福建福州知名漆藝師吳川來臺授藝。\r\n 本件漆畫作品「草垛」，正是福州知名漆藝師吳川的創作。描繪農村鄉下的「草垛」，這樣景象顯然與臺灣庄腳的「草葫」結構不太相同，想是福建閩北地區的特色。\r\n 「草垛」有四根粗大的木柱，撐起了垛的四腳，其上舖排竹筒，做為垛床。農人在其上疊積稻草或牧草，垛的形狀如圓廬圓阜，與臺灣的「草葫」造型差不多，但臺灣農村是在高地疊石為基架起「草葫」，而吳川表現的是干闌式騰空的木架台基，架台上蓋了兩座大小不一的「草垛」。垛下剛好可以遮日擋雨，映照著光影，一隻赤牛(黃牛)正好在垛下休息。好一幅閩北地區的鄉村農閒景觀。\r\n 作者以漆畫色漆磨顯的技法，表達了「草垛」與「赤牛」的光影，構圖古樸閒逸，也暗示「風調雨順，五穀豐登」。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199805004","MainTitle":"立秋","Creator":"創作者：鄭力為","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 福建不僅傳統漆藝根基深厚，而且是現代漆畫發展的重要省份，漆藝家雲集，並且享譽國際！而「福州大學廈門工藝美術學院」，又被業內稱之為現代漆畫的「黃埔軍校」。\r\n 「鄭力為」是中國老一輩優秀漆畫藝術家與教育家；他認真執著耕耘漆畫近五十年，不但培養大量漆畫人才，對福建漆藝發展貢獻巨大。其作品曾獲第六屆全國美展銀獎、第七屆全國美展銅獎。作品風格簡潔厚重，單純且富有意境，他將傳統漆藝語言與現代繪畫進行完美的結合，體現出精湛的漆藝與深厚的藝術修養。\r\n 本件漆畫作品「立秋」，結合黑地漆畫加彩、蛋殻貼付的技法，描繪立秋時節芒草紛紛吐穗，蜻蜓二三在原野芒草間飛舞，構圖簡潔，秋意瀰漫，令人感動。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199805005","MainTitle":"麒麟","Creator":"創作者：林再興","CreatedYear":"","Size":"重量含外框","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA1MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199805006","MainTitle":"籠內籠外","Creator":"創作者：葉大川","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA1MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是一件以藝術創作心態出發，不具實用價值，以抒發、觀賞、擺設為目的的藝術作品。作者以上、中、下三層由高窄而扁寬，層層變化的黑色木構為中軸，頂上安置一件以竹材雕磨而成、似乎有著生物象徵的造型，單足而立；且由上端引伸下細細的竹線，此細線看似兩條，其實是一條貫穿而成。下方台面橫躺著三支似匙、似葉的造型物，引人聯想。 \r\n藝術創作具有較高的個人心境、意念的主觀表現，不受實用的拘限，以抒發情感、表達思維為主，此作名稱「籠內籠外」，此「籠」似乎就是指那由細線構成的主體，看似纖細，卻是聯結上下的主要元素。\r\n作者以本地竹材的不同部位，雕磨、纏繞，並和木件組構，展現出一種和實用價值完全不同的作品，既呼應自我內在的思維、情感，也帶給觀眾反思、自省的空間與回應。(詮釋委員：蕭瓊瑞)","ImageUrl":""}
,{"Identifier":"199805007","MainTitle":"螃蟹壺組","Creator":"廠商：振傳陶藝社","CreatedYear":"","Size":"外箱尺寸：31*40*31.5公分\r\n含外箱重：3250公克\r\n裸重：001-270公克；002-113公克；003-78公克；004-90公克；005-91公克；006-89公克；007-87公克；008-74公克；009-69公克；010-202公克；011-900公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA1MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199805008","MainTitle":"造型杯墊、時鐘（動物）","Creator":"峻鴻實業股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA1MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199805009","MainTitle":"清蓮香器","Creator":"廠商：意展陶藝社","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA1MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件高足碗形器皿以蓮花造形為特色，並附有圓頂蓋；容器口緣宛如蓮葉邊呈波浪狀，邊緣飾與一顆蓮蓬作為耳，方便提攜；蓋鈕也以蓮蓬造形替代。器皿周身共有四個孔洞，加上頂蓋上的雙花鏤刻，凸顯其散發薰香的功用，適合作為宗教祭儀或是居家使用的香器。此件器皿以手拉坯成形後再予以手塑變形口緣，整體除了內部，其外皆施釉色，色如茶葉末釉。茶葉末釉是高溫色釉，其呈色綠黃交融，起源於唐代黑釉；清末官窯追仿古釉色，雍正與乾隆時期燒製最為多見，其呈色原理在於「將一層綠色的鉛釉施加於另一層含有氧化鐵的黃褐色釉層上，兩層釉色交疊形成的釉彩仿如茶末，故稱之。」（註1）\r\n此件作品由意展陶藝社燒製，取「蓮」具有清淨的意涵以及佛教的象徵物作為香器造形。佛教焚香最早起源於印度佛教徒打坐聽法時，驅趕蚊蟲、提振精神之用。作品兼具實用與美感，創作者以水準良好的工藝品質，打造機能性商品。\r\n此件作品入圍1998年「臺灣生活用品評選展」決選（優選），此項競賽的參賽者以公司廠商為限，透過此競賽的推行，足見臺灣工藝廠商漸脫離代工模式，轉為具有成熟研發工藝產品的能力，並且超越於實用性之上，著眼於創造富本土特色，代表臺灣精神的產品（註2）。(詮釋委員：杜文田)\r\n\r\n註1 參考自國立故宮博物院Open Data專區網站\r\nhttps://theme.npm.edu.tw/opendata/DigitImageSets.aspx?sNo=04023004\r\n註2參考本中心前所長翁徐得序文，陳文標主編，《中華民國八十七年度臺灣生活用品評選展 工藝家邀請展》，臺灣省手工業研究所，1998，頁3。","ImageUrl":""}
,{"Identifier":"199805010","MainTitle":"心經水晶","Creator":"京華堂股份有限公司-唐上文","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA1MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"圓形的「心經水晶」是「擺件」形式的一種宗教用品，以木材製框並固定於金屬線鑲嵌家具裝飾風格的木製台座上。作品主要是在水晶上雕刻具有人類生活最核心的智慧，也是眾生清淨、安定、喜悅的力量的《心經》；是一種「心法」，也就是一種想當菩薩、想要成佛的心法祕笈，又稱之為《摩訶般若波羅蜜多心經》、《般若波羅蜜多心經》、《般若心經》。\r\n「心經水晶」作為佛教風水擺件，其功能為居家鎮宅、增長大智慧、福報，以及能夠去除貧、嗔、痴等。一般是放置於桌案或是廳堂，以突顯佛光普照、莊嚴吉祥。\r\n本作品所使用的「水晶」材料是不含鉛的「K9玻璃」，但由於質地晶瑩剔透，屬於光學玻璃而有「K9水晶」、「水晶」的稱呼。因材料為鹼矽酸鹽系統的冕牌玻璃，代號為「K9」，故通稱為「K9料」。\r\n製作過程是先在規格化的「K9料」的背面貼上「卡典西德」（切割膠膜貼紙：Cutting Sheet），再透過雷射雕刻機將有文字（反字）部分的「卡典西德」刻掉使露出「K9玻璃」，再經噴砂使之下陷後浸水並撕去「卡典西德」，最後再凹陷處填金泥或金色壓克力顏料，並將文字以外的部分擦拭乾淨。\r\n「心經水晶」裝入有白色霧面背板的木框後，由於水晶有厚度且文字是刻在背面，因此在視覺上會顯得有空間感及立體感。(詮釋委員：蕭銘芚)","ImageUrl":""}
,{"Identifier":"199805011","MainTitle":"時來運轉(一)","Creator":"華實企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA1MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199809001","MainTitle":"陶桌椅組","Creator":"恆發陶瓷廠","CreatedYear":"1998","Size":"陶桌:68×68×50、陶椅26×26×25、附展示台直徑125公分、高15公分。\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"林添福和兒子林瑞華所製作的「陶桌椅組」為臺灣極少數的陶瓷製桌椅，而且是手工製造，以陶板、擠坯、手拉坯綜合手法完成，本作品為不上釉素面紅胎，因為當時流行養壺，泡茶時也可以順便養桌椅，越用越光亮，質感越柔潤。但本作品工藝中心購藏後一直沒有使用，所以保持素面紅胎的質地。\r\n本組陶桌椅作品以素雅風格呈現，不上釉素面土胎質地，因為當時流行養壺，泡茶時也可以順便養桌椅，讓桌椅隨著使用者越用越光亮，質感越柔潤。但工藝所購藏後，一直沒有使用，所以保持著素面紅胎的質地。\r\n「恆發陶瓷廠」後期，林添福父子轉型工藝、茶具製作，從民國八零年代開發出來後，生產約一百組，民國八十五年後轉型柴燒陶藝創作，就沒有再製作。921大地震不少收藏家的陶桌損毀，所以以台灣手工製作的陶座椅，可以說是少數碩果僅存的台灣陶桌。（詮釋委員：鄧淑慧）\r\n","ImageUrl":""}
,{"Identifier":"199809002","MainTitle":"性感明星瑪麗蓮夢露","Creator":"其他-原型開發：張玉貞(精華藝術陶瓷股份有限公司)","CreatedYear":"1998","Size":"17×12×30","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA5MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 臺灣的西洋玩偶主要開始於1970年左右，產區分佈於桃園、新竹、苗栗、臺中等地，而以苗栗為主要聚落分佈地區。西洋玩偶在業界也稱「裝飾陶瓷」，作品以寫實為主要表現風格，用於家庭或公共場所之擺飾，以增加室內的美感氣氛。\r\n 本件作品為公館地區精華藝術陶瓷股份有限公司所開發生產。主角為美國性感電影明星瑪麗蓮夢露，以美艶聞名。本件作品參考當時夢露的表演照片，主辦單位刻意在舞臺下方吹風，讓夢露的裙擺上揚，而她用雙手盡力遮掩的戲劇性場景。精華公司設計這件夢露玩偶，自然要表現她貌美而性感的一面，但又不流於低俗。作品為夢露立像，身著白色露肩連裙裝，身材豐滿，雙手緊掩裙擺，臉部雖然保持笑容，但露出緊張的神情，表現一付惹人憐愛的神情，是精華公司相當得意的作品之一。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"199809003","MainTitle":"側臥力士/著銀底藍點褲","Creator":"","CreatedYear":"1998","Size":"8×4.5×5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA5MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199809004","MainTitle":"側臥力士/著銀底藍斜紋褲","Creator":"","CreatedYear":"1998","Size":"8×4.5×5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA5MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199809005","MainTitle":"大字型躺力士","Creator":"","CreatedYear":"1998","Size":"7×9.5×4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA5MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199809006","MainTitle":"單足立姿力士","Creator":"","CreatedYear":"1998","Size":"8.3×5×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA5MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199809007","MainTitle":"雙足立姿力士","Creator":"","CreatedYear":"1998","Size":"9×5.8×5.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA5MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199809008","MainTitle":"陶貓頭鶯","Creator":"","CreatedYear":"1998","Size":"3×2.8×2.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA5MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199809009","MainTitle":"白釉貓頭鶯","Creator":"","CreatedYear":"1998","Size":"3×2.8×2.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA5MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199809010","MainTitle":"貓頭鶯/圓木座、稻米","Creator":"","CreatedYear":"1998","Size":"5×5×7.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA5MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199809011","MainTitle":"招財貓/黑石座","Creator":"","CreatedYear":"1998","Size":"6×7×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA5MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199809012","MainTitle":"招財貓/圓木座、稻米","Creator":"","CreatedYear":"1998","Size":"4.8×4.8×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA5MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199809013","MainTitle":"招財貓","Creator":"","CreatedYear":"1998","Size":"4×3×3.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA5MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199809014","MainTitle":"招財貓印泥盒","Creator":"","CreatedYear":"1998","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA5MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199901001","MainTitle":"動容","Creator":"創作者：林佳融","CreatedYear":"","Size":"附木箱、無底座","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品中有從傳統竹編中求變的新意，細竹絲的編作嚴謹精巧，形體凹凸有致，曲線流暢，色彩紋飾優美典雅，中間密緻的團花，一圈接著一圈，對應著兩側直線的鏤空，更顯出輕盈和生動。(詮釋委員：張憲平)","ImageUrl":""}
,{"Identifier":"199901002","MainTitle":"藍田昇華","Creator":"創作者：王靖淳","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"小口、短頸、豐肩、瘦底，似梅瓶型的陶胎漆器。表面先髹黑漆再髹青色色漆，經磨顯，使表面的青色中顯露不規則的黑影。器型豐肩處彩繪寬帶狀「長壽綉」紋樣，紋樣上敷灑細錫粉呈銀白光澤，在青地上裝飾出典雅的氣質。（詮釋委員：黃麗淑）\r\n\r\n","ImageUrl":""}
,{"Identifier":"199901003","MainTitle":"有鳳來儀","Creator":"創作者：王督宜","CreatedYear":"","Size":"附木箱","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件作品為木製胎體的收納櫃。櫃子裡外用漆髹塗保蘐。小櫃外表四周皆髹黑漆，前門面在黑漆地上，以白色蛋殼鑲嵌，搭配貼金及層層罩銀箔等技法，描繪出抽象鳳鳥一隻。故稱之有鳳來儀。整件作品色澤深邃而華美。作品具實用又兼具觀賞性。 (詮釋委員：黃麗淑)\n1970年鹿港傳統木工藝傢俱家族產業「細木作」（例如書桌、書櫃、梳妝臺、衣櫃…）出身的王督宜，12歲開始學習臺灣傳統細木作的技術與文化，26歲參與「漆器藝人陳火慶技藝傳習計畫」習得漆藝。將家傳細木作傢俱與漆藝相結合，於29歲創作出『有鳳來儀』這件造型新穎的木胎漆藝傢具收納櫃。\n『有鳳來儀』-鳳為美麗神鳥的化身；儀有配合之意。此件作品不僅在主題內容展現高貴神奇的鳳鳥絕妙配，同時亦將木作與漆藝雙工藝做了完美的詮釋與搭配。不同於傳統一般的方櫃給人的規整觀感，作者在這件六面外體髹塗黑漆的的設計中，運用圓弧設計過度正面與側面，展現了直線與流線的巧思。櫃內整體抽屜及拉門髹塗紅漆，外黑內紅的色彩配置也完全符合「紅美黑大方」的喜氣空間使用感。\n漆櫃由設計、木作到表面漆藝細緻裝飾，展現作者一人獨力完成的紮實能力與高超表現力度，這在現階段社會追求快速、代工的氛圍中，已屬難能可貴。（詮釋委員：李本育）","ImageUrl":""}
,{"Identifier":"199901004","MainTitle":"盛器","Creator":"創作者：謝良進","CreatedYear":"","Size":"附木箱","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件作品胎體為木材，多片木材經膠合後車旋成形，其形大廣口、斜壁、平底無圈足，造型如水盆狀的盛器。盛器內、外表面在金色漆地上，散露不規則的黑色斑點裝飾。此種技法在日本被稱為金蟲喰是變塗技法的一種，是利用在黑漆面上灑落榖類種子後留下不規則的痕跡，經貼銀箔、罩透明漆、研磨後產生的特殊效果，有如在金葉上被蟲咬喰過的斑點。故稱為金蟲喰。(詮釋委員:黃麗淑)\r\n","ImageUrl":""}
,{"Identifier":"199902001","MainTitle":"章魚--項圈","Creator":"創作者：梁家豪","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件項圈係運用925銀片建構方式作成錐狀造型，下方套上有著寬幅扇形毛的油畫筆頭，上方採用高溫加熱造成銀片表面起皺的板材建構，取其造型彷彿如為章魚頭，下方畫筆頭的扇形毛則類似章魚飄遊水中的意象，使用皮繩穿過主體以供配戴，故命名為「章魚」。這件作品運用異於慣見的金屬或寶石的首飾材質，將銀材與淺色的畫筆毛刷組合搭配，不僅作工精細，且充分的利用質感的對比將章魚的意象特色加以彰顯，成為很有趣且調和的異材質組合飾品。\r\n近年來飾品設計為顯現個性化，創作者的高度自由與創意得以發揮，異材質跨領域的結合運用已蔚為風氣，大膽運用創新材質例如結合玻璃、木頭、布料、羽毛甚至現成物或花草植物等，只要能彰顯藝術性，配合場域強化配戴者的獨特性，大眾普遍能接受這類首飾設計，這件「章魚」其藝術性與手法皆是十分具創意運用異材質的作品。\r\n創作者梁家豪於國立臺灣藝術學院工藝系就讀期間，參加臺灣省手工業研究所1999年舉辦的珠寶飾品新產品設計案競賽，獲得A組的傑出設計獎，現任臺灣藝術大學工藝系教授，主要創作以陶藝詮釋當代藝術的多元性。(詮釋委員：王梅珍)","ImageUrl":""}
,{"Identifier":"199902002","MainTitle":"孤芳自賞--項鍊戒指一體","Creator":"創作者：楊麗玲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品造型以網為主視覺，交織的網格如拋向大海的捕魚網，網住穿戴者的主體，延伸而下，視覺落在戒指上的雪花玉，作品設計造型簡單易辨識，但意向深遠。此件作品為以繩線穿過電鍍成銀色的空心銅管，互相交錯穿織，錯落有序的編結排列，想像如披肩或圍巾的大網狀配件。網的開口是大頸圈，套住穿戴者的頸圍，造型延伸至身體，網的收束結尾處出現一只以銀線包纏固定的雪花玉的戒指。戒指象徵承諾，等待有緣人的約定，名為孤芳自賞，是否也意味著不要有遺珠之憾？作者認為配戴時軟網會隨身體擺動，彷彿如海岸上的陣陣波浪反覆律動，非常有趣 。這件作品僅以穿、纏、繞的手法完成，沒有複雜的工藝技法，但能創作出如此豐富趣味的作品，實屬難得。\r\n首飾品的創作面向多元，可運用精緻的金銀細工手法製作複雜精緻的珠寶，也可以用最單純的手法建構出精采的作品。只要是能適宜不同場合搭配服飾，都可凸顯配戴者的穿戴品味。吸引人們的注目達到配戴飾品的目的。而這件作品雖沒有細緻的工法，但是大面積量感十足醒目的視覺效果，是很美麗突出的設計。(詮釋委員：王梅珍)","ImageUrl":""}
,{"Identifier":"199902003","MainTitle":"繾綣--項圈","Creator":"創作者：劉心鈿","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199902004","MainTitle":"假想飛翔--項圈","Creator":"創作者：鄭景勻","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199902005","MainTitle":"自戀─情緒如音樂--別針、項鍊 (2合1)","Creator":"創作者：龔瑩慧","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199902006","MainTitle":"陽剛與柔情--項圈、別針","Creator":"創作者：周培文","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAyMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199902007","MainTitle":"女人花--手環、耳環","Creator":"創作者：張國泰","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAyMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199902008","MainTitle":"自戀─理性與感性--項鍊、耳環","Creator":"創作者：林碧蓮","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAyMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199902009","MainTitle":"方格的舞動--項圈、胸針、領夾","Creator":"設計者：陳韋伶
配合廠商：怡舍企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAyMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這套首飾造型以方格為單位，在平面片狀的方形結構中，一道曲線創造了對比性的層次感，打破了方塊的制式規矩，猶如在靜止的群聚中，產生舞動的想像。\r\n「方格的舞動」包括項圈、胸針、領夾的套組設計，採用金銀細工的打版工法，用線條作成方格鏤空穿透狀，局部焊上有粗紋理質感的襯托底材作質感的比較，上層格狀並彎成曲面狀使其具有波浪型變化，中間包鑲有方形白玉髓寶石，也為凸顯寶石的透潤感，側面焊接上隔層支架，底層亦焊接成格狀，這個空間層次的設計效果，可架高寶石與配戴時與服裝間的空隙，藉由光線增加寶石的透明度。作品銀金屬部分採雙色電鍍，粉紅的寶石與金色底材搭配銀白色線條，整體色澤搭配柔和，且作工很精緻，造型具時尚感，是值得典藏的首飾配件。(詮釋委員：王梅珍)","ImageUrl":""}
,{"Identifier":"199902010","MainTitle":"天空之旅--項圈、戒指、耳環","Creator":"創作者：簡志霖","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAyMDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這套「天空之旅」作品包含項圈、戒指、耳環設計，以探索天空為設計概念之源，藉著行星、衛星、無名星等，隱喻現代人對宇宙探索的好奇心。主要以許多圓圈造型環繞著中間的白色雪花玉石，外圍的圓圈象徵著星球繞行的軌跡，軌跡的圓線上並串上小顆活動的空心小圓球，象徵著行星。整體設計顯現經過幾何理性的規劃，再透過精密的金銀細工打版製作，呈現精緻又時尚的飾品。\r\n創作者簡志霖、畢業於臺北工專（現改名為臺北科技大學）、實踐大學工業產品設計研究所， 1999年發表碩士論文「創作中應用神話、寓言於造型詮釋之探討」。就學期間參加臺灣省手工業研究所1999年舉辦的珠寶飾品新產品設計案競賽中獲得「傑出設計獎」，由工業設計跨越到珠寶設計，同樣繳出亮麗成績單，嶄露出過人的才華，之後曾任職於宏達電創意設計處。(詮釋委員：王梅珍)","ImageUrl":""}
,{"Identifier":"199902011","MainTitle":"七夕--項圈、胸針、髮釵","Creator":"設計者：翁振誠
配合廠商：大東山珊瑚寶石公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAyMDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199902012","MainTitle":"晨星--項圈、戒指、耳環","Creator":"設計者：龔瑩慧
配合廠商：光興珠寶股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAyMDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199902013","MainTitle":"回憶的翅膀--項鍊、胸針、耳環","Creator":"設計者：林恬仰
配合廠商：浚貿企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAyMDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199902014","MainTitle":"問--項鍊、手環、戒指","Creator":"設計者：吳敏隆
配合廠商：鱒工房","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAyMDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199902015","MainTitle":"淨流--項鍊、戒指、耳環","Creator":"設計者：陳世樺
配合廠商：密都麗苑珠寶公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAyMDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199902016","MainTitle":"走過從前--項鍊、胸針、耳環","Creator":"設計者：陳文雄","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAyMDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199902017","MainTitle":"現代叢林--項鍊、戒指、腕飾","Creator":"設計者：劉心鈿
配合廠商：流星田珠寶創意工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAyMDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199902018","MainTitle":"Natural--項鍊、胸針、耳環","Creator":"創作者：陳信賢","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAyMDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199903001","MainTitle":"君子能容","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"盧志松的家鄉在澎湖，早期當地的漁民常利用竹筒來製作浮標，時間一久這些被棄置的浮筒，接連遭受海水、蛀蟲及白蟻的啃蝕，產生一種帶有歲月滄桑的美感，且富變化的竹節紋理及質感，看在工藝家盧志松的眼裡，卻是不可多得的題材，自然成為他石壺創作靈感的來源。\r\n藝術源自於生活！盧志松自稱是個茶癡，因為他喜歡喝茶。但又想要在茶具上，擁有屬於自己的獨特性，所以常以茶壺來做為雕刻題材。他說「這些茶壺都是為我自己而做的！一方面是記錄生活的回憶，另一方面也是因為自己愛泡茶」，「君子能容」就是在這樣的時空背景中產生的。\r\n竹子屬禾本科集剛柔於一身，與松、梅並稱歲寒三友，和梅、蘭、菊又有「四君子」的美稱，在台灣更是隨處可見。竹子亦是騷人墨客筆下最愛的題材，東坡先生一句「寧可食無肉，不可居無竹」，充分表達了文人雅士清新脫俗的品味，更將對竹子的愛好推向高峰。\r\n盧志松的作品由一個茶壺搭配四個杯子組成，皆以竹子的造型表現，首先在選材方面，他用較接近竹子紋理的木紋石作為創作石材。因為木紋石的紋理像竹子具方向性，雕刻過程中掌握其紋理的走向就很重要，必須順著竹子的節理與生長方向來雕刻，才不會有違和感。可見作者盧志松對竹子有很深刻的觀察跟理解，加上長期積累的雕刻經驗，才能駕馭其中讓頑石點頭，也藉由「君子能容」這件作品，提醒人們要「知壺惜福」，讓作品的精神性提升到哲學的層次，足見作者的用心及巧思。(詮釋委員：邱泰洋)","ImageUrl":""}
,{"Identifier":"199903001001","MainTitle":"君子能容","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAzMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199903002","MainTitle":"福報","Creator":"陳文寬","CreatedYear":"","Size":"附底座","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作者於瓷胎器瓶上施以漆藝的仿古技法及古代雙蝙蝠環抱的意象詮釋「福報」主題。此作品創作於1998年，作者運用原本的陶雕功力加上1997入漆領域後學習的仿古漆藝技法，於從事漆藝創作一年間即完成此件作品，後以此作參加1999年身障人士工藝創作競賽獲最優選獎。\r\n作品上端運用了黑紅雙色的犀皮變塗技法表現。「犀皮變塗」是運用豆腐中的蛋白質成分與樹漆漆液中的漆酚，在相對的比例混合產生化學變化後，造成漆呈現黏稠不流動的狀態（稱為絞漆），利用塑料材質包覆布或棉成一球狀，以此球狀道具沾絞漆拍打於漆面，於拍打出的小立體漆質感上重複髹塗數層黑及紅色色漆，經由研磨過程中原本製作漆質感及髹漆於不同高低的漆層所產生的抽象效果。\r\n作品下半部於拉坯形體上乾雕蝙幅圖案後瓷器窯燒（1200°燒結），髹底漆後續烤漆（150°持溫1.5小時）固胎。雕刻圖案於底漆基礎上再髹塗紅色色漆，最後塗上一層紅漆後於漆將乾而未乾之際撒上松煙於雕刻圖案處，待乾凅後研磨推光，造成凹處是黑色松煙而塗面是紅色的典雅樸素如啞光般的仿古色澤效果。整體黑紅呈現出傳統吉祥寓意古樸風，又佐以現代四方連續的設計元素，此古今混搭令人玩味的風格，亦可於作者以漆繪篆刻印章方式詮釋自身簽名上得到印證。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"199903003","MainTitle":"香光莊嚴","Creator":"陳惠芬","CreatedYear":"","Size":"不含底座（專輯作品有作品下置底座，實物點收無附底座）","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件作品造形有著如玉壺春瓶的直頸、上斂下豐的圓腹，與外敞的口沿，以手拉坯成形。然而創作者突破瓶形的器用功能，於瓶的圓腹處作裁切，進而打破器形，使成上下兩截、可開闔的空間，拓展器皿內部以成可容納含放香或燈光的香爐、燈爐。整體瓶身上深褐色釉，上半部的香爐瓶頸上有荷葉開口，頸與肩交接處有一圈弦紋，下接瓶肩處的白釉卷葉刻花圖騰裝飾，圓腹上的開闔線設計有卡榫，確保瓶身上下相接緊密，下半部的香爐瓶底有圈足使立於平面穩固；白釉紋飾中間以透雕鏤空，使香氣與光可從瓶身的孔隙中散溢而出。集合器用與美感於一身，增添使用者的五感體驗。 \r\n創作者陳惠芬女士以此件作品參加1999年身障人士工藝創作競賽，獲得前五名的最優選獎，作品在仿古陶瓷的基礎上，設計新創出器物的新結構、新功能，創造新題材，實屬難得美作。自首屆1997年開辦以來，身心障礙人士工藝創作競賽已進入第三年，參賽者激增，設計與製作的水準更節節提昇，主辦中心在經費上獲得連雅堂先生獎學金基金會、乾唐軒美術工藝有限公司的贊助。（註1）。(詮釋委員：杜文田)\r\n\r\n註1 參考柳秋色、程天立策劃，〈序言〉，《1999身障人士工藝創作競賽專集》，臺灣省手工業研究所（臺灣省手工業研究所現為國立臺灣工藝研究發展中心），1999。","ImageUrl":""}
,{"Identifier":"199903004","MainTitle":"希望之光","Creator":"沈君陽","CreatedYear":"","Size":"外箱尺寸：39*27.3*30公分\r\n含外箱重：3650公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199903005","MainTitle":"心靈之窗","Creator":"林麗英","CreatedYear":"","Size":"","Type":"工藝類\\籐材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAzMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件以細籐編成寬肩大口的缶形器，既可觀賞、又具實用價值。台灣盛產竹藤，中部地區的竹藤編器更具特色，除家庭使用外，日治時期更形成產業，戰後則發展成藝術文創。\r\n此件取名〈心靈之窗〉，是在編織時，留下一些窗形的開口，甚至再加上貝殼的裝飾，也因為這樣的匠意，增加了技術上的挑戰與藝術的內涵和創意。此件造型均整，編工精細，符合工藝作品「由技入藝」的需求。那些在方形窗框內的貝殼，讓人聯想到西方中古時代教堂的嵌玻璃，而這件藤編器，既可作為花器之用，也是一種引人聯想的象徵物，如作者似乎正式想像自己就在器內的空間中，迎見器外陽光的穿透與希望。\r\n作者居住台灣北部，卻能將中南部盛行的竹藤編工藝，進行如此深具創意與象徵的產出，實屬不易，尤其結合竹藤與貝殼或瓷磚的作法，更具一種地域性與時代性的意義。(詮釋委員：蕭瓊瑞)","ImageUrl":""}
,{"Identifier":"199904001","MainTitle":"大加冠風獅爺","Creator":"創作者：王明宗","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199904002","MainTitle":"秋江紅樹（釉上彩繪）","Creator":"創作者：陳澄清","CreatedYear":"","Size":"附展示架","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199904003","MainTitle":"箭筒－百鳥朝鳳（釉上彩繪）","Creator":"創作者：陳澄清","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199904004","MainTitle":"木片花掛屏－菊","Creator":"余文雄","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTA0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199904005","MainTitle":"牛－合家歡","Creator":"創作者：國頂實業 (粘召文)","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTA0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「牛」是臺灣舊時農村耕作、運貨最得力的助手，最主要的家畜。鄉下農村，幾乎家家戶戶都要飼牛、牧牛。「臺灣牛」分兩種：「水牛」與「赤牛」；「水牛」膚色黑，喜水、力大，適合水田耕作；「赤牛」膚色赤，耐旱，適合山上旱地耕作。牛因為是農家的大幫手，農民就特別照顧牛的健康，還好牛的體格健碩，溫馴有力，大人小孩都喜歡，而牠也不負主人，為農家耕地拖犂、載貨拖車，起家興家富家；過去，民間留下俗諺：「做牛著拖，做人著磨」；意思説不論做牛做人，都要能吃苦耐勞，才可生活無憂。\r\n 「牛」最快樂的時候，是不必拖磨的農閒放牧。國頂實業(粘召文）創作本組銅質雕塑作品「合家歡」，便是形容大小家庭成員四牛，在原野徜徉，或立、或俯、或臥，或觀望、或發呆、或吃草，生活歡樂的情景。其形態肌理，動作神韻，頭部繩環，栩栩如生。此銅塑工藝，堪稱優秀，有臺灣早期雕塑大師黃土水的風格餘韻。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199905001","MainTitle":"長石植物灰釉窯變花器","Creator":"創作者：游曉昊","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這只花器有三個瓶口共用一瓶身。從外在觀賞的角度來看，有如三根水管從一只舊式皮箱裡冒出來，是一件具現代幾何元素、有趣造形的物件雕塑；若從其作為花器的設計來看，形隨機能（Form Follows Function），凸顯此造形對使用者的挑戰。兩種視角透過器皿外在施予長石植物灰釉的寬容控制下融合。這件作品是前輩陶藝家游曉昊以柴窯燒製而成；表面淋漓盡致的熔融釉滴來自植物萃煉出的豐富礦物質，閃耀著藍綠光采，覆蓋了底下需細看得以見到的，以帆布浸漬灰釉包覆瓶身壓印的織紋。多層次的紋理，在時間進程中慢慢地抽絲剝繭釋出，大自然的奧妙，令觀者目不轉睛。\r\n游曉昊1938年出生於台中，畢業於國立師範大學體育系，1974年隨陶藝先進林葆家學陶；曾獲國家現代陶瓷展會長獎、史博館國家榮譽金質獎章、中華民國陶瓷學會陶藝貢獻獎等。參與多項展出（註1）。陶藝藝評先進宋龍飛先生介紹他，「為倡導臺灣現代陶藝新古典主義之先驅。作品曾入選義大利法恩札、法國瓦洛利等國際陶展，並應邀故宮近代館展出。作品以無光鐵、灰釉高溫燒成，配合魚雕裝飾，產生原始的粗獷美。」（註2）。又說明他使用的灰釉材料，是從花生殼、稻草、樹皮、貝殼，以及多種有機物或無機物燒成的，並在灰釉中摻進了細砂，使釉面呈現粗獷的氣息，展現他陶藝作品獨到的風格（註3）。\r\n此件作品曾於1998年「臺灣生活用品評選展 工藝家邀請展」展出，該次一起受邀展出的陶藝名家包括，王修功、蔡曉芳、蘇世雄，交趾陶師林洸沂、高枝明。隨同「臺灣生活用品評選」競賽成果展覽、同年的「臺灣工藝設計競賽」、「蘭嶼之美—雅美原住民手工藝特展」、「殘障人士工藝創作展」、「工藝教坊」，一同於台南新光三越百貨公司文化館展出（註4）。(詮釋委員：杜文田)\r\n\r\n註1謝東山，《臺灣現代陶藝發展史》，藝術家出版社，2005，頁72。 \r\n註2宋龍飛，〈誌上陶藝展—神州’89現代陶藝大展—才氣遠勝名氣的陶藝家〉，《藝術家》，168期，1989.5，頁202-204，同時收錄於莊秀玲、廖櫻華編輯企劃，《臺灣現代陶藝啟示錄：宋龍飛文集 II.1988-1993》，臺北縣立鶯歌陶瓷博物館，2010.12，頁48。\r\n註3宋龍飛，〈為秋韻陶展補韻—遙想著游曉昊陶展〉，《藝術家》，172期，1989.9，頁247，同時收錄於其上，頁67。\r\n註4前所長翁徐得先生序文，陳文標主編，《中華民國八十七年度臺灣生活用品評選展 工藝家邀請展》，臺灣省手工業研究所，1998，頁3。","ImageUrl":""}
,{"Identifier":"199905002","MainTitle":"富貴豬","Creator":"創作者：彭明樹","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199905003","MainTitle":"十二生肖系列－猴","Creator":"創作者：廖飛熊","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTA1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件「十二生肖系列～猴」，是雕塑家廖飛熊的猴系列作品之一。廖飛熊生於1957年，新店安坑人。因對立體雕塑有濃厚興趣，復興美工畢業後致力石、銅雕塑。1996年參加臺灣省手工業硏究所臺北展示中心聯展，1998年參加43屆全省美展優選，並曾經去美國紐約與法國巴黎參加聯合展覽。\r\n廖飛熊喜愛猴子的純真逗趣，喜歡表達猴子飛躍的身形、野性的色彩；也喜愛以簡樸造型描寫猴子的海闊天空、活潑自在、調皮搞笑。猴群社會的階級、互助互動，野趣樂活；猴與人類的肖似關聯，猴把戲、翻跟斗、擬人化；在傳統中華文化，猴被付予人性化、神性化、圖騰化。佛教的摩睺羅猴神，《西遊記》的孫大聖，都是膾炙人口的信仰故事。傳說猿猴可以辟馬瘟、牛瘟、豬瘟，所以早昔的馬廄、牛稠、豬稠之外，都要拴養一隻猴子。\r\n本件廖飛熊創作銅雕塑「猴」，以半抽象半具像的技法，表現猴子在巨球之上翻跟斗、倒立，好像是「猴戲」。猴子的眼神看起來憂鬱，嘴巴緊閉，彷彿在憂慮什麼？又彷彿，它在「守庚申」。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199905004","MainTitle":"陶瓶","Creator":"創作者：吳漢乾","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTA1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199905005","MainTitle":"不鏽鋼茶壺","Creator":"創作者：黃天來","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTA1MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件「不鏽鋼茶壺」是臺中市「大甲鐵壺」文化資產保存者黃天來所創作，歷經三十餘年，大甲鐵壼已成為專屬工藝美術類型，形塑地方工藝特色。\r\n 這項「不鏽鋼茶壺」為什麼會形成臺中市的文化資產項目呢？因為傳統的「鐵壼」是以鐵製成，易熱、耐用，但鐵較銅硬，在工藝技術上難度較高，是臺中特有之傳統工藝技術。黃天來為避免燃燒加熱釋放鐡金屬，改以不鏽鋼材取代，因創作者出生於大甲，回鄉創業，乃取名「大甲鐵壼」。\r\n 保存者黃天來以藝術生活化理念，將堅硬金屬材質，運用個人藝術思维，轉化為典雅穩重的工藝創作，藝術性與實用性兼備，在臺灣屬極少見之美術工藝。\r\n 黃天來17歲學藝，學習包括玉雕、石雕、中西繪畫、人體雕塑，歷經15年的養成期，才返鄉創作鐵壺。憑著累積的經驗與技術，製造獨樹一格的鐵壼，與日本鐵壺風格迥異。\r\n 這件不鏽鋼茶壺，造型獨特，壼蓋凸出細長寶珠鈕，壼身渾厚，樸實的花形塊面斑駁，凝聚著鄉土的風味，底部飾以繁瓣層層花紋，可見做工的精緻。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199905006","MainTitle":"達悟族刳板船","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTA1MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199905007","MainTitle":"迷人便條球","Creator":"創作者：榮登實業股份有限公司","CreatedYear":"","Size":"附座","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTA1MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199905008","MainTitle":"迷人便條球","Creator":"創作者：榮登實業股份有限公司","CreatedYear":"","Size":"附座","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTA1MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199905009","MainTitle":"迷人便條球","Creator":"創作者：榮登實業股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTA1MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199905010","MainTitle":"迷人便條球","Creator":"創作者：榮登實業股份有限公司","CreatedYear":"","Size":"附座","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTA1MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199905011","MainTitle":"迷人便條球","Creator":"創作者：榮登實業股份有限公司","CreatedYear":"","Size":"附座","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTA1MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199905012","MainTitle":"迷人便條球","Creator":"創作者：榮登實業股份有限公司","CreatedYear":"","Size":"附座","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTA1MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199905013","MainTitle":"迷人便條球","Creator":"創作者：榮登實業股份有限公司","CreatedYear":"","Size":"附座","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTA1MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199905014","MainTitle":"竹編掛飾-長紅","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTA1MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"199906001","MainTitle":"馬克杯","Creator":"創作者：協和陶瓷廠","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200001001","MainTitle":"木缽","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200001002","MainTitle":"木雕人偶","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200004001","MainTitle":"貝殼面紙盒","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200005001","MainTitle":"壁飾-（五穀素材米畫）","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200006001","MainTitle":"剃刀的變體--項圈","Creator":"創作者：楊夕霞","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件作品提供將日常的用品轉化為配戴用首飾的新語彙，創作者觀察為剃頭髮而存在的剃刀結構細緻，因而將其元素簡化變體轉為此頸飾造型，透過鉚釘結構使頸飾容易在前方得以開合方便配帶，雖然以剃刀的變體元素為發想主題，不妨說也帶有些許髮梳的影子。作品將剃刀物件轉化成時尚配件，是極具個性化的的飾品設計。\r\n創作者楊夕霞2001年畢業於國立臺南藝術學院(現改制為國立臺南藝術大學)應用藝術研究所，由於校內提供學生個人工作桌與設備，得以在資源充裕的創作環境中不斷嘗試與精進金屬鍛敲的技法，透過這個鍛敲專長她善於將冰冷的金屬在手中化為承載生命意義的媒材，發表不少器物作品，深獲矚目。這件作品是她在校期間參加「2000年國立工藝研究所珠寶飾品新產品設計開發競賽」藝術創作組獲得傑出設計獎，她的作品也在2007年黃金博物園區「第一屆全國金屬工藝大賽」中同時獲得器物組「金質獎」及首飾組的「 銅質獎」，可見其作品受到的肯定。(詮釋委員：王梅珍)","ImageUrl":""}
,{"Identifier":"200006002","MainTitle":"結果--隨意組合飾品","Creator":"創作者：黃裕智","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件作品「結果-隨意組合飾品」是創作者透過不鏽鋼線以勾針編織手法建構，尾端分別以銀板焊接的空心造型收束，並搭配3個可移動的如水滴狀的空心體增添作品的變化性。由於不鏽鋼線的鈎織形體具有彈性，巧妙地以銀造型增加一些量體的穩定，藉由可活動的水滴造型更可彈性隨意組合。使這件作品藉由柔軟的編織手法不論在視覺、觸覺甚至聽覺上，創造出多變而有趣的感受。飾品的外型似有生命的生物或植物的局部特寫，可以依附著有溫度的身體，隨著身體各部位的曲線相互搭配。\r\n黃裕智2001年畢業於國立臺南藝術學院(現已改制為國立臺南藝術大學)應用藝術研究所，她為了突破品項繁多的金工工具，與作業場域所帶來的限制，開始嘗試以「金屬編織」作為創作手法，看似堅硬的金屬材質，其實深具延展性與韌度，因此形體極具柔軟，這種矛盾卻相依共存的材質特性，具有極大包容度與可塑度。她在校期間中的作品不僅獲得「2000年國立工藝研究所珠寶飾品新產品設計開發競賽，藝術創作設計組傑出設計獎」，之後更延伸將金屬線編織作品量體放大，參加2001年第十八屆高雄市美術展覽會獲得高雄獎。她擅以金屬編織構成在空間中舒展的造型，在潔白的空間中光與影閃爍，細細密密的金屬編織隱約的穿透感加長空間深度，作品散見各大建建築物，現在是國內知名的公共藝術創作者。(詮釋委員：王梅珍)","ImageUrl":""}
,{"Identifier":"200006003","MainTitle":"伯明罕的記憶--項圈","Creator":"創作者：王舒屏","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200006004","MainTitle":"花語—瓣與露珠--項圈","Creator":"創作者：李梅華","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200006005","MainTitle":"回歸自然--項圈、手環、戒指","Creator":"創作者：林恬仰","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA2MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200006006","MainTitle":"野性空間--項圈","Creator":"創作者：吳惠雲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA2MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200006007","MainTitle":"工業社會--胸針","Creator":"創作者：楊樂生","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA2MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200006008","MainTitle":"向陽性--項圈","Creator":"創作者：周金團","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA2MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200006009","MainTitle":"永結同心--項圈","Creator":"創作者：楊麗玲","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA2MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200006010","MainTitle":"一粒麥子--胸針、髮釵","Creator":"創作者：陳高登","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA2MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200006011","MainTitle":"時間之河--項圈","Creator":"創作者：鄭巧明","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA2MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200006012","MainTitle":"流光紀事--手環","Creator":"創作者：劉心鈿","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA2MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200006013","MainTitle":"蝶舞--項鍊、戒指、耳環","Creator":"設計者：王麗君
配合廠商：詹文鑫個人珠寶工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA2MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這套作品包含項鍊、戒指、耳環的設計，靈感來自於春天的氣息，綠葉搭配飛舞的蝴蝶，充滿著春天的新鮮及快樂的心情。將銀材經過鋸切、彎折、打磨的表面處理後，再鑲上主要的馬眼形白玉髓寶石裝飾。項鍊分別採6節銀配件組合，上端四節採鍛敲彎曲，使鍊條可以配合脖子的弧度活動，下方左右兩節造型如展翅的蝶翼般，左側鑲上三顆白玉髓寶石及六顆敲整成弧形亮面的銀片做為裝飾，右邊則是在彎曲面上鑲入三顆人造鑽，如同蝴蝶尾端帶螢光的花紋眼。\r\n不論項鍊、戒指、耳環的設計，都是採側面隔層支架製作，這使得配戴時寶石與身體不會直接貼合，得產生間距讓光線穿過可以增加寶石的潤透效果，這套件作品不論正面與背面，作工都很精緻，表面處理更是平整完美，整體造型線條柔和順暢，是值得典藏的佳作。(詮釋委員：王梅珍)","ImageUrl":""}
,{"Identifier":"200006014","MainTitle":"橋--項鍊、戒指、耳環","Creator":"設計者：簡志霖
配合廠商：簡志霖個人工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA2MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品項鍊、戒指、耳環以橋的結構性來重塑橋的象徵意義，希望透過此設計能傳達出橋係為人建構的連接性，其實早就存在於「人與人之間生活共存的感動中」。主體結構皆以線材圍繞固定著的雪花玉，戒指以方形線材設計，除了顯現理性幾何的架構，簡約的線材造型，使作品呈現最輕盈的量感，是具時尚的飾品設計。\r\n創作者簡志霖，畢業於臺北工專（現改名為臺北科技大學）、實踐大學工業產品設計研究所， 1999年發表碩士論文「創作中應用神話、寓言於造型詮釋之探討」。就學期間參加臺灣省手工業研究所年舉辦的珠寶飾品新產品設計案競賽，連續兩年獲得「傑出設計獎」，由工業設計跨越到珠寶設計，同樣繳出亮麗成績單，嶄露出過人的才華，之後曾任職於宏達電創意設計處。(詮釋委員：王梅珍)","ImageUrl":""}
,{"Identifier":"200006015","MainTitle":"Y2K--項鍊、戒指、手鐲","Creator":"配合廠商：鱒工房
設計者：林瑞龍","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA2MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200006016","MainTitle":"舞─清平調--胸針、耳環","Creator":"設計者：徐瑛琦
配合廠商：徐瑛琦珠寶設計工作坊","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA2MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200006017","MainTitle":"玉石源地--項鍊、戒指、耳環","Creator":"設計者：翁振誠
配合廠商：WONG珠寶設計工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA2MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200006018","MainTitle":"雪花玉三部曲--項鍊、戒指、耳環","Creator":"設計者：張若菡
配合廠商：張若菡個人工作室","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA2MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200007001","MainTitle":"孔雀開屏","Creator":"吳淑櫻","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件敞口淺碗作品以手拉坯成形，碗底加以跳刀淺刻出放射紋路，碗內施予銅灰釉於白釉點上方作流動的控制，形成如孔雀羽毛眼斑的圖案，加以規律變化形成釉色圖騰，宛如孔雀開屏般既典雅又炫目的效果，結合了雕刻紋樣與如唐三彩之釉面表現，呈現高水準的裝飾技法。碗外飾以波狀線紋。\r\n創作者吳淑櫻以此件作品參加2000年身心障礙人士工藝創作競賽，獲得最優選獎，以仿古裝飾餐碗的題材作品，展現出她卓越的陶藝創作功力。是年逢進入千禧之交，世界局勢變動政府計畫經費縮減，幸得中華民國工藝發展協會于春明理事長、何理事及傑出身障人士徐建發先生鼎力贊助，合力維持住活動獎項獎金，並透過積極宣傳，報名人數未減反增，競爭之激烈屬歷屆之最。（註1）。(詮釋委員：杜文田)\r\n\r\n註1 參考柳秋色、程天立策劃，〈後記〉，《2000年身心障礙人士工藝創作競賽專集》，臺灣省手工業研究所（臺灣省手工業研究所現為國立臺灣工藝研究發展中心），2000，頁23。","ImageUrl":""}
,{"Identifier":"200007002","MainTitle":"鳳翔花瑞","Creator":"魏寬郁","CreatedYear":"","Size":"附木箱","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"〝鳳翔花瑞〞作品以台灣樟木創作的觀賞用木雕創作作品，主要是以垛屏型式達到的觀賞機能。本作品以鳳凰及牡丹花為主體構圖，示現雍容富貴之相。另穿插的佈局梅花與喜鵲示意喜上眉梢的祥瑞之氣。整體創作布局很勻稱，尤其在右邊的傳統硬段彩紋的雕刻處理與左邊少許的鳳首部位與幾朵梅花的透雕技法形成一種化為對稱之美。創作者魏寬郁先生應用精湛的雕刻技術如陰陽雕法及圓雕、浮雕、透雕等多種細膩的技法而使本作品呈現高度的典藏價值。\r\n作者魏寬郁先生出生於傳統農業社會是大家族的長孫，不幸的是與生俱來的聾啞，在成長過程受盡奚落，仍得刻苦耐勞，學得一技之長，期望自己一如白梅開於寒冬，內心渴求他日功成名就；一如牡丹花開，吉鳥獻瑞，光耀門楣。以一位身障人士，於2000年參加工藝研究發展中心的身心障礙人士工藝創作競賽得其殊榮，讓社會肯定魏先生的努力與工藝天分。(詮釋委員：王俊傑)","ImageUrl":""}
,{"Identifier":"200007003","MainTitle":"百福迎千禧","Creator":"陳文寬","CreatedYear":"","Size":"附底座、木箱","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA3MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件作品為作者於2000年，參加第四屆身障人士工藝競賽獲最優選獎之作。圓潤飽滿的瓷瓶上，以100隻銀箔材質的蝙蝠圖案，運用「金箔罩明」的漆藝技法，詮釋『百福迎千禧』的賀歲喜祥。\r\n 蝙蝠有著「遍福」的寓意，飛臨的蝙蝠也含有「進福」意涵。由瓶底所簽1999年所示，這是作者為迎接2000年千禧年所創作，將幸福及福氣藉由圓滿的工藝器瓶、從天而降雙雙對對的吉祥象徵物「蝙蝠」、延綿不絕循環圍繞著傳遞給人們。\r\n「金箔罩明」漆藝技法，是運用樹漆中「透漆」所具備的漆性，如黏著性、琥珀色半透明度及回色等特徵，所演繹出的特殊裝飾效果。在這件作品中打完底漆後，先將薄如蟬翼的第一層50隻銀箔蝙蝠圖案貼附於胎體上，待乾凅後髹塗上一層薄透漆。再於漆上貼附第二層50隻蝙蝠圖案銀箔後罩漆。藉由琥珀色透漆層疊的色層造成銀箔在刷塗透漆後所產生金箔的視覺效果及前後空間的呈現，這種將圖案由明飾藉由罩上透漆後轉為為暗飾，手法表現沉著含蓄且耐人尋味。是一件融合傳統工藝與結合現代時節的傑作！(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"200008001","MainTitle":"翹","Creator":"創作者：王正中","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"〝翹〞是2000年小木器設計競賽最優選獎，以胡桃木、梣木及梣木薄片為主要材料。此一作品是以簡約的元素構成實用性之櫃凳，主要是可以在玄關場域當作穿鞋凳子或小套房空間使用的座椅，既可當又能當收納櫃。創作者巧妙的將雙層抽屜設計成雙向可開啟使用，所以兼具了不受方向與空間限制，使抽屜達到收納的功能。\r\n本作品座椅雙側的側板與以至座椅兩側彎曲的翹脊，是用很薄的梣木單板佈上膠合劑，再用已設計好的側板曲度模具加壓膠合，而成具曲線的夾板，作為結構主體，讓本張〝翹〞椅凳強度十分完美。兩側的側板與四隻腳的製作上簡潔，創作者應用梣木乳白色與胡桃木的木材天然色差讓本創作品特別顯得和諧。另一設計特色是本作品的彎形扶手端部，配合了整支的圓形握把增添其趣味性；抽屜部分是應用通透的圓孔與抽屜面板前面開溝槽再嵌入的橫木條，橫木條在圓孔中成為了抽屜把手，這種巧思的設計搭配而形成了作品的獨特風格。\r\n〝翹〞作品略加修正是可為量產的家具商品，其設計成熟度已達專業程度，此一設計更可延伸為五斗櫃電視櫃等生活用品等開發。(詮釋委員：王俊傑)\r\n","ImageUrl":""}
,{"Identifier":"200008002","MainTitle":"漩","Creator":"創作者：陳河村","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品是200年小木器設計競賽最優選獎，取名為「漩」，是因在面板及腳的部分作特殊造型的鑲嵌造型之聯想，使作品在視覺上更具力與美。創作者陳河村將本作品經由巧妙的設計，使一張簡單的座椅一分為二，可分解當作茶几或凳子，可因使用機能需要而改變，故擁有很高的功能性。在整張的結構設計以外露的方式，讓小桌子的腳底部錯位，能精巧地崁入三角形座椅的坐面板上，其兩上下單獨作品的橫板厚度與其支腳比例不破壞整體感，呈現一種適切的優雅美。在面板與腳的結構處利用穿透的榫頭及木釘來作結合，使得椅子及茶几的強度非常足夠。\r\n「漩」的特色是那坐板與小桌板的異木螺旋鑲嵌技術，這是需要精密計算與精確的加工藝技術才能達到應有的密合度，在數位加工機具尚不普及的時期能完成這樣的作品式屬不容易的事。而在現今的數位加工技術上的應用本創作是屬一個可以推廣至商場上的商品。(詮釋委員：王俊傑)","ImageUrl":""}
,{"Identifier":"200008003","MainTitle":"和合永恆","Creator":"創作者：黃俊傑","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA4MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件極具象徵與隱喻的精緻木雕作品，名稱上的「和」、「合」，都有器物類型「盒」的意涵與諧音；同時，此一「盒」型，有蓋有體，體蓋和合，也是一種完美和諧的喻意，象徵國族、家庭，乃至社會的合一團結。且從材料上觀，這件小木器，結合了台灣檜木、台灣扁柏、胡桃木、紅木、柚木、梨花木等多種木材，也是一種「多元和合」的手法；而在型式上，更融和多種古典紋飾、圖案，從提把、盒蓋、扣鎖、花飾，到邊框，巧奪天工的細緻工法，都讓人產生天地平和、永恆不變的情感共鳴。\r\n 一般工藝作品，講究的是實用與工技，但黃俊傑的〈和合永恆〉卻在精緻的工法、技術外，蘊含豐富的思維意念；正是所謂「由技進藝、由藝入道」的傑作典範；而在當今整塊木料逐漸不易取得的困境下，利用舊木料或裁切剩下的木料再應用，也是木器界迎合生態環保的因應之道，本件作品作了最佳示範，也獲得2000年小木器設計競賽最優選獎。(詮釋委員：蕭瓊瑞)\r\n","ImageUrl":""}
,{"Identifier":"200009001","MainTitle":"水晶蓮花","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDA5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200010001","MainTitle":"Happy together-調味罐系列","Creator":"創作者：趙丹綺","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEwMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作者以簡單俐落的線條，省略繁複的裝飾性，著重實用功能性來打造符合實用、自我美學觀點及創作理念，企圖能融入現代生活環境，並提升生活美的品質。(詮釋委員:陳國珍)","ImageUrl":""}
,{"Identifier":"200010001001","MainTitle":"Happy together-調味罐系列-1","Creator":"創作者：趙丹綺(老師)","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEwMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作者以簡單俐落的線條，省略繁複的裝飾性，著重實用功能性來打造符合實用、自我美學觀點及創作理念，企圖能融入現代生活環境，並提升生活美的品質。(詮釋委員:陳國珍)","ImageUrl":""}
,{"Identifier":"200010001002","MainTitle":"Happy together-調味罐系列-2","Creator":"創作者：趙丹綺(老師)","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEwMDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作者以簡單俐落的線條，省略繁複的裝飾性，著重實用功能性來打造符合實用、自我美學觀點及創作理念，企圖能融入現代生活環境，並提升生活美的品質。(詮釋委員:陳國珍)","ImageUrl":""}
,{"Identifier":"200010001003","MainTitle":"Happy together-調味罐系列-3","Creator":"創作者：趙丹綺(老師)","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEwMDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200010001004","MainTitle":"Happy together-調味罐系列-4","Creator":"創作者：趙丹綺(老師)","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEwMDAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作者以簡單俐落的線條，省略繁複的裝飾性，著重實用功能性來打造符合實用、自我美學觀點及創作理念，企圖能融入現代生活環境，並提升生活美的品質。(詮釋委員:陳國珍)","ImageUrl":""}
,{"Identifier":"200010002","MainTitle":"昆蟲標本箱","Creator":"創作者：王增義","CreatedYear":"","Size":"展示箱尺寸","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEwMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"王增義作者運用簡單現有的機械零件組合構成這些形似昆蟲的作品，系列中又有變化，形態自然栩栩如生、也極富傳神的韻味與神情，實屬佳作。(詮釋委員:陳國珍)","ImageUrl":""}
,{"Identifier":"200010002001","MainTitle":"昆蟲標本箱","Creator":"創作者：王增義","CreatedYear":"","Size":"展示箱尺寸","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEwMDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"王增義作者運用簡單現有的機械零件組合構成這些形似昆蟲的作品，系列中又有變化，形態自然栩栩如生、也極富傳神的韻味與神情，實屬佳作。(詮釋委員:陳國珍)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000107319d91b2f6e754317f6200025d6aacefa14060833e76764b2f9103590c5184d1df749a83779f69f1a8caad7ead76209810b0532162fbd71ce6607223ef2e9"}
,{"Identifier":"200010002002","MainTitle":"昆蟲標本箱-螳螂","Creator":"創作者：王增義","CreatedYear":"","Size":"單隻","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEwMDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"王增義作者運用簡單現有的機械零件組合構成這些形似昆蟲的作品，系列中又有變化，形態自然栩栩如生、也極富傳神的韻味與神情，實屬佳作。(詮釋委員:陳國珍)","ImageUrl":""}
,{"Identifier":"200010003","MainTitle":"中國童玩珍藏系列","Creator":"百匯通股份有限公司","CreatedYear":"","Size":"附底座、木箱","Type":"工藝類\\樹脂類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEwMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「嬰戲圖」起碼是唐宋時代以來甚受歡迎的美術表現題材，除以兒童遊戲之天真爛漫引人喜愛外，又富「多子多孫」吉祥意味。此作承續嬰戲傳統，並以現代樹脂代替一般泥塑材料，刻畫人物動作，更為細膩。(詮釋委員：莊伯和)","ImageUrl":""}
,{"Identifier":"200010003001","MainTitle":"中國童玩珍藏系列-騎竹馬","Creator":"百匯通股份有限公司","CreatedYear":"","Size":"附底座、木箱","Type":"工藝類\\樹脂類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEwMDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「嬰戲圖」起碼是唐宋時代以來甚受歡迎的美術表現題材，除以兒童遊戲之天真爛漫引人喜愛外，又富「多子多孫」吉祥意味。此作承續嬰戲傳統，並以現代樹脂代替一般泥塑材料，刻畫人物動作，更為細膩。(詮釋委員：莊伯和)","ImageUrl":""}
,{"Identifier":"200010003002","MainTitle":"中國童玩珍藏系列-雙節棍","Creator":"百匯通股份有限公司","CreatedYear":"","Size":"附底座、木箱","Type":"工藝類\\樹脂類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEwMDAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「嬰戲圖」起碼是唐宋時代以來甚受歡迎的美術表現題材，除以兒童遊戲之天真爛漫引人喜愛外，又富「多子多孫」吉祥意味。此作承續嬰戲傳統，並以現代樹脂代替一般泥塑材料，刻畫人物動作，更為細膩。(詮釋委員：莊伯和)","ImageUrl":""}
,{"Identifier":"200010003003","MainTitle":"中國童玩珍藏系列-拉扯鈴","Creator":"百匯通股份有限公司","CreatedYear":"","Size":"附底座、木箱","Type":"工藝類\\樹脂類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEwMDAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「嬰戲圖」起碼是唐宋時代以來甚受歡迎的美術表現題材，除以兒童遊戲之天真爛漫引人喜愛外，又富「多子多孫」吉祥意味。此作承續嬰戲傳統，並以現代樹脂代替一般泥塑材料，刻畫人物動作，更為細膩。(詮釋委員：莊伯和)","ImageUrl":""}
,{"Identifier":"200010003004","MainTitle":"中國童玩珍藏系列-放鞭炮","Creator":"百匯通股份有限公司","CreatedYear":"","Size":"附底座、木箱","Type":"工藝類\\樹脂類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEwMDAzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「嬰戲圖」起碼是唐宋時代以來甚受歡迎的美術表現題材，除以兒童遊戲之天真爛漫引人喜愛外，又富「多子多孫」吉祥意味。此作承續嬰戲傳統，並以現代樹脂代替一般泥塑材料，刻畫人物動作，更為細膩。(詮釋委員：莊伯和)","ImageUrl":""}
,{"Identifier":"200010003005","MainTitle":"中國童玩珍藏系列-打竹板","Creator":"百匯通股份有限公司","CreatedYear":"","Size":"附底座、木箱","Type":"工藝類\\樹脂類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEwMDAzMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「嬰戲圖」起碼是唐宋時代以來甚受歡迎的美術表現題材，除以兒童遊戲之天真爛漫引人喜愛外，又富「多子多孫」吉祥意味。此作承續嬰戲傳統，並以現代樹脂代替一般泥塑材料，刻畫人物動作，更為細膩。(詮釋委員：莊伯和)","ImageUrl":""}
,{"Identifier":"200010003006","MainTitle":"中國童玩珍藏系列-鬥蟋蟀","Creator":"百匯通股份有限公司","CreatedYear":"","Size":"附底座、木箱","Type":"工藝類\\樹脂類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEwMDAzMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「嬰戲圖」起碼是唐宋時代以來甚受歡迎的美術表現題材，除以兒童遊戲之天真爛漫引人喜愛外，又富「多子多孫」吉祥意味。此作承續嬰戲傳統，並以現代樹脂代替一般泥塑材料，刻畫人物動作，更為細膩。(詮釋委員：莊伯和)","ImageUrl":""}
,{"Identifier":"200010003007","MainTitle":"中國童玩珍藏系列-打陀螺","Creator":"百匯通股份有限公司","CreatedYear":"","Size":"附底座、木箱","Type":"工藝類\\樹脂類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEwMDAzMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「嬰戲圖」起碼是唐宋時代以來甚受歡迎的美術表現題材，除以兒童遊戲之天真爛漫引人喜愛外，又富「多子多孫」吉祥意味。此作承續嬰戲傳統，並以現代樹脂代替一般泥塑材料，刻畫人物動作，更為細膩。(詮釋委員：莊伯和)","ImageUrl":""}
,{"Identifier":"200010003008","MainTitle":"中國童玩珍藏系列-踢毽子","Creator":"百匯通股份有限公司","CreatedYear":"","Size":"附底座、木箱","Type":"工藝類\\樹脂類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEwMDAzMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「嬰戲圖」起碼是唐宋時代以來甚受歡迎的美術表現題材，除以兒童遊戲之天真爛漫引人喜愛外，又富「多子多孫」吉祥意味。此作承續嬰戲傳統，並以現代樹脂代替一般泥塑材料，刻畫人物動作，更為細膩。(詮釋委員：莊伯和)","ImageUrl":""}
,{"Identifier":"200010004","MainTitle":"知竹常樂","Creator":"創作者：陳昱森","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEwMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「知竹常樂」乃文房用品，作者陳昱森，利用沉積岩紋理、色澤，以寫實主義設計雕琢老舊竹節狀硯台，外觀頗富古趣，既有老竹之神韻，又具巧雕之工藝，展現腐竹成器的和諧與自然之趣味，引喻傳統「知足常樂」的銘言。(詮釋委員：簡榮聰)\r\n\r\n順著沉積岩的紋理向，而創作出殘破竹節形硯，可謂一大巧思。若能再次配合硯池開口，於筍切造型多些巧妙安排，將更形完美。如何突破傳統硯雕的行事法則應是當代硯雕家的課題。(詮釋委員：廖秀玲)","ImageUrl":""}
,{"Identifier":"200011001","MainTitle":"花梨木會議桌椅組-桌、扶手椅、椅","Creator":"創作者：香港美藝","CreatedYear":"","Size":"附玻璃","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDExMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200012001","MainTitle":"石燈","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品，係經過仔細挑選，從大自然中選擇一個外表橢圓的璞石，將上下尖端切割整齊，然後鑿空內部及上部，形成薄壁如缸似甕的型態，之後在渾圓的形體上，鑿穿大小不等的圓洞圓窗。在臥足的近底處鑿穿一小孔，按置電線插頭電燈，就形成了「石燈」。\r\n 不同於一般裸露的電燈，或按上玻璃外罩的燈，按上糊紙或竹編的燈籠，這件外表敦厚樸實褐黑的石燈，透過圓形的小窗洞，流露出穩重中的溫馨光芒光影。耐用而耐看的石燈，在生活上充滿了古樸典雅的氣質。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"200012002","MainTitle":"刺繡紀念掛飾","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200012003","MainTitle":"刺繡鑰匙圈","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200012004","MainTitle":"刺繡小肚兜","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200012005","MainTitle":"編織裝飾畫","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200013001","MainTitle":"溪頭森林遊樂大學池竹材吊橋模型","Creator":"創作者：溫也寒","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014001","MainTitle":"獵人騎馬獵熊","Creator":"","CreatedYear":"1976","Size":"23.9×14.7×26.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶常以人物與動物為創作題材，本作品是事例之一。主題是獵人獵熊。獵人頭上戴著棕色的帽子，身著棕色上衣，藍色長褲，腰部繫皮帶，並掛著短刀，右手握著獵槍，雙腳穿在馬鐙上。他留著落腮鬍，眼窩深陷，嘴巴微張，低下頭，眼睛注視著下方的棕熊。他騎在馬上，馬背上鋪有馬鞍，馬匹後腳著地，前腳高舉，馬頭略向右下方看著棕熊，鬃毛隨風往後飃舉。獵人右前方地上立有一隻棕熊，後腳立在地上，身體向前往上，前肢攀在樹幹上，頭部靠近獵人的右腳，嘴巴張開，一副要攻擊獵人的姿勢。\r\n 整件作品由人、馬、熊、樹、石等元素所組成，人物與動物充滿強烈的動態，但等腰三角形的構圖卻能產生穩定的效果。人物、馬匹與棕熊的視線相互呼應，充分表打獵場景的緊張氣氛。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200014002","MainTitle":"雙水鴨","Creator":"丸利陶瓷公司","CreatedYear":"1990","Size":"17×12.7×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014003","MainTitle":"熊與二子","Creator":"丸利陶瓷公司","CreatedYear":"1971","Size":"17.2×8.8×12.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014004","MainTitle":"三月份花天使/水仙","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"5.9×4.7×10.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件以花朵和天使為元素的裝飾陶瓷雕像，典藏記載為「三月份花天使/水仙」。棕色短髮的花天使，側倚著頭，雙手略帶合十，模樣嬌俏，散開如傘狀的波浪裙襬上，水仙花與葉正昂然盛綻，花朵一瓣瓣細緻而立體，彩繪也見見層的細膩，整體型態精緻並充滿浪漫氛圍，是充滿祝福意味的裝飾品。\r\n 依據典藏資料記載，這是來自臺灣丸利陶瓷公司1984年的產品，另同系列商品共計10件，按月份進行命名。1980年代中期時值裝飾陶瓷產業在臺灣最興盛之際，為臺灣賺取豐厚的歐美外匯，臺日合資的丸利陶瓷公司，以精良的技術和品管成為這行業中的翹楚，代工中高價位的精品。然而，1990年代起生產成本的增加、同業競爭的激烈等諸多因素，臺灣丸利黯然歇業關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014005","MainTitle":"七月份花天使/堇花","Creator":"其他-品牌商：Roman, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"5.1×4.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件以花朵和天使為元素的裝飾陶瓷雕像，典藏記載為「七月份花天使/堇花」。棕色短髮的花天使，側倚著頭，雙手背在身後，模樣嬌俏中帶莊重，散開如傘狀的波浪裙襬上，色澤艷麗的堇花與葉正昂然盛綻，花朵一瓣瓣細緻而立體，彩繪也十分細膩，整體型態精緻並充滿浪漫氛圍，是充滿祝福意味的裝飾品。\r\n 依據典藏資料記載，這是來自臺灣丸利陶瓷公司1984年的產品，另同系列商品共計10件，按月份進行命名。1980年代中期時值裝飾陶瓷產業在臺灣最興盛之際，為臺灣賺取豐厚的歐美外匯，臺日合資的丸利陶瓷公司，以精良的技術和品管成為這行業中的翹楚，代工中高價位的精品。然而，1990年代起生產成本的增加、同業競爭的激烈等諸多因素，臺灣丸利黯然歇業關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014006","MainTitle":"四月份花天使/菊花","Creator":"其他-品牌商：Roman, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"5.4×5.3×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件以花朵和天使為元素的裝飾陶瓷雕像，典藏記載為「四月份花天使/菊花」。棕色短髮繫著公主頭的花天使，側倚著頭，彷彿正巧剛剛轉身，模樣充滿動勢十分嬌俏，旋開如傘狀的波浪裙襬上，色彩飽滿的黃花與葉正昂然盛綻，花朵一瓣瓣細緻而立體，彩繪也十分細膩，整體型態精緻並充滿浪漫氛圍，是充滿祝福意味的裝飾品。\r\n 依據典藏資料記載，這是來自臺灣丸利陶瓷公司1984年的產品，同系列商品共計10件，約以五種不同姿態的原型，來區分月份與命名。1980年代中期時值裝飾陶瓷產業在臺灣最興盛之際，為臺灣賺取豐厚的歐美外匯，臺日合資的丸利陶瓷公司，以精良的技術和品管成為這行業中的翹楚，代工中高價位的精品。然而，1990年代起生產成本的增加、同業競爭的激烈等諸多因素，臺灣丸利黯然歇業關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014007","MainTitle":"八月份花天使/嬰粟","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"5.7×5.4×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件以花朵和天使為元素的裝飾陶瓷雕像，典藏記載為「八月份花天使/嬰粟」。棕色短髮的花天使，彷彿正巧剛剛轉身側向看著我們，雙手交握伸向前，模樣充滿動勢十分嬌俏，旋開如傘狀的波浪裙襬上，色彩艷麗飽滿的罌粟與葉在白衣裙烘托下正昂然盛綻，花朵一瓣瓣細緻而立體，彩繪也十分細膩，整體型態精緻並充滿浪漫氛圍，是充滿祝福意味的裝飾品。\r\n 依據典藏資料記載，這是來自臺灣丸利陶瓷公司1984年的產品，同系列商品共計10件，約以五種不同姿態的原型，來區分月份與命名。1980年代中期時值裝飾陶瓷產業在臺灣最興盛之際，為臺灣賺取豐厚的歐美外匯，臺日合資的丸利陶瓷公司，以精良的技術和品管成為這行業中的翹楚，代工中高價位的精品。然而，1990年代起生產成本的增加、同業競爭的激烈等諸多因素，臺灣丸利黯然歇業關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014008","MainTitle":"十一月份花天使/大菊花","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"5.3×4.4×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件以花朵和天使為元素的裝飾陶瓷雕像，典藏記載為「十一月份花天使/大菊花」。棕色短髮的花天使，繫著公主頭，雙手略展開正羞澀地望向我們，模樣嫻靜，旋開如傘狀的波浪裙襬上，色彩淡雅的菊花與葉在白衣裙烘托下正昂然盛綻，花朵一瓣瓣細緻而立體，彩繪也十分細膩，整體型態精緻典雅並充滿浪漫氛圍，是充滿祝福意味的裝飾品。\r\n 依據典藏資料記載，這是來自臺灣丸利陶瓷公司1984年的產品，同系列商品共計10件，約以五種不同姿態的原型，來區分月份與命名。1980年代中期時值裝飾陶瓷產業在臺灣最興盛之際，為臺灣賺取豐厚的歐美外匯，臺日合資的丸利陶瓷公司，以精良的技術和品管成為這行業中的翹楚，代工中高價位的精品。然而，1990年代起生產成本的增加、同業競爭的激烈等諸多因素，臺灣丸利黯然歇業關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014009","MainTitle":"十月份花天使/大理花","Creator":"其他-品牌商：Roman, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"5.6×4.7×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件以花朵和天使為元素的裝飾陶瓷雕像，典藏記載為「十月份花天使/大理花」。黃褐色短捲髮的花天使，繫著公主頭，雙手略展開正羞澀地望向我們，模樣嫻靜嬌俏，旋開如傘狀的波浪裙襬上，橘色大理花與葉在白衣裙烘托下正昂然盛綻，花朵一瓣瓣細緻而立體，彩繪也十分細膩，整體型態精緻生動充滿浪漫氛圍，是充滿祝福意味的裝飾品。\r\n 依據典藏資料記載，這是來自臺灣丸利陶瓷公司1984年的產品，同系列商品共計10件，約以五種不同姿態的原型，來區分月份與命名。1980年代中期時值裝飾陶瓷產業在臺灣最興盛之際，為臺灣賺取豐厚的歐美外匯，臺日合資的丸利陶瓷公司，以精良的技術和品管成為這行業中的翹楚，代工中高價位的精品。然而，1990年代起生產成本的增加、同業競爭的激烈等諸多因素，臺灣丸利黯然歇業關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014010","MainTitle":"五月份花天使/梅花","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"5.1×4.7×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件以花朵和天使為元素的裝飾陶瓷雕像，典藏記載為「五月份花天使/梅花」。金黃色短捲髮的花天使，繫著公主頭，低著頭雙手交握於下顎，模樣嫻靜惹人憐惜，旋開如傘狀的波浪裙襬上，深色花蕊的潔白花朵襯著深綠色葉，正昂然盛綻在白衣裙上，花朵一瓣瓣細緻而立體，彩繪也十分細膩，雖然這件命名為梅花，但與實際梅花形態差異甚遠。若不考究植物，整體型態精緻生動充滿浪漫氛圍，仍是充滿祝福意味的裝飾品。\r\n 依據典藏資料記載，這是來自臺灣丸利陶瓷公司1984年的產品，同系列商品共計10件，約以幾種不同姿態的原型和各自不同的花卉，來區分月份與命名。1980年代中期時值裝飾陶瓷產業在臺灣最興盛之際，為臺灣賺取豐厚的歐美外匯，臺日合資的丸利陶瓷公司，以精良的技術和品管成為這行業中的翹楚，代工中高價位的精品。然而，1990年代起生產成本的增加、同業競爭的激烈等諸多因素，臺灣丸利黯然歇業關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014011","MainTitle":"一月份花天使/康乃馨","Creator":"其他-品牌商：Roman, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"5.9×4.2×10.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件以花朵和天使為元素的裝飾陶瓷雕像，典藏記載為「一月份花天使/康乃馨」。棕色短捲髮的花天使，側著頭，雙手交握於右肩前方，身姿形態充滿動感，旋開如傘狀的波浪裙襬上，粉紅色康乃馨花朵襯著綠葉，正昂然盛綻在淡鵝黃色衣裙上，複瓣花朵一瓣瓣雕琢而初，彩繪也十分細膩，整體型態精緻生動充滿浪漫氛圍，是充滿祝福意味的裝飾品。\r\n 依據典藏資料記載，這是來自臺灣丸利陶瓷公司1984年的產品，同系列商品共計10件，約以幾種不同姿態的原型和各自不同的花卉，來區分月份與命名。1980年代中期時值裝飾陶瓷產業在臺灣最興盛之際，為臺灣賺取豐厚的歐美外匯，臺日合資的丸利陶瓷公司，以精良的技術和品管成為這行業中的翹楚，代工中高價位的精品。然而，1990年代起生產成本的增加、同業競爭的激烈等諸多因素，臺灣丸利黯然歇業關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014012","MainTitle":"二月份花天使/蘭花","Creator":"其他-品牌商：Roman, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"4.9×4.5×5.9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件以花朵和天使為元素的裝飾陶瓷雕像，典藏記載為「二月份花天使/蘭花」。金黃色短髮的花天使，雙手背在身後，眼眸正專注望向我們，身姿形態散發嫻靜祥和之感，旋開如傘狀的波浪裙襬上，紫色花朵襯著綠葉，正昂然盛綻在白衣裙上，花朵一瓣瓣雕琢，彩繪也十分細膩，整體型態精緻生動充滿浪漫氛圍，是充滿祝福意味的裝飾品。\r\n 依據典藏資料記載，這是來自臺灣丸利陶瓷公司1984年的產品，同系列商品共計10件，約以幾種不同姿態的原型和各自不同的花卉，來區分月份與命名。1980年代中期時值裝飾陶瓷產業在臺灣最興盛之際，為臺灣賺取豐厚的歐美外匯，臺日合資的丸利陶瓷公司，以精良的技術和品管成為這行業中的翹楚，代工中高價位的精品。然而，1990年代起生產成本的增加、同業競爭的激烈等諸多因素，臺灣丸利黯然歇業關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014013","MainTitle":"九月份花天使/紫菊","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"5.5×5.3×5.9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件以花朵和天使為元素的裝飾陶瓷雕像，典藏記載為「九月份花天使/紫菊」。金黃色短髮的花天使，繫著公主頭，彷彿正剛剛正側過身來看著我們，動作姿態充滿動態，旋開如傘狀的波浪裙襬上，粉紅色花朵襯著綠葉，正昂然盛綻在淺藍色衣裙上，花朵一瓣瓣雕琢，彩繪也十分細膩，整體型態精緻生動充滿浪漫氛圍，是充滿祝福意味的裝飾品。\r\n 依據典藏資料記載，這是來自臺灣丸利陶瓷公司1984年的產品，同系列商品共計10件，約以幾種不同姿態的原型和各自不同的花卉，來區分月份與命名。1980年代中期時值裝飾陶瓷產業在臺灣最興盛之際，為臺灣賺取豐厚的歐美外匯，臺日合資的丸利陶瓷公司，以精良的技術和品管成為這行業中的翹楚，代工中高價位的精品。然而，1990年代起生產成本的增加、同業競爭的激烈等諸多因素，臺灣丸利黯然歇業關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014014","MainTitle":"雙人系列/結婚(白紗)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"14×9.5×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014015","MainTitle":"雙人系列/夫婦子","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"9×8×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014016","MainTitle":"雙人系列/男女(男花持)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"8×8×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014017","MainTitle":"雙人系列/接吻","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"9×7.5×16.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014018","MainTitle":"雙人系列/結婚","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"9×7.8×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014019","MainTitle":"雙人系列/男女(禮物)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"8×6.2×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014020","MainTitle":"雙人系列/男女送禮","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"8×7×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014021","MainTitle":"雙人系列/訂婚","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"16×12×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014022","MainTitle":"雙人系列/扶持","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"8×8×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014023","MainTitle":"雙人系列/唱詩","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"9×7×18.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014024","MainTitle":"雙人系列/銀婚紀念日","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"8.5×7.5×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014025","MainTitle":"雙人系列/金婚紀念日","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"9×6.5×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014026","MainTitle":"雙人系列/50週年(看相本)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"12×10.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014027","MainTitle":"驛馬車系列","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1972","Size":"28×10×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件是呈現西洋古典人物風格，以驛馬車為題材的裝飾陶瓷雕像，採瓷土注漿成形、釉上彩繪的方式製作，人物、馬匹動作姿態造型鮮活，整體造形繁複而細節精緻，人物衣飾的薄透滾邊蕾絲，尤為細緻逼真，人物與器物的彩繪裝飾色彩鮮麗，反映生產技術之精良，富收藏價值。\r\n 裝飾陶瓷在臺灣的產業發展，屬OEM代工生產的性質，供應歐美廣大的家居飾品、紀念禮品之需求，為高勞力密集的產業，在1970-90年代輝煌一時，為臺灣創造豐厚的經濟收入，但邁入各項生產成本開始飆漲的1990年代後，迅速沒落。本作製造者丸利陶瓷，是當時苗栗地區代表性的生產者，中日合資的體質，生產高水準的產品，極獲市場青睞。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014028","MainTitle":"雙人釉彩組/跳舞","Creator":"丸利陶瓷公司","CreatedYear":"1972","Size":"9×15×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014029","MainTitle":"雙人釉彩組/跪姿送花","Creator":"丸利陶瓷公司","CreatedYear":"1972","Size":"7×14×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014030","MainTitle":"雙人釉彩組/戴帽跳舞","Creator":"丸利陶瓷公司","CreatedYear":"1972","Size":"10×7×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014031","MainTitle":"人形皿/男孩與狗","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"19.7×19.7×2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014032","MainTitle":"人形皿/男孩與鼬鼠","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"19.7×19.7×2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014033","MainTitle":"人形皿/女孩與鳥","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"19.7×19.7×2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014034","MainTitle":"人形皿/女孩與鵝","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"19.7×19.7×2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014035","MainTitle":"人形皿/男孩與松鼠","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"19.7×19.7×2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014036","MainTitle":"人形皿/女孩與兔","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"19.7×19.7×2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014037","MainTitle":"雀斑女孩系列/保溫套","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"9.2×8.5×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014038","MainTitle":"雀斑女孩系列/裙花","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"9.5×8.5×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷人偶的造型是一位頭戴白色帽子，身穿藍色洋裝與白圍裙的小女孩。她雙手拉起裙子與圍裙捧著花，腳邊有一籃盆花，臉上帶著微笑。整座瓷偶在製作上相當講究，藍色裙裝上的圖騰、皺褶與裙襬的蕾絲都以淺雕仔細刻畫，白色帽子與圍裙上的點狀繪飾也錯落有致，仔細觀察，可見與女孩臉上的雀斑，有異曲同工之妙。\r\n 陶瓷人形以瓷土注漿成形後，將雙手與頭部附件粘接至身體軀幹上，修整後經第一道生檢手續，合格的才得以進入瓦斯窯窯燒 (1250-1280℃)，出窯後再經締檢手續，查看燒成的白坯體是否有瑕疵，良品才進入釉彩彩繪階段。瓷偶臉上的五官是水溶性彩繪，稱為顏彩，著重在眼線、眼珠、眉毛和嘴巴部位，是一個瓷偶神情生動掌握的關鍵，而在此雀斑女孩系列的臉上，還在雙頰近眼瞼下方加上點點如繁星的雀斑。身上的衣服則使用油性介質調製色釉粉塗繪，在衣服皺褶突出處刷淡以加強立體感；全身上過釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE / MR/ LIMITED EDITION©，意即「荷莉·哈比 / Maruri丸利 / 限量版」，為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示 MEADOW FLOWERS / One of three designs in the HOLLY HOBBiE Classics Collection Series II / LIMITED EDITION 20,000/ WWA INC. CLEVELAND / MADE IN TAIWAN，從此可知此件瓷偶名稱為 「牧草地上的花朵」，屬於「荷莉·哈比經典典藏系列二的三種設計樣式之一」，由臺灣製造，限量2萬件外銷至美國俄亥俄州的克里夫蘭市WWA (World Wide Arts) 公司，隸屬於American Greetings。而此件出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200014039","MainTitle":"雀斑女孩系列/鴿持","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"8.5×8.5×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷人偶的造型是一位身穿粉紅色洋裝，外套著連身圍裙，頸部繫著淡紫色帽子的小女孩。她的身體向左前傾，雙手向上持捧著一隻白鴿，髮梢與裙襬隨動作微微地揚起，凝聚著動感。整座瓷偶的雕塑相當講究，服裝的樣式造型特殊，由裡至外共三層，裙裝上的圖騰、皺褶、裙襬的打摺、緞帶的飄動感，都以淺雕仔細刻畫，頭髮的彩繪也表現出髮絲質感，仔細觀察，可見到女孩的五官也相當精緻，細細地彎眉、紅脣與雙頰緋紅之外，尚有幾許雀斑。\r\n 陶瓷人形以瓷土注漿成形，女孩的頭與手是分模製作的附件，成形後再粘接於主體軀幹上，修整後經第一道生檢手續，合格的才得以進入瓦斯窯窯燒 (1250-1280℃)，出窯後再經締檢手續，查看燒成的白坯體是否有瑕疵，良品才進入釉彩彩繪階段。瓷偶臉上的五官是水溶性彩繪，稱為顏彩，著重在眼線、眼珠、眉毛和嘴唇部位，是一個瓷偶神情生動掌握的關鍵。身上的衣服則使用油性介質調製色釉粉塗繪，全身上過釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE /MR/ LIMITED EDITION©，意即「荷莉·哈比 / Maruri丸利 / 限量版」，為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示 HEART’S TREASURES / One of three designs in the HOLLY HOBBiE Classics Collection Series II / LIMITED EDITION 20,000/ WWA INC. CLEVELAND / MADE IN TAIWAN，從此可知此件瓷偶名稱為 「心之寶藏」，屬於「荷莉·哈比經典典藏系列二的三款設計樣式之一」，由美國俄亥俄州的克里夫蘭市WWA (World Wide Arts) 公司向臺灣丸利陶器公司訂製。此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200014040","MainTitle":"歐洲仕女系列/嘉布麗葉兒之歌","Creator":"其他-品牌商：The Franklin Mint
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"9.5×11×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位西洋古典盛裝女性，陶醉於棲停手上鳥兒的婉囀聲中。人物造型纖細而姿態優雅，衣著細緻精巧的白色蕾絲滾邊，讓單純的湖綠色顯得高雅莊重。造型、彩繪的種種細節，顯示出生產技術的精良。\r\n 產品底部的標註，說明這是FP（富蘭克林瓷器）生產於1985年的手繪彩瓷產品a song for Gabrielle〈嘉布麗葉兒之歌〉；藏品典藏登錄該品項來自丸利陶瓷公司。可知這是由苗栗丸利陶瓷所代工生產的品項，在臺灣將該類品項稱之為裝飾陶瓷，是因應歐美廣大的禮品家居飾品市場而生的勞力密集產業，在1960年代末由日本技術移轉進入臺灣，促成產業的發展，並在1970-90年代為臺灣賺取了豐厚的外匯。1990年代後因各項生產成本高漲、競爭激烈等因素，產業榮景不再，臺灣丸利陶瓷也因此結束營運。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014041","MainTitle":"歐洲仕女系列/婕妮維芙的玫瑰","Creator":"其他-品牌商：The Franklin Mint
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"12×14×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位西洋古典盛裝女性，一手持信箋，嗅聞著手中粉色玫瑰，若有所思的模樣。人物造型纖細而姿態優雅，衣著繁複，特別是細緻精巧的白色蕾絲滾邊，讓單純的棕色布面增添高雅莊重之感。造型、彩繪的種種細節，顯示出生產技術的精良。\r\n 產品底部的標註，說明這是FP（富蘭克林瓷器）生產於1985年的手繪彩瓷產品A Rose for genevieve〈婕妮維芙的玫瑰〉；藏品典藏登錄該品項來自丸利陶瓷公司。可知這是由苗栗丸利陶瓷所代工生產的品項，在臺灣將該類品項稱之為裝飾陶瓷，是因應歐美廣大的禮品家居飾品市場而生的勞力密集產業，在1960年代末由日本技術移轉進入臺灣，促成產業的發展，並在1970-90年代為臺灣賺取了豐厚的外匯。1990年代後因各項生產成本高漲、競爭激烈等因素，產業榮景不再，臺灣丸利陶瓷也因此結束營運。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014042","MainTitle":"歐洲仕女系列/手持羽毛的西洋古典盛裝仕女","Creator":"其他-品牌商：Brooks & Bentley
其他-代工：丸利陶器股份有限公司","CreatedYear":"1991","Size":"14×12×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位手持羽毛的西洋古典盛裝仕女。仕女的整體造型繁複，舉凡髮型、衣飾、姿態動作，均展現豐富細節，細膩的彩繪更賦予生動情態和可觀性，令人百看不厭，反映生產技術之精良與產品控管之優質。\r\n 產品底部的金色標籤貼紙上，說明這是英國Brooks & Bentley公司 1991年的手繪彩瓷產品；藏品典藏登錄該品項來自丸利陶瓷公司。可知這是Brooks & Bentley公司委託臺灣苗栗丸利陶瓷所代工生產，在臺灣將這類品項稱之為裝飾陶瓷，是因應歐美廣大的禮品家居飾品市場而生的勞力密集產業，1960年代末由日本技術移轉進入臺灣，促成產業的發展，臺灣丸利陶瓷便是當時的產業前鋒。裝飾陶瓷在1970-90年代為臺灣賺取了豐厚的外匯。1990年代後因各項生產成本高漲、競爭激烈等因素，產業榮景不再，臺灣丸利陶瓷也因此結束營運。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014043","MainTitle":"歐洲仕女系列/出席皇家宴會持扇仕女","Creator":"其他-品牌商：Lenox Corporation
其他-代工：丸利陶器股份有限公司","CreatedYear":"1992","Size":"11.5×10.5×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位西洋盛裝女性，身著連身洋裝手持扇子的優雅樣貌。雕像底部的產品標著，說明產品表現一位盛裝打扮出席皇家宴會的仕女，是Lenox萊諾克斯瓷器1992年度的週年慶限量瓷偶雕像。Lenox公司 1889年成立於美國，是著名的餐瓷生產商，也開發禮品、收藏品，是美國重要的骨瓷品牌。這件委託臺灣丸利陶瓷公司製造的限量瓷偶，從人物肢體動態、髮型服飾造型到彩繪的種種都展現精緻細膩的追求，展現瓷器溫潤細緻的質感，呈現優雅仕女精心赴宴的隆重高雅，靜態中傳遞生動氣息。\r\n 裝飾陶瓷產業因應歐美廣大的家飾禮品市場而生，1960年代末期由日本移轉技術來臺，形成裝飾陶瓷產業的發展，中日合資的臺灣丸利陶瓷，即為當時產業先鋒，生產技術與品管精良，獲得中高價市場的青睞，然而1990年代以後因生產成本增高與競爭之激烈，整個產業迅速沒落，丸利也在此大環境中結束營運。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014044","MainTitle":"親子系列/抱子","Creator":"丸利陶瓷公司","CreatedYear":"1990","Size":"10.2×10.2×22.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014045","MainTitle":"聖誕老人系列/抱熊(音)","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"11.5×8.5×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014046","MainTitle":"聖誕老人系列/太空裝","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"11.5×12.2×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014047","MainTitle":"聖誕老人系列/送禮物(音)","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"11.5×11.5×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014048","MainTitle":"聖誕老人系列/聖誕老人與聖嬰","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"20.5×14×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014049","MainTitle":"聖誕老人系列/聖誕樹與熊之一(音)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"14×12.5×22.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014050","MainTitle":"聖誕老人系列/聖誕樹與熊之二(音)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"14×12.5×22.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014051","MainTitle":"聖誕老人系列/女孩與狗(音)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"11×11×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014052","MainTitle":"聖誕老人系列/打鼓男孩(音)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"10.5×10.5×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200014087","MainTitle":"花環動物系列/松鼠","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"10.7×5×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014088","MainTitle":"花環動物系列/貓頭鷹","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"6×6×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014089","MainTitle":"花環動物系列/兔子","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"5.5×6.2×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014090","MainTitle":"羚羊","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"11×8.5×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDkw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014091","MainTitle":"碎花浴室系列/漱口杯","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"6.7×7.1×9.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDkx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014092","MainTitle":"碎花浴室系列/香皂皿","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"13.4×13.2×3.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDky","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014093","MainTitle":"碎花浴室系列/牙刷架","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"10.9×10.5×6.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDkz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014094","MainTitle":"碎花浴室系列/花瓶","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"8.5×8.1×13.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDk0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014095","MainTitle":"碎花浴室系列/乳液瓶","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"5.7×5.3×15.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014096","MainTitle":"碎花浴室系列","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDk2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014097","MainTitle":"黑色浴室系列/漱口杯","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"6×6×8.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDk3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014098","MainTitle":"黑色浴室系列/乳液瓶","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"5.6×4.3×15.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDk4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014099","MainTitle":"黑色浴室系列/牙刷架","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"6.5×6.1×10.9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MDk5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014100","MainTitle":"黑色浴室系列/橢圓香皂皿","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"15×6.5×3.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTAw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014101","MainTitle":"黑色浴室系列/貝瞉香皂皿","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"14.2×6.3×2.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014102","MainTitle":"網狀玫瑰花浴室系列/漱口杯","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"7.2×7.2×9.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014103","MainTitle":"網狀玫瑰花浴室系列/牙刷架","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"8×7.8×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014104","MainTitle":"網狀玫瑰花浴室系列/花瓶","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"7.3×5.6×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014105","MainTitle":"網狀玫瑰花浴室系列/相框","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"9.2×4.7×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014106","MainTitle":"網狀玫瑰花浴室系列/香皂皿","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"14.3×8.7×3.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014107","MainTitle":"網狀玫瑰花浴室系列","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014108","MainTitle":"兒童小丑","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"5.6×4.1×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶很少設計單一作品的，而往往由幾個性質相同的作品組成一個系列。本作品是小丑系列之一，主角是一位兒童的小丑。他頭大身小，成為一種漫畫式的人物。他有一個大光頭，戴著小頂的綠色圓帽，頭兩側各有一小撮頭髮。他的兩眼大而明亮，小圓球似的紅鼻子，腮幫子畫成兩個小紅點， 紅色的小嘴和眉毛，色彩鮮明。他從頭到上衣都是白色，上衣是波浪形的凸出高領，兩隻手交叉放在腹部，雙腳外八字站立，腳上穿著粉紅色的鞋子。整個小丑造型十分可愛，能表現出兒童天真活潑的個性。\r\n 小丑本來是在戲劇或馬戲團中表演，逗觀眾開心的滑稽人物，但因為服裝或打扮很特別，所以也有人在特定的節日，如萬聖節等，故意穿著小丑裝亮相。從這件作品的風格看來，應屬於後一種娛樂裝扮。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200014109","MainTitle":"小丑寶盒","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶設計成系列的作品可以讓顧客多買幾件，享受收藏的樂趣，也可以提高銷售額。本作品是小丑系列的作品之一，它是一個小瓷盒，分為蓋子與盒體兩部分。蓋子的造型是一個小丑的頭部，下面是一個圓筒狀的容器，可以收納小物件。小丑是一個演員的造型，秃頭，後腦勺還有一些頭髮。頭上斜戴著一頂小圓頂紅帽，衣領是寬大的波浪狀的蕾絲。他有一張紅色的大嘴巴，小圓形的紅臉頰，下彎的黑眉毛，眼睛力上菱形的綠色，整個造型相當單純。\r\n 小丑的蕾絲領子所用的不是一般的成形法，而是拿真正的蕾絲棉布，剪成所需的形狀，將它浸在黏土漿中，讓布料吸附泥漿，再貼到坏體上。在燒製過程中，有機的布料會被燒掉，只留下瓷質的蕾絲，經過加彩後，便能所需要的蕾絲造型。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200014110","MainTitle":"小丑餐鈴","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1979","Size":"6×5.6×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 小丑是喜劇演員，常見於戲劇院、馬戲團、嘉年華等場合。他們表演時，都穿著奇裝異服，臉部也經過特殊的化裝，成為很特別的造型。他們常常以滑稽好笑的方式表演，以娛樂觀眾。這件小丑頭上塗畫成白色，戴著小型的黑色禮帽，穿著寬鬆的白色長服飾，只有簡單的黃色和藍綠色圓點紋飾，有個波浪形的金邊淡藍色蕾絲領。作品視覺中心在臉部，一張紅色歡笑的大嘴巴和圓球形的紅鼻子最吸引觀者的目光。\r\n 坏體為骨瓷(Bone China)胎質，又稱「骨灰瓷」，由英國人開發成功，它是在原料中加入牛骨粉調配而成，因而得名。燒成溫度低於一般硬瓷，胎色略偏黃，但不減透明度與光澤。全器著色的地方不多，白色主導整個作品的色彩，器面顯得十分潔淨。整件作品呈圓錐造型，感覺十分穩重。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200014111","MainTitle":"持環小丑","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"6×3.8×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品是一個雜耍的小丑。小丑都有很誇張的臉部化裝，作品的主角是個小男孩，頭上光秃，只有左右兩側有小撮頭髮結成圓圈形的小辮子，戴著一頂小圓帽。他有一張可愛的娃娃臉，白色是小丑常見的臉部色彩，一雙大明亮的大眼睛畫上一條長的紅色菱形，加上微笑的紅色小嘴和圓鼻子。他穿著白色的大袍，領子上結了一個紅邊的大蝴蝶結，服飾與身體造型都經過簡化，但顯得十分醒目。他手上戴著綠手套，拿著一個表演道具的黃環，說明他是一個雜耍的演員。\r\n 整件作品的造型十分單純，沒有太複雜的零件，只有頭髮和金環需要另外製作之後，加到主體造型上，坏體大量留白，需要彩繪的地方不多，很適合大量生產。本作品的材質是骨灰瓷，胎色偏黃，有良好的光澤與透光度。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200014112","MainTitle":"大領帶小丑","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"5.5×4.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品主角是一位男童小丑。小男童的頭部很大，約佔身高的四分之一，而身體的比例則縮小。他光著頭，只有兩鬢有兩撮粉紅色的假髮，戴著一頂小小的粉紅色爵士帽。他身上穿著高領連身白袍裝，頸子上打著一條超大型的紅白色相間的領帶。藍色的雙眼大而明亮，嘴巴笑得很開心，圓球形的紅鼻子是重要的特徵。整個作品採漫畫式很誇張的表現，很能吸引年輕族群的目光。\r\n 這個小丑的造型都已盡量簡化，除了頭髮需要另外製作之外，所需模具很少。色彩方面，白色的頭部和白色的衣服，身上大量留白，直接以瓷器坏體的白色表示即可，需要手工加彩的地方不多，製作簡易，有利於量產作業，是很理想的設計。作品由日本丸利公司製作原型與模具，由苗栗丸利子公司生產。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200014113","MainTitle":"大領結小丑","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"5.3×4.8×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品是小丑系列之一，主角是一位兒童小丑。他光著頭，只有兩鬢飾有兩撮淺橙紅色的假髮，斜戴著一頂淡藍色的小爵士帽，顯得很俏皮。他的臉部塗成白色，有一雙藍色的眼睛直視前方，掛了圓球形的紅鼻子，紅色的小嘴微笑著。他穿了淡藍色橫條紋的上衣，脖子上戴上一個很大紅圓點的蝴蝶結，十分醒目。他穿著白長褲，兩腳併攏，外加一件翻領長大衣，雙手橫舉，緊靠著胸部兩側。\r\n 業者在設計造型時，就要考慮到製作的工序，盡量減少生產成本。這件作品本身大都為白色，只要用瓷器坏體的白色就可以表現出來，需要著色的地方很少。又由於四肢緊靠著，整件作品的結構十分簡潔，脫模容易，不必太多模具就可以製作，有助於減少工序，降低人力成本。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200014114","MainTitle":"倒立小丑","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"6×4×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品是小丑系列的作品之一。小丑常常以特技娛樂觀眾，這件作品描繪一個表演倒立的小丑。主角是個年紀很小的男孩，頭部比例很大，白臉，大眼睛，圓球形的紅鼻子，微笑的紅唇小嘴，兩腮鮮紅。他穿著連身的寬大白衣袍，上面有幾個淺藍色圓形紋飾，波浪形的大外翻領子，手上戴著淺藍色的手套，腳上穿著橘紅色的鞋子。他的頭部碰觸著地板，雙手緊靠著臉頰撐在地上，雙腳分立在空中，表演倒立的特技，樣子惹人憐愛。\r\n 整件作品色彩鮮明，但顏色並不多。他的身體的結構經過簡化，四肢縮短，沒有肌骨的細節，不形塑衣褶，表面造型圓滑柔順，沒有強烈的高低起伏。西洋玩偶都以石膏模型鑄漿成形，簡潔的造型使脫模容易。其造型與色彩都有利於降低生產成本。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200014115","MainTitle":"劈腿小丑","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"6.5×4.6×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一個表演劈腿而坐的小丑。主角是個小男孩，頭部被誇張得很大，幾占全身高度的二分之一。臉部化妝成白色，圓滾滾的大眼睛看著觀者。圓球形的紅鼻子，笑著的紅唇小嘴，鼓著顋幫子，相貌很可愛。衣服是連身的大白袍，沒有花紋，波浪形的淡橙色大衣領子。腳上穿著淡綠色的鞋子，手上戴著淡粉紅色的手套。他正在表演大劈腿，兩手緊靠身體，平撐在地上，以特技取悅觀眾。\r\n 作品的身體造型簡潔，利於鑄漿成形，只有頭上的假髮需要另外加工。業者會針對作品的需要開發特殊的技法。他們使用網目大小適當的篩網，把黏土從上方押入，透過網目的切割，擠出來後就可得到一把長條形的小泥條，把它們剪成所需要的形狀，貼到額頭，便成為一撮假髮的造型了。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200014116","MainTitle":"拋球小丑","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"5.5×3.5×7.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品為小丑系列之一，主題是一個表演耍球的小丑。小丑是個小男孩，圓圓的大頭光溜溜的，戴著淡藍色的寬邊小禮帽，兩耳旁邊戴著一小撮粉紅色的假髮。臉部塗畫成白色，一對圓圓的黑色大眼睛，下彎的淺藍色眉毛，向前直視。圓球形的紅鼻子，微笑的紅唇小嘴，鼓起的腮幫子，樣子令人憐愛。他身穿沒有紋飾的連身大白袍，脖子上戴著紅邊線的大領結，淡紫色的鞋子，淺藍色的手套。小丑通常都身懷絕技，以娛樂觀眾。這個小丑正在表演拋球的特技，雙手拿著三顆球輪流上拋下接，一個球停在帽子上，一顆停在左腳，一顆拿在右手，形成一個有趣的畫面。\r\n 坏體素燒後，經過彩繪，噴上透明釉，把顏料覆蓋在下面，再入窯高溫燒製，成為釉下彩的裝飾技法。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200014117","MainTitle":"少男系列/報童","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"6×4.3×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷人偶造型是一名送報的男孩。一手拿著捲筒狀報紙呼喊送報的男孩，身體隨著舉起的左手臂與微仰的頭部微傾，同時右斜揹著一袋的報紙，平衡了整體姿態；他的左腳後跟抬起，與右腳一起固定於圓型底座上。該塑像以瓷土注漿成型後經瓦斯窯1250-1280℃燒成，再將釉色料塗繪於白坯，以低溫700-800℃電爐烤色而成。底部的落款上記載著「Treasured Memories“Delivering Newspaper”© 1985 Enesco」，一如「珍藏記憶」系列名稱所提示，送報男孩的身影，具現了紙張媒體傳閱仍需經人為派送的美好時代。Enesco是美國一家最大的禮品公司，成立於1958年，於1970-90年代開啟當代陶瓷人偶賞玩與收藏的風潮。\r\n 此藏品出自臺灣丸利陶器股份有限公司(Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本在裝飾陶瓷方面的發展已有三十幾年經驗，然受到自身產業轉型與勞力不足的影響，轉而來臺尋找合作生產對象。苗栗有天然瓦斯，加上日本的設廠與技術導入、居民克勤克儉，促成裝飾陶瓷這項勞力密集的產業迅速蓬勃發展，於1970-80年代為臺灣賺取巨額的外匯收入。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200014118","MainTitle":"少男系列/板球","Creator":"其他-品牌商：Royal Osborne
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"6.4×6×12.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。臺資方董事長由曾任彰化銀行董事長的張伯欣先生擔任，年輕時他曾在美國芝加哥的「Enesco」工作過三年，對於陶瓷禮品開發與國際貿易有相當的遠見與人脈。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲。\r\n 陶瓷人偶以瓷土注漿成型脫模後，經過第一道「生檢」手續，合格的則可進瓦斯窯窯燒，出窯後再經「締檢」查看燒成的白坯是否有瑕疵，良品才進入釉彩彩繪階段，接著以低溫700-800℃電爐烤色而成。此件造型是一位拿著板球棍的男孩，神情專注地擺出等待擊球的姿勢。雙手持球板棍抵著地，他的左手與左腳向前，帶動身體上軀往前傾，右腳於後方抵地制衡。身穿吊帶及膝短褲與長襪，兩衣袖捲至上臂，衣服皺摺刻化得自然細緻，特別的是，在陶瓷人物中他有少見的黑棕髮色與黑棕色眼睛。 \r\n 板球運動起源於英國，於1960-70年代開始盛行於大英國協國家，當時亞洲鮮少見到此項運動賽事，這點印證了陶瓷人偶作為外銷商品的特殊性。底部落款記載著「Royal Osborne“Childhood Memories”Hand painted, Made in R.O.C.」 (童年回憶系列)，雖毫無創作年代，卻標示著罕見的「中華民國製」(而非Made in Taiwan)，推斷可能受到中美斷交影響，透露出陶瓷代工產業過程的時代感。「Royal Osborne」是英國陶瓷廠；英國陶瓷產業始於1870年代，至二戰結束後蕭條沒落，許多英國瓷廠品牌早已結束生產線而外移至亞洲。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200014119","MainTitle":"少女系列/捧花(藍付)","Creator":"其他-品牌商：Royal Osborne
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"5×5×11.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶造型是一位雙手捧著花朵的長髮女孩，頭戴帽子，身著粉紅色洋裝與白色連身圍裙，腳邊放著一只裝滿盛開花朵的花藍。女孩眼瞼往下望著花朵，彷彿正沉浸在撲鼻花香中，神情細膩生動。\r\n 以瓷土注漿成型後的塑像經瓦斯窯1250-1280℃燒成，再將釉彩塗繪於白坯，以低溫700-800℃電爐烤色而成。陶瓷人偶的製程先後大致分為：原型雕塑、製模分片、注漿成型、整修粘接、生檢、窯燒、締檢、彩繪和繪燒、品檢與包裝幾個步驟。在製模分片階段，女孩雙手捧花的部分與主體軀幹是分開製模的，脫模後再整修、粘接組合；而釉彩彩繪方式又分為顏彩、油彩、噴彩、金彩四種。女孩瓷偶臉上的五官即屬於精細的顏彩構成，微暈的腮紅則是以噴槍噴彩而成。\r\n 出自於臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至歐美。底部落款與一只打板球的男孩瓷偶一樣，同樣是出口給英國Royal Osborne瓷廠，作為“Childhood Memories”「童年回憶系列」，沒有出品年代紀錄，同樣標示著「中華民國製造」(“Made in R.O.C.”)的代工歷史與過往。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200014120","MainTitle":"少女系列/抱水果(秋天)","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"5×3.8×12.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 用衣裙盛抱著水果的少女瓷偶，一身鵝黃洋裝與黃色棉帽，豐收的水果與溫暖的顏色象徵著秋天的氣息。她的頭微傾地望向遠方，姿態優雅，臉上的眉毛、眼線、眼珠、嘴唇是以水溶性的釉彩(以水、牛皮膠調合色料)手繪而成，這項顏彩技巧首重線條與位置的勻稱，眼珠大小一致、有神。膚色與洋裝裙子大面積的部分則以油性介質調製色料，使釉彩一方面具潤滑性，一方面不致與顏彩相混，同時能運用筆刷刷白裙擺波摺凸出部分製造立體感。在工廠的生產線上，彩繪員除了技巧嫻熟，也必須在短時間內準確快速地完成。一位曾在臺灣丸利工作的員工憶及她於日本受訓顏彩技巧的經驗說：「到那邊光是眼睛就畫掉三個月，但是那三個月對我而言受益無窮。顏彩的最高境界是用毛筆，點到某一程度或顏色沾到某一程度，直接點下去就非常圓的…」(《苗栗裝飾陶瓷產業》p.62)\n 這件作品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利母公司雖將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模都經日方認可後，才正式在臺分模量產，直至燒成每個階段皆在日本技師的監督下完成，品質管理業界出名。1981年左右，為提高效能，丸利公司從日本引進輸送帶作業於繪彩生產線，瓷偶上色的作業因速度而更具技術挑戰性 (《苗栗裝飾陶瓷產業》p.44-45)。底部落款為「Treasured Memories “Autumn”Limited Edition of 3500 © 1986 Enesco Imports Corp.」(珍藏記憶系列「秋天」限量3500件)。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200014121","MainTitle":"灰象(中)","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"24.3×11.8×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014122","MainTitle":"棕象(中)","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"24.3×11.8×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014123","MainTitle":"熊親子抓鮭魚(中)","Creator":"丸利陶瓷公司","CreatedYear":"1976","Size":"18.6×16×24.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014124","MainTitle":"職業系列／郵差","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"6.3×6×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014125","MainTitle":"職業系列／消防員","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"8.8×5.5×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014126","MainTitle":"職業系列／飛行員","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"6×6×17.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014127","MainTitle":"職業系列／警察","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"6×5.5×17.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014128","MainTitle":"職業系列／礦工","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"7.2×6.5×17.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014129","MainTitle":"職業系列／軍人與小孩","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"9.7×6.1×16.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014130","MainTitle":"職業系列／教師與小孩","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"8.2×6.1×16.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014131","MainTitle":"職業系列／護士","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"7×6.7×17.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014132","MainTitle":"動物鈴鐺／鹿","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"6.5×6.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014133","MainTitle":"動物鈴鐺／狐狸","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"6.5×6.5×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014134","MainTitle":"動物鈴鐺／貓","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"6.5×6.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014135","MainTitle":"動物鈴鐺／兔","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"6.5×6.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014136","MainTitle":"動物鈴鐺／松鼠","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"6.5×6.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014137","MainTitle":"動物鈴鐺／熊","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"6.5×6.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014138","MainTitle":"小精靈系列／香菇蝸牛","Creator":"丸利陶瓷公司","CreatedYear":"1974","Size":"7.5×6.4×10.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014139","MainTitle":"小精靈系列／香菇老鼠","Creator":"丸利陶瓷公司","CreatedYear":"1974","Size":"8.3×6.3×10.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014140","MainTitle":"小精靈系列／香菇松鼠","Creator":"丸利陶瓷公司","CreatedYear":"1974","Size":"8.6×6.5×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014141","MainTitle":"小精靈系列／香菇兔子","Creator":"丸利陶瓷公司","CreatedYear":"1974","Size":"8.6×6.4×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014142","MainTitle":"小精靈系列／蛋彩（立姿）","Creator":"丸利陶瓷公司","CreatedYear":"1974","Size":"8.3×4.7×8.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014143","MainTitle":"小精靈系列／蛋彩（坐姿）","Creator":"丸利陶瓷公司","CreatedYear":"1974","Size":"8.8×5.4×6.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014144","MainTitle":"綠衣小精靈系列／抽煙斗","Creator":"丸利陶瓷公司","CreatedYear":"1974","Size":"4.5×3×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014145","MainTitle":"綠衣小精靈系列／持瓶","Creator":"丸利陶瓷公司","CreatedYear":"1974","Size":"5.5×3.5×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014146","MainTitle":"小精靈系列／鳥持","Creator":"丸利陶瓷公司","CreatedYear":"1974","Size":"5.8×4.8×8.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014147","MainTitle":"小精靈系列／青蛙","Creator":"丸利陶瓷公司","CreatedYear":"1974","Size":"6×4.8×8.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014148","MainTitle":"小精靈系列／抱兔","Creator":"丸利陶瓷公司","CreatedYear":"1974","Size":"5.8×4.5×8.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014149","MainTitle":"香水花瓶系列／菊花","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"3.7×3.9×6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014150","MainTitle":"香水花瓶系列／玫瑰","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"4×3.5×6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014151","MainTitle":"香水花瓶系列／藍菊花","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"3.5×3.5×6.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014152","MainTitle":"香水花瓶系列／芙蓉（方瓶）","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"3.7×3.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014153","MainTitle":"香水花瓶系列／水仙（圓瓶）","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"4.5×4×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014154","MainTitle":"天使樂器系列/吹笛","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"7.5×12×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件天使雕像，表現一個站立雲朵上，正要或已吹奏完豎笛，背上展開羽翼的優美女天使，造型上身軀纖長，右腳為為前伸而身體重心在後的S形身形，顯得婀娜多姿的動態，飄逸的長衫更增添柔美感覺，細細彩繪的眼、眉和唇，讓臉龐五官畫龍點睛，顯現神采。做為禮品或居家擺飾，帶有上帝到來眷顧的意涵。\r\n 西洋裝飾陶瓷在臺灣的產業歷史並不長，1970-1990年代是最蓬勃發展的時期。本作為苗栗丸利公司（1970-1994年）所生產，是當時相當具有代表性和規模的企業，丸利是台日合資，母公司為日本瀨戶是的丸利商會株式會社，臺灣公司本身歷史也反映這個產業在臺灣的興衰與困境。從成品底部的蓋印字樣和貼紙，可知是1983年受美國禮品銷售公司ENESCO委託代工生產，有趣的是貼紙上的「GFTWARE」字樣，應是「GIFTWARE」的誤植。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014155","MainTitle":"天使樂器系列/小提琴","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"8.9×10.2×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 天使拉奏小提琴的形象，最早可見於16世紀義大利北方San Cristoforo教堂的祭壇畫〈橙樹下的聖母、天使與聖徒〉(Virgin with Angels and Saints under an Orange Tree,1529-30)，由文藝復興時期畫家Gaudenzio Ferrari(1471-1546)為所繪，此後成為不斷出現的表現母題。這件天使拉奏小提琴的雕像，表現穿著淡綠色長杉衣袍的褐髮天使，站立雲朵上，張著潔白羽翼，神情寧靜安詳演奏著，飛揚的裙襬，似乎讓人感受到樂音的流動。\r\n 成品底部的壓印字樣和貼紙，顯示這是臺灣1983年為美國禮品銷售公司ENESCO所製造的產品。當時是裝飾陶瓷產業在臺灣最興盛的時期，為臺灣賺取豐厚的歐美外匯，其中台日合資的丸利陶瓷公司，以精良的品質和管理成為這行業中的翹楚，代工中高價位的精品。然而，1990年代起生產成本的增加、同業競爭的激烈，以及母公司無心轉型等諸多因素，丸利最後歇業關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014156","MainTitle":"天使樂器系列/豎琴","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"7.2×9×17.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現有著羽翼的天使，沉醉於演奏豎琴的前身里拉琴(Lyre)的模樣，傳說豎琴是天堂的樂音，是天使的樂器，在希臘羅馬乃至文藝復興繪畫中常可見天使演奏豎琴的形象，這件雕像的里拉琴不同於古典里拉琴，是現代版本。站立在雲朵上的天使，輕軟的長衣裙正隨風飄逸，柔和的色彩及細膩描繪的五官，讓天使優雅溫柔的氣息滿溢。\r\n 從成品底部的壓印字樣得知，這是臺灣在1983年為美國禮品銷售公司ENESCO所製造的\t產品。當時是裝飾陶瓷產業在臺灣最興盛的時期，為臺灣賺取豐厚的歐美外匯，其中台日合資的丸利陶瓷公司，以精良的品質和管理成為這行業中的翹楚，代工中高價位的精品。然而，1990年代起生產成本的增加、同業競爭的激烈，以及母公司無心轉型等諸多因素，丸利最後歇業關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014157","MainTitle":"聖家族宗教系列組","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本組作品200014157〈聖家族宗教系列組〉主要是在描述聖經故事裡幾位有智慧的使者到伯利恆朝拜耶穌。系列作品的內容包括：睡臥在馬槽裏的聖嬰耶穌；半跪姿的聖母馬利亞；三位來自東方的智者（亦稱賢者、博士、占星家）手持黃金、乳香、沒藥；四位牧羊人及三隻綿羊，共計十二件。以上作品都是根據《新約聖經》中的《馬太福音》第一章第18節和第二章第11節及《路加福音》第二章第1~20節等故事情節進行創作。作者充分發揮想像力與其雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 以上宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200014158","MainTitle":"黑頭啄木鳥","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"11×6×13.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014159","MainTitle":"紅頭啄木鳥","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"10.2×6×13.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014160","MainTitle":"白瓷松鼠/母","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"10.5×8.8×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014161","MainTitle":"白瓷松鼠/抱核桃","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"14.5×8.6×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014162","MainTitle":"雙狐狸/咬樹枝","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"16.2×12×10.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014163","MainTitle":"雙松鼠","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"16×10.2×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014164","MainTitle":"雙熊","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"15.2×10.9×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014165","MainTitle":"蓬蓬裙仕女/黃服雙手帽持","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"11.5×12.3×19.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件西洋裝飾陶瓷雕像，表現一位身穿黃色蓬蓬裙服飾手持帽子的女性。整體造型透過持帽的雙手壓在隨風揚起的裙身上，展現風吹過的瞬間，仕女刻意壓住裙擺的嬌俏動態，並盡顯人物身姿的曼妙。\r\n 雕像底部有Maruri的商標「MR」符號壓印，顯示為丸利陶瓷公司所生產，據典藏登錄記載生產於1975年，以注漿成形後素燒，再於素胎體上進行彩繪。位於苗栗的丸利陶瓷，是中日合資的公司，也是1970年代當地新興的裝飾陶瓷產業前鋒之一。這個由日本技術轉來臺的勞力密集產業，起於1960年代中後期，於1970、1980年代達於鼎盛，以代工生產供應歐美廣大的禮品市場需求，為臺灣創造豐厚外匯收入。以勞工素質和品管精良著稱的丸利公司，其代工產品當年頗受中高價市場青睞，但1990年代仍不敵社會整體大環境的變遷而關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014166","MainTitle":"蓬蓬裙仕女/綠服單手帽持","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"13.4×12.8×19.9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是一件西洋裝飾陶瓷雕像，表現一位身穿綠色蓬蓬裙長洋裝手持帽子的盛裝女性，似乎在風中站立，持帽的右手壓在隨風揚起如波浪的裙身上，左手抬起撫著髮鬢，整體造型表現妙齡女子在風吹過瞬間的動態反應，帶出女性嫵媚妙曼的特質。\r\n雕像底部有Maruri的商標「MR」符號壓印，顯示為丸利陶瓷公司所生產，據典藏登錄記載生產於1975年，以注漿成形後素燒，再進行釉上彩繪。位於苗栗的丸利陶瓷，是中日合資的公司，也是1970年代當地新興的裝飾陶瓷產業前鋒之一。這個由日本技術轉來臺的勞力密集產業，起於1960年代中後期，於1970、1980年代達於鼎盛，以代工生產供應歐美廣大的禮品市場需求，為臺灣創造豐厚外匯收入。以勞工素質和品管精良著稱的丸利公司，其代工產品當年頗受中高價市場青睞，但1990年代仍不敵社會整體大環境的變遷而結束營運關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014167","MainTitle":"蓬蓬裙仕女/藍服花持","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"14×13.8×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件西洋裝飾陶瓷雕像，表現一位身穿水藍色蓬蓬裙長洋裝手持花朵的盛裝女性，紮著公主頭的金色長髮，跟著轉身的動作甩向一側，華麗蓬鬆的長裙則揚起如波浪，衣服表面浮現細緻的紋樣，烘托女性嫵媚妙曼的特質。\r\n 雕像底部有Maruri的商標「MR」符號壓印，顯示為丸利陶瓷公司所生產，據典藏登錄記載生產於1975年，以注漿成形後素燒，再進行釉上彩繪。位於苗栗的丸利陶瓷，是中日合資的公司，也是1970年代當地新興的裝飾陶瓷產業前鋒之一。這個由日本技術轉來臺的勞力密集產業，起於1960年代中後期，於1970、1980年代達於鼎盛，以代工生產供應歐美廣大的禮品市場需求，為臺灣創造豐厚外匯收入。以勞工素質和品管精良著稱的丸利公司，其代工產品當年頗受中高價市場青睞，但1990年代仍不敵社會整體大環境的變遷而結束營運關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014168","MainTitle":"蓬蓬裙淑女/淺黃服帽持","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"13.1×10×16.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 依據典藏資料顯示，這是一件1975年臺灣丸利陶瓷公司生產的裝飾陶瓷雕像，表現盛裝仕女動態的瞬間。臺灣的裝飾陶瓷產業餘因應歐美國家的禮品文化或傢飾需求而蓬勃，據研究1980年代在美國9成以上的禮品零售店均販售人物雕像。1970-90年代苗栗地區眾多人口投入該產業，以西洋題材風格的人物、動植物和節慶裝飾品項為主，採接單代工生產模式。\r\n 臺灣丸利為臺日合資公司，以精良技術、高品質控管著稱，因此佔有中高價位市場。這件以瓷土注漿成形在釉上彩繪的雕像，以如同轉身瞬間揚起的衣裙，讓造型深具動態，透過髮型、衣服細節的皺褶和花朵裝飾，以及五官細膩的彩繪，顯示丸利產品的精緻。然而1990年代激烈的同業競爭和高漲的生產成本，丸利最後宣告關廠，反映該產業在臺灣的興衰。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014169","MainTitle":"蓬蓬裙淑女/粉紅服捧花籃","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"13.5×14×16.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現身著西洋蓬裙服飾的淑女陶瓷雕像，附音樂盒功能。依據典藏資料顯示為1975年臺灣丸利陶瓷公司所生產。臺灣裝飾陶瓷因應歐美國家的禮品文化或傢飾需求而蓬勃，盛行於1970-90年代。據研究指出1980年代在美國9成以上的禮品零售店均販售人物雕像，當時苗栗地區眾多人口投入裝飾陶瓷產業，以人物、動植物和節慶裝飾品項為主，大部分為接單代工生產。\r\n 丸利為早期設廠的臺日合資公司，以技術品質精良著稱。這件瓷土注漿成形再釉上彩繪的產品，表現盛裝捧花飾女的優雅動態，從髮型、衣飾上的各種形態細節，尤其是一朵朵立體複瓣的小花，以及最重要的臉龐五官細膩表現的描繪，在在顯示丸利公司的嚴謹控管。然而即便優質不俗，在1990年代競爭激烈和成本高漲等各項不利因素下，丸利最終黯然關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014170","MainTitle":"蓬蓬裙戴帽少女/淺藍服","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"10×10.2×16.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現身著西洋蓬裙服飾的淑女陶瓷雕像。依據典藏資料顯示為1975年臺灣丸利陶瓷公司所生產。臺灣裝飾陶瓷因應歐美國家的禮品文化或傢飾需求而蓬勃，盛行於1970-90年代。據研究指出1980年代在美國9成以上的禮品零售店均販售人物雕像，當時苗栗地區眾多人口投入裝飾陶瓷產業，以人物、動植物和節慶裝飾品項為主，大部分為接單代工生產。\r\n 丸利為早期設廠的臺日合資公司，以技術品質精良著稱。這件瓷土注漿成形再釉上彩繪的產品，表現盛裝仕女的優雅動態，從髮型、衣飾上的各種形態細節，尤其是一朵朵立體複瓣的小花，以及最重要的臉龐五官細膩表現的描繪，在在顯示丸利公司的嚴謹控管。然而即便優質不俗，在1990年代競爭激烈和成本高漲等各項不利因素下，丸利最終黯然關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014171","MainTitle":"蓬蓬裙戴帽少女/淺黃服","Creator":"其他-品牌商：Giftcraft Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"13×10×16.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現身著西洋蓬裙服飾淑女的陶瓷雕像，依據典藏資料顯示為1975年臺灣丸利陶瓷公司所生產。臺灣裝飾陶瓷因應歐美國家的禮品文化或傢飾需求而蓬勃，盛行於1970-90年代。據研究指出1980年代在美國9成以上的禮品零售店均販售人物雕像，苗栗地區眾多人口投入裝飾陶瓷產業，以人物、動植物和節慶裝飾品項為主，大部分為接單代工生產。\r\n 臺灣丸利為早期設廠的臺日合資公司，以技術品質精良著稱。這件瓷土注漿成形再釉上彩繪的產品，生動表現風中仕女的優雅動態，從髮型、衣飾上的各種形態細節，尤其是朵朵小花的片片複瓣一絲不苟，以及最重要的臉龐五官細膩表現的描繪，在在顯示丸利公司的嚴謹控管。然而即便優質不俗，在1990年代競爭激烈和成本高漲等各項不利因素下，丸利最終黯然關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200014172","MainTitle":"運動員系列/打棒球","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"8×6.5×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 休閒與運動是西洋玩偶常見的主題之一。本作品屬於運動員系列，描繪棒球賽中的打擊手揮棒剎那的神情。打者是個青少年，臉相清秀。他頭戴有前緣的棒球帽，身穿典型的白色棒球衣，背後有「4」字，為球員個人的球衣號碼，腰間繫皮帶，腳著長襪與運動鞋，身體略向前傾，雙手握著球棒，高舉到頭側，雙眼注視前方，全神貫注，準備揮棒打球。\r\n 器底印有「Treasured Memories」與「Batter Up!」款，說明作品的系列以及作品的主題，「1983 ENESCO」款，説明生產時間與設計公司的名稱。ENESCO是美國一家著名的禮品公司，產品行銷歐美各國。另外貼著印有「(Made in) Taiwan」的標籤，説明產品是在臺灣生產。臺灣的西洋玩偶是個代工業，作品由禮品公司的藝術家設計，透過貿易商交由陶瓷廠生產，是典型的生產模式。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200014173","MainTitle":"足球球員踢球","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"9×6.5×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品為運動系列中的踢足球，描繪一個正在準備踢球的球員。球員一頭金色的頭髮，五官清秀。他身穿淡色的長袖球衣，藏青色短褲，長筒襪，棕色球鞋。他的身體略向前傾，雙手分開，腳上一顆足球，右腳後曲，作踢球的準備，頗能抓住球員踢球瞬間的動態。\r\n 這類西洋玩偶都用石膏模型鑄漿成形，可以大量生產，又能得到形制一致的產品，是現代陶瓷重要的生產技術之一。做好的生坏經過高溫燒製，把坏體燒至瓷化(vitrification)後成為瓷器，與傳統的手工製坏技術不同。從器底的名款與標籤中知道，這作品設計的是美國的ENESCO公司，委託臺灣陶瓷廠生產。這類玩偶工廠分佈地區從桃園、新竹、苗栗到臺中都有，但以苗栗為主要產地，本作品應是苗栗工廠所生產者。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200014174","MainTitle":"咖啡杯系列","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014175","MainTitle":"咖啡杯系列","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014176","MainTitle":"咖啡杯系列","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014177","MainTitle":"咖啡杯系列","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014178","MainTitle":"咖啡杯系列","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014179","MainTitle":"咖啡杯系列","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014180","MainTitle":"咖啡杯系列","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014181","MainTitle":"咖啡杯系列","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014182","MainTitle":"咖啡杯系列","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200014183","MainTitle":"咖啡杯系列","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE0MTgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200015001","MainTitle":"動物親子系列/獅子(酒瓶) ","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"11.2×6.3×6.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200015002","MainTitle":"動物親子系列/袋鼠(酒瓶)","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"11.4×6×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200015003","MainTitle":"動物親子系列/駝鳥(酒瓶)","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"11×5.8×9.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200015004","MainTitle":"動物親子系列/犀牛(酒瓶)","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"11.4×6×6.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200015005","MainTitle":"動物親子系列/斑馬(酒瓶)","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"11.2×6.5×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE1MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200015006","MainTitle":"動物親子系列/河馬(酒瓶)","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"11.3×6.5×6.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE1MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200015007","MainTitle":"火雞與狼酒瓶","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"24.7×13×22.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE1MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200015008","MainTitle":"火雞與老鷹酒瓶","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"25×12×24","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE1MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200015009","MainTitle":"親子系列/母子積木","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"8×7.6×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE1MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200015010","MainTitle":"親子系列/父女肩上坐","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"8×7.6×11.9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE1MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200015011","MainTitle":"鳶尾花/紫色","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"19.4×9.2×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE1MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200015012","MainTitle":"鳶尾花/橘色","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"19.4×9.2×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDE1MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200103001","MainTitle":"竹製秀才椅","Creator":"創作者：程名加","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"用包管的技法製作，故又名「包管竹家具」，其特點乃是保留竹子中空有節的特性，所製作而成的家具。竹管家具通常分為「包管」與「榫接」兩種，而適合「包管」的材料是竹肉較薄的桂竹，刺竹肉厚則適合以「榫接」的技法製作。「包管」家具所使用的工具以手鋸、柴刀、挖鑿刀、弧形刨刀、木槌、彎仔台等為主，「榫接」家具所使用的工具與木工雷同，如電鋸、砂磨機、鐵鎚等。\r\n此組件產品為「包管竹椅」，由雲林崙背鄉程名加技師，於民國90年贈送給國立台灣工藝研究所，程技師從事竹管家具製作近80年，是家傳第六代的接班人，手藝精湛，尤其善用細竹管做吉祥圖紋裝飾椅背，曾參加工藝所辦理的「工藝競賽」，獲得評審的肯定，曾獲聘至國立台灣工藝研究所(今國立台灣工藝研究發展中心)開班授徒，直至高齡93歲，也沒停下他熱愛的家具製作，其作品獲得眾多人士的收集，直至民國107年程技師往生，仍留下許多未完成的訂單。(詮釋委員：林秀鳳)","ImageUrl":""}
,{"Identifier":"200103001001","MainTitle":"竹製秀才椅","Creator":"創作者：程名加","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTAzMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統竹管家具的種類甚多，舉凡家中用得到的桌子、椅子、廚櫃、床架、書桌、書櫃等，皆是從身邊容易取得到的竹材製成。在明末清初，竹管椅子，也會因使用者身份的不同，使用不同型製的椅子，從身份的階層區分，一般常民使用「交椅」，秀才使用「秀才椅」，進士則使用「學士椅」，另有太師椅由官階更高的人使用，而「皇帝椅」是台灣近代，受歌仔戲名人之託(演皇帝時所需之座椅)，所創作出來的座椅，其椅背竹管紋飾眾多、工序繁複，但均以吉祥圖紋為主。\r\n這張秀才椅之椅背，以象徵豐收的稻穗，和象徵光明普照，富貴吉祥的星形、八角形細竹管圖形為主，另經矯直的9根細竹管，竹節排列整齊美觀，椅面以剖開的竹管鋪面，椅腳使用四條竹管包圍(台語稱為「哈圍」)，覆以竹釘固定。作工既精細又堅固耐用。(詮釋委員：林秀鳳)","ImageUrl":""}
,{"Identifier":"200103001002","MainTitle":"竹製秀才椅","Creator":"創作者：程名加","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTAzMDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"早期先民家中使用的各種器物，常因使用者身份階層的高低，對器物品質的要求也不相同，在竹管椅子方面，也會有「秀才椅」、「學士椅」、「太師椅」等等之分。\r\n這張「秀才椅」的加工方式，較特別的地方在椅背豐富的各種圖紋裝飾，細竹管的彎曲和塑型在小圖紋的加工上，需要較高的技術，製作時程也頗費工耗時，無耐心者是無法完成的。\r\n由於竹材在生長過程中，外皮會有一些汙垢，竹肉也有澱粉和水分，因此會有除油的過程，早期量大價格低的竹椅，沒有除油的工序，後來較講究者，則會將竹材置於炭爐上來回加熱，使竹管因受熱將其管內的水份和澱粉逼出，外皮的汙垢也在此時因受熱冒出水分，這時用抹布將其擦拭乾淨即可去除汙垢，使竹材表面清潔美觀外，也因澱粉和水分的流出，達到防蟲防蛀的效果。而這款椅子則使用水煮的方式去油，水煮去油的方式為，在水煮開後放入氫氧化鈉(NaOH)等鹼性的化學藥品，再放入竹桿煮約10分鐘後取出，以抹布擦拭乾淨即可。\r\n隨生活型態的改變，如今用的人與做的人少了，如能轉換與現今盛行的茶席生活文化來使用，也許能延續或再創竹管家具的新生命。(詮釋委員：林秀鳳)","ImageUrl":""}
,{"Identifier":"200105001","MainTitle":"兒童椅","Creator":"創作者：程名加、施三郎","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此張椅子椅面的高度約30公分，不同於大人所使用的45公分左右的高度，故稱為兒童椅，其款式類似古代武官上馬時使用的「馬踏椅」。材料使用水煮去油桂竹，選材時特別留意，主要之支幹頂端保留竹節，竹節保留可防止藏汙納垢及蚊蟲的寄生，三條包管繞圍支腳，可增強結構，減少搖動不穩的情形發生。\r\n竹管家具的製品，從臥室的竹床，客廳的竹椅竹几，書房的書桌椅，書櫥，到廚房的餐桌椅，及兒童專用的搖籃架、乳母椅、手推車等處處可見，由此可知，竹材製品在先民生活中，扮演著多麼重要的角色，及先民是多麼的有智慧，充分的應用在地自然資源，創造日常所需的用品。\r\n而現今竹家具的製作，為增加其美觀和附加價值，也更重視材料的表面處理，在選材時也自我要求，挑選幹直，粗細均勻，色澤優美，表皮無傷痕，並做到竹材表面去油的流程。(詮釋委員：林秀鳳)","ImageUrl":""}
,{"Identifier":"200105002","MainTitle":"乳母椅","Creator":"創作者：程名加、施三郎","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"乳母椅是小孩和母親都可通用的椅子，當母親餵乳後，將椅子90度翻轉，即是小孩的座椅，所以也稱為母子椅。此張椅子以不同管徑的水煮桂竹為材，竹管需矯竹，又因每根竹管的節間距離不一，故再選材時，包管彎曲處需避開竹節，所以師父對於任一竹管製品，均須先製作版型，再依版型的記號，挑選適合節間長度的竹管。其製作過程主要將四支支腳挖薄烤彎，縱橫竹管由大管徑鑿洞套入中管徑，再由中管徑鑿洞套入小管徑，最後於竹管銜接處打洞敲入竹釘固定，椅面設計一片平台，可讓置放食物或玩具，平台兩側應用竹材中空的特性，將竹管鋸成竹圈，套入橫桿供小孩轉動玩耍之用，座位的設計也符合人體工學，小孩的腳可以由兩邊穿入至竹腳墊上，由於竹材具有良好的通風、涼爽效果，適合久座，為一張極有智慧的精典之作。(詮釋委員：林秀鳳)","ImageUrl":""}
,{"Identifier":"200105003","MainTitle":"8吋小矮凳","Creator":"創作者：程名加、施三郎","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「小矮凳」是常民最常使用的小凳子，由於製作快速，價格也不高，所以農業社會時期，家家戶戶均會有好多張小矮凳，但通常以沒有「包管」的為多，小竹凳因質輕攜帶方便，適宜各種工作或至戶外乘涼時使用。\r\n「包管」台語稱為「哈圍」，也就是在椅腳四邊，另以一竹管圍繞固定，有「哈圍」的竹椅較耐用，相對價格也較高。又因包管的製作，為利於挖薄和彎管，通常選擇肉薄的桂竹或長枝竹為材，如是肉厚的刺竹通常採用榫接的技法加工。其製作過程為去油-選材-鑿洞-挖薄-彎管-組裝。火烤去油速度較慢，但包管密合度高，水煮去油快速量多，但竹材韌性略差，又因其竹管內水分多，包管處日後容易因水份蒸發，使其縫隙加大，影響其耐用性。(詮釋委員：林秀鳳)","ImageUrl":""}
,{"Identifier":"200105004","MainTitle":"工作椅","Creator":"創作者：程名加、施三郎","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「工作椅」顧名思義，是為了製作竹管家具時，置放於工作台上使用的椅子，長條的工作台由硬質木材製成，所有的製作過程無論鋸、切、敲、打、挖鑿，均於工作台上進行，然因工作台的高度略低不適合使力，故於工作台後方置放一張工作椅，增加其高度以適合工作所需。\r\n研習竹管家具時，「工作椅」是師傅最先傳授的課題，其原因有二，一為工序較為簡單，二為配合後續製作座椅需增高方便使力等因素。\r\n由於竹管頭端肉厚堅固，竹節可防止開裂，故工作椅的選材，四支較粗的竹管，需挑選有一至兩個竹節的材料，椅面支撐片也盡量選擇竹材的頭端，以增強整張座椅的結構。(詮釋委員：林秀鳳)","ImageUrl":""}
,{"Identifier":"200105005","MainTitle":"竹製六角桌","Creator":"創作者：程名加、施三郎","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA1MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"六角桌為民國90年，工藝中心辦理竹管家具技藝研習班時，授課老師程名加與施三郎兩位老師現場所示範的成品，六角桌為六邉型六支竹管腳，以不同管徑的水煮桂竹，運用鑿製技術，經矯直-鑿洞-挖薄-彎管-組裝等程序做成，惟桌面有別於傳統，以竹管劈開重新排列的方式(台語稱為斬鬢)成型，是採用水煮桂竹條熱壓於合板上，裁切成圓形後固定於桌架上，桌腳由三條包管圍繞固定，六邉周圍之星星、稻穗、細竹管裝飾圖形，除象徵吉祥外，也能增強桌子的穩定及耐用性，ㄇ字型的細竹管，可頂至上方橫桿以防止橫桿脫落。可做為小茶几、置物架使用。(詮釋委員：林秀鳳)","ImageUrl":""}
,{"Identifier":"200105006","MainTitle":"竹製沙發椅","Creator":"創作者：程名加、施三郎","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA1MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"竹製沙發椅因型似一般的皮製沙發，所以取名為竹製沙發椅，其大小也同一般沙發椅一樣，有一人用，兩人用或三人用等設計，故也可套裝成一組客廳用椅，在夏天使用極為通風涼爽，冬天只要加上座墊即可。製作這款椅子所使用的工具，與製作其它款包管家具相同，需用到手鋸、柴刀、木槌、挖鑿刀、鑿刀、彎仔台、弧型刨刀、尖刀、電鑽、噴火器、工作台、工作椅、竹尺、磨刀石、繩子等。而包管家具使用的材料，通常以單一材料為主，然此張椅子的椅背及扶手轉彎處，加入藤芯做固定，椅面在應用三節桂竹片排列後，也使用藤皮纏繞紮牢固定。(詮釋委員：林秀鳳)","ImageUrl":""}
,{"Identifier":"200106001","MainTitle":"不求人","Creator":"創作者：陳力維","CreatedYear":"","Size":"附木盒","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200106001001","MainTitle":"不求人-1","Creator":"創作者：陳力維","CreatedYear":"","Size":"附木盒","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA2MDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200106001002","MainTitle":"不求人-2","Creator":"創作者：陳力維","CreatedYear":"","Size":"附木盒","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA2MDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200107001","MainTitle":"記憶收納盒","Creator":"創作者：黃進春","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"記憶收納盒此一作品呈現出材質轉換的趣味，石材的加工方式以“震撼教育”為之，同屬減法加工的木質材料卻必須以“斬斷情絲”的加工方式處理之。如今將二者調換，石質印象變成木質肌理；彷彿將木材的DNA韌性植入石材當中，令人莞爾。(詮釋委員:廖秀玲)\r\n","ImageUrl":""}
,{"Identifier":"200107002","MainTitle":"光芒顯影","Creator":"創作者：林建正","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"兩端斂口中央略粗呈鼓型，車製的木胎果子盒。鼓型的盒身表面以不規則撕裂的銀箔裝飾，多層的銀箔及透漆的髹塗，產生含蓄柔和的深沉色澤。盒蓋微微曲面，中央下凹處裝置圓柱提紐，便於開啟與蓋合；以同於盒身之貼銀箔技法裝飾出一圈的光芒，增加器物在實用和觀賞的趣味性。(詮釋委員：黃麗淑)","ImageUrl":""}
,{"Identifier":"200107003","MainTitle":"寂寞之歌","Creator":"創作者：洪啟榮","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA3MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"湊合各種穀類成畫有其特殊效果，唯應完全使用自然材料之原有色彩，方可顯現其真正價值。(評審委員:王鍊登)\r\n運用各種穀類完成一個畫面，十分具巧思，唯構圖及色彩運用上可改進，主題人物大約在中央稍低處，應可提高超過中央，可避免背景處理瑣細。背景紅色調更弱，才可襯托主題。(評審委員:賴瓊琦)","ImageUrl":""}
,{"Identifier":"200107004","MainTitle":"女性之美－舞、孕、思","Creator":"創作者：陳玉鳳","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA3MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件漆畫作品，是陳玉鳳參加90年第9屆臺灣工藝設計競賽入選，創作地點彰化縣員林鎮。\r\n 這件作品，工藝設計相當傑出，其在畫面的形象、動態、線條、色彩，佈局十分成功。以黑漆地反襯白、黃、褐、紅、綠、巧克力色等的流動，具見設計功夫。而在女性之美的「舞、孕、思」形態上，尤具匠心獨具。\r\n 在漆工藝技巧上，用漆藝中的「蛋殼鑲嵌」技法，顯現與背景黑地強烈的對比，並以立體派的繪畫手法，高彩畫之畫風構圖，襯托人物律動的美感，傳達女性舞、孕、思之美。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"200107004001","MainTitle":"女性之美－舞、孕、思-舞","Creator":"創作者：陳玉鳳","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA3MDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200107004002","MainTitle":"女性之美－舞、孕、思-孕","Creator":"創作者：陳玉鳳","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA3MDA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200107004003","MainTitle":"女性之美－舞、孕、思-思","Creator":"創作者：陳玉鳳","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA3MDA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200107005","MainTitle":"打獵英雄人物","Creator":"創作者：彭水光 (撒卡勒)","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA3MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 屏東縣瑪家鄉彭水光（撒卡勒）是魯凱族的牧師，多才多藝，擅長於木雕、石雕，和傳統歌謠創作（金曲獎得主）。他在86年成立瑪家鄉「撒卡勒文物陳列館」，陳列了他的大大小小作品石雕、木雕，與及族人婦女的織物，這些作品具有豐富的生命力。93年獲得第15屆金曲獎最佳原住民語演唱人獎，100年獲得原住民工藝薪傳獎。\r\n 撒卡勒用藝術訴說魯凱族歷史，也堅持用雕刻藝術來傳承魯凱文化。彭水光的雕刻作品，包括了一般的生活器具、建築圖騰、神話故事、部落人物，品類多元多樣。他還到大專院校與部落去教導雕刻藝術和文化真諦，至今已超過上百名學生跟他學習雕刻藝術。\r\n 本件「打獵英雄」立體雕刻，是彭水光（撒卡勒）形容魯凱族勇士獵得大野豬歸來的形象。彭水光的外公差馬歌是早年舊好茶部落著名的英雄，他的祖父與父親都是部落中的長老。或許傳統打獵英雄的記憶，讓他鮮明靈活地呈現了魯凱族文化的禮俗與制度。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"200107006","MainTitle":"漆花瓶組-高口瓶、矮口瓶 、陶坯原型","Creator":"創作者：陳文寬","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA3MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200107007","MainTitle":"漆碗-成品、木胎原型","Creator":"創作者：劉清林","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA3MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200107008","MainTitle":"漆碗-成品、天然漆塗裝製作1-7道過程原型","Creator":"創作者：劉清林","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA3MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200108001","MainTitle":"桃園三結義","Creator":"創作者：五洲新桃園雕刻社","CreatedYear":"","Size":"附壓克力箱、木箱","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200108002","MainTitle":"中國汝窯茶杯","Creator":"朝藝陶瓷有限公司","CreatedYear":"","Size":"附錦盒\r\n外箱尺寸：42*33*26公分\r\n含外箱重：4750公克\r\n裸重：001-70公克；002-73公克；003-73公克；004-72公克；005-73公克；006-73公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200108003","MainTitle":"玄中壺－節節高昇","Creator":"陶坊企業有限公司","CreatedYear":"","Size":"附錦盒\r\n外箱尺寸：42*33*26公分\r\n含外箱重：4750\r\n裸重：001-57公克；002-50公克；003-177公克；004-424公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA4MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200108004","MainTitle":"牛轉乾坤-交趾陶板畫","Creator":"森益輝貿易有限公司","CreatedYear":"","Size":"含外箱尺寸：76.5*74*6.5(厚)公分；含外箱重量：8850公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA4MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200108005","MainTitle":"河豚倒立咖啡杯","Creator":"廠商：振傳陶藝社","CreatedYear":"","Size":"外箱尺寸：47*34*23公分\r\n含外箱重：5700公克\r\n裸重：001-197公克；002-199公克；003-550公克；004-182公克；005-173公克；006-546公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA4MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200111001","MainTitle":"毓秀","Creator":"創作者：黃俊傑","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTExMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"創作者原本是要將此作品贈送於愛妻，以完成婚前之誓:「我們結婚後，我一定製作一張美麗的梳理檯送妳」。故寫詩一首以表內心對愛妻的感恩之情。\n昔日允諾妻，梳理檯相贈\n久歷未能成，系君情意真\n佳人面清秀，纖細性機靈\n巧技譯作儀，毓生煥雅氣\n藝化鳳凰臺，秀照容顏駐\n見汝似水柔，永生得相惜\n以典雅秀氣姿態表現出我民族婦女溫柔婉約之氣質及細膩的內在之美，故名「毓秀」。鏡面的旋轉設計讓生活精緻藝術化的構思，將鏡面轉成鳳凰圖騰便可當作玄關桌，放置於房間內其裝飾藝術可為現代忙碌生活中注入一份愉悅感。抽屜面板水波紋造型，在光影下顯其層次感，示意「似水柔情」。鏡架前的凹槽是方便放置瓶罐式化妝用品，桌面凹槽是放髮夾之類小用品。（詮釋委員：黃俊傑）","ImageUrl":""}
,{"Identifier":"200111001001","MainTitle":"毓秀","Creator":"創作者：黃俊傑","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTExMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200111001002","MainTitle":"毓秀","Creator":"創作者：黃俊傑","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTExMDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112001","MainTitle":"熱氣球/樹(白色帶子)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"9.8×11×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112002","MainTitle":"熱氣球/岩石(三色)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"9×9×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112003","MainTitle":"熱氣球/岩石(六色)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"9.5×9×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112004","MainTitle":"熱氣球/樹(紫色帶子)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"9×9.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112005","MainTitle":"老鷹系列/岩石立","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"21×35×25.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112006","MainTitle":"老鷹系列/橫飛鷹","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"19.5×20×50","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112007","MainTitle":"老鷹系列/古木立","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"20×26×35","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112008","MainTitle":"大雙鴿","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"24.5×40×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112009","MainTitle":"大雙鴨","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"28×34×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112010","MainTitle":"平飛雙雁","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"25×41×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112011","MainTitle":"大橫飛鷹","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"21.5×21×32","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這個西洋瓷偶係以瓷土注漿成形坯體，陰乾後加以高溫燒製後再上彩色釉料低溫燒製而成。八十年代經由丸利陶瓷公司精心設計製作之作品，以大飛鷹展翅鴻飛之姿態呈現，氣勢磅薄不可一世之樣態，讓人慨歎豪邁英雄之威勢，全身羽翼之雕塑相當地精細傳神又傳情，用色也很準確自然，可見其製作之用心，非常值得典藏欣賞。\n鷹在鳥類的分類上指鷹屬的猛禽，大型猛禽一般用「鵰」、「鷲」，英語作「Eagle」，其中金鵰 「golden eagle」為廣為人知分佈廣闊之大型猛禽，有些國家如美國即以黃金鵰為國家象徵，此大橫飛鷹之造形充分表現出「雄鷹」的神韻與氣慨，足足給人們最恢弘雄美的享宴。 \n丸利陶器股份有限公司於1969年成立於苗栗縣苗栗市，為臺日合資公司，主要是從事原模、製模到分模生產、注漿、彩繪、及燒窯等到成品之營運與銷售。（詮釋委員：何明泉）","ImageUrl":""}
,{"Identifier":"200112012","MainTitle":"貓頭鷹展翅","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"11.5×15×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112013","MainTitle":"教會鷹","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"13.5×29×28.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112014","MainTitle":"鳥巢鷹","Creator":"丸利陶瓷公司","CreatedYear":"1990","Size":"14.5×29×20.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112015","MainTitle":"酒瓶系列大火雞","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"14×24.5×29","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112016","MainTitle":"小孩系列/女孩抱聖誕襪禮物","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"4.6×5.6×7.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶造型是一位小孩抱著裝滿禮物的聖誕襪，雙腳盤坐在地上，表情看似靦腆又心滿意足的樣子。穿著連身、連襪粉白睡衣的小孩兒一覺醒來，發現前夕掛在床頭的襪子裡，真如同爸爸媽媽說的，裝了來自聖誕老公公的禮物。此刻充滿愛、純真、幸福溫馨的一幕，都再現於這件小瓷偶的身上。\n 以瓷土注漿成型的塑像於瓦斯窯1250-1280℃燒成後，再分別將釉彩塗繪於頭部與身體。小孩瓷偶微妙的五官神情是以水溶性釉彩的顏彩技巧而成，防止與油彩的部分相混。禮物、衣服、聖誕襪等面積較大之處，則使用油性介質調製色釉粉塗繪，而從聖誕襪中冒出上半身的禮物娃娃則帶著金色；這些顏料再經低溫700-800℃的電爐烤色約四小時就著色了。裝禮物的聖誕襪與環抱的雙臂、盤坐的雙腳都屬於分模製作的附件，於注漿成型脫模後再整修、粘接組合。\n 這件瓷偶出自於臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲，作為聖誕節飾品或節慶禮物。底部的落款除了「© 1982 Enesco」之外，另以金色貼紙標示出「Enesco」商標與「Design Giftware Taiwan」(設計陶瓷禮品來自臺灣)的字樣。Enesco是美國一家最大的禮品公司，成立於1958年，於1970-90年代開啟當代陶瓷人偶賞玩與收藏的風潮。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112017","MainTitle":"小孩系列/男女乘雪橇","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"9.6×5.7×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷人偶以兩個小孩同坐一輛雪橇的造型，作為經典的聖誕節裝飾品。造型上包含了兩個人物與一輛雪橇，於製模分片製程中是分別注漿成型後，再於修整步驟中組合，並且於身體底部應留有注漿口，以利通氣窯燒。接著以1250-1280℃瓦斯窯燒成出窯，將色料調配後塗繪於白坯，經低溫700-800℃電爐烤色。其中，色料調配中加入了消光劑，使得瓷偶的釉色不發釉光，看起來更自然，此上釉法稱作「無釉全瓷」(精華陶瓷公司黃月華女士提供)。\n 兩個小孩一前一後，因為雪橇的造型坡度，也顯得前低後高。後方著紅外套、髮色較深的小孩體型與頭部稍大於前者；其翹頸向前的頭部與軀幹的連接自然，外套背部線條也微妙地顯得挺俏，表現出如雪中行進往下衝滑的動感。雪橇兩側的綠色支架如浮雕般的刻畫出來，前方留下繫繩的小洞口，燒成後再加工繫上金線。 \n 底部落款為「Treasured Memories“The New Sled”© 1982 Enesco」(珍藏記憶系列「新雪橇」)，另貼有「Enesco」商標與「Design Giftware Taiwan」(設計陶瓷禮品來自臺灣)字樣的金色底標，以及日本丸利商標「MR」的刻印。此藏品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本在裝飾陶瓷方面的發展已有三十幾年經驗，然受到自身產業轉型與勞力不足的影響，轉而來臺尋找合作生產對象。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲，作為聖誕節飾品或節慶禮物。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112018","MainTitle":"小孩系列/男女持杯盤","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"5.5×7.2×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 小孩子們於聖誕夜將餅乾與牛奶留在外頭給聖誕老公公是美國的一項傳統，表示給辛苦分送禮物的聖誕老公公一點慰勞與討好。這件陶瓷人偶造型應是一對姊弟，穿著連身連襪嬰兒服的小男童手上拿著一盤餅乾，步履顯得些蹣跚，從背後看去還可見到尿布墊的嬰兒服造型。他仰望著身旁的大姊姊；而女孩左手拿著一只杯子與一張上頭寫著「For Santa」(給聖誕老公公)的紙張，右手則以食指靠近臉頰作勢噤聲。底部落款為「Treasured Memories“Cookies And Milk For Santa”© 1983 Enesco」(珍藏記憶系列「給聖誕老公公的餅乾與牛奶」)，可見是以聖誕節為主題的裝飾品瓷偶。\n 瓷偶的製程先後大致分為：原型雕塑、製模分片、注漿成型、整修粘接、生檢、窯燒、締檢、彩繪和繪燒、品檢與包裝幾個步驟。此件在造型上由多個製模分片而成，包括女孩雙手個別的動作、嬰孩的雙臂與餅乾。每個切割單位必須考量到不能有倒角，避免無法順利脫模，以致前功盡棄。\n 此藏品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本在裝飾陶瓷方面的發展已有三十幾年經驗，然受到自身產業轉型與勞力不足的影響，轉而來臺尋找合作生產對象。苗栗有天然瓦斯，加上日本的設廠與技術導入、居民克勤克儉，促成裝飾陶瓷這項勞力密集的產業迅速蓬勃發展，於1970-80年代為臺灣賺取巨額的外匯收入。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至歐美，作為聖誕節飾品或禮物。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112019","MainTitle":"小孩系列/男女與布娃娃","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"4.5×7×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷玩偶造型由兩個小孩相倚成一對，外加上女孩手上的娃娃。穿著淺藍睡衣的男孩與鵝黃色睡衣的女孩，雙雙仰頭、舉手，配合眼睛的上揚，彷彿遙望著星空許願的姿態。女孩另一手上的娃娃可視為一種寫實手法的突顯，除了與兩個小孩做出區別—強調小孩為人類形體的寫實性，也以娃娃裙襬的垂墜波度，顯現出布製娃娃的柔軟。\n 瓷偶的製程先後大致分為：原型雕塑、製模分片、注漿成型、整修粘接、生檢、窯燒、締檢、彩繪和繪燒、品檢與包裝幾個步驟。在製模分片過程中，如有倒角或歧生的部分會妨礙脫模，例如，兩個小孩舉起的手臂，就需於軀幹脫模成型後才粘接上去，屬於附件。因此，原型雕塑師必須考量物件的開模分片；原型雕塑關乎產品主題的造型，可說是整個產業的靈魂。曾經於丸利公司擔任原型雕塑師的陳東榮回憶在日本受訓的經驗時說到：「原型師除了研發外，還要研究原型和開模之間的關係，如何分片、如何減少成本?此外我在日本還學到一個功夫，就是作品在市場會不會被接受?…作品以好賣為前提。」(《苗栗裝飾陶瓷產業》p.56)\n 此藏品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利母公司雖將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而材料、原型、製模都經日方控管認可後，才正式在臺分模量產，直至燒成皆在日本技師的監督下完成，品質管理標準業界出名，也因此在市場上賣出高價格。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112020","MainTitle":"小孩系列/男孩玩飛機","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6×7.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷人偶造型是一個正在玩飛機玩具的小男孩。他的右手舉著飛機，單腳跪立，眼睛帶動著頭、嘴一起向上凝望手中的飛機，加上左手彎曲、手掌微揚起的姿勢，彷彿想像隨著飛機飛翔的模樣。從身體姿勢的搭配、上衣與褲子皺褶的刻畫，到臉部顏彩的傳神描繪與毛髮蓬鬆垂墜感的表現，各部細節隱現其中，將小男孩玩飛機認真的模樣與自得其樂的天真展露無遺。\r\n 瓷土注漿成型的人偶塑像於1250-1280℃燒成白坯，再分別將釉彩塗繪於頭部與身體。小男孩微妙的五官神情屬於使用水溶性釉彩的顏彩技巧，綠色外套、灰褲、白上衣與襪子等，則需使用油性介質調製色料彩繪，接著以低溫700-800℃電爐烤色而成。釉彩調配中加入了消光劑，使得瓷偶的釉色不發釉光，看起來更自然，此上釉方式稱作「無釉全瓷」(精華陶瓷公司黃月華女士提供)。\r\n 這件瓷偶出自於臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲，作為聖誕節飾品或禮物。底部的落款僅有「© 1981 Enesco」，印製於男孩跪下的膝蓋處。Enesco是美國一家最大的禮品公司，成立於1958年，於1970-90年代開啟當代陶瓷人偶賞玩與收藏的風潮。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112021","MainTitle":"小孩系列/女孩學習","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"10.6×9×6.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 課堂上不專心、玩筆、跟同學傳紙條聊天—應該是多數人共同的兒時回憶了。這件瓷偶造型是一位坐在書桌旁的女孩，她一手撐在桌上拿著筆咬著，上半身側轉向後面的同學傳訊息：手中的紙張寫著「MEET ME LATER」(待會兒跟我碰面)。書桌上有文具與一本攤開的書，但是女孩根本無心學習—眼神呆滯地望向前方，像是怕被老師發現自己正在跟同學傳紙條。整體造型印象鮮明，惹人會心一笑。底部的落款除了「Treasured Memories “Meet Me Later”© 1982 Enesco」(「珍藏記憶」系列)之外，另以金色貼紙標示出「Enesco」商標與「Design Giftware Taiwan」(設計陶瓷禮品來自臺灣)的字樣。陶瓷人偶以瓷土注漿成型脫模後，經過第一道「生檢」手續，合格的則可進瓦斯窯窯燒(1250-1280℃)，出窯後再經「締檢」查看燒成的白坯是否有瑕疵，良品才進入釉彩彩繪階段，接著以低溫700-800℃電爐烤色而成。女孩瓷偶臉上的五官屬於精細的顏彩構成，微暈的腮紅則是以噴槍噴彩，並且在釉彩調配加入了消光劑，使得瓷偶的釉色不發釉光，看起來更自然，此上釉法稱作「無釉全瓷」(精華陶瓷公司黃月華女士提供)。\n 這件作品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利母公司雖將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而材料、原型、製模都是經日方控管認可後，才正式在臺分模量產，直至燒成皆在日本技師的監督下完成，品質管理業界出名。1981年左右，為提高效能，丸利公司從日本引進輸送帶作業於繪彩生產線 (《苗栗裝飾陶瓷產業》p.44-45)。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112022","MainTitle":"小孩系列/女孩繪圖","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"9.5×7.2×5.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶捕捉了一位專心地在桌前繪圖的小女孩模樣。她穿著綠白相間條紋的上衣與粉紅長裙，襯托著白皙粉嫩臉龐的是一頭俏麗捲曲蓬鬆的短髮；她的眼瞼往下，垂看著手中的紙板繪畫，手上拿著畫筆懸在其上。上衣表面的條紋是淺刻劃地凹凸線條，經1250-1280℃燒成後上灰綠色釉，再以畫筆刷白凸起部分，形成鮮明的綠白相間效果；與木頭桌椅的質感、粗細紋路有所不同，頭髮則是順著毛髮生長的方向，有著自然的捲曲線條。整體造型在簡潔中藏著細節，更添寫實感。底部落款為「Treasured Memories “School Days”© 1982 Enesco」(珍藏記憶系列「校園時光」)。\n 這件作品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。陶瓷玩偶的製程依序分為：原型雕塑、製模分片、注漿成形、釉彩和窯燒五個步驟。丸利母公司雖將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模都經日方認可後，才正式在臺分模量產，直至燒成皆在日本技師的監督下完成，有很高的品質管理標準。1981年左右，為提高效能，丸利公司從日本引進輸送帶作業於繪彩生產線，彩繪員除了技巧嫻熟，也必須在在短時間內準確快速地完成。 (《苗栗裝飾陶瓷產業》p.44-45)。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112023","MainTitle":"小孩系列/女孩心持","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"10×4.5×3.9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這尊瓷偶造型是一位甜美可愛的小女孩，全身粉紅裝扮，兩手在背後持著一片心形板。她的頭部微向右傾，左腳微向內八提起，肢體動作散發著靦腆矜持。粉紅短洋裝上的白色圍領有著浮雕的紋路，裙襬波折立體，心形板也以三片由小至大的心形層疊增加厚度。瓷土注漿成型的人偶塑像以1250-1280℃瓦斯窯燒成後，再分別將調製的釉彩塗繪於白坯。她的五官是以水溶性釉彩的顏彩技巧而成，為防止與油彩的部分相混。身上的衣服則使用油性介質調製色釉粉塗繪；這些顏料再經低溫700-800℃電爐烤色約四小時著色。\n 底部的落款除了「Treasured Memories “Sweet Valentine”© 1985 Enesco」(珍藏記憶系列「甜蜜情人節」)之外，另以金色貼紙標示出美國禮品公司「Enesco」商標與「Design Giftware Taiwan」(設計陶瓷禮品來自臺灣)的字樣。此件藏品出自於臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。臺資方董事長由曾任彰化銀行董事長的張伯欣先生擔任，年輕時他曾在美國芝加哥的「Enesco」工作過三年，對於陶瓷禮品開發與國際貿易有相當的遠見與人脈。\n 丸利公司經營貿易製造外銷，主要生產裝飾陶瓷包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲，作為節慶飾品或禮物。當時日本在裝飾陶瓷方面的發展已有三十幾年經驗，然受到自身產業轉型與勞力不足的影響，轉而來臺尋找合作生產對象。苗栗有天然瓦斯，加上日本的設廠與技術導入、居民克勤克儉，促成裝飾陶瓷這項勞力密集的產業迅速蓬勃發展，於1970-80年代為臺灣賺取巨額的外匯收入。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112024","MainTitle":"小孩系列/姐弟","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"12×6.5×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷人偶造型應是一對姊弟。穿著淺藍色連身連襪嬰兒服的小男童跪在地上，身體挺起，背後臀部有著尿布墊開口。他與身旁長髮的大姊姊相倚；兩人分別往前伸出一手、身體也同時趨而向前，像是正在期待或是張望遠方即將到來的驚喜。女孩著粉紅色洋裝，另一手護搭著弟弟的後腦勺，神情專注。底部落款為「Treasured Memories“Watching for Santa”© 1983 Enesco」(珍藏記憶系列「等待聖誕老公公」)，可見是一件以聖誕節為主題的裝飾品瓷偶，與同系列的「給聖誕老公公的餅乾與牛奶」的一對姊弟瓷偶有同工異曲之妙。\n 瓷偶的製程先後大致分為：原型雕塑、製模分片、注漿成型、整修粘接、生檢、窯燒、締檢、彩繪和繪燒、品檢與包裝幾個步驟。此件在造型上由多個製模分片而成，包括女孩雙手個別的動作、嬰孩伸出的手臂，皆屬軀幹外的附件，於脫模後的整修階段粘接組合。\n 此藏品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本在裝飾陶瓷方面的發展已有三十幾年經驗，然受到自身產業轉型與勞力不足的影響，轉而來臺尋找合作生產對象。苗栗有天然瓦斯，加上日本的設廠與技術導入、居民克勤克儉，促成裝飾陶瓷這項勞力密集的產業迅速蓬勃發展，於1970-80年代為臺灣賺取巨額的外匯收入。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至歐美，作為聖誕節飾品或禮物。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112025","MainTitle":"小孩系列/男孩抱小熊","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"4.6×4.4×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶造型是一位小孩抱著玩偶小熊，雙腳盤坐在地上，神情愉快滿足的樣子。穿著連身、連襪淺藍睡衣的小孩兒珍視著心愛的玩偶，頭微傾，輕輕靠著小熊；展現出嬰孩純真可愛、幸福溫馨的一面。\n 以瓷土注漿成型的塑像於瓦斯窯1250-1280℃燒成後，再分別將釉彩塗繪於頭部與身體。小孩瓷偶的五官神情是以水溶性釉彩的顏彩技巧而成，為防止與油彩的部分相混。微暈的腮紅則是以噴槍噴彩，衣服、小熊等面積較大之處，則需使用油性介質調製色釉粉塗繪，再經低溫700-800℃的電爐烤色約四小時著色。嬰孩環抱小熊的雙臂、盤坐的雙腳，以及小熊都屬於分模製作的附件，於注漿成型脫模後再整修、粘接組合。\n 這件瓷偶出自於臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲禮品公司，作為聖誕節飾品或節慶禮物。底部的落款僅印有「ENESCO」與生產序號，並無記載出品年代，另以金色貼紙標示出「Enesco」商標與「Design Giftware Taiwan」(設計陶瓷禮品來自臺灣)的字樣。Enesco是美國一家最大的禮品公司，成立於1958年，於1970-90年代開啟當代陶瓷人偶賞玩與收藏的風潮。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112026","MainTitle":"小孩系列/男孩捧蛋糕","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"6×5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這尊瓷偶造型是一位棕黑髮的小男孩，頭上戴著紅白相間的圓錐帽，身上是一襲綠色小西裝外套與七分褲的裝扮，打著紅色小領結，非常時髦。他的兩手在肚子上持著一個生日蛋糕，從側面觀看，腹部也微微頂著蛋糕，彷彿謹慎地怕蛋糕掉下來，雙腳則打開站穩，立於小圓形底座上。原型師對於人偶身體的曲線掌握極佳，從細微的動向中展現出人的情緒、表情；瓷偶記錄了每個小男孩成長過程中對生日的期待、喜悅與學習。\n 陶瓷人偶以瓷土注漿成型後脫模、整修粘接完成，經過第一道「生檢」手續，合格的則可進瓦斯窯窯燒(1250-1280℃)，出窯後再經「締檢」查看燒成的白坯是否有瑕疵，良品才進入釉彩彩繪階段。男孩瓷偶臉上的五官是以水溶性的釉彩(以水、牛皮膠調合色料)繪製而成，臉與膚色、身上的衣服則使用油性介質調製色釉粉塗繪；再經低溫700-800℃電爐烤色約四小時著色。底部的落款除了「Treasured Memories “The Birthday Party”© 1983 Enesco」(珍藏記憶系列「慶生派對」)之外，另以金色貼紙標示出美國禮品公司「Enesco」商標與「Design Giftware Taiwan」(設計陶瓷禮品來自臺灣)的字樣。\n 此件藏品出自於臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲的禮品公司，作為節慶飾品、禮物或收藏藝品。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112027","MainTitle":"小孩系列/女孩與蝶","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"6×8.6×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶造型像是一位坐在花園草地上摘花賞蝶的女孩。她的膝蓋前有一籃剛摘好的花，手上飛來了一隻蝴蝶，讓原本以一手撐靠斜倚的身體與頭，往前欣賞另一手上的蝴蝶，整個姿態呈S型。她穿著藍色的裙衣，搭配鵝黃色花邊袖口的圍裙，衣裙上的皺褶、波浪自然生動。\n 以瓷土注漿成型後的塑像經瓦斯窯1250-1280℃燒成，再將釉彩塗繪於白坯，以低溫700-800℃電爐烤色而成。陶瓷人偶的製程先後大致分為：原型雕塑、製模分片、注漿成型、整修粘接、生檢、窯燒、締檢、彩繪和繪燒、品檢與包裝幾個步驟。女孩的雙手、手上的蝴蝶與花籃，以及跪坐的雙膝，皆是注漿成型脫模後，於整修中再粘接上去於軀幹本體。\n 底部落款為「Treasured Memories“Butterfly Friend”© 1981 Enesco」(珍藏記憶系列「蝴蝶朋友」)，另貼有「Enesco」商標與「Design Giftware Taiwan」(設計陶瓷禮品來自臺灣)字樣的金色底標，以及日本丸利商標「MR」的刻印。此藏品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲，作為聖誕節飾品或節慶禮物。Enesco是美國一家最大的禮品公司，成立於1958年，於1970-90年代開啟當代陶瓷人偶賞玩與收藏的風潮。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112028","MainTitle":"小孩系列/男孩心持","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"3.9×4.8×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這尊瓷偶造型是一位捲髮的小男孩，身穿粉紅外套與短褲，兩手在背後持著一片心形板。他的頭部微向左傾，左腳微向內八，與另一尊同系列的小女孩瓷偶—「甜蜜情人節」的肢體動作和表情非常雷同，皆以小孩的靦腆、可愛來展現情人節甜美的一面。瓷土注漿成型的人偶塑像以1250-1280℃瓦斯窯燒成後，再分別將調製的釉彩塗繪於燒成的白坯上。五官以水溶性釉彩的顏彩技巧而成，防止與油彩的部分相混。臉的肌膚、身上的衣服與心形道具則使用油性介質調製色釉粉塗繪，微暈的雙頰則是以噴彩；再經低溫700-800℃電爐烤色約四小時著色。\n 底部的落款除了「Treasured Memories “Be My Valentine”© 1985 Enesco」(珍藏記憶系列「當我的情人」)之外，另以金色貼紙標示出美國禮品公司「Enesco」商標與「Design Giftware Taiwan」(設計陶瓷禮品來自臺灣)的字樣。此件藏品出自於臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲，作為節慶飾品或禮物。當時日本在裝飾陶瓷方面的發展已有三十幾年經驗，然受到自身產業轉型與勞力不足的影響，轉而來臺尋找合作生產對象。苗栗有天然瓦斯，加上日本的設廠與技術導入、居民克勤克儉，促成裝飾陶瓷這項勞力密集的產業迅速蓬勃發展，於1970-80年代為臺灣賺取巨額的外匯收入。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112029","MainTitle":"小孩系列/女孩與三小熊","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"5.5×8.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這座瓷偶的造型是在圓盤底座上的小女孩與三隻小熊；她舉起右手伸出食指的模樣像是正在講故事，而聆聽的對象是端坐她對面的三隻玩具熊，有趣的是，女孩左手上拿著一本故事書，其封面上寫的正是「3 BEARS」(三隻小熊)的故事。小女孩跪坐著，學大人給小孩講故事的姿態，凝縮了一個溫馨可人的生活片段，與表現出孩童的天真。\n 底部落款為「Treasured Memories“I'll Tell You A Story”© 1982 Enesco」(珍藏記憶系列「我來跟你們說個故事」)，另貼有「Enesco」商標與「Design Giftware Taiwan」(設計陶瓷禮品來自臺灣)字樣的金色底標。瓷偶的製程先後大致分為：原型雕塑、製模分片、注漿成型、整修粘接、生檢、窯燒、締檢、彩繪和繪燒、品檢與包裝幾個步驟。女孩雙手個別的動作、三隻小熊都屬於分模製作的附件，於注漿成型脫模後再整修、粘接組合。女孩的衣服皺摺、小熊的絨毛質感，透過原型雕塑的刻畫與彩繪的技巧，展現周到的寫實細節。\n 此件藏品出自於臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲，作為節慶飾品或禮物。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112030","MainTitle":"小孩系列/女孩抱聖經","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"4×4.5×11.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 在天主教的宗教儀式中，受過聖洗的孩童來到了懂事的階段，即能開始接受「初領聖體禮」，代表自己個人加入教會的開始，是天主教徒一生中重要的儀式。在初領聖體禮當中，孩童需穿著正式；女孩多半著白色洋裝，頭戴花冠或是有頭紗的花冠，男孩則須穿小西裝打領結。這座瓷偶的造型即是參加「初領聖體禮」的小女孩，身穿淡粉紅色洋裝，頭戴花冠頭紗，她的兩手於胸前抱著一本關於初領聖體儀節的書，上頭寫著「MY FIRST COMMUNION」。\n 歐美國家信仰天主基督，「初領聖體禮」是多數人的回憶，家族成員也會送禮物給受聖體禮的孩童。這座瓷偶的作用可作為禮物或是對於受領聖體禮的紀念。底部落款為「“First Communion”© 1982 Enesco E-8810 Taiwan」(「初領聖體禮」)，另貼有「Enesco」商標與「Design Giftware Taiwan」(設計陶瓷禮品來自臺灣)字樣的金色底標，以及日本丸利商標「MR」的刻印。\n 瓷偶的製程先後大致分為：原型雕塑、製模分片、注漿成型、整修粘接、生檢、窯燒、締檢、彩繪和繪燒、品檢與包裝幾個步驟。女孩的雙手與抱持的書本皆屬於附件，與主體分開注漿成型，脫模後再整修、粘接組合起來。彩繪方式又分為顏彩、油彩、噴彩、金彩四種。女孩瓷偶臉上的五官即屬於精細的顏彩構成，微暈的腮紅則是以噴槍噴彩，書本上的英文字則以金液寫上。此藏品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至歐美，作為聖誕節飾品或禮物。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112031","MainTitle":"小孩系列/男孩禮物","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"5.6×5.2×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶造型是一位男孩跪坐著，正為膝前一疊堆起來的禮物打上緞帶，禮物上寫著「To Mommy」與「CHRISTMAS」的字樣，可推知是男孩為母親準備的聖誕禮物。西洋聖誕節是愛和感恩的節日，不僅父母親藉聖誕老人之名送小孩禮物，長大一點的小孩也會準備禮物回饋給父母。穿著淺棕灰夾克與短褲的男孩有著一頭黃髮，配上亮綠的蝴蝶領結，與禮物包裝、緞帶，營照出屬於聖誕節慶的溫馨色彩。\n 以瓷土注漿成型的塑像於瓦斯窯1250-1280℃燒成後，再分別將釉彩塗繪於燒成的白坯上。男孩瓷偶微笑的神情是以水溶性釉彩(以水、牛皮膠調合色料)描繪而成，禮物、衣服、緞帶繩等面積較大之處，則使用油性介質調製色釉粉塗繪，這些顏料再經低溫700-800℃的電爐烤色約四小時就著色了。禮物盒、打緞帶的雙手、跪坐的雙腳都屬於分模製作的附件，於注漿成型脫模後再整修、粘接組合一起。禮物與男孩跪在地上的膝蓋下方皆有注漿口。\n 這件瓷偶出自於臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲，作為聖誕節飾品或節慶禮物。底部的落款除了「Treasured Memories “A Gift for Mommy”© 1982 Enesco」(珍藏記憶系列「給媽咪的禮物」)之外，另以金色貼紙標示出「Enesco」商標與「Design Giftware Taiwan」(設計陶瓷禮品來自臺灣)的字樣。Enesco是美國一家最大的禮品公司，成立於1958年，於1970-90年代開啟當代陶瓷人偶賞玩與收藏的風潮。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112032","MainTitle":"小孩系列/女孩持貝殼","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"7×5.7×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶造型是一位坐在一塊大石頭上的女孩。她的頭微傾，似乎正仔細地端詳、欣賞著右手上的一個貝殼；她的左手則拉起裙擺、左腳抬起，兩隻鞋子靠在岩石旁，由此可想像，小女孩坐在海岸邊的礁岩上，應是浪打上來了。她的姿態自然生動，衣服皺摺細膩，其動向貼切地順著身體的動作，是一座看似主題簡單，卻含雜許多細節、心情與想像的瓷偶。由於沒有穿鞋，她也是少見的露出腳趾頭與腳底的女孩瓷偶，肌膚的柔順與礁岩粗糙的表面形成對比。\n 以瓷土注漿成型後的塑像經瓦斯窯1250-1280℃燒成，再將釉彩塗繪於白坯，以低溫700-800℃電爐烤色而成。陶瓷人偶的製程先後大致分為：原型雕塑、製模分片、注漿成型、整修粘接、生檢、窯燒、締檢、彩繪和繪燒、品檢與包裝幾個步驟。女孩微傾的頭、雙手、雙腳、身體下的礁岩與鞋子，皆是注漿成型脫模後，於整修中再粘接上去於軀幹本體。女孩的五官是以水溶性釉彩 (以水、牛皮膠調合色料) 描繪而成，臉、四肢、衣服、礁岩等面積較大之處，則需使用油性介質調製色釉粉塗繪，這些顏料再經低溫700-800℃的電爐烤色上色。\n 底部落款為「Treasured Memories“Seashell Enchantment”© 1981 Enesco」(珍藏記憶系列「為貝殼著迷」)，另貼有「Enesco」商標與「Design Giftware Taiwan」(設計陶瓷禮品來自臺灣)字樣的金色底標，以及日本丸利商標「MR」的刻印。此藏品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲，作為聖誕節飾品或節慶禮物。Enesco是美國一家最大的禮品公司，成立於1958年，於1970-90年代開啟當代陶瓷人偶賞玩與收藏的風潮。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112033","MainTitle":"小孩系列/男孩與貓","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"5×8×9.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這座瓷偶的造型是在圓盤底座上的小男孩與一隻灰色的小貓咪。淺黃髮的小男孩屈膝彎腰，一手撫摸著繫蝴蝶結的小貓，一手搭在自己的大腿上。小男孩與貓咪共同站在一塊毯子上，倆倆相望，凝聚了小男孩與貓咪之間的互動，表現了孩童的善良、誠摯，也展現出人類與動物間純真的情感。\n 底部落款為「Treasured Memories“Pals”© 1982 Enesco」(珍藏記憶系列「伙伴」)，另貼有「Enesco」商標與「Design Giftware Taiwan」(設計陶瓷禮品來自臺灣)字樣的金色底標。Enesco是美國一家最大的禮品公司，成立於1958年，於1970-90年代開啟當代陶瓷人偶賞玩與收藏的風潮。瓷偶的製程先後大致分為：原型雕塑、製模分片、注漿成型、整修粘接、生檢、窯燒、締檢、彩繪和繪燒、品檢與包裝幾個步驟。男孩雙手個別的動作、小貓都屬於分模製作的附件，於注漿成型脫模後再整修、粘接組合。男孩的衣服與襪子上的皺摺、頭髮髮色與小貓捲毛的質感，透過原型雕塑的刻畫與彩繪的技巧，展現周到的寫實細節。\n 這件作品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利母公司雖將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而材料、原型、製模都是經日方控管認可後，才正式在臺分模量產，直至燒成皆在日本技師的監督下完成，品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲，作為節慶飾品或禮物。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112034","MainTitle":"小孩系列/女孩與床貓","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"7.8×8.1×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶造型是一位小女孩跪在一張小床邊祈禱，床裡睡著她心愛的小熊玩偶，女孩與床皆固定在木地板的底座上。小女孩眼瞼向下看著小熊，雙手合掌作祈禱狀，臉頰微暈紅。小床上，小熊玩偶蓋著米白色毯子睡在枕頭上，僅露出頭與一隻手，毯子上有編織的蕾絲樣式，床板外側也雕飾圖騰。女孩祈禱的神情與小熊玩偶睡覺的樣子(或許是眼睛掉了)，讓人聯想、臆測小孩祈禱的內容，進而感受到小孩的天真與善良。 \n 女孩合掌的雙手、跪坐的雙腳，以及有小熊的小床，都是分模製作，於注漿成型脫模後再整修、粘接組合。接著進入瓦斯窯1250-1280℃燒成，再分別將釉彩塗繪於燒成的白坯上。小孩瓷偶的五官神情以水溶性釉彩的顏彩技巧而成，防止與油彩的部分相混。微暈的腮紅則是以噴槍噴彩，臉、手、衣服、小熊等面積較大之處，則需使用油性介質調製色釉粉塗繪，再經低溫700-800℃的電爐烤色約四小時著色。\n 這件瓷偶出自於臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲，作為聖誕節飾品、節慶禮物或收藏藝品。底部落款為「Treasured Memories“Bedtime Prayer”© 1982 Enesco」(珍藏記憶系列「睡前的床邊祈禱」)。Enesco是美國一家最大的禮品公司，成立於1958年，於1970-90年代開啟當代陶瓷人偶賞玩與收藏的風潮。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112035","MainTitle":"小孩系列/女孩禮物","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"7×6×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶造型是一位女孩跪坐著，正為膝前一件方形禮物盒打上緞帶，禮物上寫著「To Daddy」、「MERRY CHRISTMAS」(聖誕快樂) 的字樣，可推知應是聖誕佳節到來，女孩為父親準備禮物。穿著粉紅色洋裝的女孩有著一頭淺灰棕捲髮，整體色彩搭配柔和，由整圈的紅色緞帶球點亮主題，觀者的視覺也因隨著紅色緞帶線繞向禮物盒，而禮物盒的自由堆疊方式，增添了生活的真實感。\n 禮物盒、打緞帶的雙手、跪坐的雙腳都屬於分模製作的附件，於注漿成型脫模後再整修、粘接組合一起。接著於瓦斯窯1250-1280℃燒成後，再分別將釉彩塗繪於燒成的白坯體上。女孩瓷偶的五官神情是以水溶性釉彩(以水、牛皮膠調合色料)描繪而成，禮物、衣服、緞帶繩等面積較大之處，則需使用油性介質調製色釉粉塗繪，這些顏料再經低溫700-800℃的電爐烤色約四小時就著色了。 \n 這件瓷偶出自於臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲，尤其瓷偶是聖誕節的熱銷飾品或節慶禮物。底部的落款除了「Treasured Memories “To Daddy With Love”© 1982 Enesco」(珍藏記憶系列「獻給摯愛的爹地」)與Taiwan之外，另有日本丸利商標「MR」(R在M裡面)的刻印。Enesco是美國一家最大的禮品公司，成立於1958年，於1970-90年代開啟當代陶瓷人偶賞玩與收藏的風潮。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112036","MainTitle":"小孩系列/戴帽女孩與貓","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"5.5×5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這座瓷偶的造型是一位女孩坐在有打摺椅套的方形椅上，她正試圖繫上草帽的帶子，一隻灰色小貓咪跳上她的大腿。女孩穿著淺黃色無束腰的洋裝，兩手抬舉至胸前頸處準備將帽帶繫好，此時可以想像，女孩或許是正端坐在梳妝鏡前打理妝容，準備外出。她有一雙藍眼睛，頭髮與帽簷間戴上一朵花兒，小貓咪一定是感受到了小女主人的行動，雀躍地跳上女孩的大腿上想吸引主人的注意。草帽、椅座、裙襬上的粉紅飾帶，雖屬配件，也刻畫得相當清楚，對於細節有所交代。整體造型靜中有動，栩栩如生。\n 底部落款為「Treasured Memories“Bonnet Days are Beautiful Days”© 1981 Enesco」(珍藏記憶系列「戴邦尼特帽的日子就是美麗的日子」)，另貼有「Enesco」商標與「Design Giftware Taiwan」(設計陶瓷禮品來自臺灣)字樣的金色底標。邦尼特帽是英國十九世紀典型的女仕帽飾，多為蕾絲或多層布料作成如荷葉邊遮陽帽簷，並於頸上繫帶固定，至現代則轉變為無編草帽繫帶的形式；戴上遮陽的草帽，一定是美麗出遊的好天氣。瓷偶的製程先後大致分為：原型雕塑、製模分片、注漿成型、整修粘接、生檢、窯燒、締檢、彩繪和繪燒、品檢與包裝幾個步驟。女孩的帽子、頭上的花朵、雙手、小貓都屬於分模製作的附件，於注漿成型後再整修、粘接組合。\n 這件作品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利母公司雖將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而材料、原型、製模都是經日方控管認可後，才正式在臺分模量產，直至燒成皆在日本技師的監督下完成，品質管理業界出名。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112037","MainTitle":"小孩系列/女孩與鬱金香","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"4.7×7.2×8.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷人偶造型是一個正在賞鬱金香花的小女孩。她的右手握著花莖，單腳跪立，上身前傾帶動著頭、鼻一起靠向手中的花苞，加上左手靠在胸前、頭微傾的姿勢，彷彿沉浸在鬱金香的花香魅力中。她身穿鵝黃色的洋裝，頭戴同色系的帽子，腰後與帽上皆打了粉紅色的蝴蝶結。女孩與鬱金香皆固定在草地狀的底座上，更突顯了女孩賞花，自得其樂於大自然中的天真模樣。底部的落款除了「Treasured Memories “Gentle Fragrance”© 1982 Enesco」(珍藏記憶系列「溫和馨香」)之外，另有金色貼紙標示出「Enesco」商標與「Design Giftware Taiwan」(設計陶瓷禮品來自臺灣)的字樣。\n 瓷土注漿成型的人偶塑像於瓦斯窯中1250-1280℃燒成，再將釉彩塗繪於燒成的白坯體上。女孩的五官神情屬於使用水溶性釉彩的顏彩技巧彩繪，微暈的腮紅則是以噴槍噴彩，臉的膚色、鵝黃色洋裝、帽子、花草等，則需使用油性介質調製色料彩繪，接著以低溫700-800℃電爐烤色而成。釉彩調配中加入了消光劑，使得瓷偶的釉色不發釉光，看起來更自然，此上釉方式稱作「無釉全瓷」(精華陶瓷公司黃月華女士提供)。\n 這件瓷偶出自於臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲，作為聖誕節飾品、禮物或收藏藝品。Enesco是美國一家最大的禮品公司，成立於1958年，於1970-90年代開啟當代陶瓷人偶賞玩與收藏的風潮。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112038","MainTitle":"小孩系列/男孩唱詩","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"4.5×4.5×11.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 在歐美聖誕節慶期間，齊聚歡唱聖誕頌歌是一項傳統，小孩子們在教會練習聖誕頌歌的合唱，傳達歡樂氣氛。這座瓷偶的造型是一位正在練習合唱中的小男孩，身穿淡粉紅色小西裝與及膝的短褲制服，配上白色長統襪，搭配綠色領結，他的兩手於胸前抱著一本歌本，上頭寫著「Christmas Carols」(「聖誕頌歌本」)。這座瓷偶的作用可作為聖誕禮物，或是對於童年時參加頌歌合唱的紀念。底部落款為「“Children’s Carols”© 1983 Enesco」(「兒童的聖誕頌歌」)，另貼有「Enesco」商標與「Design Giftware Taiwan」(設計陶瓷禮品來自臺灣)字樣的金色底標。\n 瓷偶的製程先後大致分為：原型雕塑、製模分片、注漿成型、整修粘接、生檢、窯燒、締檢、彩繪和繪燒、品檢與包裝幾個步驟。男孩的雙手與抱持的書本皆屬於附件，與主體分開注漿成型，脫模後再整修、粘接組合起來。彩繪方式又分為顏彩、油彩、噴彩、金彩四種。男孩瓷偶臉上的五官即屬於精細的顏彩構成，以水、牛皮膠調合色料而成的水溶性釉彩描繪而成，微暈的腮紅則是以噴槍噴彩，肌膚、粉紅套裝、書本、底座的部分則以油性介質調製色釉粉塗繪，經低溫700-800℃的電爐烤色，約四小時著色。\n 此藏品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至歐美，作為聖誕節飾品或禮物。1981年左右，為提高效能，丸利公司從日本引進輸送帶作業於彩繪生產線，瓷偶上色的作業，因速度而更具技術挑戰性(《苗栗裝飾陶瓷產業》p.44-45)。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112039","MainTitle":"小孩系列/男孩抱聖經","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"3.7×4×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這座瓷偶的造型是一名參加「初領聖體禮」的男孩，身穿淡綠色西裝套裝，他的兩手於胸前抱著一本關於初領聖體儀節的書，上頭寫著「MY FIRST COMMUNION」(我的初領聖體禮)。他看起來抬頭挺胸、信心滿滿的樣子。在天主教的宗教儀式中，受過聖洗的孩童來到了懂事的階段，即能開始接受「初領聖體禮」，代表自己個人加入教會的開始，是天主教徒一生中重要的儀式。在初領聖體禮當中，孩童需穿著正式；女孩多半著白色洋裝，頭戴花冠或是有頭紗的花冠，男孩則須穿小西裝打領結。藏品中亦有另一尊初領聖體禮的女孩。歐美國家信仰天主基督，「初領聖體禮」是多數人的回憶，家族成員也會送禮物給受聖體禮的孩童。這座瓷偶可作為初領聖體禮的紀念禮物。底部落款為「“First Communion”© 1982 Enesco E-8811 Taiwan」(「初領聖體禮」)，另貼有「Enesco」商標與「Design Giftware Taiwan」(設計陶瓷禮品來自臺灣)字樣的金色底標，以及淺淺的日本丸利商標「MR」刻印。\n 瓷偶的製程先後大致分為：原型雕塑、製模分片、注漿成型、整修粘接、生檢、窯燒、締檢、彩繪和繪燒、品檢與包裝幾個步驟。其中彩繪方式又分為顏彩、油彩、噴彩、金彩四種。男孩瓷偶臉上的五官即屬於精細的顏彩構成，微暈的腮紅則是以噴槍噴彩，書本上的英文字則以金液寫上。此藏品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至歐美，作為聖誕節飾品或禮物。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112040","MainTitle":"小孩系列/女孩唱詩","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"4×4.4×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這座瓷偶的造型是一位正在練習唱聖誕頌歌的小女孩，身穿白色大圓領的淡綠色小洋裝，有著與低腰的粉紅蝴蝶結緞帶，頭上同樣也搭配了一個粉紅蝴蝶結髪飾。她的嘴巴狀似開口唱歌，眼睛看著手中的詩歌本上方，是唱歌時特有的神情。在歐美聖誕節慶期間，唱聖誕頌歌是一項傳統，大人、小孩齊聚在教會或戶外合唱，傳達歡樂氣氛。她的兩手於胸前抱著一本歌本，上頭寫著「Christmas Carols」(「聖誕頌歌本」)，可見此件瓷偶是聖誕佳節的應景裝飾，與另一件「男孩唱詩」的瓷偶雷同，可搭成一對擺設。底部落款為「“Children’s Carols”© 1983 Enesco」(「兒童的聖誕頌歌」)，另貼有「Enesco」商標與「Design Giftware Taiwan」(設計陶瓷禮品來自臺灣)字樣的金色底標。\n 瓷偶的製程先後分為：原型雕塑、製模分片、注漿成型、整修粘接、生檢、窯燒、締檢、彩繪和繪燒、品檢與包裝幾個步驟。女孩的雙手與抱持的聖誕頌歌本皆屬於附件，與主體分開注漿成型，脫模後再整修、粘接組合起來。彩繪方式又分為顏彩、油彩、噴彩、金彩四種。女孩瓷偶臉上的五官即屬於精細的顏彩構成，以水、牛皮膠調合色料而成的水溶性釉彩描繪而成，微暈的腮紅則是以噴槍噴彩，肌膚、淡綠色洋裝、書本、底座的部分則以油性介質調製色釉粉塗繪，經低溫700-800℃的電爐烤色，約四小時著色。\n 此藏品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至歐美，作為聖誕節飾品或禮物。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112041","MainTitle":"小孩系列/男女玩火車","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"7.2×9.3×10.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷人偶造型應是一對兄妹，他們正跪在地板上玩火車。左邊的棕髮男孩身軀較長，應是哥哥，他的右手搭在金髮的妹妹肩上，兩人各伸出左右手試圖觸碰一輛灰色火車玩具；妹妹輕碰了火車頂，哥哥準備接住。女孩身穿淡粉紅色的連身裙，頭上繫著粉紅色的蝴蝶結；男孩穿著淺灰色連身吊帶褲，兩人共同跪坐在一塊鋪著淺土綠色地毯的地板上，雙雙專注於眼前的火車，他們的動作展現孩童玩樂的認真神情，也凝聚了童年兄弟姊妹之間的情誼互動。\n 底部落款為「Treasured Memories“Floors Are Best For Playing”© 1981 Enesco」(珍藏記憶系列「地板是最適合玩樂的地方」)，另貼有「Enesco」商標與「Design Giftware Taiwan」(設計陶瓷禮品來自台灣)字樣的金色底標，以及日本丸利商標「MR」刻印。Enesco是美國一家最大的禮品公司，成立於1958年，於1970-90年代開啟當代陶瓷人偶賞玩與收藏的風潮。瓷偶的製程先後大致分為：原型雕塑、製模分片、注漿成型、整修粘接、生檢、窯燒、締檢、彩繪和繪燒、品檢與包裝幾個步驟。兩個小孩的身軀分別開模注漿成型，頭、雙手、跪坐的腳與小火車、圓形地毯底座也屬分模製作的附件，脫模後再整修、粘接組合一起。地毯的環狀紋路、男孩吊帶褲上的條紋與女孩衣袖的皺摺，透過原型雕塑的刻畫與彩繪的技巧，展現了周到的寫實細節，整體用色簡單，搭配柔和。\n 此藏品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由台日股東合資，於1970年代帶動起台灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至歐美，作為聖誕節飾品或禮物。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112042","MainTitle":"獨角獸與雪人","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"6×8×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112043","MainTitle":"獨角獸與聖誕老人","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.3×8×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112044","MainTitle":"獨角獸載小熊","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"2.4×10×10.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112045","MainTitle":"獨角獸與男孩","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"7.3×4.8×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112046","MainTitle":"獨角獸與嬰兒","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"5.7×8×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112047","MainTitle":"獨角獸與紅雀","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"3.6×8×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112048","MainTitle":"獨角獸與祈禱女孩","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"4×10×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112049","MainTitle":"獨角獸背禮物","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"3.3×8.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112050","MainTitle":"獨角獸與女孩","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"4.8×9×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112051","MainTitle":"獨角獸與打鼓男孩","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"3×14×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112052","MainTitle":"獨角獸拖雪車","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"3.1×8×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112053","MainTitle":"鴿家族","Creator":"丸利陶瓷公司","CreatedYear":"1990","Size":"12×17.5×24.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112054","MainTitle":"雙鴿","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"10×21×20.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112055","MainTitle":"雙鴿(小)","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"6.5×17.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112056","MainTitle":"單鴿(小)","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"10.5×7.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112057","MainTitle":"綠頭鴨","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"19×19×27","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112058","MainTitle":"生活系列：皿/小戀人吹笛","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"3×28×28","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112059","MainTitle":"四季系列：吹笛的情侶","Creator":"設計者：Norman Rockwell
其他-品牌商：Brown & Bigelow
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"8×10×11公分","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 作品主角是兩個年輕的男女情侶，兩人一起坐在有枝繁葉茂樹木的小坡地上。女生黑髮，面貌姣好，穿著淺藍色的荷葉高領公主裝，有多層下擺。她的頭略向前傾，目光前視，表情安靜和平。她的雙手下垂，手掌接觸在一起，夾在小腿上。男生坐在她的右邊，戴著寬邊牛仔草帽，身穿長袖藍色襯衫，藍色牛仔褲，褲管捲起，打著赤腳。他的頭轉向左邊，望著女孩，雙手拿著橫笛吹奏著。他們的前面立有一對褐毛兔子，樹木的葉叢裡也有兩隻狐狸，一前一後地看著兩人，歌頌愛情的主題十分明顯。\r\n 從男生右邊底座的名款及器底的印刷款中知道，這件是根據戰後美國知名插畫家Norman Rockwell於1955年所創作的插畫開發出來的產品，屬於「四季」系列作品中的春天，主題是甜美的年輕之歌。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200112060","MainTitle":"南瓜","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"9×14.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112061","MainTitle":"小提琴系列/15歲女拉提琴","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"7×6×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112062","MainTitle":"小提琴系列/12歲男拉提琴","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.5×5.7×12.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112063","MainTitle":"小提琴系列/女雙手下","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"5.5×6.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112064","MainTitle":"小提琴系列/男戴眼鏡雙手插腰","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"4.5×7.6×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112065","MainTitle":"小提琴系列/女雙手抱胸","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"5×5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200112067","MainTitle":"小提琴系列/5 歲女拉琴(小)","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"4×6×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112068","MainTitle":"小提琴系列/睡衣女孩拉琴(小)","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"5×5×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200112070","MainTitle":"小提琴系列/5 歲男拉提琴 (小)","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"5×6.5×10.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112071","MainTitle":"大提琴/女","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"7×7×11.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112072","MainTitle":"大提琴/男","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"6.5×6.5×10.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112073","MainTitle":"媽媽豎琴(音)","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"9.2×12.5×16.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112074","MainTitle":"男女孩彈鋼琴","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112075","MainTitle":"樂隊/女指揮","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.2×5×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112076","MainTitle":"樂隊/男指揮","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.2×5×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112077","MainTitle":"樂隊/鼓手","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.2×4.5×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112078","MainTitle":"樂隊/大喇叭","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.2×5×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112079","MainTitle":"樂隊/吹笛子","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.2×5×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112080","MainTitle":"樂隊/小喇叭","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.2×5×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112081","MainTitle":"樂隊/鐃鈸","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.2×5×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112082","MainTitle":"海豚a","Creator":"丸利陶瓷公司","CreatedYear":"1991","Size":"14×14.5×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112083","MainTitle":"海豚b/家族","Creator":"丸利陶瓷公司","CreatedYear":"1992","Size":"12×18×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112084","MainTitle":"大頭黥","Creator":"丸利陶瓷公司","CreatedYear":"1993","Size":"14×14.5×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDg0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112085","MainTitle":"橫飛鷹","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"10×15.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112086","MainTitle":"鳩","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"11×10×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDg2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112087","MainTitle":"犬系列/可卡(中)","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"6×6×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112088","MainTitle":"犬系列/臘腸狗(中)","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"5×16×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112089","MainTitle":"犬系列/更犬(中)","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"5×16×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112090","MainTitle":"犬系列/短尾獵犬(中)","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"6×15×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDkw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112091","MainTitle":"犬系列/土狗(中)","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"6.5×15×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDkx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112092","MainTitle":"犬系列/長耳犬(中)","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"5.5×13.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDky","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112093","MainTitle":"犬系列/英國牧羊犬(小)","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"2.5×11×5.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDkz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112094","MainTitle":"犬系列/褐斑獵犬(小)","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"2.7×8.8×5.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDk0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112095","MainTitle":"犬系列/狼犬 (小)","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"2.8×9.2×6.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112096","MainTitle":"犬系列/長耳犬坐姿(小)","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"3.5×7.5×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDk2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112097","MainTitle":"犬系列/拳師犬坐姿(小)","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"4.9×5.8×6.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDk3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112098","MainTitle":"犬系列/聖伯那犬坐姿(小)","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"3.8×6.5×6.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDk4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112099","MainTitle":"成長系列/父親與新娘","Creator":"丸利陶瓷公司","CreatedYear":"1992","Size":"14×13.5×23.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMDk5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112100","MainTitle":"成長系列/新娘與新郎","Creator":"丸利陶瓷公司","CreatedYear":"1992","Size":"12×14×23.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTAw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112101","MainTitle":"動物親子/免子","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"6.8×13.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112102","MainTitle":"動物親子/路鳥","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"7.5×13×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112103","MainTitle":"動物親子/松鼠","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"7.5×12.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112104","MainTitle":"動物親子/貓頭鷹","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"7×10×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112105","MainTitle":"動物親子/熊","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"8×14.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112106","MainTitle":"動物親子/浣熊","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"8.5×14×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112107","MainTitle":"黑白貓/觸鬚","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"10×18×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112108","MainTitle":"棕色貓","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"10×17×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112109","MainTitle":"白貓","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"8×17×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112110","MainTitle":"黑貓","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"7.5×15×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112111","MainTitle":"小玩貓/伏","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"7.5×13×7.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112112","MainTitle":"小玩貓/側臥","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"9×13.5×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112113","MainTitle":"小玩貓/仰縮","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"8×11.5×4.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112114","MainTitle":"酒瓶系列：炊事雕像","Creator":"設計者：Gary Schildt
其他-品牌商：Alpha Industries
其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"14.5×21×32","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷雕塑的造型是一位頭戴牛仔帽的年長者，一臉雪白的鬍鬚與一對白眉，襯著深棕膚色，顯出一副精神奕奕、老當益壯的神態。他是年邁的美國西部拓荒者，從他腳邊的柴火與兩鍋湯菜，以及手中拿握著的鍋蓋與湯瓢，看起來他在野外煮食炊飯。西部拓荒者運動始於美國獨立之後的18世紀末，西進過程有的人成了打零工的牛仔，有的攜家帶眷趕著馬車，路程艱辛，餐風露宿、野外炊事也因此成了時代文化的象徵。在鍋爐後方與一根柴薪上刻畫著創作年代(1976)與主角原型設計師的名字：G. Schildt，根據其他同系列留有底部落款的比對，應為美國畫家蓋瑞•施爾德 (Gary Schildt, 1938-)。\r\n 歐美酒莊釀酒一開始多半儲存於木桶中，裝酒容器、分酒瓶器便因應個人化需求而生。運用雕塑體中空的特性，結合儲酒分瓶的功能與其紀念性主題和裝飾性，陶瓷造型酒瓶成為美國大眾觀賞、收藏的物件。 \r\n 此藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上乾淨能源的天然瓦斯，於是決定在此設廠。陶瓷人形以瓷土注漿成形後，經過第一道生檢手續，合格的才得以進入瓦斯窯窯燒 (1250-1280℃)，出窯後再經締檢手續，查看燒成的白坯體 (簡稱白體 white body) 是否有瑕疵，良品才進入釉彩彩繪階段，接著以低溫700-800℃電爐烤色而成。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112115","MainTitle":"酒瓶系列：牛仔雕像","Creator":"設計者：Gary Schildt
其他-品牌商：Alpha Industries
其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"16×18.5×31.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷雕塑的造型是一位中年西部牛仔，臉型消瘦帶著愁容。左手拿著馬口鐵杯與盤，右手撫著肚子，似乎暗示肚子餓而乞食的樣子。他一身標準的牛仔行頭，牛仔帽與藍色牛仔褲，腿上圍著皮革護腿套褲 (英文稱作chaps)，保護自己於荒野環境中落馬時割傷；右腳邊堆著的是馬鞍、圈牛繩與兩件毛毯：一件紅色的披在馬上再架馬鞍，一件捲起來通常掛於馬背上作為行旅中備用。西部拓荒者運動始於美國獨立之後的18世紀末，西進過程有許多單身漢成了打零工的牛仔，協助放牧、趕牛，路程遙遠艱辛、餐風露宿，生活辛苦。\r\n 底部落款圖形為一張金色線繪的紙卷，紙卷中有「Design Exclusively by Gary Schildt for ALPHA INDUSTRIES PIONEER SERIES ©1976 ALPHA INDUSTRIES, INC.」的字樣，說明此為美國畫家蓋瑞•施爾德 (Gary Schildt, 1938-)專為艾爾發企業所設計的拓荒者系列。除了轉印的紙卷造型與落款記載，右下角有一日本丸利商標「MR」的刻印。歐美酒莊釀酒一開始多半儲存於木桶中，裝酒容器、分酒瓶器便因應個人化需求而生。運用雕塑體中空的特性，結合儲酒分瓶的功能與其紀念性主題和裝飾性，陶瓷造型酒瓶成為美國大眾觀賞、收藏的物件。\r\n 此藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上乾淨能源的天然瓦斯，於是決定在此設廠。陶瓷人形以瓷土注漿成形後，經過第一道生檢手續，合格的才得以進入瓦斯窯窯燒 (1250-1280℃)，出窯後再經締檢手續，查看燒成的白體是否有瑕疵，良品才進入釉彩彩繪階段，接著以低溫700-800℃電爐烤色而成。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112116","MainTitle":"酒瓶系列：母女雕像","Creator":"設計者：Gary Schildt
其他-品牌商：Alpha Industries
其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"12.5×19×29.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件出自苗栗丸利陶器公司的母女雕像屬於酒瓶系列，中空的雕像除了是觀賞用的裝飾品，另一個用途則被用來作為儲酒瓶。大部分的人形雕塑瓶是以頭頂上的帽飾部分作為瓶蓋，內附有軟木塞，中空的主體人型部分作為容器。這件陶瓷雕塑造型是一對母女，母親手中抱著嬰孩 (僅露出臉部)，頭微傾著面帶慈祥笑容，身著紅色長裙洋裝，帽子與圍裙皆為同款式的淺藍色布料；身旁的小女兒手提花籃，臉龐圓潤，開心地笑著。母女的臉部特意展現西方人深邃突出的五官，且兩位皆為黃髮。延續此系列營造粗曠的塑型手法，整體的彩繪也較不著重細節。造型上包含了兩個人物，製程中分別注漿成形後，再經修整後組合起來，由於作為酒瓶容器，推究注漿口則為瓶口—帽子緞帶分隔處，以利通氣窯燒。此件在造型上由多個製模分片而成，包括母親的雙手與手中嬰孩、身旁的小女孩、帽緣，皆屬主體軀幹外的附件，於脫模後的整修階段粘接至主體。\r\n 此件雕像作品同為美國畫家蓋瑞•施爾德 (Gary Schildt, 1938-) 專為艾爾發企業(ALPHA INDUSTRIES, INC.) 所設計的拓荒者系列，表現移民至西部的拓荒家庭中女性的角色：生養育後代也是一項奠定移民家庭生活的任務。\r\n 丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，以及乾淨能源的天然瓦斯，於是決定在此設廠。廠房管理與技術指導由日方引入，加上苗栗居民克勤克儉的工作精神，促成裝飾陶瓷這項勞力密集的產業迅速蓬勃發展，為臺灣賺取巨額的外匯收入，產業初期的出口值從民國60年的41萬美元提昇至民國77年的3億美元。(資料來源：「蛻變中的苗栗陶—外銷vs.文化休閒的五穀文化村案例」，賀豫惠、葉相君，《工藝雜誌》NO.4)。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112117","MainTitle":"酒瓶系列：三人樂隊","Creator":"設計者：Archibald MacNeal Willard
其他-品牌商：Calhoun's Collectors Society, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"11×18×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷雕塑的造型是一組包含了老中青橫跨三代的三人樂隊。中間白髮年長者與左邊身高較矮的年輕人打鼓，右邊身著綠色外套的中年男士吹著橫笛。推究底部落款的記載「“The Spirit of '76” Inspired by the masterpiece by A.M.Willard (1836-1918)」得知，此三人樂隊的造型是根據美國畫家Archibald MacNeal Willard 於1876年賓州費城的百年博覽會所展出的知名畫作「1776年的精神」(“The Spirit of ‘76”)的主角人物而來。此畫作以彩色石印版畫的形式流傳下來，畫中三人樂隊代表的是三名愛國者，於1776年的美國獨立戰爭中引領軍隊前進戰場的英姿。鼓手是戰場上提升士氣的重要人物，他們的愛國心與勇氣值得人們敬佩，如同底部另印有一段字句 “…The battle, sir, is not to the strong alone; it is to the vigilant, the active, the brave.”(主席先生，戰役需要的不僅是強壯的人，也需要機警、積極與勇敢的人。) 出自美國獨立革命推手之一的維吉尼亞州州長派屈克•亨利 (Patrick Henry, 1736-1799) 的知名演講「不自由，毋寧死」 (Give me liberty, or give me death)。此樂隊三人可說是這三種特質的代表。\r\n 此座人形雕塑底部有注漿孔，人形雕塑與彩繪都較為精細，看不出有任何開口，與其他酒瓶系列的風格不同，推斷應是作為紀念裝飾之用而無瓶器功能。臉部顏彩繪者畫出三人臉部表情的技巧純熟，表現出認真、勇敢堅毅的神情，傳述主題生動。而人物打鼓與吹奏笛子的動作較為複雜，需個別雕塑與開模再粘合組起來，過程繁複；原型雕塑師特別在手部、腿部與衣著上表現出皺褶與向後飄動狀(中年吹橫笛者的綠色外套與男孩打鼓者的棕色外套)，營造出三人勇敢向前進的動感。\r\n 此藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，底部落款可得知最先是作為外銷以American Heirloom Porcelain (美國傳家寶瓷器) 為商標的客製限量產品，總共5000件。臺灣丸利是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上乾淨能源的天然瓦斯，於是決定來此地設廠，進而帶動起裝飾陶瓷生產線的興起。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000a423386ef141d5cbeb2d8ad1fcb1f295174abf081d219c4e04ba2ed89191da72c454b16815404b1554bf6ab3bd45d5a83443e21a4d8cd37f9c9274ffbd607f35"}
,{"Identifier":"200112118","MainTitle":"酒瓶系列：織布女","Creator":"其他-品牌商：Lionstone Distilleries, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"11×14×23","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件出自苗栗丸利陶器公司的織布女雕像屬於酒瓶系列，從外觀判別，以兩根樹幹架起的織布機、棉布與織成布料所組成的區塊，加上織布女跪坐的下半身與底座，形成一個模型主體，其內部中空部分可作為儲酒容器，左方較粗的樹幹頂端有一個樹節是酒瓶塞口。織布女為黑髮棕色肌膚，根據她的穿著與織物的圖騰和紅、黃、黑三色，推斷為美國早期原住民或美國墨西哥風格。\r\n 此件造型主體為石膏模注漿成形，其餘的附件包括有織布女的上半身、雙手臂、三顆毛線球與樹節瓶蓋，皆為主體脫模後的整修階段，再分別粘接其上。底部落款為排版字體印章形成陰刻的「ORIGINAL LIONSTONE SCULPTURED PORCELAIN ©1976 L.D.L.LIMITED EDITION」字樣 (原版石獅陶瓷雕塑1976年版權所有/石獅釀酒廠股份有限公司限量版)，加上一張金色圓標貼紙標示「CONTAINER MADE IN TAIWAN」為臺灣製造的容器。\r\n 歐美酒莊釀酒一開始多半儲存於木桶中，裝酒容器、分酒瓶器便因應個人化需求而生。運用雕塑體中空的特性，結合儲酒分瓶的功能與其紀念性主題和裝飾性，陶瓷造型酒瓶成為美國大眾觀賞、收藏的物件。\r\n 陶瓷人形雕塑素坯完整後，經過第一道生檢手續，合格的才得以進入瓦斯窯窯燒 (1250-1280℃)，出窯後再經締檢手續，查看燒成的白體是否有瑕疵，良品才進入釉彩彩繪階段，接著以低溫700-800℃電爐烤色而成。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000d52c70f816984bc3cbd5f3853e1e92f649a175abab060c7b3fe80bcffdfabaf366dbbff75ade1e1c073f4e7f0d15eaf0fe8ac9b093c21cfa4f3c157ce779c511"}
,{"Identifier":"200112119","MainTitle":"賣藝郎酒瓶","Creator":"其他-品牌商：Lionstone Distilleries, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"10.5×14.2×26.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 作品描繪升斗小民的生活。主題是一位賣藝男人，頭上戴著寬邊圓帽，身穿白襯衫，打領帶，加一件背心，卡其色長褲，腳上穿著黑色長筒靴，最外面添加一件大衣。他的左手握著一把傘扛在肩上，右手拿著響板下垂，站在地上。他的臉上留有八字鬍，額頭上有明顯的皺紋，雖然張開嘴微笑，但雙眉與兩眼往下垂，露出憂鬱的眼神，難掩一臉疲態。他的左腳旁有一個大鼓，鼓面上印上一些英文，對於商品能讓人滿意頗有信心。大鼓前方放著一排沖天炮似的玩意，最前方地上放著一個桶子，裡面裝了磷酸之類的液體，並標示著「危險」字樣。人物的臉上的縐紋與衣服的紋飾歷歷可見，相當寫實。\r\n 西洋玩偶有時具有實用性，本作品是一個酒瓶，帽子是蓋子，觀賞之外，兼具酒瓶的實用價值。(詮釋委員:陳新上)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000009eff9ad0c5d53fcf16e6778cd390377ad60aeec4cc5d85ee0d75cbecfe64118c2842a5dda0030b3adcd96991cb33b882ad06bdb6a637073fc9f24b5d6ab33a42"}
,{"Identifier":"200112120","MainTitle":"褐色貓頭鷹","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"13.5×9.5×7..5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112121","MainTitle":"鶚(小)","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"11.5×9.5×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112122","MainTitle":"褐色貓頭鷹/有角(左)","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"14.5×8×7..5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112123","MainTitle":"雪鷹","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"6.5×9×13. 5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112124","MainTitle":"啄木鳥/紅頭(左)","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"6×10.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112125","MainTitle":"啄木鳥/黑頭(右)","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"5.5×11×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112126","MainTitle":"宗教鈴/女抱嬰","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"7.1×7.1×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112127","MainTitle":"宗教鈴/雙手持麵包與魚","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"7.1×7.1×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112128","MainTitle":"宗教鈴/鳥持","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"7.1×7.1×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112129","MainTitle":"宗教鈴/聖家族","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"7.1×7.1×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112130","MainTitle":"宗教鈴/男抱兔","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"7.1×7.1×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112131","MainTitle":"宗教鈴/結婚","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"7.1×7.1×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112132","MainTitle":"宗教鈴/女本持","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"7.1×7.1×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112133","MainTitle":"宗教鈴/男本持","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"7.1×7.1×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112134","MainTitle":"宗教鈴/摩西","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"7.1×7.1×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112135","MainTitle":"宗教鈴/女抱雞","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"7.1×7.1×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112136","MainTitle":"宗教鈴/約瑟夫(柺杖)","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"7.1×7.1×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112137","MainTitle":"宗教鈴/大衛(豎琴)","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"7.1×7.1×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112138","MainTitle":"小孩系列/小熊禮物","Creator":"品牌商：Lenox Corporation
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"8×10.8×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶造型是一位小女孩與一隻小熊禮物面面相覷的模樣。她穿著亮紅色的連身連襪嬰兒服，跪坐在地板上拆禮物，有著聖誕裝飾的禮物盒蓋打開在一旁，盒中的包裝紙散開，露出一隻毛茸茸、裂嘴而笑的小熊玩偶。小女孩雙手搭在禮物盒上，彷彿不敢相信自己的眼睛一般，上身往前傾向禮物盒，驚訝地瞪大雙眼凝視著小熊。主角身上嬰兒服背後的尿布墊開口掉了一角，加上一片撕破的包裝紙散在地上，這些細節凸顯了小孩開禮物的興奮心情。小女孩淺黃色的頭髮與亮紅色的嬰兒服讓人視覺為之驚豔，加上木地板狀的底座有如舞臺戲劇的聚焦效果，小孩與小熊相對望的角度與側臉的曲線，更加吸引人們觀賞的眼光。\n 瓷偶的製程先後大致分為：原型雕塑、製模分片、注漿成型、整修粘接、生檢、窯燒、締檢、彩繪和繪燒、品檢與包裝幾個步驟。此件瓷偶在造型上有多個製模分片而成，包括女孩的雙手、跪坐的雙腳、禮物盒與小熊，分別注漿成型脫模後，再整修粘接。完整的塑像於瓦斯窯1250-1280℃燒成後，再將釉彩塗繪於白坯上。小孩瓷偶的驚喜大眼與微妙的五官神情是以水溶性釉彩的顏彩技巧而成，禮物、衣服、地板等面積較大之處，則需使用油性介質調製色釉粉塗繪，這些顏料再經低溫700-800℃的電爐烤色後上色。\n 此件藏品底部並無落款，僅有一貼紙標示「SAMPL NOT FOR SALE JAPAN」(樣品不出售日本)與1985的年代，據此推測，應是出自於臺日股東合資的臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲，作為聖誕節飾品或節慶禮物。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112139","MainTitle":"小孩系列/唱詩","Creator":"品牌商：Lenox Corporation
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"7.2×8.1×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這座瓷偶的造型是一位正在合唱練習的小男孩，身穿藍綠色的合唱團外袍，有寬大的袖口與白色大圓領，顯得相當正式。然而仔細往下看小男孩的雙腳上，鬆鬆的淡藍色襪子垮在紅色的球鞋上，而球鞋上明顯地兩條鞋帶四散。他的兩手於胸前抱著一本歌本，內頁記載著樂譜。男孩的嘴開口唱著，眼神往上飄忽，似乎不太專心。瓷偶在細節的地方保有寫實，似乎是在提醒觀者從中察覺端倪，增添觀賞中的想像空間。底部落款為「“...And the child that is born on the Sabbath day is bonny and blithe, and good and gay”The Days Of the Week© Lenox Collections, INC.」(「…而出生在星期日的小孩，健美活潑且漫不經心，天真又歡樂」一週之日系列，Lenox系列產品有限公司版權所有)，以及「Fine Porcelain Collection•Designed and Imported Exclusively by Lenox®」(精瓷系列•特由註冊商標Lenox設計與進口)的字樣。Lenox是美國第一家生產陶瓷家用品與裝飾陶瓷的公司，成立於1889年，商標圖騰是一個禮物緞帶打成的蝴蝶結。「The Days Of the Week」(一週之日)系列取自一首英美廣傳的童謠「Monday's Child」，其內容是預測一週之日出生的小孩的不同個性，因此本系列瓷偶有七個不同個性特色的小孩角色。然而可惜的是，此件瓷偶底部的落款資訊或印記中，並無生產年份與製造國家的註記。\n 瓷偶的製程先後大致分為：原型雕塑、製模分片、注漿成型、整修粘接、生檢、窯燒、締檢、彩繪和繪燒、品檢與包裝幾個步驟。男孩的雙手與抱持的書本皆屬於附件，與主體分開注漿成型，脫模後再整修、粘接組合起來。彩繪方式又分為顏彩、油彩、噴彩、金彩四種。男孩瓷偶臉上的五官即屬於精細的顏彩構成，微暈的腮紅則是以噴槍噴彩，頭髮、藍綠色外袍、書本、底座的部分則以油性介質調製色釉粉塗繪，經低溫700-800℃的電爐烤色，約四小時著色。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112140","MainTitle":"小孩系列/跳芭蕾舞","Creator":"品牌商：Lenox Corporation
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"7×7.8×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷玩偶造型是一名跳芭蕾舞的小女孩。她的雙手高舉至頭後方，閉眼沉思；右腿轉外，腳尖朝向右擺立；左腿略抬起，腳尖輕點地板。身穿紫粉紅色的芭蕾舞裝，紫色的蝴蝶結髮飾與紫色的護腿襪，配上粉紅色的舞鞋，小女孩看起來像是一朵綻放的花兒，漂亮優雅。從她臉上長長睫毛、安詳微笑的表情，以及舞鞋上鬆落的鞋帶，可推知，小女孩應是處於準備或是休息的狀態。底部僅有一張金色貼紙註明為「Made in Taiwan」，除此之外毫無落款，沒有生產年代與品名的資訊。然從瓷偶的造型風格判斷，推測應屬於美國陶瓷公司Lenox的瓷偶，並於網路上查證 (註1)，發現此尊瓷偶正屬於「The Days Of the Week」一週之日系列當中星期二出生的孩子—她的名稱是「Tuesday'sChild is full of Grace」，意即，「星期二的小孩，渾身優雅」。「一週之日系列」取自一首歐美廣傳的童謠「Monday's Child」，其內容是預測一週之日出生的七種小孩的不同個性。\n 瓷土注漿成型的人偶塑像於1250-1280℃燒成白坯，再分別將釉彩塗繪於頭部與身體。女孩的眉、睫毛、眼線與唇是以水溶性釉彩的顏彩技巧彩繪，臉的膚色、身上的服裝、鞋子、地板等，則需使用油性介質調製色料彩繪，接著以低溫700-800℃電爐烤色而成。此藏品出自於臺日股東合資的臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲，作為聖誕節飾品或節慶禮物。(詮釋委員：杜文田)\n\n註1: https://www.replacements.com/webquote/co_lmisfdow.htm\nhttps://www.ebay.com/itm/Lenox-days-of-the-week-porcelain-collection-Tuesdays-Child-figurine-ballerina/223556684813?hash=item340d044c0d:g:VjUAAOSw5tBdCVVQ","ImageUrl":""}
,{"Identifier":"200112141","MainTitle":"小孩系列/遠足","Creator":"品牌商：Lenox Corporation
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"7.5×9.4×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 一手拿著蘋果，一手與肩扛著布包，雙腳大步邁開，這件瓷偶小孩造型相當具有動感。他頭戴草帽，身穿紅白條紋相間上衣與連身的牛仔吊帶褲，腳上踩著一雙紅色的布鞋。由於肩上的布包吊掛在木棍上，加上他的步伐並非全踩在泥石地的底座上，予人一種動態與平衡中的視覺感。他的神情顯得明亮有朝氣，整體看起來相當討喜，令人喜愛。底部落款為「“Thursday's child has far to go...”The Days Of the Week © Lenox Collections, INC.」(「星期四出生的小孩，前程光明、潛力無限」一週之日系列，Lenox系列產品有限公司版權所有)，以及「Fine Porcelain Collection•Designed and Imported Exclusively by Lenox®」(精瓷系列•特由註冊商標Lenox設計與進口)的字樣。Lenox是美國第一家生產陶瓷家用品與裝飾陶瓷的公司，成立於1889年，也是第一家進入美國白宮，曾為五屆總統打造專用圖騰全套餐盤的陶瓷供應商，其商標圖騰是一個禮物緞帶打成的蝴蝶結。「The Days Of the Week」一週之日系列取自一首英美廣傳的童謠「Monday’s Child」，其內容是預測一週之日出生的小孩的不同個性，因此本系列瓷偶有七個不同個性特色的小孩角色。\n 除此之外，底部尚有一張小圓形貼紙，標註「Handcrafted in Taiwan」(臺灣手作)。此藏品出自於臺日股東合資的臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲，作為聖誕節飾品、節慶禮物或賞玩的收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112142","MainTitle":"小孩系列/哭泣(熊包紮腳)","Creator":"品牌商：Lenox Corporation
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"8×9.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 跪坐在綠地毯上的小女孩瓷偶，一手抱向懷裡的是一隻腳上包紮著繃帶的小熊，另一隻手緊握拳，朝向臉龐像是要拭去臉上的淚水。藍綠色的洋裝花紋與地毯編織的纖維肌理，透過原型雕塑的刻畫與彩繪的技巧，展現周到的寫實細節。留著棕色短直髮的小女孩，神情黯淡，她的眉尾向下、閉目，眼角下流著一滴淚水，或許是小熊玩偶遭受破損讓她難過，用繃帶把小熊的腳包紮起來。\n 底部僅有一張金色貼紙註明為「Made in Taiwan」，除此之外毫無落款，沒有生產年代與品名的資訊。然從瓷偶的造型風格判斷，推測屬於美國陶瓷公司Lenox的瓷偶，並於網路上查證 (註1)，發現此尊瓷偶正屬於「The Days Of the Week」一週之日系列當中星期三的孩子，名稱是「Wednesday's child is full of woe」，意即，「星期三出生的小孩，心懷憐憫與悲苦」。「一週之日系列」取自一首英美廣傳的童謠「Monday's Child」，其內容是預測一週之日出生的七種小孩的不同個性。\n 瓷土注漿成型的人偶塑像於1250-1280℃燒成白坯，再分別將釉彩塗繪於其上。女孩的眉、睫毛、眼線與唇是以水溶性釉彩的顏彩技巧彩繪，臉的膚色、身上的服裝、鞋子、毛毯與小熊，則使用油性介質調製色料彩繪，接著以低溫700-800℃電爐烤色而成。此藏品出自於臺日股東合資的臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲的禮品公司，作為聖誕節飾品、節慶禮物或賞玩的收藏藝品。(詮釋委員：杜文田)\n\n註1: https://www.replacements.com/webquote/co_lmisfdow.htm","ImageUrl":""}
,{"Identifier":"200112143","MainTitle":"小孩系列/讀書","Creator":"品牌商：Lenox Corporation
代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"8.1×10.3×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶造型表現一位在桌前傷腦筋的小男孩模樣。他一手撐著頭，一手持筆於紙上，臉上表情有些煩惱，帶著一點雀斑，眉毛向上，不知是無心於功課? 還是作業為難? 連他的小熊玩偶也幫不了他，頭逕自轉向一旁去。仔細觀察，小男孩背後的口袋裡插了一隻玩具弓，或許是心想著錯過的玩樂吧，索性把眼鏡給小熊戴上，無心於作業了。可惜此件作品的底部沒有落款，毫無生產年代與品名資訊，僅知此藏品出自於臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠。\n 臺灣丸利是由臺日股東合資成立的公司，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。陶瓷玩偶的製程依序大致分為：原型雕塑、製模分片、注漿成形、釉彩和窯燒五個步驟。丸利母公司雖將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模都經日方認可後，才正式在臺分模量產，直至燒成皆在日本技師的監督下完成，有很高的品質管理標準。1981年左右，為提高效能，丸利公司從日本引進輸送帶作業於繪彩生產線，彩繪員除了技巧嫻熟，也必須在在短時間內準確快速地完成。 (《苗栗裝飾陶瓷產業》p.44-45)。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112144","MainTitle":"小孩系列/畫畫","Creator":"品牌商：Lenox Corporation
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"10.5×9.2×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 跪趴在地上的小女孩瓷偶，手上拿了三隻畫筆向著地上的畫紙，身旁還放著一個筆筒。她抬起頭，眼神專注，右臉頰上帶著幾筆彩痕；水藍色小洋裝有著如芭蕾舞裙的層層裙擺，花色細緻典雅，然而仔細看會發現，裙子上也沾了幾筆畫痕，肩上的帶子滑落也不在意。她打著赤腳在地上畫畫，全身充滿動感，彷彿相當專心投入於創作。\n 底部僅有一張金色貼紙註明為「Made in Taiwan Republic of China」，除此之外毫無落款，沒有生產年代與品名的資訊。然從女孩臉上五官的造型風格判斷，推測應屬於美國陶瓷公司Lenox的瓷偶，並於網路上查證 (註1)，發現此尊瓷偶正屬於「The Days Of the Week」一週之日系列當中星期六的孩子，名稱是「Saturday's child works hard for a living…」，意即，「星期六出生的小孩，努力於生活」。「一週之日系列」取自一首英美廣傳的童謠「Monday's Child」，其內容是預測一週之日出生的七種小孩的不同個性。 \n 瓷土注漿成型的人偶塑像於1250-1280℃燒成白坯，再分別將釉彩塗繪於頭部與身體。女孩的眉、眼睛與唇是以水溶性釉彩的顏彩技巧彩繪，臉的膚色、身上的服裝、底座與畫具，則使用油性介質調製色料彩繪，接著以低溫700-800℃電爐烤色而成。此藏品出自於臺日股東合資的臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至歐美禮品公司，作為聖誕節飾品、節慶禮物或賞玩的收藏藝品。(詮釋委員：杜文田)\n\n註1: https://www.ebay.com/itm/Lenox-Porcelain-Figurine-Days-of-the-Week-Saturday-s-Child-/223114831145","ImageUrl":""}
,{"Identifier":"200112145","MainTitle":"小孩系列/熊包紮手","Creator":"代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"10.8×8.1×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶造型是一位小女孩將玩偶小熊抱在懷裡，雙腳癱直地坐在地毯上，神情黯然、臉上帶著一滴淚水；仔細一看，小熊玩偶的手以白色方巾包紮起來。穿著淺色睡衣的小女孩頭上兩角紮著蝴蝶結，腳丫子對著觀者，天真自然的模樣，但或許是小熊玩偶的手斷掉了，或是有其他的事讓她難過，她將小熊抬至胸前抱著，頭輕靠著它，像是要跟小熊訴苦；展現出小孩除了純真可愛以外，憂傷自處的一面。 \n 以瓷土注漿成型的塑像於瓦斯窯1250-1280℃燒成後，再分別將釉彩塗繪其上。小女孩瓷偶的五官神情是以水溶性釉彩的顏彩技巧而成，微暈的腮紅則是以噴槍噴彩，衣服、小熊等面積較大之處，則需使用油性介質調製色釉粉塗繪，再經低溫700-800℃的電爐烤色約四小時著色。小女孩環抱小熊的雙臂、坐著的雙腳，以及小熊都屬於分模製作的附件，於注漿成型脫模後再整修、粘接組合。\n 這件瓷偶出自於臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲，作為聖誕節飾品、節慶禮物或賞玩的收藏藝品。可惜底部沒有任何落款記載，無法得知出品年代與外銷出口的禮品貿易商，僅有一張金色貼紙標示出「Made in Taiwan」；讓人遙想1970-80年代的裝飾陶瓷產業，曾為臺灣帶來巨額外匯收入的光榮歷史。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200112146","MainTitle":"雪鷹家族","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"12.5×20.5×22","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112147","MainTitle":"貓頭鷹系列/胸前丰字形","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"5×8.2×11.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112148","MainTitle":"貓頭鷹系列/雪鷹(右)","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"7×10.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112149","MainTitle":"貓頭鷹系列/圓頭鴞(頭左)","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"8×10.5×13.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112150","MainTitle":"貓頭鷹系列/鴞(木株)","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"10.5×11×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112151","MainTitle":"貓頭鷹系列/展翅貓頭鷹","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"6×15.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112152","MainTitle":"埃及大黑鷹","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"13×36×33","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112153","MainTitle":"雀斑人形/女孩餐鈴(小)","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"4.8×4.8×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件陶瓷人偶的造型是一位頭戴著邦妮特圓帽 (bonnet) 的小女孩，圓胖的臉頰與寬大如鐘型的裙子長及地，整體顯得身體短小、矮胖；仔細一看，發現底部中空，內部並繫有一水滴狀瓷塊，原來此件娃娃造型瓷偶的另一功能是作為鈴鐺，可於餐前宣布餐點備好，召喚大家用餐。女孩的白色邦妮特帽與白色鐘型裙上面皆以綠色細點裝飾，雙手持著一朵紅花，色彩配置顯得素雅，臉上的五官也相對地簡化，僅有眼瞼、瞳孔、嘴唇與腮紅的顏彩，少了彎眉與雀斑。\r\n陶瓷人形以瓷土注漿成形，女孩的頭、手、軀幹是一體成形的，脫模整修後再於內部粘上繫鈴的接口，經第一道生檢手續，進入瓦斯窯窯燒 (1250-1280℃)，出窯後再經締檢手續，查看燒成的白坯體是否有瑕疵，良品才進入釉彩彩繪階段。全身上過釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n底部落款圖文轉印在鐘型裙的內部邊緣，標示A Mother’s Momento / A HOLLY HOBBiE figurine bell /Of fine porcelain for 1978 / LIMITED EDITION 9,800 / WWA INC. CLEVELAND USA / MADE IN THE REPUBLIC OF CHINA。由此資訊可知，此件瓷偶名稱為「一位母親的紀念物」，屬於「荷莉·哈比系列的人型鐘」，由美國俄亥俄州的克里夫蘭市WWA (World Wide Arts) 公司發行。荷莉·哈比是美國同名作家兼水彩插畫家所創作的人物，該人物是一位穿著拼布衣裙，喜歡貓咪的小女孩，總是戴著一頂巨大的藍色邦妮特帽，是早期新英格蘭移民美國的鄉村風格，創作者將此小女孩的形象與相關繪畫賣給了俄亥俄州克里夫蘭的American Greetings美國第二大的賀卡公司。這件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司將在臺灣苗栗加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112154","MainTitle":"雀斑人形/女孩餐鈴(大)","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"7.8×7.8×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷人偶的造型是一位頭戴著邦妮特圓帽的女孩，圓胖的臉頰與寬大如鐘型的裙擺長及地，裙襬底部中空，內部並繫有一水滴狀瓷塊，原來此件娃娃造型瓷偶的另一功能是作為鈴鐺，可於餐前宣布餐點備好，召喚大家用餐。女孩戴著粉紅色帽子與粉紅色洋裝搭白色圍裙，其上皆繪飾了色彩繽紛的花紋與點狀，她一手捧著花朵，一手垂貼著裙子，臉上的顏彩繪製了五官之外，並添上了雀斑。此人型鐘造型屬於美國的荷莉·哈比 (HOLLY HOBBiE) 系列，荷莉·哈比是美國同名作家兼水彩插畫家所創作的一名小女孩人物，她總是戴著大大的邦妮特帽，身穿舊衣布料拼縫的衣服，臉上緋紅雙頰上帶著雀斑。\r\n 陶瓷人形以瓷土注漿成形，女孩的頭、手、軀幹是一體成形的，脫模整修後再於內部粘上繫鈴的接口，經第一道生檢手續，進入瓦斯窯窯燒 (1250-1280℃)，出窯後再經締檢手續，查看燒成的白坯體是否有瑕疵，良品才進入釉彩彩繪階段。全身上過釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部落款圖文轉印在鐘型裙的內部邊緣，標示A hand-painted, fine porcelain HOLLY HOBBiE® / Mother’s Figurine for 1978 / LIMITED EDITION 7,500 / ©WWA INC. CLEVELAND USA / MADE IN THE REPUBLIC OF CHINA。由此資訊可知此件瓷偶特別強調其手繪的精緻與使用的高級瓷土，品名為「母親的人偶」，屬於「荷莉·哈比系列」(註冊商標)，由美國俄亥俄州的克里夫蘭市WWA(World Wide Arts) 公司發行。這件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司將在臺灣苗栗加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112155","MainTitle":"雀斑人形/男女推車","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1979","Size":"7.2×9.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷以雙人偶表現出主題—男孩與坐在推車裡的女孩。男孩扶著手把，像是正推著推車；頭戴橘色邦妮特圓帽的女孩坐在車子裡，頭轉向右方，懷中有一隻棕色小狗。男孩一腳抬起暗示著往前的行動；女孩則雙腳交叉垂掛在推車外，顯得一派輕鬆，兩個人物之間似有所互動，整體具動感；加上兩人的衣著色彩同為暖色系，相互搭配，臉頰上皆有幾許雀斑，顯出兒童純真不矯揉的樣子。\r\n 兩個可愛的人物皆在同一個底座上，此件雙人瓷偶屬於美國的荷莉·哈比 (HOLLY HOBBiE) 系列，荷莉·哈比是美國同名作家兼水彩插畫家所創作的一名小女孩人物，她總是戴著大大的藍色邦妮特帽，身穿拼布縫製的衣服，臉上緋紅雙頰上帶著雀斑。兩個陶瓷人形分別以瓷土注漿成形後再粘接於底盤上，經第一道生檢手續，進入瓦斯窯窯燒 (1250-1280℃)，出窯後再經締檢手續，檢查燒成的白坯體狀況，良品才進入釉彩彩繪階段。整體上過釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部落款圖文隨著孔洞分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE / MR，即為「荷莉·哈比 / Maruri丸利」為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示 GOING PLACES / One of three designs in the HOLLY HOBBiE Sweet Remembrance Collection Series II / WWA INC. CLEVELAND U.S.A.，由此可知這件作品名稱為「四處走走」，屬於「荷莉·哈比甜蜜回憶系列二的三款設計樣式之一」，外銷至美國俄亥俄州克里夫蘭市WWA 公司。以荷莉·哈比形象所發展出的相關商品設計很多元，例如賀卡、布娃娃、童書與電視劇等，瓷偶娃娃系列則以荷莉·哈比的大邦妮特帽子與雀斑為代表。 \r\n 此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，在苗栗廠中的作業皆在日本技師的監督下完成，高品質管理業界出名。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112156","MainTitle":"雀斑人形/臥姿男孩與犬","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"3.7×9×5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件陶瓷人偶的造型是一位頭戴米色寬邊帽，身穿牛仔吊帶褲的小男孩。他側身臥姿於地上，手肘在地上撐起，胸前抱著一隻棕色小狗，小狗正仰頭望著他；像是為鏡頭擺姿勢一般，小男孩正視前方，臉上帶著一抹微笑與讓人印象深刻的幾許雀斑。他的膝蓋上有著縫補的痕跡，全身水藍色系的服裝，讓人聯想到美國的荷莉·哈比 (HOLLY HOBBiE) 形象，荷莉·哈比是美國同名作家兼水彩插畫家所創作的一名小女孩，她總是戴著大大的藍色邦妮特帽，身穿藍衣舊布料拼縫的衣服，緋紅雙頰上帶著雀斑。\r\n陶瓷人形以瓷土注漿成形後，將雙手、小狗與頭部等附件粘接至身體軀幹上，修整後經第一道生檢手續，合格的才得以進入瓦斯窯窯燒 (1250-1280℃)，出窯後再經締檢手續，檢查燒成的白坯體狀況，良品則進入釉彩彩繪階段。瓷偶臉上先以噴槍噴彩於雙頰緋紅，再以水溶性彩繪描繪五官，稱為顏彩，著重在眼線、眼珠、眉毛和嘴巴部位；此系列則添加上雀斑的點綴，同時也是一項新的技巧挑戰，讓筆觸點下去不致糊掉，斑點散播均勻。身上的衣帽則使用油性介質調製色釉粉塗繪，在衣服皺褶突出處刷淡以加強立體感；全身上過釉色後再進電爐以低溫700-800℃烤約四小時著色。 \r\n底部落款以綠字標示HOLLY HOBBiE以及有MR記號的淺刻文，顯示此件是出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，為外銷至美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司的「荷莉·哈比」系列。丸利陶器由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112157","MainTitle":"雀斑人形/祈禱女孩(無台)","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"4.8×5.7×7.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件陶瓷人偶的造型是一位跪坐祈禱中的小女孩，她的小熊倚在身旁。小女孩身著粉紅色睡衣睡帽，兩眼閉上，雙手合掌於下巴，嘴角上揚，微笑粉嫩的臉上帶著幾點雀斑。雀斑多半出現在白人的遺傳基因裡，對於喜愛臉上淨白無瑕的東方女性而言，任何斑點都欲以妝粉遮蓋；然近代人們審美觀念改變，不再視其為缺陷而遮掩。瓷偶的頭部與身體比例非寫實原則，頭部顯得較大，傾向於卡通化的表現，身體後方可見到腳ㄚ子，從睡衣上的皺褶衣紋可看出她的跪姿。 \r\n 陶瓷人形以瓷土注漿成形後，頭髮與帽子、小熊與祈禱的雙手等附件粘接至身體軀幹上，修整後經第一道生檢手續，合格的才得以進入瓦斯窯窯燒 (1250-1280℃)，出窯後再經締檢手續，檢查燒成的白坯體狀況，良品則進入釉彩彩繪階段。瓷偶臉上先以噴槍噴彩於雙頰緋紅，再以水溶性彩繪描繪五官，此顏彩技巧著重在眼線、眼珠、眉毛和嘴巴部位；此系列則添加上雀斑的點綴，同時也是一項新的技巧挑戰，讓筆觸點下去不致糊掉，斑點散播均勻。身上的衣帽則使用油性介質調製色釉粉塗繪，在衣服皺褶突出處刷淡以加強立體感；全身上過釉色後再進電爐以低溫700-800℃烤約四小時著色。 \r\n 底部有孔洞與MR記號的淺刻文，可判斷此件是出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠。丸利陶器由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112158","MainTitle":"雀斑人形/二女化粧","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"7.7×10×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷以雙人偶表現出主題—兩個小女孩在梳妝。黃衣黃帽的小女孩梳著兩條髮辮，目光似乎看向遠處的鏡子，她站著兩手抬起，正為坐在椅子上的綠衣女孩戴上蝴蝶結。綠衣女孩雙手捧拿著一面鏡子，對看自己的面容與髮飾。兩人的互動真切，讓人對小女孩長大過程中的自我形象摸索與愛美有種會心一笑的認知。兩人的衣著色彩相互搭配，臉頰上皆有幾許雀斑，顯出兒童純真不矯揉的樣子。雀斑多半出現在白人的遺傳基因裡，然近代人們審美觀念改變，不再視其為缺陷而遮掩。\r\n 此件雙人瓷偶屬於美國的荷莉·哈比 (HOLLY HOBBiE) 系列，荷莉·哈比是美國同名作家兼水彩插畫家所創作的一名小女孩人物，她總是戴著大大的藍色邦妮特帽，身穿舊衣布料拼縫的衣服，臉上緋紅雙頰上帶著雀斑。兩個陶瓷人形分別以瓷土注漿成形後再粘接於底盤上，經第一道生檢手續，進入瓦斯窯窯燒 (1250-1280℃)，出窯後再經締檢手續，檢查燒成的白坯體狀況，良品才進入釉彩彩繪階段。整體上過釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部落款圖文隨著孔洞分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE © / MR，即為「荷莉·哈比 / Maruri丸利」為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示GOOD TIMES / One of three designs in the HOLLY HOBBiE Sweet Remembrance Collection Series I / WWA INC. CLEVELAND U.S.A./ Made in Taiwan，由此可知這件作品名稱為「美好時光」，屬於「荷莉·哈比甜蜜回憶系列一的三款設計樣式之一」，由臺灣丸利陶瓷製作，外銷至美國俄亥俄州克里夫蘭市WWA (World Wide Arts)，隸屬於American Greetings賀卡公司，最左側有一個草寫斜體字的LOGO為Designers’ Collection。此部分為瓷偶原始圖像來源的智財權聲明。以荷莉·哈比形象所發展出的相關商品設計很多元，例如賀卡、布娃娃、童書等，瓷偶娃娃系列則取荷莉·哈比的大邦妮特帽子與雀斑為特色。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112159","MainTitle":"雀斑人形/二女擁抱","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1979","Size":"8.3×8.3×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷以雙人偶的形式表現主題—兩個相互擁抱的小女孩。身高較矮的深棕髮女孩張開雙臂，同時也抓著身形比她高大的女孩手臂，她的臉頰靠了過去，墊起白色小鞋腳尖的時候，頭上的繫帶邦妮特帽脫落，垂掛在脖子後面。梳著兩條辮子的高大黃髮女孩也伸出雙手垂抱她。兩個女孩身著銘黃與白色系的衣裝、圍裙與帽子；裙子上的線條、皺褶與裙襬雕塑的寫實自然，她們的互動像是一對姊妹也像是一對好朋友，臉頰上皆有幾許雀斑，顯出兒童純真不矯揉的樣子。\r\n 此件雙人瓷偶屬於美國的荷莉·哈比 (HOLLY HOBBiE) 系列，荷莉·哈比是美國同名作家兼水彩插畫家所創作的一名小女孩人物，她總是戴著大大的藍色邦妮特帽，身穿拼布樣式的衣裙，臉上緋紅雙頰上帶著雀斑。兩個陶瓷人形分別以瓷土注漿成形後再粘接於底盤上，經第一道生檢手續，進入瓦斯窯窯燒 (1250-1280℃)，出窯後再經締檢手續，檢查燒成的白坯體狀況，良品才進入釉彩彩繪階段。整體上過釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部落款圖文隨著孔洞分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE © / MR，即為「荷莉·哈比 / Maruri丸利」為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示FRIENDS FORVEVER / One of three designs in the HOLLY HOBBiE Sweet Remembrance Collection Series II / WWA INC. CLEVELAND U.S.A./ Made in Taiwan，由此可知這件作品名稱為「永遠的朋友」，屬於「荷莉·哈比甜蜜回憶系列二的三款設計樣式之一」，由臺灣丸利陶瓷製作，外銷至美國俄亥俄州克里夫蘭市WWA(World Wide Arts) 公司，另外最左側有一個草寫斜體字的LOGO為Designers’ Collection。丸利陶器股份有限公司(Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112160","MainTitle":"雀斑人形/女手推車(兔子)","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"7.4×9.8×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷人偶的造型是一位頭戴橙色邦妮特帽，雙手扶持著一個載滿花草推車的小女孩，從草堆中冒出了兩隻棕色的小兔子，另有一隻頑皮地棕色兔跳出車外蹲坐一旁。女孩身穿鵝黃色的洋裝，橙色的裙襬皺褶成花邊，搭上白色的圍裙，她低頭看顧著推車，正好與其中一隻小兔子相覷。三隻棕色小兔子各有各的角度與動作，讓這座瓷偶顯得生動活潑。小女孩雖然彎腰低下頭來，眼睛看起來卻是往上，顯得略帶生硬。眼睛下方與鼻子有幾點雀斑。\r\n 陶瓷人形、推車與跳出車外的小兔分別以瓷土注漿成形後再粘接於底盤上，修整後經第一道生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後再經締檢手續，檢查燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶臉上先以噴槍噴彩於雙頰緋紅，再以水溶性彩繪描繪五官，稱為顏彩，著重在眼線、眼珠、眉毛和嘴巴部位；此系列則添加上雀斑的點綴，同時也是一項新的技巧挑戰，讓筆觸點下去不致糊掉，斑點分布均勻。身上的衣帽則使用油性介質調製色釉粉塗繪，在衣服皺褶突出處刷淡以加強立體感；整體上過釉色後再進電爐以低溫700-800℃烤約四小時著色。 \r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE™ / Limited Edition© /MR，即為「荷莉·哈比 (商標) / 限量 / Maruri丸利」，為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示JOYFUL SPRING / An authentic hand-painted porcelain / HOLLY HOBBiE figurine / SPRING LOVE COLLECTION / Limited Edition 15,000 / © WWA INC. CLEVELAND U.S.A. / Made in Taiwan，由此可知這件作品名稱為「喜悅的春天」，屬於「荷莉·哈比春之愛典藏系列」，由美國俄亥俄州克里夫蘭市WWA(World Wide Arts) 公司向丸利陶瓷訂製，限量1萬5千個。此部分可視為瓷偶的原始圖像來源之智財權聲明，因為雀斑人形瓷偶娃娃延用了荷莉·哈比的大邦妮特帽子與雀斑為特色。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112161","MainTitle":"雀斑人形/男女跳舞(中)","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"8×10×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷以雙人偶的形式表現主題—一對跳舞的小孩。男孩身穿湖綠色背心、黃駝色馬褲與長筒襪；女孩身穿白色典雅的洋裝搭配頭上水藍色髮飾和一朵小白花。男孩一手放在女孩的腰間，女孩則將手搭在他的上臂，兩人又伸出另一手相握，步伐也跟著擺動開來；兩人頭微傾，相視共舞，立在一個水藍色圓盤底座上，底座側邊寫著：LOVE IS MUSIC IN YOUR HEART愛是你心中的樂音。他們的身型與動作相當協調，隨著女孩白裙上的藍色蝴蝶結腰帶在身後飄揚，彷彿更有隨著音樂起舞的動感。\r\n 兩個陶瓷人偶分別以瓷土注漿成形與粘接後，再分別粘接於底盤上，經第一道生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後再經締檢手續，檢查燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶臉上先以噴槍噴彩於雙頰緋紅，再以水溶性顏彩描繪五官，著重於眼線、眼珠、眉毛和嘴巴部位；此系列則在男孩與女孩臉上都添加了雀斑，是一項新的技巧挑戰，細緻的筆觸點下去不致糊掉，斑點分布均勻。身上的衣帽則使用油性介質調製色釉粉塗繪，在衣服皺褶突出處刷淡以加強立體感；整體上過釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE © / MR，即為「荷莉·哈比 / Maruri丸利」為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示A Hand-Painted, Fine Porcelain / HOLLY HOBBiE™ FIGURINE for 1980 / Limited Edition of 12,000 / WWA INC. CLEVELAND U.S.A./ Made in Taiwan。由此可知這件作品名稱為由臺灣丸利陶瓷製作，外銷至美國俄亥俄州克里夫蘭市WWA(World Wide Arts) 公司的荷莉·哈比系列人偶，強調以手工繪製、高級白瓷製作，限量生產1萬2千組。丸利陶器股份有限公司(Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112162","MainTitle":"雀斑人形/二女喝茶","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"8.5×12×9.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷以雙人偶的形式表現主題—一對正在喝茶的小女孩。兩個小女孩跪坐在戶外的野餐地毯上，其中一人手拿起茶壺，身體前傾準備斟茶，另一位則手持茶杯，兩人之間還有一盤巧克力餅乾。兩位皆穿著橘黃色的洋裝，搭配白色的背心圍裙，一位戴藍色邦妮特帽，一位戴黃色的，兩頂帽子的造型、刻畫與質感皆不同。兩人一主一客互動協調，氣氛溫馨；象徵戶外草地的底座上另有一層水藍色的野餐地墊，波紋凹凸有致，強調寫實感。\r\n 兩個陶瓷人偶分別以瓷土注漿成形與粘接後，再分別粘接於底盤的野餐地墊上，經第一道生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後再經締檢手續，檢查燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶臉上先以噴槍噴彩於雙頰緋紅，再以水溶性顏彩描繪五官，著重於眼線、眼珠、眉毛和嘴巴部位；此系列則在兩位女孩臉上都添加了雀斑，是一項新的技巧挑戰，斑點散播均勻，筆觸完整。身上的衣帽則使用油性介質調製色釉粉塗繪，在衣服皺褶突出處刷淡以加強立體感；整體上過釉色後再進電爐以低溫700-800℃烤約四小時著色。其中，色料調配過程加入了消光劑，使得瓷偶的釉色不發釉光，看起來更自然，此上釉法稱作「無釉全瓷」(精華陶瓷公司黃月華女士提供)。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE™ / © / MR，即為「荷莉·哈比 (商標) / Maruri丸利」，為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示The Perfect Blend / One of six designs in the / HOLLY HOBBiE™ / Precious Moments Collection / Series I / © WWA INC. CLEVELAND U.S.A. / MADE IN THE REPUBLIC OF CHINA，由此可知這件作品名稱為「完美的調和茶」，屬於「荷莉·哈比珍貴時刻典藏系列一中的六款設計之一」，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司向臺灣丸利訂製。此部分可視為瓷偶的原始圖像來源之智財權聲明，雀斑人形瓷偶娃娃延用了荷莉·哈比的大邦妮特帽子與雀斑為特色。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112163","MainTitle":"雀斑人形/二女坐椅看書","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"8.5×12.3×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷以雙人偶的形式表現主題—兩個坐在椅子上閱讀的小女孩。兩個小女孩坐在一個長凳上，其中一人手雙手捧著書本作閱讀狀，另一位則側頭面向她，彷彿在傾聽。閱讀的這位女孩身著黃色系的衣帽，另一位兩手撐著椅子，身著短袖粉紅色洋裝；她們兩人都留著髮辮，戴著邦妮特帽，臉上都有雀斑，此件瓷偶在衣著、鞋、帽上的細節交代一點都不馬虎；細微的皺褶，人體的姿態，寫實到位。兩人相互陪伴，即使看似靜態的活動，也營造出溫馨友誼的氣氛。\r\n 兩個陶瓷人偶分別以瓷土注漿成形與粘接後，再分別粘接於底盤的椅子上，經第一道生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後再經締檢手續，檢查燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶臉上先以噴槍噴彩於雙頰緋紅，再以水溶性顏彩描繪五官，著重於眼線、眼珠、眉毛和嘴巴部位；此系列則在兩位女孩臉上都添加了雀斑，但少了眉毛，斑點散播均勻，筆觸完整。身上的衣帽則使用油性介質調製色釉粉塗繪，在衣服皺褶突出處刷淡以加強立體感；整體上過釉色後再進電爐以低溫700-800℃烤約四小時著色。其中，色料調配過程加入了消光劑，使得瓷偶的釉色不發釉光，看起來更自然，此上釉法稱作「無釉全瓷」(精華陶瓷公司黃月華女士提供)。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE™ / © / MR，即為「荷莉·哈比 (商標) / Maruri丸利」，為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示A Moment Shared / One of three designs in the / HOLLY HOBBiE™ / Precious Moments Collection / Series II。由此可知這件作品名稱為「共享的時刻」，屬於「荷莉·哈比珍貴時刻典藏系列二中的三款設計之一」，此部分可視為瓷偶的原始圖像來源之智財權聲明，雀斑人形瓷偶娃娃延用了荷莉·哈比的大邦妮特帽子與雀斑為特色。這件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112164","MainTitle":"雀斑人形/二女跳舞","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"9×13.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷以雙人偶的形式表現主題—兩個手拉手旋轉跳舞的小女孩。兩個女孩的身體一左一右，各自朝向一方，腳步一前一後，裙襬也隨著身體的擺動反向旋轉；加上頭、手與腳之間的協調，考驗著原型雕塑師對人形體的掌握。她們面對面手拉手跳舞，分別穿著淺綠與水藍色的洋裝，搭配著白色的背心圍裙，繞至背後腰間固定圍裙處打了大蝴蝶結，兩頂邦妮特帽的造型、刻畫與質感皆不同，寬大的帽沿遮住了臉龐，從正面望去其實看不見她們的臉，縱然如此，兩個女孩的臉部顏彩仍是相當仔細完整的。\r\n 此系列在兩位女孩臉上都添加了雀斑，對於顏彩彩繪員來說，是一項新的技巧挑戰，讓筆觸點下去不致糊掉，斑點分布均勻。身上的衣帽則使用油性介質調製色釉粉塗繪，調配過程加入了消光劑，使得瓷偶的釉色不發釉光，看起來更自然，此上釉法稱作「無釉全瓷」(精華陶瓷公司黃月華女士提供)；整體上過釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE™ / © / MR，即為「荷莉·哈比 (商標) / Maruri丸利」，為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示Carefree Days / One of six designs in the / HOLLY HOBBiE™ / Precious Moments Collection / Series I / © WWA INC. CLEVELAND U.S.A. / MADE IN THE REPUBLIC OF CHINA，由此可知這件作品名稱為「無憂無慮的日子」，屬於「荷莉·哈比珍貴時刻典藏系列一中的六款設計之一」，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司向臺灣丸利訂製。此部分可視為瓷偶的原始圖像來源之智財權聲明，雀斑人形瓷偶娃娃延用了荷莉·哈比的大邦妮特帽子與雀斑為特色。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112165","MainTitle":"雀斑人形/男女別花(蘋果)","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"8.5×12×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件雙人瓷偶表現一個小女孩與小男孩之間的互動。身穿紫色洋裝，頭戴米黃色邦妮特帽的小女孩伸手搭向身旁的小男孩胸前，她正為小男孩別上花朵；戴著寬圓帽、穿棕色吊帶褲的小男孩則挺胸膝蓋微彎的站著，雙手收在背後握著一顆蘋果。男孩看著女孩專注於手上的動作，可能心裡想著要將蘋果獻給女孩，兩小無猜的模樣甚是可愛。地上一隻貓咪坐立著望向他們。\r\n 此系列在男孩與女孩的臉上都添加了雀斑，顏彩彩繪員以細筆點畫清晰，斑點也分布得均勻。衣帽等其他部位則使用油性介質調製色釉粉塗繪，整體上過釉色後再進電爐以低溫700-800℃烤約四小時著色。然而，在男孩身上的花朵卻顯得模糊，推測這件可能因此缺陷而留了下來。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE™ / © / MR，即為「荷莉·哈比 (商標) / Maruri丸利」，為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示That Special Touch / One of six designs in the / HOLLY HOBBiE™ / Precious Moments Collection / Series I / © WWA INC. CLEVELAND U.S.A. / MADE IN THE REPUBLIC OF CHINA，由此可知這件作品名稱為「那種特別的感覺」，屬於「荷莉·哈比珍貴時刻典藏系列一中的六款設計之一」，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司向臺灣丸利訂製。此部分可視為瓷偶的原始圖像來源之智財權聲明，雀斑人形瓷偶娃娃延用了荷莉·哈比的大邦妮特帽子與雀斑為特色。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112166","MainTitle":"雀斑人形/男女跳舞(大)","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"8.5×12×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件雙人瓷偶表現一對跳舞的小孩。他們穿著顏色相襯的衣著，男孩身穿綠色上衣，棕色吊帶褲與白色寬邊帽；女孩身穿同質感的綠色洋裝搭配白色帶斑點的背心圍裙和米白色的邦妮特帽。女孩拉著男孩的雙手 (女孩雙手在外側)，兩腳一前一後的旋轉，裙子與裙襬因此形成了多層次的漩渦狀，加上斜飄的蝴蝶結帶子，極具動感；男孩則是微彎起膝蓋，雙腳起伏如同在打著拍子。兩人面對相向著跳舞，因此觀者從正面看去見不著他們的容貌，如側向看去，則知兩位臉上的雙緋上都帶著雀斑，彎彎的眼線上方沒有眉毛，這是HOLLY HOBBiE荷莉·哈比系列的標準相貌。\r\n 此件跳舞的雙人偶比起另一件同樣在跳舞的雙人偶尺寸上稍大一點，同樣固定於底座上。兩個陶瓷人偶分別以瓷土注漿成形，粘接上頭部、雙手(兩人雙手接連一起)與其他附件後，再一起固定於底座上，經第一道生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後再經締檢手續，檢查燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶臉上先以噴槍噴彩於雙頰緋紅，再以水溶性顏彩描繪五官，著重於眼線、眼珠和嘴巴部位；此系列則在男孩與女孩臉上都添加了細點、均勻的雀斑。身上的衣帽則使用油性介質調製色釉粉塗繪，在衣服皺褶突出處刷淡以加強立體感；整體上過釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE © / MR，即為「荷莉·哈比 / Maruri丸利」為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示Togetherness / One of three designs in the / HOLLY HOBBiE™ / Precious Moments Collection / Series II / © WWA INC. CLEVELAND U.S.A. / MADE IN TAIWAN，意即此作品名稱為「在一起」，屬於「荷莉·哈比珍貴時刻典藏系列二中的三款設計之一」，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司向臺灣丸利訂製。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112167","MainTitle":"雀斑人形/二女禮物","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"8.5×12×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件雙人瓷偶表現一對正在包裝禮物的小女孩。她們席地而坐，看似一大一小的姊妹，正在思量如何打包禮物，在她們的衣著配色與禮物的樣式中帶著聖誕節的氣氛。當中戴著白色邦尼特帽的姐姐留著兩條髮辮，雙手放在包裝好的聖誕禮物上，側頭看著妹妹；而穿著淺綠色背心圍裙與帶著睡帽的妹妹，一手撫摸著灰色小貓，一手放在待包裝的方形盒上。兩個禮物之間有一捲紅色的緞帶，帶出了包裝禮物的主題。兩位小女孩的臉型圓潤如嬰孩，塌著鼻子，臉上都帶著雀斑，彎彎的眼線上方沒有眉毛。\r\n 兩個陶瓷人偶分別以瓷土注漿成形與粘接後，再與其他禮物、緞帶捲、小貓分別粘接於底座上，經第一道生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後再檢查燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶以水溶性顏彩描繪五官，著重於眼線、眼珠和嘴巴部位；此系列則在兩位女孩臉上都添加了細小均勻的雀斑，筆觸完整。身上的衣帽與禮物附件則使用油性介質調製色釉粉塗繪，在衣服如手臂上皺褶處刷淡以加強立體感；整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。其中，色料調配過程加入了消光劑，使得瓷偶的釉色不發釉光，看起來更自然，此上釉法稱作「無釉全瓷」(精華陶瓷公司黃月華女士提供)。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示©HOLLY HOBBiE / LIMITED EDITION，即為「荷莉·哈比 / 限量款」為此件人偶雕塑的創作聲明。另一部分以轉印字樣標示“CHRISTMAS KEEPSAKE” / Genuine Porcelain / © WWA INC. CLEVELAND U.S.A. / MADE IN REPUBLIC OF CHINA，左側並有Designer’s Collection的草寫捲花標誌。由此可知此作品是作為「聖誕節紀念物」，屬於「荷莉·哈比」系列的設計，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司向臺灣丸利訂製。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112168","MainTitle":"雀斑人形/二女犬包紮","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"8×11×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件雙人瓷偶表現一對小女孩為一隻小狗包紮受傷的腳。他們穿著綠色系的衣帽，兩人共同照顧著米黃色小狗。小黃狗乖乖地坐在地上提起右腳，腳上纏著包紮的繃帶，頭朝向坐在椅子上的小女孩，牠的背後則有另一位席地而坐的女孩，雙手像是也想撫慰著小狗，他們三者的相互位置緊密，動作複雜細微卻協調，表現出原型雕塑師對形體與造型的掌握。兩位臉上的雙緋上都帶著雀斑，鼻子小而圓，彎彎的眼線下有一圓形瞳孔，是HOLLY HOBBiE荷莉·哈比系列的標準相貌。\r\n 創作裝飾陶瓷的原型雕塑師必須考量物件的開模分片；原型雕塑關乎產品主題的造型，可說是整個產業的靈魂。曾經於丸利公司擔任原型雕塑師的陳東榮先生回憶在日本受訓的經驗時說到：「原型師除了研發外，還要研究原型和開模之間的關係，如何分片、如何減少成本?」有些作品甚至需要30幾組模具分別製作，必須在適當的乾濕度粘合、修整，曾經擔任丸利廠長的陳化坪先生在工作日誌中提到，「光是組合粘接就是一門精緻的工藝藝術。」(《苗栗裝飾陶瓷產業》p.56、p.60)\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE™ / MR / ©，即為「荷莉·哈比商標 / Maruri丸利」為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示ALL BETTER / One of three designs in the / HOLLY HOBBiE™ / Sweet Remembrance Collection / Series II / © WWA INC. CLEVELAND U.S.A. / MADE IN TAIWAN，表示此作品名稱為「一切都好了」(小女孩安慰小狗的話)，屬於「荷莉·哈比甜蜜回憶系列二的三款設計樣式之一」，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司發行，臺灣丸利製作。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。 (詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112169","MainTitle":"雀斑人形/母子學步","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"8.5×12×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件雙人瓷偶表現一位母親拉起嬰孩的雙手幫助孩子學習走路。母親側跪坐在地上與孩子同高，嬰孩穿著黃色帶有格狀凹凸質感的連身裝，一前一後踏著水藍色學布鞋的小腳，雙眼直瞪著母親，小嘴微張像是要說話一樣；戴著寬邊帽的母親側頭，以溫暖微笑的表情看著小孩。嬰孩的小手搭在母親的手中，母親張開雙臂，有力地支持著，母子手牽手的畫面顯得溫馨感人。此件屬於HOLLY HOBBiE荷莉·哈比系列，但不同於其他款的設計，他們沒有系列中的標準相貌，母親的鼻子較高，嬰孩的鼻子較圓塌，都沒有雀斑。\r\n 兩個陶瓷人偶分別以瓷土注漿成形，粘接上頭部、雙手(兩人雙手接連一起)與其他附件後，再一起固定於底座上，經第一道生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後再締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶臉上先以噴槍噴彩於雙頰緋紅，再以水溶性顏彩描繪五官，著重於眉毛、眼線、眼珠和嘴巴部位。身上的衣帽則使用油性介質調製色釉粉塗繪，整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE™ / Limited Edition / MR ©，即為「荷莉·哈比商標 / 限量版/ Maruri丸利」為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示MOTHER’S MIRACLES / A hand-painted, fine porcelain / HOLLY HOBBiE™ / figurine for 1982 / LIMITED EDITION 7,500 / © WWA INC. CLEVELAND U.S.A. / MADE IN TAIWAN，由此得知作品名稱為「母親的奇蹟」，屬於「荷莉·哈比」系列，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司於1982年發行的高級瓷偶，由臺灣丸利製作。值得一提的是，左下角有荷莉·哈比原作人物的圖騰轉印，可見到她經典的大邦尼特帽與補釘花布裙的裝扮。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田) ","ImageUrl":""}
,{"Identifier":"200112170","MainTitle":"雀斑人形/男女合唱頌歌(犬付)","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"8.5×12×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件雙人瓷偶表現一對一起拿著詩歌本合唱聖誕頌歌的男孩與女孩。他們身上的衣著有著相襯應景的紅與綠，男孩身穿紅色夾克外套、綠色毛帽與圍巾搭配棕色馬褲與長統襪；女孩身穿綠色燈心絨質感的長大衣與紅色的邦妮特帽，兩人一起拿著一本書，嘴唇張開表現出唱歌的樣子。西方人慶祝聖誕節時會在戶外齊聚唱頌歌，這座雙人瓷偶的手部都以手套的形狀取代，更具真實感。男孩左側蹲坐著一隻棕色長耳狗，脖子上也打上了紅色領結，抬起頭來好奇的看著唱歌的兩人，增添一點歡欣氣氛。底座上刻示著JOY TO THE WORLD 1979普世歡騰，是一首知名的聖誕頌歌。\r\n 兩個陶瓷人偶分別以瓷土注漿成形與粘接後，再分別粘接於底座上，經第一道生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後再締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶臉上先以噴槍噴彩於雙頰緋紅，再以水溶性顏彩描繪五官，著重於眼線、眼珠、眉毛和嘴巴部位；此系列則在男孩與女孩臉上都添加了細緻清晰的雀斑，斑點分布均勻。身上的衣帽則使用油性介質調製色釉粉塗繪，在衣服皺褶突出處刷淡以加強立體感；整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE™ / Limited Edition / MR ©，即為「荷莉·哈比商標 / 限量版/ Maruri丸利」為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示JOY TO THE WORLD / A HOLLY HOBBiE™ Christmas Figurine for 1979 / A Limited Edition of 6,000 / WWA INC. CLEVELAND U.S.A./ MADE IN THE REPUBLIC OF CHINA。由此可知，這件作品名稱為「普世歡騰」」，屬於「荷莉·哈比」系列為1979年聖誕製作的人偶，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司限量發行6千件，臺灣丸利製作。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。位於苗栗的丸利陶瓷將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112171","MainTitle":"雀斑人形/男女與雪人","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"8.5×13×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件雙人瓷偶表現小男孩與小女孩圍繞著一個雪人玩耍的模樣。他們穿著冬裝，也為雪人戴上圍巾與高帽子，身形較高的姐姐穿著粉紅色大衣，大衣的帽沿、衣領、衣襬與袖口上帶有白色短毛絨邊，弟弟則是穿著亮橘色的短外套搭配綠圍巾、綠色燈芯絨褲與靴子。兩個小孩一左一右的圍在雪人身旁，弟弟看著姐姐正為雪人戴上高帽子，從正面看去，可見底座側面刻畫著CHRISTMAS FUN 1978「聖誕樂趣1978」；兩個小孩的臉型也與HOLLY HOBBiE荷莉·哈比系列的標準相貌不同，他們的五官更為清晰，鼻子更立體有形，也有了眉毛；唯一不變的是兩位小孩臉上的雀斑。\r\n 創作裝飾陶瓷的原型雕塑師必須考量物件的開模分片；原型雕塑關乎產品主題的造型，可說是整個產業的靈魂。此件瓷偶的人物衣著相當精緻，尤其是姐姐身後從帽子的蓬鬆感、大衣邊緣看見白短絨毛的斑點，以及後方開口內有洋裝的雪紡棉質感與花邊。加上三個形體位置緊密相連，人物形體大小與動作不一，各自成形後再組合到位，實為經驗與技術累積所成就。曾經擔任丸利廠長的陳化坪先生在工作日誌中提到，「光是組合粘接就是一門精緻的工藝藝術」(《苗栗裝飾陶瓷產業》p.56、p.60)。在底座上成形且燒成白坯體後，進入彩繪階段，瓷偶頭部先以水溶性顏彩描繪五官，著重於眉毛、眼線、眼珠和嘴巴部位；此系列則在兩位女孩臉上都添加了細小均勻的雀斑，筆觸完整。整體則使用油性介質調製色釉粉塗繪，在衣服如手臂上皺褶處刷淡以加強立體感；上完釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE ® / LIMITED EDITION，即為「荷莉·哈比(註冊商標) / 限量」為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示CHRISTMAS FUN / A hand-painted fine porcelain / HOLLY HOBBiE ® / figurine for Christmas 1978 / LIMITED EDITION 9,000 / © WWA INC. CLEVELAND U.S.A. / MADE IN REPUBLIC OF CHINA，左下角另有MR(Maruri丸利)與Designer’s Collection的草寫捲花標誌。由此可知此作品名稱為「聖誕樂趣」，屬於「荷莉·哈比(註冊商標)的聖誕手繪高級瓷偶系列」，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司限量發行9千件，由臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠製作，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112172","MainTitle":"雀斑人形/二女犬洗澡","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"8.5×12×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件雙人瓷偶表現一對小女孩幫一隻小狗洗澡。為了不弄髒衣服，她們倆都穿著淺棕色的背心圍裙工作，共同照顧著泡在木桶浴盆裡的土黃色小狗。土黃小狗探出上身，泡沫也溢出盆外，兩個小女孩席地而坐，戴著綠色邦妮特帽的女孩手上拿了刷子搭在小黃狗的頭上；白色邦妮特帽的女孩則兩手搭在木桶浴盆邊緣看顧著，他們三者的互動細微且協調，表現出原型雕塑師對形體與造型的掌握。兩位臉頰的腮紅上都帶著雀斑，鼻子小而圓，彎彎的眼線下有一圓形瞳孔，是HOLLY HOBBiE荷莉·哈比系列的標準相貌。\r\n 創作裝飾陶瓷的原型雕塑師必須考量物件的開模分片；原型雕塑關乎產品主題的造型，可說是整個產業的靈魂。曾經於丸利公司擔任原型雕塑師的陳東榮先生回憶在日本受訓的經驗時說到：「原型師除了研發外，還要研究原型和開模之間的關係，如何分片、如何減少成本?」有些作品甚至需要30幾組模具分別製作，必須在適當的乾濕度粘合、修整，曾經擔任丸利廠長的陳化坪先生在工作日誌中提到，「光是組合粘接就是一門精緻的工藝藝術。」(《苗栗裝飾陶瓷產業》p.56、p.60)\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE™ / MR / ©，即為「荷莉·哈比(商標) / Maruri丸利」為此件人偶雕塑的創作版權保護聲明。另一部分以轉印字樣標Caring / One of three designs in the / HOLLY HOBBiE™ / Precious Moments Collection / Series II / © WWA INC. CLEVELAND U.S.A.，表示此作品主題為「關心」，屬於「荷莉·哈比珍貴時刻典藏系列二中的三款設計之一」，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司發行。此件藏品由臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠製作，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112173","MainTitle":"雀斑人形/男女別花(花束)","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"8.5×12×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件雙人瓷偶表現一個小女孩正位小男孩別上胸花。身穿淡粉紅色洋裝，頭戴米白色邦妮特帽的小女孩伸手搭向身旁的小男孩胸前，為小男孩整理別在吊帶褲帶上的小白花；戴著土黃色寬圓帽、穿米黃色襯衫搭棕色吊帶褲的小男孩則挺胸，膝蓋微彎的站著，雙手收在背後握著一束粉紫色的玫瑰花。男孩臉上帶著微笑，心裡想著等一下要將玫瑰花獻給女孩，女孩雙手一前一後，專注地想把小白花兒擺好，兩小無猜的模樣甚是可愛。底座側面刻畫著「LOVE IS THE NICEST GIFT OF ALL」字樣，意即「愛是最佳禮物」。\r\n 此座雙人瓷偶屬於HOLLY HOBBiE荷莉·哈比系列，在服裝上都相當重視色彩搭配與質感表現，以六個點狀形成花朵的圖騰大量刻印於襯衫、洋裝上，女孩的邦妮特帽需以緞帶固定在頸上，有時打蝴蝶結在下顎有時在頭後方，男孩多半穿著吊帶褲，並且在膝蓋處縫補方布。男孩與女孩的臉上都添加了雀斑，顏彩彩繪員以細筆點畫清晰，斑點也分布得均勻。衣帽等其他部位則使用油性介質調製色釉粉塗繪，整體上過釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE™ / LIMITED EDITION / © / MR，即為「荷莉·哈比 (商標) / 限量版 / Maruri丸利」，為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示A GIFT OF LOVE / A hand-painted, fine porcelain / HOLLY HOBBiE ® / Collectior’s figurine for 1978 / LIMITED EDITION-6,000 / © WWA INC. CLEVELAND U.S.A. / MADE IN THE REPUBLIC OF CHINA，由此可知這件作品名稱為「愛的禮物」，屬於「荷莉·哈比」1978年的人偶收藏系列，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司發行的手繪高級瓷偶，限量6千件，由臺灣丸利製作。此部分可視為瓷偶的原始圖像來源之智財權聲明，雀斑人形瓷偶娃娃延用了荷莉·哈比的大邦妮特帽子與雀斑為特色。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112174","MainTitle":"雀斑人形/女保溫套","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1979","Size":"8.5×9.5×18.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷人偶的造型是一位正在戶外溜冰的小女孩，她的雙手藏在暖手套(手籠)中。暖手套是西方寒冷國家發明的時尚配件，早在16世紀時期就出現，通常由毛皮製成，一直到近代因手套的多樣性與方便，暖手套已漸退流行，到了1940年代又再時興起來。小女孩不僅雙手藏在暖手套中，她穿著長版大衣與長裙，腳上踩著溜冰鞋板側身一前一後，往前進的同時回眸一瞥，整個身形隨著飛揚外翻起的衣襟，顯得飄搖似仙女。她的頭戴邦妮特帽，緊密的保護著頭部與頭髮，頸上繞著圍巾禦寒，表現棕色燈芯絨質感的大衣刻劃出明顯的直條紋，與從大衣露出的洋裝花邊、蕾絲，形成對比，整體的服裝搭配極具舊時代的時尚感，人體體態也顯得生動自然。\r\n 此件瓷偶造型從頭至溜冰鞋處幾乎一體成形，在瓷土注漿成形後，修整完經第一道生檢手續，合格的才進入瓦斯窯窯燒 (1250-1280℃)，出窯後再締檢燒成的白坯體是否有瑕疵，良品才進入釉彩彩繪階段。瓷偶臉上的五官以水溶性彩繪的顏彩，身上的衣服則使用油性介質調製色釉粉塗繪，上完釉色後再進電爐以低溫700-800℃烤約四小時著色。底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE™ / MR/ LIMITEDEDITION©，意即「荷莉·哈比 (商標) / Maruri丸利 / 限量版」，為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示YESTERDAY’S MEMORIES / One of three designs in the HOLLY HOBBiE™ / Classics Collection / Series II / LIMITED EDITION 20,000 / WWA INC. CLEVELAND U.S.A / MADE IN TAIWAN，從此可知此件瓷偶主題為 「昨日記憶」，屬於「荷莉·哈比經典典藏系列二的三種設計樣式之一」，由隸屬於美國第二大賀卡公司American Greetings，位於俄亥俄州克里夫蘭市的WWA (World Wide Arts) 公司限量發行2萬件，交由臺灣丸利製造生產。\r\n 此件出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，在苗栗廠中的作業皆在日本技師的監督下完成，高品質管理業界出名。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112175","MainTitle":"雀斑人形/女抱娃娃","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"6.5×7.5×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷人偶的造型是一位頭戴淺藍色邦妮特帽的小女孩，她側坐於地上，懷裡抱著一個娃娃。從她身上淺色的衣著與臉部顏彩在五官上的描畫，推斷此件瓷偶表現的應該是一名稚齡的小妹妹。她有著圓塌的小鼻，沒有眉毛。底座側面浮雕一行文字：A Mother is Love媽媽是愛，似乎暗示著小妹妹模擬母親抱小孩的模樣，將自己投射在娃娃身上。\r\n 此件瓷偶造型從頭至底座幾乎一體成形，以瓷土注漿成形脫模修整後，經第一道生檢手續，合格的進入瓦斯窯窯燒 (1250-1280℃)，出窯後再締檢燒成的白坯體是否有瑕疵，良品才進入釉彩彩繪階段。瓷偶臉上的五官以水溶性彩繪的顏彩，身上的衣服則使用油性介質調製色釉粉塗繪，上完釉色後再進電爐以低溫700-800℃烤約四小時著色。底部落款圖文為兩部分：一部分為淺刻文字，標示© H. HOBBiE / LIMITED EDITION，意即「荷莉·哈比 / 限量版」，為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示GENUINE PORCELAIN / © WWA INC. CLEVELAND Ohio / THE REPUBLIC OF CHINA，由此可知此件瓷偶並沒有主題，但仍是出自於「荷莉·哈比」系列，由隸屬於美國第二大賀卡公司American Greetings，位於俄亥俄州克里夫蘭市的WWA (World Wide Arts) 公司限量發行。\r\n 此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，在苗栗廠中的作業皆在日本技師的監督下完成，高品質管理業界出名。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112176","MainTitle":"雀斑人形/男女倚背","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"8×9.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷以雙人偶形式表現出男孩與女孩倚背而立的樣子。如同在拍攝鏡頭前擺姿勢一樣，兩人皆轉頭面向觀者，開懷微笑。男孩穿著牛仔藍布吊帶褲，懷中抱著一顆綠色的球體，腳邊有一隻棕色小狗；女孩穿著棕色洋裝搭配白色背心圍裙，雙手捧花，腳邊則是一隻小黃貓；小棕狗與小黃貓相向，象徵著主人之間的友好情誼。兩個人物雖然背對，但彼此之間似有所互動；兩人的衣著色彩相互搭配，臉頰上皆有幾許雀斑。\r\n 兩個可愛的人物皆在同一個底座上，此件雙人瓷偶屬於美國的荷莉·哈比(HOLLY HOBBiE)系列，荷莉·哈比是美國同名作家兼水彩插畫家所創作的一名小女孩人物，她總是戴著大大的藍色邦妮特帽，身穿舊衣布料拼縫的衣裙，臉上緋紅雙頰上帶著雀斑。兩個陶瓷人形分別以瓷土注漿成形後再粘接於底盤上，經第一道生檢手續，進入瓦斯窯窯燒 (1250-1280℃)，出窯後再締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。整體上過釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部落款圖文在孔洞兩側，分別以淺刻文字標示HOLLY HOBBiE™ / MR / ©，即為「荷莉·哈比 / Maruri丸利」為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示LOVING WAYS / One of three designs in the HOLLY HOBBiE ® / Sweet Remembrance Collection Series I / ©WWA INC. CLEVELAND U.S.A./ MADE IN TAIWAN，由此可知此作品名稱為「愛的方向」，屬於「荷莉·哈比甜蜜回憶系列一的三款設計樣式之一」，外銷至美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司。此公司隸屬於美國賀卡大廠American Greetings，以荷莉·哈比形象發展出多元的相關商品設計，例如賀卡、布娃娃、童書等，瓷偶娃娃系列則以荷莉·哈比的大邦妮特帽子與雀斑為代表。此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。 (詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112177","MainTitle":"雀斑人形/母女與貓","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"8.5×12.2×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷表現一對母女正在照顧一籃小貓。母女雙人跪坐在綠色的編織地毯上，她們的穿著是美國十八世紀新英格蘭鄉村風格，小女孩頭戴著邦妮特帽，母女倆都在洋裝外搭配背心圍裙，在當時物資衣料較為稀少的時代，背心圍裙可在更方便工作，以防衣物弄髒。小女孩頭低低的看著籃子裡一灰一白的兩隻貓咪，母親在一旁協助，手上也抱著一隻小黃貓要放進籃子裡，底座側面刻畫著一行標語：A MOTHER’S LOVE IS A PRECIOUS GIFT母親的愛是珍貴的禮物。 \r\n 兩個陶瓷人形分別以瓷土注漿成形後再粘接於底盤上，經第一道生檢手續，進入瓦斯窯窯燒 (1250-1280℃)，出窯後再締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。整體上過釉色後再進電爐以低溫700-800℃烤約四小時著色。母親的頸部有一處裂開粘接的痕跡，底部落款不完整，標示了贈品字樣。\r\n 底部的透氣孔很小，有淺刻文字標示HOLLY HOBBiE™ / MR/ ©，即為「荷莉·哈比 / Maruri丸利」為此件人偶雕塑的版權保護聲明。但另一部分的商標與外銷公司的資訊則缺乏，推測因是母親瓷偶上的頸部裂痕，轉而成為參考物件留了下來。此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112178","MainTitle":"雀斑人形/女花束","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：American Greetings Corp
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"10.5×9.5×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷人偶的造型是一位與貓咪玩耍，手中拿著花束的女孩。她穿著白色洋裝搭配一件由黃、橘、藍、綠四色花樣的方形拼布而成的背心圍裙，頭戴藍色邦妮特帽，姣好的面容上有幾許雀斑。女孩的裙襬呈旋轉飄動狀，因為一隻黃斑貓咪似乎與她玩起了躲迷藏，讓她回身過來，手插腰，往下一望，發現貓咪正抓著她的裙角。整體姿態自然生動，與動物之間的互動，引人共鳴。此件瓷偶將服裝上因身體擺動產生的弧線、荷葉裙層次都表現到位，拼布上的圖騰也非常細緻有變化。此件瓷偶的裝扮與所屬的荷莉·哈比系列人物，有許多相同的特色。荷莉·哈比是美國同名作家兼水彩插畫家所創作的人物，該人物是一位穿著拼布衣裙，喜歡貓咪的小女孩，總是戴著一頂巨大的藍色邦妮特帽，又被稱為藍女孩，是早期美國新英格蘭的鄉村風格。\r\n 瓷偶造型主體在瓷土注漿成形脫模後，接粘上頭與雙手，修整後經第一道生檢手續，合格的才進入瓦斯窯窯燒 (1250-1280℃)，出窯後再締檢燒成的白坯體是否有瑕疵，良品才進入釉彩彩繪階段。此件的貓咪耳朵有磕碰，底部註記為贈品。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE™ / MR / LIMITED EDITION©，意即「荷莉·哈比 (商標) / Maruri丸利 / 限量版」，為此件人偶雕塑的版權保護聲明。另一部分有三個關於瓷偶原始圖像來源的智財權聲明，最右邊為DESIGNERS COLLECTION / AMERICAN GREETINGS / BLUE GIRL™，此處聲明美國賀卡公司擁有荷莉·哈比的藍女孩版權。左邊則轉印了荷莉·哈比的圖像商標，並環繞圖像標示出ANNIVERSARY EDITION / ©1983 AMERICAN GREETINGS CORP，表示此件瓷偶的造型設計為紀念版，版權所有屬於美國賀卡公司。最下方則標示LIMITED EDITION of 25,000 / Hand-Painted Fine Porcelain / AGC-CLEVELAND, OHIO / MADE IN TAIWAN，意即此件作品是手繪高級瓷偶，由位於俄亥俄州克里夫蘭市的美國賀卡公司American Greetings限量發行2萬5千件，由臺灣丸利製造生產。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司將在臺灣苗栗加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112179","MainTitle":"雀斑人形/划船","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"10×13.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷表現一對男孩與女孩坐在一艘船上出遊的樣子。男孩雙手持槳划著船，女孩一手扶著船緣，兩人在小船中面對面坐著相望，看起來相當浪漫。底座上則有蓮葉與白色蓮花的點綴，象徵著小船遊行的湖水；側邊刻畫著一行文字：Grandparent’s Keepsake 祖父母的紀念物。由於兩人面對相視，女孩頭戴邦妮特帽子的帽簷寬大，觀者從正面平視看去見不著他們的面容，但從上空往下看，則可見男孩女孩的坐姿。船板的木頭刻紋與男孩女孩衣著上的細緻圖騰刻紋，可見造型的講究，他們的臉上皆繪以雀斑。\r\n 兩個陶瓷人形分別以瓷土注漿成形後，再粘接身體、划槳與雙手於船艙，經第一道生檢手續，進入瓦斯窯窯燒 (1250-1280℃)，出窯後再締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。整體上過釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部落款僅有一處，以淺刻文字標示HOLLY HOBBiE™ / MR/ ©，意即「荷莉·哈比 (商標) / Maruri丸利」，為此件人偶雕塑的版權保護聲明。底部並註記為「贈品」。此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，在苗栗廠中的作業皆在日本技師的監督下完成，高品質管理業界出名。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112180","MainTitle":"雀斑人形/女床貓","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1979","Size":"6.5×7.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷表現一位小女孩讓貓咪(可能是玩偶)睡在小床上，並替牠蓋上被子。小女孩戴著藍色的邦妮特帽，穿著黃色背心圍裙，臉上的腮紅上帶著雀斑，鼻子小而圓，彎彎的眼線下有一圓形瞳孔，是HOLLY HOBBiE荷莉·哈比系列的標準相貌。瓷偶照顧貓咪入睡的舉動反射孩童的心理，因為小時候受母親的愛與照顧，長大就會模仿大人的舉動，替小貓蓋上被子。\r\n 女孩人形瓷偶與底座以瓷土注漿成形脫模後，人偶頭部的帽簷粘接上，再粘接上小床於底盤上，修整後經第一道生檢手續，合格的才進入瓦斯窯窯燒 (1250-1280℃)，出窯後再締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶頭部先以水溶性顏彩描繪五官，著重於眉毛、眼線、眼珠和嘴巴部位；此系列則在女孩臉上都添加了細小均勻的雀斑，筆觸完整。整體則使用油性介質調製色釉粉塗繪，上完釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部留有一個透氣孔，落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE™ / MR / ©，即為「荷莉·哈比商標 / Maruri丸利」為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示Pleasant Dreams / One of three designs in the / HOLLY HOBBiE™ / Precious Moments Collection / Series III / © WWA INC. CLEVELAND U.S.A. / MADE IN TAIWAN，表示此作品名稱為「美好的夢」，屬於「荷莉·哈比珍貴時刻典藏系列三中的三款設計之一」，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司發行，臺灣丸利製作。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112181","MainTitle":"雀斑人形/女灑水","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1979","Size":"6.5×7.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷表現一位小女孩跪坐著，手上拿著一只黃色澆水器要澆花的樣子。小女孩戴著淡紫色的邦妮特帽，穿著同色系的背心圍裙搭配淺藍色裙裝，兩條髮辮留在後方，臉上的腮紅上帶著雀斑，鼻子小而圓，彎彎的眼線下有一圓形瞳孔，是HOLLY HOBBiE荷莉·哈比系列的標準相貌。瓷偶照顧著兩盆花卉植物，是大人小孩都能進行的簡單園藝樂趣。\r\n 女孩人形瓷偶與底座以瓷土注漿成形脫模後，人偶頭部的帽簷粘接上，再粘接上花朵盆栽於底盤上，修整後經第一道生檢手續，進入瓦斯窯窯燒 (1250-1280℃)，出窯後再締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶頭部先以水溶性顏彩描繪五官，著重於眉毛、眼線、眼珠和嘴巴部位；此系列則在女孩臉上都添加了細小均勻的雀斑，筆觸完整。整體則使用油性介質調製色釉粉塗繪，上完釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部留有一個注漿透氣孔，落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE™ / MR / ©，即為「荷莉·哈比商標 / Maruri丸利」為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示Simple Pleasures / One of three designs in the / HOLLY HOBBiE™ / Precious Moments Collection / Series III / © WWA INC. CLEVELAND U.S.A. / MADE IN TAIWAN，表示此作品名稱為「簡單的喜樂」，屬於「荷莉·哈比珍貴時刻典藏系列三中的三款設計之一」，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司發行，臺灣丸利製作。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112182","MainTitle":"雀斑人形/女祈禱(有台)","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"6.5×7.2×8.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷人偶的造型是以台座展示一位跪坐祈禱中的小女孩，她的小熊倚在身旁。小女孩身著淡粉紅色睡衣睡帽，兩眼閉上，雙手合掌於下巴，嘴角與眼線上揚，微笑粉嫩的臉上帶著幾點雀斑。此件與另一件祈禱中的女孩 (編號200112157) 在造型上相似，但因有台座整體的尺寸更大，台座側面刻劃有綠色的字體：CHRISTMAS 1978，可知此件瓷偶是為聖誕節慶應景之用。整體造型簡單、生動，刻畫細緻，身體後方可見到腳ㄚ子，從睡衣上的皺褶衣紋可看出她的跪姿。 \r\n 陶瓷人形與台座以瓷土注漿成形後，帽子、小熊與祈禱的雙手等附件粘接至身體軀幹上，修整後經第一道生檢手續，合格的才進入瓦斯窯窯燒 (1250-1280℃)，出窯後經締檢燒成的白坯體狀況，良品則進入釉彩彩繪階段。瓷偶臉上先以噴槍噴彩於雙頰緋紅，再以水溶性顏彩描繪五官，此顏彩技巧著重在眼線、眉毛和嘴巴部位；此系列則添加上雀斑的點綴，同時也是一項新的技巧挑戰，讓筆觸點下去不致糊掉，斑點散播均勻。身上的衣帽則使用油性介質調製色釉粉塗繪，在衣服皺褶突出處刷淡以加強立體感；全身上過釉色後再進電爐以低溫700-800℃烤約四小時著色。 \r\n 底部落款圖文隨著孔洞分為兩部分：一部分為淺刻文字，標示® LIMITED EDITION / HOLLY HOBBIE / MR，即為「限量版 / 荷莉·哈比 / Maruri丸利」為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示一個花邊草寫斜體字的商標為Designers’ Collection，以及A CHRISTMAS PRAYER / by HOLLY HOBBiE ® / LIMITED EDITION 12,000 / ©WWA INC. CLEVELAND U.S.A./ MADE IN REPUBLIC OF CHINA，由此可知這件作品名稱為「聖誕節的祈禱」，由擁有荷莉·哈比註冊商標的WWA (World Wide Arts)公司發行，該公司隸屬於美國俄亥俄州克里夫蘭市的American Greetings賀卡公司，由臺灣丸利製作。此部分為瓷偶原始圖像來源的智財權聲明。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112183","MainTitle":"雀斑人形/女收音機","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1979","Size":"7.5×8.5×6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷表現一位小女孩懷中抱著貓咪，側頭傾聽收音機。小女孩有一頭整齊的黃色短髮，戴著粉橘色髮圈，她雙腳交叉席地而坐在一張布毯上，身旁是一台舊式的直立型收音機；她的左手微抬起，指頭落在小腿上像是在打拍子；她與小貓都一起將頭望向收音機，彷彿受音樂吸引的樣子。\r\n 女孩人形瓷偶以瓷土注漿成形後，粘接上頭、手、腳的動作與貓咪，再與收音機一起粘接在飾有布毯的台座上，布毯以一層瓷板捏塑出如布料沒完全服貼於地面的樣子，修整後經第一道生檢手續，合格的才進入瓦斯窯窯燒 (1250-1280℃)，出窯後再締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶頭部先以水溶性顏彩描繪五官，著重於眉毛、眼線、眼珠和嘴巴部位；整體則使用油性介質調製色釉粉塗繪，上完釉色後再進電爐以低溫700-800℃烤約四小時著色。此件瓷偶的一邊眉毛與一眼珠褪色，因此表情略顯生硬。\r\n 底部留有一個透氣孔，落款圖文分為兩部分：一部分為淺刻文字，標示KIT ‘N KAT™ / MR / ©，即以「KIT ‘N KAT」(小孩與貓的諧音組合)為商標名稱，有 Maruri丸利製作的版權保護聲明。另一部分以轉印字樣標示THOUGHTFUL WAYS / One of three designs in the / KIT ‘N KAT™ COLLECTION / Series II / © WWA INC. CLEVELAND U.S.A. / MADE IN TAIWAN，表示此作品名稱為「沉思的方式」，屬於「KIT ‘N KAT小孩與貓典藏系列二中的三款設計之一」，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司發行，臺灣丸利製作。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田) ","ImageUrl":""}
,{"Identifier":"200112184","MainTitle":"雀斑人形/女書","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"7.5×8.5×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTg0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷表現一位小女孩單腳跪在地上撫弄一隻貓咪，她的書本丟在一旁。小女孩有一頭整齊的黃色短髮，戴著粉紅色髮圈，穿著粉紅色小洋裝；像是下課剛回到家迫不及待地想見到她的小黃貓，以束帶捆起的書本被放置在一旁，專注地撫摸著小黃貓頸部，而小貓也一副很享受的樣子。孩童喜愛養寵物，而愛護小動物、尊重生命也是成長過程的學習課題，因此小孩與動物之間的互動經常成為創作表現的題材。\r\n 女孩瓷偶以瓷土注漿成形後，粘接上頭、手、腳的動作，再與貓咪、書本一起粘接在底座上，修整後經第一道生檢手續，合格的才進入瓦斯窯窯燒 (1250-1280℃)，出窯後再締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶頭部以水溶性顏彩描繪五官，整體則使用油性介質調製色釉粉塗繪，上完釉色後再進電爐以低溫700-800℃烤約四小時著色。女孩單腳跪姿的肌肉線條與衣服上的皺褶，將形體表現得更為自然寫實，與貓咪頭微傾的陶醉樣子，相得益彰。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示KIT ‘N KAT™ / MR / ©，即以「KIT ‘N KAT」(小孩與貓的諧音組合)為商標名稱，加上 Maruri丸利製作的版權保護聲明。另一部分以轉印字樣標示A LESSON IN LOVE / One of three designs in the / KIT ‘N KAT™ COLLECTION / Series I / © WWA INC. CLEVELAND U.S.A. / MADE IN TAIWAN，表示此作品名稱為「一堂關於愛的學習」，屬於「KIT ‘N KAT小孩與貓典藏系列一中的三款設計之一」，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司發行，臺灣丸利製作。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112185","MainTitle":"雀斑人形/母女補被","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"8.5×12.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件雙人瓷偶表現一位女孩依偎在母親身旁，看著母親縫補被毯。母親坐在高背的木椅，腿上披著拼布被毯，兩手抓起一處像是在縫補的動作，她的眼瞼向下，表現出專注的樣子。小女孩靠在母親身旁，她們兩人戴著同款式的邦妮特帽子，女孩穿著藍色洋裝搭配黃色的背心圍裙，好奇的臉上帶著雀斑，她一手也摸著被毯，一手放在母親背後的椅背上，頭貼著母親的臂膀，畫面顯得溫馨感人。此件屬於HOLLY HOBBiE荷莉·哈比系列，母女倆的容貌以原型雕塑造型的角度看去並不一樣，母親鼻子較高，女孩的鼻子較圓塌，另外，母親背後的椅背造型重視細節與寫實，被毯衣料的皺褶流動感，表現得生動有說服力。底座側面有很淺的刻文標示：MOTHERS STITCH A BOND OF LOVE母親用一針一線連結愛。\r\n 母親瓷偶連同底座以瓷土注漿成形，粘接上頭部、雙手與其他附件後，再將另外注漿成形的女孩固定於底座上，修整後經第一道生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後再締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶臉上先以噴槍噴彩於雙頰緋紅，再以水溶性顏彩描繪五官，著重於眉毛、眼線、眼珠和嘴巴部位。身上的衣帽、被毯則使用油性介質調製色釉粉塗繪，整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE ® / MR，即為「荷莉·哈比註冊商標 / Maruri丸利」為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示A hand-painted, fine porcelain / Holly Hobbie ® / Mother’s Figurine for 1978 / LIMITED EDITION 7,500 / © WWA INC. CLEVELAND U.S.A. / MADE IN THE REPUBLIC OF CHINA，由此得知，此件作品屬於「荷莉·哈比」系列，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司於1978年發行的手繪母親瓷偶，限量7千5百件由臺灣丸利製作。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。 (詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112186","MainTitle":"雀斑人形/男女抱羊","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"8.5×12.5×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTg2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件雙人瓷偶表現一對男孩與女孩照顧著小羊的活動。男孩赤腳坐在地上，雙手雙腳將一隻小羊固定在他的膝間，此時，小女孩抱了另一隻小羊在胸前前來找他，小男孩將頭抬起來望著小女孩與羊；兩人的頭、臉部有所交會，肢體動作也顯現出互動。剛出生的小羊體型嬌小、溫馴，非常的可愛，鄉村的孩童們喜愛與牠們玩耍，此件作品表現出美好的過往時光裡，小孩子們在成長中仍能擁有的自然與天真，以及他們與動物之間的純真情感。\r\n 兩個孩童瓷偶分別以瓷土注漿成形，粘接上頭部、雙手與小羊等其他附件後，再以泥漿固定於底座上，修整後經第一道生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後再締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。此件作品的結構複雜，互動緊密，相當考驗原型雕塑設計師。創作裝飾陶瓷的原型雕塑師必須考量物件的開模分片；原型雕塑關乎產品主題的造型，可說是整個產業的靈魂。曾經於丸利公司擔任原型雕塑師的陳東榮先生回憶在日本受訓的經驗時說到：「原型師除了研發外，還要研究原型和開模之間的關係，如何分片、如何減少成本?」有些作品甚至需要30幾組模具分別製作，必須在適當的乾濕度粘合、修整，曾經擔任丸利廠長的陳化坪先生在工作日誌中提到，「光是組合粘接就是一門精緻的工藝藝術。」(《苗栗裝飾陶瓷產業》p.56、p.60)\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE™ / MR / ©，即為「荷莉·哈比(商標) / Maruri丸利」為此件雕塑創作版權保護聲明。另一部分以轉印字樣標示The Simple Things / One of six designs in the / HOLLY HOBBiE™ / Precious Moments Collection / Series I / © WWA INC. CLEVELAND U.S.A.，表示此作品主題為「天真樸實的事」，屬於「荷莉·哈比珍貴時刻典藏系列一中的六款設計之一」，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司發行。此件藏品由臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠製作，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112187","MainTitle":"雀斑人形/母女穿雨衣","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1979","Size":"9.5×9.5×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件雙人瓷偶表現一位母親正在幫小女孩穿雨衣。母親往前微彎下來，雙手圍繞在孩子頸肩打蝴蝶結，小女孩頭傾靠母親手臂，眼睛調皮地往上瞄著母親。小女孩穿上黃色的連身雨衣，一手插在口袋裡一手拿著灰色雨傘，母親戴著邦妮特帽與工作的背心圍裙。此件屬於HOLLY HOBBiE荷莉·哈比系列，母女倆的容貌以原型雕塑造型的角度看去非常不同，母親鼻樑較高挺、面容成熟，小女孩的鼻子圓塌、臉型圓潤，且眼睛下方、鼻樑有雀斑。另外，底座側面有刻文標示：MOTHER IS ANOTHER NAME FOR LOVE母親是愛的別稱。\r\n 兩個陶瓷人偶分別以瓷土注漿成形，粘接上頭部、雙手與其他附件後，再一起固定於底座上，經第一道生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後再締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶臉上先以噴槍噴彩於雙頰緋紅，再以水溶性顏彩描繪五官，著重於眉毛、眼線、眼珠和嘴巴部位，並須顧及到主體動作的方向與神情的表現。身上的衣帽則使用油性介質調製色釉粉塗繪，整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE™ / Limited Edition / MR ©，即為「荷莉·哈比商標 / 限量版 / Maruri丸利」為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示A Mother’s Love / A hand-painted, fine porcelain / HOLLY HOBBiE™ / figurine for 1979 / LIMITED EDITION 7,500 / © WWA INC. CLEVELAND U.S.A. / MADE IN THE REPUBLIC OF CHINA，以及最左側有一個草寫斜體字的商標為Designers’ Collection。由此得知作品名稱為「母親的愛」，屬於「荷莉·哈比」系列，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司於1979年發行的高級瓷偶，由臺灣丸利製作。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112188","MainTitle":"雀斑人形/男女花束","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"8.5×12.5×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件雙人瓷偶表現一個男孩挽著捧花的女孩。男孩穿著正式，短西裝外套與紅領結，馬褲配長筒襪；女孩身穿米白色洋裝，頭戴寬邊帽，以粉紅色緞帶繫在臉下方。身旁的男孩面向她，一手在背後護著，一手挽著她的手臂，表現出紳士般的風度。兩人的面容特徵與大多數「荷莉·哈比系列」人形瓷偶的不同，相較於表現孩童的圓臉與小鼻，他們顯得較為成熟，臉上也無雀斑。底座側面刻畫著「LOVE IS FOR SHARING」字樣，意即「愛是分享」。\r\n 兩個陶瓷人偶分別以瓷土注漿成形，粘接上頭部、雙手與其他附件後，再一起固定於底座上，經第一道生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後再締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶臉上先以噴槍噴彩於雙頰緋紅，再以水溶性顏彩描繪五官，著重於眉毛、眼線、眼珠和嘴巴部位，並須顧及到主體動作的方向與神情的表現。身上的衣帽則使用油性介質調製色釉粉塗繪，整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE ® / Limited Edition / MR，即為「荷莉·哈比商標 / 限量版 / Maruri丸利」為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示A hand-painted, fine porcelain / Holly Hobbie ® / figurine for 1978 / LIMITED EDITION 6,000 / © WWA INC. CLEVELAND U.S.A. / MADE IN THE REPUBLIC OF CHINA，以及最左側有一個草寫斜體字的商標為Designers’ Collection。由此得知此作品屬於「荷莉·哈比」系列，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司於1978年發行的高級瓷偶，由臺灣丸利製作。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112189","MainTitle":"雀斑人形/女毛線球","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"7.5×8.5×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷表現一位小女孩坐在小沙發椅上，懷裡抱著一隻貓咪，貓咪伸出爪子抓著毛線。小女孩有一頭整齊的黃色短髮，戴著草綠色髮圈，穿著同色系的小洋裝；她以輕鬆的姿態坐著，一隻腳藏在另一隻大腿下，她一手撐在椅子邊緣，一手抱著貓咪尾端，而窩在小女孩大腿上的貓咪，注意力轉向了一坨掉到地上的毛線球，牠伸出前腳抓住了毛線，小女孩的視線也跟隨著貓咪的動作。孩童喜愛養寵物，小孩與動物之間的各種互動是此系列要表現的題材。此件瓷偶捕捉到這瞬間兩者關係的牽動，讓整體在靜態中蘊藏著動感。\r\n 女孩瓷偶的身體與小沙發椅以瓷土注漿成形後，粘接上頭、手、腳的動作與其他附件於底座上，修整後經第一道生檢手續，合格的才進入瓦斯窯窯燒 (1250-1280℃)，出窯後再締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶頭部以水溶性顏彩描繪五官，整體則使用油性介質調製色釉粉塗繪、勾勒花紋，再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示KIT ‘N KAT™ / MR / ©，即以「KIT ‘N KAT」(小孩與貓的諧音組合)為商標名稱，加上 Maruri丸利製作的版權保護聲明。另一部分以轉印字樣標示HAPPINESS / One of three designs in the / KIT ‘N KAT™ COLLECTION / Series I / © WWA INC. CLEVELAND U.S.A. / MADE IN TAIWAN，由此可知此作品名稱為「快樂」，屬於「KIT ‘N KAT小孩與貓典藏系列一中的三款設計之一」，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司發行，臺灣丸利製作。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112190","MainTitle":"雀斑人形/女電話","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"7.5×8.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTkw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷表現一位小女孩坐在三腳椅凳上，自個兒聽著電話筒，一隻貓咪巴著她的膝蓋。小女孩有一頭整齊的黃色短髮，戴著水藍色髮圈與穿著同色系的洋裝，她一手拿著黑色電話機，一手拿著聽筒貼著耳朵；而這樣的動作也引起了黃棕色小貓的好奇，前腳跳起來搭著小女孩。小女孩的專注探聽與小貓的好奇，兩者形成可愛有趣的畫面，因此小孩與動物之間的互動經常成為創作表現的題材。\r\n 女孩瓷偶的身體與椅凳以瓷土注漿成形後，粘接上頭、手、腳的動作，再與貓咪一起粘接在雕塑有地毯的底座上，修整後經第一道生檢手續，合格的才進入瓦斯窯窯燒 (1250-1280℃)，出窯後再締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶頭部以水溶性顏彩描繪五官，整體則使用油性介質調製色釉粉塗繪，上完釉色後再進電爐以低溫700-800℃烤約四小時著色。女孩衣服上的皺褶、貓咪的毛髮與地毯纖維的編織，都刻畫得仔細，增添寫實感。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示KIT ‘N KAT™ / MR / ©，即以「KIT ‘N KAT」(小孩與貓的諧音組合)為商標名稱，MR代表Maruri丸利製作，此部分為製作的版權保護聲明。另一部分以轉印字樣標示THOUGHTFUL WAYS / One of three designs in the / KIT ‘N KAT™ COLLECTION / Series II / © WWA INC. CLEVELAND U.S.A. / MADE IN TAIWAN，此件作品名稱為「沉思的方式」，屬於「KIT ‘N KAT小孩與貓典藏系列二中的三款設計之一」，由美國俄亥俄州克里夫蘭市WWA (World Wide Arts) 公司發行，臺灣丸利製作。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣製作的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112191","MainTitle":"雀斑人形/二女繞線","Creator":"設計者：Denise Holly Ulinskas(設計者，筆名Holly Hobbie)
其他-品牌商：American Greetings Corp
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"8.5×12.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTkx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷表現一對女孩的互動，大女孩手上纏著毛線，小妹妹坐在椅凳上看著大姐姐示範。大女孩頭戴粉紅色的邦妮特帽子，身上穿著白色洋裝與彩色拼布連身圍裙；妹妹的衣帽則是統一的灰色，其上有著六點花朵壓紋，搭配白色有花草的連身圍裙。小妹妹一手握著毛線球，一手拿著毛線，專心的看著大姐姐示範如何繞毛線，椅子旁一隻小黃貓抬起頭與手，望向大姐姐，似乎也想參與的樣子。複雜的服裝表現與兩位女孩天真且細膩的互動，是這件瓷偶原型雕塑的精采之處；兩位女孩的邦妮特帽造型與圍裙，在裝飾刻畫與質感表現上皆不同，寬大的帽沿遮住了臉龐，從正面望去其實看不見她們的臉，需從側一點的角度觀看，可見兩個女孩的臉部顏彩完整生動。\r\n 此系列在兩位女孩臉上都添加了雀斑，對於顏彩彩繪員來說，是一項新的技巧挑戰，讓筆觸點下去不致糊掉，斑點分布均勻。身上的衣帽則使用油性介質調製色釉粉塗繪，調配過程加入了消光劑，使得瓷偶的釉色不發釉光，看起來更自然，此上釉法稱作「無釉全瓷」(精華陶瓷公司黃月華女士提供)；整體上過釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部落款圖文分為兩部分：一部分為淺刻文字，標示HOLLY HOBBiE™ / © / MR，即為「荷莉·哈比 (商標) / Maruri丸利」，為此件人偶雕塑的版權保護聲明。另一部分以轉印字樣標示A PLEASANT TASK / First Edition, Series V of the / HOLLY HOBBIE™ / PRECIOUS MOMENTS COLLECTION / Hand-Painted Fine Porcelain / AMERICAN GREETINGS CORP / CLEVELAND, OHIO / MADE IN TAIWAN，由此可知這件作品名稱為「一件愉快的任務」，屬於「荷莉·哈比珍貴時刻典藏系列五中的第一款設計」，由美國俄亥俄州克里夫蘭市的美國賀卡公司發行，由臺灣丸利製作。此部分可視為瓷偶的原始圖像來源之智財權聲明，雀斑人形瓷偶娃娃延用了荷莉·哈比的大邦妮特帽子與雀斑為特色。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶瓷將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200112192","MainTitle":"父子滑雪","Creator":"設計者：Norman Rockwell
其他-品牌商：Brown & Bigelow
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"7×9.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTky","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 作品描繪一對父子一起滑雪的情景。兩人穿著父子裝，藍色毛帽，紅色的皮外套，黑色緊身褲，黑手套，手上拿著滑雪杖，腳上穿著運動鞋和滑雪板，站在雪地上，一起滑雪。父親轉過身，好像在指導兒子滑雪的樣子。作品的構造比較複雜，兩個人物必須分別製作，再加以組合。黏土不易做成細長的棍棒狀而不變形或斷裂，所以使用真實的金屬棒組合上去。色彩的表現上比較單純，除了臉部需要細緻描繪之外，其餘部分只要平塗即可。作品表現出父子情深與戶外運動的健康形象。\r\n 器底有印刷款：「Brown and Bigelow Calendar of 1961」，器座上有「Norman Rockwell」名款，可知這件作品是依據1961年Norman Rockwell 替Brown and Bigelow 公司設計的月曆插圖開發出來的。Norman Rockwell是紐約市人，插畫廣為許多畫刊採用，表現出健康甜美的生活理想。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200112193","MainTitle":"老樂師演奏樂器小狗獨唱(吠)","Creator":"設計者：Norman Rockwell
其他-品牌商：Brown & Bigelow
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6.2×13×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTkz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 作品描繪一位白髮蒼蒼的老人與褐髮中年人，面對面坐在椅子上把玩樂器的景象。他們的中間有一個琴譜架，兩人都在看著樂譜，合奏音樂。兩位長者都戴著深度的眼鏡，左邊一位男子身材較胖，穿著花格長袖襯衫，短背心，牛仔褲，吹著薩克斯風；右邊的老人穿著藍襯衫，西裝褲，拉著大提琴。地上有一塊橢圓形的地毯，說明場景是在室內，上面坐著一隻小狗，仰望著樂師。從器底的款識知道，本作品取材自Norman Rockwell「四季」的系列插畫中的冬季，年長樂師都具有豐富的演奏經驗。他們在合奏時，寵物狗在旁邊吠著，好像是在替小狗的獨唱伴奏似的，成為有趣的畫面。\r\n 西洋玩偶公司會蒐集許多畫刊之類的資料，作為開發成新作品的參考。像精華藝術陶瓷公司就有Norman Rockwell的畫冊，作為產品設計的參考。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200112194","MainTitle":"青年男子舉重運動","Creator":"設計者：Norman Rockwell
其他-品牌商：GORHAM
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"6×6×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTk0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品取材自Norman Rockwell為美國萬通人壽保險公司(Massachusetts Mutual Life Insurance Company)所設計的插畫。主角是個年輕的男性，他穿著一件白色短袖T恤，墨綠色運動短褲，短筒襪、球鞋，看起來十分輕鬆活潑。他的兩腳分開站立，雙手舉起舉重槓到肩部，頭往左視，正在作舉重訓練，槓上只有一對啞鈴槓片。他的腳後是一個箱子，上面放著一條跳繩，地板上還有三個啞鈴槓片。作品表現出年輕人的青春活力。\r\n 產品為骨瓷(bone china)，坏體略為偏黃，屬於瓷器胎質。陶瓷的胎質可分為土器(clayware)、陶器(earthernware)、石陶器(stoneware)與瓷器(porcelain)等，陶瓷發展史可依此分期。本作品由苗栗丸利陶瓷公司生產，該公司成立於1971年，是苗栗最早成立的瓷器廠之一。在此之前，只能生產灰陶質的石陶器，至此苗栗才進入瓷器發展時期，具有劃時代的意義。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200112195","MainTitle":"青年情侶一起盪鞦韆","Creator":"設計者：Norman Rockwell
其他-品牌商：GORHAM
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"9.5×6.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一對年輕情侶盪鞦韆嬉戲的場景。背景是一棵高大的樹幹，有幾枝支幹。從最上方的橫支幹上吊掛著一個鞦韆，女子穿小翻領白襯衫，白短裙，打著赤腳，坐在鞦韆座上，雙手拉著兩邊的繩子。男子穿著深藍色的襯衫，淺藍色的長褲，也打赤腳，在女伴的身後，雙手也拉著繩子，雙腳跨在她的雙肩上，一起盪著鞦韆，臉上都露出愉快的笑容。男子的牛仔帽放在樹根旁邊的地上，兩人腳邊臥著一隻小狗，是忠誠的象徵。\r\n 作品上有兩個人物、一隻狗、帽子和樹木等，構造複雜，而且具有動態。黏土生坏的物理性質很脆弱，在設計上必須予以加強。因此女子和鞦韆下方有短樹幹墊著，男孩背後有支幹撐著，兩人的身體盡量黏靠在一起，都確保作品在製作過程中不易損壞。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200112196","MainTitle":"男孩抱著生病的小狗","Creator":"設計者：Norman Rockwell
其他-品牌商：The Saturday Evening Post
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"7.7×6.8×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTk2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 作品的主題是一個小男孩抱著一隻小狗。男孩一頭紅褐色短髮，眼睛大而明亮，閉著小嘴，臉色紅潤。他穿著一件藍色橫條紋的運動衫，藏青色長褲，坐在凳子上，雙腳下垂在地板上。他的雙手抱著一白腹褐背的小狗，牠的頭上綁著一條白巾，上面結個蝴蝶結，表示這隻小狗生病了，需要主人的照顧。男孩傾著頭，一臉憂心的樣子，看著他的寵物，表現了人狗之間的親密關係，以及對於動物的關懷。\r\n 從器底的印款知道，這件作品的原創者是Norman Rockwell，他在1952年3月為星期六晚郵報(The Saturday Evening Post)所畫的插圖，由Gorham公司改作瓷器玩偶，由苗栗丸利公司代工生產。這類作品全部外銷，在此之前，苗栗的陶瓷市場主要都在島內，甚至只達到鄰近的鄉鎮而已，陶瓷外銷是業界前所未有的經驗。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200112197","MainTitle":"冬季父子滑冰刀運動","Creator":"設計者：Norman Rockwell
其他-品牌商：Brown & Bigelow
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"7.2×10×10.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTk3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品有三個主要元素，父親、兒子和小狗，描繪他們在冬季裡的滑冰刀運動，取材自Norman Rockwell 1948年的「四季」系列插畫。父親戴著黑色鴨舌帽，脖子上圍著橫紋線條的橘紅色圍巾，因為他的動作而飛揚，身上黑色皮夾克和黑色長褲，腳上穿著冰刀溜冰鞋。他全身後仰，頭擺向右邊，眼睛看著天空。左腳獨立滑冰，右腳提起，右手上舉超過肩膀，左手往後擺，動作誇張而有戲劇的效果。小男孩包覆著白色頭巾，身穿藍綠色橫條紋的長袖毛衣，淺橙色的長褲，有護膝，腳上也穿著冰刀鞋。他彎著身體，兩手扶在膝上，雙眼睜大，抬頭注視著在前面示範表演的父親，顯出驚訝而羨慕的表情。身旁有一隻白腹黑背的小狗，張開嘴巴，也看著大人。三者構成一個有趣的畫面，表現在冬季愉快的冰刀滑雪運動。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200112198","MainTitle":"船長祖父陪孫子使用望遠鏡觀察遠景","Creator":"設計者：Norman Rockwell
其他-品牌商：The Saturday Evening Post
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"7×8.4×8.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTk4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶常常以親情為表現題材，本作品描繪一對祖父陪著孫子看望遠鏡的情景。祖父是一位老船長，髮鬚已經斑白，卻仍然神采奕奕。他穿著皮夾克，牛仔褲，坐在一段木頭上。他的前面站著的是一位穿著水兵服的小男孩，雙手握著單筒望遠鏡，正在認真地觀察遠方的景色。祖父在旁邊指導他使用望遠鏡，表現了祖孫之間濃厚的親情。\r\n 通常一件西洋玩偶必須經過造型設計、原型開發、模型製作、成形、組合、修坏、素燒、彩繪、釉燒、包裝等，每個過程都必須有專人負責，甚至某些部門還要再細加分工，才能完成整件作品。這件作品的造型元素較多而複雜，必須分解成幾個部分，分別開發模型，成形後各個部分再加以組合並修整，才能完成生坏，進入下一個作業程序。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200112199","MainTitle":"冬天男人與男孩堆雪人","Creator":"設計者：Norman Rockwell
其他-品牌商：Brown & Bigelow
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"7×9.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMTk5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 作品描繪冬季時，一對父子在堆雪人的景象。作品的地上是一片白雪，左方站著的是一個父親，戴著有前緣的軟帽，脖子上打著大領帶，穿著深藍色的皮夾克與長褲，短筒靴。他左手提著籃子，右手拿著菸斗，挺直地站在已經堆好的大雪人前面，一副得意的表情。雪人由大小三個圓雪球所組成，造型酷似這位父親，頭上戴著一頂帽子，嘴上也叼根菸斗，背上插著一支掃把。小孩頭上綁著頭巾，也穿著藍色的衣褲，躲在雪人背後，望著父親。身旁有一隻寵物狗趴在雪地上，也看著那位父親。作品表現了父子之間的親密互動。原作是Norman Rockwell於1952年所創作的插畫，名為「男子與男孩(Man and Boy)」。\r\n 西洋玩偶的彩繪中，人物的身體、衣飾、點景的動植物或配件等都要分別由不同的人來完成，過程相當繁複。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200112200","MainTitle":"畫家在工作室的自畫像","Creator":"設計者：Norman Rockwell
其他-品牌商：The Saturday Evening Post
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"5.8×9×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjAw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品是插畫家Norman Rockwell的自畫像，背景是畫家的畫室。他穿著淺藍色襯衫，白長褲，坐在凳子上，他的右邊有一個大畫架，上面有一個畫布，上面釘了幾張圖畫，頂端放了一些小玩意，中間是正在進行中的自畫像。左邊的椅子上放著一面大鏡子，畫家戴著度數很高的眼鏡，嘴裡叼著菸斗，身體和頭部傾向鏡子，仔細地端祥鏡中的自己，舉起右手正在畫圖。作品把自己日常生活中畫圖的情景如實地表現出來，而帶有自嘲的味道。\r\n 這件作品的原稿最初刊登於1960年2月13日出版的星期六晚郵報(Saturday Evening Post)的封面，其後又成為他傳記Norman Rockwell Artist and Illastrator的封面，後者作者是紐約The Brooklyn Museum的Thomas S. Buechner，出版於1970年。Norman Rockwell是美國著名的插畫家，他作品基本上都是有關美國的主題，成為「美國之夢(The American Dream)」的詮釋者。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200112201","MainTitle":"年輕夫婦簽署結婚證書","Creator":"設計者：Norman Rockwell
其他-品牌商：The Saturday Evening Post
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6.3×10.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪兩位年輕的夫婦一起去簽署結婚證書。場景是一張有抽屜辦公桌，上面放了幾本類似聖經的書籍和文件，前面的椅子上，坐著一個穿著西裝和短背心，戴著眼鏡的年長公證人，兩手擱在椅子的扶手上，扣著十指，安靜地望著桌子，好像在替兩人祝福的樣子。女士一頭金髮，面貌端莊，穿著短袖的淡黃色洋裝，戴著白手套，很專注地在辦公桌上簽署結婚證書。男士穿著正式的西裝，陪在她的身旁，左手臂放在桌上，右手拿著禮帽，摟著女士的腰部，注視著桌子上的證書，兩人狀極親密。地上還站著一隻背上有條紋的棕色小狗，象徵著愛情的忠誠。\r\n 作品依據Norman Rockwell的插畫製作，他擅長從美國人生活中常見的活動取材，給民眾熟悉感，因而獲得廣泛的共鳴，很受歡迎。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200112202","MainTitle":"快樂的馬車伕","Creator":"設計者：Norman Rockwell
其他-品牌商：The Saturday Evening Post
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"4.3×6×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 作品的主角是一個馬伕，原作是Norman Rockwell的插畫。過去馬車是一種公共交通工具，用來載送客人，馬伕是駕御馬車的車夫。因為是一種服務業，所以馬伕都穿著正式的服裝。這位馬伕身材高大壯碩，腹部微凸。頭上戴著一頂像牛仔帽似的黑色寬邊帽子，白上衣，淺褐色七分褲，長筒皮靴，外加一件寶藍色的長大衣，脖子上圍著一條大圍巾。他的雙腳分開端正地站立著，左手觸著帽緣，右手舉著馬具。他臉帶微笑，表現得很開心而有自信的樣子。\r\n 作品的色彩十分強烈而鮮明。在彩繪上，人物的身體與衣飾，點景的動植物或配件都要分別由不同的人來完成，乃至有人專門畫臉部五官，稱為「顏彩」。因此它是一種勞力密集的產業，引進臺灣之後，窯場迅速增加，造就了大量的就業人口。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200112203","MainTitle":"兩老窺視女性游泳","Creator":"設計者：Norman Rockwell
其他-品牌商：Brown & Bigelow
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"7.1×10×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 原作是Norman Rockwell於1953所創作的插畫，題名為「甜美的驚奇(Sweet Surprise)」。作品中有兩位上了年紀的老人家，身材一胖一瘦，好像是美國的諧星勞萊與哈台一般。瘦老頭戴綠色的寬邊黑帽，身穿白色長袖襯衫，深藍綠色長褲，黑皮鞋。胖老戴著淺褐黃色帽子，白襯衫，褐色長褲，黑皮鞋。兩人的衣著都相當正式。瘦老兩腳之間站著一隻小狗，牠的前面有一個告示牌，說明這裡是可以游泳的地方。告示牌上面掛著女性脫下來的衣帽，旁邊有紅色的高跟鞋，暗示著前方有女人在游泳，兩人現出驚訝的表情，畫面很有戲謔之感。\r\n 作品的坏體入窯高溫燒製成為瓷坏，再在上面彩繪，並低溫烤花，技法與中國傳統的釉上彩不同，稱為「素坏玩偶」(biscuit figurine)，其彩繪裝飾「biscuit」或「bisque」，中文可稱為「素坏彩」。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200112204","MainTitle":"男孩子在餵食三隻小狗","Creator":"設計者：Norman Rockwell
其他-品牌商：Brown & Bigelow
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"7.8×5.5×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品是Norman Rockwell原創的插畫，從日常生活常見的主題去取材，題名是「父親的驕傲(Pride of Parenthood)」。主角是一個小男孩，面貌清秀可愛，頭上戴著寬邊巴拿馬式的草帽，淡橘色的格子襯衫，牛仔褲，加上一件長袖的紅色外套。小男孩的前面坐著一隻灰棕毛的獵犬，張著嘴巴，望著男孩，旁邊有三隻小狗。男孩跪坐在地上，雙手拿著餵食的盆子，低著頭，看著小狗，照料牠們進食。好像父親在細心照料自己的小孩一樣，表現純真的赤子之心。\r\n 作品對於人物與動物有精緻的描繪，給人如實的質感，色彩較為濃重而強烈。構成的零組件比較複雜，無論在製作、組合或彩繪方面都有相當的難度。在彩繪時，業者採用輸送帶的方式，每個畫師負責一部分，以提高生產效率與作品的品質。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200112205","MainTitle":"宗教系列/摩西","Creator":"丸利陶瓷公司","CreatedYear":"1991","Size":"8.5×13.5×23","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112206","MainTitle":"宗教系列/瑪利亞抱嬰","Creator":"丸利陶瓷公司","CreatedYear":"1990","Size":"5.5×8×22","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112207","MainTitle":"宗教系列/耶穌抱羊","Creator":"丸利陶瓷公司","CreatedYear":"1990","Size":"8.5×10×23","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112208","MainTitle":"宗教系列：聖家族/聖母","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"10.8×11×13.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112209","MainTitle":"宗教系列：聖家族/聖嬰","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"7.5×10×5.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112210","MainTitle":"宗教系列：聖家族/ 耶穌","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"5×8.5×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112211","MainTitle":"宗教系列：三賢者/立姿盒持","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"7.5×7×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112212","MainTitle":"宗教系列：三賢者/彎腰皇冠持","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"10×8×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112213","MainTitle":"宗教系列：三賢者/跪姿","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"10.5×9×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112214","MainTitle":"宗教系列：牧羊人/背羊","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"7×9.5×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112215","MainTitle":"宗教系列：牧羊人/跪姿","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"5×11×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112216","MainTitle":"宗教系列：小羊","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"4×6.1×5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112217","MainTitle":"宗教系列：駱駝與男孩/駱駝","Creator":"丸利陶瓷公司","CreatedYear":"1991","Size":"10×22.5×22","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112218","MainTitle":"宗教系列：駱駝與男孩/男孩","Creator":"丸利陶瓷公司","CreatedYear":"1991","Size":"6.5×8×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112219","MainTitle":"持鴿女","Creator":"丸利陶瓷公司","CreatedYear":"1991","Size":"6.5×12×23","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112220","MainTitle":"宗教系列：母女唱詩(音)","Creator":"丸利陶瓷公司","CreatedYear":"1991","Size":"13.5×13×22","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112221","MainTitle":"宗教系列/漁夫","Creator":"丸利陶瓷公司","CreatedYear":"1991","Size":"7×7.5×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112222","MainTitle":"宗教系列/女鴿持","Creator":"丸利陶瓷公司","CreatedYear":"1991","Size":"8.5×6.5×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112223","MainTitle":"宗教系列/燈持","Creator":"丸利陶瓷公司","CreatedYear":"1991","Size":"7×8.5×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112224","MainTitle":"羅蜜歐燭台","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"12.2×14×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112225","MainTitle":"茱麗葉燭台","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"12.2×14×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112226","MainTitle":"獅與羊","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"11.5×18×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112227","MainTitle":"白雪公主與鳥（音樂盒）","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"10.5×12×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200112227〈白雪公主與鳥（音樂盒）〉是華特‧迪士尼的系列作品之一，雖然是一個音樂盒產品，利用其內部空間安裝音樂鈴零組件，具音樂盒功能，然而藝術價值卻是凸顯於富含故事背景的整體雕塑創作；內容描述白雪公主受繼母（格林童話最初手稿中為生母）虐待，逃到森林裡，遇到七個小矮人的故事。西元1937年迪士尼出品的世界上第一部彩色長篇動畫電影首映，讓白雪公主的故事更廣為人知。由於母性特質使然，讓白雪公主能與森林中的動物為伍，以小鳥為代表；身穿藍色系燈籠袖上衣、鵝黃色連身蓬鬆長裙、頭繫紅色髮飾的白雪公主，右手腕朝內彎曲、讓小鳥停在她的手背上並注視著牠，左手以食指和拇指輕捏裙子並提起，溫柔又迷人的情境令人陶醉。\r\n 該作品是根據最著名的版本：源自德國第一版的《格林童話》中第53號故事所描述之精彩內容進行創作。作者充分發揮想像力與雕塑長才，將童話故事內容的重點以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對迪士尼人物的理解與親和力。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩、室內擺飾及樂音聆聽之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200112228","MainTitle":"白雪公主與小矮人（糊塗蛋）","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"11×18.5×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112228〈白雪公主與小矮人（糊塗蛋）〉取材自《白雪公主》（德語：Schneewittchen），是廣泛流行於歐洲的德國童話，「白雪公主」也是該童話中的主角；最著名的版本源自德國第一版的《格林童話》第53號故事。內容描述白雪公主受繼母（格林童話最初手稿中為生母）虐待，逃到森林裡，遇到七個小矮人的故事；七個小矮人住在森林中的小屋，平時在外採礦尋寶。\r\n 圖中作品顯示白雪公主疼愛年紀最小名叫「糊塗蛋（Dopey）」的小矮人。身穿藍色系燈籠袖上衣、鵝黃色連身蓬鬆長裙、頭繫紅色髮飾的白雪公主，彎腰低頭狀似要親吻糊塗蛋的光頭；糊塗蛋身著鉻黃色長衫，脫下的帽子拿在手上，頭微左傾，整個畫面構圖非常溫馨感人。\r\n 迪士尼的系列作品，無論是卡通人物或動畫影片，他們不僅製造歡樂，更為單純的童年時光留下一段美好回憶。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200112229","MainTitle":"小姐與流氓（Lady and the Tramp）","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"11×13×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112229〈小姐與流氓（Lady and the Tramp）〉取材自華特‧格林（Ward Greene）所寫的原著故事，是迪士尼公司第十五部經典長篇劇情動畫影片，1955年六月在美國首映。內容敘述一隻淑女狗（Lady）與一隻流浪狗（Tramp）的愛情及冒險故事，這是迪士尼首度以「狗」作為動畫電影的主角。\r\n 圖中的作品顯示棕紅色長毛的淑女狗（小姐）與灰色短毛的流浪狗（流氓），在餐廳的餐桌上分享義大利麵和美酒。迪士尼的影片情節中，Lady與Tramp一起吃通心麵、接吻的畫面，是出自動畫師福蘭克‧托馬斯（Frank Thomas）的靈感，更成為迪士尼動畫著名的經典畫面之一；從作品中Lady與Tramp彼此眼神交流的反映，得以看出純真的愛情流露、展現無遺，足以讓觀賞者感動。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200112230","MainTitle":"小鹿斑比與兔子、鼬鼠及青蛙的聚會","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"13×18×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112230〈小鹿斑比與兔子、鼬鼠及青蛙的聚會〉改編自奧地利作家菲利斯‧沙頓著作的同名小說《小鹿斑比在樹林裡的生活（Bambi, A Life in the Woods）》。這部電影中主要的角色有「小鹿／斑比（Bambi）」、牠的父親／森林之王、牠偉大的母親／遇到獵人犧牲自己讓斑比逃命成功，以及小鹿斑比的朋友「兔子／桑普（Thumper）」、「鼬鼠／花兒（Flower）」還有斑比未來的配偶芬妮（Faline）；是華特‧迪士尼於1942年發行的第五部經典動畫長片。\r\n 從作品設計緊湊的構圖可以看出斑比、桑普和花兒在小池塘邊的草地上聚會，池中的蓮葉上還有一隻綠色的青蛙昂首聆聽三隻小動物的對話，桑普和花兒的嘴巴微微張開，表示正在交談；彼此不但眼神交流而且都是炯炯有神，從可愛的卡通圖案轉化為立體作品，其特徵表露無遺。草地上的水池邊還有看到枯木、石塊及花兒等，象徵野外優美的自然景色。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200112231","MainTitle":"狐狸、大熊與兔子","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"8.5×20×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112231〈狐狸、大熊與兔子〉之造型設計，描述全身披著棕色長毛、套著藍色外套、頭戴紅色盤帽的大棕熊左手握著大木棍，與身著白襯衫、茶色背心、綠色長褲、頭戴黃色帽子的紅狐狸，宛如對峙談判；身穿粉紅色上衣、天藍色褲子的灰色兔子居中坐在枯乾的樹頭上，雙手抓著腳尖，神色自若有如仲裁者。整體作品的人物布局就像舞臺劇的演出，非常生動。\r\n 創作的內容係依據1973年，迪士尼第二十一部經過改編的動物版經典長篇劇情動畫影片，取材自肯‧安德森（Ken Anderson）原著的傳奇故事《羅賓漢﹙Robin Hood﹚》：聰明狡詐的綠林英雄羅賓漢（Robin Hood）是一隻狐狸、敦厚忠實的小約翰（Little John）是一隻大熊，狐狸與大熊在森林裡巧遇一隻灰兔來湊熱鬧。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200112232","MainTitle":"樹下的少女愛麗絲與三月野兔和樹上的柴郡貓","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"14×12.8×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112232〈樹下的少女愛麗絲與三月野兔和樹上的柴郡貓〉是在描述金色長髮的少女愛麗絲穿著屬於夢境意涵的粉藍色連身裙裝、白色圍裙、白色長襪及瑪麗珍鞋，坐在大樹下，雙腳交叉伸直；穿著紅色外套、套著黃色帽子和領結的三月野兔躲在愛麗絲的身後，眼睛睜得大大的，似乎想要窺探愛麗絲夢境中的秘密；全身紅白條紋相間的柴郡貓趴在樹幹的分枝上，有如正在分享著愛麗絲的靜思。\r\n 創作依據係參考《愛麗絲夢遊仙境》電影情節中的一部分，那是一部由華特‧迪士尼於1951年製作並發行上映的第十三部經典動畫電影長片。「柴郡貓」首見於《愛麗絲夢遊仙境》第六章，屬於公爵夫人的貓，具咧嘴特殊笑容，這隻貓喜歡待在牛津大學基督堂學院內的一棵栗樹上，因為作者路易斯‧卡羅爾（曾經是著名的牛津大學基督教會學院老師）的家鄉在柴郡，故取名為柴郡貓。三月野兔居住的地方是由柴郡貓提供給愛麗絲的，當愛麗絲到三月兔的家裡去，那時三月兔、瘋帽子和睡鼠正舉行瘋狂茶聚，愛麗絲因而成為茶聚的賓客。「三月兔」之名首見於《愛麗絲夢遊仙境》第七章《發瘋的茶會》，為虛構角色，是一隻像人類一樣會說話的兔子。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200112233","MainTitle":"樂隊/唐老鴨、米奇老鼠、高飛（狗）","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"19×8×16.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112233〈樂隊／唐老鴨、米奇老鼠、高飛（狗）〉是在描述：身材高大，穿著綠色上衣、黑色背心、卡其色長褲、頭戴綠色高帽、腳穿褐色皮鞋的高飛狗，揹著黃色大鼓於胸前、雙手各持一支大鼓槌；身穿紅色上衣、淺藍色長褲、褐色皮鞋、頭上戴著紅色高帽子、有著一副黑色招牌大耳朵的米奇老鼠，右手持握持小鼓槌，在隊伍之前作引導，有如指揮者；身穿淺藍色水手裝、頭戴同色水手帽的唐老鴨，隨行於大鼓旁吹喇叭，三者儼然形成一團小樂隊。\r\n 1938年之後，唐老鴨與米奇老鼠開始跟高飛狗做撘檔演出。唐老鴨、米奇老鼠、高飛狗曾經主演過著名的《三劍客》故事。高飛是一隻心地善良但腦袋瓜不太靈活的「狗」，牠是作為布魯托（狗）的對比物出現的；高飛狗是迪士尼經典動畫人物之一，首次出現於1932年的米奇老鼠卡通影片《米奇的時事諷刺劇（Mickey's Revue）》，在此影片中扮演觀眾角色。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200112234","MainTitle":"米奇老鼠與布魯托（狗）","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"8.5×17.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112234〈米奇老鼠與布魯托（狗）〉是在描述雙手握著大骨頭，一身經典打扮的米奇老鼠，與戴著綠色項圈、咬著水藍色空盆子的貪吃布魯托對峙。相關之背景故事是2016年迪士尼發行的短版卡通影片《貪吃布魯托變胖了》中所呈現之奇幻情節。有天，米奇老鼠（詳細介紹請參考典藏品200112235）準備了一大袋營養又好吃的飼料，隨同布魯托帶到米妮老鼠的家，請米妮代為照顧布魯托，因為布魯托很乖，不斷獲得米妮的飼料獎賞，將近一個月的時間，布魯托變成大胖狗，隨後經過一番很努力的減重歷程，等布魯托回到米奇家時，米奇說：「布魯托，你好健美！」(https://tw.voicetube.com/v3/videos/29085)\r\n 布魯托（Pluto）是迪士尼經典動畫角色之一，是一隻土黃色的公「狗」；一般是作為米奇老鼠的寵物出現，但也曾經作為唐老鴨或高飛狗的寵物，在一些短篇故事中則擔任主角，首次出現於西元1930年。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200112235","MainTitle":"米奇老鼠去打工/搬牛奶箱","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"4.5×6×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112235〈米奇老鼠去打工／搬牛奶箱〉是在描述米奇老鼠去麥當勞打工，穿著公司的草綠色制服，為麥當勞搬運整箱半打裝的牛奶，身旁還有一隻白腹小黑貓名叫費加羅（Figaro）跟隨，非常溫馨；這種有異種動物做朋友，一起去進行食物配送的職業性工作表徵，對觀賞卡通影片或玩賞本產品的兒童而言，同樣亦具啟發性意義。\r\n 西元1922年，米奇老鼠在華特‧迪士尼（Walt Disney）手下誕生。西元1955年，在美國加州建立第一座迪斯奈（西元1995年統一更名為迪士尼）樂園。米奇老鼠（Mickey Mouse）暱稱「米老鼠」，牠是於西元1928年，由華特‧迪士尼和烏布‧伊沃克斯於華特‧迪士尼動畫工作室創作產生的迪士尼角色。米奇是一隻擬人化黑色大耳朵的老鼠，通常穿著紅色短褲、褐色大鞋和四隻手指的白色手套，作為華特‧迪士尼公司的官方吉祥物；米奇老鼠是世界上最知名的迪士尼角色之一。\r\n 費加羅為迪士尼動畫作品裡的動物角色，是一隻公猫，西元1940年在《木偶奇遇記》及《米老鼠和唐老鴨》系列裡首見出場；此角色係由動畫師耶利克‧拉松（Eric Larson）所設計，也是華特迪士尼最喜歡的卡通角色之一，因此迪士尼公司讓費加羅進入米老鼠大家族，在《米老鼠和唐老鴨》系列動畫裡，費加羅成為米妮的寵物。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200112236","MainTitle":"黛西鴨打槌球","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"4.8×6×10.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112236〈黛西鴨打槌球〉是在描述擬人化的世界裡，黛西鴨從事運動打槌球，如此的卡通人物與影片，讓兒童對正當運動的啟發會有幫助。從圖中可以看出黛西鴨的穿著一派輕鬆的樣子，全身綠色系的打扮、包括運動鞋，頭上戴著一個與燈籠袖同樣是草綠色的大型蝴蝶結；雙手穩穩握持住槌球棍，眼睛注視著地上的木球，擺出擊球的預備姿勢，非常逼真。\r\n 黛西鴨（Daisy Duck）是唐老鴨（Donald Duck）的女朋友，又稱「黛絲」；米妮老鼠是她最要好的朋友。西元1940年由華特‧狄士尼動畫工作室所製作。最初雛形出現於西元1937年的《唐老鴨墨西哥奇遇（原名：Don Donald）》動畫中，以熱情的墨西哥女孩「唐娜鴨（Donna Duck）」之名登場，與唐老鴨互動。三年後重新調整形象並改名，於西元1940年的《鴨子先生走出去（Mr. Duck Steps Out）》一片中以「Daisy Duck」之名登場，之後又繼續演出過十四齣電影短片。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200112237","MainTitle":"唐老鴨持雙筒望遠鏡","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"6.2×6×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112237〈唐老鴨持雙筒望遠鏡〉是在描述擬人化的世界裡，唐老鴨使用雙筒望遠鏡，如此的卡通人物與影片，對於兒童擴大視野的啟發具有深遠意義。從圖片上的觀察得知，雙筒望遠鏡上頭還附有小鴨裝飾的吊環孔，作者將紅色帽子及鴨嘴拉長繞成圓環，方便繫上繩、帶之用。\r\n 唐老鴨（Donald Duck）是迪士尼於西元1934年，所創作的經典動畫人物之一，全名為唐納德‧方特洛伊‧達克（Donald Fauntleroy Duck）。唐老鴨的角色於西元1942年首度出現於動畫片《唐老鴨從軍記（Donald Gets Drafted）》。第二次世界大戰期間，公司開始為政府製作鼓舞士氣的動畫宣傳片，舉唐老鴨為重要角色；在《呱呱突擊隊》裡，唐老鴨幫助盟軍打贏二次世界大戰。西元1943年，《元首的面孔》獲得奧斯卡「最佳動畫短片獎」，也是托唐老鴨的福。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200112238","MainTitle":"唐老鴨打高爾夫球","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"5×6×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112238〈唐老鴨打高爾夫球〉是在描述擬人化的世界裡，唐老鴨從事打高爾夫球的運動，如此的卡通人物與影片，讓兒童對正當運動的啟發會有幫助。從圖中可以看出唐老鴨身著特色球衣，手持高爾夫球桿，頭頂小白球裝飾的綠色帽子，嘴巴張開的愉快表情，目視正前方準備下一次的揮桿。\r\n 唐老鴨（Donald Duck）是迪士尼於西元1934年，所創作的經典動畫人物之一，全名為唐納德‧方特洛伊‧達克（Donald Fauntleroy Duck）。唐老鴨的角色於西元1942年首度出現於動畫片《唐老鴨從軍記（Donald Gets Drafted）》。第二次世界大戰期間公司開始為政府製作鼓舞士氣的動畫宣傳片，舉唐老鴨為重要角色；在《呱呱突擊隊》裡，唐老鴨幫助盟軍打贏二次世界大戰。西元1943年，《元首的面孔》獲得奧斯卡「最佳動畫短片獎」，也是托唐老鴨的福。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200112239","MainTitle":"唐老鴨扶著游泳圈","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"5×6×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112239〈唐老鴨扶著游泳圈〉是在描述擬人化的世界裡，唐老鴨從事游泳的運動，如此的卡通人物與影片，可以讓兒童對正當運動的啟發會有幫助。這是主題為「夏日海灘」的系列作品，從圖片中可以看出唐老鴨身著藍綠條紋相間的泳裝，雙手扶著有果子狸頭部裝飾的游泳圈，準備下水游泳。\r\n 唐老鴨（Donald Duck）是迪士尼於西元1934年，所創作的經典動畫人物之一，全名為唐納德‧方特洛伊‧達克（Donald Fauntleroy Duck）。唐老鴨的角色於西元1942年首度出現於動畫片《唐老鴨從軍記（Donald Gets Drafted）》。第二次世界大戰期間，公司開始為政府製作鼓舞士氣的動畫宣傳片，舉唐老鴨為重要角色；在《呱呱突擊隊》裡，唐老鴨幫助盟軍打贏二次世界大戰。西元1943年，《元首的面孔》獲得奧斯卡「最佳動畫短片獎」，也是托唐老鴨的福。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200112240","MainTitle":"米妮老鼠澆水","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"6×6×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112240〈米妮老鼠澆水〉是在描述擬人化的世界裡，唐老鴨身穿紫色系的連身短裙和束帶大盤帽，胸前別著白色大領結，腳穿黃色鞋子，雙手並用提著水壺，從事澆花的園藝工作；如此的卡通人物與影片，可以讓兒童對正當休閒活動或主動做家事的啟發有所幫助。\r\n 米妮老鼠（Minnie Mouse）於1997年以前的中文名稱翻譯作「美妮」，簡稱「米妮」，是由尤柏‧艾沃克和華特‧迪士尼共同創造之卡通人物角色。西元1930年代的漫畫中，曾經提及她的本名為「密涅瓦鼠（Minerva Mouse）」，並介紹她的父親是Marcus Mouse、母親是Margie Mouse，兩者皆為農夫。有關米妮老鼠動畫之最初製作，首見於西元1928年的《飛機迷（Plane Crazy）》；動畫之最初登場是於同年的全球第一齣有聲動畫影片《汽船威利號（Steamboat Willie）》。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200112241","MainTitle":"唐老鴨賣火腿（Ham）","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"7×8.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112241〈唐老鴨賣火腿（Ham）〉是在描述唐老鴨賣火腿的賣場情境，只見唐老鴨的右手握著被切掉一部分的大火腿，將切好片的火腿放在置於櫃子上的營業用磅秤上秤重，為了講究衛生的理由，還襯著一張白紙。這種題材的作品與日常生活相關，可以讓兒童對職業的認識和稱重、計量的概念有所幫助。\r\n 從作品的圖片上可以看出唐老鴨全身穿著象徵乾淨、衛生的白色服裝，脖子上圍著猶如制服的紅底白點三角領巾；於職場工作時的專注神情，除了抬頭目視磅秤的儀表盤面之外，作者很巧妙地安排唐老鴨的左手抬起，食指伸出，觸及嘴唇，狀若仔細判讀盤面上的刻度，一種對顧客斤兩信用的負責態度，非常生動。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200112242","MainTitle":"高飛狗與水管","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"5×4×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112242〈高飛狗與水管〉描述高飛狗穿著藍色工作服，右手握持鐵管鉗（pipe wrench）準備要去修理水管的情境故事。沒想到高飛狗卻被長長的金屬蛇管纏到，跌坐在整堆的水管上，右手還抓住水管的一部分。因為觀眾是小朋友，因此創作者發揮其想像力，賦予此作品詼諧、有趣的內容，拍攝成動畫影片更具吸引力。這樣的裝飾陶瓷作品對於讓孩童引發自力維修的興趣，頗具影響力。\r\n 西元1938年之後，唐老鴨與米奇老鼠開始跟高飛狗撘檔演出。唐老鴨、米奇老鼠、高飛狗曾經主演過著名的《三劍客》故事。高飛是一隻心地善良但腦袋瓜不太靈活的「狗」，牠是作為布魯托（狗）的對比人物出現的；高飛狗是迪士尼經典動畫人物之一。西元1995年，高飛狗首度在《高飛電影（A Goofy Movie）》的長篇動畫中擔任主角。高飛狗經常能製造、產生喜劇調節劑的效果。現在牠的本名叫：高飛‧高孚（Goofy Goof）。人物設計：阿特‧巴比特（Art Babbit）。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩、室內擺飾及樂音聆聽之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200112243","MainTitle":"米奇老鼠潛水/手持海星","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"5×6×10.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112243〈米奇老鼠潛水／手持海星〉是在描述復古造型的米奇老鼠潛水員穿著蛙人裝和蛙人鞋，頭上戴著潛水鏡，手上戴上白手套抓著一隻漁獲大海星。這樣的作品可以啟發兒童對海洋探險的興趣並去關心海洋內容。\r\n 西元1922年，米奇老鼠在華特‧迪士尼（Walt Disney）手下誕生。西元1955年，在美國加州建立第一座迪斯奈（西元1995年統一更名為迪士尼）樂園。米奇老鼠（Mickey Mouse）暱稱「米老鼠」，牠是於西元1928年，由華特‧迪士尼和烏布‧伊沃克斯於華特‧迪士尼動畫工作室創作產生的迪士尼角色。米奇是一隻擬人化黑色大耳朵的老鼠，通常穿著紅色短褲、褐色大鞋和四隻手指的白色手套，作為華特‧迪士尼公司的官方吉祥物；米奇老鼠是世界上最知名的迪士尼角色之一。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩、室內擺飾及樂音聆聽之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200112244","MainTitle":"黛西鴨與農作物收成","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"4.5×4.5×7.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112244〈黛西鴨與農作物收成〉是在描述黛西鴨穿著白領的天藍色上衣，頭上戴著紅色大型蝴蝶結，雙手戴著粉紫色手套，腳穿白色鞋子，來到田間進行收成的工作。黛西鴨左手抓著鋤頭，右手舉起一顆大番茄，身體微傾，目光望向番茄，動態感十足；看她檢視農作物收成的品質之餘，顯得頗有成就感。這種農業收成之作品，對於兒童的關心農業，應當具有相當程度之啟發作用。\r\n 黛西鴨（Daisy Duck）是唐老鴨（Donald Duck）的女朋友，又稱「黛絲」；米妮老鼠是她最要好的朋友。西元1940年由華特‧狄士尼動畫工作室所製作。最初雛形出現於西元1937年的《唐老鴨墨西哥奇遇（原名：Don Donald）》動畫中，以熱情的墨西哥女孩「唐娜鴨（Donna Duck）」之名登場，與唐老鴨互動。三年後重新調整形象並改名，於西元1940年的《鴨子先生走出去（Mr. Duck Steps Out）》一片中以「Daisy Duck」之名登場，之後又繼續演出過十四齣電影短片。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200112245","MainTitle":"米奇老鼠操作氣動鑿子（破碎機）","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"5.6×5.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112245〈米奇老鼠操作氣動鑿子（破碎機）〉是在描述一隻穿著藍色工作服，頭戴安全帽，腳穿橘紅色安全鞋的米奇老鼠，雙手緊握氣動鑿子（破碎機）打除水泥地面情境。這種神聖的專業工種，深具對兒童之啟發性。\r\n 西元1922年，米奇老鼠在華特‧迪士尼（Walt Disney）手下誕生。西元1955年，在美國加州建立第一座迪斯奈（西元1995年統一更名為迪士尼）樂園。米奇老鼠（Mickey Mouse）暱稱「米老鼠」，牠是於西元1928年，由華特‧迪士尼和烏布‧伊沃克斯於華特‧迪士尼動畫工作室創作產生的迪士尼角色。米奇是一隻擬人化黑色大耳朵的老鼠，通常穿著紅色短褲、褐色大鞋和四隻手指的白色手套，作為華特‧迪士尼公司的官方吉祥物；米奇老鼠是世界上最知名的迪士尼角色之一。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200112246","MainTitle":"米妮老鼠砌磚","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"4.5×5.6×7.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112246〈米妮老鼠砌磚〉是在描述一隻穿著粉紅色工作服，頭上戴著大型米黃色蝴蝶結髮飾，腳穿藍色安全鞋的米妮老鼠，手持尖形鏝刀，取水泥砂漿砌磚的情境。這種對神聖專業工種，藉由立體「裝飾陶瓷」的描述，對兒童之啟發效果與影響力都很大。\r\n 米妮老鼠（Minnie Mouse）於1997年以前的中文名稱翻譯作「美妮」，簡稱「米妮」，是由尤柏‧艾沃克和華特‧迪士尼共同創造之卡通人物角色。西元1930年代的漫畫中，曾經提及她的本名為「密涅瓦鼠（Minerva Mouse）」，並介紹她的父親是Marcus Mouse、母親是Margie Mouse，兩者皆為農夫。有關米妮老鼠動畫之最初製作，首見於西元1928年的《飛機迷（Plane Crazy）》；動畫之最初登場是於同年的全球第一齣有聲動畫影片《汽船威利號（Steamboat Willie）》。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200112247","MainTitle":"成長系列：母女/本持(音)","Creator":"丸利陶瓷公司","CreatedYear":"1990","Size":"12×12×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112248","MainTitle":"宗教系列：男女推車(音)","Creator":"丸利陶瓷公司","CreatedYear":"1992","Size":"21.5×8.6×21.5 ","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112249","MainTitle":"畫家父子","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"13×15.5×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一位畫家正在與兒子一起觀賞他的繪畫。畫家是個中年男子，身著襯衫與長褲，坐在有靠背的椅子上，左手握著畫筆，右手掌擱在左手上，右腳蹺在左腿上，姿態悠閒。他的前方是個大木製畫架，上面架著畫布框。畫架旁邊擺飾一艘模型帆船，地上放在調色盤與兩管油彩。他的小兒子赤腳站在左前方，頭上戴著大盤帽，身上穿著襯衫和吊帶褲，雙手抱於腰前，抬起頭，注視著畫面，和父親一起欣賞作品，表現出父子之間的親密互動。\r\n 西洋玩偶在製坏高溫燒製後，通常還要經過彩繪，再入窯低溫烤花，成為彩色的作品。然而這件作品並沒有經過後面的過程，原因可能有二，其一為藝術家刻意表現作品的精緻度與瓷器的材質美；其二為未完成品。無論如何都不減作品的完美度。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200112250","MainTitle":"小型傢俱組","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"鋼琴：4.2*2.8*2.1\r\n鋼琴椅：0.9*0.9*1.1\r\n立時鐘：1.5*2.6*5\r\n餐桌：1.8*3*2.5\r\n餐桌椅1：1.9*2*3.3\r\n床：4.8*2.8*3.5\r\n床頭櫃：1.5*2.3*4.5\r\n化粧鏡台：1.8*2.5*3.5\r\n三人沙發：2.2*5.6*3.2\r\n單人沙發1-2：2.3*3*3\r\n大圓桌：3*3*2.1\r\n餐桌椅2：2*2*2.6\r\n寫字桌：3.1.7*2.1\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112251","MainTitle":"黑金圖紋面具","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"18×14×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112252","MainTitle":"鳥羽圖紋面具","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"18×14×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112253","MainTitle":"花草圖紋面具","Creator":"","CreatedYear":"1986","Size":"18×14×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112254","MainTitle":"啤酒杯/綠杯(大)","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"15×11.7×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112255","MainTitle":"啤酒杯/紅杯","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"13.5×10.5×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112256","MainTitle":"啤酒杯/天鵝杯","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"14×9.5×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112257","MainTitle":"啤酒杯/泥杯(小)","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"15×10×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112258","MainTitle":"阿拉伯馬","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"24.5×8.5×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112259","MainTitle":"茶馬","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"25×9×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112260","MainTitle":"白馬","Creator":"丸利陶瓷公司","CreatedYear":"1990","Size":"20×9×21.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112261","MainTitle":"斑點馬","Creator":"丸利陶瓷公司","CreatedYear":"1990","Size":"25×8.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112262","MainTitle":"黑馬","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"27.5×8×20.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112263","MainTitle":"抽象大女人煙灰皿","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"20.5×12×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112264","MainTitle":"抽象鳥形皿","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"18×14×16.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112265","MainTitle":"抽象人形系列/雙人","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"4.5×7.5×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112266","MainTitle":"抽象人形系列/坐姿(煙灰皿)","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"11.5×6.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112267","MainTitle":"抽象人形系列/女人抱腳","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"13×14×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112268","MainTitle":"抽象人形系列/女人側躺","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"16×13×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112269","MainTitle":"抽象人形系列/牙刷架","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"7.5×7×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112270","MainTitle":"抽象人形系列/漱口杯","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"7×7.5×8.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112271","MainTitle":"抽象人形系列/肥皂皿","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"13.5×12×4.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112272","MainTitle":"抽象人形系列/仰躺女人盒","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112273","MainTitle":"抽象人形系列/臥姿女人盒","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112274","MainTitle":"抽象人形系列/小胖女人撫摸頭髮","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"8×7×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112275","MainTitle":"抽象人形系列/小胖女人抱頭後仰","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"7.7×6.2×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112276","MainTitle":"抽象人形系列/小胖女人抱胸","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"8.5×9×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112277","MainTitle":"酒瓶系列：獅親子(大)","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"25×17×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112278","MainTitle":"酒瓶系列：雙白鴿","Creator":"丸利陶瓷公司","CreatedYear":"1975","Size":"12×16×27","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112279","MainTitle":"酒瓶系列：麻雀巢","Creator":"丸利陶瓷公司","CreatedYear":"1975","Size":"14×11.5×27","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112280","MainTitle":"金葉壺","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112281","MainTitle":"綠葉大盤","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"20×20×2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112282","MainTitle":"綠葉大盤","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"20×20×2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112283","MainTitle":"綠葉咖啡組","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112284","MainTitle":"蓮花大盤","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"20.2×20.2×1.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjg0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112285","MainTitle":"蓮花大盤","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"20.2×20.2×1.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112286","MainTitle":"蓮花紅茶組","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjg2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112287","MainTitle":"糖罐組","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112288","MainTitle":"奶杯","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"11×6×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112289","MainTitle":"雙狼/咬樹枝","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"24×13×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112290","MainTitle":"素面麵條皿","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"21×21×4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjkw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112291","MainTitle":"貼花麵條皿","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"21×21×5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjkx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112292","MainTitle":"小紅豬拉小提琴/三隻小豬（音樂盒）","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1987","Size":"11.5×15×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjky","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112292〈小紅豬拉小提琴／三隻小豬（音樂盒）〉是在描述三隻小豬當中的一隻小紅豬蓋好木屋之後，在木屋前很高興地拉著小提琴，帶來歡樂的氛圍。雖然這是一個裝飾陶瓷的音樂盒，但是藝術價值在於有故事背景的雕塑創作。音樂鈴發聲機器，被巧妙安排、隱藏到作品裡頭的空間部位，就在小紅豬背後的木屋裡頭。因為取材自卡通影片的關係，小紅豬只穿著象徵性的半截的藍色海軍裝上衣、打上黑色領結、頭上戴著藍色海軍帽、雙手戴上白色手套，以擬人化的站姿表現。\r\n 設計創作的依據是參考華特‧迪士尼的系列動畫短片《糊塗交響曲／Silly Symphonies》中的《三隻小豬／Three Little Pigs》(1933)、《實際的豬／The Practical Pig》(1939) ......等。這件典藏品和200112293、200112294的《三隻小豬／Three Little Pigs》音樂盒是同一組的。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩、室內擺飾及樂音聆聽之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200112293","MainTitle":"豬小弟砌磚/三隻小豬（音樂盒）","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1987","Size":"13.6×12×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjkz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112293〈豬小弟砌磚／三隻小豬（音樂盒）〉是在描述三隻小豬當中的一隻豬小弟正在忙著砌磚時，遇到大壞狼來襲，豬小弟蹙起眉頭，左手握持尖形鏝刀，右手抓著磚塊，準備應戰；很諷刺的是砌了一半的磚牆旁邊，居然放著一袋「防狼水泥」。雖然這是一個裝飾陶瓷的音樂盒，但是藝術價值在於有故事背景的雕塑創作。音樂鈴發聲機器，被巧妙安排隱藏到作品裡頭的空間部位，就在豬小弟身旁的磚房裡頭。圖中的豬小弟穿著藍色吊帶工作服、繫著紅色領巾、戴上白色手套、頭上戴著淡藍色工作帽，儼然像個泥水匠師傅。\r\n 設計創作的依據是參考華特‧迪士尼的系列動畫短片《糊塗交響曲／Silly Symphonies》中的《三隻小豬／Three Little Pigs》(1933)、《實際的豬／The Practical Pig》(1939) ......等。這件典藏品和200112292、200112294的《三隻小豬／Three Little Pigs》音樂盒是同一組的。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩、室內擺飾及樂音聆聽之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200112294","MainTitle":"小紅豬吹笛子/三隻小豬（音樂盒）","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1987","Size":"12×14×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjk0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112294〈小紅豬吹笛子／三隻小豬（音樂盒）〉是在描述三隻小豬當中的一隻小紅豬蓋好茅草屋之後，很高興地在茅草屋前吹笛子，帶來歡樂的氛圍。雖然這是一個裝飾陶瓷的音樂盒，但是藝術價值在於有故事背景的雕塑創作。音樂鈴發聲機器，被巧妙安排放到作品裡頭的空間部位，就在小紅豬身後的茅草屋裡頭。因為取材自卡通影片的關係，小紅豬只穿著象徵性的黑色小上衣、圍著白領巾、在胸前打個黃色大蝴蝶結、雙手戴著白色手套、頭上有一頂小小的海軍帽，以擬人化的站姿表現。\r\n 設計創作的依據是參考華特‧迪士尼的系列動畫短片《糊塗交響曲／Silly Symphonies》中的《三隻小豬／Three Little Pigs》(1933)、《實際的豬／The Practical Pig》(1939) ......等。這件典藏品和200112292、200112293的《三隻小豬／Three Little Pigs》音樂盒是同一組的。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩、室內擺飾及樂音聆聽之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200112295","MainTitle":"側飛鷹","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"22×18.5×32","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112296","MainTitle":"金鷹(原名飛降鷹)","Creator":"丸利陶瓷公司","CreatedYear":"1991","Size":"20×16.5×30.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjk2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112297","MainTitle":"國旗鷹","Creator":"丸利陶瓷公司","CreatedYear":"1991","Size":"27×27×23.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjk3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112298","MainTitle":"麻雀系列/麻雀盆斜立楓葉","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"9.5×7×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjk4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112299","MainTitle":"麻雀系列/麻雀盆上立楓葉(雪)","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"9×7.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMjk5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112300","MainTitle":"麻雀系列/麻雀盆立聖誕紅(雪)","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"9.5×7.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzAw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112301","MainTitle":"麻雀系列/麻雀麵包","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"7.8×6.3×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112302","MainTitle":"麻雀系列/麻雀木牌","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"8.3×10.5×11.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112303","MainTitle":"麻雀系列/麻雀叉子","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"9×6×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112304","MainTitle":"麻雀系列/麻雀鏟柄","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"9×7.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112305","MainTitle":"麻雀系列/麻雀鐵蹄","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"10×6.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112306","MainTitle":"麻雀系列/小麻雀黃花","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"9.5×5.4×9.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112307","MainTitle":"麻雀系列/小麻雀聖誕葉","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"10×6.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112308","MainTitle":"麻雀系列/麻雀小紅果","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"9.8×6×12.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112309","MainTitle":"麻雀系列/麻雀聖誕葉(中)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"12.5×7.3×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112310","MainTitle":"雙鳥系列/雙山雀","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"12.5×9×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112311","MainTitle":"雙鳥系列/雙青雀","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"12.5×8.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200112338","MainTitle":"鸛","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"10×7.8×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200112340","MainTitle":"海鷗","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"11.5×13.3×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200112342","MainTitle":"蜂鳥","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"11×9×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112343","MainTitle":"栗鼠","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"21×10×12.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112344","MainTitle":"古木鳥","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"18.7×16.1×24","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112345","MainTitle":"青雀/牽牛花","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"16.8×11×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200112347","MainTitle":"冬景/麻雀三隻","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"18.7×16.1×24","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112348","MainTitle":"夏景/麻雀三隻","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"17.2×14×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112349","MainTitle":"蜂鳥蘭花","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"14.3×9.8×19.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112350","MainTitle":"青雀/花","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"18.5×12.5×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112351","MainTitle":"雲雀大紅花(大)","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"16×9.5×20.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112352","MainTitle":"雲雀紅果(小)","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"9×6×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112353","MainTitle":"青雀親子/鳥巢","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"14×7.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112354","MainTitle":"紅雀親子/鳥巢","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"14.5×9×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112355","MainTitle":"酒瓶系列：雙山羊","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"19.2×12×24","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112356","MainTitle":"酒瓶系列：山羊親子","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"18×16×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112357","MainTitle":"浪漫的倒影（Romantic Reflection）","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"14×8×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112357〈浪漫的倒影（Romantic Reflection）〉是在描述女性人頭馬身的動畫角色，有如持鏡顧影自賞似的迷人情境。創作者賦予此作品粉紅色的人身和粉茶色的馬身，頭髮和馬尾皆為黑色，頭髮往上盤繞束高纏上花朵裝飾，胸部飾以紅色胸罩；動畫作品本身的造型其特色在於素描線條渾然天成，有如液體流動般的順暢，符合女性優柔特質，塑像雖然是裸體但是卻能顯現端莊美感，如此風情萬種的藝術創作，有「摩兒女孩（Moore Girl）」之稱。\r\n 此系列作品為西元1940年，迪士尼音樂動畫電影《幻想曲（Fantasia）》中的角色，出現於貝多芬《田園交響曲》段落中，與其他女性半人馬、男性半人馬及邱比特天使伴隨登場。此角色由迪士尼動畫師「佛列德‧摩爾（Fred Moore） (1911–1952)」設計，然後由藝術家「肯特‧梅爾頓（Kent Melton）」將角色製作成3D的立體模型。底部有「Walt Disney」的草寫簽名，及電影名稱「Fantasia」、塑像主題「Romantic Reflections」。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200112358","MainTitle":"布魯姆幻想曲中的美女（Beauty in Bloom）","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"22.5×9.5×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112358〈布魯姆幻想曲中的美女（Beauty in Bloom）〉是在描述迷人的女性人頭馬身動畫角色。創作者賦予此作品灰藍色的身體和寶藍色的頭髮與馬尾，誇大的馬尾末段裝飾著許多好像會散發香氣的花朵，長長的頭髮部分盤繞束高纏上粉紅色絲帶，胸部飾以花朵和樹葉；動畫作品本身的造型其特色在於素描線條渾然天成，有如液體流動般的順暢，符合女性優柔特質，塑像雖然是裸體但是卻能顯現端莊美感，如此風情萬種的藝術創作，有「摩兒女孩（Moore Girl）」之稱。\r\n 此系列作品為西元1940年，迪士尼音樂動畫電影《幻想曲（Fantasia）》中的角色，出現於貝多芬《田園交響曲》段落中，與其他女性半人馬、男性半人馬及邱比特天使伴隨登場。此角色由迪士尼動畫師「佛列德‧摩爾（Fred Moore） (1911–1952)」設計，然後由藝術家「肯特‧梅爾頓（Kent Melton）」將角色製作成3D的立體模型。底部有「Walt Disney」的草寫簽名，及電影名稱「Fantasia」、塑像主題「Beauty in Bloom」。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200112359","MainTitle":"小紅豬吹笛子/三隻小豬","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"17×7.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112359〈小紅豬吹笛子／三隻小豬〉是在描述：三隻小豬當中的一隻小紅豬，很認真地吹著笛子，還一面跳舞，帶來歡樂的氛圍。此創作的原始故事背景是，當小紅豬蓋好茅草屋之後，很高興地在茅草屋前吹奏笛子。因為取材自卡通影片的關係，小紅豬只穿著象徵性的黑色小上衣、圍著白領巾、在胸前打個黃色大蝴蝶結、雙手戴著白色手套、頭上有一頂小小的海軍帽，以擬人化的站姿表現，很像紳士在舞臺上的演出。\r\n 設計創作的依據是參考華特‧迪士尼的系列動畫短片《糊塗交響曲／Silly Symphonies》中的《三隻小豬／Three Little Pigs》(1933)、《大壞（野）狼／The Big Bad Wolf》(1934)及《實際的豬／The Practical Pig》(1939) …等。這件典藏品和200112360、200112361的《三隻小豬／Three Little Pigs》以及200322042《大壞（野）狼／The Big Bad Wolf》(1934) 等，是同一組的。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200112360","MainTitle":"小紅豬拉小提琴/三隻小豬","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"10×10×11.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112360〈小紅豬拉小提琴／三隻小豬〉是在描述：三隻小豬當中的一隻小紅豬很高興地拉著小提琴，還一面跳舞，帶來歡樂的氛圍。此創作的原始故事背景是，當小紅豬蓋好木屋之後，很高興地在木屋前吹奏笛子。因為取材自卡通影片的關係，小紅豬只穿著象徵性的半截的藍色海軍裝上衣、打上黑色領結、頭上戴著藍色海軍帽、雙手戴上白色手套，以擬人化的站姿表現，很像紳士在舞臺上的演出。\r\n 設計創作的依據是參考華特‧迪士尼的系列動畫短片《糊塗交響曲／Silly Symphonies》中的《三隻小豬／Three Little Pigs》(1933)、《大壞（野）狼／The Big Bad Wolf》(1934)及《實際的豬／The Practical Pig》(1939) …等。這件典藏品和200112359、200112361的《三隻小豬／Three Little Pigs》以及200322042《大壞（野）狼／The Big Bad Wolf》(1934) 等，是同一組的。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200112361","MainTitle":"小紅豬砌磚/三隻小豬","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"7.5×13.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200112361〈小紅豬砌磚／三隻小豬〉是在描述：三隻小豬當中的一隻小紅豬，手持尖形鏝刀砌磚蓋房子時，遇到大壞狼來襲，小紅豬握緊尖鏝準備自我防衛，同時對著大壞狼怒目相視。從圖中可以看出小紅豬站在紅磚堆上的木跳板砌磚，穿著背後有口袋的牛仔布吊帶工作服褲裝、雙手戴上白色手套、頭上戴著白色工作帽，以擬人化的站姿表現。\r\n 設計創作的依據是參考華特‧迪士尼的系列動畫短片《糊塗交響曲／Silly Symphonies》中的《三隻小豬／Three Little Pigs》(1933)、《大壞（野）狼／The Big Bad Wolf》(1934)及《實際的豬／The Practical Pig》(1939) …等。這件典藏品和200112359、200112360的《三隻小豬／Three Little Pigs》以及200322042《大壞（野）狼／The Big Bad Wolf》(1934) 等，是同一組的。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200112362","MainTitle":"青鳥","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"15.7×8.8×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112363","MainTitle":"鹿親子","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"19×11.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112364","MainTitle":"都鐸王朝宮廷仕女","Creator":"其他-品牌商：Lenox Corporation
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"9×7×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，塑造刻畫出一位身穿都鐸王朝時代服飾的仕女，這位這位典雅端莊肅穆的女性，從他的服飾可判斷是宮廷貴族，頭戴當時流行的新月形帽，雙手持著黑色書本於腰際，服飾的色彩與紋樣，顯現華貴精緻的細節追求。\r\n 底部的產品標註，顯示這位宮廷仕女是Anne。由Lenox出品的「偉大時尚史」系列，表現都鐸時代（1550-1600）的宮廷仕女Anne，為細瓷硬質瓷在臺灣手工雕塑。Anne是否意指英王亨利八世的王后，從現有資料無法確認，但的確意圖表現一位洋溢都鐸時尚特色的高雅女性。典藏登錄紀載，這件細瓷雕像是1985年由丸利陶瓷所生產，同系列的雕像尚有幾件，各自表現出時代的女性時尚特色。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200112365","MainTitle":"伊莉莎白女王時代宮廷仕女","Creator":"其他-品牌商：Lenox Corporation
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"9×6.3×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，塑造刻畫出一位身穿過去歐洲宮廷服飾的仕女，這位典雅端莊肅穆的女性，服飾盡顯宮廷貴族的時尚，衣領以精緻蕾絲製作成輪狀皺褶領，烘托的頭部透露威不可侵的莊重感，緊身束腰衣和以裙撐撐起的圓篷裙極力凸顯腰身的纖細，此外，配有羽毛的帽子、披掛的長串珍珠、衣服表面的精緻紋樣，共同打造出宮廷時尚的高貴奢華。\r\n 底部的產品標註這是宮廷仕女Jane，屬於Lenox出品的「偉大時尚史」系列，表現伊莉莎白女王時代（1558-1603）的宮廷仕女Jane，為細瓷硬質瓷在臺灣手工雕塑。典藏登錄紀載，這件細瓷雕像是1985年由丸利陶瓷所生產，同系列的雕像尚有幾件，各自表現出歐洲不同王朝時代的女性時尚特色。裝飾陶瓷產業在臺灣興盛於1970、80年代，屬代工製造，從這件作品的作工細節，反映丸利製造的純熟技術和精良品管。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200112366","MainTitle":"巴洛克宮廷仕女","Creator":"其他-品牌商：Lenox Corporation
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"8×7.2×14.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，塑造刻畫出一位身穿歐洲宮廷服飾的仕女，這位女性的服飾盡顯巴洛克時期的宮廷時尚潮流，緊身胸衣呈現玲瓏曲線，袖子卻十分寬大分成數段的皺褶篷起如泡泡，裙子也是很蓬鬆，最外層從腰開叉向外翻，以抓皺形成更強烈的篷起形態，增加視覺層次和華麗感，頭戴配有巨大羽毛裝飾的大帽子，整體表現既繁複又誇張的巴洛克風格。\r\n 底部的產品標註這是宮廷仕女Elizabeth，屬於Lenox出品的「偉大時尚史」系列，為高級精緻瓷，在臺灣手工雕塑。典藏登錄紀載，這件細瓷雕像是1985年由丸利陶瓷所生產，同系列的雕像尚有幾件，各自表現出歐洲不同王朝時代的女性時尚特色。裝飾陶瓷產業在臺灣興盛於1970、80年代，屬代工製造，從這件作品的作工細節，反映丸利製造的純熟技術和精良品管。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200112367","MainTitle":"維多利亞女王時代宮廷仕女","Creator":"其他-品牌商：Lenox Corporation
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"9.5×6.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件手工彩繪的裝飾陶瓷雕像，塑造刻畫出一位身穿歐洲宮廷服飾雙手持扇的仕女，這位女性的服飾意圖表現英國維多利亞女王時期的宮廷時尚潮流。維多利亞風格女性服飾，有大量蕾絲和荷葉花邊運用在袖口、領口和裙身，緊身上衣搭配多層次蛋糕裙的剪裁，更顯仕女身姿曲線的纖細曼妙，篷大的裙子沿襲巴洛克時代最外層開叉撐開的手法，增加裙面的層次感，更加上蝴蝶結裝飾，烘托女性甜美氣質，整體既盡顯女性纖柔的美感又不失貴族氣派的華麗。\r\n 底部的產品標註這是宮廷仕女Caroline，屬於Lenox旗下品牌Brools & Bently出品的「偉大時尚史」系列，為高級精緻瓷，在臺灣手工雕塑。典藏登錄紀載，這件細瓷雕像是1985年由丸利陶瓷所生產，同系列的雕像尚有幾件，各自表現出歐洲不同王朝時代的女性時尚特色。裝飾陶瓷產業在臺灣興盛於1970、80年代，屬代工製造，從這件作品的作工細節，反映丸利製造的純熟技術和精良品管。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200112368","MainTitle":"愛德華時期宮廷仕女/手持蕾絲洋傘","Creator":"其他-品牌商：Lenox Corporation
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"6.5×6×15.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件手工彩繪的裝飾陶瓷雕像，塑造刻畫出一位頭戴寬沿茂，手持綴著蕾絲的洋傘，身著連身衣裙的仕女。依據雕像本身的註記指出這位女性的服飾意圖表現英國愛德華時期（1890-1910）的宮廷時尚潮流，不過歷史上的愛德華時代為1901-1910年，或許出品人並未那麼考究年代。愛德華時代的上流社會崇尚休閒活動，因此衣著更傾向便於活動，表現在女性服飾上則如雕像所透露，過去誇張的造型和繁複的裝飾都不見了，顯現出較為輕便但仍典雅端莊的取向。\r\n 底部的產品標註有仕女名稱，但因貼紙標籤遮蓋而無法完全辨識。它屬於Lenox出品的「偉大時尚史」系列，為高級精緻瓷，在臺灣手工雕塑。典藏登錄紀載，這件細瓷雕像是由丸利陶瓷所生產，同系列的雕像尚有幾件，各自表現出歐洲不同王朝時代的女性時尚特色。裝飾陶瓷產業在臺灣興盛於1970、80年代，屬代工製造，典藏登錄這是丸利陶瓷所生產，從作工細節可見丸利製造的純熟技術和精良品管。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200112369","MainTitle":"異國遊牧民族服飾仕女","Creator":"其他-品牌商：Lenox Corporation
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"5.7×5.8×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位異國仕女身穿民族服飾。這位女性頭上戴著特殊頭飾高帽，形式上類似回教男性以頭巾包纏頭部，上身服飾貼身，衣袖窄而束口，腰間以寬幅繫帶繫出腰線，曳地長裙型態簡約，整體服飾不同於歐洲宮廷女裝的繁複誇張，帶有遊牧民族服飾的風格，俐落中卻不失典雅莊重，整體造型與彩繪細節毫不馬虎。\r\n 從典藏登錄資料可知這是苗栗丸利陶瓷公司於1985年所製造的產品。裝飾陶瓷從日本引進，當時苗栗因具陶業傳統、人力素質和天然氣能源，而成為日本裝飾陶瓷技術移轉重地，丸利即為臺日合資的代表性工廠，代工製作生產歐美禮品市場所需的各類彩繪陶瓷，由於技術精良品管佳，深獲外國品牌信任委託製造中高價位的商品。1970、1980年代，興盛的裝飾陶瓷產業，為臺灣賺取豐厚的外匯，然而1990年起社會條件的轉變，該產業也一夕沒落，丸利也在這波影響下黯然關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200112370","MainTitle":"酒瓶系列：大古董車/灰黑色","Creator":"丸利陶瓷公司","CreatedYear":"1975","Size":"30×11×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112371","MainTitle":"酒瓶系列：大古董車/黃紅色","Creator":"丸利陶瓷公司","CreatedYear":"1975","Size":"30×11×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112372","MainTitle":"酒瓶系列：大古董車/天藍色","Creator":"丸利陶瓷公司","CreatedYear":"1976","Size":"30×11×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112373","MainTitle":"酒瓶系列：大古董車/紅色","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"29×11×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112374","MainTitle":"酒瓶系列：小古董車/紅色","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"15.5×6.3×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112375","MainTitle":"酒瓶系列：小古董車/綠色","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"15.5×6.3×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112376","MainTitle":"酒瓶系列：小古董車/金色","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"15.5×6.3×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112377","MainTitle":"酒瓶系列：小古董車/白色","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"15.5×6.3×5.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112378","MainTitle":"木蘭花","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"18.3×14.8×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112379","MainTitle":"蘭花","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"17.5×13×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112380","MainTitle":"蝶/山茱萸","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"17×9×9.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112381","MainTitle":"蝶/桑葚","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"15×11×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112382","MainTitle":"旋轉馬","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"21.5×8.6×27.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112383","MainTitle":"大番鴨","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"28×13×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112384","MainTitle":"舞鞋/花瓶","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"7.5×7.5×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzg0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112385","MainTitle":"舞鞋/天鵝盒","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112386","MainTitle":"舞鞋/鼠盒","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzg2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112387","MainTitle":"舞鞋/花盒","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112388","MainTitle":"舞鞋/相框","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"12×4×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112389","MainTitle":"芭蕾舞/相框","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"12×4×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112390","MainTitle":"舞鞋/鞋雙立","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"6.5×6×6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzkw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112391","MainTitle":"舞鞋/鞋疊","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"5.5×5×6.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzkx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112392","MainTitle":"舞鞋/鞋交叉","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"6×3.5×6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzky","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112393","MainTitle":"森林小動物/獾","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"6.8×3.8×3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzkz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112394","MainTitle":"森林小動物/水獺","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"6×3.8×3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzk0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112395","MainTitle":"森林小動物/鹿","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"5×3.2×5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112396","MainTitle":"森林小動物/浣熊","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"6.5×3.8×5.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzk2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112397","MainTitle":"森林小動物/松鼠","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"5.5×3.8×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzk3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112398","MainTitle":"熊與海狸","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"17.8×13×16.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzk4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112399","MainTitle":"虎與蝶","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"9.5×11×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyMzk5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112400","MainTitle":"鹿與鴨","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"10.5×10.7×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDAw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112401","MainTitle":"母鴨親子","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"8×7.8×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112402","MainTitle":"綿羊與鳥","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"7.1×7×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112403","MainTitle":"兔與蜂","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"7×6×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112404","MainTitle":"北極熊","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"11.8×12×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112405","MainTitle":"小動物/海獅","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"8.5×5.2×5.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112406","MainTitle":"小動物/企鵝","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"4.5×6.3×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112407","MainTitle":"小動物/鴕鳥","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"6.8×5.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112408","MainTitle":"雙幼獅","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"22×15×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112409","MainTitle":"側飛白鳩","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"21.5×12.5×23.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112410","MainTitle":"展翅白鳩","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"20.5×15×29.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112411","MainTitle":"張翅白鷹","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"29×12×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112412","MainTitle":"黑豹","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"20.5×11.5×30","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112413","MainTitle":"雪白聖誕樹","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"17×17×31","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112414","MainTitle":"Bone鳥系列/老鷹","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"8×7.7×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112415","MainTitle":"Bone鳥系列/雁降","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"12.8×5.8×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112416","MainTitle":"Bone鳥系列/雁飛","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"10×11.7×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112417","MainTitle":"Bone鳥系列/燕子","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"9.5×8.2×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112418","MainTitle":"Bone鳥系列/側飛海鷗","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"8.5×6.5×15.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112419","MainTitle":"鬱金香/紅色(音)","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"15.5×10.5×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112420","MainTitle":"鬱金香/黃色(音)","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"15.5×10.5×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112421","MainTitle":"牡丹","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"9.8×7.8×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112422","MainTitle":"藍鳶尾","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"11×6.5×13.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112423","MainTitle":"櫻花","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"8×8.8×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200112424","MainTitle":"小木蘭","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"9×8×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEyNDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113001","MainTitle":"酒瓶系列：O.K.牧場：木屋","Creator":"其他-品牌商：Lionstone Distilleries, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"19×19.5×24","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" O.K.牧場是1881年一場美國西部牛仔與警長之間的誤會槍戰發生地點，位於美國亞利桑那領地湯姆斯通鎮 (Tombstone, Arizona Territory)，是美國歷史上首件警察與違法牛仔之間的誤傷爭戰，也代表著美國法律開始向西南方偏遠之地伸出觸角。1950年代西部牛仔電影盛行，集合眾多好萊塢大卡司動作片演員之作Gunfight at the O.K. Corral，中文片名「龍爭虎鬥」，即是以此事件為背景故事拍攝。\r\n 這件出自苗栗丸利陶器公司的陶瓷雕塑造型酒瓶，可說是美國市場受到電影效應緬懷西部牛仔文化的商品訂製。在木頭搭起的圍欄外有三位牛仔持槍對決，兩位已瞄準敵人(警長)、一位作出正要拔槍的姿態。三位人物有著美國西部牛仔的標準裝扮，頭戴墨西哥式寬沿高頂氈帽、腰間配有槍帶放置左輪連發手槍、穿著牛仔褲皮背心、足蹬一雙高筒皮靴，以及頸圍一塊色彩鮮艷的大方巾。這組與另外兩組同為O.K.牧場主題的酒瓶雕塑，因其主題性的關聯，底座邊緣線條使其可以相併連一起擺設。\r\n 木頭推搭起的圍欄是作為容器主體的部分，再與三位人物及底座粘接一起進窯燒。底座側邊轉印有釀酒廠與容器內裝的酒品資訊，由左邊的「KENTUCKY STRAIGHT BOURBON WHISKY」(肯塔基純波本威士忌)，到中間的「LIONSTONE WHISKY DISTILLED IN BARDSTOWN, KENTUCKY By LIONSTONE DISTILLERIES, LTD.®」 (肯塔基巴斯鎮蒸餾法製石獅威士忌，石獅釀酒廠股份有限公司-註冊商標-製造)，再到「86 PROOF 4/5QUART」(美規酒精強度標準86、容量4/5夸脫)，由此可推論，此陶瓷雕塑造型酒瓶是由石獅酒廠所委託訂製。瓶器底部貼有一張金色圓標貼紙，標示「CONTAINER MADE IN TAIWAN」為臺灣製造的容器。\r\n 丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，以及乾淨能源的天然瓦斯，於是決定在此設廠。廠房管理與技術指導由日方引入，加上苗栗居民克勤克儉的工作精神，促成裝飾陶瓷這項勞力密集的產業迅速蓬勃發展，為臺灣賺取巨額的外匯收入，產業初期的出口值從民國60年的41萬美元提昇至民國77年的3億美元。(資料來源：「蛻變中的苗栗陶—外銷vs.文化休閒的五穀文化村案例」，賀豫惠、葉相君，《工藝雜誌》NO.4)。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000e801c59e4105b0bf0f2cca505a81ba3e634d0081dc1dafa9db48564ebe9d185220b101af02d7afc6a9517b7255d367e70d40ebf421d8954d5ba203c7d44943f7"}
,{"Identifier":"200113002","MainTitle":"酒瓶系列：O.K.牧場：馬","Creator":"其他-品牌商：Lionstone Distilleries, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"18.5×19×24","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" O.K.牧場槍戰是1881年一場美國西部牛仔與警長之間的誤會衝突事件。西部牛仔早期起先以堅毅、冒險服務的精神予人良好的印象，但當中也不乏有違法的不肖之徒，因此當法律開始管制西部荒野時，私人尋仇與法律正義之間即常發生衝突。1950年代西部牛仔電影盛行，集合眾多好萊塢大卡司動作片演員之作Gunfight at the O.K. Corral，中文片名「龍爭虎鬥」，即是以此事件為背景故事拍攝。這件出自苗栗丸利陶器公司的陶瓷雕塑造型酒瓶，可說是美國市場受到電影效應後，緬懷西部牛仔文化的商品訂製。\r\n 造型酒瓶的外在裝飾雕塑生動，表現兩位牛仔跌落馬背，混亂中仍掏出槍來與敵人對決。兩匹形體高大的馬成為此組件的主體，其中一匹形體較大的淺色馬幾乎直立於後腿，牠的前腿跨在旁邊後腿蹲坐下來的深棕馬背上，顯出一片人仰馬翻的動亂感，但同時也凸顯出兩位牛仔的動作矯捷與冒險患難神態。戴著牛仔帽、身穿西裝夾克的牛仔拉住深棕馬的頭首，一腳跌坐、一腳立起依靠在馬旁，而扶地半起身的那位也奮抵力敵，不顧他的帽子掉落在前方。兩匹馬都還配著馬鞍，加上激烈的動作複雜，可見其原型雕塑的生動、彩繪精細；直立的淺色馬身形較為高大，作為裝酒的容器，可從馬脖子上的切痕判斷為瓶口、瓶塞處。這組與另外兩組同為O.K.牧場主題的酒瓶雕塑，因其主題性的關聯，底座可以相併連一起擺設。\r\n 底座側邊轉印有釀酒廠與容器內裝的酒品資訊，由左邊的「KENTUCKY STRAIGHT BOURBON WHISKY」(肯塔基純波本威士忌)，到中間的「LIONSTONE WHISKY DISTILLED IN BARDSTOWN, KENTUCKY By LIONSTONE DISTILLERIES, LTD.®」 (肯塔基巴斯鎮蒸餾法製石獅威士忌，石獅釀酒廠股份有限公司-註冊商標-製造)，再到「86 PROOF 4/5QUART」(美規酒精強度標準86、容量4/5夸脫)，由此可推論，此陶瓷雕塑造型酒瓶是由石獅酒廠所委託訂製。瓶器底部有注漿口。 \r\n 丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，以及乾淨能源的天然瓦斯，於是決定在此設廠。廠房管理與技術指導由日方引入，加上苗栗居民克勤克儉的工作精神，促成裝飾陶瓷這項勞力密集的產業迅速蓬勃發展，為臺灣賺取巨額的外匯收入，產業初期的出口值從民國60年的41萬美元提昇至民國77年的3億美元。(資料來源：「蛻變中的苗栗陶—外銷vs.文化休閒的五穀文化村案例」，賀豫惠、葉相君，《工藝雜誌》NO.4)。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000ec825ffeaac6cd169a0b058c70f128cd985a23391e98f15ae8d8e322d4b927559b5b1eacec13d80a316ffb3871596e3a3a6e0f5392769f804b2d0acdd0aa8eaf"}
,{"Identifier":"200113003","MainTitle":"酒瓶系列：O.K.牧場：磚屋","Creator":"其他-品牌商：Lionstone Distilleries, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"21.3×20.3×23.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" O.K.牧場槍戰是1881年一場美國西部牛仔與警長之間的誤會衝突事件。1950年代西部牛仔電影盛行，集合眾多好萊塢大卡司動作片演員之作Gunfight at the O.K. Corral，中文片名「龍爭虎鬥」，即是以此事件為背景故事拍攝。這件出自苗栗丸利陶器公司的陶瓷雕塑造型酒瓶，是美國市場受到電影效應後，緬懷西部牛仔文化的商品訂製。\r\n 造型酒瓶雕塑出鎮警長維吉爾•厄普(Virgil Earp)和他的兄弟警員摩根和懷亞特 (Morgan and Wyatt Earp)，以及臨時特警道客•霍利迪(Doc Holiday)在磚屋外與牛仔對決的時刻。三人倚著磚屋外牆，一人蹲下半坐，全都聚精會神地緊盯著前方，中間戴著米色牛仔帽的警員半脫了外套，手中拿著來福槍，右手邊那位警員尚未來得及掏槍出來，他的另一手已抱著腹部，或許是中槍受傷了。這組與另外兩組同為O.K.牧場主題的酒瓶雕塑，因其主題性的關聯，底座可以相併連一起，形成如戲劇中的場景擺設。\r\n 由磚屋門面的空間作為容器主體的部分，再與四位人物及底座粘接一起進窯燒。底座有注漿口，瓶身上方有一方塊形磚塊突起作為瓶塞，內附有軟木塞；底座側邊同樣轉印有釀酒廠與容器內裝的酒品資訊，與另外兩件O.K.牧場系列造型酒瓶雕塑相同，皆為肯塔基巴斯鎮上的石獅釀酒廠蒸餾釀造的純波本威士忌，酒精強度與液體容量皆為「86 PROOF 4/5QUART」(美規酒精強度標準86、容量4/5夸脫)。\r\n 丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，以及乾淨能源的天然瓦斯，於是決定在此設廠。廠房管理與技術指導由日方引入，加上苗栗居民克勤克儉的工作精神，促成裝飾陶瓷這項勞力密集的產業迅速蓬勃發展，為臺灣賺取巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000fc55176b803e9a0be457ed5e706118065cdd1cffc88a36ae78d1752870941625e3882c28f3d9eea7ecf9b8f4678b27c11cd7eb407dc5328eae957fe01b9f8990"}
,{"Identifier":"200113004","MainTitle":"酒瓶系列：羅斯福騎馬","Creator":"設計者：Another Grenadier Original
其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"26×10.5×30","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件作品表現人稱老羅斯福的西奧多•羅斯福總統 (Theodore Roosevelt Jr., 1858-1919) ，暱稱泰迪（Teddy），穿著他的卡其布「莽騎兵」(Rough Rider)制服，騎著他心愛的馬匹「小德克薩斯」(Little Texas)的樣子，除了底座的名字顯示，從魁梧的體態、圓形眼鏡和海象鬍，可以辨認出是他的特徵。他戴著典型的哈迪帽，一種美國內戰期間南方邦聯軍隊的制服帽，帽沿固定在左側。帽子同時也是作為這件陶瓷雕塑造型酒瓶的隱形瓶蓋。手中拉著的韁繩是整體製作完成後，以真實皮質繩條繫上。\r\n 西奧多•羅斯福總統是美國第26任總統。他的一生傳奇精彩，除了政界，還曾擔任過牧場主人，在開闊的西部放牧騎馬、狩獵，後來任美國海軍副部長，辭去職務組織千名志願軍騎兵團參加美西戰爭，深入叢林探險，幫助古巴人擺脫西班牙殖民。他博學多聞，撰寫過三十五本書，是美國史上最年輕的總統，因成功調停了日俄戰爭，獲得1906年的諾貝爾和平獎，是第一個獲得此獎項的美國人。在美國總統山(拉什摩爾山Mount Rushmore) 的四位總統巨雕像中，西奧多•羅斯福總統與華盛頓總統、傑斐遜總統和林肯總統同列。\r\n 底座下的落款是以少見的陽刻形式字樣表現，內容記載老羅斯福總統的生辰忌日(BORN:OCT.27.1858，DIED:JAN.6.1919)以及此件雕塑生產日期與美國供應商「ANOTHER GRENADIER © ORIGINAL」(特種兵團正品)。\r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣的苗栗公館一帶原有的製陶發展，加上乾淨能源的天然瓦斯，於是決定來此地設廠，投注技術與管理，帶起這條裝飾陶瓷生產線的新興產業。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200113005","MainTitle":"酒瓶系列：賽馬騎士","Creator":"其他-品牌商：Lionstone Distilleries, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"25×10×28","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 美國肯塔基賽馬 (KENTUCKY DERBY) 是世界著名的賽事之一，也是美國三冠賽馬大賽的頭關賽事，觀賽人數眾多。這件作品是為紀念1974年5月4日美國肯塔基賽馬大賽的第100屆比賽 (首次賽事舉行於1875年)，當中贏得勝利的賽馬名為卡農納多 (CANNONADE)。根據紐約時報的賽事報導記載，卡農納多由81歲的賽馬飼養者John M.Olin所擁有，是體態與勝算一開始並不是被看好的馬匹，60歲的訓練師Woody Stephens也是第一次因卡農納多的表現而贏得冠軍。他們的名字分別被記載於此件馬匹造型酒瓶底座的三邊。\r\n 酒瓶造型表現賽馬騎師騎著優勝的卡農納多，一起迎接勝利的一刻，賽會為優勝的馬披上紅玫瑰編成的花毯。騎師身穿紅黃斜紋上衣，臉部神情、鬍子描繪細膩，馬兒體態優雅。騎師的上半身在上手臂至胸前有一截痕，推斷他的胸部以上至頭部成為酒瓶蓋的部分。手中拉著的韁繩是整體製作完成後，以真實皮質繩條繫上。底部落款為排版字體印章形成陰刻的「ORIGINAL LIONSTONE SCULPTURED PORCELAIN ©1976 L.D.L.LIMITED EDITION」字樣 (原版石獅陶瓷雕塑1976年版權所有/石獅釀酒廠股份有限公司限量版)。肯塔基州是美國中部地區重要的農業州，以純種馬聞名全球，有「世界馬都」美稱，而石獅釀酒廠正好位於肯塔基州，因此肯塔基賽馬非常適合作為具紀念性的酒瓶主題造型。\r\n 此藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣的苗栗公館一帶原有的製陶發展，加上乾淨能源的天然瓦斯，於是決定來此地設廠，投注技術與管理，帶起這條裝飾陶瓷生產線的新興產業。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000ba78616e005930caf1b29a06081bf046034f93bf4cecc8faccae33fea696fe813c5f9e2d3d3523c114f56789bf0c305800e120a42fc17751d7cab6decd018af8"}
,{"Identifier":"200113006","MainTitle":"酒瓶系列：騎兵","Creator":"設計者：F. R. Lammert
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"26×13×31","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 美國在獨立戰爭後的西進拓荒運動中，因白人殖民者人數日益增多，漸壓迫到印地安原住民的生存空間，而時常產生衝突，許多美國人遭印地安人獵首；美國聯邦政府遂組成騎兵隊來追趕對付印地安人。騎兵屬於陸軍，是騎乘馬匹作為移動前進部隊的兵種。\r\n 這件裝飾陶瓷造型表現一名美國西部騎兵的馬上英姿。他身穿藍色騎兵制服，繫著紅色領巾，頭戴牛仔帽，全副武裝：腰間配帶短槍，由左肩至右邊腰間掛的槍帶繫著一支長來福槍，貼著馬匹側身與馬鞍垂直，左邊腰間則佩著長劍，貼著騎兵左腿，馬鞍前後裝載著旅途行囊。整體刻畫塑造詳盡細膩，馬匹左前蹄向內提起，頭向右傾，狀似提步向前進，右後腿部肌肉感與表面紋理也清楚可見；而騎兵上身直立挺拔，雙腳蹬著馬鐙，身體與馬的姿態互動真實自然。他的雙手戴著手套，並拉著由真實皮質繩條替代的韁繩。\r\n 底座底部罕見的以絨布全面貼封，是特地為擺飾用途避免陶瓷摩擦桌面所添加的設計，而落款資訊則無從得知，在模擬荒野泥地的底座上可見刻有原型設計師F.R.Lammert©1975的字樣。瓷偶的製程先後分為：原型雕塑、製模分片、注漿成型、整修粘接、生檢、窯燒、締檢、彩繪和繪燒幾個步驟，完成後再經最後的品檢與包裝才出貨。在製模分片階段，騎兵與馬匹是分開製模的，注漿成型後再整修、相繼粘接組合上槍枝、旅途行囊。\r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣的苗栗公館一帶原有的製陶發展，加上乾淨能源的天然瓦斯，於是決定來此地設廠，投注技術與管理，帶起這條裝飾陶瓷生產線的新興產業。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200113007","MainTitle":"騎馬越過阿爾卑斯山隘的拿破崙","Creator":"設計者：日本株式会社丸利商会
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"16.7×9×20.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶的創作有時會以名畫作為表現的題材，這件作品是典型的例子。作品描繪法蘭西帝國皇帝拿破崙三世騎馬越過阿爾卑斯山(Napoleon Cross the Alps)的場景，原畫的創作者是新古典主義大師大衛(Jacques-Louis David, 1748-1825)。原作是油畫，依其改為立體的圓雕。拿破崙全身戎裝，腰間佩著長劍，騎在馬上，雙手握著繮繩，兩腳踩著馬鐙，頭部略向前傾，目光下視。馬匹身體健壯，後腳立於地上，前肢高舉，全身呈傾斜狀，具有緊張的動態，拿破崙卻能穩穩地騎在馬背上，表現他的英雄氣概。\r\n 器底有「MR」丸利(Maruri)的商標，説明是日本丸利公司設計的作品。苗栗丸利公司是臺灣企業家張伯欣與日本母公司合作成立的瓷器廠，作品的原型設計與模具都來自母公司，由臺灣公司代工生產，同類作品亦有作成酒瓶者。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113008","MainTitle":"酒瓶系列：立姿消防員 (小)","Creator":"其他-品牌商：J.P. Van Winkle & Son
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"12×10.4×31.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 在美國，消防員分為自願和職業消防員兩種，而自美國獨立開國以來，一直是以志願消防員人數居多。儘管如此，消防員在美國仍是最受歡迎與尊敬的職業之一。1911年美國紐約曼哈頓一場高樓工廠發生的大火，短時間內死傷上百人，讓美國開始重視工安、建設消防系統與防災概念，消防員制度與消防員訓練，打火英雄的故事也在80-90年代被拍成電影，更加深人們心中對消防英雄形象的崇敬。\r\n 這件陶瓷造型雕塑酒瓶以消防員救火的形象為題。一名戴著消防安全帽6號的中年消防員，腳踩著梯子，手上拿著斧頭斜靠在房屋頂上，看著熊熊的火勢從煙囪冒出，推究他正要敲破屋頂。由屋頂部分構成的底部四方、側邊三角的空間容積作為酒瓶容器的部分，從煙囪冒出的火苗為瓶蓋。屋頂上的紅瓦片雕畫細緻，可見其層層節次紋理；除了精準具動感的肢體動作，消防員救火的辛苦、認真嚴肅的表情也全寫在臉上，彩繪員以顏彩仔細描繪了眉、眼、鬍鬚，並在臉頰兩側添抹灰煙。此外，煙囪冒出的火苗以帶有釉光的釉彩表現更為逼真，與屋頂、消防員外衣上的低溫色釉不同。\r\n 消防衣的厚重質感、手套與斧頭和手部動作的配合角度，都寫實到位。瓶身底部無落款，有一張貼紙顯示此件為來自日本的樣本，作為開模師參考而非銷售用，標示著「F.F.NO.6 JAPAN」，推測為作品名稱Fire Fighter No.6。同樣的貼紙也貼在消防員手中的斧頭桿上。\r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司雖將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段皆在日本技師的監督下完成，高品質管理業界出名，也因此在市場上賣出高價格。1981年左右，為提高效能，丸利公司從日本引進輸送帶作業於繪彩生產線，彩繪員除了技巧嫻熟，也必須在在短時間內準確快速地完成；瓷偶上色的作業因速度而更具技術挑戰性 (《苗栗裝飾陶瓷產業》p.44-45)。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200113009","MainTitle":"酒瓶系列：跪姿消防員 (小)","Creator":"其他-品牌商：J.P. Van Winkle & Son
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"12×12×24.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 在美國，消防員分為自願和職業消防員兩種，而自美國獨立開國以來，一直是以志願消防員人數居多。儘管如此，消防員在美國仍是最受歡迎與尊敬的職業之一。1911年美國紐約曼哈頓一場高樓工廠發生的大火，短時間內死傷上百人，讓美國開始重視工安、建設消防系統與防災概念，消防員制度與消防員訓練，打火英雄的故事也在80-90年代被拍成電影，更加深人們心中對消防英雄形象的崇敬。\r\n 與另一件立姿消防員同系列的這件陶瓷造型雕塑酒瓶，形塑出火場中的消防員形象，這名戴著消防頭盔2號的消防員，臉上戴著護目鏡與呼吸器，跪坐在瓦礫堆上，手中握著滅火的水帶，背後戴著氧氣筒。由這些基本配備可判定，此件陶瓷造型刻畫的是早期的救火員。消防頭盔圓頂處為一個隱形的瓶蓋，底座底部無注漿口，也無落款和任何標示紀錄。\r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司雖將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段皆在日本技師的監督下完成，高品質管理業界出名，也因此在市場上賣出高價格。\r\n 於丸利公司工作三年半，擔任原型雕塑師的陳東榮先生曾經前往日本受訓一年的時間，他在受訪時回顧這段經驗時說道：「原型師除了研發外，還要研究原型和開模之間的關係，如何分片、如何減少成本? 此外我在日本還學到一個功夫，就是作品在市場會不會被接受?…作品以好賣為前提。」(《苗栗裝飾陶瓷產業》p.56)。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200113010","MainTitle":"酒瓶系列：急救消防員(大)","Creator":"其他-品牌商：J.P. Van Winkle & Son
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"22×14.9×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 在美國現代化的過程中，工安問題愈加受到重視，加上受開發的原始山林地區因氣候乾燥引發的叢林野火與焚山，消防員的工作與地位日益受到重視。事實上，消防員的角色不僅有滅火，同時也與警察和緊急醫療服務密切合作，除與專職護理人員合作外，消防員經常提供一定程度的緊急醫療服務。\r\n 這件陶瓷造型雕塑酒瓶形塑一名醫護消防急救士正在急救一名火場中受傷昏迷的消防員。醫護消防急救士頭上戴著標註4號EMS (emergency service) 的消防頭盔，他穿著夾克佩戴領帶，跪坐在昏迷的同袍身旁，一手將氧氣面罩按在昏迷的消防員臉上，另一手拉起消防員的左手測量脈搏，臉上表情屏氣凝神，同時眼睛也看著手上的手錶，計數急救的時間與脈搏速度。急救士制服手臂上繪有標章，代表其身分與所屬單位，非常考究；身旁的綠色氧氣筒與輸送氧氣的黃色管子塑造極為逼真，昏迷的消防員臉上痛苦的表情被寫實地塑造與彩繪出來，他與醫護急救士腳上都穿著消防靴膠鞋，連鞋底的防滑刻紋也清晰可見。整體型態比例正確，細節毫不放過，顯得自然逼真。\r\n 消防頭盔圓頂處為一個隱形的瓶蓋，底座底部無注漿口也無落款，有一張貼紙顯示此件為來自日本的樣本，作為開模師參考而非銷售用，標示著「SAMPLE NOT FOR SALE / TMR-4028 JAPAN」，推測TMR代表Taiwan Maruri 臺灣丸利。\r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司雖將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段皆在日本技師的監督下完成，高品質管理業界出名，也因此在市場上賣出高價格。1981年左右，為提高效能，丸利公司從日本引進輸送帶作業於繪彩生產線，彩繪員除了技巧嫻熟，也必須在在短時間內準確快速地完成；瓷偶上色的作業因速度而更具技術挑戰性 (《苗栗裝飾陶瓷產業》p.44-45)。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200113011","MainTitle":"酒瓶系列：救火消防員 (大)","Creator":"其他-品牌商：J.P. Van Winkle & Son
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"21×16×25.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 在美國，消防員是最受歡迎與尊敬的職業之一。消防員須具備強健的體魄與清醒的判斷力，他們勇敢犯難救人的熱血勇氣，更是受人愛戴。許多圍繞在打火英雄故事的電視劇、電影，以他們英勇形象拍攝的年曆海報等，順應而生。而在美國興起以陶瓷造型酒瓶來裝威士忌酒的風氣，推斷是延續西方聖誕節用大量小型瓷偶來妝點節慶或送禮的習慣有關，因此以紀念性價值與觀賞性為出發點，打火英雄也就成為限量、珍貴的酒瓶器造型。\r\n 這件陶瓷造型雕塑酒瓶形塑一位卸下身上消防配備的消防員，從臉上額眉間的皺紋可看出，他略顯疲憊的神情似乎帶點憂傷，或許是任務雖結束但並不樂觀的成果，也或許是辛苦過後的擔憂。他的左手扶著用來破門或牆的斧頭，另一手拿著氧氣罩，供氧設備的黑色管線從腰間的裝置連接到後面背載著的黃色氧氣筒。為顯示他卸下身上繁重悶熱的消防設備，身上領口敞開，防護外衣也鬆開扣紐。在消防衣袖口處有一圈發泡化學材質襯墊，用以隔絕熱空氣的進入。細節形塑擬真，人物生動。他頭戴黃色1號的防火頭盔，頭盔部分作為瓶蓋，底座底部無注漿口也無落款。\r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200113012","MainTitle":"酒瓶系列：礦工(大)","Creator":"其他-品牌商：J.P. Van Winkle & Son
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"18.8×15×21.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 美國是世界上的礦藏之首，擁有最多高品質的煤炭。自工業革命開始，煤炭就是一項重要的能源，採礦業成為許多移民首選的工作。礦工的辛苦貢獻，以及早期經常發生於採礦區的災難，成為人們緬懷其精神並與予紀念的原因。\r\n 這件藏品形塑一名礦工正在採煤礦的樣子。他雙手持著氣動鑽探挖煤礦岩，頭頂鋼盔上方的探照燈與他的臉朝向探挖處，腳下放著一把煤鏟，後方停放一台載滿煤礦的煤車。在形體的塑造上，大致可分為礦工、煤礦岩與煤車，以及其他附件如氣動鑽、煤鏟；這些個體皆分別注漿開模後再組合一起，並粘合上附件。彩繪方面，氣動鑽的紅色機體含釉光，顯現閃亮的機械感；相較於礦工的臉上、上衣與褲子都擦上了黑彩，表現礦工辛苦工作沾上煤油汙漬的模樣。此件造型雕塑同時也是一個酒瓶，以煤礦岩的內部空間為容器，頂端分截處為瓶口 (開模注漿口)，其上方岩塊作為瓶蓋。煤礦岩的底座上標示著造型主題COAL MINER，但底座底無任何落款標示。\r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。\r\n 創作裝飾陶瓷的原型雕塑師必須考量物件的開模分片；原型雕塑關乎產品主題的造型，可說是整個產業的靈魂。曾經於丸利公司擔任原型雕塑師的陳東榮先生回憶在日本受訓的經驗時說到：「原型師除了研發外，還要研究原型和開模之間的關係，如何分片、如何減少成本?」有些作品需要30幾組模具分別製作，必須在適當的乾濕度粘合、修整，曾經擔任丸利廠長的陳化坪先生在日誌中提到，「光是組合粘接就是一門精緻的工藝藝術」(《苗栗裝飾陶瓷產業》p.56、p.60)。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200113013","MainTitle":"酒瓶系列：戴帽夏威夷女郎","Creator":"其他-品牌商：Hawaiian Distillers
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"7.3×7×27","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 夏威夷於1959年正式成為美國的第50州，在此之前曾經歷過1941年日本偷襲夏威夷的美國太平洋艦隊基地珍珠港，引爆太平洋戰爭。夏威夷在1778年英國庫克海軍上校發現該島之前，是由波里尼西亞人在此地定居，今日所見流傳的文化特色如傳統舞蹈呼拉舞，即是波里尼西亞人所發展出來的。呼拉舞是一種注重手腳及腰部動作的舞蹈，用動作說故事，有豐富的手部動作。\r\n 此件裝飾陶瓷酒瓶以一名頭戴羽冠舞帽的夏威夷女郎跳著傳統呼拉舞為造型。她有著婀娜多姿的身形，頸間掛戴著一條長及肚臍的白色花環，腰身下擺圍繞著一件長及腳踝的草裙，紅黃色相間的草裙波浪代表著女郎身體舞動的狀態，刻畫生動。用雙手拿著羽毛扇向上高舉，彎曲的手臂與舞帽之間形成一個菱形空間。女郎的肌膚為棕色，一頭烏黑長髮在背後長及腰間，耳上戴著一副與花環同樣式的珍珠耳環，臉上顏彩彩繪細膩。女郎的身形體態與瓶型極為相似，適合用來盛酒，羽冠舞帽頂端的紅色部分作為瓶蓋。底部落款標註為HAWAIIAN DISTILLERS 1978© (夏威夷釀酒莊)。\r\n 此件在造型上作為酒瓶之用，舞帽、頭與身體主幹至腳下的底座皆為一個製模開片而成，羽冠舞帽頂端的紅色部分與雙手則另作模具，開模後再組裝於主體上。根據同為裝飾陶瓷生產大廠的精華藝術陶瓷公司負責人林中光先生指出，造型酒瓶生產須確保不漏水，他利用空氣原理，使用氣壓計來測試；在酒瓶口外接氣壓錶，當瓶內灌滿空氣，氣壓錶指針指向容器液體公斤刻度後即不再下降，則表示瓶身無漏痕。(《苗栗裝飾陶瓷產業》p.33-34)\r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000e9a9a1fff814214f55f8f4d864d1a7d8ff0a59fba10bb46734e40be12732eea3fbfdb5982890a0c1d2e4707e54612e0a483c6fdb775cd3ab1d9d5303bf695062"}
,{"Identifier":"200113014","MainTitle":"酒瓶系列：夏威夷女郎","Creator":"其他-品牌商：Hawaiian Distillers
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"8.3×7×23.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 夏威夷於1959年正式成為美國的第50州。在1778年英國庫克海軍上校發現夏威夷之前，波里尼西亞人在此地定居，今日所見流傳的文化特色如傳統舞蹈呼拉舞，即是波里尼西亞人所發展出來的。呼拉舞是一種注重手腳及腰部動作的舞蹈，用動作說故事，有豐富的手部動作。\r\n波里尼西亞人在西方傳教士到來以前習慣赤身唱歌跳舞，後來越趨受到西方文明影響而開化，女性遂以布或長髮遮起胸部。此件裝飾陶瓷酒瓶以一名頭戴花冠的傳統夏威夷女郎為造型。她的身體上半裸身、下半圍著草裙，雙手在胸前成合掌的樣子，腰臀搖擺傾左因而草裙飄搖至右，身體形成具有動感的S曲線。她的左腳與胸前戴著的花圈與頭頂上的花冠，皆是由粉紅與白花編織而成。\r\n 女郎的肌膚為棕色，一頭烏黑長髮在背後長及腰間，臉上顏彩彩繪細膩。女郎的身形體態與瓶型極為相似，適合用來盛酒，頭頂作為瓶蓋，有破裂重組的痕跡。底部落款毫無標註，僅以鉛筆直書上「破損/捐贈」字樣。這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司雖將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段皆在日本技師的監督下完成，高品質管理業界出名，也因此在市場上賣出高價格。1981年左右，為提高效能，丸利公司從日本引進輸送帶作業於繪彩生產線，彩繪員除了技巧嫻熟，必須在短時間內準確快速地完成；瓷偶上色的作業因速度而更具技術挑戰性 (《苗栗裝飾陶瓷產業》p.44-45)。一位曾在臺灣丸利工作的員工憶及她於日本受訓顏彩技巧的經驗說：「到那邊光是眼睛就畫掉三個月，但是那三個月對我而言受益無窮。顏彩的最高境界是用毛筆，點到某一程度或顏色沾到某一程度，直接點下去就非常圓的…」(《苗栗裝飾陶瓷產業》p.62)。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000065456ff5d33c47b9d4ebd563ffb3abb615fdf2528c8d1c963b0650105f82969b9cc2e35ade684c1d95db3a9c45d4fc0c5fa22d6dd2f9ec4a32ef5256081cad29"}
,{"Identifier":"200113015","MainTitle":"酒瓶系列：夏威夷勇士/火炬","Creator":"其他-品牌商：Hawaiian Distillers
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"12.4×9.5×23.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 夏威夷屬於波里尼西亞文化圈，島上人民多保留熱情友善、喜唱歌跳舞的傳統，於1959年正式成為美國的第50州，越趨受到西方文明影響而開化，旅遊觀光業盛行。夏威夷女性受到很多傳統禁忌的限制，顯得男士地位較為崇高，多以勇士的形象呈現。\r\n 這件陶瓷雕塑以一名赤身的夏威夷勇士舉起火炬的形象為造型，並且運用瓷偶為注漿成形開模的中空特性，進一步成為裝酒的容器。夏威夷勇士單腳(左腳)跪姿，上身向天仰視，右手舉起一根雙邊燃起強烈火焰的木棍，表情顯得嚴肅、壯烈。他全身紅棕色的肌膚，肌肉線條明顯，僅穿著由綠色麻布纏繞起來的褲襠遮住生殖部位，雙腳膝蓋下方與頸圈戴著棕欄葉圈作為裝飾。此件造型酒瓶以勇士仰起的頭部為瓶蓋，臉部的彩繪亦相當逼真細膩，將勇士臉上因經久曝曬於烈日下的皺紋表現出來，灰色雙眉但唇齒健康鮮豔的色彩，顯出老當益壯的活力。底部落款標註為HAWAIIAN DISTILLERS 1978© (夏威夷釀酒莊)，並有一張貼紙記載此件為臺灣丸利廠的樣本(SAMPLE NOT FOR SALE / TAIWAN)。\r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、禮物或收藏藝品。1981年左右，為提高效能，丸利公司從日本引進輸送帶作業於繪彩生產線，彩繪員除了技巧嫻熟，必須在短時間內準確快速地完成；瓷偶上色的作業因速度而更具技術挑戰性 (《苗栗裝飾陶瓷產業》p.44-45)。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。 (詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000edb74bb59ab9100d86e6a9af13cfb8cbf5cc127c3079b698e5cee78f6b171278abc205bd225756c17a2e86d5db61d50544d22f2a27c8d52189cf138b29fc159c"}
,{"Identifier":"200113016","MainTitle":"酒瓶系列：啄木鳥親子","Creator":"丸利陶瓷公司","CreatedYear":"1975","Size":"14.4×11×26","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113017","MainTitle":"酒瓶系列：捕仔牛","Creator":"設計者：Professional Rodeo Cowboys Association Inc.
其他-品牌商：Hoffman Distilling Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1951","Size":"17.8×14.7×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 美國獨立革命後18-19世紀大批移民到西部拓荒，隨著遷徙大批牛群的移動需要放牧人來照顧，西部牛仔順應而生，他們是一群勇敢的開拓者，西部開發的先鋒，富有冒險犯難和吃苦耐勞的精神，美國人稱他們為馬背上的英雄。\r\n 這款陶瓷酒瓶造型是一項20世紀的牛仔競技，專為職業牛仔競技協會（Pro Rodeo Cowboys Association, INC. 簡稱PRCA）發行。木頭圍欄形成的容器背面列出了1951年至1975年用繩索套小牛(Calf Roping)的比賽冠軍者，清單上列出年份、冠軍者的姓名、城市與州別。為小牛繫繩原本是牛仔們牧牛的一項技能，為了要將小牛烙印或防止牠脫隊，到了1820年代成為競技表演，美國內戰之後，牛仔競技比賽應運而生。競賽內容是牛仔們騎著馬將正在奔跑的小牛用套索套住脖子，然後迅速讓馬煞住的同時，牛仔迅速下馬奔向小牛，將牠的三隻腳併攏綁起來，以熟練且速度快者勝出。此件雕塑即是表現出牛仔套索套住了小牛，並試圖讓馬兒停下來的瞬間。牛仔騎手穿著典型的牛仔裝備，例如斯泰森Stetson製的牛仔帽，長長的皮褲和黑色皮靴。容器頂部的PRCA標誌作為瓶蓋，圍欄上方立著“Pro Rodeo / American Legend in Action”「職業牛仔競技-美國行動傳奇」標語。底座與木頭圍欄形成的容器是分模注漿製造後再粘合一起，底座有注漿口，無落款標示。此系列以PRCA標誌為瓶蓋的酒瓶無創作時間紀錄，但根據PRCA的成立時間於1975年，總部成立於科羅拉多州，1979年，因此推斷此件創作時間為1970-1980年代之間。 \r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。 (詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200113018","MainTitle":"酒瓶系列：牛仔馴牛/木桶","Creator":"設計者：Professional Rodeo Cowboys Association Inc.
其他-品牌商：Hoffman Distilling Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1951","Size":"17.8×14.5×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這款陶瓷酒瓶造型是關於20世紀的牛仔競技，專為職業牛仔競技協會（Pro Rodeo Cowboys Association, INC. 簡稱PRCA）發行。木頭圍欄形成的容器背面列出了1947年至1975年間，每一年中參與兩項以上牛仔競賽並贏得最多獎金的冠軍，被稱為全能競技者 (All Around)，清單上列出年份、全能競技者的姓名、城市與州別。綜觀職業牛仔競技比賽，當中包含有用繩索套小牛、擒牛、馴牛(騎牛)、無馬鞍或有馬鞍的馴騎馬，每一樣都考驗著牛仔們的馬術、靈敏度、體力與耐力。由於這些都是激烈、冒險的運動，競技場上需要有其他的牛仔協助從野馬野牛背上摔落下來的參賽者，引開野馬野牛的注意力，免得參賽者受到攻擊，而這樣的角色就落到具有牛仔技能的鬥牛士身上。在表演盛行的時代，他們同時還兼具競技場上的娛樂角色，打扮成小丑的樣子娛樂觀眾。\r\n 1930年代，有位競技場上的鬥牛士小丑使用了木桶來保護自己，從此有了木桶人的名號 (barrelmen)。今日美國的牛仔競技場上，大部分都已將協助參賽牛仔的鬥牛士角色與娛樂功能的木桶人分開。這件作品表現的是早先年代裡的競技場上，木桶人藏身於木桶裡的樣子，僅有他與牛隻，少了激烈的騎士牛仔。他的臉上一副小丑的妝容，戴著黃色草帽，手伸出木桶外，像是安撫著牛隻；牛兒前蹄伸直煞住，尾巴捲起。木圍欄容器頂部的PRCA標誌作為瓶蓋，內附有軟木塞，圍欄上方立著“Pro Rodeo / American Legend in Action”「職業牛仔競技-美國行動傳奇」標語。底座、木桶人、牛兒、木頭圍欄形成的容器，四者分模注漿製作後再粘合一起，底座有注漿口，無落款標示。此系列以PRCA標誌為瓶蓋的酒瓶無創作時間紀錄，但根據PRCA的成立時間於1975年，總部成立於科羅拉多州，1979年，因此推斷此件創作時間為1970-1980年代之間。\r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。 (詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200113019","MainTitle":"酒瓶系列：牛仔馴馬/馬鞍付","Creator":"設計者：Professional Rodeo Cowboys Association Inc.
其他-品牌商：Hoffman Distilling Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1951","Size":"17.5×14.5×19.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這款陶瓷酒瓶造型是關於20世紀的牛仔競技，專為職業牛仔競技協會（Pro Rodeo Cowboys Association, INC. 簡稱PRCA）發行。木頭圍欄形成的容器背面列出了1945年至1975年間，每年獲得有馬鞍騎馬 (Saddle Bronc Riding) 比賽的冠軍者，清單上列出年份、冠軍者的姓名、城市與州別。這項比賽中，牛仔們可以騎在馬鞍上馴馬，僅以一手捉緊由競賽單位安置在馬頭上的粗繩索，比賽中的馬兒都是未經馴服過的野馬，因此騎士牛仔得靈活的隨著野馬激烈地擺動，在過程中試圖以靴子底的馬刺讓馬兒前腳著地，並在馬背上維持至少8秒鐘的時間不落馬，才能得分。騎士的另一隻手得維持自身平衡之外，不允許碰到馬身上任何部位。\r\n 在這件陶瓷雕塑作品上，馬兒的後腳躍起，整個馬頭著地、身體彎背向前傾，試圖將騎士牛仔從頭前方向摔下來的樣子。正面看去，馬兒僅以右前腳與頭部固定於底座上，後方則可見馬右側身體貼著木頭圍欄。牛仔騎士騎在馬鞍上，身體試圖平衡，上身提起往後傾倒，右手抬起、左手捉著粗繩索；兩腳緊踩著馬鐙；整體動作激烈，塑造生動。彩繪呈現一種斑駁、擦色，顯現出肌肉與衣服皺褶肌理，並且有如蒙上一層塵土的視覺效果。容器頂部的PRCA標誌作為瓶蓋，內附有軟木塞；圍欄上方立著“Pro Rodeo / American Legend in Action”「職業牛仔競技-美國行動傳奇」標語。底座、牛仔與野馬、木頭圍欄形成的容器，三者分模注漿製造後再粘合一起，底座有注漿口，無落款標示，僅有一張金色圓標貼紙標示「CONTAINER MADE IN TAIWAN」為臺灣製造的容器。此系列以PRCA標誌為瓶蓋的酒瓶無創作時間紀錄，但根據PRCA的成立時間於1975年，總部成立於科羅拉多州，1979年，因此推斷此件創作時間為1970-1980年代之間。\r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，底部落款可得知最先是作為外銷以American Heirloom Porcelain (美國傳家寶瓷器) 為商標的客製限量產品，總共5000件。臺灣丸利是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上乾淨能源的天然瓦斯，於是決定來此地設廠，進而帶動起裝飾陶瓷生產線的興起。 (詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200113020","MainTitle":"酒瓶系列：牛仔馴馬","Creator":"設計者：Professional Rodeo Cowboys Association Inc.
其他-品牌商：Hoffman Distilling Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1951","Size":"17.5×14.3×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這款陶瓷酒瓶造型是關於20世紀的牛仔競技，專為職業牛仔競技協會（Pro Rodeo Cowboys Association, INC. 簡稱PRCA）發行。木頭圍欄形成的容器背面列出了1945年至1975年獲得無馬鞍騎馬 (Bareback Riding) 比賽的冠軍者，清單上列出年份、冠軍者的姓名、城市與州別。這項比賽中，牛仔們不使用馬鞍，僅以一手捉緊由競賽單位安置在馬背上的把手，比賽中的馬兒都是未經馴服過的野馬，因此不僅不讓人騎上且極具攻擊性，在馴服過程中馬兒激烈地扭動、跳動想將騎士甩下來，因此考驗著牛仔的馬術、靈敏度、體力與耐力。\r\n 此件雕塑表現出一隻野馬猛然彎背躍起，試圖將騎士牛仔摔下來的樣子。牛仔騎士在野馬背上身體試圖平衡，上身往後傾倒，兩腳抬起；而野馬前蹄躍起、馬頭朝下，可見牠激烈地想掙脫，身體整個跳起成為弓形，嘴部張開彷彿發出馬吼撕裂聲。牛仔騎士的右手舉起，一來為了平衡身體，同時也是為遵守競賽中的規則—不能碰到馬身。野馬跳躍而起的動作塑造生動，僅以左後方的馬蹄著地，身體緊靠著木頭圍欄。整體造型與表面紋理刻劃生動，彩繪呈現一種斑駁、擦色，有如蒙上一層塵土的視覺效果。容器頂部的PRCA標誌作為瓶蓋，內附有軟木塞；圍欄上方立著“Pro Rodeo / American Legend in Action”「職業牛仔競技-美國行動傳奇」標語。底座、牛仔與野馬、木頭圍欄形成的容器，三者分模注漿製造後再粘合一起，底座有注漿口，無落款標示。此系列以PRCA標誌為瓶蓋的酒瓶無創作時間紀錄，但根據PRCA的成立時間於1975年，總部成立於科羅拉多州，1979年，因此推斷此件創作時間為1970-1980年代之間。\r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、禮物或收藏藝品。1981年左右，為提高效能，丸利公司從日本引進輸送帶作業於繪彩生產線，彩繪員除了技巧嫻熟，必須在在短時間內準確快速地完成；瓷偶上色的作業因速度而更具技術挑戰性 (《苗栗裝飾陶瓷產業》p.44-45)。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。 (詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200113021","MainTitle":"酒瓶系列：牛仔馴牛","Creator":"設計者：Professional Rodeo Cowboys Association Inc.
其他-品牌商：Hoffman Distilling Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1951","Size":"17.5×14.8×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這款瓷瓶造型是關於20世紀的牛仔競技，專為職業牛仔競技協會（Pro Rodeo Cowboys Association, INC. 簡稱PRCA）發行。木頭圍欄形成的容器背面列出了1945年至1975年擒牛 (Steer Wrestling) 的比賽冠軍者，清單上列出年份、冠軍者的姓名、城市與州別。在比賽中，牛仔騎手從緊貼小公牛高速跑動的馬匹上跳下，以雙手擒住小公牛的雙角，並將牠扳倒在地，以此作為馴牛的開始。\r\n 此件雕塑表現出牛仔已跳下馬，雙手擒住公牛雙角的樣子。牛仔的身體整個傾斜地靠在公牛身上，雙腳抵著泥地，而公牛的雙角因被捉住頭垂了下來，尾巴抬起捲了一圈起來。整體的造型與表面紋理刻劃生動，彩繪呈現一種斑駁、擦色，有如蒙上一層塵土的感覺。容器頂部的PRCA標誌作為瓶蓋，圍欄上方立著“Pro Rodeo / American Legend in Action”「職業牛仔競技-美國行動傳奇」標語。底座有注漿口，無落款標示，僅以鉛筆紀錄了「裂」與「贈品」的字樣。經查看，可發現裂痕位於從瓶口望進去的瓶底處。此系列以PRCA標誌為瓶蓋的酒瓶無創作時間紀錄，但根據PRCA的成立時間於1975年，總部成立於科羅拉多州，1979年，因此推斷此件創作時間為1970-1980年代之間。\r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、禮物或收藏藝品。1981年左右，為提高效能，丸利公司從日本引進輸送帶作業於繪彩生產線，彩繪員除了技巧嫻熟，必須在短時間內準確快速地完成；瓷偶上色的作業因速度而更具技術挑戰性 (《苗栗裝飾陶瓷產業》p.44-45)。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。 (詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200113022","MainTitle":"酒瓶系列：沙皮狗 (大)","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"42.3×20×27.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113023","MainTitle":"酒瓶系列：沙皮狗(中)","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"29×14×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113024","MainTitle":"鼠/小麥","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"10×4.9×8.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113025","MainTitle":"鼠/紫花","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"9.6×4.3×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113026","MainTitle":"鼠/黃花","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"11.1×5×7.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113027","MainTitle":"鼠/蘋果","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"9.3×4.6×9.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113028","MainTitle":"鼠/楓葉","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"9.1×6.1×7.9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113029","MainTitle":"鼠/堅果","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"10.1×5.1×8.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113030","MainTitle":"坐姿洋娃娃/粉紅(大)","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1974","Size":"14.8×12×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件盛裝西洋宮廷服飾的年輕仕女陶瓷雕像，造型與色彩搭配上，無論少女纖細優雅的體態、悉心梳理的髮型與妝點髮飾、細節繁複誇張的衣裙，以及精心描繪的眼眸五官，在柔和粉嫩的情調裡，凸顯出少女嬌羞中自然流露的高貴氣質。\r\n 據典藏資料顯示，這是源自於1974年丸利陶瓷公司所代工生產的產品，造型與色彩的各種細節，顯示出這家臺日合資公司技術、品管的嚴謹。丸利成立於1970年，這件作品的生產年份，正是臺灣裝飾陶瓷產業開始蓬勃的年代，往後20年大量的外銷，贏得裝飾陶瓷王國稱號，苗栗業者約佔全臺近四分之一強，以生產西洋題材的人像、動植物和節慶裝飾類型為主。但1990年代起因同業競爭激烈、生產成本大幅上揚等因素，面臨遷廠大陸或關廠的沒落。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200113031","MainTitle":"坐姿洋娃娃/天藍(大)","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1974","Size":"14.8×12×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 1960-90年代，臺灣以大量裝飾陶瓷外銷歐美等地，贏得裝飾陶瓷王國之稱，苗栗更是其中重鎮。1960年代中期日本移轉生產技術至本地，1970年代陸續成立的臺資或臺日合資公司，帶動以代工生產西洋風格的人偶、動植物、節慶飾品等產品的蓬勃發展，其中臺日合資的丸利陶瓷，以精良的技術和品管，贏得中高價市場，但1990年代因生產成本增高等原因，結束生產。\r\n 這件從丸利公司取得的產品，生產於1974年，同一系列約有3件，以衣著色彩的不同為區分。雕像以瓷土注漿成形後再釉上彩繪，表現盛裝西洋宮廷服飾的年輕仕女，造型纖細優雅，服飾奢華繁複，髮型、髮飾和衣飾的各項細節細膩雕琢講究，精心描繪的靈動眼眸和粉嫩五官，搭配鮮豔的藍綠衣裙，凸顯出少女嬌羞中自然流露的高貴氣質。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200113032","MainTitle":"坐姿洋娃娃/淡黃(大)","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1974","Size":"14.8×12×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件盛裝西洋宮廷服飾的年輕仕女陶瓷雕像，造型與色彩搭配上，無論少女纖細優雅的體態、悉心梳理的髮型與妝點髮飾、細節繁複誇張的衣裙，以及精心描繪的眼眸五官，在柔和粉嫩的情調裡，凸顯出少女嬌羞中自然流露的高貴氣質。這系列相同造型設計的雕像約有3件，以色彩不同為區分，精心配色，展露不同的個性風格。\r\n 據典藏資料顯示，這是源自於1974年丸利陶瓷公司所代工生產的產品，造型與色彩的各種細節，顯示出這家臺日合資公司技術、品管的嚴謹。丸利成立於1970年，見證臺灣裝飾陶瓷產業得蓬勃與衰退， 20年中臺灣贏得裝飾陶瓷王國稱號，苗栗業者更佔全臺近四分之一強，以生產西洋題材的人像、動植物和節慶裝飾類型為主。但1990年代起因同業競爭激烈、生產成本大幅上揚等因素，面臨遷廠大陸或關廠的沒落。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200113033","MainTitle":"古董洋娃娃/天藍服(小)","Creator":"其他-品牌商：Royal Cornwall Ltd
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"5.5×4.5×9.9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件身著西洋古典服飾的仕女陶瓷娃娃，以骨瓷注漿成形在釉上彩繪，骨瓷是在瓷土中混入動物骨灰，燒製出的成品較瓷器透光性佳且強度更高，也因此胎體能夠做得更薄，看起來更剔透細緻。從仕女有著細膩緄邊皺褶繁複的衣裙，以及長髮後攏戴著花冠，刻意細細描繪的雙眼，我們可感受出意圖表現精緻的造型形象，以及寄託於其上的浪漫、奢華想像憧憬。\r\n 依人像底部資料和其他來源資料，這件蓋有皇家Cornwall公司的標誌，並載有博物館娃娃收藏「PARIAN HEAD」字樣的產品，為丸利陶瓷於1986年代工生產。當時是裝飾陶瓷產業在臺灣的興盛時期，賺取了豐厚的歐美外匯，其中臺日合資的丸利公司，以精良的技術、品質和管理成為這行業中的翹楚，代工中高價位的精品。(詮釋委員:朱珮儀)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000004ae3dc5efed55a9f3f11c4446d6de165e8c913511e787bd4233293415f9b5963b3637b0cba96ed3c0ac620dc61ef803bc478a83a039d89f4860e69e4ccdd66a5"}
,{"Identifier":"200113034","MainTitle":"古董洋娃娃/水兵服(小)","Creator":"其他-品牌商：Royal Cornwall Ltd
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"5×4.2×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件以骨瓷材料注漿成形後再釉上彩繪的陶瓷娃娃像，骨瓷是在瓷土中混入動物骨灰，燒製出高透光性且強度更高的薄胎體瓷器，讓人感覺較一般瓷器更細緻。娃娃粉嫩的臉龐感覺細緻得好像吹彈可破，一縷縷髮絲也像是飽含光澤，手工彩繪的部分以眼眸最細緻。\r\n 依人像底部資料和其他來源資料，這件蓋有皇家Cornwall公司的標誌，並載有博物館娃娃收藏「CHARACTER」字樣的產品，為丸利陶瓷於1986年所代工生產。當時是供應歐美廣大禮品市場需求的裝飾陶瓷產業在臺灣的興盛時期，臺灣代工廠以動植物、人像等類型的裝飾陶瓷製品，賺取了豐厚的歐美外匯。其中臺日合資的丸利公司，以精良的技術、品質和管理成為這行業中的翹楚，代工中高價位的精品。(詮釋委員:朱珮儀)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000006d5542f7dd12cba72486cfb34bcb76b8f6e33ecfa3ad32b90a3b61159b38445000026677550290de3d3d0d9227d683aa56ce2a357d59ac61835138dc94de26ba"}
,{"Identifier":"200113035","MainTitle":"古董洋娃娃/綁蝴蝶結(小)","Creator":"其他-品牌商：Royal Cornwall Ltd
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"5×4.2×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件以骨瓷注漿成形後釉上彩繪的洋娃娃陶瓷雕像，小巧中展現骨瓷的細緻柔和剔透感覺。從女孩繫著雙蝴蝶結的微捲金色長髮，襯著嬰兒般鼓鼓粉嫩的雙頰，配上一雙渾圓靈動會說話似的大眼睛，到身上水藍小洋裝表現有著細緻菱格潔白蕾絲等細節，再再以細緻設計烘托女孩天真無邪惹人憐愛的氣質。雕像底部蓋有Royal Cornwall公司的商標，以及說明此為Museum Doll Collection系列中的Googly-Eye，以及註記臺灣生產。\r\n 依典藏資料，裝飾陶瓷雕像來自丸利陶瓷公司1986年產品。丸利為臺日合資公司，為苗栗裝飾陶瓷產業設廠量產的初始幾家業者之一。開廠之前員工送往日本受訓，營運後由日方人員駐廠，雖為代工生產，但從技術、訓練到管理均一絲不苟，贏得客戶的信任，獲歐美禮品中高價位市場。(詮釋委員:朱珮儀)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000cc52d605c64f08e9586eaed22e0b99f18b957aee2925bfd285b01d50b4cd561adeaf3bbeea7df437cf914347efb92b6655c7f366dbbefab67288128c4c3b1760"}
,{"Identifier":"200113036","MainTitle":"古董洋娃娃/嬰兒帽(小)","Creator":"其他-品牌商：Royal Cornwall Ltd
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"6×4.4×9.9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 根據1983年外貿協會產品推廣處對裝飾陶瓷的定義，提及Giftware Busniss統計全美平均91.4%的禮品零售店都有販售陶瓷人像收藏品。如此高佔比的市場供需，在1970-80年代臺灣的陶瓷產業生產上，開出不同於傳統陶瓷的生產篇章，而更早前這項產業已在日本蓬勃發展，因勞力成本等關係，生產才轉移至臺灣。苗栗於1970年代開始大量建廠生產，丸利公司即為臺日合資，設計、技術等各項關鍵掌握於日方，臺灣以代工方式進行製造。\r\n 這件以骨瓷注漿成形再彩繪的洋娃娃，底部標註的蓋印字樣說明是由皇家cornwall公司版權所有的博物館玩偶收藏：「法國寶寶」，從衣飾呈現蕾絲、緞帶堆砌的各項細節、粉嫩精緻描繪的五官，在在烘托尊貴不凡。做為收藏或禮品，都投射了對於「太陽王」以來所建立的法式時尚文化的憧憬。(詮釋委員:朱珮儀)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000009bc99abbf869a0bd8c3c896815017d22c5c1d92ad42d3ed183fc1ee5bb238bf1496f2fe4a83f051620988f015303fac3cfd45b65c33750e268e8f5e1e4707337"}
,{"Identifier":"200113037","MainTitle":"古董洋娃娃/黃服(小)","Creator":"其他-品牌商：Royal Cornwall Ltd
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"5.8×4.3×9.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 1960-90年代，臺灣以大量裝飾陶瓷外銷歐美等地，贏得裝飾陶瓷王國之稱，苗栗地區更是其中產業重鎮。1960年代中期開始，日本移轉生產技術至本地，1970年代陸續成立的臺資或臺日合資公司，帶動以代工生產西洋風格的人偶、動植物、節慶飾品等產品的蓬勃發展，其中臺日合資的丸利公司，以精良的技術、員工素質和準時高品質的出貨，贏得國外客戶的信任佔有中高價市場，然而在1990年代因勞動成本的增高等原因，結束生產關廠。\r\n 這件從丸利公司取得的產品，以骨瓷注漿成形後再彩繪窯燒，底部蓋印字樣說明了是受皇家Cornwall公司授權製造的博物館玩偶收藏品「法式時尚」。仕女細節繁複的衣飾、精緻的髮型與花朵配飾，與刷出錦緞亮面的彩繪手法，形塑出古典奢華形象，以法國時尚為尊的憧憬。(詮釋委員:朱珮儀)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000416ee45431d68d0e9980c94e6a1fdfc87310526a4a3e021c9be7cebe7065813a6bc1a13f9af4dca873c590d34250c5928b7f22c751a0016a67ce467d811280dd"}
,{"Identifier":"200113038","MainTitle":"凱薩琳(黃)","Creator":"其他-品牌商：Museum of Costume(現為Fashion Museum)
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"16×11×22","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是一個裝飾陶瓷雕像，表現一位身穿歐洲宮廷隆重服飾的高雅仕女，正一手拉著裙子，易手微微抬起的時刻，彷彿歌唱或舞蹈瞬間的動作。從她具有特色的服飾來看，誇張的輪狀皺褶拉夫領、上臂誇大如泡泡袖但袖口收束的羊腿袖，緊身衣束出纖腰，有裙撐撐起巨大裙身，藉各種對比方式突現出女性腰身纖細的身體曲線，種種特徵顯示這位仕女為貴族階層。\r\n雕像底部標註仕女為Katherine, 另有The Galliard、品牌fp富蘭克林陶瓷，手工彩繪、高級精瓷、1983年等註記。另貼有臺灣雕塑生產的貼紙，這顯示產品應屬美國富蘭克林造幣廠下的子品牌所有。富蘭克林造幣廠生產品項豐富繁多，為家庭家飾、紀念收藏市場所需。The Galliard或許意指一種為文藝復興時期流行於歐洲許多國家的嘉蘭德舞曲，是一種音樂與舞蹈形式，英國女王伊莉莎白所熱愛的舞蹈。而登錄資料顯示，這是苗栗丸利陶瓷公司所生產的精緻彩繪雕像。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200113039","MainTitle":"亨利塔(藍)","Creator":"其他-品牌商：Museum of Costume(現為Fashion Museum)
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"13.5×11.2×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位盛裝打扮的仕女。這位優雅端莊的女性，肢體語言豐富，似在某個動作的瞬間。她的服飾華麗，帶有歐洲巴洛克時尚的風格，緊身的上衣有的寬大的領口，搭配大片蕾絲硬挺的蕾絲衣領，衣袖寬大袖口束起並再加上花飾繫起，形成繁複層次感，蓬鬆寬大的裙身也設計為多層次，相形之下更襯托出女性腰身的纖細。\r\n 從典藏登錄可知，這是臺灣苗栗丸利陶瓷公司於1983年所生產的產品。丸利陶瓷是中日合資的公司，也是1970年代當地新興的裝飾陶瓷產業前鋒之一。這個由日本技術轉來臺的勞力密集產業，起於1960年代中後期，於1970、1980年代達於鼎盛，以代工生產供應歐美廣大的禮品市場需求，為臺灣創造豐厚外匯收入。以勞工素質和品管精良著稱的丸利公司，其代工產品當年頗受中高價市場青睞，但1990年代仍不敵社會整體大環境的變遷而關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200113040","MainTitle":"黑獵犬","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"17.4×7.5×12.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113041","MainTitle":"雙犬系列/白色雙犬","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"9×10.8×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113042","MainTitle":"雙犬系列/花色雙犬","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"9.5×8.9×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113043","MainTitle":"犬/刺蝟","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"14.4×6×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113044","MainTitle":"犬/青蛙","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"15×6×7.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113045","MainTitle":"犬/咬繩(小)","Creator":"丸利陶瓷公司","CreatedYear":"1974","Size":"4.3×5.4×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113046","MainTitle":"小提琴系列/12歲男","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.5×5.8×12.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113047","MainTitle":"小孩樂團組/男薩克斯風","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"5.3×5×12.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113048","MainTitle":"小孩樂團組/男黑管","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"5.5×5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113049","MainTitle":"小孩樂團組/女黑管","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"5.1×4.9×12.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113050","MainTitle":"小孩樂團組/男小喇叭","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"4.4×6.4×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113051","MainTitle":"男士獻花給女友","Creator":"其他-品牌商：Lawleys
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"16.3×10×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品主角是一對年輕情侶，坐在地上談情說愛。女士頭上繫著白色的頭巾，身穿燈籠短袖的粉紅色洋裝，腳上著淡褐色鞋子。她的頭部略往右傾，目光注視下方，左手拿著一束鮮花，右手也持有一朵紅花。男士坐在左邊，穿著西裝，沒有上扣，看得到裡面沒有打領帶的襯衫。他緊依著女士，右手在女士背後，撐在地上。左手拿著兩朵鮮花，輕握女士的右臂，目光注視著手上的花朵。兩人依偎在一起，表現得十分親密。\r\n 整件作品都用手工彩繪，大都有釉彩，顯出釉藥特有的光澤，但臉部則只有釉彩而沒有釉藥的光澤，因此兩部分的彩繪過程略有不同。器底印有銘款，強調手工彩繪，也說明在臺灣產。另有事先陰刻在模型上的「MR」款，説明是丸利(Maruri)公司的產品。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113052","MainTitle":"祖孫情深","Creator":"其他-品牌商：Lawleys
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"14×10.14×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 作品描繪祖孫情深。祖父已有相當年紀，頭頂很秃，只有後腦下半還有半環白髮而已。他穿著襯衫與長褲，外披皮背心，坐在一個裝酒的橡木桶上。他的長相清瘦，上唇留有鬍鬚，觜巴閉著，目光下視，看著孫女手上的盆栽花朵。女孩一頭金色長秀髮，後面束起，長可及肩。她穿著連身工人裝，腳上穿著短筒靴，跪坐在地上，上身挺起，雙手捧著一小盆粉紅色的花朵，獻給爺爺，一臉微笑，兩人感情十分親密。\r\n 作品以鑄漿成形法製作，瓷質的坏體，質地十分細緻。坏體成形修飾後，經過修飾與組裝，再入窯素燒。出窯後以手工繪製身體各部分的色彩，再噴上透明釉，二度入窯高溫燒製。色彩呈現於釉層下方，成為一種釉下彩。釉面平滑富於光澤，頗具視覺與觸覺效果。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113053","MainTitle":"男童抱兔","Creator":"其他-品牌商：Royal Osborne
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"6.5×6×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 人類與自然界的關係是藝術表現的重要題材之一，本作品描繪一個男孩與小白兔的互動的情景。主角是個小男孩，有一頭茂密的金髮，臉龐天真可愛。他頭上戴著海軍盤形帽，身穿藍色的海軍服，雙腳盤坐在地上。他雙手抱著一隻小白兔在胸前，腳邊還有另一隻。兔子全身蓬鬆的白毛，紅色的雙眼，十分醒目。人兔之間的關係十分親密，成為一幅天真浪漫的畫面。\r\n 整件作品以釉下彩表現，除了臉部之外，都覆以透明釉，器體相當晶瑩剔透，表現瓷器特有的質感。臉部不上透明釉，可以確保眼睛眉毛之類的細節不致於因為釉藥暈開而變得模糊，製作過程較為複雜，但可以得到理想的畫面效果。器底貼有「SAMPLE NOT FOR SALE JAPAN」的標籤，説明它是在日本開發出來樣品，作為工廠生產的標準依據。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113054","MainTitle":"女孩子在沙灘上玩沙","Creator":"其他-品牌商：Royal Osborne
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"5.4×5.4×12.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪女童在海邊沙灘上玩沙的情景。作品的結構很單純，主角是一個面貌清秀的小女童，她頭上戴著寬邊的大草帽，暗示著是個有大太陽的晴朗天氣。她身穿海軍服領子的淺藍色洋裝，赤腳站在沙灘上。左手提著一個小木桶，右手握著一支小鏟子，要在沙灘上取沙嬉戲。她的右手撩起裙擺，避免海水會漲上來時，會把衣服打濕。器底有銘款「CHILDHOOD MEMORIES」，說明描繪的是童年回憶的題材。\r\n 這件作品以鑄漿成形法製作，以釉下彩技法裝飾畫面。這樣的產品釉面十分光滑，表現瓷器坏體與釉藥的材質美。從器底的名款知道這件作品是英國「ROYAL OSBORNE」的設計，由苗栗的丸利公司代工生產。整件作品在結構上與色彩上都相當單純，生產過程屬於比較簡易者。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113055","MainTitle":"女孩子抱洋娃娃","Creator":"其他-品牌商：Royal Osborne
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"6.7×6.7×11.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 童年回憶的題材之一。主角是一個面貌姣好的小女孩，她的金色頭髮長可披肩，梳理整齊。她穿著圓形重領的粉紅色公主裝坐在圓形的皮凳上，左手抱著一個洋娃娃橫臥在腿上，右手拿著湯匙為娃娃餵食。作品把小女孩對洋娃娃擬人化的想像力充分表現出來。\r\n 作品相當寫實，畫面色彩豐富而和諧，十分典雅，是西洋玩偶的重要特質。器底有「ROYAL OSBORNE」名款，這是一家歷史悠久的公司，説明這件作品是為這家公司所生產。製造廠是苗栗的丸利陶瓷公司，該公司成立於1971年，由臺日雙方投資設廠，母公司為日本瀨戶的丸利公司，在苗栗的陶瓷與母廠同名。該公司的作品都由日本公司設計，並製作模具，交由苗栗廠生產。苗栗廠完全依照母廠指示的標準作業程序，進行生產，是典型的代工經營模式。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113056","MainTitle":"女孩子抱兔","Creator":"其他-品牌商：Royal Osborne
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"5.5×5.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品表現人類與自然界互動的關係。主角是一個長髮披肩的小女孩，她的頭上戴著一頂歐洲早期鄉下女人常見的粉紅色圓頂寬邊帽，身上穿粉紅色的襯衫，外面套著一件白色連身衣，雙腳穿著一隻灰色的襪子與褐色皮鞋，直立在地上。他的雙手抱著一隻小白兔在胸前，腳邊依偎著另一隻白兔，地上還放在一個兔籠子。充分表現了人兔之間的親密感情。\r\n 整件作品以釉下彩表現，釉色並不複雜，但富於光澤，瓷器的特質得以充分發揮。器底有「ROYAL OSBORNE」「CHILDHOOD MEMORIES」「Hand Painted」「Made in R.O.C.」等印款，說明它是為英國ROYAL OSBORNE生產的作品。作品強調手工彩繪的特質，從中可以見到在英國工藝美術運動之後，對於手工的評價遠高於機械化量產品的價值觀。作品由日本丸利公司設計，在臺灣工廠生產。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113057","MainTitle":"黏眼睛/貝多芬(音)","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"8×10×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113058","MainTitle":"黏眼睛/布拉姆斯(音)","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"8×9×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113059","MainTitle":"黏眼睛/巴哈(音)","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"8×8.8×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113060","MainTitle":"酒瓶系列：火雞與熊","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"20×16.5×32","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113061","MainTitle":"酒瓶系列：火雞與貓頭鷹","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"25×12.2×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113062","MainTitle":"酒瓶系列：水獺親子","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"20×14×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113063","MainTitle":"酒瓶系列：驢親子","Creator":"丸利陶瓷公司","CreatedYear":"1976","Size":"19.5×12.5×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113064","MainTitle":"酒瓶系列：熊親子","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"20×12.7×18.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113065","MainTitle":"酒瓶系列：美洲虎","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"21.8×10.4×17.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113066","MainTitle":"酒瓶系列：羊與仙人掌","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"15.3×15.5×22","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113067","MainTitle":"酒瓶系列：羊親子(棕色)","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"20×11×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113068","MainTitle":"酒瓶系列：火雞與書本","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"22×14×29.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113069","MainTitle":"酒瓶系列：小角山羊","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"21×11×21.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113070","MainTitle":"酒瓶系列：大角山羊","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"24×14.5×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113071","MainTitle":"酒瓶系列：犛牛","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"26×16.5×24","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113072","MainTitle":"酒瓶系列：雙鴙鳥","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"30×15×28.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113073","MainTitle":"酒瓶系列：獨立戰爭時用手槍組","Creator":"丸利陶瓷公司","CreatedYear":"1975","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113074","MainTitle":"酒瓶系列：肯塔基戰後用手槍組","Creator":"丸利陶瓷公司","CreatedYear":"1812","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113075","MainTitle":"酒瓶系列：西部牛仔用手槍組","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"手槍：23*3*10.5\r\n槍台：23.5*4.5*6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113076","MainTitle":"酒瓶系列：大雁鴨","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"31×17.5×39","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113077","MainTitle":"酒瓶系列：中雁鴨","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"22.5×13×27.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113078","MainTitle":"時裝模特/披風","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"9×7.2×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113079","MainTitle":"時裝模特/墨綠洋裝","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"8×7.5×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113080","MainTitle":"時裝模特/頭左項鍊","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"7.3×7.3×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113081","MainTitle":"黑白小丑","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"8.4×8.4×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113082","MainTitle":"安息日的生活","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"7.3×5.5×16.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶的設計師常常針對特殊主題作整套的設計，以將理念完整呈現。Enesco公司「Treasured Memories」系列中，有一組是針對童年時代一星期七天的起居作息加以發揮，本作品描繪星期天生活的主題。主角是個女孩子，她穿著淡粉紅色的高領連身長袖長裙，裙擺飾有蕾絲，披肩也有同樣紋樣的蕾絲裝飾，戴著寬邊平頂帽，上面用紅絲帶繫個蝴蝶結，和紅色的腰帶相對稱。金髮在後面編成辮子，藍色的雙眼大而明亮，略往上仰視，小嘴緊閉。她的手上拿著一束鮮花與一本黑色封面的聖經，雙腳併攏，直立在地上。器底有「And a child born on the Sabbath Day is happy and wise at work and play」銘文，説明是表現安息日主題，人物的表情安靜而有虔誠感，充滿著宗教教誨與祝福。\r\n 本作品為美國Enesco禮品公司所設計的作品，在苗栗丸利子公司生產。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113083","MainTitle":"星期二受恩寵的女孩","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"7.2×5.7×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品是「Treasured Memories」系列中，以一星期七天生活為主題的作品中的星期二。西方人一出生就在基督教的家庭中長大，一生都沐浴在宗教情操之中，成為西方文化的重心之一。本作品主角為一金髮女孩，身穿粉紅色連身長裙，低胸大圓領，燈籠短袖，白色腰帶打成蝴蝶結。她的右手向上彎曲，左手提起裙擺，身體略作旋轉，呈跳芭蕾舞的樣子，姿態優雅。器底印有「Tuesday’s child is full of grace」銘款，説明女孩受到上帝的恩典，過著愉快的日子。\r\n 本作品為美國Enesco禮品公司所設計的作品，在苗栗丸利子公司生產。作品經過素燒後再以人工彩繪，西洋玩偶的彩繪工作大都分工合作，有人專門彩繪身體的一個部分，而臉部的開相是作品優劣的決定性因素，都由繪畫技藝優秀的畫師為之。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113084","MainTitle":"星期三女孩敬畏上帝而落淚","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"7.2×5.9×16.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDg0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品是Enesco公司「Treasured Memories」系列中，以一星期七天生活為主題的作品中的星期三。此系列作品都與基督教信仰與教義有關。依據聖經創世紀，上帝在創造萬物六天之後，休息一天，成為一星期中週日安息，其餘六天為工作的生活傳統。此系列作品都以一個女孩代表一天，富有宗教義涵。\r\n 作品中的女孩身材高挑，面貌姣好，一頭金色秀髮綁了辮子在後面。她身穿高領長袖淺藍色洋裝，下擺飾有兩道蕾絲，腰間繫著粉紅色腰帶，雙腳穿著高跟鞋合併著，挺直地站在地上。她閉著雙唇，兩眼眉毛與眼角都往下彎，一臉肅穆的表情，兩手拿著一條白色的手帕，擦拭著流淚的左眼。器底有「Wednesday’s child is full of woe」銘文，説明女孩子對上帝感到恩寵而敬畏地感動流淚。作品的結構很單純，色彩不多，而顯得淡雅。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113085","MainTitle":"星期四女孩要出遠門","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"7.5×5.7×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品主題是「Treasured Memories」系列中，女孩子星期四要出遠門。主角是一個女孩，穿一襲淺藍色的長袖翻領上衣，脖子上繫一條小圍巾，下身著長裙，頭上戴著寬邊平頂帽，上面飾著一朵藍色緞帶花。雙腳穿著高黑色高跟鞋，立於地上。她的左手提著一個方形的小行李，高舉著右手，眼睛平視前方，好像在像人揮手道別的樣子。器底有「Thursday’s child has far to go」的銘款，說明星期四她正要去旅行。\r\n 作品在成形之後，沒有上釉便入窯高溫燒製，出窯後再以人用彩繪，完成後二度入窯低溫烤花而成。器表沒有釉藥明亮的光澤，而顯出平實無光的色彩，與一些釉下彩或釉上彩的施釉作品表現不同，呈現瓷器胎質與色彩的材質之美。這件作品為美國Enesco公司設計，臺灣的丸利公司生產。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113086","MainTitle":"星期五女童捧貓咪","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"7.2×6×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDg2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品是ENESCO公司「Treasured Memories」系列產品中，女孩子在星期五抱著小貓的畫面。女孩子一頭茂密的金髮，長可及肩，梳理整齊，後面綁成辮子，繫上蝴蝶結。她穿著一身淺藍色的長袖連身洋裝，腰帶打成蝴蝶結，雙腳穿著高跟鞋，站立在地上。她頭略向右傾，眼睛看著前方，一臉稚氣。手上抱著一個籃子，裡面放了三隻小貓，眼睛睜得大大的，可愛的模樣十分惹人疼惜。\r\n 器底有「Friday's child is loving and giving」，是西方傳統文化上的價值觀，認為一個人在世應該要懂得慈愛與付出。作品以人和貓之間的互動，表達這種道德情操。這件作品由ENESCO 公司設計，經由日本丸利公司的媒介，在日本做好模具與樣品，交由臺灣工廠生產，再透過日本的貿易商賣給美國公司，轉賣到各地市場，成為典型的全球化脈絡。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113087","MainTitle":"星期六女孩努力大掃除","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"7.3×5.5×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品是ENESCO公司所設計的「Treasured Memories」系列產品中，描繪女孩子在星期六在家裡大掃除的情景。勤勞是基督教徒的美德之一，小孩從小就接受這種教育，養成勤勞工作的習慣。作品主角是一個年輕的女孩，她一頭長可及肩的金黃色頭髮，梳理整潔，在後面用緞帶繫個蝴蝶結。她身穿橘紅色的長袖洋裝，外面加了一件白色的圍裙，腳上穿著淺黃褐色的高跟鞋站立在地上，身體重心落在右腳。她雙手握著拖把，正在努力地作家庭清掃的工作。器底有「Saturday’s child works hard for a living」銘款，説明作品的主題。\r\n 這件作品由美國Enesco設計，經由日本丸利公司的仲介，由臺灣丸利公司生產。日本丸利公司位於陶瓷重鎮瀨戶，由水野家族所創立，所生產的瓷器行銷到世界各地，本作品由苗栗的子公司丸利陶瓷公司代工生產。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113088","MainTitle":"職業系列/護士","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"6.6×6×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113089","MainTitle":"王子盛裝持花束","Creator":"其他-品牌商：Lenox Corporation
其他-代工：丸利陶器股份有限公司","CreatedYear":"1992","Size":"13.7×13.5×22.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品取材於格林童話「長髮公主(Rapunzel)」中的王子。王子身材高大而壯碩，留有長髮，五官分明。他全身盛裝，淺藍色的短大衣，腰間繫皮帶，配一把短劍，馬褲，馬靴，外加一件豪華大披風，服裝上的花紋歷歷可見，帥氣十足。他的左手拿著帽子，插在腰間，右手握著一束鮮花往前伸，身體與頭部略向右向前傾，目光前視，好像有一個對象與他相對，準備將鮮花獻給對方。人體與衣飾描繪得十分寫實，栩栩如生，色彩較為豐富，製作十分精美。\r\n 本作品由Lenox公司設計，這是美國最負盛名的陶瓷製造公司之一，生產很多陶瓷裝飾品，行銷世界各地。作品由臺灣丸利陶瓷公司生產，該公司由前彰化銀行董事長張伯欣與日本丸利公司合資於1971年成立，接受日本母公司的訂單代工生產。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113090","MainTitle":"公主梳理長髮","Creator":"其他-品牌商：Lenox Corporation
其他-代工：丸利陶器股份有限公司","CreatedYear":"1990","Size":"12.8×11.1×22","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDkw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品取材於格林童話「長髮公主(Rapunzel)」，主角是一個身材高挑年輕貌美的公主，穿著一襲淺藍色長可及地的服飾，大翻領，寬衣袖，飾有許多連續的花卉圖案。她的特徵是金色的頭髮長達足部，並編成三股的大辮子，另有幾股小辮子。她的頭上戴著一個紅藍相間的花環，頭部略向右傾，目光直視。她的右手撩起肩旁的秀髮，左手拿著梳子正在梳理。整件作品色彩柔和，表現得十分美麗而高雅，富於夢幻之感，很能吸引年輕女孩的目光。作品充滿曲線，具有動態，屬於新藝術(Art Nouveu)的風格，充滿著夢幻的世界。\r\n 西洋玩偶原是歐美家庭必備的室內裝飾品，尤其是在特定的節日，如聖誕節，需求量都很高。早期產品售價很高，在陶瓷量產化技術發達之後，才普及於普羅大眾。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113091","MainTitle":"俄羅斯公主Anastasia","Creator":"其他-品牌商：Lenox Corporation
其他-代工：丸利陶器股份有限公司","CreatedYear":"1990","Size":"10×8×21.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDkx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品主角是一位美麗的少女，她盛裝打扮，長袖高領白襯衫，及地的寬鬆長裙，外加一背心式的短袍，鮮紅色的裙擺，黑色背心，加上金色的邊飾，是俄羅斯風格的服飾。她的金髮長達腰部，編成前後兩條辮子。頭上戴著星形的金邊后冠，上面飾有花卉紋以及鮮紅的冠飾。兩手持物放在身邊，直立在地上。她有一雙明亮的眼睛，目光前視，閉著雙唇，表情安靜平和，具有安詳的氣質。\r\n 器底落款「Anastasia」，她是俄羅斯沙皇尼古拉二世的小女兒，故事曾在1965年拍成電影，很受歡迎，Lenox公司將她設計成玩偶，供人典藏，是公司得意的作品。整件作品具有東歐俄羅斯的服飾風格，色彩鮮明，對比強烈，卻因為配上大量的黑白色，加上金色的邊線，而不失和諧，是很優秀的設計。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113092","MainTitle":"兒童守護神觀音菩薩","Creator":"設計者：伊楷宗
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"9×10.9×18.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDky","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的器底書有「觀音－兒童守護神」款，可知創作者以中國傳統的信仰觀世音菩薩為主角，表現觀音愛護兒童的慈悲心懷。主角是一位相貌莊嚴的年輕女子，身上穿著中國傳統的白色女裝，橘紅色披肩，背後有扇形衣飾。她坐在蓮花瓣形的凳子上，雙手抱著一個襁褓中正在安睡的嬰兒，雙眼關注著。\r\n 作品以常見的女性為題材，卻以衣擺上的蓮花紋、蓮花寶座以及背後的扇形衣飾象徵傳統佛像的元素，設計者用心良苦。器底有款：「此瓷玩為『中國女神收藏瓷玩』專輯第一集……」說明這是整套系列作品中之一。西洋玩偶原是以歐美傳統的題材為主題，在臺灣完全是代工業。這樣的經營模式曾遭到社會各界的強烈批評，業者從善如流，開發出具有中國傳統風格的產品，本件為事例之一。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113093","MainTitle":"中國風持扇藍衣女瓷偶","Creator":"其他-品牌商：Lenox Corporation
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"9.2×7.7×21.9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDkz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品主角為一年輕女性，她身穿藍白色的連身服，下擺有幾朵單獨模樣的茶花紋，外面罩著一襲皮草的長厚外套，腰間繫著綢質腰帶，下方做成流蘇狀，前面有金屬半圓形的同心圓佩飾，在後面打結。她的頭上用頭巾包著，作為帽子。女子面貌姣好，頭髮烏黑，五官中鼻子較圓，不似西洋人的金髮與尖鼻子。她的雙手戴上不同質料的手鐲，握著一支藍色摺扇，扇柄繫著一個藍色的流蘇。從臉型、服飾與佩件看，這件作品的主角是個東方的女性，而非常見的西式玩偶。\r\n 她的身體略往後仰，頭往左邊看，而雙手持扇的姿勢，是日本藝伎常見的表演動作。因此這類具有日本傳統風格作品是丸利陶瓷公司為了日本國內的需求而生產，主要市場並不在歐美各地，成為另一種類型的玩偶。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113094","MainTitle":"男唱詩","Creator":"丸利陶瓷公司","CreatedYear":"1991","Size":"10.2×11.3×22.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDk0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113095","MainTitle":"法國賣花女郎","Creator":"其他-品牌商：Lenox Corporation
其他-代工：丸利陶器股份有限公司","CreatedYear":"1990","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主角是一位年輕的女性，她的面貌姣好，藍色的雙眼直視前方，嘴唇閉著，表情安詳。她有一頭金髮，燙成捲髮，梳成幾條辮子，垂在雙肩及後背。她的頭上戴著白色的軟布帽，身上穿著藍色的服飾，長可及地。肩上披著白色的披巾，腰間穿一條圍裙，服飾上的紋飾刻畫得很細緻。她的左手拿著一大束鬱金香，右手持著一小束玫瑰花，前胸還有一朵紅花，十分顯眼。地板上另有一個籃子，盛滿許多花朵。作品有底款「French Flower Maiden」，説明主角是一個賣花的法國女郎，因此花朵成為重要的配件。\r\n 花朵不用鑄漿成形法生產，而使用石膏模型，上面有大大小小花瓣的造型。製作時，把黏土填入模型內後，取出一片片的花瓣，組合黏接成為花朵，再貼到主坏體上，是很獨特的技法。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113096","MainTitle":"茱麗葉","Creator":"其他-品牌商：Lenox Corporation
其他-代工：丸利陶器股份有限公司","CreatedYear":"1990","Size":"12.9×10.8×22","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDk2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位優雅纖細的女子，手持化裝舞會的面具，正佇立風中若有所思的樣子，從雕像底部的產品資訊，猜測是刻畫著名文學作品中的傳奇女性「茱麗葉」。整建雕像表現出茱麗葉所屬貴族名門階層的華麗衣著，衣料柔軟隨風飄揚，以金色滾邊，並飾有細緻優雅的花草藤蔓紋樣，頭部的裝飾也毫不馬虎，白色的珠串交織束起長長秀髮。女孩頭部微微揚起，左手持著化裝舞會的面具，右手潮後拉住大風吹起的裙襬，讓人猜測是表現與羅密歐舞會相遇後，獨自佇立陽台向著夜空傾訴愛意的場景。\r\n 典藏登錄紀載，這件細瓷雕像是1990年由丸利陶瓷為家飾禮品公司Lenox的「傳說公主」系列所生產的高級瓷器。裝飾陶瓷產業在臺灣興盛於1970、80年代，屬代工製造，從這件作品的作工細節，反映丸利製造的純熟技術和精良品管。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200113097","MainTitle":"亞瑟王妃","Creator":"其他-品牌商：Lenox Corporation
其他-代工：丸利陶器股份有限公司","CreatedYear":"1990","Size":"18×10.6×23.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDk3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位優雅纖細的女子，頭戴金色頭冠，右手握著小花束，左手拉起曳地長裙，正注視著某處的樣子。從雕像底部的產品資訊，猜測是刻畫著名傳說文學《亞瑟王》中的傳奇女性Guinevere（關妮薇）—「亞瑟王妃」。傳說中亞瑟王妃雖貴為亞瑟王之妻，但鍾情於圓桌騎士之一的蘭斯洛特。整件雕像表現出王妃優雅華貴的衣著，衣料輕薄柔軟自然貼著身軀，表現王妃體態的纖細優美，金色滾邊的衣領和裙邊以及裝飾紋樣，更彰顯王族的尊榮。\r\n 典藏登錄紀載，這件細瓷雕像是1990年由丸利陶瓷為家飾禮品公司Lenox的「傳說公主」系列所生產的高級瓷器。裝飾陶瓷產業在臺灣興盛於1970、80年代，屬代工製造，從這件作品的作工細節，反映丸利製造的純熟技術和精良品管。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200113098","MainTitle":"大結婚","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"20.3×17.8×30.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDk4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113099","MainTitle":"大聖誕老人","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"17.5×13.6×31.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMDk5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113100","MainTitle":"三劍客主角達太安","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"9.8×6.7×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTAw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 文學小說是文化的重要部分，也成為西洋玩偶取材的資料之一。本作品取材自法國小說家大仲馬(Alexandre Dumas)的小說《三劍客(The Three Musketeers)》，由火槍隊的副隊長達太安(d’Artagnan)和他的三個火槍手朋友阿多斯(Athos)、波爾多斯(Porthos)、阿拉密斯(Aramis)，四個瓷偶成為一組。這件作品的主角是達太安，他是火槍隊的副隊長，劍法高超，身手矯捷。他身穿藍色騎士裝，繫著有銅扣的腰帶，肩上披著紅色斗篷，腳上穿著長筒靴。頭上戴著金色的假髮，上面戴著寬邊騎士帽，上面插著一支長羽毛。嘴上留有八字鬍，兩頰紅潤，眼光直視前方。右手插在腰際，左手握著佩在腰間的劍柄。雙腳左實右虛，站立在地上，一副很有自信而威風凜凜的氣概。\r\n 器底貼有「SAMPLE NOT FOR SALE，JAPAN」，説明這是從日本送過來的樣品，作為生產的標準。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113101","MainTitle":"三劍客之一紫衣劍客","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"9.8×6.7×20.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品為法國文豪大仲馬(Alexandre Dumas)的名著《三劍客(The Three Musketeers)》中，三位劍客之一。他一身中世紀歐洲騎士的打扮，身上穿著長袖紫色騎士裝，肩上披著橘紅色的騎士短披風Tabard，前面繡有十字箭鏃形的紋章，雙手戴著皮手套，左手插腰，右手握著雙刃的長劍，劍柄裝有護手盤。雙腳穿著褐色長筒靴，分開站立著。他的頭上戴著及頸的金色假髮，上面再戴著寬邊的帽子，上面插著一支很長的藍色羽毛。他面貌清癯，上唇留著八字鬍，下巴留有山羊鬚，雙眼眼角略向下垂，眉頭微蹙，目光直視前方高處，一副充滿自信而有所關心的樣子。\r\n 由於瓷器生坏的強度不足，所以設計師在劍客背後加上一棵樹幹，使身體可以倚靠，和雙腳鼎足而立，以增加坏體的物理強度，避免製作過程中發生傾斜乃至倒塌的現象。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113102","MainTitle":"三劍客之一灰服","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"9.8×6.7×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品為法國文豪大仲馬(Alexandre Dumas)名著《三劍客(The Three Musketeers)》中，三位劍客之一。他們經常冒險犯難，伸張正義，到處行善。作品中劍客穿著中世紀歐洲的灰色長袖騎士服，肩上披著橘紅色的騎士無袖短披風，由前胸披到後背，前面繡有十字箭鏃形的紋章。它的側面敞開，可以看到裡面的服飾。他的雙手戴著皮手套，右手握著長劍的劍柄，左手拿著灰藍色的寬邊帽，上面插著羽毛。雙腳穿著綠色短筒靴，鞋面上飾有銅扣，左實右虛地分開站立，背後靠著一棵樹幹。他的頭上戴著灰白色假髮，面貌清瘦，臉色紅潤，唇蓄著八字鬍，下巴留有落顋鬍，嘴上略帶微笑，眉毛濃厚，目光烔烔有神，略為下視，身材十分健壯。\r\n 作品在燒成素坏後，以釉下彩繪製，坏體上可以見到釉藥特有的光澤。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113103","MainTitle":"大仲馬小說中三劍客之一","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"9.8×6.7×20.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品為法國文豪大仲馬(Alexandre Dumas)1844年的名著《三劍客(The Three Musketeers)》中，三位劍客之一。劍客穿著長而寬鬆的鏽綠色騎士裝，肩上披著橘紅色的騎士短披風，前面繡有十字箭鏃形的紋章。他的雙手戴著皮手套，右手握著雙刃長劍的劍柄，左手扶著刀刃。雙腳穿著黑色長筒靴，膝部微彎，右腳虛踩，兩足分開站立，重心落在左腳，背後靠著一棵樹幹。他的頭上戴著金色假髮，上面再戴著寬邊的綠色帽子，上面插著紅色的羽毛。他面貌清瘦，上唇留著往上蹺的八字鬍，下巴留有一撮山羊鬚，造型頗具特色。臉部傾向右前方，目光略為下視，表情安靜而平和。\r\n 作品雖然只是單純的一個人物造型，然而還有一些配件無法一體成形，必須另外製作後，再加以黏接與修整才完成。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113104","MainTitle":"胖男子Mr.Pickwick倚靠壁爐取暖","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"10.7×9.5×19.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品器座前方有主角的名款「MR. PICKWICK」，出自狄更斯著作《匹克烕克外傳》(The Pickwick Papers, 1836)。主角是一位胖男士，身材矮而肥胖，肚大腿粗。頭部長得像一個圓球，一頭白髮，上面戴著一頂圓扁形的藍綠色寬緣帽。短脖子，上面圍一條圍巾。他的頭部略微擺向右側，雙唇緊閉。眉角向下彎，眼睛睜大，一副小圓鏡框的眼鏡掛在眼球下方，樣子有點滑稽但具有嘲諷的味道。他身穿黃上衣，外面加一件解開扣子的厚外克，腳上穿著藍綠色短襪黑皮鞋，站在鋪有瓷磚的地板上。他的背後是附有抽屜的壁爐，上面放在一盆聖誕樹，説明時間是歲末寒冬。下面的炭火燒得正旺，男子臀部倚靠壁爐取暖，描繪了他在冬天生活的景象。\r\n 坏體是在成形修飾之後，入窯高溫燒製後，再以手工彩繪，二度入窯以800℃左右低溫烤花。因為沒有施釉，所以器面柔和而無光，具有瓷胎和釉彩特有的質感。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113105","MainTitle":"教區牧師助理Mr. Bumble與濟貧孤兒院","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"12.2×9.6×20.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 作品主角是一個胖男人，他的衣冠整齊，上身穿著有一排扣子的白色上衣，繫著領結，黃褐色的長褲，白長筒襪，黑皮鞋，外加一套藍色的長大衣，肩上有一塊藍色黃邊的披肩，頭上也戴著一頂藍色黃邊的寬邊帽。他的雙腳站立，與肩同寬。左手下放，右手執著一根圓頭的木棒。他站在一間房子的拱門前，上面寫著：「WORK HOUSE」，説明這是一間濟貧孤兒院，說明他的身分背景。臺座前面寫著：「Mr. Bumble」，是主人翁的名字。\r\n 故事出自狄更斯(Charles John Huffam Dickens，1812-1870)的小說《Oliver Twist(孤雛淚)》。小說中的主角Oliver Twist出生在這家濟貧孤兒院，而Mr. Bumble是這個教區的牧師助理，這家孤兒院是他管轄的範圍。他的個性妄自尊大，生活靡爛，Oliver在這裡受盡虐待。作品表現出Bumble那種自大的神態，具有反諷的意味。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113106","MainTitle":"胖男子Tony Weller持馬克杯與木杖","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"10.5×8.7×20.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品器座前方有主角的名款「TONY WELLER」，故事也出自狄更斯著作《匹克威克外傳》(The Pickwick Papers,1836)。主人翁Tony為一胖男子，有一個凸起的啤酒肚，大圓臉，雙下巴，短脖子，粗大腿，都是明顯的特徵。他的頭上戴著寬邊圓帽，眼角下垂，雙眉緊蹙，目光視向遠方，閉著嘴巴，若有所思的樣子。他穿著直條紋運動衫，脖子圍著一條淺藍色的圍巾，卡其色長褲，上面再加一件大翻領的綠色大衣，雙腳上穿著中筒靴子，交疊地站著，背後靠著一個木製矮櫃。他的左手拿著一個咖啡色的馬克杯，右手擱矮櫃上，拿著一根長木棒，木棒細長，頂端尖尖，棒身鑲有深褐色的螺旋狀木材，頗具裝飾效果。\r\n 器底貼有「SAMPLE NOT FOR SALE」「JAPAN」，説明這是日本丸利公司設計的樣品，作為在臺灣子公司生產時坏體零件組合與彩繪的參考標準。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113107","MainTitle":"老修鞋匠修理高跟鞋","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"13.2×17.8×16.9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一個老修鞋匠在工作的情形。主角年紀相當大，穿著短袖襯衫，長褲，外加一件工作服。他的身體健壯，肌肉結實。他的頭髮中分，梳理整潔。臉上多肉，顴骨凸起，特徵明顯。他歪著嘴巴，叼著一根香菸，雙眉微蹙，兩眼看著前方手上的工作物。他坐在鋪有磚頭的地上，周圍散布幾朵花。前方有一個修理皮鞋的工作臺，上面穿進一隻女用高跟鞋。他的右手高舉，拿著鐵槌，左手拿著一個小零件，靠著鞋跟，要把零件敲進鞋跟裡。他全神貫注，認真地工作。\r\n 整件作品無論人體肌肉髮膚，衣服的褶紋，都刻畫得栩栩如生，藝術家寫實技藝很高。西洋玩偶通常都要經過燒製與著色的過程，這件作品只有花朵的葉子著了淡綠色，其餘的部分都沒有著色，應該是一件未完成品。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200113108","MainTitle":"鷹/古木立(岩石立)","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"25.8×16.3×30","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113109","MainTitle":"糜鹿","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"22×14×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113110","MainTitle":"鷹親子/鳥巢","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"18×23×38","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113111","MainTitle":"月份鳥系列花瓶/January","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"8×5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113112","MainTitle":"月份鳥系列花瓶/February","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"8×5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113113","MainTitle":"月份鳥系列花瓶/March","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"8×5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113114","MainTitle":"月份鳥系列花瓶/July","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"8×5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113115","MainTitle":"月份鳥系列花瓶/August","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"8×5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113116","MainTitle":"月份鳥系列花瓶/September","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"8×5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113117","MainTitle":"月份鳥系列花瓶/October","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"8×5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113118","MainTitle":"月份鳥系列花瓶/November","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"8×5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113119","MainTitle":"月份鳥寶盒/January","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113120","MainTitle":"月份鳥寶盒/February","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113121","MainTitle":"月份鳥寶盒/March","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113122","MainTitle":"月份鳥寶盒/April","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113123","MainTitle":"月份鳥寶盒/May","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113124","MainTitle":"月份鳥寶盒/June","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113125","MainTitle":"月份鳥寶盒/July","Creator":"","CreatedYear":"1987","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113126","MainTitle":"月份鳥寶盒/August","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113127","MainTitle":"月份鳥寶盒/September","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113128","MainTitle":"月份鳥寶盒/October","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113129","MainTitle":"月份鳥寶盒/November","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113130","MainTitle":"月份鳥寶盒/December","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113131","MainTitle":"名畫釉彩宗教鈴--耶穌","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"7.5×7.5×10.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113132","MainTitle":"名畫釉彩宗教鈴--耶穌與羊","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"7.5×7.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113133","MainTitle":"名畫釉彩宗教鈴--聖母","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"7.5×7.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113134","MainTitle":"名畫釉彩宗教鈴--藍衣聖母與聖嬰","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"7.5×7.5×10.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113135","MainTitle":"名畫釉彩宗教鈴--紅衣聖母與聖嬰","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"7.5×7.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113136","MainTitle":"名畫釉彩宗教鈴--聖嬰與羊","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"7.5×7.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113137","MainTitle":"蓮花燈座1","Creator":"丸利陶瓷公司","CreatedYear":"1991","Size":"15.4×15.4×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113138","MainTitle":"蓮花燈座2","Creator":"丸利陶瓷公司","CreatedYear":"1991","Size":"15.4×15.4×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113139","MainTitle":"月份花寶石鈴/一月康乃馨","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"8×8×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113140","MainTitle":"月份花寶石鈴/二月堇花","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"8×8×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113141","MainTitle":"月份花寶石鈴/三月黃連翹花","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"8×8×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113142","MainTitle":"月份花寶石鈴/四月鳶尾花","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"8×8×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113143","MainTitle":"月份花寶石鈴/五月百合","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"8×8×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113144","MainTitle":"月份花寶石鈴/六月玫瑰","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"8×8×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113145","MainTitle":"月份花寶石鈴/七月水蓮","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"8×8×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113146","MainTitle":"月份花寶石鈴/八月黃罌粟花","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"8×8×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113147","MainTitle":"月份花寶石鈴/九月紫菊","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"8×8×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113148","MainTitle":"月份花寶石鈴/十一月雛菊","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"8×8×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113149","MainTitle":"月份花寶石鈴/十月菊花","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"8×8×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113150","MainTitle":"月份花寶石鈴/十二月水仙花","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"8×8×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113151","MainTitle":"法國洛可可時尚宮廷仕女","Creator":"其他-品牌商：Lenox Corporation
其他-代工：丸利陶器股份有限公司","CreatedYear":"1730","Size":"9×6.9×15.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件手工彩繪的裝飾陶瓷雕像，塑造刻畫出一位身穿歐洲宮廷服飾手握扇子的仕女，這位女性的服飾意圖表現法國洛可可時期的宮廷時尚潮流。洛可可時期的貴族名媛，會頂著異常高聳的髮型，點綴上各種花朵等裝飾，服飾上有大量蕾絲和荷葉花邊運用在袖口、領口和裙身，緊身上衣搭配多層次蛋糕裙的剪裁，更顯仕女身姿曲線的纖細曼妙，篷大的裙子沿襲巴洛克時代最外層開叉撐開的手法，增加裙面的層次感，為數眾多的蝴蝶結裝飾，烘托女性甜美氣質，整體凸顯出洛可可時代追求的纖柔美感。\r\n 底部的產品標註這是宮廷仕女Victoria，屬於品牌Lenox出品的「偉大時尚史」系列，為高級精緻瓷，在臺灣手工雕塑。典藏登錄紀載，這件細瓷雕像是1985年由丸利陶瓷所生產，同系列的雕像尚有幾件，各自表現出歐洲不同王朝時代的女性時尚特色。裝飾陶瓷產業在臺灣興盛於1970、80年代，屬代工製造，從這件作品的作工細節，反映丸利製造的純熟技術和精良品管。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200113152","MainTitle":"玩蹺蹺板","Creator":"創作者：Debbie Bell Jarratt
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"11.5×4.8×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 小男孩和小女孩Loran & Lee正開心的玩著蹺蹺板，小女孩似乎因蹺蹺板的起伏嚇到而發出驚呼聲，一旁的小男孩和小狗也都因此看向了她。\r\n 小男孩和小女孩Loran & Lee正開心的玩著蹺蹺板，小女孩似乎因蹺蹺板的起伏嚇到而發出驚呼聲，一旁的小男孩和小狗也都因此看向了她。\r\n 這件作品底部沒有印上商標，但底部有手寫8/9’85字樣，推測為1985年製造。底部的貼紙上寫著SAMPLE NOT FOR SALE：此物件為樣品，不能販售。從其他同系列有LOGO的商品得知，此件作品的人物名稱為「Loran & Lee」，創作者為「Debbie Bell Jarratt」。Debbie表示，Loran & Lee為她創作出來的人物，系列名稱為「American Heirloom Porcelain美國傳家寶瓷器」。由日本丸利陶瓷公司接單委託臺灣分公司製作。\r\n 「臺灣丸利陶器股份公司」為當時臺灣規模最大的裝飾陶瓷生產業者，日本丸利公司投資，產品皆外銷。品管嚴謹、員工訓練紮實，為當時業界的翹楚。為了怕被抄襲，生產過程保密到家，員工進出都有保全警衛監控。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200113153","MainTitle":"不要搶我的冰淇淋","Creator":"創作者：Debbie Bell Jarratt
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"10.5×5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件為小男孩和小女孩Loran & Lee手拿著冰淇淋和雪糕，跟在一旁的小狗雀躍地想要一起品嚐，甚至用自己的牽繩將Loran & Lee團團圍住，而為了不讓小狗搶食，便伸長手高高舉著，沒想到冰品已經開始融化了。\r\n 這件作品底部沒有印上商標，但同系列的其他件作品底部有手寫8/9’85，因此可推測為1985年製造。從同款有LOGO的商品得知，此件作品名稱為「ICE CREAM」，而人物名稱為「Loran & Lee」，創作者為「Debbie Bell Jarratt」。作者表示，Loran & Lee為她所繪畫創作出來的人物，原型也是她雕刻的，系列名稱為「American Heirloom Porcelain美國傳家寶瓷器」。由日本丸利陶瓷公司委託臺灣分公司製作。\r\n 「臺灣丸利陶器股份公司」由日本丸利公司1969年投資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200113154","MainTitle":"捉迷藏","Creator":"創作者：Debbie Bell Jarratt
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"10×5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件為小男孩和小女孩Loran & Lee分別跪著及站著，中間的樹洞探出一隻松鼠，他們一同在草地上睜亮眼睛望向遠方，正在玩捉迷藏的遊戲。底部的貼紙上寫「HIDE N SEEK」為本件作品的名稱，意思為捉迷藏。\r\n 這件作品底部沒有印上商標，但同系列的其他件作品底部有手寫8/9’85，因此推測為1985年製造。底部的貼紙上寫著SAMPLE NOT FOR SALE，此物件為樣品，不能販售。從同款有LOGO的商品得知，此件作品的人物名稱為「Loran & Lee」，創作者為「Debbie Bell Jarratt」，經向原創者求證後，Loran & Lee為作者創作出來的人物，系列名稱為「American Heirloom Porcelain美國傳家寶瓷器」。由日本丸利陶瓷公司委託臺灣分公司製作。\r\n 「臺灣丸利陶器股份公司」為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200113155","MainTitle":"和貓咪玩跳繩","Creator":"創作者：Debbie Bell Jarratt
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"10.2×4.8×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件為小男孩和小女孩Loran & Lee各拿著繩子的兩端，正跟貓咪一起玩跳繩。貓咪輕巧的躍過繩子，而小男孩似乎對於眼前的景象感到不可思議，露出驚訝的表情。\r\n 這件作品底部沒有印上商標，但底部有手寫8/16’85字樣，因此推測為1985年製造。底部的貼紙上寫著SAMPLE NOT FOR SALE，此物件為樣品，不能販售。從同款有LOGO的商品得知，此件作品的人物名稱為「Loran & Lee」，創作者為「Debbie Bell Jarratt」，經向原創者求證後，Loran & Lee為作者創作出來的人物，系列名稱為「American Heirloom Porcelain美國傳家寶瓷器」。由日本丸利陶瓷公司委託臺灣分公司製作。\r\n 「臺灣丸利陶器股份公司」為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200113156","MainTitle":"龍鳳杯(一)","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113157","MainTitle":"龍鳳杯(二)","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113158","MainTitle":"龍鳳大掛盤","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"26.6×26.6×2.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"該龍鳳大掛盤瓷偶，係在八十年代丸利陶瓷公司接受廠商委託，設計製作之產品。以瓷土壓模成形體胚胎，再施以釉料高溫燒製後再上彩色釉料低溫燒製而成。\n這個大掛盤之創作主題取自於傳統吉祥元素鳳與凰，鳳凰是中國古代傳說中的百鳥之王，在中華文化中的地位和龍相同。其羽毛一般被描述為五彩，「鳳」為雄性，「凰」為雌性，為象徵祥瑞的鳥，也稱為「丹鳥」、「火鳥」、「鶤雞」。 鳳凰被認為是百鳥中最尊貴者，為鳥中之王，有「百鳥朝鳳」之說。 鳳凰圖像常用來象徵興國祥瑞。此作品之整體造形優雅，其溫柔婉約鳳與凰細膩順暢之流線形式加上五彩繽紛鳳凰吉祥之色彩意象，充分傳達了陰陽調和、既懷舊又創新之情懷，在西洋瓷偶中凸顯與眾不同之美感，真是難得之極致珍品。\n丸利陶器股份有限公司於1969年成立於苗栗縣苗栗市，為臺日合資公司，主要是從事原模、製模到分模生產、注漿、彩繪、及燒窯等到成品之營運與銷售。（詮釋委員：何明泉）","ImageUrl":""}
,{"Identifier":"200113159","MainTitle":"八角牡丹盒","Creator":"丸利陶瓷公司","CreatedYear":"1990","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113160","MainTitle":"水族魚/大扁魚","Creator":"","CreatedYear":"1981","Size":"10.5×5.5×14.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113161","MainTitle":"水族魚/古比魚","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"9.7×5.3×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113162","MainTitle":"水族魚/虎魚","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"12×6×12.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113163","MainTitle":"水族魚/鬥魚","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"11.6×4.8×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113164","MainTitle":"水族魚/海豚","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"8×6.1×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113165","MainTitle":"比目魚/珊瑚","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"16×11.6×22","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113166","MainTitle":"玫瑰花瓶(一)","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.5×6.5×12.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113167","MainTitle":"玫瑰花瓶(二)","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.5×6.5×12.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113168","MainTitle":"八角牡丹鈴","Creator":"丸利陶瓷公司","CreatedYear":"1990","Size":"6.6×6.6×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113169","MainTitle":"心形紙鎮/粉紅玫瑰","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"8.5×7×5.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113170","MainTitle":"心形紙鎮/三色玫瑰","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"8.5×7×5.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113171","MainTitle":"長形紙鎮/玫瑰","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"10×4.2×4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113172","MainTitle":"精靈/騎龜","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"8×6.8×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113173","MainTitle":"精靈/騎免","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"8.8×4.1×7.9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113174","MainTitle":"精靈/騎鵝","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"9.4×4.8×7.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113175","MainTitle":"滑翔機/男孩","Creator":"代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"16×16×12.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷人偶造型是一個捲髮的小男孩從一架飛機探出身來，他身穿著紅色飛行員皮衣，手上拿著飛行皮帽，一臉神采飛揚。飛機的樣式與小男孩的裝扮屬於二次大戰期間；上下並列配置的兩副機翼是早期飛機發展的樣式，稱作雙翼機，而在高空飛行的溫度低，需要皮衣、皮帽與眼罩的裝備。男孩看起來像是剛結束一趟飛行的模樣，脖子上還繞著白色圍巾，將飛行皮帽拿在手上，從機艙站起身來。然而仔細再看，飛機有草地上的土丘固定著，機身上寫著「LOLLIPOP」(棒棒糖)，可見是一個作為滿足小男孩飛行夢想的道具飛機。瓷偶造型在道具與情境設定(人物表情、衣裝)上相當寫真。\n 瓷土注漿成型的人偶塑像於1250-1280℃燒成白坯，再分別將釉彩塗繪於其上。小男孩的紅色皮衣光澤與模型飛機的木頭、輪胎、支架的質感肌理，皆以釉彩筆繪表現分明，非常逼真。底部沒有任何落款記載，似乎也沒有注漿口，僅有一貼紙標示「SAMPL NOT FOR SALE JAPAN」(樣品不出售日本)與黑簽字筆蹟寫著「繪彩樣品禁用12/14」。據此推測，此件藏品應是出自於臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠。臺灣丸利是由台日股東合資成立的公司，於1970年代帶動起台灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司當時將生產技術、設備，整套的行銷管理制度引進苗栗廠，原型、製模都經日方認可後，才正式在台分模量產，直至燒成皆在日本技師的監督下完成，有很高的品質管理標準。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至美國、歐洲，作為聖誕節飾品、節慶禮物或賞玩的收藏藝品。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200113176","MainTitle":"白鴿/粉紫花","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"24×15×23.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113177","MainTitle":"驢","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"16×8×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113178","MainTitle":"大圓玫瑰盒","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113179","MainTitle":"竹編橢圓鞋盒","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113180","MainTitle":"蛋形大玫瑰盒","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113181","MainTitle":"和頌大圓盒","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113182","MainTitle":"玫瑰蛋殼杯","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"7×8.2×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113183","MainTitle":"填土插花系列：玫瑰花車","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"10.6×7.6×9.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113184","MainTitle":"鳥信箱/藍花黃","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"5.5×4.1×6.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTg0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113185","MainTitle":"鳥信箱/粉紅花橘色","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"6.5×3.7×7.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113186","MainTitle":"蝴蝶卡片夾","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"4×4.4×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTg2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113187","MainTitle":"黃玫瑰圓形小寶盒","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113188","MainTitle":"菱形小寶盒","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200113189","MainTitle":"粉紅玫瑰圓小寶盒 ","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTEzMTg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114001","MainTitle":"填土插花系列：月份咖啡杯花/二 月堇花","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"5×5×5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114002","MainTitle":"填土插花系列：月份咖啡杯花/三月水仙","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"5×5×5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114003","MainTitle":"填土插花系列：月份咖啡杯花/四月太陽花","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"5×5×5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114004","MainTitle":"填土插花系列：月份咖啡杯花/五月百合","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"5×5×5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114005","MainTitle":"填土插花系列：月份咖啡杯花/六月玫瑰","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"5×5×5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114006","MainTitle":"填土插花系列：月份咖啡杯花/七月水蓮","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"5×5×5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200114038","MainTitle":"填土插花系列：籃中動物/鳥親子","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"7.5×6×6.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200114065","MainTitle":"填土插花系列：小貓盆上坐(小)/三月水仙","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"5.8×4×5.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MDY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114066","MainTitle":"填土插花系列：小貓盆上坐(小)/九月紫菊","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"5.5×4×5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MDY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200114069","MainTitle":"填土插花系列：天使吻花/堇花","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"8×4.8×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MDY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114070","MainTitle":"填土插花系列：灑水壺/一月康乃馨","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"6×4×5.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MDcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114071","MainTitle":"填土插花系列：灑水壺/二月三色堇花","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"6×4×5.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MDcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200114141","MainTitle":"水瓶/和頌(混合)","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"9.3×7.9×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200114145","MainTitle":"鈴(大)/六月玫瑰","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"6.8×6.8×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114146","MainTitle":"鈴(大)/混合和頌","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"6.8×6.8×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114147","MainTitle":"鈴(中)/二月三色堇","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.5×5.5×9.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114148","MainTitle":"鈴(中)/五月百合","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.5×5.5×9.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200114150","MainTitle":"鈴(中)/八月罌粟","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.5×5.5×9.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114151","MainTitle":"鈴(中)/十月雛菊","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.5×5.5×9.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114152","MainTitle":"鈴(中)/玫瑰三朵","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.5×5.5×9.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114153","MainTitle":"鈴(小)/一月康乃馨","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.3×5×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114154","MainTitle":"鈴(小)/二月堇花","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.3×5×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114155","MainTitle":"鈴(小)/三月水仙","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.5×5×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114156","MainTitle":"鈴(小)/六月玫瑰","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5×5×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114157","MainTitle":"鈴(小)/八月藍和頌","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5×5×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114158","MainTitle":"鈴(小)/九月紫菊","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5×5×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114159","MainTitle":"鈴(小)/十一月菊花","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5×5×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114160","MainTitle":"鈴(小)/十二月聖誕紅","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5×5×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114161","MainTitle":"鈴(小)/深紅玫瑰","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.1×5×6.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114162","MainTitle":"鈴(小)/黃玫瑰","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.1×5×6.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114163","MainTitle":"聖誕天使鈴/聖誕玫瑰","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"5×4.9×7.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114164","MainTitle":"聖誕天使鈴/聖誕葉","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"4.9×4.9×7.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114165","MainTitle":"吊飾鈴/腊燭","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"5.1×5×6.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114166","MainTitle":"吊飾鈴/蝴蝶結","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"5.1×5×6.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114167","MainTitle":"心形柄鈴/聖誕玫瑰","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"5.5×5×6.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114168","MainTitle":"心形柄鈴/聖誕葉","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"5×5×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114169","MainTitle":"心形柄鈴/蝴蝶結(小)","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"4.5×4.5×5.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114170","MainTitle":"竹編心形盒/堇花","Creator":"丸利陶瓷公司","CreatedYear":"1976","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114171","MainTitle":"竹編心形盒/太陽花","Creator":"丸利陶瓷公司","CreatedYear":"1976","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114172","MainTitle":"新娘","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"11.6×11.2×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114173","MainTitle":"職業系列/教師(Jo)","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"9×6.2×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114174","MainTitle":"大花瓶/紅玫瑰","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"12×14.5×23","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114175","MainTitle":"大花瓶/薔薇","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"12×14×23","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114176","MainTitle":"男/桶上坐","Creator":"設計者：Debbie Bell Jarratt
品牌商：Franklin Porcelain
代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"12.5×7×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷人偶造型是一位兩腳劈開，跳坐上木桶的小男孩；他一手往前搭著木桶，一手扶著頭上的帽子，像是從卡通插畫裡跳出來的人物，一身美國殖民時期的服裝打扮—淺藍色馬褲、白色長統襪，紅色背心與黑色的三角帽。他的左右肩上斜背著小皮包與牛角水壺，帽子上飛來了一隻蝴蝶停佇，木桶上一隻來不及跳走的青蛙，草叢裡探出頭來的小瓢蟲，加上小男孩的手腳平衡動作，可以想像，木桶到了山坡處就會滾動起來，小男孩的冒險就要開始!\r\n 這件藏品的底部落款為「“TOBIAS”BY debbie bell jarratt © 1985 FRANLIN PORCELAIN」，以及FRANLIN PORCELAIN (富蘭克林陶瓷) 的商標設計：分別在首字母FP下方與TOBIAS上方有一隻蝴蝶與兩朵花，皆附帶著一對如上下括號的緞帶圖騰。\"TOBIAS”「托比」是西洋男生的名字，“Debbie Bell Jarratt”則是一名畫出此雕塑原型的美國插畫設計師，她曾擔任過美國多家禮物公司的美術設計，包括Enesco與富蘭克林。知名的作品系列有「Cobblestone Kids」，介紹美國早期孩童的各種成長樣貌，「托比」即是其中之一。富蘭克林陶瓷是美國富蘭克林造幣廠 (Franklin Mint) 的其中一項產品系列，該公司在美國生產具收藏價值的硬幣、紀念盤、名人公仔肖像與季節性禮品。\r\n 此藏品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至歐美禮品公司，作為聖誕節飾品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200114177","MainTitle":"男/狐狸","Creator":"設計者：Debbie Bell Jarratt
品牌商：Franklin Porcelain
代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"6×11×13.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷人偶造型是一位戴著帽子的小男孩拿著紅蘿蔔引誘一隻樹洞裡的狐狸。他穿著一身美國殖民時期的服裝打扮，頭戴著像是艾米許人(註1)的寬簷高帽，左手拿著紅蘿蔔，右手拿著根木棍，蹲下身來打探樹洞。樹洞旁草叢中停留著一隻蝴蝶，洞裡一隻狐狸探出身子與尾巴，嗅著男孩手上的紅蘿蔔。\n 這件藏品的底部落款為「“SILAS”BY debbie bell jarratt © 1985 FRANLIN PORCELAIN」，以及FRANLIN PORCELAIN (富蘭克林陶瓷) 的商標設計。“SILAS”「席拉斯」是西洋男生的名字，名字意涵為「住在森林中」。“Debbie Bell Jarratt”是一名畫出此雕塑原型的美國插畫設計師，她曾擔任過美國多家禮物公司的美術設計，包括Enesco與富蘭克林。知名的作品系列有「Cobblestone Kids」，介紹美國早期孩童的各種成長樣貌，「席拉斯」即是此系列其中之一。此系列的人物造型活潑，色彩亮麗鮮豔，五官描繪精緻，尤其是眼睛趨於寫實，瞳孔與眼白皆描繪清晰。\n 此藏品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至歐美禮品公司，作為聖誕節飾品、季節性禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員：杜文田)\n\n註1：【艾米許人】https://zh.wikipedia.org/wiki/%E9%98%BF%E7%B1%B3%E4%BB%80%E4%BA%BA","ImageUrl":""}
,{"Identifier":"200114178","MainTitle":"女/提桶(貓付)","Creator":"設計者：Debbie Bell Jarratt
品牌商：Franklin Porcelain
代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"7.5×10×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶造型是一名頭戴著小圓帽的小女孩，她提著一桶牛奶，遇上了一隻小黃貓來討牛奶喝。女孩的臉型像個桃子般寬胖可愛，圍著工作圍裙，身上披著藍色披肩，一隻蝴蝶飛來停駐在她後腦的頭髮上。小黃貓一定是嗅到了濃郁的奶香，攀上了裝滿牛奶的木桶，怎麼勸、趕都不離。小女孩提著木桶的雙手，以及身體的後傾，和貓咪攀起的身軀，有著一種拉力互動的曲線。底座畫成是圓石頭鋪成的路面，呼應此系列名稱「Cobblestone Kids」。圓石頭(cobblestone)鋪的路面是美國早期開墾發展時，延續歐洲的習慣所做的路面建設。然而隨時代發展路面漸由柏油取代，圓石頭路面多存在於鄉村、受保護的區域。因此圓石頭路可視為一種時代與地域的象徵。「Cobblestone Kids」(石頭路的小孩)系列介紹美國早期環境中，孩童的各種成長樣貌。\n 這件瓷偶的底部沒有落款，僅以黑筆書寫著「F/M TMR5464 Cobblestone Kids, DAWDLING MILKMAID (NEW JERSEY) 整修用」的字樣。推測F/M代表Franklin Mint (富蘭克林陶瓷屬於富蘭克林造幣廠的一項生產項目)，TMR代表Taiwan Maruri。但是根據其造型特色於網路上查證 (註1)，可知此件瓷偶屬於富蘭克林陶瓷，是由設計插畫師Debbie Bell Jarratt所創作的「Cobblestone Kids」系列之一的角色，名為 “AMANDA”「阿曼達」的女孩。由於此件藏品是工廠裡作為「整修用」的參考原件，因此原命名「Dawdling Milkmaid」(拖拉延宕的擠牛奶女僕)並沒有受採用。\n 此藏品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。(詮釋委員：杜文田)\n\n註1：https://picclick.com/1984-Frankin-Mint-Porcelain-Amanda-Figurine-by-Debbie-123889931919.html#&gid=1&pid=4","ImageUrl":""}
,{"Identifier":"200114179","MainTitle":"女/提藍(雞付)","Creator":"設計者：Debbie Bell Jarratt
其他-品牌商：Franklin Porcelain
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"7.5×7.514×","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶造型是一名頭戴著工作棉帽的小女孩，她的手肘挽著一個籃子，籃子裡有三隻黃色小雞，手上又捧了一隻剛出生的小雞。女孩穿著橘紅色的衣裙，外搭淺黃色的工作圍裙，帽子上停駐著一隻蝴蝶，穿著木屐鞋的腳旁還有兩顆尚未孵化出小雞的蛋，藏在草叢上。女孩看著手上的小雞，而頭上頂著蛋殼破殼而出的小雞，也望著女孩；女孩與小雞凝聚了人與動物間的純真情感。\r\n 這件瓷偶的底部沒有落款，僅以黑筆書寫著「F/M TMR5407GATHERING CHICKS (N.Y. FELICIA) 」的字樣。推測F/M代表Franklin Mint (富蘭克林陶瓷屬於富蘭克林造幣廠的一項生產項目)，TMR代表Taiwan Maruri； “Gathering Chicks”「撿拾小雞」是工廠裡原件的稱呼。但是根據其造型特色於網路上查證 (註1)，可知此件瓷偶屬於富蘭克林陶瓷，是由設計插畫師Debbie Bell Jarratt所創作的「Cobblestone Kids」系列之一的角色，名為 “FELICITY”「菲麗絲提」的女孩，名字意涵為「幸福喜悅」。底座是圓石頭鋪成的路面狀，呼應此系列瓷偶名稱「Cobblestone Kids」(石頭路的小孩)，此系列介紹美國早期殖民開發的環境中成長的各種孩童樣貌，每位小孩瓷偶都有一個名字，身上都有一隻蝴蝶作為標幟，底座為石頭路面。\r\n 此藏品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至歐美，作為聖誕節飾品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員：杜文田)\r\n\r\n註1：https://picclick.com/Franklin-Mint-Porcelain-Felicity-Early-American-232541260350.html","ImageUrl":""}
,{"Identifier":"200114180","MainTitle":"女/烤麵包","Creator":"設計者：Debbie Bell Jarratt
品牌商：Franklin Porcelain
代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"12.7×9.4×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶造型是一名頭戴著麵包師傅帽的小女孩，手上持著剛出爐的麵包，腳邊有一籃紅蘋果與一隻覬覦著蛋糕的小灰貓。她有一雙綠色的眼睛，身穿淡紫色的衣裙，外面罩著白色圍裙，頭戴粉紅色帽子，腳穿著木屐鞋，一副鄉村女孩的裝扮。女孩的麵包上停駐著一隻蝴蝶，底座是圓石頭鋪成的路面狀，呼應此系列瓷偶名稱「Cobblestone Kids」(石頭路的小孩)；此系列介紹美國早期殖民開發的環境中成長的各種孩童樣貌，每位小孩瓷偶都有一個名字，身上都有一隻蝴蝶作為標幟，底座為石頭路面。\n 這件藏品的底部落款為「“PRISCILLA”BY debbie bell jarratt © 1985 FRANLIN PORCELAIN」，以及FRANLIN PORCELAIN (富蘭克林陶瓷) 的商標設計：分別在首字母FP下方與PRISCILLA上方有一隻蝴蝶與兩朵花，皆附帶著一對如上下括號的緞帶圖騰。“PRISCILLA”「普里席拉」是西洋女生的名字，“Debbie Bell Jarratt”則是一名畫出此雕塑原型的美國插畫設計師，她曾擔任過美國多家禮物公司的美術設計，包括Enesco與富蘭克林。知名的作品系列有「Cobblestone Kids」，「普里席拉」即是此系列其中之一。此系列的人物造型活潑，色彩亮麗鮮豔，五官描繪精緻，尤其是眼睛趨於寫實，瞳孔與眼白皆描繪清晰。 \n 此藏品出自臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至歐美禮品公司，作為聖誕節飾品、季節性禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200114181","MainTitle":"歐洲藍衣紳士","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"7×5×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 藝術作品常常反映社會的價值觀，這種價值觀會表現在日常生活的食衣住行各方面。這件作品所呈現的就是一個英國男子出門時典型的紳士裝扮，代表著自己的身分與修養。主角是一位中年男士，身材高挑健壯，臉形瘦長，上唇留著鬍子，嘴巴微笑，雙眼明亮，直視前方。他的頭上戴著一頂寬邊圓形的平頂禮帽，身上穿著白襯衫，鈕扣整齊地扣好，脖子上繫著黑色的領結，下身穿著整潔的西裝褲，腰間繫著皮帶，外加一套藍綠色的西裝，腳上穿著黑皮鞋。他的右手上舉，作整理領結的動作，左手拿著一把雨傘，雙腳分開站立，正面朝前，後面倚靠著支大理石柱，上面置有一個花瓶，表現出紳士應有的形象。\r\n 器底有「MR」陰刻款，是丸利(Maruri)公司的商標，説明作品自丸利公司生產。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200114182","MainTitle":"歐洲持傘淑女","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"7×7×18.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 在歐洲社會，紳士淑女是基本的行為模式，代表著一個人的人文素養與社會地位。本作品的主角是一位年輕的女性，她的身材苗條高挑，一頭金黃色的頭髮，梳理得十分整潔，頭上戴著一頂白色的寬邊軟帽，上面飾著兩根淺藍色的羽毛。面容由專門的畫師刻意描繪，櫻桃小嘴，明亮的藍眼球，光芒似的睫毛，臉頰薄施漸層的腮紅，面貌姣好。她穿著一襲白色高領的連身服裝，領口繫著兩個紅色的領結，腰間繫著藍色的腰帶，有金色的花卉形帶扣扣著，下擺有兩道粉紅色的花卉紋飾。上身再添上粉紅色的長袖短外套，左手下垂，右手握著淺藍色的雨傘。身體略向右傾，雙眼看著左上方。整件作品色彩輕淡而柔和，服飾的褶痕與紋飾都刻畫細微，製作精美，表現出了典型的高貴淑女氣質。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200114183","MainTitle":"酒瓶系列：樹洞浣熊","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"19×7×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114184","MainTitle":"酒瓶系列：樹洞免子","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"18×7.5×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTg0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114185","MainTitle":"裝飾檯座音樂盒（聖母馬利亞抱聖子耶穌）","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"17×5.5×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200014185〈裝飾檯座音樂盒（聖母馬利亞抱聖子耶穌）〉雖然是一個設有檯座的音樂鈴，然而藝術價值凸顯於正圓立體造型正面的半浮雕塑像；以藍色背景襯托的牙白色作品加上金色邊框，顯得格外樸素、莊嚴。創作題材描述聖經故事裏，聖母馬利亞披著頭巾、頭頂光環、身著連身長衫，「按照當時摩西律法的規矩，要將頭生男子稱聖歸主」，因此抱著孩子進入聖殿，兩旁還有小天使陪伴。\r\n 該作品是根據《新約聖經》中的《路加福音》第二章第25~27節所描述者，進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩、室內擺飾及樂音聆聽之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200114186","MainTitle":"夫妻跳舞慶祝聖誕節","Creator":"設計者：Norman Rockwell
其他-品牌商：The Saturday Evening Post
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"14.5×11×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTg2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件作品描繪一對夫妻慶祝聖誕節一起跳舞的情景。兩人都已上了年紀，女士穿著一套淺綠色的連身蓬蓬裙，頭戴荷葉邊的白色帽子；男士身材較胖，穿著白襯衫，打領結，短背心，外加一套紅色的短大衣，褐色的長褲。兩人手牽手，滿臉笑容，快樂地一起跳舞，表現兩人多年來的夫妻情深。底座上有原畫家「Norman Rockwell」的名款，器底有「Satudry Evening Post Cover Painting December 8, 1928 “Christmas Dancers”」款識，說明作品源自Norman Rockwell為星期六晚報繪製之的封面圖像。\r\n 西洋玩偶在歐美稱為「Figurine」，日本在工業統計上稱為「陶瓷器玩具與擺飾品」，在輸出業界使用「ノベルティ」，源自英文的「novelty」，本來是意指「新奇、珍貴、嶄新」等，把陶瓷擺飾品都稱為「ノベルティ」成為一種日式英文。這種產品引進臺灣之後，因為沒有前例可循，所以業界泛稱「裝飾陶瓷」。只是此一用詞太過廣義，因此把它稱為「西洋玩偶」，可直接闡明其來源與特質。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200114187","MainTitle":"棒球隊員與教練相互打氣","Creator":"設計者：Norman Rockwell
其他-品牌商：Brown & Bigelow
其他-代工：丸利陶器股份有限公司","CreatedYear":"1979","Size":"15.8×10.5×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的臺座上有Norman Rockwell的名款，可知是這位插畫家的原創。他的創作都從美國人週遭的生活與環境中取材，本作品所描繪的是四位棒球隊員。棒球是美國最盛行的運動項目之一，這樣的主題對於美國人十分熟悉。作品中三個少年球員和教練都穿著棒球裝的隊服，其中兩個球員的雙手共同握著一支球棒，互相打氣加油，一個球員手上戴著手套，背在後面，面向教練。身材較高，戴著眼鏡的青年人應是球隊的教練，兩手插在腰際，看著球員，加以指導。作品單位較多，構圖較多樣，而色彩除了帽子之外，相當淡雅。\r\n 作品由丸利公司生產，該公司是苗栗最早的西洋玩偶工廠之一，在它的影響之下，西洋玩偶在苗栗迅速發展，最盛時期大小工廠家數估計達四百餘家，是苗栗陶瓷發展的高峰期。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200114188","MainTitle":"祖孫一起打棒球","Creator":"設計者：Norman Rockwell
其他-品牌商：The Saturday Evening Post
其他-代工：丸利陶器股份有限公司","CreatedYear":"1979","Size":"13.5×11×17.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品取材自1916年8月5日「星期六晚郵報」的封面中，Norman Rockwell所創作的插畫，描繪的是祖孫一起打棒球的場景。祖父身材健壯，腹部微凸，頭頂已秃，兩鬢白髮，但神采奕奕。他沒有穿著棒球衣，而只穿著普通休閒的藍條紋白襯衫，褐色背心，牛仔褲，黑皮鞋。他雙手高舉球棒，眼睛看著遠處的投手，準備打擊。小男孩則穿上正式的白色棒球裝，倒戴著紅色的棒球帽，左手戴著手套，右腳跪在地上，左腳曲成弓步，兩眼注視著前方，雙手移到右方，準備接球。從作品中，可以看到棒球在美國是一種全民運動，整個畫面表現出一種健康活潑與樂觀的生活態度，顯示了祖孫情深的家庭倫理。\r\n 場景中本來還有投手，但在畫面上沒有呈現出來，讓觀眾有想像的空間，共同參與創作的過程。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200114189","MainTitle":"四個少年打高爾夫球","Creator":"設計者：Norman Rockwell
其他-品牌商：Brown & Bigelow
其他-代工：丸利陶器股份有限公司","CreatedYear":"1979","Size":"16.8×9.5×17.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品有四個少年一起在打高爾夫球。最前方一個人戴著深度的眼鏡，穿著細肩帶背心，長褲，身體略前傾，雙手握著球桿，睜大雙眼，很認真地要把高爾夫球撥進洞裡。他右邊的年輕人穿著白色T恤，把棒球帽故意往後戴，使帽緣向上翻，左手插腰，右手提著一袋球桿，笑著臉看著朋友打球。後面小男孩也穿著背心，長褲，藍色的棒球帽的帽緣歪向左邊，歪著嘴巴，睥睨著眼睛，一付頑皮相，看著前面的伙伴打球。另一個年紀最小的小男孩，穿著藍色條紋的T恤，深藍色短褲，左肩也背著一袋球桿，站在後方，滿臉堆著笑容。充滿著年輕人健康活潑的一面。\r\n 作品由上Norman Rockwell原創者的插畫改作而成。要把平面繪畫轉換成三度空間的雕塑作品，雕塑家必須具備高度的想像力與雕塑技巧。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200114190","MainTitle":"日本女孩插花/花瓶","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"8.5×8.5×12.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTkw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現日本女孩正在插花的陶瓷雕像，屬於家庭擺飾或禮品餽贈之用，在歐美國家擁有廣大的市場，1970-90年代臺灣代工生產大量的裝飾陶瓷供給市場需求，當時多半為西洋題材與風格，而這項產業的發展，從日本轉移而來。1980年代佔有臺灣四分之一強生產線的苗栗，其產業建立之始，就是來自日本的技術或資金。生產這件產品的臺灣丸利陶瓷，即為臺日合資，產品底部蓋印Maruri Masterpiece、MR商標以及Bone China字樣，指明了此為丸利（Maruri）的骨瓷商品。\r\n 這件和風充滿溫婉柔和氛圍的塑像，充分發揮骨瓷細膩、玻化、剔透的質感，同時也感受設計者在東方女性造形上充滿餘韻的姿態掌握和細膩發揮，靜謐中帶有動態，彩繪部分細緻五官、花卉和葉片的漸層變化，也一一關照。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200114191","MainTitle":"日本女孩插花/竹瓶","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"8.5×8.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTkx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現日本女孩正在插花的裝飾陶瓷雕像，用於家庭擺飾或禮品餽贈。裝飾陶瓷在歐美國家擁有廣大的市場，臺灣在1970-90年代大量代工生產，因應市場需求，多半為西洋題材與風格。這項產業的發展，從日本轉移而來，苗栗為其重鎮。生產這件產品的臺灣丸利陶瓷，即為臺日合資的公司，以技術與品管精良著稱，佔有中高價市場。產品底部蓋印ENESCO商標和貼紙，以及Bone China字樣，有意思的是，這件和風產品與另一件蓋有丸利（Maruri）商標的骨瓷商品，姊妹作一般，設計者應為同一人。\r\n 這件溫婉柔和氛圍的塑像，造型展現了靜謐的氣質，彩繪部分細緻五官、花卉和葉片的漸層變化，也一一細膩關照。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200114192","MainTitle":"酒瓶系列：山貓與白免","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"23×15.5×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTky","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114193","MainTitle":"酒瓶系列：動物撞球","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"16×12×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTkz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114194","MainTitle":"黏眼睛系列/女保溫套","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"9×7.8×8.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTk0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114195","MainTitle":"黏眼睛系列：女/酢醬草","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"7.5×6.5×18.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114196","MainTitle":"黏眼睛系列：女/新娘本持","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"6.3×6.3×18.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTk2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114197","MainTitle":"黏眼睛系列：小丑","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"9.5×6.4×18.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTk3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114198","MainTitle":"黏眼睛系列：聖誕老人/抱熊(音)","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"14.1×11×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTk4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114199","MainTitle":"黏眼睛系列：小女孩","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"7×6.8×18.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MTk5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114200","MainTitle":"黏眼睛系列：護士","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"10×7.9×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjAw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114201","MainTitle":"黏眼睛系列：女/心持","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"8.8×7.5×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114202","MainTitle":"黏眼睛系列：日本娃娃","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"10.2×8.8×18.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114203","MainTitle":"黏眼睛系列：女立/雙手下(音)","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"10.5×10.3×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114204","MainTitle":"黏眼睛系列：女/花持","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"7.5×6.6×18.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114205","MainTitle":"黏眼睛系列：印地安女孩/缽持","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"9.8×8×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114206","MainTitle":"黏眼睛系列：小紅帽","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"9×6.8×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114207","MainTitle":"黏眼睛系列：女/杯皿持","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.5×6.5×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114208","MainTitle":"老鷹頭(小)","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114209","MainTitle":"老人家坐在公園長椅上餵白鴿","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪老人晚景生活的一幕。器底有印款：「Treasured Memories」是Enesco公司「珍貴回憶」系列作品之一。主角是一位頭髮灰白的老人，頭上戴著灰黑色的短緣圓帽，穿著白襯衫，打領帶，加背心，外面再穿上翻領的外套，下身穿著西褲，皮鞋，一副紳士的打扮。他一個人孤獨地坐在有靠背的長椅上，左邊空出，停有三隻鴿子，更顯出無伴的孤寂。他手上拿著一個紙袋，右手伸進去拿裡面的飼料餵食身旁的兩隻小白鴿，另一隻停在椅背上。老人家嘴上留著翹八字鬍，臉部朝左下方，一臉無奈地看著兩隻正在吃食物的鴿子，把老人家孤單無依的晚景表現得十分傳神。\r\n 作品的零配件有人物、椅子和小鳥等。這樣的作品無法簡單地一次成形，每個部分必須分別製作之後，再加以黏接組合，需要很多人力分工合作，使西洋玩偶成為勞力密集的產業，造就許多就業人口。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200114210","MainTitle":"小孫女聆聽爺爺拉小提琴","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"9×8×13.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品是美國Enesco公司所設計的「珍貴回憶」系列作品之一。描繪一位滿頭灰髮的老人，身上穿著白襯衫，打著灰領帶，外加一件短背心，穿著西裝褲，褐皮鞋。他嘴上的八字鬍已變成灰白色，説明年紀不小。他坐在矮凳上，左手拿著小提琴，琴體靠在肩上，右手拿著琴弓，全神貫注地拉著小提琴。右前方站著他可愛的小孫女，雙肘擱在爺爺的右腿上，撐著臉頰，抬頭注視著小提琴，聆聽爺爺拉出美妙的音樂。把祖孫之間的親密之情表露無遺。\r\n 作品是瓷器坏體，胎質細膩而潔白。在此之前，苗栗都採用當地蘊藏的黏土，製作傳統的陶器，胎質呈灰陶的特徵。直到生產西洋玩偶之後，才以國外進口的瓷土製作瓷器。從此以後，苗栗陶瓷才從石陶器(stoneware)時期進入瓷器時期，具有劃時代的歷史意義。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200114211","MainTitle":"情侶夏日划船遊河","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"22×11×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 作品描繪一對情侶划船遊河的情景。器底有印款：「Treasured Memories」是Enesco公司「珍貴回憶」系列作品之一。此系列作品之下，又有幾個不同的系列，從底款中可知，這是「四季之愛」中的「夏日之愛」。船上的一對男女穿著典型的紳士與淑女裝一起遊河。男士穿著白襯衫，打著紅色的領結，戴著寬邊平頂呢帽。他坐在小船上，臉上露著微笑地用雙手划槳。金髮女郎穿著水兵服方領的粉紅色服飾，左手撐著粉紅色的陽傘坐在對面，兩人態度輕鬆而表情愉快，感情親密，而能保持紳士與淑女之風。\r\n 西洋玩偶有幾種不同的類型，其中有一種是臺座較高，器底留有較大的空間，可以裝上音樂盒。上緊發條後，可以聽到清脆而悅耳的音樂，在視覺之美外，還可以有聽覺的享受，這件作品是事例之一。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200114212","MainTitle":"祖母/抱嬰","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"9×9×17.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114213","MainTitle":"祖孫/釣魚","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"9.8×6×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114214","MainTitle":"父子/肩上坐","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"9.5×7.3×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114215","MainTitle":"祖母與孫女/持杖","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"7.5×9×16.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114216","MainTitle":"母子/舉","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"9.5×8×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114217","MainTitle":"50週年/看相本","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"8.5×6.5×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114218","MainTitle":"雙手抱胸聖母馬利亞半身像（音樂盒）","Creator":"其他-品牌商：Roman, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"10.8×10.5×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200114218〈雙手抱胸聖母馬利亞半身像（音樂盒）〉，主要是在描述聖經故事「神降大任；信心承載」，少女馬利亞蒙神揀選懷胎，欣然接受，生下主耶穌。「…我是主的婢女，願就祢的話成就在我身上…」，由此可見馬利亞當時得知天使帶來的聖靈訊息後，因敬畏上帝而化解驚恐，雙手抱胸，以尊主為大的謙卑順服神情充分表達於作品上。圖中作品的藝術價值不在於音樂盒而是其上之精緻裝飾陶瓷創作，聆聽樂音的同時又能欣賞藝術作品。\r\n 作品創作是根據《新約聖經》中的《路加福音》第一章第26~38節之故事情節進行創作。作者發揮想像力與雕塑長才，將聖經裏的故事內容，以裝飾陶瓷之表達方式生動呈現，無形中增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩、室內擺飾及樂音聆聽之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200114219","MainTitle":"蜂鳥組","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114220","MainTitle":"雙無尾熊/銅樹","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"14.9×8×14.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114221","MainTitle":"蹲姿鴿(1)","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"17×12.8×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114222","MainTitle":"蹲姿鴿(2)","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"17×12.8×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114223","MainTitle":"男孩玩腳/仰躺","Creator":"設計者：Roger J. Brown
品牌商：River Shore, Ltd.
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"8.5×7×5.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶造型是一位嬰孩躺在床上，雙腳抬高至身體，由雙手抓著。這是嬰兒在成長過程中對身體的探索，是他們特有的動作，而俯視躺著的嬰孩更是母親特有的視角。嬰孩的手腳塑畫得精緻柔和，白色的棉衣與白色的床單凸顯嬰孩天真純潔的模樣，展現出幸福溫馨的一面。 \n 嬰孩的四肢屬於分模製作的附件，於主體注漿成型脫模後再整修、粘接組合，接著進入瓦斯窯1250-1280℃燒成後，再分別將釉彩塗繪於其上。小孩瓷偶的五官神情是以水溶性釉彩的顏彩技巧而成，微暈的腮紅則是以噴槍噴彩，衣服、床鋪等面積較大之處，則使用油性介質調製色釉粉塗繪，再經低溫700-800℃的電爐烤色約四小時著色。\n 這件瓷偶出自於臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至歐美禮品公司，作為聖誕節飾品、節慶禮物或收藏藝品。底部的落款為「Roger J. Brown's FOUND MY TOES from “The Family Album”TM by River Shore, Ltd.© 1982 RSL Taiwan」，其中Roger J. Brown是美國設計原型的藝術家，FOUND MY TOES「摸到我的腳趾頭」是瓷偶名稱，屬於「家庭相簿」系列，而外銷的公司River Shore, Ltd.今日已不在。另有金色貼紙標示出「Made in Taiwan」的字樣。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200114224","MainTitle":"女/烤麵包師","Creator":"設計者：Roger J. Brown
品牌商：River Shore, Ltd.
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"8.5×8.3×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶造型是一位金髮小女孩，頭髮整齊地梳到兩旁紮起來，綁上粉紅色的蝴蝶結；她的身上穿戴著白色圍裙，手上戴著烘焙連指手套，捧著一盤剛烤好的餅乾。神情看起來有些靦腆，女孩頭傾斜一邊；從側面觀看，上身有些駝背，雙膝微彎，雙腳打開站穩立於方形底座上。底座上刻有美國原型設計的藝術家名字「r. J. brown」。瓷偶記錄了小女孩學習成長中青澀害羞的相貌。\n 陶瓷人偶以瓷土注漿成型脫模後，經過第一道「生檢」手續，合格的則可進瓦斯窯窯燒(1250-1280℃)，出窯後再經「締檢」查看燒成的白坯是否有瑕疵，良品才進入釉彩彩繪階段，女孩瓷偶臉上的五官是以水溶性的釉彩(以水、牛皮膠調合色料)手繪而成，臉與膚色、身上的衣服則使用油性介質調製色釉粉塗繪；再經低溫700-800℃電爐烤色約四小時著色。底部的落款為「Roger J. Brown's COOKING COOKIES from “The Family Album”TM by River Shore, Ltd.© 1982 RSL Taiwan」，意即來自「家庭相簿」系列的「烤餅乾」。另有金色貼紙標示出「Made in Taiwan」的字樣。\n 這件瓷偶出自於臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至歐美禮品公司，作為聖誕節飾品、節慶禮物或收藏藝品。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200114225","MainTitle":"男/南瓜","Creator":"設計者：Roger J. Brown
品牌商：River Shore, Ltd.
代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"8.3×6.6×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶造型是一位穿著兔子裝的小孩，一手拿著大袋子，一手拿著像是巧克力夾心的派餅，旁邊放著出現在萬聖節的大南瓜燈。美國萬聖節是小朋友喜愛的節日，當天可以發揮創意作嚇人的裝扮，並且按約定習俗，小朋友會聚集到附近鄰居家，提著南瓜燈挨家挨戶的敲門要糖果，喊著：「Trick or Treat」(不給糖，就搗蛋)，而大人也會在當天準備甜食。年紀小的孩子不能外出，寒冷的十月天裡，穿上連身、絨毛的兔子裝正好可以保暖。小孩抬起頭來，像是跟大人要糖果的神情，臉頰上的紅暈配上長長的兔子耳，煞是可愛。\n 瓷偶的製程先後大致分為：原型雕塑、製模分片、注漿成型、整修粘接、生檢、窯燒、締檢、彩繪和繪燒、品檢與包裝幾個步驟。此件瓷偶在造型上有多個分開製模的附件，包括小孩的頭與兔耳朵、雙手、手上的袋子與南瓜燈，這些附件於脫模後的整修階段粘接組合。臉上的五官是以水溶性的釉彩(以水、牛皮膠調合色料)手繪而成，臉與身上的衣服、南瓜則使用油性介質調製色釉粉塗繪；再經低溫700-800℃電爐烤色約四小時著色。底部的落款為「Roger J. Brown's TRICK OR TREAT from“The Family Album”TM by River Shore, Ltd.© 1982 RSL Taiwan」，意即來自「家庭相簿」系列的「不給糖，就搗蛋」。\n 這件瓷偶出自於臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至歐美禮品公司，作為聖誕節飾品、節慶禮物或收藏藝品。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200114226","MainTitle":"男/種花","Creator":"設計者：Roger J. Brown
品牌商：River Shore, Ltd.
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"5.4×7×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 方形底座上，穿著紅色夾克的小男孩瓷偶坐在圓形木板凳上，彎腰低頭看顧著一只盆栽；他一手拿著鏟子，一手護著盆栽，看起來一副認真投入的樣子。或許是專注於植土，盆栽旁邊的小盆傾倒了也不理，一隻腳上的褲管被拉起，露出鞋襪來；從背後觀察，原來小男孩僅坐了一半的凳子，身體歪斜向一邊。細膩的身體動作與線條刻畫，讓此系列作品更貼近生活。底部的落款為「Roger J. Brown's GARDENIN’from“The Family Album”TM by River Shore, Ltd. © 1982 RSL Taiwan」，意即來自「家庭相簿」系列的「園藝中」。此系列作品以家庭相簿的概念，表現出孩童在生活中的各種面向，保存童年珍貴的記憶片段。\n 瓷偶的製程先後大致分為：原型雕塑、製模分片、注漿成型、整修粘接、生檢、窯燒、締檢、彩繪和繪燒、品檢與包裝幾個步驟。男孩的雙手、椅凳、腳與盆栽皆屬於分模製作的附件，與主體分開注漿成型，脫模後再整修、粘接組合起來。男孩瓷偶臉上的五官即屬於精細的顏彩構成，微暈的腮紅則是以噴槍噴彩，其他部分為油彩。男孩的黃髮、黃色上衣搭上顯眼的紅外套與綠色植物，整體色彩搶眼，印象鮮明。\n 這件瓷偶出自於臺灣丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型、瓶飾等，由臺灣代工後外銷至歐美禮品公司。當時日本在裝飾陶瓷方面的發展已有三十幾年經驗，然受到自身產業轉型與勞力不足的影響，轉而來臺尋找合作生產對象。苗栗有天然瓦斯，加上日本的設廠與技術導入，促成裝飾陶瓷這項勞力密集的產業迅速蓬勃發展，於1970-80年代為臺灣賺取巨額的外匯收入。(詮釋委員：杜文田)","ImageUrl":""}
,{"Identifier":"200114227","MainTitle":"男/雨衣","Creator":"設計者：Roger J. Brown
品牌商：River Shore, Ltd.
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"8.2×5×11.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈男/雨衣〉為注漿成形、瓷土釉上彩的裝飾陶瓷，為苗栗丸利陶瓷公司（1969-1994）所生產。裝飾陶瓷產品因應歐美國家禮品文化的需求，多數外銷，產品樣式多依照國外客戶指定生產，在1970、1980年代為臺灣帶來高額的外匯收入。\n\n 從藏品底部的註記文字顯示，作品原型來自美國雕塑家Roger J. Brown「家庭相簿系列」中的「下雨天」，由河岸有限責任公司(River Shore, Ltd.)在1982年委託日本丸利公司製造，日本丸利公司將原型雕塑好後再交由臺灣代工生產。Roger J. Brown以寫實的手法，表現出穿著長雨衣、頭戴帽子、腳蹬雨靴的小男童，在雨中一腳踏入水窪的戲水模樣。從臉部的顏彩、衣與帽隨肢體動作而變化的豐富皺褶細節、手部的細膩描寫，在在展現出有日系血統的丸利公司在生產技術上的專業與堅持。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114228","MainTitle":"女/抱貓","Creator":"設計者：Roger J. Brown
品牌商：River Shore, Ltd.
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"5.2×5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈女/抱貓〉為注漿成形、瓷土釉上彩的裝飾陶瓷，為臺日合資的苗栗丸利陶瓷公司（1969-1994）所生產。裝飾陶瓷產品為1970、1980年代期間台灣代工產業中的金雞母，因應歐美國家禮品文化的需求，多數外銷，產品樣式多依照國外客戶指定生產。\n\n 從藏品底部的文字顯示，作品原型來自美國新紐澤西州雕塑家Roger J. Brown（1933-2006）所設計開發「家庭相簿系列」中的「我和凱蒂」，由河岸有限責任公司(River Shore, Ltd.)在1982年委託日本丸利公司製作，日本丸利公司再交由臺灣丸利代工生產。Roger J. Brown以寫實的手法，表現一個綁著雙馬尾，身著短袖短褲和運動鞋，體態健康陽光的小女孩，雙手抱著心愛寵物Kitty的愉悅親暱模樣。從臉部五官的描繪和粉嫩顏彩、髮型髮飾的豐富細節製作、斑紋貓毛紋彩繪的細膩表現，在在展現出丸利公司在生產技術上的專業與堅持。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114229","MainTitle":"女/獎章","Creator":"設計者：Roger J. Brown
品牌商：River Shore, Ltd.
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"5.6×5.5×12.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈女/獎章〉為注漿成形、瓷土釉上彩的裝飾陶瓷，為苗栗丸利陶瓷公司（1969-1994）所生產。裝飾陶瓷產品因應歐美國家禮品文化的需求，多數外銷，產品樣式多依照國外客戶指定生產，為勞力密集型代工產業，在1970、1980年代為臺灣帶來高額的外匯收入。\n\n 從藏品底部的註記文字顯示，作品原型來自美國雕塑家Roger J. Brown「家庭相簿系列」中的「成績單」，由河岸有限責任公司(River Shore, Ltd.)在1983年委託日本丸利公司製作，日本丸利公司再交由臺灣丸利代工生產。Roger J. Brown以寫實的手法，雕塑一個體態健康的小女孩，開心地展示其成績單與獎章的模樣，雕塑家將這個歡欣的瞬間捕捉下來，讓我們感染女孩的喜悅。從臉部的五官立體和繪彩、頭髮、衣著和獎章一絲不苟的細節表現，在在展現出有日系血統的丸利公司在生產技術上的專業與堅持。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114230","MainTitle":"女/冰淇淋","Creator":"設計者：Roger J. Brown
品牌商：River Shore, Ltd.
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"5×4.8×10.9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈女/冰淇淋〉為注漿成形、瓷土釉上彩的裝飾陶瓷，為苗栗丸利陶瓷公司（1969-1994）所生產。裝飾陶瓷產品因應歐美國家禮品文化的消費需求而生，樣式多依照國外客戶指定生產，在1970、1980年代為臺灣帶來高額的外匯收入。\n\n 從藏品底部的註記文字顯示，作品原型來自美國雕塑家Roger J. Brown設計開發「家庭相簿系列」中的「冰淇淋」，由河岸有限責任公司(River Shore, Ltd.)在1983年委託日本丸利公司製作，日本丸利公司再交由臺灣丸利代工生產。Roger J. Brown以寫實細膩的手法，表現出稚齡小女孩小心翼翼捧著冰淇淋張口品嘗的可愛模樣。從毫不馬虎的臉部五官彩繪、小洋裝荷葉邊的豐富皺褶細節、渾圓Q嫩的肢體表現，在在展現出有日系血統的臺灣丸利公司在生產技術上的專業與堅持。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114231","MainTitle":"男/馬桶","Creator":"設計者：Roger J. Brown
品牌商：River Shore, Ltd.
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"8.3×6×10.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈男/馬桶〉為注漿成形、瓷土釉上彩的裝飾陶瓷，苗栗丸利陶瓷公司（1969-1994）所生產。裝飾陶瓷產品因應歐美國家禮品文化的需求，產品樣式多依照國外客戶指定生產，為1970、1980年代勞力密集代工產業代表之一，為臺灣帶來高額外匯收入。\n\n 從藏品底部的文字顯示，原型來自美國雕塑家Roger J. Brown「家庭相簿系列」中的「浴室裡的暴動」，由河岸有限責任公司(River Shore, Ltd.)在1983年委託日本丸利公司製作，日本丸利公司再交由臺灣丸利代工生產。Roger J. Brown以寫實的手法，雕塑一個體態健康的稚齡小男孩，倚在馬桶邊，馬桶蓋上是被擠出一灘的牙膏，地上有一塊粉紅色肥皂，白色的毛巾繞在腳邊，小男孩揚著頭張著嘴，呈現樂不可支的淘氣模樣。從臉部的立體五官和繪彩、衣著、物件的細節表現，在在展現丸利在生產技術上的專業與堅持。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114232","MainTitle":"男/花藍","Creator":"設計者：Roger J. Brown
品牌商：River Shore, Ltd.
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"7.5×8.8×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈男/花籃〉為注漿成形、瓷土釉上彩的裝飾陶瓷，由苗栗丸利陶瓷公司（1969-1994）所生產。裝飾陶瓷產品因應歐美國家禮品文化的消費需求而生，樣式多依照國外客戶指定生產，在1970、1980年代為臺灣帶來高額的外匯收入。\n\n 從藏品底部的註記文字顯示，作品原型來自美國紐澤西州的雕塑家Roger J. Brown（1933-2006）「家庭相簿」系列中的「復活節男孩」，由河岸有限責任公司(River Shore, Ltd.)在1983年委託日本丸利公司製作，日本丸利公司再交由臺灣丸利代工生產。Roger J. Brown以寫實細膩的手法，雕塑一個坐在地上數著籃中復活節彩蛋的小男孩。男孩坐姿表現生動，無論是頭髮、衣著與手腳的細節一絲不苟，盛裝許多復活節彩蛋的籃子也刻畫入微，這些豐富的細節展現在小小的尺寸中，可見有日系血統的臺灣丸利公司在生產技術上的專業與堅持。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114233","MainTitle":"女翹臀/伏","Creator":"設計者：Roger J. Brown
品牌商：River Shore, Ltd.
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"5.5×7.1×5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈女翹臀/伏〉為注漿成形、瓷土釉上彩的裝飾陶瓷，為苗栗丸利陶瓷公司（1969-1994）所生產。裝飾陶瓷產品因應歐美國家禮品文化的需求，多數外銷，產品樣式多依照國外客戶指定生產，為勞力密集型代工產業，在1970、1980年代為臺灣帶來高額的外匯收入。\n\n 從藏品底部的註記文字顯示，作品原型來自美國雕塑家Roger J. Brown(1933-2006)設計開發「家庭相簿」系列中的「學步」，由河岸有限責任公司(River Shore, Ltd.)在1983年委託日本丸利公司製作，日本丸利公司再交由臺灣丸利代工生產。Roger J. Brown以寫實的手法，雕塑一個白胖健康的小女嬰，正要開始學習走路的開心瞬間。用手和腳支撐翹起屁股的生動樣態，加之五官立體的細膩繪彩、頭髮、衣著和手部、鞋襪的豐富細節，在在展現出有日系血統的丸利公司於生產技術上的專業與堅持。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114234","MainTitle":"天使與小孩/立抱","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"8.5×8.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷雕像表現一個穿著淺藍包屁衣的小小嬰孩，安詳滿足趴靠在一位有著天使形象的女性身上，金短髮的天使，張著翅膀，跪在綠草地上環抱小嬰孩，如同溫柔母親給予孩童無私安全的倚靠，形態上帶有雙重意涵，既頌揚母愛，也傳遞上天對子民的愛。\r\n 產品底部有「樣品不得轉售，日本」的貼紙，以及藍色完整的MR商標、MARURI MASTERPIECE和Bone China字樣壓印，推測是件來自日本丸利陶瓷公司的骨瓷樣品。裝飾陶瓷因應歐美國家的禮品文化而生，以瓷土注漿成形後再釉上彩繪，生產工序繁複，臺灣在1970-90年代大量代工生產，苗栗地區尤為重鎮，生產人像、動植物和節慶裝飾等類型，賺取豐厚的外匯。臺日合資的丸利在1970年代建廠，以日系精良技術和品質，成為產業中的翹楚，代工中高價位的精品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200114235","MainTitle":"天使與小孩/看書","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"8.5×8.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷雕像表現一位有著天使形象的女性跪坐在草地上，一個小嬰孩坐在他的膝頭，共同閱讀著書本，金短髮的天使神情溫柔，懷抱嬰孩如同母親給予孩童無私安全的倚靠，形態上帶有雙重意涵，既頌揚母愛，也傳遞上天對子民的愛。\r\n 產品底部有「樣品不得轉售，日本」的貼紙，以及藍色完整的MR商標、MARURI MASTERPIECE和Bone China字樣壓印，表明是件來自丸利陶瓷公司的骨瓷樣品。裝飾陶瓷因應歐美國家的禮品文化而生，以瓷土注漿成形後再釉上彩繪，生產工序繁複，在正式量產前須樣嚴謹打樣，經過與客戶充分溝通確認後，才能正式生產。臺日合資的丸利在1970年代建廠，所有技術來自日本母公司，樣品貼紙透露這可能是來自母公司的樣品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200114236","MainTitle":"天使與小孩/花","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"8.5×8.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷雕像表現一個穿著淺綠色小洋裝手上停著一隻小瓢蟲的女孩，身旁有一位有著天使形象的女性，金短髮的天使，張著翅膀，神情莊重跪在綠草地上，仿佛正和小女孩低語般，溫柔母親似的臉頰貼者小女孩上揚抬起的頭部，流露呵護之情，形態上帶有雙重意涵，既頌揚母愛，也傳遞上天對子民的愛。\r\n 產品底部有「樣品不得轉售，日本」的貼紙，以及藍色完整的MR商標、MARURI MASTERPIECE和Bone China字樣壓印，推測是件來自臺日合資丸利陶瓷公司的骨瓷樣品。裝飾陶瓷因應歐美國家的禮品文化而生，以瓷土注漿成形後再釉上彩繪，生產工序繁複，正式生產前需要打樣確認各項細節。裝飾陶瓷在1970-90年代於臺灣蓬勃發展，苗栗地區尤為重鎮，生產人像、動植物和節慶裝飾等類型，賺取了豐厚的外匯。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200114237","MainTitle":"天使與小孩/青蛙","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"8.5×8.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷雕像表現一個穿著白色連身藍滾邊長袍的天使，跪坐在草地上，正一位橘色小洋裝的女嬰孩，展示著手上的小綠蛙，金短髮的天使，張著翅膀，仿佛低語著引導小女孩：「別怕，摸摸牠」，溫柔母親似的流露呵護之情，形態上帶有雙重意涵，既頌揚母愛，也傳遞上天對子民的愛。\r\n 產品底部有「樣品不得轉售，日本」的貼紙，以及藍色完整的MR商標、MARURI MASTERPIECE和Bone China字樣壓印，推測是件來自日本丸利陶瓷公司的骨瓷樣品。裝飾陶瓷因應歐美國家的禮品文化而生，以瓷土注漿成形後再釉上彩繪，生產工序繁複，正式上線生產前必須打樣與客戶充分溝通進行確認。裝飾陶瓷產業從日本轉移引入，在1970-90年代於臺灣蓬勃發展，苗栗地區尤為重鎮，代工人像、動植物和節慶裝飾等類型，賺取豐厚的外匯。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200114238","MainTitle":"天使與小孩/手帕","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"8.5×8.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷雕像表現一位穿著白色連身粉紫滾邊長袍的天使，右手持著白色手絹，跪坐在草地上，摟著一個臉上掛著淚珠的小女嬰孩，仿佛正低聲溫柔安慰著情緒激動張著嘴的小女孩：「寶貝，別哭」，溫柔母親似的流露呵護之情，形態上帶有雙重意涵，既頌揚母愛，也傳遞上天對子民的愛。\r\n 產品底部有「樣品不得轉售，日本」的貼紙，以及藍色完整的MR商標、MARURI MASTERPIECE和Bone China字樣壓印，推測是件來自日本丸利陶瓷公司的骨瓷樣品。裝飾陶瓷因應歐美國家的禮品文化而生，產業從日本轉移引入，在1970-90年代於臺灣蓬勃發展，苗栗地區尤為重鎮，代工人像、動植物和節慶裝飾等類型，賺取豐厚的外匯。以瓷土注漿成形後再釉上彩繪，生產工序繁複，正式上線生產前必須打樣充分確認各項細節。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200114239","MainTitle":"天使與小孩/兔子","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"8.5×8.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷雕像表現一位穿著白色連身黃滾邊長袍的天使，跪坐在草地上，伴著一個身著綠色小洋裝正向小兔子說話的女嬰孩，低歛的雙眼望向女孩和兔子，溫柔母親似的流露呵護之情，形態上帶有雙重意涵，既頌揚母愛，也傳遞上天對子民的愛。\r\n 產品底部有「樣品不得轉售，日本」的貼紙，以及藍色完整的MR商標、MARURI MASTERPIECE和Bone China字樣壓印，推測是件來自日本丸利陶瓷公司的骨瓷樣品。裝飾陶瓷因應歐美國家的禮品文化而生，產業從日本轉移引入，在1970-90年代於臺灣蓬勃發展，苗栗地區尤為重鎮，代工人像、動植物和節慶裝飾等類型，賺取豐厚的外匯。以瓷土注漿成形後再釉上彩繪，生產工序繁複，正式上線生產前必須打樣以充分溝通進行各項細節確認。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200114240","MainTitle":"老鷹頭(大)","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114241","MainTitle":"黑帽系列：吊飾/花圈","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"3.6×3.2×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114242","MainTitle":"黑帽系列：吊飾/兩手開","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"5×3.5×6.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114243","MainTitle":"黑帽系列：吊飾/兩手上","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"5.1×3×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114244","MainTitle":"黑帽系列：吊飾/竹馬","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"4.4×3×6.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114245","MainTitle":"黑帽系列：立姿/花持","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.6×4.3×9.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114246","MainTitle":"黑帽系列：立姿噓/睡鼠","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.4×5.3×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114247","MainTitle":"黑帽系列：坐姿/禮物","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.2×5.3×8.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114248","MainTitle":"黑帽系列：坐姿/聖誕葉持","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.3×5.3×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114249","MainTitle":"黑帽系列：貓付/禮物","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.3×5.3×9.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114250","MainTitle":"黑帽系列：貓付/看書","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.3×5×9.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114251","MainTitle":"黑帽系列：貓付/襪","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.3×5.3×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114252","MainTitle":"黑帽系列：立姿/玫瑰花持","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.5×5.3×9.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114253","MainTitle":"黑帽系列：坐姿/哭泣","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"5.5×4.7×7.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114254","MainTitle":"黑帽系列：琵琶/貓付(音)","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"9.3×9.3×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114255","MainTitle":"黑帽系列：星持/貓付(音)","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"9.2×9.2×12.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114256","MainTitle":"黑帽系列：坐姿/四心持","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.1×4.5×6.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114257","MainTitle":"黑帽系列：跪姿雙手開/貓付(音)","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"9.5×9.5×11.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114258","MainTitle":"黑帽系列：跪姿抱胸","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"4×3.5×5.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114259","MainTitle":"黑帽系列：/跪姿/抱貓","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.2×3.5×6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114260","MainTitle":"黑帽系列：坐姿/貓倚背","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6.5×3.5×6.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114261","MainTitle":"黑帽系列：蹲姿/哭泣","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"3.5×3×5.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114262","MainTitle":"大象","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"26×16×29","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114263","MainTitle":"有星月的白髮老人","Creator":"設計者：Faith Wick
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"9.5×9.5×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主角是一個矮小的老人，他的頭髮、眉毛、鬍鬚都已變成白色，頭髮很長，達到背部，鬍鬚也垂到胸前，成為很明顯的特徵。他的雙眼大而明亮，平視著前方，表情十分寧靜。他的頭上戴著很高的圓錐形藍色帽子，上面飾有一彎黃色的半月亮和一顆星星。身上穿著藍色的長袍，十分寬鬆，雙手合抱在胸前，握著由白線繫著的兩顆星星和一彎半月。整個造型呈一個大圓錐狀，具有安穩的感覺。作品上的星月紋飾，與藍色的背景，有如童話一般的夢幻。作品下部可以容納音樂盒，但是並沒有裝上去。整個造型設計十分單純，沒有什麼零件需要黏接與組裝，有利於大量生產，並節省製作成本。\r\n 作品底部有「Faith Wick」名款，是一位著名的玩偶設計師，這是他為Enesco所設計的作品。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200114264","MainTitle":"Merlin在月亮上休息","Creator":"設計者：Faith Wick
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"16.5×6.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 從器底印刷的款誌知道，這件作品名為「在月亮上的Merlin」(MERLIN IN THE MOON)，是名藝術家Faith Wick為Enesco公司所設計的玩偶。作品中的主角Merlin是個滿頭白髮與白鬍鬚的老人，頭上戴著上尖下寬，像牛角形的淺藍色圓錐形高帽，右邊飾有一顆黃色的五芒星星，左邊鏤空成為一個小半月形，帽子的尖端掛著一個星星小孩。他的身上穿著藍色的長袍，袖子十分寬鬆，雙手的手掌交叉，放在腹部。他坐在地上，從帽子到鞋子彎成一個半月形，閉著雙眼，面帶微笑，安穩地睡覺。Merlin在西方的童話故事中，是個會魔法的人物，作品中把他描繪成可以在月球上睡覺。藍色具有沈靜的夜景效果，讓人有如夢幻之感。\r\n 這件作品造型很單純，沒有複雜的零組件，藍色主導整個畫面，無論造型或色彩，都有利於量產作業。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200114265","MainTitle":"酒瓶系列：樹洞貓頭鷹/壁掛","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"18.7×11×29","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114266","MainTitle":"儲金箱：男女/犬","Creator":"設計者：Drawing Board Greeting Cards, Inc.
品牌商：GORHAM
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"14×8.8×11.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈儲金箱：男女/犬〉為注漿成形、瓷土釉上彩的裝飾陶瓷，為苗栗丸利陶瓷公司（1969-1994）所生產。裝飾陶瓷因應歐美國家禮品文化的需求而生，1970年代日本生產技術轉移來臺，帶動起苗栗地區裝飾陶瓷生產熱潮，產品樣式多依照國外客戶指定生產，在1970、80年代為臺灣帶來高額的外匯收入。\n\n 藏品以卡通化的人物與動物形象，表現了一對男女孩擁抱著一隻大狗，大狗頭部帶著花環，小男孩踮起腳跟、小女孩手持小花，兩人全身親暱地依偎環抱狗兒，顯現毫無保留的愛與滿滿的溫暖。底部標記文字顯示，作品原型來自美國DBGCI（Drawing Board Greenting Cards, Inc.）授權，由著名的銀器製造與零售品牌GORHAM（Gorham Manufacturing Company）在1983年委託日本丸利公司製作，日本丸利公司再交由臺灣丸利代工生產，並且書寫了“A hug is a heart warmer”祝福語，滿載著送禮心意。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114267","MainTitle":"男女/壁爐(音)","Creator":"設計者：Drawing Board Greeting Cards, Inc.
品牌商：GORHAM
代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"10.5×8×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈男女/壁爐(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，為苗栗丸利陶瓷公司（1969-1994）生產。裝飾陶瓷因應歐美國家禮品文化而生，產品樣式多依照國外客戶指定生產，在1970、80年代為臺灣帶來高額的外匯收入。\n 這是一個陶瓷音樂盒，中空的壁爐藏著音樂盒裝置。藏品以卡通化的人物形象，表現了耶誕節前夕，坐在溫暖的壁爐前講故事的情景，聽故事小女孩抱著玩偶坐在小板凳上，正興高采烈回應坐在沙發上講故事者，兩人動作與表情鮮活。裝飾著聖誕花飾和聖誕襪的壁爐，同人物般各種細節均刻畫細膩。底部文字顯示，作品原型來自美國DBGCI（Drawing Board Greenting Cards, Inc.）授權，由著名的銀器製造與零售品牌GORHAM（Gorham Manufacturing Company）在1984年委託日本丸利公司製作，日本丸利公司再交由臺灣丸利代工生產，並且書寫了God’s in his Heaven... Twas the night before Chistmas“Have Yourself A Merry Little Christmas”傳達佳節的祝福。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114268","MainTitle":"女/鐘(音)","Creator":"設計者：Drawing Board Greeting Cards, Inc.
品牌商：GORHAM
代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"9.5×9.5×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈女/鐘(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，由苗栗丸利陶瓷公司（1969-1994）所生產。裝飾陶瓷為高勞力密集且高技術的產業，因應歐美國家禮品文化的需求而生，1970年代開始，日本著眼苗栗具天然氣資源、製陶傳統和人力技術的優勢，將生產技術轉移來臺。裝飾陶瓷產品樣式多依照國外客戶指定生產，在1970、80年代為臺灣帶來高額的外匯收入。\n\n 這是一個陶瓷音樂盒，音樂盒的發聲機芯裝置設計安裝在底座位置，〝Hickory Dickory Dock〞(滴答滴答鐘聲響)的文字，浮凸於基座上，將這首英文經典兒歌形象化、立體化。以卡通化的風格，表現了一個木製的高大掛鐘，其上趴著一隻小老鼠，旁邊一名身著小洋裝手舞足蹈唱著歌的小女孩，整體各種細節刻畫細膩、洋溢歡樂。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114269","MainTitle":"男/南瓜(音)","Creator":"品牌商：GORHAM
代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"9.5×9.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MjY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈男/南瓜(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，由苗栗丸利陶瓷公司（1969-1994）生產。裝飾陶瓷為高勞力密集且高技術的產業，因應歐美國家禮品文化的需求而生，1970年代開始，日本著眼苗栗具天然氣資源、製陶傳統和人力技術的優勢，將生產技術轉移來臺。裝飾陶瓷產品樣式多依照國外客戶指定生產，在1970、80年代為臺灣帶來高額的外匯收入。\n\n 這是一個陶瓷音樂盒，底座位置刻有〝Peter Peter, pumpkin eater〞字樣，以卡通化的風格，將這首英文經典兒歌形象化、立體化，表現一個可愛的男孩坐在大南瓜上，回頭低望著浮出南瓜表面的女孩，動作姿態細膩且生動，充滿含情脈脈的濃情愛意。然而，這首兒歌所描寫的內容，卻是Peter養不起太太，只好將她養在南瓜裡的殘酷故事。依現存市面上流傳的同類物件，音樂盒播放的是20世紀的美國民謠〝You are my Sunshine〞，若將兩者放在一起思考，或許這是一件具有示愛、挽救情意暗示的精巧禮物。若音樂與形象本身並未有此搭配，則是取膾炙人口的熟悉、親切感，充滿討人喜愛形象的小禮品。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114270","MainTitle":"女牧羊者/柺杖(音)","Creator":"代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"9.5×9.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈女牧羊者/柺杖(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，由苗栗臺日合資的丸利陶瓷公司（1969-1994）生產。裝飾陶瓷為高勞力、技術的產業，因應歐美國家禮品文化的需求而生，1970年代開始，日本著眼苗栗具天然氣資源、製陶傳統和低薪資的綜合條件，將生產技術轉移來臺。產品樣式多依照國外客戶指定生產，在1970、80年代為臺灣帶來高額的外匯收入。\n\n 這是一個陶瓷音樂盒，底座藏音樂盒機芯，刻有〝Little Bo peep〞字樣，源自一首英文經典兒歌，在這以卡通化的風格，將之形象化、立體化，表現一個拿著拐杖的可愛女孩，抬著頭捏著帽沿，向遠方呼喊她的羊群，身邊一隻小羊伸長頸子充滿情感望向主人，姿態表情生動，細節刻畫細膩。取童謠膾炙人口的熟悉、親切感，是充滿討人喜愛形象的禮品。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114271","MainTitle":"男牧羊者/柺杖(音)","Creator":"代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"9.5×9.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈男牧羊者/柺杖(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，由苗栗臺日合資的丸利陶瓷公司（1969-1994）生產。裝飾陶瓷為高勞力、技術的產業，因應歐美國家禮品文化的需求而生，1970年代日本著眼苗栗具天然氣資源、製陶傳統和低薪資的綜合條件，將生產技術轉移來臺。產品樣式多依照國外客戶指定生產，在1970、80年代為臺灣帶來高額的外匯收入。\n\n 這是一個陶瓷音樂盒，底座藏音樂盒機芯，刻有〝BAA BAA BLACK SHEEP〞字樣，源自一首英文經典兒歌「黑綿羊咩咩叫」，以卡通化的風格，將之形象化、立體化，表現一個拿著拐杖戴著帽子的可愛男孩，摟著身邊一隻小羊，羊兒伸長頸子滿懷愛意望向主人，人物動物，姿態表情生動，細節刻畫細膩。取童謠膾炙人口的熟悉、親切感，是充滿討人喜愛形象的禮品。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114272","MainTitle":"男/麵包(音)","Creator":"品牌商：GORHAM
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"9.5×9.5×14.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈男/麵包(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，由苗栗臺日合資的丸利陶瓷公司（1969-1994）生產。裝飾陶瓷為高勞力、技術的產業，因應歐美國家禮品文化的需求而生，1970年代日本著眼苗栗具天然氣資源、製陶傳統和低薪資的綜合條件，將生產技術轉移來臺。產品樣式多依照國外客戶指定生產，在1970、80年代為臺灣帶來高額的外匯收入。\n 這是一個底座藏音樂盒機芯的音樂盒，刻有〝Little Jack Horner〞字樣，源自一首英文經典兒歌「小傑克霍納」，以卡通化的風格，將歌詞內容形象化、立體化，生動表現一名吃著聖誕派的小傑克，把拇指伸進派裡，挖到一顆李子的開心模樣。男孩姿態表情生動，細節刻畫細膩，是充滿討人喜愛形象的禮品。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114273","MainTitle":"睡床(音)","Creator":"品牌商：GORHAM
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"11.5×9.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈睡床(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，為苗栗臺日合資的丸利陶瓷公司（1969-1994）所生產。裝飾陶瓷為高勞力、技術的產業，因應歐美國家禮品文化需求而生，1970年代開始，日本將生產技術轉移來臺。產品樣式多依照國外客戶指定生產，在1970、80年代為臺灣帶來高額的外匯收入。\n\n 這個中空且側面有細長小開口的物件，推測是音樂盒裝置。以卡通化的風格，表現一個小男孩和他的熊玩偶，蓋著百衲被，並排躺在一張裝飾有耶誕飾襪與飾品的床上，男孩卷曲的金髮，抱著絨毛熊熟睡的神情，各種細節刻畫細膩，色彩豐富，充滿聖誕溫馨。底部貼有標籤紙，其上註記樣品不可轉售的英文，以及「MC-2」、「JAPAN」等字，說明這可能是來自日本母公司的產品樣品。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114274","MainTitle":"女/背羊(音)","Creator":"品牌商：GORHAM
代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"9.5×9.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈女/背羊(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗丸利陶瓷公司（1969-1994）。裝飾陶瓷是高勞力密集、技術的產業，因應歐美國家禮品文化的需求而生，1970年代日本看中苗栗具天然氣資源、製陶技術和低薪人力的綜合優勢，將生產技術轉移來臺。丸利公司即為臺日合資。裝飾陶瓷產業為1970、80年代的臺灣帶來高額的外匯收入。\n\n 依據藏品底座的形式，推測是音樂盒的款式，底座上浮凸著〝MARY'S LAMB〞的字樣。以卡通化的風格，表現了英文童謠「瑪麗的羔羊」內容，這是一首描述女孩與羊間的伙伴情感。一個身穿洋裝的小女孩，親暱地背著她的小羊，不顧校規帶牠去上學。女孩的姿態神情和衣飾都刻畫入微，甚至連草地也細緻表現，顯現製造上的精緻度。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114275","MainTitle":"誕生喜悅與天使祝福（音樂盒）","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"9.5×9.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現誕生喜悅、天使祝福的宗教節慶裝飾陶瓷，造型採卡通化的風格，雕塑出天使溫柔注視著初降生的嬰孩，柔軟的秣草上擱著個籃編床，小小嬰孩靜躺其中，童話般形象轉化耶穌降生馬槽的故事，非常適合做為餽贈孩童傳遞宗教故事的贈禮。\r\n 裝飾陶瓷因應歐美國家的禮品文化而生，臺灣在1970-90年代大量代工生產，苗栗地區尤為重鎮，以生產人像、動植物和節慶裝飾等類型為多，賺取了豐厚的外匯。依據典藏資料所載，這件產品來自臺日合資的丸利陶瓷公司，該公司在1970年代建廠，以日系以精良的技術和品質，成為這行業中的翹楚，代工中高價位的精品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200114276","MainTitle":"男女/拉手(音)","Creator":"代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"9.5×9.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈男女/拉手(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗丸利陶瓷公司（1969-1994）。裝飾陶瓷為高勞力密集、技術的產業，因應歐美國家禮品文化的需求而生，1970年代開始，日本看中苗栗具天然氣資源、製陶技術和低薪人力的綜合優勢，將生產技術轉移至此。丸利公司即為臺日合資，產品樣式多依照國外客戶指定。裝飾陶瓷在苗栗開枝散葉，為1970、80年代的臺灣帶來高額的外匯收入。\n\n 依據藏品底側有一個小細長開口和3個小圓洞的形式，推測是音樂盒產品的款式。以卡通化的人物形象，表現了在冰天雪地中，一對男女孩親暱歡欣地相互擁抱著。兩人帶著溫暖毛帽，身著厚重冬衣，手戴手套，腳穿雪靴，在皚皚白雪中，貼著彼此的臉，緊握著手，男孩的圍巾被冷颼颼的寒風揚起，但兩人溫暖的情誼，足以抵擋嚴冬。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114277","MainTitle":"男/臥姿(音)","Creator":"品牌商：GORHAM
代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"9.5×9.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈男/臥姿(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗丸利陶瓷公司（1969-1994）。裝飾陶瓷是高勞力密集、技術的產業，因應歐美國家禮品文化的需求而生，1970年代日本看中苗栗具天然氣資源、製陶技術和低薪人力的綜合優勢，將生產技術轉移來臺。丸利公司即為臺日合資。該產業為1970、80年代的臺灣帶來高額的外匯收入。\n\n 推測這是音樂盒的款式，底座上浮凸著文字〝LITTLE BOY BLUE〞。以卡通化的風格，表現英文童謠「小男孩布魯」的內容，歌曲唱著「牧羊小男孩布魯快吹起你的號角」，但男孩擱著號角，壓低草帽，不顧小羊在耳邊咩咩叫，躺在乾草堆上熟睡。小羊卷曲的羊毛、草帽的編織紋、乾草堆的絲絲草束，甚至褲子上的補釘都詳加表現，顯現製造的精緻。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114278","MainTitle":"母子/聖誕樹(音)","Creator":"代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"9.5×9.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈母子/聖誕樹(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，由苗栗臺日合資的丸利陶瓷公司（1969-1994）生產。裝飾陶瓷因應歐美國家禮品文化的需求而生，1970年代開始，日本將生產技術轉移來臺。該產業為1970、80年代的臺灣帶來高額外匯收入。\n\n 依據藏品底側內緣有3個小圓洞的形式，推測是音樂盒的產品款式。在裝飾性的底座上，以卡通化的風格形象，表現了耶誕節前夕，穿著睡衣的母親，高舉手持象徵伯利恆之星飾品的孩子，讓他將星星安置於樹頂的溫馨期待場景，整體細膩刻畫各種細節，並賦予節慶的色彩。佈置耶誕樹的傳統，源自16世紀德國，後影響歐美各國，耶誕樹現今更成為全球化的裝飾物；而樹頂布置星星的習俗，象徵了耶穌降生的紀念。(詮釋委員：朱珮儀)\n\n參考資料:世界宗教博物館網站，2019/08/10瀏覽https://www.mwr.org.tw/mwr/xmdoc/cont?xsmsid=0H305752539510091777&sid=0H331667043832359411","ImageUrl":""}
,{"Identifier":"200114279","MainTitle":"天使吹笛奏琴（音樂盒）","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"9.5×9.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是表現兩個小小天使展在軟綿綿的潔白雲朵上，吹笛奏琴的陶瓷雕像，以童話般的風格做為造型基礎，天使童稚可愛的神情，並以粉藍和粉紅色上彩的衣著，流露溫柔和平之感，帶有福音降臨的祝福寓意，也相當適合做為宗教節慶時餽贈孩童的禮物。\r\n 裝飾陶瓷因應歐美國家的禮品文化而生，臺灣在1970-90年代大量代工生產，苗栗地區尤為重鎮，以生產人像、動植物和節慶裝飾等類型為多，賺取了豐厚的外匯。依據典藏資料所載，這件產品來自臺日合資的丸利陶瓷公司，該公司在1970年代建廠，以日系以精良的技術和品質，成為這行業中的翹楚，代工中高價位的精品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200114280","MainTitle":"小丑(音)","Creator":"品牌商：GORHAM
代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"9.5×9.5×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈小丑(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗丸利陶瓷公司（1969-1994）。裝飾陶瓷是高勞力密集、技術的產業，因應歐美國家禮品文化的需求而生，1970年代日本看中苗栗具天然氣資源、製陶技術和低薪人力的綜合優勢，將生產技術轉移來臺。丸利公司即為臺日合資。該產業為1970、80年代的臺灣帶來高額的外匯收入。\n\n 推測這是音樂盒的款式，底座上浮凸著文字〝HUMPTY 〞、〝DUMPTY〞兩行字。以卡通化的風格，表現英文著名童謠「矮胖子」的內容。據傳歌謠可能緣起於一個謎語，後人虛構出如雞蛋造型的擬人化「矮胖子」。塑像表現矮胖子坐在磚造的牆頭上，張著嘴正在滔滔不絕說話的情景。雖然是虛構形象，但在各項細節均詳加表現，顯現製造的精緻。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114281","MainTitle":"女/灑水(音)","Creator":"代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"9.5×9.5×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈女/灑水(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗丸利陶瓷公司（1969-1994）。裝飾陶瓷為高勞力密集、技術的產業，因應歐美國家禮品文化的需求而生，1970年代開始，日本看中苗栗具天然氣資源、製陶技術和低薪人力的綜合優勢，將生產技術轉移來臺，丸利公司即為臺日合資。該產業為1970、80年代的臺灣帶來高額的外匯收入。\n\n 藏品推測是音樂盒款式的產品。底座正面有〝MARY, MARY〞、〝QUITE CONTRARY〞兩行文字，以卡通化的人物形象，將一首古老英文童謠的主人翁形象化:一個手持長柄工具，費力提著澆花漏斗的金髮女孩，站在草地上。關於這首歌有許多版本，內容指涉的對象也不一，但在此件產品中，生動的姿態動作和細膩的上彩描繪，以精緻的手法將MARY呈現。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114282","MainTitle":"男/襪(音)","Creator":"代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"9.5×9.5×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈男/襪(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，苗栗丸利陶瓷公司（1969-1994)生產。裝飾陶瓷為高勞力密集、技術的產業，因應歐美國家禮品文化的需求而生，1970年代日本看中苗栗具天然氣資源、製陶技術和低薪人力的綜合優勢，將生產技術轉移來臺。丸利公司即為臺日合資，產品樣式多依照國外客戶指定。裝飾陶瓷為1970、80年代的臺灣帶來高額的外匯收入。\n\n 依據底座的形式，推測是音樂盒產品。以卡通化的人物形象，表現了一個稚齡金髮小男孩，頂著微捲的短髮，穿橘色連身包屁衣，張開雙腳站著，神情淘氣地準備從聖誕襪裡掏出禮物，圍繞在他腳邊的是禮物盒和小熊玩偶。男孩姿態生動，細節表現鉅細靡遺，顯現丸利公司在製作技術上的精緻追求。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114283","MainTitle":"男/禮物(音)","Creator":"代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"9.4×9.4×10.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 〈男/禮物(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗臺日合資的丸利陶瓷公司（1969-1994）。裝飾陶瓷為高勞力、技術的產業，因應歐美國家禮品文化需求而生，1970年代日本將生產技術轉移來臺。產品樣式多依照國外客戶指定生產，在1970、80年代為臺灣帶來高額外匯收入。\n\n 本物件推測是音樂盒。以卡通化的風格，表現金髮卷曲的小男孩，抱著禮物坐在地上迫不及待拆開的瞬間，雙手拉開緞帶，動作鮮活，稚氣的臉上爭著圓滾滾的大眼望向上方，整體細節豐富而細膩，洋溢期待又幸福的氛圍。底座上環繞著一行祝福語「Happy Birthday One Year Old(一歲生日快樂)」，滿是喜悅的祝福。底部內側標籤紙上，註記英文「樣品不可轉售」，以及「MB-4」、「JAPAN」等字，說明可能是來自日本母公司的樣品。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114284","MainTitle":"男/蝶(音)","Creator":"代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"9.5×9.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjg0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈男/蝶(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，由苗栗臺日合資的丸利陶瓷公司（1969-1994）生產。裝飾陶瓷是高勞力、技術的產業，因應歐美禮品文化需求而生，1970年代開始日本將生產技術轉移來臺。產品樣式多依照國外客戶指定生產，為1970、80年代的臺灣帶來高額外匯收入。\n\n 這個物件推測是音樂盒款式的產品。以卡通化的風格，表現一個身穿橘白條紋長袖和藍色吊帶長褲的金髮小男孩坐在草地上，瞪大雙眼聚精會神盯著一隻停棲在樹幹上的斑斕彩蝶，無論是頭髮、五官、身體姿態，甚至是小小蝴蝶，均細節鉅細靡遺，色彩豐富。底部貼有標籤紙，註記「樣品不可轉售」的英文，以及「ME-1」、「JAPAN」等字，說明這可能是來自日本母公司的產品樣品。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114285","MainTitle":"天使抱嬰/兔付（音樂盒）","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"9.5×9.5×13.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現誕生喜悅、天使祝福的宗教節慶裝飾陶瓷，造型採卡通化的風格，雕塑出天使抱起初初降生的嬰孩，柔軟的秣草上一張木刻的嬰孩床，左右有小兔子和小鳥殷殷期待，童話般的轉化耶穌降生的故事，非常適合做為餽贈孩童傳遞宗教故事的贈禮。\r\n 從成品底部內側貼有「樣品不得出售」的標籤貼紙得知，這是一件樣品。裝飾陶瓷因應歐美國家的禮品文化而生，臺灣在1970-90年代大量代工生產，賺取了豐厚的外匯。裝飾陶瓷生產流程繁複，受委託後須先進行打樣，與客戶充分討論確認後，才能投入正式生產。臺日合資的丸利陶瓷公司，以精良的品質和管理成為這行業中的翹楚，代工中高價位的精品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200114286","MainTitle":"男女/蛙付(音)","Creator":"代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"9.5×9.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjg2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈男女/蛙付(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗臺日合資的丸利陶瓷公司（1969-1994）。裝飾陶瓷為高勞力、技術的產業，因應歐美國家禮品文化需求而生，1970年代開始，日本將生產技術轉移來臺。產品樣式多依照國外客戶指定生產，在1970、80年代為臺灣帶來高額的外匯收入。\n\n 這個物件推測是音樂盒款式。以卡通化童話般的甜美風格，表現一對男女孩，蹲跪在池塘邊，對著池中的青蛙似乎要交付某物的情景。整體以生動的身體姿態，表現兩人對著小青蛙的專注；以細膩刻畫各種細節，呈現製作的精緻，讓人彷彿感受孩童的純真。底部貼有標籤紙，註記著「樣品不可轉售」的英文，以及「ME-2」、「JAPAN」等字，說明這可能是來自日本母公司的產品樣品。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114287","MainTitle":"男打鼓/看嬰(音)","Creator":"代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"10×10×12.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 〈男打鼓/看嬰(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗臺日合資的丸利陶瓷公司（1969-1994）。裝飾陶瓷因應歐美國家禮品文化需求而生，1970年代日本將生產技術轉移來臺，成為當時苗栗重要產業，為1970、80年代的臺灣帶來高額外匯收入。\n\n 推測這是音樂盒款式，以卡通化的風格，細膩又生動表現一個頭帶聖誕裝飾帽的小男孩和一隻小兔子，跪坐在搖籃前，男孩打鼓神情喜悅，嬰孩也微笑看著男孩，表現耶誕時節呵護手足、洋溢幸福的溫馨。物件底部內貼有標籤紙，註記「樣品不可轉售」的英文，以及「ME-1」、「JAPAN」等字，說明這可能是來自日本母公司的產品樣品；手寫「型已改良 ′82 11/26」等字，顯示這個款式可能是經過客戶討論並改良，投入生產線製造的產品。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114288","MainTitle":"女/蜘蛛(音)","Creator":"品牌商：GORHAM
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"9.5×9.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈女/蜘蛛(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗臺日合資的丸利陶瓷公司（1969-1994）。裝飾陶瓷因應歐美國家禮品文化需求而生，1970年代開始，日本將生產技術轉移來臺。產品樣式多依照國外客戶指定生產，在1970、80年代為臺灣帶來高額的外匯收入。\n\n 這個底部中空且側面有小細長開孔的物件，推測是音樂盒款式。以卡通化的風格，將英文童謠〝LITTLE MISS MUFFET〞(小瑪菲特小姐)的內容形象化，表現坐在草堆上吃著優格的小瑪菲特小姐，突然發現蜘蛛爬上碗沿，受到驚嚇四腳朝天的瞬間，整體細節處理細膩且活靈活現。底部貼有標籤紙，註記「樣品不可轉售」的英文，以及「MG-8」(數字不全，推測是8)、「JAPAN」等字，說明這可能是來自日本母公司的產品樣品。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114289","MainTitle":"男/打鼓(音)","Creator":"品牌商：GORHAM
設計者：Drawing Board Greeting Cards, Inc.
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"9.5×9.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈男/打鼓(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗臺日合資的丸利陶瓷公司。裝飾陶瓷為高勞力、技術的產業，因應歐美國家禮品文化需求而生，1970年代開始，日本將生產技術轉移來臺。產品樣式多依照國外客戶指定生產，為1970、80年代的臺灣帶來高額外匯收入。\n\n 這個物件推測是音樂盒款式。以卡通化的童話風格，表現一個打鼓的小男孩，這個小男孩的衣著形象及色彩，和典藏品〈男打鼓/看嬰(音)〉相似，展現出一個熱愛打鼓的男孩，對音樂的熱情；整體姿態、衣紋、配件等各部分均處理生動細膩，並且傳達出喜悅的氛圍。底部貼有標籤紙，註記英文「樣品不可轉售」，以及「MC-13」、「JAPAN」等字，說明這可能是來自日本母公司的產品樣品。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114290","MainTitle":"男女/跳舞(音)","Creator":"品牌商：GORHAM
設計者：Drawing Board Greeting Cards, Inc.
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"9.5×9.5×13.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjkw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈男女/跳舞(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗臺日合資的丸利陶瓷公司（1969-1994）。裝飾陶瓷為高勞力、技術的產業，因應歐美國家禮品文化需求而生，1970年代開始日本將生產技術轉移來臺。產品樣式多依照國外客戶指定生產，為1970、80年代的臺灣帶來高額外匯收入。\n\n 這個物件推測是音樂盒款式的產品。以童話般卡通化的甜美風格，精心表現一對男女孩，正手拉手舞蹈著，兩人衣著均呈現白色，但仍細膩刻畫了花紋細節，女孩頭上戴著花環，與潔白底座的彩色聖誕花飾呼應，整體傳達共同歡度佳節的溫馨。底部貼有標籤紙，註記了「樣品不可轉售」的英文，以及「MW-1」、「JAPAN」等字，說明這可能是來自日本母公司的產品樣品。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200114291","MainTitle":"熊(音)","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"7.1×7.1×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjkx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114292","MainTitle":"浣熊(音)","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"7.1×7.1×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjky","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114293","MainTitle":"熊貓(音)","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"7.1×7.1×11.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjkz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114294","MainTitle":"鹿(音)","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"7.5×7.5×11.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjk0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114295","MainTitle":"雙麻雀(音)","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"10×7.3×11.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114296","MainTitle":"雙金絲雀(音)","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"10×7.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjk2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114297","MainTitle":"熊/親子(音)","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"10.8×10.8×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjk3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114298","MainTitle":"浣熊/親子(音)","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"10.4×10.4×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjk4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114299","MainTitle":"鹿/親子(音)","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"10.6×10.6×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0Mjk5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114300","MainTitle":"松鼠/親子(音)","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"10.5×10.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MzAw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114301","MainTitle":"黏眼睛系列：新娘/捧花","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"10×8×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MzAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114302","MainTitle":"黏眼睛系列：女坐/袋持","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MzAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114303","MainTitle":"感恩家族組","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MzAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114304","MainTitle":"酒瓶系列：牛仔騎馬/山獅","Creator":"設計者：Lucas
其他-品牌商：Hoffman Distilling Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"23×23.1×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MzA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷威士忌酒器的造型表現出一個緊張的場景：一位騎馬的牛仔正受到美洲獅的襲擊。遇見咆哮的山獅，馬兒一副驚恐，牛仔在試圖控制住他恐懼的馬兒時，同時一手拔起左輪手槍作為防護。此件造型雕塑非常重視細節，例如，寬邊的白色斯泰森牛仔帽、紅色圍巾、皮革背心和長長的皮革護腿套褲、馬鞍上繫著圈起的套索，是真正牛仔傳奇中的標誌。兇猛的美洲獅一副齜牙咧嘴，帶著憤怒的冷笑狀和繃緊的肌肉，讓人感受到牠下一步即將進行的襲擊。美洲獅（Felis concolor）在美國的山區很常見。印地安原住民尊牠為沙漠、高山和森林中的幻影；然而對於移民者來說，這些漫遊的孤獨山貓可是一大威脅。美洲獅很少有人見過，但是這樣最好，因為根據19世紀的說法，「如果你看到山獅，那一切都來不及了！」\r\n 整體分成四大組件：岩石、山獅、牛仔與馬。岩石的層疊與質感刻劃寫實，山獅攀爬在岩石上與伸出右前爪攻擊的動作，具有量感與動感；馬兒的眼露驚恐，跌坐於後腳、前腳躍起，連帶牛仔試圖控制與左腳踢出的動作，一連串的動線極具張力與戲劇感。手中拉著的韁繩是成品後，以真實皮質繩條繫上。在岩石後方可見原型設計師LUCAS的名字標誌。底部有注漿口、無落款，另附有一個木作底座。\r\n 丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，以及乾淨能源的天然瓦斯，於是決定在此設廠。廠房管理與技術指導由日方引入，加上苗栗居民克勤克儉的工作精神，促成裝飾陶瓷這項勞力密集的產業迅速蓬勃發展，為臺灣賺取巨額的外匯收入，產業初期的出口值從民國60年的41萬美元提昇至民國77年的3億美元。(資料來源：「蛻變中的苗栗陶—外銷vs.文化休閒的五穀文化村案例」，賀豫惠、葉相君，《工藝雜誌》NO.4)。 (詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200114305","MainTitle":"酒瓶系列：消防士/爬桿","Creator":"其他-品牌商：Lionstone Distilleries, Ltd.
其他-品牌商：International Association of Fire Fighters
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"13.1×9.2×25.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MzA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷造型雕塑酒瓶以消防員滑下鋼管的形象為題。消防局內設置鋼管是為了提高消防員們迅速就位的效率。第一根設置於消防隊舍內的鋼管出現於19世紀的美國紐約，由於消防局設於城市內空間有限，所以樓上是隊員們的宿舍休憩區，樓下即是停放消防車的車庫。而鋼管的設置讓消防員回應警報的時間，比起走樓梯縮短了幾秒鐘的時間；當火警警鈴在消防局內鈴聲大作，消防員們便可順滑著鋼管一躍而下。\r\n 戴著紅色消防安全帽1號的消防員雙手、雙腳圍繞著鋼管，剛從樓上滑下來尚未著地，他身穿防火外套與膠鞋，著牛仔褲。磚造的消防隊舍內有一個圓形金銅色的警鈴，警鈴下，一隻大麥町狗在消防員身旁躍起前腳吠叫著，表現出火警警報的緊急。在樓頂左上方一處立著消防局的金銅色標誌，上頭有環繞著紅色圓圈F (Fire)字母的「DEVOTION / INTERGRITY/ LOYALTY/ SERVICE 」(奉獻、正直、忠誠、服務)，字樣是消防隊上的精神標語。這個標誌同時也是這個紀念造型酒瓶的瓶蓋，盛酒容器是消防局內磚牆的部分，滑下鋼管的消防員背部黏貼在磚牆上，因此從正面看起來就像正從上方滑下來，快要著地的樣子。這件作品特別之處在於，成品上使用了真實的細鋼管，貫穿消防員環抱的雙手與雙腳，直通樓層板上的滑道口，表現出精準的造型與黏合技術；以及彩繪上使用了金銅色於消防局標誌和警鈴上，以表現真實感。底部落款為排版字體印章形成陰刻的「ORIGINAL LIONSTONE SCULPTURED PORCELAIN ©1975 L.D.L.LIMITED EDITION」字樣 (原版石獅陶瓷雕塑1975年版權所有/石獅釀酒廠股份有限公司限量版)。右下角有一日本丸利商標「MR」(Maruri)的刻印。\r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。 (詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200114306","MainTitle":"鄉下子男孩在寫生","Creator":"設計者：日本株式会社丸利商会
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"8.5×8.5×15.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MzA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一個鄉下的小男孩在畫圖的情景。小男孩面貌清秀，一頭金色的頭髮，因風吹拂，有點散亂。頭上戴著一頂寬邊的淺褐色牛仔帽。他身穿長袖白襯衫，袖管捲起，脖子上結著紅色的圍巾，十分顯眼。外面套著一件褐色短背心，下身穿著一件褐色長褲，褲子膝部有一塊補丁，打著赤腳，説明他的家境並不好。他坐在有枯樹幹的土地上，手上拿著圖紙和畫筆，快樂地寫生。生活環境並不好的男孩卻能在大自然中找到自己的樂趣，表現出一樂觀進取的生活態度。\r\n 這件作品由日本丸利陶瓷公司設計，它是日本瀨戶一家著名的陶瓷公司，生產許多餅乾罐、咖啡組、和西洋玩偶等瓷器，外銷到歐美各國，供許多家庭使用，而所生產的瓷器以精美著稱，成為許多國內外著名機構的典藏品。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200114307","MainTitle":"女孩賣花","Creator":"設計者：日本株式会社丸利商会
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"10.2×8.4×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MzA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一個年輕的賣花女孩。她有一頭金黃色的鬈曲頭髮，戴著寬邊軟帽。她的面容姣好，紅唇明眸，嘴上帶著微笑，略傾著頭看著前方。她穿著一件低胸白領長袖的綠色淑女裝，淡黃褐色的長裙，腰間繫著粉紅色的圍裙，打著赤腳，坐在有青苔的地上。她的左手上舉到肩部，右手擱在編織的花籃上，裡面裝滿了許多準備賣出的花朵。從衣飾看，她的家境並不好，賣花是她的維生之計。藝術家常常會關心社會底層人物的生活，給予同情與支持，本作品具有這種社會義涵。\r\n 本作品由日本丸利公司設計。西洋玩偶原在歐美各國生產，戰後日本由美軍占領，開始重建遭戰爭破壞的經濟，陶瓷業是當時重點的扶持工業，西洋玩偶因此移轉到日本製造，丸利是其中的陶瓷瓷公司之一。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200114308","MainTitle":"盛裝的紳士","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"7.4×6×17.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MzA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一位歐洲的紳士。他身材高瘦，滿頭白髮，落腮鬍也都白了，但臉色紅潤，雙眼炯炯有神，臉上未見皺紋，身體十分健朗。他的頭上戴著黑色的寬邊平頂高禮帽，身穿白襯衫，打個紅領帶，外面再穿上背心與褐色翻領皮大衣，鈕扣整齊扣好，下身穿直條紋長褲，黑皮鞋。他的左手插在腰間，右手拿著白手套，正面直立著，雙眼直視前方。他的服飾是西方正式的禮服，一副不苟言笑，十分嚴肅的神情，背後依靠室內的豪華欄杆，代表著上流社會的人文素養與社經地位。\r\n 歐洲西洋玩偶發展的歷史很悠久，從十七世紀研發成功瓷器，到十八世紀時發展到高峰，但價格高昂，這種情形要到十九世紀陶瓷業興盛之後，才得到改善，玩偶在社會各階層普遍流行，成為一般家庭中的裝飾品。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200114309","MainTitle":"盛裝的淑女","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"7.7×6.2×17.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MzA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 玩偶具有教育的功能，將傳統的價值觀具體呈現在作品上。本作品的主角是一位年輕的仕女，身材苗條而高挑。她有一頭金色的頭髮，梳理得很整齊。水汪汪的大眼睛側視左前方，櫻桃小嘴緊閉著，臉上輕裝淡抹，在迷人之餘，又具有莊重感。她的頭上戴著一頂白色波浪緣的大軟帽，略向左斜。身上穿著高領而上半身白色的淺橙色長洋裝，脖子上配戴一串金色的項鍊，外加一襲粉紅色的長袖長外套，服飾上的花紋都有細緻的刻畫。她的右手拿著一把陽傘，垂在下面，左手插腰，表現得很自信。這是一副典型的淑女盛裝，在儀態上十分莊重，是社交場所上必備的基本禮儀，也是歐洲上流女士社會身分的表徵。透過這類玩偶的普及，讓這種價值觀在家庭中潛移默化，認同傳統的人文價值。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200114310","MainTitle":"親子系列：母女/熊","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"7.1×5.7×17.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MzEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114311","MainTitle":"親子系列：母女/飲水","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"8.8×8.3×17.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MzEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114312","MainTitle":"親子系列：母子/車","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"8×5.4×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MzEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114313","MainTitle":"親子系列：母子/繪畫","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"7.8×7.8×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MzEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114314","MainTitle":"親子系列：母女/料理","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"7×5×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MzE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114315","MainTitle":"親子系列：父子/三輪車","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"7.5×8.5×16.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MzE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114316","MainTitle":"黏眼睛系列：小丑/拉熊","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"11×7×18.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MzE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200114318","MainTitle":"黏眼睛系列：女/持傘","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"9×8×18.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MzE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200114319","MainTitle":"黏眼睛系列：芭蕾舞","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"6.8×6.8×19.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTE0MzE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200201001","MainTitle":"瓷蘭花","Creator":"創作者：熊鄉藝品","CreatedYear":"","Size":"附木箱","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200201002","MainTitle":"瓷玫瑰","Creator":"創作者：熊鄉藝品","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200203001","MainTitle":"體","Creator":"創作者：黃弘鎮、黃進春","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200203002","MainTitle":"樹","Creator":"創作者：黃弘鎮，許藝獻","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200203003","MainTitle":"蝶","Creator":"創作者：黃弘鎮、黃文榮","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200203004","MainTitle":"梅雲","Creator":"創作者：黃弘鎮、董鴻福","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjAzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200203005","MainTitle":"飄鼓","Creator":"創作者：黃弘鎮、陳純輝","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjAzMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200203006","MainTitle":"雲山","Creator":"創作者：黃弘鎮、鄧廉懷","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjAzMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200203007","MainTitle":"竽葉","Creator":"創作者：黃弘鎮、鄧臣敦","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjAzMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200203008","MainTitle":"憩","Creator":"創作者：黃弘鎮、陳智峰","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjAzMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200204001","MainTitle":"漆畫-鵪鶉","Creator":"王清霜 ","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 王清霜(1922～)，出生於臺中神岡，臺灣漆藝家、工藝家，曾與顏水龍於南投草屯創辦「南投縣工藝研究班」。一生專注精進漆工藝技術、推廣漆工藝教育與漆藝創作，尤以繁複的高蒔繪技法著稱。2007年國家工藝成就獎，2010年重要傳統藝術保存者(人間國寶)。他是國家肯定的國寶級漆藝大師，是臺灣漆藝的一代巨擘宗師。\r\n 本件漆畫「鵪鶉」，大師以精湛高超的技藝，繪畫一對原野草地鵪鶉，正在昂首凝視傾聽，鵪鶉的羽毛、眼睛、腳趾，神態生動；菅草、紅葉點綴左下方，細細的金箔，舖平如沙。鵪鶉之右上，以螺甸鑲嵌技法，裝飾一彎弦月也似的瑩光，好像是傍晚了，弦月初上，這對夫妻鳥，正在觀察、思考什麼？！情境如禪，雋永的餘韻，令人會心一笑。\r\n 在傳統的「鵪鶉」圖案，都隠喻「安居樂業」，而這件作品，是否更暗示：要安居樂業，尚還須注意「智慧」與「觀察」！(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"200206001","MainTitle":"石雕-玄鳥","Creator":"創作者：陳培澤","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200208001","MainTitle":"君子不朽","Creator":"Creator：LU, Chih-Sung
創作者：盧志松","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「品茗」為中華文化「人生四品」(焚香、插花、掛畫、品茗)之一。本組石雕茶壺六件一組，內蘊品茗之趣味，外現朽竹之古樸，工藝技巧、造型設計、雕琢藝術，表現頗佳，呈現器具之實用與工藝之優美。\n竹子中空有節，傳統文化流傳比喻為君子之謙沖、貞節、儒雅。茶具本為生活雅事，品茶更有生活禪味。本項作品六件一組，件件以朽竹為題材，既飽耐歲月風霜，亦寄託道法自然。作品借喻竹子為「君子」，象徵秉持竹子貞節，涵養人格品質，乃成就「君子不朽」。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"200208001001","MainTitle":"君子不朽","Creator":"創作者：盧志松","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA4MDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200208001002","MainTitle":"君子不朽","Creator":"創作者：盧志松","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA4MDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200208001003","MainTitle":"君子不朽","Creator":"創作者：盧志松","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA4MDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200208001004","MainTitle":"君子不朽","Creator":"創作者：盧志松","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA4MDAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200208001005","MainTitle":"君子不朽","Creator":"創作者：盧志松","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA4MDAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200208001006","MainTitle":"君子不朽","Creator":"創作者：盧志松","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA4MDAxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200208002","MainTitle":"門內庭趣","Creator":"陳振芳","CreatedYear":"","Size":"附底座","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作者承襲家族親戚經營紅木傢俱產業與貝殼鑲嵌工藝兩相結合，運用後天學習的工筆畫、版畫、漆藝為基礎，創作出以年畫為主的木竹傢俱貝殼鑲嵌漆工藝作品。\n 這件「門內庭趣」是一件以門神及麻雀為題材，竹胎為主體，貝殼及樹漆為材質的竹地螺鈿漆藝作品。作品中運用多種類的黑蝶貝、白蝶貝、鮑魚貝…等天然色澤，藉由鋸切、研磨、線雕等加工方式，將貝殼鑲嵌於竹胎雕凹處，藉由樹漆的黏著性貼付貝殼，並將竹、貝、髹漆整體研磨平整。鑲嵌的過程中需考量木工雕刻凹處與貝殼相對的厚度，必須達到嵌平無縫的精準度，在此同時也必須具備鋸切、線雕貝殼與漆工研磨的技術。\n藉由一面門外門神的設計裝飾，傳遞另一面門內三隻麻雀嘻遊的逸趣，正反兩面兼顧製作，互為表裡的做法也別具巧思。（詮釋委員：李本育）","ImageUrl":""}
,{"Identifier":"200208003","MainTitle":"梅影游鱗相與閒","Creator":"創作者：黃蘭葉","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA4MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品以緙絲做為主體織做出了梅樹、魚影、水波紋，並輔以定線繡，讓魚、水草、水波紋的立體感更明顯，呈現出遠景近景的深度。\n緙(ㄎㄜˋ)絲工藝，起源自漢朝時期，自古以來專用於織作皇室御用的藝術品，其最大的技術特性在於“通經斷緯”，貫通整幅作品的經線與隨著各個圖案輪廓而中斷的緯線，形成足以臨摹墨寶、繪畫的美感，同時圖塊與圖塊之間由於不連貫，所以會產生些許裂痕，就像是被刀雕刻出來一樣所以最早也被稱之為刻絲，此技術也是世界上最後一個無法以機械取代的紡織技術。\n而本作品主軸技術是誕生自傳統緙絲工藝的現代緙絲工藝“二分之一緙絲”，又稱“半緙”為黃蘭葉藝師的核心技術，此技術織作時間只需要傳統緙絲的一半(二分之一之名因此而來)，並且不會產生傳統緙絲特有的裂痕，但會有明顯的正反面區別，不過這也讓這幅作品強韌度更高。同時再輔以刺繡而成“緙繡合一”的作品，緙繡合一在清朝乾隆時期為其中一種混合技術的流派，以平面、細緻的緙絲打底；並使用立體感十足、不受限於經緯的刺繡點綴，達到畫龍點睛的效果。\n酒香牲腯主人歸，正是猿驚鶴怨時。梅影小池春入畫，竹聲虚閣夜催詩。\n世間真樂無多事，身外浮名只費辭。他日結茅容我隠，一章先當買山貲。\n横山有髙竹樓别業留信宿始歸 元 許有壬\n（詮釋委員：李誌峰）","ImageUrl":""}
,{"Identifier":"200209001","MainTitle":"生命的起源","Creator":"許怜悧娜","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件陶板作品上裝飾了一排壓印的曲線象徵河流，河岸兩旁有似小土片堆塑起來的浮雕、壓印的園圈與淺雕線條，這些抽象符號裝飾在經柴燒留下落灰與燻黑的陶板上，共同形成一幅如空中俯瞰的地景圖。作者許怜悧娜以「生命源自於泥土與河流，柴窯燒成的陶板具有樸拙之美感」（註1）來表現作品主題，利用柴燒原始的質感，搭配河流、地景，敘述生命在時間之流中形成的故事。\r\n作品運用陶板成形、裝飾技法與柴窯燒製。柴燒是在沒有電力燃煤的時代，使用柴薪點火產生熱能的方式，在耐火磚搭蓋起的窯爐中燒陶；陶人在火、柴、窯、灰之間控制、創造土坯體燒成的變化，經營出預期的成果或是天然的造化，作品即是人與自然搭檔合作的結果。而在這件作品上，柴燒的方式非常貼切地表現了創作者的願望（希冀表現的創作內涵）。\r\n許怜悧娜以此件作品參加1993年第1屆臺灣工藝設計競賽，獲得優選。此項競賽由翁所長徐得先生啟辦，旨在鼓勵與啟發生活工藝的創作，相較於「臺灣生活用品評選」的參賽者限定為廠商，此競賽開放給專業或業餘人士均可參賽，不限類別、資歷，因此逐步成為參賽者最多，競爭最激烈的競賽，並且特舉辦工藝之夢大展推廣當屆得獎及入選作品（註2）。(詮釋委員：杜文田)\r\n\r\n註1黃禮信主編，《工藝之夢 第一屆臺灣工藝設計競賽》，臺灣省手工業研究所，1993，頁16。\r\n註2呂明燦、許峰旗，〈本所歷年舉辦三大工藝競賽介紹〉，《臺灣工藝期刊》，第14期，國立臺灣工藝研究發展中心，頁5-6。","ImageUrl":""}
,{"Identifier":"200209001001","MainTitle":"生命的起源","Creator":"許怜悧娜","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA5MDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200209001002","MainTitle":"生命的起源","Creator":"許怜悧娜","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA5MDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200210001","MainTitle":"凹凸之間","Creator":"創作者：謝佳珍","CreatedYear":"","Size":"附燈泡、台座、上蓋座","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjEwMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"竹篾的挑壓交錯是竹編的基本，交錯後呈現的多數是竹篾寬面部分，但本件作品則捨棄挑與壓的竹編作法，而採取竹篾重複堆疊的方式，特意呈現竹篾非寬面的側邊，疊出波浪紋與髮絲般的質感，頗為特殊。在日本的傳統工藝中細線堆疊的「水引」多數只作重點裝飾，會露出許多留白，相似技法用在竹編胸針及屏風上也多有留白。本件作品則密實地堆疊出波浪，並酌加黃色與紫色，呈現特殊的風情。（詮釋委員：黃世輝）","ImageUrl":""}
,{"Identifier":"200210002","MainTitle":"葉葉情","Creator":"創作者：蔡麗娟","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjEwMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"市售有玉蘭花樹、菩提樹等的葉脈纖維，能硬挺地夾於書內作為書籤，翻頁拿捏都是閱讀的另篇風情。\r\n在樹叢下腐植的水窪濕地，經久浸潤於中的葉片，就是形成葉脈絡的最原始方法；或以弱鹼溶液浸泡鮮葉片，可去除葉肉質，剩下通透的網狀葉脈，如薄紗的質感，很惹人愛。\r\n選擇葉脈纖維靭性大的樹種，才能得到完整的葉形且不易斷裂，又加以染色效果，作品的呈現更是多重視覺。此作品將枯葉洗淨、消毒、風乾、染色，也不失為造形的纖維材料，充滿腐杇的質地運用。\r\n作品蔡麗娟由四幅不同的長葉脈片、寬濶些的葉脈片加帶上狹長的尖端及較小型的葉脈片、半腐蝕葉脈片所構成；手法上依著葉片的主脈引導著流動畫面，交錯堆疊，疏密輕重，與其黏附的透明無色薄紗布相互產生整體。擬人之造形，讓四幅的下方有了重點連結，看似側臥的身軀，是休憩的安靜抑或哭倒的小啜，整個氛圍由作者所賦予的色感詮釋著。採微明亮的低彩漸至低明度低彩度的色彩配置法，立體凸出的葉片堆積，加重了畫面的厚度。\r\n作者蔡麗娟以葉、葉脈絡喻為神經之傳導，隨心思情感，會是完美、脆弱、枯萎、凋謝，而人的生命力如腐蝕後的葉脈纖維靭性，永遠持續著生存的毅力。(詮釋委員：簡玲亮)","ImageUrl":""}
,{"Identifier":"200210003","MainTitle":"上花轎","Creator":"創作者：吳碧雲","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjEwMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"使用溫暖具本土風格的布料碎化後加以拼接，周邊幾何抽象的框架，讓作品產生一種動靜之間的平衡與繽紛感，襯托中央如劇照般的新娘肖像，以及下方帶有童趣意味的迎親隊伍。斑斕的布花將許多原本不統一的造型元素揉合成一種古典但活潑的基調。\n拼布技藝原本就與女性家庭生活有著文化上的關聯，使用生活餘布拼接縫綴成裝飾或實用生活織品，並且會在婚嫁時相互合作或贈與祝福，這幅作品恰恰說明了此種特質，透過細緻的圖案與針腳傳達人生重要階段的儀式感。（詮釋委員：楊偉林）","ImageUrl":""}
,{"Identifier":"200210004","MainTitle":"誰來唱我們的歌","Creator":"創作者：洪啟榮","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjEwMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"熱鬧隆重的豐收慶典之後，年輕的子孫各自回到都會的工作崗位，獨留盛裝打扮的排灣族老婦人，寂寞的坐在黃昏的海邊，凝神注目遙遠的天際，感嘆「誰來唱我們的歌」‧本作品為利用天然穀物、豆子的天然色彩拼畫.（詮釋委員：翁徐得） ","ImageUrl":""}
,{"Identifier":"200211001","MainTitle":"古木繁花/黃花","Creator":"丸利陶瓷公司","CreatedYear":"1975","Size":"17×11×13.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjExMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200211002","MainTitle":"古木繁花/紅花","Creator":"丸利陶瓷公司","CreatedYear":"1975","Size":"17×11×13.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjExMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200211003","MainTitle":"古木繁花/白花","Creator":"丸利陶瓷公司","CreatedYear":"1975","Size":"17×11×13.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjExMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200211004","MainTitle":"羅密歐","Creator":"其他-品牌商：Lenox Corporation
其他-代工：丸利陶器股份有限公司","CreatedYear":"1990","Size":"9×10×22.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjExMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 繪畫、雕刻與文學都同屬於西方藝術的範疇，彼此之間常有互通的情形。西洋玩偶常常從歐美的文學名著中取材，將戲劇或小說中的人物具體地呈現在日常生活的環境之中，無形中薰陶了國民的人文素養。本作品的主角是英國大文豪莎士比亞(William Shakespeare, 1564-1616)戲劇《羅密歐與茱麗葉(Romeo and Juliet)》中的羅密歐。他的長相英俊，頭髮垂到頸部，戴著一頂暗紫色的無緣圓帽。他的身材壯碩，身上穿著紫紅色高領而及腰的長袖上衣，上衣袖膨大，而手肘處則縮緊而合身。下身穿著淡粉紅色的緊身褲，外面再添一件長可及地的綠色大披風。他的左手拉著披風，右手手肘橫在腰間。他的雙腳一前一後地站著，一副英姿瀟灑的樣子。這種圖像可能取材自1599年的版本，文藝復興晚期服飾的造型。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200211005","MainTitle":"天鵝浴室系列/牙刷架","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"9×9×8.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjExMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200211006","MainTitle":"天鵝浴室系列(大)/香的盤","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"20×13×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjExMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200211007","MainTitle":"天鵝浴室系列/漱口杯1","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"8.5×8.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjExMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200211008","MainTitle":"天鵝浴室系列/漱口杯2","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"8.5×8.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjExMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200211009","MainTitle":"天鵝浴室系列/花瓶","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"7×7×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjExMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200211010","MainTitle":"天鵝浴室系列/相框","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"10×6×12.9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjExMDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200301001","MainTitle":"杏林雜記","Creator":"創作者：段安國","CreatedYear":"","Size":"","Type":"工藝類\\皮革類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以皮革雕塑的手法，加以上色彩繪，採一組三件的構成形式，將醫生日常生活的甘苦、趣味，進行嚴肅中又富幽默的表現。藝術家雕塑的技法精巧，加上皮革上色的媒材特色，形成極為寫實的風格表現。作品包含〈出診〉逆風而行的醫師父母心、〈深夜的伴讀者〉中的白色骷髏，以及〈緊張的一刻〉中被媽媽抱在胸前、滿臉驚恐、放聲大哭、望向高大醫生雙手高舉的針筒的小孩……等等，在在打破工藝可能的規整秩序與傳統題材，而展現深具人性表現的活潑創意。且在有限的尺度空間中，精緻展現人物的表情、神態，與氛圍；如：彎腰撐傘、辛苦出診的醫師；夜間仍不休息、持續苦讀進修的寂寞醫者；乃至表情生動、惹人憐愛的生病小孩等。由技進藝、由藝入道，允為佳作。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"200301001001","MainTitle":"杏林雜記","Creator":"創作者：段安國","CreatedYear":"","Size":"","Type":"工藝類\\皮革類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzAxMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200301001002","MainTitle":"杏林雜記","Creator":"創作者：段安國","CreatedYear":"","Size":"","Type":"工藝類\\皮革類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzAxMDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200301001003","MainTitle":"杏林雜記","Creator":"創作者：段安國","CreatedYear":"","Size":"","Type":"工藝類\\皮革類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzAxMDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200302001","MainTitle":"漁人的船筏","Creator":"創作者：鄭梅玉","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統的藺草編多製作實用物件，如帽蓆與包袋。本創作者則運用各種立體造形的草編技術，挑戰具象的人物、船筏、漁網與漁獲等充滿細節的物件。在一個具體而微的空間裡，表達出日常生活裡蘊含的生命力量，既充滿未知的挑戰，也蘊藏著歡笑。\n整體構成生動有趣，尤其將筏體與網罟形成虛實對照，拉高傾斜的幾條網繩帶來整件作品的張力，相背對的主角產生兩個相對又平衡的力量，極富巧思及創意。人物動態各有不同，於閒適與緊張之間處理極佳，眾多小物紛呈表現豐富的生活情狀可細細觀賞，讓人不知不覺進入作品創造出的空間裡，彷彿跟著搖晃使力著，是一件技術、創意等均優的作品。（詮釋委員：楊偉林）","ImageUrl":""}
,{"Identifier":"200303001","MainTitle":"金玉滿堂-刺繡桌裙","Creator":"創作者：林玉泉","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 林玉泉，俗稱「阿泉師」，是臺南府城光彩繍莊的頭家，他出生臺南鹽田，父親是鹽工，在烈日下挑鹽、曬鹽，工資微薄。看見人家作「繍補」的，「補一領衫，賺幾若斗米」，便決心讓兒子學針缐。林玉泉16歲臺南繍莊習藝，三年四個月出師後，到臺北迪化街天華繍莊、錦村繍莊擔任師傅，後來回臺南創業，42歲終於有自己店面，命名「光彩繍莊」。其産業範圍，舉凡廟會用的涼傘、頭旗，神明穿的太子衣、神明衣，陣頭要用大仙尪仔、道士要穿道袍，家戶的供桌桌圍、門前八仙彩等，禮俗用的刺繍，他繍莊都可以做。\r\n 林玉泉注重刺繍的精髓：「一形，二體，三色」，刺繡前的圖樣為「形」，凸起的鋪棉為「體」，五彩斑斕的繍缐為「色」，環環相扣，三者併重。會用到的刺繍針法主要是平針、鋪棉、釘缐繍。上架是很重要過程，要精準地將布面縫入鏽花架和橫頭之間，工整的撐開布面，避免任何一絲皺褶，才可以開始鋪棉。經過各種工序的頂真做工，林玉泉贏得了名聲，也獲頒文化資產保存者。\r\n 本件林玉泉作品「金玉滿堂-刺繍桌裙」，就是透過刺繍針法，善用色缐、金銀蔥缐配色，在圖様上繍著正面䕫龍紋、海波紋、牡丹紋、雙龍紋、楷字紋、團字紋、魚貝紋、加上釘金片、色穗帶等，使得桌裙光彩斑爛，表現金玉滿堂、富貴榮華的氣象。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"200304001","MainTitle":"清廉","Creator":"創作者：沈培澤","CreatedYear":"","Size":"附展示箱,木箱","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 沈培澤出身在新竹鄕下，國中畢業後就習藝於木雕家曾進財，早年的雕刻都是師徒相承，並無先畫設計圖的風氣，具有繪畫天賦的沈培澤卻每在雕刻家具前，先畫上設計圖，樹立了與眾不同的風格。三年四個月出師後，為了增廣技藝，在不同領域的木雕風格工廠邊做邊學，更進入新竹世界工商就讀美工科，強化美術專業知識。11年後，沈培澤在三義開始以「天然巧雕」為創作，並以生活周遭的見聞感受，作深度的擬比轉化。別人眼中的殘木，在沈培澤的巧思下，件件成為賞心悅目的藝術品。\r\n 「春迴」、「急速年代」、「躍」是沈培澤「自由」系列的作品。「以形取像」是沈培澤「自在」系列的表現。這樣經歷了不斷的進步、提升、創作，沈培澤功不唐捐，他成為國立工藝研究所授證的「工藝之家」藝師，且得獎記錄屢屢。\r\n 本件作品「清廉」，以精妙的構圖、刀法，雕刻蓮花出污泥而不染，濯清漣而不妖，初綻猶捲的蓮葉，亭亭淨植的花苞，之上歇立一隻蜻蜓，搭配出水的枯木，境界清雅，並隱喻「清廉」，令人感動讚賞。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"200306001","MainTitle":"亂中有序","Creator":"創作者：葉寶蓮","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「亂中有序」以手工的方式剖取竹篾，每片竹篾均須經過：鋸切→刮青→對開→剖薄→倒角與修厚等十數道工序方可取得，其編作流程也十分繁瑣。首先運用米字形編法起底，再於腹圍利用六角編法塑形，器身外層則以多片竹篾相疊為一束，來回自由纏繞在六角編的器身上，橢圓形的提把，其緣口則使用細竹條及藤條作為邊框後，再輔以藤皮纏繞加固，圈足處則利用薄竹篾編繞成回字紋。整件形體完成後以生漆擦拭多次，經過生漆擦拭的作品，表面會形成薄膜，可作為保護層，具有防塵、防霉、抗酸鹼與持色的效果。\n作品風格自然渾厚且紮實，線條簡潔而勻稱，材料處理細緻而工整，籃裡籃外竹篾收邊完整，層次豐富錯落有致，生漆塗裝表面潔淨而平滑。以堅韌的竹篾編作成狀似柔軟綿密的外層，乍看之下與材質形成強烈的反差，實屬難得的佳作。（詮釋委員：林秀鳳）","ImageUrl":""}
,{"Identifier":"200306002","MainTitle":"賽夏生活印象","Creator":"創作者：章潘三妹(a-whai)","CreatedYear":"","Size":"","Type":"工藝類\\籐材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"出身原住民賽夏族的女性，作者自幼即聽聞長輩講述族群神話故事「雷女」的傳奇事蹟，而這些故事、傳說，乃至生活智慧，也都經常呈現在族人衣飾的紋樣上，形成她深刻的童年記憶與族群認同。成年後的藝術家，採取籐編的手法，一方面以古器物的造型，呈顯族人生活的記憶；二方面又將衣飾上的紋樣巧妙地以類似浮雕的手法，表現在器表上，成為一件帶有族群生活印象及傳統文化內涵的作品。\n在看似傳統的古器型上，其實有複雜的籐編技法與創意；而突破傳統技法限制，以浮雕手法呈現的各式紋樣，更深化了工藝最不易表現的文化內涵。「雷女」相傳是雷神的女兒，她帶來了小米的農業知識，改善了族人的生活；編器上的浮雕紋飾，即有小米等的植物造形。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"200306003","MainTitle":"漆器屏風","Creator":"王賢民
王賢志","CreatedYear":"","Size":"附木座","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品“漆器屏風”用木製為胎體，再以天然漆塗裝彩繪等，採活動式，可移動到室內需要的空間當隔離遮蔽使用，以及作為裝飾品增添室內美觀。\n作品有兩面，一為“天神”，這是在臺灣寺廟常見的傳统彩繪門神，用於擋煞祈福。作者嘗試用漆工藝作畫，將漆的细緻特色有别於傳统彩繪，融合多樣材質呈現藝術的優美。\n技法上以高蒔繪及鑲嵌，鎗金、錆繪交互運用。高蒔繪是在彩繪後，撒炭粉墊高，有如浮雕的立體效果。鑲嵌用貝殼、蛋殼貼附，鎗金用針刀淺刻後蒔金、銀粉，有其細緻效果。錆繪用於髯鬚，在黃土粉中調和生漆用粗筆繪製，再蒔銀粉，有粗獷感，\n另一面以歲寒三友為題材，這是華人繪畫很勵志的意義。技法上在胎底塗以銀漆再罩透漆後，以平蒔繪繪制梅花及竹葉，加上錆繪繪製梅的枝幹，在簡單中表現漆的美感。（詮釋委員：王賢民、王賢志）","ImageUrl":""}
,{"Identifier":"200306004","MainTitle":"大風吹","Creator":"創作者：曾鳳珠","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"一般的花器、甕等器物，呈現的只是靜態之美；此作品構思特色是大膽嘗試創作突破，能直接呈現動態之效。作品器身採以拙樸的甕造型，以竹籜製成之花朵錯落散佈並鑲嵌於簍空器身內；其中，每一花朵稍遇氣流，即可轉動。作品係藉由「風」及呈現動態之趣；憶起兒時玩過的遊戲「大風吹」．．．一聲令下，瞬間靜態隨即跳脫為雀躍的動態；或許也為捕捉一些些逝去的童趣，故作品沿用此遊戲名稱--大風吹。炎炎仲夏之際，一縷清風拂過，甕上花朵兒此起此落、搖曳生姿，總令人憑添絲絲涼意與悸動，似婦女插於髮際的「花勝」一朵朵排列出美麗的夢想。（詮釋委員：曾鳳珠）","ImageUrl":""}
,{"Identifier":"200306005","MainTitle":"狀元、夫人帽","Creator":"創作者：林盟振","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA2MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「狀元、夫人帽」為林盟振之細銀工藝創作；榮獲91年第2屆國家工藝獎3等獎。「狀元帽」為官帽（烏紗帽），為明代官職制服之一。取得功名而未授官職的狀元進士等，也可戴烏紗帽，從此烏紗帽也代表功成名就的象徵。作品為了表現光耀門楣的尊貴，整體純銀打造，藉由工藝技巧精湛雕工、紋飾細緻來顯現此「狀元、夫人帽」作品莊重優美。龍鳳祥雲如意等圖紋純手工以柳絲及鏤空技法製成仿古代金銀帽，懷古之情油然而生，並提醒莫忘歷史長河的先人智慧。而「狀元、夫人帽」的夫人帽部分加上各色寶石的鑲嵌，更添晶瑩華麗的裝飾性。（詮釋委員：陳國珍）","ImageUrl":""}
,{"Identifier":"200306005001","MainTitle":"狀元、夫人帽","Creator":"創作者：林盟振","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA2MDA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200306005002","MainTitle":"狀元、夫人帽","Creator":"創作者：林盟振","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA2MDA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200306006","MainTitle":"空間","Creator":"創作者：陳進雄","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA2MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200307001","MainTitle":"糖果盒","Creator":"設計者：林彥志
配合廠商：濬成家飾設計公司","CreatedYear":"","Size":"附蓋","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這套「糖果盒」是2002年小木器設計競賽第一名的作品。創作者應用胡桃木與槭木兩種樹種的顏色搭配成變化多樣的生活中盒子。不只是一個糖果盒，也可成為一般小物的收納盒，使用上的變化而增添生活的趣味性。造型簡潔大方，原木材質更顯典雅高貴；以可移動九個方盒產生高機能的效益且實用性高。\r\n本木質作品是由九個精緻的木盒子與一只木盤所構成一套組的高級糖果盒，創作者應用性質穩定的胡桃木加以搭配淺色系又有豐富紋理的槭木製作值得讚賞。作者是以非常精湛的手藝，將兩種木材在盒體與盒蓋上做巧妙拚盒，且精準的製作技巧使得作品會表達自己方位與立場，實為非常好的創作。\r\n整體做工技法而言，可貴的是蓋子的製作方式；先將整塊厚板鉋削出所需尺寸後再依設計鋸切蓋子的適當尺寸，然後在蓋子的木料中央膠合黏貼上端的異色木材，再以鋸削與銑切技術製作出蓋子上的提把整體形式。這是極具困難度與危險性極高的精確加工技法，此精湛的工藝技術，非一般工匠可及，故這是一件值得典藏的簡潔高雅作品。(詮釋委員：王俊傑)","ImageUrl":""}
,{"Identifier":"200307001001","MainTitle":"糖果盒","Creator":"設計者：林彥志
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,{"Identifier":"200307001006","MainTitle":"糖果盒","Creator":"設計者：林彥志
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,{"Identifier":"200307001007","MainTitle":"糖果盒","Creator":"設計者：林彥志
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,{"Identifier":"200307001008","MainTitle":"糖果盒","Creator":"設計者：林彥志
配合廠商：濬成家飾設計公司","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA3MDAxMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200307001009","MainTitle":"糖果盒","Creator":"設計者：林彥志
配合廠商：濬成家飾設計公司","CreatedYear":"","Size":"附蓋","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA3MDAxMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200307001010","MainTitle":"糖果盒","Creator":"設計者：林彥志
配合廠商：濬成家飾設計公司","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA3MDAxMDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200307002","MainTitle":"風","Creator":"創作者：莊錫欽","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"〝風〞是2002年小木器設計競賽得獎典藏作品，是一把非常具個性化的椅子，除了具有一張可以前後搖動動的椅面，在美學比例設計上的觀察本作品是以純粹的機能主義逐漸到裝飾效果為訴求，讓椅子可以更有趣、更好玩！\r\n本作品的構成組件基本架構是分為腳座及座椅面兩個；腳座是由兩片厚實的花梨木經過鋸切鉋削技法製造成型，再用兩支橫桿架構而成。座面板則是由八支花梨木經過鋸切鉋削的技術彎曲成型，最外兩側的1、8座板材料再應用膠合劑黏貼膠合已成型的較寬薄木板之裝飾板料，等待膠合劑乾後再進行加工處理。於第2、7下方運用榫卯結構各組合一片板子作為本件作品最為重要的機能結構之一，在搖擺結構孔位中埋藏放置著滑動軸承，可使本創作的座面載重擺動時木材不會劈裂。椅面的組合是應用木工車床的車削技法而製造成的特殊造型的木釘，再經過創者精心打磨修飾組裝而成。\r\n座面板與腳座則應用金屬五金精確地計算孔位的組構，使得這張椅子可以前後擺動而更具把玩的趣味性！(詮釋委員：王俊傑)","ImageUrl":""}
,{"Identifier":"200307003","MainTitle":"方圓之內","Creator":"創作者：申佳真","CreatedYear":"","Size":"附52根圓柱","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA3MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200308001","MainTitle":"明式五斗書桌","Creator":"創作者：香港新藝傢俱","CreatedYear":"","Size":"附玻璃桌墊","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200308002","MainTitle":"法式椅子","Creator":"香港美藝家具股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200308003","MainTitle":"石紋方桌","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA4MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200308004","MainTitle":"籐製桌椅組-藤圓桌、籐椅","Creator":"新藝籐業股份有限公司研發部集體創作","CreatedYear":"","Size":"","Type":"工藝類\\籐材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA4MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200309001","MainTitle":"色彩之美－夢幻","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200311001","MainTitle":"玻璃煙灰缸","Creator":"創作者：陳一青","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzExMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 臺灣漢族的玻璃文物，在清代年間使用，現遺存在臺的多為玻璃花器、鼻煙壺，民間慣稱「乾隆玻璃」，或稱「料器」，多自唐山大陸進口，量少而價貴。日治時期，臺灣玻璃文物，部分來自歐美，但主要於日本內地輸入。臺灣玻璃的自製發展，約有百年歷史，西1887年，陳雨成先生創設玻璃廠於臺北，是臺灣玻璃工業的開始。\r\n 就工藝與文物角度觀察，臺灣所遺存的人文歷史上的玻璃器物，有「冰碗類、花器類、杯盤類、瓶罐類、糖果罐類，文具類、煙灰缸類、醫療衞生器具類、儀器類、美術工藝裝飾類、其他雜項類等，琳琅滿目。\r\n 本件陳一青創作「玻璃煙灰缸」，黑色，圓型，淺唇，底面中央凸起小金字塔狀顆粒，便於擱置紙菸煙蒂。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"200312001","MainTitle":"星座鑰匙圈","Creator":"創作者：滿譽企業","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzEyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200314001","MainTitle":"國家工藝獎（書法題字）匾額","Creator":"創作者：陳其銓","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200315001","MainTitle":"獅鈕飾紋茶葉罐","Creator":"創作者：劉世平","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件打破傳統茶葉罐印象，但不失基本使用功能。造型以「圓味」作為統調，尤以擬人化獅鈕類似琉球屋頂獅子，充滿童趣；器表渦紋若隱若現，整體在黑色中出現金色光芒，更增觀賞深度。(詮釋委員:莊伯和)\r\n ","ImageUrl":""}
,{"Identifier":"200315001001","MainTitle":"獅鈕飾紋茶葉罐-（高）","Creator":"創作者：劉世平","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE1MDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以細直陶土加入無毒金屬氧化物高溫燒製，並改變傳統茶葉罐之印象，不規則的橢圓造型，搭配若隱若現的花紋及活潑的金色獅獸鈕，呈現含蓄燦爛的文化之美。","ImageUrl":""}
,{"Identifier":"200315001002","MainTitle":"獅鈕飾紋茶葉罐-（低）","Creator":"創作者：劉世平","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE1MDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以細直陶土加入無毒金屬氧化物高溫燒製，並改變傳統茶葉罐之印象，不規則的橢圓造型，搭配若隱若現的花紋及活潑的金色獅獸鈕，呈現含蓄燦爛的文化之美。","ImageUrl":""}
,{"Identifier":"200315002","MainTitle":"森之樂章","Creator":"創作者：林辰晏","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品以鐵材切割、焊接，鍛造成型等技法，將自然界之花草、樹木、鳥類、昆蟲等造型融入創作中，並以兩片可以開闔的立體鐵門方式呈現，突破左右門片相似或對秤的慣例，在視覺環境裡創造出活潑具美感的嶄新生活空間。 （詮釋委員：王梅珍）","ImageUrl":""}
,{"Identifier":"200315002001","MainTitle":"森之樂章-（左門）","Creator":"創作者：林辰晏","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE1MDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200315002002","MainTitle":"森之樂章-（右門）","Creator":"創作者：林辰晏","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE1MDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200315003","MainTitle":"藍色愛情海","Creator":"創作者：廖志強","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"運用簡易窯燒技法加入設計、創意二元素完成此作，卻展現出不同視覺感官享受，超越過往思考運用範籌值得讚賞鼓勵。(詮釋委員:黃安福)","ImageUrl":""}
,{"Identifier":"200315004","MainTitle":"秋纏","Creator":"陳文寬","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"一組三件的陶胎漆器。細小口、圓扁長直胴瘦底的陶器一件；兩件大小不一，有蓋、呈圓滿形的陶罐。三件表面均在黑色底漆上以貼敷鉛箔的葉紋裝飾，多層不規則的葉紋加上層層透漆的罩明，如枯黃的葉子隨風飄落，呈現紅葉綿疊、詩意盎然的秋景。（詮釋委員：黃麗淑） ","ImageUrl":""}
,{"Identifier":"200315004001","MainTitle":"秋纏- (大)","Creator":"創作者：陳文寬","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE1MDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200315004002","MainTitle":"秋纏- (中)","Creator":"創作者：陳文寬","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE1MDA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200315004003","MainTitle":"秋纏- (小)","Creator":"創作者：陳文寬","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE1MDA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200316001","MainTitle":"Time Files","Creator":"創作者：蕭銘昇","CreatedYear":"","Size":"計時器、月曆記事木盒（附蓋、64根記事收納柱）","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200316001001","MainTitle":"Time Files-計時器","Creator":"創作者：蕭銘昇","CreatedYear":"","Size":"計時器、月曆記事木盒（附蓋、64根記事收納柱）","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE2MDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200316001002","MainTitle":"Time Files-月曆記事木盒","Creator":"創作者：蕭銘昇","CreatedYear":"","Size":"計時器、月曆記事木盒（附蓋、64根記事收納柱）","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE2MDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200317001","MainTitle":"難行能行","Creator":"創作者：黃國書","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以橫式同向的刀痕刻劃線條，形成抗衡與張力的視覺效果，充分展現風沙揚起之勢，以及人與馬頂著沙暴力圖前進的動態。120公分長的臺灣楠木上，有著象徵大漠荒原的底座部分，人物與馬安置其上；從人的衣角與馬尾的揚起、人與馬前行且彎曲的肢體，可觀察感受到強風吹襲的態勢，以及逆風而行的願力。\n\n作品藉由外象彰顯人內在堅強的精神世界，敘述法師玄奘本著難行能行的願力，獨自西越戈壁沙漠，為東土眾生求法取經的堅強心志；藉由擷取教化深遠的玄奘西行求法作為創作題材，冀盼喚起世人成就人生的內在力量。\n\n木雕藝師黃國書，1958年出生於彰化縣鹿港鎮，國中畢業後為貼補家計，即跟隨兄長進入木雕公司擔任見習生，很快習得商業雕刻技法，半工半讀直到進入專科。1980年國立勤益工專畢業，黃國書自組商業攝影設計公司，然而在資金上面臨考驗，徬徨返鄉思考之際興起了重拾雕刀的念頭，1988 隨兄長黃勝雄先生習佛像雕刻，1991 獲教育部甄選為重要民族藝術薪傳藝生，得以隨國寶級木雕藝師李松林習藝三年（註1），以傳統木雕為題材，從浮雕、透雕到立體圓雕，涵蓋了家具、門窗、人物及廟宇裝飾等等技法。往後發展逐漸從傳統工藝與現代藝術之間轉換，融入個人生命經驗或文化涵養所思之題材於現代木雕創作，透過木頭媒材敘說人生、歷史與心靈的故事。\n\n1995年獲第四屆民族工藝獎雕刻類第一名、2003年獲第三屆國家工藝獎一等獎、2004年獲第八屆裕隆木雕銀質獎，並擔任多項臺灣木雕及工藝類競賽評審。20幾年來遠居山林，在塵囂之外的環境中聽經讀典，生活中學戒習定，並將善行故事及本心頓悟融入作品，致力於以木雕藝術傳達聖賢教誨，找回失去的道德教育，希望觀賞者能因此從內心中醒覺，讓真善美遍布世間。黃國書認為，「藝術的本質是藉創作傳達生命感悟，提升精神層次，喚醒世人內在慈悲和智慧。」（註2）（詮釋委員：杜文田）\n\n註1：郭麗娟。刀痕斧跡難行能行──木雕工藝師黃國書。檢自：臺灣光華雜誌\nhttps://www.taiwan-panorama.com/ \n註2：彰化縣文化局〈藝術家專區〉黃國書https://www.bocach.gov.tw/HUANG-KUO-SHU.htm","ImageUrl":""}
,{"Identifier":"200317002","MainTitle":"碩果","Creator":"創作者：曾鳳珠","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"人生是無數希望與無數行動之歷程，也許會失敗、也許會成功；但失敗是累積成功的經驗，而成功的果實是引領我們在前進的契機。以竹材編製的具體化、大而美的果實，我將之名曰：「碩果」，當是引導我努力不懈，不斷追求成功的果實圖像吧！此作品係以平織法編成胚體，再飾以插片法呈現立體果實瓣狀，蓋子以纏繞法製成，上加藤蕊製成果蒂，整件作品猶如一碩大之果實。此作品取下蓋子可當花器使用，兼具觀賞性與實用性。（詮釋委員：曾鳳珠）","ImageUrl":""}
,{"Identifier":"200317003","MainTitle":"汗水","Creator":"呂美麗","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE3MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品遠看似是一座沒有特別造形的團塊，近觀見其表面柔和的波紋與細膩的纖維毛細孔，隨即可感知物件概念，是一條對折的毛巾擱置於石頭上的狀態表現。以毛巾的柔軟與石頭的堅硬，結合出剛柔並濟的造形，石頭象徵堅毅，毛巾柔軟能吸水又乾燥，而在這兩者間輾轉的是人世間的汗水，反映出主題欲傳達的生命經驗，有所堅持努力、勤勞不懈便有所得，所有成功的背後是汗水點滴凝聚的成果。\r\n\r\n作品肌理表現細緻寫實，從布面的波紋到毛巾材質纖維、布邊車工縫線、標籤，皆以逼近真實的視角呈現，觀察入微；以費時多工的刀法運用，刻劃出令人信服的真實感。雕琢之外並無上色，石頭部份保留刀痕，可見黃楊木與石頭在質地的平滑細膩上頗有相似感。\r\n\r\n木雕藝術家呂美麗1965年出生於宜蘭，1989年於臺北市立美術館學習雕刻啟發創作理念，遂放棄平面廣告設計的工作開始鑽研木雕。1997年學習開發黃金雕刻創作，2000年榮獲第三屆雕塑類及金工類傳統工藝獎雙項佳作（註1）。在木雕藝術創作上，一開始就選用韌性好、密度夠、硬度高、可雕出密薄如蟬翼的黃楊木來鑽研。呂美麗提及，「木頭有纖維，它有橫絲、直絲，還有木頭的心，要下刀的時候，有時候會困難，而且木雕只要一個動作就是減法，你不可以出差錯，跟人生的運轉一樣，要步步為營。」如此一體成型的木雕，不上漆，不上色，不另加工，表面質感皆以刀工完成，一件創作往往要經歷數十乃至上百日的精心勞作，才能創作出美輪美奐的精雕藝術品。這些難度高、品質精細的作品不單是無法量產，更是舉世唯一，因而她保留自己的木雕作品，在先生莊漢忠的協力支持下，於2000年在宜蘭三星成立呂美麗精雕藝術館，開放予更多人欣賞，2008年已遷址至礁溪（註2）。（詮釋委員：杜文田） \r\n\r\n註1呂美麗精雕藝術館官網 https://www.lml.tw/?page_id=781\r\n註2參考資料：文化部>文化空間>呂美麗 https://cloud.culture.tw/frontsite/inquiry/emapInquiryAction.do?method=showEmapDetail&indexId=44418","ImageUrl":""}
,{"Identifier":"200317004","MainTitle":"釋放","Creator":"創作者：鄭階和","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE3MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"巧雕「石盤與流水」，呈現埔里灰色石心皮肉對映白灰色調之美，實踐簡約美學設計，襯托流動曲線塊面，象徵大地與池沼之自然環境氛圍。\n茶道中品茗的休閒境界頗深。茶盤與其他茶具及茶席，往往受到喝茶人的關注品賞。這件茶盤沒有繁複的裝飾，在橢圓的大地上，佐以流動的曲池，造型設計使人「釋放」塵凡的拘束與煩惱，在茶道中領略「清淨無為」的愉悅，確是佳作。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"200317005","MainTitle":"時光之河","Creator":"謝嘉亨","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE3MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件作品從正面觀之呈現半截沙漏狀，側視如壓扁後手捏有凹凸起伏的對稱之形，整體型態簡約中飽藏變化，既現代俐落又微妙有機。\r\n在器身起伏的表面上，謝嘉亨施上金屬釉藥，透過窯溫和氣氛的控制，以及反覆燒製，釉彩閃爍著金色光芒，同時交織黃、綠、藍色系的變化，宛如繪畫筆觸般的柔和但又光澤瑰麗。\r\n從造形型態的反覆琢磨與釉彩的多次覆燒，充分發揮謝嘉亨在陶藝媒材的執著探究和本質透析，讓土的柔軟可塑，加之釉藥金屬元素的窯燒顯色，交織出深具引人魅力百看不厭的陶瓷雕塑。（詮釋委員：朱珮儀）","ImageUrl":""}
,{"Identifier":"200317006","MainTitle":"歡喜相隨","Creator":"創作者：江添昌","CreatedYear":"","Size":"附底座\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE3MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「陶胎漆藝」在漆歷史上並不多見，1990年代後期，在漆藝傳習計畫施行中，及一批陶藝創作從業者兩相並進的投入下，造就了臺灣近20～30年間漆藝發展特色的新境。\n作者將傳習課程學習的漆藝技法功力，與過往修復鐘錶處理精細細節的經驗結合，將此件「歡喜相隨」雙鯉魚虛實並置，雙魚以優游姿態巧妙的安排於飽滿圓潤的陶胎器形上，正面近乎滿版的構圖設計及黑、紅白討喜的色彩，增添了作品整體的張力。\n此件作品細膩蛋殼的貼法、水紋灑銀罩漆磨顯出紋理、與浮萍平蒔繪的呈現，除了作者自行努力不綴鑽研外，亦深受日本寺井直次這位藝術家卵殼貼付與蒔繪並置的風格影響。（詮釋委員：李本育）","ImageUrl":""}
,{"Identifier":"200318001","MainTitle":"開屏火雞","Creator":"精華陶瓷","CreatedYear":"1984","Size":"14×14×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318002","MainTitle":"側飛火雞(小)","Creator":"精華陶瓷","CreatedYear":"1984","Size":"9×3.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318003","MainTitle":"跳芭蕾舞的女孩和天鵝","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1989","Size":"9×4×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品以一位練習芭蕾舞的可愛小女孩為主題，背景是一隻白天鵝。就比例而言，並非寫實實景，反而比較接近小女孩在練習跳舞時，夢想成為一位美麗的芭蕾舞者。巨大的天鵝彷彿慈愛的保護者，也暗示知名舞劇–天鵝湖的主題，以此呼應天真女孩所懷抱的夢想。\r\n 設計者在配件上設計了可以旋轉的趣味來呼應芭蕾舞者旋轉的意境，加了蕾絲的舞裙，真是一個吸引小女孩想要擁有的小玩具。\r\n 在陶瓷的生產技術上，要讓燒好後收縮的兩個物件可以組裝在一起，是個高難度的挑戰。這件作品在草地的部份有一個下凹的設計，可以讓踮著的腳尖卡進去。小女孩的頭頂和天鵝的嘴喙有一個貫穿的孔洞，可讓零件卡進去，觀賞者只要撥動小女孩的身體，就可使之旋轉。\r\n現品的旋轉零件為一個紫色的大頭針，有點突兀，也有鬆開易碎的危險，因此推測有可能不是原有零件，只是替代品。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318004","MainTitle":"美國好萊塢的電影明星詹姆斯迪恩","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1982","Size":"19.5×9.5×21.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶的設計者會從流行文化中取材，作為創作的主題。本作品的人物主角是美國好萊塢的電影明星詹姆斯迪恩(James Dean,1831-1955)，是1950年代的當紅明星。作品中他穿著一件短袖襯衫，只扣底下兩顆扣子，露出健壯的胸肌，下身穿著牛仔褲和皮鞋，兩腳交叉站立。左手拿著一件夾克，披在肩上，右手插在褲子的口袋上，身體靠著背後的木材圍籬上，一副瀟灑不羈的樣子，表現出叛逆和浪漫的形象，是千萬少女愛慕與男性模仿的對象。\r\n 作品只有初步在長褲、皮鞋與夾克上塗上黑油，是彩繪的前置作業，還沒有完成著色，其餘的部分都完全沒有上色，是一件未完成的作品。雖然看不到主角的金髮與紅夾克等完成後的色彩，但卻可以看到西洋玩偶彩繪的過程，具有相當的參考價值。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318005","MainTitle":"姊弟情深","Creator":"其他-品牌商：Kaiser
其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1989","Size":"10×6.5×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主角是一對姐弟，兩人都有一頭金髮，相貌十分清秀。姐姐身材稍高，穿著短袖襯衫，橘紅色的裙子，緊緊地拉住弟弟的左手。弟弟穿著長袖白襯衫，及膝黑短褲，右手拿一塊蝴蝶餅，左手拿著方塊餅。兩人都打著赤腳，説明他們的生活環境並不好。器底有德文與英文印刷款：「Die Märchen der Geb…der Grimm」、「The Grimm Brothers Fairy Tales」，説明取材自《格林兄弟童話故事》，初版於1812年，是傳喻戶曉的著作。故事內容為格林兄弟童話中的〈糖果屋〉，從作品中可以看出姊弟兩人十分親密而感情深厚。\r\n 作品由三芳貿易公司代理德國Kaiser公司的產品設計，由公館的精華藝術陶瓷公司代工。此公司是由本地人焦蔭圃、江瀾和和林培麟共同出資所成立，是苗栗最早投入西洋玩偶生產的窯場。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318006","MainTitle":"古典少女手挽花籃","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1972","Size":"10.5×8×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現一位身穿古典禮服精心打扮的少女，手挽花籃嬌俏模樣的裝飾陶瓷雕像。為精華藝術陶瓷公司於1972年所生產。這類裝飾陶瓷1960年代中葉才由日商引入臺灣，苗栗的精華公司成立於1970年為臺資企業，引入日本技術人才，培育自身技術與管理班底，是當時產業前鋒之一。\r\n 這類產品的生產，附著於歐美國家的禮品文化，原創設計多數來自國外，臺灣生產線為代工型態，細緻的瓷漿注入石膏模中成形，製作出細膩豐富的精緻細節，素燒後再以人工描畫上色彩與生動的五官表情，而後再次窯燒，過程高度倚賴大量人工和成熟經驗，這件雕像少女帶有轉身動態的造型、衣領仿製出鏤空蕾絲縐摺立體的繁複，衣飾與花朵的漸層上彩技法，顯示精華陶瓷製程經驗的掌握度，已具相當水準。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200318007","MainTitle":"古典少女持傘","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1972","Size":"11×8×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現一位身穿古典禮服精心打扮的少女，手持陽傘模樣嬌俏的裝飾陶瓷雕像。為精華藝術陶瓷公司於1972年所生產。這類裝飾陶瓷1960年代中葉才由日商引入臺灣，苗栗的精華公司成立於1970年為臺資企業，引入日本技術人才，培育自身技術與管理班底，是當時產業前鋒之一。\r\n 這類產品的生產，附著於歐美國家的禮品文化，原創設計多數來自國外，臺灣生產線為代工型態，細緻的瓷漿注入石膏模中成形，製作出細膩豐富的精緻細節，素燒後再以人工描畫上色彩與生動的五官表情，而後再次窯燒，過程高度倚賴大量人工和成熟經驗，這件雕像少女身姿造型鮮活生動、衣領仿製出鏤空蕾絲縐摺立體的繁複，衣飾與花朵的漸層上彩技法，顯示精華陶瓷製程經驗的掌握度，已具相當水準。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200318008","MainTitle":"古典少女手挽皮包","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1972","Size":"11×8×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現一位身穿古典禮服精心打扮的少女，手挽皮包模樣嬌俏的裝飾陶瓷雕像。為精華藝術陶瓷公司於1972年所生產。這類裝飾陶瓷1960年代中葉才由日商引入臺灣，苗栗的精華公司成立於1970年為臺資企業，引入日本技術人才，培育自身技術與管理班底，是當時產業前鋒之一。\r\n 這類產品的生產，附著於歐美國家的禮品文化，原創設計多數來自國外，臺灣生產線為代工型態，細緻的瓷漿注入石膏模中成形，製作出細膩豐富的精緻細節，素燒後再以人工描畫上色彩與生動的五官表情，而後再次窯燒，過程高度倚賴大量人工和成熟經驗，這件雕像少女身姿造型鮮活生動，尤其配合了手輕拉裙身掀起的大波浪，讓動態感十足；而衣領仿製出鏤空蕾絲縐摺立體的繁複，衣飾與花朵的漸層上彩技法，顯示精華陶瓷製程經驗的掌握度，已具相當水準。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200318009","MainTitle":"酒瓶系列：消防員","Creator":"其他-品牌商：J.P. Van Winkle & Son
其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1985","Size":"8×4.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷造型雕塑酒瓶以兩位一前一後的消防員救火形象為題。前方那位消防員臉上戴著消防面罩、護目鏡，手中握著滅火的水袋噴嘴，背後戴著氧氣筒；後方那位消防員露出面容，並沒有全副的裝備，他以右手搭在前者的肩上，協助握著消防水帶。背景是失火冒煙的房舍門面，以浮雕的方式呈現出門窗、磚牆、牆上的綠葉植物、右下角的火勢與上昇的煙，此門面的空間容積作為酒瓶容器的部分，上方有一個白色的瓶蓋。瓶身背面延續煙霧圖騰的浮雕，並且刻劃了一個方塊區域與一把火在上方，推測原是作為說明訂作此物件的源頭之處，但並沒有完成。底座前側浮雕著HARMONY字樣，但不確定是否為任何公司或主題而作。然而根據兩位消防員於此刻呈現的救火動作推測，或許是希望表現協調一致，意即HARMONY的精神特色。\r\n 底部的落款轉印文字已斑駁脫落，僅從部分的字體與網路上流傳的相同物件比對，得知此造型酒瓶是為肯塔基州的純波本威士忌所訂製，名稱為 Modern Firefighter #5 「5號現代消防員」。\r\n 陶瓷酒瓶以進口瓷土為原料，石膏模注漿成形複製後，黏接整修主體外的附件，檢查完整即進入窯中燒至1250-1280℃。根據裝飾陶瓷生產大廠的精華藝術陶瓷公司負責人林中光先生指出，造型酒瓶生產須確保無裂縫、不漏水，他利用空氣原理，使用氣壓計來測試；在酒瓶口外接氣壓錶，當瓶內灌滿空氣，氣壓錶指針指向容器液體公斤刻度後即不再下降，則表示瓶身無漏痕。(《苗栗裝飾陶瓷產業》p.33-34)。 (詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200318010","MainTitle":"酒瓶系列：亞利桑那州的查理牛仔","Creator":"設計者：Dug Picking
其他-品牌商：Arizona Charlie's Hotel & Casino
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"12.5×6×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷酒器的造型是一位牛仔表演者騎在馬上，背後襯以灌木綠葉。他身穿著小夾克外套、馬靴、臉上蓄鬍，留著一頭長髮披散及肩，馬兒是罕見的白馬，露著溫馴的眼神。底座上突出的字體 Arizona Charlie (亞利桑那州查理) 帶出此件造型酒瓶的主題，在整件作品的背後轉印著一段英文敘述，揭露出這位牛仔的身世(以下翻譯)：「1892年亞利桑那州的查理32歲，結束了精彩成功地巡迴表演，從遙遠的東方回到本地。他參與了知名的荒野西部秀，贏得了世界知名偉大馬術師的名聲。」這段記載的上方有著Arizona Charlie’s HOTEL & CASINO presents the“ARIZONA CHARLIE MEADOWS”decanter series的字樣，原來這是一家位於內華達州拉斯維加斯的賭場酒店，由Becker家族於1960年代蓋起保齡球館，後代Bruce Becker (在英文敘述牛仔查理的文段下方簽名) 擴建該地為賭場酒店，以這位知名的牛仔競技表演者「亞利桑那州的查理•米多斯」為名，並以他的形象作為店招。「亞利桑那州的查理賭場酒店」(Arizona Charlie’s HOTEL & CASINO) 於1988年開張，推測是為了慶祝賭場酒店開幕而訂製此陶瓷造型酒瓶器。\r\n 底座上突出的字體 Arizona Charlie字樣與背後轉印英文敘述上方的Arizona Charlie’s 字樣皆為商標標準字體，在現今美國內華達州原住址 (740 South Decatur- Las Vegas, NV 89107) 上的賭場酒店招牌上依然可見。牛仔查理的左手提起，手部狀似握著物件，推測應為牽馬的韁繩，但成品後並無裝置上。灌木綠葉上方截角處為瓶蓋，馬兒的左側與亞利桑那州查理的左腳隱沒在灌木叢中，屬於浮雕，因而成為酒瓶容積空間的一部分，馬頭、牛仔上身則成為主體脫模後再黏附上去的附件。底座下方無注漿口、無落款。\r\n 根據裝飾陶瓷生產大廠的精華藝術陶瓷公司負責人林中光先生指出，造型酒瓶生產須確保不漏水，他利用空氣原理，使用氣壓計來測試；在酒瓶口外接氣壓錶，當瓶內灌滿空氣，氣壓錶指針指向容器液體公斤刻度後即不再下降，則表示瓶身無漏痕。(《苗栗裝飾陶瓷產業》p.33-34)。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200318011","MainTitle":"和狗狗一同看書的小朋友","Creator":"設計者：Jenny Nyström
其他-品牌商：KALMAR LÄNS MUSEUM
其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1988","Size":"10.5×9×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 瑞典女畫家Jenny Nyström，筆下的插畫人物，金髮碧眼的小朋友和她的狗狗一同玩球、一同看書，小狗也模仿小主人的動作，似乎看書看得很專注的樣子，模樣非常逗趣。小孩手裡拿的書本，上排有SAG，下排有BOK的字樣。\r\n 這件玩偶作品應是貿易商為瑞典卡爾馬縣博物館所訂製的紀念商品。底部落款有一個戴帽子正在畫圖的圓形女性頭像圖形，正是Jenny Nyström。上排印有EFTER TECKNAD FOREBILD AV與JENNY NYSTRÖM，下排1854-1946與KALMAR LÄNS MUSEUM字樣。她是畫家，也以繪製聖誕節卡片插畫而知名。她所繪製的“小維克的平安夜冒險”甚至成為瑞典的聖誕的經典廣泛被印刷。Jenny Nyström1854年出生於卡爾馬縣（Kalmar）1946年去世，在卡爾馬縣博物館有她的常設展。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318012","MainTitle":"聖誕節情侶","Creator":"設計者：Debra K. Cosentino
其他-品牌商：Hamilton Gifts Limited
其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1991","Size":"12.5×12.5×23.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一對金髮的青年情侶愉快地在一起過聖誕節的情景。男士站在後面，身穿白襯衫，一套灰色的西裝，脖子上圍著一條綠色橫條紋的圍巾，隨風飄動。他的頭上戴著耳機，好像在聆聽聖誕歌曲的樣子，雙手摟住女士的細腰，狀極親密。女士穿著粉紅色的洋裝，外面穿著淺藍色的長袖大衣和連身的帽子，外緣都有白色毛絨滾邊，看得出是十分高貴的服飾。她的雙手插進飾有聖誕樹與緞帶的袖袋內保暖，緞帶隨風飄起，説明此時正吹著寒風。堆滿白雪的地上有兩隻小白兔偎倚在一起，相互取暖。旁邊有一棵聖誕樹，沾著雪花，上面棲著一隻小鳥，是一幅聖誕節的景色。下面的圓形臺座比較大，前面刻有「White Christmas」文字，器底可以裝上音樂盒。整件作品色調輕柔調和，頗具浪漫氣氛。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318013","MainTitle":"青年情侶","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1989","Size":"19.5×13×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主角是一對年輕的情侶，坐在一棵橫倒的樹幹上談心。女士穿著淡粉紅色長方領袖低胸上衣與長裙，右手拿著一朵鮮花，擱在腿上，面帶微笑。男士身穿淡綠色的長袖上衣與暗綠色的七分褲，披著橘紅色的披肩。他們的腳下有一籃鮮花，地上也散著幾朵。男士拿起一朵象徵愛情的玫瑰花，專注地插在女朋友的頭髮上，表現出兩個情侶的濃情蜜意。\r\n 作品由精華藝術陶瓷公司設計生產。精華公司成立時，與日本合資會社大榮通商技術合作，由日方派遣技術人員前來指導。1970年代日本陶瓷業因為工資上漲與通貨膨脹的影響，經營成本增加，經營不易，而此時的臺灣這種現象還不嚴重，因而日本業者紛紛轉到臺灣尋求合作的機會，精華公司就是在這種大環境背景之下成立的。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318014","MainTitle":"長椅上的少年男女小丑","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1988","Size":"14.5×11.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品主角為坐在公園長木椅上的一對年輕情侶。兩人的臉上都化妝成為紅圓鼻和紅嘴唇的小丑樣貌，但身上的服飾和一般常服相同，沒有刻意穿上寬大的小丑裝。女子表情有點呆滯，偏著頭，嘟著嘴，一臉不太高興。她有一頭金色的假髮，戴著淡綠色的寬邊圓頂帽，身上穿著白色T恤，外加連身的淺綠色無袖及膝裙裝，袖口和裙擺都有淡紫色的百褶裝飾，兩手放在腿上。男子頭上戴著橙色有帽緣的報童帽，身穿圓領長袖橫條紋的毛衣，褐色的七分褲，褐色球鞋。男子看著女子，臉上堆滿笑容，左手握著一個小袋子，右手拿著冰淇淋甜筒要給女子，好像是在哄她而賠不是的樣子。兩人中間有一隻兩腳站立的小狗，伸出舌頭，望著冰淇淋。一人生氣，一人陪笑的互動形成很有趣的畫面。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318015","MainTitle":"貴族男女椅上談天","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1993","Size":"15×12×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一對古典貴族男女坐在沙發上談天的情景。兩人的服飾穿著與配件打扮，流露濃厚的18世紀時尚風格，男性胸前配戴大片的蕾絲領，外套衣長過膝，下身穿著緊身褲外搭褲長至膝的寬鬆外褲；女性則是束腰金身上衣，衣領大開口，裙身寬大多層次，最外層岔開形成更誇張的皺褶篷起，裙面以小碎花圖紋裝飾。這些華麗誇張的時尚風潮，從法國向歐洲傳播，並讓衣飾成為上流社會炫耀財富階級的最佳手段之一。\r\n 從典藏登錄紀載得知，這是1993年由臺灣苗栗的精華藝術陶瓷公司所製造的裝飾陶瓷產品。裝飾陶瓷產業在1960年代中後期進駐臺灣，為歐美廣大的禮品市場進行代工製造，在1970-80年代為臺灣賺取豐厚的外匯，然而整體產業在1990年代開始因社會大環境的變化，進入衰退。由臺人創辦引入日本技術的精華陶瓷是當時產業前鋒之一。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200318016","MainTitle":"天使與嬰兒","Creator":"設計者：PCI
其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1991","Size":"15×12×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現天使輕哄嬰孩入睡場景的西洋裝飾陶瓷，由精華藝術陶瓷公司於1991年所生產。這類裝飾陶瓷1960年代中葉才由日商引入臺灣，苗栗的精華公司成立於1970年為台資企業，引入日本技術人才，培育自身技術與管理班底，是當時產業前鋒之一。\r\n 這類產品的生產，附著於歐美國家的禮品文化，原創設計多數來自國外，臺灣生產線為代工型態，細緻的瓷漿注入石膏模中成形，製作出細膩豐富的精緻細節，素燒後再以人工描畫上色彩與生動的五官表情，而後再次窯燒，過程高度倚賴大量人工和成熟經驗，尤其這件天使造型、動作姿態的空間關係相對複雜，嬰孩床褥細節也繁多，在在顯示精華在多年經驗下產品製作的成熟掌控。從底座底部的字樣註記可知，這是專為HOL公司所生產。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200318017","MainTitle":"皿/天使與嬰兒","Creator":"精華陶瓷","CreatedYear":"1990","Size":"18×18×2.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318018","MainTitle":"哥哥給妹妹說故事","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1989","Size":"15×11.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主人翁是年紀很小的兩個金髮兄妹一起在看故事書。哥哥坐在家中的皮革沙發椅上，穿著淺灰色質地柔軟的睡衣，膝上放著一本打開的書本，上面有圖有文。他的左手握著書本，右手指著圖文，雙眼注視著書本，微笑地跟妹妹講述書中的內容。妹妹穿著粉紅色的公主裝，右手抱著洋娃娃，左手擱在皮椅上，托著下巴，坐在旁邊的小蒲團上，聚精會神地聽著哥哥講故事，表現出溫馨的兄妹之情。作品中衣服的柔軟與沙發皮革的質感能如實表現其質感，刻畫十分生動。\r\n 本作品是精華藝術陶瓷公司所設計生產。該公司聘請日本技師小池伊佐雄等前來指導，由公司付給酬勞，不是臺日合資的工廠，因而本地的業主擁有充分的自主經營權，和丸利公司完全由日本母公司主控的模式不同。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318019","MainTitle":"小女孩照鏡子","Creator":"其他-品牌商：Enesco, LLC
其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1988","Size":"14×10×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一個小女孩照鏡子的模樣。小女孩有一副可愛的娃娃臉，身上穿著一件背心式無袖的粉紅色長袍衣，十分寬鬆，腰間繫著淺綠色的腰帶，腳上穿著高跟鞋。頭上戴著大人所用邊緣寬大的大圓帽，上面繫著粉紅色的帶結，整個小臉被遮了大半。她的右手撩起裙擺，露出小腿，左手高舉在頭部，騷首弄姿也看著前面的大鏡子。鏡子是長橢圓形，裝有真正的鏡面，上面繫著粉紅色的蝴蝶結。她看看自己的面容，態度很認真，一副小大人的俏皮模樣，讓人啼笑皆非。臺座很高，四周飾有浮雕的連續玫瑰花紋，裡面裝著音樂盒。\r\n 作品由美國Enesco公司設計，精華藝術陶瓷公司製造。臺灣從1960年代末期引進西洋玩偶，最早投入的工廠是新竹香山東方藝術陶瓷廠，精華則是首開苗栗的先例。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318020","MainTitle":"鈴：中國小孩/蓮蓬","Creator":"精華陶瓷","CreatedYear":"1984","Size":"7×7×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318021","MainTitle":"鈴：中國小孩/魚","Creator":"精華陶瓷","CreatedYear":"1984","Size":"7×7×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318022","MainTitle":"鈴：中國小孩/藍服、麥穗","Creator":"精華陶瓷","CreatedYear":"1984","Size":"7×7×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318023","MainTitle":"鈴：中國小孩/黃服、麥穗","Creator":"精華陶瓷","CreatedYear":"1984","Size":"7×7×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318024","MainTitle":"穿晚宴服女子/拉裙(音)","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1992","Size":"17×14×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位身穿現代晚宴服的曼妙女性。根據典藏登錄紀載，這是精華藝術陶瓷公司於1992年所生產。這類裝飾陶瓷在1960年代中葉才由日商引入臺灣，苗栗的精華公司成立於1970年，為臺資企業，引入日本技術人才，培育自身技術與管理班底，是當時產業前鋒之一。\r\n 這類產品的生產，附著於歐美國家的禮品文化，原創設計多數來自國外，臺灣生產線為代工型態，細緻的瓷漿注入石膏模中成形，製作出細膩豐富的精緻細節，素燒後再以人工描畫上色彩與生動的五官表情，而後再次窯燒，過程高度倚賴大量人工和成熟經驗，這件雕像的造型表現短髮俐落的女性，挽著裙襬帶有生動地轉身動態，形成圓裙飛舞如波浪，彷彿正置身舞會當中，沉醉於音樂和舞步裡。整體型態與彩繪，顯示精華陶瓷製程經驗的豐富。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200318025","MainTitle":"女孩與貓 (1)","Creator":"精華陶瓷","CreatedYear":"1985","Size":"9.5×7×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318026","MainTitle":"霍利•霍比（Holly Hobbie）","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1985","Size":"9.5×7×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 霍利•霍比（Holly Hobbie）娃娃是由本名為Denise Holly Ulinskas的美國作家、水彩畫家和插畫家所創造。角色設定為一個很喜愛貓咪的小女孩，總是穿著拼布衣，戴著藍色夏日涼帽（summer hat），最初是出現在聖誕節賀卡上的人物插畫，起先這個娃娃並沒有名字，大眾便以BLUE GIRL稱之，隨著這個角色愈來愈流行，Denise Holly Ulinskas便以自己的筆名「HOLLY HOBBIE」當作小女孩的名字延伸創作故事繪本。\r\n 1975年推出一系列的布娃娃，之後推出包括陶瓷在內的周邊商品。作品底部標示設計師款Designer Collection，製造商是以手工陶瓷知名，位於美國俄亥俄州克里夫蘭的WWA PORCELAIN。產地標註中華民國MADE IN THE REPUBLIC OF CHINA的字樣。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318027","MainTitle":"影星、名模瑪麗蓮夢露","Creator":"其他-原型開發：張玉貞(精華藝術陶瓷股份有限公司)
其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1986","Size":"10.5×14×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主角是影星、名模瑪麗蓮夢露(Marilyn Monroe, 1926-1962)。她一頭金髮，一對大眼睛，塗上濃胭脂的性感紅嘴唇，左唇邊有一顆黑痣，是她的特徵之一。她穿著一件低胸無袖的洋裝，露出一雙修長的美腿，坐在凳子上，姿態撩人，充分表現出她性感迷人的火辣身材，是當時流行文化的代表。\r\n 作品由精華藝術陶瓷公司所生產。苗栗的丸利公司的作品都由日本母公司設計原型，製作模具後，交由臺灣丸利公司依樣代工，無法從事開發的工作。精華的經營模式不同，自主性很強，公司培養了幾位雕刻師，負責開發原型。雕刻師依照貿易公司的需求開發原型，再開發模具，投入生產，本作品就是由精華的雕塑師張玉貞開發出來的原型。精華努力培養在地的原型師，對於產業的在地化貢獻很大。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318028","MainTitle":"艶星瑪麗蓮夢露","Creator":"其他-原型開發：張玉貞(精華藝術陶瓷股份有限公司)
其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1986","Size":"11×14.5×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 作品的主角是1950年代美國性感影星、名模瑪麗蓮夢露的系列作品之一。她有一頭金髮，鬈燙成波紋狀。她的頭部偏向左邊，張著一對大眼睛，紅嘴唇略帶微笑，左唇邊有一顆黑痣。她穿著一件低胸無袖的洋裝，領口與袖口都飾有荷葉邊，半露酥胸。她坐在凳子上，右手橫在胸前，大衣敞開，露出一雙美腿，充分表現她性感的火辣身材。它與另一件作品的造型幾乎完全相同，只有頭髮有直髮與鬈髮的不同而已。作品出於精華公司原型設計師張玉貞的設計與雕刻。\r\n 1970年代西洋玩偶由日本轉移到苗栗代工生產，主要著眼於當地的出礦坑蘊藏豐富的天然瓦斯。當地從日本時代即開始使用天然瓦斯，具有豐富的經驗，很適合作為燒製瓷器的燃料生產，是發展西洋玩偶重要的物質條件。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318029","MainTitle":"黑衣立姿瑪麗蓮夢露","Creator":"其他-原型開發：張玉貞(精華藝術陶瓷股份有限公司)
其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1986","Size":"10×9.5×24.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 作品的主角是1950年代美國性感影星瑪麗蓮夢露(Marilyn Monroe)的作品系列之一。她有一頭金髮，鬈燙成波紋狀。她採立姿，凸顯她高桃苗條的身材。她身穿一套連身魚尾長黑色禮服，無袖，低胸，露出小腿。她的左手下垂，觸著腿部，右手平舉上彎，作撩髮狀。她的頭部略向右偏，雙眼平視遠方，紅唇帶著微笑，薄施顋紅，左唇邊有她特有的一顆黑痣，充分表現出她性感迷人的魅力。作品出於精華公司所培養出來的優秀原型雕刻師之一的張玉貞之手。\r\n 坏體完成後，裝入梭窯，以天然瓦斯為燃料，高溫燒製。天然瓦斯清潔，燒成溫度高，操作方便。苗栗從日本時代已經開始使用，是臺灣最早使用天然瓦斯燒製陶瓷的地方。只是過去使用的是傳統的登窯，如今使用的是現代的梭窯，進入全新的發展時代。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318030","MainTitle":"刺繡婦女","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1987","Size":"8.5×9×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 穿著澎澎裙的婦女，手拿著圓形刺繡框，專心刺繡的神情，小貓咪依偎在主人身邊撒嬌。\r\n 本作品是由美國知名作家、水彩畫家和插畫家Holly Hobbie（本名Denise Holly Ulinskas）所創造的人物，故事背景以她和她的孩子，以及舊時代的新英格蘭鄉村為基調，在她的插畫作品裡，常見女性角色從事著針線、刺繡、紡織的家事，顯現出嫻靜的氣質。\r\n 作品底部有以羅馬數字MCMLXXIV表示1974年。Holly Hobbie曾以特約作家任職於位於美國美國俄亥俄州克里夫蘭的American Greetings的Humorous Planning department部門，而1974與1975年正是這家公司開始推出Holly Hobbie系列周邊商品的重要年代。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318031","MainTitle":"男孩與鵝(幸福的漢斯)","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1987","Size":"6.5×5.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 童話中，有一個「幸福的漢斯」的故事：漢斯為了趕路回家看媽媽，沿路用女主人給她的金塊，換了馬，馬換了豬，又用豬換了鵝，最後終於一無所有。對許多人而言，應該是他年紀小被人欺負，每次交換都受騙上當了。但對漢斯而言，每次交易，他都非常開心，也依然樂觀愉快。能夠保持一顆純真快樂的心靈，這實在是別人所無法奪走的寶藏，也是斤斤計較的營私者所無法擁有的財富。\r\n 這件玩偶，簡單來看就是一個帶著農夫帽的小男孩，帶著小木桶要餵鵝，小白鵝黏著他討食物。可能是童話「幸福的漢斯」裡的一個情節，或是看到這個可愛純潔表情的小男孩和一隻鵝，就會聯想到「幸福的漢斯」的童話故事給我們的啟示。\r\n 「精華藝術陶瓷股份有限公司」早期都接美國客戶的訂單，喜歡無光樸素的質感，因此釉色要特別添加20%的消光劑，繪彩也分三段完成：(1)水性顏彩，畫五官膚色、(2)油彩，畫衣服等配件、(3)噴釉，局部加強，例如臉頰。造型風格也趨於可愛卡通風格。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318032","MainTitle":"托腮女孩","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1977","Size":"6×5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 卡通造型的小女孩托腮的表情似乎在幻想著美好的事情，心情愉快地做白日夢，小狗在一旁撒嬌，打翻了她的竹籃子，蘋果傾倒掉出來。有一種美好的瞬間戛然而止的感覺。「精華藝術陶瓷股份有限公司」早期都接美國客戶的訂單，喜歡無光樸素的質感，因此釉色要特別添加20%的消光劑，繪彩也分三段完成：(1)水性顏彩，畫五官膚色、(2)油彩，畫衣服等配件、(3)噴釉，局部加強，例如臉頰。造型風格也趨於可愛卡通風格。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318033","MainTitle":"玩彈弓的小男孩和貓與鳥","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1977","Size":"5×4.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 調皮可愛的小男孩，口袋放著彈弓，暗示著剛結束打彈弓的遊戲，貓和小鳥都是他的好朋友。貓咪靠著小男孩的腳邊撒嬌，鳥兒停駐在他頭上。這件男孩玩偶與另一件抓蝴蝶的女孩，應屬同一系列的產品。有趣的是，彈弓應該是打小鳥，小鳥卻飛來停在他頭上，網子應該是抓蝴蝶的，蝴蝶卻停在小女孩頭上。似乎另有寓意在其中。\r\n 「精華藝術陶瓷股份有限公司」早期都接美國客戶的訂單，喜歡無光樸素的質感，因此釉色要特別添加20%的消光劑。造型風格也趨於卡通可愛。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318034","MainTitle":"抓蝴蝶女孩與小狗","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1977","Size":"5.5×4.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 小女孩拿著網子玩著抓蝴蝶遊戲，蝴蝶反而停在她的頭髮上，小白狗也跟著玩。\r\n 這件人偶應該是與200318033「玩彈弓的小男孩和貓與鳥」同屬一個系列。小男孩玩彈弓應該是要打小鳥，小鳥反而停在他頭上﹔小女孩拿網子要抓蝴蝶，蝴蝶反而停在女孩頭上。小孩和小動物之間的關係是一同嬉戲的好朋友，還是另有寓意在其中。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318035","MainTitle":"相框/前一朵花","Creator":"精華陶瓷","CreatedYear":"1988","Size":"9×5.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318036","MainTitle":"相框/前二朵花","Creator":"精華陶瓷","CreatedYear":"1988","Size":"9×5.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318037","MainTitle":"獨角馬與小孩/打鼓","Creator":"精華陶瓷","CreatedYear":"1987","Size":"8.5×3×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318038","MainTitle":"雪地合唱的好朋友(音)","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1987","Size":"13×11×16.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 兩位小女孩站在雪地裡，拿著寫著SONG BOOK的歌譜合唱著，寒風吹來圍巾飄動，卻無減她們高歌的熱情，雪地下的音樂盒，發出優美的旋律，搭配主題，就連小貓與小鳥也陶醉在音樂中。這應該是一件聖誕節推出的禮品。\r\n 被風吹動的圍巾，呈現水平的狀態，在分片與黏接製作是難度頗高的工藝，顯示設計的功力。在陶瓷窯燒技術上是個高難度的挑戰。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318039","MainTitle":"撐傘的比利小男孩和小狗布偶/ Let Love Reign/Billie Bumps和Frisky Fido","Creator":"設計者：Grace Drayton
其他-品牌商：House of Global Art
其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1986","Size":"10×12×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 人物造型設計的作者是一位女性漫畫家Grace Drayton，她被認為是美國最早和最成功的女性漫畫家之一。\r\n Dolly Dingle漫畫系列，有許多周邊商品，還出過紙娃娃。這個1986年由House of Global Art所註冊開發的Dolly Dingle陶瓷系列商品。小男孩Billie Bumps是一個漫畫角色，撐著傘，帶著小狗玩偶，小狗布偶的名字為Frisky Fido，站在一個心型的平台上。以”Let Love Reign”為名。\r\n 這個造型在立體的陶瓷生產上有難度，開模需要許多專業技巧，不可能一次注漿完成，特別是雨傘的部分，應該是有不同的組件黏接而成。\r\n 「精華藝術陶瓷股份有限公司」早期都接美國客戶的訂單，喜歡無光樸素的質感，因此釉色要特別添加20%的消光劑。造型風格也趨於卡通可愛。繪彩的部分，顏彩為水性色釉，光是顏彩一個桌子有3-5人，每一個人獨力完成一個顏色，眼睛、眉毛、嘴巴、膚色。這件作品的顏彩顏色應有四人，畫工細緻。接著再由油彩的部門畫上衣服、配件、裝飾品。同樣色釉都加了消光劑，讓整件作品看起來非常素樸。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318040","MainTitle":"小女僕與狗(音)","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1988","Size":"9×9×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 帶著高帽，正在擦拭盤子的小女僕，小心翼翼地在工作，旁邊有可愛的小狗為伴。底座是音樂盒設計。\r\n 台座的釉色有點脫落，代表黏著劑不夠均勻或是溫度燒成不佳，造成顏色脫落。繪彩分：顏彩、油彩、噴釉三段進行，最後再以730-750℃燒結。若是出窯後品檢，色彩脫落，會立刻被打碎掉。這件娃娃應該是年代時間久了，因碰觸摩擦才造成顏色脫落。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318041","MainTitle":"小孩系列：小女孩與小白兔","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1984","Size":"8×5.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 故事人物小女孩跪在草地上似乎和小白兔在聊天。臉部嬌小玲瓏可愛，頭部帽子特別誇大的卡通造型。\r\n 「精華藝術陶瓷股份有限公司」早期都接美國客戶的訂單，喜歡無光樸素的質感，因此釉色要特別添加20%的消光劑，繪彩也分三段完成：(1)水性顏彩，畫五官膚色、(2)油彩，畫衣服等配件、(3)噴釉，局部加強，例如臉頰。造型風格也趨於可愛卡通風格。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318042","MainTitle":"小孩系列：持喇叭的小女孩與小鳥","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1984","Size":"8×6×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 手拿著小喇叭的小女孩與一隻停在木樁上的小鳥，彷彿在合奏著美妙的音樂\r\n\r\n 「精華藝術陶瓷股份有限公司」早期都接美國客戶的訂單，喜歡無光樸素的質感，因此釉色要特別添加20%的消光劑，繪彩也分三段完成：(1)水性顏彩，畫五官、膚色、(2)油彩，畫衣服等配件、(3)噴釉，局部加強，例如臉頰。造型風格也趨於可愛卡通風格。\r\n 第一次燒高溫1260-1280℃白色瓷胚，第二次燒730℃低溫色釉，因無亮面，表面也不施透明釉。業者稱為「無釉全瓷」，但為了避免誤解，在此文本說明，「精華」的裝飾陶瓷，大多數為高溫瓷胎、低溫色釉二度燒，也不是釉下彩，也不是釉上彩。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318043","MainTitle":"小孩系列：抱著花籃的金髮女孩","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1989","Size":"6.5×5.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 長相甜美的金髮女孩，抱著花籃(水果禮物)，盛裝打扮，淑女般地坐在小圍牆上似乎在等著心儀的人出現，連小貓也精心打扮，貼心地依偎在女主人身旁。\r\n 精華藝術陶瓷股份有限公司的產品，大多數為高溫瓷胎、低溫色釉二度燒，也不是釉下彩，也不是釉上彩。第一次燒高溫1260-1280℃白色瓷胚，第二次燒730℃低溫色釉，因無亮面，表面也不施透明釉。業者稱為「無釉全瓷」，但為了避免誤解，在此文本說明不使用「無釉全瓷」。\r\n 底座有毛筆手寫的78年.元.18。意味著民國78年元月18日製造出品，或交貨日期。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318044","MainTitle":"小孩系列：聖誕女","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1984","Size":"7×6.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一個小女孩過聖誕節的情景。小女孩面貌清秀可愛，一頭金髮披肩，面帶微笑，眼睛直視前方。她身穿小圓領紅色連身洋裝，外面加一件白色的圍裙，帶子繫在腰間，在背後打蝴蝶結，頭上帶著飾有白邊的紅色聖誕老人帽，帽緣飾有聖誕紅的花葉。雙手抱著綠衣洋娃娃在胸前，表情十分寧靜安詳，表現出一幅過聖誕節的氣氛。\r\n 西洋玩偶的種類很多，就功能而言，可分為純擺飾與酒瓶兩大類。就造型而言，主要有人物與動物兩大類。其中人物類可依年齡分為嬰兒、兒童、青少年、成人到老人，本作品屬於人物類小女孩擺飾瓷偶。聖誕節是西洋最重要的節慶，每個家庭都需要這類題材的作品作為擺飾，成為西洋玩偶常見的大宗產品，這件作品就屬於這類應景的玩偶。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200318045","MainTitle":"小農夫系列-Matt與小豬","Creator":"創作者：Denise Jacobs
其他-品牌商：Trusted Media Brands, Inc
其他-代工：正大藝品股份有限公司","CreatedYear":"1983","Size":"5×4.7×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 正大藝品公司受委託製作的「小農夫」系列產品之一，本件是一位穿著藍色工作服，戴著橙色棒球帽的小男孩Matt，正在觀看兩隻小豬的溫馨畫面。頭頂有加裝吊繩，可以當吊飾，也可以立著當擺飾。\r\n 小農夫系列起源於一張雙胞胎的照片，1978年由母親拍攝。當時他們只有18個月大，穿著美國童裝OshKosh品牌，橙帽的小男孩叫Matt，藍帽的小男孩叫Chris。1982年，鄉村類型雜誌《Country Kids》發行人Roy Reiman與之接洽後照片被印製成海報，海報的標題寫上：You been farming long?因此廣受歡迎。Roy Reiman並開發了一系列的周邊商品，稱為小農夫系列，包括撲克牌、小雕像、鹽和胡椒罐、瓷娃娃，後來因為有些版權糾紛而停產。\r\n 這件產品並沒有印上商標，因此只能猜測為1980年代所製作。帽子上沒有LITTLE SLUGGER字樣，小豬的造型也和同款有LOGO的產品略有出入。手寫字2003-01-045為採購年代及編碼。\r\n 「正大藝品股份有限公司」接三芳貿易公司的美國客戶訂單，喜歡無光樸素的質感，因此釉色要特別添加20%的消光劑。繪彩也分三段完成(1)水性顏彩：以水加牛皮膠調和，畫五官、(2)油彩：以松節油加凡立水調和，畫衣服、皮膚等配件、(3)噴彩：局部加強，例如臉頰。牛仔褲吊帶上的扣環為燒製完成後，再以金水繪製，呈現金屬銅釦的質感。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318046","MainTitle":"小農夫系列-女孩與貓","Creator":"創作者：Denise Jacobs
其他-品牌商：Trusted Media Brands, Inc
其他-代工：正大藝品股份有限公司","CreatedYear":"1983","Size":"4.5×4.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件是一位穿著藍色工作服的金髮小女孩，正觀看兩隻小貓在牛奶罐玩耍的可愛畫面。頭頂有加裝吊繩，可以當吊飾，也可以立著當擺飾。\r\n 小農夫系列起源於一張雙胞胎Matt和Chris的照片，1978年由母親拍攝。當時他們只有18個月大，1982年，鄉村類型雜誌《Country Kids》發行人Roy Reiman與之接洽後照片被印製成海報廣受歡迎。並開發了一系列的周邊商品，稱為小農夫系列，包括撲克牌、小雕像、胡椒罐、瓷娃娃，後來因為有些版權糾紛而停產。這位小女孩有時單獨出現，有時與雙胞胎中之一共同出現，應該是他們的玩伴，或是姊妹之類的角色。\r\n 正大藝品公司受委託製作的「Little Farmers小農夫」系列產品之一。但這件產品並沒有印上商標，因此只能猜測為1980年代所製作。小貓的造型、底座式樣也和同款有LOGO的產品略有出入。手寫字2003-01-046為採購年代及編碼。\r\n 「正大藝品股份有限公司」接三芳貿易公司的美國客戶訂單，喜歡無光樸素的質感，因此釉色要特別添加20%的消光劑。繪彩也分三段完成(1)水性顏彩：以水加牛皮膠調和，畫五官、(2)油彩：松節油加凡立水調和，畫衣服、皮膚等配件掃白、(3)噴彩：局部加強，例如臉頰。牛仔褲吊帶上的扣環是燒製完畢再用金水繪製，呈現金屬銅釦的質感。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318047","MainTitle":"小農夫系列-Matt餵小羊喝奶","Creator":"創作者：Denise Jacobs
其他-品牌商：Trusted Media Brands, Inc
其他-代工：正大藝品股份有限公司","CreatedYear":"1983","Size":"5×5×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 正大藝品公司受委託製作的「小農夫」系列產品之一，穿著藍色工作服，戴著橙色棒球帽的小農夫Matt，正拿著奶瓶幫忙餵小羊。帽子上有LITTLE SLUGGER強打者字樣，代表小農夫非常努力。LOGO的字樣為燒製成品後，再使用貼上「免燒貼紙」的加工技術。\r\n 小農夫系列起源於一張雙胞胎照片，1978年由母親拍攝。當時他們只有18個月大，穿著美國童裝OshKosh品牌，橙帽的小男孩叫Matt，藍帽的小男孩叫Chris。1982年，鄉村類型雜誌《Country Kids》發行人Roy Reiman與之接洽後照片被印製成海報，因此廣受歡迎。Roy Reiman並開發了一系列的周邊商品，後來因為有些版權糾紛而停產。\r\n 這件產品並沒有印上商標，因此只能猜測為1980年代所製作。和有LOGO的同款商品略有出入，沒有土黃色底座。手寫字2003-01-047為採購年代及編碼。\r\n 正大藝品公司接三芳貿易公司的美國客戶訂單，喜歡無光樸素的質感，因此釉色要特別添加20%的消光劑。繪彩也分三段完成(1) 水性顏彩：以水加牛皮膠調和，畫五官、(2)油彩：松節油加凡立水調和，畫衣服、皮膚等配件掃白、(3)噴彩：局部加強，例如臉頰。牛仔褲吊帶上的扣環是燒製完畢再用金水繪製，呈現金屬銅釦的質感。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318048","MainTitle":"小農夫系列-你在推還是拉?","Creator":"創作者：Denise Jacobs
其他-品牌商：Trusted Media Brands, Inc
其他-代工：正大藝品股份有限公司","CreatedYear":"1983","Size":"26.7×9×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 正大藝品公司受委託製作的「小農夫」系列產品之一，本件是一對穿著藍色工作服的雙胞胎小兄弟，戴著橙色棒球帽的Matt，與藍色棒球帽的Chris正推著小推車幫忙運送小牛。底座刻有“You pushin’ or pullin’ back there?”字樣(你在推還是拉？)。意味雙胞胎兄弟偶有意見不合，小有爭執的有趣畫面。帽子上有LITTLE SLUGGER強打者字樣，代表小農夫是非常努力的人。LOGO的字樣為燒製成品後，再使用貼上「免燒貼紙」的加工技術製成。\r\n 小農夫系列起源於一張雙胞胎Matt和Chris的照片，1978年由母親拍攝。當時他們只有18個月大，穿著美國童裝OshKosh品牌，橙帽的小男孩叫Matt，藍帽的小男孩叫Chris。1982年，鄉村類型雜誌《Country Kids》發行人Roy Reiman與之接洽後照片被印製成海報，海報的標題寫上You been farming long?因此廣受歡迎。Roy Reiman並開發了一系列的周邊商品，包括撲克牌、小雕像、胡椒罐、瓷娃娃，稱為小農夫系列，後來因為有些版權糾紛而停產。\r\n 底部印有LIMITED EDITION 限量版和COUNTRY STORE™的LOGO。還有Greendale Wisconsin：威斯康辛州格林代爾村莊，Little Farmers. ™小農夫商標，Jacobs(為小農夫系列主角Matt和Chris的姓氏)1983年製造。\r\n 「正大藝品股份有限公司」早期接三芳貿易公司的美國客戶訂單，喜歡無光樸素的質感，因此釉色要特別添加20%的消光劑。繪彩也分三段完成(1)水性顏彩(水+牛皮膠調和)，畫五官、(2)油彩(松節油+凡立水調和)，畫衣服、皮膚等配件。小牛的毛色使用側筆沾香蕉水的「掃白」技法做出毛髮效果、(3)噴彩，局部加強，例如臉頰。燒製完成後，再以金水繪上牛仔褲扣環，呈現銅金屬的質感。推車及輪框的紅色則使用陶瓷專用漆上色。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318049","MainTitle":"持氣球小丑","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1986","Size":"9×6×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主角是一位面容憂鬱的小丑。他是真有其人，名叫Emmett Leo Kelly(1898-1979)，是美國馬戲團演員，1930年代大蕭條時期，創造了流浪漢的形象「疲憊的威利(Weary Willie)」，使他成為美國家喻戶曉的小丑。藝術家根據有關的刊物照片資料，設計出Kelly的一系列流浪漢作品，這是其中的一件。他的頭上戴著假髮，一頂寬邊圓頂帽。白臉上有顆紅鼻子，嘴邊四周有大把鬍鬚，白色大嘴唇的嘴角往下彎，配上蹙著眉頭的眼睛，表現憂鬱的心情。他穿著淺綠襯衫，打著一寬鬆的紅領帶，一條黑長褲，加上一件皮外套。他的衣衫襤褸，外套與長褲上有許多破洞或補丁，十足的流浪漢形象，說明他的生活十分貧困。他右手拿著紅黃藍三色氣球，準備賣出，討個生活。他的神情表現得十分疲憊，一臉無奈的表情，讓人心生疼惜。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318050","MainTitle":"小精靈/刀叉","Creator":"精華陶瓷","CreatedYear":"1983","Size":"4.5×5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318051","MainTitle":"藍衣女精靈/胸花疏","Creator":"精華陶瓷","CreatedYear":"1988","Size":"9×6×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318052","MainTitle":"藍衣女精靈/胸花密","Creator":"精華陶瓷","CreatedYear":"1988","Size":"9.5×6.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318053","MainTitle":"綠衣女精靈/立(小)","Creator":"精華陶瓷","CreatedYear":"1988","Size":"10.5×5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318054","MainTitle":"戴花小天使/手指套(小)","Creator":"精華陶瓷","CreatedYear":"1985","Size":"2.7×2.7×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318055","MainTitle":"喜姆男拖車/流浪","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1975","Size":"15×6×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件作品造型較為複雜，描繪一個男童扮演流浪者的角色。男童脖子繫著領巾，穿著淺綠色長袖上衣，黑長褲，褐色皮鞋。他有一頭金髮，一雙大眼，臉色紅潤，頭部朝右看，張開嘴巴快樂地唱歌，大步向前走。他的背後揹著一只包包，裡面裝著一隻褐毛的小狗，小狗張開嘴，對著小四輪車上的公雞。男童雙手背在後面，拖著四輪木車，車上有個小行李袋，裝著他的棉被與蓆子之類的家當，小雞就站在行李上。一副要帶著心愛的寶貝到外面流浪的樣子。作品分為人物與拖車兩大部分，上面各有一些小配件。苗栗的西洋玩偶都以鑄漿成形技術製作，大量生產，以供外銷。這件作品主題做好之後，再組合小雞、小狗之類的零配件，高溫素燒後，再以人工彩繪而成。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200318056","MainTitle":"男布娃娃","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1988","Size":"11×7×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" Raggedy Andy是由美國政治漫畫家、童書和漫畫作家Johnny Gruelle(1880～1938)所創造出來的角色，出版系列童書。Raggedy Andy和Raggedy Ann兩位角色一男一女，特徵是他們的頭髮是由紅色毛線所作的，鼻子是紅色的三角形。\r\n 這件Raggedy Andy男布娃娃抱著Raggedy Ann女布娃娃以裝飾陶瓷的材質和技法製作「布偶」另一種材質，這樣的創意構想的確讓人眼睛為之一亮。特別是兩個主角都是布娃娃，男主角擬人化成真人主角，扮演著玩布娃娃的角色，另一女主角變成他手上的”真”玩偶。\r\n 業者在底部有9632A編號以及77.9.8年代。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318057","MainTitle":"女布娃娃","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1988","Size":"9×8×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" Raggedy Ann是由美國政治漫畫家、童書和漫畫作家Johnny Gruelle(1880～1938)所創造出來的角色，出版系列童書。Raggedy Ann為女生，Raggedy Andy為男生，角色特徵是他們的頭髮是由紅色毛線所作的，鼻子是紅色的三角形。也出布偶周邊商品。\r\n 這件Raggedy Ann女布娃娃抱著Raggedy Andy男布娃娃是以裝飾陶瓷的材質和技法製作「布偶」材質的感覺，這樣的創意構想的確讓人眼睛為之一亮。特別是兩個主角都是布娃娃，女主角彷彿變成真人，扮演著玩布娃娃的角色，另一男主角變成她手上的”真”玩偶。\r\n 廠商在底部手寫77.9.8 以及9632B字樣。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318058","MainTitle":"郊遊父子/松鼠付","Creator":"精華陶瓷","CreatedYear":"1991","Size":"15×12.5×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318059","MainTitle":"喜姆男(1)/稍胖","Creator":"精華陶瓷","CreatedYear":"1975","Size":"5×5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318060","MainTitle":"快樂的男孩","Creator":"設計者：Berta Hummel
其他-品牌商：Schmid Brothers, Inc
其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1975","Size":"5×5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品為喜姆娃娃系列作品之一。主角是一個小男孩，長得胖胖可愛的。他穿著一件白色上衣，脖子圍上一條紅色領巾，褐色短褲，外加一件綠色的夾克。戴著帽子，上面有扣環，穿有繩子，可以吊掛。雙腳穿襪子與皮鞋。他的臉型較圓，雙眼明亮，嘴巴張著，好像在唱歌一般，長相十分天真。他抬著頭，看著右上方的遠處。他的雙手插在口袋裡，站在地上，一副瀟灑的神情。\r\n 從底款「A Reproduction by SCHMID of a statuette designed by Berta Hummel」知道作品是出自Berta Hummel(1909-1946)的手稿而做的設計。這位藝術家是個修女，所設計這套娃娃表現出一副天真快樂古怪精靈的樣子，具有其宗教義涵。這件作品是德國Schmid公司的訂單，經由三芳貿易公司的介紹，由精華藝術陶瓷公司生產。這是很著名的作品，在歐洲很受歡迎。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318061","MainTitle":"手持小喇叭的小男孩","Creator":"設計者：Berta Hummel
其他-品牌商：Schmid Brothers, Inc.
其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1975","Size":"5×5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品為喜姆娃娃系列作品之一。主角是一個胖胖可愛的小男孩，穿著白色上衣，脖子圍上打了蝴蝶結的紅色領巾，褐色短吊帶褲，一件綠色的夾克。頭髮金黃色，沒有戴帽，上面有扣環，穿有一條繩子，作為吊飾。腳上穿著長筒襪與皮鞋。他抬著頭，雙眼大而明亮看著遠方，臉頰紅潤，張著嘴巴唱歌，長相十分天真無邪。他的左手插進口袋裡，右手拿著喇叭，靠在腰際，站在地上，神情顯得相當愉快。作品具有寫實風格，但沒有刻意描繪細節，兼具漫畫式的表現，很能得到青少年的喜愛。\r\n 器底有印款：「A Reproduction by SCHMID of a statuette designed by Berta Hummel」。從中知道最初的設計者是Berta Hummel(1909-1946)，這位藝術家是個修女，所設計這套娃娃表現出一副天真快樂古怪精靈的樣子，具有其宗教義涵。這件作品是德國Schmid公司的訂單，經由三芳貿易公司的介紹，由精華藝術陶瓷公司生產。這是很著名的作品，在歐洲很受歡迎。SCHMID公司這類產品往往有幾個版本，這件作品屬於第一版。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318062","MainTitle":"中國版耶穌誕生","Creator":"其他-品牌商：林氏陶藝
設計者：鄭鴻昌
設計者：張修然
設計者：張昆","CreatedYear":"1987","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本組作品200318062〈中國版耶穌誕生〉屬於可愛版的裝飾陶瓷，主要是在描述聖經故事裏耶穌誕生時以布包著臥在馬槽有雙親陪伴，旁邊跪姿者是耶穌的親生母親聖母馬利亞；半跪姿者是木匠約瑟，之後成為耶穌的養父。\r\n 以上作品是根據《新約聖經》中的《馬太福音》第一章第18節和第二章第11節及《路加福音》第二章第1~20節等故事情節進行創作；作者共有三位：鄭鴻昌（原稿構圖、彩繪師）、張修然（定稿設計師）及張昆（原形雕塑師）等，發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 以上系列作品係由臺灣林氏陶瓷公司原創設計生產，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用，特別是容易被小朋友接受。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200318063","MainTitle":"中國嬰戲圖/大刀持","Creator":"其他-品牌：林氏陶瓷","CreatedYear":"1987","Size":"12×7.5×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這組嬰戲陶偶，是以中國古代小孩的形象，去設計兒童傳統童玩－有騎木馬、拉孔明車、打陀螺、玩炮竹、耍關刀以及玩彈珠等六種。\r\n 底部印有「林氏陶瓷」的品牌，並設計以林為符號的商標。1980年代，裝飾陶瓷產業從西洋人物造型，到技術成熟，開始開發東方臉孔的中國小孩，並且逐步走向獨立設計，以及品牌的開發與經營。陶瓷玩偶眼睛的繪製功力，以及臉部皮膚的色澤，可以看出工藝的精巧細緻。\r\n 此件嬰戲陶偶由臺灣設計師與技師合作，陶偶的臉部素淨圓潤，肢體動作生動，人偶所拿關刀，使用接合的方式，非一體成形，使用黑、白、橙、綠、淡青、黃、灰、土黃等釉色在不同部位。高溫瓷、低溫(消光)色釉、二度燒。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318064","MainTitle":"中國嬰戲圖/陀螺","Creator":"其他-品牌：林氏陶瓷","CreatedYear":"1987","Size":"12×7.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這組嬰戲陶偶，是以中國古代小孩的形象，去設計兒童傳統童玩－有騎木馬、拉孔明車、打陀螺、玩炮竹、耍關刀以及玩彈珠等六種。因老闆姓林，所以以「林氏陶瓷」為品牌，並設計以林為符號的商標。1980年代，裝飾陶瓷產業從西洋人物造型，到技術成熟，開始開發東方臉孔的中國小孩，並且逐步走向獨立設計，品牌的開發與經營。\r\n 此件嬰戲陶偶由臺灣設計師與技師合作，陶偶的臉部素淨圓潤，肢體動作生動，小孩子拉著繩子打陀螺，使勁要讓陀螺旋轉，白色北京犬也在一旁戲戲，共使用黑、白、橙、水藍、灰、褐等釉色在不同部位。陶瓷玩偶眼睛的繪製功力，以及臉部皮膚的色澤，可以看出工藝的精巧細緻。高溫瓷胎，低溫(消光)色釉。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318065","MainTitle":"中國嬰戲圖/騎木馬","Creator":"其他-品牌：林氏陶瓷","CreatedYear":"1987","Size":"12×7.5×15.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這組嬰戲陶偶，是以中國古代小孩的形象，去設計兒童傳統童玩－有騎木馬、拉孔明車、打陀螺、玩炮竹、耍關刀以及玩彈珠等六種。因老闆姓林，所以以「林氏陶瓷」為品牌，並設計以林為符號的商標。1980年代，裝飾陶瓷產業從接受西洋人物造型的外銷訂單，到技術成熟，開始自行開發東方臉孔的中國小孩，並且逐步走向獨立設計，以及品牌的開發與經營。\r\n 此件嬰戲陶偶由臺灣設計師與技師合作，陶偶的臉部素淨圓潤，肢體動作生動，陶偶所騎的木馬與小鞭等配件，以接合的方式完成，呈現出騎木馬的快樂與奔放，共使用黑、白、橙、綠、藍綠、淺褐、海藍、深褐等釉色在不同部位。本產品的特色為瓷胎燒至1280℃高溫，再以加消光劑的色釉，低溫730℃二度燒成，表現無光素雅的趣味。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318066","MainTitle":"中國嬰戲圖/玩彈珠","Creator":"其他-品牌：林氏陶瓷","CreatedYear":"1987","Size":"12×8×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這組嬰戲陶偶，是以中國古代小孩的形象，去設計兒童傳統童玩－有騎木馬、拉孔明車、打陀螺、玩炮竹、耍關刀以及玩彈珠等六種。因老闆姓林，所以以「林氏陶瓷」為品牌，並設計以林為符號的商標。1980年代，裝飾陶瓷產業從接受西洋人物造型的外銷訂單，到技術成熟，開始自行開發東方臉孔的中國小孩，並且逐步走向獨立設計，以及品牌的開發與經營。\r\n 此件嬰戲陶偶由臺灣技師創作，陶偶的臉部較為素淨圓潤，肢體動作生動，是陶偶中唯一蹲姿，拿著彈珠正聚精會神瞄準其他彈珠，饒富趣味，共使用黑、白、橙、褐、黃、灰、綠等釉色在不同部位。本產品的特色為瓷胎燒至1280℃高溫，再以加消光劑的色釉，低溫730℃二度燒成，表現無光素雅的趣味。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318067","MainTitle":"金髮女孩與貴賓狗","Creator":"創作者：精華藝術陶瓷股份有限公司","CreatedYear":"1986","Size":"8×4.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這位打扮時髦的金髮女孩與她的貴賓狗，姿勢非常逗趣。小狗也是精心打扮修剪毛髮，睜大眼睛的造型充滿擬人的趣味性。女主人畫上眼影，反而閉上了眼睛，突顯一種貴族氣息。有點像是人在模仿狗的動作，狗也在模仿主人的動作呢!\r\n 這件「金髮女孩與貴賓狗」的裝飾陶瓷，大約是1970-1980年代精華藝術陶瓷股份有限公司的產品，全瓷高溫1280℃燒成，低溫色釉加20%消光劑，使之無光，彩繪分為顏彩、油彩、噴釉三種，再以低溫730℃燒成。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318068","MainTitle":"小孩系列：愛心紅髮女孩","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1986","Size":"5×5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 紅髮小女孩，手持大大的愛心，討人喜愛的裝飾陶瓷玩偶。\r\n 本件由「精華藝術陶瓷股份有限公司」所生產的裝飾陶瓷玩偶，以1260℃～1280℃燒成。全瓷的白坯，眼、嘴的部分需要4至5人一組的團隊，進行分工繪製,這一步驟稱之為「顏彩」，接著以加了消光劑的水性釉料上膚色，雙頰以噴釉處裡。頭髮、衣服、愛心的部分再上加了消光劑的油性釉料，最後以低溫730℃燒成。\r\n 當時客戶來自美國，偏愛這類無亮光、樸素又細膩的質感。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318069","MainTitle":"持帽的少女","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1989","Size":"10×10×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主角是個年輕的少女。他的頭髮為紅褐色，長可及肩，梳理整齊，後面結兩個髮髻。她的一雙藍眼睛大而明亮，平視著前方。臉頰紅潤，閉著嘴唇，一臉安靜祥和。她穿著高領白色的短袖上衣，多層褶疊的燈籠袖，顯得十分寬鬆。外面添加一件灰色的短背心，腰間束有黑色的皮帶，下身穿著寬大的灰色層層相疊的百褶蓬蓬裙。她的左手下垂，右手拿著大寬邊的白色平頂遮陽帽，繫著黑色的緞帶，置於腿上。整件作品色彩單純，呈等腰三角形的構圖，給人質樸穩定之感。\r\n 從這類作品中，可以看到西洋玩偶引進苗栗之後，使當地的陶業無論在原料、產品種類、製作技術、作品風格等各方面，都與前此的傳統陶業不同，業者必須轉向新的思維邏輯與經營模式。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318070","MainTitle":"合唱小兄妹(音)","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1985","Size":"7×8×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這對小兄妹，哥哥好像在教妹妹唱歌，神情專注，妹妹開口閉眼地唱著歌，非常陶醉在自己的音樂中。兄妹倆穿著厚重的衣物在雪地上唱歌，藏在雪地的音樂盒可以發出音樂，是一件討人喜愛的耶誕節禮品。\r\n\r\n 「精華藝術陶瓷股份有限公司」所生產的裝飾陶瓷，大多銷售美國，客戶不喜歡亮面，所以彩繪都要再加「消光劑」讓陶瓷娃娃看起來有著樸素淡雅的常民色調。這是會發出旋律的音樂盒，如同小兄妹在唱歌。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318071","MainTitle":"小孩與狗握手","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1985","Size":"10×5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件作品描繪小孩和小狗握手的畫面。小孩穿著淡紫色橫紋長袖毛衣，綠色長褲，黑皮鞋。他彎下腰來，伸出右手與前面的小狗握手。小狗站在有海綿墊的矮圓凳上，全身白毛，褐色耳朵與尾巴，擡起頭來，睜大眼睛和男孩相望，一副天真無邪的表情，惹人憐愛。作品表現小孩對小狗的愛護，與人狗之間的感情的互動。\r\n 本件作品為苗栗公館精華藝術陶瓷公司的產品。該公司在日本時代即已成立，是苗栗最早由本地人創立的窯場，稱為「公館窯業組合」，創立人為謝阿盛與林添喜，後來由林添喜獨資經營，以傳統日用陶器為主要產品。1969年左右林添喜的下一代林培麟另成立精華公司專業生產西洋玩偶，是苗栗最早的西洋玩偶陶瓷廠，由此衍生出許多同業工廠，開啟苗栗陶瓷的新頁。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200318072","MainTitle":"小男孩拿蘋果","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1985","Size":"6×6×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶的作品中兒童是常見的題材之一，本件作品即描繪一個男孩拿著蘋果的圖像。這是在一般人的生活中常見的情景，藝術家即以這種熟悉的題材加以呈現出來，給人一種親切感。\r\n 作品描繪一個男孩兩腳並地站在如茵的綠草地上，地上還開了兩朵黃花。他身穿白色的長袖海軍服，領口與袖口飾有一道藍色的線條，領子繫著一條橘紅色的領巾。下身穿著藍色的短褲，白襪黑鞋。他的左手拿著紅蘋果前舉，右手拿著相框之類的物件。他的腳下坐著一隻黑貓，人貓很親密地相處，表現出男童對於寵物貓的喜愛。\r\n 這件作品是公館精華藝術陶瓷公司的外銷產品。1970到80年代原本生產西洋玩偶的日本，由於日圓升值，人工成本過高，所以轉到臺灣尋求代工的機會，精華在這種時代背景之下，生產西洋玩偶，成為苗栗陶瓷的新產品。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200318073","MainTitle":"老人與小孩騎木馬","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1987","Size":"12.5×7×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 家庭倫理是西方重要的人文價值，一直受到社會的尊重，本作品表現了這種傳統價值中的祖孫之情。\r\n作品描繪祖孫兩人一老一少，一起騎在木馬上。純白色的馬匹頭上飾著花葉，下方做成弧形，可以搖擺。老人家頭髮微禿，泛銀白色，臉上已現皺紋，鬍子都已變白。兩眼炯炯有神，嘴上微笑，看著觀眾。他穿著淡米色長袖外套，黑色的圓邊帽掛在頸部背後，黑長褲，黑皮鞋，雙手握住繮繩，搖著木馬。他的孫子穿著袖襯衫，加上背心外套，坐在老人的背後，兩手緊抱著老人，他頭略往上仰，嘴巴大張，一臉緊張，唯恐從馬背上跌下，表情十分生動。\r\n 作品老人與孩子無論在年齡、體格與表情都形成對比，而兩給人強烈的印象。這件玩偶表現了祖孫之間親密的感情，也表現了西方人天真樂觀的天性，是一件難得的優秀作品。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200318074","MainTitle":"Billie Bumps小男孩騎木馬","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1982","Size":"9×4.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 人物造型的作者Grace Drayton被認為是美國最早和最成功的女性漫畫家之一。\r\n Dolly Dingle漫畫系列，有許多周邊商品，以紙娃娃最風行。這個小男孩Billie Bumps是漫畫其中一個角色，正開心地玩著騎木馬的遊戲。陶瓷玩偶設計成可以前後搖擺的玩具。\r\n 「精華藝術陶瓷股份有限公司」早期都接美國客戶的訂單，喜歡無光樸素的質感，因此釉色要特別添加20%的消光劑。造型風格也趨於卡通漫畫可愛風格。繪彩的部分，顏彩為水性色釉，光是顏彩一個桌子有3-5人，每一個人獨力完成一個顏色，眼睛、眉毛、嘴巴、膚色，各司其職。這件作品的顏彩顏色至少有四人，畫工細緻。接著再由油彩的部門畫上衣服、配件、裝飾品，噴彩完成腮紅，讓小孩看起來有蘋果般的肌膚。色釉都加了消光劑，讓整件作品看起來非常素樸。低溫色釉二次燒730℃。\r\n 「精華藝術陶瓷股分有限公司」業者稱此技術為「無釉全瓷」，不是「釉上彩」也不是「釉下彩」。為了避免混淆，在此說明：高溫瓷胎，低溫色釉，無透明釉。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318075","MainTitle":"Dolly Dingle女孩騎綿羊玩具","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1982","Size":"9×4.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 人物造型的作者Grace Drayton，被認為是美國最早和最成功的女性漫畫家之一。\r\n Dolly Dingle漫畫系列，有許多周邊商品，以紙娃娃最風行。這個小女孩是漫畫主角Dolly Dingle，正開心地玩著騎木馬的遊戲。顯然和200318074是同一個系列的產品。木馬的造型是一隻綿羊，陶瓷玩偶設計成可以前後搖擺的玩具，增加賞玩趣味性。\r\n 「精華藝術陶瓷股份有限公司」早期都接美國客戶的訂單，喜歡無光樸素的質感，因此釉色要特別添加20%的消光劑。造型風格也趨於卡通漫畫可愛風格。繪彩的部分，顏彩為水性色釉，光是顏彩一個桌子有3-5人，每一個人獨力完成一個顏色，眼睛、眉毛、嘴巴、膚色，各司其職。這件作品的顏彩顏色至少有四人，畫工細緻。接著再由油彩的部門畫上衣服、配件、裝飾品，噴彩完成腮紅，讓小孩看起來有蘋果般的肌膚。同樣色釉都加了消光劑，讓整件作品看起來非常素樸。\r\n 「精華藝術陶瓷股分有限公司」業者稱此技術為「無釉全瓷」，不是釉上彩也不是釉下彩。為了避免誤解，在此說明：高溫瓷胎，低溫色釉，無透明釉。\r\n 這件作品相同樣式，也有House of Global Art品牌1986年所開發的Dolly Dingle陶瓷系列商品，也標註MIDE IN TAIWAN。但本件底座並沒有燒製LOGO。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318076","MainTitle":"祈禱/ Dolly Dingle 、Billie Bumps和泰迪熊","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1983","Size":"9×5×6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 人物造型的作者Grace Drayton被認為是美國最早和最成功的女性漫畫家之一。他所畫的Dolly Dingle漫畫系列峰常受歡迎，有出過許多周邊商品，以紙娃娃最為風行。\r\n Dolly Dingle是一位藍眼金色捲髮的小女孩，Billie Bumps是一個棕眼直髮的小男孩，帶著泰迪熊在祈禱。\r\n 「精華藝術陶瓷股份有限公司」早期都接美國客戶的訂單，喜歡無光樸素的質感，因此釉色要特別添加20%的消光劑。造型風格也趨於卡通可愛。繪彩的部分，顏彩為水性色釉，光是顏彩一個桌子有3-5人，每一個人獨力完成一個顏色，眼睛、眉毛、嘴巴、膚色，各司其職。這件作品的顏彩顏色至少有四人，畫工細緻。接著再由油彩的部門畫上衣服、配件、裝飾品，噴彩完成腮紅，讓小孩看起來有蘋果般的肌膚。同樣色釉都加了消光劑，讓整件作品看起來非常素樸。\r\n 「精華藝術陶瓷股分有限公司」業者稱此技術為「無釉全瓷」，不是「釉上彩」也不是「釉下彩」。為了避免誤解，在此說明，高溫瓷胎，低溫色釉，無透明釉。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318077","MainTitle":"芭蕾舞女孩/綁舞鞋","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1991","Size":"10.5×5×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一個跳芭蕾舞的女孩正在綁舞鞋的畫面。女孩子有水汪汪的大眼睛，面貌姣好可愛，膚色紅潤，正是漫畫人物的特徵。她身著白色的舞衣，坐在地上，上身以60度角的斜度往前傾，兩腳平伸在地上，左腳的鞋帶已經繫好，雙手正在繫右腳的鞋帶，姿態十分優美，很逗人喜愛。\r\n 這件作是苗栗精華藝術瓷公司的外銷產品。精華公司從原來生產傳統陶瓷器的公館窯業廠轉型成為現代的裝飾陶瓷工廠。過去公館窯業廠的時代，傳統陶瓷以當地的陶土為原料，主要以手工拉坏法生產，以傳統的登窯燒製坏體，產品屬於灰陶類。轉型為西洋玩偶之後，改用瓷土為坏料，用鑄漿成形法大量生產，並可得形制相同的產品。坏體用瓦斯梭窯高溫燒製，胎質潔白而剔透，屬於瓷器品質。無論在原料、胎質與造型各方面，都告別過去，進入全新的瓷器時代。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200318078","MainTitle":"芭蕾舞女孩/穿襪","Creator":"設計者：G.G. Santiago
其他-品牌商：Enesco, LLC
其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1991","Size":"9×4.5×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品描繪一個芭蕾舞女孩正在穿舞襪的情景。女孩子面貌清秀可愛，小小的鼻子與嘴巴卻配上水汪汪的大眼睛，金髮在頭頂上綁成髮髻。她穿著粉紅色無袖的舞衣，雙腳的鞋子已經穿好，兩眼注視著前方的兩手在穿右腳的白襪，表情十分寧靜，表現出即將上場表演前的心裡準備。她的身體與前方的雙腳呈略呈傾斜的正方形，結構很緊湊。身體的形塑與皮膚的色彩都很寫實而優美。\r\n 器底有款識: © 1987 ENESCO IMPORTS CORP, DESIGNED BY G. G. SANTIAGO, MADE IN TAIWAN，説明設計公司與設計師。ENESCO是一家美國著名的禮品進口公司，創立於1958年，以生產高品質禮品供應世界各地的家庭使用，在臺灣有精華與丸利等公司為其代工生產。G. G. SANTIAGO是公認世界著名的精緻禮品與收藏品藝術家與設計師，擅長設計名人與兒童的雕塑，這件作品是她的代表作之一。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200318079","MainTitle":"體操小女孩/雙手舉","Creator":"設計者：G.G. Santiago
其他-品牌商：Enesco, LLC
其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1990","Size":"10×5.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 作品主題是做體操的小女孩。小女孩滿頭金髮，在頭上兩邊綁著髮髻，並以髮帶繫上蝴蝶結。她的臉十分清秀，穿著淡藍色緊身體操服，赤著兩隻腳，併攏站在地板上，兩眼略往上視，雙手呈Y字形上舉，像是做完體操後的結束動作。設計師對於體操運動的動作觀察得十分敏銳，描繪得十分傳神與寫實。\r\n 器底有款識: © 1990 ENESCO IMPORTS CORP., DESIGNED BY G. G. SANTIAGO, MADE IN TAIWAN，説明這是美國禮品公司的設計師G. G. SANTIAGO所設計的作品，而生產者是臺灣的精華藝術陶瓷公司。這樣的款識說明，這類瓷偶是由美國藝術家所設計，經由貿易商的中介，由臺灣代工生產後，再運到美國公司，銷售到世界各地，是二十世紀工業全球化之下的產品。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200318080","MainTitle":"天使/魯特琴(蠟燭台)","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1987","Size":"7.5×9.5×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件描寫天使撥奏魯特琴的裝飾陶瓷，題材象徵了「天堂的美好」與「和諧」，是件充滿祝福意涵的小雕像，由精華藝術陶瓷公司於1987年生產。這類裝飾陶瓷興盛於70-80年代，為臺灣賺取豐厚的外匯。苗栗的精華公司成立於1970年為台資企業，引入日本技術和人才來培育自身技術與管理班底，是當時產業前鋒之一。\r\n 產品題材和風格幾乎是西洋情調，揭示源自歐美國家的禮品文化，原創設計多數來自國外，臺灣為代工生產。大量規格化的工序，以瓷土注漿成形，素燒後再彩繪，然後再次窯燒，過程繁瑣高度倚賴大量人工和成熟經驗，才能成就造型複雜、細節繁多，五官表情生動的雕像。本產品底部貼有一張貼紙，從字樣註記可知這是一件樣品，打樣與客戶溝通確認各項細節後，才能投入產線。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200318081","MainTitle":"女侍以溜冰鞋送餐","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1987","Size":"7×4×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主角是一位年輕的餐廳女侍。她的淺褐色頭髮上戴著一頂小紅帽，面貌姣好，神情專注。她穿著長袖白襯衫，捲起袖管。藍色的緊身長褲，腰間配一個紅色的小錢包。她的右手端著餐盤，上面盛著切開的水果與一杯飲料，左手往左平伸，保持身體的平衡。腳上穿著長筒的滑輪溜冰鞋，行走在棋盤黑白格子的地板上。她穿著溜冰鞋送餐，食物不會打翻，表現她高超的技藝，成為一個有趣的畫面。\r\n 西洋玩偶的種類很多，有不同的分類法。就原料而言，可分為瓷質、半瓷質、陶質等；就造型而言，可分為人物、動物與植物等；就功能而言，可分為純裝飾類與實用器皿類，如酒瓶；就效果而言，有純視覺效果與兼具聽覺效果的音樂盒之不同。本件作品屬於純裝飾性的人物瓷偶。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318082","MainTitle":"體操女孩持球/貓付(音)","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1991","Size":"14×11×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件作品描繪一個小女孩正在做持球體操，屬於小女孩體操系列的作品之一。小女孩五官清秀，鼻子和嘴巴都小小的，而眼睛卻故意放大，是漫畫式的可愛人物造型。她穿著白色藍領的緊身長袖運動裝，赤著兩腳，左腳跪地在身後，右腳呈弓步在前，右手騰空平舉，左手手掌舉著一顆彩球，她全身向右轉，略向前傾，而臉直視前方，呈現相當的動感。一隻小白貓站在她的左腳下方，臉型與五官都十分可愛，牠的右前足也拿著一個小白球在右肩上，好像在模仿主人的動作一般，形成一幅十分有趣的畫面。整個人和貓都站在圓形的地板台座上，台座的側面裝飾了三對在遊戲的小白貓。這個台座較高，裡面可以裝音樂鈴，使玩偶還具有聽覺的享受。\r\n 這件作品沒有底款，然而從小女孩的臉型、體態、服飾與雕塑風格判斷，這件作品應屬於ENESCO IMPORTS CORP.設計師G. G. SANTIAGO所設計的作品。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200318083","MainTitle":"女/棒球(貓付、音)","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1991","Size":"11×11×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶很少設計成單件作品，大多數都會有系列的表現，由幾件作品組合成一個系列。這件作品描繪一個女孩在投棒球的形象，屬於運動系列的作品之一。小女孩面貌清秀可人，一頭金黃色的秀髮，綁成左右兩條馬尾辮，因為小女孩投球的動作，使得兩條髮辮飛揚起來，表現十足的動感。女孩身穿白色的運動長褲，上身穿著橘紅色的長袖內衫，外面套著藍色的短袖球衣，頭上戴著鴨舌帽，帽緣轉向左後方。她右腳金雞獨立地站在地上，左腳抬高至腰際，左手戴著手套，右手持球放在手套內，一副即將投球的姿勢，表現得十分生動。她的右腳下背立著一隻灰色的小貓，上肢也拿著一顆球，和主人相互呼應，十分有趣。\r\n 器底沒有款識，從運動系列作品的風格看，很可能是ENESCO IMPORTS CORP.設計師G. G. SANTIAGO所設計的作品。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200318084","MainTitle":"女精靈/牽牛花(小)","Creator":"精華陶瓷","CreatedYear":"1989","Size":"7×4.5×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDg0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318085","MainTitle":"男精靈/抱松果(小)","Creator":"精華陶瓷","CreatedYear":"1989","Size":"7.5×4.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318086","MainTitle":"老農婦採蔬果","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1975","Size":"9.5×9.5×23.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDg2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一個老農婦捧著一盤蔬果的畫面。主角是一位上了年紀的農婦，金黃色的頭髮已經褪色，上面包著一條淡橘紅色的頭巾。她的臉型較為枯瘦，額頭上己見皺紋，兩眼眼角下彎，目光看著地上，臉上略帶微笑，卻掩不住心裡的憂鬱。她穿著白襯衫，一件連身灰褐色的工作服，腰間繫著白色的圍裙。工作服和圍裙都有縫補，強調老婦人家境並不好。她的雙手捧著一個編籃，裡面放著紅蘿蔔、玉米、和馬鈴薯等蔬果，地上散著紅蘿蔔和玉米。整個畫面深刻地描寫了農民生活的苦境，藝術家具有悲天憫人的社會關懷情操。\r\n 作品為苗栗公館精華公司生產。該公司於1970年由焦蔭圃、江瀾和與林培麟三人合資成立。1979年焦蔭圃退出經營圈，其後江瀾和也讓出股份，最後由林培麟獨資經營。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318087","MainTitle":"老農夫持圓鍬休息","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1975","Size":"9×6.5×23","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 人物是西洋玩偶主要的類型之一，本作品的主角是一位手持圓鍬的老農夫。他的身材高瘦，頭上已白髮蒼蒼，滿嘴都蓄著鬍鬚，也都變白，額頭與眼角都有皺紋，說明他的年紀不小。他的臉型清瘦，五官刻畫得很細緻而傳神，兩眼有神，嘴上露出微笑。他的頭上戴著黃灰色的寬邊軟帽，身上穿著白襯衫，淺褐色背心，淡青綠色的西裝外套，和深褐色的長褲。他站在地上，左手扶著一把圓鍬，器刃接觸地上，右手拿著一根煙斗在胸前，說明他在工作之餘正在抽根香菸休息。他的腳邊有一盆花朵，作為點景裝飾。從服飾中看出，老農夫生活環境並不富裕，卻能不改其樂。\r\n 藝術家從周遭生活中取材，把老農夫的形象與心境如實地表現出來，反映了社會百態，表現出對下層民眾生活的關懷。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318088","MainTitle":"小丑與三隻小豬表演","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1990","Size":"18×13.5×25.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主題是小丑與三隻小豬的表演。作品高達25公分，在西洋玩偶中屬於中型尺寸。小丑光著頭，兩鬢各有一撮淺淺橙色下垂的假髮。頭上戴著一頂很小的瓜皮帽，臉部塗滿白色。淺橙色的大鼻子與眉毛，眼睛畫成倒T字型的睫毛，紅嘴唇畫上黑邊。他穿著寬鬆的白色連身服，飾有紅黃藍綠的圓圈。寬而大的衣領與領結。他挺著大啤酒肚，身材顯得格外壯碩。他左手拿著奶瓶，插在腰部，右手舉著鞭子。他的前面有一個木箱，兩旁有梯子。上面有三隻小豬，一隻正準備往上爬，一隻站在平台上，另一隻倒栽蔥地跌到地上，三隻小豬都流了眼淚。三隻瘦弱無助的小豬，對比於壯碩的小丑與得意的笑容，令人格外心疼那三隻可憐的小豬。藝術家表達了對於馬戲團小動物不幸命運的關懷。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318089","MainTitle":"男孩彈曼陀林","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1974","Size":"9.5×7.5×19.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主題是一個彈曼陀林(mandolin)的小男孩。他穿著早期歐洲的服飾，白上衣，淺橙紅色的大領巾，綠色七分褲，灰藍色大翻領長外套，頭上戴著灰藍色寬緣的淺頂帽子，上面插著一支橘紅色的羽毛。他坐在一棵樹幹上，手上拿著一把曼陀林，正在專心地彈奏著。曼陀林是一種歐洲的撥弦樂器，十八世紀時，由義大利文藝復興時期的魯特琴(lute)演變而來。它的造型像剖開的水梨，琴體背部隆起成半圓形。聲音猶如銀鈴滾動一般，清脆美妙。作品無論是樂器或男孩的服飾都具有歐洲的懷古風，是一種浪漫主義的表現。\r\n 本作品由精華藝術陶瓷公司生產，產品全部外銷。該公司前身是苗栗歷史悠久的傳統陶瓷廠公館窯業組合，西洋玩偶的產品外銷是全新的經驗，也是苗栗陶瓷重大的轉型時期。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318090","MainTitle":"女孩彈奏豎琴","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1974","Size":"9.8×6.6×19.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDkw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主題是一個女孩子在彈奏豎琴。女孩子的金髮披到肩部，上面結個髮髻，面貌甜美。身上穿著長袖寬領上衣，外加一件紅褐色的背心，下身穿著下擺淺褐色的綠色寬鬆蓬蓬裙。她坐在一棵短樹幹上，雙手拿著豎琴(harp)，左手握著琴身，右手撥著琴弦，正在彈奏音樂。她的右腳前方有一朵粉紅色的玫瑰花。本作品與另一件彈奏曼陀林的男孩構成一對情侶的形象。豎琴在歐洲具有悠久的歷史，盛行在歐亞非各地，具有忠誠的圖像意涵，而曼陀林在18世紀的歐洲也被男士用來唱小夜曲，以追求心愛的女性。青年男女使用這兩種樂器象徵著對於愛情的浪漫追求。\r\n 1970年代西洋玩偶傳到臺灣後，在桃園、新竹、苗栗、臺中等估計有四百多家工廠出現，生產額很高，是當時臺灣出口的大宗商品。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318091","MainTitle":"小農夫系列-Matt和小豬吃西瓜","Creator":"創作者：Denise Jacobs
其他-品牌商：Trusted Media Brands, Inc
其他-代工：正大藝品股份有限公司","CreatedYear":"1983","Size":"8.5×7×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDkx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件是一位穿著藍色工作服，戴著橙色棒球帽的小農夫Matt，和小豬感情很好，坐在一起吃西瓜。為正大藝品公司受委託製作的「Little Farmers小農夫」系列產品之一。但這件產品並沒有印上商標，因此只能猜測為1980年代所製作。原作帽子上應有LITTLE SLUGGER強打者字樣，代表小農夫非常努力，但本件作品空白。\r\n 小農夫系列起源於一張Matt和Chris的雙胞胎照片，1978年拍攝。當時他們只有18個月大，穿著美國童裝OshKosh品牌。1982年，與鄉村類型雜誌《Country Kids》發行人Roy Reiman接洽後照片被印製成海報，海報的標題寫上You been farming long?因此廣受歡迎。並開發了一系列的周邊商品，包括撲克牌、小雕像、鹽和胡椒罐、瓷娃娃，稱為小農夫系列。後來因為有些版權糾紛而停產。\r\n 「正大藝品股份有限公司」早期接三芳貿易公司的美國客戶訂單，喜歡無光樸素的質感，因此釉色要特別添加20%的消光劑。繪彩也分三段完成(1)水性顏彩(水+牛皮膠調和)，畫五官、(2)油彩(松節油+凡立水調和)，畫衣服、皮膚等配件、(3)噴彩，局部加強，例如臉頰。小豬的耳朵和豬蹄、豬鼻，使用以側筆沾香蕉水的「掃白」技法做出黑色漸層效果。\r\n 手寫字2003-01-091為採購年代及編碼。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318092","MainTitle":"小農夫系列-小女孩與鴨","Creator":"創作者：Denise Jacobs
其他-品牌商：Trusted Media Brands, Inc
其他-代工：正大藝品股份有限公司","CreatedYear":"1983","Size":"11×5.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDky","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 正大藝品公司受委託製作的「小農夫」系列產品之一，小農夫系列起源於一張雙胞胎Matt和Chris的照片，1978年由母親拍攝。當時他們只有18個月大，穿著美國童裝OshKosh品牌。1982年鄉村類型雜誌《Country Kids》發行人Roy Reiman與之接洽後照片被印製成海報，因此廣受歡迎。並開發了一系列的周邊商品，包括撲克牌，小雕像，胡椒罐，瓷娃娃，稱為小農夫系列，後來因為有些版權糾紛而停產。\r\n 本件是一位穿著藍色工作服的金髮小女孩，抱起小鴨玩耍，鴨媽媽急著找小孩。金髮小女孩經常出現在「Little Farmers小農夫」一系列產品，有時單獨出現，有時和雙胞胎其中一位一起出現，應該是他們的玩伴，或是姊妹之類的角色。\r\n 底部印有LIMITED EDITION 限量版和COUNTRY STORE™的LOGO。還有Greendale Wisconsin：威斯康辛州格林代爾村莊。Little Farmers™小農夫商標。JACOBS(為小農夫系列主角Matt和Chris的姓氏)1983年製造，手寫字2003-01-092為採購年代及編碼。\r\n 「正大藝品股份有限公司」接三芳貿易公司的美國客戶訂單，喜歡無光樸素的質感，因此釉色要特別添加20%的消光劑。繪彩也分三段完成(1)水性顏彩(水+牛皮膠調和)，畫五官、(2)油彩(松節油+凡立水調和)，畫衣服、皮膚等配件、(3)噴彩，局部加強，例如臉頰。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318093","MainTitle":"小農夫系列-Chris餵公雞","Creator":"創作者：Denise Jacobs
其他-品牌商：Trusted Media Brands, Inc
其他-代工：正大藝品股份有限公司","CreatedYear":"1987","Size":"8.5×7.5×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDkz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 正大藝品公司受委託製作的「Little Farmers」小農夫系列產品之一，本件是一位穿著藍色工作服，戴著藍色棒球帽的Chris，手上拿著食物正要餵雞，公雞興奮到飛了起來。帽子上有LITTLE SLUGGER強打者字樣，代表小農夫非常努力工作。LOGO的字樣為燒製成品後，再使用貼上「免燒貼紙」的加工技術製成。這件產品底部並沒有印上商標，因此只能猜測為1980年代所製作。\r\n 小農夫系列起源於一張1978年雙胞胎照片，橙帽的小男孩叫Matt，藍帽的小男孩叫Chris。1982年，鄉村類型雜誌《Country Kids》發行人Roy Reiman接洽後照片被印製成海報，海報的標題寫上You been farming long?因此廣受歡迎。Roy Reiman並開發了一系列的周邊商品，包括撲克牌、小雕像、胡椒罐、瓷娃娃，稱為小農夫系列，後來因為有些版權糾紛而停產。\r\n 「正大藝品股份有限公司」早期接三芳貿易公司的美國客戶訂單，喜歡無光樸素的質感，因此釉色要特別添加20%的消光劑。繪彩也分三段完成(1)水性顏彩(水+牛皮膠調和)，畫五官、(2)油彩(松節油+凡立水調和)，畫衣服、皮膚等配件，藍色工作服和雞毛使用掃白技法、(3)噴彩，局部加強，例如臉頰。以電窯烤花730℃。完成後，再以金水繪製牛仔褲吊帶上的扣環，呈現金屬銅釦的質感。雞冠部分再以陶瓷專用漆繪製。\r\n 手寫字2003-01-093為採購年代及編碼。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318094","MainTitle":"小農夫系列-上學去","Creator":"創作者：Denise Jacobs
其他-品牌商：Trusted Media Brands, Inc
其他-代工：正大藝品股份有限公司","CreatedYear":"1989","Size":"11×8.5×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDk0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「小農夫」系列產品之一，本件是穿著藍色工作服、橙色棒球帽的Matt，正拎著一疊書準備要去上學，右手還拿著一顆早餐沒吃完的蘋果，小狗陪著他好像在等校車的樣子。後面有一個灰色底座，中央有木頭斷裂痕跡，推測可能原為旗桿或是公車站牌？\r\n 小農夫系列起源於一張可愛的雙胞胎照片，1978年由母親拍攝。當時他們只有18個月大，穿著美國童裝OshKosh品牌，橙帽的小男孩叫Matt，藍帽的小男孩叫Chris。1982年，鄉村類型雜誌《Country Kids》發行人Roy Reiman與之接洽後照片被印製成海報，海報的標題寫上You been farming long？因此廣受歡迎。Roy Reiman並開發了一系列的周邊商品，包括撲克牌、小雕像、胡椒罐、瓷娃娃，稱為小農夫系列，後來因為有版權問題而停產。\r\n 正大藝品公司受委託製作的「Little Farmers小農夫」系列產品之一。但這件產品並沒有印上商標，因此只能猜測為1980年代所製作。帽子上有LITTLE SLUGGER強打者字樣，代表小農夫非常努力。LOGO的字樣為燒製成品後，再使用貼上「免燒貼紙」的加工技術製成。\r\n 「正大藝品股份有限公司」接三芳貿易公司的美國客戶訂單，喜歡無光樸素的質感，因此釉色要特別添加20%的消光劑。繪彩也分三段完成(1)水性顏彩(水+牛皮膠調和)，畫五官、(2)油彩(松節油+凡立水調和)，畫衣服、皮膚等配件、(3)噴彩，局部加強，例如臉頰。電窯烤花730℃。燒製完成後，再以金水繪製牛仔褲吊帶上的扣環。陶瓷專用漆繪製蘋果。\r\n 手寫字2003-01-094為採購年代及編碼。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318095","MainTitle":"小農夫系列- Chris與食物籃","Creator":"創作者：Denise Jacobs
其他-品牌商：Trusted Media Brands, Inc
其他-代工：正大藝品股份有限公司","CreatedYear":"1989","Size":"7×7×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 正大陶瓷公司受委託製作的「Little Farmers」小農夫系列產品之一，本件是一位穿著藍色工作服，藍色棒球帽的Chris，手上拿著食物籃，蹲著正在品嚐美味的食物。帽子上應該有LITTLE SLUGGER強打者字樣，代表小農夫非常努力工作，但本件作品只留下棒球圖樣，底部也沒有印上商標，因此只能猜測為1980年代所製作。\r\n 小農夫系列起源於一張可愛的雙胞胎照片，1978年由母親拍攝。當時他們只有18個月大，穿著美國童裝OshKosh品牌，橙帽的小男孩叫Matt，藍帽的小男孩叫Chris。1982年，鄉村類型雜誌《Country Kids》發行人Roy Reiman與之接洽後照片被印製成海報，海報的標題寫上You been farming long?因此廣受歡迎。Roy Reiman並開發了一系列的周邊商品，包括撲克牌、小雕像、胡椒罐、瓷娃娃，稱為小農夫系列，後來因為有些版權糾紛而停產。\r\n 「正大藝品股份有限公司」早期接三芳貿易公司的美國客戶訂單，喜歡無光樸素的質感，因此釉色要特別添加20%的消光劑。繪彩也分三段完成(1)水性顏彩(水+牛皮膠調和)，畫五官、(2)油彩(松節油+凡立水調和)，畫衣服、皮膚等配件、(3)噴彩，局部加強，例如臉頰。本物件的帽子有汙損和衣服背後脫釉現象。\r\n 手寫字2003-01-095為採購年代及編碼。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318096","MainTitle":"小農夫系列-Matt與小狗玩","Creator":"創作者：Denise Jacobs
其他-品牌商：Trusted Media Brands, Inc
其他-代工：正大藝品股份有限公司","CreatedYear":"1987","Size":"12×7.5×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDk2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「小農夫」系列產品之一，本件是穿著藍色工作服、戴著橙色棒球帽的Matt，正拉著鐘繩敲鐘。小狗也興奮地對著發出聲響的鐘又叫又跳。底座刻有”Come’n get it!”字樣，似乎在逗弄小狗。\r\n 小農夫系列起源於一張可愛的雙胞照片，1978年由母親拍攝。當時他們只有18個月大，穿著美國童裝OshKosh品牌，橙帽的小男孩叫Matt，藍帽的小男孩叫Chris。1982年，鄉村類型雜誌《Country Kids》發行人Roy Reiman與之接洽後照片被印製成海報，海報的標題寫上You been farming long?因此廣受歡迎。Roy Reiman並開發了一系列的周邊商品，包括撲克牌、小雕像、胡椒罐、瓷娃娃，稱為小農夫系列，後來因為有些版權糾紛而停產。\r\n 正大藝品公司受委託製作的「Little Farmers小農夫」系列產品之一。但這件產品並沒有印上商標，因此只能猜測為1980年代所製作。手寫字7630B為原工廠樣品代號；2003-01-096為採購年代及編碼。\r\n 「正大藝品股份有限公司」早期接三芳貿易公司的美國客戶訂單，喜歡無光樸素的質感，因此釉色要特別添加20%的消光劑。繪彩也分三段完成(1)水性顏彩(水+牛皮膠調和)，畫五官、(2)油彩(松節油+凡立水調和)，畫衣服、皮膚等配件、(3)噴彩，局部加強，例如臉頰。帽子上有LITTLE SLUGGER強打者字樣，代表小農夫非常努力。LOGO的字樣為燒製成品後，再使用貼上「免燒貼紙」的加工技術製成。牛仔褲吊帶上的扣環採用金水繪製，呈現金屬銅釦的質感。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318097","MainTitle":"小農夫系列-種花","Creator":"創作者：Denise Jacobs
其他-品牌商：Trusted Media Brands, Inc
其他-代工：正大藝品股份有限公司","CreatedYear":"1983","Size":"10×8×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDk3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件裝飾玩偶為正大藝品股份有限公司受三芳貿易公司委託製作的「小農夫」系列產品之一，一對小男孩和小女孩一起種花。小男孩的名字叫Chris，拿著小耙子，小女孩手上應該有一支小鏟子(有可能漏做或遺失)。小男孩穿著藍色工作服，戴著寫LITTLE SLUGGER字樣的棒球帽，為這個系列商品的特色。SLUGGER在棒球術語中指強打者，也代表小農夫是非常努力的人。LOGO的字樣為燒製成品後，再使用貼上「免燒貼紙」的加工技術製成。\r\n 底部印有LIMITED EDITION 限量版和COUNTRY STORE™的LOGO。還有Greendale Wisconsin：威斯康辛州格林代爾村莊。Little Farmers ™小農夫商標。Jacobs(為小農夫系列主角Matt和Chris的姓氏)1983年製造，底部貼上MADE IN TAIWAN ROC 小貼紙。手寫字2003-01-097為採購年代及編碼。\r\n 「正大藝品股份有限公司」早期接的美國客戶訂單，喜歡無光樸素的質感，因此釉色要特別添加20%的消光劑。繪彩也分三段完成(1)水性顏彩(水+牛皮膠調和)，畫五官、(2)油彩(松節油+凡立水調和)，畫衣服、皮膚等配件，工作服的斑駁是一種「掃白」技法、(3)噴彩：局部加強，例如臉頰。牛仔褲吊帶上的扣環是最後用金水繪製，呈現金屬銅釦的質感。 (詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200318098","MainTitle":"訂婚情侶","Creator":"精華陶瓷","CreatedYear":"1993","Size":"21×18×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDk4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318099","MainTitle":"試新娘衣","Creator":"精華陶瓷","CreatedYear":"1993","Size":"23.5×16×25.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MDk5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318100","MainTitle":"小吊飾/老人與小孩","Creator":"精華陶瓷","CreatedYear":"1988","Size":"6×4×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTAw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318101","MainTitle":"小吊飾/男船持","Creator":"精華陶瓷","CreatedYear":"1991","Size":"5×4×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318102","MainTitle":"小吊飾/男吹喇叭","Creator":"精華陶瓷","CreatedYear":"1987","Size":"4×5.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318103","MainTitle":"小吊飾/女襪持","Creator":"精華陶瓷","CreatedYear":"1987","Size":"5×4.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318104","MainTitle":"小吊飾/男抱貓","Creator":"精華陶瓷","CreatedYear":"1987","Size":"4×3.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318105","MainTitle":"小吊飾/天使星持(小)","Creator":"精華陶瓷","CreatedYear":"1987","Size":"3.5×3×6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318106","MainTitle":"小吊飾/貓與高跟鞋(小)","Creator":"精華陶瓷","CreatedYear":"1990","Size":"6.5×3.5×6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318107","MainTitle":"小吊飾/女孩捧禮物","Creator":"精華陶瓷","CreatedYear":"1987","Size":"5.5×5×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318108","MainTitle":"酒瓶系列：釣魚人","Creator":"其他-品牌商：International Art
其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1988","Size":"17.5×14×30","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷酒器的造型是一位正在釣魚的人，他雙手握著一支彎曲的釣竿，倚坐在一塊直立的岩石上，上身微向後傾；右腳下方的海浪間冒出一條嘴中含著鉤子的大魚，岩石後方放著漁獲的保冷箱。他身穿白色格子棉衫，一雙水綠色橡膠雨靴，頭上戴著一頂藍與白的棒球帽；岩石上帶點綠與粉紅，水藍色相間的海浪與綠色漸層與斑點的魚，整體的色系清爽，彩繪施色相當細膩典雅，並以淡褐色細筆描繪人物身上的陰影、皺褶、格紋線條，以及海浪紋、魚鰭等，讓形象更加真實生動。釣魚者臉上帶著一點愉悅的表情，眉毛、鬍鬚、腮紅、嘴唇的顏彩表現到位。\r\n 底座前側上有突起的英文字標示BRANDY白蘭地酒，表示此酒瓶內裝的酒精液體。岩石頂端為瓶蓋，因此岩石與海浪的部位是容器容積的部分，釣魚者、魚、釣竿是附加在瓶身上的裝飾，釣魚線是成品之後再以尼龍線綁上去。底座底部落款標示為 ©1988 INTERNATIONAL ART / Limited Edition____/5,000，表示此件為限量5千件的產品之一。\r\n 陶瓷酒瓶以進口瓷土為原料，石膏模注漿成形複製後，黏接整修主體外的附件，檢查完整即進入窯中燒至1250-1280℃。根據裝飾陶瓷生產大廠的精華藝術陶瓷公司負責人林中光先生指出，造型酒瓶生產須確保無裂縫、不漏水，他利用空氣原理，使用氣壓計來測試；在酒瓶口外接氣壓錶，當瓶內灌滿空氣，氣壓錶指針指向容器液體公斤刻度後即不再下降，則表示瓶身無漏痕。(《苗栗裝飾陶瓷產業》p.33-34)。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200318109","MainTitle":"小吊飾/聖誕老人","Creator":"精華陶瓷","CreatedYear":"1989","Size":"8×5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318110","MainTitle":"女&鼠/鞦韆(音)","Creator":"精華陶瓷","CreatedYear":"1984","Size":"9.5×9.5×16.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318111","MainTitle":"婦人抱小白兔","Creator":"設計者：精華藝術陶瓷股份有限公司","CreatedYear":"1979","Size":"10×14×34","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一位老婦人抱著一隻小白兔。她的臉型瘦長，眼睛瞇得較小，眼角有皺紋，嘴巴露出微笑，一付慈祥的面容。她戴著窄邊的灰色圓帽，穿著紅褐色的長袖上衣，綠色的披巾。下身穿著灰藍色及地的長裙，腰間繫著一條白色的圍裙，站在青青草地上，背後靠著一棵枯樹幹。她的左手腕上挽著一個籐編的籃子，裡面裝了紅蘿蔔。手肘上抱著一隻毛絨絨的長耳紅眼小白兔，右手輕撫著牠。作品表現出婦人對小白兔的愛護之情，代表人和大自然之間的和諧關係。細長的人物造型給人一種夕陽黃昏下的長影之感。\r\n 西洋玩偶以雕塑技法呈現。雕塑是西方三大視覺藝術之一，強調寫實的表現。西洋玩偶傳播過來後，使苗栗陶瓷藝術從過去以手拉坏為主要的成形技法，變成以雕塑為表現的新風貌。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200318112","MainTitle":"偷蛋男女孩","Creator":"創作者：精華藝術陶瓷股份有限公司","CreatedYear":"1985","Size":"16×11.5×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶都表現西方文化影響之下的社會生活面，這件作品不同，以臺灣早年鄉下生活的趣事為題材。作品描繪一對男女童偷雞蛋的畫面。女童站在男童的右後方，身穿長袖上方，外面套著一件中國式的橘紅色鳳仙裝，下身穿著淺粉色的長褲，腳上穿著臺灣早期特有的木屐，頭上綁著左右兩個髮髻，面貌清秀可愛，她的手上用布巾包著一顆兩人偷來的雞蛋。男孩站在左前方，身穿淺藍色的長袖唐裝，短褲，腳上也穿著一雙木屐。他的左手上也拿著一顆雞蛋，左邊口袋裡又裝了一顆。他們偷蛋的行為被母雞看到了，追上前去啄了男童，他一臉驚訝，一隻腳上的木屐掉在地上，一顆蛋也掉在地上打破了。造型十分生動有趣。\r\n 西洋玩偶被有些知識份子批評，產品完全是為歐美廠商代工，失去中國陶瓷的特色，有檢討的必要。林氏陶瓷從善如流，聘請藝術家設計具有中國風味的中國娃娃系列產品，偷蛋娃娃是典型的傑作之一。可是這類作品叫好不叫座，不合西方人士的品味，外銷完全沒有實績，公司虧損很大。理想與現實之間的鴻溝很難突破。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200318113","MainTitle":"義大利男孩/壼持","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1978","Size":"17×16.5×30.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件西洋風格的男性人像裝飾陶瓷雕像，生產於臺灣苗栗的精華陶瓷，以瓷土注漿成形再釉上彩繪的方式製作。裝飾陶瓷產業因歐美禮品文化而生，1960年代中晚期才由日商引入臺灣。苗栗的精華陶瓷公司由公館窯業工廠的傳統製陶背景，1970年另闢代工生產裝飾陶瓷的新領域，是純臺資企業，為當時產業前鋒之一。1970年代末期，這類工廠已多，集中苗栗，競爭激烈，精華陶瓷轉而開拓技術性高的高大型玩偶，這件高達30公分的雕像，見證了這段歷史。\r\n 裝飾陶瓷產製過程繁複，其中模型雕刻和繪彩技術最為關鍵。精華陶瓷聘任日籍技師培養本土技術人員，這件70年代末期描繪持著陶壺帶有醉態的青年大型人像，身姿形態生動且誇飾，繪彩也賦予生意，可見當時其產製技術的純熟。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200318114","MainTitle":"義大利女孩/花籃","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1978","Size":"18.5×14.5×30","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現女性生活瞬間的裝飾陶瓷雕像，生產於臺灣苗栗的精華陶瓷，以瓷土注漿成形再釉上彩繪的方式製作。裝飾陶瓷產業因歐美禮品文化而生，1960年代中晚期才由日商引入臺灣。精華陶瓷是1970年成立的臺資企業，為當時產業前鋒之一。1970年代末期，這類工廠已多，集中苗栗，競爭激烈，精華陶瓷轉而開拓技術性高的高大型玩偶，這件高達30公分的雕像，見證了這段歷史。\r\n 這件70年代末期的大型人像，生動表現了一位現代西方女性，單手捧籃花，正從倚坐處起身的瞬間，帶有女性嬌媚柔軟體態的身體動勢，更由風吹黑髮的飄逸描寫增強，蘭花裡的花卉、腳邊的植物，立體而生動。從主體形態到細節，一一兼顧，可見當時其產製技術的純熟。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200318115","MainTitle":"義大利男孩/溜狗","Creator":"其他-代工：精華藝術陶瓷股份有限公司","CreatedYear":"1978","Size":"15.5×13.5×32.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件描繪西方男性遛狗情景的裝飾陶瓷雕像，生產於臺灣苗栗的精華陶瓷，以瓷土注漿成形再釉上彩繪的方式製作。裝飾陶瓷產業因歐美禮品文化而生，1960年代中晚期才由日商引入臺灣。臺資企業的精華陶瓷成立於1970年，為當時產業前鋒之一。1970年代末期，這類工廠已多，集中苗栗，競爭激烈，精華陶瓷轉而開拓技術性高的高大型玩偶，這件高達30公分的雕像，見證了這段歷史。\r\n 這件70年代末期描繪遛狗青年的大型人像，身姿刻意修長，形態生動且誇飾，帶有矯飾風格，腳邊的狗兒，也表現得相當生動，從體態、鬃毛到項圈皮帶等，鉅細靡遺，甚至連項圈與帶繩間的環扣，也如實以金屬零件銜接，可見當時其產製技術的純熟與到位，也表現出精華除人像外的動物雕像表現強項。(詮釋委員:朱佩儀)","ImageUrl":""}
,{"Identifier":"200318116","MainTitle":"上釉花貓與花盆","Creator":"精華陶瓷","CreatedYear":"1984","Size":"13×8.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318117","MainTitle":"上釉白貓與鼓","Creator":"精華陶瓷","CreatedYear":"1985","Size":"11×7.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318118","MainTitle":"猴子(小)","Creator":"精華陶瓷","CreatedYear":"1988","Size":"6×4×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318119","MainTitle":"幼豹(小)","Creator":"精華陶瓷","CreatedYear":"1988","Size":"6×4×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318120","MainTitle":"條紋小貓(小)","Creator":"精華陶瓷","CreatedYear":"1989","Size":"6.5×3×4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318121","MainTitle":"皿/鹿","Creator":"精華陶瓷","CreatedYear":"1981","Size":"26.5×26.5×1.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318122","MainTitle":"蛋殼杯/綜合玫瑰","Creator":"精華陶瓷","CreatedYear":"1978","Size":"7×8×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318123","MainTitle":"留言板：太陽/女孩","Creator":"精華陶瓷","CreatedYear":"1988","Size":"11.5×4×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318124","MainTitle":"留言板：木板/虎","Creator":"精華陶瓷","CreatedYear":"1988","Size":"9×4×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318125","MainTitle":"留言板：枕頭/小孩(1)","Creator":"精華陶瓷","CreatedYear":"1988","Size":"10.5×6×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318126","MainTitle":"留言板：枕頭/小孩(2)","Creator":"精華陶瓷","CreatedYear":"1988","Size":"10.5×6×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318127","MainTitle":"留言板：屋形/犬","Creator":"精華陶瓷","CreatedYear":"1988","Size":"9×4×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318128","MainTitle":"留言板：畫板/熊","Creator":"精華陶瓷","CreatedYear":"1988","Size":"11×6×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318129","MainTitle":"樹與狗：牧羊犬","Creator":"精華陶瓷","CreatedYear":"1987","Size":"8×5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318130","MainTitle":"樹與狗/狼犬","Creator":"精華陶瓷","CreatedYear":"1987","Size":"8×5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318131","MainTitle":"白鴿展翅","Creator":"精華陶瓷","CreatedYear":"1986","Size":"20×10×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318132","MainTitle":"雙藍鳥/木上立","Creator":"精華陶瓷","CreatedYear":"1984","Size":"15×8×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318133","MainTitle":"貓/提籃(音)","Creator":"精華陶瓷","CreatedYear":"1990","Size":"8.5×8.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318134","MainTitle":"貓/心持(音)","Creator":"精華陶瓷","CreatedYear":"1990","Size":"8.5×8.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318135","MainTitle":"貓/禮物(音)","Creator":"精華陶瓷","CreatedYear":"1990","Size":"8.5×8.5×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318136","MainTitle":"蛋形花飾盒/粉紅","Creator":"精華陶瓷","CreatedYear":"1975","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318137","MainTitle":"蛋形花飾盒/黃色","Creator":"精華陶瓷","CreatedYear":"1975","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318138","MainTitle":"山豬頭","Creator":"精華陶瓷","CreatedYear":"1979","Size":"14×9.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318139","MainTitle":"褐馬頭","Creator":"精華陶瓷","CreatedYear":"1978","Size":"12×4.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318140","MainTitle":"馬頭","Creator":"精華陶瓷","CreatedYear":"1984","Size":"15×7×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318141","MainTitle":"浣熊","Creator":"精華陶瓷","CreatedYear":"1978","Size":"16.5×15×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318142","MainTitle":"貓與高跟鞋","Creator":"精華陶瓷","CreatedYear":"1990","Size":"12×7.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318143","MainTitle":"貓與托鞋","Creator":"精華陶瓷","CreatedYear":"1990","Size":"16×7×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318144","MainTitle":"茶腹鶇壁掛","Creator":"精華陶瓷","CreatedYear":"1984","Size":"25×16×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318145","MainTitle":"聖誕花籃","Creator":"精華陶瓷","CreatedYear":"1984","Size":"12×10×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318146","MainTitle":"小綿羊與熊寶寶(音)","Creator":"精華陶瓷","CreatedYear":"1990","Size":"12×12×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318147","MainTitle":"調味罐組","Creator":"精華陶瓷","CreatedYear":"1977","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318148","MainTitle":"葡萄糖罐組","Creator":"精華陶瓷","CreatedYear":"1992","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318149","MainTitle":"檸檬糖罐組","Creator":"精華陶瓷","CreatedYear":"1992","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318150","MainTitle":"貓頭鷹三隻/木立","Creator":"精華陶瓷","CreatedYear":"1988","Size":"17×9×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318151","MainTitle":"貓頭鷹/古木立","Creator":"精華陶瓷","CreatedYear":"1988","Size":"12×12×17.","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318152","MainTitle":"貓頭鷹壁掛(左)","Creator":"精華陶瓷","CreatedYear":"1988","Size":"14×4×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318153","MainTitle":"貓頭鷹壁掛(右)","Creator":"精華陶瓷","CreatedYear":"1989","Size":"14×4×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318154","MainTitle":"貓頭鷹/古木立與香菇","Creator":"精華陶瓷","CreatedYear":"1989","Size":"18×13.5×25.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318155","MainTitle":"貓頭鷹/果實","Creator":"精華陶瓷","CreatedYear":"1989","Size":"14.5×12.5×21.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318156","MainTitle":"貓頭鷹(小)","Creator":"精華陶瓷","CreatedYear":"1989","Size":"9×7×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318157","MainTitle":"鴞(小)","Creator":"精華陶瓷","CreatedYear":"1988","Size":"7×4.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318158","MainTitle":"酒瓶系列：獾","Creator":"精華陶瓷","CreatedYear":"1980","Size":"20.5×15×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318159","MainTitle":"酒瓶系列：金色小古董車","Creator":"精華陶瓷","CreatedYear":"1990","Size":"11×6.5×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318160","MainTitle":"酒瓶系列：黑色小古董車","Creator":"精華陶瓷","CreatedYear":"1990","Size":"11×6.5×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318161","MainTitle":"酒瓶系列：白色小古董車","Creator":"精華陶瓷","CreatedYear":"1990","Size":"11×6.5×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318162","MainTitle":"大角羊/岩石","Creator":"精華陶瓷","CreatedYear":"1988","Size":"18×8.5×20.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318163","MainTitle":"花色頭大鴨(音)","Creator":"精華陶瓷","CreatedYear":"1982","Size":"33×12.5×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318164","MainTitle":"褐頭水鴨(小)","Creator":"精華陶瓷","CreatedYear":"1986","Size":"13×5×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318165","MainTitle":"鵝","Creator":"精華陶瓷","CreatedYear":"1987","Size":"19×10.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318166","MainTitle":"塘鵝","Creator":"精華陶瓷","CreatedYear":"1986","Size":"15×14×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318167","MainTitle":"綠頭大鴨","Creator":"精華陶瓷","CreatedYear":"1986","Size":"33×12.5×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318168","MainTitle":"狗/伏","Creator":"精華陶瓷","CreatedYear":"1989","Size":"12×8×3.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318169","MainTitle":"綠頭鴨/水上飛(大)","Creator":"精華陶瓷","CreatedYear":"1987","Size":"14×7×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"該大型綠頭鴨西洋瓷偶係精華陶瓷公司接受廠商委託設計、製作之產品，以瓷土注漿成形體胚胎，高溫燒製後再上彩色釉料低溫燒製而成。其造形以綠頭鴨在水上飛行之姿態呈現，頗具蓄勢而發之動態感，振翅起飛之姿態相當優美順暢，與水波浪花呼應完美契合，興起展翅高飛之雄心大志。\n綠頭鴨又名大頭綠鴨，是一種水鴨，在溫帶和亞熱帶的美洲、歐亞大陸和北非繁殖。雄鴨有綠色頭部，而雌鴨主要有棕色斑點羽毛，兩性翅膀上都有一片稱為翼鏡羽的白邊黑色或虹彩紫色或藍色羽毛區域；雄鴨尤其傾向於有藍色翼鏡羽。 該作品整體造形與用色相當調和，完全吻合綠頭鴨天然繽紛之色彩，栩栩如生，有種稍縱即逝之感覺，直叫人愛不釋手。\n精華藝術陶瓷股份有限公司位於苗栗縣公館鄉，專門從事藝術陶瓷器製造、內外銷及各種陶瓷器材類之製造與銷售。 （詮釋委員：何明泉）","ImageUrl":""}
,{"Identifier":"200318170","MainTitle":"綠頭鴨/竹中立(小)","Creator":"精華陶瓷","CreatedYear":"1987","Size":"12×6×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318171","MainTitle":"野鴨/木立","Creator":"精華陶瓷","CreatedYear":"1987","Size":"11.5×8.5×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318172","MainTitle":"酒瓶系列：褐頭鴨 (大)","Creator":"精華陶瓷","CreatedYear":"1980","Size":"21.5×17×32","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318173","MainTitle":"酒瓶系列：綠頭鴨 (大)","Creator":"精華陶瓷","CreatedYear":"1980","Size":"18.5×17.5×33","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200318174","MainTitle":"酒瓶系列：火雞與鼬鼠","Creator":"精華陶瓷","CreatedYear":"1986","Size":"21.8×15.5×23.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE4MTc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319001","MainTitle":"吮姆指小孩","Creator":"建超陶瓷","CreatedYear":"1995","Size":"27.5×27.5×52","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319002","MainTitle":"坐姿中國娃娃","Creator":"建超陶瓷","CreatedYear":"1995","Size":"33×31.5×51.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319003","MainTitle":"蘇格蘭服坐姿娃娃","Creator":"建超陶瓷","CreatedYear":"1995","Size":"27.5×26×60","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319004","MainTitle":"小女孩推嬰兒車","Creator":"建超陶瓷","CreatedYear":"1995","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319004001","MainTitle":"小女孩推嬰兒車/小女孩","Creator":"建超陶瓷","CreatedYear":"1995","Size":"18×15.5×37","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319004002","MainTitle":"小女孩推嬰兒車/嬰兒車","Creator":"建超陶瓷","CreatedYear":"1995","Size":"23×18×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319005","MainTitle":"彈豎琴少女","Creator":"建超陶瓷","CreatedYear":"1995","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319005001","MainTitle":"彈豎琴少女/少女","Creator":"建超陶瓷","CreatedYear":"1995","Size":"17.5×21×36.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319005002","MainTitle":"彈豎琴少女/豎琴","Creator":"建超陶瓷","CreatedYear":"1995","Size":"18×9×31.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319005003","MainTitle":"彈豎琴少女/凳子","Creator":"建超陶瓷","CreatedYear":"1995","Size":"10.5×7×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDA1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319006","MainTitle":"打鼓男孩","Creator":"建超陶瓷","CreatedYear":"1995","Size":"15×16×36","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319007","MainTitle":"紅衣洋裝英國女孩","Creator":"建超陶瓷","CreatedYear":"1995","Size":"30×25×61","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319008","MainTitle":"紅衣褲裝英國男孩","Creator":"建超陶瓷","CreatedYear":"1995","Size":"28.5×26×62","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319009","MainTitle":"歐洲鄉村女孩/坐姿","Creator":"建超陶瓷","CreatedYear":"1995","Size":"29×29×61","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319010","MainTitle":"戴帽紅外套古典仕女","Creator":"建超陶瓷","CreatedYear":"1989","Size":"29×23.5×61","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319011","MainTitle":"粉紅古典仕女","Creator":"建超陶瓷","CreatedYear":"1989","Size":"27×21×60","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319012","MainTitle":"黑衣洋裝女孩","Creator":"建超陶瓷","CreatedYear":"1989","Size":"33×28×58","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319013","MainTitle":"雀斑女孩","Creator":"建超陶瓷","CreatedYear":"1989","Size":"41×27×51","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319014","MainTitle":"戴草帽坐姿少女","Creator":"建超陶瓷","CreatedYear":"1989","Size":"25×23.5×51.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319015","MainTitle":"坐姿少女/抱布熊","Creator":"建超陶瓷","CreatedYear":"1989","Size":"28.5×24×44.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319016","MainTitle":"坐姿寶寶","Creator":"建超陶瓷","CreatedYear":"1995","Size":"24.5×19×45","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319017","MainTitle":"憨臉坐姿娃娃/象付","Creator":"建超陶瓷","CreatedYear":"1995","Size":"29×27×61","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319018","MainTitle":"吃棒棒糖男孩","Creator":"建超陶瓷","CreatedYear":"1995","Size":"28.5×20×56","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319019","MainTitle":"吮拇指寶寶/布娃娃","Creator":"建超陶瓷","CreatedYear":"1995","Size":"29×19×56.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319020","MainTitle":"穿學生服女孩","Creator":"建超陶瓷","CreatedYear":"1989","Size":"29×16×58","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319021","MainTitle":"小紅帽與大野狼組","Creator":"建超陶瓷","CreatedYear":"1989","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319022","MainTitle":"抱毯子坐姿寶寶 ","Creator":"建超陶瓷","CreatedYear":"1995","Size":"25.5×27×46","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319023","MainTitle":"活動娃娃/粉紅直條紋連身服","Creator":"建超陶瓷","CreatedYear":"1989","Size":"18×16×44.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319024","MainTitle":"活動娃娃/淡粉紅小洋裝","Creator":"建超陶瓷","CreatedYear":"1989","Size":"21.5×17×45.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200319038","MainTitle":"鄉村姑娘：綁公主頭/紅格洋裝","Creator":"建超陶瓷","CreatedYear":"1989","Size":"19×13×47","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200319041","MainTitle":"鄉村姑娘：戴帽藍條紋洋裝","Creator":"建超陶瓷","CreatedYear":"1995","Size":"27×17×67","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319042","MainTitle":"鄉村姑娘：粉紅碎花天藍色裙擺洋裝","Creator":"建超陶瓷","CreatedYear":"1995","Size":"29×18×66","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319043","MainTitle":"鄉村姑娘：酒紅碎花/乳白色裙擺洋裝","Creator":"建超陶瓷","CreatedYear":"1995","Size":"28×19×57.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200319045","MainTitle":"鄉村姑娘：灰白色洋裝","Creator":"建超陶瓷","CreatedYear":"1989","Size":"29×16×57","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319046","MainTitle":"女/黑衣騎馬裝","Creator":"建超陶瓷","CreatedYear":"1989","Size":"22×11.4×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319047","MainTitle":"維多利亞/傘持","Creator":"建超陶瓷","CreatedYear":"1989","Size":"19×13.5×49","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200319049","MainTitle":"藍色背心裙/抱布娃娃","Creator":"建超陶瓷","CreatedYear":"1989","Size":"17.5×16×40.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319050","MainTitle":"穿睡衣女孩/抱枕頭與布娃娃","Creator":"建超陶瓷","CreatedYear":"1989","Size":"19.5×10×40","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319051","MainTitle":"女/放風箏","Creator":"建超陶瓷","CreatedYear":"1995","Size":"19×14×40","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319052","MainTitle":"碎花背心裙/籃與抱布熊","Creator":"建超陶瓷","CreatedYear":"1995","Size":"20.5×16.5×41","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319053","MainTitle":"白色芭蕾舞/音","Creator":"建超陶瓷","CreatedYear":"1989","Size":"17×12×42.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319054","MainTitle":"紅色芭蕾舞/音","Creator":"建超陶瓷","CreatedYear":"1989","Size":"18.5×15×40","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319055","MainTitle":"男拉小提琴/音","Creator":"建超陶瓷","CreatedYear":"1989","Size":"15×15×37","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319056","MainTitle":"女拉小提琴/音","Creator":"建超陶瓷","CreatedYear":"1989","Size":"16×15.5×37","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319057","MainTitle":"女孩提鳥籠/音","Creator":"建超陶瓷","CreatedYear":"1989","Size":"20×19×39","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319058","MainTitle":"拿羽毛面具/音","Creator":"建超陶瓷","CreatedYear":"1989","Size":"16×15.5×39","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200319063003","MainTitle":"紫服媽媽搖床(音)/ 凳","Creator":"建超陶瓷","CreatedYear":"1989","Size":"10.5×7×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDYzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200319065","MainTitle":"女坐姿寶寶/奶嘴音)","Creator":"建超陶瓷","CreatedYear":"1989","Size":"19×16.5×23.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319066","MainTitle":"睡竹籃寶寶","Creator":"建超陶瓷","CreatedYear":"1989","Size":"28.5×16.5×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319067","MainTitle":"睡褥墊寶寶","Creator":"建超陶瓷","CreatedYear":"1989","Size":"30×19×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200319071","MainTitle":"茶色服/提籃採果子","Creator":"建超陶瓷","CreatedYear":"1989","Size":"22.5×13×42","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319072","MainTitle":"送禮/黃碎花小禮服","Creator":"建超陶瓷","CreatedYear":"1989","Size":"21.5×9×42.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319073","MainTitle":"白鴿少女/白紗小禮服","Creator":"建超陶瓷","CreatedYear":"1989","Size":"18×9×41","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319074","MainTitle":"乳白底小花小禮服/餵鳥","Creator":"建超陶瓷","CreatedYear":"1989","Size":"17.5×9×40","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319075","MainTitle":"戴帽男孩/捕魚","Creator":"建超陶瓷","CreatedYear":"1989","Size":"17×9×43","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319076","MainTitle":"擦口紅","Creator":"建超陶瓷","CreatedYear":"1989","Size":"15×10×43.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319077","MainTitle":"粉紅小禮服/梳頭髮","Creator":"建超陶瓷","CreatedYear":"1989","Size":"18×8×41","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319078","MainTitle":"上學/三本書持","Creator":"建超陶瓷","CreatedYear":"1989","Size":"17.5×8×39","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319079","MainTitle":"古典鄉村女孩/粉紅小洋裝","Creator":"建超陶瓷","CreatedYear":"1989","Size":"22×11×41","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319080","MainTitle":"坐姿男黑人娃娃/連身服","Creator":"建超陶瓷","CreatedYear":"1989","Size":"20×21×23","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319081","MainTitle":"坐姿女黑人娃娃/粉紅小禮服","Creator":"建超陶瓷","CreatedYear":"1989","Size":"23×24.5×23","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319082","MainTitle":"東歐小丑/金色服","Creator":"建超陶瓷","CreatedYear":"1989","Size":"15×8×41.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319083","MainTitle":"東歐小丑/紫紅與綠色服","Creator":"建超陶瓷","CreatedYear":"1989","Size":"18.5×11×50","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319084","MainTitle":"東歐小丑/白紗領圈","Creator":"建超陶瓷","CreatedYear":"1989","Size":"17.5×10×50","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDg0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319085","MainTitle":"東歐小丑/金色領圈","Creator":"建超陶瓷","CreatedYear":"1989","Size":"15.5×10×50","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319086","MainTitle":"古典紅色小娃娃/DORA","Creator":"建超陶瓷","CreatedYear":"1989","Size":"12.5×8.5×28","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDg2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319087","MainTitle":"古典藍色小娃娃/DORA","Creator":"建超陶瓷","CreatedYear":"1989","Size":"12.5×8.5×28","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200319095","MainTitle":"蕃茄姑娘","Creator":"建超陶瓷","CreatedYear":"1989","Size":"11×12.5×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200319097","MainTitle":"衛兵/付劍","Creator":"建超陶瓷","CreatedYear":"1989","Size":"11.5×8×27","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDk3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319098","MainTitle":"綠精靈","Creator":"建超陶瓷","CreatedYear":"1989","Size":"15×8.5×27","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDk4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319099","MainTitle":"樂隊指揮組","Creator":"建超陶瓷","CreatedYear":"1989","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDk5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319099001","MainTitle":"樂隊指揮/指揮者","Creator":"建超陶瓷","CreatedYear":"1989","Size":"13.5×11×25.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDk5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319099002","MainTitle":"樂隊指揮/指揮架","Creator":"建超陶瓷","CreatedYear":"1989","Size":"7×4×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MDk5MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319100","MainTitle":"腳受傷娃娃/哭泣","Creator":"建超陶瓷","CreatedYear":"1989","Size":"12×10×26","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MTAw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319101","MainTitle":"跳舞小女孩","Creator":"建超陶瓷","CreatedYear":"1989","Size":"13×12×24","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MTAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319102","MainTitle":"胖娃娃/天使","Creator":"建超陶瓷","CreatedYear":"1995","Size":"18.5×14×27.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MTAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319103","MainTitle":"胖娃娃/選美冠軍","Creator":"建超陶瓷","CreatedYear":"1995","Size":"18×14×33","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MTAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319104","MainTitle":"胖娃娃/吹號手","Creator":"建超陶瓷","CreatedYear":"1995","Size":"13×15×30","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MTA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319105","MainTitle":"胖娃娃/打電話","Creator":"建超陶瓷","CreatedYear":"1995","Size":"14×17×28","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MTA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319106","MainTitle":"日本娃娃：男紫色服/提布包","Creator":"建超陶瓷","CreatedYear":"1995","Size":"17×11×31","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MTA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319107","MainTitle":"日本娃娃：男綠吊帶褲","Creator":"建超陶瓷","CreatedYear":"1995","Size":"15.5×10×32","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MTA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319108","MainTitle":"日本娃娃：男桃色浴袍","Creator":"建超陶瓷","CreatedYear":"1995","Size":"11×11×32.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MTA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319109","MainTitle":"日本娃娃：男桔色浴袍","Creator":"建超陶瓷","CreatedYear":"1995","Size":"15×12×32.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MTA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200319110","MainTitle":"露肩水藍洋裝坐姿女孩","Creator":"建超陶瓷","CreatedYear":"1995","Size":"28×31×61","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE5MTEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320001","MainTitle":"立姿新娘","Creator":"鼎弘企業","CreatedYear":"2001","Size":"42×38×55","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320002","MainTitle":"立姿瓷身女孩(羅絲瑪莉/提包付)","Creator":"鼎弘企業","CreatedYear":"2001","Size":"22×15×62.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320003","MainTitle":"睡覺女嬰(仰躺嬰兒/枕頭)","Creator":"鼎弘企業","CreatedYear":"2001","Size":"71×29×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320004","MainTitle":"蕾絲少女","Creator":"天發實業公司林天賜","CreatedYear":"2001","Size":"15×14×23","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320011","MainTitle":"單鳥佇立系列：紅雀/雪樹立","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1995","Size":"12×8×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320012","MainTitle":"單鳥佇立系列：老鷹","Creator":"設計者：日本愛新陶瓷
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,{"Identifier":"200320013","MainTitle":"雙鳥佇立系列：雙青雀","Creator":"設計者：日本愛新陶瓷
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,{"Identifier":"200320014","MainTitle":"單鳥佇立系列：美國麻雀/鳥巢","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1989","Size":"13.5×9×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320015","MainTitle":"單鳥佇立系列：紫雀/桃紅黑尾鳥","Creator":"設計者：日本愛新陶瓷
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,{"Identifier":"200320016","MainTitle":"單鳥佇立系列：鴛鴦(公)","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1990","Size":"11.5×6×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320017","MainTitle":"單鳥佇立系列：綠背鳥與松果","Creator":"設計者：日本愛新陶瓷
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,{"Identifier":"200320018","MainTitle":"單鳥佇立系列：鴿","Creator":"設計者：日本愛新陶瓷
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,{"Identifier":"200320019","MainTitle":"單鳥佇立系列：綠背鳥與黃葉","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1994","Size":"12×10×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320020","MainTitle":"飛鳥系列：雁鴨/白蓮花","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1991","Size":"12.5×11×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320021","MainTitle":"飛鳥系列：褐紅朱雀/白色花","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1991","Size":"11.5×9×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320022","MainTitle":"飛鳥系列：褐雀/藍色花","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1995","Size":"12×10×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320023","MainTitle":"飛鳥系列：白腹灰雀/聖誕果實","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1991","Size":"11×9×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320024","MainTitle":"飛鳥系列：野鴨/雙翅前展","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1993","Size":"12.5×9.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320025","MainTitle":"飛鳥系列：海燕/側飛","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1993","Size":"12×11×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320026","MainTitle":"飛鳥系列：麻雀/側姿展翅","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1990","Size":"12.5×9×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320027","MainTitle":"飛鳥系列：歐利度/草莓","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1990","Size":"13×12×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320028","MainTitle":"飛鳥系列：蜂鳥/吹花蜜","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1992","Size":"12×9.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320029","MainTitle":"飛鳥系列：黑翅紅雀/白色花","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1992","Size":"11.5×10×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320030","MainTitle":"單鳥系列：藍鳥/桃紅色花","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1995","Size":"12×11×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320031","MainTitle":"雙鳥系列：杜鵑雛鳥","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1991","Size":"13×8.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320032","MainTitle":"枯木啄木鳥","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1989","Size":"9×7.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320033","MainTitle":"紅頭啄木鳥","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1988","Size":"12×9×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320034","MainTitle":"楓葉貓頭鷹","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1991","Size":"12.5×9.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320035","MainTitle":"立姿鴞","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1991","Size":"12×8×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320036","MainTitle":"單鳥系列(大)：朱雀/山茱萸","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1991","Size":"16.5×10.5×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320037","MainTitle":"單鳥系列(大)：褐腹雀","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1991","Size":"15.5×11×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320038","MainTitle":"單鳥系列(大)：藍背雀","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1991","Size":"16×11×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320039","MainTitle":"雙鳥系列(大)：青雀/山茱萸","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1991","Size":"22×11×21.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320040","MainTitle":"雙鳥系列(大)：朱雀","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1991","Size":"19×10.5×21.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200320041","MainTitle":"金絲雀/堇花","Creator":"設計者：日本愛新陶瓷
創作者：天發實業","CreatedYear":"1991","Size":"11×9×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIwMDQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321001","MainTitle":"酒瓶系列：李將軍","Creator":"其他-品牌商：McCormick Distilling Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1971","Size":"13.5×9×30.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件以Robert E. Lee李將軍為造型，羅伯特•E•李將軍是美國內戰期間南方邦聯最著名的國軍司令。他從1862年開始指揮北維吉尼亞軍隊，直到1865年投降，贏得精練戰術師的聲譽。羅伯特•E•李將軍身穿灰色聯盟軍制服挺立站著，雙眼凝視著遠方。他自信地將戴著手套的左手放在他的劍上，右手拿著灰色的哈迪帽(南方邦聯軍帽)。制服外套衣領上兩側的金星可看出他的軍階為三星將領，左側帶著流蘇的亮黃色精紡腰帶上飾著黃銅扣皮帶。在他身後是一輛有著大輪子的小型木製貨車。車上插著一根黃銅旗桿頭的旗杆，上面懸掛一面潔淨完好的聯盟軍旗(Dixie flag)。\r\n 此件酒器的瓶蓋以李將軍的頭部作隱藏，底座無注漿口，落款圖騰為一個類似美國老鷹國徽的圖案，圍繞著AMERICANA PORCELAIN© McCormick Distilling Company 「美國陶瓷/版權所有/麥考密克釀酒公司」的字樣。\r\n 酒瓶的製造出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上乾淨能源的天然瓦斯，於是決定來此地設廠。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321002","MainTitle":"酒瓶系列：傑克森將軍","Creator":"其他-品牌商：McCormick Distilling Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1971","Size":"13×10×31.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷威士忌酒瓶是以Stonewall Jackson 石牆傑克森將軍為造型。傑克森將軍是美國內戰期間南方邦聯著名的將領（1861-1863年），有勇敢又堅強的士兵和狡猾戰術家的稱譽，在第一次牛奔河之役(First Battle of Bull Run)中戰勝北軍，贏得「石牆」的名號。他成為繼羅伯特•E•李將軍之後最著名的南軍指揮官之一，在許多重要的軍事交戰中發揮了重要角色，並且贏得許多關鍵的戰役，然卻被己方軍隊誤認為是北方聯邦軍而射傷致死。\r\n 傑克遜將軍留著濃密的鬍鬚，頭戴灰色的軍用平頂帽，身穿南方邦聯軍制服與一雙黑皮革長騎兵靴。他手上持著一副雙筒望遠鏡，臉上帶著沉重而嚴厲的目光注視遠方，以側面觀之可見他挺立的鼻樑。他的衣領兩側各有三個金色的星星，加上衣袖兩側裝飾的徽章，顯示出他身為將領的官階；一雙手套掛在黃銅扣皮帶上，皮帶內側襯著明亮的精紡腰帶，下方懸掛官階寶劍於一側。黃銅扣上有CS兩字母，代表他所屬的Confederate States of America美利堅聯盟國。在他身後立著半面磚牆，其上插著一枝短的黃銅旗桿頭旗杆，懸掛著聯盟軍旗(Dixie flag)。\r\n 整體的刻劃細膩，彩繪逼真生動，以褐黑色著眼於陰影與皺褶處，加強立體感。臉部顏彩上也特別強調出西方人不同的瞳孔顏色，以及用眉毛線條營造出表情的感覺。此件酒器的瓶蓋以傑克森將軍的頭部作隱藏，底座無注漿口，落款圖騰為一個類似美國老鷹國徽的圖案，圍繞著AMERICANA PORCELAIN© McCormick Distilling Company 「美國陶瓷/版權所有/麥考密克釀酒公司」的字樣。\r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司雖將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段皆在日本技師的監督下完成，高品質管理業界出名，也因此在市場上賣出高價格。1981年左右，為提高效能，丸利公司從日本引進輸送帶作業於繪彩生產線，彩繪員除了技巧嫻熟，也必須在最短時間內準確快速地完成；瓷偶上色的作業因速度而更具技術挑戰性 (《苗栗裝飾陶瓷產業》p.44-45)。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321003","MainTitle":"酒瓶系列：傑克森/騎馬","Creator":"其他-品牌商：National Grenadier Bottle Club
其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"17.5×8×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件作品是以傑克森將軍騎在馬背上為造型的陶瓷酒瓶。傑克森將軍全名為湯瑪士•喬納桑•「石牆」•傑克森 Thomas Jonathan \"Stonewall\" Jackson ，生卒年為1824-1863年 。他的全名以凸版字體刻劃在底座側面。\r\n 傑克森將軍是美國內戰期間南方邦聯著名的將領，留著濃密的鬍鬚，以驍勇善戰知名，在第一次牛奔河之役(First Battle of Bull Run)中戰勝北軍，贏得「石牆」的名號。\r\n 他戴著哈迪帽，南方邦聯軍隊的制服帽，身穿淺墨綠色軍裝，上身與馬轉向右側看去，手上戴著白色手套拉著韁繩。從另一側(左側)觀之，可見到腰間配戴的長劍懸在左腿上，馬兒強健的左前腳與後蹄靠近，與另一邊不同方向，表現出行進的樣子。手中拉著的韁繩是成品後以真實皮質繩條繫上，帽子是這件陶瓷雕塑造型酒瓶的隱形瓶蓋。底座下無注漿口，有落款，以少見的陽刻形式字樣表現，內容記載傑克森將軍全名與生卒年，以及此件雕塑生產年月：1976年1月，與瓶裝廠「NAT’L GRENADIER BOTTLE CLUB」(國家特種兵團酒瓶俱樂部)的標註。 \r\n 作為酒瓶的主體雕塑，馬兒身體下方有兩大如岩石般的支柱，外觀上或顯得有些突兀，然推測是為增加容積與瓶器內的空間完整。以此可推測製模分片是將傑克森將軍上身與馬身接連一起製模，注漿成型後再整修，相繼粘接組合上馬腳、馬頭、將軍的四肢與配件。\r\n這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321004","MainTitle":"酒瓶系列：獵人","Creator":"其他-品牌商：Lionstone Distilleries, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"14×11×28","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件人形酒瓶造型是一位獵人。從他手上的獵槍與腰間的短刀，掛在荒野樹幹上的毛皮，以及地上的鐵環工具作為在林中設陷阱的圈套，由這些特徵判別他的職業；他全身服裝的風格，除了棕色毛帽、棕色圍領，其他如上衣、靴子與鞋套看起來皆是由皮革做成的。獵人蓄著黑色長鬍與長髮，由此判斷並非印地安人的特徵。\r\n 整體的刻劃與彩繪相當細膩逼真，將獵人所穿外套手臂下的流蘇、他的頭髮、鬍子、毛帽、荒野中的樹幹、毛皮獵物，這些不同物件的質感肌理都一一刻劃與描繪出來。作為酒瓶，可從外觀推測從底座、岩石上的樹幹，以及與樹幹連成體的獵人的左腳、獵人上身，都可成為容器，瓶蓋隱藏在獵人頭上的毛帽。雕塑正面的底座側邊可見原本預留有標示盛裝的酒品內容處，但今以不復見資訊標籤；底下落款標註是以排版字體印章形成陰刻的ORIGINAL LIONSTONE SCULPTURED PORCELAIN ©1976 L.D.L.LIMITED EDITION字樣，意即，原版石獅陶瓷雕塑1976年版權所有/石獅釀酒廠股份有限公司限量版。\r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000009b02f0e1756d9500223a7fcc6df31901ed3aa8d362c2652e979d9ed4f964d49c79f61e55ac5e7f17c9573afe2461fc85fc41f7c52cc216cec9230e24fd83347a"}
,{"Identifier":"200321005","MainTitle":"酒瓶系列：長筒靴(大)","Creator":"其他-品牌商：J.P. Van Winkle & Son
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"19×8×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件長筒靴造型的陶瓷酒瓶有著相當擬真的皮革外表，在塑造上重視細部與比例，展現了裝飾陶瓷釉上彩繪的技法功夫。歐美酒莊釀酒一開始多半儲存於木桶中，裝酒容器、分酒瓶器便因應個人化需求而生。運用雕塑體中空的特性，結合儲酒分瓶的功能與其紀念性主題和裝飾性，陶瓷造型酒瓶成為美國大眾觀賞、收藏的物件。\r\n 以靴子形狀的容器(或真的靴子)喝酒或裝酒，起源於普魯士軍隊，以及後來的慕尼黑啤酒節，稱為Das Boots啤酒靴子。而以釀造波本威士忌聞名的美國肯塔基州羅倫斯堡市，在1780年代初最先是由德國移民定居於此，再加上，在海外看過這種喝酒方式的二戰士兵回到美國，靴子形酒器可能因此間接傳入了北美洲。由此推測靴子造型作為酒器的連結由來。\r\n 長靴鞋底貼有釀酒廠與容器內裝的酒品資訊，標示為：OLD COMMONWEALTH老聯邦 (這裡應是指肯塔基州內的聯盟組織，而非前大英國協領地的國家) / Kentucky Straight Bourbon Whisky肯塔基純波本威士忌 / GENUINE PORCELAIN DECANTER 精製陶瓷酒瓶 / Aged 7 Years in the Wood 7年木桶陳化 / 80 PROOF 750ml (25.4 Fl.Oz.) 美規酒精強度標準80、容量750ml / Bottled by J. P. Van Winkle & Son 由釀酒商J. P. Van Winkle & Son瓶裝 / Lawrenceburg. Kentucky 羅倫斯堡市，肯塔基。另外，在鞋跟的部分也標註了釀酒商的名字，製作年分1982，以及貼有一張金色圓標貼紙，標示「CONTAINER MADE IN TAIWAN」為臺灣製造的容器。\r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上乾淨能源的天然瓦斯，於是決定來此地設廠，進而帶動起裝飾陶瓷生產線的興起。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321006","MainTitle":"酒瓶系列：消防隊標誌","Creator":"設計者：International Association of Fire Fighters
其他-品牌商：Lionstone Distilleries, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"20×6×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這個瓷瓶酒器的形狀是國際消防員的徽章，其上IAFF的字母代表的是國際消防員協會（International Association of Fire Fighters，IAFF），也是美國與加拿大職業消防員的工會聯盟。徽章的形狀源自於馬爾他十字勳章，通常會在消防車以及消防員的衣服和頭盔上看到。馬爾他十字是保護與榮譽的象徵，溯及自十字軍東征時期的榮譽徽章。以紅色圓形上一個金字F (Fire)為中心，向上下左右四方伸出金色扇形，下方扇形上有AFL–CIO 的字母，代表The American Federation of Labor and Congress of Industrial Organizations 美國勞工聯合會-產業工會聯合會，以及CLC的字母，代表Canadian Labour Congress加拿大全國總工會。此徽章造型也出現在丸利陶瓷生產製作的「消防員與爬桿」的酒瓶上。\r\n 標誌後方有落款標註，是以排版字體印章形成陰刻的ORIGINAL LIONSTONE SCULPTURED PORCELAIN ©1975 L.D.L.LIMITED EDITION字樣，意即，原版石獅陶瓷雕塑1975年版權所有/石獅釀酒廠股份有限公司限量版。右下角有一日本丸利商標MR (Maruri) 的刻印。由此落款推測，這是位於肯塔基州的石獅釀酒廠為國際消防員協會出品生產的紀念酒款，特別以該單位的標誌造型作為酒瓶，向日本丸利陶瓷訂購造型瓶裝。此造型完整，開模較為容易，然而釉上彩繪的紅色與金色色澤飽滿，相當難得。\r\n 丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，以及乾淨能源的天然瓦斯，於是決定在此設廠。廠房管理與技術指導由日方引入，加上苗栗居民克勤克儉的工作精神，促成裝飾陶瓷這項勞力密集的產業迅速蓬勃發展，為臺灣賺取巨額的外匯收入，產業初期的出口值從民國60年的41萬美元提昇至民國77年的3億美元。(資料來源：「蛻變中的苗栗陶—外銷vs.文化休閒的五穀文化村案例」，賀豫惠、葉相君，《工藝雜誌》NO.4)。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321007","MainTitle":"酒瓶系列：康康舞女郎/單手扇持","Creator":"其他-品牌商：Lionstone Distilleries, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"13×9.75×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件酒瓶的瓶身是一個歌舞廳中的表演臺，以壁龕的形式呈現舞臺上的布幕與聚光燈，極具觀賞效果。在壁龕中的舞臺間站著一位康康舞女郎，她單手持著扇子，身穿紅色的康康舞衣與黑色的高跟鞋，身材姣好；頭上黑髮挽起至後頭，戴著希臘式歌劇演員風格的髮飾，眼神嬌媚地拋向左邊遠方。\r\n 壁龕式的舞臺有著淡藍色與灰白的漸層暈染，是以噴槍將釉藥勻稱的噴上以達效果(稱為噴彩)，其上的星形可能先以星狀紙片遮蓋起再噴繪，也可能是噴彩後再繪上；龕口外緣的雙排鉚釘狀燈泡，為求整齊迅速，推測應是模型中與龕一體成形的。丸利陶瓷外銷的產品中有很大部分是瓷偶，此件酒瓶造型即結合了瓷偶—康康舞女郎作為裝飾，也就是在龕型瓶身凹進去的空間內鑲入粘合上成品的瓷偶。瓷偶的肌膚色是在泥漿中加入色料，調製成有顏色的泥漿，直接燒成頭、手和腳等皮膚裸露部分，這與服裝上的鮮紅與乳白，以色料調製油性介質再用筆塗繪上去的方式是不同的。瓷偶臉上的五官是水溶性彩繪，稱為顏彩，著重在眼線、眼珠、睫毛、眉毛和嘴巴五大部位，是一個瓷偶神情生動掌握的關鍵。 \t\r\n 從瓶底下的落款標註，可知是位於肯塔基州的石獅釀酒廠所訂製。以排版字體印章形成陰刻的ORIGINAL LIONSTONE SCULPTURED PORCELAIN ©1977 L.D.L.LIMITED EDITION字樣，意即，原版石獅陶瓷雕塑1977年版權所有/石獅釀酒廠股份有限公司限量版。這件作品是由臺灣苗栗的丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠製作生產。\r\n 苗栗丸利陶瓷是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。1981年左右，為提高效能，丸利公司從日本引進輸送帶作業於繪彩生產線，彩繪員除了技巧嫻熟，必須在在短時間內準確快速地完成；瓷偶上色的作業因速度而更具技術挑戰性 (《苗栗裝飾陶瓷產業》p.44-45)。一位曾在苗栗丸利工作的員工憶及她於日本受訓顏彩技巧的經驗說：「到那邊光是眼睛就畫掉三個月，但是那三個月對我而言受益無窮。顏彩的最高境界是用毛筆，點到某一程度或顏色沾到某一程度，直接點下去就非常圓的…」(《苗栗裝飾陶瓷產業》p.62)。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000054ad0d5f932d9d02331cb1bf84fbbb6965393325cc9e598363c0b5ba7f8c8b7b27c947ad5c99932df6795bab9a58b81e3edbe8eab2dc12aeb5cd9a5a37eeee21"}
,{"Identifier":"200321008","MainTitle":"酒瓶系列：康康舞女郎/翹臀","Creator":"其他-品牌商：Lionstone Distilleries, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"13×9.75×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件酒瓶的瓶身是一個歌舞廳中的表演臺，以壁龕的形式呈現舞臺上的布幕與聚光燈，極具觀賞效果。在壁龕中的舞臺間站著一位康康舞女郎，她的舞裙上掀起，以露出的圓臀向觀眾，側身回眸一笑。她有一頭棕髮，挽起成頭頂上的髮髻，戴著黑色長及上胳膊的手套，身穿紅色的康康舞衣、褲襪(大腿上的棕線簡化)與黑色的高跟鞋，身材姣好；透過動感線條翻騰起的舞裙，可捕捉到女郎嬌嫩的臉龐。\r\n 壁龕式的舞臺有著淡藍色與灰白的漸層暈染，是以噴槍將釉藥勻稱的噴上以達效果(稱為噴彩)，其上的星形可能先以星狀紙片遮蓋起再噴繪，也可能是噴彩後再繪上；龕口外緣的雙排鉚釘狀燈泡，為求整齊迅速，推測應是模型中與龕一體成形的。丸利陶瓷外銷的產品中有很大部分是瓷偶，此件酒瓶造型即結合了瓷偶—康康舞女郎作為裝飾，也就是在龕型瓶身凹進去的空間內鑲入粘合上成品的瓷偶。瓷偶的肌膚色是在泥漿中加入色料，調製成有顏色的泥漿，直接燒成頭、手和腳等皮膚裸露部分，這與服裝上的鮮紅與黑邊，以色料調製油性介質再用筆塗繪上去的方式是不同的。瓷偶臉上的五官是水溶性彩繪，稱為顏彩，是一個瓷偶神情生動掌握的關鍵；著重在眼線、眼珠、睫毛、眉毛和嘴巴五大部位，臉上腮紅則是噴彩而成。\r\n 從瓶底下的落款標註，可知是位於肯塔基州的石獅釀酒廠所訂製。以排版字體印章形成陰刻的ORIGINAL LIONSTONE SCULPTURED PORCELAIN ©1977 L.D.L.LIMITED EDITION字樣，意即，原版石獅陶瓷雕塑1977年版權所有/石獅釀酒廠股份有限公司限量版。這件作品是由臺灣苗栗的丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠製作生產。 \r\n 苗栗丸利陶瓷是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。1981年左右，為提高效能，丸利公司從日本引進輸送帶作業於繪彩生產線，彩繪員除了技巧嫻熟，必須在在短時間內準確快速地完成；瓷偶上色的作業因速度而更具技術挑戰性 (《苗栗裝飾陶瓷產業》p.44-45)。一位曾在苗栗丸利工作的員工憶及她於日本受訓顏彩技巧的經驗說：「到那邊光是眼睛就畫掉三個月，但是那三個月對我而言受益無窮。顏彩的最高境界是用毛筆，點到某一程度或顏色沾到某一程度，直接點下去就非常圓的…」(《苗栗裝飾陶瓷產業》p.62)。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000c2f91387ac42a7c79cc4360ae692366f2706198353ed9accbe53ab55c96df12b982df803e472755fabffb574e873667532a9e165a0a3a9848826324c3db4598b"}
,{"Identifier":"200321009","MainTitle":"酒瓶系列：康康舞女郎/雙手下","Creator":"其他-品牌商：Lionstone Distilleries, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"13×9.75×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件酒瓶的瓶身是一個歌舞廳中的表演臺，以壁龕的形式呈現舞臺上的布幕與聚光燈，極具觀賞效果。在壁龕中的舞臺間站著一位康康舞女郎，臉上像是要準備開始表演的神情，身體、手與腳，帶著起手式的姿態。她身穿比基尼式的紅色康康舞衣與黑色高跟鞋，髮飾、頸環、手環都以紅參雜著黃的顏色表現；顯得俗艷吸睛。\r\n 壁龕式的舞臺有著淡綠色與淺黃的漸層暈染，是以噴槍將釉藥勻稱的噴上以達效果(稱為噴彩)，其上的星形可能先以星狀紙片遮蓋起再噴繪，也可能是噴彩後再繪上；龕口外緣的雙排鉚釘狀燈泡，為求整齊迅速，推測應是模型中與龕一體成形的。丸利陶瓷外銷的產品中有很大部分是瓷偶，此件酒瓶造型即結合了瓷偶—康康舞女郎作為裝飾，也就是在龕型瓶身凹進去的空間內鑲入粘合上成品的瓷偶。瓷偶的肌膚色是在泥漿中加入色料，調製成有顏色的泥漿，直接燒成頭、手和腳等皮膚裸露部分，這與服裝上的鮮紅與黑邊，以色料調製油性介質再用筆塗繪上去的方式是不同的。瓷偶臉上的五官是水溶性彩繪，稱為顏彩，是一個瓷偶神情生動掌握的關鍵；著重在眼線、眼珠、睫毛、眉毛和嘴巴五大部位，臉上腮紅則是噴彩而成。\r\n 從瓶底下的落款標註，可知是位於肯塔基州的石獅釀酒廠所訂製。以排版字體印章形成陰刻的ORIGINAL LIONSTONE SCULPTURED PORCELAIN ©1977 L.D.L.LIMITED EDITION字樣，意即，原版石獅陶瓷雕塑1977年版權所有/石獅釀酒廠股份有限公司限量版。這件作品是由臺灣苗栗的丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠製作生產。\r\n 苗栗丸利陶瓷是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。1981年左右，為提高效能，丸利公司從日本引進輸送帶作業於繪彩生產線，彩繪員除了技巧嫻熟，必須在在短時間內準確快速地完成；瓷偶上色的作業因速度而更具技術挑戰性 (《苗栗裝飾陶瓷產業》p.44-45)。一位曾在苗栗丸利工作的員工憶及她於日本受訓顏彩技巧的經驗說：「到那邊光是眼睛就畫掉三個月，但是那三個月對我而言受益無窮。顏彩的最高境界是用毛筆，點到某一程度或顏色沾到某一程度，直接點下去就非常圓的…」(《苗栗裝飾陶瓷產業》p.62)。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000040ffda66b4a7ed1489291359aa650c10d89aac59c1f3aa43d0b66e2cbd7b7d8b4267474543cf94b66f54ec6404017f41d28ad11770ed9a29113fd5e3e3f25052"}
,{"Identifier":"200321010","MainTitle":"酒瓶系列：比爾/捕牛大師","Creator":"其他-品牌商：McCormick Distilling Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1972","Size":"20×12×24.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件作品的造型是一位年長的牛仔牽著他的白馬。他身穿長及膝的靴子與皮外套，留著一頭白髮與山羊鬍，一手拉著韁繩，一手拿著牛仔帽。他是美國19世紀中至20世紀初的一名傳奇人物，名叫威廉•斐德列克•科迪William Frederick Cody，曾經參與過美國內戰、當過獵人，最後以牛仔競技與技能的表演創立了「荒野西部秀」Wild West Show，並且受邀到世界巡迴表演，賺取財富。美國內戰之後，科迪與美國堪薩斯太平洋鐵路工人簽訂了一份合約，向他們供應水牛（美國野牛）肉。據傳聞，科迪在1867年和1868年的18個月內殺死了4千多頭水牛，因而得到「水牛比爾」Buffalo Bill的綽號。\r\n 這件雕塑同時也是酒瓶器，從比爾脖子上的截線可知其頭部為瓶蓋。從酒瓶器的觀點來看雕塑外形會發現，比爾的右腳往後與馬兒的前腳連在一起，馬兒前腳又與一叢綠灌木接連一片，以此增加了瓶身容積。雕塑背面的綠灌木下方有一個水牛頭骨，象徵水牛比爾名號的由來。\r\n 歐美酒莊釀酒一開始多半儲存於木桶中，裝酒容器、分酒瓶器便因應個人化需求而生。運用雕塑體中空的特性，結合儲酒分瓶的功能與其紀念性主題和裝飾性，陶瓷造型酒瓶成為美國大眾觀賞、收藏的物件。 \r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上乾淨能源的天然瓦斯，於是決定來此地設廠，進而帶動起裝飾陶瓷生產線的興起。\r\n 雕塑的底部無注漿口也無落款，有一張貼紙顯示此件為來自日本的樣本，作為開模師參考而非銷售用，標示著「SAMPLE NOT FOR SALE / JAPAN」。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321011","MainTitle":"酒瓶系列：美國共濟會分支成員","Creator":"其他-品牌商：McCormick Distilling Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1973","Size":"11.5×8.5×35.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件作品造型是一名挺直站立於一個綠色檯座上，穿著正式黑色西裝套裝的男士。他頭帶著一頂土耳其式的紅色方形筒狀氈帽，一隻手放於胸前，臉上帶著祥和的笑容。檯座上標示著一句標語：I AM PROUD TO BE A SHRINER 我以身為一名共濟會分支兄弟 (SHRINER) 為榮。\r\n根據維基百科，SHRINER屬於共濟會的分支，正式名稱為「Ancient Arabic Order of the Nobles of the Mystic Shrine(古阿拉伯神秘神社貴族組織)」，成立於1870年佛羅里達州的坦帕市。共濟會源於英國類似兄弟會的組織，其最早可以追溯到十四世紀末的石匠行業協會，是一種非宗教性質的兄弟會，基本宗旨為倡導博愛、慈善，促進人類社會完善。SHRINER在美國及世界上其他各國都有組織，最知名的機構是橫跨北美各州22家SHRINER慈善兒童醫院。\r\n 以人形造型為酒瓶器，男士的紅氈帽成為瓶蓋，其上繪有該組織的特殊徽章，底部落款有一個類似美國老鷹國徽的圖騰，圍繞著AMERICANA PORCELAIN© McCormick Distilling Company 「美國陶瓷/版權所有/麥考密克釀酒公司」的字樣。麥考密克釀酒公司位於密蘇里州韋斯頓市，是密西西比河以西最古老的蒸餾廠，最早成立於1856年。由此可推測，此款造型是該酒廠為SHRINER組織所出品的酒，特向日本或臺灣丸利訂購的陶瓷酒瓶。\r\n 酒瓶的製造出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上乾淨能源的天然瓦斯，於是決定來此地設廠。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321012","MainTitle":"酒瓶系列：鐵甲武士","Creator":"其他-品牌商：McCormick Distilling Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1972","Size":"13×11.5×32","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件作品造型是一名挺直站立於綠地檯座上的鐵甲武士，全身穿著盔甲，武士將頭盔摘下抱在胸前，左手握著長長的寶劍。底座上標示著武士是亞瑟王傳說中大名鼎鼎的圓桌武士成員之一的蘭斯洛特SIR LANCELOT。他身上的盔甲裝飾刻劃得非常細膩，彩繪上使用少見的銀色塗裝全身盔甲，並以線條繪出原型上刻劃的盔甲紋路，腳上膝蓋與手臂上的關節都顯現出來，人物背後的披肩斗篷有著凹凸有致的波浪紋，手中的長劍應是掛在腿上，向後斜伸突出於披肩下方。蘭斯洛特武士為傳說人物，並無其真實面貌，這件人物造型的頭部作為瓶蓋，臉部顏彩繪出藍眼金髮的白種人面容。\r\n 底部落款有一個類似美國老鷹國徽的圖騰，圍繞著AMERICANA PORCELAIN© McCormick Distilling Company 「美國陶瓷/版權所有/麥考密克釀酒公司」的字樣。麥考密克釀酒公司位於密蘇里州韋斯頓市，是密西西比河以西最古老的蒸餾廠，最早成立於1856年。\r\n 酒瓶的製造出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上乾淨能源的天然瓦斯，於是決定來此地設廠。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。1981年左右，為提高效能，丸利公司從日本引進輸送帶作業於繪彩生產線，彩繪員除了技巧嫻熟，必須在在短時間內準確快速地完成；瓷偶上色的作業因速度而更具技術挑戰性 (《苗栗裝飾陶瓷產業》p.44-45)。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321013","MainTitle":"酒瓶系列：瑞典女高音歌手","Creator":"其他-品牌商：Foss Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1949","Size":"10×9×34","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件作品造型是一名女士雙手垂放於身前腰際，站立於方形檯座上。她穿著黃色的禮服，手臂上挽著水藍色的披巾，梳著中分挽起於耳際至後腦杓的髮髻，左右兩側並飾以紅黃花朵與綠葉。檯座上標示著她的名字：JENNY LIND 珍妮•林德。\r\n 珍妮•林德 (Johanna Maria “Jenny” Lind, 1820 –1887)是知名的瑞典女高音歌唱家，是19世紀最受推崇的歌手之一，在瑞典和整個歐洲的歌劇中擔任女高音表演，並於1850年應美國演藝經紀人巴納姆（P. T. Barnum）的邀請前往美國進行音樂會巡迴演出，受到廣大的歡迎，有「瑞典夜鶯」美譽。巴納姆為她安排舉辦了將近百場的大型音樂會，再加上她自己的巡迴，獲得了豐盛的收入，林德將其收益捐贈給慈善機構作為籌辦瑞典免費學校之用。巴納姆是康乃狄克州人，他曾擔任過該州的橋港市(Bridgeport)市長，於年近60始開始成為馬戲團經紀人，並且經營得相當成功，在美國與世界各地巡迴表演。他將財富所得與土地多數捐贈給政府與慈善機構，橋港市今日仍有以巴納姆為名的紀念節慶活動(Barnum Festival)。\r\n 以珍妮•林德人形造型為酒瓶器，林德的頭部與上肩成為了瓶蓋，底部落款為陰刻字體記載著MADE FOR J.DELIBRO / BARNUM FESTIVAL / EST. 1949 / BRIDGEPORT.CONN字樣，由此資訊可知，這是成立於1949年康乃狄克州橋港市的巴納姆節慶限定酒款，以受歡迎的珍妮•林德造型瓶器發行。底部並有鉛筆註記此件為贈品，因此無法確認製作年代與製造工廠；有可能是日本丸利公司取得作為原型開發的雕塑品，也有可能是送到苗栗丸利陶瓷做為樣本的贈品。\r\n 陶瓷人形以瓷土注漿成形後，經過第一道生檢手續，合格的才得以進入瓦斯窯窯燒 (1250-1280℃)，出窯後再經締檢手續，查看燒成的白體是否有瑕疵，良品才得進入釉彩彩繪階段，接著以低溫700-800℃電爐烤色而成。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321014","MainTitle":"酒瓶系列：鷹之舞者","Creator":"其他-品牌商：Foss Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"18×13×38.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這款陶瓷酒瓶是一位北美洲易洛魁原住民聯盟的巫師正表演著鷹之舞。巫師的腰間繫著綠色的褲襠布，臀部以紅色圓心環繞著羽毛裝飾，從頭部至肩膀穿戴上以真羽毛製成的老鷹裝束。他敞開雙臂呈現斜角的動態姿勢，表現出舞者模仿雄鷹飛行的英姿。美國原住民部落認為，鷹具有超自然的力量，能在天地之間移動並控制雨水和雷聲；鷹象徵智慧、勇氣和力量，一些部落甚至認為鷹的飛行代表著太陽運行的軌徑。老鷹的羽毛在美國原住民部落的眼中是神聖的，尤其是來自金鷹和禿頭鷹的，因此戴著鷹的羽毛是一種榮耀。鷹之舞的表演涵蓋了老鷹從出生到死亡的整個生命週期，一個或兩個舞者在中央模仿鷹的動作，而一群男舞者則提供背景歌聲與鼓樂。\r\n 這件來自Sky Company 酒莊釀酒一開始多半儲存於木桶中，裝酒容器、分酒瓶器便因應個人化需求而生。運用雕塑體中空的特性，結合儲酒分瓶的功能與其紀念性主題和裝飾性，陶瓷造型酒瓶成為美國大眾觀賞、收藏的物件。\r\n 此藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上乾淨能源的天然瓦斯，於是決定在此設廠。陶瓷人形以瓷土注漿成形後，經過第一道生檢手續，合格的才得以進入瓦斯窯窯燒 (1250-1280℃)，出窯後再經締檢手續，查看燒成的白坯體 (簡稱白體 white body) 是否有瑕疵，良品才進入釉彩彩繪階段，接著以低溫700-800℃電爐烤色而成。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321015","MainTitle":"酒瓶系列：北美印地安戰役/美軍雙人部隊","Creator":"其他-品牌商：Lionstone Distilleries, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"19.5×10×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 美國在西進擴張領土的時期與北美印地安原住民爭地，發生過大小衝突戰役，其中最知名的一場美軍慘敗的戰爭，是史上稱為小巨角的戰役（Battle of the Little Bighorn），又稱為卡斯特的最後一戰 (Custer's Last Stand)。此件碑形造型的敘事浮雕作品，是四組件之一，四個場景組合成的主題即是場面浩大的「卡斯特的最後一戰」全景。\r\n 這項戰爭發生於1876年，由在南北戰爭中聞名的第七騎兵團團長喬治•阿姆斯壯•卡斯特中校帶領美國陸軍，對戰由印地安蘇族、夏延與阿拉帕霍三部落組成的隊伍，爭戰主因是美軍為替印地安克洛族討回受到蘇族侵佔的領地，對方在蘇族酋長「瘋馬」Crazy Horse與巫師「坐牛」Sitting Bull的率領下，將卡斯特率領的軍團圍剿，包括卡斯特陣亡，多位士兵傷亡慘重。\r\n 此件造型描繪的場景是卡斯特中校騎在馬上面對攻擊，他的同袍受傷頭紮著繃帶，在地上隨後舉著步槍防衛。地上、岩壁上有傷亡的印地安人，左後方是另一組印地安人與美軍的對歭，此部分以浮雕的方式刻畫入背景的岩山與草叢地上。歷史戰爭透過複雜的構圖安排，顯出壯烈感。\r\n 此酒瓶以岩山造型為瓶身，表面除了浮雕，再粘合裝飾上穿著黃皮製軍裝、深色斯泰森牛仔帽與長筒黑皮靴的卡斯特中校，與藍衣的陸軍同袍。此件底座無落款，但根據網路上搜尋，現今美國二手物與藝品市場上仍有此物件的流通，得知當年這件威士忌酒瓶是出品給位在美國肯塔基州的石獅釀酒廠LIONSTONE DISTILLERIES, LTD.。製造工廠則是出自臺灣的丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)。位於苗栗的丸利陶器是由臺日股東合資，受到日本丸利公司在裝飾陶瓷方面的技術引導，成為1970年代帶動起臺灣苗栗地區的裝飾陶瓷產業的龍頭廠商之一，裝飾陶瓷產業盛況曾為臺灣賺取巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000e818ca9df5cdbaa60970aa868791003135c4a7d85a9527e01853e691d31199ff249024b353c7b235e52b30d27bcce01cecc57a761d067ba20efb5bb86462e1f2"}
,{"Identifier":"200321016","MainTitle":"酒瓶系列：北美印地安戰役/美軍單人騎兵","Creator":"其他-品牌商：Lionstone Distilleries, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"19×10×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 美國在西進擴張領土的時期與北美印地安原住民爭地，發生過大小衝突戰役，其中最知名的一場美軍慘敗的戰爭，是史上稱為小巨角的戰役（Battle of the Little Bighorn），又稱為卡斯特的最後一戰 (Custer's Last Stand)。此件碑形造型的敘事浮雕作品，是四組件之一，四個場景組合成的主題即是場面浩大的「卡斯特的最後一戰」全景。\r\n 這項戰爭發生於1876年，由在南北戰爭中聞名的第七騎兵團團長喬治•阿姆斯壯•卡斯特中校帶領美國陸軍，對戰由印地安蘇族、夏延與阿拉帕霍三部落組成的隊伍，爭戰主因是美軍為替印地安克洛族討回受到蘇族侵佔的領地，對方在蘇族酋長「瘋馬」Crazy Horse與巫師「坐牛」Sitting Bull的率領下，將卡斯特率領的軍團圍剿，包括卡斯特陣亡，多位士兵傷亡慘重。\r\n 此件造型描繪的場景是支援卡斯特中校的騎兵，騎著黃馬，手中握著短槍前來。他和士兵們穿過山徑，要來協助卡斯特，後方的士兵帶著軍團旗幟（紅色和藍色的十字劍）一起來對抗蘇族印地安人的猛烈進攻。以碑形山壁為造型的酒瓶，除了騎著黃馬身穿藍色陸軍制服的騎兵為另外雕塑後再裝飾於上，山壁外表上浮雕了共三匹馬與四名士兵的後援隊伍，尤其是在整體構成的右半部有馬頭的添加，讓浮雕層次細膩，更增加了整體陣容感，具歷史場景的戲劇效果。\r\n 底下落款標註是以排版字體印章形成陰刻的ORIGINAL LIONSTONE SCULPTURED PORCELAIN ©1978 L.D.L.LIMITED EDITION字樣，意即，原版石獅陶瓷雕塑1978年版權所有/石獅釀酒廠股份有限公司限量版。由此可知當年這件威士忌酒瓶是出品給位在美國肯塔基州的石獅釀酒廠LIONSTONE DISTILLERIES, LTD.。這件酒瓶的製作出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。受到日本丸利公司在裝飾陶瓷方面的技術引導與管理，商品與外銷管道多樣化，裝飾陶瓷產業盛況曾為臺灣賺取巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000002f92676adc4a28e1ee91f5de690ea15966afa95b923b6dc057ae52e4a4534ea684c8614d7df37ae15dffcef8588e20771a97c2244dc3be156a515df1d8138a3f"}
,{"Identifier":"200321017","MainTitle":"酒瓶系列：北美印地安戰役/美國原住民雙人","Creator":"其他-品牌商：Lionstone Distilleries, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"19×10×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 美國在西進擴張領土的時期與北美印地安原住民爭地，發生過大小衝突戰役，其中最知名的一場美軍慘敗的戰爭，是史上稱為小巨角的戰役（Battle of the Little Bighorn），又稱為卡斯特的最後一戰 (Custer's Last Stand)。此件碑形造型的敘事浮雕作品，是四組件之一，四個場景組合成的主題即是場面浩大的「卡斯特的最後一戰」全景。\r\n 這項戰爭發生於1876年，由在南北戰爭中聞名的第七騎兵團團長喬治•阿姆斯壯•卡斯特中校帶領美國陸軍，對戰由印地安蘇族、夏延與阿拉帕霍三部落組成的隊伍，爭戰主因是美軍為了替印地安克洛族討回受到蘇族侵佔的領地，對方在蘇族酋長「瘋馬」Crazy Horse與巫師「坐牛」Sitting Bull的率領下，將卡斯特率領的軍團圍剿，包括卡斯特陣亡，多位士兵傷亡慘重。\r\n 此件造型刻繪的場景顯示一場戰鬥的最終時刻。岩山背景的浮雕中，卡斯特的士兵以他們死去的戰馬作掩護，他們已經用盡了彈藥，只好以步槍為棍棒為自己的性命戰鬥。前景是一名騎著白馬，身穿全套皮衣頭戴羽毛冠的印地安酋長，手中拿著步槍揮舞炫耀的樣子；身旁是陸地上奔走的印地安步兵，沒有著衣，僅以綠色褲襠遮住臀部，他一手拿盾，一手舉起棍棒武器，準備攻擊。印地安酋長的白駒跨越於受傷而倒下的美軍戰馬身上，倒下的馬兒頭朝觀者，眼睛盯著上方，顯得相當生動逼真；背景中受傷的或奮力抗敵的士兵們，暗示美軍已無法阻止前進的拉科塔戰士(蘇族印地安人)。\r\n 底下落款標註是以排版字體印章形成陰刻的ORIGINAL LIONSTONE SCULPTURED PORCELAIN ©1978 L.D.L.LIMITED EDITION字樣，意即，原版石獅陶瓷雕塑1978年版權所有/石獅釀酒廠股份有限公司限量版。由此可知當年這件威士忌酒瓶是出品給位在美國肯塔基州的石獅釀酒廠LIONSTONE DISTILLERIES, LTD.。另有一張斑駁的貼紙聲明此件為樣本，不作銷售用。這件酒瓶的製作出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。受到日本丸利公司在裝飾陶瓷方面的技術引導與管理，商品與外銷管道多樣化，裝飾陶瓷產業盛況曾為臺灣賺取巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000d811ef0d76eaae8d571aff7b710084a05050221270e035ce50d4675c0af0e22e9d7efcf7db8f624ca4ad1f1b4cc19ec8aeb0569fac1d704bb9f32c6ab96beb0a"}
,{"Identifier":"200321018","MainTitle":"酒瓶系列：北美印地安戰役/美國原住民單人","Creator":"其他-品牌商：Lionstone Distilleries, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"19×10.5×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 美國在西進擴張領土的時期與北美印地安原住民爭地，發生過大小衝突戰役，其中最知名的一場美軍慘敗的戰爭，是史上稱為小巨角的戰役（Battle of the Little Bighorn），又稱為卡斯特的最後一戰 (Custer's Last Stand)。此件碑形造型的敘事浮雕作品，是四組件之一，四個場景組合成的主題即是場面浩大的「卡斯特的最後一戰」全景。\r\n 這項戰爭發生於1876年，由在南北戰爭中聞名的第七騎兵團團長喬治•阿姆斯壯•卡斯特中校帶領美國陸軍，對戰由印地安蘇族、夏延與阿拉帕霍三部落組成的隊伍，爭戰主因是美軍為替印地安克洛族討回受到蘇族侵佔的領地，對方在蘇族酋長「瘋馬」Crazy Horse與巫師「坐牛」Sitting Bull的率領下，將卡斯特率領的軍團圍剿，包括卡斯特陣亡，多位士兵傷亡慘重。\r\n 此件造型刻繪的場景是前進中的拉科塔戰士(蘇族印地安人)，背景為岩石山壁。印地安人在突襲中採取的策略是高速騎馬，前排的戰士頭上戴著仍帶角的水牛頭皮為飾，腿上圍穿著長長的皮革護腿套褲(chaps)，騎在勇健的黑白馬上，左臂戴著盾牌。在他身後的山壁上浮雕著另一名印地安戰士，他在頭頂上方揮舞著一塊紅色布，作為攻擊的信號。相較於同系列中另外兩座美軍騎兵的馬匹均向右方前進，此處的馬兒，包括山壁上浮雕的兩匹馬，皆朝向左方迎敵；由此可知四座以「北美印地安戰役」為主題的酒瓶擺設方向。\r\n 底下落款標註是以排版字體印章形成陰刻的ORIGINAL LIONSTONE SCULPTURED PORCELAIN ©1978 L.D.L.LIMITED EDITION字樣，意即，原版石獅陶瓷雕塑1978年版權所有/石獅釀酒廠股份有限公司限量版。由此可知當年這件威士忌酒瓶是出品給位在美國肯塔基州的石獅釀酒廠LIONSTONE DISTILLERIES, LTD.。這件酒瓶的製作出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。受到日本丸利公司在裝飾陶瓷方面的技術引導與管理，商品與外銷管道多樣化，裝飾陶瓷產業盛況曾為臺灣賺取巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000f7c507a64d7f773843bf8f2c7e53edb523907d22650560078abe99f82996855903f66c51f0f3052d235d32bfb91e53734d4ea421e131a263094ef4532da332e2"}
,{"Identifier":"200321019","MainTitle":"酒瓶系列：薩哈拉高球邀請賽","Creator":"其他-品牌商：Lionstone Distilleries, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1971","Size":"13×11.5×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 撒哈拉沙漠邀請賽是職業高爾夫球協會（PGA）的巡迴賽，該賽事於1958年至1976年在內華達州拉斯維加斯舉行，由撒哈拉大酒店贊助。1976年底，撒哈拉大沙漠邀請賽由於成本上漲，日程安排的衝突以及國內贊助減少而最終取消。\r\n 這件酒瓶瓶身上飾以一名高爾夫球手的雕塑。他的身體傾向一邊，雙手持桿，雙腳打開跟著搖擺，這些動作從他身上的淺綠羊毛衫與棕長褲上的皺褶，顯示出來。他的背景是浮雕於瓶身上的撒哈拉大酒店，以S字母標誌，藍色天空的拱型瓶正面有突出的SAHARA INVITATIONAL (撒哈拉邀請賽)金色字樣以半圓形排列；金蔥圓頂的標誌位於中間。在瓶身左側可以看到高爾夫球場上標幟著7號旗桿的果嶺與浮雕的棕櫚樹。根據國外網站上拍賣的同一物件可知，這款瓷瓶酒器是為紀念1975年撒哈拉高球國際邀請賽，相較之下，附著在瓶蓋頂部有一顆高爾夫球，於此件成品上並不存在，且此件藏品底部無落款。在彩繪技術上金色裝飾是較為少見的。金液彩繪在烤色時需讓窯內的黑煙(介質有機物)揮發乾淨，再關閉窯門，否則金液色澤變暗影響成品品質。(資料來源：「從典藏瓷偶看臺灣裝飾陶瓷的興衰與技術」，賀豫惠，《臺灣工藝文化叢書第13號典藏—裝飾陶瓷》)\r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上乾淨能源的天然瓦斯，於是決定在此設廠。丸利陶器在日本技術經驗的導入後，開啟貿易製造外銷的市場，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，外銷至歐美作為聖誕節飾品、禮物、旅遊或賽事的紀念性商品、收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000c1ecce7105b8baf4d58e272eee26d3b31329a95115fd293ae2b54d6bb62ca8a27b4d654c0439dca1df1946f10ccdbba88ec0988082dee07d1d696dced82a4284"}
,{"Identifier":"200321020","MainTitle":"酒瓶系列：印地安戰士(騎白馬) /斧持","Creator":"設計者：Delibro Specialties
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"18×11.5×28","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 美國在獨立戰爭後的西進拓荒運動中，隨著定居者遍布北美大陸，他們不可避免地與西部領土上的許多美洲原住民部落接觸。勇敢而明智的印地安領導人在18世紀末至19世紀初漸獲得軍民的認識，並贏得尊重和名聲。蘇族Sioux（拉科塔人）部落中富有魅力的首領Sitting Bull (坐牛)，也許是美洲原住民領袖中最知名的。\r\n 這件裝飾陶瓷造型表現一名印地安首領的馬上英姿，手上持著一把戰斧，極有可能是拉科塔首領Sitting Bull (坐牛)。在白色帶棕斑的駿馬上，他沉思地望著遠方，身穿綠色的傳統皮革服裝，白色的鹿皮鞋和令人印象深刻的羽毛頭飾。手中的斧頭是美國原住民戰士首選的近戰武器。他的面容上有凹陷的雙頰與突出的鷹勾鼻，刻劃極為生動；羽毛頭飾上色彩豐富，彩繪細膩。手中的韁繩是成品後以真實繩索綁上；頭部成為了隱形的瓶蓋。底部落款標示有 ©1975 DELIBRO SPECIALTIES的字樣，以及丸利標示此件為SAMPLE NOT FOR SALE / TMR-2221 參考用件非販售品的貼紙標幟。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上乾淨能源的天然瓦斯，於是決定在此設廠。丸利陶器在日本技術經驗的導入後，開啟貿易製造外銷的市場，尤以銷往美國為大宗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，外銷至國外作為聖誕節飾品、禮物特色商品、旅遊或賽事的紀念性商品、收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321021","MainTitle":"酒瓶系列：火雞與浣熊","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"26.5×14×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321022","MainTitle":"酒瓶系列：旋轉馬/白","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"24×9.5×26","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321023","MainTitle":"酒瓶系列：旋轉馬/灰","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"24×9.5×28.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321024","MainTitle":"酒瓶系列：旋轉獅","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"24×9.5×25.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321025","MainTitle":"酒瓶系列：旋轉虎","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"24×9.5×24","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321026","MainTitle":"酒瓶系列：馬/前腳雙立","Creator":"丸利陶瓷公司","CreatedYear":"1975","Size":"17.5×11.75×35.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321027","MainTitle":"酒瓶系列：青雀","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"19×14×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321028","MainTitle":"酒瓶系列：人形半身像","Creator":"設計者：Delibro
其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"16×12.5×26.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這款酒瓶造型為一座肖像頭像，他穿著西裝打上了領結。底座上可見到浮出的英文顯示為Phineas Taylor Barnum菲尼亞斯•泰勒•巴納姆。他是一位19世紀的美國演藝人員、政治家暨商人，因創立Barnum & Bailey Circus巴納姆和貝利馬戲團而聞名。巴納姆一開始以一個雜技團巡迴至各地旅行的方式經營，後來改成博物館的方式，於1870年成立了一間稱為「巴納姆行動大博物館暨動物園、行動車隊與競技場」(P. T. Barnum's Grand Traveling Museum, Menagerie, Caravan & Hippodrome) 的娛樂場所，裡頭包含有遊樂園與怪胎秀等，在美國19-20世紀初風行多年，雖然幾次因投資不良而經濟困頓，但他始終設法免於破產。這款酒瓷瓶捕捉了巴納姆獨特的容貌，有著高額頭、赤褐色捲髮、濃密的雙眉與紅潤的臉頰和鮮紅的嘴唇，眼睛的藍色瞳虹也仔細地繪出。底部落款可見為 ©COPYRIGHT / DELIBRO 1976；整個瓶身包含了肖像底座的部分，瓶口開在脖子上，整個頭部均被作為瓶蓋。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上乾淨能源的天然瓦斯，於是決定在此設廠。丸利陶器在日本技術經驗的導入後，開啟貿易製造外銷的市場，尤以銷往美國為大宗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，外銷至國外作為聖誕節飾品、禮物特色商品、旅遊或賽事的紀念性商品、收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。產業初期的出口值從民國60年的41萬美元提昇至民國77年的3億美元。(資料來源：「蛻變中的苗栗陶—外銷vs.文化休閒的五穀文化村案例」，賀豫惠、葉相君，《工藝雜誌》NO.4)。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321029","MainTitle":"酒瓶系列：羅斯福夫人","Creator":"其他-品牌商：McCormick Distilling Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1971","Size":"12.5×9.5×31.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件酒瓶以美國羅斯福總統夫人，安娜•埃莉諾•羅斯福（Anna Eleanor Roosevelt，1884-1962年）為造型。她在丈夫總統富蘭克林•羅斯福（Franklin D. Roosevelt）連任四個任期期間，於1933-1945年擔任美國第一夫人，是美國史上任職時間最長的第一夫人。羅斯福總統因麻痺性疾病失去雙腿正常行走能力後，埃莉諾開始在丈夫剩餘的政治職業生涯中，代表他公開露面，她雖然晚年廣受尊敬，但由於直言不諱的個性，也成為當時頗具爭議的第一夫人。\r\n 此件酒瓶雕塑了晚年的第一夫人形象。她穿著淺藍色的套裝裙，淺色上衣與黑色平底鞋。她在左臂上握著一束紅玫瑰，而右手伸出如似握手的手勢。酒瓶背面刻繪有一面旗幟，具史實推測，應是紐約聯合國大樓，因她於1968年在那裡獲頒聯合國人權獎。這面旗幟的徽章是聯合國徽章，然而紅色旗幟與天藍色的聯合國旗幟樣子不太一樣，天藍色的旗幟是聯合國大會於1946年刻意選擇的，因為它象徵著和平，與代表戰爭的顏色紅色相反。從瓶底落款可知，此酒瓶落款圖騰為一個類似美國老鷹國徽的圖案，外圍環繞著AMERICANA PORCELAIN (美國陶瓷)的字樣；由© McCormick Distilling Company麥考密克釀酒公司委託丸利陶瓷製作的，右下角有「MR」(Maruri)的刻印。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上乾淨能源的天然瓦斯，於是決定在此設廠。丸利陶器在日本技術經驗的導入後，開啟貿易製造外銷的市場，尤以銷往美國為大宗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，外銷至國外作為聖誕節飾品、禮物特色商品、旅遊或賽事的紀念性商品、收藏藝品。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321030","MainTitle":"酒瓶系列：北極探險家/皮利","Creator":"設計者：McCormick Distilling Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1971","Size":"13×10×32.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 羅伯特•埃德溫•皮利（Robert Edwin Peary Sr., 1856-1920）是一名美國探險家暨美國海軍軍官，於19世紀末至20世紀初，多次前往北極探勘。最終他以1909年4月6日的探險紀錄，聲稱他所領導的探險隊到達北極點而聞名。當時皮利聲稱到達北極的說法刊載在報紙上，起了熱烈的討論與質疑，但最終贏得廣泛的認可。儘管皮利可能並未真正到達北極點，根據後來的科學家與探險家的驗證，他離北極點也已經非常接近了，也因此皮利作為第一位到達北極的探險創舉成為了一項傳奇，許多地名皆以他名字為紀念，例如格陵蘭的皮利角Cape Peary，加拿大的皮利灣Peary Bay和皮利海峽Peary Channel，位在月亮上北極的隕石坑也以皮利命名。\r\n 這件酒瓶雕塑是以皮利在北極探險的模樣為造型。他全身都刻劃出毛皮的肌理質感，包括身上所穿禦寒的皮毛大衣，以及幫助皮利穿越寒地、在北極拉雪橇的哈士奇狗，都以細筆刀一筆一畫的刻出來；他的衣領也作出如花瓣一般的皺褶。手上拿著一個工具，是海上航行與野地探勘都會用到的六分儀，有助於依靠太陽來判斷地球上的方位。他倚靠在一座冰柱上，從左側看去似乎冰柱上刻有一些紀錄，但是頗為模糊，但整體的形象與製作都極為精細。底部落款為一個類似美國老鷹國徽的圖案，外圍環繞著AMERICANA PORCELAIN (美國陶瓷)的字樣；由© McCormick Distilling Company麥考密克釀酒公司委託丸利陶瓷製作的，右下角有「MR」(Maruri)的刻印。\r\n 丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321031","MainTitle":"酒瓶系列：亞瑟國王","Creator":"其他-品牌商：McCormick Distilling Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1971","Size":"14×12×26","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件酒瓶的造型是一個國王坐在木椅寶座上，一手舉起如沉思狀。他是亞瑟王 (KING ARTHUR)，英國文化中的一位傳奇人物。根據中世紀時期留傳下來的說法，他於5世紀末期領導英國對抗撒克遜人的入侵，然而現代歷史學家普遍認為歷史中並沒有這號人物存在。亞瑟王的故事鋪陳主要出現於民間傳說和文學中，亞瑟王的傳奇經常被編寫入英國民間故事或詩歌，廣受流傳與歡迎，成為英國文化的形象代表。\r\n 亞瑟王身上的盔甲、王冠、寶座上的獅頭裝飾全以金液塗繪；披肩、腰帶與鞋子，都以紅釉色彩繪，呈現亮澤。他的容貌英俊，臉上的顏彩細膩，在肌膚色的色土上以噴彩的方式噴上腮紅與灰色的捲髮及鬍子，加上藍黑雙色的瞳孔，非常考驗彩繪員的經驗技術。亞瑟王的頭部至頸部是為瓶蓋，由此推測人物上身的部分與底座屬於同一個模型，以作為裝酒的容器；而頭部、高椅背、雙手與膝蓋以下的雙腳皆是另製後黏接上去的。底部落款為一個類似美國老鷹國徽的圖案，外圍環繞著AMERICANA PORCELAIN (美國陶瓷)的字樣；由© McCormick Distilling Company麥考密克釀酒公司委託丸利陶瓷製作。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。其中彩繪分為水溶性的顏彩、油性介質的繪彩、以噴槍為工具的噴彩，以及偶有必要使用的金彩。金液彩繪在烤色時需讓窯內的黑煙(介質有機物)揮發乾淨，再關閉窯門，否則金液色澤變暗影響成品品質。(資料來源：「從典藏瓷偶看臺灣裝飾陶瓷的興衰與技術」，賀豫惠，《臺灣工藝文化叢書第13號典藏—裝飾陶瓷》) 苗栗丸利陶瓷是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念物、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321032","MainTitle":"酒瓶系列：歐胡島","Creator":"其他-品牌商：Hawaiian Distillers
其他-代工：丸利陶器股份有限公司","CreatedYear":"1973","Size":"27.5×6.5×23.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件酒瓶的造型是夏威夷群島的第三大島—歐胡島，約占美國夏威夷州人口的三分之二，該州的首府檀香山市位於島上東南的區域。除了首府，島上知名的地標與其他城市，皆標示出來。島型的瓶身上可見到地理紋理，如山脈、放牧場上有牛群、都市有高樓、跨橋、機場、大學…等，如地圖一般詳細的標示在島上。採取浮雕與彩繪的裝飾，加上地圖上的Oahu金色浮雕字體，顯得觀光宣傳意味濃厚。底部無落款。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。其中彩繪分為水溶性的顏彩、油性介質的繪彩、以噴槍為工具的噴彩，以及偶有必要使用的金彩。金液彩繪在烤色時需讓窯內的黑煙(介質有機物)揮發乾淨，再關閉窯門，否則金液色澤變暗影響成品品質。(資料來源：「從典藏瓷偶看臺灣裝飾陶瓷的興衰與技術」，賀豫惠，《臺灣工藝文化叢書第13號典藏—裝飾陶瓷》) \r\n 苗栗丸利陶瓷是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念物、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000079dac1ef1c0869dabfc41d6466a1a98cdc7407a87ba2144ee9edfcb762469a2091fd1f0c2abd5c2eeb135c89611ac1ca9c414fd7b5452b49b91bd15b75294fc1"}
,{"Identifier":"200321033","MainTitle":"酒瓶系列：縫製美國國旗","Creator":"其他-品牌商：Lionstone Distilleries, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"12×11×25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件酒瓶的造型是一位女士坐在木椅上，腿上披著一面美國國旗，雙手似乎要抓起國旗布料來縫製的樣子。根據美國文化中廣為流傳的說法，第一位縫製美國國旗的人可能不是美國總統、將軍或政治家，而是革命時期 (1775-1783) 最著名的人物，貝蒂•羅斯（Betsy Ross，1752-1836年）。1776年她縫製了第一面有著五星與條紋的美國國旗。19世紀後期貝蒂•羅斯成為愛國主義者的象徵人物。\r\n 這件作品的雕塑精細，將國旗布料的柔軟流動感、羅斯女士身上的衣服與帽子皺褶，都表現得非常自然，尤其在羅斯女士的衣領上，有著交錯菱格紋的刻畫，凸顯出衣服的質感。彩繪上也很講究仔細，讓帽子的水藍與衣領有著類似的混合色彩；相較於綠色的連身裙與美國國旗飽滿的塗色，有輕重的對照感。綠色的上衣與國旗的紅白藍，對照羅斯女士的橘髮與棕褐色木椅，色系調和搭配。羅斯女士臉上的顏彩也展現了瓷偶娃娃的製作技術，在肌膚色土上再以水溶性顏料手繪出眉毛、眼珠瞳孔、嘴唇。\r\n 作為容器，瓶口開在帽子，圓頂為瓶蓋。從羅斯女士坐在椅子上的外型判斷，整體近25公分高的酒瓶為同一個模型開模，椅背與女士的雙手則屬黏合的附件。底部落款為排版字體印章形成陰刻的「ORIGINAL LIONSTONE SCULPTURED PORCELAIN ©1975 L.D.L.LIMITED EDITION」字樣 (原版石獅陶瓷雕塑1975年版權所有/石獅釀酒廠股份有限公司限量版)。由此得知，這件酒瓶是由石獅釀酒廠交託丸利陶器製作。\r\n 丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念物、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000066be5602de3dc33fcb7dee56def10b73d29ce94227864a7ec7afcea700085903dd794630da57f362969812b64e2f510e7f11eb01be4544b93f3b6819c0f005e5"}
,{"Identifier":"200321034","MainTitle":"酒瓶系列：刮鬍子與理髮","Creator":"其他-品牌商：Lionstone Distilleries, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"27×9.5×25.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件酒瓶的造型是一位男士坐在理髮廳的椅上，後方的理髮師正拿著刮鬍刀要替他刮鬍子；而這位男士手中卻握著一把槍。此物件外銷至美國後的商品外包裝上說明了這件奇妙的雕塑人物互動。商品包裝的標題為The Barber:“Shave and a haircut, two bits.”「理髮師：刮鬍子與理髮，兩毛」。內容描述說明了此話的源由：人人都愛美，甚至剽悍的老西部牛仔也是。在荒野長途跋涉的旅程後，牛仔進城後的第一站就是到理髮沙龍光顧。在那裏牛仔可以在理髮廳後頭洗個澡，然後才坐到理髮椅子上，享受一下好幾個禮拜以來難得的修容時光。而這樣的服務僅收取兩毛錢 (現今的25分錢)。久而久之，形成了一句流行口號 「刮鬍子與理髮，兩毛」，並且以其七音節的韻律形式(Bom bom-bom bom bom: bam bam)成為口召與回應的短句，常常出現在音樂表演結束以取得喜劇性的效果，自19世紀末開始流行至今日仍在流行媒體中廣泛使用。在這件精彩的雙人塑像裡，牛仔握著槍並非真的在威脅理髮師。出於安全理由，牛仔不允許也永遠都不該將他的武器放在看不見的地方。\r\n 此件雕塑作為酒瓶，瓶口與瓶蓋位在理髮師的頸部，由於理髮師身體靠著理髮椅座與牛仔，可以推斷瓶身容積的部分也包含著牛仔，因此原型雕塑師在開模分片的工序上也得考量較全面仔細。創作裝飾陶瓷的原型雕塑師必須考量物件的開模分片；原型雕塑關乎產品主題的造型，可說是整個產業的靈魂。曾經於丸利公司擔任原型雕塑師的陳東榮先生回憶在日本受訓的經驗時說到：「原型師除了研發外，還要研究原型和開模之間的關係，如何分片、如何減少成本?」有些作品需要30幾組模具分別製作，必須在適當的乾濕度粘合、修整，曾經擔任丸利廠長的陳化坪先生在日誌中提到，「光是組合粘接就是一門精緻的工藝藝術」(《苗栗裝飾陶瓷產業》p.56、p.60)丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、禮物、紀念物、觀光商品或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000002857fdb01ef528fda6afaa9d8346ef2720e43aed8ecbd8d326f156031001c5a46b2add9003a21e1f5a002e425765948450829e71cefa34e044e4497aef2eb89b"}
,{"Identifier":"200321035","MainTitle":"酒瓶系列：喜劇演員哈台","Creator":"其他-品牌商：MP's Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1973","Size":"12.5×10×32","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件酒瓶以美國經典喜劇演員雙人搭檔「勞萊與哈台」(Laurel and Hardy)中的哈台為造型。此雙人團體由英國演員史坦•勞萊 (Stan Laurel,1890–1965年) 與美國演員奧利弗•哈台(Oliver Hardy, 1892-1957年)所組成。他們在美國電影的早期古典好萊塢時期，合演了近百場的喜劇，於1920年代末至1940年代中期受到廣大的歡迎。勞萊與哈台是一對好友，勞萊飾演瘦弱、笨拙幼稚的角色，而哈台則是體態寬大又浮誇的惡霸型人物。兩人一胖一瘦、一大一小的對照，在舞臺上皆以圓頂禮帽為造型上的標誌；令人印象深刻。\r\n 哈台除了在體型較為魁梧高大以外，蓄有一小搓黑鬍子在上唇。他的容貌有著圓圓的鼻頭與雙下巴，彷彿總是洋溢著喜氣笑容的樣子，而此件陶瓷雕塑正好恰如其分地表現出來；細膩的刻劃出眼窩、嘴角的笑窩與眼角的笑紋，加上臉部的顏彩，雙頰的腮紅與藍黑眼珠，更貼近肖像的真實感。他穿著黑色西裝外套搭配藍色領帶，一手提著皮箱，一手舉起摸著帽沿，像是要向觀眾脫帽鞠躬的樣子。作為裝酒的容器，瓶口位於帽子，帽頂部分為瓶蓋，底部無落款。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上乾淨能源的天然瓦斯，於是決定在此設廠。丸利陶器在日本技術經驗的導入後，開啟貿易製造外銷的市場，尤以銷往美國為大宗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，外銷至國外作為聖誕節飾品、禮物特色商品、旅遊或賽事的紀念性商品、收藏藝品。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321036","MainTitle":"酒瓶系列：夏威夷圖騰瓶","Creator":"其他-品牌商：Hawaiian Distillers
其他-代工：丸利陶器股份有限公司","CreatedYear":"1973","Size":"8×8×28.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件酒瓶以圓形底方菱頂的柱體為造型，瓶身全部塗以極為特殊如墨玉般的綠色。瓶身正面刻畫著似面具般的圖騰，下方有金色字體標柱：OKOLEHAO。OKOLEHAO是一種原產於夏威夷部落的古老特色烈酒，主要成分是一種朱蕉植物的根部發酵而來，由英國海員在1790年帶來了蒸餾釀酒技術時，開發成酒精濃度高的烈酒。瓶蓋上則飾有浮出的金色直排字體：HAWAIIAN。瓶身的開模為一體成型，著重在表面的夏威夷原住民特色刻紋的表現。底部落款僅有日本丸利商標「MR」(Maruri)的刻印，但從瓶身正面的字體標示，可推測此瓶是為夏威夷釀酒廠開發製作的。\r\n 歐美酒莊釀酒一開始多半儲存於木桶中，裝酒容器、分酒瓶器便因應個人化需求而生。運用雕塑體中空的特性，結合儲酒分瓶的功能與其紀念性主題和裝飾性，陶瓷造型酒瓶成為美國大眾觀賞、收藏的物件。\r\n 丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，以及乾淨能源的天然瓦斯，於是決定在此設廠。廠房管理與技術指導由日方引入，加上苗栗居民克勤克儉的工作精神，促成裝飾陶瓷這項勞力密集的產業迅速蓬勃發展，為臺灣賺取巨額的外匯收入，產業初期的出口值從民國60年的41萬美元提昇至民國77年的3億美元。(資料來源：「蛻變中的苗栗陶—外銷vs.文化休閒的五穀文化村案例」，賀豫惠、葉相君，《工藝雜誌》NO.4)。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000af50e363ae436c0cc50526fd65153e6858faa66560b265656bd5e43bac9874f226e7bb124b7f7628be5fcc7273b4069db620d28717c604ba19226b72e27c63f5"}
,{"Identifier":"200321037","MainTitle":"美國印地安巫師雕像","Creator":"設計者：Gary Schildt
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"21×6×38.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主角是一位美國印地安人巫師。他的皮膚為紅褐色，是典型的印地安人。他的服飾很特別，頭上有牛角般的帽子，上面結了一些布條與小飾件。頭髮結成長辮，垂到耳際，身上穿著灰色的大長袍，脖子上掛著一串由山豬牙組成的項鍊，雙手握著一支如彩虹般艶麗色彩的法杖，杖頭雕成老鷹的頭，上面結滿了各色的長布條。全身前後都掛滿了許多色彩繽紛的布條與裝飾。整件作品把美國印地安巫師的形象表現得淋漓盡玫。\r\n 臺座上有作者的浮雕名款「G. SCHILDT」，是美國藝術家Gary Schildt。他出生於美國蒙大拿洲印地安人的黑腳部落保護區(Blackfeet Indian Rservation)，從小就生活在印地安人的部落裡。他具有很高的藝術天份，擅長繪畫與雕塑。他的創作靈感常常來自他童年在黑腳部落的回憶，這件作品是代表作之一。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200321038","MainTitle":"美國印地安女巫師像","Creator":"設計者：Gary Schildt
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"17×17×39.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品是一位美國印地安人女巫師的雕像。她的身材不高，略顯矮胖，與西方人高挑的身材不同。她的皮膚紅褐色，是印地安人的特質。她的頭上戴著由許多羽毛組合而成的帽子，上面飾滿著色鮮艶的貝殼、花卉、垂飾與布條等。脖子上掛著裝飾華麗的領飾，身上穿著類似短大衣的白色外套，衣袖上飾有由菱形圖案構成的長條紋，下身著白色長褲。左手拿著一把法器，下面飾有一環花朵；右手肘上披著一條飾有圓環圖案的布巾，手裡拿著一端是圓球形，類似骨頭的法器。她的雙腳分開站立，呈正面像，表情肅穆，整件作品具有宗教的嚴肅感。整體服飾色彩濃艶，頗具厚重感，也給人獨特的異國情調。\r\n 臺座上有作者的浮雕名款「G. SCHILDT」，是美國藝術家Gary Schildt。他出生於美國蒙大拿州印地安人的黑腳部落保護區(Blackfeet Indian Rservation)，從小就生活在印地安人的部落裡。他具有很高的藝術天份，擅長繪畫與雕塑。他的創作靈感常常來自他童年在黑腳部落的回憶，能深刻表現印地安人的生活文化。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200321039","MainTitle":"酒瓶系列：牛仔馴野馬 (配有馬鞍)","Creator":"其他-品牌商：Foss Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"17.3×10.5×24.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 在這件陶瓷雕塑作品表現馬兒的後腳躍起，整個馬頭幾乎著地、身體彎背向前傾，試圖將騎士牛仔從頭前方向摔下來的樣子，整體造型相當激烈生動。馬兒的左半側身與岩石貼住，合成一體，以右前腳固定於底座上。牛仔騎士騎在馬鞍上，身體試圖平衡，上身提起往後傾倒，左手揚起手上拿著牛仔帽、右手緊捉著韁繩，腳上踩著馬鐙。為了馴服野馬，牛仔在安置上馬鞍後得一躍而上，以身體的力氣、靈活讓自己持續地待在馬上，因為野馬不讓人騎上，反應劇烈，牠會前後激烈跳躍，而原型雕塑師掌握了這戲劇性的一刻。除了整體型態動線的掌握，細節上如馬頸背上的鬃毛豎起與馬尾捲起的線條，層疊馬鞍與其上的縫製手感，都相當精緻。\r\n 馬兒後腳躍起可見到岩石上刻畫著：BIG WYOMING指的是美國西部懷俄明州的古州名(大懷俄明)，懷俄明州有牛仔州的稱號，印地安語意為「大草原」。此件底座正面標註著：WYOMING IS...WHAT AMERICA WAS...，意即當時牛仔與印地安人認為懷俄明是美洲的中心與原始的樣子。牛仔們在這片大草原上游牧生活，以此地為榮，腿上圍著皮革護腿套褲都刻畫著WYO (懷俄明州簡稱)。瓶底落款以轉印字標註著：Limited Edition 1978 / Exclusively for the state of Wyoming 專為懷俄明州限量發行1978年。並有鉛字紀錄為「贈品」。\r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司雖將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段皆在日本技師的監督下完成，高品質管理業界出名，也因此在市場上賣出高價格。於丸利公司工作三年半，擔任原型雕塑師的陳東榮先生曾經前往日本受訓一年的時間，他在受訪時回顧這段經驗時說道：「原型師除了研發外，還要研究原型和開模之間的關係，如何分片、如何減少成本? 此外我在日本還學到一個功夫，就是作品在市場會不會被接受?…作品以好賣為前提。」(《苗栗裝飾陶瓷產業》p.56)。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321040","MainTitle":"酒瓶系列：美國女英雄南希哈特","Creator":"其他-品牌商：Grenadier Spirits Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1973","Size":"8×8×27.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件酒瓶造型為一名手拿長槍的女士站在寫著 NANCY HART 1778「南希•哈特1778年」的檯座上。南希的全名是南希•摩根•哈特 (Nancy Morgan Hart, 1735-1830) 是美國獨立戰爭時期一位知名的女性對抗軍，她以對抗喬治亞州東北偏遠地區一些仍效忠於英國王室的美國殖民者而聞名。這些人在當時被稱為保守黨，受到支持革命的愛國者反對。美國民間流傳關於這位女英雄的特徵，描述她是一名堅強、足智多謀的前鋒女將，一再以智取勝打擊保守黨殖民者，甚至屠殺了他們；但是關於她的故事大多不可考，因此僅能認定為歷史中的民間傳說。\r\n 傳聞南希個性強悍勇敢，不僅習得了邊疆生活的技能，同時也是一名草藥專家、獵人與神射手。從南希身為18世紀移民者的裝扮，以及她雙手持槍桿的姿勢看來，頗有個性與氣勢。作為容器，她的頭巾帽飾部分是瓶蓋，身體與底座連成一器，同一個模子注漿成形，而向外揚的右手臂和槍桿上部則為另製後黏接至主體，接著再整體修坯、彩繪、窯燒。底部落款為 © GRENADIER SPIRITS CO. (特種兵團醇酒公司)，在此標籤的上方並有AMERICAN BICENTENNIAL1776-1976美國兩百年紀念的字樣，圖騰下方則記載了製作時間為1973年六月。並有手寫字體標註為「贈品」，因此無法確認製作的地點與工廠；有可能是日本丸利公司取得作為原型開發的雕塑品，也有可能是送到苗栗丸利陶瓷做為樣本的贈品。\r\n 丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念物、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321041","MainTitle":"酒瓶系列：美國首期正規兵/灰服","Creator":"其他-品牌商：Grenadier Spirits Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1973","Size":"8×8×29.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 美國陸軍的起源可追溯至獨立戰爭(1775-1783)之前大陸軍的成立，當時美國大陸會議決議徵招來自賓州、馬里蘭州和維吉尼亞州的步槍兵入伍為期一年，加入新英格蘭國民兵，共同圍城波士頓以防英軍調動。1776年下半年，國會呼籲大陸軍繼續在獨立戰爭期間服役。\r\n 這款兩百年紀念威士忌酒瓶是為了紀念美國正規軍的第一批志願者而製作。國會直到1779年才給軍隊訂製大陸軍制服，但在此之前士兵們試圖穿上與連隊上其他同袍們相似的服裝。許多志願者以他們自己或請指揮官購得的制服來加入戰爭。酒瓶上的士兵穿著與馬褲不搭色的上衣且蓄髮紮起；破爛且經縫補的皮革馬褲，顯示出士兵為爭取獨立而參戰的熱情。他手持長槍，身體微傾，身上背著水壺、裝彈藥的號角，腰間繫著短刀、斧頭，有種不羈草莽的形象。帽子的部分為酒瓶蓋。外型的彩繪上除了表面塗繪，也採取了寫實性的筆劃線條描繪，試圖表現出衣服皺褶、臉上複雜的表情線條與陰影。底部落款為 © GRENADIER SPIRITS CO. (特種兵團醇酒公司)，在此標籤的上方並有AMERICAN BICENTENNIAL1776-1976美國兩百年紀念的字樣，被貼紙遮蔽了。貼紙標示此件為僅供內部製作參考的非賣品，是由日方丸利所提供的樣本。\r\n 丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念物、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321042","MainTitle":"酒瓶系列：美國喬治亞第一陸軍團/黃服","Creator":"其他-品牌商：Grenadier Spirits Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1973","Size":"8.5×8.5×28","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 美國陸軍的起源可追溯至獨立戰爭(1775-1783)之前大陸軍的成立，當時美國大陸會議決議徵招來自賓州、馬里蘭州和維吉尼亞州的步槍兵入伍為期一年，加入新英格蘭國民兵，共同圍城波士頓以防英軍調動。1776年下半年，國會呼籲大陸軍繼續在獨立戰爭期間服役。\r\n 此件酒瓶造型為一名士兵站在寫著 1st GEORGIA REGIMENT 1777 「喬治亞第一軍團1777年」的檯座上。喬治亞第一軍團是由一名蘇格蘭裔美國人領導者拉克蘭•麥金托什（Lachlan McIntosh）於1775年11月4日在喬治亞州的薩凡納（Savannah）募集而成，為加入美國陸軍一同抗戰。國會直到1779年才給軍隊訂製大陸軍制服，但在此之前士兵們試圖穿上與連隊上其他同袍們相似的服裝。許多志願者以他們自己或請指揮官購得的制服來加入戰爭。士兵當時的穿著是典型的拓荒定居者的服裝，如帽子、真皮外套、棉麻質馬褲以及半皮的靴子。酒瓶上的士兵蓄髮紮起，戴著三角帽，黃色皮衣外套上在衣領、袖口、下擺都帶有如荷葉邊的打摺裝飾，他雙手握著長槍桿，上身微傾，身上背著水壺、裝彈藥粉的號角。白邊水藍色帽子的部分為酒瓶蓋。外型的彩繪上除了表面的塗繪，也採取了寫實性的筆劃線條描繪，試圖表現出衣服皺褶、臉上嚴肅的表情線條與陰影。底部落款為 © GRENADIER SPIRITS CO. (特種兵團醇酒公司)，在此標籤的上方並有AMERICAN BICENTENNIAL1776-1976美國兩百年紀念的字樣，圖騰下方則記載了製作時間為1973年六月，並有一張貼紙標示，此件為僅供內部製作參考的非賣品，是由日方丸利所提供的樣本。\r\n 丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念物、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321043","MainTitle":"酒瓶系列：華盛頓將軍的護衛 / 藍服刺槍","Creator":"其他-品牌商：Grenadier Spirits Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1973","Size":"8×8×28","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件酒瓶造型為一名士兵站在寫著 WASHINGTON’S GUARD 1776 「華盛頓的救援衛隊1776年」的檯座上。他的身分是總司令護衛，通常被稱為華盛頓的救援衛隊，是美國獨立戰爭期間大陸軍的一個單位，專門保護喬治•華盛頓將軍。衛隊成立於1776年，與華盛頓將軍共同經歷所有戰爭，於 1783年戰爭結束時解散。該部隊最初是從參加波士頓圍城的每個大陸軍軍團中選出四名人員組成。\r\n 護衛穿著法式風格的合身制服，藍底白邊的三角帽與長外套，附有黃銅鈕釦。獨特的紅色背心繫上腰帶並在外套上有白色交叉帶，下半身是米色半統馬褲、白色長統襪與黑色帶金屬扣的鞋。他手中持著非一般正規軍用長槍，而是特製可以近距離刺傷敵人的刺槍。外型的彩繪上除了表面的塗繪，也採取了寫實性的筆劃線條描繪，試圖表現出衣服皺褶、臉上的表情線條與陰影。此物件作為裝威士忌或烈酒的容器，瓶口開在人形頭部，三角帽為瓶蓋。從護衛直挺的站姿以及身後下半部融入檯座的外型判斷，整體近28公分高的酒瓶為同一個模型開模，手與槍枝、背包則是另外製作後黏合到主體的附件。底部落款為 © GRENADIER SPIRITS CO. (特種兵團醇酒公司)，在此標籤的上方並有AMERICAN BICENTENNIAL1776-1976美國兩百年紀念的字樣，圖騰下方則記載了製作時間為1973年六月。\r\n 丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念物、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321044","MainTitle":"酒瓶系列：德國黑森陸軍特訓部隊士兵/綠服","Creator":"其他-品牌商：Grenadier Spirits Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1973","Size":"8×8×28.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件酒瓶造型為一名士兵站在寫著 HESSE-CASSEL FIELD JAEGER CORPS 1776-1783 「黑森-卡塞爾野戰獵兵部隊1776-1783年」的檯座上。德國黑森人是美國獨立戰爭期間英軍雇用的德國傭兵。德國境內的黑森-卡塞爾州國於17-18世紀時成為歐洲最軍事化的州國，並且是提供歐洲地區傭兵的主要來源。所有黑森的男性都在7歲時即登記服兵役，從16至30歲每年必須向官員報到以受徵召。整個18世紀，許多德國州定期出租部隊作為資金來源。美國獨立戰爭期間，約三萬名德國黑森傭軍為英軍打仗，他們以紀律和軍事實力而聞名，在整個北美的許多戰役中表現出色。如同大多數的輔助兵團一樣，黑森傭兵以一整個部隊的形式為外國軍隊打仗，有自己的指揮長官與黑森旗幟，並穿著他們獨特的軍服。\r\n 這款GRENADIER SPIRITS特種兵團醇酒威士忌酒瓶展示一名金髮碧眼的德國士兵。他身上穿著黑森-卡塞爾部隊獨具特色的綠衣紅邊軍服；戴著著名的野戰獵兵部隊帽子、淨白無暇的馬褲和閃亮的黑色長皮靴，構成了整套令人敬畏的軍人形象。他手戴著手套，持一把長槍，腰間並配戴著長劍；身上交叉揹著信差彈藥包與行旅包。外型的彩繪上除了表面的塗繪，也採取了寫實性的筆劃線條描繪，試圖表現出衣服皺褶、臉上嚴肅的表情線條與陰影，帽子上的軍徽與長劍手柄把上以金液飾繪，增加視覺效果。此物件作為裝威士忌或烈酒的容器，瓶口開在人形頭部，帽子為瓶蓋。底部落款為 © GRENADIER SPIRITS CO. 特種兵團醇酒公司，在此標籤的上方並有AMERICAN BICENTENNIAL1776-1976美國兩百年紀念的字樣，圖騰下方原本應該是記載了製作時間，但被一張貼紙遮蓋，貼紙標示此件為僅供內部製作參考的非賣品，是由日方丸利所提供的樣本。\r\n 丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念物、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321045","MainTitle":"酒瓶系列：羅德島州砲兵隊伍/棕服","Creator":"其他-品牌商：Grenadier Spirits Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1973","Size":"8×8×28","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件酒瓶造型為一名軍人站在寫著RHODE ISLAND TRAIN OF ARTILLERY1775 「羅德島州砲兵隊伍1775年」的檯座上，顯示這名羅德島州砲兵軍人立正專注的姿勢。羅德島的砲兵部隊是同類型軍伍中規模最大的，他們參與了羅德島戰役(1778)以及美國獨立戰爭(1775-1783)中的許多其他戰役。羅德島州砲兵軍官的特徵可從他身上的軍服來判別，左肩上有鍍金的肩章，腰間繫著深紅色的腰帶，軍刀懸掛在肩部斜背的皮帶上，以及一雙黑色皮靴。砲兵的裝備還有一支步兵短矛 (豎立在他的右手中)，但是此件的尖刀部分已經損壞折斷了。外型的彩繪上除了表面的塗繪，也採取了寫實性的筆劃線條描繪，試圖表現出衣服皺褶、臉上嚴肅的表情線條與陰影。底部落款為 © GRENADIER SPIRITS CO. (特種兵團醇酒公司)，在此標籤的上方並有AMERICAN BICENTENNIAL1776-1976美國兩百年紀念的字樣，圖騰下方則記載了製作時間為1973年六月。特種兵團醇酒公司以「美國百年紀念瓶」為主題，發行了一系列的美國獨立戰爭時期的士兵、護衛或軍官的造型酒瓶，一方面此主題非常能引起美國人愛國心的共鳴，另一方面也具有懷舊、紀念的收藏價值。 \r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念品、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321046","MainTitle":"酒瓶系列：德國拳師犬","Creator":"丸利陶瓷公司","CreatedYear":"1975","Size":"16.5×7.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321047","MainTitle":"酒瓶系列：英國牧羊犬","Creator":"丸利陶瓷公司","CreatedYear":"1975","Size":"16.5×7.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321048","MainTitle":"酒瓶系列：德國種剛毛更犬","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"16.5×7.5×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321049","MainTitle":"酒瓶系列：杜賓犬","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"16.5×7.5×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321050","MainTitle":"酒瓶系列：蘇格蘭㹴犬","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"16.5×7.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321051","MainTitle":"酒瓶系列：黃金獵犬","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"16.5×7.5×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321052","MainTitle":"酒瓶系列：聖伯納犬","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"16.5×7.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321053","MainTitle":"酒瓶系列：拉布拉多獵犬","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"16.5×7.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321054","MainTitle":"酒瓶系列：美國長毛垂耳犬","Creator":"丸利陶瓷公司","CreatedYear":"1975","Size":"16.5×7.5×13.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321055","MainTitle":"酒瓶系列：愛斯基摩犬","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"16.5×7.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321056","MainTitle":"酒瓶系列：獵兔犬","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"16.5×7.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321057","MainTitle":"酒瓶系列：女/網球","Creator":"其他-品牌商：Haas Brothers
其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"12×7×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷酒瓶造型為頂部左斜的扁平方瓶，瓶身正面裝飾的主題是一對女士在打網球。整體在造型、色彩與主題的表現上經過視覺設計，利用對角線透視法與斜角面積營造空間感，畫面顯得吸睛有趣。瓶底部向外前斜出，讓前景的女士可立體呈現固著於瓶身上；而她的對手則是在斜出瓶身的網欄後方—也就是以刻畫在瓶面上的浮雕方式呈現。白色帶著直條刻紋的網欄，則是從前景女士瓷偶的後方，與瓶身成15度角的延伸而出。此件與另一件以男士打網球為題的酒瓶成對，兩件並排可形成雙打的局面，且由於瓶身扁平，也可以拆開單獨使用來成為書櫃上的書擋。\r\n 色彩搭配清新、諧和，彩繪上分為噴彩與塗彩的方式；草地與天空，包含短圓柱體的瓶蓋是以噴彩的方式上色，其餘則以彩筆描繪。前景的女士穿著鮮明的銘黃上衣與裙體為波浪狀的白色褶裙，全身也是以筆彩繪，包含四肢也以肌膚色塗佈，與一般瓷偶以色土為底色的方式不同。\r\n 網球在1930至60年代期間僅有業餘的選手參加世界性的比賽，直至年英國溫布頓(Wimbledon)大賽的舉行接受職業選手，從此成為一項熱門的運動賽事，進而帶動起美國民間業餘性的網球活動，從網球禮儀、網球服裝到網球的學習，都成為一項男女運動的風尚。此件酒瓶從瓶底落款可知是1976年由©HAAS BROTHERS設計，委託丸利陶器製作。\r\n 丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念物、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321058","MainTitle":"酒瓶系列：男/網球","Creator":"其他-品牌商：Haas Brothers
其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"12×8×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷酒瓶造型為頂部右斜的扁平方瓶，瓶身正面裝飾的主題是一對男士在打網球。整體在造型、色彩與主題的表現上經過視覺設計，利用對角線透視法與斜角面積營造空間感，畫面顯得吸睛有趣。瓶底部向外前斜出，讓前景的男士可側身立體地呈現固著於瓶身上；而他的對手則是在斜出瓶身的網欄後方—也就是以刻畫在瓶面上的方式呈現。白色帶著直條刻紋的網欄，則是從前景男士瓷偶的後方，與瓶身成15度角的延伸而出。此件與另一件以女士打網球為題的酒瓶成對，兩件並排可形成雙打的局面，且由於瓶身扁平，也可以拆開單獨使用來成為書櫃上的書擋。\r\n 色彩搭配清新、諧和，彩繪上分為噴彩與塗彩的方式；網球場地的綠與天空的藍，包含短圓柱體的瓶蓋是以噴彩的方式上色，其餘則以彩筆描繪。前景的男士穿著白色上衣與短褲，僅以紅藍二色線畫出衣服邊線，包含四肢也以肌膚色塗佈，與一般瓷偶以色土為底色的方式不同。手上的網球拍則特別以銀液畫出球拍框。\r\n 網球在1930至60年代期間僅有業餘的選手參加世界性的比賽，直至年英國溫布頓(Wimbledon)大賽的舉行接受職業選手，從此成為一項熱門的運動賽事，進而帶動起美國民間業餘性的網球活動，從網球禮儀、網球服裝到網球的學習，都成為一項男女運動的風尚。此件酒瓶從瓶底落款可知是1976年由©HAAS BROTHERS設計，委託丸利陶器製作。\r\n 丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念物、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321059","MainTitle":"酒瓶系列：美國大陸軍-海軍","Creator":"其他-品牌商：Haas Brothers
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"12.5×6.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件酒瓶為一個方形瓶，正面有著立體與浮雕的人物裝飾，背面則是一片空白。比照網路上收藏此物件的照片，發現成品在背後印有一段敘述文字(也同樣出現在商品的外包裝上)，簡述翻譯內容如下：1775年，殖民者雖然很有海事技能與膽識，卻缺少軍艦和制服。於是在1776年9月5日，海事委員會發布了一項統一的命令指示：海軍上校的制服樣式¬為藍衣、紅色翻領、斜袖口（如前排最左這位）；中尉樣式¬為藍衣、紅色翻領、圓袖口；船長的樣式為藍色翻領外套（如前排最右）。至於海員和小軍官的著裝指示則無發布。由於物資短缺，許多軍官不遵守指示，且實際上，藍色和紅色的制服並不受歡迎，因此，美國獨立戰爭中首位知名海軍指揮官約翰·保羅·瓊斯，於1777年在波士頓舉行會議，邀集大家商定了一款更為精緻的海軍新制服，即前排中間這位。\r\n 當時1776年正式的海軍軍官制服的樣式有紅色翻領和紅色背心，1777年許多軍官仍穿著非官方制服的白色翻領與白色背心，加上毫無規則的肩章。這種過度期間的混亂狀態，由瓶上的人物穿著表現了出來。底部落款為 © 1975 HAAS BROTHERS。丸利陶器在日本技術經驗的導入後，開啟貿易製造外銷的市場，尤以銷往美國為大宗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，外銷至國外作為聖誕節飾品、禮物特色商品、旅遊或賽事的紀念性商品、收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321060","MainTitle":"酒瓶系列：傳統英式酒館","Creator":"其他-品牌商：The Boord's Distillery
其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"12.5×6.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷酒瓶為扁平型瓶，底部延伸成底座，底座與正面瓶身上所形成的空間主題是一家老式傳統酒館的內部情形，宛如一個表演戲臺，右方前景一對男女正在喝酒，而背景則有另一群三人組客人也在喝酒交際。整體在造型、色彩與主題的表現上經過視覺設計與安排，利用透視法營造空間感，畫面顯得豐富有趣。底座上標註著EARLY ENGLISH TAVERN—“THE CAT AND BARREL”早期英式酒館—貓與木桶酒館，在此酒館中唯一的女主角的左前方正好立著酒館的店招—一只其上有黑貓圖案的木桶。身穿粉紫色衣帽的女士正舉杯飲著酒，旁邊戴著黑禮帽與藍色燕尾西裝的男士望向女士，手中也端著酒杯。背景表現在瓶身表面，以刻劃、淺浮雕的方式呈現，畫面中有放置瓶裝與小木桶裝的酒櫃吧檯，三位男士圍著桌櫃一角談話對飲。\r\n 色彩上營造出酒館中溫馨的燈光 (吊燈與粉橘色噴彩色塊)、木作環境中帶點陳舊濕氣、酒氣的室內氛圍，與歡愉酒客身上明亮彩色的衣著形成對比；在人物造型上也表現出當時代的樣式。彩繪塗色飽滿，再加上以線條描繪輪廓、添上陰影，人物動作自然生動，宛如上演英式老酒館中的一幕在酒瓶上。男士背後的大木桶上刻著OLD TOM，根據國外二手藝品買賣網站中可見到此件酒瓶背後貼著酒品資訊，此酒瓶原來裝的是美國公司The Boord's Distillery釀造的琴酒。瓶底部無落款印，貼有日本丸利的貼紙標示此件為不可販售的樣本。\r\n 丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念物、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321061","MainTitle":"酒瓶系列：美國費城海軍陸戰隊誕生地","Creator":"其他-品牌商：Haas Brothers
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"14×5×12.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷酒瓶的造型是一間有著前廊的獨棟樓房，按其上的招牌TUN TAVERN可知是名為「酒桶」的酒館；酒瓶底座正面標註著US MARINE CORPS PHILADELPHIA，意即美國費城海軍陸戰隊。Tun Tavern酒桶酒館成立於1685年，歷史公認是位於美國費城的第一家釀酒廠。“Tun”源於古英語，即以「桶」作為度量酒的單位。這家酒館是早期許多知名團體的聚會場所，也是後來成為美國海軍陸戰隊在美國獨立戰爭期間首次招募人員的地點。1775年11月10日，該酒館主人羅伯特·穆蘭（Robert Mullan）受國會的一項法案委託，在第一任任命陸戰隊司令塞繆爾·尼古拉斯（Samuel Nicholas）上尉的領導下，招募了首批海軍陸戰隊的兩個營隊。每年11月10日，世界各地的海軍陸戰隊會沿襲古老傳統，舉杯向美國海軍陸戰隊的出生地致敬。在瓶身的背面則刻畫了Commemorating the 200th Anniversary of the U.S. MARINE CORPS 1775-1975，意即「紀念美國海軍陸戰隊兩百周年1775-1975年」。其下還轉印了一段關於此間酒館作為美國費城海軍陸戰隊誕生地的文字。瓶身為四角房舍的扁瓶狀，在酒館兩側牆上分別刻上了1775與1975兩個年份數字。因酒桶酒館位於艦隊靠港海邊，建物走廊外推置了兩處黑色火炮，以防敵艦上岸。底部落款為©1975HAAS BROTHERS。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上乾淨能源的天然瓦斯，於是決定在此設廠。丸利陶器在日本技術經驗的導入後，開啟貿易製造外銷的市場，尤以銷往美國為大宗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，外銷至國外作為聖誕節飾品、禮物特色商品、旅遊或賽事的紀念性商品、收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321062","MainTitle":"酒瓶系列：賭場/輪盤","Creator":"其他-品牌商：Haas Brothers
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"12.8×6.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷酒瓶為微曲扁平型瓶，底部延伸成底座，底座與正面瓶身上所形成的空間主題是一間賭場中賭客們聚精會神賭博下注的一幕。整體在造型、色彩與主題的表現上，經過視覺設計與安排，利用縮短景深透視法營造空間感，以浮雕的方式呈現賭桌檯、五位環繞桌面的賭客。輪盤賭桌從刻劃著背景的瓶身向前傾斜出來，可見到輪盤、桌面上的賭注棋盤格劃，與其上的紅色代幣與金色賭注。四名戴著帽子的是賭客，他們各自叼著菸，以不同的姿態與神情專注著賭桌或是與旁人互動，左邊附著在瓶身底座上的立體人物穿著紅色背心，腰間繫著口袋圍兜的是賭桌服務員，照顧著賭盤。賭桌的桌腳也以浮雕的方式突出於瓶身，桌腳旁一個金色的圓盤，像是菸灰缸。整體的刻劃寫實生動，如同插畫中的場景。\r\n 此件造型酒瓶的彩繪也很細膩講究，運用不同的施色方式呈現色彩效果與燈光氛圍。例如，背景的微暈暖橘色以噴彩搭配繪彩，人物的臉色也籠罩在同個色系裡；桌上的賭注代幣粒子突出，以紅與金的鮮亮點上，加上輪盤柱子的金，成為整體視覺焦點。瓶身背後不見關於內裝酒品的資訊，瓶底落款標示為©1975 HAAS BROTHERS所設計的造型，委託丸利陶器製作。\r\n 丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念物、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321063","MainTitle":"酒瓶系列：西部賭場/紙牌","Creator":"其他-品牌商：Haas Brothers
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"12.5×7×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷酒瓶為微曲扁平型瓶，底部斜延伸成一個底座，底座與正面瓶身上所形成的空間主題是兩位西部牛仔正以紙牌對峙的賭局。整體在造型、色彩與主題的表現上，經過視覺設計與安排，利用縮短景深透視法營造空間感，以浮雕的方式呈現賭桌、三位賭客與一群圍觀賭局的人。\r\n 賭桌從刻劃著背景的瓶身突出，可見到桌面上的紙牌與賭注細節，桌子兩旁是兩位附著在瓶身底座上的立體人物，他們一身牛仔裝扮坐在椅凳上；刻劃在背景瓶身上的圍觀者當中有一人以帽子遮蔽臉部，旁邊以側臉顯示的觀者像是在跟他耳語牌局狀況，另一旁的賭客則夾在背景瓶身與牛仔中間，因此從瓶身正面看不太出來他的全貌，但是有增添空間層次感的效果。背景中更後一排還有圍觀者，僅以線條刻劃輪廓，顯示出賭局引人興趣之感。整體刻劃寫實生動，如同電影或舞臺劇中的一幕。\r\n 此件造型酒瓶的彩繪也很細膩講究，運用不同的施色方式呈現色彩效果與燈光氛圍。例如，背景的微暈暖橘色以噴彩搭配繪彩，人物的臉色也籠罩在同個色系裡。根據國外二手藝品買賣網站中可見到此件酒瓶的名稱為「Faro Bank at the Oriental Hotel(東方飯店裡的法羅牌局)」。Faro Bank是法國傳到美國的紙牌遊戲，法羅牌是美國西部拓荒時期最流行的牌局，牌局進行快速，贏的機率很高，在西部電影中常見。瓶身背後不見關於內裝酒品的資訊，瓶底落款標示為©1975 HAAS BROTHERS所設計的造型，委託丸利陶器製作。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，丸利陶器在日本技術經驗的導入後，開啟貿易製造外銷的市場，尤以銷往美國為大宗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，外銷至國外作為聖誕節飾品、禮物特色商品、旅遊或賽事的紀念性商品、收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321064","MainTitle":"酒瓶系列：傑佛遜·戴維斯總統","Creator":"其他-品牌商：McCormick Distilling Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1974","Size":"6×4×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件陶瓷威士忌酒瓶是以美國內戰期間南方邦聯的總統傑佛遜·戴維斯(Jefferson Davis, 1808-1889)為造型。他是墨西哥戰爭的英雄，曾擔任過美國密西西比州參議員、美國內戰時期的戰爭部長兼美利堅聯盟國總統（1861-1865），而當時他對上的北方聯邦領導者正是亞伯拉罕·林肯。在他的指揮任命下，知名的李將軍、傑克森將軍都效忠於南方邦聯而戰。在整個美國南北戰爭中，他努力的調派管理征戰與邦聯間的經濟狀況，卻不擅於策略與用人，加上無法對抗林肯在奴隸制度上的打擊，最終導致失敗。\r\n 這件塑像的雕塑掌握了戴維斯方正的容貌與髮型，臉上帶著一點愁容陷入沉思的樣子。他站挺直著，背後飄揚的是南方邦聯陸軍軍旗，旗桿上以金液繪飾。他的左手放在旁邊講臺上的兩本書上。書背上沒有書名，但很可能是他著名的兩卷歷史回憶錄—《The Rise and Fall of the Confederate Government(聯盟政府的興衰)》。他的右手垂下作出含糊的手勢，可能可以解讀成他的下臺、贖罪或是指設分裂的美國。\r\n 底部落款有一個類似美國老鷹國徽的圖騰，圍繞著圖騰的是AMERICANA PORCELAIN© McCormick Distilling Company「美國陶瓷/版權所有/麥考密克釀酒公司」的字樣。麥考密克釀酒公司位於密蘇里州韋斯頓市，是密西西比河以西最古老的蒸餾廠，最早成立於1856年。另有一張金色貼紙標示著臺灣製造，由此推測這是美國酒場委託丸利陶器設計製作的酒瓶。\r\n 酒瓶的製造出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、禮物特色商品、旅遊或賽事的紀念性商品、收藏藝品。然而受到他們自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上乾淨能源的天然瓦斯，於是決定來此地設廠。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321065","MainTitle":"酒瓶系列：美國步兵隊長","Creator":"其他-品牌商：Grenadier Spirits Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"5.5×4×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這款1975年的瓷製雕像酒瓶是一名軍官的造型，由Grenadier Spirits Co. (G.S.C特種兵團醇酒公司) 委託製造。他站在寫著CAPTAIN U.S. INF.( INF.為Infantry，步兵)「美國步兵隊長」的檯座上。根據國外二手藝品買賣網站中可見到，同為此件酒瓶造型的名稱為CAPTAIN INFANTRY UNION ARMY1862聯邦軍步兵隊長。由此推測，此雕塑主題造型是美國南北戰爭中的北方聯邦軍步兵隊長。\r\n 隊長凝視著遠處，他留著圓形的鬍鬚，是十九世紀下半美國軍人最常見的鬍鬚樣式之一。他頭戴著名的海軍藍軍用平頂帽（源自法國的樣式），海軍藍的制服外套、長褲與一雙黑色皮靴。另外，還有其他值得注意的細節：他戴著小牛皮手套的雙手插在黃銅皮帶扣兩側，姿態顯得自在；簡化的金色肩章（隊長應有雙槓）顯示了官銜；身旁附著一把軍劍，腰際繫著紅色精紡腰帶，這些物件象徵著軍官的驕傲，北方聯邦軍的所有軍官都繫著紅色精紡腰帶，騎兵軍官則是鮮黃的腰帶。外觀整體顏色飽滿並且顯得光亮，推測此件的彩繪應該是採取高溫陶瓷色料彩繪於坯體上，施上一層透明釉，再以高溫燒成。他的平頂帽與帽沿交接處是為瓶身開口。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念物、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321066","MainTitle":"酒瓶系列：蘇格蘭燧火衛隊軍官","Creator":"其他-品牌商：Grenadier Spirits Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"5×4×6.25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這款1975年的瓷製雕像酒瓶是一名軍官的造型，由Grenadier Spirits Co. (G.S.C特種兵團醇酒公司) 委託製造。他站在寫著OFFICER SCOTS FUSILIER GUARDS「蘇格蘭燧火衛隊軍官」的檯座上。他的胸前掛著許多獎牌，站在一個小紀念碑前。蘇格蘭燧火衛隊光榮的歷史悠久，起源可追溯至1642年英王查爾斯一世，在他的命令下，該軍團成立前往愛爾蘭服役。制服的風格可以追溯至1812年英軍成功圍剿西班牙羅德里戈城，過程中蘇格蘭燧火衛隊發揮了重要作用。紅色的閱兵式外套，在肩膀飾有金色肩章，並以白色肩帶強調突出。他的左手握住劍鞘，右臂撐著從地面到他肩膀高的裝飾性禮杖。白羽毛聚集成的尖頂帽子作為酒瓶的瓶蓋。\r\n 從外觀光亮的釉色看來，此件的彩繪應該是採取高溫陶瓷色料彩繪於坯體上，施上一層透明釉，再以高溫燒成。然而金液在燒成上似乎有些沾色與變質，讓其他色塊顯得不夠乾淨。裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。\r\n 日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、賽事或活動紀念物、觀光商品、禮物或收藏藝品。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321067","MainTitle":"酒瓶系列：維吉尼亞騎兵第14兵團","Creator":"其他-品牌商：Grenadier Spirits Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"5×4×5.75","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這款1975年的陶瓷雕像酒瓶是一名士兵的造型，由Grenadier Spirits Co. (G.S.C特種兵團醇酒公司) 委託製造。他站在寫著14 TH VIRGINIA CAVALRY「維吉尼亞騎兵第14兵團」的檯座上，其造型展現了維吉尼亞州自願騎兵第14團的一名士兵。該騎兵團於1862年在維吉尼亞成立，效忠於美國南北戰爭期間的南方邦聯，主要與北維吉尼亞陸軍作戰。這些自願士兵主要是從後來成為西維吉尼亞州的縣市招募來的；維吉尼亞騎兵第14兵團的常見制服包括：白色的帶緣帽、紅外套、灰長褲和黑鞋。大多數士兵會將他們的裝備用毯子捲起來，斜背在肩上。\r\n 這名士兵雕像彩繪特殊，紅外套上少許的白粉末狀，近看像是表面的斑駁掉色，遠看增加了紅色的層次亮度。顏彩的部份也藉由眉毛、眼睛，描繪出堅毅的神情。他雙手扶著槍口，槍桿抵在地上，身上背著騎兵所需的彈藥裝備，另外腰間還懸掛著斧頭，揹著水壺。白色的帽頂為瓶蓋，底座除了G.S.C特種兵團醇酒公司的商標圖騰以外，還印有“N-SSA APPROVED”的字樣，N-SSA(North-South Skirmish Association)指的是一個成立於1950年的組織，該組織除了紀念美國內戰期間雙方因戰鬥傷亡的人，同時也透過保存、教育研究，定時的聚會研習、競賽活動，以維持對當時內戰期間使用的火器槍枝的了解。此系列以美國內戰時期兵種為造型的人物雕塑，經過該組織的認證以確保其歷史正確性。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念物、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321068","MainTitle":"酒瓶系列：美國軍團神鎗手/綠服","Creator":"其他-品牌商：Grenadier Spirits Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"5.5×4×5.75","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這款1975年的陶瓷雕像酒瓶是一名軍人的造型，由Grenadier Spirits Co. (G.S.C特種兵團醇酒公司) 委託製造。他站在寫著2ND REGIMENT U.S. SHARPSHOOTERS「美國第二狙擊軍團」的檯座上，其造型特色是一身極具辨識度的綠色制服，這是美利堅合眾國北方聯邦軍狙擊軍團的代表制服。狙擊軍團共有八個連（從Ａ到Ｈ），皆聽令於希蘭·伯丹上校的指揮；狙擊手的任務是殺死在遠距離的重要敵人，尤其是敵營的軍官。美國內戰期間，南北雙方陣營的狙擊軍團皆在幾場重大戰役中立下優異的功勞戰績。\r\n 髮色灰白的狙擊兵拿著一把當時廣泛被使用的夏普斯步槍於身前，從他衣袖上的水藍色軍階條紋可辨識出他是一名陸軍中士。在北方聯邦步兵當中，狙擊兵是最常使用游擊戰術的，因此綠色制服上是不用任何黃銅鈕釦的，以達到最佳的偽裝。軍用平頂帽在旁側飾著黑羽毛，加上黑色的皮帶與背包是標準配備。綠色帽頂為瓶蓋，底座除了G.S.C特種兵團醇酒公司的商標圖騰以外，還印有“N-SSA APPROVED”的字樣，N-SSA(North-South Skirmish Association) 是一個成立於1950年的組織，該組織除了紀念美國內戰期間雙方因戰鬥傷亡的人，同時也透過保存、教育，定時的聚會競賽活動，維持對當時內戰期間使用的火器槍枝的了解。 \r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念物、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321069","MainTitle":"酒瓶系列：莫斯比突襲隊騎兵/灰服","Creator":"其他-品牌商：Grenadier Spirits Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"5×4×5.75","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這款1975年的陶瓷雕像酒瓶是一名騎兵的造型，由Grenadier Spirits Co. (G.S.C特種兵團醇酒公司) 委託製造。他站在寫著MOSBY’S RANGERS「莫斯比突襲隊騎兵」的檯座上。造型雕塑表現一名莫斯比突襲隊中尉騎兵，身著灰色邦聯騎兵制服，雙手互持著他的步槍。他戴著飾有金色流蘇的黑色帶檐帽，穿皮靴且背著糧食囊。1863年，南方邦聯國羅伯特·E李將軍（Robert E. Lee）允授騎兵營司令約翰·莫斯比（John S. Mosby）籌集騎兵連。突襲隊騎兵在美國內戰期間表現出色，他們的主要目標是串聯訊息與提供補給，並且因對敵軍目標有如雷擊般的突襲，同時能持續躲避追擊的能力而聞名，成為最令敵人聞風喪膽的部隊之一。突襲隊騎兵配有良駒，而且每人至少有兩匹馬，因為長途兩地的傳訊或是躲避敵人會消耗馬的體力；而迅雷不及掩耳的突擊正是莫斯比指揮成功的秘訣。\r\n 繪彩上，棕紅色的槍桿襯著灰色騎兵制服，形成視覺上的焦點；臉部顏彩精細，他留著圓形鬍鬚、面容似有些擔憂。衣服上的黃銅色鈕釦以金水繪飾，槍上的機械裝置則以銀水裝飾。雕塑造型上，整體高度近6公分，人體與底座相連，為一體成形開模的人形小酒瓶。底座除了G.S.C特種兵團醇酒公司的商標圖騰以外，還印有“N-SSA APPROVED”的字樣，N-SSA(North-South Skirmish Association)指的是一個成立於1950年的組織，該組織除了紀念美國內戰期間雙方因戰鬥傷亡的人，同時也透過保存、教育，定時的聚會、競賽，維持對當時內戰期間使用的火器槍枝的了解。此系列以美國內戰時期兵種為造型的人物雕塑，經過該組織的認證以確保其歷史正確性。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念物、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321070","MainTitle":"酒瓶系列：德州騎警","Creator":"設計者：Another Grenadier Original
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"12×5.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這款1978年的陶瓷雕像酒瓶是一名騎在馬上的騎兵造型，由Grenadier Spirits Co. (G.S.C特種兵團醇酒公司) 委託製造。造型的檯座上寫著TEXAS RANGER 1887「德州騎警1887」。此件人物的原型雕像似乎是仿照一張德州騎警艾拉·阿桐Ira Aten的照片製成，該人入選德州騎警隊名人堂。墨西哥獨立戰爭後，正規軍已解散，無人保護移居到德州的移民與公民免受當地部落和土匪的襲擊，因此德州騎警隊於1835年正式成立。德州騎警通常單獨工作，時而成對或小組工作。他們擁有很大的法律管制權，應職責要求四處漫遊或到任何需要他們的地方值勤。\r\n 德州騎警隊沒有穿軍裝制服，但可以透過黃銅徽章（戴在胸前的大衛之星）辨認出來；德州騎警常用的武器是左輪手槍(在他的腰際)和步槍(繫在馬鞍上)。此件騎警雕塑穿著典型的牛仔裝：戴著白色斯泰森帽、紅襯衫搭黑皮背心、白色領巾，皮褲與黑皮靴，鞋跟飾帶以銀漆繪上表現金屬質感，德州騎警的韁繩是成品後以真實的細皮革繩繫上，穿越過騎警上身與左手，延伸至馬首繞過鼻洞。此件造型酒瓶的瓶口很明顯地開在騎警的上胸，瓶蓋內附的軟木塞有所折損。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念物、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321071","MainTitle":"酒瓶系列：長筒靴(小)","Creator":"其他-品牌商：J.P. Van Winkle & Son
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"8×4×12.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件長筒靴造型的陶瓷酒瓶有著相當擬真的皮革外表，展現了裝飾陶瓷釉上彩繪的技法功夫。在造型與表面紋路上，與另一件同為長筒靴造型的酒瓶幾近相仿，但在尺寸與容積上則較為迷你，容積僅有50ml (1.7 Fl.Oz.)。\r\n 長靴鞋底貼有釀酒廠與容器內裝的酒品資訊，標示為：OLD COMMONWEALTH老聯邦 (這裡應是指肯塔基州內的聯盟組織) / Kentucky Straight Bourbon Whisky肯塔基純波本威士忌 / GENUINE PORCELAIN DECANTER 精製瓷器酒瓶 / Aged 7 Years in the Wood 7年木桶陳化 / 80 PROOF 50ml (1.7 Fl.Oz.) 美規酒精強度標準80、容量50ml / Bottled by J. P. Van Winkle & Son 由釀酒商J. P. Van Winkle & Son瓶裝 / Lawrenceburg. Kentucky肯塔基羅倫斯堡市。另外，貼有一張金色圓標貼紙，標示「CONTAINER MADE IN TAIWAN」為臺灣製造的容器。在鞋跟的部分再標註一次釀酒商的名字 (J. P. Van Winkle & Son) 與製作年分1982。\r\n 以靴子形狀的容器(或真的靴子)喝酒或裝酒，起源於普魯士軍隊，以及後來的慕尼黑啤酒節，稱為Das Boots啤酒靴子。而以釀造波本威士忌聞名的美國肯塔基州羅倫斯堡市(Lawrenceburg)，在1780年代初最先是由德國移民定居於此，再加上，在海外看過這種喝酒方式的二戰士兵回到美國，靴子形酒器可能因此間接傳入了北美洲。由此推測靴子造型作為酒器的連結由來。 \r\n 這件酒瓶出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上乾淨能源的天然瓦斯，於是決定來此地設廠，進而帶動起裝飾陶瓷生產線的興起。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321072","MainTitle":"酒瓶系列：女性人頭馬","Creator":"設計者：Dug Picking
其他-品牌商：Mustang Ranch, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"9.5×6×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件酒瓶造型是一個裸身的女性人頭馬盤踞在小丘陵上。人頭馬是希臘神話中半人半獸的生物，頭、手與上身軀幹是人類，在腰部與馬的身體和腿相連，牠們代表原始野性與肆無忌憚，經常出現在古希臘建築雕塑與陶器裝飾上；女性人頭馬則較為少見。\r\n 此件雕塑中的女人頭馬姿態撩人，雙手撫弄著一頭長長蓬鬆捲曲的金髮，裸露胸部，並帶著嫵媚可人的表情。下半馬身的毛髮與丘陵上的草叢，以及女人頭馬倚靠的樹幹上，皆刻劃出動感波紋，非常細膩生動。丘陵上有紅色的字體寫著：Joe & Sally Conforte’s MUSTANG RANCH 「喬伊與莎莉·康弗德的野馬牧場」。野馬牧場是一所妓院的名稱，於1971年成為內華達州第一家合法領有牌照的妓院，位於斯托里縣 (Storey)，里諾 (Reno) 以東約20英里處，在瓶身底部繪有簡筆線條的相對地理位置。因它的成立，州內相繼10個縣市也開啟了合法化妓院。野馬牧場妓院是美國1970-80年代最大，也是最賺錢的的妓院，經營者為喬伊·康弗德與其妻莎莉。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件雕塑造型相當完整，脫模後再粘合修整；臉部的顏彩相當精緻，在肌膚色的色土上以噴彩的方式噴上腮紅，並以細筆沾水溶性顏料，平均對稱地畫上眉毛與藍黑雙色的瞳孔。製作出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念品、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321073","MainTitle":"酒瓶系列：芭芭拉的酒店","Creator":"設計者：Dug Picking
其他-品牌商：My Place Bar
其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"10.5×6.5×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件酒瓶造型是一位穿著低胸白衣顯得有些暴露的女人，坐在石磚小屋的廊前，一旁屋內升起一堆柴火。石磚屋上與底座上以浮出立體的字，標示出此件雕塑的主題—BARBARA’S MY PLACE BAR。石磚小屋兩側則分別貼有字母：左側為突起的BMPB，底座上刻有NEVADA，右側也是突起的BMPB，底座上刻有WINNEMUCCA。BMPB是酒店名的字母集合縮寫，WINNEMUCCA溫尼馬卡則是內華達州北部一個以金礦業發展的城市，也是美國境內第一條橫貫大陸的鐵路上必經之交通樞紐。19世紀下半至20世紀初，建蓋橫貫大陸鐵路的中國工人，曾留在此地發展出中國城，國父孫中山先生也曾到過此地為辛亥革命募款。城市在礦業與鐵路的發展下興起，因此很早即出現風化區與合法妓院的規劃，內華達州是美國境內唯一開放合法妓院規畫區的州。\r\n 這件作品雕塑出一名端坐在屋外的女人，有著一頭橘紅髮，她雙手撫著腿上的貓咪，胸前衣襟開敞，臉上帶著迷人的微笑。由此推測，這家酒店應該是一間妓院，屋外兩側紅色大寫浮起的BMPB字母，可以想像是為模擬紅燈區裡霓虹燈廣告字體的效果。屋後背面則繪有簡筆線條的相對地理位置。底部左邊有一日本丸利商標「MR」的刻印，中間標註著DUG81，此為Captain Dug’s Brothel Decanter道格隊長的妓院系列酒瓶，根據國外二手藝品收藏網站，在此系列主題內共有46件不同造型的酒瓶。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件雕塑造型可分為石磚小屋與女人，分別製模注漿脫出後再粘著一起，經修整後再彩繪；臉部的顏彩相當精緻，在肌膚色的色土上以噴彩的方式噴上腮紅，並以細筆沾水溶性顏料，平均對稱地畫上眉毛與藍黑雙色的瞳孔。製作出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念品、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321074","MainTitle":"酒瓶系列：柏蒂絲雅的牧場","Creator":"設計者：Dug Picking
其他-品牌商：Hacienda Ranch(現為Bella's Hacienda)
其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"11.5×4.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件酒瓶造型是一位穿著低胸粉紅連身裙的女人，以嫵媚的姿勢站在茅草屋頂的石磚小屋前。小屋底座上以浮出立體的字，標示出此件雕塑的主題—PATCIA’S HACIENDA，HACIENDA為西班牙語的牧場之意。小屋兩側則分別有浮起的字母，分別是WELLS與NEVADA，由此推測這是位於內華達州東北艾爾科縣(ELKO)內的小市鎮威爾斯(WELLS)的牧場。內華達州左鄰加州，十九世紀中葉以金礦業發展開來，隨著橫貫美國大陸鐵路的興建，形成西部淘金客必經之地，除了州內拉斯維加斯市的博弈旅遊業興盛起來，內華達州也是美國境內唯一開放部分地區合法性交易的州。而這些合法妓院多半蓋在市區外較為偏避的地區，過去多為牧場用地，因此許多合法妓院以「牧場」命名，例如州內第一家合法領有牌照的野馬牧場妓院。 \r\n 這件作品雕塑出一名站在屋外搔首弄姿的女人，有著一頭濃密的黑髮，她一手插腰，一手搭頭並挺胸。以外型推測是墨西哥裔的外來移民者，服裝帶著些微粉紅與光亮，是釉色裡沒有添加消光劑的效果，波浪裙襬的造型自然生動，加上紅鞋與頭上的大紅花，頗具西班牙風情。從她的站姿、打扮與牧場的名稱推測，柏蒂絲雅的牧場是一間妓院。屋後背面則繪有簡筆線條的相對地理位置。根據國外二手藝品收藏網站，此件為Captain Dug’s Brothel Decanter道格隊長的妓院系列酒瓶之一，在此系列主題內共有46件不同造型的酒瓶。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件雕塑造型可分為石磚小屋與女人，分別製模注漿脫出後再粘著一起，經修整後再彩繪。製作出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念品、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321075","MainTitle":"酒瓶系列：古老的鐘樓/鳥付","Creator":"其他-品牌商：Lionstone Distilleries, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1974","Size":"7×5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件酒瓶造型是一座鐘樓，樓台上飛來停留著一隻小鳥。鐘樓上攀藤著紅花綠葉，拱形樓中垂掛著一只黃銅鐘。鳥兒像是剛著定點一般，翅膀揚起。\r\n 鳥兒身上羽毛的刻畫清晰可見，色彩豐富多樣，背上有成排的白點，頭上頂著一抹橘紅，雙翅上可見斑斕的色彩，鋪設自然。鐘樓石磚以色土表現再添加石塊推疊的陰影，表現出陳舊感、粗糙無光的效果，然而花朵則不添加消光劑，帶著光澤，形成色彩層次。造型上，空間的設計運用複雜，除了外型整體有中空感，內部同時也考量成容器的功用；整體的製模分片也頗為挑戰，除了鳥兒本身的翅膀與身體分別開模粘合，鐘樓的部份在拱形樓與底座之間的接合，鐘與拱形樓之間的結構，以及鐘是否為中空，都考驗原型雕塑技師。分別以瓷土注漿完成後開模再一一粘合、修整。經過第一道生檢手續，合格的才得以進入瓦斯窯窯燒 (1250-1280℃)，出窯後再經締檢手續，查看燒成的白體是否有瑕疵，良品才進入釉彩彩繪階段，接著以低溫700-800℃電爐烤色而成。\r\n 底部落款為排版字體印章形成陰刻的「ORIGINAL LIONSTONE SCULPTURED PORCELAIN ©1974 L.D.L.LIMITED EDITION」字樣 (原版石獅陶瓷雕塑1974年版權所有/石獅釀酒廠股份有限公司限量版)。\r\n 歐美酒莊釀酒一開始多半儲存於木桶中，裝酒容器、分酒瓶器便因應個人化需求而生。運用雕塑體中空的特性，結合儲酒分瓶的功能與其紀念性主題和裝飾性，陶瓷造型酒瓶成為美國大眾觀賞、收藏的物件。\r\n 丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。(詮釋委員:杜文田)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000005b598554d97bf36e9a183781ec661d254560a6faadaee9ecc5b9004f379aef74bac222a9c373f0ece4f5fc2581b89682480dfc59315fba97595c0a23365e1e5"}
,{"Identifier":"200321076","MainTitle":"酒瓶系列：黑色拉布拉多獵犬/叼雉雞","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"14.5×6×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321077","MainTitle":"酒瓶系列：路鳥","Creator":"丸利陶瓷公司","CreatedYear":"1978","Size":"14.5×5×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321078","MainTitle":"酒瓶系列：小矮人/搖椅","Creator":"其他-品牌商：Hoffman Distilling Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"7.5×5×13.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件酒瓶造型是由肯塔基州生產波本威士忌的霍夫曼釀酒公司委託製作。小矮人的造型取自愛爾蘭的精靈 (Leprechuan)，又稱為Mr. Lucky(幸運先生)。愛爾蘭的三葉酢漿草是聖派翠克(St.Patrick)的象徵，代表基督教中的三位一體教義，如能發現四片葉則能帶來幸運 (酢漿草一般為三葉，四葉為突變)。幸運先生的標誌是聖派翠克的三葉草，在Mr. Lucky幸運先生系列的各種造型身上都會見到。\r\n 幸運先生系列以帶有一點詼諧趣味的卡通造型，搭配不同職業的工具與動作，成為除了內容物威士忌之外的一個被收藏的特色。精靈頭大身體小，因此臉部特色與動作便成為欣賞重點。這位幸運先生是年長的精靈，他側臉坐在搖椅上抽著菸斗，雙腿舒適的交叉放在蘑菇上，腿上趴著一隻狸貓。老精靈戴著老花眼鏡，灰白的眉毛與鬍子，襯托著皺紋與紅潤雙頰。臉部的顏彩相當精緻，在肌膚色的色土上以噴彩的方式噴上腮紅，並以細筆沾水溶性顏料，畫上眼瞼、藍黑雙色的瞳孔、嘴巴的微笑線，以及特殊的老花眼鏡。底座後側以深綠色筆書「©1978 HOFFMAN」，底部無落款；瓶口開在帽子上。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件雕塑造型相當完整，脫模後再粘合修整、彩繪。製作出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念品、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321079","MainTitle":"酒瓶系列：小矮人/木匠","Creator":"其他-品牌商：Hoffman Distilling Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"5.5×5.5×13.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件酒瓶造型是由肯塔基州生產波本威士忌的霍夫曼釀酒公司委託製作，霍夫曼釀酒廠成立於1880年，中途經幾代知名的釀酒師經營，生產出不同的品牌，最終於1979年關廠。小矮人的造型取自愛爾蘭的精靈 (Leprechuan)，又稱為Mr. Lucky(幸運先生)。愛爾蘭的三葉酢漿草是聖派翠克(St.Patrick)的象徵，代表基督教中的三位一體教義，如能發現四片葉則能帶來幸運。幸運先生的標誌是聖派翠克的三葉草，在Mr. Lucky幸運先生系列的各種造型身上都能找到。\r\n 幸運先生系列以帶有一點詼諧趣味的卡通造型，搭配不同職業的工具與動作，成為除了內容物威士忌之外的一個被收藏的特色。精靈頭大身體小，因此臉部特色與動作便成為欣賞重點。這位幸運先生身穿草綠色背心戴著鴨舌帽，在帽子上可見到幸運草標誌，一旁是他的寵物夥伴小松鼠。他耳上架著一支鉛筆，手上拿著鐵鎚與工具，正如一名木匠工作的樣子，他正在修建一間小木屋的屋頂。木匠精靈有著一雙卡通式的大眼睛，由眼白與藍黑雙色瞳孔構成，搭配開嘴的笑容、圓鼻，顯得親切可愛。臉部的顏彩相當精緻，在肌膚色的色土上以噴彩的方式噴上腮紅，並以細筆沾水溶性顏料描繪眼睛、嘴唇。後方可見到他半蹲坐在樹幹上，背心上的剪裁、皺褶與褲頭上的腰帶，都精細地刻畫，在整體渾圓，以綠色系為主的簡要造型中，展現細緻的表現。底座後側以深綠筆書「©1978 HOFFMAN」，底部無落款；帽蓋即為瓶蓋。\r\n 製作出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994)工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，接著直至燒成出窯的每個階段，皆在日本技師的監督下完成，高品質管理業界出名。丸利公司經營貿易製造外銷，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，由臺灣代工後外銷至歐美，作為聖誕節飾品、紀念品、觀光商品、禮物或收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321080","MainTitle":"酒瓶系列：小矮人/電工","Creator":"其他-品牌商：Hoffman Distilling Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"6.5×5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件酒瓶造型是由肯塔基州生產波本威士忌的霍夫曼釀酒公司委託製作，霍夫曼釀酒廠成立於1880年，中途經幾代知名的釀酒師經營，生產出不同的品牌，最終於1979年關廠。小矮人的造型取自愛爾蘭的精靈 (Leprechuan)，又稱為Mr. Lucky(幸運先生)。愛爾蘭的三葉酢漿草是聖派翠克(St.Patrick)的象徵，代表基督教中的三位一體教義，如能發現四片葉則能帶來幸運。幸運先生的標誌是聖派翠克的三葉草，在Mr. Lucky幸運先生系列的各種造型身上都能找到。\r\n 幸運先生系列以帶有一點詼諧趣味的卡通造型，搭配不同職業的工具與動作，成為除了內容物威士忌之外的一個被收藏的特色。精靈的頭與身體幾近等比例，因此臉部特色與動作便成為欣賞重點。這位幸運先生身穿草綠色夾克，戴著軟帽，在帽子上可見到幸運草標誌。一旁是他的寵物夥伴小松鼠，站在椅凳上幫忙，小松鼠手中拿一把著鉗子。他一手拿著燈泡，一手上抬從後方燈架上拿取燈泡下來，他正在為路燈換燈泡，加上腳邊的工作包，顯示他是一名電工，在白色雪地上工作。電工精靈有著一雙卡通式的大眼睛，由眼白與藍黑雙色瞳孔構成，搭配笑容、圓鼻，顯得親切可愛。臉部的顏彩相當精緻，在肌膚色的色土上以噴彩的方式噴上腮紅，並以細筆沾水溶性顏料描繪眼睛、嘴唇。後方可見到外套的剪裁與木欄杆，在簡要造型中表現出細節。底座後側標示「©1978 HOFFMAN」，底部無落款；帽蓋即為瓶蓋。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶器在日本技術經驗的導入後，開啟貿易製造外銷的市場，尤以銷往美國為大宗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，外銷至國外作為聖誕節飾品、禮物特色商品、旅遊或賽事的紀念性商品、收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。 (詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321081","MainTitle":"酒瓶系列：小矮人/糕點師","Creator":"其他-品牌商：Hoffman Distilling Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"5.5×4.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件酒瓶造型是由肯塔基州生產波本威士忌的霍夫曼釀酒公司委託製作，霍夫曼釀酒廠成立於1880年，深受品酒客青睞，然最終因產業蕭條而於1979年關廠，後來由同在肯塔基州的J. P. Van Winkle & Son釀酒公司買了下來，於1983至2002期間生產至關廠。小矮人的造型可說是霍夫曼釀酒廠專有的設計。造型取自愛爾蘭的精靈 (Leprechuan)，又稱為Mr. Lucky(幸運先生)。愛爾蘭的三葉酢漿草是聖派翠克(St.Patrick)的象徵，代表基督教中的三位一體教義，如能發現四片葉則能帶來幸運。酢漿草作為幸運先生的標誌，不管三葉或四葉，在系列中的各種造型身上都能找到。\r\n 幸運先生系列以帶有一點詼諧趣味的卡通造型，搭配不同職業的工具與動作，成為除了內容物威士忌之外的一個被收藏的特色。精靈的臉部特色與動作是此系列的欣賞焦點。這位幸運先生是一名糕點師傅，身穿白色西點廚師服與戴著白色工作帽，帽子上可見到幸運草標誌。一旁是他的寵物夥伴小松鼠，站在蛋糕架下，手中拿著一小罐糖霜或奶油供給主人使用。西點師傅精靈有著一對長長的耳朵，後腦頭髮稀疏；一雙大眼睛，由眼白與藍黑雙色瞳孔構成，搭配笑容、圓鼻，顯得親切近人。臉部的顏彩相當精緻，在肌膚色的色土上以噴彩的方式噴上腮紅，並以細筆沾水溶性顏料描繪眼睛、嘴唇與兩撇鬍子。底座後側標示「©1978 HOFFMAN」，底部無落款並向瓶內凹進，國外流傳的成品有些則添加了音樂盒於底部。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶器在日本技術經驗的導入後，開啟貿易製造外銷的市場，尤以銷往美國為大宗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，外銷至國外作為聖誕節飾品、禮物特色商品、旅遊或賽事的紀念性商品、收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321082","MainTitle":"酒瓶系列：小矮人/裁縫師","Creator":"其他-品牌商：Hoffman Distilling Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"6.5×5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件酒瓶造型是由肯塔基州生產波本威士忌的霍夫曼釀酒公司委託製作，霍夫曼釀酒廠成立於1880年，深受品酒客青睞，然最終因產業蕭條而於1979年關廠，後來由同在肯塔基州的J. P. Van Winkle & Son釀酒公司買了下來，於1983至2002期間生產至關廠。小矮人的造型可說是霍夫曼釀酒廠專有的設計。造型取自愛爾蘭的精靈 (Leprechuan)，又稱為Mr. Lucky(幸運先生)。愛爾蘭的三葉酢漿草是聖派翠克(St.Patrick)的象徵，代表基督教中的三位一體教義。一般傳說都認為發現四葉的酢漿草，是幸運的象徵。酢漿草作為幸運先生的標誌，不管三葉或四葉，在系列中的各種造型身上都能找到。\r\n 幸運先生系列以帶有一點詼諧趣味的卡通造型，搭配不同職業的工具與動作，成為除了內容物—陳年威士忌之外，受到喜愛與收藏的特色。精靈的臉部與動作是此系列的欣賞焦點。這位幸運先生是一名裁縫師，身穿深淺綠色系的衣服與背心，戴著繡有三葉草圖騰的軟帽。他正在為一件灰色上衣量尺寸，寵物夥伴小松鼠，站在一旁遞出一把剪刀給主人使用，巧妙可愛的安排令人會心一笑。裁縫師傅精靈的老花眼鏡，架在圓潤的臉頰上，一雙大眼睛由眼白與藍黑雙色瞳孔構成，搭配笑容、圓鼻，顯得親切近人。臉部的顏彩是在肌膚色的色土上施色，以噴彩的方式上腮紅、紅鼻頭，並以細筆沾水溶性顏料描繪眼眶、眼珠與嘴唇。從後面看去，背心上的剪裁、褲子上的皺褶都精細地刻畫，在整體渾圓，以綠色系為主的簡要造型中展現細緻手法。底座後側標示「©1978 HOFFMAN」，底部無落款並向瓶內凹進，國外流傳的成品有些則添加了音樂盒於底部。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶器在日本技術經驗的導入後，開啟貿易製造外銷的市場，尤以銷往美國為大宗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，外銷至國外作為聖誕節飾品、禮物特色商品、旅遊或賽事的紀念性商品、收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321083","MainTitle":"酒瓶系列：小矮人/機械工","Creator":"其他-品牌商：Hoffman Distilling Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"6×5×13.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件酒瓶造型是由肯塔基州生產波本威士忌的霍夫曼釀酒公司委託製作，霍夫曼釀酒廠成立於1880年，深受品酒客青睞，然最終因產業蕭條而於1979年關廠，後來由同在肯塔基州的J. P. Van Winkle & Son釀酒公司買了下來，於1983至2002期間生產至關廠。小矮人的造型可說是霍夫曼釀酒廠專有的設計。造型取自愛爾蘭的精靈 (Leprechuan)，又稱為Mr. Lucky(幸運先生)。愛爾蘭的三葉酢漿草是聖派翠克(St.Patrick)的象徵，代表基督教中的三位一體教義。一般傳說都認為發現四葉的酢漿草，是幸運的象徵。酢漿草作為幸運先生的標誌，不管三葉或四葉，在系列中的各種造型身上都能找到。\r\n 幸運先生系列以帶有一點詼諧趣味的卡通造型，搭配不同職業的工具與動作，成為除了內容物威士忌之外一個值得被收藏的特色。精靈的容貌表情與動作是此系列的欣賞焦點。這位幸運先生是一名機械工，在深淺綠色襯衫外搭著棕色的工作圍裙，他的精靈帽與工具箱上都有三葉草圖騰。幸運先生有一個得意的好助手，每次需要零件工具，他的寵物夥伴小松鼠就在一旁遞上給主人使用，巧妙可愛的互動令人會心一笑。機械工精靈有一對尖尖的耳朵，一雙大眼睛，由眼白與藍黑雙色瞳孔構成，搭配笑容、圓鼻，顯得親切近人。臉部的顏彩是在肌膚色的色土上施色，以噴彩的方式噴上腮紅、鼻頭，並以細筆沾水溶性顏料描繪眼眶、眼珠與嘴唇。從後面看去，圍裙上的蝴蝶結、上衣、褲腰上的皺褶都精細地刻畫。底座後側標示「©1978 HOFFMAN」，底部無落款並向瓶內凹進，國外流傳的成品有些則添加了音樂盒於底部。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶器在日本技術經驗的導入後，開啟貿易製造外銷的市場，尤以銷往美國為大宗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，外銷至國外作為聖誕節飾品、禮物特色商品、旅遊或賽事的紀念性商品、收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。","ImageUrl":""}
,{"Identifier":"200321084","MainTitle":"酒瓶系列：小矮人/配管工","Creator":"其他-品牌商：Hoffman Distilling Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"6×5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDg0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件酒瓶造型是由肯塔基州生產波本威士忌的霍夫曼釀酒公司委託製作，霍夫曼釀酒廠成立於1880年，深受品酒客青睞，然最終因產業蕭條而於1979年關廠，後來由同在肯塔基州的J. P. Van Winkle & Son釀酒公司買了下來，於1983至2002期間生產至關廠。小矮人的造型可說是霍夫曼釀酒廠專有的設計。造型取自愛爾蘭的精靈 (Leprechuan) 形象，又稱為Mr. Lucky(幸運先生)。愛爾蘭的三葉酢漿草是聖派翠克(St.Patrick)的象徵，代表基督教中的三位一體教義。一般傳說認為，如發現四葉的酢漿草，就能帶來幸運。酢漿草作為幸運先生的標誌，不管三葉或四葉，在系列中的各種造型身上都能找到。\r\n 幸運先生系列的造型帶著一點詼諧趣味，搭配不同職業的工具與動作，成為讓人喜愛並值得收藏的特色，精靈的容貌表情與動作是此系列的欣賞焦點。這位幸運先生是一名配管工人，他一手搭在清理水管的吸盤工具上，一手靠在小松鼠的屋子上，淺綠色襯衫似乎顯得太小而露出了肚子來。他望著自己的助理兼寵物的小松鼠，臉上眉毛挑了起來；而小松鼠巴望著他的腳，央求幸運先生的幫忙。主僕之間的互動，令人會心一笑。配管工精靈有一對尖尖的耳朵，一雙大眼睛，由眼白與藍黑雙色瞳孔構成，搭配笑容、圓鼻，顯得親切近人。臉部的顏彩是在肌膚色的色土上施色，以噴彩的方式噴上腮紅、鼻頭，並以細筆沾水溶性顏料描繪眼眶、眼珠與嘴唇。配管工精靈戴著鴨舌帽，帽頂即為瓶蓋，底座後側標示「©1978 HOFFMAN」，底部無落款並向瓶內凹進，國外流傳的成品有些則添加了音樂盒於底部。\r\n 此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶器在日本技術經驗的導入後，開啟貿易製造外銷的市場，尤以銷往美國為大宗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，外銷至國外作為聖誕節飾品、禮物特色商品、旅遊或賽事的紀念性商品、收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321085","MainTitle":"酒瓶系列：小矮人/富翁","Creator":"其他-品牌商：Hoffman Distilling Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"6.5×5×13.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件酒瓶造型是由肯塔基州生產波本威士忌的霍夫曼釀酒公司委託製作，霍夫曼釀酒廠成立於1880年，深受品酒客青睞，然最終因產業蕭條而於1979年關廠，後來由同在肯塔基州的J. P. Van Winkle & Son釀酒公司買了下來，於1983至2002期間生產至關廠。小矮人的造型可說是霍夫曼釀酒廠專有的設計。造型取自愛爾蘭的精靈 (Leprechuan) 形象，又稱為Mr. Lucky(幸運先生)。愛爾蘭的三葉酢漿草是聖派翠克(St.Patrick)的象徵，代表基督教中的三位一體教義。一般傳說認為，如發現四葉的酢漿草，就能帶來幸運。酢漿草作為幸運先生的標誌，不管三葉或四葉，在系列中的各種造型身上都能找到。\r\n 幸運先生系列以帶有一點詼諧趣味的卡通造型，搭配不同職業的工具與動作，成為除了陳年威士忌之外受到喜愛與收藏的特色。這件精靈的造型與其他具有職業別的不太一樣，雖然同樣具有一對尖尖的耳朵，與綠色系的衣帽，然而他的眼神不同，寵物夥伴小松鼠也不在身邊，身上找不到任何酢漿草的標誌。這位幸運先生嘴裡叼著菸斗，腰圍寬廣，戴著設計奇怪的帽子，他一手拿著一只罐子，一手抱著錢袋，錢幣都滿出來掉在草地上。整體的彩繪不甚仔細，顏色不如同系列中的其他款式飽滿，錢幣與腰間皮帶扣環尚未施以金屬色。從彩繪的缺失看來，此件留下來的價值則存於作為形體的樣本之用了。底座後側標示「©1978 HOFFMAN」，底部無落款並向瓶內凹進，國外流傳的成品有些則添加了音樂盒於底部。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶器在日本技術經驗的導入後，開啟貿易製造外銷的市場，尤以銷往美國為大宗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，外銷至國外作為聖誕節飾品、禮物特色商品、旅遊或賽事的紀念性商品、收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321086","MainTitle":"酒瓶系列：小矮人/醫生","Creator":"其他-品牌商：Hoffman Distilling Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"5.5×5×13.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDg2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件酒瓶造型是由肯塔基州生產波本威士忌的霍夫曼釀酒公司委託製作，霍夫曼釀酒廠成立於1880年，深受品酒客青睞，然最終因產業蕭條而於1979年關廠，後來由同在肯塔基州的J. P. Van Winkle & Son釀酒公司買了下來，於1983至2002期間生產至關廠。小矮人的造型可說是霍夫曼釀酒廠專有的設計。造型取自愛爾蘭的精靈 (Leprechuan)，又稱為Mr. Lucky(幸運先生)。愛爾蘭的三葉酢漿草是聖派翠克(St.Patrick)的象徵，代表基督教中的三位一體教義。一般傳說都認為發現四葉的酢漿草，是幸運的象徵。酢漿草作為幸運先生的標誌，不管三葉或四葉，在系列中的各種造型身上都能找到。\r\n 幸運先生系列以帶有一點詼諧趣味的卡通造型，搭配不同職業的工具與動作，成為除了內容物—陳年威士忌之外，一個值得被收藏的特色。精靈的容貌表情與動作是此系列的欣賞焦點。這位幸運先生是一名醫生，在綠色背心外穿著白袍，白色的圓頂帽緣上有著三葉草圖騰。醫生精靈的眼睛盯著上方，手上的聽筒按在蘑菇上的青蛙背上，他的神情卻是一副認真聽取的模樣，逗趣的幽默令人會心一笑。醫生精靈有一對尖尖的耳朵，留著腮幫鬍，一雙大眼睛由眼白與藍黑雙色瞳孔構成，搭配圓鼻、圓下巴，顯得親切近人。臉部的顏彩是在肌膚色的色土上施色，以噴彩的方式噴上腮紅，並以細筆沾水溶性顏料描繪眼眶、眼珠與嘴唇；身體其他部位再以油性彩繪完成。底座後側標示「©1975 HOFFMAN」，底部無落款並向瓶內凹進，國外流傳的成品有些則添加了音樂盒於底部。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶器在日本技術經驗的導入後，開啟貿易製造外銷的市場，尤以銷往美國為大宗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，外銷至國外作為聖誕節飾品、禮物特色商品、旅遊或賽事的紀念性商品、收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321087","MainTitle":"酒瓶系列：小矮人/睡魔","Creator":"其他-品牌商：Hoffman Distilling Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"5.5×4×13.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件酒瓶造型是由肯塔基州生產波本威士忌的霍夫曼釀酒公司委託製作，霍夫曼釀酒廠成立於1880年，深受品酒客青睞，然最終因產業蕭條而於1979年關廠，後來由同在肯塔基州的J. P. Van Winkle & Son釀酒公司買了下來，於1983至2002期間生產至關廠。小矮人的造型可說是霍夫曼釀酒廠專有的設計。造型取自愛爾蘭的精靈 (Leprechuan)，又稱為Mr. Lucky(幸運先生)。愛爾蘭的三葉酢漿草是聖派翠克(St.Patrick)的象徵，代表基督教中的三位一體教義，而一般傳說都認為，發現四葉的酢漿草是幸運的象徵。酢漿草作為幸運先生的標誌，不管三葉或四葉，在系列中的各種造型身上都能找到。\r\n 幸運先生系列以帶有一點詼諧趣味的卡通造型，搭配不同職業的工具與動作，成為值得被收藏的特色。精靈的容貌表情與動作是此系列的欣賞焦點。這位幸運先生的眼神似乎不太明亮，眼皮上像是被煙霧蒙上了，頭歪向一邊，表情還帶著大大的微笑；他的寵物夥伴小松鼠則是一副睡眼惺忪狀，地上有著四葉草圖騰。那麼，這兩個角色到底怎麼了? 仔細看幸運先生的斜背包上，寫著SANDMAN (睡魔)，原來他們是著了睡魔，眼睛才會像進了沙一般迷濛，幸運先生成了睡魔先生了。臉部的顏彩是在肌膚色的色土上施色，以噴彩的方式噴上腮紅、眼皮上的灰霧，並以細筆沾水溶性顏料描繪眼眶、眼珠與微笑；身體其他部位再以油性彩繪完成。底座後側標示「©1975 HOFFMAN」，底部無落款並向瓶內凹進，國外流傳的成品則添加了音樂盒於底部，作為瓶蓋的帽子頂部造型也與坊間流傳的不一樣。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶器在日本技術經驗的導入後，開啟貿易製造外銷的市場，尤以銷往美國為大宗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，外銷至國外作為聖誕節飾品、禮物特色商品、旅遊或賽事的紀念性商品、收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。 (詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321088","MainTitle":"酒瓶系列：小矮人/豎琴","Creator":"其他-品牌商：Hoffman Distilling Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"7×5×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件酒瓶造型是由肯塔基州生產波本威士忌的霍夫曼釀酒公司委託製作，霍夫曼釀酒廠成立於1880年，深受品酒客青睞，然最終因產業蕭條而於1979年關廠，後來由同在肯塔基州的J. P. Van Winkle & Son釀酒公司買了下來，於1983至2002期間生產至關廠。小矮人的造型可說是霍夫曼釀酒廠專有的設計。造型取自愛爾蘭的精靈 (Leprechuan)，又稱為Mr. Lucky(幸運先生)。\r\n 幸運先生系列以帶有一點詼諧趣味的卡通造型，搭配不同職業的工具與動作，成為具收藏感的特色，精靈的容貌表情與動作是此系列的欣賞焦點。這位幸運先生的表情祥和喜悅，頭微上揚，臉上帶著大大的微笑，雙頰也圓圓鼓起。他的左手臂上抱著一座豎琴，右手正要撥弄出下個音符，整體表現出樂音的感染力。臉部的顏彩表現傳神，在肌膚色的色土上施色，以噴彩的方式噴上腮紅，並以細筆沾水溶性顏料描繪眼瞼、眼珠與微笑；身體其他部位再以油性彩繪完成。底座後側標示「©1975 HOFFMAN」，底部無落款並向瓶內凹進，國外流傳的成品則添加了音樂盒於底部。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶器在日本技術經驗的導入後，開啟貿易製造外銷的市場，尤以銷往美國為大宗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，外銷至國外作為聖誕節飾品、禮物特色商品、旅遊或賽事的紀念性商品、收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321089","MainTitle":"酒瓶系列：1876年代之嬉痞/槍","Creator":"其他-品牌商：Hoffman Distilling Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"5.25×4.75×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件西洋裝飾陶瓷雕塑的造型是一名身穿皮毛背心，雙手搭在槍桿上的年長者。他的裝扮揉合了西部牛仔與印第安原住民的風格，眼神帶著倦怠、嘴角看起來隨著長鬍子下垂，有種遠離於世俗的孤僻感。美國在歷經了長達五年的內戰 (1861-1865) ，統合了南北對峙與廢除奴隸制後，數十年間逐漸成長，邊境慢慢消失，從農村共和國轉眼成為都市化國家。1876年，美國迎來獨立革命後的第一個百年紀念，科羅拉多州成為美國第38州。在聯邦政權鞏固與制度建立的進步主義局世中，西部仍持續吸引著移民者，來自歐洲的移民、礦工與淘金客、從征戰中退役下來的自願軍等較為邊緣的人，他們面對體制的轉變與含藏著希望的廣大西部土地，開始心嚮往歸之，回到過往或獨立生活的念頭就油然而生。\r\n 這件雕塑造型人物融合了上述時代的衝突，形成一種反動的懷舊風格。他站在寫著1876年的檯座上，身分不明，裝扮顯得原始，從他頭上的動物毛皮帽與身上長長的毛皮背心看來，推測可能是一名獵人；他的衣袖裝飾著流蘇，以紅巾腰帶繫起來，背著黑色軍用風格的斜背包。此件與另一件同樣標榜時代特色的「1976年代之嬉皮/吉他」視為一對，作為相隔一百年的時代對照與見證。整體的造型與彩繪裝飾精細，底座後側標註有「©1975HOFFMAN DISTILLERIES(霍夫曼釀酒廠)」。一般人形造型酒瓶的開口多在頸部或是帽子，但此件並無開口，推測是作為樣本之用。國外藝品拍賣網站上可見有頸部為瓶口，頭部作為瓶蓋的成品。\r\n 裝飾陶瓷的製程先後分為原型塑造、製造石膏原模分片、注漿成型、修坯、彩繪、窯燒。此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶器在日本技術經驗的導入後，開啟貿易製造外銷的市場，尤以銷往美國為大宗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，外銷至國外作為聖誕節飾品、禮物特色商品、旅遊或賽事的紀念性商品、收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321090","MainTitle":"酒瓶系列：1976年代之嬉皮/吉他","Creator":"其他-品牌商：Hoffman Distilling Co.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"5.25×4.75×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDkw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件西洋裝飾陶瓷雕塑的造型是一名上身僅穿著背心，搭配紫色喇叭褲與夾腳拖鞋，雙手搭在一把吉他上的男士。他留著長長的頭髮、長長的鬍子，臉上戴著紫色的墨鏡。頭上圍起紅色髮帶並且插了一朵小白花，胸前掛一個和平象徵的項鍊，背著紅色捲起的毯子；他是美國1960-70年代興起反戰、反體制與中產階級價值的嬉皮客。\r\n 嬉皮文化與歐洲的波希米亞主義在核心概念上有相似之處，加上源於美國參與了越戰的後遺影響，趨策了年輕人對戰爭的反動，試圖以音樂、共生互助的生活方式、擁抱自然與和平的概念，來影響撼動傳統世俗的價值觀。在外觀上，他們蓄長髮、穿搭舊衣長裙與夾腳拖，喜歡色彩鮮艷的頭巾、串珠與花朵；在生活上，他們傾向團體群聚共享音樂，尤其以吉他演奏而發展的搖滾樂，信奉神祕主義、東方哲學，喜好瑜珈、素食主義。嬉皮的時尚和價值觀對文化產生了重大影響，包括流行音樂、文學和藝術。\r\n 這件雕塑造型人物的人體雕塑自然，表現出典型的嬉皮風格，彩繪與刻劃並用，將鬍子、衣服皺褶、手臂肌肉表現出來，突顯寫實感。底座後側標註有「©1975HOFFMAN DISTILLERIES(霍夫曼釀酒廠)」。一般人形造型酒瓶的開口多在頸部或是帽子，但此件並無開口，推測是作為樣本之用。國外藝品拍賣網站上可見到此件有頸部為瓶口，頭部作為瓶蓋的成品。此件與另一件同樣標榜時代特色的「1876年代之嬉皮/槍」視為一對，作為相隔一百年的時代對照與見證。此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，是由臺日股東合資，於1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利陶器在日本技術經驗的導入後，開啟貿易製造外銷的市場，尤以銷往美國為大宗，主要生產裝飾陶瓷，包括瓷偶、動物造型裝飾、人形造型酒瓶等，外銷至國外作為聖誕節飾品、禮物特色商品、旅遊或賽事的紀念性商品、收藏藝品。裝飾陶瓷產業於1970-80年代曾為臺灣帶來巨額的外匯收入。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200321091","MainTitle":"酒瓶系列：阿拉伯種馬","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"14.5×5.5×14.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDkx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321092","MainTitle":"酒瓶系列：尊貴的阿拉伯種馬","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"15×5.25×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDky","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321093","MainTitle":"酒瓶系列：紮營馬","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"15×5.5×14.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDkz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321094","MainTitle":"酒瓶系列：一歲馬","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"15×5.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDk0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200321095","MainTitle":"酒瓶系列：動物親子/長頸鹿","Creator":"丸利陶瓷公司","CreatedYear":"1977","Size":"11.3×6.5×9.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIxMDk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322001","MainTitle":"仙女坐木椅組","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322002","MainTitle":"雲豹","Creator":"丸利陶瓷公司","CreatedYear":"1989","Size":"16.3×9.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322003","MainTitle":"山雀/雪樹立","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"13.5×9×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322004","MainTitle":"黑玫瑰鈴(骨瓷)","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"10×9×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322005","MainTitle":"美國金絲雀","Creator":"丸利陶瓷公司","CreatedYear":"1987","Size":"13×8.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322006","MainTitle":"黃玫瑰鈴","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"11×9×14.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322007","MainTitle":"舞動中的自由女神像","Creator":"設計者：Stuart Mark Feldman
其他-品牌商：The Franklin Mint
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"12.5×9.5×24.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品是一件自由女神像。女神的身材修長，面貌姣好，是標準的美人。她身上穿著希臘式的古典服飾，背上有長披肩，左手有一條飾滿花卉的長緞帶，右手高舉著勝利的火炬。她和紐約哈得遜港口知名的自由女神像有很大不同的表現，沒有戴著星芒的后冠，而以梳理得很整齊而自然的髮型出現。她不採安穩的立姿，而採取動態很大的舞姿，右腳離地抬起，只有左腳單獨立在地上。從披肩與其他衣飾中看到它們隨著舞姿飄動，表現很強烈的扭轉動勢，具有新藝術(Art Nouveau)的表現風格。對於物理強度不高的陶瓷而言，這種造型製作十分不易。\r\n 作品中人體的肌膚表現十分細膩，透過褶紋可以表現服飾底下的骨肉。全器只有在火炬的火焰上塗上金色，其餘部分都保留瓷器的材質之美。","ImageUrl":""}
,{"Identifier":"200322008","MainTitle":"RVR 老鷹","Creator":"丸利陶瓷公司","CreatedYear":"1988","Size":"20.5×15.3×35.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322009","MainTitle":"雙貓/毛線","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"15×12.3×14.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322010","MainTitle":"狐狸親子","Creator":"丸利陶瓷公司","CreatedYear":"1986","Size":"13×13×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322011","MainTitle":"米奇老鼠除草","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"5.3×4×6.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322011〈米奇老鼠除草〉是在描述米奇老鼠除草過程的神奇際遇。當全身黑色有著一副招牌大耳朵的米奇老鼠，穿著經典紅色褲子、黃色鞋子、戴上白手套，推著除草機器在草地上作業的時候，米奇老鼠不小心將住在地洞裡的大老鼠頭上之毛髮除掉了一大塊，所以有如樹被砍掉後殘留的樹幹頭般，經過創作者物化的野地裡的大老鼠冒出地面來，米奇老鼠轉頭與其對話，野地裡的大老鼠很生氣地瞪著米奇老鼠。這種具有奇幻故事情節的作品，對兒童極富吸引力。\r\n 西元1922年，米奇老鼠在華特‧迪士尼（Walt Disney）手下誕生。西元1955年，在美國加州建立第一座迪斯奈（西元1995年統一更名為迪士尼）樂園。米奇老鼠（Mickey Mouse）暱稱「米老鼠」，牠是於西元1928年，由華特‧迪士尼和烏布‧伊沃克斯於華特‧迪士尼動畫工作室創作產生的迪士尼角色。米奇是一隻擬人化黑色大耳朵的老鼠，通常穿著紅色短褲、褐色大鞋和四隻手指的白色手套，作為華特‧迪士尼公司的官方吉祥物；米奇老鼠是世界上最知名的迪士尼角色之一。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200322012","MainTitle":"米奇老鼠與鳥屋","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"6×4.8×6.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322012〈米奇老鼠與鳥屋〉是描述全身黑色有著一副招牌大耳朵的米奇老鼠，穿著經典紅色褲子、黃色鞋子、掛上白手套，手上拿著一把大釘鎚，在草地上為一隻藍色的小鳥造了一間小木屋；當小鳥棲息的空間完成後，為了表示感激之意，站在木屋的屋頂上與米奇老鼠對話，感覺非常有趣。這種具有故事情節的作品，對兒童極富吸引力。\r\n 西元1922年，米奇老鼠在華特‧迪士尼（Walt Disney）手下誕生。西元1955年，在美國加州建立第一座迪斯奈（西元1995年統一更名為迪士尼）樂園。米奇老鼠（Mickey Mouse）暱稱「米老鼠」，牠是於西元1928年，由華特‧迪士尼和烏布‧伊沃克斯於華特‧迪士尼動畫工作室創作產生的迪士尼角色。米奇是一隻擬人化黑色大耳朵的老鼠，通常穿著紅色短褲、褐色大鞋和四隻手指的白色手套，作為華特‧迪士尼公司的官方吉祥物；米奇老鼠是世界上最知名的迪士尼角色之一。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200322013","MainTitle":"唐老鴨修理馬桶","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"6.3×4×6.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322013〈唐老鴨修理馬桶〉是在描述穿著經典天藍色水手服的唐老鴨，帶著工具箱、手持水管鉗，一副專業水電技工的模樣，準備要修理馬桶；此刻，唐老鴨卻回頭看著牠的尾部，被真空吸盤抽水馬桶通管器吸住的逗趣情境。這種表現神聖專業工種的裝飾陶瓷作品，對兒童極富啟發性與吸引力。\r\n 唐老鴨（Donald Duck）是迪士尼於西元1934年，所創作的經典動畫人物之一，全名為唐納德‧方特洛伊‧達克（Donald Fauntleroy Duck）。唐老鴨的角色於西元1942年首度出現於動畫片《唐老鴨從軍記（Donald Gets Drafted）》。第二次世界大戰期間，公司開始為政府製作鼓舞士氣的動畫宣傳片，舉唐老鴨為重要角色；在《呱呱突擊隊》裡，唐老鴨幫助盟軍打贏二次世界大戰。西元1943年，《元首的面孔》獲得奧斯卡「最佳動畫短片獎」，也是托唐老鴨的福。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200322014","MainTitle":"唐老鴨與水管","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"6×4×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322014〈唐老鴨與水管〉是在描述穿著經典天藍色水手服的唐老鴨，將水管捲在身上，手持噴水錨子，準備為花園裡的植栽澆水，沒想到水卻出不來，於是唐老鴨就抓起連接著水管的茶色噴水錨子，閉上右眼、以左眼觀察水錨子的洞裡頭是否有被異物堵塞。這種表現生活中休閒式勞動工作的裝飾陶瓷作品，對兒童極富啟發性與吸引力。\r\n 唐老鴨（Donald Duck）是迪士尼於西元1934年，所創作的經典動畫人物之一，全名為唐納德‧方特洛伊‧達克（Donald Fauntleroy Duck）。唐老鴨的角色於西元1942年首度出現於動畫片《唐老鴨從軍記（Donald Gets Drafted）》。第二次世界大戰期間，公司開始為政府製作鼓舞士氣的動畫宣傳片，舉唐老鴨為重要角色；在《呱呱突擊隊》裡，唐老鴨幫助盟軍打贏二次世界大戰。西元1943年，《元首的面孔》獲得奧斯卡「最佳動畫短片獎」，也是托唐老鴨的福。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200322015","MainTitle":"米奇老鼠烘焙師","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1974","Size":"7×6×9.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322015〈米奇老鼠烘焙師〉是在描述有著一雙黑色大耳朵的米奇老鼠穿戴整齊，白衣、白帽一副專業厨師打扮，從事烘焙工作。米奇老鼠烘焙師的脖子綁著紅色領巾、雙手握住綠色木製鍋鏟，托著一顆剛出爐的金黃色大麵包，腳邊地上躺著一大袋麵粉。此作品整體上之色彩運用視覺效果極佳，可謂迪士尼系列作品的代表作之一，它所展現之神聖專業工種表徵，對兒童極具啟發作用，當受歡迎。\r\n 西元1922年，米奇老鼠在華特‧迪士尼（Walt Disney）手下誕生。西元1955年，在美國加州建立第一座迪斯奈（西元1995年統一更名為迪士尼）樂園。米奇老鼠（Mickey Mouse）暱稱「米老鼠」，牠是於西元1928年，由華特‧迪士尼和烏布‧伊沃克斯於華特‧迪士尼動畫工作室創作產生的迪士尼角色。米奇是一隻擬人化黑色大耳朵的老鼠，通常穿著紅色短褲、褐色大鞋和四隻手指的白色手套，作為華特‧迪士尼公司的官方吉祥物；米奇老鼠是世界上最知名的迪士尼角色之一。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200322016","MainTitle":"米奇老鼠騎自行車","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1974","Size":"7.3×6.5×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322016〈米奇老鼠騎自行車〉是在描述：歡樂的米奇老鼠騎著自行車用力踩踏之鮮活姿態與生活情境。經典造型的米奇老鼠，身著綠色上衣、紅色運動褲、黃色鞋子、白色手套及黃色運動帽；此作品整體上之色彩運用視覺效果極佳，同樣可謂迪士尼系列作品的代表作之一。它所展現之運動型態表徵，對兒童極具啟發作用，當受歡迎。\r\n 西元1922年，米奇老鼠在華特‧迪士尼（Walt Disney）手下誕生。西元1955年，在美國加州建立第一座迪斯奈（西元1995年統一更名為迪士尼）樂園。米奇老鼠（Mickey Mouse）暱稱「米老鼠」，牠是於西元1928年，由華特‧迪士尼和烏布‧伊沃克斯於華特‧迪士尼動畫工作室創作產生的迪士尼角色。米奇是一隻擬人化黑色大耳朵的老鼠，通常穿著紅色短褲、褐色大鞋和四隻手指的白色手套，作為華特‧迪士尼公司的官方吉祥物；米奇老鼠是世界上最知名的迪士尼角色之一。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200322017","MainTitle":"米奇老鼠消防員","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1974","Size":"7.3×6.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322017〈米奇老鼠消防員〉是在描述米奇老鼠身穿紅色消防局制服，頭上戴著消防員專用安全帽，腳穿水藍色安全鞋，頭部上仰，雙手握持著噴水錨子連接水帶，指向火場標的，展現噴水狀態；突然間，哇！水沒了！水錨子的口部只剩一滴水，有如真實場景。這種表現神聖專業職種的裝飾陶瓷作品，對兒童極具啟發作用與吸引力。\r\n 西元1922年，米奇老鼠在華特‧迪士尼（Walt Disney）手下誕生。西元1955年，在美國加州建立第一座迪斯奈（西元1995年統一更名為迪士尼）樂園。米奇老鼠（Mickey Mouse）暱稱「米老鼠」，牠是於西元1928年，由華特‧迪士尼和烏布‧伊沃克斯於華特‧迪士尼動畫工作室創作產生的迪士尼角色。米奇是一隻擬人化黑色大耳朵的老鼠，通常穿著紅色短褲、褐色大鞋和四隻手指的白色手套，作為華特‧迪士尼公司的官方吉祥物；米奇老鼠是世界上最知名的迪士尼角色之一。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200322018","MainTitle":"米奇老鼠放風箏","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1974","Size":"7×5.5×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322018〈米奇老鼠放風箏〉是描述米奇老鼠在有風的日子，手持米黃色的方形大風箏到野外空曠處去玩的生活情境。經典造型的米奇老鼠穿著寶藍色上衣與相同顏色帽子、紅色短褲、白手套、橘黃色鞋子，顯現一臉高興的樣子。從圖面上可見草地上有一堆幫助風箏具平衡作用的條狀紅顏色尾巴，還有放風箏用的整捆的白色棉質繩子。如此運動題材的作品，對兒童都是極具吸引力。\r\n 西元1922年，米奇老鼠在華特‧迪士尼（Walt Disney）手下誕生。西元1955年，在美國加州建立第一座迪斯奈（西元1995年統一更名為迪士尼）樂園。米奇老鼠（Mickey Mouse）暱稱「米老鼠」，牠是於西元1928年，由華特‧迪士尼和烏布‧伊沃克斯於華特‧迪士尼動畫工作室創作產生的迪士尼角色。米奇是一隻擬人化黑色大耳朵的老鼠，通常穿著紅色短褲、褐色大鞋和四隻手指的白色手套，作為華特‧迪士尼公司的官方吉祥物；米奇老鼠是世界上最知名的迪士尼角色之一。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200322019","MainTitle":"米奇老鼠當警察","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1974","Size":"6.5×5.8×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322019〈米奇老鼠當警察〉是在描述：擁有一對特大黑色大耳朵的米奇老鼠，全身穿著寶藍色的警察制服，衣服和帽子上別有警徽和標章，站在路口吹著哨子、指揮交通，身旁跟著一隻臉上表情搞笑的白腹小黑貓名叫費加羅（Figaro），整個身子趴在米奇老鼠的大頭皮鞋上，感覺非常溫馨；這種有異種動物做朋友，一起去進行神聖職業工作象徵之立體裝飾陶瓷表現，對兒童的啟發性教育會有一定程度作用。\r\n 西元1922年，米奇老鼠在華特‧迪士尼（Walt Disney）手下誕生。西元1955年，在美國加州建立第一座迪斯奈（西元1995年統一更名為迪士尼）樂園。米奇老鼠（Mickey Mouse）暱稱「米老鼠」，牠是於西元1928年，由華特‧迪士尼和烏布‧伊沃克斯於華特‧迪士尼動畫工作室創作產生的迪士尼角色。米奇是一隻擬人化黑色大耳朵的老鼠，通常穿著紅色短褲、褐色大鞋和四隻手指的白色手套，作為華特‧迪士尼公司的官方吉祥物；米奇老鼠是世界上最知名的迪士尼角色之一。\r\n 費加羅為迪士尼動畫作品裡的動物角色，是一隻公猫，西元1940年在《木偶奇遇記》及《米老鼠和唐老鴨》系列裡首見出場；此角色係由動畫師耶利克‧拉森（Eric Larson）所設計，也是華特迪士尼最喜歡的卡通角色之一，因此迪士尼公司讓費加羅進入米老鼠大家族，在《米老鼠和唐老鴨》系列動畫裡，費加羅成為米妮的寵物。\r\n 西元1922年，米奇老鼠在華特‧迪士尼（Walt Disney）手下誕生。西元1955年，在美國加州建立第一座迪斯奈（西元1995年統一更名為迪士尼）樂園。米奇老鼠（Mickey Mouse）暱稱「米老鼠」，牠是於西元1928年，由華特‧迪士尼和烏布‧伊沃克斯於華特‧迪士尼動畫工作室創作產生的迪士尼角色。米奇是一隻擬人化黑色大耳朵的老鼠，通常穿著紅色短褲、褐色大鞋和四隻手指的白色手套，作為華特‧迪士尼公司的官方吉祥物；米奇老鼠是世界上最知名的迪士尼角色之一。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200322020","MainTitle":"米奇老鼠滑雪","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1974","Size":"6.5×5.3×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322020〈米奇老鼠滑雪〉是在描述米奇老鼠於冬天滑雪之可愛情境。雖然是冬天有陽光的下雪日子仍須注意保暖，米奇老鼠穿著一身輕鬆感覺的粉藍色毛衣和相同顏色質料的帽子、草綠色圍巾、紅色長褲，腳穿鵝黃色鞋子踩在鉻黃色雪橇上，雙手各持一支灰色的滑雪桿，整個身子微微往前傾，顯現真實滑雪狀態。如此的裝飾陶瓷作品可以增加小朋友們對滑雪運動之認識並嚮往之。\r\n 西元1922年，米奇老鼠在華特‧迪士尼（Walt Disney）手下誕生。西元1955年，在美國加州建立第一座迪斯奈（西元1995年統一更名為迪士尼）樂園。米奇老鼠（Mickey Mouse）暱稱「米老鼠」，牠是於西元1928年，由華特‧迪士尼和烏布‧伊沃克斯於華特‧迪士尼動畫工作室創作產生的迪士尼角色。米奇是一隻擬人化黑色大耳朵的老鼠，通常穿著紅色短褲、褐色大鞋和四隻手指的白色手套，作為華特‧迪士尼公司的官方吉祥物；米奇老鼠是世界上最知名的迪士尼角色之一。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200322021","MainTitle":"米妮老鼠射箭","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1974","Size":"6.8×5.3×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322021〈米妮老鼠射箭〉是在描述：全身服飾有如獵人打扮的米妮老鼠，身穿鉻黃色燈籠袖、橄欖綠衣裙，上頭別著紅色羽毛的鉻黃色帽子，腳穿紅色鞋子，手上拿著弓，身上揹著箭筒，準備要去專用場地射箭。此作品對於射箭運動的鼓勵會有正面的作用。\r\n 米妮老鼠（Minnie Mouse）於1997年以前的中文名稱翻譯作「美妮」，簡稱「米妮」，是由尤柏‧艾沃克和華特‧迪士尼共同創造之卡通人物角色。西元1930年代的漫畫中，曾經提及她的本名為「密涅瓦鼠（Minerva Mouse）」，並介紹她的父親是Marcus Mouse、母親是Margie Mouse，兩者皆為農夫。有關米妮老鼠動畫之最初製作，首見於西元1928年的《飛機迷（Plane Crazy）》；動畫之最初登場是於同年的全球第一齣有聲動畫影片《汽船威利號（Steamboat Willie）》。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200322022","MainTitle":"米妮老鼠赴宴","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1974","Size":"6.8×5.3×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322022〈米妮老鼠赴宴〉是在描述米妮老鼠盛裝赴宴，手上拎了一個手提包，裙子被風掀起的情境故事。經典造型的米妮老鼠很高興地準備赴宴，身上穿著淺紫色系的燈籠袖連身蓬裙與同色系的正式禮帽，腳穿黃色皮鞋，雙手戴上白手套，拎著白色手提包；突然間一陣大風吹來，將米妮老鼠的漂亮裙子掀起，米妮老鼠眼睛瞪大大，感到非常尷尬與驚慌。此作品有助小朋友關於社交禮儀的啟發。\r\n 米妮老鼠（Minnie Mouse）於1997年以前的中文名稱翻譯作「美妮」，簡稱「米妮」，是由尤柏‧艾沃克和華特‧迪士尼共同創造之卡通人物角色。西元1930年代的漫畫中，曾經提及她的本名為「密涅瓦鼠（Minerva Mouse）」，並介紹她的父親是Marcus Mouse、母親是Margie Mouse，兩者皆為農夫。有關米妮老鼠動畫之最初製作，首見於西元1928年的《飛機迷（Plane Crazy）》；動畫之最初登場是於同年的全球第一齣有聲動畫影片《汽船威利號（Steamboat Willie）》。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200322023","MainTitle":"米妮老鼠與高爾夫球桿袋","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1974","Size":"6.8×5.3×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322023〈米妮老鼠與高爾夫球桿袋〉是描述一隻穿著天藍色運動服裝、白色球鞋，頭上綁著黃色大型蝴蝶結的「米妮老鼠」，抱著整袋的高爾夫球桿赴球場，準備上場一展身手。如此作品可以讓兒童增加對運動的認識。\r\n 米妮老鼠（Minnie Mouse）於1997年以前的中文名稱翻譯作「美妮」，簡稱「米妮」，是由尤柏‧艾沃克和華特‧迪士尼共同創造之卡通人物角色。西元1930年代的漫畫中，曾經提及她的本名為「密涅瓦鼠（Minerva Mouse）」，並介紹她的父親是Marcus Mouse、母親是Margie Mouse，兩者皆為農夫。有關米妮老鼠動畫之最初製作，首見於西元1928年的《飛機迷（Plane Crazy）》；動畫之最初登場是於同年的全球第一齣有聲動畫影片《汽船威利號（Steamboat Willie）》。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200322024","MainTitle":"米妮老鼠為受傷的鳥把脈","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1974","Size":"8.3×6.5×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322024〈米妮老鼠為受傷的鳥把脈〉是在描述米妮老鼠擔任護理師的工作，為小鳥包紮療傷、把脈。一副典型護理師打扮的米妮老鼠，在野外為棲息在矮樹上頭已經包紮好腳傷的鳥兒把脈，一面抓著鳥兒的翅膀，一面看著手上的腕錶計數。這種神聖的專業職種裝飾陶瓷，對兒童之啟發性蠻高的。\r\n 米妮老鼠（Minnie Mouse）於1997年以前的中文名稱翻譯作「美妮」，簡稱「米妮」，是由尤柏‧艾沃克和華特‧迪士尼共同創造之卡通人物角色。西元1930年代的漫畫中，曾經提及她的本名為「密涅瓦鼠（Minerva Mouse）」，並介紹她的父親是Marcus Mouse、母親是Margie Mouse，兩者皆為農夫。有關米妮老鼠動畫之最初製作，首見於西元1928年的《飛機迷（Plane Crazy）》；動畫之最初登場是於同年的全球第一齣有聲動畫影片《汽船威利號（Steamboat Willie）》。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200322025","MainTitle":"米妮老鼠與籐編籃","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1974","Size":"6.3×6×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322025〈米妮老鼠與籐編籃〉是在描述滿臉歡愉表情的米妮老鼠穿著經典的白色燈籠袖上衣、紅色裙子、頭戴黃色瓜皮帽、腳穿黃色鞋子，提著蓋上一塊小圓點花布的籐編籃，裡頭裝滿食物和餐具，準備出發去野餐。這種題材的裝飾陶瓷作品，可以幫助兒童們對生活經驗的認知。\r\n 米妮老鼠（Minnie Mouse）於1997年以前的中文名稱翻譯作「美妮」，簡稱「米妮」，是由尤柏‧艾沃克和華特‧迪士尼共同創造之卡通人物角色。西元1930年代的漫畫中，曾經提及她的本名為「密涅瓦鼠（Minerva Mouse）」，並介紹她的父親是Marcus Mouse、母親是Margie Mouse，兩者皆為農夫。有關米妮老鼠動畫之最初製作，首見於西元1928年的《飛機迷（Plane Crazy）》；動畫之最初登場是於同年的全球第一齣有聲動畫影片《汽船威利號（Steamboat Willie）》。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200322026","MainTitle":"米妮老鼠當秘書","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1974","Size":"7.5×7.3×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322026〈米妮老鼠當秘書〉是在描述一隻身穿粉紫底色白花點的燈籠袖連身裙裝，腰繫黃色寬布帶頗具時尚感，頭上有大型紅色蝴蝶結，腳穿紅色鞋，地板上掉落幾張文件，忙碌但愉悅的米妮老鼠擔任稱職的秘書職務；從米妮老鼠作筆記的情境看出她是左手慣用者。桌子上擺著一部英文打字機和轉盤撥號紅色電話機，都是從事秘書工作的必要工具。此作品可以讓小朋友們認識秘書的工作型態。\r\n 米妮老鼠（Minnie Mouse）於1997年以前的中文名稱翻譯作「美妮」，簡稱「米妮」，是由尤柏‧艾沃克和華特‧迪士尼共同創造之卡通人物角色。西元1930年代的漫畫中，曾經提及她的本名為「密涅瓦鼠（Minerva Mouse）」，並介紹她的父親是Marcus Mouse、母親是Margie Mouse，兩者皆為農夫。有關米妮老鼠動畫之最初製作，首見於西元1928年的《飛機迷（Plane Crazy）》；動畫之最初登場是於同年的全球第一齣有聲動畫影片《汽船威利號（Steamboat Willie）》。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200322027","MainTitle":"米妮老鼠滑雪","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1974","Size":"6.5×5.8×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322027〈米妮老鼠滑雪〉是在描寫米妮老鼠於冬天滑雪之可愛情境。因為冬天的氣溫低，必須注意保暖，米妮老鼠穿著粉藍色長褲和同顏色的手套，外加有白色羊毛滾邊的連帽紅色棉襖，腳穿白色鞋子踩在黃色雪橇上，雙手各持一支滑雪桿，整個身子稍微往前傾，顯現滑雪狀態下的速度感。如此的裝飾陶瓷作品可以增加小朋友們對滑雪運動的認識並嚮往之。\r\n 米妮老鼠（Minnie Mouse）於1997年以前的中文名稱翻譯作「美妮」，簡稱「米妮」，是由尤柏‧艾沃克和華特‧迪士尼共同創造之卡通人物角色。西元1930年代的漫畫中，曾經提及她的本名為「密涅瓦鼠（Minerva Mouse）」，並介紹她的父親是Marcus Mouse、母親是Margie Mouse，兩者皆為農夫。有關米妮老鼠動畫之最初製作，首見於西元1928年的《飛機迷（Plane Crazy）》；動畫之最初登場是於同年的全球第一齣有聲動畫影片《汽船威利號（Steamboat Willie）》。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200322028","MainTitle":"米妮老鼠打網球","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1974","Size":"6.3×5.8×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322028〈米妮老鼠打網球〉是在描述米妮老鼠身著白色運動服，白色球鞋，頭上綁著天藍色大型蝴蝶結，手持黃色球拍，在球場上打網球的姿態。米妮老鼠拱著身體，注意力集中，準備隨時可以應付突如其來的狀況，動感十足。如此作品可以讓兒童增加對運動的認識。\r\n 米妮老鼠（Minnie Mouse）於1997年以前的中文名稱翻譯作「美妮」，簡稱「米妮」，是由尤柏‧艾沃克和華特‧迪士尼共同創造之卡通人物角色。西元1930年代的漫畫中，曾經提及她的本名為「密涅瓦鼠（Minerva Mouse）」，並介紹她的父親是Marcus Mouse、母親是Margie Mouse，兩者皆為農夫。有關米妮老鼠動畫之最初製作，首見於西元1928年的《飛機迷（Plane Crazy）》；動畫之最初登場是於同年的全球第一齣有聲動畫影片《汽船威利號（Steamboat Willie）》。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200322029","MainTitle":"米妮老鼠手持心形禮盒","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1974","Size":"6.5×5.3×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322029〈米妮老鼠手持心形禮盒〉的創作意涵，可以讓有心人將米妮老鼠手上拿著象徵愛心禮盒的華特‧迪士尼系列之裝飾陶瓷產品「米妮老鼠（Minnie Mouse）」送給情人；猶如將花束送給心儀的人以表達愛慕之情一般，此為情人節應景禮品。對小朋友而言有助於對生活經驗的認知，對大人而言具實質商品意義。\r\n 米妮老鼠（Minnie Mouse）於1997年以前的中文名稱翻譯作「美妮」，簡稱「米妮」，是由尤柏‧艾沃克和華特‧迪士尼共同創造之卡通人物角色。西元1930年代的漫畫中，曾經提及她的本名為「密涅瓦鼠（Minerva Mouse）」，並介紹她的父親是Marcus Mouse、母親是Margie Mouse，兩者皆為農夫。有關米妮老鼠動畫之最初製作，首見於西元1928年的《飛機迷（Plane Crazy）》；動畫之最初登場是於同年的全球第一齣有聲動畫影片《汽船威利號（Steamboat Willie）》。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200322030","MainTitle":"唐老鴨玩橄欖球","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"6.3×5×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322030〈唐老鴨玩橄欖球〉描述唐老鴨穿著招牌的水藍色1號衣，頭上戴著紅色有護耳的運動帽，站在有草皮的球場上，左手抱著皮革縫製的橄欖球，右手比個手勢，準備衝鋒陷陣。這件作品可以讓兒童增加對橄欖球運動的認識，諸如此類優秀創作同時也成為唐老鴨迷的收藏之一。\r\n 唐老鴨（Donald Duck）是迪士尼於西元1934年，所創作的經典動畫人物之一，全名為唐納德‧方特洛伊‧達克（Donald Fauntleroy Duck）。唐老鴨的角色於西元1942年首度出現於動畫片《唐老鴨從軍記（Donald Gets Drafted）》。第二次世界大戰期間，公司開始為政府製作鼓舞士氣的動畫宣傳片，舉唐老鴨為重要角色；在《呱呱突擊隊》裡，唐老鴨幫助盟軍打贏二次世界大戰。西元1943年，《元首的面孔》獲得奧斯卡「最佳動畫短片獎」，也是托唐老鴨的福。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200322031","MainTitle":"唐老鴨爬電桿","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"7×6.3×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322031〈唐老鴨爬電桿〉是在描述唐老鴨爬到電線杆的頂端，準備檢修電纜線，此刻巧遇一隻紅色小鳥，身子靠到唐老鴨的大扁嘴上，四目相視有如想要對話；唐老鴨頭戴有如公司制服的藍色帽子，爬上電線杆不忘安全防護，腰部套著防落寬皮帶，腰間還掛著工具袋和通訊用話筒（本創作當時的年代還沒有手機），雙手戴著絕緣手套，還蠻專業的。從電線杆上的木橫擔和瓷質礙子，可以看出這件作品的設計巧思，它可以讓兒童對用電設施專業技能的認識有所幫助。\r\n 唐老鴨（Donald Duck）是迪士尼於西元1934年，所創作的經典動畫人物之一，全名為唐納德‧方特洛伊‧達克（Donald Fauntleroy Duck）。唐老鴨的角色於西元1942年首度出現於動畫片《唐老鴨從軍記（Donald Gets Drafted）》。第二次世界大戰期間，公司開始為政府製作鼓舞士氣的動畫宣傳片，舉唐老鴨為重要角色；在《呱呱突擊隊》裡，唐老鴨幫助盟軍打贏二次世界大戰。西元1943年，《元首的面孔》獲得奧斯卡「最佳動畫短片獎」，也是托唐老鴨的福。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200322032","MainTitle":"唐老鴨溜冰","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"7×5×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322032〈唐老鴨溜冰〉描述唐老鴨正在溜冰的情境。唐老鴨身著招牌藍色水手服，頸項間別著黑色蝴蝶結、繫上紅色領巾，腳穿冰刀鞋；雙手靠在腰間、顯現乾淨俐落之平衡作用，因為領巾往後飄顯現速度感，整體而言非常生動。這件作品可以增加小朋友們對溜冰運動的認識。\r\n 唐老鴨（Donald Duck）是迪士尼於西元1934年，所創作的經典動畫人物之一，全名為唐納德‧方特洛伊‧達克（Donald Fauntleroy Duck）。唐老鴨的角色於西元1942年首度出現於動畫片《唐老鴨從軍記（Donald Gets Drafted）》。第二次世界大戰期間，公司開始為政府製作鼓舞士氣的動畫宣傳片，舉唐老鴨為重要角色；在《呱呱突擊隊》裡，唐老鴨幫助盟軍打贏二次世界大戰。西元1943年，《元首的面孔》獲得奧斯卡「最佳動畫短片獎」，也是托唐老鴨的福。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200322033","MainTitle":"復古迪士尼 海灘上的黛西鴨和大貝殼","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"7×5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322033〈復古迪士尼 海灘上的黛西鴨和大貝殼（Vintage Disney Daisy duck with a sea shell at the beach）〉是在描述一隻復古造型的迪士尼「黛西鴨」，身穿粉紅色與綠色條紋相間的連身短裙，頭戴粉紅色大型蝴蝶結，腳穿草綠色帶子的涼鞋，樣子感覺非常輕鬆，黛西鴨在海灘舉起橘紅色的大海螺傾聽聲音，探尋大自然的奧秘；屬於「夏日海灘」的系列作品之一。\r\n黛西鴨（Daisy Duck）是唐老鴨（Donald Duck）的女朋友，又稱「黛絲」；米妮老鼠是她最要好的朋友。西元1940年由華特‧狄士尼動畫工作室所製作。最初雛形出現於西元1937年的《唐老鴨墨西哥奇遇（原名：Don Donald）》動畫中，以熱情的墨西哥女孩「唐娜鴨（Donna Duck）」之名登場，與唐老鴨互動。三年後重新調整形象並改名，於西元1940年的《鴨子先生走出去（Mr. Duck Steps Out）》一片中以「Daisy Duck」之名登場，之後又繼續演出過十四齣電影短片。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200322034","MainTitle":"黛西鴨持傘","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"6.5×5.8×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322034〈黛西鴨持傘〉是在描述黛西鴨出門前都會先看天色。擔心可能會下雨，因此黛西鴨帶著一把淡紫色的雨傘（與戴在頭上的大型蝴蝶結同樣顏色）；也有可能是看到大晴天，擔心在戶外遭日曬，帶著一把陽傘。黛西鴨全身的穿著打扮以淡紫色系為主，配上藏青色與粉色袖子的上衣，色調非常協調。此作品可以讓小朋友們於出門前對天氣變化的關心，帶來啟發性作用。\r\n黛西鴨（Daisy Duck）是唐老鴨（Donald Duck）的女朋友，又稱「黛絲」；米妮老鼠是她最要好的朋友。西元1940年由華特‧狄士尼動畫工作室所製作。最初雛形出現於西元1937年的《唐老鴨墨西哥奇遇（原名：Don Donald）》動畫中，以熱情的墨西哥女孩「唐娜鴨（Donna Duck）」之名登場，與唐老鴨互動。三年後重新調整形象並改名，於西元1940年的《鴨子先生走出去（Mr. Duck Steps Out）》一片中以「Daisy Duck」之名登場，之後又繼續演出過十四齣電影短片。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200322035","MainTitle":"黛西鴨溜冰","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1975","Size":"6×5×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322035〈黛西鴨溜冰〉是在描述擬人化的世界，冬天寒冷的天氣，黛西鴨怕冷，溜冰時將雙手置入暖手筒之情境。黛西鴨穿著暗紅色連身短裙，頭戴橄欖綠色滾上白色毛邊的錐形大圓帽並配上同樣顏色領結，腳穿黑色溜冰鞋；暖手筒上頭有榭寄生圖案裝飾，象徵冬天聖誕節時令。此作品可以幫助小朋友們對氣候變化及節日的生活經驗多一層認識。\r\n 黛西鴨（Daisy Duck）是唐老鴨（Donald Duck）的女朋友，又稱「黛絲」；米妮老鼠是她最要好的朋友。西元1940年由華特‧狄士尼動畫工作室所製作。最初雛形出現於西元1937年的《唐老鴨墨西哥奇遇（原名：Don Donald）》動畫中，以熱情的墨西哥女孩「唐娜鴨（Donna Duck）」之名登場，與唐老鴨互動。三年後重新調整形象並改名，於西元1940年的《鴨子先生走出去（Mr. Duck Steps Out）》一片中以「Daisy Duck」之名登場，之後又繼續演出過十四齣電影短片。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200322036","MainTitle":"米奇老鼠玩橄欖球","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"9×6.5×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322036〈米奇老鼠玩橄欖球〉是在描述米奇老鼠玩橄欖球的時候之靜態情境。米奇老鼠身穿白衣、青色褲子的1號球衣，腳穿褐色運動鞋，左腳踩著皮製橄欖球，右手捧著粉紅色安全帽，腳底下的圓形臺座象徵綠草如茵的球場。這樣的作品可以讓小朋友增加對運動的認識，也是大人很喜歡的收藏品。\r\n 西元1922年，米奇老鼠在華特‧迪士尼（Walt Disney）手下誕生。西元1955年，在美國加州建立第一座迪斯奈（西元1995年統一更名為迪士尼）樂園。米奇老鼠（Mickey Mouse）暱稱「米老鼠」，牠是於西元1928年，由華特‧迪士尼和烏布‧伊沃克斯於華特‧迪士尼動畫工作室創作產生的迪士尼角色。米奇是一隻擬人化黑色大耳朵的老鼠，通常穿著紅色短褲、褐色大鞋和四隻手指的白色手套，作為華特‧迪士尼公司的官方吉祥物；米奇老鼠是世界上最知名的迪士尼角色之一。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200322037","MainTitle":"米奇老鼠打高爾夫球","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"9×7×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322037〈米奇老鼠打高爾夫球〉是在描述米奇老鼠站在綠草如茵的高爾夫球場上，身穿黃色休閒服、淺紫色短褲、天藍色背心，頭戴同樣顏色的帽子，腳穿褐色球鞋，右手輕握著高爾夫球桿，左手插腰，目視正前方，思考著接下來要如何揮桿。此作品對兒童來說，可以幫助對運動的認識；而大人可以欣賞、收藏。\r\n 西元1922年，米奇老鼠在華特‧迪士尼（Walt Disney）手下誕生。西元1955年，在美國加州建立第一座迪斯奈（西元1995年統一更名為迪士尼）樂園。米奇老鼠（Mickey Mouse）暱稱「米老鼠」，牠是於西元1928年，由華特‧迪士尼和烏布‧伊沃克斯於華特‧迪士尼動畫工作室創作產生的迪士尼角色。米奇是一隻擬人化黑色大耳朵的老鼠，通常穿著紅色短褲、褐色大鞋和四隻手指的白色手套，作為華特‧迪士尼公司的官方吉祥物；米奇老鼠是世界上最知名的迪士尼角色之一。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200322038","MainTitle":"唐老鴨釣魚受困","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"8.5×7.3×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322038〈唐老鴨釣魚受困〉是在描述一隻復古造型的迪士尼唐老鴨，全身穿著水藍色招牌海軍裝，雙手戴著白手套，手持釣魚竿準備於岸邊釣魚，結果一不小心整個身體和釣魚竿都被釣魚線及浮標纏住，因此受困、動彈不得；接著就有一條大魚在唐老鴨的腳邊浮出水面，對著唐老鴨取笑，令唐老鴨覺得很糗，因此蹙起眉頭、左手攤開，顯出一副無可奈何狀。這是主題為「夏日海灘」的作品之一。\r\n 唐老鴨（Donald Duck）是迪士尼於西元1934年，所創作的經典動畫人物之一，全名為唐納德‧方特洛伊‧達克（Donald Fauntleroy Duck）。唐老鴨的角色於西元1942年首度出現於動畫片《唐老鴨從軍記（Donald Gets Drafted）》。第二次世界大戰期間，公司開始為政府製作鼓舞士氣的動畫宣傳片，舉唐老鴨為重要角色；在《呱呱突擊隊》裡，唐老鴨幫助盟軍打贏二次世界大戰。西元1943年，《元首的面孔》獲得奧斯卡「最佳動畫短片獎」，也是托唐老鴨的福。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200322039","MainTitle":"高飛狗（Goofy Goof）打棒球","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"8.5×6×16.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322039〈高飛狗（Goofy Goof）打棒球〉是在描述：穿著紅色緊身內衣、外套短袖連身衣褲、頭戴草綠色運動帽、腳穿咖啡色球鞋、戴白色手套的高飛狗正在打棒球，手持木、鋁混合的球棒拄在草地上，左手插腰，目視球場遠方，判斷當時形勢，為著下一次的揮棒作準備。這樣的裝飾陶瓷作品對於讓孩童產生打棒球的興趣，頗具影響力。\r\n 西元1938年之後，唐老鴨與米奇老鼠開始跟高飛狗撘檔演出。唐老鴨、米奇老鼠、高飛狗曾經主演過著名的《三劍客》故事。高飛是一隻心地善良但腦袋瓜不太靈活的「狗」，牠是作為布魯托（狗）的對比人物出現的；高飛狗是迪士尼經典動畫人物之一。西元1995年，高飛狗首度在《高飛電影（A Goofy Movie）》的長篇動畫中擔任主角。高飛狗經常能製造、產生喜劇調節劑的效果。\r\n現在牠的本名叫：高飛‧高孚（Goofy Goof）。人物設計：阿特‧巴比特（Art Babbit）。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200322040","MainTitle":"高飛狗（Goofy Goof）打曲棍球","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"12.5×5×10.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322040〈高飛狗（Goofy Goof）打曲棍球〉是在描述：穿著黃色休閒運動衫、內穿草綠色緊身長褲和皮質護膝、外穿天藍色短褲、腳穿黑色球鞋、戴著皮質長筒手套的高飛狗正在打曲棍球；手持紅色長柄球棒，目視草地上的球，擺好姿勢準備揮棒。這樣的裝飾陶瓷作品對於讓孩童產生打棒球的興趣，頗具影響力。\r\n 西元1938年之後，唐老鴨與米奇老鼠開始跟高飛狗撘檔演出。唐老鴨、米奇老鼠、高飛狗曾經主演過著名的《三劍客》故事。高飛是一隻心地善良但腦袋瓜不太靈活的「狗」，牠是作為布魯托（狗）的對比人物出現的；高飛狗是迪士尼經典動畫人物之一。西元1995年，高飛狗首度在《高飛電影（A Goofy Movie）》的長篇動畫中擔任主角。高飛狗經常能製造、產生喜劇調節劑的效果。\r\n現在牠的本名叫：高飛‧高孚（Goofy Goof）。人物設計：阿特‧巴比特（Art Babbit）。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200322041","MainTitle":"高飛狗（Goofy Goof）與衝浪板","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"10×7×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322041〈高飛狗（Goofy Goof）與衝浪板〉是在描述：穿著有白色線條滾邊的紅色運動衣、頭戴綠色高帽、腳穿咖啡色球鞋、戴著白色手套的高飛狗，正在將天藍色與黃色相間的衝浪板，搬到海邊的沙灘，準備進行衝浪運動。此作品屬於主題為「夏日海灘」的系列作品。這樣的裝飾陶瓷作品，對於讓孩童長大後產生衝浪運動的興趣，頗具深遠影響力。\r\n 西元1938年之後，唐老鴨與米奇老鼠開始跟高飛狗撘檔演出。唐老鴨、米奇老鼠、高飛狗曾經主演過著名的《三劍客》故事。高飛是一隻心地善良但腦袋瓜不太靈活的「狗」，牠是作為布魯托（狗）的對比人物出現的；高飛狗是迪士尼經典動畫人物之一。西元1995年，高飛狗首度在《高飛電影（A Goofy Movie）》的長篇動畫中擔任主角。高飛狗經常能製造、產生喜劇調節劑的效果。\r\n現在牠的本名叫：高飛‧高孚（Goofy Goof）。人物設計：阿特‧巴比特（Art Babbit）。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200322042","MainTitle":"大壞（野）狼（The Bad Wolf）","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"17.8×12×14.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200322042《大壞（野）狼／The Big Bad Wolf》是在描述：有一隻大壞（野）狼躲在一棵樹後面，張開大嘴巴，準備作壞事，攻擊善良的對象，使成為牠的盤中飧。從作品圖片中可以看出全身黑色的大壞（野）狼，只穿著一條暗紅色的長褲，頭上戴著一頂有粉紅絲帶的藍色大禮帽，弓著身子雙手著地，以降低高度，避免目標明顯被發現，也是蓄勢待發的狀態。\r\n 設計創作的依據是參考華特‧迪士尼的系列動畫短片《糊塗交響曲／Silly Symphonies》中的《三隻小豬／Three Little Pigs》(1933)、《大壞（野）狼／The Big Bad Wolf》(1934)、三隻小狼／Three Little Wolves》(1934)及《實際的豬／The Practical Pig》(1939) …等。其中《大壞狼／The Big Bad Wolf》的內容近似格林童話《小紅帽》的故事。這件典藏品和200112359、200112360及200112361的《三隻小豬／Three Little Pigs》是同一組的。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列的裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200322043","MainTitle":"米奇老鼠擔任演唱指揮（音樂盒）","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"10.8×10.8×17.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322043〈米奇老鼠擔任演唱會指揮（音樂盒）〉是在描述一隻紳士打扮，身著白色襯衫、黑色領結、紅色腰飾，雙手戴上白色手套，腳穿黑色皮鞋，外面套上黑色燕尾禮服的米奇老鼠，站在古典型式的圓形舞臺上面，有模有樣、全神貫注地指揮樂團演奏，舞臺上還放了一個樂譜架，讓情境表達完善。舞臺形式的檯座內部空間於成品後安裝音樂鈴的零組件，使成為音樂盒功能。本作品的藝術價值在於有故事背景的樂團演出題材之雕塑創作，加上音樂盒的功能，因此相得益彰；當音樂鈴的樂聲響起時，同時間欣賞本作品，就會有如正在聽演奏會時的那種臨場感。\r\n 西元1922年，米奇老鼠在華特‧迪士尼（Walt Disney）手下誕生。西元1955年，在美國加州建立第一座迪斯奈（西元1995年統一更名為迪士尼）樂園。米奇老鼠（Mickey Mouse）暱稱「米老鼠」，牠是於西元1928年，由華特‧迪士尼和烏布‧伊沃克斯於華特‧迪士尼動畫工作室創作產生的迪士尼角色。米奇是一隻擬人化黑色大耳朵的老鼠，通常穿著紅色短褲、褐色大鞋和四隻手指的白色手套，作為華特‧迪士尼公司的官方吉祥物；米奇老鼠是世界上最知名的迪士尼角色之一。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩、室內擺飾及樂音聆聽之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200322044","MainTitle":"米妮老鼠彈豎琴（音樂盒）","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"13×10.8×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322044〈米妮老鼠彈豎琴（音樂盒）〉是在描述一隻穿著暗粉紅色禮服、頭戴相同顏色的蝴蝶結頭飾，腳穿鉻黃色皮鞋，雙手戴上白手套的米妮老鼠，坐在古典型式圓形舞臺上的椅子拉豎琴，全神貫注的模樣煞有介事。舞臺上擺設一座古典雕刻的乳白色豎琴，讓情境表達完善。作品檯座的內部空間於成品後安裝音樂鈴的零組件，使成為音樂盒功能。本作品之藝術價值在於有故事背景的樂團演出題材之雕塑創作，加上音樂盒的功能，因此相得益彰；當音樂鈴的樂聲響起時，同時間欣賞本作品，就會有如正在聽演奏會時的那種臨場感。\r\n 米妮老鼠（Minnie Mouse）於1997年以前的中文名稱翻譯作「美妮」，簡稱「米妮」，是由尤柏‧艾沃克和華特‧迪士尼共同創造之卡通人物角色。西元1930年代的漫畫中，曾經提及她的本名為「密涅瓦鼠（Minerva Mouse）」，並介紹她的父親是Marcus Mouse、母親是Margie Mouse，兩者皆為農夫。有關米妮老鼠動畫之最初製作，首見於西元1928的《飛機迷（Plane Crazy）》；動畫之最初登場是於同年的全球第一齣有聲動畫影片《汽船威利號（Steamboat Willie）》。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩、室內擺飾及樂音聆聽之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200322045","MainTitle":"米妮老鼠搖鈴","Creator":"設計者：The Walt Disney Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"7.3×7.3×12.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200322045〈米妮老鼠搖鈴〉是在描述餐桌上的生活型態，每當用餐前使用搖鈴表示「開飯啦！」，取代一家之主的疾聲呼喚。作者將聲音清脆的瓷質搖鈴握把部位，巧妙加上米妮老鼠的可愛雕塑全身像，真是一種創意，既具使用功能又能擺在餐桌上賞玩，可以稱得上佳作；搖鈴開口部下緣飾有一整圈淺浮雕的樂譜符號。\r\n 米妮老鼠（Minnie Mouse）於1997年以前的中文名稱翻譯作「美妮」，簡稱「米妮」，是由尤柏‧艾沃克和華特‧迪士尼共同創造之卡通人物角色。西元1930年代的漫畫中，曾經提及她的本名為「密涅瓦鼠（Minerva Mouse）」，並介紹她的父親是Marcus Mouse、母親是Margie Mouse，兩者皆為農夫。有關米妮老鼠動畫之最初製作，首見於西元1928的《飛機迷（Plane Crazy）》；動畫之最初登場是於同年的全球第一齣有聲動畫影片《汽船威利號（Steamboat Willie）》。\r\n 華特‧迪士尼公司（The Walt Disney Company）是美國一家多元化跨國媒體集團，總部位於加州洛杉磯地區的柏本克。迪士尼所有事業體是以西元1923年建立之「迪士尼兄弟（華特與洛伊）卡通製片廠」為基礎，隨後迪士尼發展成全美國領先的動畫電影製作公司，同時也開始涉足真人電影、電視劇之製作及主題公園等行業。現今的華特‧迪士尼公司已擴大經營範圍，聘有多名專業律師以保護該公司的智慧財產權，因此影像授權也是重要項目之一，諸如「裝飾陶瓷」是為一例。\r\n 此迪士尼系列之裝飾陶瓷作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩、室內擺飾以及桌上用品等。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*及燒烤等過程，著實有著一連串繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200322046","MainTitle":"女/花持(日本娃娃)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"6×4.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322047","MainTitle":"女/蝶持(黑捲髮)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.5×4.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322048","MainTitle":"女/鳥持(圓帽)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"6.5×5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322049","MainTitle":"女/鬱金香(蝴蝶髮結)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"6.5×4.5×9.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322050","MainTitle":"男/花持(鴨舌帽)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"6.5×4.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322051","MainTitle":"男/船持(水兵服)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5×4.5×9.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322052","MainTitle":"女/鈴","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"7×7×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322053","MainTitle":"女/鳥","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"7.5×7.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322054","MainTitle":"女/貓","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"7.5×7.5×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322055","MainTitle":"女/鴿子","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"7.5×7.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322056","MainTitle":"女/雞 ","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"8×7.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322057","MainTitle":"女坐/花持組","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322058","MainTitle":"相框/女","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"11.5×6.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322059","MainTitle":"相框/男","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"12×6.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322060","MainTitle":"男女/坐姿","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"10×7×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322061","MainTitle":"女&鼠/拉車","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"11×7×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322062","MainTitle":"男女/嬰床","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"12×7.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322063","MainTitle":"女&鼠/小提琴 (音)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"9×9×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322064","MainTitle":"男女/跳舞(音)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"9×9×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322065","MainTitle":"女&鳥/看板","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"13×5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322066","MainTitle":"女&鳥/繪畫","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"12×8×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322067","MainTitle":"女&鼠/看書","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"12×8×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322068","MainTitle":"女/儲金箱","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"11×10×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322069","MainTitle":"女/太陽&貓(音)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"9×9×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322070","MainTitle":"女騎天鵝(燈具)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"10×7.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322071","MainTitle":"男女&鼠/茶會(音)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"15×11×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322072","MainTitle":"女&鳥/信箱","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"10×7×11.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322073","MainTitle":"女/蝶(裙花)","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"6×5×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322074","MainTitle":"女/抱羊","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"5×5×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322075","MainTitle":"女/抱雙兔","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"5×5×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322076","MainTitle":"女/鼠床","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"10×7.5×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322077","MainTitle":"二女/化妝","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"8×7.5×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322078","MainTitle":"結婚(音)","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"9.3×9.3×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322079","MainTitle":"女&鼠/鞦韆(音)","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"9×9×16.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322080","MainTitle":"廣告牌：男/犬","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"9.5×6.8×7.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322081","MainTitle":"廣告牌：女/貓","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"10×6.8×7.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322082","MainTitle":"廣告牌：女/鳥","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"9.8×6×7.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322083","MainTitle":"男女/傘持(音)","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"9×9×14.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322084","MainTitle":"女/桌(寫字)","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"10×7×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDg0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322085","MainTitle":"女/柺杖持&鳥付","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"10×7×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322086","MainTitle":"女/星持&聖誕樹","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"10×7×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDg2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322087","MainTitle":"男女/唱歌(音)","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"9.3×9.3×12.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322088","MainTitle":"女&鼠/雪橇","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"10×6.3×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322089","MainTitle":"男女/溜冰","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"11.8×8.5×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322090","MainTitle":"女/搖木馬(音)","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"12×6×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDkw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322091","MainTitle":"女/熊床(音)","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"10×8.5×7.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDkx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322092","MainTitle":"持心的女小丑","Creator":"設計者：Faith Wick
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"9.5×9×11.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDky","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主人翁是一位女性的小丑。她全身穿著白色的小丑裝，頭上戴著聖誕老人圓錐形的高帽，寬鬆的連身服，寬大波浪形的領子，帽子和衣服上有幾朵紅花，從上往下排列。她身體很壯碩，雙腿盤坐在地上，全身成為一個穩定的三角形構圖。她的左手拿著一個鮮紅的愛心在胸前，和服飾上的紅花及紅色的鞋子，構成統一的色彩。她的右手托著下巴，安靜地平視前方，似乎在思維人類所需要的愛心。\r\n 從器底的款識知道，這件作品出自藝術家Faith Wick的設計，全身構造單純，利於用石膏模型鑄漿成形。只有幾朵紅花需要另外用手工製作後，再貼上去。坏體燒製後，再用手工彩繪。色彩很單純，除了臉部需要用畫筆作較仔細的描繪之外，其餘部分只需要平塗紅色即可，技術門檻並不高。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200322093","MainTitle":"小丑","Creator":"設計者：Faith Wick
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"7.5×7×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDkz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一位女性的小丑。作品出自藝術家Faith Wick的設計，相同系列的作品還有幾件，造型元素都相同。作品名為「Pom Pom」，意為絨球。全身都穿著白色的小丑裝，聖誕老人圓錐形的高帽，寬鬆的連身服，寬大波浪形的衣領，帽子和衣服上有造型相同的紅色絨球，是這系列作品共同的造型元素，只有姿勢不同而已。這件作品採立姿，小丑雙腳拼攏直立，雙手放在胸前。從上到下的紅色構成統一的色彩，主導著整個畫面。她的面貌平凡，和一般西洋玩偶都以美女為主角的情形不同。她兩眼平視前方，表情相當安詳而寧靜。\r\n 整件作品無論在造型或色彩上都相當單純。器底有「TAIWAN」款，説明為臺灣製品，訂貨者是美國ENESCO公司，由日本丸利公司接單，苗栗子公司負責生產與管理。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200322094","MainTitle":"小丑撲滿","Creator":"設計者：Faith Wick
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"9×9×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDk0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品主角是一位女性的小丑。作品出自藝術家Faith Wick的設計，ENESCO公司取得授權生產。Faith Wick設計一系到相同的作品，人物與服飾的造型元素都相同，只有姿勢改變而已。這個白臉小丑有一個紅唇的大嘴巴，鼻子上有紅圈，兩頰畫上紅點。她頭上戴著聖誕老人圓錐形的高帽，身上穿著寬鬆的白色連身小丑裝，波浪形的領子特別寬大，邊緣都有鮮紅的線條裝飾。她的身體較胖，肚子凸出，屬於健壯型的人物。她的帽子有三顆紅色絨球，衣服上還有造型相同的絨球。她坐在地上，鞋子互相抵住。左手放在膝上，右手托住下巴。背後的肩膀上有一道狹窄的開口，可以投入錢幣，作為撲滿。在觀賞之外，還兼具功能性。整件作品由紅色構成統一的色彩，無論造型或色彩上都很單純。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200322095","MainTitle":"彈手風琴的小丑（音樂盒）","Creator":"設計者：Faith Wick
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"9.8×9.8×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品主題是描繪一位在彈手風琴的女小丑。作品出自藝術家Faith Wick的設計，是她所設計的絨球系列之一，這些作品的人物與服飾的造型元素都相同，都具有白臉、紅唇大嘴巴、紅圈圈鼻子、紅點臉頰、聖誕老人圓錐形的高帽、寬鬆的連身小丑裝、寬大的波浪形衣領、肥胖的身體、平凡的容貌等，都是相同的特徵，只有姿勢和手持物改變而已，說明所設計的都是同一個模特兒。她嘴巴閉著，兩眼平視，手上拿著一部手風琴，正在彈奏著。圓柱形底座較高，可以裝入音樂盒。上緊發條後，會發出悅耳的音樂。\r\n 坏體製作完成後，沒有上釉就以瓦斯梭窯高溫燒製，出窯後再進行彩繪作業。彩繪之後，二度用電窯低溫烤花而成。因此器面上只有彩色，而沒有釉藥特有的光澤，呈現無光的器面。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200322096","MainTitle":"持相框小丑","Creator":"設計者：Faith Wick
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"15×8.5×16.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDk2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品主題是扶著愛心相框的女小丑。作品出自Faith Wick所設計的系列小丑之一。這些作品的人物與服飾的造型元素都相同，只有姿勢和手持物改變而已。小丑白臉上的紅唇大嘴巴，紅圈圈鼻子，紅點臉頰。嘴巴閉著，兩眼平視。頭上聖誕老人圓錐形的高帽，身上寬鬆的連身小丑裝，寬大的波浪形的衣領，帽子上和衣服上造型相同的紅色絨球。肥胖的身體，都是相同的元素，說明所設計的都是同一個模特兒。主要的不同點在於她採立姿，右手扶著大的紅愛心，上面有款識，可作為相框之用，具有實用功能。\r\n 坏體以石膏模型鑄漿成形法製作，將泥漿傾入石膏模型之內，石膏會吸收泥漿中的水分，而在石膏壁上形成一層泥坏，等到適當厚度時，傾出多餘的泥漿，脫模後，便能得到需的粗坏。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200322097","MainTitle":"噓聲小丑的半身像","Creator":"設計者：Faith Wick
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"11.5×11×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDk3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品是一個女小丑的半身胸像。作品出自Faith Wick所設計的系列「POM POM」小丑之一。「POM POM」，指的是一種圓圓的絨球，常用於帽子頂端的裝飾。這些作品的人物面貌與服飾的造型元素都相同，小丑白臉上的紅唇大嘴巴，紅圈圈鼻子，紅點臉頰。嘴巴閉著，兩眼平視。頭上聖誕老人圓錐形的高帽，身上寬鬆的連身小丑裝，寬大的波浪形的衣領，帽子上和衣服上造型相同的紅色絨球，肥胖的身體，凸出的肚子，都是相同的元素。本作品的主要不同點在於它是個半身胸像，造型更為單純。\r\n 作品以石膏模型鑄漿成形，脫模後，取出粗坏，模型接縫處會有多餘的坏土，此時工作人員必須用毛筆之類的工具加以除去，並加以修整，是為修坏的過程。經過修坏後，才能得到造型完美的坏體。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200322098","MainTitle":"手指套絨球小丑","Creator":"設計者：Faith Wick
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"3×2.5×4.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDk4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品是一個女小丑的頭像。作品出自Faith Wick所設計的系列「POM POM」小丑之一。這些作品的人物面貌與服飾的造型元素都相同，小丑白臉上的紅唇大嘴巴，紅圈圈鼻子，紅點臉頰。嘴巴閉著，兩眼平視。頭上聖誕老人圓錐形的高帽，寬大的波浪形的衣領，帽子上飾有三朵紅色絨球。這件作品尺寸很小，高度只有4.3公分而已，器底留有空間，手指可以套進去，作為把玩的飾品。整體造型十分單純，生產容易。\r\n 西洋玩偶以鑄漿成形法製坏，是工業革命之後研發成功的現代化的量產技術。19世紀英國掀起的美術工藝運動(Arts and Crafts Movement)，排斥工業產品，而讚美手工的價值。在這種工藝趨勢下，許多工藝品再度強調手工的特質。這類作品雖是量產化的產品，卻在裝飾上採用手工彩繪，以提高其價值感。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200322099","MainTitle":"小丑胸像（音樂盒） ","Creator":"設計者：Faith Wick
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"11.5×11×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMDk5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品是一個女小丑的頭像。作品出自Faith Wick的設計，和其他同系列的產品具有相同的造型元素。白臉上的紅唇大嘴巴，紅圈圈鼻子，紅點臉頰，頭上聖誕老人圓錐形的高帽，寬大的波浪形的衣領，帽子上飾有三朵紅色絨球等都是共同的特徵。這件作品只有頭像，胸部以下都加以省略，臉部略帶憂鬱的表情。作品底部有較大的空間，可裝上音樂盒，兼具聽覺的享受。\r\n 作品受到現代設計觀念的影響，很注重工作效率與生產成本。這件作品原型開發出來之後，稍加改變，便可以設計成另一件功能不同的產品，降低了加速開發原型的成本。造型設計簡潔，減少模具的數量，並使脫模容易。在彩繪上，用色也盡量單純，也可以增加生產的效率。就設計理念而言，這件作品是相當優秀的設計。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200322100","MainTitle":"雜耍以腳轉球小丑","Creator":"設計者：Faith Wick
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"10.5×8.3×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTAw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶常從職業生活中取材，作為表現的內容。本作品是描繪小丑職業生涯中，以其特技表演來娛樂觀眾的情景。作品出自Faith Wick的設計，以同一位女性小丑為主角，分別呈現她不同的表演和動作。作品在人物與服飾方面都具有相同的造型元素，形成系列的產品。這位小丑正在表演雜耍特技，身體躺在地板上，面向觀眾，向上舉起雙腳，在上面轉動一顆大球，而不會掉落，技藝精湛。\r\n 作品造型較為複雜，主要分為人體與球體兩部分，使用石膏模型鑄漿成形時，設計師必須設法消除一些死角，減少模具的數量而能順利脫模，能用一組模具完成時，就不使用兩組模具。這件作品雖然造型較為分為兩部分，但經過周密的設計減化造型後，仍能使用一組模具便能生產，可以降低製作成本。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200322101","MainTitle":"表演耍球的女小丑","Creator":"設計者：Faith Wick
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"10.5×8×8.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主角是一位女性小丑，身上拿著一顆大球在表演，以娛樂觀眾。作品出自Faith Wick所設計的小丑系列，此系列都以同一位小丑為主角，人物造型、服飾、表情等都相同，但分別呈現她不同的表演或動作。這件作品小丑坐在地板上，雙手抱著一顆大球在腿上，身體和臉頰緊靠著大球，面向觀眾。她頭上的圓錐形高帽飾有三朵紅色絨球，作品因而命名為「POM POM」。正三角形的構圖加上坐姿，給人安穩之感。\r\n 本作品雖然以人體與大球為構圖的兩大部分，但把兩者盡量緊靠在一起，仍然能夠用一組模具鑄漿成形，只是模具要經過周密的設計，要用多片模型組合，才能順利進行漿作業。當然絨球必須需要另外加工後，再貼到主體上。坏體脫模後，要經過修飾，組合後，才能成為所需的坏體。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200322102","MainTitle":"小丑雜耍表演","Creator":"設計者：Faith Wick
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"6.5×4.5×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主角是一位女性小丑，出自Faith Wick所設計的「POM POM」作品系列。作品都是同一位主角，造型、服飾、表情等都相同，都具有小丑相同的的造型元素，只是動作或手持的道具不同而已。她的身體躺在地板上，面向觀眾，兩腳九十度高舉，紅色鞋子上頂著一個紅心的道具表演其特技。她頭上的圓錐形高帽飾有三朵紅色絨球，成為本系列作品的特色之一。\r\n 坏體鑄漿成形，脫模後成為粗坏，經過修整組合後，成為生坏。生坏沒有施釉，即入窯以1300℃的高溫，以還原火焰燒成，使坏體達到瓷化程度，質地十分細緻而具有半透光性。出窯後在素坏上加以彩繪，再入窯以800℃左右的低溫烤花，成為彩繪作品。坏體因為沒有施釉，所以沒有釉藥特有的光澤，但可以欣賞到瓷器的胎質之細緻與色彩之美。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200322103","MainTitle":"在大球上休息的小丑","Creator":"設計者：Faith Wick
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"6×4.5×7.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品出自Faith Wick所設計的「POM POM」作品系列。主角是一位女性小丑，身體的白臉、紅唇大嘴、紅圈鼻、紅臉頰，服裝上的圓錐形高帽、紅絨球、寬鬆的白上衣、白長褲、波浪形的大衣領，都是此系列作品共同的造型元素。紅色主導畫面，成為統一而和諧的色彩。她的雙腳跪在地板上，雙手撐在大球上，作休息狀。作品高度只有7.8公分，屬於小型的玩偶。她的背上裝有一個金屬環，上面穿著一條金蔥線，可作為吊飾。\r\n 作品沒有上釉即入窯高溫燒製，因此器面沒有釉藥光澤，但質地細緻，具半透光性，可以欣賞到瓷器坏體樸實的材質之美。素坏彩繪後，再入窯低溫烤花而成。這種來自西方的裝飾技法因為沒有上釉而直接在素坏上彩繪，不宜歸類為中國傳統的「釉上彩」，可另稱為「素坏彩」。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200322104","MainTitle":"站立小丑吊飾","Creator":"設計者：Faith Wick
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"4.5×4×8.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品為Faith Wick的設計的「POM POM」小丑系列作品之一，美國ENESCO公司取得授權生產。此系列作品的造型元素都相同，小丑的臉全塗為白色，畫上一張紅唇大嘴，鼻子畫成紅圈，紅臉頰。她戴著聖誕老人的圓錐形高帽，帽尖為一紅色小球，寬鬆的白上衣，衣領為波浪形，白長褲。她的雙腳直立在地板上，雙手扶在腹部，神態安靜平和。她的帽子上裝有一個金屬環，上面穿著一條金蔥線，作為一種吊飾。整件作品由紅色構成統一的色彩，無論造型或色彩上都很單純。\r\n 坏體沒有上釉即入窯高溫燒製，因此器面沒有釉藥的光澤，但胎質已達到瓷化程度。坏體彩繪後，再入窯烤花，不同於釉上彩的裝飾技法，可稱為「素坏彩」。器體具有瓷器的細緻質地，坏體著色的地方不多，可以欣賞到瓷器的材質之美。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200322105","MainTitle":"打鼓小丑與狗","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"10.8×10.8×16.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品主角是一位少年小丑。他的頭髮為金黃色，雙眼明亮，面貌清秀。他的頭上戴著一頂紅色的圓錐形聖誕帽，頂端有一白色小圓球。身上穿著淡藍色的長袖上衣，淡藍色長褲，衣領、衣擺和褲管下方都呈荷葉邊造型。他前弓後箭地站著，肩上斜背著一個小鼓懸在腰間，雙手一上一下拿著鼓槌，正在認真地打鼓。他的腳下有一隻貴賓犬，也戴著聖誕帽，兩腳站立，仰望著主人，人犬之間的互動親密。臺座為圓柱形，立面有W形裝飾線條。底部空間較大，留有孔洞，可以裝上音樂盒。\r\n 人體與服裝的立體感表現得十分出色，只是坏體的結構較為複雜，除了人物的身體外，小鼓、鼓槌、小狗和臺座都需要另製模型，分別鑄造各部分零組件後，再加以組合成為所需的造型，製作工序較為繁瑣。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200322106","MainTitle":"雙人系列：男女/女花持","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"10.5×7.5×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322107","MainTitle":"雙人系列：結婚一週年","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"9.5×6.5×17.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322108","MainTitle":"黏眼睛系列：摩西/胸像","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"12×9.5×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322109","MainTitle":"黏眼睛系列：瑪利亞/胸像","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"9.3×8×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322110","MainTitle":"親子系列：母女/穿珠","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"9.5×8.5×13.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322111","MainTitle":"親子系列：母抱嬰/立(戴帽)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"7.8×7.5×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322112","MainTitle":"親子系列：母女/母跪","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"8×7.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322113","MainTitle":"親子系列：母抱嬰/立","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"12×11×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322114","MainTitle":"親子系列：母抱嬰/坐椅","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"11×11×15.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322115","MainTitle":"親子系列：母女/坐膝","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"11×7×13.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322116","MainTitle":"親子系列：祖母抱孫女/坐椅(音)","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"10×8.8×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322117","MainTitle":"親子系列：皿/1983 mothers day","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"20.8×20.8×2.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322118","MainTitle":"親子系列：父親/禮物","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"7×7×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322119","MainTitle":"親子系列：母親/禮物","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"8.8×8×13.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322120","MainTitle":"親子系列：父子/雪人","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"15.3×8.8×17.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322121","MainTitle":"15歲女彈鋼琴組","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322122","MainTitle":"男/搖木馬","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"12.8×4×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 〈男/搖木馬〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗丸利陶瓷公司（1969-1994）。裝飾陶瓷因應歐美國家禮品文化需求而生，1970年代日本將生產技術轉移至來臺，丸利即為臺日合資的專業代工廠。該產業為1970、80年代的臺灣帶來高額外匯收入。\n\n 從藏品底部文字顯示，作品原型來自美國Enesco公司〝treasured memories〞(珍貴的回憶)系列當中的〝Christmas Rocking Horse〞(耶誕搖木馬)，1983年委託日本丸利公司製作，日本丸利公司再交由臺灣丸利代工生產。塑像以寫實的手法，表現出小男孩騎在聖誕禮物搖木馬上，滿足開心的模樣。無論是人物和木馬的各種細節，都盡量細膩擬真，展現出丸利公司在生產技術上的專業與堅持。〝treasured memories〞系列的各種塑像，以寫實的風格，捕捉人生各種具紀念、慶賀意義的時刻，藉塑像傳達送禮者的愛意、關懷和分享。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200322123","MainTitle":"女/搖木馬","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"12.8×4×11.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 〈女/搖木馬〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗丸利陶瓷公司（1969-1994）。裝飾陶瓷因應歐美國家禮品文化需求而生，1970年代日本將生產技術轉移至來臺，丸利即為臺日合資的專業代工廠。該產業為1970、80年代的臺灣帶來高額外匯收入。\n\n 從藏品底部文字顯示，作品原型來自美國Enesco公司〝treasured memories〞(珍貴的回憶)系列當中的〝Christmas Rocking Horse〞(耶誕搖木馬)，1983年委託日本丸利公司製作，日本丸利公司再交由臺灣丸利代工生產。塑像以寫實的手法，表現出稚齡小女孩趴騎在聖誕禮物搖木馬上，小心翼翼又滿足開心的模樣。無論是人物和木馬的各種細節與色彩，都盡量細膩擬真，展現丸利公司在生產技術上的專業與堅持。〝treasured memories〞系列以寫實風格，捕捉人生各種具紀念、慶賀意義的時刻，以傳達送禮者的愛意、關懷和分享。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200322124","MainTitle":"女/人形&床","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"6.8×5.3×8.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 〈女/人形&床〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗丸利陶瓷公司（1969-1994）。裝飾陶瓷因應歐美國家禮品文化需求而生，1970年代日本將生產技術轉移至來臺，丸利即為臺日合資的專業代工廠。該產業為1970、80年代的臺灣帶來高額外匯收入。\n\n 從藏品底部文字顯示，作品原型來自美國Enesco公司〝treasured memories〞(珍貴的回憶)系列當中的〝Playing with Dolly〞(玩洋娃娃)，1982年委託日本丸利公司製作，日本丸利公司再交由臺灣丸利代工生產。塑像以寫實的手法，表現女孩跪坐在地上，面前有玩具小床和洋娃娃，她正專注投入扮家家酒的想像遊戲。塑像的各種姿態、細節與色彩，都盡量細膩擬真，展現丸利公司生產技術上的專業與堅持。〝treasured memories〞系列以寫實風格，捕捉人生各種彌足珍貴的紀念、慶賀時刻，傳達送禮者的愛意、關懷和分享。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200322125","MainTitle":"男坐/看書","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"5.3×4×7.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 〈男坐/看書〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗丸利陶瓷公司（1969-1994）。裝飾陶瓷因應歐美國家禮品文化需求而生，1970年代日本將生產技術轉移至來臺，丸利即為臺日合資的專業代工廠。該產業為1970、80年代的臺灣帶來高額外匯收入。\n\n 藏品底部文字顯示，作品為美國Enesco公司(1958年迄今)，1982年委託日本丸利公司製作，日本丸利公司再交由臺灣丸利代工生產。Enesco銷售禮品、園藝和家居飾品等產品，1970-90年代是禮品傢飾業的全球業界龍頭。這件塑像以寫實的手法表現一個小男孩坐在地上，捧著一本書，嘗試著跟大人一樣閱讀。書本封面上刻有〝A Christmas Carol〞(聖誕頌歌)。人物的各種姿態、細節與色彩，都盡量細膩擬真，展現丸利公司生產技術的專業與堅持。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200322126","MainTitle":"搖木馬/燭台(紅)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"10×3.3×8.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322127","MainTitle":"搖木馬/燭台(黃)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"10×3.3×8.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322128","MainTitle":"搖木馬/燭台(藍)","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"10×3.3×8.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322129","MainTitle":"熊/搖木馬(音)","Creator":"代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"9.5×9.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈熊/搖木馬(音)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗丸利陶瓷公司（1969-1994）。裝飾陶瓷為高勞力密集、技術的產業，因應歐美國家禮品文化的需求而生，1970年代開始，日本看中苗栗具天然氣資源、製陶技術和低薪人力的綜合優勢，將生產技術轉移來臺，丸利公司即為臺日合資企業。裝飾陶瓷產業為1970、80年代的臺灣帶來高額外匯收入。\n\n 依據底座形式，推測本物件是音樂盒產品。以卡通化的可愛形象，表現了精緻底座上，有隻玩偶熊騎在搖搖木馬上。整體充滿裝飾性的細節，刻畫細膩，使用的色彩，也柔和純粹，傳遞出如童話般的純真氛圍。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200322130","MainTitle":"嬰兒床/兔付","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"8.3×5×6.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 〈嬰兒床/兔付〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗丸利陶瓷公司（1969-1994）。裝飾陶瓷因應歐美國家禮品文化需求而生，1970年代日本將生產技術轉移至來臺，丸利即為臺日合資的專業代工廠。該產業為1970、80年代的臺灣帶來高額外匯收入。\n\n 從藏品底部文字顯示，作品原型來自美國Enesco公司〝treasured memories〞(珍貴的回憶)系列當中的〝Our New Baby〞(我們的新生兒)，1983年委託日本丸利公司製作，日本丸利公司再交由臺灣丸利代工生產。塑像以寫實的手法，表現剛出生的小嬰孩，正安穩地躺在木製嬰兒床上熟睡，父母精心布置了小床，並有絨毛熊玩偶和小兔玩偶陪伴，洋溢著喜悅、幸福的心情和氛圍。整體各種造型與色彩細節都盡量細膩表現，展現丸利公司生產技術上的專業與堅持。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200322131","MainTitle":"女/禮物","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"5.8×5×12.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本藏品〈女/禮物〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗丸利陶瓷公司（1969-1994）。裝飾陶瓷為高勞力密集、技術產業，因應歐美國家禮品文化需求而生，1970年代日本看中苗栗的天然氣資源、製陶技術和低薪人力，將生產技術轉移至此。丸利公司即為臺日合資的專業代工廠。該產業為1970、80年代的臺灣帶來高額的外匯收入。\n\n 藏品底部除手寫〝TMR4737〞、〝E-3237〞編號外，沒有其他資訊。塑像以寫實的手法，表現女孩捧著禮物的慶賀時刻和歡欣雀躍心情。女孩精心打扮，身穿飾有蝴蝶結的蛋糕裙洋裝，腳穿灰色精緻短靴，頭戴派對帽，左手捧著未拆封的禮物，右手持著耶誕拐杖糖/飾品就口，整體細節都盡量細膩表現，帶有耶誕色彩，展現丸利公司生產技術的專業與堅持。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200322132","MainTitle":"十五歲男/本持(辯論)","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"6.8×6×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 〈十五歲男/本持(辯論)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗丸利陶瓷公司（1969-1994）。裝飾陶瓷因應歐美國家禮品文化需求而生，1970年代日本將生產技術轉移至來臺，丸利即為臺日合資的專業代工廠。該產業為1970、80年代的臺灣帶來高額外匯收入。\n\n 藏品底部文字顯示，作品原型來自美國Enesco公司〝treasured memories〞(珍貴的回憶)系列當中的〝The Debate〞(辯論)，1983年委託日本丸利公司製作，日本丸利公司再交由臺灣丸利代工生產。塑像以寫實的手法，表現正在進行辯論的少年。在美國教育中，辯論是批判性思考的重要訓練，以培養資訊整理、邏輯推理、團隊合作、心理抗壓等各層面的整合能力。少年辯論時嘗試說服對手的自信風采，透過整體姿態、細節與色彩，細膩擬真呈現，也顯露丸利公司生產技術的專業與堅持。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200322133","MainTitle":"十五歲女/本持(辯論)","Creator":"品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"6×5.8×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 〈十五歲女/本持(辯論)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗丸利陶瓷公司（1969-1994）。裝飾陶瓷因應歐美國家禮品文化需求而生，1970年代日本將生產技術轉移至來臺，丸利即為臺日合資的專業代工廠。該產業為1970、80年代的臺灣帶來高額外匯收入。\n\n 藏品底部文字顯示，作品原型來自美國Enesco公司〝treasured memories〞(珍貴的回憶)系列當中的〝The Debate〞(辯論)，1983年委託日本丸利公司製作，日本丸利公司再交由臺灣丸利代工生產。塑像以寫實的手法，表現正在進行辯論的少女。在美國教育中，辯論是批判性思考的重要訓練，少女身穿洋裝、上身稍微前傾、右手呈現說明手勢，表情嚴肅專注，顯現嘗試說服對手的自信風采，整體姿態、細節與色彩，細膩擬真呈現，也表現了丸利公司生產技術的專業與堅持。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200322134","MainTitle":"男/穴熊(麥穗)","Creator":"設計者：Lucas
品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6.8×5.8×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 〈男/穴熊(麥穗)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗丸利陶瓷公司（1969-1994）。裝飾陶瓷因應歐美國家禮品文化需求而生，1970年代日本將生產技術轉移至來臺，丸利即為臺日合資的專業代工廠。該產業為1970、80年代的臺灣帶來高額外匯收入。\n\n 從藏品底部文字顯示，作品原型來自Lucas所創作的〝ALL THE LORD’S CHILDREN〞(所有上帝的孩子)，為美國Enesco進口公司於1981年委託日本丸利公司製作，日本丸利公司再交由臺灣丸利代工生產。Enesco為當時全球禮品裝飾業的龍頭，供應禮品、園藝與居家飾品。本塑像以卡通化的手法，表現身穿工作服的男孩，手持麥穗和紅蘿蔔，腳邊跟著一隻小浣熊，喜悅滿足的神情。塑像的姿態、細節與色彩，一一細膩表現，可見丸利公司生產技術上的專業與堅持。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200322135","MainTitle":"女/鹿(鳥持)","Creator":"設計者：Lucas
品牌商：Enesco, LLC
代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6.8×5.8×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 〈女/鹿(鳥持)〉為注漿成形、瓷土釉上彩的裝飾陶瓷，來自苗栗丸利陶瓷公司（1969-1994）。裝飾陶瓷因應歐美國家禮品文化需求而生，1970年代日本將生產技術轉移至來臺，丸利即為臺日合資的專業代工廠。該產業為1970、80年代的臺灣帶來高額外匯收入。\n\n 從藏品底部文字顯示，作品原型來自Lucas所創作的〝ALL THE LORD’S CHILDREN〞(所有上帝的孩子)，為美國Enesco進口公司於1981年委託日本丸利公司製作，日本丸利公司再交由臺灣丸利代工生產。Enesco為當時全球禮品裝飾業的龍頭，供應禮品、園藝與居家飾品。本塑像以卡通化的手法，表現身穿工作服的女孩，左手捧著一隻小鳥，右手撫摸身邊小鹿的頭，呵護喜悅的情感表露無遺，就如同上帝給予她的祝福和倚靠。塑像的造型與色彩，一一細膩表現，可見丸利公司生產技術上的專業與堅持。(詮釋委員：朱珮儀)","ImageUrl":""}
,{"Identifier":"200322136","MainTitle":"男/綿羊(捧花盆)","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"7×5.8×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶在業界稱為「裝飾陶瓷」，產品主要用於家庭的擺飾。這種產品原是歐美家庭常用的裝飾品，戰後轉到日本大量生產，愛知縣瀨戶地區是主要的產地之一，對於日本經濟的復甦貢獻很大。1960年代末期開始從日本轉移到臺灣，成為新興的陶瓷產業，產品全部外銷歐美各國，生產的窯場主要分布在中部到北部的桃園、新竹與苗栗等地，尤以苗栗為數最多，曾為當地乃至臺灣創造相當高的產值。\r\n 本作品為苗栗公館地區丸利公司所代工出品，描繪一個金髮男孩立像。他面貌可愛，眼光炯炯有神，頭略往右下傾，和腳下的綿羊相望，表現人和動物之間的感情。男孩頭上戴著白色藍緣的鴨舌帽，身著白衣，套著灰藍色的圍裙。雙手捧著一盆花在胸前，好像要去栽植的樣子，造型十分討好。基座後面有原設計者「Lucas」的名款，器底貼有「SAMPLE NOT FOR SALE」以及「JAPAN」等綠色字樣的貼紙。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322137","MainTitle":"女/抱兔(花籃鳥付)","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6.8×5.8×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶的種類很多，就功能而言，大部分都是不具實用功的裝飾品，但也有具有實用功能的酒瓶，但無論是否具有實用功能，都以立體雕塑為造型的表現。本件作品就是一種非實用性的裝飾陶瓷作品。\r\n 本件作品描繪一個金髮女孩，頭上包著淺藍色的頭巾，穿著淺褐色圓領的衣服，下半身套上白色的圍裙。她的面貌皎好可愛，頭部略往左肩傾斜，目光下視，表情恬靜。她的雙手抱著一隻小白兔在胸前，白兔頭部略往上視。左邊地上有一個花籃，上面裝滿白花，還有一朵掉在地上，花籃的提樑上還立著一隻小鳥，頭略往右上仰視。女孩、白兔和小鳥之間形成一股溫馨的交流。基座後面有原設計者「Lucas」的名款，器底有丸利公司的商標，以及作品名稱「ALL THE LORD’S CHILDREN」及其資料。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322138","MainTitle":"男/鼓手(鵝)","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"7×5.8×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶的種類很多，就造型而言，主要可分為人物與動物兩大類型。在動物方面，有飛禽與走獸兩大類，都取材自大自然的環境中；在人物方面則有男女老少的不同，主要取材於人文與社會環境。本作品即是描繪打鼓少年的作品。\r\n 作品描繪一個金髮少年，身穿白色長袖上衣，淺褐色長褲，腳上穿著一雙褐色的皮鞋，頭戴頭戴白色寬邊帽，脖子圍著咖啡色的圍巾，表示這時正是寒冷的冬天。他的頭部略向左傾，明亮的大眼，配著小小紅色的嘴唇，表情安祥，十分可愛。他的腰間掛著一個小鼓，雙手拿著鼓槌正在打鼓。左腳下有一對白鵝陪伴著，表現著人與動物之間的融洽關係。基座後面有原設計者「Lucas」的名款，器底有丸利公司的商標，以及作品名稱「ALL THE LORD’S CHILDREN」以及「1981 ENESCO IMPORTS CORP」「MADE IN TAIWAN」等公司資訊。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322139","MainTitle":"女/吹笛(三隻鳥)","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"7×5.8×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作作品為瓷質，描繪一個少女站著吹奏笛子的形色。少女身著淺褐色洋裝，腰間繫著白色的圍裙，下方有一環褐色寬線裝飾，在身後打個蝴蝶結。頭上包著白色圓點紋飾的頭巾，圓球形的臉蛋，配上大大的藍色眼球，小小的紅嘴唇，顯得十分可愛。她的雙手拿著白色的笛子，安詳地吹著。身前有一棵Y字形的樹幹，上面站著三隻褐色與藍色羽毛的小鳥，三隻小鳥不約而同地朝向少女的笛子，仿佛在聆聽樂曲的樣子。\r\n 基座後面有創設計者「Lucas」的名款，器底貼有「SAMPLE NOT FOR SALE」以及「JAPAN」等綠色字樣的貼紙。說明這件作品是來自日本的樣品，是作為同類作品的標準參考品，不能出售。從這件作品中也可以知道，這丸利公司所製造的這類產品，原型設計來自美國的設計師，設計完成之後後，在日本開發模具，生產並試燒。完成的作品拿到臺灣廠作為樣品，依樣仿製，成為臺灣西洋玩偶標準的生產模式。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322140","MainTitle":"男/兔","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6.8×5.8×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件作品描繪一個男孩，抱著兔子的造型。男孩站在地上，短金髮，頭上戴著小圓帽，帽子中間有一道白色的帶子，上面插著一片樹葉。他身著白上衣，套著短西裝，脖子圍著淺藍色的小方巾，打蝴蝶結，十分輕便。他的右手抱著一隻小白兔在胸前，白兔的頭部與男孩的臉頰十分貼近。地上編織成的籃子裡還有兩隻兔子，頭部朝上，看著男孩手上那隻受寵的白兔，表現人和兔之間十分親密的關係。\r\n 基座後面有創作者「Lucas」的名款，器底貼有「SAMPLE NOT FOR SALE」以及「JAPAN」等綠色字樣的貼紙。說明這件作品是來自日本的樣品，作為臺灣工廠同類作品的標準參考品。從這個事例說明，臺灣的西洋玩偶無論原型設計、模具與燒成之後的樣品都來自國外，臺灣工廠只從事代工生產，尚未具備產品開發的能力。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322141","MainTitle":"女/雞","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6.8×5.8×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 就製作的材質而言，西洋玩偶主要以瓷土為原料製作而成的瓷器，這類作品胎質潔白細緻，具有半透光的性質，給人精緻的感覺。然而部分作品也有用陶瓷材料者，胎質較為粗鬆，不夠潔白，給人較為樸實之感。\r\n 本件作品為典型的瓷胎玩偶，描繪一個抱著小雞的女孩。女孩身著二件式的高腰淺褐色洋裝，頭上包著白色的頭巾，可愛的小臉略往左傾，姿態相當自然。她的右手拿著編籃，裡面有兩隻小雞，左手抱著另一隻，腳上還有一隻，從整個構圖中可以看到她是個心地善良，愛護小動物的小女孩。基座後面有創作者「Lucas」的名款，器底印有「ALL THE LORD’S CHILDREN」，賦與作品神聖的宗教意義。另有「1980 ENESCO IMPORTS CORP」與「MADE IN TAIWAN」等時間、公司名稱與產地等與作品有關的資料。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322142","MainTitle":"男女/花籃(音)","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"8×7.3×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一對男女孩互相偎依在一起的情景。男孩身著輕便服裝，套著短夾克，頭戴毛絨絨的白色圓帽，脖子繫著圍巾。女孩身著高腰二件式洋裝，頭上包著淺藍色頭巾。男孩的右手輕握女孩的左手，左手輕摟女孩肩部，女孩右手摟著男孩腰部，相互依偎在一起，顯得十分親密。兩人的腳前地上放著一個編籃，裡面插滿白色的花朵，象徵著純潔。提樑上立著一隻藍羽的小鳥，仰望兩人，似乎在對他們歌頌。\r\n 原型創作者「Lucas」的名款刻在模型上，鑄造之後，即顯現在坏體的基座後面。圓形的基座較高，上面留有幾個小洞，作為裝置樂音盒之用，可惜作品還未安裝音樂盒。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322143","MainTitle":"女抱子(音)","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"7.5×7×14.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 臺灣要等到1960年代之後才有瓷器的製造，其中北投主要生產日用碗盤，鶯歌為仿古瓷器，而苗栗則是產西洋玩偶，本作品是苗栗進入瓷器時代的一個代表。\r\n 作品描繪一個女孩身著白色高腰長袖洋裝，再套上一件無袖的藍色上衣，腰間繫著淺褐色的圍裙，背後繫著蝴蝶結。頭上包著白色圓點紋飾的頭巾，圓球形的臉蛋，造型十分可愛。女孩雙手抱著一個小娃娃在胸前，小娃娃雙手貼著女孩，兩人臉部緊靠，顯得十分親暱。地上立有一隻羔羊，頭往上仰，注視著兩人。整個造型讓人想到基督教的「聖母子」造型，具有莊嚴的宗教義涵。女孩背後的臺座上方有創作者「Lucas」的名款。圓形的基座較高，上面留有幾個小洞，本來設計要裝置樂音盒，可惜還未安裝。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322144","MainTitle":"鈴/男羊","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"7×7×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322145","MainTitle":"鈴/女鵝","Creator":"丸利陶瓷公司","CreatedYear":"1981","Size":"7×7×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322146","MainTitle":"女/溜冰","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"5.5×4.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶的坏體都採用鑄漿成形法製作，鑄漿後的坏體要加以修飾，裝上零配件，較複雜的造型還要經過組合的過程，才能成為坏體，所以工序相當複雜。\r\n 本作品描繪一個溜冰的少女。她身著毛料短大衣，脖子圍上一條紅藍線條相間的白色圍巾，頭上戴著圓絨帽，雙手戴著綠色手套，表現出天氣的寒冷。她的兩肘一前一後平舉，雙腳穿著紅色直線條的長筒襪，再穿上溜冰鞋，也是一前一後的動作，作出滑冰的姿勢。本件作品造型比較單純，沒有什麼零配件，不需要經過複雜的組合與黏接程序即可完成。\r\n 器底貼有「SAMPLE NOT FOR SALE」以及「JAPAN」等綠色字樣的貼紙，說明這件作品是來自日本的樣品，屬於非賣品。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322147","MainTitle":"男/投冰球","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"6.3×4.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶大都為雕塑作品，注重立體造型的表現，風格十分寫實，這和中國傳統以花瓶為造型，以繪畫為表現的風格有很大的差異。\r\n 這件作品描繪一個少年在投擲雪球的姿態。少年上身穿著綠色的短大衣，腰間繫著皮帶，頭上戴著毛圓帽，帽端有小絨球裝飾，雙腳穿著長筒鞋，腳底有一攤半融的雪堆。他的脖子脖子圍著粉紅色的圍巾，雙手戴著手套，表現冬天天寒地凍的氣候。少年雙手拿著圓形的雪球，左手放在胸前，右後往後往後伸張，準備往前投雪球。他的雙眼遠望前方目標，身體略往後仰，造成一種動勢，增強了往前投擲雪球的力量，創作者對人體的動態頗能觀察入徵。整個造型十分單純，沒有太多零配件，容易量產。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322148","MainTitle":"聖誕老人與女孩","Creator":"丸利陶瓷公司","CreatedYear":"1984","Size":"8.8×6.3×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322149","MainTitle":"鈴：女/心持","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"7×7×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322150","MainTitle":"少女年記事：一月/喇叭","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"6.5×5.8×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件卡通化造型的女孩陶瓷雕像，以瓷土注漿成形再釉上彩繪。描寫穿著鄉村風洋裝頭繫白帽的小女生，伴著一頭可愛小棕羊，手持載有一月一日的月曆，正側著頭吹喇叭歡慶的情態。造型上帶有動態，色彩以溫暖的紅褐色調為主，為寒冷的冬季帶來溫馨感受。\r\n 產品底側背面有Lucas的草寫刻印註記；底座註記有All the Lord's Children, ©1980, Enesco imports corp, MADE IN TAIWAN的蓋印，以及丸利商標MR, January等字樣的壓印。顯示此為臺灣丸利陶瓷公司，1980年為Enesco進口公司所製造的「所有耶和華的兒女」系列商品，設計者/產品原型來自Lucas。臺灣丸利為臺日合資的裝飾陶瓷大廠，以精良的技術和品管，縱橫歐美禮品市場近四分之一世紀，它的崛起和沒落，正是曾有裝飾陶瓷王國美譽的臺灣裝飾陶瓷產業之縮影。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200322151","MainTitle":"少女年記事：二月/鳥信箱","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"6.5×5.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件卡通化造型的女孩陶瓷雕像，以瓷土注漿成形再釉上彩繪。描寫穿著鄉村風洋裝頭繫白帽的小女生，伴著一頭可愛小棕羊，手持載有一月一日的月曆，正側著頭吹豎笛歡慶的情態。造型上帶有動態，色彩以溫暖的紅褐色調為主，為寒冷的冬季帶來溫馨感受。\r\n 產品底側背面有Lucas的草寫刻印註記；底座註記有All the Lord's Children, ©1980, Enesco imports corp, MADE IN TAIWAN的蓋印，以及丸利商標MR, January等字樣的壓印。顯示此為臺灣丸利陶瓷公司，1980年為Enesco進口公司所製造的「所有耶和華的兒女」系列商品，設計者/產品原型來自Lucas。臺灣丸利為臺日合資的裝飾陶瓷大廠，以精良的技術和品管，縱橫歐美禮品市場近四分之一世紀，它的崛起和沒落，正是曾有裝飾陶瓷王國美譽的臺灣裝飾陶瓷產業之縮影。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200322152","MainTitle":"少女年記事：三月/松鼠","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"7×5.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件卡通化造型的女孩陶瓷雕像，以瓷土注漿成形再釉上彩繪。描寫站在信箱前的女孩，向停棲信箱上的小鳥，揚起手上的信件，開心展示，潔白的信封上嵌著一顆紅色愛心，是封充滿愛意的郵件。整體在神情刻畫、姿態造型和色彩設定上，充滿純樸可愛之感。\r\n 產品底側背面有Lucas的草寫刻印註記；底座註記有All the Lord's Children, ©1980, Enesco imports corp, MADE IN TAIWAN的蓋印，以及丸利商標MR, FEBRUARY等字樣的壓印。顯示此為臺灣丸利陶瓷公司，1980年為Enesco進口公司所製造的「所有耶和華的兒女」系列商品， Lucas推測為設計者/產品原型原創者。臺灣丸利為臺日合資的裝飾陶瓷大廠，以精良的技術和品管，縱橫歐美禮品市場近四分之一世紀，它的崛起和沒落，正是曾有裝飾陶瓷王國美譽的臺灣裝飾陶瓷產業之縮影。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200322153","MainTitle":"少女年記事：四月/兔(筆持)","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"6.5×5.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件卡通化造型的女孩陶瓷雕像，以瓷土注漿成形再釉上彩繪。描寫一位身穿鄉村服飾的女孩，帶著軟帽繫著圍裙，手持彩蛋和畫筆，有一隻白兔前腳揚起在裙邊陪伴，整體洋溢復活節的溫馨節慶氛圍。\r\n 產品底側背面有Lucas的草寫刻印註記；底座註記有All the Lord's Children, ©1980, Enesco imports corp, MADE IN TAIWAN的蓋印，以及丸利商標MR, APRIL等字樣的壓印。顯示此為臺灣丸利陶瓷公司，1980年為Enesco進口公司所製造的「所有耶和華的兒女」系列商品， Lucas推測為設計者/產品原型原創者。臺灣丸利為臺日合資的裝飾陶瓷大廠，以精良的技術和品管，縱橫歐美禮品市場近四分之一世紀，它的崛起和沒落，正是曾有裝飾陶瓷王國美譽的臺灣裝飾陶瓷產業之縮影。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200322154","MainTitle":"少女年記事：五月/鵝(花束)","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"7.5×5.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件卡通化造型的女孩陶瓷雕像，以瓷土注漿成形再釉上彩繪。描寫一位繫著頭巾身穿鄉村服飾的女孩，手捧一束盛開黃花，低頭看著腳邊的白鵝，整體洋溢著動物與人之間質樸純真的溫馨情感。\r\n 產品底側背面有Lucas的草寫刻印註記；底座註記有All the Lord's Children, ©1980, Enesco imports corp, MADE IN TAIWAN的蓋印，以及丸利商標MR, MAY等字樣的壓印。顯示此為臺灣丸利陶瓷公司，1980年為Enesco進口公司所製造的「所有耶和華的兒女」系列商品， Lucas推測為設計者/產品原型原創者。臺灣丸利為臺日合資的裝飾陶瓷大廠，以精良的技術和品管，縱橫歐美禮品市場近四分之一世紀，它的崛起和沒落，正是曾有裝飾陶瓷王國美譽的臺灣裝飾陶瓷產業之縮影。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200322155","MainTitle":"少女年記事：六月/新娘","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"6.5×5.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件卡通化造型的女孩陶瓷雕像，以瓷土注漿成形再釉上彩繪。描寫頭戴白紗，手持捧花的女孩，身著淡粉紅色嫁紗，低頭嬌羞狀，腳邊的貓咪簪著花，揚起頭滿是喜悅表情。透過造型、色彩和角色設定，整體洋溢六月新娘待嫁的欣喜與祝福。\r\n 產品底側背面有Lucas的草寫刻印註記；底座註記有All the Lord's Children, ©1980, Enesco imports corp, MADE IN TAIWAN的蓋印，以及丸利商標MR, JUNE等字樣的壓印。顯示此為臺灣丸利陶瓷公司，1980年為Enesco進口公司所製造的「所有耶和華的兒女」系列商品， Lucas推測為設計者/產品原型原創者。臺灣丸利為臺日合資的裝飾陶瓷大廠，以精良的技術和品管，縱橫歐美禮品市場近四分之一世紀，它的崛起和沒落，正是曾有裝飾陶瓷王國美譽的臺灣裝飾陶瓷產業之縮影。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200322156","MainTitle":"少女年記事：七月/打鼓(犬)","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"7×6×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件卡通化造型的女孩陶瓷雕像，以瓷土注漿成形再釉上彩繪。描寫穿著鄉村服飾的女孩，正打著鼓，身邊的小狗似乎正隨著鼓聲節奏而跳動。帶有動態的肢體動作和神情，顯現女孩專注於節奏的律動中，充滿純樸可愛之感。\r\n 產品底側背面有Lucas的草寫刻印註記；底座註記有All the Lord's Children, ©1980, Enesco imports corp, MADE IN TAIWAN的蓋印，以及丸利商標MR, JULY等字樣的壓印。顯示此為臺灣丸利陶瓷公司，1980年為Enesco進口公司所製造的「所有耶和華的兒女」系列商品， Lucas推測為設計者/產品原型原創者。臺灣丸利為臺日合資的裝飾陶瓷大廠，以精良的技術和品管，縱橫歐美禮品市場近四分之一世紀，它的崛起和沒落，正是曾有裝飾陶瓷王國美譽的臺灣裝飾陶瓷產業之縮影。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200322157","MainTitle":"少女年記事：八月/洒水","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"7×5.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件卡通化造型的女孩陶瓷雕像，以瓷土注漿成形再釉上彩繪。描寫一位頭戴編織草帽的女孩，手持花灑正在澆灌盛開的向日葵，花灑器上還停駐一隻小青蛙，女孩的姿態神情好像正在向花朵與青蛙說話似的，暖色調的用色，充滿夏天豔陽高照的季節感。\r\n 產品底側背面有Lucas的草寫刻印註記；底座註記有All the Lord's Children, ©1980, Enesco imports corp, MADE IN TAIWAN的蓋印，以及丸利商標MR, AUGUST等字樣的壓印。顯示此為臺灣丸利陶瓷公司，1980年為Enesco進口公司所製造的「所有耶和華的兒女」系列商品， Lucas推測為設計者/產品原型原創者。臺灣丸利為臺日合資的裝飾陶瓷大廠，以精良的技術和品管，縱橫歐美禮品市場近四分之一世紀，它的崛起和沒落，正是曾有裝飾陶瓷王國美譽的臺灣裝飾陶瓷產業之縮影。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200322158","MainTitle":"少女年記事：九月/綿羊(背書)","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"6.5×5.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件卡通化造型的女孩陶瓷雕像，以瓷土注漿成形再釉上彩繪。描寫一個繫著頭巾身穿鄉村服飾的女孩，肩上正攜著一綑書，手拿一顆蘋果，伴著一頭小綿羊，正向前走的模樣。感覺好似要趁著秋高氣爽，找個地方好好窩著享受書本帶來的知識收穫。\r\n 產品底側背面有Lucas的草寫刻印註記；底座註記有All the Lord's Children, ©1980, Enesco imports corp, MADE IN TAIWAN的蓋印，以及丸利商標MR, SEPTEMBER等字樣的壓印。顯示此為臺灣丸利陶瓷公司，1980年為Enesco進口公司所製造的「所有耶和華的兒女」系列商品， Lucas推測為設計者/產品原型原創者。臺灣丸利為臺日合資的裝飾陶瓷大廠，以精良的技術和品管，縱橫歐美禮品市場近四分之一世紀，它的崛起和沒落，正是曾有裝飾陶瓷王國美譽的臺灣裝飾陶瓷產業之縮影。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200322159","MainTitle":"少女年記事：十月/南瓜(貓立)","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"7×6×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件卡通化造型的女孩陶瓷雕像，以瓷土注漿成形再釉上彩繪。描寫一位頭繫軟帽身著鄉村服飾的女孩，正張開雙手的動態瞬間，女孩腳邊有顆雕刻萬聖節鬼臉的南瓜，一隻頑皮的貓正站立其上。整體形態充滿動感，洋溢萬聖節的氣氛。\r\n 產品底側背面有Lucas的草寫刻印註記；底座註記有All the Lord's Children, ©1980, Enesco imports corp, MADE IN TAIWAN的蓋印，以及丸利商標MR, OCTOBER等字樣的壓印。顯示此為臺灣丸利陶瓷公司，1980年為Enesco進口公司所製造的「所有耶和華的兒女」系列商品， Lucas推測為設計者/產品原型原創者。臺灣丸利為臺日合資的裝飾陶瓷大廠，以精良的技術和品管，縱橫歐美禮品市場近四分之一世紀，它的崛起和沒落，正是曾有裝飾陶瓷王國美譽的臺灣裝飾陶瓷產業之縮影。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200322160","MainTitle":"少女年記事：十一月/提籃(火雞)","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"7×6×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件卡通化造型的女孩陶瓷雕像，以瓷土注漿成形再釉上彩繪。描寫身著鄉村服飾的戴帽女孩，手挽一籃蘋果，腳邊伴著一隻火雞，似正怯怯向大家宣告，要好好慎重充滿感激之情的迎接11月的重要節日「感恩節」的到來。\r\n 產品底側背面有Lucas的草寫刻印註記；底座註記有All the Lord's Children, ©1980, Enesco imports corp, MADE IN TAIWAN的蓋印，以及丸利商標MR, NOVEMBER等字樣的壓印。顯示此為臺灣丸利陶瓷公司，1980年為Enesco進口公司所製造的「所有耶和華的兒女」系列商品， Lucas推測為設計者/產品原型原創者。臺灣丸利為臺日合資的裝飾陶瓷大廠，以精良的技術和品管，縱橫歐美禮品市場近四分之一世紀，它的崛起和沒落，正是曾有裝飾陶瓷王國美譽的臺灣裝飾陶瓷產業之縮影。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200322161","MainTitle":"少女年記事：十二月/唱詩歌(聖誕樹)","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"7×6×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件卡通化造型的女孩陶瓷雕像，以瓷土注漿成形再釉上彩繪。描寫一個穿著紅衣滾白毛編斗篷的女孩，戴著綠色手套，手拿書本，正張著嘴歌頌的虔誠神情。整體以紅、綠、白的色調，以及耶誕樹來強化12月的季節感，宣告著聖誕節的來臨。\r\n 產品底側背面有Lucas的草寫刻印註記；底座註記有All the Lord's Children, ©1980, Enesco imports corp, MADE IN TAIWAN的蓋印，以及丸利商標MR, DECEMBER等字樣的壓印。顯示此為臺灣丸利陶瓷公司，1980年為Enesco進口公司所製造的「所有耶和華的兒女」系列商品， Lucas推測為設計者/產品原型原創者。臺灣丸利為臺日合資的裝飾陶瓷大廠，以精良的技術和品管，縱橫歐美禮品市場近四分之一世紀，它的崛起和沒落，正是曾有裝飾陶瓷王國美譽的臺灣裝飾陶瓷產業之縮影。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200322162","MainTitle":"男/立姿祈禱(書持)","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"6.3×5.5×12.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶作為擺飾品雖然沒有實用功能，然而藝術家的設計常常從生活中取材，表現傳統真善美的人文價值，其中宗教生活是重要的表現題材之一。\r\n 這件作品描繪一個站立的少年就地祈禱的情景。少年一頭金髮，沒有戴帽，身上在白色服裝外面，穿著一件藍色的長袖短外套。他的臉頰飽滿，有大大的藍眼睛，目光略向下視，表情十分安詳。他的雙手合十，作祈禱狀。左邊手肘彎曲，挾著一本黑皮書本，上面有燙金的印刷體文字「MY FIRST COMMUNION」，説明那是一本教團的祈禱用書。\r\n 塑像基座後面有創作者「Lucas」的名款，器底印有「ALL THE LORD’S CHILDREN」，另有「1980 ENESCO IMPORTS CORP」與「MADE IN TAIWAN」等相關的資料。ENESCO是一家美國著名的禮品進口公司，供應美國家庭使用，陶瓷玩偶是其中重要的項目之一。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322163","MainTitle":"女/立姿祈禱(書持)","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"6.3×5.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 宗教生活是西洋玩偶重要的表現題材之一。這件作品描繪一個站立的少女向上帝祈禱的情景。少女一頭金髮，頭上披著垂到後肩的白色針織頭巾，上面的紋飾刻畫得十分清晰而細緻。她身穿白色高腰洋裝，下擺有花卉的蕾邊也有很細緻的描繪，充分表現設計師的寫實功力。她的目光略向下視，嘴角略顯微笑，表情安詳。他的雙手合十，作祈禱狀。她的右手挾著一本紅皮書本，上面有印刷體文字「MY FIRST COMMUNION」，説明那是一本教團的祈禱用書。\r\n 塑像基座後面有創作者「Lucas」的名款，器底印有「ALL THE LORD’S CHILDREN」、「1980 ENESCO IMPORTS CORP」與「MADE IN TAIWAN」等相關的資料。ENESCO是一家美國伊利諾州的禮品進口公司，從1970到1990年代是品牌的領導者，進口各國高品質的禮品供應美國家庭。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322164","MainTitle":"男/跪姿祈禱(鳥付)","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"6×6×11.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一個少年跪著禱告。少年一頭金髮，沒有戴帽，身上穿著白色服裝，上身套著一件綠色的短外套，脖子繫著一條紅褐色方巾，上面打個結。他跪在地上，雙手合在胸前，兩眼注視右下方，表情安詳而帶著喜悅的樣子，在向上帝祈禱。禱告是西方日常生活上必須的活動，西洋玩偶常常表現這類生活週遭的題材。\r\n 基座後面有創作者「Lucas」的名款，說明它出自藝術家的設計。作品都出自寫實的技法，而在寫實之外，加入漫畫性的表現，這件作品是事例之一。主角的頭部的比例特別放大，圓圓的臉蛋配上大大的藍眼睛，紅色的小嘴唇，並強調臉頰的紅潤，表現得很可愛，十分討喜，正是這類作品的特色之一。器底貼有「SAMPLE NOT FOR SALE」以及「JAPAN」等字樣，說明它是來自日本母廠的參考品。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322165","MainTitle":"女/跪姿祈禱(鳥付)","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"6×6×11.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶常常表現西方「真善美」的人文價值，從生活週遭的環境中尋找具體的事例，以表現這種抽象的人文價值。宗教情操是最常用來呈現的題材之一，這件作品是其中的事例。\r\n 本作品描繪一個少女跪禱的情景。她頭上包著一條白色的頭巾，邊緣飾有一道淺褐色的線條，在臉部下方打結。她上身穿著長袖白衣，套著一件高腰洋裝，上段為深褐色，下段為淺褐色。她赤腳跪在地上，合掌於胸前，頭略往前傾，兩眼注視下方，表情安靜而虔誠地向上帝祈禱，讚美上帝的榮耀。她的膝上站著一隻小白鴿，向她注視。小白鴿象徵著聖靈，白色的服飾象徵著純潔，整件作品把宗教義涵充分地表現出來。\r\n 基座後面有設計者「Lucas」的名款，器底印有「ALL THE LORD’S CHILDREN」、「1980 ENESCO IMPORTS CORP」與「MADE IN TAIWAN」等資料。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322166","MainTitle":"結婚","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"8.3×7.3×12.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 歌頌美麗的人生是西洋玩偶常見的題材，這件作品描繪兩個青年男女結婚的情景。年輕的新郎穿著深褐色的西裝，繫著粉紅色的領結，兩手捧著蛋糕在腰際，站在右方。新娘穿著白紗禮服站在左方，頭紗上插了三朵白花，象徵著純潔。她的左手捧著花束，右手緊緊地挽著新郎的左手臂，表現出兩人十分親密的感情，該受到大家的祝福。禮服下擺的蕾絲和頭紗上的十字花紋飾都被精細地刻畫，顯示藝術家很高的技藝。\r\n 基座後面有「Lucas」的名款，説明作品原型出自藝術家的設計。器底印有「ALL THE LORD’S CHILDREN」，使作品賦與宗教上的神聖意義。「1980 ENESCO IMPORTS CORP」說明作品的年代與進口商。「MADE IN TAIWAN」等資料，説明產地。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322167","MainTitle":"女蝶持/廣告牌","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"11.5×5.3×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一個坐姿少女，她金髮長可披肩，上面飾有一支橘紅色的髮圈。她身穿長袖藍色上衣，套著粉紅色洋裝，衣褶表現得很自然。她的右腳往外彎，坐在地上。頭往右擺，左手撐在地上，右手手肘上彎到頸前，手背上立著一隻藍色的蝴蝶，人和蝶之間十分親近。她的前方地上有一個編籃，上面佈滿了粉紅色的花朵，表現出人和大自然之間的和諧關係。她的左邊有一個長方形的大相框，用樹幹做成外框，右上角飾有五朵鮮花和葉子，左下角還另有一朵。相框中寫著印刷體的文字「Treasured Memories」、「hand crafted porcelains」、「ENESCO」、「DESIGNED GIFTWARE」等。說明了產品的紀念功用，手工藝瓷器，銷售廠商與作為禮品的特色。\r\n 整件作品在素燒過的坯體上，分別用手繪、噴繪、與轉寫紙貼花等多種彩繪技巧加以裝飾，色彩鮮明而和諧。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322168","MainTitle":"女抱犬+木椅組","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品由玩偶和椅子兩個單元所組成，兩件材質不同，玩偶為瓷質，而椅子則是木製，成為很特別的組合。瓷偶描繪一個女孩頭髮上飾著藍色的蝴蝶結，穿著粉紅色短袖洋裝，抱著一隻灰色的小狗在腿上。小狗頭上飾著也飾著一個粉紅色的蝴蝶結，顯然是出自女孩的刻意為牠打扮。小狗兩眼前視，而女孩頭部向下，貼近狗的頭部，狀極親密。人類愛動物是西洋玩偶常見的表現題材。器底有「Treasured Memories」、「Friends Forever」、「1982 Enesco」、「E-8801」等印刷體文字。\r\n 椅子為木製，造型方正，構造簡潔，全器塗上深褐色漆料，看起來十分堅固結實而穩重，具有美術工藝運動樸實的特質。女孩的身體和雙腳呈直角，正好可以坐在椅子上，搭配得很好。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322168001","MainTitle":"女抱犬+木椅/女抱犬","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"6.5×6×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTY4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322168002","MainTitle":"女抱犬+木椅/木椅","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"9×6.5×12.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTY4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322169","MainTitle":"女/縫物","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"7×7×11.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一個女孩坐在椅子上縫衣物的情景。女孩頭上戴著藍色的髮箍，身著粉紅色洋裝。她坐在椅子上，左手拿著衣物，右手拿針線，眼睛看著手上的衣物，專心地縫衣。左邊有一個綠衣洋娃娃坐在地上，是她的玩具。\r\n 西洋玩偶燒好坏體後，都要經過彩繪的工序。彩繪的技術可分為釉上彩、釉下彩與不上釉的素坏彩繪。無論是釉上彩或釉下彩都要經過上釉後燒製的過程，然而素坏彩繪則是坏體高溫燒好之後，不上釉，即在素坏上彩繪，畫好之後，再度入窯低溫燒烤而成。因此這類作品表面沒有釉藥的光澤，而只有色彩的表現而已。本作品全部的色彩就是用這種素坏彩繪的技法裝飾而成的，能夠看到釉彩之美，但缺乏釉藥之美可以欣賞，是不同的表現技法。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322170","MainTitle":"二女/看書(音)","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"9×7.5×12.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪兩個女孩一起看書的情景。從兩位女孩的服飾與長相看起來，似乎是姐妹。她們都穿著連身洋裝，右邊女孩較大，可能是姐姐，她坐在海綿坐墊上，左手握著書角，一隻灰色的小貓坐在她的腿上，右手摟妹妹的肩膀。妹妹站在地上，靠著坐墊，右手拿著書，左手指著書上的圖畫。書本一面是美麗的圖畫，另一面是說明文字。小貓眼眼直視前方，兩隻腳擱在書本上，好像也在湊熱鬧。整件作品描繪姐妹和樂的感情。\r\n 西洋玩偶的彩繪過程採用分工合作的方式，幾位畫師一起圍著桌子坐著，每個人只畫特定的部分，畫好後，交給下一個畫師彩繪另一個部分，直到整個工作完成為止。這些畫師中，專門畫臉部五官的都是畫技最好的畫師。這件作品上，兩個女孩的五官畫得十分準確、靈活而傳神，可以看到畫師的繪畫的功力。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322171","MainTitle":"男畢業生","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"5.3×4.8×15.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現男性畢業生的裝飾陶瓷雕像，雕塑描繪出青年頭戴學士帽，手執證書捲筒，意氣風發、愉悅開心貌，是充滿紀念意義的雕像。\r\n 依據典藏資料這是來自臺灣丸利陶瓷公司的產品，雕像底部的蓋印註記，說明是1982年由Enesco公司委託製造，是「值得記憶的一天」系列商品，同系列商品共計2件，分別是男性、女性。1980年代時值裝飾陶瓷產業在臺灣蓬勃之際，為臺灣賺取豐厚的歐美外匯，臺日合資的丸利陶瓷公司，以精良的技術和品管成為這行業中的翹楚，代工中高價位的精品，從這件商品的毛背心、五官的細緻無暇繪彩，可以印證。然而，1990年代起生產成本增加、同業競爭激烈等諸多因素，臺灣丸利黯然歇業關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200322172","MainTitle":"女畢業生","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"4.8×4.8×15.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現女性畢業生的裝飾陶瓷雕像，表現頭戴學士帽，身穿莊重長灰袍的女孩，神情肅穆地手執證書捲筒，面對人生中的畢業大事，莊重而典雅的女孩，流露出值得珍藏充滿紀念意味的一刻。\r\n 依據典藏資料記載，這是來自臺灣丸利陶瓷公司的產品，但黏貼的樣品不可轉售貼紙僅註記編號「E-8815」。在典藏品中另有一件同為丸利生產的男性畢業生商品「值得記憶的一天」，同樣也是編號「E-8815」，因此推測為1982年，為美國Enesco禮品公司所代工製造的同系列商品，只是這件為打樣品。裝飾陶瓷的代工生產因應歐美的禮品文化與市場而起，生產工序繁複，透過打樣品與客戶充分溝通，確認後才能正式投入產線製造。1980年代中期時值裝飾陶瓷產業在臺灣最興盛之際，為臺灣賺取豐厚的歐美外匯，臺日合資的丸利陶瓷公司，以精良的技術和品管成為這行業中的翹楚，代工中高價位的精品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200322173","MainTitle":"男/跪(持冰)","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"5.8×5.5×9.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶常常從日常的生活中取材，這件作品就是表現喜歡親近大自然的生活與態度。作品描繪一個少年，穿著長褲與長筒靴，上身套著針織長袖白色毛衣，針織的花紋清晰可見。他的脖子圍著一條橘紅色的圍巾，圍巾的一端垂到胸前。頭上載著淡土黃色的狩獵帽，前面有短帽緣，上面較為蓬大。他的面貌清秀，兩眼平視遠方，嘴角略帶徵笑，兩個臉頰十分紅潤，表現出愉快的樣子。他右腳跪在地下，左腳呈弓步，腳下有一團白雪。左手放在左膝上，右手拿著一團雪，準備要去滑雪橇。從主角的服飾與雪景中充分表現了冬天的景象與健康活潑的氣息。\r\n 器底有標題「Going Sledding」與製作時間與廠商的標記「1985 Enesco」與編號等文字。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322174","MainTitle":"女/雪橇","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"8×4.5×11.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件作品描繪一個少女，穿著長褲與長筒靴，上身套著橘紅色短大衣，上面有一排扣子，下方有口袋，腰間繫一條皮帶。脖子圍著圍巾，兩端交疊在後面。她的長髮綁成兩條辮子，垂在胸前，頭上載著聖誕老人帽，白色的帽緣與帽頂圓球。她的面貌清秀，臉頰紅潤，頭部略往左傾，兩眼平視遠方，嘴角略帶徵笑。她的雙手戴著綠色的手套，扶著左前方的雪橇及其用品，腳下是一攤白雪，表現了準備要去滑雪橇的景象。\r\n 作品在高溫素燒之後，在上面加以彩繪，以表現人物皮膚、服飾與景物的色彩。彩繪時，以畫筆用手工描繪人的五官，以小噴槍噴出紅潤的臉頰，再以色料平塗服飾的顏色。經過彩繪的程序，使原本的雕塑作品更顯立體感，也更把主題的色彩表現得淋漓盡致。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322175","MainTitle":"女/信箱","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"5.8×5.3×12.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 節慶是西洋玩偶常見的題材之一，從器底的標題「Sweet Valentine」，這件作品描繪的是西洋情人節的情景。主角是一位穿著粉紅色連身洋裝的少女，她的左方有一棵樹幹，下方長了茂盛的綠草，上面是打開來的西式信箱，裡面還顯現幾封信件。少女右手扶著信箱，左手拿著卡片式的信件。雙眼注視著，認真地在讀它。紅色愛心重複出現在信箱上、信件後、以及洋裝的下擺，充分暗示著她在讀的是一封男友寄來的情人節卡片。整件作品洋溢著幸福之感。\r\n 這件作品的構成稍微複雜，少女、信箱與信件等部分要分別鑄造成形，再加以組合修飾，而不是單靠一件模具就可以完成。\r\n器底尚有標示製作時間與廠商名稱「1986 Enesco」的文字，並有產品的編號等資料。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322176","MainTitle":"女/提籃(小紅帽)","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"9.3×6.5×15.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶有部分小女孩的圖象取材自童話故事，小紅帽是其中的一種。這件作品中就是出自格林童話，家喻戶曉的人物小紅帽。小紅帽穿著粉紅、淺藍與白色三層式的連身公主裝，服飾十分寬鬆，長可及地，顯得十分莊重而不失其可愛。她一頭長長的金髮，綁成辮子，長度及胸。頭上戴著連接披風的白邊紅帽，衣褶因為走路而略往右斜。她的頭略往右斜，眼睛眺望遠處。她的右手放在口袋裡，左手提著一個裝滿花朵的籃子。整個人物表現出女孩美麗與善良的氣質。\r\n 西洋玩偶彩繪後，只用大約800℃的低溫燒烤。低溫釉的色彩很豐富，但容易脫落。這件作品的的紅色就可能因為窯溫不足而有脫落的現象。\r\n 器底貼有「SAMPLE NOT FOR SALE」以及「JAPAN」等字樣，説明它是日本母廠所生產的參考品。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322177","MainTitle":"男女(水兵服)/熊(音)","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"9.3×9.3×14.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 藝術家從日常生活或周邊事物的形相孤立起來，在單純的形相中，呈現事物的形色之美。本作作品描繪兩個少年男女在一起，身邊除了一隻小熊陪伴外，沒有多餘的事物干擾觀者的視覺。\r\n 作品的兩位主角都身穿海軍服，大V形領子，領口有藍色的船錨，男孩另戴著軟質無簷的軍帽。兩人雙手緊扣，女孩左手指著臉頰，男孩右手拿著紅心。坐在地上的小熊也拿著一個紅心，都暗示著兩人是一對小情侶。自古以來歌頌愛情就是文化史上重要的議題之一，歐洲從希臘羅馬時代即有這類的文學或藝術題材，中世紀時代更強調純潔之愛，這樣的傳統歷不衰，這件作品也可以從這個觀點視之。\r\n 這件作品的器底較高，作為裝置音樂盒之用。底部沒有說明的款識。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322178","MainTitle":"男女犬付/樂譜(音)","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1987","Size":"9×9×15.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 藝術要提升人們生活的精神層面，引導人們的心靈走向崇高的境界，宗教藝術具有這方面的功能，西洋玩偶也常常表現這方面的題材。基督教是西方仰信的核心，耶誕節是基督教最重要慶典，這件瓷偶就表現了這樣的義涵。\r\n 作品描繪兩個少年男女，在服裝上都搭配短外套，男孩頭戴有舌緣的軟帽，女孩脖子圍著圍巾，頭戴聖誕老人的帽子，坐在地上的小狗也戴上聖誕帽，腳下有厚厚的積雪，都表現出聖誕節即將到來的前夕。男孩的右手搭在女孩的肩上，顯示兩人十分親密的感情。他們一起捧著一本樂譜，兩眼注視著，認真地在唱歌。從整體作品的表現看，兩人正認真地練唱聖誕詩歌，準備慶祝聖誕節，表現對於宗教的熱誠。\r\n 作品的底座較高，用以裝飾音樂盒，器底沒有產品資訊的文字。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322179","MainTitle":"男女/心持","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1987","Size":"7×4.8×11.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 藝術品主要表現人們的思想、感情與意志，西洋玩偶作為藝術品，其表現也常常在這個美學的範疇之內，這件作品就在一種表現感情的題材。\r\n 作品的主角是兩位少年男女，從臉部的造型看，他們都還是稚氣未脫的天真孩子。男孩身著綠色長褲，白色的短海軍服，領口呈大V字形；女孩穿著粉紅色的高腰公主裝，兩人都沒有戴帽。男孩左手摟著女孩的肩膀，女孩右手摟著男孩的腰部，兩人明顯感情十分親密。他們的雙手共同持著一個紅心，上面寫著「I Love You」，説明了這件作品讚美愛情的主題，而以天真孩子的形象為題材，把一種純潔高尚的感情表露無遺。\r\n 器底貼有「SAMPLE NOT FOR SALE JAPAN」綠色文字的貼紙。說明作品是來自日本的樣品。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322180","MainTitle":"男/吸指頭","Creator":"設計者：Bil Keane
其他-品牌商：Register and Tribune Syndicate, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"7×7×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 家庭生活是西洋玩偶表現的主題之一，這件作品是其中的事例。作品描繪一個小嬰兒，身穿連身的白色服裝坐在地板上。他的頭比例較大，頭髮不多。他的左手拿著一條粉紅色的毛巾，貼在耳際。右手握拳，伸出姆指，放在嘴裡吸吮，都能表現嬰兒的特徵，童稚的樣子惹人憐愛。他的頭往上仰視，眼球明亮，眼臉卻朝下，一副憂愁的樣子，急切地在尋找大人。嬰兒沒有自我保護的能力，亟需父母給予關懷。器座旁邊有「I NEED A HUG」，說明嬰兒期待著大人給他抱抱，給他溫暖的心理。\r\n 器底有「FAMILY CIRCUS By BIL KEANE」、「©RTS for Clay In Mind」、「I Need a Hug」以及產品編號「FFC-1 001」等文字資料，說明設計者與作品的主題。西方人不像東方人那麼含蓄，會說出「I Need a Hug」這樣的話，表達自己的感情與需求。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322181","MainTitle":"男/餅乾","Creator":"設計者：Bil Keane
其他-品牌商：Register and Tribune Syndicate, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"5.5×5×7.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 人物是西洋玩偶表現的重要題材，一個人在生命的成長過程中，從嬰兒期、兒童期、少年期到老人期都有特別的表現。這件作品以嬰兒生活作為表現題材。這件作品描繪一個嬰兒穿著淺藍色的連身服坐在地上，沒有底座。他的身材圓滾，頭部比例較大，頭髮很少，嬰兒的特徵十分明顯。他抬頭仰望，嘴邊還有吃巧克力沒有抹乾淨的痕跡。他拿著餅乾盒放在地上，盒子上寫著「CHOCOLAT CHIP COOKIES」，説明裡面放著的是巧克力薄片餅乾。他左手扶著盒子，右手伸進去要拿餅乾。他的眉毛下彎，一臉狐疑的樣子。似乎暗示著，餅乾已經吃完，再想吃，也摸不到餅乾了。嬰兒的造型很可愛，表現天真無邪的特質。\r\n 器底貼有「SAMPLE NOT FOR SALE」與「JAPAN」等字樣的貼紙。說明這件作品是來自日本的樣品。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322182","MainTitle":"男女/貝殼","Creator":"設計者：Bil Keane
其他-品牌商：Register and Tribune Syndicate, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"9.3×7.8×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件作品從生活中取材，在戶外活動中表現喜歡親近大自然的生活態度。作品描繪家庭生活的片段，主角是在海邊沙灘上遊玩的兩姐弟。兩人都著泳裝，姐姐的右腳旁有一個水桶，裡面有鏟子，裝滿了海沙。在海邊戲手時，常常可以撿到貝殼。他們也發現到一個大海螺貝殼，姐姐的右手拿著貝殼，貼著右耳，很入神地傾聽螺貝中傳來的大自然回聲。弟弟在旁邊等不到聽貝殼聲音的機會，著急地哭了起來。把兒童天真無邪的一面描繪得十分傳神。\r\n 器底有「The FAMILY CIRCUS By BIL KEANE」、「©RTS for Clay In Mind」、「Audio Truble」以及產品編號「FFC-3 003」與「Made in Taiwan」等文字資料，說明設計者與作品的主題。從這些文字資料中可知，這件作品出於藝術家BIL KEANE之設計，而在臺灣代工製造，以供外銷。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322183","MainTitle":"女/犬(推車)","Creator":"設計者：Bil Keane
其他-品牌商：Register and Tribune Syndicate, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"11.3×8×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 歐洲從18世紀開始，瓷器的製作技術發展到高峰，品質很高。只是此時瓷偶的價格高昂，只有中高等階級家庭才消費得起。要到工業革命發展量產技術後，價格降低，才逐漸普及於一般家庭。\r\n 本件作品描繪一個女孩子，快樂地推著敞篷車，上面坐的一隻類似黃金獵犬的小狗，後肢搭在車緣，前肢扶著兩邊，張口吐舌，閉著單眼，享受著被主人服務的快感，而無視於看板上的警語:「NO DOGS ALLOWED」。作品在幽默之餘，也充分地表現出人類愛護動物的美德。\r\n這件作品的色彩比較單純，以粉紅色為主色調。然而造型卻相當複雜，女孩、車子、小狗，地板，與看板都要分別鑄造後，再加以組合。由於看板構造較為脆弱，所以已經折斷。\r\n 從器底的貼紙內容知道，這件作品是來自日本的樣品。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322184","MainTitle":"男/看書","Creator":"設計者：Bil Keane
其他-品牌商：Register and Tribune Syndicate, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"7×5.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTg0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 歐美陶瓷到20世紀有很大的進展，瓷器工廠如雨後春筍般地出現，多至不可勝數，即使是最小型的工廠也能生產出優美而奇特的作品供應國內外市場，使西洋玩偶價格平民化，能普及於一般家庭，需求量很大，成為重要的禮品之一。\r\n 本作品描述家庭生活的題材。一個滿頭鬈髮的男孩身著淺藍色長褲，白色T恤，坐在一個白色的坐墊上，雙手捧著一本厚厚的書，專注地讀著，封面的書名是「MY FIRST READER」。作品由BIL KEANE所設計，以漫畫式的風格把兒童形塑得十分可愛而討喜。\r\n器底有「FAMILY CIRCUS By BIL KEANE」、「©RTS Clay In Mind」、「One for the Books」以及產品編號「FFC-5 005」及「MADE IN TAIWAN」等文字。從這些資料中可知這件產品的設計除了描寫居家生活的樂趣之外，更強調心靈的享受，具有相當深層的人文意味。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322185","MainTitle":"女/吻花","Creator":"設計者：Bil Keane
其他-品牌商：Register and Tribune Syndicate, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"7.8×5.5×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 兒童的活動常常是西洋玩偶的題材之一。這件作品的主角是一位小女孩，她穿著一件長袖白衣，打個領結，套上一件吊帶式的短裙。女孩頭髮往後梳，綁一個馬尾。她的前面地上有一個花盆，上面擺滿了花束，從看板上的說明「Plastic Flowers」知道那是一盆美麗的塑膠花。她的雙手背在後面，身體前傾，臉部靠著花束，作聞花香的動作。雖然塑膠花沒有香味，但是小女孩還是認真地聞著，好像真能聞出香味似的。她的眼睛瞇得好像下弦月一般，嘴角閉著，帶著微笑，發出「Mmmm!」的聲音，沈醉在花朵的清香中，天真無邪的樣子很逗人喜愛。設計師BIL KEANE所設計的作品中，人物都具有漫畫的特質，造型簡化，衣紋皺褶不多。臉部五官喜歡以線條表現，色彩清淡而顯得雅緻。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322186","MainTitle":"男打電腦","Creator":"設計者：Bil Keane
其他-品牌商：Register and Tribune Syndicate, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTg2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件作品描繪一個男孩子的居家生活情景。它是兩件式的作品，男孩子和電腦分別製作後，再加以組合而成。男童身著長褲和短袖T恤，坐在海綿坐墊上，雙手平舉，正在打電腦。它屬於早期映象管式的桌上型電腦，有方形的鍵盤，直立的銀幕，上面顯示「BILLY’S HOMEWORK」，以及「2+2＝5」的字幕，整部電腦就放在方形的電腦桌上。\r\n 這部桌上型電腦在當時是最現代化的設備，已經把應用於教育上。這個男孩才剛上小學，用電腦做家庭作業，從最簡單的數學加法計算做起。雖然銀幕上顯示的答案並不正確，可是男孩卻興致勃勃，不改其樂，充分表現兒童天真可愛的一面。\r\n 男孩和電腦的器底各有「FAMILY CIRCUS By BIL KEANE」、「©RTS Clay In Mind」、「Modern Math」以及產品編號「FFC-6 006」及「MADE IN TAIWAN」等文字資料。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322186001","MainTitle":"男打電腦/男","Creator":"設計者：Bil Keane
其他-品牌商：Register and Tribune Syndicate, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"6.8×6×10.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTg2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322186002","MainTitle":"男打電腦/電腦","Creator":"設計者：Bil Keane
其他-品牌商：Register and Tribune Syndicate, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"8.3×8.3×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTg2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200322187","MainTitle":"女祈禱/貓","Creator":"設計者：Bil Keane
其他-品牌商：Cowles Syndicate, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"7.5×7.5×9.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶在歐美很盛行，在各鄉村、城鎮與都市都有許多瓷器店，裡面擺設了各種尺寸大小與不同類型的裝飾瓷器，供應家庭裝飾的需要。宗教信仰是維繫歐美社會的基礎，每個人從出生後即受洗，成為信徒，因此兒童從小就會祈禱。這件作品就是描繪女童在小貓的陪伴之下祈禱的情景。女童穿著粉紅色的睡袍跪在地上，雙手合起來在下巴之下，虔誠地禱告，小貓也現出同樣的表情，跟著發出叫聲。\r\n 器底有「LET US PURR-RAY」、「The FAMILY CIRCUS ©CSI By BIL KEANE」、「FROM Clay In Mind ® A GIFTWARE COMPANY」、產品編號及「MADE IN TAIWAN」等文字資料。Clay In Mind 是美國紐澤西州的一家禮品公司，專門設計、生產許多功能性與裝飾性的陶瓷作品，供應家庭與個人使用。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322188","MainTitle":"新娘(搭便車)","Creator":"設計者：Bil Keane
其他-品牌商：Cowles Syndicate, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"14×6×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 描繪人生各階段的生活是西洋玩偶常見的主題，這件作品表現一個新娘的形象。新娘穿著白紗禮服，手上捧著一束鮮花，愉快地昂首前進。一個幼兒五官與表情幾乎是新娘的翻版，坐在白紗的拖尾上，讓新娘拖著走，形成一幅有趣的畫面。器底有主題名稱「TRAIN RIDE」、產品編號「FFC13」、「The FAMILY CIRCUS ® COLLECTION ©CSI」、「By BIL KEANE」、「FROM Clay In Mind ® A GIFTWARE COMPANY」、及「MADE IN TAIWAN」等有關作品的資訊。從這些資料中知道這件作品出自Clay In Mind公司藝術家BIL KEANE之手。他所設計的人偶都具有漫畫的特色，頭部比例放大，臉部五官大都以線條表現，服裝都很平滑，不強調皺褶的表現，色彩也都很淡雅，不濃妝艶抹。這樣的設計使生產容易，而作品拿在手上又有柔滑的觸感，是很有特色的設計。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322189","MainTitle":"男/放學","Creator":"設計者：Bil Keane
其他-品牌商：Cowles Syndicate, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"10.8×7.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶在歐洲本來售價很高，是貴族或中上階層的家庭所使用，在量產技術發展，價格低廉後，逐漸普及於一般家庭，成為居家不可或缺的裝飾品。藝術家參與產品設計時，會繼承他們的藝術傳統，無論在造型、雕塑或彩繪上，都有其精緻與美感，成為這類玩偶的藝術特質。日常生活是常見的題材，這件作品是由藝術家BIL KEANE設計的一系列「家庭馬戲團」題材的作品之一，描繪一個男童放學的情景。男孩頭戴鴨舌帽，身穿長褲與長袖T恤，右手拿著一個小包包，手臂還夾著一顆足球；左手提著文具箱，還夾著一塊滑板，身後還有兩本一綑的書籍，滿臉興奮，快步行走，一副十分期待許多遊戲可玩的樣子。整個作品造型簡化，而不失寫實與幽默感。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322190","MainTitle":"男女/看板","Creator":"設計者：Bil Keane
其他-品牌商：Cowles Syndicate, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"14.3×5.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTkw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件作品的題材很特別，把公司廣告當作作品的主要內容。視覺中心是一個立在地上的粉紅色大型看板，有一個年紀較大綁馬尾辮的女孩爬在上面，右手扶著看板上端，左手向下指著看板，引導觀者看到看板上的內容。看板正面的文字，「The FAMILY CIRCUS® COLLECTION© CSI」是其主題，「By BIL KEANE」是設計者。另一個小紀較小頭髮較少的男孩，跪在看板後方的地上。兩人共同介紹公司產品的內容。\r\n 產品背後有生產公司的名稱「FROM Clay In Mind ® A GIFTWARE COMPANY」，Clay In Mind禮品公司生產許多具有功能性的馬克杯與不具功能性的裝飾陶瓷作品，本作品屬於裝飾性的產品，供人收藏之用。器底印有主題名稱與編號「COLLECTOR’S PLAQUE FFC16」，以及「MADE IN TAIWAN」貼紙。作本由美國公司設計，交由臺灣代工生產，再經由日本外銷到歐美各國，成為典型的全球化產品。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322191","MainTitle":"男/兩手開(自己穿衣)","Creator":"設計者：Bil Keane
其他-品牌商：Cowles Syndicate, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"8×6.3×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTkx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品標題是「I DRESSED MYSELF」，描繪一個小男孩，剛學會穿衣服的樣子。小男孩頭上歪戴著淺藍色的鴨舌帽，上身穿著粉紅色長袖襯衫，只扣了最上面的一個扣子。下身穿著淺藍色短褲，扣子沒扣好，兩隻服都穿在同一個褲管上，另一個褲管空著，而上衣也沒有完全穿進褲子裡，一半露在外面。兩腳穿著不同顏色的鞋子，左腳穿了襪子，卻忘了左腳也要穿上。他的雙手平舉，兩眼向前平視，嘴角掛著微笑，顯出一副洋洋得意的樣子，完全沒有看到自己笨拙的穿衣法。作品充滿幽默感，也讓人看到幼童天真可愛的一面。Clay In Mind公司的設計在造型上常常講究平衡的形態，而這件作品中，男孩的身體與雙手構成的十字架的造型，似乎也隱含著純真的宗教義涵。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322192","MainTitle":"男/犬(熱狗)","Creator":"設計者：Bil Keane
其他-品牌商：Cowles Syndicate, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"16.3×6.5×9.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTky","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西方藝術家常常具有很濃厚的幽默感。他們會在日常生活中敏銳地觀察對象後，從中捕捉有趣的題材加以呈現。狗是人類最忠誠的動物之一，常常伴隨著主人一起生活，雙方關係十分親密。這件作品描繪著一個男孩和他的寵物臘腸狗互動的情景。男孩子身體前傾，左手拿著一塊麵包，本來夾著熱狗，可是在不注意之間，熱狗竟然被忠誠度很高的小狗偷吃了，手上只剩下空無一物的麵包而已。男孩睜大眼睛，注視著小狗，滿臉驚訝。小狗前肢趴在地上，昂頭看著男孩，嘴裡叨著熱狗，一臉得意的表情，形成了「狗吃狗」的有趣畫面。\r\n 器底有「DOG EAT DOG」、「FFC20」、「The FAMILY CIRCUS® COLLECTION© CSI」、「By BIL KEANE」、「FROM Clay In Mind 」、「A GIFTWARE COMPANY」等文字資料，説明作品的內容與產地。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322193","MainTitle":"男/小甜餅","Creator":"設計者：Bil Keane
其他-品牌商：Cowles Syndicate, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"6×6×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTkz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作作品描繪一個鬈髮男孩，圓圓的臉蛋，穿著淺藍色的長褲，褲管下擺捲起，上身穿著白色的長袖T恤。他的左手下垂，右手背在後面，手上拿著一塊餅乾。他抬起頭來，眼睛睜得大大的，嘴巴笑著，好像在跟前面的大人說:「我可以吃餅乾嗎?」表現出兒童天真的性格。\r\n藝術家BIL KEANE所設計的作品大都造型簡潔，表面平滑，沒有太多細節的描繪，這樣的造型在鑄漿生產的過程中很容易脫模，生坏也不需要複雜的組合過程。坯體的顏色也很單純，種類不多，容易量產，成本可以降低。生產以1260℃的高溫燒成，確保瓷器的高品質。坏體表面柔滑，色彩淡雅，能給人視覺與觸覺的享受。\r\n 器底有「CAN I HAVE A COOKIE?」、「FFC21」、「The FAMILY CIRCUS® COLLECTION © CSI」、「By BIL KEANE」、「FROM Clay In Mind 」、「A GIFTWARE COMPANY」等產品資訊。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322194","MainTitle":"男/鼓","Creator":"設計者：Bil Keane
其他-品牌商：Cowles Syndicate, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"9.3×6.5×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTk0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一個穿著長袖連身服裝的小男孩，坐在地上打鼓的樣子。男孩子身後有一個真正的小鼓，上面有兩支鼓槌。前方有一個帶柄鍋子，小男童用左手握著，右手拿著一支湯匙高高地舉起。他仰著頭，眼睛瞇成一條線，緊閉的嘴把微微地笑著，很認真地把鍋子當作小鼓打著，神情十分得意，似乎陶醉在自己演奏出來的美妙音樂中，成為一個「不一樣的鼓手」。藝術家投入陶瓷設計在國內並不常見，而在歐美卻是十分普遍的現象，因而能設計出相當傑出的作品。Clay In Mind的設計師BIL KEANE很喜歡以幼童為題材，每個孩童都顯得十分健壯而快樂，表現他們活潑可愛的一面。\r\n 器底有「DIFFERENT DRUMMER」、「FFC22」、「The FAMILY CIRCUS® COLLECTION© CSI」、「By BIL KEANE」、「FROM Clay In Mind 」、「A GIFTWARE COMPANY」等有關產品的資訊。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322195","MainTitle":"天使/男爬樹","Creator":"設計者：Bil Keane
其他-品牌商：Cowles Syndicate, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"10×6.5×16.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 基督教是歐美民眾基本的信仰，孩童從出生後，即受洗成為基督徒，一生就沐浴在神恩之中，而其教義也常常成為藝術表現重要的題材，本作品即表現了宗教的義涵。作品的背景是一棵簡化了造型的樹幹，沒有瑣碎的枝葉，只有幾根粗短的支幹，樹根、樹皮的皺褶和上面的樹瘤都刻畫出來。作品下方緊樹幹站立的是一個穿著白袍，長相清秀的天使，給人純潔之感，後肩上長了一對翅膀，標示了祂的身分。祂的雙手往上托住一個穿著綠色橫條紋短袖T恤的小男童，他的左腳夾著樹幹，左手抱住一支小樹幹，右腳停在一個枝椏上，在天使的保護協助之下，右手不費力地擱在右腿上。男童很安穩地擡起頭來仰望天空，眼睛睜大，嘴角微笑，好像看到什麼似的，神情十分滿足而愉悅，充分表現出人和神之間的互動。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322196","MainTitle":"結婚","Creator":"設計者：Bil Keane
其他-品牌商：Cowles Syndicate, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"9×6.3×11.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTk2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 家庭生活是西洋玩偶常見的表現題材，婚姻是維繫社會安定的重要力量，對婚姻的忠誠是重要的家庭倫理價值，這件作品即在歌頌夫妻之間永恆不渝的愛情。作品的主角是兩位併立，上了年紀的夫婦，好像是在慶祝金婚或鑽石婚。男士已是滿頭白髮，身上穿著很正式的西裝，結了領結；女士金髮綁著馬尾，頭上戴著銀白色的后冠，身穿白紗禮服，右手握著一束捧花，左手緊牽著丈夫的右手，兩人緊緊地依偎著。新郎睜大雙眼，新娘則兩眼輕闔，兩人都面帶微笑，洋溢著幸福的感覺。兩夫婦雖然都上了年紀，但藝術家仍然用漫畫式的手法，把他們描繪得有如年輕人那麼清純可愛。作品題目為「I DO」，表達了雙方對於愛情的堅定承諾。整件作品造型穩重，用色淡雅，很適合用於室內裝飾。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322197","MainTitle":"男/床(音)","Creator":"設計者：Bil Keane
其他-品牌商：Cowles Syndicate, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"13.5×9×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTk3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪居家生活的情景。主角是一位男童在床上睡覺，木頭床構造簡潔而有堅實之感，床頭掛著男孩的鴨舌帽。厚厚的床墊，柔軟的棉被和枕頭，使男孩睡得很舒服，顯出安穩而滿足的表情。床尾露出一段小狗的尾部，暗示著男孩和他心愛的小狗睡在一起。人狗之間的親密感，充分表露無遺，是藝術家敏銳的觀察力與想像力的發揮。床邊的棉被上留一個長橢圓形的小洞，旁邊刻有「OFF」、「ON」的標記，是音樂盒的開關。這件作品裡面裝有音樂盒，在視覺之外，還有聽覺的享受。\r\n 雖然器底沒有產品相關的文字資料，但是從作品的造型和色彩等特徵與風格判斷，知道它是Clay In Mind公司的產品，由藝術家BIL KEANE所設計，屬於「The FAMILY CIRCUS」系列的作品，而在臺灣代工生產。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322198","MainTitle":"男&熊/木","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"10.5×6.3×12.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTk4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大自然是西洋玩偶常見的題材。這件作品由被樹幹、男童與小熊三個部分所組成。樹木已經被鋸斷，只留下殘株。左邊立著一隻擬人化的小熊，頭上帶著美國西部的牛仔帽，脖子結一條絲帕，頭部緊貼著樹幹，前肢也抱著樹幹，兩眼平視男童。男童身著短褲T恤，打著赤腳。他一頭長髮，套著藍白相間的髮帶，上面插著一根紅色的羽毛。他的眉毛細短，眼睛明亮，小鼻子，小嘴巴，鼻子兩旁各畫上兩撇圖騰式的鬍鬚，是典型的印地安人形象。他的左手插在腰際，右手舉到眉稍，作遠眺狀。這樣的形象讓人想起美國西部拓荒時代的歷史，也讓人思考人與大自然之間，族群與族群之間如何和諧相處之道。\r\n 器底有「SAMPLE NOT FOR SALE」以及「JAPAN」等綠色字樣的貼紙，説明它是來自日本的樣品。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322199","MainTitle":"維多利亞宮廷仕女持傘","Creator":"其他-品牌商：Lenox Corporation
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMTk5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件手工彩繪的裝飾陶瓷雕像，塑造刻畫出一位盛裝打扮撐著傘的仕女，這位女性的服飾表現出英國維多利亞女王時期的時尚潮流。維多利亞風格女性服飾，有著大量的裝飾元素，集結此前歐洲幾個藝術時尚風格的裝飾，混搭出屬於該時代的特色。在這個時期，女性的服飾不再追求性感裸露，大量蕾絲和荷葉花邊運用，緊身上衣搭配多層次蛋糕裙，更顯身姿曲線的纖細，蝴蝶結飄逸著長長的飾帶，烘托女性甜美氣質，最特別的是繫帶帽，將頭髮包住，僅露出臉龐。秀氣的傘同樣也是充滿柔美的裝飾細節。整體顯現內斂雅致的女性氣息。\r\n 底部的產品標註這件產品名為「春天散步」，屬於由日本設計製造的Lenox典藏產品，為高級精緻瓷，另貼有樣品貼紙，上以手寫標記「贈品」，不知該物件實際是否作為生產參照的樣本使用？(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200322200","MainTitle":"週一/男花持","Creator":"其他-品牌商：Lenox Corporation
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"8.5×7×4.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMjAw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶中，人物與動物是兩大重要題材。在人物的造型中，各個年齡層都是不同的活動，以彰顯人生各階段的特質。本件作品塑造一個青春少年，穿著淺褐色長褲，白襯衫，打領帶，外加一件外套西裝，腳上穿著皮鞋。他的左手插進褲子口袋，右手拿著一束鮮花，昂首闊步，很興奮地向前走，一副要去向女朋友獻殷勤的樣子，他的盛裝顯示他對此次約會的慎重與認真。\r\n 整件作品十分寫實，除了身體各部分的刻畫之外，縐褶都能都表現出服飾下面的骨骼與肌肉，顯示原型的創作者具有很高的雕塑才華。在色彩的應用上也很優秀，色彩的漸層與濃淡，增強了光影的效果與三度空間的立體感。彩繪上特別強調臉頰的紅潤和眼睛的明亮，使人物更顯生動。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200322201","MainTitle":"持圓盒三賢者之一（立姿）","Creator":"其他-品牌商：Lenox Corporation
其他-代工：丸利陶器股份有限公司","CreatedYear":"1991","Size":"10.8×9×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMjAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200322201〈持圓盒三賢者之一（立姿）〉主要是在描述聖經故事裏幾位有智慧的使者（亦稱賢者、博士、占星家）從東方來到耶路撒冷，受希律王之託，前往猶太的伯利恆（在耶路撒冷以南約十公里的地方）探詢、朝拜聖嬰耶穌。三位來自東方（波斯、中東、阿拉伯）的智者，分別手持裝著黃金、乳香、沒藥的盒子和罐子當作見面禮；圖中這一位賢者頭戴皇冠狀金色圓輪帽，身上穿著華麗的絲綢服飾，左手護持的圓盒裡面裝著具防腐藥用功效的「沒藥（沉香）」，右手的手指頭作彈指狀有如施藥動作。\r\n 圖中作品係依據《新約聖經》中的《馬太福音》第二章第1~12節之故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 以上宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200322202","MainTitle":"持蓋罐三賢者之一（微彎腰）","Creator":"其他-品牌商：The Franklin Mint
其他-代工：丸利陶器股份有限公司","CreatedYear":"1989","Size":"11.5×6.5×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMjAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200322202〈持蓋罐三賢者之一（微彎腰）〉主要是在描述聖經故事裏幾位有智慧的使者（亦稱賢者、博士、占星家）從東方來到耶路撒冷，受希律王之託，前往猶太的伯利恆（在耶路撒冷以南約十公里的地方）探詢、朝拜聖嬰耶穌。三位來自東方（波斯、中東、阿拉伯）的智者，分別手持裝著黃金、乳香、沒藥的盒子和罐子當作見面禮；圖中這一位身著綠色滾金邊錦緞大袍、外罩毛皮披肩，微微彎腰前傾，右手托持的金色蓋罐裏頭裝的是貴重的「乳香」具消炎殺菌、促進細胞再生功能，因為蓋罐珍貴特以左手靠近蓋罐之上作護持狀。\r\n圖中作品係依據《新約聖經》中的《馬太福音》第二章第1~12節之故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 以上宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200322203","MainTitle":"持方盒三賢者之一（波斯人）","Creator":"其他-品牌商：The Franklin Mint
其他-代工：丸利陶器股份有限公司","CreatedYear":"1989","Size":"8×7×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIyMjAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200322203〈持方盒三賢者之一（波斯人）〉主要是在描述聖經故事裏幾位有智慧的使者（亦稱賢者、博士、占星家）從東方來到耶路撒冷，受希律王之託，前往猶太的伯利恆（在耶路撒冷以南約十公里的地方）探詢、朝拜聖嬰耶穌。三位來自東方（波斯、中東、阿拉伯）的智者，分別手持裝著黃金、乳香、沒藥的盒子和罐子當作見面禮；圖中這一位賢者滿頭捲髮，戴著金色小圓帽，身著紫色調燈籠袖華麗上衣、米黃色緊身褲和皮靴有如波斯人，右手托持裝有黃金的方形金色蓋盒，左手作勢解說。賢者帶來的黃金除了具賀禮之意，實質上對育嬰和逃難奔波會有經濟上的幫助。\r\n 圖中作品係依據《新約聖經》中的《馬太福音》第二章第1~12節之故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷的表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 以上宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200323001","MainTitle":"抱鵝男孩","Creator":"軒宇陶瓷公司","CreatedYear":"1979","Size":"12×8.1×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323002","MainTitle":"提籃女孩/傘持(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1979","Size":"8.7×8.7×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323003","MainTitle":"清朝官員/芭蕉扇持","Creator":"軒宇陶瓷公司","CreatedYear":"1979","Size":"12.5×11.3×18.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323004","MainTitle":"中國侍女/扇持","Creator":"軒宇陶瓷公司","CreatedYear":"1979","Size":"12.5×11×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323005","MainTitle":"撐傘男孩","Creator":"軒宇陶瓷公司","CreatedYear":"1979","Size":"11.5×11.5×18.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323006","MainTitle":"撐傘女孩","Creator":"軒宇陶瓷公司","CreatedYear":"1979","Size":"11.2×8.5×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323007","MainTitle":"村婦與三隻鵝","Creator":"軒宇陶瓷公司","CreatedYear":"1979","Size":"14.5×11×23","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323008","MainTitle":"村婦與鵝","Creator":"軒宇陶瓷公司","CreatedYear":"1979","Size":"15.8×10×19.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200323016","MainTitle":"粽色的母子鳥","Creator":"軒宇陶瓷公司","CreatedYear":"1979","Size":"9.6×12.4×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323017","MainTitle":"男女孩抱鵝/兔付(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1979","Size":"9.5×9.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323018","MainTitle":"男女孩與球棒(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1979","Size":"7.7×8.5×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323019","MainTitle":"坐姿獵人/犬與獵物","Creator":"軒宇陶瓷公司","CreatedYear":"1979","Size":"11.5×12.3×21.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323020","MainTitle":"抱鬱金香女孩","Creator":"軒宇陶瓷公司","CreatedYear":"1979","Size":"8.8×8×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200323022","MainTitle":"藍彩雙人組/環抱跳舞(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1979","Size":"14.2×13×20.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323023","MainTitle":"坐姿小丑/吹笛(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1980","Size":"11.5×11×21.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323024","MainTitle":"坐姿小丑/手風琴(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1980","Size":"10.8×11.4×21.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323025","MainTitle":"藍彩雙人組/喝午茶(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1980","Size":"16.5×10.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323026","MainTitle":"藍白色母子鳥(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1980","Size":"15×11×16.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323027","MainTitle":"樹上雙鳥/草莓(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1980","Size":"14.8×12×16.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323028","MainTitle":"藍服立姿藝妓/雙手持扇","Creator":"軒宇陶瓷公司","CreatedYear":"1980","Size":"13.1×9.8×28.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323029","MainTitle":"坐姿彈弦藝妓","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"15.5×16×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323030","MainTitle":"跪姿插花藝妓","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"12×10.5×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323031","MainTitle":"陽台沈思少女","Creator":"軒宇陶瓷公司","CreatedYear":"1989","Size":"16.3×14×21.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323032","MainTitle":"花藍前蹲姿藝妓/八角型台(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"11.8×13.7×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323033","MainTitle":"騎單車男孩(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1980","Size":"8.8×8.4×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323034","MainTitle":"騎單車女孩(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1980","Size":"9×8.5×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323035","MainTitle":"男女孩騎單車(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1980","Size":"9.1×9×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323036","MainTitle":"小丑騎三輪車(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1980","Size":"11×10×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323037","MainTitle":"跪姿持扇藝妓","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"10.2×12.2×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323038","MainTitle":"立姿薩克斯風小丑/球付","Creator":"軒宇陶瓷公司","CreatedYear":"1981","Size":"15×12×28","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323039","MainTitle":"立姿拿薩克斯風小丑","Creator":"軒宇陶瓷公司","CreatedYear":"1981","Size":"10×9.5×29.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323040","MainTitle":"立姿憂傷小丑/球付","Creator":"軒宇陶瓷公司","CreatedYear":"1981","Size":"14.5×11.5×27","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323041","MainTitle":"公主與獨角馬(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1981","Size":"13.8×9.8×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323042","MainTitle":"公主抱獨角馬(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1981","Size":"13.6×11.4×19.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323043","MainTitle":"UR姿拿扇藝妓","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"12.3×11.2×25.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323044","MainTitle":"立姿彈弦藝妓","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"10.4×11.8×25.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200323046","MainTitle":"舞扇立姿藝妓","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"13.6×9.4×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323047","MainTitle":"親子燕鴨(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1982","Size":"15×12.4×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323048","MainTitle":"貓頭鷹(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1982","Size":"10.5×11×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323049","MainTitle":"立姿小丑吹笛/珍珠彩(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1982","Size":"10.7×11×22","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323050","MainTitle":"背鼓立姿小丑/吹口琴","Creator":"軒宇陶瓷公司","CreatedYear":"1982","Size":"11.2×10.8×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323051","MainTitle":"蜂鳥與梅花(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1982","Size":"14.9×11.6×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323052","MainTitle":"持臘蠋母與女","Creator":"軒宇陶瓷公司","CreatedYear":"1983","Size":"13.6×11×21.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323053","MainTitle":"看書母女","Creator":"軒宇陶瓷公司","CreatedYear":"1983","Size":"12.8×11.7×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323054","MainTitle":"姐妹合唱/手風琴(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1983","Size":"12.5×12.5×24.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323055","MainTitle":"祖孫拉手風琴","Creator":"軒宇陶瓷公司","CreatedYear":"1983","Size":"10.4×10.3×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323056","MainTitle":"跪坐雙人芭蕾","Creator":"軒宇陶瓷公司","CreatedYear":"1983","Size":"11.5×11×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323057","MainTitle":"坐姿小丑拿黑管(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"10×11.8×27","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323058","MainTitle":"坐姿持小提琴小丑 (音)","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"11×10×27","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323059","MainTitle":"男女孩戲鵝","Creator":"軒宇陶瓷公司","CreatedYear":"1983","Size":"12×10.5×17.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323060","MainTitle":"放鞭炮中國小孩","Creator":"軒宇陶瓷公司","CreatedYear":"1983","Size":"15.9×8×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323061","MainTitle":"坐姿小丑/拉手風琴","Creator":"軒宇陶瓷公司","CreatedYear":"1983","Size":"9.1×13×25.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323062","MainTitle":"立姿小丑/彈風琴","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"10.8×7.5×26","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323063","MainTitle":"立姿小丑/大提琴","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"11.5×9×27.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323064","MainTitle":"坐姿小丑/提琴盒","Creator":"軒宇陶瓷公司","CreatedYear":"1984","Size":"10.5×12×27","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323065","MainTitle":"機械工","Creator":"軒宇陶瓷公司","CreatedYear":"1984","Size":"11.5×9×24.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323066","MainTitle":"坐姿小丑托腮","Creator":"軒宇陶瓷公司","CreatedYear":"1984","Size":"7.5×11×26","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323067","MainTitle":"沙發上母與子/看書","Creator":"軒宇陶瓷公司","CreatedYear":"1984","Size":"12×15.8×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323068","MainTitle":"小丑與淑女/西班牙舞者(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1984","Size":"11.8×10×25.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323069","MainTitle":"鐘錶匠","Creator":"軒宇陶瓷公司","CreatedYear":"1984","Size":"9.6×10.6×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323070","MainTitle":"露背淑女","Creator":"軒宇陶瓷公司","CreatedYear":"1984","Size":"11.8×9.8×26","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323071","MainTitle":"包頭巾淑女","Creator":"軒宇陶瓷公司","CreatedYear":"1984","Size":"12×9.5×26","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323072","MainTitle":"街頭賣藝男女(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1985","Size":"11.7×11.7×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323073","MainTitle":"吹笛小丑(音) ","Creator":"軒宇陶瓷公司","CreatedYear":"1985","Size":"10.8×9.5×18.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323074","MainTitle":"彈吉他小丑(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1985","Size":"9.6×9.6×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323075","MainTitle":"沙發上雙貓玩毛線球(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1985","Size":"12×10.5×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323076","MainTitle":"酒廚上的雙犬","Creator":"軒宇陶瓷公司","CreatedYear":"1985","Size":"11×7.6×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323077","MainTitle":"雙人芭蕾舞/閉眼(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1985","Size":"10×9.5×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323078","MainTitle":"廚邊的狗(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1985","Size":"11.5×11.5×13.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200323080","MainTitle":"母貓與小貓群(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1985","Size":"10.5×10.6×8.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200323085","MainTitle":"聖家族","Creator":"軒宇陶瓷公司","CreatedYear":"1985","Size":"8.8×6×19.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200323087","MainTitle":"書房的雙犬","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"9.5×11.7×17.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323088","MainTitle":"化妝台與雙犬","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"11.7×8.3×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323089","MainTitle":"床上睡姿小女孩與雙犬","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"15.5×11.1×5.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323090","MainTitle":"狗屋/狗家庭(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"11×11×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDkw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323091","MainTitle":"淑女與犬","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"14.5×10.3×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDkx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323092","MainTitle":"張手耶蘇/雙手開","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"18×11×28.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDky","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323093","MainTitle":"耶蘇抱小孩","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"10.5×8.5×28.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDkz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323094","MainTitle":"壁爐下雙犬","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"14×6.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDk0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323095","MainTitle":"立姿母子學步","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"10.4×7.8×23.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323096","MainTitle":"鄉村汲水女孩/鵝付","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"20.3×12×24","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDk2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323097","MainTitle":"鄉村女孩與鹿群","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"15.5×10.8×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDk3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323098","MainTitle":"立姿拿傘藝妓","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"8.3×10.5×29","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDk4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323099","MainTitle":"坐姿母抱子","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"11.5×13.5×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMDk5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323100","MainTitle":"祈禱母子(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"9.5×9.5×16.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTAw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323101","MainTitle":"男女手推車/鵝付","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"16.8×10×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323102","MainTitle":"花束女郎","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"7×7.4×23","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323103","MainTitle":"提籃女郎","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"6.5×9×23","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323104","MainTitle":"拉花車女郎","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"8.3×8.5×23","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323105","MainTitle":"黃服模特兒與犬(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"11.3×10.8×21.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323106","MainTitle":"灰服模特兒與犬(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"11×10.8×22","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323107","MainTitle":"橋上雙藝妓","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"20.8×13×19.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323108","MainTitle":"男/吉他弦歌","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"13.8×12.1×21.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323109","MainTitle":"淑女與小丑/芭蕾","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"12.3×8×22","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323110","MainTitle":"男女汲水","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"17.2×10.5×18.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323111","MainTitle":"牧場男女與小牛","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"17×11.3×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323112","MainTitle":"野餐少女","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"19.5×11.8×15.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323113","MainTitle":"雙人芭雷/起舞式(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"11.1×11.5×23.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323114","MainTitle":"抱狗老人看信","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"15.7×13.5×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200323116","MainTitle":"老公公餵雞","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"15.5×9.8×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200323125","MainTitle":"老農夫婦坐馬車","Creator":"軒宇陶瓷公司","CreatedYear":"1986","Size":"26.5×10.5×16.9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323126","MainTitle":"騎機車女郎","Creator":"軒宇陶瓷公司","CreatedYear":"1987","Size":"18×9.6×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323127","MainTitle":"騎腳踏車女郎","Creator":"軒宇陶瓷公司","CreatedYear":"1987","Size":"18.3×9.3×17.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323128","MainTitle":"祖孫打棒球(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1987","Size":"12.5×12.5×17.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323129","MainTitle":"頂蓬旋轉馬車(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1987","Size":"12.5×11×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323130","MainTitle":"聖誕展翅山雀(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1987","Size":"11.5×11×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200323132","MainTitle":"紅頭灰色鳥/玫瑰(八邊型台、音)","Creator":"軒宇陶瓷公司","CreatedYear":"1987","Size":"11.8×9.6×11.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323133","MainTitle":"鷦鷯/罌粟(八邊型台、音)","Creator":"軒宇陶瓷公司","CreatedYear":"1987","Size":"10×9.7×12.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323134","MainTitle":"藍白麻雀雙姿/水仙(八邊型台、音)","Creator":"軒宇陶瓷公司","CreatedYear":"1987","Size":"10×9.3×11.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323135","MainTitle":"藍色親子鳥/木立(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1987","Size":"10.5×9×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323136","MainTitle":"藍彩雙人組/坐姿(音)","Creator":"軒宇陶瓷公司","CreatedYear":"1987","Size":"15.5×13.3×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323137","MainTitle":"展翅麻雀/和頌(八邊型台、音)","Creator":"軒宇陶瓷公司","CreatedYear":"1987","Size":"9.5×9.1×13.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323138","MainTitle":"鷽鳥/百合(八邊型台、音)","Creator":"軒宇陶瓷公司","CreatedYear":"1987","Size":"10.2×9×11.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323139","MainTitle":"紅雀/百合(八邊型台、音)","Creator":"軒宇陶瓷公司","CreatedYear":"1987","Size":"11.1×8.8×11.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200323140","MainTitle":"金絲雀/玫瑰(八邊型台、音)","Creator":"軒宇陶瓷公司","CreatedYear":"1987","Size":"9.8×8.8×11.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzIzMTQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324001","MainTitle":"情侶花瓶(大)","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1988","Size":"18×14.5×26","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324002","MainTitle":"單耳二女花瓶/橢圓形(大)","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1988","Size":"18×11.5×25.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324003","MainTitle":"單耳淑女花瓶/橢圓形(小)","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1988","Size":"13×8.5×19.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324004","MainTitle":"雙耳玫瑰花瓶/圓口","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1988","Size":"19.5×16×12.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324005","MainTitle":"玫瑰花瓶/圓底寬口(大)","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1988","Size":"19.5×21.5×28.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324006","MainTitle":"玫瑰花瓶/圓底圓口(小)","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1988","Size":"15.2×17×22","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324007","MainTitle":"單耳玫瑰花瓶(小)","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1988","Size":"21.7×13.3×23.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324008","MainTitle":"雙耳玫瑰花瓶/方口(大)","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1988","Size":"28.1×19.5×35.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324009","MainTitle":"單耳玫瑰花瓶/壼嘴形口(大)","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1988","Size":"25×19.5×40.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324010","MainTitle":"淑女盪鞦韆/犬付","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"17.2×12.3×25.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324011","MainTitle":"持傘女孩","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324012","MainTitle":"蹺蹺板","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"21×8.8×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324013","MainTitle":"情侶採果水果盤","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324014","MainTitle":"歐洲鄉村女孩","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"16×12.5×34","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324015","MainTitle":"歐洲貴族情侶/男","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"14.4×12.2×34.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324016","MainTitle":"歐洲貴族情侶/女","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"15×12.2×34","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324017","MainTitle":"馬龍情侶","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"18.5×13.8×31","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324018","MainTitle":"歐洲王子","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"20×17.5×47.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324019","MainTitle":"歐洲公主","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"20.3×17.8×47.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324020","MainTitle":"新郎與新娘","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"23.5×20.85×30","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324021","MainTitle":"貴族情侶燈組","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此貴族情侶燈組西洋瓷偶，係日本愛新陶瓷公司與臺灣天發陶瓷公司合作共同開發設計與製作生產之作品。這個瓷偶是屬於釉下彩之作品，釉下彩是在素坯上作畫後再上釉燒製，類似青花瓷之作法，釉下彩的特點是色彩能夠長久保存，較不易磨損或退色，但色彩應用就沒釉上彩多樣活潑。\n該作品以瓷土注漿塑造坯體後先繪製圖樣再上釉料高溫燒製而成。創作主題以貴族情侶為主角，其布局燈座之部分充分呈現一對情侶或夫妻深情互動之姿態，燈罩之部分造形優雅婉約，內裝燈泡可提供照明或氣氛燈具之功效，整體用色素雅高貴，完全合乎貴族之視覺意象並可享有實用之功能。\n天發實業有限公司位於苗栗縣公館鄉， 負責人林天賜先生，專門從事陶瓷玻璃器皿批發、國際貿易、陶瓷及陶瓷製品製造與銷售。（詮釋委員：何明泉）","ImageUrl":""}
,{"Identifier":"200324022","MainTitle":"音樂情侶","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"12.5×11.5×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324023","MainTitle":"音樂女孩/花持","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"13×11×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324024","MainTitle":"雙人音樂鈴/女帽持(小)","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"8.2×8.2×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324025","MainTitle":"雙人音樂鈴/男花持(小)","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"8.2×8.2×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324026","MainTitle":"葉子精油燈","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324027","MainTitle":"宮廷情侶精油燈","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"14×10.2×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324028","MainTitle":"天使精油燈（扁）","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324029","MainTitle":"天使精油燈（（圓）","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324030","MainTitle":"藍天使置物杯","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"15×9×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324031","MainTitle":"藍天使大葉盤","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"26×18.2×11.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324032","MainTitle":"藍天使小葉盤","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1979","Size":"21×12×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324033","MainTitle":"風衣男孩","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1987","Size":"12.8×10.2×30.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324034","MainTitle":"風衣女孩","Creator":"設計者：日本愛新陶瓷
創作者：天發陶瓷公司","CreatedYear":"1987","Size":"14.5×9×29","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200324035","MainTitle":"聖母抱小孩","Creator":"天發陶瓷公司林天賜","CreatedYear":"1986","Size":"6×6×20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI0MDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325001","MainTitle":"雪屋糖果罐","Creator":"元好陶瓷公司","CreatedYear":"1996","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325002","MainTitle":"長形竹籃與花束","Creator":"元好陶瓷公司","CreatedYear":"1998","Size":"36×17×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325003","MainTitle":"圓形竹籃與花","Creator":"元好陶瓷公司","CreatedYear":"1998","Size":"22×21×22.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325004","MainTitle":"諾亞方舟","Creator":"元好陶瓷公司","CreatedYear":"1999","Size":"17×10×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325005","MainTitle":"鳥屋與二鳥","Creator":"元好陶瓷公司","CreatedYear":"1999","Size":"12×9×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325006","MainTitle":"坐姿母子/付帽","Creator":"元好陶瓷公司","CreatedYear":"2002","Size":"10×10×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325007","MainTitle":"立姿女孩與鳥/付籃","Creator":"元好陶瓷公司","CreatedYear":"2000","Size":"13.5×11×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325008","MainTitle":"立姿女孩與花/付籃","Creator":"元好陶瓷公司","CreatedYear":"2000","Size":"12×10×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200325024","MainTitle":"立姿海豚","Creator":"元好陶瓷公司","CreatedYear":"1997","Size":"9×5.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200325026","MainTitle":"牙籤罐/豬","Creator":"元好陶瓷公司","CreatedYear":"1996","Size":"4.5×3.5×5.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325027","MainTitle":"牙籤罐/貓","Creator":"元好陶瓷公司","CreatedYear":"1996","Size":"4.5×3.5×5.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325028","MainTitle":"牙籤罐/犬","Creator":"元好陶瓷公司","CreatedYear":"1996","Size":"4.5×3.5×5.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325029","MainTitle":"蜂鳥燭台/玫瑰","Creator":"元好陶瓷公司","CreatedYear":"1997","Size":"9.5×7×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325030","MainTitle":"蜂鳥燭台/百合","Creator":"元好陶瓷公司","CreatedYear":"1997","Size":"9×9×5.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325031","MainTitle":"雙鴿燭台/玫瑰","Creator":"元好陶瓷公司","CreatedYear":"1998","Size":"10×10×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325032","MainTitle":"雙鴿/玫瑰","Creator":"元好陶瓷公司","CreatedYear":"1999","Size":"12.5×11×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325033","MainTitle":"單鴿/玫瑰","Creator":"元好陶瓷公司","CreatedYear":"1999","Size":"12×10×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325034","MainTitle":"珠寶盒/鬱金香","Creator":"元好陶瓷公司","CreatedYear":"1998","Size":"6×6×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325035","MainTitle":"珠寶盒/多色玫瑰","Creator":"元好陶瓷公司","CreatedYear":"1998","Size":"5×5×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325036","MainTitle":"方型燈/玻璃燈罩","Creator":"元好陶瓷公司","CreatedYear":"1997","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325037","MainTitle":"圓形珠寶盒","Creator":"元好陶瓷公司","CreatedYear":"2000","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325038","MainTitle":"捧花束天使","Creator":"元好陶瓷公司","CreatedYear":"1997","Size":"7×5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325039","MainTitle":"讀書天使","Creator":"元好陶瓷公司","CreatedYear":"1997","Size":"6×5.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325040","MainTitle":"祈禱天使","Creator":"元好陶瓷公司","CreatedYear":"1997","Size":"10×6×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325041","MainTitle":"訂婚","Creator":"元好陶瓷公司","CreatedYear":"1997","Size":"9×8.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325042","MainTitle":"蛋形裝飾/粉紅玫瑰","Creator":"元好陶瓷公司","CreatedYear":"1998","Size":"7×6.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325043","MainTitle":"蛋形裝飾/粉菊玫瑰","Creator":"元好陶瓷公司","CreatedYear":"1998","Size":"7×6.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325044","MainTitle":"蛋形裝飾/紫藍鬱金香","Creator":"元好陶瓷公司","CreatedYear":"1998","Size":"7×6.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325045","MainTitle":"蛋形裝飾/紫紅玫瑰","Creator":"元好陶瓷公司","CreatedYear":"1998","Size":"7×6.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325046","MainTitle":"大天使與三小天使","Creator":"元好陶瓷公司","CreatedYear":"1998","Size":"19×13×30.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325047","MainTitle":"吉他玫瑰","Creator":"元好陶瓷公司","CreatedYear":"1997","Size":"11.5×9×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325048","MainTitle":"壺內男女孩","Creator":"元好陶瓷公司","CreatedYear":"1996","Size":"21×12×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325049","MainTitle":"獨角獸/立姿","Creator":"元好陶瓷公司","CreatedYear":"1997","Size":"13.5×6×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325050","MainTitle":"獨角獸/坐姿","Creator":"元好陶瓷公司","CreatedYear":"1997","Size":"14.5×6.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325051","MainTitle":"空籃與玫瑰","Creator":"元好陶瓷公司","CreatedYear":"1997","Size":"10×9×5.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200325052","MainTitle":"圓形糖罐","Creator":"元好陶瓷公司","CreatedYear":"1996","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI1MDUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326001","MainTitle":"燕尾服小孩/持傘","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"5.8×3.5×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品屬於燕尾服男孩系列的作品之一。作品以漫畫式的人物表現，主角是一個小男孩，頭部特別放大，幾乎占全身比例的二分之一，特別強調黑色的大眼睛，嘴巴和鼻子都小小的，長相十分天真可愛。他戴著一頂圓形黑色的高禮帽，金色的頭髮外露。全身穿著十分正式，白色的襯衫，白色的長褲，打上藍色的領帶，腳上穿著灰色的皮鞋，上身穿上黑色的燕尾服，右手拿著一把雨傘，正是英國上流社會紳士的打扮。兒童這樣的穿著好像是在學習社交禮儀一般。\r\n 本作品製作十分精美，是苗栗丸利公司所生產，但沒有底款。西洋玩偶是瓷器的圓雕作品，與苗栗在此之前的傳統陶器完全是不同的類型，瓷器胎質，石膏模型鑄漿成形法生產以及素坏彩繪，都是苗栗陶瓷界前所未有的經驗，代表進入現代化的重要里程碑。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326002","MainTitle":"燕尾服小孩/持香蕉","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"5.5×3.5×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品屬於燕尾服男孩系列之一。作品以漫畫式的人物表現，描繪一個小男孩，身穿白長褲，白上衣，打個橘紅色的領帶，黑色的燕尾服，兩腳呈45度角站著。右手肘掛著橘紅色手杖，左手拿著香蕉往前舉。他有一雙黑色的大眼睛，嘴角微笑地往前看。他的頭上戴著黑色的高圓禮帽，金髮外露，一副快樂的神情。\r\n 這件作品的造型設計得很簡潔，人體與服裝都很平滑，沒有皺褶之類的細節，雙腳和上身每個部分都連結在一起，這樣的設計在生產過程中很容易脫模，有利於量產。造型中比較特殊的是他外露於帽緣的頭髮，並沒有用和頭部設計成為一體，而是用一根一根的土條另外添加組合而成。這種土條是使用網狀的工具製作，網目的大小等於土條的口徑，整塊黏土由下而上擠過網板，就成為所需的土條，切開後，另以人工貼上去而成。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326003","MainTitle":"燕尾服小孩/持杖","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"5.5×3.8×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品屬於燕尾服男孩系列之一。作品以漫畫式的人物表現，描繪小男孩，頭上戴著黑色的高圓禮帽，身穿白長褲，白上衣，紅色領帶，黑色燕尾服，兩腳並攏站立。右手肘掛著橘紅色手杖在前方，兩隻手掌打開向上翻，一副快樂的表情。\r\n 這件作品造型十分緊湊，身體與服裝各部分都緊密地連在一起。簡潔的造型有利於鑄漿成形的脫模作業。色彩方面也很單純，只有黑白兩個主色，另外點綴著手杖的橙色、領帶的紅色和臉頰的粉紅色。彩繪作業也很容易，除了臉部五官用線條表現之外，其他幾個顏色都使用平塗的方式上色。此外，臉顋部分的粉紅色使用噴槍噴繪，產生了暈染漸層的效果，顯得十分寫實。總之，這類作品的整體設計有利於快速而大量生產。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326004","MainTitle":"燕尾服小孩/持梯","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"5.4×3.8×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 燕尾服男孩系列的作品之一，是漫畫式的人物表現，此一系列的作品的主角都是一個小男孩，頭約占全身比例的二分之一，都是一對黑色的大眼睛，嘴巴和鼻子都小小的，長相都很天真可愛，是漫畫人物的特徵。幾件作品在身體與服飾上的造型完全相同，只有手持物件和部分色彩有所差異而已，應是基本人物造型確定後，即以此作部分的修改後，成為同一系列的作品。這件作品主要的不同特點在於男童右手持一玩具梯子。\r\n 這件作品為中日合資的丸利陶瓷公司所生產，作品的造型與技術完全移植自日本。廠內有駐廠的日本技師嚴密控制，造型與模型都來自日本，連每個色彩都有嚴格的指定，例如黑色要用幾號色料，或者用幾種色彩依比例調配都有詳細的規定，工廠內的彩繪師不能任意更換顏色，成為一種十分徹底的陶瓷代工模式。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326005","MainTitle":"傷心小孩/骨折","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"4×3.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶的題材大都是表現人類健康活潑而快樂的一面，少有不愉快的題材。這一傷心女孩系列的作品就是屬於少數不愉快經驗的題材。作品描繪一個站立在地上的小女孩，她穿著白色的服飾，胸前有三顆大的紅心鈕扣，粉紅色的鞋子。頭上戴著紅色的圓毛帽，帽頂還呈白色圓錐形，上面也有兩顆紅心。小女孩的面容清秀，但眉毛與眼角都向下垂，右眼下方還掛著一滴眼淚，嘴角略向下，也呈現憂愁的表現。再看她的左手，手肘彎曲，吊著粉紅色的綁帶，說明她的左手骨折了，使她傷心掉下淚來。整件作品表現得十分生動，讓人看了會有為小女孩不捨之感，而想向她安慰幾句話。\r\n 這傷心娃娃系列的作品可能是美國Enesco公司所設計的產品，交由苗栗的丸利公司所生產。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326006","MainTitle":"傷心小孩/持信","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"5.4×3×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶較少表現生活上不愉快的題材。這件作品屬於傷心娃娃系列的作品，描繪一個小女孩心情難過的畫面。作品的主角是一個小女孩，她穿著白長褲，褶領白上衣，衣服上有三顆大的紅心鈕扣，粉紅色的鞋子。頭上的毛帽上也有兩顆紅心。她的兩手垂在身體左右，右手拿著一封信，上面還有一個紅心，代表著是一封情書。小女孩的臉部五官有細緻的描繪，兩條褐色的眉毛往下垂，黑色的眼珠外圍是一片寶石藍色，睫看往下彎，右眼下方掛著一滴眼淚，紅色的嘴唇也略往下彎，呈現憂鬱的樣子。從她右手拿的情書判斷，她應該是接到男朋友的來信，告知她不願相信的事實，使她難過的流下眼淚。讓人難過的事不外乎肉體上與精神上的兩種折磨，這件作品很能表現人們精神上的痛苦。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326007","MainTitle":"傷心小孩/持花","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"4×3.5×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品是傷心娃娃系列的作品之一。主角是一個女孩身著一襲白色的服裝，上衣有一個紅愛心，鮮紅色的毛帽上還有兩個紅心。她左手置於左胸前，右手拿著一朵玫瑰花，置於前胸中間，紅心的正下方。她的兩腳交疊，坐在地板上。她的容貌清秀，但右眼下方掛著一顆眼淚，面露憂愁的樣子，顯然剛剛才哭過。花朵置於紅心下方，暗示著女孩子為了感情的問題在發愁。\r\n 這件作品器底貼有一張說明標簽，寫著:「SAMPLE NOT FOR RESALE」「TAIWAN」。說明這件它是樣品，不能拿來銷售。西洋玩偶的生產在事前都有嚴謹的規畫，畫工必須依照設計圖來彩繪，因此在進入生產線之前，必須先做出樣品，經過主管人員認可後，作為製作的標準，以此進入生產線，不能任意更改原來的設計。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326008","MainTitle":"傷心小孩/托腮","Creator":"其他-品牌商：Enesco, LLC","CreatedYear":"1982","Size":"4.5×4.2×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品屬於傷心女孩系列的作品之一。主角是一個面貌清秀的小女孩，造型相似的作品有好幾件，相貌與服飾的造型都相同，只有動作或手持的物件改變而已，由此組成一個產品系列。西洋玩偶很少單件作品，絕大多數都由幾件造型元素相同的作品構成一個系列，既可以滿足收藏者的需要，也增加了產品的銷售量。\r\n 西洋玩偶有些作品比例精準，衣服的褶紋與人體肌肉的表現細緻，是典型的學院式寫實風格作品，尤其是宗教性的作品大都以這種寫實風格強調其神聖與莊嚴。至於一般普羅大眾所需求的作品則大多以漫畫式的風格呈現，以迎合市場的需求。傷心娃娃系列作品中，女孩頭部比肩膀還要寬，高度幾乎達到身高的一半，誇示的比例加上水汪汪的大眼睛，很惹人喜愛。至於身體與服飾的細節都加以簡化，但不失寫實，屬於漫畫式的表現，是這類作品獨特的風格。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326009","MainTitle":"紅衣精靈：雙人擁抱","Creator":"丸利陶瓷公司","CreatedYear":"1975","Size":"6.5×4.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326010","MainTitle":"紅衣精靈：電話","Creator":"丸利陶瓷公司","CreatedYear":"1975","Size":"5.5×4.2×9.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326011","MainTitle":"紅衣精靈：石上坐/單手托腮","Creator":"丸利陶瓷公司","CreatedYear":"1975","Size":"3.1×3.2×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326012","MainTitle":"紅衣精靈：抱膝坐","Creator":"丸利陶瓷公司","CreatedYear":"1975","Size":"4×2.5×5.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326013","MainTitle":"綠衣精靈：蛋殼彩繪/翹臀","Creator":"丸利陶瓷公司","CreatedYear":"1975","Size":"11.2×6.8×5.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326014","MainTitle":"母親與醫師保健諮詢","Creator":"設計者：Norman Rockwell
其他-品牌商：The Saturday Evening Post
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"10.6×6.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的環境是個診所，後面有一個木櫃，下面有幾個抽屜，上面有許多放病歷的格子，前面有一支撥號碼盤的電話，櫃子上面放了幾本醫學方面的書籍和一些文件。前面左邊的沙發椅上坐著的是一個中年醫師，穿著白襯衫，打領帶，紅褐色的背心，外面穿著西裝，服裝十分正式，表現了一個醫生的專業身分。他的一副眼鏡擱在鼻樑上，兩手放在腿上，身體朝前，面向一對母子。母親年紀很輕，面貌清秀，穿著白襯衫，灰綠色的及膝兩片裙，以及大翻領長大衣，典型的淑女裝。她的坐在椅子上，小嬰兒抱在腿上，跟著醫師討論孩子的保健。小嬰兒長得十分健康而可人，雙眼看著醫師。\r\n 作品題目為「年度的訪問(The Annual Visit)」，説明小嬰兒並不是因為生病而到診所，而是定期的保健諮詢。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326015","MainTitle":"結婚","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"6.5×5.5×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326016","MainTitle":"在門口鋪歡迎地毯","Creator":"設計者：Norman Rockwell
其他-品牌商：GORHAM
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"8.5×8×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的背景是一個高長方形的家門口，大門已經打開。女主人穿著一襲白色圓領上衣，綠色長裙與淺黃色圍裙，肩上披著一件灰色的大衣。她把穿著橘紅色衣服的嬰兒抱在懷裡，表情安靜地站在門口，看著前面的先生在工作。男子穿著白襯衫，淺灰色長褲，彎下身來，手上拿著一塊寫著「歡迎(WELCOME) 」的小方塊地毯，要把它鋪在門口的地板上。地毯一方面可以讓客人進門時，抖掉鞋子上的泥塵，也讓人看到主人的歡迎之熱情。作品表現了人和人之間的和善態度。\r\n 西洋玩偶以立體雕塑為主要的藝術表現。藝術家的創作資糧大致有兩個來源，一種是直接作深入的觀察，作寫生式的如實表現；另一種是從既有的出版品中獲得資料加以改製。本作品是以Norman Rockwell的插畫，透過雕塑家的想像轉換為立體的雕塑。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326017","MainTitle":"現代灰姑娘看畫報","Creator":"設計者：Norman Rockwell
其他-品牌商：The Saturday Evening Post
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"9.5×8×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的器底貼有標簽，上面手書標題「灰姑娘」三個字，創作的靈感來自格林童話「灰姑娘」，只是這件作品並沒有用童話故事常見的古裝人物出現，而是以現代的女性形象出現，屬於插畫家的創意，是現代版的「灰姑娘」。主角是一位面貌清秀的少女，頭上綁了幾個髮髻，顯得相當俏皮。她穿著一件深藍色的V型領長洋裝，上面有白色的小圓點紋飾，繫著高腰白色圍裙，藍白的服飾充滿了夢幻感。她的左手握著拖把，坐在椅子上休息，右手拿著畫報「STARS of the SCREEN」，上面有一個帥男星的照片，表示這個少女正在幻想她心目中的白馬王子。兩隻小貓繞著拖把追逐嬉戲。底座上有畫家「Norman Rockwell」的名款，件品原是為《Satudry Evening Post》所設計的封面圖畫。\r\n 為了寫實，少女手裡畫報上的照片不採用手繪，而使用轉寫印刷技術，把照片與文字貼在畫面上，是裝術技術的靈活應用。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326018","MainTitle":"少女照鏡子試新裝","Creator":"設計者：Norman Rockwell
其他-品牌商：The Saturday Evening Post
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"8.8×6.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一個少女在鏡前試婚紗的情景。少女一頭褐髮，在後面梳成一個髮髻。她長相美麗，穿著一件紅色格子紋的長袖襯衫，牛仔褲，褲管捲起，白短襪、褐皮鞋。她的前面是一面等身高的大鏡子，木材框架十分結實，上面呈圓拱形。她雙手拿著一件多層裙擺的白紗禮服放在胸前，面對鏡子，正在試她的新裝。作品呈現了待嫁女兒心，對於婚禮與未來的生活充滿美麗憧憬。\r\n 整件作品對於人物形態掌握正確，肌骨的質感與服飾褶紋的轉折都形塑得很細緻，可以看雕塑家的造型能力很強。色彩較為強烈，對比鮮明，而不失和諧與高雅，是一件很優秀的作品。鏡框後面的臺座上有插畫家Norman Rockwell的名款，器底貼有一張標籤，寫著它是來自日本的樣品，作為生產的標準，屬於非賣品。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326019","MainTitle":"我愛媽媽","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"5.5×5.5×9.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。本件為金髮小女孩手拿著一束花要獻給媽媽，表達對母親的愛與感謝，推測其為母親節推出的應景禮品。底座檯邊貼著「Love is…you Mom」字樣的貼紙，為本件作品之主題名稱。底部有丸利的陰刻LOGO，並貼著寫「SAMPLE NOT FOR SALE JAPAN」(樣品勿售 日本)字樣的貼紙。\r\n「Love is…」系列是紐西蘭畫家Kim 1960年代創作的漫畫。這些內容源於Kim為她的未婚夫Roberto Casali畫的一系列愛的留言。他們在1960年代末以小畫冊的形式出版，並於1970年刊登在報紙上，1970年代中期是這個系列漫畫的鼎盛時期。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326020","MainTitle":"愛的禮物","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"5.5×5.5×9.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。女孩手中拿著一個心型禮物盒，將愛打包成禮物，送給心愛的人。禮物包裝繩採用金水繪製，呈現金絲帶的質感。\r\n底座旁貼上了「Love is…❤ ❤ ❤」字樣的貼紙。字體設計好，還未完成貼花。作品底部有丸利的陰刻LOGO，還貼著寫「SAMPLE NOT FOR SALE JAPAN」(樣品勿售 日本)字樣的貼紙。\r\n「Love is…」系列是紐西蘭畫家Kim 1960年代創作的漫畫。這些內容源於Kim為她的未婚夫Roberto Casali所畫的一系列愛的留言。1960年代末以小畫冊的形式出版，並於1970年刊登在報紙上。1970年代中期是「Love is...」系列漫畫的鼎盛時期。此系列的作品皆以「Love is...」作為開頭，後面寫的則是作品的主題名稱。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326021","MainTitle":"畢業快樂-男孩","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"5.5×5.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。男孩穿著學士服，象徵即將畢業進入人生另一個階段，新的開始迎接明亮璀璨的未來。與編號200326022之作品的主題名稱同為「brilliant」，且造型相同為穿著學士服，故推測為同一組作品，應是於畢業季推出的應景禮品，學士帽帽穗採用金水繪製，呈現冰絲線的光澤。\r\n底座檯邊貼上了寫著「Love is…brilliant」字樣的貼紙，為本件作品之主題名稱，祝福心愛的人，畢業前景光明。\r\n此件的底部沒有印上作品商標，僅有陰刻丸利的LOGO，確定為丸利生產製作，貼著「SAMPLE NOT FOR SALE JAPAN」字樣的貼紙。「Love is…」系列是紐西蘭畫家Kim 1960年代創作的漫畫。內容主要是Kim為她的未婚夫Roberto Casali所畫的一系列愛的留言。他們在1960年代末以小畫冊的形式出版，並於1970年刊登在報紙上。在1970年代中期，是「Love is...」系列漫畫的鼎盛時期。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326022","MainTitle":"畢業快樂-女孩","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"5.5×5.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。女孩穿著學士服，象徵即將畢業進入人生另一個階段，迎接明亮璀璨的未來。與編號200326021之作品的主題名稱同為「brilliant」，故推測為同一組作品的男性女性，應是於畢業季推出的應景禮品。底座檯邊貼上了貼著「Love is…brilliant」字樣的貼紙，為本件作品之主題名稱，用來祝福心愛的她，畢業前景光明。學士帽帽穗採用金水繪製，呈現冰絲線的光澤。\r\n底部有丸利的陰刻LOGO，貼著「SAMPLE NOT FOR SALE JAPAN」(樣品勿售 日本)字樣的貼紙。「Love is…」系列是紐西蘭畫家Kim 1960年代創作的漫畫。這些內容源於Kim為她的未婚夫Roberto Casali所畫的一系列愛的留言。他們在1960年代末以小畫冊的形式出版，並於1970年刊登在報紙上。在1970年代中期是「Love is...」系列漫畫的鼎盛時期。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326023","MainTitle":"為你祝福","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"5.5×5.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。女孩手拿點著蠟燭的燭台，似乎正要慶祝什麼特別的節日。底座檯邊貼上了寫著「Love is…celebrating」字樣的貼紙，為本件作品之主題名稱，此系列的作品皆以「Love is...」作為開頭，後面寫的則是作品的主題名稱。「Love is…」系列是紐西蘭畫家Kim 1960年代創作的漫畫。這些內容源於Kim為她的未婚夫Roberto Casali畫的一系列愛的留言。他們在1960年代末以小畫冊的形式出版，並於1970年刊登在報紙上。在1970年代初期到中期是「Love is...」系列漫畫的鼎盛時期。\r\n底部有丸利的陰刻LOGO，貼著「SAMPLE NOT FOR SALE JAPAN」樣品勿售 日本字樣的貼紙。\r\n「臺灣丸利陶器股份公司」是1969年由台、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326024","MainTitle":"期待新生兒","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"5.5×5.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。本件中的女孩造型為懷孕中，她為即將誕生的小寶寶織著毛衣，內心充滿著對新生命的期待。底座檯邊貼上了寫著「Love is…expecting」字樣的貼紙，為本件作品之主題名稱。\r\n底部有陰刻的LOGO，確定為丸利製作，並貼著「SAMPLE NOT FOR SALE JAPAN」的貼紙(樣品勿售 日本)。「Love is…」系列是紐西蘭畫家Kim 1960年代創作的漫畫。這些內容源於Kim為她的未婚夫Roberto Casali所畫的一系列愛的留言。1960年代末以小畫冊的形式出版，並於1970年刊登在報紙上。在1970年代中期是「Love is...」系列漫畫的鼎盛時期。此系列的作品皆以「Love is...」作為開頭，後面寫的則是作品的主題名稱。\r\n 「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326025","MainTitle":"關心-護士","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"5.5×5.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。本件的女孩為穿著護士服的白衣天使，手拿針筒，卻光著小屁股，給人一種小朋友玩扮家家酒的可愛模樣。底座檯邊貼上了寫著「Love is…caring」(關心)字樣的貼紙，為本件作品之主題名稱。本件與編號200326026的主題名稱同為caring，推測為同一組作品。 \r\n底部有丸利的陰刻LOGO，貼著「SAMPLE NOT FOR SALE JAPAN」(樣品勿售 日本)字樣的貼紙。\r\n「Love is…」系列是紐西蘭畫家Kim 1960年代創作的漫畫。這些內容源於Kim為她的未婚夫Roberto Casali所畫的一系列愛的留言。他們在1960年代末以小畫冊的形式出版，並於1970年刊登在報紙上。在1970年代中期是「Love is...」系列漫畫的鼎盛時期。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326026","MainTitle":"關心-醫生","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"5.5×5.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。本件的男孩為穿著白袍的醫生，底座檯邊貼著「Love is…caring」字樣的貼紙，與編號200326025的護士同樣提名caring，應為同一組作品。\r\n底部有丸利的陰刻LOGO，還貼「SAMPLE NOT FOR SALE JAPAN」(樣品勿售 日本)字樣的貼紙。\r\n「Love is…」系列是紐西蘭畫家Kim創作的漫畫。這些內容源於Kim為她的未婚夫Roberto Casali畫的一系列愛的留言。他們在1960年代末以小畫冊的形式出版，並於1970年刊登在報紙上。1970年中期是「Love is...」系列漫畫的鼎盛時期。此系列的作品皆以「Love is...」作為開頭，後面寫的則是作品的主題名稱。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326027","MainTitle":"誓約","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"7×5.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。本件的男孩、女孩分別穿上黑西裝和白色婚紗，是一對即將步入禮堂的新人。結婚的誓約，相互扶持，彼此託付終生。底座檯邊貼上了寫著「Love is…promising」字樣的貼紙，為本件作品之主題名稱。\r\n底部有丸利的陰刻LOGO，貼著「SAMPLE NOT FOR SALE JAPAN」(樣品勿售 日本)字樣的貼紙。「Love is…」系列是紐西蘭畫家Kim 1960年代創作的漫畫。內容源於Kim為她的未婚夫Roberto Casali所畫的一系列愛的留言。在1960年代末以小畫冊的形式出版，1970年刊登在報紙上。在1970年中期是「Love is...」系列漫畫的鼎盛時期。此系列的作品皆以「Love is...」作為開頭，後面寫的則是作品的主題名稱。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326028","MainTitle":"新生命的到來","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"6.8×5.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。男孩和女孩手裡抱著甫出生不久的嬰兒，他們臉上的微笑，顯示出對於新生命到來的甜蜜和喜悅。底座檯邊寫著「Love is…a sweet arrival」字樣，為本件作品之主題名稱。\r\n底部有陰刻的丸利LOGO；印有「Love is…by Kim」表示此系列為Kim所創作；Hand Painted Porcelain為手工繪瓷；Schmid為德國一間陶瓷裝飾品製造公司；United Feature Syndicate Inc.為美商聯合圖片企業公司。1970年製造。另貼有MADE IN TAIWAN臺灣製造貼紙及寫著314的貼紙，用途不明。\r\n「Love is…」系列是紐西蘭畫家Kim 1960年代創作的漫畫。內容源以Kim為她的未婚夫Roberto Casali所畫的一系列愛的留言為主。在1960年代末以小畫冊的形式出版，1970年刊登在報紙上。在1970年中期是「Love is...」系列漫畫的鼎盛時期。此系列的作品皆以「Love is...」作為開頭，後面寫的則是作品的主題名稱。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326029","MainTitle":"共度聖誕","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"7×5.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。男孩和女孩穿著聖誕老公公的服裝，手勾著手，一起度過充滿愛的聖誕節，底座檯邊印有「Love is…a Merry Christmas」的字樣，為本件作品之主題。腰帶採用金水繪製，呈現金屬的質感。\r\n底部有陰刻的丸利LOGO；印有「Love is…by Kim(草寫)」表示此系列為Kim所創作；Hand Painted Porcelain為手工繪瓷；Schmid為德國一間陶瓷裝飾品製造公司；United Feature Syndicate Inc.為美商聯合圖片企業公司。1970年製造。另貼有MADE IN TAIWAN臺灣製造貼紙。\r\n「Love is…」系列是紐西蘭畫家Kim的創作漫畫。內容源於她為未婚夫Roberto Casali所畫的一系列愛的留言。在1960年代末以小畫冊的形式出版，1970年刊登在報紙上。1970年代中期是「Love is...」系列漫畫的鼎盛時期。此系列的作品皆以「Love is...」作為開頭，後面寫的則是作品的主題名稱。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326030","MainTitle":"愛的系列-幸運","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"7×5.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。男孩和女孩手牽著手，臉上洋溢著笑容，多處幸運草的符號，和心愛的人在一起幸運圍繞身旁。底座寫著「Love is…lucky」，為本件作品之主題名稱。底部有陰刻的丸利LOGO，還印有「Love is…by Kim」表示此系列為Kim所創作；Hand Painted Porcelain為手工繪瓷；Schmid為德國一間陶瓷裝飾品製造公司；United Feature Syndicate Inc.為美商聯合圖片企業公司。1970年製造。另貼有MADE IN TAIWAN臺灣製造貼紙。\r\n「Love is…」系列是紐西蘭畫家Kim所創作的漫畫。內容源為Kim為她的未婚夫Roberto Casali所畫的一系列愛的留言。1960年代末以小畫冊的形式出版，1970年刊登在報紙上。1970年代中期是「Love is...」系列漫畫的鼎盛時期。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326031","MainTitle":"情書-女孩","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"5.5×5.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。本件為女孩手中拿著一封信，似乎是剛收到情書的喜悅，也或許是正要寄信給心愛的情人。在這小小的信中蘊藏了濃厚的情意，希望能透過書信來往傳遞愛給對方。底座邊寫著「Love is…you sweetheart」，為本件作品之主題名稱。本件與編號200326032的男孩，雖無同樣之標題，但可以推測為同一組作品。\r\n底部有陰刻的丸利LOGO；「Love is…by Kim(草寫簽名款)」表示此系列為Kim所創作；Hand Painted Porcelain為手工繪瓷；Schmid為德國一間陶瓷裝飾品製造公司；United Feature Syndicate Inc.為美商聯合圖片企業公司。1970年製造。另貼有MADE IN TAIWAN臺灣製造貼紙。\r\n「Love is…」系列是紐西蘭畫家Kim創作的漫畫。內容源於Kim為她的未婚夫Roberto Casali畫的一系列愛的留言。1960年代末以小畫冊的形式出版，1970年代中期是「Love is...」系列漫畫的鼎盛時期。此系列的作品皆以「Love is...」作為開頭，後面寫的則是作品的主題名稱。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326032","MainTitle":"情書-男孩","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"5.5×5.5×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。本件為男孩手中拿著一封信，似乎在這小小的信封中蘊藏了濃厚的情意，希望能透過書信來傳遞愛給對方。男孩臉上還有被愛人親吻留下的唇印，表示熱戀中的情人。底座檯邊並無寫著「Love is…」的字樣，但與編號200326031的女孩，拿信的動作類似，故推測為同一組作品。底部有陰刻丸利的LOGO，確定為丸利生產製作，貼著寫「SAMPLE NOT FOR SALE JAPAN」(樣品勿售 日本)字樣的貼紙，還有540-023編號。\r\n「Love is…」系列是紐西蘭畫家Kim創作的漫畫。內容源於Kim為她的未婚夫Roberto Casali畫的一系列愛的留言。他們在1960年代末以小畫冊的形式出版，1970年刊登在報紙上。在1970年代中期是「Love is...」系列漫畫的鼎盛時期。此系列的作品皆以「Love is...」作為開頭，後面寫的則是作品的主題名稱。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326033","MainTitle":"我愛爸爸","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"5.5×5.5×9.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。本件的男孩臉上掛著靦腆的微笑，似乎有些彆扭的對爸爸表達感謝與愛意。底座檯邊寫著「Love is…you Dad」，為本件作品之主題。和編號200326019「Love is…you Mom」應為一組。\r\n底部有陰刻的丸利LOGO；印有「Love is…by Kim(草寫)」表示此系列為Kim所創作；Hand Painted Porcelain為手工繪瓷；Schmid為德國一間陶瓷裝飾品製造公司；United Feature Syndicate Inc.為美商聯合圖片企業公司。1970年製造。另貼有MADE IN TAIWAN臺灣製造貼紙。\r\n「Love is…」系列是紐西蘭畫家Kim創作的漫畫。源於Kim為她的未婚夫Roberto Casali畫的一系列愛的留言。1960年代末以小畫冊的形式出版，1970年刊登在報紙上。在1970年代中期，是「Love is...」系列漫畫的鼎盛時期。此系列的作品皆以「Love is...」作為開頭，後面寫的則是作品的主題名稱。\r\n 「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326034","MainTitle":"熱愛馬拉松","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"5.5×5.5×9.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。男孩穿著運動服，擺出跑步姿勢，正在參加他最愛的馬拉松比賽。底座檯邊寫著「Love is…a marathon」字樣為本件作品之主題。\r\n底部有陰刻的丸利LOGO；印有「Love is…by Kim(草寫)」表示此系列為Kim所創作；Hand Painted Porcelain為手工繪瓷；Schmid為德國一間陶瓷裝飾品製造公司；United Feature Syndicate Inc.為美商聯合圖片企業公司。1970年製造。另貼有MADE IN TAIWAN臺灣製造貼紙。\r\n「Love is…」系列是紐西蘭畫家Kim創作的漫畫。內容源於Kim為她的未婚夫所畫的一系列愛的留言。在1960年代末以小畫冊的形式出版，1970年刊登在報紙上。1970年代中期是「Love is...」系列漫畫的鼎盛時期。此系列的作品皆以「Love is...」作為開頭，後面寫的則是作品的主題名稱。\r\n 「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326035","MainTitle":"團隊精神","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"5.5×5.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。本件為男孩穿著棒球衣，手拿球棍，準備上場打擊，以棒球運動來傳達團隊精神在運動中的重要性。底座檯邊貼上了寫著「Love is…team spirit」字樣的貼紙，為本件作品之主題名稱。\r\n底部有陰刻的丸利LOGO；印有「Love is…by Kim(草寫)」表示此系列為Kim所創作；Hand Painted Porcelain為手工繪瓷；Schmid為德國一間陶瓷裝飾品製造公司；United Feature Syndicate Inc.為美商聯合圖片企業公司。1970年製造。另貼有MADE IN TAIWAN臺灣製造貼紙。\r\n「Love is…」系列是紐西蘭畫家Kim 1960年代創作的漫畫。這些內容源於Kim為她的未婚夫Roberto Casali畫的一系列愛的留言。他們在1960年代末以小畫冊的形式出版，並於1970年刊登在報紙上。在1970年代初期到中期，是「Love is...」系列漫畫的鼎盛時期。此系列的作品皆以「Love is...」作為開頭，後面寫的則是作品的主題名稱。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326036","MainTitle":"愛就是和你一起做家事","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"6.8×5.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。本件為男孩和女孩穿著藍色工作服和白圍裙，分別拿著掃把和搗臼，正分工家事，表現出和家人一起做家事的幸福快樂。女孩的造型將頭髮挽起，樂當家庭主婦的模樣。底座檯邊寫著「Love is…homemade」為本件作品之主題。\r\n底部有丸利的陰刻LOGO；印有「Love is…by Kim(草寫)」表示此系列為Kim所創作；Hand Painted Porcelain為手工繪瓷；Schmid為德國一間陶瓷裝飾品製造公司；United Feature Syndicate Inc.為美商聯合圖片企業公司。1970年製造。另貼有MADE IN TAIWAN臺灣製造貼紙。\r\n「Love is…」系列是紐西蘭畫家Kim 創作的漫畫。內容源於Kim為她的未婚夫Roberto Casali畫的一系列愛的留言。1960年代末以小畫冊的形式出版，1970年刊登在報紙上。1970年代中期是「Love is...」系列漫畫的鼎盛時期。\r\n 「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326037","MainTitle":"愛就是和你一起打高爾夫球","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"7×5.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。本件中女孩拿著高爾夫球桿，男孩正在教她如何打高爾夫球，以此傳達兩個人在一起，有共同的運動嗜好，是一件愛的體現，亦是件幸福的事。底座檯邊寫著「Love is…a twosome」，為本件作品之主題。\r\n底部有陰刻的丸利LOGO；印有「Love is…by Kim」表示此系列為Kim所創作；Hand Painted Porcelain為手工繪瓷；Schmid為德國一間陶瓷裝飾品製造公司；United Feature Syndicate Inc.為美商聯合圖片企業公司。1970年製造。另貼有MADE IN TAIWAN臺灣製造貼紙。\r\n「Love is…」系列是紐西蘭畫家Kim創作的漫畫。內容源於Kim為她的未婚夫Roberto Casali畫的一系列愛的留言。1960年代末以小畫冊的形式出版，1970年刊登在報紙上。在1970年代中期是「Love is...」系列漫畫的鼎盛時期。\r\n 「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326038","MainTitle":"求愛","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"5.5×5.5×9.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。本件作品的女孩拿著網球和拍子正在打網球，蓄勢待發，希望藉由熱愛的運動展現和愛人的共同嗜好。檯座邊寫著「Love is…a courtship」的字樣，為本件作品之主題。\r\n底部有陰刻的丸利LOGO；印有「Love is…by Kim」表示此系列為Kim所創作；Hand Painted Porcelain為手工繪瓷；Schmid為德國一間陶瓷裝飾品製造公司；United Feature Syndicate Inc.為美商聯合圖片企業公司。1970年製造。另貼有MADE IN TAIWAN臺灣製造貼紙。\r\n「Love is…」系列是紐西蘭畫家Kim創作的漫畫。內容源於Kim為她的未婚夫Roberto Casali畫的一系列愛的留言。在1960年代末以小畫冊的形式出版，並於1970年刊登在報紙上。在1970年代初期到中期，是「Love is...」系列漫畫的鼎盛時期。\r\n 「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326039","MainTitle":"卡通熊系列：母子/前舉","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"10×5.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326040","MainTitle":"卡通熊系列：父女/頭舉","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"8×5.5×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326041","MainTitle":"卡通熊系列：子/溜滑板","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5×3.5×7.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326042","MainTitle":"卡通熊系列：子/風箏","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"4.5×3×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326043","MainTitle":"卡通熊系列：子/偵探（犬付）","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5×3×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326044","MainTitle":"卡通熊系列：女/放大鏡","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5×3×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326045","MainTitle":"卡通熊系列：女/氣球","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"4.5×3×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326046","MainTitle":"卡通熊系列：女/自行車","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.5×3.5×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326047","MainTitle":"卡通熊系列：母坐抱二子","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"8×5.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326048","MainTitle":"卡通熊系列：夫婦子/籃付","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"10×6.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326049","MainTitle":"卡通熊系列：母/縫物","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"6.5×4.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326050","MainTitle":"卡通熊系列：子/釣魚","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"4.5×3.5×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326051","MainTitle":"卡通熊系列：子/遠足&鳥付","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"4.5×3×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326052","MainTitle":"卡通熊系列：女/花持","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.5×3×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200326069","MainTitle":"卡通熊系列：子/持書包","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"5.2×3.5×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326070","MainTitle":"卡通熊系列：母女/床","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"10.5×5.2×9.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326071","MainTitle":"卡通熊系列：女/看書","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"5.2×4×5.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326072","MainTitle":"卡通熊系列：女抱母腿/持花","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"5.8×4.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326073","MainTitle":"卡通熊系列：女/抱熊&持蝶","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"5×2.8×6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200326075","MainTitle":"卡通熊系列：女/網球","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5×2.8×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326076","MainTitle":"卡通熊系列：女/跳繩","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"4.5×3×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326077","MainTitle":"卡通熊系列：子/橄欖球","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5×3.5×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326078","MainTitle":"卡通熊系列：老師/持鈴","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.8×5.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326079","MainTitle":"卡通熊系列：子/足球","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.8×3.2×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326080","MainTitle":"卡通熊系列：女/溜冰","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"6×2.8×6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326081","MainTitle":"卡通熊系列：子&女/跳馬&蛙付","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5×3.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326082","MainTitle":"卡通熊系列：父/午睡","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"11.5×5.5×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326083","MainTitle":"卡通熊系列：父子/砍柴","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"11.5×5.5×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326084","MainTitle":"卡通熊系列：女抱母腿/木柴","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"10.8×5.2×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDg0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326085","MainTitle":"獨角獸系列：臥姿/尾上、黃天使付","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"9×4×6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326086","MainTitle":"獨角獸系列：臥姿/尾下、粉紅天使付","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"8.2×4.2×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDg2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326087","MainTitle":"獨角獸系列：單腳舉（吊飾）/藍天使付","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.5×2.5×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326088","MainTitle":"獨角獸系列：鈴/藍天使付","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"7×7×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326089","MainTitle":"獨角獸系列：獨角獸與天使","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"10.5×4.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326090","MainTitle":"獨角獸系列：獨角獸與女抱鴿/叼信","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"8×5.8×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDkw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326091","MainTitle":"獨角獸系列：1歲獨角獸/蝶付","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5×2.5×3.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDkx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326092","MainTitle":"獨角獸系列：2歲獨角獸/蝶付","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.5×3.8×3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDky","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326093","MainTitle":"獨角獸系列：3歲獨角獸/蝶付","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"5.2×2.8×5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDkz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326094","MainTitle":"獨角獸系列：4歲獨角獸/蝶付","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"7×4×4.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDk0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326095","MainTitle":"獨角獸系列：5歲獨角獸/蝶付","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"6×3.8×6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326096","MainTitle":"獨角獸系列：6歲獨角獸/蝶付","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"7.2×4.2×4.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDk2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326097","MainTitle":"獨角獸系列：臥姿獨角獸/尾上、紅蝶付","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"9×4×6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDk3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326098","MainTitle":"獨角獸系列：臥姿獨角獸/尾下、藍蝶付","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"8.2×4.2×7.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDk4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326099","MainTitle":"獨角獸系列：獨角獸燈具/蝶付","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"9.5×8×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MDk5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326100","MainTitle":"獨角獸系列： 獨角獸(音)/ 黃蝶付","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"9.5×8×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTAw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326101","MainTitle":"獨角獸系列：獨角獸與鹿","Creator":"丸利陶瓷公司","CreatedYear":"1985","Size":"12×5.2×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326102","MainTitle":"獨角獸系列：單腳舉獨角獸/藍天使付","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"8.5×3.8×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326103","MainTitle":"獨角獸系列：單腳舉獨角獸/黃蝶付","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"8×4.5×8.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326104","MainTitle":"少女成長系列：一歲","Creator":"設計者：Kelvin
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"5.8×5×6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件給一歲女孩紀念她人生第一年的裝飾陶瓷紀念禮物。稚氣的小嬰孩盛裝穿著蓬蓬裙洋裝，裙身還飾有花朵，靈動的大眼睛好奇望著世界，身旁伴著灑有金色的阿拉伯數字1。「少女成長」系列是禮品市場中相當具有紀念意義深受歡迎且永不過時的題材，對於每個女孩來說，是紀念女孩生命旅程中每個階段的珍貴禮物。\r\n 從典藏著錄等相關訊息顯示，這是一件1977年由臺灣丸利陶瓷公司製造的產品。臺日合資的丸利陶瓷為苗栗地區裝飾陶瓷產業的先鋒之一，完整轉移日本母公司的製程管理，已精良的技術、品管著稱，因此在廣大的歐美禮品市場，佔有中高價為區段。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326105","MainTitle":"少女成長系列：二歲","Creator":"設計者：Kelvin
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"6×4.5×6.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件給二歲女孩紀念她人生第二年的裝飾陶瓷紀念禮物。稚氣的金色短髮小女孩盛裝穿著蓬蓬裙洋裝，繫著飾有花朵的圍裙，靈動的大眼睛好奇望著世界，小巧的嘴唇微張，左手比畫著，彷彿正在身邊的大人訴說什麼似的，手扶身旁伴著灑有金色的阿拉伯數字2。「少女成長」系列是禮品市場中相當具有紀念意義深受歡迎且永不過時的題材，對於每個女孩來說，是紀念女孩生命旅程中每個階段的珍貴禮物。\r\n 綜合產品掛牌標籤與底部的貼紙、蓋印，以及典藏著錄等相關訊息顯示，這是一件Kelvin's品牌的原創獨家設計產品，於美國專利商標局登記，1977年授權臺灣丸利陶瓷公司製造，產品編號為B-911。臺日合資的丸利陶瓷為苗栗地區裝飾陶瓷產業的先鋒之一，完整轉移日本母公司的製程管理，已精良的技術、品管著稱，因此在廣大的歐美禮品市場，佔有中高價為區段。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326106","MainTitle":"少女成長系列：三歲/抱人形","Creator":"設計者：Kelvin
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"6.5×5.5×6.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件給三歲女孩紀念她人生第三年的裝飾陶瓷紀念禮物。稚氣的橘髮小女孩扎著兩個小馬尾，盛裝穿著蓬蓬裙洋裝，繫著飾有花朵的圍裙，正專注低頭注視自己懷中還抱著的小洋娃娃玩偶，身旁伴著灑有金色的阿拉伯數字3。「少女成長」系列是禮品市場中相當具有紀念意義深受歡迎且永不過時的題材，對於每個女孩來說，是紀念女孩生命旅程中每個階段的珍貴禮物。\r\n 綜合產品底部的蓋印以及典藏著錄等相關訊息顯示，這是一件Kelvin版權所有，1977年授權臺灣丸利陶瓷公司製造的產品，產品編號模糊難辨。臺日合資的丸利陶瓷為苗栗地區裝飾陶瓷產業的先鋒之一，完整轉移日本母公司的製程管理，已精良的技術、品管著稱，因此在廣大的歐美禮品市場，佔有中高價為區段。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326107","MainTitle":"少女成長系列：四歲/洒水","Creator":"設計者：Kelvin
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"7.5×5.5×7.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件給四歲女孩紀念她人生第四年的裝飾陶瓷紀念禮物。稚氣的小女孩盛裝穿著蓬蓬裙洋裝，裙身還飾有花朵，雙手持有澆花器，靈動的大眼睛好奇望著世界，身旁伴著灑有金色的阿拉伯數4。「少女成長」系列是禮品市場中相當具有紀念意義深受歡迎且永不過時的題材，對於每個女孩來說，是紀念女孩生命旅程中每個階段的珍貴禮物。\r\n 從產品底部蓋印和典藏著錄等相關訊息顯示，這是一件1977年由臺灣丸利陶瓷公司製造，編號B-913的產品。從製作手法與風格推測，應是由Kelvin's品牌所授權生產。臺日合資的丸利陶瓷為苗栗地區裝飾陶瓷產業的先鋒之一，完整轉移日本母公司的製程管理，已精良的技術、品管著稱，因此在廣大的歐美禮品市場，佔有中高價為區段。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326108","MainTitle":"少女成長系列：五歲/花束","Creator":"設計者：Kelvin
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"7.5×5.5×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件給五歲女孩紀念她人生第五年的裝飾陶瓷紀念禮物。稚氣的橘色短髮小女孩，扎著小馬尾有著厚厚的齊瀏海，盛裝穿著蓬蓬裙洋裝，繫著飾有花朵的圍裙，雙手抱著一大束花，靈動的大眼睛好奇望著世界，露出滿足的笑容，身旁伴著灑有金色的阿拉伯數字5。「少女成長」系列是禮品市場中相當具有紀念意義深受歡迎且永不過時的題材，對於每個女孩來說，是紀念女孩生命旅程中每個階段的珍貴禮物。\r\n 綜合產品底部蓋印、貼紙以及典藏著錄等相關訊息顯示，這是一件Kelvin's品牌的原創獨家設計產品，於美國專利商標局登記，1977年授權臺灣丸利陶瓷公司製造，產品編號為B-914。臺日合資的丸利陶瓷為苗栗地區裝飾陶瓷產業的先鋒之一，完整轉移日本母公司的製程管理，已精良的技術、品管著稱，因此在廣大的歐美禮品市場，佔有中高價為區段。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326109","MainTitle":"少女成長系列：六歲/看書","Creator":"設計者：Kelvin
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"7.5×6.2×8.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件給六歲女孩紀念她人生第六年的裝飾陶瓷紀念禮物。稚氣的金髮小女孩，頭頂梳有小髮髻，盛裝穿著蓬蓬裙洋裝，繫著飾有花朵的圍裙，雙手捧著一本書，靈動的大眼睛向上望，小巧嘴唇微張，彷彿正向身邊的人念誦著，腰後的繫帶隨轉身揚起，呼應增長的求知慾望，身旁伴著灑有金色的阿拉伯數字6。「少女成長」系列是禮品市場中相當具有紀念意義深受歡迎且永不過時的題材，對於每個女孩來說，是紀念女孩生命旅程中每個階段的珍貴禮物。\r\n 綜合產品底部蓋印以及典藏著錄等相關訊息顯示，這是一件Kelvin版權所有的產品，1977年授權臺灣丸利陶瓷公司製造，產品編號為B-915。臺日合資的丸利陶瓷為苗栗地區裝飾陶瓷產業的先鋒之一，完整轉移日本母公司的製程管理，已精良的技術、品管著稱，因此在廣大的歐美禮品市場，佔有中高價為區段。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326110","MainTitle":"少女成長系列：七歲/餵鳥","Creator":"設計者：Kelvin
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"8×6.2×9.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件給七歲女孩紀念她人生第七年的裝飾陶瓷紀念禮物。稚氣中帶有穩重的橘髮小女孩梳著高髮髻，穿著蓬蓬裙洋裝，繫著飾有花朵的圍裙，左手捧著木碗，右手舉起，彷彿正停駐在灑有金色的阿拉伯數字7上的藍色小鳥說話般，流露聰慧活潑的氣質。「少女成長」系列是禮品市場中相當具有紀念意義深受歡迎且永不過時的題材，對於每個女孩來說，是紀念女孩生命旅程中每個階段的珍貴禮物。\r\n 綜合產品底部的蓋印以及典藏著錄等相關訊息顯示，這是一件1977年授權臺灣丸利陶瓷公司製造的產品，授權廠商和產品編號模糊難辨，但依整體風格形制，推測為Kelvin's品牌的少女成長系列之一。臺日合資的丸利陶瓷為苗栗地區裝飾陶瓷產業的先鋒之一，完整轉移日本母公司的製程管理，已精良的技術、品管著稱，因此在廣大的歐美禮品市場，佔有中高價為區段。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326111","MainTitle":"少女成長系列：八歲/禮物","Creator":"設計者：Kelvin
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"8×6.5×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件給八歲女孩紀念她人生第八年的裝飾陶瓷紀念禮物。金色短髮微捲的小女孩在頭頂別著花朵裝飾，穿著繫有圍裙的蓬蓬裙洋裝，右手拿著一個裝飾緞帶的小禮物，身體微微前傾十分開心的模樣，身旁伴著飾有金色的阿拉伯數字8。「少女成長」系列是禮品市場中相當具有紀念意義深受歡迎且永不過時的題材，對於每個女孩來說，是紀念女孩生命旅程中每個階段的珍貴禮物。\r\n 綜合產品底部的蓋印以及典藏著錄等相關訊息顯示，這是一件Kelvin版權所有，1977年授權臺灣丸利陶瓷公司製造的產品，產品編號模糊。整體設計風格與表現手法，推測為製造的少女成長系列產品之一。臺日合資的丸利陶瓷為苗栗地區裝飾陶瓷產業的先鋒之一，完整轉移日本母公司的製程管理，已精良的技術、品管著稱，因此在廣大的歐美禮品市場，佔有中高價為區段。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326112","MainTitle":"少女成長系列：九歲/持帽","Creator":"設計者：Kelvin
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"8×6.5×9.4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件給九歲女孩紀念她人生第九年的裝飾陶瓷紀念禮物。稚氣的橘色長髮小女孩微捲的頭髮順著臉蛋散落，盛裝穿著蓬蓬裙洋裝，繫著飾有花朵的圍裙，手持小圓帽，側身回眸，動態十分嬌俏，身旁伴著灑有金色的阿拉伯數字9。「少女成長」系列是禮品市場中相當具有紀念意義深受歡迎且永不過時的題材，對於每個女孩來說，是紀念女孩生命旅程中每個階段的珍貴禮物。\r\n 綜合產品底部的蓋印以及典藏著錄等相關訊息顯示，這是一件1977年授權臺灣丸利陶瓷公司製造的產品，產品編號B-918。整體設計風格與表現手法，推測為Kelvin's品牌委託製造的少女成長系列產品之一。臺日合資的丸利陶瓷為苗栗地區裝飾陶瓷產業的先鋒之一，完整轉移日本母公司的製程管理，已精良的技術、品管著稱，因此在廣大的歐美禮品市場，佔有中高價為區段。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326113","MainTitle":"少女成長系列：十歲/持皮包","Creator":"設計者：Kelvin
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"9×6.8×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件給十歲女孩紀念她人生第十年的裝飾陶瓷紀念禮物。稚氣的紅髮小女孩梳著高高的馬尾髮型，穿著繫有圍裙的蓬蓬裙洋裝，受手挽著水藍色有著花朵裝飾的小提包，微側的頭部靈動的大眼睛，嬌俏地望著世界，身旁伴著灑有金色的阿拉伯數字10。「少女成長」系列是禮品市場中相當具有紀念意義深受歡迎且永不過時的題材，對於每個女孩來說，是紀念女孩生命旅程中每個階段的珍貴禮物。\r\n 綜合產品底部的貼紙以及典藏著錄等相關訊息顯示，這是一件Kelvin's品牌的原創獨家設計產品，於美國專利商標局登記，1977年授權臺灣丸利陶瓷公司製造的產品。臺日合資的丸利陶瓷為苗栗地區裝飾陶瓷產業的先鋒之一，完整轉移日本母公司的製程管理，已精良的技術、品管著稱，因此在廣大的歐美禮品市場，佔有中高價為區段。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326114","MainTitle":"少女成長系列：十一歲/持鏡","Creator":"設計者：Kelvin
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"9×7.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件給十一歲女孩紀念她人生第十一年的裝飾陶瓷紀念禮物。長成至11歲的小女孩梳著高高的髮髻，穿著蓬蓬裙洋裝，繫者飾有花朵的圍裙，右手拿著小梳粧圓鏡，身體微微向後側仰著正仔細端詳鏡中自己的造型，流露出正是愛美的年紀，身旁伴著灑有金色的阿拉伯數字11。「少女成長」系列是禮品市場中相當具有紀念意義深受歡迎且永不過時的題材，對於每個女孩來說，是紀念女孩生命旅程中每個階段的珍貴禮物。\r\n 產品底部的蓋印模糊，但從整體風格與表現手法推測，這是一件Kelvin's品牌於1977年授權臺灣丸利陶瓷公司製造的產品。臺日合資的丸利陶瓷為苗栗地區裝飾陶瓷產業的先鋒之一，完整轉移日本母公司的製程管理，已精良的技術、品管著稱，因此在廣大的歐美禮品市場，佔有中高價為區段。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326115","MainTitle":"少女成長系列：十二歲/持信","Creator":"設計者：Kelvin
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"9.3×7×11.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件給十二歲女孩紀念她人生第十二年的裝飾陶瓷紀念禮物。金髮小女孩紮著兩個微捲長馬尾，盛裝穿著蓬蓬裙洋裝，繫著飾有花朵的圍裙，右手微撫胸前，左手拿著貼有紅心貼紙的信封，頭微側著望向我們，表現出收到情書的欣喜與羞澀之情，身旁伴著灑有金色的阿拉伯數字12。「少女成長」系列是禮品市場中相當具有紀念意義深受歡迎且永不過時的題材，對於每個女孩來說，是紀念女孩生命旅程中每個階段的珍貴禮物。\r\n 綜合產品底部模糊的蓋印以及典藏著錄等相關訊息顯示，這是一件Kelvin版權所有，1977年授權臺灣丸利陶瓷公司製造的產品。臺日合資的丸利陶瓷為苗栗地區裝飾陶瓷產業的先鋒之一，完整轉移日本母公司的製程管理，已精良的技術、品管著稱，因此在廣大的歐美禮品市場，佔有中高價為區段。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326116","MainTitle":"少女成長系列：十三歲/擦口紅","Creator":"設計者：Kelvin
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"9.5×7.5×12.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件給十三歲女孩紀念她人生第十三年的裝飾陶瓷紀念禮物。已流露少女氣息的金髮女孩梳著高高的馬尾髮型，穿著繫有圍裙的蓬蓬裙洋裝，左手持著精緻的手持梳妝鏡，右手正拿著唇膏，顯示正在畫口紅的上妝瞬間，儀態十分嬌俏，綠色裙邊伴著飾有金色花紋的阿拉伯數字13。「少女成長」系列是禮品市場中相當具有紀念意義深受歡迎且永不過時的題材，對於每個女孩來說，是紀念女孩生命旅程中每個階段的珍貴禮物。\r\n 綜合產品底部的貼紙以及典藏著錄等相關訊息顯示，這是一件Kelvin's品牌的原創獨家設計產品，於美國專利商標局登記，1978年授權臺灣丸利陶瓷公司製造，產品編號B-928。臺日合資的丸利陶瓷為苗栗地區裝飾陶瓷產業的先鋒之一，完整轉移日本母公司的製程管理，已精良的技術、品管著稱，因此在廣大的歐美禮品市場，佔有中高價為區段。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326117","MainTitle":"少女成長系列：十四歲/電話","Creator":"設計者：Kelvin
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"9.5×7.2×12.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件給十四歲女孩紀念她人生第十四年的裝飾陶瓷紀念禮物。已長成少女般亭亭玉立的紅髮女孩梳著高高髮髻，穿著蓬蓬裙洋裝，繫著飾有花朵的白色圍裙，雙手正持著老式電話機，表現專注地講電話的時刻，紅色裙邊伴著飾有金色花紋的阿拉伯數字14。「少女成長」系列是禮品市場中相當具有紀念意義深受歡迎且永不過時的題材，對於每個女孩來說，是紀念女孩生命旅程中每個階段的珍貴禮物。\r\n 綜合產品底部的貼紙以及典藏著錄等相關訊息顯示，這是一件Kelvin's品牌的原創獨家設計產品，於美國專利商標局登記，1978年授權臺灣丸利陶瓷公司製造，產品編號B-927。臺日合資的丸利陶瓷為苗栗地區裝飾陶瓷產業的先鋒之一，完整轉移日本母公司的製程管理，已精良的技術、品管著稱，因此在廣大的歐美禮品市場，佔有中高價為區段。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326118","MainTitle":"少女成長系列：十五歲/禮物","Creator":"設計者：Kelvin
其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"10×8×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件給十五歲女孩紀念她人生第十五年的裝飾陶瓷紀念禮物。已亭亭玉立的少女有著黑色微捲短髮，穿著蓬蓬裙洋裝，繫著飾有花朵的白色圍裙，肩上披垂著一條大紅金色紋飾的披肩，雙手正捧著一件綠色緞帶包紮的禮物，粉紅色裙邊伴著飾有金色花紋的阿拉伯數字15。「少女成長」系列是禮品市場中相當具有紀念意義深受歡迎且永不過時的題材，對於每個女孩來說，是紀念女孩生命旅程中每個階段的珍貴禮物。\r\n 綜合產品底部的貼紙以及典藏著錄等相關訊息顯示，這是一件Kelvin's品牌的原創獨家設計產品，於美國專利商標局登記，1978年授權臺灣丸利陶瓷公司製造的產品。臺日合資的丸利陶瓷為苗栗地區裝飾陶瓷產業的先鋒之一，完整轉移日本母公司的製程管理，已精良的技術、品管著稱，因此在廣大的歐美禮品市場，佔有中高價為區段。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326119","MainTitle":"少女成長系列：十六歲/提籃","Creator":"設計者：Kelvin
其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"11.2×10×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件給十六歲女孩紀念她人生第十六年的裝飾陶瓷紀念禮物。已長成亭亭玉立少女體態的紅短髮女孩，穿著繫有圍裙的蓬蓬裙洋裝，雙手拎著一籃花朵，微微側偏的身姿體態與表情十分嬌俏，頌揚著女孩如花似玉的美好時光，淡紫色裙邊伴著飾有金色花紋的阿拉伯數字16。「少女成長」系列是禮品市場中相當具有紀念意義深受歡迎且永不過時的題材，對於每個女孩來說，是紀念女孩生命旅程中每個階段的珍貴禮物。\r\n 綜合產品底部的貼紙以及典藏著錄等相關訊息顯示，這是一件Kelvin's品牌的原創獨家設計產品，於美國專利商標局登記，1978年授權臺灣丸利陶瓷公司製造，產品編號B-922。臺日合資的丸利陶瓷為苗栗地區裝飾陶瓷產業的先鋒之一，完整轉移日本母公司的製程管理，已精良的技術、品管著稱，因此在廣大的歐美禮品市場，佔有中高價為區段。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326120","MainTitle":"好萊塢諧星哈台","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"13.5×11.5×32","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主角是1920-1940年代黑白無聲電影時期，美國好萊塢電影著名的諧星之一哈台(Oliver Hardy)。他常與勞萊(Stan Laurel)搭檔，出演許多喜劇，娛樂世人。他們的長相一個高瘦，一個矮胖，常被合稱為「勞萊與哈台」，在臺灣又被稱為「王哥與枊哥」。他們身材的對比成為一種有趣的話題，而優異的演技使他們成為紅極一時的名星。哈台的身材肥胖，頭上戴著黑色的高禮帽，穿著白襯衫，打著藍領結，紅背心，和全套的西裝，左邊領子上別一個標簽，腳上是一雙黑皮鞋，全身中規中矩的紳士打扮。他的左手提著長方形的行李箱，一副要去旅遊的樣子；右手上舉摸著帽緣，滿臉笑容，在向觀者打招呼。\r\n 作品造型單純，顏色也不太複雜，大都用顏料平塗，只在器表塗上黑油後再擦拭，做出凹線的陰影效果。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326121","MainTitle":"花豹","Creator":"丸利陶瓷公司","CreatedYear":"1980","Size":"17×10.5×21","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326122","MainTitle":"羅密歐向茱麗葉求婚","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"17×10.5×27","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 作品取材自英國文豪莎士比亞(William Shakespeare, 1564-1616)的名劇《羅密歐與茱麗葉(Romeo and Juliet)》。兩位主角都有一頭金髮，長相男的英俊瀟灑，女的婉約秀美。羅密歐沒有戴帽，身穿白衣白褲，淺藍綠色的無袖短外套，腰間繫著金色的皮帶，佩著一把匕首。他單腳高跪，雙手前舉，牽著茱麗葉的雙手，眼睛注視著她，向他求婚。茱麗葉站在對面，頭上戴著無邊的圓帽，穿著低胸連身的粉紅色服裝，兩隻大眼睛含情脈脈地望著羅密歐，雙手伸出接受羅密歐的求婚。身旁是室內的短牆，上面飾有三朵粉紅色的攀藤玫瑰花。服飾與室內裝潢都說明他們是貴族世家。\r\n 作品描繪得很細緻，肌膚好像吹彈可破，服飾的縐褶轉折圓順，服飾的紋飾刻畫精緻。全器的色彩用得十分和諧而淡雅，充滿浪漫的氣氛，製作相當精美。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326123","MainTitle":"洛可可時尚持傘少女","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件手工彩繪的裝飾陶瓷雕像，表現一位身穿華麗服飾，撐著傘的女子，這位女性的服飾帶有歐洲洛可可時尚特色。洛可可風格的女性服飾，有大量蕾絲和荷葉花邊運用在袖口、領口和裙身，緊身上衣有著大開領，搭配多層次蛋糕裙的剪裁，更顯仕女身姿曲線的纖細曼妙，篷大的裙子沿襲巴洛克時代最外層開叉撐開的手法，增加裙面豐富的層次感，布面小花草紋樣的點綴，烘托女性甜美氣質，連同戶外活動使用的遮陽陽傘，也使用蕾絲和荷邊滾邊裝飾，整體在在凸顯女性纖柔的裝飾美感。\r\n 底部有MR的刻痕，是丸利陶瓷的商標。典藏登錄紀載，這件細瓷雕像是1981年由丸利陶瓷所生產。裝飾陶瓷產業在臺灣興盛於1970、80年代，屬代工製造，從這件作品的作工細節，反映丸利製造的純熟技術和精良品管。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326124","MainTitle":"洋娃娃系列：花籃/褐髮","Creator":"設計者：Kelvin
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"11.5×9.2×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件以骨瓷注漿成形後再彩繪窯燒的裝飾陶瓷產品，表現一位盛裝戴帽挽著花籃的捲髮女孩，衣裝色調以白和嫩黃色調為主，營造純潔溫柔的高雅感。女孩的捲髮一條條一縷縷表現，以淺浮雕花紋呈顯的荷葉邊的大圓軟帽、披肩與裙身裝飾，表現出蕾絲製品的精緻質感，花籃的編紋與花朵，也細膩刻畫和捏塑出來，五官的細緻描繪連下睫毛也一一繪出，名符其實為給收藏家珍藏的珍品。\r\n 綜合產品掛牌標籤與底部的貼紙、蓋印相關訊息顯示，這是一件Kelvin's品牌的原創獨家設計―「收藏家」系列產品，於美國專利商標局登記，授權MR（丸利陶瓷公司）製造，1982年於臺灣中華民國生產，產品編號為B-981。從這件如同藝術品般的產品可見臺日合資的丸利公司其技術與品管的精良，故可在競爭激烈的產業中，贏得歐美裝飾陶瓷禮品市場的中高價區段。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326125","MainTitle":"洋娃娃系列：花籃/紅髮","Creator":"設計者：Kelvin
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"11.5×9.2×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件以骨瓷注漿成形後再彩繪窯燒的裝飾陶瓷產品，表現一位盛裝戴帽挽著花籃的捲髮女孩，衣裝色調以白和粉紅色調為主，營造純潔溫柔的高雅感。女孩的捲髮一條條一縷縷表現，以淺浮雕花紋呈顯的荷葉邊的大圓軟帽、披肩與裙身裝飾，表現出蕾絲製品的精緻質感，花籃的編紋與花朵，也細膩刻畫和捏塑出來，五官的細緻描繪連下睫毛也一一繪出，名符其實為給收藏家珍藏的珍品。\r\n 綜合產品掛牌標籤與底部的貼紙、蓋印相關訊息顯示，這是一件Kelvin's品牌的原創獨家設計―「收藏家」系列產品，於美國專利商標局登記，授權MR（丸利陶瓷公司）製造，1982年於臺灣中華民國生產，產品編號為B-982。從這件如同藝術品般的產品可見臺日合資的丸利公司其技術與品管的精良，故可在競爭激烈的產業中，贏得歐美裝飾陶瓷禮品市場的中高價區段。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326126","MainTitle":"洋娃娃系列：坐姿/紅髮","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"11×11×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件裝飾陶瓷產品，表現一位戴帽盛裝呈現坐姿的捲髮洋娃娃，穿著粉紅色與白色調為主的洋裝，搭配紅髮色，營造純真活潑的可愛感覺。女孩的捲髮細緻地以一條條一縷縷製作，有著淺浮雕花紋的荷葉邊大圓軟帽、洋裝裝飾，表現出點綴了蕾絲製品的精緻質感，配件的緞帶與花飾，也細膩刻畫和捏塑出來，五官的細緻描繪連下睫毛也一一繪出，是件值得收藏家珍藏的珍品。。\r\n 產品底部的貼紙和蓋印相關訊息，以及典藏登錄記載顯示，這是一件MR（丸利陶瓷公司）1982年正式上線製造前的打樣品，編號為B-983。從這件如同藝術品般的產品可見臺日合資的丸利公司其技術與品管的精良，故可在競爭激烈的產業中，贏得歐美裝飾陶瓷禮品市場的中高價區段。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326127","MainTitle":"洋娃娃系列：坐姿/黃髮","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"11×11×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件裝飾陶瓷產品，表現一位戴帽盛裝呈現坐姿的捲髮洋娃娃，穿著嫩黃色與白色調為主的洋裝，搭配紅髮色，營造純真活潑的可愛感覺。女孩的捲髮細緻地以一條條一縷縷製作，有著淺浮雕花紋的荷葉邊大圓軟帽、洋裝裝飾，表現出點綴了蕾絲製品的精緻質感，配件的緞帶與花飾，也細膩刻畫和捏塑出來，五官的細緻描繪連下睫毛也一一繪出，是件值得收藏家珍藏的珍品。\r\n 產品底部的貼紙和蓋印相關訊息，以及典藏登錄記載顯示，這是一件MR（丸利陶瓷公司）1982年正式上線製造前的打樣品，編號為B-984。從這件如同藝術品般的產品可見臺日合資的丸利公司其技術與品管的精良，故可在競爭激烈的產業中，贏得歐美裝飾陶瓷禮品市場的中高價區段。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326128","MainTitle":"新郎（音）","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"10×10×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326129","MainTitle":"新娘（音）","Creator":"丸利陶瓷公司","CreatedYear":"1979","Size":"10×10×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326130","MainTitle":"獨角獸系列：/聖誕樹與獨角獸（音）","Creator":"丸利陶瓷公司","CreatedYear":"1983","Size":"10.5×10.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326131","MainTitle":"獨角獸系列：/聖誕葉頸環（音）","Creator":"丸利陶瓷公司","CreatedYear":"1982","Size":"9.5×9.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326132","MainTitle":"歡樂假期","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"8×8×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。本件為男孩和女孩帶著厚毛帽，坐在雪橇上，在冰雪寒冬中彼此依偎，一起度過歡樂假期。本件作品除了擺飾外，還可以當作音樂盒，檯座高起為放置音樂裝置之處。旁邊貼著「Love is…Happy Holidays」的字條，為本件作品之主題名稱。 \r\n底部貼著「SAMPLE NOT FOR SALE JAPAN」字樣的貼紙，表示為日本製樣品勿售。「Love is…」系列是紐西蘭畫家Kim創作的漫畫。內容源於Kim為她的未婚夫Roberto Casali畫的一系列愛的留言。他們在1960年代末以小畫冊的形式出版，1970年刊登在報紙上。1970年中期是「Love is...」系列漫畫的鼎盛時期。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326133","MainTitle":"結婚週年的華爾滋","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"8×8×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。本件為男主角和女主角分別身穿黑色西裝及白色禮服，正跳著華爾滋，慶祝他們的結婚週年紀念日。底座檯邊寫著「Love is…an anniversary waltz」的字樣，為本件作品之主題名稱。本件作品為音樂盒，高起的底座為放置音樂裝置之處。\r\n「Love is…」系列是紐西蘭畫家Kim 1960年代創作的漫畫。這些內容源於Kim為她的未婚夫Roberto Casali畫的一系列愛的留言。他們一開始以小畫冊的形式出版，並於1970年刊登在報紙上。1970年中期為「Love is...」系列漫畫的鼎盛時期。此系列的作品皆以「Love is...」作為開頭，後面寫的則是作品的主題名稱。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326134","MainTitle":"愛無所不在","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"8×8×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。本件為女孩坐在地球上，臉上洋溢笑容，似乎想傳達愛不應該只侷限於某一處，而是應該存在於世界上的每一個角落。底座檯邊寫著「Love is…everywhere」的字樣，為本件作品之主題，此為樣品，故還未完成字體貼花。本件作品設計成音樂盒，其高起的底座為放置機械裝置之處。此件的底部沒有印上作品商標，僅於底座檯旁貼著寫「SAMPLE NOT FOR SALE JAPAN 550-003」字樣的貼紙，表示日本製樣品，勿售，以及樣品編號。\r\n「Love is…」系列是紐西蘭畫家Kim 1960年代創作的漫畫。源於Kim為她的未婚夫Roberto Casali畫的一系列愛的留言。1960年代末以小畫冊的形式出版，1970年刊登在報紙上。在1970年代中期，是「Love is...」系列漫畫的鼎盛時期。此系列的作品皆以「Love is...」作為開頭，後面寫的則是作品的主題名稱。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326135","MainTitle":"共度聖誕（音樂盒）","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1970","Size":"8×8×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。男孩和女孩穿著聖誕老公公的服裝，手勾著手，一起度過充滿愛的聖誕節，底座檯邊寫著「Love is…a Merry Christmas」的字樣，為本件作品之主題名稱。本件作品與編號2003-09-029造型同款，檯座改為音樂盒，高起的底座為放置音樂裝置之處。紅色為陶瓷專用漆，腰帶採用金水繪製，呈現金屬的質感。此件底部沒有印上商標。\r\n「Love is…」系列是紐西蘭畫家Kim 1960年代創作的漫畫。源於Kim為她的未婚夫Roberto Casali畫的一系列愛的留言。1960年代末以小畫冊的形式出版，1970年刊登在報紙上。在1970年代初期到中期，是「Love is...」系列漫畫的鼎盛時期。此系列的作品皆以「Love is...」作為開頭，後面寫的則是作品的主題名稱。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326136","MainTitle":"幸運（音樂盒）","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"8×8×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。男孩和女孩手牽著手，臉上洋溢著笑容，飄落的幸運草圍繞身旁，似乎幸運之神眷顧著彼此。本件作品與編號2003-09-030造型同款，檯座改為音樂盒，但底座檯邊並沒有「Love is…lucky」的字樣，高起的底座為放置音樂裝置之處。檯座邊貼著寫「SAMPLE NOT FOR SALE JAPAN」(樣品勿售 日本)字樣的貼紙。此為樣品，尚未完成字體貼花。\r\n「Love is…」系列是紐西蘭畫家Kim創作的漫畫。內容源於Kim為她的未婚夫Roberto Casali所畫的一系列愛的留言。1960年代末以小畫冊的形式出版，1970年刊登在報紙上。到了1970年代中期，是「Love is...」系列漫畫的鼎盛時期。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326137","MainTitle":"愛就是和你一起-打高爾夫球（音樂盒）","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"8×8×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。本件中女孩拿著高爾夫球桿，男孩正在教她如何打高爾夫球，傳達兩個人有共同運動嗜好，是一件美好幸福的事。底座檯邊寫著「Love is…a twosome」的主題名稱。與編號2003-09-037為同款，檯座改為可以放置裝置之音樂盒。\r\n此件的底部沒有印上作品商標。「Love is...」系列是紐西蘭畫家Kim 1960年代創作的漫畫。這些內容源於Kim為她的未婚夫Roberto Casali畫的一系列愛的留言。1960年代末以小畫冊的形式出版，1970年刊登在報紙上。在1970年代中期，是「Love is...」系列漫畫的鼎盛時期。此系列的作品皆以「Love is...」作為開頭，後面寫的則是作品的主題名稱。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326138","MainTitle":"我愛貓咪","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"8×8×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。女孩抱著小貓咪，她輕輕地撫摸著牠，似乎正為小貓咪帶給她的溫暖而感到窩心。底座檯邊寫著「Love is…a warm kitty」之主題名稱。本件為尚未完成的音樂盒，高起的底座為放置音樂裝置之處。\r\n此件的底部沒有印上作品商標。「Love is…」系列是紐西蘭畫家Kim 1960年代創作的漫畫。這些內容源於Kim為她的未婚夫Roberto Casali畫的一系列愛的留言。在1960年代末以小畫冊的形式出版，1970年刊登在報紙上。1970年代中期是「Love is...」系列漫畫的鼎盛時期。此系列的作品皆以「Love is...」作為開頭，後面寫的則是作品的主題名稱。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326139","MainTitle":"生日驚喜","Creator":"設計者：Kim Casali
其他-品牌商：United Feature Syndicate, Inc
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"8×8×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本丸利陶瓷公司委託臺灣分公司製作的「Love is…」系列產品之一。女孩盛裝打扮，似乎正在等待一場生日party的驚喜。底座檯邊寫著「Love is…a birthday surprise」的字樣，為本件作品之主題。本件作品為音樂盒，高起的底座為放置音樂裝置之處。\r\n此件的底部沒有印上作品商標。「Love is…」系列是紐西蘭畫家Kim 1960年代創作的漫畫。內容源於Kim為她的未婚夫Roberto Casali畫的一系列愛的留言。在1960年代末以小畫冊的形式出版，1970年刊登在報紙上。1970年代中期是「Love is...」系列漫畫的鼎盛時期。此系列的作品皆以「Love is...」作為開頭，後面寫的則是作品的主題名稱。\r\n「臺灣丸利陶器股份公司」是1969年由臺、日股東合資成立，為當時臺灣規模最大的裝飾陶瓷生產業者，產品皆外銷。品管嚴謹、員工訓練紮實，是當時業界的翹楚。(詮釋委員:鄧淑慧)","ImageUrl":""}
,{"Identifier":"200326140","MainTitle":"兩位老朋友一起釣魚","Creator":"設計者：Norman Rockwell
其他-品牌商：Brown & Bigelow
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"10.8×8×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一胖一瘦的兩位老人在一起釣魚的情景。他們背靠背地坐在木頭架起來的凳子上，較胖的老人戴著遮陽草帽，左肩吊掛著一個小魚箱，穿著短運動衫和長褲。他的頭髮稀疏，滿臉皺紋，嘴上叼著菸斗，雙手握著釣竿釣魚。他低著頭，眼皮下垂，精神顯得不濟。他背後的老人穿著灰綠色服飾，頭髮發白，面容消瘦，雙握著釣竿，嘴巴微張，也是一臉疲態。兩人身旁趴著的是一隻也累翻了的小狗。兩個老朋友相約垂釣，只能默默地相伴，能談話的題材已經不多，把老人退休後的生活與心境表現得很傳神。\r\n 釣竿、魚線與釣鉤用黏土製作十分困難，因此業者在坏體燒製完成後，以實物的配件組合上去，既克服了技術上的困難，又更具有寫實的情境，是一種複合材料的應用。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326141","MainTitle":"兩位老朋友偷泳之後","Creator":"設計者：Norman Rockwell
其他-品牌商：Brown & Bigelow
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"10.5×7.8×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主角是兩位一胖一瘦的老朋友。較胖的一位頭髮稀疏，國字臉，小眼睛直視前方，嘴巴緊閉。他穿著一件無袖的白色背心，深藍色的短褲，打著赤腳。手上拿著衣物和皮鞋，高抬右腳，迅速跑路。另一個較瘦小的老人滿臉白髮，穿著紅條紋的白色T恤，淺灰藍色短牛仔褲，肩上背著小布包，手上也拿著衣物和鞋子，一臉很緊張地一面往後看，一面迅速跑路。他的左邊也有一雙小狗，跟著兩人快速地跑走。兩人一副狼狽相，從他們身旁的告示牌才知道，這裡是禁止游泳的地方。顯然兩人是不顧禁令偷偷下水游泳，被人發現追趕後，匆匆拿起衣物逃離現場的尷尬場面，看了令人忍不住發笑。\r\n 作品描繪退休老頑童因為生活無聊而相約去尋找刺激，從中也可以看到西方人的幽默感。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326142","MainTitle":"老朋友爭辯投票問題","Creator":"設計者：Norman Rockwell
其他-品牌商：Brown & Bigelow
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"11.5×6.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 作品主角是兩位年長的老朋友。兩人一胖一瘦，較瘦的一位戴著黑色寬邊圓頂帽，頭髮和眉毛都已變白。他的服裝很正式，西裝革履，打領帶，一付典型的紳士。他的雙手交叉緊抱在胸前，手上拿著一捲印有文字的紙張，兩眼睜大，嘴巴緊閉，一臉態度嚴肅而堅定，無動於衷的表情。較胖的老人身上穿著襯衫，外加橘紅色格子紋的休閒服，下身穿著西裝褲。他的上身前傾，面向瘦老人，右手也拿著一份紙張。他的左手搭著對方的肩膀，湊在耳旁，張開嘴巴，滔滔不絕地說話。他們的身旁坐著一隻小狗，還有一個告示牌，説明投票的地方。暗示著兩人在激辯著選舉的敏感政治問題。從他們的表情看來，這兩位老朋友心目中支持的候選人顯然不同，但仍不失其長年的友誼。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326143","MainTitle":"爭辯中的老朋友","Creator":"設計者：Norman Rockwell
其他-品牌商：Brown & Bigelow
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"13.5×12×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 作品改製自1956年Norman Rockwell的原創，標題是「無盡的爭論(Endless Debate)」。主角是兩個年紀大的老朋友，左邊的老者一頭白髮，臉型清瘦，脖子繞著橙黃相間的大圍巾，穿著毛大衣，坐在搖椅上，地上放著他的帽子和雨傘。他的右膝上放著一本書，右手擱在書本上，身體前傾，高舉左手，睜大雙眼，張開嘴巴，激動地和老朋友辯論。較胖的老者穿著橘黃色休閒衫，加上深綠色的夾克，坐在矮凳上。他彎著身體，右手拿著一本有關棒球的書籍，雙手抱在胸前，身體向前傾，縮著脖子，嘴角叼著菸斗，一臉不屑，面向觀者，理都不理他的瘦朋友，兩人的表情形成強烈的對比。他的旁邊臥著一隻寵物狗，靜靜地聽兩個老人家在爭辯。藝術家很幽默地把兩個老人家的個性生動地傳達出來。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326144","MainTitle":"父子一起打高爾夫球","Creator":"設計者：Norman Rockwell
其他-品牌商：Brown & Bigelow
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"11.5×7.8×14.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主角是兩位父子，他們站在長著青草的球場上，一起在打高爾夫球。中年的父親穿著運動衫和長褲，他戴著眼鏡，看著遠方的目標，轉身向右，雙手拿著球揮桿打球。男孩子戴著橘色棒球帽，黃橙色短袖運動衫，黑色短褲。他跪坐在地上，臉上帶著笑容，一副健康活潑的樣子。他的右手摸著身旁放在地上的球桿袋，靜靜地陪著父親打球。作品傳達了美國社會追求健康活潑以及家庭倫理的傳統價值觀，很能夠引起觀者的共鳴。\r\n 細長的球桿如果使用黏土製作，不容易用石膏模具成形，即使做出來了，也很容易斷裂，因此以金屬代替，較為簡易，成為一種複合媒材的表現。器座上印有Norman Rockwell的名款，説明原創者。器底貼有標簽，説明是來自日本丸利母公司的樣品，作為作業的依據。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326145","MainTitle":"老中青三代共同欣賞運動比賽","Creator":"設計者：Norman Rockwell
其他-品牌商：Brown & Bigelow
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"8×8.5×14.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪老中青三代一起觀賞運動比賽的情景。中年男子頭戴頂部凹陷的黑色寬邊費多拉帽，脖子上圍著綠色格子紋圍巾，灰色大翻領外套，西裝褲與黑皮鞋。他坐在高背的椅子上，左手拿著三角旗，眼睛直視前方，表情嚴肅而認真。他的右後方站著的是年紀較大的男士，也戴著橙黃色的費多拉帽，褐色皮大衣，左手扶著椅背，右手直指前方。他戴著眼鏡，開心地笑著。左後方是一個男童，穿著皮夾克，爬到椅背上，身體前傾，左手拿著三角旗，表情十分興奮。三個人都在為自己喜歡的隊伍加油。\r\n 整個場景應該還有前方正在進行的比賽，藝術家只取一部分的場景，以人物的動作與表情暗示著賽事的激烈進行，給予觀者很大的想像空間。兩面三角旗用瓷土製作不易，因而以實物代替。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326146","MainTitle":"父親指導兒子功課","Creator":"設計者：Norman Rockwell
其他-品牌商：Brown & Bigelow
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"13×7×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品是從家庭生活中取材。主題是一個年輕的父親正在指導他的兒子做功課。他們都坐在紅色的椅子上，前面有一張書桌，上面有一個檯燈。父親穿著白襯衫，套著一件藍綠色長袖毛衣和深藍色長褲。左手托著頭，右手拿著筆，很認真地正在解讀書上的內容。對面坐的少年也穿著同樣的毛衣，淺褐色長褲，雙腳跪坐在椅子上，身體前傾，頭往前伸，兩隻手肘撐在桌上的書本，很認真地看著父親為他解題。原設計出自插畫家Norman Rookwell，屬於「四季」系列作品之一。\r\n 這種雕塑性的西洋玩偶以陶瓷作為材料，相較於石雕與銅雕等媒材有許多優點。它的材料便宜，可以大量生產，成本低廉。它是空心的，重量很輕，容易移動。它可以著色，使作品更加寫實與美觀，因而能夠普及於廣大的社會各階層，成為歐美家庭生活中常見的室內裝飾品。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326147","MainTitle":"人物音樂鈴系列：熊服","Creator":"","CreatedYear":"1984","Size":"8.5×8.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326148","MainTitle":"人物音樂鈴系列：兔服","Creator":"","CreatedYear":"1984","Size":"8.5×8.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326149","MainTitle":"人物音樂鈴系列：犬服","Creator":"","CreatedYear":"1984","Size":"8.5×8.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326150","MainTitle":"人物音樂鈴系列：貓服","Creator":"","CreatedYear":"1984","Size":"8.5×8.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326151","MainTitle":"人物音樂鈴系列：鼠服","Creator":"","CreatedYear":"1984","Size":"8.5×8.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326152","MainTitle":"人物音樂鈴系列：心形蛋糕/結婚","Creator":"","CreatedYear":"1982","Size":"9×9×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326153","MainTitle":"人物音樂鈴系列：小丑/坐姿","Creator":"","CreatedYear":"1984","Size":"8.5×8.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326154","MainTitle":"人物音樂鈴系列：小丑/立姿","Creator":"","CreatedYear":"1984","Size":"8.5×8.5×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326155","MainTitle":"男/信箱&持信","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"10.5×7.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 苗栗的西洋玩偶與同時期鶯歌的仿古花瓶呈現完全不同的藝術風格。仿古花瓶強調的是二度空間的繪畫性；西洋玩偶強調的是亖度空間的雕塑性。尤其是寫實性的雕塑風格在臺灣的陶瓷史上是少見的，成為一種新的藝術陶瓷。\r\n 這件作品的構造較為複雜，由少年、信箱與小狗三部分所組成。長方形的信箱架在樹幹上面，箱門已經開啟。樹幹底下為一片草地，有蔓藤攀附在樹幹上，長了許多花朵。少年身穿白襯衫，套著一件連身的工作服，腳上穿著一雙拖鞋。他的左手攀著信箱，右手拿著信件，兩眼注視著，認真地讀信。身旁一隻小狗，後肢站立地靠著他，顯得十分親密的樣子。狗象徵著忠誠，暗示著少年讀的是女朋友寄來的情書。整個作品造型寫實，色彩豐富而鮮明，和色彩清淡與漫畫式表現的作品表現不同。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326156","MainTitle":"女/繪畫&付貓","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"10.5×7.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶常從日常生活中取材，人物中的兒童與青少年是常見的題材。這件作品即以女童生活為表現題材。作品以大地為基座，上面長滿綠油油的花草。一位女童坐在方凳上，面對畫架寫生畫圖，一隻小貓在前面陪伴她。女童一頭長長的金髮，梳成長長的馬尾辮，頭上戴著軟質扁平無簷的畫家帽。她身穿白襯衫，橘色的寬鬆連身短裙，罩著長袖藍色外套，腳上穿著短筒鞋，顯得朝氣蓬勃。她的前面擺著一個畫架，掛著圖畫紙，擺著幾罐顏料。她右手拿著水彩筆，神情專注地在畫紙上畫圖。\r\n這件作品造型較為複雜，要分成好幾個零件分別鑄造後，再加以組合。色彩也較豐富，採用輸送帶式的程序，分別由不同的畫師彩繪不同的顏色，才完成整件作品。\r\n 器底有「SAMPLE NOT FOR SALE JAPAN」等字樣，說明它是來自日本的樣品。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326157","MainTitle":"獨角獸系列：相框/1歲","Creator":"","CreatedYear":"1983","Size":"10×5.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326158","MainTitle":"獨角獸系列：相框/2歲","Creator":"","CreatedYear":"1983","Size":"10×5.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326159","MainTitle":"獨角獸系列：相框/3歲","Creator":"","CreatedYear":"1983","Size":"10×5.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326160","MainTitle":"獨角獸系列：相框/4歲","Creator":"","CreatedYear":"1983","Size":"10×5.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326161","MainTitle":"獨角獸系列：相框/5歲","Creator":"","CreatedYear":"1983","Size":"10×5.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326162","MainTitle":"獨角獸系列：相框/6歲","Creator":"","CreatedYear":"1983","Size":"10×5.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326163","MainTitle":"獨角獸系列：蝶付/相框","Creator":"","CreatedYear":"1982","Size":"10×5.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326164","MainTitle":"持杖教宗（大主教）","Creator":"其他-品牌商：Roman, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1979","Size":"5×3.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326164〈持杖教宗（大主教）〉是一件豪華版寫實意象的裝飾陶瓷，主要在描述教宗（大主教）的盛裝威嚴，頭上所戴的三重冕象徵教宗之訓悔、聖化及治理等三項職權；左手握持神杖表示威權，右手指尖朝上、手掌面朝前，表示對神職的崇敬與對子民的親近之意。作者充分發揮想像力與雕塑長才，將教宗（大主教）以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對基督教的理解與親和力。整體作品先於素坏表面噴上透明釉燒過一遍，然後才以釉上彩技法畫上眼睛、眉毛及其它部位的著色，包括塗上金水的部分，再次進窯以低溫燒烤，讓釉彩定著。\r\n 在一般基督宗教的主流教會，主教被指為耶穌基督派遣使徒繼續實行祂的使命，到了第一世紀末至第二世紀初形成了主教的制度。公元五到十五世紀，由於聖經尚未普及，對聖經的解釋都由各地方的主教擔任，主教的權威甚至高於聖經的權威，同時基督教信仰也在這時期控制整個西方世界，羅馬教會有了教廷的稱呼，羅馬主教也有了「教宗」的稱呼，即為「大主教」，其影響力及影響範圍甚至超過政權，政權的執政者也都受教宗的加冕，教宗可以從各地教會獲得捐稅，掌握神職人員的任用以及教會司法權。主教是基督宗教的高級聖職人員職稱，為教會中的牧人及管理者，也是教義的導師及聖職敬禮的司祭。\r\n 以上宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326165","MainTitle":"抱羊牧羊人","Creator":"其他-品牌商：Roman, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1979","Size":"8×6.5×12.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326165〈抱羊牧羊人〉主要是在描述聖經故事裏，耶穌誕生當天牧羊人依照天使的指示，前往大衛的城伯利恆附近之馬廄朝拜聖嬰。作品造型採坐姿設計，狀極安詳、虔誠，人物及服飾搭配符合當地人文情境，加上手持牧羊杖、懷抱可愛小羊，身分表徵十足；創作的接受對象屬於成年人的豪華版。作者之雕塑表現極為細膩，富刀法的筆觸質感加上彩繪之層次感表現，藝術性甚高。\r\n 作品創作依據《新約聖經》中的《路加福音》第二章第8~20節之故事情節「天使報喜信給牧羊的人」。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326166","MainTitle":"木匠約瑟","Creator":"其他-品牌商：Roman, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6×4.5×14.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326166〈木匠約瑟〉，主要是在描述木匠約瑟與聖經故事裡的聖母馬利亞及聖嬰耶穌有密切關聯性，約瑟與馬利亞原本訂有婚約，馬利亞蒙恩懷孕後，約瑟遵從神的使者託夢，隨即與馬利亞成婚，成為耶穌的養父。作品造型採立姿，手持鉋刀，著工作服，誠如木匠刨木，身分表徵十足；只是約瑟雖然是在工作中，可是約瑟的目光朝前，並未注視工作中的標的物，似乎是在思索著未婚妻即將生子的事。\r\n 作品創作依據《新約聖經》中的《馬太福音》第一章第18~25節和《路加福音》第二章第4~12節等故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷的表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優雅、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326167","MainTitle":"修道士/聖˙法蘭西斯（St. Francis）","Creator":"其他-品牌商：Roman, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6.5×4.5×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326167〈修道士／聖˙法蘭西斯（St. Francis）〉主要是在描述清廉寡欲、仁民愛物的耶穌會修道士形象。只見身材修長的法蘭西斯全身穿著茶褐色粗布衫，打赤腳，低頭注視手上捧著的小白鴿與身旁的松鼠小動物皆象徵天使。在聖經故事裏，鳥與窮人比較有關係，意即接近平民；此外獻上鴿子或斑鳩，在聖經故事裏的意義代表贖罪。\r\n 從《新約聖經》中的《羅馬書》第十三章第10節「愛是不加害予人的，所以愛就完全了律法。」有關法蘭西斯的故事瞭解，出生於義大利中部的法蘭西斯確有其人（1182~1226）。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優雅、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326168","MainTitle":"馬利亞帶小耶穌","Creator":"其他-品牌商：Roman, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6.5×4.5×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326168〈馬利亞帶小耶穌〉，主要是在描述耶穌小時候，聖母馬利亞煮食物給耶穌吃的生活情境。從畫面中的作品可以看到聖母馬利亞身著鵝黃色連身長衫，外罩長版淡藍色披風，頭頂上披覆著白色頭巾，微微轉頭俯視站在地上左手舉高按在媽媽大腿上的小耶穌，這樣的姿態與親情的流露實在美極了；旁邊有架設好已經升火的爐子，馬利亞手中捧著裝食物的缽正在調理食物。\r\n作品創作依據《新約聖經》中的《馬太福音》第一章第18~25節和《路加福音》第二章第4~16節等故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容，以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優雅、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326169","MainTitle":"耶穌靜坐禱告","Creator":"其他-品牌商：Roman, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6×8.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326169〈耶穌靜坐禱告〉主要是在描述耶穌長大之後，會到曠野中人煙稀少處安靜禱告。耶穌到處傳道的過程，名聲越發傳揚出去，有極多的人聚集來聽道、也指望醫治他們的病，耶穌卻退到曠野去禱告；耶穌告訴他的同伴，他是為傳道來的。圖中的耶穌身著白色長衫，脫下淺紅色外套披在大腿與手臂間，坐在曠野中的石頭上，雙手十指交疊擱置於大腿膝蓋上，閉眼微頷首，神情肅穆專注禱告，背後有一棵枯樹顯而易見處於曠野環境。\r\n 作品創作依據《新約聖經》中的《馬可福音》第一章第35節「到曠野禱告」和《路加福音》第五章第15~16節「耶穌潔淨長大痲瘋的」等故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優雅、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326170","MainTitle":"聖母馬利亞禱告立像","Creator":"其他-品牌商：Roman, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"6×4.5×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326170〈聖母馬利亞禱告立像〉，主要是在描述身著乳白連身長衫，腰繫寬版水藍色腰帶，外罩蓋頭長版披風的聖母馬利亞合掌禱告的虔誠姿態。服飾優雅的穿著打扮與臉部表情，令觀賞者有一種異常清新脫俗之感。\r\n 聖母馬利亞足旁的玫瑰花：聖經中有提到「沙崙的玫瑰」（《雅歌》第二章第1節）。有人解釋說到「我是沙崙的玫瑰花，是谷中的百合花」沙崙是一個平原，是巴勒斯坦由北至南必經之地，土地極為肥沃，遍地長滿了玫瑰花。凡打從沙崙經過的旅客，沒有不被玫瑰花的美麗與香氣所深深吸引。「沙崙玫瑰」所散發的香氣，乃預表基督在世時的工作充滿著馨香氣息，相較一切相信祂的人，在生命中也流露出屬於祂那一份榮美的香氣。\r\n 作品創作依據《新約聖經》中的《馬太福音》第一章第18~25節、《路加福音》第一章第30~35節及《路加福音》第二章第4~7節等故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優雅、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326171","MainTitle":"宗教系列：天使&男孩","Creator":"其他-品牌商：Roman, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"6.5×5.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷雕像，表現一位穿著水藍色睡衣正在睡前虔誠祈禱的小男孩，傍著一位低垂著潔白雙翼身穿聖潔白衣袍的金髮持花天使。天使身形修長優雅，靜靜俯視著男孩，如母親般慈愛，雕像整體色彩柔和，散發安詳平和的氛圍，彷彿上天以溫柔慈愛眷顧庇護著男孩。\r\n 從成品底部RR©1988和MR商標的壓印字樣，以及Roman Taiwan的標籤貼紙得知，這是MR丸利陶瓷公司受美國禮品品牌Roman委託，於臺灣製造生產的裝飾陶瓷雕像，裝飾陶瓷因應歐美國家的禮品文化而生，在臺灣的發展約從1960年代晚期開始，由日本技術轉移而來，採注漿成形釉上彩的方式量產，1970-90年代間為臺灣賺取了豐厚的外匯，其中臺日合資的丸利陶瓷公司，以精良的品質和管理成為這行業中的翹楚，代工中高價位的精品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326172","MainTitle":"宗教系列：天使&女孩","Creator":"其他-品牌商：Roman, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"6.5×5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷雕像，表現一位穿著粉紫色睡袍正在睡前虔誠祈禱的小女孩，傍著一位低垂著潔白雙翼身穿聖潔白衣袍的金髮持花天使。天使身形修長優雅，靜靜俯視著女孩，如母親般慈愛，雕像整體色彩柔和，散發安詳平和的氛圍，彷彿上天以溫柔慈愛眷顧庇護著女孩。\r\n 從成品底部RR©1988和MR商標的壓印字樣，以及RR商標的殘缺標籤貼紙得知，這是MR丸利陶瓷公司受美國禮品品牌Roman委託，於臺灣製造生產的裝飾陶瓷雕像，裝飾陶瓷因應歐美國家的禮品文化而生，在臺灣的發展約從1960年代晚期開始，由日本技術轉移而來，採注漿成形釉上彩的方式量產，1970-90年代間為臺灣賺取了豐厚的外匯，其中臺日合資的丸利陶瓷公司，以精良的品質和管理成為這行業中的翹楚，代工中高價位的精品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326173","MainTitle":"小天使Ⅰ/ Gloria Angel","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6.5×6×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326173〈小天使Ⅰ/ Gloria Angel〉有如一般認知的男孩模樣小天使，是專為小朋友設計的可愛版聖經故事玩偶，主要是在描述長有翅膀能為神傳遞福音訊息的可愛天使。事實上天使沒有男女之分，天使為上帝所造，接受上帝的指示去完成使命，圖中這件作品據推測應該是作者將天使擬人化之後的創意構想，因為有趣而更容易讓小朋友接受。《新約聖經》中的《希伯來書》第一章第14節有這樣的一段記載「天使豈不都是服役的靈、奉差遣為那將要承受救恩的效力嗎？」\r\n 作品創作依據《新約聖經》中的《馬太福音》第一章第18~25節之故事情節進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裡的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優雅、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326174","MainTitle":"小天使Ⅱ/ Gloria Angel","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6.5×6×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326174〈小天使Ⅱ/ Gloria Angel〉有如一般認知的女孩模樣小天使，與典藏作品登錄號200326173一樣，都是專為小朋友設計的可愛版聖經故事玩偶，主要是在描述長有翅膀能為神傳遞福音訊息的可愛天使。事實上天使沒有男女之分，天使為上帝所造，接受上帝的指示去完成使命，圖中這件作品據推測應該是作者將天使擬人化後的創意構想，因為有趣而更容易讓小朋友接受。《新約聖經》中的《希伯來書》第一章第14節有這樣的一段記載「天使豈不都是服役的靈、奉差遣為那將要承受救恩的效力嗎？」\r\n 作品創作依據《新約聖經》中的《馬太福音》第一章第18~25節之故事情節進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裡的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優雅、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326175","MainTitle":"馬大調理食物","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6.5×5.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326175〈馬大（MARTHA）調理食物〉是專為小朋友設計的可愛版聖經故事裝飾陶瓷玩偶，主要描述內容是馬大將耶穌迎到自家，準備調理食物要請耶穌吃。馬大覆蓋頭巾，穿上圍裙，手上拿著裝有食物的缽和木製調羹，加上腳旁的裝水陶瓶，代表她正在忙著做餐，準備招待耶穌；馬大有一位妹妹名為馬利亞，就坐在耶穌跟前聽道，馬大請耶穌要她妹妹也要幫忙做料理，耶穌說馬利亞正選擇聆聽上帝的道，是一種永恆的真理；就是聖經上說的：馬利亞選擇那上好的「福分」，是不能奪去的。\r\n 作品是依據《新約聖經》中的《路加福音》第十章第38~42節「馬大為事忙亂」之故事情節進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優雅、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326176","MainTitle":"波斯王后以斯帖","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6.5×5.5×11.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326176〈波斯王后以斯帖（ESTHER）〉是兒童版的聖經故事裝飾陶瓷，主要在描述《舊約聖經》故事的《以斯帖記》中記載著一位波斯王國王后，她是拯救猶太人的女英雄「以斯帖」。從王后頭上的后冠、身上的披肩、胸前的珠寶裝飾扣件以及下擺有銀灰色寬條圖案的潔白連身裙裝，這些都能顯示王后的貴氣，與身分相符。王后的左手微握拳、食指朝前，具指示之意。\r\n 圖中作品係依據《舊約聖經》中的《以斯帖記》所描述之內容進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326177","MainTitle":"挪亞（NOAH）與羊","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"7×5.5×12.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326177〈挪亞（NOAH）與羊〉是兒童版的聖經故事裝飾陶瓷，主要在描述挪亞在耶和華眼前蒙恩，耶和華命挪亞造方舟，攜帶神所吩咐的指定生物進入方舟躲避洪水，過了一百五十天洪水退了之後，挪亞奉神指示，帶著一對一對的各類牲畜離開方舟；挪亞肩上披著圍巾，顯現興高采烈的樣子，腳邊有兩隻小羊，當然就是一公一母。\r\n 作品創作係依據《舊約聖經》中的《創世紀》第七章第1~24節、第八章第15~19節「挪亞方舟（God remembered Noah and all the beasts …）」之故事情節進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷的表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優雅、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326178","MainTitle":"牧羊人手持餅和魚","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6.5×6×11.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326178〈牧羊人手持餅和魚〉是兒童版聖經的可愛系列，主要在描述耶穌從門徒之一的牧羊人手中所持的大麥餅和魚接過來，分給五千人吃飽的故事。從肩上的斜背布袋（兼具納物和禦寒功能），很容易分辨這是牧羊人的身分，主題的餅和魚都有清楚表達。\r\n 作品創作依據《新約聖經》中的《馬太福音》第十四章第13~21節、《約翰福音》第六章第1~13節、《馬可福音》第六章第30~44節及《路加福音》第九章第10~17節等故事情節進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優雅、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326179","MainTitle":"提燈小天使","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"6.5×6×11.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326179〈提燈小天使〉是可愛版的聖經故事裝飾陶瓷，主要在描述聖經故事裏，天使提燈要照亮坐在黑暗中死蔭裡的人，把我們的腳引到平安的路上。小天使身著白袍，手提燈籠，長著翅膀，可以翱翔於天際，來去自如，為神傳遞訊息；整體造型與彩繪之視覺效果極佳，的確非常可愛。\r\n 作品創作依據《新約聖經》中的《路加福音》第一章第79節之故事情節「預言救恩臨到以色列人」。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326180","MainTitle":"兒童版摩西持十誡","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"7×5.5×11.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326180〈兒童版摩西持十誡〉，是為可愛版的裝飾陶瓷，主要在描述聖經故事裡，摩西身著繫茶色腰帶的淡茶色長衫，外罩白色披肩，雙腳站穩腳趾微露，右手抱持石板書，上刻十條《誡命（總則）》即「十誡」，左手抬高表徵宣達情境；雖然題材內容嚴肅，但是整體視覺效果極為可愛、感人。\r\n 作品創作依據《舊約聖經》中的《出埃及記》第二十章第1~17節之故事紀載。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326181","MainTitle":"埃及公主與嬰兒摩西","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"6.5×7×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326181〈埃及公主與嬰兒摩西〉，這是可愛版的聖經故事裝飾陶瓷，主要在描述聖經故事裡，放流於河邊的摩西，被撿到之後的奇特際遇。從作品上可以分辨出主角的盛裝打扮是為公主身分，盛裝嬰兒的蒲草箱外頭還有樹葉裝飾，站著的公主低頭觀察嬰兒，雙手呈張開狀，顯見其歡欣狀。\r\n 作品創作依據是《舊約聖經》中的《出埃及記》第二章第1~10節：埃及的法老王要殺害希伯來人的男嬰，摩西被裝在抹上石灰和油漆的蒲草箱裡，擱到河邊的蘆荻中，姊姊站在遠處觀察；後來蒲草箱被埃及的公主撿到、帶走，嬰兒摩西就在埃及的皇宮裡長大，很會領軍打仗。\r\n 設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326182","MainTitle":"小耶穌玩木工","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"6.5×6×11.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326182〈小耶穌玩木工〉，主要是在描述聖經故事裡「耶穌的童年」，耶穌小時候玩木工的情境。耶穌的養父約瑟是一位對神虔誠的優秀木匠，從小教導耶穌學習木工以及神的教義。頭戴一頂大呢帽的耶穌，一手舉起鐵鎚，另一手握著大鐵釘，胸前穿圍裙，以站立的姿勢製作木板凳，狀極逼真可愛。\r\n 作品創作依據《聖經》馬太福音13:55~56；馬可福音6：3；路加福音2：40~52 / 4：16；申命記16:15~16等故事情節。作者充分發揮想像力與雕塑長才，將《聖經》裡的故事內容，以裝飾陶瓷的表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造形設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326183","MainTitle":"聖母馬利亞抱耶穌","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"6.5×6×11.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326183〈聖母馬利亞抱耶穌〉是可愛版的聖經故事裝飾陶瓷，主要在描述聖經故事裡，聖母馬利亞抱著在馬廄裡誕生的聖嬰耶穌，低頭含羞狀，散發慈母光輝，整體造型與彩繪之視覺效果感人；因為馬利亞是以色列人，因此披著有藍色線條裝飾的白色頭巾；身著繫有腰帶的褐色長衫，單足微露，益增動感。\r\n 作品依據《新約聖經》中的《馬太福音》第一章第18節和第二章第11節及《路加福音》第二章第1~20節等故事情節進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326184","MainTitle":"約瑟夫（JOSEPH）彩衣牧羊","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"6.5×6×11.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTg0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326184〈約瑟夫（JOSEPH）彩衣牧羊〉，是可愛版的聖經故事裝飾陶瓷，主要在描述聖經故事裏，約瑟夫是他父親雅各的第十一個兒子，因為雅各老年生子，因此特別疼愛約瑟夫，給他做了一件彩衣穿。約瑟夫小時候隨他的哥哥們一同牧羊，因此作者賦予約瑟夫牧羊人的打扮，頭戴呢帽，手持牧羊杖，腳邊有小羊為伴，狀極可愛。\r\n 作品創作依據是《舊約聖經》中的《創世紀》第三十七章第2~3節之故事內容「約瑟夫十七歲時與他哥哥們一同牧羊」、「約瑟夫是老父疼愛的小兒子，給他做了一件彩衣」。設計者Lucas充分發揮想像力與雕塑長才，將聖經裡的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326185","MainTitle":"踏蛇馬利亞","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"6.5×6×11.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326185〈踏蛇馬利亞〉是兒童版聖經的可愛系列，主要是在描述聖母馬利亞頭上披著淡灰藍色的頭巾，身著繫著腰帶的茶色連身長袍，外加有土黃色飾條的白色披肩，整體來看十分可愛。當我們仔細觀察，會發現童貞馬利亞赤腳踏著蛇頭，神色自若；蛇是代表魔鬼撒旦，表示馬利亞已經制服了魔鬼、勝過魔鬼！至於雙手下垂、手掌自然攤開、手心朝外，有祝福衆生的意涵。\r\n 作品創作依據《舊約聖經》中的《創世紀》第三章第13~14節「女人說：那蛇引誘我…」；還有《新約聖經》中的《啟示錄》第十二章第9節、第二十章第2節及《馬太福音》第十六章第23節「預言受難復活降臨」等故事情節，都有提到蛇和撒旦。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優雅、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326186","MainTitle":"船上的耶穌","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"8×6.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTg2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200326186〈船上的耶穌〉是一件可愛版的聖經故事裝飾陶瓷，主要在描述聖經故事裏，耶穌站在加利利的革尼撤勒湖岸的一條船上，對著眾人講道；講完了之後，命漁人將船開到水深之處下網打魚，圈住許多魚，讓兩條船幾乎爆滿，顯現神蹟力量。從圖中可以看出身著土黃色連身長衫，肩上斜披彩紋圍巾，頭戴牧人式呢帽的耶穌，站在象徵性的小木船上，比著手勢對眾人講話，船舷還掛著藍綠色的象徵性漁網，一切皆與故事內容吻合。\r\n 圖中作品係依據《新約聖經》中的《路加福音》第五章第1~3節所描述之故事情節進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326187","MainTitle":"大衛（DAVID）彈豎琴","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"6.5×6×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326187〈大衛（DAVID）彈豎琴〉是可愛版的聖經故事裝飾陶瓷，主要在描述舊約聖經故事裡的大衛，大衛是伯利恆牧羊人耶西的兒子，從小就很有音樂天分，長大以後成為大衛王。設計者賦予作品寫實的表現，身著衣襬飾有灰黑色條紋的白色連身長衫，頭上戴著大呢帽，肩上揹著大布袋，一身牧羊人的典型樣貌；造型上採立姿彈豎琴，身邊有跪坐的小羊相伴彰顯牧羊人身分，狀極可愛。\r\n 作品係依據《舊約聖經》中的《撒母耳記上》第十六章第19節「於是掃羅差遣使者去見耶西，說請你打發你放羊的兒子大衛到我這裏來。」的描述，設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326188","MainTitle":"先知但以理（DANIEL）與獅子","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"6.5×6×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326188〈先知但以理（DANIEL）與獅子〉是可愛版的聖經故事裝飾陶瓷，主要在描述聖經故事裡，但以理因為一日三次雙膝跪在神面前禱告感謝，結果被陷害、誣告、觸犯律例，致大利烏王不得已將其投入獅子坑；翌日王囑人將但以理從獅坑繫上，發現其身上竟毫無傷損，因為信靠他的神。從作品構圖安排的表現，可以看出身著茶色圓領小披肩、下擺有灰綠色寬條紋裝飾的連身白色束腰長衫，頭戴瓜皮帽，善良虔誠有智慧的但以理與可愛的獅子緊靠在一起，充分反映出雙方的互信，出自於對神的虔誠與敬畏。\r\n 作品係依據《舊約聖經》中的《但以理書》第六章第16~23節「王依禁令投之於獅坑蒙主護」之故事情節進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裡的故事內容以裝飾陶瓷的表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326189","MainTitle":"好牧人（GOOD SHEPHERD）與羊","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"7.5×6.5×11.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326189〈好牧人（GOOD SHEPHERD）與羊〉是兒童版的聖經故事裝飾陶瓷，主要在描述伯利恆耶穌誕生地附近野地裏的牧羊人們，聽聞主的使者報喜訊後，結伴前往伯利恆「朝拜聖嬰」，於是神的顯靈被證實。圖片中的牧羊人身著土黃色連身長衫，外罩淡橘色披風，懷抱一隻小羊，腳邊還有一隻成羊陪伴，從整體造型設計與顏色的運用來看，著實非常可愛，理當廣受歡迎，尤其是小朋友們。\r\n 作品創作依據《新約聖經》中的《路加福音》第二章第2~20節「天使報喜信給牧羊的人」和《約翰福音》第十章第11節「我是好牧人，好牧人為羊捨命」等故事情節進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326190","MainTitle":"利百加（REBEKAH）舉壺汲水","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"6.5×6.5×11.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTkw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326190〈利百加（REBEKAH）舉壺汲水〉是可愛版的聖經故事裝飾陶瓷，主要在描述聖經故事裏「以撒物色妻室」，命僕人使駱駝前往美索不達米亞，途經拿鶴的城，趁傍晚時分眾女子出來打水的時候藉機測試女子的情操。首先告訴女子：「請你拿下水瓶來，給我喝水？」，她若說：「請喝！我也給你的駱駝喝。」這樣就會有答案。結果因為內在美德的自然流露，利百加成為被選定的目標，下訂之後利百加隨著僕人回到以撒的家，利百加被以撒領進他母親撒拉的帳棚內完婚。利百加身穿青灰色長衫，頭上披著有邊條裝飾圖紋的白色頭巾，雙手將陶壺舉高扛到肩上，充分顯示好女子的形象，利百加腳邊的羊象徵天使，仰頭注視利百加。\r\n 圖中作品是依據《舊約聖經》中的《創世紀》第二十四章第10~20節中之故事情節「話還沒說完，不料，利百加肩頭上扛著水瓶出來…」進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326191","MainTitle":"聖˙法蘭西斯（St. Francis）與鳥","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"6.5×6×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTkx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326191〈聖˙法蘭西斯（St. Francis）與鳥〉是可愛版的聖經故事裝飾陶瓷，主要是在描述清廉寡欲、仁民愛物的耶穌會修道士。只見法蘭西斯穿著淡茶褐色的粗布衫，以繫繩當腰帶，手上捧著一隻鳥，腳邊還有兩隻，象徵諸天使隨侍。在聖經故事裡，鳥與窮人比較有關係，意即接近平民；此外獻上鴿子或斑鳩，在聖經故事裡的意義代表贖罪。\r\n 創作依據《新約聖經》中的《馬太福音》第十九章第21節「棄財從主（耶穌）」。另外從《羅馬書》第十三章第10節「愛是不加害與人的，所以愛就完全了律法。」有關法蘭西斯的故事，據瞭解出生於義大利中部的法蘭西斯確有其人（1182~1226）。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優雅、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326192","MainTitle":"路得（RUTH）撿拾麥穗","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"6.5×6×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTky","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326192〈路得（RUTH）撿拾麥穗〉是可愛版的聖經故事裝飾陶瓷，主要在描述聖經故事裏有一位摩押女子路得對拿俄米說：「容我往田間去，我蒙誰的恩，就在誰的身後拾取麥穗。」拿俄米說：「女兒啊，妳只管去。」路得跟在使女身後撿拾田間的麥穗，還帶回家孝順婆婆，後來麥田的主人波阿斯娶路得為妻。我們以美感的角度來看作品，路得蒙著白色頭巾，身著麥芽色大衣襟的連身長裙，裙襬和衣襟都有灰黑色的裝飾線條，顯得簡樸高雅，左手持籃裝麥穗，右手抓著大把帶梗麥穗，充分表達聖經中的故事內容，深具欣賞價值。\r\n 作品是依據《舊約聖經》中的《路得記》第二章第1~23節之故事情節進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裡的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326193","MainTitle":"小耶穌（CHRIST）祈禱","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"5.5×7×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTkz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326193〈小耶穌（CHRIST）祈禱〉是可愛版的聖經故事裝飾陶瓷，主要在描述聖經故事裏，耶穌被釘死在十字架上的前夜，晚餐後與門徒至耶路撒冷橄欖山下的客西馬尼園（The Garden of Gethsemane）禱告；手肘倚靠在長著荊棘的大石塊上雙手合抱，仰頭作禱告狀，作品的雕塑創作與彩繪神情顯得可愛又肅穆。\r\n 作品依據《新約聖經》中的《馬太福音》第二十六章第36~46節、《馬可福音》第十四章第32~42節及《路加福音》第二十二章第39~46節等故事情節進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326194","MainTitle":"牧羊人扛羊回家","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"3.8×3.2×6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTk0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326194〈牧羊人扛羊回家〉是屬兒童版的聖經故事裝飾陶瓷，主要在描述耶穌的比喻之語：牧羊人失去一百隻羊當中的一隻，於是暫時放下九十九隻羊去找那失去的羊，當羊找到了就很高興地將牠扛回來，邀集左鄰右舍同歡慶。因為創作的對象主要是為兒童，小牧羊人揹著具身分象徵的布袋子，扛在肩上的小綿羊被作者塑造成圍繞在頸項間軟綿綿狀之圍巾，造型模樣實在是可愛極了，尋回失羊的愉悅之情溢於言表。\r\n 作品創作係依據《新約聖經》中的《路加福音》第十五章第3~7節「失羊的比喻」之故事情節進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容，以裝飾陶瓷的表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326195","MainTitle":"拄杖牧羊人","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"3.6×3.2×6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326195〈拄杖牧羊人〉是兒童版的聖經故事裝飾陶瓷，主要在描述耶穌誕生地伯利恆附近野地裏的牧羊人們，聽聞主的使者報喜訊後，結伴前往伯利恆「朝拜聖嬰」，於是神的顯靈被證實。從圖中可以看到典型的牧羊人裝扮，頭戴呢帽，身著下擺有灰黑色裝飾條紋的連身白色長衫，手拄金屬造的牧羊杖，肩上斜揹的納物袋（布料）可以讓他們在野地裏過夜時得以保暖；造型模樣與色彩效果俱佳，理應廣受歡迎，尤其是小朋友們。\r\n 聖經的時空背景約在三千多年前的中東地區，聖經內容當中，經常用「牧羊人」來比喻一位好的領導者典範；耶穌也曾將自己比喻為「牧人」。圖中的作品創作依據《新約聖經》中的《路加福音》第二章第2~20節「天使報喜信給牧羊的人」及《以西結書》第三十四章第15節「主耶和華說：我必親自做我羊的牧人，使他們得以躺臥。」等故事情節進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經故事的內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326196","MainTitle":"牧羊人與風笛","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"3.5×3.2×6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTk2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326196〈牧羊人與風笛〉是兒童版的聖經故事裝飾陶瓷，主要在描述耶穌誕生地伯利恆附近野地裏的牧羊人們，聽聞主的使者報喜訊後，結伴前往伯利恆「朝拜聖嬰」，於是神的顯靈被證實。圖中頭戴飾有橘色邊條呢帽、身著灰色連身衣衫的希伯來牧羊人，抱著傳統的雙簧管風笛樂器準備吹奏，藉以作為與其羊群溝通的樂音符碼，可愛模樣自是不可言喻。\r\n 作品創作依據《新約聖經》中的《路加福音》第二章第2~20節「天使報喜信給牧羊的人」及《約翰福音》第十章第14節「我是好牧人；我認識我的羊，我的羊也認識我（藉由樂音）。」之故事情節進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷的表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326197","MainTitle":"牛（聖家族）","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"6×2.8×3.1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTk3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326197〈牛（聖家族）〉是兒童版的聖經故事裝飾陶瓷，主要在描述聖經故事裏，聖母馬利亞即將臨盆時，客店裏剛好沒空房，將就進入馬廄裏生產，聖嬰用布包好後讓他臥在鋪上麥草的馬槽裏。通常馬廄裏不會是只有讓馬進住，也有其他動物如：羊、牛、驢、駱駝等借宿。圖中的牛瞇著眼睛呈休憩狀，頭上頂著一團象徵性的頭毛，經由作者的塑造成為卡通化動物，符合兒童版的聖經故事訴求；因為與耶穌基督的誕生有關故將牛列入聖家族之列。\r\n 作品依據《新約聖經》中的《路加福音》第二章第8~18節之故事內容進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326198","MainTitle":"驢子（聖家族）","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"4.2×2.5×3.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTk4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326198〈驢子（聖家族）〉是兒童版的聖經故事裝飾陶瓷，主要在描述聖經故事裡，聖母馬利亞即將臨盆時，客店裏剛好沒空房，將就進入馬廄裏生產，聖嬰用布包好後就臥在鋪上麥草的馬槽裏。耶穌誕生時有東方的賢者到伯利恆的馬廄裡朝拜聖嬰，其中一位就是騎驢子來的，因此在聖經故事裏會有驢子出現。另有一說：通常馬廄裡不會是只有讓馬進住，也有其牠動物如：羊、牛、驢子、駱駝等借宿。圖中的驢子頭頂鬃毛、瞇著眼睛呈休憩狀十分可愛，經由作者的塑造成為卡通化動物，符合兒童版的聖經故事訴求。因為與耶穌基督的誕生有關，故將驢列入聖家族之列。\r\n 作品依據《新約聖經》中的《馬太福音》第二章第1~12節和《路加福音》第二章第8~18節等故事內容進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容，以裝飾陶瓷的表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326199","MainTitle":"駱駝（聖家族）","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"5.8×3×4.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MTk5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326199〈駱駝〉是兒童版的聖經故事裝飾陶瓷，主要在描述聖經故事裏，耶穌誕生時有東方的多位賢者到伯利恆的馬廄裡朝拜聖嬰耶穌，其中一位就是騎駱駝來的，因此在聖經故事裡會有駱駝出現。另有一說：通常馬廄裡不會是只有讓馬進住，也會有其他動物如：羊、牛、驢、駱駝等借宿。圖中的駱駝瞇著眼睛有如休憩狀，造型可愛；經由作者的塑造，成為卡通化動物，符合兒童版的聖經故事訴求。因為與耶穌基督誕生的故事有關，故將駱駝列入聖家族之列。\r\n 作品依據《新約聖經》中的《馬太福音》第二章第1~12節和《路加福音》第二章第8~18節等故事內容進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裡的故事內容以裝飾陶瓷的表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326200","MainTitle":"聖父約瑟提燈籠（聖家族）","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"3.5×3.2×6.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjAw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326200〈聖父約瑟提燈籠（聖家族）〉是兒童版的聖經故事裝飾陶瓷，主要在描述聖經故事裡，牧羊人在野地牧羊，晚上起來提著燈籠查看羊群的狀況是否都安穩睡覺？是否有蛇或野獸來偷襲小羊？有殷勤照料群羊的意思。然而聖嬰耶穌的養父木匠約瑟，後來與馬利亞成婚，於半夜拄著柺杖、提著燈籠，是為探視聖嬰耶穌是否平安無恙，共同照顧嬰孩，一副慈祥為父者的樣子。\r\n 作品依據《新約聖經》中的《馬太福音》第一章第18~25節及《路加福音》第二章第4~7節等故事情節進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326201","MainTitle":"聖母馬利亞禱告（聖家族）","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"3.5×3.5×5.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326201〈聖母馬利亞禱告（聖家族）〉是兒童版的聖經故事裝飾陶瓷，主要在描述聖經故事裏，馬利亞被天使告知：妳在神面前已經蒙恩了，妳要懷孕生子，可以給他起名叫耶穌。接著馬利亞就虔誠禱告、反覆思索，最後馬利亞說：「我是主的使女，情願照你的話成就在我身上。」對話結束天使就離開了。塑像採跪姿、微頷首、張眼、合掌禱告，呈現高度純潔與虔誠之心。\r\n 作品依據《新約聖經》中的《路加福音》第一章第26~38節「加百列預言耶穌的生」之故事情節進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200326202","MainTitle":"聖嬰（聖家族）","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"3.8×2.8×2.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326202〈聖嬰（聖家族）〉是兒童版的聖經故事裝飾陶瓷，主要在描述聖經故事當中，聖母馬利亞即將臨盆時，客店裏剛好沒空房，將就進入馬廄裡生產，聖嬰誕生後用布包好，讓他躺在鋪上麥草的馬槽裏。圖中的聖嬰（取名為耶穌）看起來非常可愛，經由作者的塑造，成為卡通化人物，符合兒童版的聖經故事訴求，故列入聖家族系列。\r\n 作品係依據《新約聖經》中的《路加福音》第二章第12節之故事內容進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326203","MainTitle":"小綿羊（聖家族）","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"3.2×1.6×1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326203〈小綿羊（聖家族）〉是兒童版的聖經故事裝飾陶瓷，主要在描述聖經故事裏「天使報喜訊給牧羊的人」。在伯利恆之野地裡有牧羊的人，夜間按著更次看守羊群，有牧羊人接受到天使之音，前往大衛的城，尋見馬利亞和約瑟，看見聖嬰臥在馬槽裏，於是神的顯靈被證實；因為與耶穌基督誕生的故事有關，故將小綿羊列入聖家族之列。圖中採取雙腳朝前、蹲姿蜷伏狀造型的小綿羊非常可愛，經由作者的塑造，成為卡通化動物，符合兒童版的聖經故事訴求。\r\n 由於聖經故事的時空背景大約發生在三千多年前的中東地區，當地有很多的牧羊人放牧著無數的綿羊群，是為重要畜牧產業。 圖中作品係依據《新約聖經》中的《路加福音》第二章第8~18節之故事內容進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326204","MainTitle":"三賢者之一（持灰色玻璃蓋杯內裝乳香）","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"3.5×3×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326204〈三賢者之一（持灰色玻璃蓋杯內裝乳香）〉是兒童版的聖經故事裝飾陶瓷，主要是在描述聖經故事裏幾位有智慧的使者（亦稱賢者、博士、占星家）從東方來到耶路撒冷，受希律王之託，前往猶太的伯利恆（在耶路撒冷以南約十公里的地方）探詢、朝拜聖嬰耶穌。三位來自東方（波斯、中東、阿拉伯）的智者，分別手持裝著黃金、乳香、沒藥的盒子和罐子當作見面禮；圖中這一位頭戴皇冠狀瓜皮帽的賢者，身著下擺飾有灰綠色寬幅條紋的連身白色長衫，外罩一條淡橘色披風，狀極可愛，其右手護持灰色玻璃蓋杯內裝「乳香」，左手捫胸表示真誠。\r\n 圖中作品係依據《新約聖經》中的《馬太福音》第二章第1~12節之故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 以上宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326205","MainTitle":"三賢者之一（持黃色玻璃蓋罐裝沒藥）","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"3.5×3.2×6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326205〈三賢者之一（持黃色玻璃蓋罐內裝沒藥）〉是兒童版的聖經故事裝飾陶瓷，主要是在描述聖經故事裏幾位有智慧的使者（亦稱賢者、博士、占星家）從東方來到耶路撒冷，受希律王之託，前往猶太的伯利恆（在耶路撒冷以南約十公里的地方）探詢、朝拜聖嬰耶穌。三位來自東方（波斯、中東、阿拉伯）的智者，分別手持裝著黃金、乳香、沒藥的盒子和罐子當作見面禮；圖中這一位頭戴金邊覆盆帽的賢者，身著白色長衫，外罩一件有橘色和灰綠色裝飾條紋的白色披風狀極可愛，雙手護持黃色玻璃蓋罐內裝「沒藥」，顯現虔誠樣貌。\r\n 圖中作品係依據《新約聖經》中的《馬太福音》第二章第1~12節之故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷的表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 以上宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326206","MainTitle":"三賢者之一（持藍色玻璃方盒內裝黃金）","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"3.6×3.2×6.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326206〈三賢者之一（持藍色玻璃長方盒內裝黃金）〉是兒童版的聖經故事裝飾陶瓷，主要是在描述聖經故事裏幾位有智慧的使者（亦稱賢者、博士、占星家）從東方來到耶路撒冷，受希律王之託，前往猶太的伯利恆（在耶路撒冷以南約十公里的地方）探詢、朝拜聖嬰耶穌。三位來自東方（波斯、中東、阿拉伯）的智者，分別手持裝著黃金、乳香、沒藥的盒子和罐子當作見面禮；圖中這一位頭戴黃色穿束帶之大蓬帽的賢者，身著下擺飾有金色條紋的白色長衫，外罩一片淡褐色的披風，狀極可愛，雙手護持藍色玻璃長方盒內裝「黃金」，上身微微前傾，動態十足。\r\n 圖中作品係依據《新約聖經》中的《馬太福音》第二章第1~12節之故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷的表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 以上宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326207","MainTitle":"馬廄（聖家族系列）","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"19×6.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326207〈馬廄（聖家族系列）〉是兒童版的聖經故事裝飾陶瓷，主要在描述聖經故事裏，聖母馬利亞即將臨盆時，客店裏剛好沒空房，將就進入馬廄裏生產，聖嬰用布包好後就睡到鋪上麥草的馬槽。雖然聖經故事沒有記載木構造馬廄的形制，此係經由作者的塑造成為卡通化建築物，符合兒童版的聖經故事訴求。屋頂下、門楣上方壁面有天使像裝飾，象徵諸多神的旨意經由天使傳達。因為與耶穌基督的誕生有關，故將馬廄列入聖家族之列。\r\n 作品係依據《新約聖經》中的《馬太福音》第二章第1節及《路加福音》第二章第4~12節之故事內容進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力，尤其是對兒童們。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326208","MainTitle":"皿/聖家族","Creator":"","CreatedYear":"1981","Size":"21.5×21.5×1.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326209","MainTitle":"皿/晚餐","Creator":"","CreatedYear":"1981","Size":"21.5×21.5×1.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326210","MainTitle":"皿/聖家族騎驢","Creator":"","CreatedYear":"1981","Size":"21.5×21.5×1.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326211","MainTitle":"皿/人形、嬰籃","Creator":"","CreatedYear":"1981","Size":"18.5×18.5×1.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326212","MainTitle":"皿/木牌","Creator":"","CreatedYear":"1981","Size":"18.5×18.5×1.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326213","MainTitle":"皿/魚、舉麵包","Creator":"","CreatedYear":"1981","Size":"18.5×18.5×1.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326214","MainTitle":"MDSES/木牌（鈴）","Creator":"","CreatedYear":"1981","Size":"7.2×7.2×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326215","MainTitle":"MARRY&JES45/人形（鈴）","Creator":"","CreatedYear":"1981","Size":"7.2×7.2×11.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326216","MainTitle":"男/唱聖歌（鈴）","Creator":"","CreatedYear":"1982","Size":"7.2×7.2×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326217","MainTitle":"男/唱聖歌（音）","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"7.5×7.5×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 在基督教社會裡，與宗教相關的產品具有廣大的市場，尤其在重要節日慶典時，應景的作品很受歡迎。這件作品的主角是一位教會唱詩班的少年團員，唱詩班在主日禮拜時，在教堂演唱讚美神的歌曲，以此宣揚基督的精神與福音，是教會儀式上的要角之一。作品中的主角是一位少年，他穿著直領紅色聖袍，外面再穿一件白色針織外袍，是唱詩班的團服。他的雙手拿著樂譜在胸前，頭略向右傾，眼睛大而明亮，長相清秀。他張大嘴巴，認真地唱著聖歌，顯出虔誠的表情。\r\n 作品雕塑得十分寫實，服飾的衣褶、白袍上針織的花紋與臺座上的梅花形連續圖案，都刻畫得很細緻。坏體用高溫燒製，完全瓷化，胎色潔白，晶瑩剔透，色彩淡雅而單純，品質很高。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326218","MainTitle":"書架/男","Creator":"","CreatedYear":"1981","Size":"9×7.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326219","MainTitle":"書架/女","Creator":"","CreatedYear":"1981","Size":"9×7.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326220","MainTitle":"男/水桶","Creator":"設計者：Roger J. Brown
其他-品牌商：River Shore, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"8×6.5×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件作品的主角是一位小男童。他的面貌皎好，身體健壯，一頭金髮，頭上戴著一頂圓盤形的水手帽，帽緣向上翻起。他赤裸上身，只穿著一條小短褲，坐在白色砂灘的檯座上。他的雙手拿著一個水桶，裝了砂之後，倒在地上，要做成沙雕城堡。旁邊已經做好一個城堡，右腳邊還有一個從海邊撿拾來的扇貝。\r\n 西洋玩偶的特色之一是作品以雕塑技法呈現，再加以彩繪，以表現其寫實性。坏體為瓷質，沒有上釉，因此作品缺乏陶瓷重要的特色之一－釉藥的顏色與光澤，而純粹以釉彩表現。整件品呈現無光的特質，給人柔和的觸感與視覺享受。\r\n 底座器底有「Roger J. Brown’s SAND CASTLES」、「from The Family Album TM by River Shore, Ltd.」、「© 1982 RSL TAIWAN」等與作品相關的文字款識，説明設計師、作品名稱、工廠、產品編號與產地。底座背面刻有設計師的名字「r. J. brown」。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326221","MainTitle":"男/繪畫","Creator":"設計者：Roger J. Brown
其他-品牌商：River Shore, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"9.5×7×6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一個男童坐在地上畫圖的情景。男童短金髮，身體壯碩。他身著藍色短運動褲，短袖橙色T恤，腳上穿著短筒襪和球鞋，從穿著中看出，此時是一個炎熱的夏季，也看得出他是個喜愛運動的孩子。他坐在地上，雙腳交疊，身體呈30度傾斜，右手撐在地上，支持著身體。他的前面是一本圖畫紙，他把圖畫本打開，左手拿著綠色的蠟筆在圖畫簿畫上一棵大樹，左邊已經畫好了一間在山丘上的小平房，煙囪還冒著煙霧。畫紙上還放在兩支蠟筆。作品表現出西方兒童對於大自然的喜愛，並從小就養成喜歡繪畫創作的習慣。\r\n 男孩後方基座上刻有「r. J. brown」的簽名。從器底的款識知道，這是River Shore公司的藝術家Roger J. Brown所設計的The Family Album系列作品之一「MY COLORING BOOK」。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326222","MainTitle":"女/洋娃娃","Creator":"設計者：Roger J. Brown
其他-品牌商：River Shore, Ltd.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"5.5×5.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 藝術常常表達傳統的文化觀，本作品藉由一個女童抱著洋娃娃的形象，傳達西方文化中真善美的人文價值。作品的主角是一個長相清秀可愛的小女童，頭上的金髮綁成一支馬尾，絲帶打個蝴蝶結。她身穿高領長袖紅色直條紋的睡袍，左手抱著布娃娃，娃娃穿著粉紅色的連身衣，頭上戴著一頂帽子，閉著眼睛，安安穩穩地睡覺。女童右手握拳，伸出食指，指著嘴巴，要旁邊的人不要出聲，以免吵醒了娃娃。\r\n作品表現出女童很喜歡這個娃娃，把她當真人看，並投入愛心，對她呵護有加，讓人看到人性善良的一面，也看到了女童的純真可愛，體現了西方傳統的人文價值。\r\n 器底有「Roger J. Brown’s SHHH!」、「from The Family Album TM by River Shore, Ltd.」、「© 1982 RSL TAIWAN」等款識，女童背後的底座刻有設計師的名字「r. J. brown」。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326223","MainTitle":"釉下彩/聖誕老人(音)","Creator":"","CreatedYear":"1980","Size":"11×11×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326224","MainTitle":"釉下彩/聖家族(音)","Creator":"","CreatedYear":"1980","Size":"12×12×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326225","MainTitle":"釉下彩/藍色領天使(音)","Creator":"","CreatedYear":"1982","Size":"11.5×11×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326226","MainTitle":"釉下彩/紫色領天使(音)","Creator":"","CreatedYear":"1982","Size":"11.5×11×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326227","MainTitle":"小男孩與白小鴨","Creator":"設計者：日本株式会社丸利商会
其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"8.5×8.5×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一個小男孩與鴨子一起的情景。小男孩的臉型圓圓的，金髮，頭上戴著寬邊的淡橘色軟帽，穿著圓領的T恤，灰褐色及膝短褲，赤著雙腳，外面再加一件綠色的大翻領外套。他坐在有如凳子般高起的石堆上。他的右腳邊站著一隻白色的小鴨子，橘黃色的嘴向著男孩。男孩左手伸向鴨子，右手拿著食物，兩眼看著腳邊的鴨子，準備餵食。男孩的眼神對鴨子有一種關懷之情，表現出人和動物之間的親密互動。\r\n 器底有MR的陰刻款與綠色印刷款，説明是日本丸利(Maruri)公司的設計，而由苗栗子公司代產。丸利是苗栗較早成立的西洋玩偶公司之一，此後工廠迅速增加，1980年代苗栗「裝飾陶瓷公會」的會員達二百五十多家，而實際的工廠數可能高達四百多家，是苗栗陶瓷的鼎盛時期。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326228","MainTitle":"小女孩與白小鴨","Creator":"設計者：日本株式会社丸利商会
其他-代工：丸利陶器股份有限公司","CreatedYear":"1976","Size":"8.5×8.5×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主角是一個鄉下的小女孩。西洋玩偶作品中的兒童造型都很可愛而純真，讓人見了就喜歡。這個小女孩金色的頭髮上，戴著寬邊的淡橘色軟帽。她的下巴尖尖的，雙眼大而明亮，紅唇潤頰，面貌很甜美。她穿著寬領的T恤，粉紅色的裙子，外面穿著一件橘紅色的翻領外套，十分鮮明。她赤著雙腳，說明家境並不是很好。她坐在長著青草而高起的地上，全身呈優美的S形構圖。左腳邊站著一隻白色的小鴨，抬起頭與她相望，人鴨之間有親密互動。\r\n 器底有日本丸利公司「MR」商標。在苗栗的許多西洋玩偶公司中，丸利產品的品質是最高者之一。為了確保品質，從原型、模具與樣品都在母公司開發完成，附上各個色彩的顏料代號，送到苗栗子公司依照指示生產，管理模式十分嚴格。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326229","MainTitle":"女/推嬰兒車(音)","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"10.5×10.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件作品描繪一個女童照顧小弟弟的情景。小女童的頭部比例放大，眼睛明亮，頭戴軟質的白色寬邊圓帽，上面飾了兩枝花朵，紅色的帽帶繫到下巴，打個蝴蝶結。她脖子上戴著一串珍珠項鍊，穿著粉紅色的公主裝，燈籠短袖，下擺寬大像蓬蓬裝，腰帶在身後打個蝴蝶結。她右手推著前方有車篷的四輪娃娃車，左手向看不見的旁人打招呼。車上載著一個小男嬰，蓋著小被，雙手舉到耳際，閉著兩眼，睡得正甜，表現了姐弟的情深。作品的底座較高，可容納音樂盒。\r\n 這類西洋玩偶都要經過兩次燒成。在坏體組裝並修飾完成之後，就要入窯以1260℃左右的高溫燒成，成為瓷器坏體。瓷坏用顏料加彩後，再用800℃左右的低溫燒烤。有時還要經過兩、三次的低溫燒烤，才能達到完美的色彩。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326230","MainTitle":"聖家族核心成員/約瑟、馬利亞、聖嬰耶穌（音樂盒）","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"10.5×10.5×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326230〈聖家族核心成員音樂盒（約瑟+馬利亞+聖嬰耶穌）〉是一個設有檯座的裝飾陶瓷音樂盒。創作題材描述聖經故事裏聖嬰耶穌以布包裹，仰臥在鋪著麥草的馬槽上，表情極為安祥；披戴白色連身頭巾的聖母馬利亞雙手合十跪在旁邊禱告；養父約瑟穿著風衣、提著燈籠來探視，左手輕扶著馬利亞，顯示摯愛親情和樂融融。\r\n 該作品是根據《新約聖經》中的《路加福音》第二章第4~7節的描述進行創作。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩、室內擺飾及樂音聆聽之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326231","MainTitle":"雀斑小孩系列：男/抱羊","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6.5×5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一個男孩單手抱著一隻小羊的樣子。他穿著毛皮背心，一手放在斜背的背包上，一手抱著一隻小羊，頭戴著桶型的大帽子。瓷偶以瓷土注漿成形，粘接上頭部帽飾、雙手與小羊等其他附件，經修整後開始第一道生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。此件男孩瓷偶的顏彩很特殊，瞳孔、頭髮與嘴唇的繪飾詳細寫實，有著藍色眼珠與雀斑，也是早期美國白種人小孩的特徵。\r\n 此件底部落款以轉印字樣圖文標示BUILDING ON DREAMS™ / The Christmas Pageant™ / Hand Painted Porcelain / Schmid / © Schmid 1981，以及金色標籤貼紙上的MADE IN TAIWAN，與淺刻紋MR，Maruri丸利。Schmid是一家位於美國麻州的禮物飾品生產公司，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼、德國喜姆娃娃 (瓷盤與聖誕裝飾)、英國彼得兔等受歡迎的卡通或插畫圖像授權，使平面圖像轉換成瓷偶或瓷偶音樂盒等，並向日本及臺灣丸利陶器大量訂製進口。此件作品的系列名稱為「於夢想中成長」(Building on Dreams)，以聖誕節慶開場的巡遊戲劇 (Pageant) 為主題，在此劇中最經典的劇碼就是演出基督降生(Nativity)的故事，社區內的學童多半在學校會參與排演與演出。由此可推斷，這件抱著小羊的男孩應是在劇中扮演牧羊人的角色，而他手中的小羊則是道具。\r\n 此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，在苗栗廠中的作業皆在日本技師的監督下完成，高品質管理業界出名。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326232","MainTitle":"雀斑小孩系列：女/抱羊","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"5.8×5.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一個女孩雙手抱著一隻小羊。她梳著兩條髮辮，穿著淡紅色洋裝，肩上披著一條垂到地上的大披巾，臉上面帶微笑。瓷偶以瓷土注漿成形，粘接上頭部、雙手與小羊等其他附件，經修整後開始第一道生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶臉上先以噴槍噴彩於雙頰緋紅，再以水溶性顏彩描繪五官，著重於眉毛、眼線、眼珠和嘴巴部位，並須顧及到主體動作的方向與神情的表現。身上其他部位則使用油性介質調製色釉粉塗繪，整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。女孩瓷偶的顏彩很特殊，瞳孔、頭髮與嘴唇的繪飾詳細寫實，有著藍色眼珠與雀斑。\r\n 此件底部落款以轉印字樣圖文標示BUILDING ON DREAMS™ / The Christmas Pageant™ / Hand Painted Porcelain / Schmid / © Schmid 1981，以及金色標籤貼紙上的MADE IN TAIWAN，與淺刻紋MR，Maruri丸利。Schmid是一家位於美國麻州的禮物飾品生產公司，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼的授權圖像，以及德國喜姆娃娃 (瓷盤與聖誕裝飾)、英國彼得兔等受歡迎的卡通或插畫授權，使平面圖像轉換成瓷偶或瓷偶音樂盒等，並向日本及臺灣丸利陶器大量訂製進口。此件作品的系列名稱為「於夢想中成長」(Building on Dreams)，以聖誕節慶開場的巡遊戲劇(Pageant)為主題，在此劇中最經典的劇碼就是演出基督降生(Nativity)的故事，學童多半在學校會參與排演與演出。由此可推斷，這件抱著小羊的女孩應是在劇中扮演牧羊女的角色，因此披著簡單的披巾作為戲服，手中拿著小羊造型的道具。\r\n 此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，在苗栗廠中的作業皆在日本技師的監督下完成，高品質管理業界出名。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326233","MainTitle":"雀斑小孩系列：女/跪","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6×5.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一個女孩雙手握在胸前跪著的樣子。她披著樸素的頭巾，穿著工作圍裙，身旁有一籃作物。她帶著祥和的微笑，身形背後則有頭巾與裙襬皺褶的細節，腳ㄚ子與指頭突顯她的跪姿。此件瓷偶整體以瓷土注漿脫模成形，經修整後開始第一道生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶臉上先以噴槍噴彩於雙頰緋紅，再以水溶性顏彩描繪五官，著重於眉毛、眼線、眼珠和嘴巴部位，並須顧及到主體動作的方向與神情的表現。身上其他部位則使用油性介質調製色釉粉塗繪，整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。女孩瓷偶的顏彩很特殊，瞳孔、頭髮與嘴唇的繪飾詳細寫實，有著藍色眼珠與雀斑。\r\n 此件底部無落款，僅以貼紙標示SAMPLE NOT FOR SALE / JAPAN，以及淺刻紋MR，Maruri丸利。由此推知，此件是來自日本丸利作為廠房生產線上的參考範本。根據國外藝品拍賣網站上的資訊顯示，此件是屬於BUILDING ON DREAMS™ 「於夢想中成長」系列中 The Christmas Pageant™ 聖誕慶典主題的其中角色。慶典中最經典的活動是演出基督降生(Nativity)的故事。美國聖誕節慶時期，學童多半在學校會參與排演與演出。基督降生故事的角色包含了聖家族 (約瑟夫、瑪麗亞、嬰兒基督)、從東方來朝聖的三智者、天使、牧羊人、敬拜的村民等。這件跪著朝拜的女孩應是在劇中扮演敬拜的村民角色，因此她的表情充滿著微笑喜樂、祥和的樣子。\r\n 此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，在苗栗廠中的作業皆在日本技師的監督下完成，高品質管理業界出名。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326234","MainTitle":"雀斑小孩系列：三賢者/圓盒","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"5.8×5.8×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一個男孩雙手抱著一只圓盅。他穿著紅色的圍兜與戴著錐狀的帽子，像是為某個事件或特殊場合的裝扮。此件屬於BUILDING ON DREAMS™ 「於夢想中成長」系列的The Christmas Pageant™ 聖誕慶典主題。慶典中最經典的活動是演出基督降生(Nativity)的故事，而在美國聖誕節慶時期，學童多半在學校會參與排演與演出。由此可知，原來男孩的奇特裝扮是參與戲劇演出的關係，他手中的圓盅象徵寶盒，而他所扮演的角色是從東方前來的三賢士之一，三賢士分別帶著黃金、乳香、沒藥前來朝拜。\r\n 瓷偶以瓷土注漿脫模成形，粘接上持寶盒的雙手與修整後，開始第一道生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶臉上先以噴槍噴彩於雙頰緋紅，再以水溶性顏彩描繪五官，著重於眉毛、眼線、眼珠和嘴巴部位，並須顧及到主體動作的方向與神情的表現。身上其他部位則使用油性介質調製色釉粉塗繪，整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。男孩瓷偶的顏彩很特殊，瞳孔、頭髮與嘴唇的繪飾詳細寫實，有著藍色眼珠與雀斑。\r\n 此件底部無落款，僅以貼紙標示SAMPLE NOT FOR SALE / JAPAN，以及淺刻紋MR，Maruri丸利。由此推知，此件是來自日本丸利作為廠房生產線上的參考範本。根據國外藝品拍賣網站上的資訊顯示，此件是屬於二十世紀中期一家位於美國麻州的禮物飾品生產公司Schmid，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼的授權圖像，以及德國喜姆娃娃 (瓷盤與聖誕裝飾)、英國彼得兔等受歡迎的卡通或插畫授權，使平面圖像轉換成瓷偶或瓷偶音樂盒等，並向日本及臺灣丸利陶器大量訂製進口。以 BUILDING ON DREAMS™ 「於夢想中成長」為題，規劃了一系列的孩童角色扮演的形象瓷偶。此件藏品製作出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，在苗栗廠中的作業皆在日本技師的監督下完成，高品質管理業界出名。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326235","MainTitle":"雀斑小孩系列：三賢者/瓶","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"5.8×5.5×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一個男孩雙手持著一只紫色的瓶子。他穿著牛仔吊帶褲，披著紅色披巾，頭上戴著如阿拉伯式的頭飾，面容快樂開心得向上仰起而笑，展現孩童的天真。此件屬於BUILDING ON DREAMS TM 「於夢想中成長」系列的 The Christmas Pageant ™ 聖誕慶典主題。慶典中最經典的活動是演出基督降生(Nativity)的故事，而在美國聖誕節慶時期，學童多半在學校會參與排演與演出。由此可知，原來男孩的特殊裝扮是參與戲劇演出，他手中的瓶子象徵寶瓶，因他所扮演的角色是從東方前來的三賢士之一，三賢士分別帶著黃金、乳香、沒藥前來朝拜。\r\n 瓷偶以瓷土注漿脫模成形，粘接上持寶瓶的雙手與修整後，開始第一道生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶臉上先以噴槍噴彩於雙頰緋紅，再以水溶性顏彩描繪五官，著重於眉毛、眼線、眼珠和嘴巴部位，並須顧及到主體動作的方向與神情的表現。身上其他部位則使用油性介質調製色釉粉塗繪，整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。男孩瓷偶的顏彩很特殊，瞳孔、頭髮與嘴唇的繪飾詳細寫實，有著藍色眼珠與雀斑。\r\n 此件底部落款以轉印字樣圖文標示BUILDING ON DREAMS™ / The Christmas Pageant™ / Hand Painted Porcelain / Schmid / © Schmid 1981，以及金色標籤貼紙上的MADE IN TAIWAN，與淺刻紋MR，Maruri丸利。Schmid是一家位於美國麻州的禮物飾品生產公司，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼的授權圖像，以及德國喜姆娃娃 (瓷盤與聖誕裝飾)、英國彼得兔等受歡迎的卡通或插畫圖像，使平面圖像轉換成瓷偶或瓷偶音樂盒等，向日本及臺灣丸利陶器大量訂製進口。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，在苗栗廠中的作業皆在日本技師的監督下完成，高品質管理業界出名。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326236","MainTitle":"雀斑小孩系列：三賢者/方盒","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6×6.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一位單腳跪下雙手抱著一只方盒的男孩。他套上背心式的戲服，頭上帶著皇冠；因微笑堆起圓鼓的雙頰，展現了孩童的天真快樂。此件屬於BUILDING ON DREAMS™ 「於夢想中成長」系列的 The Christmas Pageant™ 聖誕慶典主題。慶典中最經典的活動是演出基督降生(Nativity)的故事，而在美國聖誕節慶時期，學童多半在學校會參與排演與演出。由此可知，原來男孩的奇特裝扮是參與戲劇演出的關係，他手中的方盒道具象徵寶盒，而他所扮演的角色是從東方前來的三賢士之一，三賢士分別帶著黃金、乳香、沒藥前來朝拜。三賢士的身分在近代也演變成三位國王，因此小孩的裝扮上出現了皇冠。\r\n 瓷偶以瓷土注漿脫模成形，粘接上持寶盒的雙手與其他附件，修整後進行生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。瓷偶臉上先以噴槍噴彩於雙頰緋紅，再以水溶性顏彩描繪五官，著重於眉毛、眼線、眼珠和嘴巴部位，並須顧及到主體動作的方向與神情的表現。身上其他部位則使用油性介質調製色釉粉塗繪，整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。此件男孩瓷偶的顏彩生動，瞳孔、頭髮與嘴唇的繪飾詳細寫實，有著明亮藍色的眼珠與雀斑。\r\n 此件底部無落款，僅以貼紙標示SAMPLE NOT FOR SALE / JAPAN，以及淺刻紋MR，Maruri丸利。由此推知，此件是來自日本丸利作為廠房生產線上的參考範本。根據國外藝品拍賣網站上的資訊顯示，此件是屬於二十世紀一家位於美國麻州的禮物飾品生產公司Schmid，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼的授權圖像，以及德國喜姆娃娃 (瓷盤與聖誕裝飾)、英國彼得兔等受歡迎的卡通或插畫授權，使平面圖像轉換成瓷偶或瓷偶音樂盒等，並向日本及臺灣丸利陶器大量訂製進口。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，在苗栗廠中的作業皆在日本技師的監督下完成，高品質管理業界出名。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326237","MainTitle":"雀斑小孩系列：聖家族/約瑟夫","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6.8×5.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一位雙手握著木竿的男孩。他披著一件有著紅綠線條的長袍，袍子在肩上溜滑了下去，顯得男孩有些漫不經心的樣子。此件屬於BUILDING ON DREAMS™ 「於夢想中成長」系列的 The Christmas Pageant™ 聖誕慶典主題。慶典中最經典的活動是演出基督降生(Nativity)的故事，而在美國聖誕節慶時期，學童多半在學校會參與排演與演出。由此推斷，男孩看似沒有披好長袍的樣子，可能是參與戲劇演出的關係，帶點緊張與羞澀，而他所扮演的角色，從他手中拿的道具木手杖暗示出角色特徵，可知是嬰孩耶穌在人世間的父親—約瑟夫。\r\n 瓷偶以瓷土注漿成形，粘接上頭部、雙手與木竿等其他附件，經修整後開始第一道生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。此件男孩瓷偶的顏彩很特殊，瞳孔、頭髮與嘴唇的繪飾詳細寫實，有著藍色眼珠與雀斑。\r\n 此件底部落款以轉印字樣圖文標示BUILDING ON DREAMS™ / The Christmas Pageant™ / Hand Painted Porcelain / Schmid / © Schmid 1981，以及金色標籤貼紙上的MADE IN TAIWAN，與淺刻紋MR，Maruri丸利。Schmid是一家位於美國麻州的禮物飾品生產公司，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼的授權圖像，以及德國喜姆娃娃 (瓷盤與聖誕裝飾)、英國彼得兔等受歡迎的卡通或插畫授權，使平面圖像轉換成瓷偶或瓷偶音樂盒等，並向日本及臺灣丸利陶器大量訂製進口。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，在苗栗廠中的作業皆在日本技師的監督下完成，高品質管理業界出名。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326238","MainTitle":"雀斑小孩系列：聖家族/瑪利亞","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6×6.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一位雙手合掌跪坐的女孩。她披著長長的頭巾，包覆了跪坐的身體，臉上帶著祥和的微笑，背後的身形以頭巾的皺褶表現。此件瓷偶屬於BUILDING ON DREAMS™ 「於夢想中成長」系列的 The Christmas Pageant™ 聖誕慶典主題。慶典中最經典的活動是演出基督降生(Nativity)的故事，而在美國聖誕節慶時期，學童多半在學校會參與排演與演出。從女孩合掌的姿態與安祥的微笑推斷，她所扮演的角色是聖母瑪利亞。\r\n 瓷偶整體以瓷土注漿脫模成形，粘合上合掌的雙手與增補修整後，進行第一道生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。女孩瓷偶的顏彩很特殊，瞳孔、頭髮與嘴唇的繪飾詳細寫實，有著藍色眼珠與雀斑。底部落款以轉印字樣圖文標示BUILDING ON DREAMS™ / The Christmas Pageant™ / Hand Painted Porcelain / Schmid / © Schmid 1981，以及金色標籤貼紙上的MADE IN TAIWAN，與淺刻紋MR，Maruri丸利。Schmid是一家位於美國麻州的禮物飾品生產公司，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼、德國喜姆娃娃 (瓷盤與聖誕裝飾)、英國彼得兔等受歡迎的卡通或插畫圖像授權，使平面圖像轉換成瓷偶或瓷偶音樂盒等，向日本及臺灣丸利陶器大量訂製進口。\r\n 此件瓷偶的製作出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，在苗栗廠中的作業皆在日本技師的監督下完成，高品質管理業界出名。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326239","MainTitle":"雀斑小孩系列：聖家族/聖嬰","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"7.5×6×3.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一個躺在木箱裡的小嬰孩；他全身由被毯包裹著，僅露出沉睡中的臉蛋。此件屬於BUILDING ON DREAMS™「於夢想中成長」系列的The Christmas Pageant™聖誕慶典主題。慶典中最經典的活動就是演出基督降生(Nativity)的故事，而在美國聖誕節慶時期，學童多半在學校會參與排演與演出。由此可知，這名小嬰孩正是扮演故事中的主角—嬰孩基督。根據新約聖經中的《馬太福音》與《路加福音》，聖母瑪利亞當時已與大衛家族的約瑟夫訂婚，然而耶穌是瑪利亞由聖靈的能力懷孕而生，天使向一群牧羊人宣告耶穌降生的故事，並有來自東方的三位賢士受到天空中一顆明亮之星的引導，帶著禮物前來祝賀朝拜。以此聖誕慶典主題而生的角色瓷偶人物共有十位，於陳列擺設上是整組一起出現。根據故事，基督誕生在馬槽，此件造型上則從簡以木箱替代，用刻畫的方式表現包巾、黃色舖巾的皺褶為主。\r\n 瓷偶以瓷土注漿成形，經修整後開始第一道生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。底部落款以轉印字樣圖文標示BUILDING ON DREAMS™ / The Christmas Pageant™ / Hand Painted Porcelain / Schmid / © Schmid 1981，以及金色標籤貼紙上的MADE IN TAIWAN，與淺刻紋MR，Maruri丸利。Schmid是一家位於美國麻州的禮物飾品生產公司，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼等受歡迎的卡通或插畫圖像的授權，使平面圖像轉換成瓷偶或瓷偶音樂盒等，向日本及臺灣丸利陶器大量訂製進口。\r\n 此件藏品製作出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，在苗栗廠中的作業皆在日本技師的監督下完成，高品質管理業界出名。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326240","MainTitle":"雀斑小孩系列：天使/鳥付","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"5.8×4.6×10.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一名背後戴著翅膀的跪姿女孩。她穿著湖綠色的長袍裙裝，胸前白色的帶狀背心乘載著背後的翅膀，黃髮上梳成左右兩邊綁起來，頭上戴著一個金色圓環。她一手撫著大腿，一手臂彎起，手背上停留一隻白鳥。她有著水藍色眼珠與雀斑，雙頰紅潤，面帶微笑。長袍下方的皺褶可見到彩繪刷白，突顯跪姿的腿部形狀，底座後方刻示1982。瓷偶整體以瓷土注漿脫模成形，黏合上手部、白鳥、翅膀等附件，經修整後進入生檢，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。\r\n 此件底部落款以轉印字樣圖文標示BUILDING ON DREAMS™ / The Christmas Pageant™ / Hand Painted Porcelain / Schmid / © Schmid 1981，以及金色標籤貼紙上的MADE IN TAIWAN，與淺刻紋MR，Maruri丸利。Schmid是一家位於美國麻州的禮物飾品生產公司，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼等受歡迎的卡通或插畫圖像的授權，使平面圖像轉換成瓷偶或瓷偶音樂盒等，向日本及臺灣丸利陶器大量訂製進口。此件作品的系列名稱為「於夢想中成長」(Building on Dreams)，以聖誕節慶開場的巡遊戲劇(Pageant)為主題，在此劇中最經典的劇碼就是演出基督降生(Nativity)的故事，美國聖誕節慶時期，學童多半在學校會參與排演與演出。由此可推斷，這件戴著翅膀，頭上有金環(象徵神性的光環)的跪姿女孩在劇中應是扮演天使的角色。\r\n 此件藏品出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。日本丸利母公司將生產技術、設備，整套的行銷管理制度引進苗栗廠，然而原型、製模多半出自日本技師之手或是經日方認可後，才正式在臺分模量產，在苗栗廠中的作業皆在日本技師的監督下完成，高品質管理業界出名。丸利公司將在臺灣加工的裝飾陶瓷商品外銷至美國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326241","MainTitle":"雀斑小孩系列：護士","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"5×4.5×12.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一名手拿著溫度計與登記版的女孩；她戴著白色粉紅邊的帆船帽，穿著粉紅色短裙，搭配白色的鞋襪與白上衣，看起來像是制服，加上從她手上拿的道具，可推斷這位小女孩扮演的是一名護士。瓷偶以瓷土注漿成形，粘接上頭部、雙手與道具等其他附件，經修整後開始生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。\r\n 瓷偶臉上以水溶性顏彩描繪五官，著重於眉毛、眼線、眼珠和嘴巴部位，並須顧及到主體動作的方向與神情的表現，兩頰上的腮紅以噴槍上色。身上其他部位則使用油性介質調製色釉粉塗繪，整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。女孩瓷偶的顏彩很特殊，瞳孔、頭髮與嘴唇的繪飾詳細寫實，有著藍色眼珠與雀斑，是典型的美國白種人小孩特徵。身體彩繪重視立體感，以筆刷將裙子皺褶突起處刷白處理。 \r\n 此件底部無落款，僅以貼紙標示SAMPLE NOT FOR SALE / JAPAN，以及淺刻紋MR，Maruri丸利。由此推知，此件是來自日本丸利作為廠房生產線上的參考範本。根據國外藝品拍賣網站上的資訊顯示，此件是屬於二十世紀一家位於美國麻州的禮物飾品生產公司Schmid，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼等受歡迎的卡通或插畫圖像的授權，使平面圖像轉換成瓷偶或瓷偶音樂盒等，向日本及臺灣丸利陶器大量訂製進口。以BUILDING ON DREAMS™ 「於夢想中成長」系列的「只要我長大」為主題，規劃了一系列孩童作成人角色扮演的瓷偶之一。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上當地乾淨能源的天然瓦斯，於是決定設廠。丸利公司將在臺灣苗栗加工的裝飾陶瓷商品外銷至訂製國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326242","MainTitle":"雀斑小孩系列：醫生","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"5×4×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一名手拿著聽筒與抱著玩具小熊的男孩；他在頭髮外圍套上了醫生檢查口腔用的反光鏡，耳上戴著聽筒，檢查的對象是另一手中抱著的玩具絨毛熊，他穿著芥末黃色的高領上衣，搭配著覆蓋及地的白長褲，看起來更像是一名醫生的模樣。\r\n瓷偶以瓷土注漿成形，粘接上頭部、雙手與道具等其他附件，經修整後開始生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。以水溶性顏彩描繪臉部五官，著重於眉毛、眼線、眼珠和嘴巴部位，並須顧及到主體動作的方向與神情的表現。身上其他部位則使用油性介質調製色釉粉塗繪，整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。男孩瓷偶的顏彩很特殊，瞳孔與嘴唇的繪飾詳細寫實，有著藍色眼珠與雀斑，是典型的美國白種人小孩特徵。 \r\n 底部落款以轉印字樣圖文標示BUILDING ON DREAMS™ / When I Grow Up™ / Hand Painted Porcelain / Schmid / © Schmid 1981，以及金色標籤貼紙上的MADE IN TAIWAN，與淺刻紋MR，Maruri丸利。由此可知，此件作品的系列名稱為「於夢想中成長」，以「只要我長大」為主題，規劃了一系列孩童作成人角色扮演的瓷偶。另外，Schmid是一家位於美國麻州的禮物飾品生產公司，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼等受歡迎的卡通或插畫圖像的授權，使平面圖像轉換成瓷偶或瓷偶音樂盒等，並向日本及臺灣丸利陶器大量訂製進口。\r\n 此件的製作出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上當地乾淨能源的天然瓦斯，於是決定設廠。丸利公司將在臺灣苗栗加工的裝飾陶瓷商品外銷至訂製國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326243","MainTitle":"雀斑小孩系列：消防士","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6×4×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一名手拿著斧頭抵在地上，頭仰起笑臉迎人的小男孩；他在牛仔吊帶褲外搭上灰色長外套，頭戴消防員的帽子，身旁立著一個消防栓。他一手放在身後腰部，天真自信地笑容迷人，連眼睛都笑瞇了起來。那抵在地上的斧頭，在成人消防員手中是破壞障礙進入火場的象徵，顯示了男孩人小志氣高的態度。\r\n 瓷偶以瓷土注漿成形，粘接上頭部、雙手與道具等其他附件，經修整後開始生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。以水溶性顏彩描繪臉部五官，著重於眉毛、眼線、眼珠和嘴巴部位，並須顧及到主體動作的方向與神情的表現。身上其他部位則使用油性介質調製色釉粉塗繪，整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部無落款，僅以貼紙標示SAMPLE NOT FOR SALE / JAPAN，以及淺刻紋MR，Maruri丸利。由此推知，此件是來自日本丸利作為廠房生產線上的參考範本。根據國外藝品拍賣網站上的資訊顯示，此件是屬一家位於美國麻州的禮物飾品生產公司Schmid，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼等受歡迎的卡通或插畫圖像的授權，使平面圖像轉換成瓷偶或瓷偶音樂盒等，並向日本及臺灣丸利陶器大量訂製進口。以BUILDING ON DREAMS™ 「於夢想中成長」系列的「只要我長大」為主題，規劃了一系列孩童作成人角色扮演的瓷偶之一。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上當地乾淨能源的天然瓦斯，於是決定設廠。丸利公司將在臺灣苗栗加工的裝飾陶瓷商品外銷至訂製國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326244","MainTitle":"雀斑小孩系列：警察","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"5.5×4×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一名扮演警察的小男孩；他穿著警察制服，打起了領帶，頭上斜戴警察的帽子，手上拿著罰單本與筆，一副威風的樣子。他站得直挺的腳旁應該是他的寵物狗，親熱又好奇地貼著主人，顯示了小男孩的身分。孩童最常被問及的問題就是：「長大以後想做什麼?」而警察應該是最受小孩親睞的選項之一了。\r\n 瓷偶身體以瓷土注漿成形，粘接上頭部、帽子、雙手與道具、小狗等其他附件，經修整後，開始生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後，締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。以水溶性顏彩描繪臉部五官，著重於眉毛、眼線、眼珠和嘴巴部位，並須顧及到主體動作的方向與神情的表現。身上其他部位則使用油性介質調製色釉粉塗繪，整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。男孩瓷偶的顏彩很細緻，瞳孔與嘴唇的繪飾詳細寫實，有著藍色眼珠與雀斑，是典型的美國白種人小孩特徵。 \r\n 底部落款以轉印字樣圖文標示BUILDING ON DREAMS™ / When I Grow Up™ / Hand Painted Porcelain / Schmid / © Schmid 1981，以及金色標籤貼紙上的MADE IN TAIWAN，與淺刻紋MR，Maruri丸利。由此可知，此件作品的系列名稱為「於夢想中成長」，以「只要我長大」為主題，規劃了一系列孩童作成人角色扮演的瓷偶。圖像版權屬於Schmid，是一家位於美國麻州的禮物飾品生產公司，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼等受歡迎的卡通或插畫圖像的授權，使平面圖像轉換成瓷偶或瓷偶音樂盒等，並向日本及臺灣丸利陶器大量訂製進口。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上當地乾淨能源的天然瓦斯，於是決定設廠。丸利公司將在臺灣苗栗加工的裝飾陶瓷商品外銷至訂製國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326245","MainTitle":"雀斑小孩系列：教師","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"6.5×4.5×12.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一名扮演教師的小女孩，從瓷偶一手持拿著小白板，一手比出指示手勢可看得出來。她的手指向白板，讓人注意到白板上寫著簡單的數學加法算式；加上微傾的頭部與嘴唇張開說話的表情，像是正在講解這道數學題目。小女孩穿著紅色的連身背心裙，搭配紅鞋，看起來有統一、正式的風格，黃色短髮往後梳高了起來，更顯示刻意打扮為成人的樣子。身旁的寵物狗兒為主人高興，站在後腳立起了身子，像是小女孩的第一位學生。\r\n 瓷偶身體以瓷土注漿成形，粘接上頭部、雙手與道具、小狗等其他附件，經修整後，開始生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後，締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。以水溶性顏彩描繪臉部五官，著重於眉毛、眼線、眼珠和嘴巴部位，並須顧及到主體動作的方向與神情的表現。身上其他部位則使用油性介質調製色釉粉塗繪，整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。女孩瓷偶的顏彩很細緻，瞳孔與嘴唇的繪飾寫實，有著清楚的藍色眼珠與雀斑，是典型的美國白種人小孩特徵。 \r\n 底部落款以轉印字樣圖文標示BUILDING ON DREAMS™ / When I Grow Up™ / Hand Painted Porcelain / Schmid / © Schmid 1981，以及金色標籤貼紙上的MADE IN TAIWAN，與淺刻紋MR，Maruri丸利。由此可知，此件作品的系列名稱為「於夢想中成長」，以「只要我長大」為主題，規劃了一系列孩童作成人角色扮演的瓷偶。圖像版權屬於Schmid，是一家位於美國麻州的禮物飾品生產公司，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼等受歡迎的卡通或插畫圖像的授權，使平面圖像轉換成瓷偶或瓷偶音樂盒等，並向日本及臺灣丸利陶器大量訂製進口。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上當地乾淨能源的天然瓦斯，於是決定設廠。丸利公司將在臺灣苗栗加工的裝飾陶瓷商品外銷至訂製國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326246","MainTitle":"雀斑小孩系列：技工","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"5.5×5.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一名小女孩，頭戴著工人的安全帽，一手提著工具箱，一手握拳輕敲胸脯，表現出自信無比的樣子。她身穿牛仔吊帶背心工作服，兩手皆戴著工作手套，背後口袋還露出一支鐵鎚，顯得很專業的樣子。在看起來有些過大的安全帽底下露出的是一頭長髮，女孩抬頭挺胸，笑容堆上雙頰，眼睛也笑彎了；像是要說，修理東西可不是男生的專利。\r\n 瓷偶身體以瓷土注漿成形，粘接上頭部、雙手與道具等其他附件，經修整後，開始生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃)，出窯後，締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。以水溶性顏彩描繪臉部五官，著重於眉毛、眼線、眼珠和嘴巴部位，並須顧及到主體動作的方向與神情的表現。身上其他部位則使用油性介質調製色釉粉塗繪，整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。\r\n 底部無落款，僅以貼紙標示SAMPLE NOT FOR SALE / JAPAN，以及淺刻紋MR，Maruri丸利。由此推知，此件是來自日本丸利作為廠房生產線上的參考範本。根據國外藝品拍賣網站上的資訊顯示，Schmid是一家位於美國麻州的禮物飾品生產公司，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼等受歡迎的卡通或插畫圖像的授權，使平面圖像轉換成瓷偶或瓷偶音樂盒等，並向日本及臺灣丸利陶器大量訂製進口。以BUILDING ON DREAMS™ 「於夢想中成長」系列的「只要我長大」為主題，規劃了一系列孩童作成人角色扮演的瓷偶之一。\r\n 此件的製作出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上當地乾淨能源的天然瓦斯，於是決定設廠。丸利公司將在臺灣苗栗加工的裝飾陶瓷商品外銷至訂製國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326247","MainTitle":"雀斑小孩系列：女畢業生","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"6.5×4.5×12.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一名身穿畢業學士服的女孩，她一手拿著畢業證書，一手拿著祝福的捧花，頭髮整齊的梳成兩個辮子，神情相當開心。在她的身旁有一顆地球儀，讓人聯想到畢業後踏入人生下一個階段，是向更寬闊的世界出發與探索，是孩童成長中的夢想。從底座落款標示可知，此件屬於BUILDING ON DREAMS™ 「於夢想中成長」系列的When I Grow Up™「只要我長大」主題。\r\n 瓷偶身體以瓷土注漿成形，粘接上頭部、學士帽帽穗、拿著證書的手與地球儀道具等其他附件，經修整後，開始生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃，18-20小時)，出窯後，締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。以水溶性顏彩描繪臉部五官，著重於眉毛、眼線、眼珠和嘴巴部位，並須顧及到主體動作的方向與神情的表現。身上其他部位則使用油性介質調製色釉粉塗繪，整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。女孩瓷偶的顏彩很細緻，瞳孔與嘴唇的繪飾寫實，有著清楚的藍色眼珠與雀斑，身上的長袍與衣袖皺褶表現自然。 \r\n 此件的製作出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司將在臺灣苗栗加工的裝飾陶瓷商品外銷至訂製國，作為聖誕節或紀念節日的禮物或觀賞擺飾。底部落款以轉印字樣圖文標示BUILDING ON DREAMS™ / When I Grow Up™ / Hand Painted Porcelain / Schmid / © Schmid，以及金色標籤貼紙上的MADE IN TAIWAN，與淺刻紋MR，Maruri丸利。其中，作品的圖像版權屬於Schmid，是一家位於美國麻州的禮物飾品生產公司，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼、德國喜姆娃娃 (瓷盤與聖誕裝飾)、英國彼得兔等受歡迎的卡通或插畫圖像授權，使平面圖像轉換成瓷偶或瓷偶音樂盒等，並向日本及臺灣丸利陶器大量訂製進口。根據工藝中心1980年代的研究資料顯示，美國是臺灣陶瓷玩偶的主要外銷市場，約佔70-80 %，幾乎美國各大陶瓷玩偶進口商、批發商如Enesco, Heirloom, Schmid等，他們的產品中約有50-80 % 是在臺灣製造。(資料來源：「我國陶瓷玩偶生產概況及外銷展望」，曾嘉美，《臺灣手工業》18期，1985年)(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326248","MainTitle":"雀斑小孩系列：男畢業生","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"6×4.5×12.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一名身穿畢業學士服的男孩，他的胸前別上了胸花，一手插腰，一手拿著畢業證書，神情中流露出自信。在他的身旁有一顆地球儀，讓人聯想到畢業後踏入人生下一個階段，是向更寬闊的世界出發與探索，也是孩童成長中的夢想。此件屬於BUILDING ON DREAMS™ 「於夢想中成長」系列的When I Grow Up™「只要我長大」主題。\r\n 瓷偶身體以瓷土注漿成形，粘接上頭部、學士帽帽穗、拿著證書的手與地球儀道具等其他附件，經修整後，開始生檢手續，合格者進入瓦斯窯窯燒(1250-1280℃，18-20小時)，出窯後，締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。以水溶性顏彩描繪臉部五官，著重於眉毛、眼線、眼珠和嘴巴部位，並須顧及到主體動作的方向與神情的表現。身上其他部位則使用油性介質調製色釉粉塗繪，整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。 \r\n 底部無落款，僅以貼紙標示SAMPLE NOT FOR SALE / JAPAN，以及淺刻紋MR，Maruri丸利。由此推知，此件是來自日本丸利作為廠房生產線上的參考範本。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。當時日本丸利公司在裝飾陶瓷方面的製造經營與貿易外銷已有三十幾年經驗，商品銷售至美國、歐洲。然而受到自身產業轉型與勞力不足的影響，轉而向海外尋找合作生產對象，看上當時臺灣苗栗公館一帶的製陶發展，加上當地乾淨能源的天然瓦斯，於是決定設廠。丸利公司將在臺灣苗栗加工的裝飾陶瓷商品外銷至訂製國，作為聖誕節或紀念節日的禮物或觀賞擺飾。\r\n 根據同系列特徵的「女畢業生」，可知此件同為Schmid訂購的作品。Schmid是一家位於美國麻州的禮物飾品生產公司，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼、德國喜姆娃娃 (瓷盤與聖誕裝飾)、英國彼得兔等受歡迎的卡通或插畫圖像授權，使平面圖像轉換成瓷偶或瓷偶音樂盒，並向日本及臺灣丸利陶器大量訂製進口。根據工藝中心1980年代的研究資料顯示，美國是臺灣陶瓷玩偶的主要外銷市場，約佔70-80 %，幾乎美國各大陶瓷玩偶進口商、批發商如Enesco, Heirloom, Schmid等，他們的產品中約有50-80 % 是在臺灣製造。(資料來源：「我國陶瓷玩偶生產概況及外銷展望」，曾嘉美，《臺灣手工業》18期，1985年)(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326249","MainTitle":"雀斑小孩系列：女小丑","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"6×4.5×13.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一名打扮成小丑模樣的女孩。在她的臉上畫有小丑的妝扮，身上穿著黃色的連身裝，其上有兩個金黃色的大鈕扣，領子是白色輪狀皺領，褲管以花邊束起。她的兩手分別都各拿著一顆球，腳踝邊也有一顆紅球，推測應是表演兩手拋接三球的雜耍，她將右腳往前踏出，踩在腳跟上，上身與頭部則往左傾，形成一個特別的弧形姿態；頭髮的線條與服裝上的皺褶刻畫表現自然。從底座落款標示可知，這件屬於BUILDING ON DREAMS™ 「於夢想中成長」系列的When I Grow Up™「只要我長大」主題，而此小丑角色的選擇，披露了小孩的純真。20世紀的美國慶典中常有小丑表演，他們以雜耍、表演笨拙或滑稽的動作帶給觀眾歡笑，而引起小孩的喜愛。\r\n 瓷偶身體以瓷土注漿成形，粘接上頭部、圓錐帽、拿著粉紅球的右手等其他附件，經修整後，開始生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃，18-20小時)，出窯後，締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。以水溶性顏彩描繪臉部五官，著重於眉毛、眼線、眼珠和嘴巴部位，而在此件瓷偶上更塗繪了大面積的亮紅圓形於雙頰，垂直於眼瞼的黑色線條。身上其他部位則使用油性介質調製色釉粉塗繪，整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。女孩瓷偶的顏彩很細緻，瞳孔與嘴唇的繪飾寫實，有著清楚的藍色眼珠。 \r\n 此件的製作出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司將在臺灣苗栗加工的裝飾陶瓷商品外銷至訂製國，作為聖誕節或紀念節日的禮物或觀賞擺飾。底部落款以轉印字樣圖文標示BUILDING ON DREAMS™ / When I Grow Up™ / Hand Painted Porcelain / Schmid / © Schmid，以及金色標籤貼紙上的MADE IN TAIWAN，與淺刻紋MR，Maruri丸利。其中，作品的圖像版權屬於Schmid，是一家位於美國麻州的禮物飾品生產公司，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼等受歡迎的卡通或插畫圖像授權，使平面圖像轉換成瓷偶或瓷偶音樂盒等，向日本及臺灣丸利陶器大量訂製進口。根據工藝中心1980年代的研究資料顯示，美國是臺灣陶瓷玩偶的主要外銷市場，約佔70-80 %，幾乎美國各大陶瓷玩偶進口商、批發商如Enesco, Heirloom, Schmid等，他們的產品中約有50-80 % 是在臺灣製造的。(資料來源：「我國陶瓷玩偶生產概況及外銷展望」，曾嘉美，《臺灣手工業》18期，1985年)(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326250","MainTitle":"雀斑小孩系列：男小丑","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"5.8×4.2×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一名打扮成小丑模樣的男孩。他的臉上畫有小丑的妝扮，身上的穿著為灰色與粉紫色系，在腰身與褲管收邊都以荷葉花邊束起，頭上戴著灰色的小高帽，以粉紫色帶將帽子固定繫在下巴，顯得滑稽與喜感。他一手插腰，一手舉起像是小丑出場表演跟觀眾打招呼的樣子，他將右腳稍提起提起，踩在腳跟上，上身與頭部則稍往左傾，形成一個特別的弧形姿態；頭髮的線條與服裝上的皺褶刻畫表現自然。從底座落款標示可知，這件屬於BUILDING ON DREAMS™ 「於夢想中成長」系列的When I Grow Up™「只要我長大」主題，而此小丑角色的選擇，披露了小孩的純真。20世紀的美國慶典中常有小丑表演，他們以雜耍、表演笨拙、又哭又笑或滑稽的動作帶給觀眾歡笑，而引起小孩的共鳴與喜愛。\r\n 瓷偶身體以瓷土注漿成形，粘接上頭、帽、手部等其他附件，經修整後，開始生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃，18-20小時)，出窯後，締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。以水溶性顏彩描繪臉部五官，著重於眉毛、眼線、眼珠和嘴巴部位，而在此件瓷偶上更塗繪了大面積的亮紅圓形於雙頰，垂直於眼瞼的紅色線條。身上其他部位則使用油性介質調製色釉粉塗繪，整體上完釉色後再進電爐以低溫700-800℃烤約四小時著色。男孩瓷偶的顏彩很細緻，瞳孔與嘴唇的繪飾寫實，有著清楚的藍色眼珠。 \r\n 此件的製作出自丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司將在臺灣苗栗加工的裝飾陶瓷商品外銷至訂製國，作為聖誕節或紀念節日的禮物或觀賞擺飾。底部落款以轉印字樣圖文標示BUILDING ON DREAMS™ / When I Grow Up™ / Hand Painted Porcelain / Schmid / © Schmid，以及金色標籤貼紙上的MADE IN TAIWAN，與淺刻紋MR，Maruri丸利。其中，作品的圖像版權屬於Schmid，是一家位於美國麻州的禮物飾品生產公司，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼等受歡迎的卡通或插畫圖像授權，使平面圖像轉換成瓷偶或瓷偶音樂盒等，向日本及臺灣丸利陶器大量訂製進口。根據工藝中心1980年代的研究資料顯示，美國是臺灣陶瓷玩偶的主要外銷市場，約佔70-80 %，幾乎美國各大陶瓷玩偶進口商、批發商如Enesco, Heirloom, Schmid等，他們的產品中約有50-80 % 是在臺灣製造的。(資料來源：「我國陶瓷玩偶生產概況及外銷展望」，曾嘉美，《臺灣手工業》18期，1985年)(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326251","MainTitle":"雀斑小孩系列：女芭蕾/花籃","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"9.5×5.5×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一名小女孩身著芭蕾舞衣，劈腿蹲下的跳舞姿態。她的頭髮往後梳起，打上粉紅色蝴蝶結，臉上帶著歡喜的笑容，身上穿著粉紅色舞衣與淺粉紅色舞裙，小舞者的舞裙層次刻畫鮮明。頭髮的髮絲線條與舞裙上的皺褶刻畫表現自然。她一手拿著花籃，放置於舞裙上，一手展開至裙襬以平衡身體，像是謝幕時接受喝采的一刻。從底座落款標示可知，這件屬於BUILDING ON DREAMS™「於夢想中成長」系列的When I Grow Up™「只要我長大」主題，而成為芭蕾舞者，擁有美麗的姿儀與受矚目的舞臺，無疑是許多小女孩的夢想之一。\r\n 此件瓷偶的造型特殊，注漿成形的開模分片可分為頭部、上半身、舞裙和下半單腿蹲坐姿與底座，粘接成整體後再粘接上手部、花籃等其他附件，經修整後，開始生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃，18-20小時)，出窯後，締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。以水溶性顏彩描繪臉部五官，著重於眉毛、眼線、眼珠和嘴巴部位，身上其他部位則使用油性介質調製色釉粉塗繪，整體上完釉色後再進電爐以低溫700-800℃烤色約四小時著色。女孩瓷偶的顏彩很細緻，瞳孔與嘴唇的繪飾寫實，有著清楚的藍色眼珠與雀斑。\r\n 底部落款以轉印字樣圖文標示BUILDING ON DREAMS™ / When I Grow Up™ / Hand Painted Porcelain / Schmid / © Schmid，以及金色標籤貼紙上的MADE IN TAIWAN，與淺刻紋MR，Maruri丸利。其中，作品的圖像版權屬於Schmid，是一家位於美國麻州的禮物飾品生產公司，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼等受歡迎的卡通或插畫圖像授權，使平面圖像轉換成瓷偶或瓷偶音樂盒等，並向日本及臺灣丸利陶器大量訂製進口。根據工藝中心1980年代的研究資料顯示，美國是臺灣陶瓷玩偶的主要外銷市場，約佔70-80 %，幾乎美國各大陶瓷玩偶進口商、批發商如Enesco, Heirloom, Schmid等，他們的產品中約有50-80 % 是在臺灣製造的 (資料來源：「我國陶瓷玩偶生產概況及外銷展望」，曾嘉美，《臺灣手工業》18期，1985年)。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司將在臺灣苗栗加工的裝飾陶瓷商品外銷至訂製國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326252","MainTitle":"雀斑小孩系列：修女","Creator":"其他-品牌商：Schmid Brothers, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"6.5×4.8×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件瓷偶表現一名修女坐在矮灌木樹梢上。她戴著修女的帽巾，身上穿著大圓白領與灰藍色連身裙的修女服，腳上的鞋子樣式細節刻畫清楚，臉上帶著歡喜的笑容。她雙手搭在樹枝上，樹枝上開著幾朵花兒，一隻藍色小鳥停駐在樹梢上陪伴她，更顯得修女純潔、無憂無慮的樣子。從底座落款標示可知，這件屬於BUILDING ON DREAMS™ 「於夢想中成長」系列的When I Grow Up™ 「只要我長大」主題，可見這個角色形象是小女孩的願望之一，希望成為仁慈善良的修女，幫助人擁有快樂的靈魂。\r\n 此件瓷偶的整體造型特殊，雙腳懸掛、一手臂張開懸空抓著樹梢，注漿開模分片需多道手續，待分別完成後將各部位粘接成整體，再粘貼上花朵、樹葉、小鳥等附件，經修整後，開始生檢手續，合格者進入瓦斯窯窯燒 (1250-1280℃，18-20小時)，出窯後，締檢燒成的白坯體狀況，良品才進入釉彩彩繪階段。以水溶性顏彩描繪臉部五官，著重於眉毛、眼線、眼珠和嘴巴部位，身上其他部位則使用油性介質調製色釉粉塗繪，整體上完釉後再進電爐以低溫700-800℃烤約四小時著色。女孩瓷偶的顏彩很細緻，瞳孔與嘴唇的繪飾寫實，有著明亮的藍色眼珠與雀斑，腮紅與樹上的花瓣以噴彩上色；女孩頸上的十字架項鍊則以金彩彩繪完成。\r\n 底部落款以轉印字樣圖文標示BUILDING ON DREAMS™ / When I Grow Up™ / Hand Painted Porcelain / Schmid / © Schmid，以及金色標籤貼紙上的MADE IN TAIWAN，與淺刻紋MR，Maruri丸利。其中，作品的圖像版權屬於Schmid，是一家位於美國麻州的禮物飾品生產公司，又稱為Schmid Bros Inc.，於1970年代開始取得迪士尼等受歡迎的卡通或插畫圖像授權，使平面圖像轉換成瓷偶或瓷偶音樂盒等，並向日本及臺灣丸利陶器大量訂製進口。根據工藝中心1980年代的研究資料顯示，美國是臺灣陶瓷玩偶的主要外銷市場，約佔70-80 %，幾乎美國各大陶瓷玩偶進口商、批發商如Enesco, Heirloom, Schmid等，他們的產品中約有50-80 % 是在臺灣製造的 (資料來源：「我國陶瓷玩偶生產概況及外銷展望」，曾嘉美，《臺灣手工業》18期，1985年)。丸利陶器股份有限公司 (Maruri Taiwan, Ltd., 1971-1994) 經營的工廠，由臺日股東合資，是1970年代帶動起臺灣苗栗裝飾陶瓷產業盛況的龍頭廠商之一。丸利公司將在臺灣苗栗加工的裝飾陶瓷商品外銷至訂製國，作為聖誕節或紀念節日的禮物或觀賞擺飾。(詮釋委員:杜文田)","ImageUrl":""}
,{"Identifier":"200326253","MainTitle":"二女/縫物","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"10.8×8.2×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 工作是藝術表現的題材之一，本作品描繪兩位女孩子一起縫衣物的情景。兩位女孩相對而坐，穿的都是歐洲傳統農莊的女裝，高領長裙，下擺鬆蓬，都戴著寬邊的軟帽，帽帶繫在下巴。服飾的形式相似，而顏色不同，是一種對稱的構圖。兩人左手都拿著衣物，右手拿針線在工作。前面地上還有一個編籃，裡面也裝著待縫的衣物。藝術家似乎想要表達「勤勞」的傳統美德。\r\n 兩位人物的立體感表現得相當出色，衣服的質感、立體感與柔軟度都能如實表現，而人體的骨肉也能透過服飾表現其量感。在彩繪上，女孩子臉上的雀斑與衣服上的紋飾都能刻畫入微，是藝術家在創作過程中相當高水準的表現。器底刻有「MR」款，是丸利(MARURI)公司的商標，代表這是丸利公司的產品。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326254","MainTitle":"二女/花盆","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1987","Size":"10×7.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪兩位女孩子互贈盆花的情景。兩位女孩服飾相似，都穿著歐洲傳統農莊的高領長裙女裝，頭戴柔軟的布帽，只露出臉龐，形式相似，而顏色不同。白衣女童雙手捧著一盆種在陶缽上的花送給粉紅衣女孩；而粉紅衣女孩的腳邊也有一盆相似的盆花，準備送給對方。紅衣女孩的腳邊也有一盆相似的盆花，準備送給對方。無論在造型的塑造或色彩的的描繪上，都表現出很高的水準，藝術家並藉此歌頌友誼的美德。\r\n 器底有「FRIENDLY WAYS」、「One of three designs in the HOLLY HOBBIE TM」、「Sweet Remembrance Collection Series IV」、「Fine Hand Painted Pocelain」、「CLEVELAND, USA 44144」、「MADE IN TAIWAN」、「Designer’s Collection」、「HOLLY HOBBIE」、「TM」、「MR」、「CD」等有關文字資料。從中可以看到，這件作品由美國設計，日本接單，臺灣生產，再透過日本外銷到歐美去，實是工業全球化之下的產物。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326255","MainTitle":"女/抱羊","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"10.5×8×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件作品描繪一個小女孩抱著羔羊。女孩的相似造型在HOLLY HOBBIE公司的產品中多次出現，藝術風格相近，屬於特定系列設計的產品之一。女孩子相貌十分清秀，眼睛圓而大，一臉和善的表情。她頭戴軟質布帽，寬的帽綠遮住兩耳之間的前額，只露出臉部而已。穿的是多層的連身高領衣裙，下擺寬鬆。她雙手抱著一隻羔羊在胸前，兩眼注視著牠，腳下還有另一隻羔羊站著，抬頭望著女孩，人和羔羊三者之間形成親密的互動。作品無論在雕塑或彩繪的技藝上都有很高的表現水準。\r\n 藝術家除了高超的技術之外，更要傳達他的情感與思想。羔羊在西方文化中象徵著基督的聖靈，這件作品因此富於宗教的意義，並具現了女孩的純真與善良的美德。器底刻有「© HOLLY HOBBIE LIMITED EDITION」款，説明這是公司的限量款。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326256","MainTitle":"男女/持心","Creator":"設計者：Denise Holly Ulinskas(筆名Holly Hobbie)
其他-品牌商：WWA, INC.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"10.5×7.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 歌頌愛情是西方藝術常見的題材，這件玩偶就是對於愛情有所詮釋。作品是少年男女兩位主角，兩人相對而站，各拿一個紅心在背後，準備給對方一個驚喜，兩人中間站著一隻狗，象徵著愛情需要彼此的忠誠。與此雕塑與彩繪風格相同的作品還有好幾件，原型應是出自同一藝術家之手。\r\n 作品的文字資料很多，有助於瞭解其內容。器座刻有「Love Starts in happy hearts」，器底刻有「HOLLY HOBBIE」、「TM」、「MR」、「CD」等款識，另印有用轉寫技術印製的文字，「HAPPY HEARTS」、「A HOLLY HOBBIE TM Figuring for1983」、「Fine Hand Painted Pocelain」、「Limited Edition of 6000」、「©MCMLXXXII WWA. INC」、「WWA INC」、「CLEVELAND, USA 44144」、「MADE IN TAIWAN」、「Designer’s Collection」等有關文字資料。從這些資料中，知道作品的題目是「愛情始於快樂的心靈」，作品是限量版，供收藏之用，品質具有相當高的水準，它是工業全球化產業鏈之下的產物。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326257","MainTitle":"印地安玫瑰杯(有裂紋)","Creator":"","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326258","MainTitle":"皿/小情人","Creator":"","CreatedYear":"1970","Size":"21.5×21.5×1.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326259","MainTitle":"男女壁掛：男左/女藍服","Creator":"","CreatedYear":"1981","Size":"14×16×2.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326260","MainTitle":"男女壁掛：男右/女粉紅服","Creator":"","CreatedYear":"1981","Size":"14×16×2.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326261","MainTitle":"教堂/燈具","Creator":"","CreatedYear":"1982","Size":"11.5×8×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326262","MainTitle":"彈奏曼陀鈴天使（音樂盒）","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"12×10.5×28","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷雕像，表現一位正在彈奏曼陀鈴的天使，天使揚開潔白雙翼，身著粉橙色連身蛋糕裙，柔軟輕透的質地如波浪狀盪起，金色長髮下的臉龐，眼神堅毅而靜謐，無聲中彷彿讓人聆聽到悠揚曼陀鈴的樂音，而頭上的圓形聖光，更讓人倍感聖潔。\r\n 從成品底部側邊的橫向小開口猜測，這是具音樂盒功能的裝飾陶瓷產品。裝飾陶瓷因應歐美國家的禮品文化市場而生，在臺灣的發展約從1960年代晚期開始，從日本技術轉移而來，採注漿成形釉上彩的方式量產，1970-90年代間為臺灣賺取了豐厚的外匯，其中臺日合資的丸利陶瓷公司，以精良的品質和管理成為這行業中的翹楚，代工中高價位的精品。然而，1990年代後因生產成本的增加、同業競爭的激烈等諸多因素，丸利最後歇業關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326263","MainTitle":"賽馬騎師量體重","Creator":"設計者：Norman Rockwell
其他-品牌商：The Saturday Evening Post
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"11.5×9.5×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶常常從人們的職業生涯中取材，本作品的主題是賽馬騎師在比賽前量體重。考慮到馬匹的負荷以及追求更快的速度，所以對騎師的體重都有特別的要求畏維持在50公斤的範圍內，所以賽馬師的體型大都比較小而輕。站在體重計上面的是賽馬師，他穿著長袖高領有菱形格子紋的上衣，緊身的七分馬褲，長筒襪，黑皮鞋。他頭上戴著白色的騎士帽，手上拿著馬鞍，眼睛看著磅秤上的數字。他的旁邊站著一個記錄他量體重的人。他戴著深度的眼鏡，面帶微笑。頭戴黑色的紳士帽，身穿西裝，打領帶，黑皮鞋，穿著十分正式。他左手拿著筆記本，右手拿著筆，認真地紀錄騎師的體重。他的身材高大而肥胖，和瘦小的騎師形成有趣的對比。設計師強調了騎師在體型上的特徵。作品出自GORHAM公司的設計，器座上有原畫畫家「Norman Rockwell」的名款，說明件品原是畫家於1958年為《Satudry Evening Post》所設計的封面圖畫。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326264","MainTitle":"男/搖木馬","Creator":"設計者：Drawing Board Greeting Cards, Inc.
其他-品牌商：GORHAM
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"11.5×5.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一個小男孩坐在搖搖馬上遊玩的情景。男孩大頭大眼睛，具有漫畫人物的可愛造型。他穿著一件藍色的連身服，左手抱著玩具熊，坐在搖搖馬上，一臉開心的神情。馬尾下方和器底都有「Life is a happy adventure」、「 “It’s a Small World” 」、「GORHAM© DBGCI 1984」等印款，説明快樂地探索生活是男孩對未來的憧憬。\r\n 西洋玩偶要用石膏模型，以鑄漿成形法鑄造。鑄好的坏體如果有零件時，還要經過組合修坏後才能完成。因此設計師在設計造型時，就要縝密考慮到如何使脫模容易，減少組合的次數，才能使快速生產，以降低成本。這件作品在設計師的巧思之下，將男孩、小熊與搖椅三個部分組成一個單元，造型表面平滑，沒有什麼稜角，一次就可以鑄造完成，是很優秀的設計。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326265","MainTitle":"女/搖木馬","Creator":"設計者：Drawing Board Greeting Cards, Inc.
其他-品牌商：GORHAM
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"11.5×5.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品與另一件主題、造型與結構都相似，都描繪孩童騎搖搖馬的情景，不同的是這件作品的主角換成女孩子，右手抱著的是一個洋娃娃。女孩、娃娃和馬頭都大頭大眼，十分可愛。她穿的是粉紅色的長袖連身服，洋娃娃穿著白衣。她彎下身來，和洋娃娃都緊貼在馬背身上，嘴角露出微笑，表情十分開心。器底都印有「Life is a happy adventure」、「 “When You Wish Upon a Star” 」及「GORHAM© DBGCI 1984」等款誌，説明這是一個系列作品中的一件，以對生活的憧憬為主題。\r\n 作品的構造已經盡量可能簡化，色彩方面，除了五官須要費神繪製之外，其餘部分都平塗渲染即可，減少了複雜的工序，有利於成本的降低，是很理想的設計。GORHAM公司位於Rhode島，是美國最大的工藝公司之一，以雕塑性的工藝品聞名，產品行銷世界各地。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326266","MainTitle":"持書&寫字","Creator":"","CreatedYear":"1984","Size":"9.5×8.5×16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326267","MainTitle":"牧羊人敲門","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"9.5×9.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326165〈牧羊人敲門〉主要是在描述聖經故事裏，耶穌誕生當天，牧羊人依照天使的指示，前往大衛的城伯利恆附近的馬廄朝拜聖嬰耶穌。檯座上除了設有一扇實木門的象徵性石砌房舍之外，還有一位理當為作品主角的可愛牧羊人，身穿當地傳統的白色連身長衫，肩上斜揹著一口牧羊人專用的褐色布袋，懷中抱著一隻小羊、跟著一隻成羊，來到門前敲門。\r\n 作品創作係依據《新約聖經》中的《路加福音》第二章第8~16節之故事情節「天使報喜信給牧羊的人」。設計者Lucas充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326268","MainTitle":"風琴（音）","Creator":"","CreatedYear":"1982","Size":"11×14.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326269","MainTitle":"鋼琴","Creator":"","CreatedYear":"1982","Size":"11.5×8×16.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MjY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326270","MainTitle":"女孩吹笛（音樂盒）","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"11.8×10×13.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現女孩吹笛的裝飾陶瓷人像。女子身著華麗的淺綠蓬裙洋裝正吹奏著笛子，如大波浪起伏翻飛的裙擺和腰帶，讓感受隨悠揚樂音旋轉飛舞的律動，女孩梳著髮髻的造型，簪著花朵，瓣瓣立體的花朵，將女孩襯得更是典雅，五官彩繪也十分細膩。充滿動態的裙面上立體浮出的細細蔓草紋飾，如同刺繡般精緻，生動充滿浪漫氛圍，是充滿祝福意味的裝飾品。\r\n 依據典藏資料記載，這是來自臺灣丸利陶瓷公司的產品，從衣裙背面的開孔推測，這是一件作為音樂盒用途的玩偶雕像，雕像主題搭配功能，十分契合。裝飾陶瓷產業在臺灣最興盛之際，為臺灣賺取豐厚的歐美外匯，臺日合資的丸利陶瓷公司，以精良的技術和品管成為這行業中的翹楚，代工中高價位的精品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326271","MainTitle":"女孩手捧蛋糕（音樂盒）","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"10.5×10.5×13.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現女孩手捧蛋糕獻上祝福的裝飾陶瓷，從裙襬背面的開孔推測，具有音樂盒功能。女子身著華麗的粉紅色公主袖蓬裙，好像正值轉身移動的瞬間，如大波浪起伏翻飛的裙擺和長腰帶，讓人感受有生日快樂歌曲樂音相伴的旋轉飛揚，女孩挽著髮髻的古典公主造型，耳際還簪著花朵，瓣瓣立體的花朵，將女孩襯得更是典雅而浪漫，充滿動態的裙面上立體浮出的細細蔓草紋飾，如同刺繡般精緻。手捧蛋糕的浪漫甜美與細緻，是充滿祝福意味的裝飾品。\r\n 依據典藏資料記載，這是來自臺灣丸利陶瓷公司的產品，雕像主題搭配功能，十分契合。裝飾陶瓷產業在1970-90年代為臺灣賺取豐厚的歐美外匯，臺日合資的丸利陶瓷，以精良的技術、品管成為這行業中的翹楚，代工中高價位的精品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326272","MainTitle":"女孩手提籃花（音樂盒）","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"10.5×10.5×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現女孩手提籃花的裝飾陶瓷，從裙襬背面的開孔推測，具有音樂盒功能。女子身著一字領水藍色蓬裙洋裝，白皙的雙肩微露，一手提著滿是花朵的編籃，略側傾的頭部、微揚的視線搭配隨動勢而飛舞的高馬尾髮梢，再加上如大波浪起伏翻飛的裙擺和長腰帶，營造女孩嬌羞獻上花卉的瞬間！除了生動的動作姿態外，裙面上立體浮出的細細蔓草紋飾，如同刺繡般精緻，籃中花卉也毫不馬虎地細膩表現，整體典雅而浪漫，是充滿祝福意味的裝飾品。\r\n 依據典藏資料記載，這是來自臺灣丸利陶瓷公司的產品，雕像主題搭配功能，十分契合。裝飾陶瓷產業在1970-90年代為臺灣賺取豐厚的歐美外匯，臺日合資的丸利陶瓷，以精良的技術、品管成為這行業中的翹楚，代工中高價位的精品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326273","MainTitle":"女孩彈奏吉他（音樂盒）","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"10.5×10.5×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現女孩彈奏著吉他的裝飾陶瓷，從裙襬背面的開孔推測，具有音樂盒功能。女子身著荷葉滾邊一字領水藍色蓬裙洋裝，白皙的雙肩微露，略側傾的頭部搭配隨動勢而飛舞的高馬尾髮梢，再加上如大波浪起伏翻飛的裙擺和長腰帶，營造女孩彈奏吉他隨樂音旋轉輕擺的律動飛揚感。除了生動的動作姿態外，裙面上立體浮出的細細蔓草紋飾，如同刺繡般精緻，整體典雅而浪漫，讓人彷彿聽見悅耳音符般，是充滿祝福意味的裝飾品。\r\n 依據典藏資料記載，這是來自臺灣丸利陶瓷公司的產品，雕像主題搭配功能，十分契合。裝飾陶瓷產業在1970-90年代為臺灣賺取豐厚的歐美外匯，臺日合資的丸利陶瓷，以精良的技術、品管成為這行業中的翹楚，代工中高價位的精品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326274","MainTitle":"搖木馬（紅台）/音","Creator":"","CreatedYear":"1981","Size":"11.5×10.5×15.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326275","MainTitle":"搖木馬（紅台）/燭台","Creator":"","CreatedYear":"1981","Size":"12×7.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326276","MainTitle":"搖木馬（紅台）/針盒","Creator":"","CreatedYear":"1981","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326277","MainTitle":"鼠/左花","Creator":"","CreatedYear":"976","Size":"9×6.5×7.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326278","MainTitle":"鼠/右花","Creator":"","CreatedYear":"1976","Size":"8.5×7×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326279","MainTitle":"OWL/左花","Creator":"","CreatedYear":"1976","Size":"9.2×7.2×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326280","MainTitle":"OWL/右花","Creator":"","CreatedYear":"1976","Size":"9.5×7.2×10.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326281","MainTitle":"大理花","Creator":"","CreatedYear":"1976","Size":"11×6.5×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326282","MainTitle":"水仙花(淺藍)","Creator":"","CreatedYear":"1976","Size":"13×5.8×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326283","MainTitle":"聖母馬利亞抱聖嬰耶穌","Creator":"其他-品牌商：Roman, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"12.5×10.2×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326283〈聖母馬利亞抱聖嬰耶穌〉是一座中型尺度的豪華版裝飾陶瓷作品，創作題材描述聖經故事裏馬利亞準備「按照當時摩西律法的規矩，要將頭生男子稱聖歸主」，因此要帶孩子進入聖殿，所以盛裝以赴；原型雕塑採坐姿表現，馬利亞頭戴白色頭巾、頂著光環、身著白連身衣束上淡藍色系腰帶、外罩滿佈刺繡白花的淡藍色長版披風，懷裏抱著聖嬰耶穌，視覺上感到非常神聖、優美。\r\n 該作品係根據《新約聖經》中的《路加福音》第二章第25~27節之描述進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩、室內擺飾及樂音聆聽之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326284","MainTitle":"女跪祈禱/人形（燈具）","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1979","Size":"10.2×10.2×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjg0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶都製作精美，很適於擺飾在家庭作為觀賞，以增進生活的樂趣，然而它也可以具有實用功能，這件作品就兼具觀賞與實用的功能。\r\n 本作品具有宗教義涵，描繪女孩子睡前禱告的情景。女孩金色的秀髮，長可披肩，長相十分清秀。她身穿淡黃褐色的睡袍，跪在台座上，雙手合掌，向上帝禱告，旁邊有洋娃娃陪伴著。整體造型十分寫實，衣飾和身體都刻畫得栩栩如生，色彩淡雅。\r\n 西洋玩偶都是瓷器坯體，經過入窯高溫並以還原氣氛燒製後，完全瓷化，因而胎質潔白，並具有半透光性，成為瓷器重要的特徵。設計師將這種半透光性加以發揮，在裡面加裝燈具，開關打開後，燈光可以透過坏體散發出來，具有照明效果，而所發出的光線十分柔和，很適合作為夜燈。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326285","MainTitle":"虔誠祈禱天使/藍衣（音樂盒）","Creator":"其他-品牌商：Roman, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1979","Size":"10×10×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件天使陶瓷雕像，表現身軀纖細修長的金髮天使，張著背上的雙翅，身穿淺藍色連身衣裙，揚起頭迎著風向上天祈禱的樣態，優雅的造型和柔和的色彩，讓人感受天使的祥和優雅與靜謐。\r\n 從成品底部側邊RR©1979的壓印字樣得知，這是1979年為美國禮品公司ROMAN授權製造的產品。當時是裝飾陶瓷產業在臺灣發展已歷經一段時間，因應歐美國家的禮品文化市場進行大量生產，為臺灣賺取了豐厚的外匯，其中臺日合資的丸利陶瓷公司，以精良的品質和管理成為這行業中的翹楚，代工中高價位的精品。然而，1990年代起生產成本的增加、同業競爭的激烈，以及母公司無意轉型等諸多因素，丸利最後歇業關廠。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326286","MainTitle":"虔誠祈禱天使/粉紅衣（音樂盒）","Creator":"其他-品牌商：Roman, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1979","Size":"10×10×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjg2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件天使陶瓷雕像，表現身軀纖細修長的金髮天使，張著背上的雙翅，身穿淺粉紅色連身衣裙，揚起頭迎著風向上天祈禱的樣態，優雅的造型和柔和的色彩，讓人感受天使的祥和優雅與靜謐。\r\n 從成品底部側邊RR©1979的壓印字樣，以及底部的音樂盒機構得知，這是1979年為美國禮品公司ROMAN授權製造的音樂盒產品，做為宗教節慶的贈禮之用。當時裝飾陶瓷產業在臺灣發展已歷經一段時間，因應歐美國家的禮品文化市場進行大量生產，為臺灣賺取了豐厚的外匯，其中臺日合資的丸利陶瓷公司，以精良的品質和管理成為這行業中的翹楚，代工中高價位的精品。然而，1990年代起生產成本的增加、同業競爭的激烈等諸多因素，丸利最後面臨關廠歇業。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326287","MainTitle":"卡通熊系列：闔家歡/划船","Creator":"","CreatedYear":"1983","Size":"16×6.8×10.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326288","MainTitle":"卡通熊系列：父子/滑雪","Creator":"","CreatedYear":"1983","Size":"16.5×7×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326289","MainTitle":"卡通熊系列：皿/樹屋","Creator":"","CreatedYear":"1982","Size":"21×21×1.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326290","MainTitle":"游水的美人魚","Creator":"設計者：G. G. Santiago
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"25×12.5×21.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjkw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品取材自童話故事「小美人魚」(The Little Mermaid)中的女主角。她是人身魚尾，面貌美麗姣好。她的金髮多而長，整齊有致地梳理成幾個層次。她赤裸上體，身材完美。她的下身是淡綠色的魚體，遍滿鱗片，還有背鰭和尾鰭。她的下方是海底的景色，長了一些海草，有許多螺貝與扇貝等水生動物生活其中，並有海浪湧現。她的眼睛視線轉向後方，表情平靜，左手觸摸著秀髮，右手向後游水，身體呈優美的S形曲線。她的頭髮魚鰭都在水中擺動著，作品充滿著動態，具有新藝術(Art Nouveau)的表現風格。作品刻畫細微，肌膚表現得十分傳神。色彩淡雅而和諧，給人愉快的視覺享受。在寫實中又充滿了奇異的幻想，表現出一種心靈自由的解放。\r\n 作品為藝術家G. G. Santiago的原創，他常為Enesco和法藍瓷等公司設計產品。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326291","MainTitle":"持方盒三賢者之一","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"8×7.5×29.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjkx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326291〈持方盒三賢者之一〉主要是在描述聖經故事裏幾位有智慧的使者（亦稱賢者、博士、占星家）從東方來到耶路撒冷，受希律王之託，前往猶太的伯利恆（在耶路撒冷以南約十公里的地方）探詢、朝拜聖嬰耶穌。三位來自東方（波斯、中東、阿拉伯）的智者，分別手持裝著黃金、乳香、沒藥的盒子和罐子當作見面禮；圖中這一位頭戴蓮花瓣狀的帽子，身著橄欖綠長袍禮服，肩上披著貂皮的賢者，雙手捧持內裝「黃金」的方形蓋盒，除了賀禮之意，實質上可以幫助經濟。\n 圖中作品係依據《新約聖經》中的《馬太福音》第二章第1~12節之故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷的表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\n 以上宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326292","MainTitle":"持圓盒三賢者之一","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"7.8×8×29.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjky","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326292〈持方盒三賢者之一〉主要是在描述聖經故事裏幾位有智慧的使者（亦稱賢者、博士、占星家）從東方來到耶路撒冷，受希律王之託，前往猶太的伯利恆（在耶路撒冷以南約十公里的地方）探詢、朝拜聖嬰耶穌。三位來自東方（波斯、中東、阿拉伯）的智者，分別手持裝著黃金、乳香、沒藥的盒子和罐子當作見面禮；圖中這一位頭戴皇冠狀帽子，身著橘色長袍禮服，外罩綠色披風，胸前掛著黃金項鍊的賢者，雙手捧持著裝「沒藥」的圓形蓋盒，除了賀禮之意，沒藥亦具防腐作用。\n 圖中作品係依據《新約聖經》中的《馬太福音》第二章第1~12節之故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\n 以上宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326293","MainTitle":"持杯三賢者之一","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1977","Size":"8.5×8.5×29.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjkz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326293〈持杯三賢者之一〉主要是在描述聖經故事裏幾位有智慧的使者（亦稱賢者、博士、占星家）從東方來到耶路撒冷，受希律王之託，前往猶太的伯利恆（在耶路撒冷以南約十公里的地方）探詢、朝拜聖嬰耶穌。三位來自東方（波斯、中東、阿拉伯）的智者，分別手持裝著黃金、乳香、沒藥的盒子和罐子當作見面禮；圖中這位包著垂至肩部的乳白頭巾，身著乳白長袍禮服，外罩藍色披風，項間掛有黃金飾物的賢者，有如阿拉伯人裝扮，雙手扶持裝有「乳香」的圓形高腳杯罐，除了賀禮之意，乳香亦具消炎殺菌、促進細胞再生功效。\n 圖中作品係依據《新約聖經》中的《馬太福音》第二章第1~12節之故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷的表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\n 以上宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326294","MainTitle":"聖父約瑟","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"7.5×7.2×28.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjk0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326294〈聖父約瑟〉是描述聖經故事裏耶穌誕生時義父約瑟的神態；圖中的約瑟微頷首，身著單件橘色長衫，外罩綠色長版披風，加長型木質拐杖倚靠在身上以手肘夾住，由於帶著懷孕的馬利亞長途跋涉來到伯利恆，略顯疲憊。約瑟是一位敬虔的人，他順從上帝給他的話行事，加上三位賢者來到馬廄朝拜聖嬰耶穌，約瑟在此情境下雙手合掌表達敬畏、感謝。\n 作品創作是根據《新約聖經》中的《馬太福音》第二章、《馬可福音》第六章第8 節及《路加福音》第二章第4節等故事章節進行創作。作者發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中增進一般人對聖經故事的理解與親和力。\n 此宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩、室內擺飾及樂音聆聽之用。\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326295","MainTitle":"坐姿聖母馬利亞","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"10.2×13.2×21.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326295〈坐姿聖母馬利亞〉是在描述聖經故事「神降大任；信心承載」，少女馬利亞蒙神恩懷胎，欣然接受，生下主耶穌；馬利亞當時得知天使帶來的聖靈訊息後，因敬畏上帝而化解驚恐。圖中作品馬利亞身著白色長袍，頭披橘紅色長版頭巾，微頷首並以右手與站立在左腳膝蓋上非常顯眼象徵天使化身的橘黑色小鳥互動，左手捫胸，以尊主為大的謙卑順服神情充分表達於作品上。\n 作品創作是根據《新約聖經》中的《路加福音》第一章「天使加百列預言耶穌的生」裏之故事情節第26~38節「…我是主的婢女，願就祢的話成就在我身上…」。作者發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中增進一般人對聖經故事的理解與親和力。\n 此宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩、室內擺飾及樂音聆聽之用。\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326296","MainTitle":"羊與鳥陪伴聖嬰","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1978","Size":"11.8×8×6.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjk2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326296〈羊與鳥陪伴聖嬰〉是精緻版的聖經故事裝飾陶瓷，主要在描述聖經故事裏，聖母馬利亞即將臨盆時，客店裏剛好沒空房，將就進入馬廄裡生產，聖嬰誕生後用布包好，讓他躺在鋪上麥草的馬槽；因為有牧羊人受天使報信到訪馬廄朝拜聖嬰，因此設計師安排一頭捲毛跪坐姿態的綿羊陪伴在旁，昂首目視聖嬰；聖嬰身上停著一隻橘色的鳥，象徵天使化身，也代表贖罪之意。圖中的聖嬰（取名為耶穌）還戴著帽子，安詳地睡著，樣子非常可愛。\n 作品係依據《新約聖經》中的《路加福音》第二章第12節之故事內容進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\n 此宗教系列作品之一係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326297","MainTitle":"聖家族/馬利亞、約瑟、耶穌、羊（音樂盒）","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"10.6×10.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjk3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326297〈聖家族／馬利亞、約瑟、耶穌、羊（音樂盒）〉雖然是一個設有檯座的音樂盒，然而藝術價值在於檯座上「聖家族」的雕塑群像，詮釋「耶穌降生」的故事。圖中作品以石砌城堡樣式為基座的音樂盒頂面滿鋪麥草，上頭安排有坐姿設計的聖母馬利亞抱著可愛的聖嬰耶穌、聖父約瑟陪伴在側以及前足跪搭在聖母馬利亞大腿上象徵天使化身的小綿羊同時也代表牧羊人曾經造訪；造型緊湊加上高低、錯落有致的個別單元結合在一起，構成一幅立體的溫馨、感人全家福畫面，「聖」嬰耶穌、「聖」母馬利亞、「聖」父約瑟三者為「聖家族」核心成員。\r\n 圖中的作品是根據《新約聖經》中的《路加福音》第二章第4~12節所描述之相關內容進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩、室內擺飾及樂音聆聽之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326298","MainTitle":"三賢者（音樂盒）","Creator":"其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1983","Size":"12×11×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjk4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326298〈三賢者（音樂盒）〉雖然是一個設有檯座的音樂盒，然而藝術價值在於檯座上「三賢者」的雕塑群像，詮釋「耶穌降生」有關的故事。三賢者是在描述聖經故事裏幾位有智慧的使者（亦稱賢者、博士、占星家）從東方來到耶路撒冷，受希律王之託，前往猶太的伯利恆（在耶路撒冷以南約十公里的地方）探詢、朝拜聖嬰耶穌。三位來自東方（波斯、中東、阿拉伯）的智者，分別手持裝著黃金、乳香、沒藥的盒子和罐子當作見面禮；圖中作品以石砌城堡樣式為基座的音樂盒頂面滿鋪麥草（表示曾經朝拜過聖嬰耶穌躺臥在鋪著麥草的馬槽），上頭安排有三賢者的塑像，造型上或坐、或站，緊湊又高低錯落有致的個別單元，構成一幅立體感人的畫面。\r\n 圖中的作品是根據《新約聖經》中的《馬太福音》第二章第1~8節「耶穌誕生博士來拜」所描述之相關內容進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩、室內擺飾及樂音聆聽之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326299","MainTitle":"聖家族騎驢赴埃及（音樂盒）","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"13×11×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mjk5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326299〈聖家族騎驢赴埃及（音樂盒）〉主要是在描述聖經故事當中「逃到埃及」的部分。耶穌誕生之後，有東方三賢者到訪，當他們離去之後，有主的使者向耶穌的養父約瑟夢中顯現，說：「起來！帶著小孩同他母親逃往埃及…」。此作品雖具音樂盒功能，然而其藝術價值反而顯現於上頭的裝飾陶瓷創作；聖母馬利亞抱著聖嬰耶穌騎在驢子上，約瑟揹著布袋隨行在側。\r\n 作品創作是根據《新約聖經》中的《馬太福音》第二章第13~15節之故事情節進行創作。作者Lucas發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩、室內擺飾及樂音聆聽之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326300","MainTitle":"聖家族騎驢赴埃及","Creator":"設計者：Lucas
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"16×6.5×14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzAw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200326300〈聖家族騎驢赴埃及〉主要是在描述聖經故事當中「逃到埃及」的部分。耶穌誕生之後，有東方三賢者到訪，當他們離去之後，有主的使者向耶穌的養父約瑟夢中顯現，說：「起來！帶著小孩同他母親逃往埃及…」。聖母馬利亞身著淡茶色連身長衫，頭披金色飾條的白色頭巾，抱著聖嬰耶穌騎在驢子上；約瑟以傳統牧羊人的打扮，揹著布袋、拄著拐杖隨行在側，前往埃及。\r\n 作品創作是根據《新約聖經》中的《馬太福音》第二章第13~15節之故事情節進行創作。作者Lucas發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品係由臺灣苗栗地區的丸利陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩、室內擺飾及樂音聆聽之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200326301","MainTitle":"紅雀","Creator":"","CreatedYear":"1986","Size":"8.5×5.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326302","MainTitle":"金絲雀","Creator":"","CreatedYear":"1986","Size":"10×7.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326303","MainTitle":"蜂鳥","Creator":"","CreatedYear":"1986","Size":"9×9.8×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326304","MainTitle":"啄木鳥","Creator":"","CreatedYear":"1986","Size":"8×5.8×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326305","MainTitle":"塘鵝","Creator":"","CreatedYear":"1986","Size":"8.2×6.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326306","MainTitle":"綠頭鴨","Creator":"","CreatedYear":"1986","Size":"11×7.2×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326307","MainTitle":"OWL","Creator":"","CreatedYear":"1986","Size":"7.5×6.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326308","MainTitle":"鵪鶉","Creator":"","CreatedYear":"1986","Size":"12.2×5.8×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326309","MainTitle":"麻雀","Creator":"","CreatedYear":"1986","Size":"9.8×8.5×12.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326310","MainTitle":"天鵝SWAN","Creator":"","CreatedYear":"1986","Size":"11.8×7.5×7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326311","MainTitle":"男士向擠牛奶的少女搭訕","Creator":"設計者：Norman Rockwell
其他-品牌商：Brown & Bigelow
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"8×8.5×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 自古以來牧歌是歐洲文學與藝術常見的題材，描述理想化的鄉村生活或田園風光。這件作品描繪美國農村常見的景象，帶有這種牧歌的浪漫意境。作品描繪一個農莊，中間有一條乳牛，一個少女穿著鄉村婦女的服裝，右手提著一個桶子，裡面裝滿的是剛擠出來的牛奶。她的後面有一位穿著很體面的男士，右手提著皮包，向前跟她搭訕。地上還有一隻白色羽毛的公雞。少女閉著雙眼，似乎有點害臊，是一幅典型的田園景象。\r\n 在乳牛腳邊印有Norman Rockwell的名款，說明作品是以他的插畫改作而來的。這種創作模式的歷史很悠久，早在1751年法國的Sèvres就曾經有陶瓷廠以雕刻家或畫家的作品為樣本，開發瓷器玩偶，作為宴會席上的擺飾品，這樣的傳統流傳至今。歐美社會很尊重智慧財產權，都會在作品上標示原創者。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326312","MainTitle":"賣貨婦女與顧客對話","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"12.2×7.6×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一對父女向一個賣古董藝品的婦女選購商品。賣貨婦女頭上包著黑頭巾，穿著簡樸而寬鬆的服飾，看得出是社會中下階層的人物。她坐在小包袱上，前面擺了許多陶瓷瓶罐、書籍乃至小喇叭等，等著顧客前來選購。她的前面站著年紀一大一小的父女，穿著都很體面，是社會階層較高的紳士淑女，和賣貨婦人形成對比。少女手上拿著一個陶瓷玩偶，滿臉笑容地和婦人討論她所銷售的商品。\r\n 文藝復興時期，西洋玩偶最初應用在教堂的浮雕裝飾，17世紀德國Meissen的窯場為國王生產犬猿與鳥類陶瓷動物，到18世紀中葉，創作的主題轉移到工人、農民等平民階級。因此在歷史的發展上，西洋玩偶的題材十分多樣，人物包括各階層的帝王、貴族與平民百姓。本作品是平民百姓的題材。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326313","MainTitle":"兩人討論馬匹的買賣","Creator":"設計者：Norman Rockwell
其他-品牌商：Brown & Bigelow
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"13.5×7.6×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 作品描繪馬匹的買賣情景。中間站立的是一匹體型健碩的白馬，前面站著的是一位身材瘦小的青年男子，他戴著寬邊草帽，長袖襯衫，褐色背心，白色長褲，膝蓋上有兩塊補丁，看得出家境並非富裕。馬匹旁邊站著的是一位身材肥胖，頭戴黑色禮帽，穿著白襯衫紅花格背心，外披毛絨大衣的紳士。他的右手指著馬匹，左手拿著馬鞭，正和前面一位鄉下人討論馬匹的買賣。地上還有兩隻一紅一白的公雞，後面有木欄杆作為點景。對比是藝術作品常用的審美表現法，本作品中兩個人物的體態和服飾就形成了明顯的對比，凸顯所要表達的主題。\r\n 戰後的日本是西洋玩偶的生產大國之一，產品輸出到歐美各國，其中瀨戶主要的產地，本作品接單設計的丸利陶瓷公司就是日本瀨戶的陶瓷大廠之一。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326314","MainTitle":"婦女與愛斯基摩人的對話","Creator":"設計者：Norman Rockwell
其他-品牌商：Brown & Bigelow
其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"13.3×6.5×9.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品為Norman Rockwell原創的冬季系列作品之一。地面上積了皚皚白雪，一個中年婦女頭戴寬邊圓頂帽，身穿灰色翻領毛大衣，右手扶著身邊的大鐵櫃，左手夾著一根好像雪茄的東西，向前高舉。她睜大雙眼，嘴巴大張，口若懸河似地向前面兩位老婦人說話。前面的婦人年紀較大，頭上都戴著黑色的保暖帽，再加上愛斯基摩式的連帽皮大衣，厚實的短筒靴，兩手交疊地保暖，前面一位婦人還揹著一個小嬰兒，兩人表情純真，專注地望著說話的婦人。地上還有一隻灰色的小狗，也加入聽眾的行列，人物的動作與表情都有生動的刻畫。\r\n 瀨戶是日本西洋玩偶的大本營，從明治時期開始，瀨戶陶器學校有雕刻家前來指導陶塑，培養許多人才，設計水準很高，為瀨戶的陶瓷藝術奠下深厚的基礎。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326315","MainTitle":"街頭藝人與顧客對話","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"14×10.2×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一個街頭景象。一個身材矮胖的男子，頭上戴著魔術師的高帽，穿著白襯衫，打紅領結，加上一件灰綠色的燕尾服。他的肩上掛著一個百寶箱，地上站著一隻穿了衣服的猴子。他一臉落腮鬍，堆滿笑容，左手拿著一個嚇人用的彈簧人頭箱，很用心地向面前的夫妻檔介紹他的商品。身旁站著的中年男子身材高壯，頭戴黑色高禮帽，身穿黑西裝，打領結，一身紳士服飾。旁邊的女士一頭金髮，後面梳成髮髻，一身淑女裝，披著皮草披肩。兩人認真地聽面前的賣藝人推銷他的商品。\r\n 戰後西洋玩偶在日本盛產到1970年代，步歐美的後塵，生產成本增加，利潤銳減，必須向外尋找代工廠。由於地緣與歷史的關係，臺灣成為其最佳的合作夥伴，促使苗栗陶瓷轉向西洋玩偶發展。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326316","MainTitle":"攤販與顧客作買賣","Creator":"設計者：Norman Rockwell
其他-品牌商：Brown & Bigelow
其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"14×12×18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶的構圖有的很單純，有的很複雜，本作品描繪一幅街頭攤販做買賣的景象，構成的元素相當多樣。背景是一匹黑馬，拖著一輛雙輪馬車，馬車上和地上裝滿了貨品。人物有一個年長的攤販，年輕的少婦，和一個年幼的女童。無論是人物的服飾、配件、動作與表情上都有細緻的描繪，彼此之間的互動也有生動的表現。臺座的青草與白色的小鴨，都說明場景是在鄉下。面對這麼複雜的單元藝術家以兩組身材與服飾對比的人物相向對話，以視覺的焦點統一整個畫面。\r\n 由於組合的元素很多樣，所以製作的過程很複雜。每個單元都要分別開發模具，分別製作，經過修整再組合成為整件作品。因此窯場必須要有很多技術熟練的工人來工作，因此窯場的規模很大，創造許多就業機會。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326317","MainTitle":"醉漢調戲少女","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"15×10.2×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的背景有一柱路燈，瓷磚地板，說明場景是在街頭。右邊站著一位身材高挑，金髮披肩，年輕貌美的少女，穿著優雅的淑女裝，頭上戴著寬邊的圓頂遮陽草帽，右手提著小皮包，左手持著一把鮮花。她一臉嚴肅地回頭望著右邊兩位一胖一瘦的男子。男士的服裝很正式，脖子都圍著圍巾，胖男子頭戴黑色高禮帽，仰著頭，左手扶著腹部，右手拿著酒瓶，搭在瘦男子的肩上，一副站都站不穩的樣子，顯然已經醉酒了。瘦男子戴著毛織的無邊鴨舌帽，扶持著同伴，手上也拿著一瓶酒，彎曲著身子，面帶微笑地看著少女。作品表現了無聊的醉漢想調戲女生的場景。\r\n 西洋玩偶無論在造型、原料、和技術方面，直接來自日本，間接來自歐美，使苗栗的陶瓷置於全球化的產業脈絡之下，與國際接軌。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326318","MainTitle":"金冠鳥","Creator":"","CreatedYear":"1981","Size":"13.5×8.8×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326319","MainTitle":"水獺","Creator":"","CreatedYear":"1981","Size":"12.8×9.6×7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326320","MainTitle":"獾","Creator":"","CreatedYear":"1981","Size":"13.8×9×8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326321","MainTitle":"田鼠","Creator":"","CreatedYear":"1981","Size":"13×8.2×8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326322","MainTitle":"兔","Creator":"","CreatedYear":"1983","Size":"13.8×8.3×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326323","MainTitle":"狐狸","Creator":"","CreatedYear":"1983","Size":"13.3×8.6×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326324","MainTitle":"熊貓","Creator":"","CreatedYear":"1983","Size":"13.8×8.4×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326325","MainTitle":"驢","Creator":"","CreatedYear":"1983","Size":"14×7.5×15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326326","MainTitle":"紅雀/鳥巢（吊飾）","Creator":"","CreatedYear":"1982","Size":"6.2×5.1×4.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326327","MainTitle":"金絲雀/鳥巢（吊飾）","Creator":"","CreatedYear":"1983","Size":"6.2×5×4.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326328","MainTitle":"結婚(音)","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1981","Size":"8.2×8.2×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 生命史是藝文常常討論的主題，本作品即表達藝術家對於婚姻的謳歌。主角是一對年輕人的婚禮，新娘身穿高領白色婚紗禮服，頭上戴著頭紗，露出金髮和蝴蝶結，左手捧著粉紅色的花束。新郎穿著西裝，打著領結，站在新娘長度及地的婚紗上面。他的右手背在後面，左手被新娘的右手摟著，兩人身體緊緊靠在一起。兩人都有藍眼睛，嘴角都微笑著，心情十分愉快，表現得十分親密，美滿的新家庭正是藝術家想要表現的主題。\r\n 圓形的台座高度較高，可以裝置音樂盒，發出悅耳的音樂。家人在視覺之外，還可以有聽覺的享受。作品胎質細緻而潔白，是高品質的瓷器，整個造型十分寫實。釉彩屬於無光，色彩單純而輕淡，在精緻之外，又給人雅致而樸實之感。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326329","MainTitle":"女芭蕾/花籃(音)","Creator":"","CreatedYear":"1982","Size":"9×8.3×10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326330","MainTitle":"小丑/雜耍(音)","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1982","Size":"8.2×8.1×13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 職業可成為藝術創作的源泉之一，本件作品描繪的是一個雜耍的小丑。小丑本來是個喜劇演員，穿著奇裝異服，常見的是在馬戲團中扮演著滑稽的角色，搏得觀眾的笑聲。這個小丑是一位小女孩，頭上戴著小禮帽，帽帶在下巴打結。她身穿束管長褲，高領長袖上衣，下擺蓬鬆。臉部經過特別的化粧，兩顆眼睛分別在中間畫上紅色的長菱形，臉頰也特別塗上兩個鮮紅的圓形，成為小丑特有的形象。她的臉上露著微笑，正以熟練的技術表演輪流抛接三個盤子的雜耍，白色的盤子上畫有一道青花圈，兩個在她的雙手，一個落在腿上。地上還有保齡球和皮球，也是繼續表演的道具。粉紅色的圓形底座，高度可以容納音樂盒。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326331","MainTitle":"穿褲","Creator":"設計者：Bessie Pease Gutmann
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"6.8×6.8×11.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 藝術家以其敏銳的觀察力，去發現生活中新鮮活潑的事物，作為描繪的對象，一個人的成長過程就可以作為表現的題材。西洋玩偶在設計時，常常會用一個主體貫穿幾件作品，成為一系列的產品。從器底的印款知道，本作品是藝術家Bessie Pease Gutmann為American Heirloom Porcelain品牌所設計的「Once Upon a Childhood」系列作品之一，名為”Just A Little Bit Independent”，意在描繪一個男孩在成長過程中，剛學會獨自主立穿衣服的情景。\r\n 男孩眼睛明亮，臉色紅潤。他已經穿好白色的背心，正接低著頭，穿上粉紅色的短褲，兩手在腰部右側調整帶子。他身體背後還有一張方形的凳子，外衣還放在上面，準備穿上。地上還放著一隻鞋子，凳子左側下方刻有原創者Bessie Pease Gutmann的名字。由於身體遮蔽的地方很少，顯露出他建壯的身體，表現年輕時期人們健康活潑的一面。(詮釋委員：陳新上)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000000350a3aba2c6a3d6133235376e1d63c52df78ab81a8b82e80c0dd41a91061a950f36577319d28b25f093db5e04023800085bee66b505a9e26e8b8cde3bcc7ce9"}
,{"Identifier":"200326332","MainTitle":"女/抱人形（洗滌）","Creator":"設計者：Bessie Pease Gutmann
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"6.5×6.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一個小女童與洋娃娃互動的情景。女童棕髮披肩，左右兩邊各繫一個綠色的蝴蝶結，顯得十分可愛。她穿著粉紅色露肩裝，左手抱著一個洋娃娃，右手拿著一塊海綿，她的腳下有一盆水。題目是”My Bruzzer Had A Fever”，因此她想要用冷水來退燒。作品表現女童有一個純真而善良的愛心。\r\n 器底另印有設計者Bessie Pease Gutmann、設計品牌American Heritage Porcelain TM、以及產地TAIWAN等資料。\r\n作品有細膩的色彩表現。它們在彩繪時，採用分工合作的方式，由三、五個彩繪員坐在一張工作桌前，分別繪製部分的色彩。由於五官的繪製不易，所以都由特定人員彩繪，甚至眉毛、眼線、睫毛、眼珠、眼白、嘴唇等都分別由不同的人員彩繪，其餘的膚色、服飾、配件則另有專人負責。因此瓷偶的色彩會產生不同的表現風格。(詮釋委員：陳新上)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000cc6c784663fdfc4616db6e4a68e1bac5e3c2c911170d33fe5d9d263dd2e4dce92f5dcaefe48aaf313e86346bed7b8ad7cbf771be67e7b2a6c251b142cd2e610c"}
,{"Identifier":"200326333","MainTitle":"女/搖椅","Creator":"設計者：Bessie Pease Gutmann
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"10.5×7.2×10.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一個小女孩抱子洋娃娃坐在搖椅上的情景。小女孩穿著粉紅色連身無袖短裙，坐在綠色的搖椅上，左手抱著洋娃娃在肩膀上，右手輕拍著洋娃娃的背部，擡起頭，張開嘴巴，唱著搖籃曲，哄娃娃睡覺。另有一隻褐色的小狗睡在地上，畫面十分溫馨而可愛。\r\n 女童右邊的搖椅下方刻有原創者的名字「Bessie Pease Gutmann」，器底另印有標題「”Lullaby”」、設計者Bessie Pease Gutmann、設計品牌American Heritage Porcelain TM、以及產地TAIWAN等資料。設計者擅長把主題的各個單元盡量地緊靠在一起，減少拼接與組合的工序，所用的色彩也不多，顯出清淡雅致的風格。本作品的彩繪的方法，除了臉部的筆繪之外，還有用噴繪的技法噴上腮紅，身體與衣飾則採用渲染平塗的方法裝飾，部分地方並留白，器底的文字則採用轉寫紙貼花技術，因此整件作品的裝飾十分多樣。(詮釋委員：陳新上)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000f07887fa6ccedeca65e953ab58f73b53ec0ef8b6184ac44529b6581224bbdcb2b2dad68cbb2bdb72f8ab16da8663588e0f164d1cd22e6e79f8fd64a9008cb2b2"}
,{"Identifier":"200326334","MainTitle":"飲食/祈禱","Creator":"設計者：Bessie Pease Gutmann
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"9.2×6.8×9.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪一個小男孩飯前祈禱的情境。小男孩前面有一張綠色的餐桌，餐桌上擺著牛奶、麵包和一支湯匙。他則坐在椅子上，面對食物，雙手合掌，低下頭，閉上眼，虔誠地在祈禱。桌子和椅子旁邊都有聖誕樹、星星與雪花的裝飾圖案，暗示著是聖誕時節。整件作品具有宗教情操，讚美上帝的榮耀。\r\n 男童坐椅後面刻有設計者的簽名「Bessie Pease Gutmann」，但器底沒有產品相關的資訊，只貼著「SAMPLE NOT FOR SALE JAPAN」字樣的貼紙，說明它是來自日本的樣品。從設計者的姓名與產品設計的簡化風格知道，它是American Heritage Porcelain品牌的產品，在臺灣代工生產。\r\n西洋玩偶的裝飾方式有釉下彩、釉上彩與素坏彩繪(業界稱為biscuit)。歐洲人喜歡釉上彩或釉下彩的產品，而美國人偏好素坏彩繪作品，因此這件作品很可能是針對美國的市場。(詮釋委員：陳新上)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000028b3513a0ed7fd3c579595005af03a586b8e55457e4be103b61d35eb4e96fabab597f509f98cd91e1c78250eaa6be50bbe9ceda14aece86759aa79d94006af78"}
,{"Identifier":"200326335","MainTitle":"女/餵貓","Creator":"設計者：Bessie Pease Gutmann
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"9.8×6.8×7.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 歐美家庭都喜歡在家庭中擺設陶瓷玩偶，必備的裝飾，因而擁有很大的消費市場。這件作品描繪一個小女孩餵食小貓的情景。小女孩穿著高領長袖連身裙跪在地上，右手拿著一個盤子，裡面裝了食物，正在餵食一隻灰黑色的小貓。藝術家在設計作品時，常常賦與特殊的意涵。作品標題是”The Foster Mother”，表達了女孩子把自己當養母，把小貓當作孩子一般的照顧，充滿了家庭式的溫馨，也傳達了兒童善良純潔的心靈。\r\n 女孩右手下方的基座上有設計師的名字Bessie Pease Gutmann，器底另標示與作品有關的文字資料。西洋玩偶以雕塑的形式表現，配合多色的彩繪，使作品更加接近現實，栩栩如生。設計師承繼歐美的藝術傳統，無論在造型、繪畫、裝飾或雕塑都有其精緻性與準確性，成為西洋玩偶的重要特色。(詮釋委員：陳新上)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000004290351b7f17ee5701260ccd529ba3751e68e844729f5e7a59969cacb8fbcbec56988169d2126d72b88a6f6fa5b9bc8f629d083ceeffc878c753bb73f1c24614"}
,{"Identifier":"200326336","MainTitle":"女/抱人形","Creator":"設計者：Bessie Pease Gutmann
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"6.5×6.5×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品表現人性的善良面。主角是一個可愛的小女孩，穿著淺綠色的連身高領長袖短裙，身體略向前傾，臉頰貼近雙手所抱著的娃娃，一臉憐憫的樣子。原來娃娃的左腿和右手已經截肢，是個殘障者。從女孩對於娃娃盡心的呵護中，看到一般人難以企及的純真與善良，藝術家傳達了世人高貴的倫理道德，把標題定為”Love is Blind”。\r\n 本來在歐美生產的瓷偶到二十世紀工業迅速發展之後，生產成本大幅提高，獲利衰退，因而把生產線移到國外。戰後初期的日本經濟殘敗，直到1947年才重新恢復生產，成為最佳的生產新基地。在美國的扶持之下，日本陶瓷公司與歐美業者合作，由歐美公司設計，在日本加工生產，西洋玩偶迅速成為日本的外銷陶瓷，位於日本瀨戶的丸利公司即是其中的例子。(詮釋委員：陳新上)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000aca2932ac6afe0dd39a87fedc8c3d83daa407ed3e85cc6122267fcbb9b48521bc4ecd6b345d593538b1f07f0f8a501a0f6b2c5e685d060b2dbfdcb61758a5c2c"}
,{"Identifier":"200326337","MainTitle":"女坐","Creator":"設計者：Bessie Pease Gutmann
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"8×8.2×9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶常從日常生活中取材。本作品題為”Television”，描繪一個小女童看電視的樣子。小女孩身穿高領連身服，坐在有海綿坐墊的凳子上，兩手扶著凳面，兩眼直視前方，神情專注，正在看電視，前方腳下有一個綠衣娃娃坐在地上陪伴著，一本打開的書本則放在另一邊的地上。作品的造型與色彩具有設計師Gutmann的一貫風格。\r\n 坐凳背後下方刻有設計者的名字「Bessie Pease Gutmann」，器底另印與作品相關的文字資料。從中得知本作品由美國的American Heritage Porcelain品牌設計，經由日本丸利公司的接單，在臺灣生產。日本丸利公司位於愛知縣瀨戶市，由水野家族所創立。1979年與藝術家W. D. Gaither合作，在美國生產限量的作品專供典藏之用，許多著名的博物館或美術館都有這類典藏品。幾乎與此同時，苗栗分公司成立，專門生產西洋玩偶，苗栗也因此參與了陶瓷工業的全球化。(詮釋委員：陳新上)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000077da079a7b2271138be66ed8f57a4330fff0ea218848d624694dafd2c55fc6a91976e012c6e4e77c7e7fa48f0f7859e2313d88082b55f1ccc825e0083bc940cd"}
,{"Identifier":"200326338","MainTitle":"男/寫字","Creator":"設計者：Bessie Pease Gutmann
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"7.5×11.5×6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪日常生活的景象。一個小男孩，穿著綠色的長褲與襯衫，趴在地板上，左手撐著身體，右手拿著筆，在一張紙上寫字，旁邊有一隻毛色褐白相間的小狗陪著他。作品的造型與色彩都很簡潔，是設計師Gutmann的作品風格。\r\n 小狗背後的臺座上刻有設計師的名字「Bessie Pease Gutmann」，器底另印有「”Asking For Trouble”」、「Bessie Pease Gutmann」、「American Heritage Porcelain TM」、以及「TAIWAN」等資料，説明這件作品在臺灣生產。西洋玩偶在臺灣以新竹的「東方藝術陶瓷廠」為最早， 不久有公館的「精華藝術陶瓷公司」、頭屋的「聯美陶瓷公司」、以及苗栗的「丸利陶瓷公司」相繼成立，其後裝飾陶瓷在苗栗迅速發展，成為新興的「裝飾陶瓷王國」。臺灣陶瓷即透過日本的中介與歐美接觸，走向現代藝術陶瓷的新路線。(詮釋委員：陳新上)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000002b0f0fd8a577e892511c0ead31a5352454fbd80319c19b75731c6f66fbca96f01714606aacee43b9c62a09dff0f987267d963e02be19225a69973c8c74b91c"}
,{"Identifier":"200326339","MainTitle":"男/階梯（犬付）","Creator":"設計者：Bessie Pease Gutmann
其他-代工：丸利陶器股份有限公司","CreatedYear":"1984","Size":"8.2×9×9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 西洋玩偶在苗栗業界通稱「裝飾陶瓷」，以別於北投的日用陶瓷與鶯歌的仿古陶瓷。產品種類很多，就用途而言，可分為裝飾玩偶、音樂盒玩偶、粉盒、吊飾和酒瓶等，造型有人物、動物、植物與屋宇。這件作品即以人物題材，描繪一個男嬰居家生活的一幕。\r\n 男嬰身穿淺色的長褲與襯衫，他還不會走路，即以爬行的方法爬樓梯，神情十分專注。身後有一隻小狗跟著他一起爬，兩者姿態與表情類似，十分有趣。樓梯只做出四階，讓人的視線聚焦於特定的主題上，產生形象孤立的美感。右邊階梯旁刻有設計師的名字「Bessie Pease Gutmann」，可知這是他為American Heritage Porcelain品牌所設計的產品，具有設計師一貫的簡潔藝術風格。器底有「SAMPLE NOT FOR SALE JAPAN」等文字，說明它是日本製作的樣品。(詮釋委員：陳新上)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000023dd19db71cc12729491d604f272db82c04138205e64dcdad62232276da2c5977e36ad1c5e462e16f7dba8ed8734f7b3b2e763b98d50c0abd99cb14844587464"}
,{"Identifier":"200326340","MainTitle":"男/騎木馬","Creator":"設計者：Bessie Pease Gutmann
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"5.8×6.8×11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 從人們的日常生活中取材是西洋玩偶創作的方向之一。本作品描繪一個男童騎木馬的情景。男童藍色的束管短褲，長袖大翻領的茄克裝，繫著白色腰，腰間還插著一支手槍。他的胯下夾著一匹木馬，馬頭寫實，馬身用一根木材代替。他左手扶著馬頭，右手高舉馬鞭，正在認真地騎著。作品表現出兒童在遊戲時，充滿著想像的天真樣子。\r\n 男童後面地上刻有設計師Bessie Pease Gutmann的簽名，可知這是他為American Heritage Porcelain品牌所設計的產品。西洋玩偶的開發上，藝術家的參與成為不可或缺的要素。他們除了優秀的雕塑與繪畫技術之外，還要兼備自然科學與人文學術的素養，才能勝任這種創造設計。在臺灣，藝術家一直未能積極參與產品的開發與設計，西洋玩偶的出現，對於產業的發展應有所啟示。(詮釋委員：陳新上)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000007acfd4ebf0ef9ba70b7e71a3701e73a06ae6e33d6b1410bb428a49852aaefe5a1723c37fdcfcb3966d0fafafc8207c39db18aa4056e81e37e1abe946209ae179"}
,{"Identifier":"200326341","MainTitle":"蝴蝶/黃長春花","Creator":"","CreatedYear":"1984","Size":"9.6×9.6×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326342","MainTitle":"蝴蝶/藍堇花","Creator":"","CreatedYear":"1984","Size":"9.5×9.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326343","MainTitle":"蝴蝶/粉紅牽牛花","Creator":"","CreatedYear":"1984","Size":"9.5×9.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326344","MainTitle":"蜂鳥(音)","Creator":"","CreatedYear":"1984","Size":"10.2×11×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326345","MainTitle":"麻雀(音)","Creator":"","CreatedYear":"1984","Size":"9.5×9.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326346","MainTitle":"金絲雀(音)","Creator":"","CreatedYear":"1984","Size":"9.5×9.5×14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326347","MainTitle":"青雀(音)","Creator":"","CreatedYear":"1984","Size":"9.5×9.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326348","MainTitle":"紅雀(音)","Creator":"","CreatedYear":"1984","Size":"9.5×9.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326349","MainTitle":"男/燭台","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1980","Size":"10.9×10.9×17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 在基督教的社會裡，聖誕節應景的聖誕老人、聖嬰、聖母、天使等瓷偶是每個家庭不可或缺的裝飾品，具有廣大的市場。本作品描繪一個金髮男孩立像，他身穿聖誕老人式的大V形白領的鮮紅色袍衣，站在銀白色的雪地上，右手持燭臺，左手拿裝禮物的聖誕節襪子，背後立著一棵綠色的聖誕樹。他心情平靜地兩眼平視，似乎在等待什麼人的到來，完全表現出聖誕節到來的喜樂氣氛。本件作品底下裝有音樂盒，可發出悅耳的音樂。\r\n 丸利公司的西洋玩偶胎質潔白，用色細緻精美，品質在苗栗地區首屈一指，是苗栗最重要的裝飾陶瓷公司之一。臺灣陶瓷在過去雖然也不乏雕塑性的作品，然而西洋玩偶以歐洲的雕塑藝術為主要表現的風格，使苗栗陶瓷進入的新紀元，在工藝史上具有重要的意義。(詮釋委員：陳新上)","ImageUrl":""}
,{"Identifier":"200326350","MainTitle":"釉下彩/鼓手(音)","Creator":"","CreatedYear":"1982","Size":"10.5×10.5×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326351","MainTitle":"天使與嬰孩的祈禱/女睡（燈具）","Creator":"其他-品牌商：Roman, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1979","Size":"11.5×11.5×12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現沉睡在床的女嬰，有天使在身邊關注庇護的祝福場景，充滿平安順利成長的寓意。造型元素豐富，也充滿各種彩繪細節，天使與嬰孩的五官慈愛又無憂，色彩柔和呈現純潔氛圍。從底座側邊RR©1979的刻印，以及底部RR商標Roma Taiwan的貼紙，可得知這是一件由美國禮品公司Roman委託在臺灣製造的產品，這類雕像通稱裝飾陶瓷，因應歐美國家禮品文化而生，做為日常或宗教節慶時的餽贈禮物，佔有廣大市場。\r\n 臺灣裝飾陶瓷產業是由日本技術轉移而來，從1960年代中晚期起開始，歷經1970年代的設廠投資發展，在1980年代蓬勃興盛，苗栗地區飾其中產業重鎮，以人物、動植物和節慶裝飾的產品類型為大宗，製造上採瓷土注漿成形後釉上彩繪，當時為臺灣賺取豐厚的外匯，1990年代激烈競爭下開始由盛轉衰。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326352","MainTitle":"天使與嬰孩的祈禱/男睡（音樂盒）","Creator":"其他-品牌商：Roman, Inc.
其他-代工：丸利陶器股份有限公司","CreatedYear":"1979","Size":"11.5×11.5×12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現憨睡在床的男嬰，有天使在身邊關注庇護的場景，充滿平安順利成長的祝福寓意。整體造型元素豐富，也充滿各種彩繪細節，色彩柔和呈現純潔氛圍。從底座側邊RR©1979的刻印，以及底部RR商標Roma Taiwan的貼紙，可得知這是一件由美國禮品公司Roman委託在臺灣製造的產品，這類雕像通稱裝飾陶瓷，因應歐美國家禮品文化而生，做為日常或宗教節慶時的餽贈禮物，佔有廣大市場。\r\n 臺灣裝飾陶瓷產業由日本技術轉移而來，從1960年代中晚期起開始，歷經1970年代的設廠投資發展，在1980年代蓬勃興盛，苗栗地區是其中產業重鎮，以人物、動植物和節慶裝飾的產品類型為生產大宗，製造上採瓷土注漿成形後釉上彩繪，當時為臺灣賺取豐厚的外匯，1990年代激烈競爭下開始由盛轉衰。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200326353","MainTitle":"耶穌門徒1/書、劍持","Creator":"","CreatedYear":"1983","Size":"7×4.8×12.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326354","MainTitle":"耶穌門徒2/書、杖持","Creator":"","CreatedYear":"1983","Size":"5.5×4.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326355","MainTitle":"耶穌門徒3/書、鑰匙持","Creator":"","CreatedYear":"1983","Size":"5.8×5.2×11.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326356","MainTitle":"耶穌門徒4/馬太(書持)","Creator":"","CreatedYear":"1983","Size":"5.6×4.6×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326357","MainTitle":"耶穌門徒5/薩迪威(刺刀持)","Creator":"","CreatedYear":"1983","Size":"5.8×4.7×12.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326358","MainTitle":"耶穌門徒6/約翰(書持、筆持)","Creator":"","CreatedYear":"1983","Size":"7.2×4.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326359","MainTitle":"耶穌門徒7/腓力(十字架)","Creator":"","CreatedYear":"1983","Size":"6.5×6.2×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326360","MainTitle":"耶穌門徒8/角尺","Creator":"","CreatedYear":"1983","Size":"6×6.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326361","MainTitle":"耶穌門徒9/巴托羅繆(袒胸、刀持)","Creator":"","CreatedYear":"1983","Size":"7.4×4.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326362","MainTitle":"耶穌門徒10/詹姆士(杖持)","Creator":"","CreatedYear":"1983","Size":"6×4.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326363","MainTitle":"耶穌門徒11/安德烈(袒胸、倚木)","Creator":"","CreatedYear":"1983","Size":"7×5.5×11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326364","MainTitle":"耶誕鈴浮彫杯皿","Creator":"","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326365","MainTitle":"幸運草浮彫杯皿","Creator":"","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326366","MainTitle":"小紅花/紅茶杯皿","Creator":"","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326367","MainTitle":"小紅花/咖啡杯","Creator":"","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326368","MainTitle":"小綠花/紅茶杯皿","Creator":"","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326369","MainTitle":"小綠花/咖啡杯皿","Creator":"","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2MzY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326370","MainTitle":"三色花/紅茶杯皿","Creator":"","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326371","MainTitle":"三色花/咖啡杯皿","Creator":"","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326372","MainTitle":"蘭花/紅茶杯皿","Creator":"","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326373","MainTitle":"蘭花/咖啡杯皿","Creator":"","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326374","MainTitle":"粉紅玫瑰/紅茶杯皿","Creator":"","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326375","MainTitle":"粉紅玫瑰/咖啡杯皿","Creator":"","CreatedYear":"1979","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326376","MainTitle":"工作中的老銀匠","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1987","Size":"13.2×11.4×19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品是一系列的老匠師之一，描繪的是一個老銀匠在工作。他頭髮、眉毛、下巴的落腮鬍都變成蒼白色，額頭上有皺紋，都表示他是個已經上了年紀老匠師。他的臉色紅潤，肌肉結實，說明身體還很健朗。他戴著灰綠色有前緣的軟帽，身上穿著長袖白襯衫，打著褐色領結，外加一件背心，黑色長褲，左膝上有一塊補丁，黑皮鞋，腰間繫著工作圍裙，一身工作服，坐在地上的小石凳上。他的左手抱著一個帶有把手的銀水壺，上面的紋飾都有清楚的刻畫，眼睛注視著右手上拿著的材料，表情十分認真。地上擺著一個帶柄的杯子，裡面裝的可能是焊接的材料。\r\n 從衣著上看，老匠師的經濟狀況並不寬裕，上了年紀還要辛苦地工作，這樣的作品頗能引發觀者對於弱勢者的同情之心。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326377","MainTitle":"老鞋匠修高跟鞋","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1987","Size":"12.6×10.6×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品是老匠師系列之一，描繪老鞋匠的工作。他的頭髮、眉毛、八字鬍都已經變成灰白色，額頭上有幾道深皺紋，兩頰消瘦，表情顯得憂鬱。他的身材瘦弱，肌肉上的筋骨血脈歷歷可見，充分表現出他的老態。他穿著淺褐色襯衫，深褐長褲，左膝上有一個補丁，腳上穿著黑皮鞋，外加一件吊帶的寬鬆工作服，服飾老舊。他坐在矮小的工作凳子上工作。他的前面有一個小工作檯，上面穿著一支高跟鞋。左手擱在左腿上，手指觸摸著鞋根。右手拿著鐵槌高舉著，準備要修理皮鞋。這些造型因素都在顯示他的家境貧困。\r\n 作品十分寫實，把老匠師的形象刻畫得很傳神，表達了對於社會下層老人的關心，而這種消失中的行業，也能引發思古幽情。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326378","MainTitle":"老畫師彩繪陶器花瓶","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1987","Size":"13.2×10.5×18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品描繪老陶工正在彩繪花器的情形。他的頭髮、眉毛、上嘴唇的短髭和下巴的落腮鬍都已變白。額頭和眼角都有皺紋，雙眼雖然明亮，但略可見到疲態，老人的特徵十分明顯。他只穿著一件寬大的衣服，袖口捲起，領口敞開，露出胸部，褐色長褲的褲管捲起。他坐在矮凳上，雙腿鋪著一塊灰綠色的工作布料，左手扶持著左膝上的尊形花瓶，右腿上放在一個裝著色料的盤子，右手拿著畫筆，正在彩繪，如實呈現畫師彩繪時的神情。\r\n 作品塑造得十分寫實。為了強調立體感，彩繪時，在器體表面先上一種深褐色的油料，再把它擦拭。此時高處的部分會被清除乾淨，而凹陷處還會留下油料。此時再在上面著色，凹下的線條就能顯出較深的陰影色彩，使作品的立體感更加突顯，是業界常用的技法。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326379","MainTitle":"老匠師修理鐘錶","Creator":"其他-代工：丸利陶器股份有限公司","CreatedYear":"1987","Size":"13.2×12.4×19.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主角是一個老師傅修理鐘錶的情形。他的上嘴唇留著八字鬍，下巴蓄著落腮鬍，頭髮、眉毛都已變白，額頭和眼角都有皺紋，說明他的年紀相當大。他的頭上戴著毛線帽，身上穿著褐色襯衫與長褲，外加一件吊帶工作圍裙。他坐在木製的矮凳上，左邊放有三個抽屜的工作箱，裡面可以放入零件，上面放著鉗子之類的修錶工具。他的左手拿著形螺絲起子，手肘擱在小平臺上。右手拿著小零件在眼前，戴上鐘錶業特有的單眼放大鏡，仔細地觀察，把觀察鐘錶的表情描繪得很傳神。\r\n 西洋玩偶以雕塑為主要表現技法。過去苗栗的傳統陶師林榮飛等人也曾經創作雕塑性的作品，然而大都是概念式的表現，缺乏學院式的直接寫生技法，西洋玩偶為苗栗的陶塑藝術帶來現代的新表現風貌。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326380","MainTitle":"岩石上的美人魚","Creator":"設計者：G. G. Santiago
其他-品牌商：Enesco, LLC
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"17.6×15.1×19.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品取材自童話故事「小美人魚」(The Little Mermaid)中的女主角。她是人身魚尾，面貌美麗姣好。她的長金髮從頭肩垂到腰際，隨風飄動，形成很優美的S形。她赤裸上體，身材姣好。下身為淡綠色的魚體，遍滿鱗片，兩片尾鰭開叉，觸及地面。她坐在岸邊的岩石上，表示她已經離開海洋來到陸地。岩石上長了青青水草，附著貝殼，是個海濱景象。她的雙手拿著一個海螺，放在耳邊，好像在傾聴貝殼傳來深海的聲音。作品刻畫細微，肌膚表現得十分細膩，好像具有彈性的樣子。她的頭髮、身體、魚鰭充滿流暢的曲線，具有新藝術(Art Nouveau)的表現風格。色彩淡雅而和諧，作品充滿了奇異的幻境，給人無限的遐想空間。\r\n 作品的設計師是G. G. Santiago，作品優雅而富於想像，結構細膩而複雜，製作有相當的難度。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326381","MainTitle":"皿/階梯","Creator":"","CreatedYear":"1985","Size":"18×18×1.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326382","MainTitle":"皿/穿衣褲","Creator":"","CreatedYear":"1985","Size":"18×18×1.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326383","MainTitle":"皿/寫字","Creator":"","CreatedYear":"1985","Size":"18×18×1.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326384","MainTitle":"皿/搖椅","Creator":"","CreatedYear":"1985","Size":"18×18×1.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzg0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326385","MainTitle":"皿/浴缸","Creator":"","CreatedYear":"1985","Size":"18×18×1.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326386","MainTitle":"皿/祈禱","Creator":"","CreatedYear":"1985","Size":"18×18×1.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzg2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326387","MainTitle":"皿/喇叭","Creator":"","CreatedYear":"1985","Size":"18×18×1.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326388","MainTitle":"皿/女抱人形","Creator":"","CreatedYear":"1985","Size":"18×18×1.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326389","MainTitle":"皿/騎木馬","Creator":"","CreatedYear":"1985","Size":"18×18×1.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326390","MainTitle":"皿/餵貓","Creator":"","CreatedYear":"1985","Size":"18×18×1.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzkw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326391","MainTitle":"皿/女坐","Creator":"","CreatedYear":"1985","Size":"18×18×1.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzkx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326392","MainTitle":"皿/女傘","Creator":"","CreatedYear":"1985","Size":"18×18×1.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzky","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326393","MainTitle":"梟/親子","Creator":"","CreatedYear":"1988","Size":"15×11×17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzkz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200326394","MainTitle":"釣魚少年(可口可樂百年廣告紀念品)","Creator":"設計者：Norman Rockwell
其他-品牌商：The Coca-Cola Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1985","Size":"11×8.5×13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzk0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 美國是世界上最大的西洋玩偶市場，其中人偶玩具最受兒童的喜愛。本作品的主題是一個男孩子在釣魚。他戴著遮陽草帽，穿著休閒長襯衫，藍色七分吊帶褲，打著赤腳，坐在半截的樹幹上，右手拿著一瓶可口可樂，左手拿著釣竿在釣魚，下面是一片清澈的河水，上面有浮標。他的身旁有一隻小狗陪伴著，旁邊有一罐魚餌。下方木質臺座的立面有金屬標簽，説明這是可口可樂百年的廣告紀念品。作品皮膚骨骼與服裝褶紋的立體感都處理得栩栩如生，製作非常精巧。\r\n 雕塑家是發展西洋玩偶不可或缺的人才。過去臺灣陶瓷界一直缺乏優秀的雕塑藝術家，在產品的開發上頗受限制。西洋玩偶的出現開拓了新技術與新視野，在陶瓷文化史上具有重要的意義。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326395","MainTitle":"赤腳少年(可口可樂限量紀念品)","Creator":"設計者：Norman Rockwell
其他-品牌商：The Coca-Cola Company
其他-代工：丸利陶器股份有限公司","CreatedYear":"1986","Size":"15×7.5×10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主題是一個男孩子休息時在喝可口可樂。他戴著遮陽草帽，穿著藍色休閒衫，褐色七分吊帶褲，打著赤腳，坐在地上，背部靠著半截的樹幹。身旁放在一支釣竿，表示他釣完魚後在休息。左手拿著一片吐司，右手拿著一瓶可口可樂，貼在臉上，顯得十分開心。一隻寵物狗陪在他的身旁與他對望，顯得十分親密。下方木質臺座上的金屬標簽，説明這是可口可樂的限量品。作品把可口可樂給年輕人的滿足感表現得恰如其分。\r\n 本作品為丸利陶瓷公司所生產。繼丸利之後，西洋玩偶快速發展，1980年代達到高峰，其後便告衰落，前後不到三十年。由於產品沒有本國市場的支持，入行門檻不高，在缺乏外銷市場後，產業便迅速外移而沒落。西洋玩偶的盛衰可作為各界對於未來陶瓷產業發展的借鑑。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200326396","MainTitle":"白雙鴿(音)","Creator":"","CreatedYear":"1986","Size":"16×10.5×15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzI2Mzk2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401001","MainTitle":"三國演義卷頭詞(大)","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401002","MainTitle":"三國演義卷頭詞(小)","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401003","MainTitle":"山外有山","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401004","MainTitle":"悠悠歲月","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401005","MainTitle":"拙趣","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401006","MainTitle":"觀濤","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401007","MainTitle":"海納百川有容乃大","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401008","MainTitle":"隨緣惜福","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401009","MainTitle":"靜觀自得","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401010","MainTitle":"惠風和暢","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401011","MainTitle":"樂山水","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401012","MainTitle":"竹品蘭馨","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401013","MainTitle":"康寧","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401014","MainTitle":"魚耀鳶飛","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401015","MainTitle":"澄懷","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401016","MainTitle":"真誠","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401017","MainTitle":"東坡赤壁懷古","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401018","MainTitle":"靜觀","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401019","MainTitle":"斯土有情","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401020","MainTitle":"幾度白雲峰畔鎖蒼松","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401021","MainTitle":"松巖落瀑","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401022","MainTitle":"獨立滄茫飽看山","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401023","MainTitle":"浮雲出翠岫","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401024","MainTitle":"竹","Creator":"創作者：柯耀東","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200401025","MainTitle":"馬上封侯","Creator":"創作者：陳萬松","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 木雕名家陳萬松，從事美術木雕事業40載。近十幾年來，他改變自身創作方向，轉而關注中華文化，以突破傳統雕刻的表現手法，刻畫出濃濃的文化薪傳的情懷。\r\n 陳萬松的木雕創作曾獲諸多肯定：1996年獲宜蘭美術家聯展工藝組第一名，同年更以巨幅「清明上河圖」（長12尺、寬1尺8寸）雕刻榮獲第五屆民族工藝獎雕刻類首獎，1998年獲第一屆傳統工藝獎。曾受託整修宜蘭文化古蹟「開蘭三大老」神像，並於1999年應邀至日本龍泉寺協助廟宇雕刻。陳萬松並計劃創作多件巨幅木雕作品，如「蘭陽開蘭史」、「蘭陽百景」等，以其保存發揚民俗工藝，將作品留於後人共享。\r\n 本件陳萬松木雕作品，以圓匾連座的形制，作兩面精雕圖案。一面刻「馬上封侯」，以大圓中環邊小圓比喻月日，以大小二猴立馬背、抓馬尾，任駿馬奔騰祥雲之上，立刻「馬上封侯」卷頁。素面不漆的木紋，使奔馬更見流動的律動的流動感，佈局構圖十分特殊。\r\n 另一面「蘭陽采風」，淺浮雕蘭陽珍貴遺物「獻馘碑」古蹟，風景優美古樸，引人深思。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"200401026","MainTitle":"馬上封侯","Creator":"廖飛熊","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAxMDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200402001","MainTitle":"三姊妹－下午茶調味罐組","Creator":"創作者：張淑金","CreatedYear":"","Size":"附展示座","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品運用紅銅銲接、電鍍、噴砂等技法，融合傳統藍衫的衣領造型轉化為三件組的調味罐設計，非但在視覺上有整體俐落的線條表現，既具創作美學理念又符合實用功能，作品不但能融入現代生活環境，並可提升美的品味。 (詮釋委員:王梅珍)","ImageUrl":""}
,{"Identifier":"200402001001","MainTitle":"三姊妹－下午茶調味罐組(直紋)","Creator":"創作者：張淑金","CreatedYear":"","Size":"附展示座","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAyMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件作品以婦女傳統服裝式樣精簡化設計，做成歐式下午茶調味罐之造型，巧妙的融合中西方傳統，圖案線條鍍金，增加其華麗感。從生活中的樂趣得到創作表達，在視覺上帶有溫暖，給人心靈上一種體貼呵護的安慰。","ImageUrl":""}
,{"Identifier":"200402001002","MainTitle":"三姊妹－下午茶調味罐組（斜紋）","Creator":"創作者：張淑金","CreatedYear":"","Size":"附展示座","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAyMDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件作品以婦女傳統服裝式樣精簡化設計，做成歐式下午茶調味罐之造型，巧妙的融合中西方傳統，圖案線條鍍金，增加其華麗感。從生活中的樂趣得到創作表達，在視覺上帶有溫暖，給人心靈上一種體貼呵護的安慰。","ImageUrl":""}
,{"Identifier":"200402001003","MainTitle":"三姊妹－下午茶調味罐組（圓紋）","Creator":"創作者：張淑金","CreatedYear":"","Size":"附展示座","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAyMDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件作品以婦女傳統服裝式樣精簡化設計，做成歐式下午茶調味罐之造型，巧妙的融合中西方傳統，圖案線條鍍金，增加其華麗感。從生活中的樂趣得到創作表達，在視覺上帶有溫暖，給人心靈上一種體貼呵護的安慰。","ImageUrl":""}
,{"Identifier":"200402002","MainTitle":"築巢","Creator":"創作者：王振利","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「築巢」作品以擬真寫實風格做為創作形式，逼真的描述自然生態中的瞬息萬變的姿態與細節，作者觀察敏銳毫無遺漏地刻畫形塑，令人讚嘆工藝精妙。此作品深具典藏與觀賞之趣，亦附提供學習與生態教化的功能。工藝技巧以金工為主，技法純熟內斂、材質運用自然得宜，實屬難得佳作。（詮釋委員：陳國珍）","ImageUrl":""}
,{"Identifier":"200402003","MainTitle":"十二星座","Creator":"創作者：任明國","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件名為「十二星座」觀賞工藝作品是運用金屬線編織纏繞技法結合天然石頭創作完成，「十二星座」也就是黃道十二宮，其順序依次為：1.牡羊宮（Aries, ♈︎）；2.金牛宮（Taurus, ♉︎）；3.雙子宮（Gemini, ♊︎）；4.巨蟹宮（Cancer, ♋︎）；5.獅子宮（Leo, ♌︎）；6.處女宮（Virgo, ♍︎）；7.天秤宮（Libra, ♎︎）；8.天蠍宮（Scorpio, ♏︎）；9.射手宮（Sagittarius, ♐︎）；10.摩羯宮（Capricornus, ♑︎）；11.寶瓶宮（Aquarius, ♒︎）；12.雙魚宮（Pisces, ♓︎）。\r\n作者任明國以十二星座的代表符號與形象作為造形發想，在創作者的巧思安排下以各色各種石頭重現這些符號與形象，將隨手可得的素材創作成充滿活潑趣味的作品，整體表現工藝天真樸質輕鬆自在的情境。\r\n「十二星座」每個星座的特色各異，特別是動物類星座臉上，都有著黑黑小珠子的眼球和咧口大嘴，一臉無辜顯得稚萌逗趣，令人不覺莞爾。\r\n「十二星座」主體的設計以選用不同紋理顏色石頭切割再結合，產生造形上的豐富變化，而除了石頭表現主體外，作者另外主要運用金屬線編織纏繞技法來組構完成，以各種顏色與粗細的金屬線來編織纏繞，塑形呈現特色，看似隨意的纏繞扭曲，確是準確到位的用心安排。(詮釋委員：陳國珍)","ImageUrl":""}
,{"Identifier":"200402004","MainTitle":"湘雲．春秋","Creator":"創作者：楊彩玲","CreatedYear":"","Size":"壓克力展示檯座;手環4件、項鍊1件","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品以象徵性手法運用春秋時期青銅器的龍形圖文以為史湘雲的比擬，描述史湘雲的個性豪邁、大方不羈。整套作品可為飾品亦可為居家裝飾，多方用途富有巧思，可穿戴民族風格的衣著搭配使用，金工與漆器的複合技法使用，作品大方強烈。（詮釋委員：陳國珍）","ImageUrl":""}
,{"Identifier":"200403001","MainTitle":"太初有字","Creator":"創作者：楊偉林","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"轉化甲骨文的抽象符號成為現代的幾何造型，以小學生習字簿的構圖形式呈現，表達文明之初與人之初，向天地造化學習與傳述的意圖，以雙重織的技法構成一首視覺詩。 \n形象初始指事蒙昧的甲骨文，代表了造型與意念的結合與萌芽，是最古老、幼稚、渾沌，而又熾烈的符號語言。 \n金色與鏽色的二種銅線交替，代表原始的火侯；三種層次的白色紙纖維，代表純稚的色澤；雙重織兼具透明感與厚度，讓圖案清晰分明；琉璃的珠子帶來重量與光彩；讓作品在純淨的顏色裡飽含豐盈的質感與變化。\n適合放置於廳堂書房等空間作為隔幕，雙面可視，有明亮通透的效果。（詮釋委員：楊偉林）","ImageUrl":""}
,{"Identifier":"200403002","MainTitle":"寬容","Creator":"創作者：謝嘉亨 ","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件抽象造形的觀賞性陶藝創作，以手捏成形，正視有直線折曲的收腰，側視則顯現圓弧柔曲的形態，豐富了造形變化，簡單俐落中帶有對稱優雅的韻味；釉藥經多達八次的重複燒製，光線下閃爍著的金屬光澤，更吸引我們趨前細細玩味。作品充分展現了謝嘉亨所思考的陶藝本質：釉彩與陶土構成了其他材質無法超越的優勢。\n謝嘉亨留學西班牙習得「閃光釉」釉彩，爾後致力鑽研金屬釉彩和窯火間的微妙變化探究。作品〈寬容〉以對比卻單純的器形，凸顯了古銅色系釉彩在低調中，華麗而靜謐的豐富斑斕。從造形原理觀之，是一件和諧中帶有變化，簡潔中蘊含複雜技藝的優美現代之作。（詮釋委員：朱珮儀）","ImageUrl":""}
,{"Identifier":"200403003","MainTitle":"如意鳳凰霞帔","Creator":"創作者：蘇小夢","CreatedYear":"","Size":"附底座和展示罩\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「如意鳳凰霞帔」創作者蘇小夢，榮獲93年第4屆國家工藝獎2等獎。「如意」在文化傳承中有著悠久的歷史，帶著平安富貴和吉祥美好的緣分祝福。如意造形似卷草紋和雲氣紋的融合，渾圓飽滿富含東方人特有的含蓄內向的審美意識。此作品結構主體以如意為主，加上同樣吉祥寓意的牡丹花紋飾與鳳凰做為搭配，元素豐富視覺多樣精采。\n此金工作品造形典雅，古典傳統中兼具工藝新意。作品保留深具歷史傳統技法，運用耗時費工的金銀細工，製作精緻技巧純熟，輔以多彩琺瑯技術創造更豐富的視覺吸引力。帶給穿戴者東方姻緣美好的祝福與體驗。（詮釋委員：陳國珍）","ImageUrl":""}
,{"Identifier":"200403003001","MainTitle":"如意鳳凰霞帔","Creator":"創作者：蘇小夢","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAzMDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200403003002","MainTitle":"如意鳳凰霞帔","Creator":"創作者：蘇小夢","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAzMDAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200403003003","MainTitle":"如意鳳凰霞帔","Creator":"創作者：蘇小夢","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAzMDAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200403003004","MainTitle":"如意鳳凰霞帔","Creator":"創作者：蘇小夢","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAzMDAzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200403004","MainTitle":"戲角","Creator":"創作者：周妙文","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是一組造形簡約但充滿細緻手法的陶瓷雕塑作品。周妙文手塑了一大一小的造形，在其上施以化妝土，並細細刻上花草圖紋以及最重要的眼、唇，再施以釉色，賦予了人物頭部的意象，讓作品在抽象與裝飾之間，洋溢現代中飽含古典的氣息，以此呼應其命題：當代社會中的引領與傳承。\n在這組作品中，周妙文悠遊駕馭視覺藝術的造形原理，大、小頭像在形狀、裝飾紋樣和釉彩上，均採取類似的元素，但具尺寸、型態或色彩上的差異，引出重複中有對比、統一中有變化的美感韻味。而當我們進入其「戲角」的主題時，形態的大對比小、花草樣態的茁壯對比纖細、花色的亮黃對比青藍，衍伸出了成熟與青澀、典範與成長、引領和傳承的移情、類比與想像。（詮釋委員：朱珮儀）","ImageUrl":""}
,{"Identifier":"200403004001","MainTitle":"戲角","Creator":"創作者：周妙文","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAzMDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200403004002","MainTitle":"戲角","Creator":"創作者：周妙文","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAzMDA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200403005","MainTitle":"赤子","Creator":"創作者：李金生","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAzMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"李金生以雕塑手法捏塑陶土，寫實性具現四人一組正在進行拔河遊戲的孩童，再施以釉色窯燒。\n清一色小平頭的男孩，體格結實，肌膚與頭部的厚薄疊加肌理，展現土的塑性；白與藍灰色系的衣服搭配，單純化整體色調，突出了質樸的古意；衣褲上滿布大小不一的凹洞，既區別不同人物，也製造衣服、肌膚的質感差異。觀察四人完全不同的表情姿態，每人無不關注如何用盡最大力氣獲勝，然而賣力過程的瞬間，第二位男童笑著叫了出來，反射性單手推擠領頭男孩的臉頰，提醒他注意腳下。\n作品不僅刻畫四人同心協力想要取勝的心理和動態，更製造高張力的緊張插曲，讓作品彷彿充滿現場喧鬧聲響，迴盪著逸趣橫生的幽默，以及懸置的結局可能，展現寫實打開的想像空間。（詮釋委員：朱珮儀）","ImageUrl":""}
,{"Identifier":"200403006","MainTitle":"印象．花開","Creator":"創作者：劉冠伶","CreatedYear":"","Size":"為整體尺寸（含底板）","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAzMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「印象．花開」是由劉冠伶創作的一件極具獨特性藝術作品，榮獲93年第4屆國家工藝獎三等獎。作品以花為題；五片分開的花瓣形態，巧妙地呈現出花卉的意境，成功展現了花朵生命的美麗與綻放的活力。\n作者在作品造型上追求創新，色彩繽紛亮麗，空間立體感開放自由的表現和諧而富有韻律，充分展現了花朵的魅力。工藝上透過鍛敲技法，優雅流線成功將花的型態轉化為一種視覺語言，讓觀者不言而喻地感受到花的浪漫形態與情感。作品中的色彩與造型，透過鍛敲與焊接成型的花瓣枝幹婉轉，生動地描繪了花朵的意象。\n這件作品以放大的造型和飽滿的色彩，將花朵從自然中抽離，賦予詮釋其更深的象徵意義。簡單的枝幹線條突顯了花朵的生命力量，並展現出其完美的姿態。劉冠伶的創作凝結了花朵盛開時的靈動瞬間，讓觀者在欣賞中感受到生命的美好與瞬息萬變的魅力。（詮釋委員：陳國珍）","ImageUrl":""}
,{"Identifier":"200403006001","MainTitle":"印象．花開","Creator":"創作者：劉冠伶","CreatedYear":"","Size":"為整體尺寸（含底板）","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAzMDA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200403006003","MainTitle":"印象．花開","Creator":"創作者：劉冠伶","CreatedYear":"","Size":"為整體尺寸（含底板）","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAzMDA2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200403006004","MainTitle":"印象．花開","Creator":"創作者：劉冠伶","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAzMDA2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200403006005","MainTitle":"印象．花開","Creator":"創作者：劉冠伶","CreatedYear":"","Size":"為整體尺寸（含底板）","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDAzMDA2MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405001","MainTitle":"晚宴服少女綴花飾腰帶","Creator":"設計者：天發實業有限公司
其他-品牌商：Regal House Collection","CreatedYear":"1995","Size":"9.5╳10.5╳25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位現代女性穿著晚宴服的樣貌。整件雕像顯現出現代時尚追求自信簡約俐落但不失女性特質的特徵，自然的微捲短髮，剪裁合身質料輕柔的連身長禮服，腰間點綴花飾腰帶，頸上搭一條項鍊，裝飾相當簡單，已擺脫過去以緊身馬甲、誇張裙撐、大量裝飾等外力加諸於女性的束縛，可以更加自在地活動，這也反映了女性在現代生活中獲得了超越以往的各項自由與平權。\r\n 西洋裝飾陶瓷的生產，是個需要密集勞力與技術純熟的產業。這個產業在1960年中晚期，由日本引進臺灣，進行代工製造，苗栗尤為重鎮，從1970年代到1990年代為臺灣帶來豐厚的外匯收入。從產品底部標註和登錄資料得知，這是天發陶瓷於1995年為Regal House品牌SBL所生產的產品「茱莉」。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405002","MainTitle":"穿晚宴服長髮高束少女","Creator":"設計者：天發實業有限公司
其他-品牌商：Regal House Collection","CreatedYear":"1995","Size":"11╳10.5╳25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位現代女性穿著小禮服的樣貌。整件雕像顯現出現代時尚自信簡約俐落但不失女性特質的特徵。女子的髮型與衣著，沒有過多裝飾，長髮高束在腦後繫上甜美的蝴蝶結，無袖連身長禮服，裸露出纖長優雅的肩頸和手臂。宴會正式服飾已擺脫過去以誇張裙撐、大量裝飾等外力加諸於女性的束縛，讓女性更加自在地活動，這也反映了女性在現代生活中獲得了超越以往的各項自由與平權。\r\n 西洋裝飾陶瓷的生產，是個需要密集勞力與技術純熟的產業。這個產業在1960年中晚期，由日本引進臺灣，進行代工製造，苗栗尤為重鎮，從1970年代到1990年代為臺灣帶來豐厚的外匯收入。從產品底部標註和登錄資料得知，這是天發陶瓷於1995年為Regal House品牌SBL所生產的產品「安娜」。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405003","MainTitle":"穿魚尾裙短髮仕女","Creator":"設計者：天發實業有限公司
其他-品牌商：Regal House Collection","CreatedYear":"1995","Size":"10╳9.5╳24","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位現代女性穿著小禮服手持禮帽，充滿柔美風采的魅力。整件雕像顯現出現代時尚自信簡約俐落但不失女性特質的特徵。女子的髮型與衣著，裝飾簡單，髮型服裝都以自身特質為出發，無袖連身魚尾裙長禮服，裸露出自然的肩頸、手臂和體態曲線的優雅線條輪廓。擺脫過去以緊身馬甲、誇張裙撐、大量裝飾等外力加諸於女性的束縛後，女性更加自在地活動，這也反映了女性在現代生活中獲得了超越以往的各項自由與平權。\r\n 西洋裝飾陶瓷的生產，是個需要密集勞力與技術純熟的產業。這個產業在1960年中晚期，由日本引進臺灣，進行代工製造，苗栗尤為重鎮，從1970年代到1990年代為臺灣帶來豐厚的外匯收入。從產品底部標註和登錄資料得知，這是天發陶瓷於1995年為Regal House品牌SBL所生產的產品「凱蒂」。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405004","MainTitle":"穿魚尾裙長髮仕女","Creator":"設計者：天發實業有限公司
其他-品牌商：Regal House Collection","CreatedYear":"1995","Size":"9.5╳8.2╳24","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位現代女子穿著魚尾禮服手持帽子，自在佇立充滿女性風姿綽約的魅力。整件雕像顯現出現代時尚自信簡約俐落但不失女性特質的特徵。女子的長捲髮自然披垂在肩上，無袖連身魚尾裙長禮服，除了合身剪裁，沒有多餘裝飾，裸露出自然的肩頸、手臂和體態曲線的優雅線條輪廓。髮型服裝都以自身特質為出發，擺脫過去以緊身馬甲、誇張裙撐、大量裝飾等外力加諸於女性的束縛，讓女性活動更加容易，這也反映了女性在現代生活中獲得了超越以往的各項自由與平權。\r\n 西洋裝飾陶瓷的生產，是個需要密集勞力與技術純熟的產業。這個產業在1960年中晚期，由日本引進臺灣，進行代工製造，苗栗尤為重鎮，從1970年代到1990年代為臺灣帶來豐厚的外匯收入。從登錄資料得知，這是由天發陶瓷於1995年所生產。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405005","MainTitle":"戴帽魚尾裙仕女","Creator":"設計者：天發實業有限公司
其他-品牌商：Regal House Collection","CreatedYear":"1995","Size":"10.5╳9.5╳24.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位現代女子頭戴圓帽身穿魚尾裙禮服，充滿女性風姿綽約的魅力。整件雕像顯現出現代時尚自信簡約俐落但不失女性特質的特徵。女子的微捲短髮上有著一頂，飾滿花朵的寬沿帽，她以左手輕輕搭著以防掉落；無袖連身魚尾裙長禮服，除了合身剪裁和擺散如波浪的裙擺，沒有其餘裝飾，裸露出身體自然的肩頸、手臂和體態曲線的優雅線條輪廓。可見現代時尚從髮型到服裝都以自身特質為出發，擺脫過去以緊身馬甲、誇張裙撐、大量裝飾等外力加諸於女性的束縛，讓女性活動更加容易，這也反映了女性在現代生活中獲得了超越以往的各項自由與平權。\r\n 西洋裝飾陶瓷的生產，是個需要密集勞力與技術純熟的產業。這個產業在1960年中晚期，由日本引進臺灣，進行代工製造，苗栗尤為重鎮，從1970年代到1990年代為臺灣帶來豐厚的外匯收入。從產品底部標註和登錄資料得知，這是天發陶瓷於1995年為Regal House品牌SBL所生產的產品「寶拉」。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405006","MainTitle":"魚尾裙仕女持皮包","Creator":"設計者：天發實業有限公司
其他-品牌商：Regal House Collection","CreatedYear":"1995","Size":"10.5╳9.5╳24.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位現代女子身穿魚尾裙禮服手拿小晚宴包，正舉手輕理髮型，散發女性魅力的風姿綽約。整件雕像顯現出現代時尚自信簡約俐落但不失女性特質的特徵。女子以左手輕輕觸碰微捲短髮，似正確認髮型是否完美；無袖連身魚尾裙長禮服，除了合身剪裁和擺散如波浪的裙擺，沒有其餘裝飾，裸露出身體自然的肩頸、手臂和體態曲線的優雅線條輪廓。可見現代時尚從髮型到服裝都以自身特質為出發，擺脫過去大量外力加諸於女性的束縛，讓女性活動更加容易，這也反映了女性在現代生活中獲得了超越以往的各項自由與平權。\r\n 西洋裝飾陶瓷產業在1960年中晚期，由日本引進臺灣，進行代工製造，苗栗尤為重鎮，從1970年代到1990年代為臺灣帶來豐厚的外匯收入。從登錄資料得知，這是由苗栗天發陶瓷於1995年所生產的產品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405007","MainTitle":"溜狗仕女/紅服","Creator":"設計者：天發實業有限公司
其他-品牌商：Regal House Collection","CreatedYear":"1994","Size":"11╳9╳25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位現代女子身穿連身長洋裝外出遛狗的美麗身影。整件雕像充滿現代生活氣息，傳達現代時尚自信簡約俐落但不失女性特質的特徵。女子的微捲短髮上有著一頂飾滿花朵的粉色寬沿帽，她以左手輕輕搭著以防掉落；無袖連身長洋裝剪裁合身沒有其餘裝飾，讓身體肩頸、手臂的線條自然畢露，及地裙長貼著腿部柔柔垂墜，烘托出整體體態曲線的優雅線條輪廓。左手握著繫住狗兒的繩索，顯現與寵物間的親密情感，以及愜意的休閒感。\r\n 西洋裝飾陶瓷的生產，是個需要密集勞力與技術純熟的產業。這個產業在1960年中晚期，由日本引進臺灣，進行代工製造，苗栗尤為重鎮，從1970年代到1990年代為臺灣帶來豐厚的外匯收入。從產品底部標註和登錄資料得知，這是苗栗天發陶瓷於1995年的產品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405008","MainTitle":"戴裝飾花朵水藍色寬沿帽溜狗仕女","Creator":"設計者：天發實業有限公司
其他-品牌商：Regal House Collection","CreatedYear":"1994","Size":"10.5╳9.5╳25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位現代女子身穿連身長洋裝外出遛狗的美麗身影。整件雕像充滿現代生活氣息，傳達現代時尚自信簡約俐落但不失女性特質的特徵。女子的微捲及肩長髮上有著一頂裝飾花朵的水藍色寬沿帽；同色系吊帶露背長洋裝略帶寬鬆輕柔感，以腰帶繫出纖細腰身，身體肩頸、手臂與下半身的線條自然畢露，及地裙長貼著腿部柔柔垂墜，烘托出整體體態曲線的優雅。左手握著繫住狗兒的繩索，略低著頭望向狗兒，顯現與寵物間的親密情感，以及愜意的休閒感，是女性現代休閒生活的自在寫照。\r\n 西洋裝飾陶瓷的生產，是個需要密集勞力與技術純熟的產業。這個產業在1960年中晚期，由日本引進臺灣，進行代工製造，苗栗尤為重鎮，從1970年代到1990年代為臺灣帶來豐厚的外匯收入。從登錄資料得知，這是苗栗天發陶瓷於1994年的產品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405009","MainTitle":"狩獵裝溜狗仕女","Creator":"設計者：天發實業有限公司
其他-品牌商：Regal House Collection","CreatedYear":"1994","Size":"10.2╳10╳24.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位現代女子身穿女性獵裝搭配背心背著小皮包外出遛狗的帥氣身影。整件雕像充滿現代生活氣息，傳達現代時尚自信簡約俐落的特徵。女子的微捲長髮上有著一頂圓帽，寬鬆的卡其色及膝連身裙搭配長馬靴，再掛上小外出包，最後套件柔軟的保暖背心。左手握著繫住狗兒的繩索，右手插腰肩，顯現極為愜意輕鬆的休閒感，以及與寵物間的親密情感。種種服飾特徵和女性神態，反映了女性在現代生活中獲得了超越以往的各項自由與平權。\r\n 西洋裝飾陶瓷的生產，是個需要密集勞力與技術純熟的產業。這個產業在1960年中晚期，由日本引進臺灣，進行代工製造，苗栗尤為重鎮，從1970年代到1990年代為臺灣帶來豐厚的外匯收入。從產品底部標註和登錄資料得知，這是苗栗天發陶瓷於1994年的產品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405010","MainTitle":"戴花朵裝飾寬沿帽溜狗仕女","Creator":"設計者：天發實業有限公司
其他-品牌商：Regal House Collection","CreatedYear":"1994","Size":"10╳9.5╳25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位現代女子身穿連身長洋裝外出遛狗的美麗身影。整件雕像充滿現代生活氣息，傳達現代時尚自信簡約俐落但不失女性特質的特徵。女子的短髮上有著一頂花朵裝飾的寬沿帽，吊帶露背連身長洋裝剪裁合身沒有其餘裝飾，讓身體肩頸、手臂的線條自然畢露，及地裙長貼著腿部柔柔垂墜，烘托出整體體態曲線的優雅。右手高高抬起握著繫住狗兒的繩索，顯現與寵物間的親密情感以及愜意的休閒感。這是現代女性生活自在的寫照之一。\r\n 西洋裝飾陶瓷的生產，是個需要密集勞力與技術純熟的產業。這個產業在1960年中晚期，由日本引進臺灣，進行代工製造，苗栗尤為重鎮，從1970年代到1990年代為臺灣帶來豐厚的外匯收入。從產品底部標註和登錄資料得知，這是苗栗天發陶瓷於1994年的產品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405011","MainTitle":"穿連身長洋裝與風衣溜狗仕女","Creator":"設計者：天發實業有限公司
其他-品牌商：Regal House Collection","CreatedYear":"1994","Size":"10.5╳8╳24.7","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位現代女子身穿連身長洋裝與風衣外出遛狗的美麗身影。整件雕像充滿現代生活氣息，傳達現代時尚自信簡約俐落但不失女性特質的特徵。女子的微捲及肩長髮以髮箍整理暨裝飾，左手伸向後方輕輕確認髮型未因外出而凌亂；及膝連身長裙搭配長風衣外套，並蹬上長筒馬靴，顯現秋冬季節的外出保暖裝扮，左手握著繫住狗兒的繩索，流露愜意輕鬆的休閒感，以及與寵物間的親密情感，是現代女性生活的傳神寫照。\r\n 西洋裝飾陶瓷的生產，是個需要密集勞力與技術純熟的產業。這個產業在1960年中晚期，由日本引進臺灣，進行代工製造，苗栗尤為重鎮，從1970年代到1990年代為臺灣帶來豐厚的外匯收入。從登錄資料得知，這是苗栗天發陶瓷於1994年的產品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405012","MainTitle":"維多利亞女孩/有台、單手拉裙","Creator":"設計者：天發實業有限公司
其他-品牌商：Laurenti","CreatedYear":"1996","Size":"11.8╳11.8╳16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位女子身穿連身洋裝頭戴圓帽的柔美形象。整件雕像的服飾帶有維多利亞時代的裝飾風格。荷葉滾邊、泡泡袖、緊身束衣、多層次襯裡的篷篷裙等整體諸多裝飾元素匯聚，意圖烘托出女性甜美溫婉的氣質。單手拉裙的姿態，創造出裙面眾多皺褶，為整體造型傳達出動態之感\r\n 西洋裝飾陶瓷的生產，從平面設計轉化為3D樣態，再到可大量量產，工序繁多，是個需要密集勞力的產業，1960年中晚期，日本看中臺灣陶瓷既有技術、穩定的能源供給和相對廉價的充沛勞動力，將這種產業技術移轉到臺灣，苗栗尤為重鎮，從1970年代到1990年代該產業為臺灣帶來豐厚的外匯收入。從產品底部標註和登錄資料得知，這是天發陶瓷於1996年為義大利Laurenti所代工生產的產品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405013","MainTitle":"維多利亞女孩/無台、雙手拉裙","Creator":"設計者：天發實業有限公司","CreatedYear":"1996","Size":"9.5╳7.5╳14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位女子身穿連身洋裝頭戴圓帽，充滿動態的柔美形象。整件雕像的服飾帶有維多利亞時代的裝飾風格。泡泡袖、緊身束衣、多層次襯裡的篷篷裙，裙面紋樣裝飾整體諸多裝飾元素匯聚，意圖烘托出女性甜美溫婉的氣質。而人物的肢體動作與衣裙的擺動樣態，彷彿擷取了動感的瞬間，極富生動活力。\r\n 西洋裝飾陶瓷的生產，從平面設計轉化為3D樣態，再到可大量量產，工序繁多，是個需要密集勞力的產業，1960年中晚期，日本看中臺灣陶瓷既有技術、穩定的能源供給和相對廉價的充沛勞動力，將這種產業技術移轉到臺灣，苗栗尤為重鎮，從1970年代到1990年代該產業為臺灣帶來豐厚的外匯收入。從產品底部標註和登錄資料得知，這是天發陶瓷於1996年所生產的產品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405014","MainTitle":"維多利亞女孩手持圓帽","Creator":"設計者：天發實業有限公司","CreatedYear":"1996","Size":"10╳8.5╳14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位女子身穿連身洋裝手持圓帽的柔美形象。整件雕像的服飾帶有維多利亞時代的裝飾風格。荷葉滾邊、泡泡袖、緊身束衣、多層次襯裡的篷篷裙，裙面紋樣裝飾以及有長長繫帶垂墜的大蝴蝶結，整體諸多裝飾元素匯聚，意圖烘托出女性甜美溫婉的氣質。\r\n 西洋裝飾陶瓷的生產，從平面設計轉化為3D樣態，再到可大量量產，工序繁多，是個需要密集勞力的產業，1960年中晚期，日本看中臺灣陶瓷既有技術、穩定的能源供給和相對廉價的充沛勞動力，將這種產業技術移轉到臺灣，苗栗尤為重鎮，從1970年代到1990年代該產業為臺灣帶來豐厚的外匯收入。從產品底部標註和登錄資料得知，這是天發陶瓷於1996年所生產的產品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405015","MainTitle":"配戴飾滿花朵寬沿圓帽仕女","Creator":"設計者：天發實業有限公司
其他-品牌商：Laurenti","CreatedYear":"1995","Size":"11.5╳11..5╳21.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位現代女子頭戴圓帽吊帶露背長禮服，充滿女性嬌羞嫻靜的風采。整件雕像顯現出現代時尚簡約俐落但不失女性特質的特徵。女子的微捲長髮自然披垂，配戴一頂飾滿花朵的寬沿圓帽，她以左手輕輕拉著及地長裙，面部略低注視下方，似正要邁開腳步；禮服除了合身剪裁和自然垂墜如波浪的裙擺，沒有其餘裝飾，裸露出身體自然的肩頸、手臂和體態曲線的優雅輪廓。可見現代時尚從髮型到服裝都以自身特質為出發，擺脫過去以緊身馬甲、誇張裙撐、大量裝飾等外力加諸於女性的束縛，讓女性活動更加容易，這也反映了女性在現代生活中獲得了超越以往的各項自由與平權。\r\n 西洋裝飾陶瓷的生產，是個需要密集勞力與技術純熟的產業。這個產業在1960年中晚期，由日本引進臺灣，進行代工製造，苗栗尤為重鎮，從1970年代到1990年代為臺灣帶來豐厚的外匯收入。從產品臺座底部標註和登錄資料得知，這是天發陶瓷於1995年為義大利Laurenti所生產的產品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405016","MainTitle":"粉紅色露肩長裙禮服仕女","Creator":"設計者：天發實業有限公司
其他-品牌商：Regal House Collection","CreatedYear":"1995","Size":"9╳9╳20","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位現代女子手戴長手套身穿粉紅色露肩長裙禮服，散發女性風姿綽約的魅力。整件雕像顯現出現代時尚自信簡約俐落但不失女性特質的特徵。女子的微捲及肩捲髮經過精心梳理，她以左手輕輕確認造型是否安好；荷葉邊的一字領露出白皙的肩膀，上身採緊身剪裁，長禮服下襬為大圓裙形式自然垂墜，沒有太多的裝飾去呈現體態曲線的優雅。可見現代時尚已去除過去大量加諸於女性的束縛，讓身體活動更加容易，這也反映了女性在現代生活中獲得了超越以往的各項自由與平權。\r\n 西洋裝飾陶瓷的生產，是個需要密集勞力與技術純熟的產業。這個產業在1960年中晚期，由日本引進臺灣，進行代工製造，苗栗尤為重鎮，從1970年代到1990年代為臺灣帶來豐厚的外匯收入。從登錄資料得知，這是天發陶瓷於1995年為所生產的產品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405017","MainTitle":"披長巾仕女","Creator":"設計者：天發實業有限公司
其他-品牌商：Laurenti","CreatedYear":"1995","Size":"10.5╳10.5╳17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位現代女子頭戴圓帽身穿及地長禮服，正要披上柔軟長披巾的動作瞬間，散發女性風姿綽約的魅力。整件雕像顯現出現代時尚自信簡約俐落但不失女性特質的特徵。女子帶著一頂飾滿粉色花朵的寬圓帽，雙手正忙著要為裸露的雙肩披上披巾；長禮服剪裁合身和圓裙裙襬垂墜，服飾沒有其餘裝飾，裸露出身體自然的肩頸、手臂和體態曲線的優雅線條輪廓。可見現代時尚從髮型到服裝都以自身特質為出發，擺脫過去以緊身馬甲、誇張裙撐、大量裝飾等外力加諸於女性的束縛，讓女性活動更加容易，這也反映了女性在現代生活中獲得了超越以往的各項自由與平權。\r\n 西洋裝飾陶瓷的生產，是個需要密集勞力與技術純熟的產業。這個產業在1960年中晚期，由日本引進臺灣，進行代工製造，苗栗尤為重鎮，從1970年代到1990年代為臺灣帶來豐厚的外匯收入。從產品臺座上金屬標牌和登錄資料得知，這是天發陶瓷於1995年為Laurenti代工的產品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405018","MainTitle":"迷你小相框","Creator":"天發陶瓷公司林天賜","CreatedYear":"1999","Size":"6╳8╳1","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405019","MainTitle":"桌上明牌","Creator":"天發陶瓷公司林天賜","CreatedYear":"1999","Size":"10╳4.2╳8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405020","MainTitle":"鬥牛犬","Creator":"天發陶瓷公司林天賜","CreatedYear":"2003","Size":"12.2╳7╳9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405021","MainTitle":"貴賓狗","Creator":"天發陶瓷公司林天賜","CreatedYear":"2003","Size":"9╳4.8╳10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405022","MainTitle":"食器盤狗","Creator":"天發陶瓷公司林天賜","CreatedYear":"2003","Size":"9.5╳6.2╳10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405023","MainTitle":"揹羊牧羊人（馬槽組）","Creator":"設計者：天發實業有限公司
其他-品牌商：Home Interiors & Gifts, Inc.","CreatedYear":"1983","Size":"8.5╳7╳13","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200405023〈揹羊牧羊人（馬槽組）〉主要是在描述聖經故事裏，耶穌誕生當天牧羊人依照天使的指示，前往大衛的城伯利恆附近之馬廄朝拜聖嬰。因為朝拜的緣故，作品的造型採跪姿設計；金色頭髮、身著黃色毛衣、束上咖啡色腰帶的牧羊人，表現虔誠的樣貌；手持牧羊杖，隨身帶著兩隻小綿羊，將其中一隻扛在肩上、圍繞於頸項間的可愛模樣，實在討人歡心；此作品牧羊人的身分表徵十足，創作的接受對象屬於大人豪華版。\r\n 作品創作依據《新約聖經》中的《路加福音》第二章第8~20節之故事情節「天使報喜信給牧羊的人」。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的天發陶瓷有限公司接受國外訂單委託生產製作，林天賜先生提供。作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200405024","MainTitle":"持沒藥三賢者之一/綠袍國王（馬槽組）","Creator":"設計者：天發實業有限公司
其他-品牌商：Home Interiors & Gifts, Inc.","CreatedYear":"1983","Size":"7╳6╳19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200405024〈持沒藥三賢者之一／綠袍國王（馬槽組）〉主要是在描述聖經故事裏幾位有智慧的使者（亦稱賢者、博士、國王、占星家）從東方來到耶路撒冷，受希律王之託，前往猶太的伯利恆（在耶路撒冷以南約十公里的地方）探詢、朝拜聖嬰耶穌。三位來自東方（波斯、中東、阿拉伯）的賢者，分別手持裝著黃金、乳香、沒藥的盒子和罐子當作見面禮；圖中的這一位賢者採站立姿態，滿臉虔誠的表情，頭頂淡藍布大包頭加上皇冠狀箍環有如印度傳統服飾，身穿米黃色及地長衫外加綠色罩袍，右手握持金色玻璃蓋罐，內裝具防腐藥用功效的「沒藥（沉香）」，左手捫胸表現敬意。\r\n 圖中作品係依據《新約聖經》中的《馬太福音》第二章第1~12節之故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷的表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的天發陶瓷有限公司接受國外訂單委託生產製作，林天賜先生提供。作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200405025","MainTitle":"持乳香三賢者之一/黃袍國王（馬槽組）","Creator":"設計者：天發實業有限公司
其他-品牌商：Home Interiors & Gifts, Inc.","CreatedYear":"1983","Size":"7.5╳6╳19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200405025〈持乳香三賢者之一／黃袍國王（馬槽組）〉主要是在描述聖經故事裏幾位有智慧的使者（亦稱賢者、博士、國王、占星家）從東方來到耶路撒冷，受希律王之託，前往猶太的伯利恆（在耶路撒冷以南約十公里的地方）探詢、朝拜聖嬰耶穌。三位來自東方（波斯、中東、阿拉伯）的賢者，分別手持裝著黃金、乳香、沒藥的盒子和罐子當作見面禮；圖中這一位賢者採站立姿態，頭戴皇冠狀有金線裝飾的紅色多角形圓帽，身著淺藍色及地長衫外加土黃色罩袍，滿臉虔誠的表情，雙手托持金色玻璃蓋瓶，內裝貴重的「乳香」具消炎殺菌、促進細胞再生功能。\r\n 圖中作品係依據《新約聖經》中的《馬太福音》第二章第1~12節之故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的天發陶瓷有限公司接受國外訂單委託生產製作，林天賜先生提供。作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200405026","MainTitle":"聖母馬利亞（馬槽組）","Creator":"設計者：天發實業有限公司
其他-品牌商：Home Interiors & Gifts, Inc.","CreatedYear":"1983","Size":"8.8╳7.╳14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200405026〈聖母馬利亞（馬槽組）〉是在描述聖經故事「神降大任；信心承載」，少女馬利亞蒙神恩懷胎，欣然接受，生下主耶穌。跪姿的馬利亞身著滾金邊圓領的粉紅色連身長衫並束上金色腰帶，外加淡藍色長版披肩，頭披白色頭巾，目視前方，整體視覺效果甚佳；馬利亞左手捫胸，右手撥開風衣，掌心朝上，以尊主為大的謙卑順服神情充分表達於作品上。\r\n 作品創作是根據《新約聖經》中的《路加福音》第一章「天使加百列預言耶穌的生」裏之故事情節第26~38節「…我是主的婢女，願就祢的話成就在我身上…」，由此可見馬利亞當時得知天使帶來的聖靈訊息後，因敬畏上帝而化解驚恐。作者發揮想像力與雕塑長才，將聖經裏的故事內容，以裝飾陶瓷之表達方式生動呈現，無形中增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的天發陶瓷有限公司接受國外訂單委託生產製作，林天賜先生提供。作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200405027","MainTitle":"持黃金三賢者之一/白袍國王（馬槽組）","Creator":"設計者：天發實業有限公司
其他-品牌商：Home Interiors & Gifts, Inc.","CreatedYear":"1983","Size":"7.5╳8.2╳14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200405027〈持黃金三賢者之一／白袍國王（馬槽組）〉主要是在描述聖經故事裏幾位有智慧的使者（亦稱賢者、博士、國王、占星家）從東方來到耶路撒冷，受希律王之託，前往猶太的伯利恆（在耶路撒冷以南約十公里的地方）探詢、朝拜聖嬰耶穌。三位來自東方（波斯、中東、阿拉伯）的賢者，分別手持裝著黃金、乳香、沒藥的盒子和罐子當作見面禮。圖中這一位賢者採半跪姿造型，滿臉虔誠的表情，頭戴皇冠狀有金質裝飾的黃色多角形圓帽，身著淺茶色及地長衫外加白色罩袍，雙手托持內裝「黃金」的金色蓋盒，除具賀禮之意，實質上對育嬰與奔波逃難會有經濟上的幫助。\r\n 圖中作品係依據《新約聖經》中的《馬太福音》第二章第1~12節之故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷的表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的天發陶瓷有限公司接受國外訂單委託生產製作，林天賜先生提供。作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200405028","MainTitle":"約瑟（馬槽組）","Creator":"設計者：天發實業有限公司
其他-品牌商：Home Interiors & Gifts, Inc.","CreatedYear":"1983","Size":"7.5╳8╳18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200405028〈約瑟（馬槽組）〉主要在描述聖經故事裏「馬利亞受聖靈感動懷孕」這一段：聖嬰耶穌的養父木匠約瑟，後來與馬利亞成婚。約瑟半夜起來，右手捫胸有禱告之意，左手提著燈籠，欲探視聖嬰耶穌是否平安無恙，共同照顧嬰孩，一副慈祥為父者的模樣。故事背景的緣起是古時候牧羊人在野地牧羊，晚上起來，提燈籠查看羊群的狀況，是否都有安穩睡覺？是否有蛇或野獸來偷襲小羊？有殷勤照料群羊的意思。\r\n 圖中作品依據《新約聖經》中的《馬太福音》第一章第18~25節及《路加福音》第二章第8~16節等故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的天發陶瓷有限公司接受國外訂單委託生產製作，林天賜先生提供。作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200405029","MainTitle":"聖嬰耶穌（馬槽組）","Creator":"設計者：天發實業有限公司
其他-品牌商：Home Interiors & Gifts, Inc.","CreatedYear":"1983","Size":"9╳7.8╳6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200405029〈聖嬰耶穌（馬槽組）〉是精緻版的聖經故事裝飾陶瓷，主要在描述聖經故事裏聖母馬利亞即將臨盆時，客店裏剛好沒空房，將就進入馬廄裏生產，聖嬰誕生後就讓他躺在鋪上麥草的馬槽，以布覆蓋腹部。圖中的聖嬰（取名為耶穌）雙手張開，顯現高興的樣子，有歡迎客人到訪之意；作品中的馬槽，是經由設計師的創意產生之微傾斜舒適木製小床，還附有木製枕頭，同樣鋪上麥草，但它已經不是聖經中記載的原來形式。\r\n 作品係依據《新約聖經》中的《路加福音》第二章第5~7節、第12節等故事內容進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的天發陶瓷有限公司接受國外訂單委託生產製作，林天賜先生提供。作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200405030","MainTitle":"跪坐的羊（馬槽組）","Creator":"設計者：天發實業有限公司
其他-品牌商：Home Interiors & Gifts, Inc.","CreatedYear":"1983","Size":"7.6╳3.1╳4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200405030〈跪坐的羊（馬槽組）〉主要是在描述聖經故事裏，耶穌誕生當天牧羊人依照天使的指示，前往大衛的城伯利恆附近之馬廄朝拜聖嬰。因為與「羊」有密切關係，所以聖家族的作品系列中會有「羊」的出現。由於聖經故事的時空背景大約發生在三千多年前的中東地區，當時當地有很多的牧羊人放牧著無數的綿羊群，是為重要畜牧產業；圖中的羊採跪坐的姿態設計，亦具朝拜之意，雕塑創作採半寫實手法，將綿羊的捲毛表現得極為生動。\r\n 圖中作品係依據《新約聖經》中的《路加福音》第二章第8~20節「天使報喜信給牧羊的人」之故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的天發陶瓷有限公司接受國外訂單委託生產製作，林天賜先生提供。作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200405031","MainTitle":"聰明的驢子（馬槽組）","Creator":"設計者：天發實業有限公司
其他-品牌商：Home Interiors & Gifts, Inc.","CreatedYear":"1983","Size":"14.8╳6.2╳10.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200405031〈聰明的驢子（馬槽組）〉主要在描述聖經故事裏聖母馬利亞即將臨盆時，客店裏剛好沒空房，將就進入馬廄裏生產，聖嬰用布包好後就臥在鋪上麥草的馬槽裏。耶穌誕生後有東方的賢者到伯利恆的馬廄裏朝拜聖嬰，其中一位就是騎驢子來的，因此在聖經故事裏會有驢子出現。此外，通常馬廄裡不會是只有讓馬進住，也有其他動物如：羊、牛、驢子、駱駝等借宿。圖中的驢子採跪坐的姿態設計，亦具朝拜之意；驢子身上毛的表現方式，以淺浮雕手法，刮出一些不規則紋路，別具特色。因為此驢子的面部表情極富聰明伶俐的感覺，故取名為「聰明的驢子」。\r\n 作品依據《新約聖經》中的《馬太福音》第二章第1~12節和《路加福音》第二章第8~18節等故事內容進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的天發陶瓷有限公司接受國外訂單委託生產製作，林天賜先生提供。作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200405032","MainTitle":"燈塔","Creator":"天發陶瓷公司林天賜","CreatedYear":"2003","Size":"9.2╳8.5╳12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405033","MainTitle":"聖家族全家福/馬利亞、約瑟、耶穌、牛、驢子","Creator":"設計者：天發實業有限公司","CreatedYear":"1998","Size":"12.5╳11.5╳18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200405033〈聖家族全家福／馬利亞、約瑟、耶穌、牛、驢子〉是一件超級豪華版、色彩豐富亮麗的裝飾陶瓷，詮釋「耶穌降生」的故事。圖中作品屬群像雕塑體，其中採坐姿設計的聖母馬利亞抱著可愛的聖嬰耶穌；站立的聖父約瑟陪伴在側，右手拄拐杖（於成品後插入活動式小木棍，使形象更加生動有趣），左手搭在馬利亞的左肩上；左右兩側的地上還有跪臥著、象徵天使化身的牛和驢子，也代表東方三賢者曾經探訪。造型上關係緊湊、高低錯落有致，按照比例的個別單元互相結合在一起，構成一幅立體的溫馨感人「全家福」畫面；「聖」嬰耶穌、「聖」母馬利亞、「聖」父約瑟三者是為「聖家族」之核心成員。雕塑創作採半寫實手法，臉部表情的彩繪十分細膩，服飾部分為粗獷意境。整體作品先於素坏表面噴上透明釉燒過一遍（包括服飾的多樣色彩），最後才以釉上彩技法畫上眼睛、眉毛及臉部和頭部的色彩，再次進窯低溫燒烤、定著。\r\n 圖中的作品是根據《新約聖經》中的《路加福音》第二章第4~7節、《馬太福音》第二章第1~12節所描述之相關內容進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品係由臺灣苗栗地區的天發陶瓷有限公司接受國外訂單委託生產製作，每一件作品的品質皆十分優異，造型設計生動，釉上彩的彩繪設色優美，極為適合藝術收藏、禮品餽贈、欣賞把玩、室內擺飾及樂音聆聽之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200405034","MainTitle":"持燈少女","Creator":"設計者：天發實業有限公司","CreatedYear":"1994","Size":"7╳8╳18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷雕像，表現一位身材修長的女孩，穿著長睡袍，一手持燭臺，一手拎玩偶熊，處於就寢時分前夕。雙辮襯著清秀五官，是猶帶稚氣初長成的年紀，刻劃出仍保童心又朝未來的希望年紀。\r\n 西洋裝飾陶瓷的生產，從平面設計轉化為3D樣態，再到可大量量產，工序繁多，是個需要密集勞力的產業，1960年中晚期，日本看中臺灣陶瓷既有技術、穩定的能源供給和相對廉價的充沛勞動力，將這種產業技術移轉到臺灣，苗栗尤為重鎮，從1970年代到1990年代該產業為臺灣帶來豐厚的外匯收入。這尊雕像各種細節和面部表情彩繪，均掌握十分純熟，可見製造者天發實業，已充分掌握生產過程各項技術細節。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405035","MainTitle":"抱貓少女","Creator":"設計者：天發實業有限公司","CreatedYear":"1994","Size":"6.5╳6.5╳17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷雕像，表現一位身材修長的女孩，穿著有荷葉領的長罩衫，抱著貓咪的可愛樣態。紮著雙馬尾，臉蛋猶帶濃濃稚氣，流露如同臂彎中貓咪班溫馴惹人憐愛的氣質。\r\n 西洋裝飾陶瓷的生產，從平面設計轉化為3D樣態，再到可大量量產，工序繁多，是個需要密集勞力的產業，1960年中晚期，日本看中臺灣陶瓷既有技術、穩定的能源供給和相對廉價的充沛勞動力，將這種產業技術移轉到臺灣，苗栗尤為重鎮，從1970年代到1990年代該產業為臺灣帶來豐厚的外匯收入。這尊雕像的各種細節和面部表情彩繪，均掌握十分純熟，可見製造者天發實業，已充分掌握生產過程的各項技術細節。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405036","MainTitle":"抱書少女","Creator":"設計者：天發實業有限公司","CreatedYear":"1994","Size":"6.5╳6.5╳18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件表現少女懷抱著書本身著居家長罩袍，腳邊還依偎著一條沉沉入夢鄉的小狗，流露自在輕鬆又親暱的家常模樣。女孩的髮型著意刻畫，微微側向一邊的頭部與肢體，拉出靜中猶動的停格瞬間，並散發少女的嬌俏感，素色的長罩袍看來簡樸但仔細觀察，可見裙緣的壓花滾邊，呈現不張揚的細膩。\r\n 西洋裝飾陶瓷的生產，工序繁多，苗栗從1960年代中晚期開始發展該項產業，1970年代到1990年代該產業為臺灣帶來豐厚的外匯收入。這尊雕像造形、量體、各種細節和面部表情彩繪，均掌握十分純熟，可見製造者天發實業，已充分掌握生產過程的各項技術細節。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405037","MainTitle":"彈琴天使","Creator":"其他-品牌商：Lenox Corporation
其他-代工：天發實業有限公司","CreatedYear":"1983","Size":"12.5╳13.5╳15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷雕像，表現一位以單膝下跪正在彈奏曼陀鈴的天使，天使揚開雙翼，曲線有力而優雅向上揚升，身著淡紫色連身裙，柔軟的質地順著軀體動作形成優美的皺褶線條，金色長髮下的臉龐，眼神堅毅而靜謐，無聲中彷彿讓人聆聽到悠揚曼陀鈴的樂音。雕像底部蓋有金色的LENOX商標，和limited edition限量版字樣，為1995年產品。\r\n 西洋裝飾陶瓷的生產，採注漿成形釉上彩繪，工序繁多。1960年中晚期，日本看中臺灣陶瓷既有技術、價廉勞動力等優勢，將產業技術移轉到臺灣，苗栗尤為重鎮，雖然多為代工生產型，但發展過程中，臺灣也逐漸養成在地人才。這尊雕像造型彩繪上掌握十分純熟，可見天發實業已充分掌握生產過程的各項環節。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405038","MainTitle":"坐姿大象","Creator":"天發陶瓷公司林天賜","CreatedYear":"1982","Size":"14╳10╳15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405039","MainTitle":"戴花圈的丘比娃娃","Creator":"設計者：天發實業有限公司
其他-品牌商：キユーピー株式会社(Kewpie Corporation)","CreatedYear":"2000","Size":"7X7X13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 來自日本，是日本知名美乃滋大廠キユーピーkewpie QP，以品牌logo小嬰孩天使為形象所推出的丘比娃娃。丘比娃娃的特徵，就是頭頂尖尖兩耳旁共三撮小頭髮，一對藍色的小小翅膀。命名丘比，是以邱比特去創新的造型。這件丘比娃娃戴著花圈挽著花籃，穿著小肚兜，洋溢著天真無邪的可愛模樣。\r\n 在製作的特色，瓷土泥漿調入高溫色料成皮膚色，再注漿成型，窯燒至1280℃-1300℃，還原氣氛燒成。顏彩繪製眼睛、嘴巴、眉毛、花等低溫色釉，窯燒750℃，皮膚再噴彩，燒700℃，顏色雖然不繁複，卻以三度燒製作。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200405040","MainTitle":"吹小喇叭的丘比娃娃","Creator":"設計者：天發實業有限公司
其他-品牌商：キユーピー株式会社(Kewpie Corporation)","CreatedYear":"2000","Size":"7╳7╳13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 客戶來自日本，是日本知名美乃滋大廠キユーピーkewpie QP，以品牌logo小嬰孩天使為形象所推出的丘比娃娃。丘比娃娃的特徵，就是頭頂尖尖以及兩耳旁共三撮小頭髮，一對藍色的小小翅膀。命名丘比，是以邱比特去創新的造型。這件丘比娃娃吹著小喇叭，洋溢著天真無邪的可愛模樣。\r\n 在製作的特色，瓷土泥漿調入高溫色料成皮膚色，再注漿成型，窯燒至1280℃-1300℃，還原氣氛燒成。顏彩繪製眼睛、嘴巴、眉毛、花等低溫色釉，窯燒750℃，皮膚再噴彩，燒700℃，顏色雖然不繁複，卻以三度燒製作。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200405041","MainTitle":"枕頭貓","Creator":"天發陶瓷公司林天賜","CreatedYear":"2001","Size":"7.5╳7.5╳5.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405042","MainTitle":"潛水海豚","Creator":"天發陶瓷公司林天賜","CreatedYear":"2000","Size":"7╳4.2╳9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405043","MainTitle":"跳躍海豚","Creator":"天發陶瓷公司林天賜","CreatedYear":"1999","Size":"7╳3.5╳9.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405044","MainTitle":"噴水小象","Creator":"天發陶瓷公司林天賜","CreatedYear":"1999","Size":"5.8╳4╳8.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405045","MainTitle":"小象","Creator":"天發陶瓷公司林天賜","CreatedYear":"1999","Size":"8╳5╳5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405046","MainTitle":"長頸鹿（公）","Creator":"天發陶瓷公司林天賜","CreatedYear":"2001","Size":"6╳3.2╳9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405047","MainTitle":"長頸鹿（母）","Creator":"天發陶瓷公司林天賜","CreatedYear":"2001","Size":"6╳3.2╳9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405048","MainTitle":"小花瓶","Creator":"天發陶瓷公司林天賜","CreatedYear":"2001","Size":"6╳6╳10","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405049","MainTitle":"聖誕門板","Creator":"天發陶瓷公司林天賜","CreatedYear":"2001","Size":"7╳1.5╳9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405050","MainTitle":"兔女孩","Creator":"天發陶瓷公司林天賜","CreatedYear":"2002","Size":"6.5╳8╳10.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405051","MainTitle":"千禧年2000天使","Creator":"其他-品牌商：Roman, Inc.
其他-代工：天發實業有限公司","CreatedYear":"2000","Size":"15╳15╳24","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷雕像，表現有著粉色雙翼，身穿潔白連身衣裙，腰繫淡紫絲巾的金髮天使，在風中展開載有ANNO DOMINI 2000字樣的手卷，木製的底座貼有一張金色貼紙，壓印了Millennium 2000 Roman, Inc.等字。從天使手卷和商標貼紙可知，這是一件特別為千禧年所製作的宗教節慶禮品，由美國Roman禮品公司委託製作。天使眼神柔和，裝扮充滿純潔優雅的意象，加上大幅飄揚的衣裙，整體營造彷彿基督教福音神性降臨之感。\r\n 苗栗地區1970年代開始裝飾陶瓷產業，因應歐美國家的禮品文化或傢飾需求，以人物、動植物和節慶裝飾品項為主。本作的天使生動細膩，顯現掌握十分純熟，可見製造者天發實業，已充分掌握生產過程的產製技術環節。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405052","MainTitle":"公雞倒水","Creator":"天發陶瓷公司林天賜","CreatedYear":"2001","Size":"11.5╳5.5╳11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405053","MainTitle":"黑狗","Creator":"天發陶瓷公司林天賜","CreatedYear":"1983","Size":"21╳12╳12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405054","MainTitle":"海豚家族","Creator":"天發陶瓷公司林天賜","CreatedYear":"1981","Size":"19╳12.5╳18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405055","MainTitle":"大頭鯨","Creator":"天發陶瓷公司林天賜","CreatedYear":"1981","Size":"18╳11.5╳17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405056","MainTitle":"釉下水果（男）","Creator":"天發陶瓷公司林天賜","CreatedYear":"1982","Size":"9╳6.5╳15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405057","MainTitle":"釉下水果（女）","Creator":"天發陶瓷公司林天賜","CreatedYear":"1982","Size":"7.5╳6.5╳14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405058","MainTitle":"鄉村男孩與寵物狗","Creator":"設計者：天發陶瓷公司林天賜","CreatedYear":"1980","Size":"8╳8╳19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品的主角是小個相貌清秀的小男孩。他穿著白襯衫，脖子圍著領巾，穿著黃褐色的七分褲，露出半截小腿。外面再加一件淡橘色的外套。他坐在石堆上，左手捧著一籃葡萄擱在左膝上，右手摘下幾顆拿在手上。他打著赤腳，説明他是個鄉下的孩子，家境並不寬裕。他的右腳旁伏臥著一隻體型較小的小獵犬，白毛的身上有幾塊褐色的塊斑，樣子十分討喜，是小男孩喜愛的寵物。\r\n 作品塑造得很寫實，無論是男孩的身體五官或是服裝的褶紋都表現得十分細緻而平滑，色彩和諧，是相當優秀的作品。作品是公館鄉五谷村天發陶瓷公司所生產，成立時間很晚，是少數至今還在經營之中的西洋玩偶公司。負責人林天賜製陶技術傳承自臺中的東愛陶瓷公司，與苗栗西洋玩偶的體系脈絡不同。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200405059","MainTitle":"天使之賜福予男孩（燈具）","Creator":"設計者：天發實業有限公司","CreatedYear":"1998","Size":"13╳11╳17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷雕像，表現身著水藍色睡衣的小男孩，跪軟墊上祈禱的虔誠模樣，有著潔白羽翼的大天使，輕輕降臨伸手賜福給他，天使的長捲髮揚起飛散，衣紋輕揚垂落，表現出降臨的瞬間，而男孩並未發現天使的存在，神性的抽象精神與對子民的回應，藉由雕像表露傳達。\r\n 裝飾陶瓷因應歐美國家的禮品文化或傢飾需求而蓬勃，據研究1980年代在美國9成以上的禮品零售店均販售人物雕像。1970-1990年代苗栗地區眾多人口投入裝飾陶瓷產業，以人物、動植物和節慶裝飾品項為主。大部分為接單代工生產，本作的天使其動作姿態和衣紋表現儘管繁複，但均掌握十分到位，可見產業經歷二、三十年的發展，在1990年代末期產製的各項技術細節均已臻成熟。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405060","MainTitle":"天使與睡覺女孩（燈具）","Creator":"設計者：天發實業有限公司","CreatedYear":"1991","Size":"11╳11.8╳14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷雕像，表現天使溫柔注視酣睡在床的小嬰孩，為他賜福的寧靜安詳場景。西洋裝飾陶瓷的生產，從平面設計轉化為3D樣態，再到可大量量產，工序繁多，是個需要密集勞力的產業，1960年中晚期，日本看中臺灣陶瓷既有技術、穩定的能源供給和相對廉價的充沛勞動力，將這種產業技術移轉到臺灣，苗栗尤為重鎮，從1970年代到1990年代該產業為臺灣帶來豐厚的外匯收入。雖然多以代工為生產型態，但在發展過程中，臺灣自身也逐漸在實戰中養成在地人才，以及相應的供應鏈。\r\n 這尊雕像無論天使、嬰孩和床褥，造形、量體、各種細節和面部表情彩繪，均掌握十分純熟，可見製造者天發實業，已充分掌握生產過程的各項技術細節。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405061","MainTitle":"祈禱手","Creator":"天發陶瓷公司林天賜","CreatedYear":"2001","Size":"9╳9╳12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405062","MainTitle":"聖誕夜燈","Creator":"天發陶瓷公司林天賜","CreatedYear":"1999","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405062001","MainTitle":"聖誕夜燈/相框","Creator":"天發陶瓷公司林天賜","CreatedYear":"1999","Size":"18╳9╳14.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDYyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405062002","MainTitle":"聖誕夜燈/玻璃板","Creator":"天發陶瓷公司林天賜","CreatedYear":"1999","Size":"15╳13.5╳0.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDYyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405063","MainTitle":"結婚系列：二人組/攬腰（小）","Creator":"天發陶瓷公司林天賜","CreatedYear":"1999","Size":"6.5╳5╳11.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405064","MainTitle":"結婚系列：二人組/拉裙（小）","Creator":"天發陶瓷公司林天賜","CreatedYear":"1999","Size":"7.8╳6╳12.3","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405065","MainTitle":"結婚系列：二人組/牽手（小）","Creator":"天發陶瓷公司林天賜","CreatedYear":"1999","Size":"5.5╳5╳11.8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405066","MainTitle":"結婚系列：三人組/男童（小）","Creator":"天發陶瓷公司林天賜","CreatedYear":"2000","Size":"9╳5.8╳12.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405067","MainTitle":"結婚系列：三人組/女童（小）","Creator":"天發陶瓷公司林天賜","CreatedYear":"2000","Size":"10╳6╳12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405068","MainTitle":"休閒少女系列：帽持","Creator":"設計者：天發實業有限公司","CreatedYear":"1996","Size":"8.8╳9.5╳12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷雕像，表現一位穿著打扮輕鬆休閒的女孩，一派隨興地席地而坐，雙手環倚在曲弓起的右腳膝蓋上，右手輕輕拎著軟軟的大圓帽，頭部輕輕擱在臂膀上，似乎正望向旁人。整體流露出自在休閒的氛圍，並由髮型和服飾裝飾細節，增添可看性。\r\n 西洋裝飾陶瓷的生產，因應歐美廣大的家飾禮品市場而生，其中人物雕像更是需求極大。裝飾陶瓷的製造工序繁多，是個需要高度密集勞力的產業，1960年中晚期，日本看中臺灣陶瓷既有技術、穩定的能源供給和相對廉價的充沛勞動力，將這種產業技術移轉到臺灣，苗栗尤為重鎮，從1970年代到1990年代該產業為臺灣帶來豐厚的外匯收入。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405069","MainTitle":"休閒少女系列：枕腮","Creator":"設計者：天發實業有限公司","CreatedYear":"1996","Size":"7.2╳13.5╳14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷雕像，表現一位穿著鬆軟長上衣搭配緊身長褲的時髦女孩，一派隨興地席地而坐，曲弓起的右腳膝蓋上，右手輕搭，左肘微倚，下顎枕在右手手背上，上衣隨著肩膀動勢而滑落露出右肩肩頭，模樣十分輕鬆隨興，流露現代女性的自信風采。\r\n 西洋裝飾陶瓷的生產，工序繁多，是個需要高度密集勞力的產業，1960年中晚期，日本看中臺灣陶瓷既有技術、穩定的能源供給和相對廉價的充沛勞動力，將這種產業技術移轉到臺灣，苗栗尤為重鎮，從1970年代到1990年代該產業為臺灣帶來豐厚的外匯收入。這尊雕像各種細節和面部表情彩繪，均掌握十分純熟，可見製造者已充分掌握生產過程的各項技術細節。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405070","MainTitle":"休閒少女系列：綁蝴蝶結","Creator":"設計者：天發實業有限公司","CreatedYear":"1996","Size":"11╳10╳15.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷雕像，表現一位穿著有點厚度的貼身短版針織上衣，下著牛仔長褲和涼鞋，風格休閒帶點時髦感的現代生活少女，一派隨興地席地跪坐，雙手舉起正在為自己的波浪捲長髮，繫上髮帶打著蝴蝶結的樣貌，因雙手舉起而裸露腰際的樣態，流露現代女性的自信風采。\r\n 西洋裝飾陶瓷的生產，工序繁多，是個需要高度密集勞力的產業，1960年中晚期，日本看中臺灣陶瓷既有技術、穩定的能源供給和相對廉價的充沛勞動力，將這種產業技術移轉到臺灣，苗栗尤為重鎮，從1970年代到1990年代該產業為臺灣帶來豐厚的外匯收入。產業本身也從純然代工中逐漸養成在地人才。這尊雕像各種細節和面部表情彩繪，均掌握十分純熟，可見製造者已充分掌握生產過程的各項產製細節。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405071","MainTitle":"穀倉酒瓶","Creator":"天發陶瓷公司林天賜","CreatedYear":"2000","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405071001","MainTitle":"穀倉酒瓶/瓶蓋","Creator":"天發陶瓷公司林天賜","CreatedYear":"2000","Size":"11╳11╳6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDcxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405071002","MainTitle":"穀倉酒瓶/瓶身","Creator":"天發陶瓷公司林天賜","CreatedYear":"2000","Size":"13.5╳13.5╳11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDcxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405072","MainTitle":"阿美族酒瓶","Creator":"天發陶瓷公司林天賜","CreatedYear":"2000","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405072001","MainTitle":"阿美族酒瓶/蓋","Creator":"","CreatedYear":"2000","Size":"8╳2.5╳9","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDcyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405072002","MainTitle":"阿美族酒瓶/瓶身","Creator":"","CreatedYear":"2000","Size":"9.2╳10.8╳18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDcyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405073","MainTitle":"玩火車的小男孩","Creator":"設計者：天發實業有限公司
其他-品牌商：Lenox Corporation","CreatedYear":"1998","Size":"9╳9.5╳11","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一對玩偶的其中之男孩，小男孩喜歡玩鐵軌火車玩具，小女孩比較文靜喜歡和貓咪玩耍。瓷胎顏色微綠，底胎帶有淡淡的黃綠色，有如青瓷，但和青瓷的製作做法並不相同，模仿「巴利安瓷」的技術和質感，業者稱之為「米瓷」。\r\n 真正的巴利安瓷（Parian porcelain）是不上釉的高溫瓷器，技術源自17世紀中期的法國，巴利安瓷的技術是為了模仿大理石溫潤的顏色與質感，製作的方法，除了瓷粉加色外，會在第一次1260℃窯燒後，放進水裡以磨石拋光出如同大理石一般柔美的光澤，表面並不上透明釉。而本件作品的製作方法，是以瓷土泥漿加入高溫色料來模擬巴利安瓷的顏色，除了髮、膚，使用隔離劑隔離，其他大部分衣服、配件施以透明釉，高溫燒至1280℃-1300℃還原燒，以表現象牙般溫潤的光澤。顏彩部分再用手工繪製，窯燒750-780℃。\r\n 本作品客戶為Lenox，是來自美國的藝術陶瓷公司，也是美國骨瓷的主要製造商，於1889年創立，位於新澤西州特倫頓。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200405074","MainTitle":"釣魚男童","Creator":"設計者：天發實業有限公司
其他-品牌商：Lenox Corporation","CreatedYear":"1998","Size":"9.5╳5.5╳12.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一對玩偶的其中之男孩，小男孩正在堤岸邊釣魚，小女孩在旁邊陪伴，採花玩耍。瓷胎顏色微綠，模仿「巴利安瓷」的技術和質感。\r\n 真正的巴利安瓷（Parian porcelain）是不上釉的高溫瓷器，技術源自17世紀中期的法國，巴利安瓷的技術是為了模仿大理石溫潤的顏色與質感，製作的方法，除了瓷粉加色外，會在第一次1260℃窯燒後，放進水裡以磨石拋光出如同大理石一般柔美的光澤，表面並不上透明釉。而本件作品的製作方法，是以瓷土泥漿加入高溫色料來模擬巴利安瓷的顏色，除了髮、膚，使用隔離劑隔離，其他大部分衣服、配件施以透明釉，高溫燒至1280℃-1300℃還原燒，以表現象牙般溫潤的光澤。土坯因加入色料，底胎帶有淡淡的黃綠色，有如青瓷，但和青瓷的做法並不相同。業者稱之為「米瓷」。\r\n 本作品客戶為Lenox，是來自美國的藝術陶瓷公司，也是美國骨瓷的主要製造商，於1889年創立，位於新澤西州特倫頓。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200405075","MainTitle":"少女拿花","Creator":"設計者：天發實業有限公司
其他-品牌商：Lenox Corporation","CreatedYear":"1998","Size":"9.5╳5.5╳12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一對玩偶的其中之女孩，小男孩正在堤岸邊釣魚，小女孩在旁邊陪伴，採花玩耍。瓷胎顏色微綠，模仿「巴利安瓷」的技術和質感。\r\n 真正的巴利安瓷（Parian porcelain）是不上釉的高溫瓷器，技術源自17世紀中期的法國，巴利安瓷的技術是為了模仿大理石溫潤的顏色與質感，製作的方法，除了瓷粉加色外，會在第一次1260℃窯燒後，放進水裡以磨石拋光出如同大理石一般柔美的光澤，表面並不上透明釉。而本件作品的製作方法，是以瓷土泥漿加入高溫色料來模擬巴利安瓷的顏色，除了髮、膚，使用隔離劑隔離，其他大部分衣服、配件施以透明釉，高溫燒至1280℃-1300℃還原燒，以表現象牙般溫潤的光澤。土坯因加入色料，底胎帶有淡淡的黃綠色，有如青瓷，但和青瓷的做法並不相同。業者稱之為「米瓷」。\r\n 本作品客戶為Lenox，是來自美國的藝術陶瓷公司，也是美國骨瓷的主要製造商，於1889年創立，位於新澤西州特倫頓。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200405076","MainTitle":"和貓談心的女孩","Creator":"設計者：天發實業有限公司
其他-品牌商：Lenox Corporation","CreatedYear":"1998","Size":"9.5╳6.5╳12","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一對玩偶的其中之女孩，小女孩比較文靜喜歡和貓咪玩耍，彷彿在和貓咪聊天說話。另一件為小男孩玩火車玩具。瓷胎顏色微綠，模仿「巴利安瓷」的技術和質感。\r\n 真正的巴利安瓷（Parian porcelain）是不上釉的高溫瓷器，技術源自17世紀中期的法國，巴利安瓷的技術是為了模仿大理石溫潤的顏色與質感，製作的方法，除了瓷粉加色外，會在第一次1260℃窯燒後，放進水裡以磨石拋光出如同大理石一般柔美的光澤，表面並不上透明釉。而本件作品的製作方法，是以瓷土泥漿加入高溫色料來模擬巴利安瓷的顏色，除了髮、膚，使用隔離劑隔離，其他大部分衣服、配件施以透明釉，高溫燒至1280℃-1300℃還原燒，以表現象牙般溫潤的光澤。土坯因加入色料，底胎帶有淡淡的黃綠色，有如青瓷，但和青瓷的做法並不相同。業者稱之為「米瓷」。\r\n 本作品客戶為Lenox，是來自美國的藝術陶瓷公司，也是美國骨瓷的主要製造商，於1889年創立，位於新澤西州特倫頓。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200405077","MainTitle":"兩小無猜","Creator":"設計者：天發實業有限公司
其他-品牌商：Lenox Corporation","CreatedYear":"1998","Size":"9.5╳6.5╳14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這一對小男孩與小女孩，小男生送花給心儀的小女生，小女生露出又驚又喜的表情。瓷胎顏色微綠，有如青瓷，但和青瓷的製做方法並不相同。業者稱之為「米瓷」。有一部分模仿「巴利安瓷」的技術和質感。\r\n 真正的巴利安瓷（Parian porcelain）是不上釉的高溫瓷器，技術源自17世紀中期的法國，巴利安瓷的技術是為了模仿大理石溫潤的顏色與質感，製作的方法，除了瓷粉加色外，會在第一次1260℃窯燒後，放進水裡以磨石拋光出如同大理石一般柔美的光澤，表面並不上透明釉。而本件作品的製作方法，是以瓷土泥漿加入高溫色料，底胎帶有淡淡的黃綠色，來模擬巴利安瓷的顏色，除了髮、膚、配件，使用隔離劑隔離，其他大部分衣帽、底座、施以透明釉，高溫燒至1280℃-1300℃還原燒，以表現象牙般溫潤的光澤。顏彩部分再用手工繪製，窯燒750-780℃。\r\n 本作品客戶為Lenox，是來自美國的藝術陶瓷公司，也是美國骨瓷的主要製造商，於1889年創立，位於新澤西州特倫頓。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200405078","MainTitle":"手工釉下花瓶","Creator":"天發陶瓷公司林天賜","CreatedYear":"2000","Size":"20╳20╳41.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405079","MainTitle":"結婚三人組：新娘、女花僮(大)","Creator":"天發陶瓷公司林天賜","CreatedYear":"1999","Size":"18╳12╳23","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MDc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"200405101","MainTitle":"禮車/粉紅","Creator":"天發陶瓷公司林天賜","CreatedYear":"2000","Size":"6.8╳4╳8","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405102","MainTitle":"小聖嬰與床（馬槽組）","Creator":"設計者：天發實業有限公司
其他-品牌商：Farris Distribution","CreatedYear":"1983","Size":"9╳7.5╳6.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200405102〈小聖嬰（馬槽組）〉是豪華版的聖經故事裝飾陶瓷，主要在描述聖經故事裏聖母馬利亞即將臨盆時，客店裏剛好沒空房，將就進入馬廄裏生產，聖嬰誕生後就讓他躺在鋪上白色床單的馬槽上，以布覆蓋腹部；因為本作品的床、床單及覆蓋聖嬰腹部的毯子全部先在瓷土表面施以高光澤度的透明釉燒過，因此呈現華麗感覺；然後以釉上彩的方式於必要部位塗上不同顏色，包括描金線的彩繪。圖中的聖嬰（取名為耶穌）雙手張開，顯現高興的樣子，有歡迎客人到訪之意；作品中的馬槽（嬰兒床）是經由設計師創作的微傾斜舒適木製小床，並不是聖經中記載的原來形式。\r\n 作品係依據《新約聖經》中的《路加福音》第二章第5~7節、第12節等故事內容進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的天發陶瓷有限公司接受國外訂單委託生產製作，林天賜先生提供。作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200405103","MainTitle":"持黃金三賢者之一/獻禮國王（馬槽組）","Creator":"設計者：天發實業有限公司
其他-品牌商：Farris Distribution","CreatedYear":"1983","Size":"8.5╳8.5╳14","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200405103〈持黃金三賢者之一／獻禮國王（馬槽組）〉是豪華版的裝飾陶瓷，描述聖經故事裏幾位有智慧的使者（亦稱賢者、博士、國王、占星家）從東方來到耶路撒冷，受希律王之託，前往猶太的伯利恆（在耶路撒冷以南約十公里的地方）探詢、朝拜聖嬰耶穌。三位來自東方（波斯、中東、阿拉伯）的智者，分別手持裝著黃金、乳香、沒藥的盒子和罐子當作見面禮。圖中這一位賢者採跪姿造型故謂獻禮，一臉虔誠的表情，頭戴金質皇冠狀多邊形圓帽，身著白色及地長衫外加白色罩袍，雙手托持內裝「黃金」的金色蓋盒，除具賀禮之意，實質上對育嬰與奔波逃難會有經濟上的幫助。雕塑創作採半寫實手法，臉部表情的彩繪十分細膩，服飾部分為粗獷意境；整體作品先於素坏表面噴上透明釉燒過一遍，最後才以釉上彩技法畫上眼睛、眉毛及其它部位的著色包括金水的部分，再次進窯低溫燒烤、定著。\r\n 圖中作品係依據《新約聖經》中的《馬太福音》第二章第1~12節之故事情節「耶穌誕生博士來拜」進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的天發陶瓷有限公司接受國外訂單委託生產製作，林天賜先生提供。作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200405104","MainTitle":"持乳香三賢者之一/站姿國王（馬槽組）","Creator":"設計者：天發實業有限公司
其他-品牌商：Farris Distribution","CreatedYear":"1983","Size":"7╳7.5╳18.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200405104〈持乳香三賢者之一／站姿國王（馬槽組）〉是豪華版的裝飾陶瓷，描述聖經故事裏幾位有智慧的使者（亦稱賢者、博士、國王、占星家）從東方來到耶路撒冷，受希律王之託，前往猶太的伯利恆（在耶路撒冷以南約十公里的地方）探詢、朝拜聖嬰耶穌。三位來自東方（波斯、中東、阿拉伯）的賢者，分別手持裝著黃金、乳香、沒藥的盒子和罐子當作見面禮；圖中這一位白鬍賢者採站立姿態造型，頭戴白色頭巾罩上金質箍環有如阿拉伯男人的傳統服飾，身著白色及地長衫外加白色罩袍包括袖口都有精緻金色滾邊，滿臉虔誠的表情，雙手托持金色玻璃蓋瓶，內裝貴重的「乳香」具消炎殺菌、促進細胞再生功能。雕塑創作採半寫實手法，臉部表情的彩繪十分細膩，服飾部分為粗獷意境；整體作品先於素坏表面噴上透明釉燒過一遍，最後才以釉上彩技法畫上眼睛、眉毛及其它部位的著色包括金水的部分，再次進窯低溫燒烤、定著。\r\n 圖中作品係依據《新約聖經》中的《馬太福音》第二章第1~12節之故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的天發陶瓷有限公司接受國外訂單委託生產製作，林天賜先生提供。作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200405105","MainTitle":"拄杖約瑟（馬槽組）","Creator":"設計者：天發實業有限公司
其他-品牌商：Farris Distribution","CreatedYear":"1983","Size":"8.5╳6.5╳18","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200405105〈拄杖約瑟（馬槽組）〉是一件優質的裝飾陶瓷，描述聖經故事裏聖嬰誕生當下，養父約瑟的神態；圖中的約瑟滿臉鬍腮，微頷首，身著袖口有金線裝飾的單件白色長衫，外罩有金色邊線裝飾的白色長版披風，左手拄著加長型白色木質拐杖，右手捫胸作祈禱狀，由於帶著懷孕的馬利亞長途跋涉來到伯利恆，略顯疲憊。約瑟是一位敬虔的人，他順從上帝給他的話行事，加上三位賢者來到馬廄朝拜聖嬰，約瑟在此情境下表達敬畏、感謝。\r\n 作品創作是根據《新約聖經》中的《馬太福音》第二章、《馬可福音》第六章第8 節及《路加福音》第二章第4節等故事情節進行創作。作者發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的天發陶瓷有限公司接受國外訂單委託生產製作，林天賜先生提供。作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200405106","MainTitle":"持沒藥三賢者之一/黑人國王（馬槽組）","Creator":"設計者：天發實業有限公司
其他-品牌商：Farris Distribution","CreatedYear":"1983","Size":"7╳6.5╳19","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200405106〈持沒藥三賢者之一／黑人國王（馬槽組）〉是豪華版的裝飾陶瓷，描述聖經故事裏幾位有智慧的使者（亦稱賢者、博士、國王、占星家）從東方來到耶路撒冷，受希律王之託，前往猶太的伯利恆（在耶路撒冷以南約十公里的地方）探詢、朝拜聖嬰耶穌。三位來自東方（波斯、中東、阿拉伯）的賢者，分別手持裝著黃金、乳香、沒藥的盒子和罐子當作見面禮。圖中的這一位黝黑膚色的賢者採站立姿態，滿臉虔誠的表情，頭戴白色大包頭帽飾有皇冠狀的金質圖紋有如印度的傳統服飾，身穿白色及地長衫外加白色罩袍包括袖口都有精緻金線滾邊。雙手握持內裝具防腐藥用功效的「沒藥（沉香）」之金色蓋罐。雕塑創作採半寫實手法，臉部表情的彩繪十分細膩，服飾部分為粗獷意境；整體作品先於素坏表面噴上透明釉燒過一遍，最後才以釉上彩技法畫上眼睛、眉毛及其它部位的著色包括金水的部分，再次進窯低溫燒烤、定著。\r\n 圖中作品係依據《新約聖經》中的《馬太福音》第二章第1~12節之故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷的表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的天發陶瓷有限公司接受國外訂單委託生產製作，林天賜先生提供。作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200405107","MainTitle":"馬利亞禱告","Creator":"設計者：天發實業有限公司
其他-品牌商：Farris Distribution","CreatedYear":"1983","Size":"7╳6.5╳13.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200405107〈馬利亞禱告〉是一件豪華版的裝飾陶瓷，在描述聖經故事「神降大任；信心承載」，少女馬利亞蒙神恩懷胎，欣然接受，生下主耶穌，由此可見馬利亞當時得知天使帶來的聖靈訊息後，因敬畏上帝而化解驚恐。圖中的馬利亞採跪姿設計，身著袖子與領口皆有金線裝飾的象牙白色長衫，繫有金色腰帶，頭上披著相同顏色的長版頭巾，微頷首，雙手交疊貼於胸前禱告，以尊主為大的謙卑順服神情充分表達於作品上。整體作品先於素坏表面噴上透明釉燒過一遍，然後才以釉上彩技法於頭部賦予色彩和金線描繪，再次進窯低溫燒烤、定著。\r\n 作品創作是根據《新約聖經》中的《路加福音》第一章「天使加百列預言耶穌的生」裏之故事情節第26~38節「我是主的婢女，願就祢的話成就在我身上…」。作者發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的天發陶瓷有限公司接受國外訂單委託生產製作，林天賜先生提供。作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200405108","MainTitle":"揹羊牧羊人","Creator":"設計者：天發實業有限公司
其他-品牌商：Farris Distribution","CreatedYear":"1983","Size":"9.5╳5.5╳17.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200405108〈揹羊牧羊人〉是超級豪華版的裝飾陶瓷，主要在描述耶穌的比喻之語：牧羊人失去一百隻羊當中的一隻，於是暫時放下九十九隻羊去找那失去的羊，當羊找到了就很高興地將牠揹著回家，邀集左鄰右舍同歡慶。圖中作品雖然整個外觀都是象牙白色調，不過還是很容易看出牧羊人身著西式禮服外加長版披風，揹著具身分象徵的布袋子，將綿羊扛在肩上，尋回失羊的愉悅之情溢於言表。整體作品先於素坏表面噴上透明釉燒過一遍，然後才以釉上彩技法於牧羊人的頭部和綿羊的眼睛等處賦予色彩及金水描繪，再次進窯低溫燒烤、定著。\r\n 圖中作品係依據《新約聖經》中的《路加福音》第十五章第3~7節「失羊的比喻」之故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的天發陶瓷有限公司接受國外訂單委託生產製作，林天賜先生提供。作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200405109","MainTitle":"虔誠母牛（馬槽組）","Creator":"設計者：天發實業有限公司
其他-品牌商：Farris Distribution","CreatedYear":"1983","Size":"12╳5╳5.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200405109〈虔誠母牛（馬槽組）〉屬於豪華版之裝飾陶瓷，主要在描述聖經故事裏，聖母馬利亞即將臨盆時，客店裏剛好沒空房，將就進入馬廄裏生產，聖嬰用布包好後就放在鋪上麥草的馬槽裏。通常馬廄裡不會是只有讓馬進住，也有其牠動物如：羊、牛、驢、駱駝等借宿，因此在聖經故事裏會有「牛」的出現。圖中之母牛，其造型採取跪坐的姿態設計，亦具朝拜之意，因為母牛的整體意象予人虔誠、溫馴、專注的感覺，故取名為「虔誠母牛」，雕塑創作採取接近寫實的手法表現。整體作品所呈現之溫潤乳白色澤，是先於瓷土素坏的表面噴上透明釉燒過一遍（包括耳朵內側的粉紅色），然後才以釉上彩技法畫上眼睛及蹄部的金水，再次進窯低溫燒烤、定著。\r\n 作品係依據《新約聖經》中的《路加福音》第二章第3~12節之故事內容描述，進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的天發陶瓷有限公司接受國外訂單委託生產製作，林天賜先生提供。作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200405110","MainTitle":"耶穌誕生故事中的東方博士","Creator":"設計者：天發陶瓷公司林天賜
其他-品牌商：AVON","CreatedYear":"1981","Size":"15.2╳7.5╳9.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品名稱為「Nativity」，是基督教新約聖經中有關耶穌基督誕生的故事。聖經上說，耶穌誕生時，在遙遠的東方有博士看到天上新星出現，知道是救世主已經誕生，因此跟著新星找到剛誕生的耶穌，獻給祂禮物，並崇拜祂。作品描繪的就是東博士的形象，從身體與服飾看，他是個阿拉伯人先知。他有一個國字臉，嘴巴上下都蓄滿鬍子，抬頭仰望著看天上的星星。他的頭上戴著阿拉伯式的頭巾，套著金色的頭箍。身上穿著寬鬆的長袍裝，外加一件淺綠色的披肩，腳上穿著一隻拖鞋。他坐在地上，左手撐著地面，右手拄著手杖，前面有一個小缽，裡面裝的是用來獻給基督的香油。服飾無論在造型或色彩上都很單純，採用單一的淡橘黃色，沒有複雜的圖案，頗具民族特色。(詮釋委員:陳新上)","ImageUrl":""}
,{"Identifier":"200405111","MainTitle":"戲兔（釉下彩）","Creator":"天發陶瓷公司林天賜","CreatedYear":"1979","Size":"7.5╳8.2╳15","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405112","MainTitle":"抱羊女（釉下彩）","Creator":"天發陶瓷公司林天賜","CreatedYear":"1979","Size":"14.5╳85╳85","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405113","MainTitle":"仕女與大麥町犬","Creator":"設計者：天發實業有限公司
其他-品牌商：Regal House Collection","CreatedYear":"1994","Size":"10.5╳9.5╳25","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一件裝飾陶瓷雕像，表現一位現代女子身穿休閒套裝外出遛狗的美麗身影。整件雕像充滿生活氣息。女子的微捲短髮上有著一頂飾有羽毛的漁夫帽，西裝式的兩件式服飾，揉合了羊腿袖、立領、西服外套、高衩長窄裙等各種元素，充滿設計感，這身裝扮整體烘托出優雅正式中不失性感的氣質，左手輕輕握著繫住大麥町犬的繩索，顯現與寵物間的親密情感，以及愜意輕鬆的休閒感，是現代生活的寫照之一。\r\n 西洋裝飾陶瓷的生產，是個需要密集勞力與技術純熟的產業。這個產業在1960年中晚期，由日本引進臺灣，進行代工製造，苗栗尤為重鎮，從1970年代到1990年代為臺灣帶來豐厚的外匯收入。從產品底部標註和登錄資料得知，這是天發陶瓷於1995年為Regal House品牌SBL所生產的產品「Nadia」。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405114","MainTitle":"聖水杯（馬槽組）","Creator":"設計者：天發實業有限公司","CreatedYear":"1998","Size":"7.5╳6.5╳16","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作品200405114〈聖水杯（馬槽組）〉是一件印地安版的聖經故事裝飾陶瓷，作為可以掛在牆上的「聖水杯」之用。故事題材的背景是參考聖經故事裏，耶穌站在加利利革尼撤勒湖岸的一條船上，對著眾人講道；講完了之後，命漁人將船開到水深之處下網打魚，圈住許多魚，讓兩條船幾乎爆滿，顯現神蹟力量。作品中人物主角的設計，完全採取印地安傳統服飾裝扮，雙手交疊於胸前並抱持十字架，站在水杯形的木船上，有如對著眾人講話；船舷刻有印地安風情的圖騰裝飾，船頭的十字架象徵漁網，一切皆與故事內容吻合。\r\n 圖中作品係參考《新約聖經》中的《路加福音》第五章第1~11節所描述之故事情節進行創作。作者充分發揮想像力與雕塑長才，將教堂儀式的使用習慣及既有之同類產品，以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係臺灣苗栗地區的天發陶瓷有限公司接受國外委託，自行開發、生產製作，林天賜先生提供。作品的品質十分優異，造型設計生動，釉上彩的彩繪表現設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200405115","MainTitle":"小天使","Creator":"其他-品牌商：Lenox Corporation
其他-代工：天發實業有限公司","CreatedYear":"2001","Size":"5.5╳3.5╳7.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件西洋裝飾陶瓷天使雕像，大幅度展開的裙襬和揚起的翅膀，似乎暗示天使正從天空中緩緩降臨，神情優美肅穆手捧金色星芒，為世人降幅。西洋裝飾陶瓷的生產工序繁多，是個需要密集勞力的產業，臺灣從1960年中晚期開始有日資移轉這種產業技術過來，苗栗尤為重鎮。該產業在1970-90年代為臺灣帶來豐厚的外匯收入。雖然多以代工為生產型態，但在發展過程中，臺灣自身也逐漸在實戰中養成在地人才，以及相應配合的各種產業鏈。\r\n 這尊雕像雖然僅星星施以金色，其他全為素燒，但在造型、量體、各種花紋細節均掌握十分純熟。天使的裙襬下緣蓋有字母不全的金色字樣©LENO□□，從天發過去接美國訂單的營業狀況，推測可能為代工美國藝術陶瓷公司LENOX的產品。(詮釋委員:朱珮儀)","ImageUrl":""}
,{"Identifier":"200405116","MainTitle":"微笑小羊（馬槽組）","Creator":"設計者：天發實業有限公司
其他-品牌商：Farris Distribution","CreatedYear":"1983","Size":"7.6╳3.1╳4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件作品200405116〈微笑小羊（馬槽組）〉屬豪華版的裝飾陶瓷，主要是在描述聖經故事裏，耶穌誕生當天牧羊人依照天使的指示，前往大衛的城伯利恆附近之馬廄朝拜聖嬰。因為與「羊」有密切關係，所以通常在聖家族的作品系列中會有「羊」的出現。由於聖經故事的時空背景大約發生在三千多年前的中東地區，當時當地有很多的牧羊人放牧著無數的綿羊群，是為重要畜牧產業；圖中的羊採跪坐的姿態設計，亦具朝拜之意，因為此羊的面部表情略帶微笑，故取名為「微笑小羊」。雕塑創作採半寫實手法，將綿羊的毛以凹凸起伏、不規則條紋表現，整體作品先於素坏表面上透明釉燒過一遍（包括耳朵內側的粉紅色），最後才以釉上彩技法畫上眼睛及蹄部的金彩，再次進窯低溫燒烤、定著。\r\n 圖中作品係依據《新約聖經》中的《路加福音》第二章第8~20節「天使報喜信給牧羊的人」之故事情節進行創作。作者充分發揮想像力與雕塑長才，將聖經裏的故事內容以裝飾陶瓷之表達方式生動呈現，無形中得以增進一般人對聖經故事的理解與親和力。\r\n 此宗教系列作品之一係由臺灣苗栗地區的天發陶瓷有限公司接受國外訂單委託生產製作，林天賜先生提供。作品的品質十分優異，造型設計生動，釉上彩的彩繪設色優美、濃淡宜人、恰到好處，極為適合藝術收藏、禮品餽贈、欣賞把玩及室內擺飾之用。\r\n 一件裝飾陶瓷作品的產生，從設計構想草圖、原形塑造*、原形分件、分件石膏母模製作、生產用石膏模翻製、泥坏製作、素燒、本燒、彩繪*、燒烤等過程，著實有著一連串的繁複工序。製作技術主要是採取瓷土泥漿「倒漿法」成形；個別泥坏零件以倒漿用的泥漿黏著、組合；修坏、陰乾後以800℃素燒、1,300℃燒結；接著是釉藥手工彩繪，以800℃左右的溫度燒烤，讓釉彩得以定著；作品的呈現大功告成。*原形塑造與彩繪是裝飾陶瓷作品的藝術生命價值。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所應地方產業需求，設立苗栗陶瓷技術輔導中心，專責裝飾陶瓷技術與產品設計的研發，歷年來成就了為數豐富的創新產品，納入典藏資料庫，提供業界及一般同好瀏覽，促進產業發展。\r\n 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產。至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200405117","MainTitle":"珠寶盒","Creator":"天發陶瓷公司林天賜","CreatedYear":"1981","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405117001","MainTitle":"珠寶盒：盒蓋/長方型、條紋","Creator":"天發陶瓷公司林天賜","CreatedYear":"1981","Size":"8.5╳6╳2.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTE3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405117002","MainTitle":"珠寶盒：盒身/長方型、條紋","Creator":"天發陶瓷公司林天賜","CreatedYear":"1981","Size":"8.5╳6╳4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTE3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405118","MainTitle":"珠寶盒","Creator":"天發陶瓷公司林天賜","CreatedYear":"2001","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405118001","MainTitle":"珠寶盒：盒蓋/木箱","Creator":"天發陶瓷公司林天賜","CreatedYear":"2001","Size":"8.5╳6╳2.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTE4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200405118002","MainTitle":"珠寶盒：盒身/木箱","Creator":"天發陶瓷公司林天賜","CreatedYear":"2001","Size":"8.5╳6╳4","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA1MTE4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200406001","MainTitle":"風雲動/金色1","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"13╳10╳15.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品200406001〈風雲動（金黃色1）〉，是從「風雲動」系列作品中挑選出來的四件作品其中之一，描寫的正是一位棒球投手站在投手丘頂端的投手板上，頭戴棒球帽、身著球衣、右腿抬起、左手握球、擺出一副金雞獨立的投球英姿，準備發球。其它三件作品分別為：200406006〈風雲動（茶金色1）〉、200406011〈風雲動（藍色1）〉、200406016〈風雲動（綠色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，由於賦予不同顏色的琉璃，會產生不同的視覺效果，以上皆為國立臺灣工藝研究發展中心的典藏品。\r\n 圖中的作品「風雲動」，係因當年紅葉棒球隊首獲國際少棒賽冠軍，「風雲」一時，確實讓臺灣的父老兄弟姊妹們感「動」，頗為振奮人心，遂以「風雲動」為作品命名。作者以其對棒球運動的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能回憶起1968年的紅葉精神。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406002","MainTitle":"風雲動/金色2","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"13╳10╳15.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品200406001〈風雲動（金黃色1）〉，是從「風雲動」系列作品中挑選出來的四件作品其中之一，描寫的正是一位棒球投手站在投手丘頂端的投手板上，頭戴棒球帽、身著球衣、右腿抬起、左手握球、擺出一副金雞獨立的投球英姿，準備發球。其它三件作品分別為：200406006〈風雲動（茶金色1）〉、200406011〈風雲動（藍色1）〉、200406016〈風雲動（綠色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，由於賦予不同顏色的琉璃，會產生不同的視覺效果，以上皆為國立臺灣工藝研究發展中心的典藏品。\r\n 圖中的作品「風雲動」，係因當年紅葉棒球隊首獲國際少棒賽冠軍，「風雲」一時，確實讓臺灣的父老兄弟姊妹們感「動」，頗為振奮人心，遂以「風雲動」為作品命名。作者以其對棒球運動的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能回憶起1968年的紅葉精神。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406003","MainTitle":"風雲動/金色3","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"13╳10╳15.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品200406001〈風雲動（金黃色1）〉，是從「風雲動」系列作品中挑選出來的四件作品其中之一，描寫的正是一位棒球投手站在投手丘頂端的投手板上，頭戴棒球帽、身著球衣、右腿抬起、左手握球、擺出一副金雞獨立的投球英姿，準備發球。其它三件作品分別為：200406006〈風雲動（茶金色1）〉、200406011〈風雲動（藍色1）〉、200406016〈風雲動（綠色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，由於賦予不同顏色的琉璃，會產生不同的視覺效果，以上皆為國立臺灣工藝研究發展中心的典藏品。\r\n 圖中的作品「風雲動」，係因當年紅葉棒球隊首獲國際少棒賽冠軍，「風雲」一時，確實讓臺灣的父老兄弟姊妹們感「動」，頗為振奮人心，遂以「風雲動」為作品命名。作者以其對棒球運動的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能回憶起1968年的紅葉精神。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406004","MainTitle":"風雲動/金色4","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"13╳10╳15.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品200406001〈風雲動（金黃色1）〉，是從「風雲動」系列作品中挑選出來的四件作品其中之一，描寫的正是一位棒球投手站在投手丘頂端的投手板上，頭戴棒球帽、身著球衣、右腿抬起、左手握球、擺出一副金雞獨立的投球英姿，準備發球。其它三件作品分別為：200406006〈風雲動（茶金色1）〉、200406011〈風雲動（藍色1）〉、200406016〈風雲動（綠色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，由於賦予不同顏色的琉璃，會產生不同的視覺效果，以上皆為國立臺灣工藝研究發展中心的典藏品。\r\n 圖中的作品「風雲動」，係因當年紅葉棒球隊首獲國際少棒賽冠軍，「風雲」一時，確實讓臺灣的父老兄弟姊妹們感「動」，頗為振奮人心，遂以「風雲動」為作品命名。作者以其對棒球運動的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能回憶起1968年的紅葉精神。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406005","MainTitle":"風雲動/金色5","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"13╳10╳15.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品200406001〈風雲動（金黃色1）〉，是從「風雲動」系列作品中挑選出來的四件作品其中之一，描寫的正是一位棒球投手站在投手丘頂端的投手板上，頭戴棒球帽、身著球衣、右腿抬起、左手握球、擺出一副金雞獨立的投球英姿，準備發球。其它三件作品分別為：200406006〈風雲動（茶金色1）〉、200406011〈風雲動（藍色1）〉、200406016〈風雲動（綠色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，由於賦予不同顏色的琉璃，會產生不同的視覺效果，以上皆為國立臺灣工藝研究發展中心的典藏品。\r\n 圖中的作品「風雲動」，係因當年紅葉棒球隊首獲國際少棒賽冠軍，「風雲」一時，確實讓臺灣的父老兄弟姊妹們感「動」，頗為振奮人心，遂以「風雲動」為作品命名。作者以其對棒球運動的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能回憶起1968年的紅葉精神。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406006","MainTitle":"風雲動/茶金1","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"13╳10╳15.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品200406006〈風雲動（茶金色1）〉，是從「風雲動」系列作品中挑選出來的四件作品其中之二，描寫的正是一位棒球投手站在投手丘頂端的投手板上，頭戴棒球帽、身著球衣、右腿抬起、左手握球、擺出一副金雞獨立的投球英姿，準備發球。其它三件作品分別為：200406001〈風雲動（金黃色1）〉、200406011〈風雲動（藍色1）〉、200406016〈風雲動（綠色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，由於賦予不同顏色的琉璃，會產生不同的視覺效果，以上皆為國立臺灣工藝研究發展中心的典藏品。\r\n 圖中的作品「風雲動」，係因當年紅葉棒球隊首獲國際少棒賽冠軍，「風雲」一時，確實讓臺灣的父老兄弟姊妹們感「動」，頗為振奮人心，遂以「風雲動」為作品命名。作者以其對棒球運動的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能回憶起1968年的紅葉精神。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406007","MainTitle":"風雲動/茶金2","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"13╳10╳15.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品200406006〈風雲動（茶金色1）〉，是從「風雲動」系列作品中挑選出來的四件作品其中之二，描寫的正是一位棒球投手站在投手丘頂端的投手板上，頭戴棒球帽、身著球衣、右腿抬起、左手握球、擺出一副金雞獨立的投球英姿，準備發球。其它三件作品分別為：200406001〈風雲動（金黃色1）〉、200406011〈風雲動（藍色1）〉、200406016〈風雲動（綠色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，由於賦予不同顏色的琉璃，會產生不同的視覺效果，以上皆為國立臺灣工藝研究發展中心的典藏品。\r\n 圖中的作品「風雲動」，係因當年紅葉棒球隊首獲國際少棒賽冠軍，「風雲」一時，確實讓臺灣的父老兄弟姊妹們感「動」，頗為振奮人心，遂以「風雲動」為作品命名。作者以其對棒球運動的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能回憶起1968年的紅葉精神。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406008","MainTitle":"風雲動/茶金3","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"13╳10╳15.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品200406006〈風雲動（茶金色1）〉，是從「風雲動」系列作品中挑選出來的四件作品其中之二，描寫的正是一位棒球投手站在投手丘頂端的投手板上，頭戴棒球帽、身著球衣、右腿抬起、左手握球、擺出一副金雞獨立的投球英姿，準備發球。其它三件作品分別為：200406001〈風雲動（金黃色1）〉、200406011〈風雲動（藍色1）〉、200406016〈風雲動（綠色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，由於賦予不同顏色的琉璃，會產生不同的視覺效果，以上皆為國立臺灣工藝研究發展中心的典藏品。\r\n 圖中的作品「風雲動」，係因當年紅葉棒球隊首獲國際少棒賽冠軍，「風雲」一時，確實讓臺灣的父老兄弟姊妹們感「動」，頗為振奮人心，遂以「風雲動」為作品命名。作者以其對棒球運動的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能回憶起1968年的紅葉精神。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406009","MainTitle":"風雲動/茶金4","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"13╳10╳15.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品200406006〈風雲動（茶金色1）〉，是從「風雲動」系列作品中挑選出來的四件作品其中之二，描寫的正是一位棒球投手站在投手丘頂端的投手板上，頭戴棒球帽、身著球衣、右腿抬起、左手握球、擺出一副金雞獨立的投球英姿，準備發球。其它三件作品分別為：200406001〈風雲動（金黃色1）〉、200406011〈風雲動（藍色1）〉、200406016〈風雲動（綠色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，由於賦予不同顏色的琉璃，會產生不同的視覺效果，以上皆為國立臺灣工藝研究發展中心的典藏品。\r\n 圖中的作品「風雲動」，係因當年紅葉棒球隊首獲國際少棒賽冠軍，「風雲」一時，確實讓臺灣的父老兄弟姊妹們感「動」，頗為振奮人心，遂以「風雲動」為作品命名。作者以其對棒球運動的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能回憶起1968年的紅葉精神。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406010","MainTitle":"風雲動/茶金5","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"13╳10╳15.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品200406006〈風雲動（茶金色1）〉，是從「風雲動」系列作品中挑選出來的四件作品其中之二，描寫的正是一位棒球投手站在投手丘頂端的投手板上，頭戴棒球帽、身著球衣、右腿抬起、左手握球、擺出一副金雞獨立的投球英姿，準備發球。其它三件作品分別為：200406001〈風雲動（金黃色1）〉、200406011〈風雲動（藍色1）〉、200406016〈風雲動（綠色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，由於賦予不同顏色的琉璃，會產生不同的視覺效果，以上皆為國立臺灣工藝研究發展中心的典藏品。\r\n 圖中的作品「風雲動」，係因當年紅葉棒球隊首獲國際少棒賽冠軍，「風雲」一時，確實讓臺灣的父老兄弟姊妹們感「動」，頗為振奮人心，遂以「風雲動」為作品命名。作者以其對棒球運動的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能回憶起1968年的紅葉精神。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406011","MainTitle":"風雲動/藍色1","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"13╳10╳15.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品200406011〈風雲動（藍色1）〉，是從「風雲動」系列作品中挑選出來的四件作品其中之三，描寫的正是一位棒球投手站在投手丘頂端的投手板上，頭戴棒球帽、身著球衣、右腿抬起、左手握球、擺出一副金雞獨立的投球英姿，準備發球。其它三件作品分別為：200406001〈風雲動（金黃色1）〉、200406006〈風雲動（茶金色1）〉、200406016〈風雲動（綠色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，由於賦予不同顏色的琉璃，會產生不同的視覺效果，以上皆為國立臺灣工藝研究發展中心的典藏品。\r\n 圖中的作品「風雲動」，係因當年紅葉棒球隊首獲國際少棒賽冠軍，「風雲」一時，確實讓臺灣的父老兄弟姊妹們感「動」，頗為振奮人心，遂以「風雲動」為作品命名。作者以其對棒球運動的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能回憶起1968年的紅葉精神。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406012","MainTitle":"風雲動/藍色2","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"13╳10╳15.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品200406011〈風雲動（藍色1）〉，是從「風雲動」系列作品中挑選出來的四件作品其中之三，描寫的正是一位棒球投手站在投手丘頂端的投手板上，頭戴棒球帽、身著球衣、右腿抬起、左手握球、擺出一副金雞獨立的投球英姿，準備發球。其它三件作品分別為：200406001〈風雲動（金黃色1）〉、200406006〈風雲動（茶金色1）〉、200406016〈風雲動（綠色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，由於賦予不同顏色的琉璃，會產生不同的視覺效果，以上皆為國立臺灣工藝研究發展中心的典藏品。\r\n 圖中的作品「風雲動」，係因當年紅葉棒球隊首獲國際少棒賽冠軍，「風雲」一時，確實讓臺灣的父老兄弟姊妹們感「動」，頗為振奮人心，遂以「風雲動」為作品命名。作者以其對棒球運動的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能回憶起1968年的紅葉精神。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406013","MainTitle":"風雲動/藍色3","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"13╳10╳15.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品200406011〈風雲動（藍色1）〉，是從「風雲動」系列作品中挑選出來的四件作品其中之三，描寫的正是一位棒球投手站在投手丘頂端的投手板上，頭戴棒球帽、身著球衣、右腿抬起、左手握球、擺出一副金雞獨立的投球英姿，準備發球。其它三件作品分別為：200406001〈風雲動（金黃色1）〉、200406006〈風雲動（茶金色1）〉、200406016〈風雲動（綠色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，由於賦予不同顏色的琉璃，會產生不同的視覺效果，以上皆為國立臺灣工藝研究發展中心的典藏品。\r\n 圖中的作品「風雲動」，係因當年紅葉棒球隊首獲國際少棒賽冠軍，「風雲」一時，確實讓臺灣的父老兄弟姊妹們感「動」，頗為振奮人心，遂以「風雲動」為作品命名。作者以其對棒球運動的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能回憶起1968年的紅葉精神。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406014","MainTitle":"風雲動/藍色4","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"13╳10╳15.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品200406011〈風雲動（藍色1）〉，是從「風雲動」系列作品中挑選出來的四件作品其中之三，描寫的正是一位棒球投手站在投手丘頂端的投手板上，頭戴棒球帽、身著球衣、右腿抬起、左手握球、擺出一副金雞獨立的投球英姿，準備發球。其它三件作品分別為：200406001〈風雲動（金黃色1）〉、200406006〈風雲動（茶金色1）〉、200406016〈風雲動（綠色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，由於賦予不同顏色的琉璃，會產生不同的視覺效果，以上皆為國立臺灣工藝研究發展中心的典藏品。\r\n 圖中的作品「風雲動」，係因當年紅葉棒球隊首獲國際少棒賽冠軍，「風雲」一時，確實讓臺灣的父老兄弟姊妹們感「動」，頗為振奮人心，遂以「風雲動」為作品命名。作者以其對棒球運動的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能回憶起1968年的紅葉精神。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406015","MainTitle":"風雲動/藍色5","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"13╳10╳15.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品200406011〈風雲動（藍色1）〉，是從「風雲動」系列作品中挑選出來的四件作品其中之三，描寫的正是一位棒球投手站在投手丘頂端的投手板上，頭戴棒球帽、身著球衣、右腿抬起、左手握球、擺出一副金雞獨立的投球英姿，準備發球。其它三件作品分別為：200406001〈風雲動（金黃色1）〉、200406006〈風雲動（茶金色1）〉、200406016〈風雲動（綠色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，由於賦予不同顏色的琉璃，會產生不同的視覺效果，以上皆為國立臺灣工藝研究發展中心的典藏品。\r\n 圖中的作品「風雲動」，係因當年紅葉棒球隊首獲國際少棒賽冠軍，「風雲」一時，確實讓臺灣的父老兄弟姊妹們感「動」，頗為振奮人心，遂以「風雲動」為作品命名。作者以其對棒球運動的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能回憶起1968年的紅葉精神。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406016","MainTitle":"風雲動/綠色1","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"13╳10╳15.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品200406016〈風雲動（綠色1）〉，是從「風雲動」系列作品中挑選出來的四件作品其中之四，描寫的正是一位棒球投手站在投手丘頂端的投手板上，頭戴棒球帽、身著球衣、右腿抬起、左手握球、擺出一副金雞獨立的投球英姿，準備發球。其它三件作品分別為：200406001〈風雲動（金黃色1）〉、200406006〈風雲動（茶金色1）〉、200406011〈風雲動（藍色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，由於賦予不同顏色的琉璃，會產生不同的視覺效果，以上皆為國立臺灣工藝研究發展中心的典藏品。\r\n 圖中的作品「風雲動」，係因當年紅葉棒球隊首獲國際少棒賽冠軍，「風雲」一時，確實讓臺灣的父老兄弟姊妹們感「動」，頗為振奮人心，遂以「風雲動」為作品命名。作者以其對棒球運動的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能回憶起1968年的紅葉精神。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406017","MainTitle":"風雲動/綠色2","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"13╳10╳15.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品200406016〈風雲動（綠色1）〉，是從「風雲動」系列作品中挑選出來的四件作品其中之四，描寫的正是一位棒球投手站在投手丘頂端的投手板上，頭戴棒球帽、身著球衣、右腿抬起、左手握球、擺出一副金雞獨立的投球英姿，準備發球。其它三件作品分別為：200406001〈風雲動（金黃色1）〉、200406006〈風雲動（茶金色1）〉、200406011〈風雲動（藍色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，由於賦予不同顏色的琉璃，會產生不同的視覺效果，以上皆為國立臺灣工藝研究發展中心的典藏品。\r\n 圖中的作品「風雲動」，係因當年紅葉棒球隊首獲國際少棒賽冠軍，「風雲」一時，確實讓臺灣的父老兄弟姊妹們感「動」，頗為振奮人心，遂以「風雲動」為作品命名。作者以其對棒球運動的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能回憶起1968年的紅葉精神。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406018","MainTitle":"風雲動/綠色3","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"13╳10╳15.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品200406016〈風雲動（綠色1）〉，是從「風雲動」系列作品中挑選出來的四件作品其中之四，描寫的正是一位棒球投手站在投手丘頂端的投手板上，頭戴棒球帽、身著球衣、右腿抬起、左手握球、擺出一副金雞獨立的投球英姿，準備發球。其它三件作品分別為：200406001〈風雲動（金黃色1）〉、200406006〈風雲動（茶金色1）〉、200406011〈風雲動（藍色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，由於賦予不同顏色的琉璃，會產生不同的視覺效果，以上皆為國立臺灣工藝研究發展中心的典藏品。\r\n 圖中的作品「風雲動」，係因當年紅葉棒球隊首獲國際少棒賽冠軍，「風雲」一時，確實讓臺灣的父老兄弟姊妹們感「動」，頗為振奮人心，遂以「風雲動」為作品命名。作者以其對棒球運動的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能回憶起1968年的紅葉精神。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406019","MainTitle":"風雲動/綠色4","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"13╳10╳15.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品200406016〈風雲動（綠色1）〉，是從「風雲動」系列作品中挑選出來的四件作品其中之四，描寫的正是一位棒球投手站在投手丘頂端的投手板上，頭戴棒球帽、身著球衣、右腿抬起、左手握球、擺出一副金雞獨立的投球英姿，準備發球。其它三件作品分別為：200406001〈風雲動（金黃色1）〉、200406006〈風雲動（茶金色1）〉、200406011〈風雲動（藍色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，由於賦予不同顏色的琉璃，會產生不同的視覺效果，以上皆為國立臺灣工藝研究發展中心的典藏品。\r\n 圖中的作品「風雲動」，係因當年紅葉棒球隊首獲國際少棒賽冠軍，「風雲」一時，確實讓臺灣的父老兄弟姊妹們感「動」，頗為振奮人心，遂以「風雲動」為作品命名。作者以其對棒球運動的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能回憶起1968年的紅葉精神。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406020","MainTitle":"風雲動/綠色5","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"13╳10╳15.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 西元1968年，來自臺東的紅葉少年棒球隊首度贏得世界少棒賽冠軍，讓臺灣的名聲揚名國際，是為臺灣熱門話題。本作品200406016〈風雲動（綠色1）〉，是從「風雲動」系列作品中挑選出來的四件作品其中之四，描寫的正是一位棒球投手站在投手丘頂端的投手板上，頭戴棒球帽、身著球衣、右腿抬起、左手握球、擺出一副金雞獨立的投球英姿，準備發球。其它三件作品分別為：200406001〈風雲動（金黃色1）〉、200406006〈風雲動（茶金色1）〉、200406011〈風雲動（藍色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，由於賦予不同顏色的琉璃，會產生不同的視覺效果，以上皆為國立臺灣工藝研究發展中心的典藏品。\r\n 圖中的作品「風雲動」，係因當年紅葉棒球隊首獲國際少棒賽冠軍，「風雲」一時，確實讓臺灣的父老兄弟姊妹們感「動」，頗為振奮人心，遂以「風雲動」為作品命名。作者以其對棒球運動的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能回憶起1968年的紅葉精神。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406021","MainTitle":"神氣活現/金色1","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"5╳8╳12.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 本作品200406021〈神氣活現（金色1）〉，是從「神氣活現」系列作品中挑選出來的兩件作品其中之一，所描寫的主角就是齊天大聖孫悟空。另外一件作品是200406031〈神氣活現（藍色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，但是由於賦予不同顏色的琉璃，會產生不同的視覺效果。中國有名的歷史小說《西遊記》，相傳為明代時期吳承恩所寫，是以唐三藏西天取經為故事背景，裡頭一位背插如意金箍棒，會騰雲駕霧、又會七十二變，「神氣活現」的風雲人物就是孫行者本尊，遂以「神氣活現」作為命名。作者以其對西遊記裡孫悟空的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能聯想到《西遊記》裡頭的許多場景故事。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406022","MainTitle":"神氣活現/金色2","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"5╳8╳12.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 本作品200406021〈神氣活現（金色1）〉，是從「神氣活現」系列作品中挑選出來的兩件作品其中之一，所描寫的主角就是齊天大聖孫悟空。另外一件作品是200406031〈神氣活現（藍色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，但是由於賦予不同顏色的琉璃，會產生不同的視覺效果。中國有名的歷史小說《西遊記》，相傳為明代時期吳承恩所寫，是以唐三藏西天取經為故事背景，裡頭一位背插如意金箍棒，會騰雲駕霧、又會七十二變，「神氣活現」的風雲人物就是孫行者本尊，遂以「神氣活現」作為命名。作者以其對西遊記裡孫悟空的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能聯想到《西遊記》裡頭的許多場景故事。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406023","MainTitle":"神氣活現/金色3","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"5╳8╳12.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 本作品200406021〈神氣活現（金色1）〉，是從「神氣活現」系列作品中挑選出來的兩件作品其中之一，所描寫的主角就是齊天大聖孫悟空。另外一件作品是200406031〈神氣活現（藍色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，但是由於賦予不同顏色的琉璃，會產生不同的視覺效果。中國有名的歷史小說《西遊記》，相傳為明代時期吳承恩所寫，是以唐三藏西天取經為故事背景，裡頭一位背插如意金箍棒，會騰雲駕霧、又會七十二變，「神氣活現」的風雲人物就是孫行者本尊，遂以「神氣活現」作為命名。作者以其對西遊記裡孫悟空的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能聯想到《西遊記》裡頭的許多場景故事。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406024","MainTitle":"神氣活現/金色4","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"5╳8╳12.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 本作品200406021〈神氣活現（金色1）〉，是從「神氣活現」系列作品中挑選出來的兩件作品其中之一，所描寫的主角就是齊天大聖孫悟空。另外一件作品是200406031〈神氣活現（藍色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，但是由於賦予不同顏色的琉璃，會產生不同的視覺效果。中國有名的歷史小說《西遊記》，相傳為明代時期吳承恩所寫，是以唐三藏西天取經為故事背景，裡頭一位背插如意金箍棒，會騰雲駕霧、又會七十二變，「神氣活現」的風雲人物就是孫行者本尊，遂以「神氣活現」作為命名。作者以其對西遊記裡孫悟空的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能聯想到《西遊記》裡頭的許多場景故事。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406025","MainTitle":"神氣活現/金色5","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"5╳8╳12.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 本作品200406021〈神氣活現（金色1）〉，是從「神氣活現」系列作品中挑選出來的兩件作品其中之一，所描寫的主角就是齊天大聖孫悟空。另外一件作品是200406031〈神氣活現（藍色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，但是由於賦予不同顏色的琉璃，會產生不同的視覺效果。中國有名的歷史小說《西遊記》，相傳為明代時期吳承恩所寫，是以唐三藏西天取經為故事背景，裡頭一位背插如意金箍棒，會騰雲駕霧、又會七十二變，「神氣活現」的風雲人物就是孫行者本尊，遂以「神氣活現」作為命名。作者以其對西遊記裡孫悟空的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能聯想到《西遊記》裡頭的許多場景故事。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406026","MainTitle":"神氣活現/金色6","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"5╳8╳12.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 本作品200406021〈神氣活現（金色1）〉，是從「神氣活現」系列作品中挑選出來的兩件作品其中之一，所描寫的主角就是齊天大聖孫悟空。另外一件作品是200406031〈神氣活現（藍色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，但是由於賦予不同顏色的琉璃，會產生不同的視覺效果。中國有名的歷史小說《西遊記》，相傳為明代時期吳承恩所寫，是以唐三藏西天取經為故事背景，裡頭一位背插如意金箍棒，會騰雲駕霧、又會七十二變，「神氣活現」的風雲人物就是孫行者本尊，遂以「神氣活現」作為命名。作者以其對西遊記裡孫悟空的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能聯想到《西遊記》裡頭的許多場景故事。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406027","MainTitle":"神氣活現/金色7","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"5╳8╳12.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 本作品200406021〈神氣活現（金色1）〉，是從「神氣活現」系列作品中挑選出來的兩件作品其中之一，所描寫的主角就是齊天大聖孫悟空。另外一件作品是200406031〈神氣活現（藍色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，但是由於賦予不同顏色的琉璃，會產生不同的視覺效果。中國有名的歷史小說《西遊記》，相傳為明代時期吳承恩所寫，是以唐三藏西天取經為故事背景，裡頭一位背插如意金箍棒，會騰雲駕霧、又會七十二變，「神氣活現」的風雲人物就是孫行者本尊，遂以「神氣活現」作為命名。作者以其對西遊記裡孫悟空的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能聯想到《西遊記》裡頭的許多場景故事。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406028","MainTitle":"神氣活現/金色8","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"5╳8╳12.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 本作品200406021〈神氣活現（金色1）〉，是從「神氣活現」系列作品中挑選出來的兩件作品其中之一，所描寫的主角就是齊天大聖孫悟空。另外一件作品是200406031〈神氣活現（藍色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，但是由於賦予不同顏色的琉璃，會產生不同的視覺效果。中國有名的歷史小說《西遊記》，相傳為明代時期吳承恩所寫，是以唐三藏西天取經為故事背景，裡頭一位背插如意金箍棒，會騰雲駕霧、又會七十二變，「神氣活現」的風雲人物就是孫行者本尊，遂以「神氣活現」作為命名。作者以其對西遊記裡孫悟空的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能聯想到《西遊記》裡頭的許多場景故事。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406029","MainTitle":"神氣活現/金色9","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"5╳8╳12.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 本作品200406021〈神氣活現（金色1）〉，是從「神氣活現」系列作品中挑選出來的兩件作品其中之一，所描寫的主角就是齊天大聖孫悟空。另外一件作品是200406031〈神氣活現（藍色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，但是由於賦予不同顏色的琉璃，會產生不同的視覺效果。中國有名的歷史小說《西遊記》，相傳為明代時期吳承恩所寫，是以唐三藏西天取經為故事背景，裡頭一位背插如意金箍棒，會騰雲駕霧、又會七十二變，「神氣活現」的風雲人物就是孫行者本尊，遂以「神氣活現」作為命名。作者以其對西遊記裡孫悟空的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能聯想到《西遊記》裡頭的許多場景故事。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406030","MainTitle":"神氣活現/金色10","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"5╳8╳12.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 本作品200406021〈神氣活現（金色1）〉，是從「神氣活現」系列作品中挑選出來的兩件作品其中之一，所描寫的主角就是齊天大聖孫悟空。另外一件作品是200406031〈神氣活現（藍色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，但是由於賦予不同顏色的琉璃，會產生不同的視覺效果。中國有名的歷史小說《西遊記》，相傳為明代時期吳承恩所寫，是以唐三藏西天取經為故事背景，裡頭一位背插如意金箍棒，會騰雲駕霧、又會七十二變，「神氣活現」的風雲人物就是孫行者本尊，遂以「神氣活現」作為命名。作者以其對西遊記裡孫悟空的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能聯想到《西遊記》裡頭的許多場景故事。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406031","MainTitle":"神氣活現/藍色1","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"5╳8╳12.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 本作品200406031〈神氣活現（藍色1）〉，是從「神氣活現」系列作品中挑選出來的兩件作品其中之二，所描寫的主角就是齊天大聖孫悟空。另外一件作品是200406021〈神氣活現（金色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，但是由於賦予不同顏色的琉璃，會產生不同的視覺效果。中國有名的歷史小說《西遊記》，相傳為明代時期吳承恩所寫，是以唐三藏西天取經為故事背景，裡頭一位背插如意金箍棒，會騰雲駕霧、又會七十二變，「神氣活現」的風雲人物就是孫行者本尊，遂以「神氣活現」作為命名。作者以其對西遊記裡孫悟空的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能聯想到《西遊記》裡頭的許多場景故事。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406032","MainTitle":"神氣活現/藍色2","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"5╳8╳12.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 本作品200406031〈神氣活現（藍色1）〉，是從「神氣活現」系列作品中挑選出來的兩件作品其中之二，所描寫的主角就是齊天大聖孫悟空。另外一件作品是200406021〈神氣活現（金色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，但是由於賦予不同顏色的琉璃，會產生不同的視覺效果。中國有名的歷史小說《西遊記》，相傳為明代時期吳承恩所寫，是以唐三藏西天取經為故事背景，裡頭一位背插如意金箍棒，會騰雲駕霧、又會七十二變，「神氣活現」的風雲人物就是孫行者本尊，遂以「神氣活現」作為命名。作者以其對西遊記裡孫悟空的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能聯想到《西遊記》裡頭的許多場景故事。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406033","MainTitle":"神氣活現/藍色3","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"5╳8╳12.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 本作品200406031〈神氣活現（藍色1）〉，是從「神氣活現」系列作品中挑選出來的兩件作品其中之二，所描寫的主角就是齊天大聖孫悟空。另外一件作品是200406021〈神氣活現（金色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，但是由於賦予不同顏色的琉璃，會產生不同的視覺效果。中國有名的歷史小說《西遊記》，相傳為明代時期吳承恩所寫，是以唐三藏西天取經為故事背景，裡頭一位背插如意金箍棒，會騰雲駕霧、又會七十二變，「神氣活現」的風雲人物就是孫行者本尊，遂以「神氣活現」作為命名。作者以其對西遊記裡孫悟空的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能聯想到《西遊記》裡頭的許多場景故事。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406034","MainTitle":"神氣活現/藍色4","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"5╳8╳12.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 本作品200406031〈神氣活現（藍色1）〉，是從「神氣活現」系列作品中挑選出來的兩件作品其中之二，所描寫的主角就是齊天大聖孫悟空。另外一件作品是200406021〈神氣活現（金色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，但是由於賦予不同顏色的琉璃，會產生不同的視覺效果。中國有名的歷史小說《西遊記》，相傳為明代時期吳承恩所寫，是以唐三藏西天取經為故事背景，裡頭一位背插如意金箍棒，會騰雲駕霧、又會七十二變，「神氣活現」的風雲人物就是孫行者本尊，遂以「神氣活現」作為命名。作者以其對西遊記裡孫悟空的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能聯想到《西遊記》裡頭的許多場景故事。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406035","MainTitle":"神氣活現/藍色5","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"5╳8╳12.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 本作品200406031〈神氣活現（藍色1）〉，是從「神氣活現」系列作品中挑選出來的兩件作品其中之二，所描寫的主角就是齊天大聖孫悟空。另外一件作品是200406021〈神氣活現（金色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，但是由於賦予不同顏色的琉璃，會產生不同的視覺效果。中國有名的歷史小說《西遊記》，相傳為明代時期吳承恩所寫，是以唐三藏西天取經為故事背景，裡頭一位背插如意金箍棒，會騰雲駕霧、又會七十二變，「神氣活現」的風雲人物就是孫行者本尊，遂以「神氣活現」作為命名。作者以其對西遊記裡孫悟空的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能聯想到《西遊記》裡頭的許多場景故事。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406036","MainTitle":"神氣活現/藍色6","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"5╳8╳12.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 本作品200406031〈神氣活現（藍色1）〉，是從「神氣活現」系列作品中挑選出來的兩件作品其中之二，所描寫的主角就是齊天大聖孫悟空。另外一件作品是200406021〈神氣活現（金色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，但是由於賦予不同顏色的琉璃，會產生不同的視覺效果。中國有名的歷史小說《西遊記》，相傳為明代時期吳承恩所寫，是以唐三藏西天取經為故事背景，裡頭一位背插如意金箍棒，會騰雲駕霧、又會七十二變，「神氣活現」的風雲人物就是孫行者本尊，遂以「神氣活現」作為命名。作者以其對西遊記裡孫悟空的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能聯想到《西遊記》裡頭的許多場景故事。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406037","MainTitle":"神氣活現/藍色7","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"5╳8╳12.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 本作品200406031〈神氣活現（藍色1）〉，是從「神氣活現」系列作品中挑選出來的兩件作品其中之二，所描寫的主角就是齊天大聖孫悟空。另外一件作品是200406021〈神氣活現（金色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，但是由於賦予不同顏色的琉璃，會產生不同的視覺效果。中國有名的歷史小說《西遊記》，相傳為明代時期吳承恩所寫，是以唐三藏西天取經為故事背景，裡頭一位背插如意金箍棒，會騰雲駕霧、又會七十二變，「神氣活現」的風雲人物就是孫行者本尊，遂以「神氣活現」作為命名。作者以其對西遊記裡孫悟空的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能聯想到《西遊記》裡頭的許多場景故事。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406038","MainTitle":"神氣活現/藍色8","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"5╳8╳12.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 本作品200406031〈神氣活現（藍色1）〉，是從「神氣活現」系列作品中挑選出來的兩件作品其中之二，所描寫的主角就是齊天大聖孫悟空。另外一件作品是200406021〈神氣活現（金色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，但是由於賦予不同顏色的琉璃，會產生不同的視覺效果。中國有名的歷史小說《西遊記》，相傳為明代時期吳承恩所寫，是以唐三藏西天取經為故事背景，裡頭一位背插如意金箍棒，會騰雲駕霧、又會七十二變，「神氣活現」的風雲人物就是孫行者本尊，遂以「神氣活現」作為命名。作者以其對西遊記裡孫悟空的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能聯想到《西遊記》裡頭的許多場景故事。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406039","MainTitle":"神氣活現/藍色9","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"5╳8╳12.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 本作品200406031〈神氣活現（藍色1）〉，是從「神氣活現」系列作品中挑選出來的兩件作品其中之二，所描寫的主角就是齊天大聖孫悟空。另外一件作品是200406021〈神氣活現（金色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，但是由於賦予不同顏色的琉璃，會產生不同的視覺效果。中國有名的歷史小說《西遊記》，相傳為明代時期吳承恩所寫，是以唐三藏西天取經為故事背景，裡頭一位背插如意金箍棒，會騰雲駕霧、又會七十二變，「神氣活現」的風雲人物就是孫行者本尊，遂以「神氣活現」作為命名。作者以其對西遊記裡孫悟空的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能聯想到《西遊記》裡頭的許多場景故事。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200406040","MainTitle":"神氣活現/藍色10","Creator":"創作者：琉園公司","CreatedYear":"2004","Size":"5╳8╳12.5","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2004","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNDA2MDQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 大約三百多年前陶瓷技術從中國傳至歐洲之後，日用瓷器和裝飾陶瓷的製作跟著興起。歐洲人尤其是日耳曼民族，有記事的習慣，因此會將生活型態以文字、繪畫及雕塑等方式呈現，德國的「Meissen瓷器」成立之後，即開始有裝飾陶瓷的量化生產，產品除了有喜好者收藏之外多做為擺飾用，至於歐洲裝飾陶瓷的發展內容，在德國斯圖嘉特的裝飾陶瓷博物館有完整的典藏、展示；然而裝飾陶瓷的源起，在中國陶瓷史上的紀錄由來已久，打從七千三百多年前新石器時代晚期「馬家窯文化」的〈彩陶人面像〉（5,300~4,850 B.C.）、「河姆渡遺址」的〈陶豬〉和〈陶獸〉（5,000~3,000 B.C.）及「仰韶文化」的〈鴞面像〉（4,000~3,500 B.C.）等出土文物的考證，足足早了七千年。\r\n 臺灣苗栗公館地區特有的裝飾陶瓷產業，早期大部分接受歐美、日本的訂單生產，民國七十四年臺灣省手工業研究所（民國八十八年改制為國立臺灣工藝研究所）應地方產業需求，設立苗栗陶瓷技術輔導中心，專責陶瓷技術與產品的創新設計研發；為擴大與裝飾陶瓷「觀賞用品類」相關產品的開發，特地遴選出琉園公司作為計畫合作的對象之一。創作者王俠軍先生，是參與計畫團隊的設計師，因此得以發揮雕塑設計長才，嘗試將有故事背景的人物題材，以琉璃（玻璃）材料作為裝飾性藝術品的表達方式，顯然為市面上少見者。\r\n 本作品200406031〈神氣活現（藍色1）〉，是從「神氣活現」系列作品中挑選出來的兩件作品其中之二，所描寫的主角就是齊天大聖孫悟空。另外一件作品是200406021〈神氣活現（金色1）〉，雖然都是同樣的造形、採用同樣的蠟模製作，但是由於賦予不同顏色的琉璃，會產生不同的視覺效果。中國有名的歷史小說《西遊記》，相傳為明代時期吳承恩所寫，是以唐三藏西天取經為故事背景，裡頭一位背插如意金箍棒，會騰雲駕霧、又會七十二變，「神氣活現」的風雲人物就是孫行者本尊，遂以「神氣活現」作為命名。作者以其對西遊記裡孫悟空的認知與想像力，採用抽象、半寫實的雕塑手法進行之創作，細膩感人，做工精緻，充分展現琉璃材質透明的特質，讓本作品更見奇幻，希望讀者於欣賞藝術創作的同時，也能聯想到《西遊記》裡頭的許多場景故事。\r\n 技術上主要是採用脫蠟鑄造法製作，過程頗為繁複，詳加說明如下：由構想產生作品設計圖→以木節土或稱目結土進行原型的雕塑→將雕塑原型外表塗佈矽膠→矽膠模固形用的石膏外模製作→去除木節黏土→取出矽膠模→就分模線割開矽膠模方便往後蠟模的拆模工作→將矽膠模放回石膏外模→灌注蠟模原型→取出蠟模原型→將蠟模原型以耐火石膏包埋→置入烤箱加溫脫蠟→耐火石膏模加熱保溫→玻璃膏澆注→清除石膏包埋外殼→琉璃半成品以高溫火焰處理讓表面光滑→置入窯爐加熱徐冷退火處理確保成品的材質穩定避免破裂→成品。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200601001","MainTitle":"君子之爭","Creator":"創作者：湯潤清","CreatedYear":"","Size":"附座長39*高4.3*寬22.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2006","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNjAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品外觀仿真竹林生態，由兩支具律動感的竹稈組成，其上分別有一隻蟾蜍、一隻螳螂與竹枝梢上的蚱蜢，整體造形逼真生動；昆蟲、蟾蜍與竹，三者結構形成互動。主體狀似竹材，實際上這組雕塑是以陶土捏塑燒製而成，並且含藏了茶壺的實際功用；觀察壺內可見有蜂巢狀的出水口，從竹節生出的竹枝則形成三彎流的壺嘴，其中一只壺上有狀似竹枝錯節為飾的鈕蓋，壺身竹稈節上生出細長枝，枝梢上螳螂正覬覦著蚱蜢，整個細長竹枝與其上生物作為壺把；另一只壺造形顯現蟾蜍攀爬在竹面伐口，竹心中空、無蓋，但其壺把模擬竹工藝中使用的縱剖竹片狀。\n\n陶藝家湯潤清運用工具徒手塑造出竹子的修長外形與枝節、蟾蜍與兩隻昆蟲，加上化妝土敷塗表面並做細微刻畫，創造出竹稈表面的平滑質感，對照出內裡沒上化妝土的纖維肌理；運用不同陶土的燒成色澤變化比擬竹材質料，加上細部的寫實刻畫，蒙騙視覺的錯視法運用堪稱一絕。這組手捏壺融合了純熟的陶藝技法、寫實雕塑的功力與意象結構的佈設，高超的工藝技法與藝術性兼具，豐富的觀賞性與想像感染力，引人躍躍欲試其乘載茶水的壺功用，增添品茗逸趣。作品名稱「君子之爭」取中國文化的竹之寓意—君子守節如竹，而其上的生物們在竹節上悄悄地進行一場物競天擇之爭。\n\n陶藝家湯潤清1966年生於臺灣苗栗，精湛的雕塑技藝受到臺北私立復興美工雕塑組葉松森等老師的啟發，畢業後回到家鄉，當時苗栗陶瓷產業一片榮景；1984年因緣際會進入原型雕塑這一行，從此便與陶土結下了不解之緣，1990年於雲林古文窯交趾陶擔任原型師，1993年再回苗栗擔任慶勻貿易原型師（註1）。作品得獎無數，曾於1993年及1994年入選苗栗美展，2002年成立清窯工作室。\n\n2005年以此組作品「君子之爭」獲國家工藝獎「一等獎」殊榮，成為國家工藝獎（註2）開辦後第一位以茶壺工藝獲獎的陶藝工作者（註3），作品受本中心典藏。湯潤清於2006年授頒臺灣工藝之家，曾進駐苗栗工藝產業研發分館陶藝工坊7年，並有豐富的策展經驗，曾策劃多場精彩的陶藝展覽，包括2004年的清窯陶器展，2015及2016年的寧波臺灣精品展，以及2020年在國立臺灣工藝研究發展中心苗栗分館的好壺同享等等（註4）。他認為，「身為一個陶藝家，必須有能力將陶藝的工夫與其他相關之藝術做結合，才能使作品展現較高之藝術價值」（註5）。（詮釋委員：杜文田）\n\n註1來源：五穀文化村網頁https://www.wuguu.com.tw/products_detail/747；\n國家文化記憶庫：臺灣茶器陶藝作家-湯潤清-苗栗縣https://tcmb.culture.tw/zh-tw/detail?indexCode=Culture_People&id=486327\n註2國家工藝獎於文建會時期由本心之前身臺灣工藝研究所於2000年至2006年辦理。2007年與臺灣工藝設計競賽合併成為臺灣工藝競賽，分為「傳統技藝」及「創新設計」兩組。原「國家工藝獎」更名為「國家工藝成就獎」，改以表彰工藝工作者之貢獻為對象。維基百科：https://zh.wikipedia.org/zh-tw/%E5%9C%8B%E5%AE%B6%E5%B7%A5%E8%97%9D%E6%88%90%E5%B0%B1%E7%8D%8E\n註3聯合報https://vip.udn.com/vip/story/122878/7962115\n註4臉書：清窯工作室https://www.facebook.com/junchingtang/?locale=zh_TW\n註5文化部iCulture文化空間網頁https://cloud.culture.tw/frontsite/inquiry/emapInquiryAction.do?method=showEmapDetail&indexId=44475","ImageUrl":""}
,{"Identifier":"200601001001","MainTitle":"君子之爭","Creator":"創作者：湯潤清","CreatedYear":"","Size":"附座長39*高4.3*寬22.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2006","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNjAxMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200601001002","MainTitle":"君子之爭","Creator":"創作者：湯潤清","CreatedYear":"","Size":"附座長39*高4.3*寬22.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2006","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNjAxMDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200601002","MainTitle":"臺灣油點草","Creator":"創作者：卓銘順","CreatedYear":"","Size":"附電線（無燈泡）\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2006","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNjAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件作品為一中空長方體，單獨立足如一棟縮小版紅磚建築，正面為弧面，反面平直，分別有著不同裝飾；內部中空附有光源裝置，成為兼具美感擺飾與居家照明功用的陶瓷燈飾。作品表面以紅化妝土製造磚質肌理，其上淺雕刻畫著抽象有機的線條；中央正方區塊嵌入堆疊的石子，如洗石牆面，上方圓形區塊則透雕出唐草圖騰以透光，兩相對照，一實一虛；石區塊兩側則鑲有兩片白磁磚，其上以青花彩繪出作品主題「臺灣油點草」。\n\n作品外觀富有各種建築元素，肌理是具有閩南、客家印象的紅磚質感，鑲有石材、磁磚，從側邊延伸至背面的木紋橫條，以及圓形透燈處如中式庭園造景元素的漏明花窗；整體背景烘托了手繪青花臺灣植物如標本般的紀錄，突顯創作者心中對大自然的觀察喜愛與憧憬；將自然科學與建築文明特色融合統整，獨具東方人文氣質特色。作者陶藝家卓銘順自言，「這些年來我經常在臺灣各地山野郊區觀察自然生態，並以攝影或素描的方式記錄一些臺灣常見的野生植物，然後再以青花彩繪的方式，將「臺灣野生植物」最美的一刻收藏在我的陶藝作品之中。」\n \n出生在鶯歌尖山的卓銘順，1990年國立藝專美工科陶瓷組畢業後，於1995年成立工作室，正式踏上藝術創作之路，以手工量產各式生活陶器。作品早期多結合了青花手繪的臺灣野生植物圖樣與建築元素，中期創作發展帶有幾何造形，以及互動、遊戲性元素，加入許多為兒童設想的玩具設計，例如翹翹板、彈珠檯的原理應用於陶作中，例如獲得2007年鶯歌陶瓷博物館「第五屆臺北陶藝獎」主題設計首獎作品〈大風吹，吹什麼…〉（註1），並且不忘他對天文科學、生態自然的初衷熱忱，作品經常佈滿機械符號，甚至暗藏遊戲性機關（註2）。2009年以〈「生態紀錄器」陶藝造形創作〉題材取得臺灣藝術大學工藝設計學系藝術碩士，同時在陶藝茶具的創作上持續研發，從屢次參與臺灣金壺獎獲獎（註3）而不斷精進，希望將自己對自然、科學的熱忱，充分融入陶藝作品中，並讓「人和陶的接觸方式更有趣」。2021年以作品《霍爾蒙克斯-LR（茶壺）》參加全球四大陶藝雙年展之一，由韓國陶瓷基金會（Korea Ceramic Foundation）主辦的「2021韓國國際陶藝雙年展」，榮獲金獎殊榮（註4）。總結他近期的創作理念：陶瓷器雖然無法自主活動也不能繁衍生殖，但卻能夠透過使用的過程與人進行密切的「互動」，並且如如實實的「活」在我們的世界。這種人與器物之間的互動性是他在創作中最珍視的特點，無論是一個平凡的陶杯或是一把好用的茶壺，都具有很高的互動性。當我們在使用這些器物時，比起一般靜態展示的物件，更顯得具有深刻的溫度與靈魂。（註5）（詮釋委員：杜文田）\n\n註1數位陶博館https://digital.ceramics.ntpc.gov.tw/zh-tw/TaiwanCeramics/1_17.htm\n註2藝術銀行 https://artbank.tfaf.org.tw/work_page.aspx?RNO=MNM4MRM8MYMSM8MD\n註3自2008年參加首屆與第三屆「臺灣金壺獎」獲得銅獎，連續參與第四、五屆（2012, 2014）「臺灣金壺獎」獲得了金獎，於六屆獲得了永久免審查獎。資料來源：國家文化記憶庫 https://tcmb.culture.tw/zh-tw/detail?indexCode=Culture_People&id=482286 \n註4資料來源：新北市立鶯歌陶瓷博物館新聞稿《臺灣第一人！卓銘順獲韓國國際陶藝雙年展「金獎」肯定》\nhttps://www.ceramics.ntpc.gov.tw/ceramics_chi/xmdoc/cont?xsmsid=0G289654226998308433&sid=0L238375410752036440\n註5國家文化記憶庫 https://tcmb.culture.tw/zh-tw/detail?indexCode=Culture_People&id=482286","ImageUrl":""}
,{"Identifier":"200601003","MainTitle":"吉雞．起家","Creator":"創作者：王賢民、王賢志","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2006","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNjAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"屏風，一種源自古代東亞的多功能家俱，最早用於擋風之用，由於長年的演變從材質到形式，各有不同，更有多功能的用途，有其隔間、風水，以及装飾的用途。\n此作品為“漆器屏風”，作品有兩面，一面名為“吉雞．起家”，在臺語中“家”和“雞”發音相同，臺灣人喜歡用雞圖比喻興旺祥和。在技法上．以平蒔繪、高蒔繪、貼金箔、罩漆交互應用，平蒔繪在於漆彩繪後待半乾時撒金、銀粉等；而高蒔繪在於彩繪後撒炭粉，多次堆疊為立體狀，有如浮雕效果。\n另一面為“晨光掠影”，早晨的陽光透過樹梢照射於林木中，一對鳥兒比翼飛過迎向陽光，是和諧和希望。其技法上應用鎗金、鎗彩相互運用，在已完成的漆面上，用針刀刻畫後再蒔以金粉，或彩粉（L.G粉）而成。（詮釋委員：王賢民、王賢志）","ImageUrl":""}
,{"Identifier":"200601004","MainTitle":"春顏","Creator":"創作者：黃吉正","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2006","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNjAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"三件一組的不等邊五角形陶瓷柱體，在柱身與上方開口處呈現不同的色澤變化，有光澤的茶葉末釉色在削角的柱體上方綻放春天的氣息，柱身則在斑斕中透著灰黃的陶土原色，宛如大地。\n工整直立的剛硬外形，具有整體感與氣勢，然表面裝飾設計幽微變化細膩，皆佈著如浮雕般的線條圖騰，有波紋曲線、交叉線、水平或垂直的刷痕線，每個面向皆不盡相同；渾厚中見內斂、細緻且抽象的美感。有開口的封底柱狀體型亦可作為花瓶容器來使用。 \n\n主體以陶板成形，於坯體呈皮革化狀態時進行表面的細部雕塑裝飾，以細泥條、鋼刷製造出深淺粗細不一的線條變化，於高度的工整性中作有機抽象的變化；柱身上以海綿沾取泥漿釉重複上釉，形成表面斑駁縮皺的肌理，部分線條上黑色釉，以及部分區域維持不上釉，呈現陶土原色。多重步驟使作品呈現多元風貌，示範了工藝的質美工巧。\n\n創作者為陶藝家黃吉正，1968年生，曾在彰化不同鄉鎮度過童年，現居豐原。就讀大甲高工美工科時學習雕塑及篆刻，退伍後進入臺中技術學院（現臺中科技大學）就讀美術商業設計。曾從事庭園造景及平面設計等工作，期間持續利用空餘時間創作；1998年隨吳水沂老師習陶，2000年成立個人工作室，創作以強調土的粗曠質感及造形空間變化為特色（註1）。歷年來作品參加國內競賽屢獲佳績，曾創下兩年內接連拿下九個獎項的紀錄，包括榮獲日本亞洲工藝獎入選、國家工藝獎特別獎、磺溪美展磺溪獎、玉山美術獎首獎、臺北陶藝獎首獎等，更於2009年獲臺中市大墩工藝師、2011年獲臺灣工藝之家殊榮。（詮釋委員：杜文田）\n\n註1 謝東山，《臺灣現代陶藝發展史》，臺北市:藝術家出版社，2005年，178頁。","ImageUrl":""}
,{"Identifier":"200601004001","MainTitle":"春顏","Creator":"創作者：黃吉正","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2006","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNjAxMDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200601004002","MainTitle":"春顏","Creator":"創作者：黃吉正","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2006","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNjAxMDA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200601004003","MainTitle":"春顏","Creator":"創作者：黃吉正","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2006","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNjAxMDA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200601005","MainTitle":"記憶纖維","Creator":"創作者：呂雪芬","CreatedYear":"","Size":"附展架","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2006","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNjAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「記憶纖維」是由創作者呂雪芬所創作的一件兼具自然形態與情感舒發的作品，榮獲94年第5屆國家工藝獎特別獎。這件作品以浪漫而又傷感的情感為主題，運用不鏽鋼材質進行編織，象徵愛情消逝後的回憶化為具象的乾枯表現。作品的造型灑脫，展現作者在編織及敲打紋飾技巧上的掌握。作品靈感源自植物在四季的交替，轉化探討愛情的感受與過程，編網象徵著情感思緒的延續。在乾涸的果核中，雜亂的織線形塑出愛情消逝後所留下的記憶纖維，讓人感受到一種淡淡的哀愁與懷念。\n這件作品的設計巧妙，將銀線視為毛線，編織形似果實的造型，並將其織圍在脖子上，形成一條別緻的項鍊，也象徵情感枷鎖的捆綁纏繞。搭配服裝時，亦成為搶眼而與眾不同的配飾，讓人不禁想要細細品味其背後的故事與情感。透過「記憶纖維」，作者將愛情的複雜性與美感融入工藝之中，讓觀者在欣賞的同時，也能感受到那份深刻的情感共鳴。（詮釋委員：陳國珍）","ImageUrl":""}
,{"Identifier":"200602001","MainTitle":"龍鳳呈祥","Creator":"劉明源","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2006","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNjAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 劉明源(1957－)臺中后里人。民國58年國小畢業後，來到三義向羅崇森、莊雲清學習木雕刀具、修胚、打胚等技術；16歲拜入李慶永師傅門下，從雕刻動物、家禽等題材，學習選材以及琢磨手工雕刻工法。學藝期間，更飼養白鷺鷥來掌握飛禽的動態、體態，建立具有解剖觀念的寫實刀工。民國74年，木雕創作比賽獲獎，使他孕生創作者的主題意識。85年木雕博物館鼠年「親情系列」首次個展，以動物群像呈現家庭溫馨和諧的氣象，作品溫潤詼諧、細膩生動，情感與技法自然流露而無造作。民國88年，再推出「飛龍系列」作品，他以太極的「陰陽虛實」為意，「飛龍盤曲」為象，把握簡化原則，著重動勢、力感，遂使作品蜚譽內外。西元2000年，臺灣區木雕比賽第二名。\r\n 本件劉明源木雕「龍鳳呈祥」，便是揉合具象、抽象的雕刻技法，展現龍鳳對觀對舞的動態神韻。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"200602002","MainTitle":"愛","Creator":"曾進財","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2006","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNjAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「有一技之長可享百年身」這是曾進財木雕工藝師14歲那年秉持的家訓，他離別父母家人到新竹南大路拜師學藝，從學徒到營生及至創作，投入木雕世界迄今40餘載。\r\n 曾進財從學徒就歷練了木工、雕刻、漆色，出師後不斷增進自身技藝。當年新竹以家具浮雕為主要市場，三義則以動物與人物為主軸。曾進財轉到三義因應巿場需求轉立體雕刻外，也兼作山水、人物等浮雕。1982年他以四年時間，以建醮為主題，打造「民俗建醮歡樂景」作品。次年以「民間劇場」為主題，經過臺灣巡迴展覽，普獲讚譽。近年曾進財更以農村生活與愛和親情為軸心系列，由內而外紀錄記憶的點滴與生活感觸。\r\n本件作品「愛」，就是曾進財以抽象具象融合的技法，用白櫸木雕刻母親懷抱嬰兒，低頭注視，表達人生最可貴的愛心。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"200602003","MainTitle":"美景","Creator":"邱仕福","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2006","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNjAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 邱仕福(1955～)於1967年從事木雕，專精於龍、孔雀、松鶴之雕刻，浸淫木雕藝術近五十年。擅長將木雕木料本身沈穩內斂的特質加以發揮，以千縷萬紋的木材，藉型轉勢，轉化為雄渾卻富涵神韻之美的藝術作品。作品中不僅表出多種面向的關懷主題、情感與思想，且也蘊涵藝術的想像與構思。\r\n 邱仕福創辦苗栗三義木雕協會，也是三義客家最老的木雕師傅，創作題材極其廣泛。他善於將原本已無用的漂流木和朽木，結合巧雕技術，認為「每一塊木頭都會告訴你要呈現的外形」，由木頭本身的原形，加以想像意會作改造，以底工紥實的技法鑿刻出無雙的藝術品，化殘枝廢木為雋永。\r\n 本件邱仕福木雕「美景」，以刀代筆，描述旭日東升，懸崖峭壁，古樸嶙峋間，仙鶴家庭已經開始飛舞，迎接新的一天。這無疑是生機蓬勃，良辰美景的開始。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"200701001","MainTitle":"瓶水相逢‧盡如人意","Creator":"創作者：黃寶賢","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2007","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNzAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"運用脫蠟鑄造的如意造型與木胎漆藝的瓶身，構成整體外形設計及材質運用。作品構思與形制完整的呈現雙工藝之間的美好共鳴。複合媒材賦有新意的組合是此件作品獲得人們青睞目光的主因，兩相組合竟意外的達到一種造型、色澤與質感和諧共榮，相得益彰的效果。\n琉璃晶瑩剔透與漆藝溫潤清明的光澤相輔相成，器表色彩與紋飾呈現黑紅金的貴氣與高雅，整體突顯東方美學藝術的華麗質感。\n作品名稱「瓶水相逢‧盡如人意」，如同作品分成兩部分詮釋主題，瓶身主體以漆裝飾，漆液含水份，瓶身可蓄水，「瓶」與「漆」的共體完美呈現「瓶水相逢」之意境。以雙「如意」造型（雲紋如意工藝品，是一種吉祥的象徵）置於瓶身兩側、如同人手持如意的順心，以此表達「盡如人意」的寓意。（詮釋委員：李本育）","ImageUrl":""}
,{"Identifier":"200701002","MainTitle":"奮力向前","Creator":"創作者：謝嘉亨","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2007","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNzAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"百年前的蒸汽火車現今多半僅能從歷史影像、文獻中見得，鐵道迷謝嘉亨以其陶藝技藝，使用陶土和釉彩，精心鑽研將老火車3D化為大型寫實的陶瓷雕塑。\n懷抱對火車深厚的情感和熱情，謝嘉亨參考了百年前的阿里山森林火車，以陶板成形、拉坯、捏塑等手法，鉅細靡遺打造火車的各種部件，經素燒、施釉再反覆多次還原燒，讓火車閃耀金屬色澤。寫實再現火車外，駕駛員和車掌人物的置入，以及緩斜向上的鐵道木橋安排，整體構成了敘事場景，賦予專注、同心、人們利用動力機械協力面對外在環境戰勝困難的故事力量。\n本作充分展現創作者對土、火、塑形和釉藝間精湛純熟地掌握，並且架構想像空間，讓觀眾投入其間，在文化歷史、個人記憶、土地情感中激盪共鳴。（詮釋委員：朱珮儀）","ImageUrl":""}
,{"Identifier":"200701003","MainTitle":"花開富貴","Creator":"創作者：黃秀寧","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2007","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNzAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「花開富貴」以桂竹和藤皮為材，首先將桂竹刮青後剖成細竹篾，籃底及籃蓋使用米字編法編成。筒形結構以細長竹篾，採壓一、絞編及松葉編法繞圍而成，腹部處則以藤皮壓一蟲形圍繞作成圈框，框內使用藤皮包裹藤芯做為花瓣，竹側枝做花梗，藤皮穿繞做花葉，框外再以細藤皮，穿繞六葉風車做圖紋，收口及圈足以藤條及藤皮纏繞固定，天然漆擦拭多次做表面處理。\n此件作品以立體的方式，表現玫瑰花瓣與花蕊，平面則以細緻的密編作底層，可說平面與立體搭配相得益彰。在構圖上，線條順暢柔美，編作技法純熟細膩，竹篾取材與編作穿繞，猶如鐵杵磨針耗工費時。以無限延伸的六葉風車穿繞圖紋，象徵富貴綿綿、生生不息，內層附以布襯，適合安放精緻物品，觀賞實用皆宜。（詮釋委員：林秀鳳）","ImageUrl":""}
,{"Identifier":"200701004","MainTitle":"鍾馗嫁妹","Creator":"創作者：鄭明展","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2007","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNzAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"嘉義地區葉王系統的交趾陶。主題「鍾馗嫁妹」取自清初《天下樂》傳奇中的一則，是民間口耳相傳的故事與戲劇劇本，描述的是鍾馗為了報答生前杜平恩義，遂親率鬼卒於除夕返家將妹嫁給杜平的情節。作品表現了鍾馗護送妹妹於出嫁路上的一幕。鍾馗站立仰面露著一絲欣喜，粗曠威猛中難掩儒者氣質的終南進士形象；身後騎於驢背上的妹妹流露出待嫁女兒的嬌羞以及一抹離別的傷感。隨行的三位鬼卒侍從，也分別改頭換面穿載上喜氣道具，一位打著雙喜燈籠，揹著寶劍牽驢引路，一位揹著酒甕與一位替新娘撐傘遮陽的，在驢子兩旁左右護行。整體結構與人物形體顯現出賓主關係與動向；加上環繞在揹酒隨從腳邊的雲朵，暗示著一行人似處於高地，加深長途跋涉的印象與故事的戲劇性。\n\n人物造形的捏、推、塑、貼、刻、劃，技巧掌握純熟，製作上需克服人物與配件多組件合成一體的結構，於陰乾及二次窯燒所承受的熱漲冷縮及龜裂變形的困難。作者在人物衣飾上採用交趾燒的低溫釉彩，紅如胭脂、綠如翡翠、黃如琥珀、碧若藍寶等典雅豐富的色相。人物體態、肢體動作、面部表情等生動細膩，傳達出角色的性格特徵與內在情感，營造出真誠動人的氣氛。 \n\n創作者鄭明展先生民國50年生，為嘉義新港的交趾陶藝師，師承2010年國家指定交趾陶保存修復技術保存者林洸沂藝師。受到師父鼓勵，參加臺灣交趾陶的發祥地—嘉義縣所舉辦的「葉王獎全國交趾陶」創作競賽，曾以「如意祥龍三足香爐」獲第一屆葉王獎第二名，「貴妃醉酒」獲第二屆葉王獎第三名（註1）。林洸沂藝師受師父林添木推薦，參與修復臺南學甲慈濟宮葉王交趾陶，林洸沂從修復、摹造葉王交趾陶中學習及突破形成自我風格，進而成為葉王流派的交趾陶藝師與技術保存傳習者（註2）。（詮釋委員：杜文田）\n\n註1資料來源：臺灣學校網界博覽會http://librarywork.taiwanschoolnet.org/cyberfair2011/hkps100/page/04/14.htm\n註2國家文化資產網＞傳統工藝＞林洸沂交趾陶https://nchdb.boch.gov.tw/assets/overview/traditionalCraft/20130304000001","ImageUrl":""}
,{"Identifier":"200701005","MainTitle":"諸羅樹蛙","Creator":"創作者：王振利","CreatedYear":"","Size":"附：石座、玻璃木盒、錦盒","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2007","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwNzAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「諸羅樹蛙」是創作者王振利於95年第6屆國家工藝獎中榮獲三等獎的作品。這件作品展現了作者對金屬材質的深刻理解與精湛的金工技術，無論是質感還是肌理的刻劃，都細膩而生動，充分展現出旺盛的生命力。為了追求創作的極緻，王振利在創作過程中，深入研究嘉義地區的生態，特別鎖定被稱為「雨怪」的諸羅樹蛙，長時間仔細觀察，接著轉化成創作靈感，創作出非常具有地方特色的藝術品。\n為了捕捉樹蛙的生態特徵，作者在夜間深入樹林，觀察並餵養樹蛙。這份用心的研究使得他作品更具生命力與真實感。作品的竹子竹頭部分採用臘製模具，並以青銅脫臘鑄造，最後以寫實顏料描繪出靜謐的生機。小豆娘與樹蛙的互動，營造出浪漫的氛圍，而末端樹蛙蓄勢待發捕捉蜻蜓的情景，則展現了自然界中各種生物之間的微妙關係。整體而言，「諸羅樹蛙」是一件工藝精細擬真寫實而具生態意義作品，讓人感受到自然之美與生命的韌性。（詮釋委員：陳國珍）","ImageUrl":""}
,{"Identifier":"200801001","MainTitle":"天地水露","Creator":"曾安國","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在一座如豆莢狀的柱體上，從莢口中生出健壯有力的蔓藤與結實壘壘的燈籠果，生機蓬勃。停留在果子與葉子上的兩隻青蛙，為整體增添了視覺上的焦點與自然生態之感。\n\n作品材質為櫸木，是一種具有延展韌性、堅固定形、溫暖色澤和細緻紋理的高級木材。創作者在前期工序上，使用鏈鋸建構造形；而在精美寫實的籐葉造形與質感以及蔓藤曲線上，運用難以掌控的各種高速鑽及高速氣動筆，使作品具有乾淨俐落的效果。局部上色點綴，以綠色樹幹襯托藤蔓、橙色燈籠果、淺綠灰色青蛙，層次立體。\n\n木雕藝術家曾安國是嘉義水上鄉人，早期作品以細膩刀工刻劃媽祖神像，更突破傳統，以清秀仕女像表現觀音面容。轉型為現代木雕風格後，題材以自然界中的景致、充滿生命力的事物融入作品當中，以直立的豆莢或橄欖狀殼體為基底，代表生命繁衍的種子以及堅定充滿韌性的生命力。結合傳統雕刻技巧，細膩彰顯出自然界中的紋理（註1）。2008年獲選第3屆臺灣工藝之家，並受邀至德國薩克森邦安娜堡布霍茲縣進行國際木雕藝術節木雕創作。（詮釋委員：杜文田）\n\n註1：資料來源：文化部網站https://museums.moc.gov.tw/MocEntrance/Detail?activityId=2c25f1ea-0e04-44b2-861e-4547811cbade","ImageUrl":""}
,{"Identifier":"200801002","MainTitle":"不語","Creator":"製作者：許藝獻","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"長方茶盤宛如天地，大小岩石錯落著老中青三代的「距離」與「關係」。玄冥中露出狹長窗框，流雲穿過飛鳥羽翼，日月時光如轉輪，自在流逝過往，萬物寂靜－天地寂靜不語；老樹健在不語，都彷彿領悟－宇宙變與不變的道理。\n本件石茶盤，作者透過石材的雕刻，寄託宇宙的變與不變，天地不語，道在其中。茶盤玄冥色，天地萬物往來成古今，在輪轉歲月中，一切歸於寂靜不語。時光悄悄流逝，有如飛鳥流雲；老樹與岩石，經歷無數日月，悟道「天地者，萬物之逆旅；光陰者，百代之過客」，知道「瞬間與永恆」，也是默然不語。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"200801003","MainTitle":"雲彩片片","Creator":"製作者：蔡素瑢","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"創作者蔡素瑢將刮青桂竹剖成篾，米字編法起編，腹圍及肩頸採三條絞編及松葉編圍繞做結構，內部另做一層三角編為裡，緣口及圈足以藤條及藤皮作紋飾纏繞固定。器身上33階的絞編上下空隙，由十數片竹篾疊為一束斜插而成，十數片為一束的竹篾，除最外層是運用刮青的本色竹篾外，內層採用的是染色的黑色竹篾，斜插後形成內深外淺的立體效果，其形如魚鱗紋又好似綿延的片片雲朵，故名為雲彩片片。\n本件甕形作品，採用大量的桂竹篾，製成窄底大腹而小口的器身，因經篾上下空間的大小不一，成束竹篾寬細排列後，巧妙創造了立體感的光影，猶如錯落律動的鱗雲。再經數次天然漆的塗裝，更添古樸內斂之美。（詮釋委員：林秀鳳）","ImageUrl":""}
,{"Identifier":"200801004","MainTitle":"月輪","Creator":"楊炘彪(楊承峰)","CreatedYear":"","Size":"整體尺寸","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「月輪」是由創作者楊炘彪（楊承峰）設計的銀製茶杯組，榮獲2007年臺灣工藝競賽創新設計組的一等獎。這件作品體現了臺灣愛好飲茶的文化品味，作品為使用者提供一種雅緻的茶具材質選擇，讓品茗的過程更加美好與舒適。\n「月輪」茶杯組的設計靈感源自於滿月與圓滿的意象，一款雙層950杯緣採用圓形設計，搭配不同顏色K金和合金，展現出月亮光芒的色彩。作者運用了950銀鍛敲成型、無縫焊接與金屬鑲嵌等高難度技術，創造具有方塊圖騰的獨特外觀。銀杯底的設計巧妙，使茶杯倒蓋時呈現出一輪滿月的形象，增添了器物不同使用情境的視覺美感。\n此外，杯子的外型直立至杯口微弧，流暢的線條象徵著月亮光芒的柔美，透過「月輪」，作品不僅提升了茶具的實用性，更賦予了其藝術性，讓每一次品茗都成為一場視覺與味覺的盛宴。（詮釋委員：陳國珍）","ImageUrl":""}
,{"Identifier":"200801004001","MainTitle":"月輪","Creator":"楊炘彪(楊承峰)","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200801004002","MainTitle":"月輪","Creator":"楊炘彪(楊承峰)","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200801004003","MainTitle":"月輪","Creator":"楊炘彪(楊承峰)","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200801004004","MainTitle":"月輪","Creator":"楊炘彪(楊承峰)","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDA0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200801004005","MainTitle":"月輪","Creator":"楊炘彪(楊承峰)","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDA0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200801004006","MainTitle":"月輪","Creator":"楊炘彪(楊承峰)","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDA0MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200801004007","MainTitle":"月輪","Creator":"楊炘彪(楊承峰)","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDA0MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200801005","MainTitle":"時間的溫度","Creator":"黃淑萍","CreatedYear":"","Size":"整體尺寸","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本系列作品是以金屬為媒材所創作的手環系列，而所使用之金屬主要是以銀的合金為主。\n作者有感於現代人生活步調快速，人們疲於應付各種瑣事，卻越來越無法回到內心，感知當下。由此，作者希望創作一系列以「時間」為主題的作品，希望哪怕僅只一瞬間，也能從作品中感受到一點點「時間的溫度」。\n「時間」是一種抽象而無形的概念，無法觸摸，只能從各種客觀事物上捕捉其身影，作者幾經尋思以許多造形來呈現卻不可得，最後，作者找到以金屬表面肌理為主要語彙來表達「時間」，企圖捕捉時間的表情於一瞬，並以此為語彙，述說一件件具有「時間的溫度」的故事。\n作者潛心研究金屬的技術，發現有一傳統金屬技法--「皺金法」，此一技法是俄國金屬工藝技師所發明的，他們利用銀銅合金來製作美麗的肌理，因為銀跟銅的熔點不同，所以若能巧妙地在合金上製作一層純銀層，就能在燒熔金屬時製作出隨機而變化多端的各種肌理。\n於是作者便在皺金法的基礎上實驗出各種肌理，更在實驗過種中發現銀銅合金在燒熔過程之中，產生出色澤變化多端的金屬光澤，此為作者的獨特的發現，也跳脫過往金屬單一色澤之印象，讓金屬這個媒材產生了質變，化身成為自然表現的極佳媒介，也成功地詮譯了時間的嬗遞痕跡。（詮釋委員：黃淑萍）","ImageUrl":""}
,{"Identifier":"200801005002","MainTitle":"時間的溫度","Creator":"黃淑萍","CreatedYear":"","Size":"12支","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200801005003","MainTitle":"時間的溫度","Creator":"黃淑萍","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDA1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200801005004","MainTitle":"時間的溫度","Creator":"黃淑萍","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDA1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200801006","MainTitle":"蝶舞翩翩","Creator":"製作者：陳偉毅","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「蝶舞翩翩」於木漆盒彩繪臺灣特色花卉為主題，以折枝寫生蝴蝶蘭的手法，重彩厚塗表現詮釋如翩翩舞蝶的寓意情境。\n傳統大量生產的漆盒產品，採用絹印手法運用腰果漆當油墨，印刷吉祥寓意或討喜的圖案於噴完漆的盒面上量產。作者以其深厚的學院派繪畫紮實功力、結合照相寫實及實物寫生能力、將腰果漆材質運用於彩繪商品設計上，參與工藝創新設計競賽。\n細膩的彩繪筆觸表現出柔美潔白的花卉，花瓣與花苞邊緣的淡淡暈染，也都恰如其分的展現出極致細微的色調變化，偏離置中的構圖巧思讓畫面更顯庭園自然景物氛圍。整體呈現華貴亮麗感，亦含有藝術綠設計的意味。（詮釋委員：李本育）","ImageUrl":""}
,{"Identifier":"200801006001","MainTitle":"蝶舞翩翩","Creator":"製作者：陳偉毅","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200801006002","MainTitle":"蝶舞翩翩","Creator":"製作者：陳偉毅","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200801006003","MainTitle":"蝶舞翩翩","Creator":"製作者：陳偉毅","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDA2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200801006004","MainTitle":"蝶舞翩翩","Creator":"製作者：陳偉毅","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDA2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200802001","MainTitle":"花絮","Creator":"創作者：王貞云","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"我創作「花絮」思構是因小時候生長在農村，父母常取竹子做一些日常生活用具。父母種很多竹子，割筍、吃筍，從那時候我對竹子所有的東西，非常喜愛，在一次機緣下，可讓我學習竹編。因現在生活中有很多的代替品，不一定需要用竹子去編織，慢慢地走上觀賞。\n作品在製作中結合籐的韌性和桂竹的可塑性，層層排列堆疊成花器，並將上漆的竹片在瓶身編織出一朵朵的花卉，融合現代與古典的技法和思維來創作，如花般的紋路點綴瓶身。環繞整個瓶身的花瓣，在光線下，立體的花朵折射出不同色彩，從各個角度觀看都有不一樣的感受，增加了作品多變性。\n除了觀賞的功能，作品優雅的造型，瓶口為圓，底為方，隱喻修身應「以方生圓」，做人方正必生智慧，處事也就圓潤融洽，這正是作者想透過作品表達給大家的涵義。（詮釋委員：王貞云）","ImageUrl":""}
,{"Identifier":"200802002","MainTitle":"水精靈燈飾","Creator":"創作者：台灣意匠工房","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品以樹蛙歡快的在樹叢跳躍傳達生態永續的概念，讓環境的理念進入生活工藝的領域，而讓生態多樣性的認知深植人心，是此作品所欲表達的題旨！\r\n此件作品作為燈飾使用，以polyester聚酯纖維材料為重點結構，裡面的燈頭，燈泡電線、開關為市售材料。是以模鑄工藝成形之物件，攀附之樹蛙為低熔金屬（鋅合金）澆鑄成型，夜間使用會發出黃綠色光澤，傳達溫暖祥和環保生態的情感訴求！\r\n首先確立創作主軸之後，利用聚酯纖維的半透明性表現光罩的作用，浮雕各式各樣的植物葉子浮凸其上，作為裝飾，再攀爬一隻樹蛙附於葉上起一視覺焦點之作用，其後拆分成葉飾及樹蛙兩部份，下屬的燈座部分也雕刻單純的葉形裝飾，最後以矽利康製範及托硬底完成澆鑄前作業，燈具上部以透明材料加淺綠色料調色，下層部分以黑色調色料調色，下層澆鑄硬化完成後在葉飾部分施以銀漆裝飾，上層樹蛙以低熔金屬澆鑄完成，再加工附著於上層結構體之上，下層結構於裡面安置燈頭、燈泡、電線、開關、插頭後完成整座燈具之製作！（詮釋委員：臺灣意匠工房）","ImageUrl":""}
,{"Identifier":"200802003","MainTitle":"木","Creator":"製作者：楊琇如","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品概念發想自樹皮表面的紋路變化，意圖呈現多樣的木質紋理，並將此自然溫厚的氣質，帶進生活情境中，呈現出生命的沈靜與自在。\n在織紋設計上，以撚斜紋、緞紋、菱形紋等複雜的織紋技法予以轉化，寬窄不一的直條紋收束在低調卻豐盈的色澤中。一組四件的織物各有深淺與色彩的主從搭配，一起使用或各自選配都有彈性的變化。野蠶絲的材質，具有蠶絲的光澤卻不過於華麗，仍有粗粗細細的自然手感與絲膠所帶來的硬挺摩擦係數，適合作為桌上擺飾或茶席裝飾織物，大方雅緻。（詮釋委員：楊偉林）","ImageUrl":""}
,{"Identifier":"200802003001","MainTitle":"木","Creator":"製作者：楊琇如","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAyMDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200802003002","MainTitle":"木","Creator":"製作者：楊琇如","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAyMDAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200802003003","MainTitle":"木","Creator":"製作者：楊琇如","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAyMDAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200802003004","MainTitle":"木","Creator":"製作者：楊琇如","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAyMDAzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200803001","MainTitle":"松鶴延年","Creator":"王清霜 ","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在旭日東昇之際，六隻丹頂鶴或翱翔天際或棲樓於松枝，意味著好運當頭、養精蓄銳、抓住機會。漆瓶頸部飾以四朵如意紋金箔，似在祈求事事如意、飛黃騰達。 王清霜大師以純熟的夾紵脫胎、平蒔繪技法完成於圓潤飽滿的漆瓶上，寓意追求人生圓滿、完美。（詮釋委員：梁志忠）","ImageUrl":""}
,{"Identifier":"200803002","MainTitle":"豐收","Creator":"王清霜 ","CreatedYear":"","Size":"73.5*63.5*6公分(含框)","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"921大地震，九九峰變禿了，但是檳榔樹卻仍屹立在農舍旁。金黃色的稻田一束束熟透彎揖的榖粒，讓人感受為人處世的哲學，百折不撓、滿招損、謙受益，學習稻穀謙虛的美德。 王大師以繁複的高蒔繪技法，巧妙運用天然漆、顏料、金粉、銀粉、金箔，使畫面呈現豐收的景象，和九九峰的光禿形成強烈對比。 （詮釋委員：梁志忠）","ImageUrl":""}
,{"Identifier":"200803003","MainTitle":"雙鳥-木棉花","Creator":"王清霜 ","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在三月的枝頭上，木棉花盛開了，橙紅的五花瓣在枝頭爭艷，成對的白頭翁佇足在木棉花間，享受那令人稱羨的幸福。木棉花是惜福花，成雙的白頭翁則寓意夫妻鶼鰈情深、白頭偕老。以天然漆打底，運用乾漆粉、顏料、金粉襯托活化木棉花，以紀念作者故鄉的台中縣縣花。（詮釋委員：梁志忠）","ImageUrl":""}
,{"Identifier":"200804001","MainTitle":"鑲龍吐珠鏍鈿古董家具-酒櫃","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組造型穩重之大型櫥櫃，下方拉門與頂部及側面為鑲螺鈿團龍吐珠紋，下座突出部位為鑲螺鈿雙獅戲綵紋，邊角為鑲螺鈿唐草紋，側面為鑲螺鈿長壽紋。抽屜手把為半圓內凹式，搭配方形方勝紋。拉門為花籃造型金屬飾件，雕有花草紋。\r\n本櫥櫃主結構以榫卯製作，分為底座、下座、上座、頂蓋四部分，可以拆卸與組合。頂蓋中央高，兩側較低，外緣有方形回紋。中央為鑲螺鈿團龍吐珠紋乙樣，型制較大，兩側為鑲螺鈿團龍吐珠紋乙樣，型制較小，搭配鑲螺鈿唐草紋。上座設有四對開的木框拉門，與兩側內裝透明玻璃，可以三個面向觀賞廚櫃內存放之物件。\r\n在造型上為中央立面向外突出，兩側向內略縮，具有視覺立體感，搭配鑲螺鈿技法，更有華麗豐富的效果。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804002","MainTitle":"鑲龍吐珠鏍鈿古董家具-會議桌","Creator":"","CreatedYear":"","Size":"213.5*106.5*77","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組兩件之長方桌組，有時候被歸類為會議桌，或是宴客用桌，依其使用功能而有不同之稱呼。\r\n此長方桌面心板為精彩的鑲螺鈿雙龍戲珠團紋，桌面長邊框鑲螺鈿雙獅戲綵紋一對，桌面四個邊角為鑲螺鈿唐草紋。勒水中央部位鑲螺鈿唐草紋，兩側為鑲螺鈿獅子戲綵紋，雕刻有陽雕方形方勝紋。\r\n本長方桌結構以榫卯製作，桌腳為陽雕方形方勝紋。\r\n本組長方桌之特色為桌面板精彩的鑲螺鈿雙龍戲珠團紋，搭配桌面長邊框鑲螺鈿雙獅戲綵紋一對，與桌面四個邊角為鑲螺鈿唐草紋，更有華麗豐富的效果。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804002001","MainTitle":"鑲龍吐珠鏍鈿古董家具-會議桌","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組兩件「鑲龍吐珠鏍鈿古董家具」長方桌組之一，依其使用功能而有不同之稱呼，有時候被歸類為會議桌，或是宴客用桌。\r\n此長方桌面心板為精彩的鑲螺鈿雙龍戲珠團紋，桌面長邊框鑲螺鈿雙獅戲綵紋一對，桌面四個邊角為鑲螺鈿唐草紋。勒水中央部位鑲螺鈿唐草紋，兩側為鑲螺鈿獅子戲綵紋，雕刻有陽雕方形方勝紋。\r\n本長方桌結構以榫卯製作，桌腳為陽雕方形方勝紋。\r\n本件長方桌之特色為桌面板精彩的鑲螺鈿雙龍戲珠團紋，搭配桌面長邊框鑲螺鈿雙獅戲綵紋一對，與桌面四個邊角為鑲螺鈿唐草紋，更有華麗豐富的效果。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804002002","MainTitle":"鑲龍吐珠鏍鈿古董家具-會議桌","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組兩件「鑲龍吐珠鏍鈿古董家具」長方桌組之二，依其使用功能而有不同之稱呼，有時候被歸類為會議桌，或是宴客用桌。\r\n此長方桌面心板為精彩的鑲螺鈿雙龍戲珠團紋，桌面長邊框鑲螺鈿雙獅戲綵紋一對，桌面四個邊角為鑲螺鈿唐草紋。勒水中央部位鑲螺鈿唐草紋，兩側為鑲螺鈿獅子戲綵紋，雕刻有陽雕方形方勝紋。\r\n本長方桌結構以榫卯製作，桌腳為陽雕方形方勝紋。\r\n本件長方桌之特色為桌面板精彩的鑲螺鈿雙龍戲珠團紋，搭配桌面長邊框鑲螺鈿雙獅戲綵紋一對，與桌面四個邊角為鑲螺鈿唐草紋，更有華麗豐富的效果。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804003","MainTitle":"鑲龍吐珠鏍鈿古董家具-椅子（無扶手）","Creator":"","CreatedYear":"","Size":"45.5*45*90","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組12件之靠背方椅，此造型方正穩重中帶有圓潤感，來自於靠背上部的後圓弧度的造型。在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞。\r\n在靠背部位有上、中、下心板，上心板前、後皆為鑲螺鈿團壽紋，中心板前、後皆為鑲螺鈿團龍吐珠紋，下心板前、後皆為鑲螺鈿團壽紋。椅面下方勒水中央部位四個面（前、後、左、右）皆為鑲螺鈿唐草紋。\r\n本靠背方椅結構以榫卯製作，靠背部位為方勝紋，以角材逐枝榫卯接合方式製作，椅腳為陽雕方形方勝紋。\r\n本組12件之有靠背方椅，在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804003001","MainTitle":"鑲龍吐珠鏍鈿古董家具-椅子（無扶手）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組12件「鑲龍吐珠鏍鈿古董家具」靠背方椅之一，此造型方正穩重中帶有圓潤感，來自於靠背上部的後圓弧度的造型。在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞。\r\n在靠背部位有上、中、下心板，上心板前、後皆為鑲螺鈿團壽紋，中心板前、後皆為鑲螺鈿團龍吐珠紋，下心板前、後皆為鑲螺鈿團壽紋。椅面下方勒水中央部位四個面（前、後、左、右）皆為鑲螺鈿唐草紋。\r\n本靠背方椅結構以榫卯製作，靠背部位為方勝紋，以角材逐枝榫卯接合方式製作，椅腳為陽雕方形方勝紋。\r\n本件有靠背方椅，在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)","ImageUrl":""}
,{"Identifier":"200804003002","MainTitle":"鑲龍吐珠鏍鈿古董家具-椅子（無扶手）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組12件「鑲龍吐珠鏍鈿古董家具」靠背方椅之二，此造型方正穩重中帶有圓潤感，來自於靠背上部的後圓弧度的造型。在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本扶手椅四面皆有鑲螺鈿技法的主題可以欣賞。\r\n在靠背部位有上、中、下心板，上心板前、後皆為鑲螺鈿團壽紋，中心板前、後皆為鑲螺鈿團龍吐珠紋，下心板前、後皆為鑲螺鈿團壽紋。椅面下方勒水中央部位四個面（前、後、左、右）皆為鑲螺鈿唐草紋。\r\n本扶手椅結構以榫卯製作，靠背及扶手部位為方勝紋，以角材逐枝榫卯接合方式製作，椅腳為陽雕方形方勝紋。\r\n本組4件之扶手椅，在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本扶手椅四面皆有鑲螺鈿技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804003003","MainTitle":"鑲龍吐珠鏍鈿古董家具-椅子（無扶手）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組12件「鑲龍吐珠鏍鈿古董家具」靠背方椅之三，此造型方正穩重中帶有圓潤感，來自於靠背上部的後圓弧度的造型。在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞。\r\n在靠背部位有上、中、下心板，上心板前、後皆為鑲螺鈿團壽紋，中心板前、後皆為鑲螺鈿團龍吐珠紋，下心板前、後皆為鑲螺鈿團壽紋。椅面下方勒水中央部位四個面（前、後、左、右）皆為鑲螺鈿唐草紋。\r\n本靠背方椅結構以榫卯製作，靠背部位為方勝紋，以角材逐枝榫卯接合方式製作，椅腳為陽雕方形方勝紋。\r\n本件有靠背方椅，在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)","ImageUrl":""}
,{"Identifier":"200804003004","MainTitle":"鑲龍吐珠鏍鈿古董家具-椅子（無扶手）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDAzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組12件「鑲龍吐珠鏍鈿古董家具」靠背方椅之四，此造型方正穩重中帶有圓潤感，來自於靠背上部的後圓弧度的造型。在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞。\r\n在靠背部位有上、中、下心板，上心板前、後皆為鑲螺鈿團壽紋，中心板前、後皆為鑲螺鈿團龍吐珠紋，下心板前、後皆為鑲螺鈿團壽紋。椅面下方勒水中央部位四個面（前、後、左、右）皆為鑲螺鈿唐草紋。\r\n本靠背方椅結構以榫卯製作，靠背部位為方勝紋，以角材逐枝榫卯接合方式製作，椅腳為陽雕方形方勝紋。\r\n本件有靠背方椅，在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)","ImageUrl":""}
,{"Identifier":"200804003005","MainTitle":"鑲龍吐珠鏍鈿古董家具-椅子（無扶手）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDAzMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組12件「鑲龍吐珠鏍鈿古董家具」靠背方椅之五，此造型方正穩重中帶有圓潤感，來自於靠背上部的後圓弧度的造型。在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞。\r\n在靠背部位有上、中、下心板，上心板前、後皆為鑲螺鈿團壽紋，中心板前、後皆為鑲螺鈿團龍吐珠紋，下心板前、後皆為鑲螺鈿團壽紋。椅面下方勒水中央部位四個面（前、後、左、右）皆為鑲螺鈿唐草紋。\r\n本靠背方椅結構以榫卯製作，靠背部位為方勝紋，以角材逐枝榫卯接合方式製作，椅腳為陽雕方形方勝紋。\r\n本件有靠背方椅，在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)","ImageUrl":""}
,{"Identifier":"200804003006","MainTitle":"鑲龍吐珠鏍鈿古董家具-椅子（無扶手）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDAzMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組12件「鑲龍吐珠鏍鈿古董家具」靠背方椅之六，此造型方正穩重中帶有圓潤感，來自於靠背上部的後圓弧度的造型。在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞。\r\n在靠背部位有上、中、下心板，上心板前、後皆為鑲螺鈿團壽紋，中心板前、後皆為鑲螺鈿團龍吐珠紋，下心板前、後皆為鑲螺鈿團壽紋。椅面下方勒水中央部位四個面（前、後、左、右）皆為鑲螺鈿唐草紋。\r\n本靠背方椅結構以榫卯製作，靠背部位為方勝紋，以角材逐枝榫卯接合方式製作，椅腳為陽雕方形方勝紋。\r\n本件有靠背方椅，在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)","ImageUrl":""}
,{"Identifier":"200804003007","MainTitle":"鑲龍吐珠鏍鈿古董家具-椅子（無扶手）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDAzMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組12件「鑲龍吐珠鏍鈿古董家具」靠背方椅之七，此造型方正穩重中帶有圓潤感，來自於靠背上部的後圓弧度的造型。在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞。\r\n在靠背部位有上、中、下心板，上心板前、後皆為鑲螺鈿團壽紋，中心板前、後皆為鑲螺鈿團龍吐珠紋，下心板前、後皆為鑲螺鈿團壽紋。椅面下方勒水中央部位四個面（前、後、左、右）皆為鑲螺鈿唐草紋。\r\n本靠背方椅結構以榫卯製作，靠背部位為方勝紋，以角材逐枝榫卯接合方式製作，椅腳為陽雕方形方勝紋。\r\n本件有靠背方椅，在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)","ImageUrl":""}
,{"Identifier":"200804003008","MainTitle":"鑲龍吐珠鏍鈿古董家具-椅子（無扶手）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDAzMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組12件「鑲龍吐珠鏍鈿古董家具」靠背方椅之八，此造型方正穩重中帶有圓潤感，來自於靠背上部的後圓弧度的造型。在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞。\r\n在靠背部位有上、中、下心板，上心板前、後皆為鑲螺鈿團壽紋，中心板前、後皆為鑲螺鈿團龍吐珠紋，下心板前、後皆為鑲螺鈿團壽紋。椅面下方勒水中央部位四個面（前、後、左、右）皆為鑲螺鈿唐草紋。\r\n本靠背方椅結構以榫卯製作，靠背部位為方勝紋，以角材逐枝榫卯接合方式製作，椅腳為陽雕方形方勝紋。\r\n本件有靠背方椅，在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)","ImageUrl":""}
,{"Identifier":"200804003009","MainTitle":"鑲龍吐珠鏍鈿古董家具-椅子（無扶手）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDAzMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組12件「鑲龍吐珠鏍鈿古董家具」靠背方椅之九，此造型方正穩重中帶有圓潤感，來自於靠背上部的後圓弧度的造型。在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞。\r\n在靠背部位有上、中、下心板，上心板前、後皆為鑲螺鈿團壽紋，中心板前、後皆為鑲螺鈿團龍吐珠紋，下心板前、後皆為鑲螺鈿團壽紋。椅面下方勒水中央部位四個面（前、後、左、右）皆為鑲螺鈿唐草紋。\r\n本靠背方椅結構以榫卯製作，靠背部位為方勝紋，以角材逐枝榫卯接合方式製作，椅腳為陽雕方形方勝紋。\r\n本件有靠背方椅，在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)","ImageUrl":""}
,{"Identifier":"200804003010","MainTitle":"鑲龍吐珠鏍鈿古董家具-椅子（無扶手）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDAzMDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組12件「鑲龍吐珠鏍鈿古董家具」靠背方椅之十，此造型方正穩重中帶有圓潤感，來自於靠背上部的後圓弧度的造型。在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞。\r\n在靠背部位有上、中、下心板，上心板前、後皆為鑲螺鈿團壽紋，中心板前、後皆為鑲螺鈿團龍吐珠紋，下心板前、後皆為鑲螺鈿團壽紋。椅面下方勒水中央部位四個面（前、後、左、右）皆為鑲螺鈿唐草紋。\r\n本靠背方椅結構以榫卯製作，靠背部位為方勝紋，以角材逐枝榫卯接合方式製作，椅腳為陽雕方形方勝紋。\r\n本件有靠背方椅，在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)","ImageUrl":""}
,{"Identifier":"200804003011","MainTitle":"鑲龍吐珠鏍鈿古董家具-椅子（無扶手）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDAzMDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組12件「鑲龍吐珠鏍鈿古董家具」靠背方椅之十一，此造型方正穩重中帶有圓潤感，來自於靠背上部的後圓弧度的造型。在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞。\r\n在靠背部位有上、中、下心板，上心板前、後皆為鑲螺鈿團壽紋，中心板前、後皆為鑲螺鈿團龍吐珠紋，下心板前、後皆為鑲螺鈿團壽紋。椅面下方勒水中央部位四個面（前、後、左、右）皆為鑲螺鈿唐草紋。\r\n本靠背方椅結構以榫卯製作，靠背部位為方勝紋，以角材逐枝榫卯接合方式製作，椅腳為陽雕方形方勝紋。\r\n本件有靠背方椅，在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)","ImageUrl":""}
,{"Identifier":"200804003012","MainTitle":"鑲龍吐珠鏍鈿古董家具-椅子（無扶手）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDAzMDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組12件「鑲龍吐珠鏍鈿古董家具」靠背方椅之十二，此造型方正穩重中帶有圓潤感，來自於靠背上部的後圓弧度的造型。在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞。\r\n在靠背部位有上、中、下心板，上心板前、後皆為鑲螺鈿團壽紋，中心板前、後皆為鑲螺鈿團龍吐珠紋，下心板前、後皆為鑲螺鈿團壽紋。椅面下方勒水中央部位四個面（前、後、左、右）皆為鑲螺鈿唐草紋。\r\n本靠背方椅結構以榫卯製作，靠背部位為方勝紋，以角材逐枝榫卯接合方式製作，椅腳為陽雕方形方勝紋。\r\n本件有靠背方椅，在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本靠背方椅四面皆有鑲螺鈿技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)","ImageUrl":""}
,{"Identifier":"200804004","MainTitle":"鑲龍吐珠鏍鈿古董家具-椅子（扶手）","Creator":"","CreatedYear":"","Size":"62*55*95","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組4件之扶手椅，此造型方正穩重中帶有圓潤感，來自於靠背上部的後圓弧度的造型。在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本扶手椅四面皆有鑲螺鈿技法的主題可以欣賞。\r\n在靠背部位有上、中、下心板，上心板前、後皆為鑲螺鈿團壽紋，中心板前、後皆為鑲螺鈿團龍吐珠紋，下心板前、後皆為鑲螺鈿團壽紋。椅面下方勒水中央部位四個面（前、後、左、右）皆為鑲螺鈿唐草紋。\r\n本扶手椅結構以榫卯製作，靠背及扶手部位為方勝紋，以角材逐枝榫卯接合方式製作，椅腳為陽雕方形方勝紋。\r\n本組4件之扶手椅，在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本扶手椅四面皆有鑲螺鈿技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804004001","MainTitle":"鑲龍吐珠鏍鈿古董家具-椅子（扶手）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組4件「鑲龍吐珠鏍鈿古董家具」扶手椅之一，此造型方正穩重中帶有圓潤感，來自於靠背上部的後圓弧度的造型。在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本扶手椅四面皆有鑲螺鈿技法的主題可以欣賞。\r\n在靠背部位有上、中、下心板，上心板前、後皆為鑲螺鈿團壽紋，中心板前、後皆為鑲螺鈿團龍吐珠紋，下心板前、後皆為鑲螺鈿團壽紋。椅面下方勒水中央部位四個面（前、後、左、右）皆為鑲螺鈿唐草紋。\r\n本扶手椅結構以榫卯製作，靠背及扶手部位為方勝紋，以角材逐枝榫卯接合方式製作，椅腳為陽雕方形方勝紋。\r\n本組4件之扶手椅，在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本扶手椅四面皆有鑲螺鈿技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804004002","MainTitle":"鑲龍吐珠鏍鈿古董家具-椅子（扶手）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組4件「鑲龍吐珠鏍鈿古董家具」扶手椅之二，此造型方正穩重中帶有圓潤感，來自於靠背上部的後圓弧度的造型。在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本扶手椅四面皆有鑲螺鈿技法的主題可以欣賞。\r\n在靠背部位有上、中、下心板，上心板前、後皆為鑲螺鈿團壽紋，中心板前、後皆為鑲螺鈿團龍吐珠紋，下心板前、後皆為鑲螺鈿團壽紋。椅面下方勒水中央部位四個面（前、後、左、右）皆為鑲螺鈿唐草紋。\r\n本扶手椅結構以榫卯製作，靠背及扶手部位為方勝紋，以角材逐枝榫卯接合方式製作，椅腳為陽雕方形方勝紋。\r\n本組4件之扶手椅，在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本扶手椅四面皆有鑲螺鈿技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804004003","MainTitle":"鑲龍吐珠鏍鈿古董家具-椅子（扶手）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組4件「鑲龍吐珠鏍鈿古董家具」扶手椅之三，此造型方正穩重中帶有圓潤感，來自於靠背上部的後圓弧度的造型。在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本扶手椅四面皆有鑲螺鈿技法的主題可以欣賞。\r\n在靠背部位有上、中、下心板，上心板前、後皆為鑲螺鈿團壽紋，中心板前、後皆為鑲螺鈿團龍吐珠紋，下心板前、後皆為鑲螺鈿團壽紋。椅面下方勒水中央部位四個面（前、後、左、右）皆為鑲螺鈿唐草紋。\r\n本扶手椅結構以榫卯製作，靠背及扶手部位為方勝紋，以角材逐枝榫卯接合方式製作，椅腳為陽雕方形方勝紋。\r\n本組4件之扶手椅，在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本扶手椅四面皆有鑲螺鈿技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804004004","MainTitle":"鑲龍吐珠鏍鈿古董家具-椅子（扶手）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDA0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組4件「鑲龍吐珠鏍鈿古董家具」扶手椅之四，此造型方正穩重中帶有圓潤感，來自於靠背上部的後圓弧度的造型。在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於本扶手椅四面皆有鑲螺鈿技法的主題可以欣賞。\r\n在靠背部位有上、中、下心板，上心板前、後皆為鑲螺鈿團壽紋，中心板前、後皆為鑲螺鈿團龍吐珠紋，下心板前、後皆為鑲螺鈿團壽紋。椅面下方勒水中央部位四個面（前、後、左、右）皆為鑲螺鈿唐草紋。\r\n本扶手椅結構以榫卯製作，靠背及扶手部位為方勝紋，以角材逐枝榫卯接合方式製作，椅腳為陽雕方形方勝紋。\r\n本件扶手椅，在鑲螺鈿技法的表現上，展現了難得的「四面鑲螺鈿」特色，此特色在於扶手椅四面皆有鑲螺鈿技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804005","MainTitle":"精雕八仙桌","Creator":"","CreatedYear":"","Size":"109*105*91","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組兩件之八仙桌，常使用於傳統祭祀廳堂中，與長案桌、貼案桌、八仙桌搭配成一組，長案桌上中央位置安奉鎮宅神明，右側（虎邊）安奉祖先龕或是祖先牌位，兩側陳設紅柑燈，燈內燈火長年永明，寓意「神光永照」。貼案桌上中央位置設置薦盒臺，於其上放置敬神用供品，兩側設置花瓶，花瓶內插菊花，寓意「長壽平安」。八仙桌上可擺放敬神與祀祖的供品，供敬奉神明與祭祀祖先儀式時使用。\r\n在雕刻技法的表現上，展現了難得的「四面雕刻」特色，此特色在於本八仙桌四面皆有雕刻技法的主題可以欣賞。\r\n本八仙桌結構以榫卯製作，四個立面部位雕刻主題為唐草紋，四個立面部位的勒水與桌腳為淺陰雕如意雲紋。桌腳底部為馬蹄腳，寓意「馬到成功」。(詮釋委員：王肇楠)\r\n\r\n","ImageUrl":""}
,{"Identifier":"200804005001","MainTitle":"精雕八仙桌","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組兩件「精雕八仙桌」之一，常使用於傳統祭祀廳堂中，與長案桌、貼案桌、八仙桌搭配成一組，長案桌上中央位置安奉鎮宅神明，右側（虎邊）安奉祖先龕或是祖先牌位，兩側陳設紅柑燈，燈內燈火長年永明，寓意「神光永照」。貼案桌上中央位置設置薦盒臺，於其上放置敬神用供品，兩側設置花瓶，花瓶內插菊花，寓意「長壽平安」。八仙桌上可擺放敬神與祀祖的供品，供敬奉神明與祭祀祖先儀式時使用。\r\n在雕刻技法的表現上，展現了難得的「四面雕刻」特色，此特色在於本八仙桌四面皆有雕刻技法的主題可以欣賞。\r\n本件八仙桌結構以榫卯製作，四個立面部位雕刻主題為唐草紋，四個立面部位的勒水與桌腳為淺陰雕如意雲紋。桌腳底部為馬蹄腳，寓意「馬到成功」。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804005002","MainTitle":"精雕八仙桌","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組兩件「精雕八仙桌」之二，常使用於傳統祭祀廳堂中，與長案桌、貼案桌、八仙桌搭配成一組，長案桌上中央位置安奉鎮宅神明，右側（虎邊）安奉祖先龕或是祖先牌位，兩側陳設紅柑燈，燈內燈火長年永明，寓意「神光永照」。貼案桌上中央位置設置薦盒臺，於其上放置敬神用供品，兩側設置花瓶，花瓶內插菊花，寓意「長壽平安」。八仙桌上可擺放敬神與祀祖的供品，供敬奉神明與祭祀祖先儀式時使用。\r\n在雕刻技法的表現上，展現了難得的「四面雕刻」特色，此特色在於本八仙桌四面皆有雕刻技法的主題可以欣賞。\r\n本件八仙桌結構以榫卯製作，四個立面部位雕刻主題為唐草紋，四個立面部位的勒水與桌腳為淺陰雕如意雲紋。桌腳底部為馬蹄腳，寓意「馬到成功」。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804006","MainTitle":"實木藝術精雕半圓邊桌","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本半圓形桌之造型為模仿西方文藝復興時期之造型，以古典的巴洛克元素在桌腳與勒水部位以利用規則的波浪狀曲線和反曲線的形式賦予動感的理念，是所有巴洛克藝術最重要的特徵。在桌子的立面中形成了特殊風格的具體呈現，以雕刻技法展現華麗的立體外觀浮雕，及繁複的花草紋飾。\r\n桌面板之造型利用規則的波浪狀曲線和反曲線的形式賦予動感的理念，顯現出西方藝術的具體風格與特色。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804007","MainTitle":"精雕花几","Creator":"","CreatedYear":"","Size":"70.5*60(直徑）","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本組兩件之六角蓮葉花几為傳統造型，六瓣蓮葉花桌面板外緣突起，起圓線，猶如蓮葉。兩層堅仔（束腰）將桌面板托高，搭配蓮葉造型的勒水與優雅蓮莖的S型彎曲型花几腳，再與六瓣蓮葉花型底座連接，外觀宛如蓮花出蓮池，在蓮葉與優雅蓮莖的襯托之下，彷彿夏日荷蓮迎風而展，觀之令人暑伏心爽而愜意怡情。\r\n在勒水部位，以六面雕刻技法雕刻出蓮葉造型，上層堅仔（束腰）雕刻唐草紋，下接優雅蓮莖S型彎曲型花几腳與六瓣蓮葉花型底座。\r\n本六角蓮葉花几結構以榫卯製作，花几腳部位雕刻為唐草紋。\r\n本組兩件之六角蓮葉花几，在雕刻技法的表現上，展現了難得的「六面雕刻」特色，此特色在於本六角蓮葉花几六面皆有雕刻技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804007001","MainTitle":"精雕花几","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDA3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組兩件六角蓮葉「精雕花几」之一，六角蓮葉花几為傳統造型，六瓣蓮葉花桌面板外緣突起，起圓線，猶如蓮葉。兩層堅仔（束腰）將桌面板托高，搭配蓮葉造型的勒水與優雅蓮莖的S型彎曲型花几腳，再與六瓣蓮葉花型底座連接，外觀宛如蓮花出蓮池，在蓮葉與優雅蓮莖的襯托之下，彷彿夏日荷蓮迎風而展，觀之令人暑伏心爽而愜意怡情。\r\n在勒水部位，以六面雕刻技法雕刻出蓮葉造型，上層堅仔（束腰）雕刻唐草紋，下接優雅蓮莖S型彎曲型花几腳與六瓣蓮葉花型底座。\r\n本六角蓮葉花几結構以榫卯製作，花几腳部位雕刻為唐草紋。\r\n本件六角蓮葉花几，在雕刻技法的表現上，展現了難得的「六面雕刻」特色，此特色在於本六角蓮葉花几六面皆有雕刻技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)\r\n\r\n","ImageUrl":""}
,{"Identifier":"200804007002","MainTitle":"精雕花几","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDA3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組兩件六角蓮葉「精雕花几」之二，六角蓮葉花几傳統造型，六瓣蓮葉花桌面板外緣突起，起圓線，猶如蓮葉。兩層堅仔（束腰）將桌面板托高，搭配蓮葉造型的勒水與優雅蓮莖的S型彎曲型花几腳，再與六瓣蓮葉花型底座連接，外觀宛如蓮花出蓮池，在蓮葉與優雅蓮莖的襯托之下，彷彿夏日荷蓮迎風而展，觀之令人暑伏心爽而愜意怡情。\r\n在勒水部位，以六面雕刻技法雕刻出蓮葉造型，上層堅仔（束腰）雕刻唐草紋，下接優雅蓮莖S型彎曲型花几腳與六瓣蓮葉花型底座。\r\n本六角蓮葉花几結構以榫卯製作，花几腳部位雕刻為唐草紋。\r\n本件六角蓮葉花几，在雕刻技法的表現上，展現了難得的「六面雕刻」特色，此特色在於本六角蓮葉花几六面皆有雕刻技法的主題可以欣賞，更具有華麗豐富的效果。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804008","MainTitle":"精雕高几","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件之高腳香几造型相當優雅與高挑，有方正穩重之感。在雕刻技法的表現上，展現了難得的「四面雕刻」特色，此特色在於本高腳香几四面皆有雕刻技法的主題可以欣賞。\r\n 本高腳香几結構以榫卯製作，雕刻部位為方勝紋，筆直的几腳底部以內凹外圓造型製作，几腳底部的彎杠為中央高，兩側略低的造型，此造型的特色在於可使觀賞者產生強而有力的視覺效果。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804009","MainTitle":"樟木雕龍吐珠大箱","Creator":"中國藝術雕刻木器廠","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件雲龍吐珠木箱正立面與箱蓋有雕刻技法之雲龍吐珠圖案，雕刻栩栩如生。正立面右上方有雕刻技法之祥雲瑞日圖案，瑞日部分為內凹造型，可供使用者將手伸入，將木箱頂蓋開啟，兩側有雕刻技法之祥雲瑞日圖案，瑞日部分為內凹造型，可供使用者將手伸入，將木箱移動，不另加金屬手把，達到木箱外觀之完整性，此為巧思創意之例。\r\n在雕刻技法表現上，雲龍吐珠圖案與祥雲瑞日圖案以淺原木色漆刷塗，木箱本體以黑色漆刷塗，以高對比色處理，讓觀賞者產生淺原木色雲龍吐珠圖案與祥雲瑞日圖案浮顯於黑色背景中，而有靈活生動之視覺感。\r\n本木箱為內外兩層製作，外層部位為外箱，以三角出榫榫卯結合，正立面有銅質如意形箱扣，表面有鏨淺雕花朵。後立面有三個活頁，為木箱與木箱蓋開啟與闔上之活動金屬構件，木箱蓋內側有一金屬銘牌，顯為製造廠商所銘。木箱底部有抬高設計，有較為靈巧之視覺感。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804010","MainTitle":"雕紋木製家具-圓几","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件圓桌之桌面板以8片木板進行拚接木技法，外觀呈放射狀之圖案。桌裙部位以直梳式樣作為造型，寶瓶造型桌腳，底部以十字形木杠與桌腳組合，中央部位有車枳鏇木技法製作成圓形中心木盤，與十字形木杠組合。\r\n在雕刻技法表現上，將寶瓶造型桌腳再雕刻數條直型半圓凹槽。\r\n本圓桌結構以榫卯製作，桌面板以8片木板進行拚接木技法，桌腳以車枳鏇木技法製作成寶瓶造型。\r\n本圓桌造型穩重，四個寶瓶型桌腳呼應圓型的桌面板，底部以十字型木杠與桌腳組合，結構合宜。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804011","MainTitle":"雕紋實木家具-茶几","Creator":"","CreatedYear":"","Size":"82*45.5*54.5","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本組兩件之長方圓弧桌之桌面板以整片木板進行製作。桌裙部位以直梳式樣作為造型，寶瓶造型桌腳，底部以X字形木杠與桌腳組合，中央部位有車枳鏇木技法製作成圓形中心木盤，與X字形木杠組合。\r\n在雕刻技法表現上，將寶瓶造型桌腳再雕刻數條直型半圓凹槽。\r\n本長方圓弧桌結構以榫卯製作，桌面板以整片木板進行製作，桌腳以車枳鏇木技法製作成寶瓶造型。\r\n本組長方圓弧桌造型穩重，四個寶瓶型桌腳呼應長方圓弧型桌面板，底部以X字型木杠與桌腳組合，結構合宜。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804011001","MainTitle":"雕紋實木家具-茶几","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDExMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組兩件「雕紋實木家具」長方圓弧桌之一，其桌面板以整片木板進行製作。桌裙部位以直梳式樣作為造型，寶瓶造型桌腳，底部以X字形木杠與桌腳組合，中央部位有車枳鏇木技法製作成圓形中心木盤，與X字形木杠組合。\r\n 在雕刻技法表現上，將寶瓶造型桌腳再雕刻數條直型半圓凹槽。\r\n 本長方圓弧桌結構以榫卯製作，桌面板以整片木板進行製作，桌腳以車枳鏇木技法製作成寶瓶造型。\r\n 本件長方圓弧桌造型穩重，四個寶瓶型桌腳呼應長方圓弧型桌面板，底部以X字型木杠與桌腳組合，結構合宜。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804011002","MainTitle":"雕紋實木家具-茶几","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDExMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組兩件「雕紋實木家具」長方圓弧桌之二，其桌面板以整片木板進行製作。桌裙部位以直梳式樣作為造型，寶瓶造型桌腳，底部以X字形木杠與桌腳組合，中央部位有車枳鏇木技法製作成圓形中心木盤，與X字形木杠組合。\r\n在雕刻技法表現上，將寶瓶造型桌腳再雕刻數條直型半圓凹槽。\r\n本長方圓弧桌結構以榫卯製作，桌面板以整片木板進行製作，桌腳以車枳鏇木技法製作成寶瓶造型。\r\n本件長方圓弧桌造型穩重，四個寶瓶型桌腳呼應長方圓弧型桌面板，底部以X字型木杠與桌腳組合，結構合宜。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804012","MainTitle":"精雕螺鈿山水雲石茶几","Creator":"","CreatedYear":"","Size":"42*31.5*81","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組兩件之鑲螺鈿山水雲石茶几，几面上嵌有一似山水畫紋理的雲石，造型優雅有方正穩重之感。在雕刻技法與鑲嵌螺鈿的表現上，展現了難得的「四面雕刻與螺鈿」特色，此特色在於本山水雲石茶几四面皆有雕刻技法的主題可以欣賞。\r\n 此鑲螺鈿山水雲石茶几面心板為精彩的似山水畫紋理的雲石，渾然天成。四個面為鑲螺鈿唐草紋，雕刻有鏤雕如意紋加鑲螺鈿唐草紋。\r\n 本鑲螺鈿山水雲石茶几結構以榫卯製作，几腳為陽雕方形方勝紋。\r\n 本組鑲螺鈿山水雲石茶几之特色為几面板精彩的似山水畫紋理的雲石，搭配四個面為鑲螺鈿唐草紋，雕刻有鏤雕如意紋加鑲螺鈿唐草紋，更有華麗豐富的效果。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804012001","MainTitle":"精雕螺鈿山水雲石茶几","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDEyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組兩件「鑲螺鈿山水雲石」茶几之一，几面上嵌有一似山水畫紋理的雲石，造型優雅有方正穩重之感。在雕刻技法與鑲嵌螺鈿的表現上，展現了難得的「四面雕刻與螺鈿」特色，此特色在於本山水雲石茶几四面皆有雕刻技法的主題可以欣賞。\r\n此鑲螺鈿山水雲石茶几面心板為精彩的似山水畫紋理的雲石，渾然天成。四個面為鑲螺鈿唐草紋，雕刻有鏤雕如意紋加鑲螺鈿唐草紋。\r\n本鑲螺鈿山水雲石茶几結構以榫卯製作，几腳為陽雕方形方勝紋。\r\n本件鑲螺鈿山水雲石茶几之特色為几面板精彩的似山水畫紋理的雲石，搭配四個面為鑲螺鈿唐草紋，雕刻有鏤雕如意紋加鑲螺鈿唐草紋，更有華麗豐富的效果。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804012002","MainTitle":"精雕螺鈿山水雲石茶几","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDEyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組兩件「鑲螺鈿山水雲石」茶几之二，几面上嵌有一似山水畫紋理的雲石，造型優雅有方正穩重之感。在雕刻技法與鑲嵌螺鈿的表現上，展現了難得的「四面雕刻與螺鈿」特色，此特色在於本山水雲石茶几四面皆有雕刻技法的主題可以欣賞。\r\n 此鑲螺鈿山水雲石茶几面心板為精彩的似山水畫紋理的雲石，渾然天成。四個面為鑲螺鈿唐草紋，雕刻有鏤雕如意紋加鑲螺鈿唐草紋。\r\n 本鑲螺鈿山水雲石茶几結構以榫卯製作，几腳為陽雕方形方勝紋。\r\n 本件鑲螺鈿山水雲石茶几之特色為几面板精彩的似山水畫紋理的雲石，搭配四個面為鑲螺鈿唐草紋，雕刻有鏤雕如意紋加鑲螺鈿唐草紋，更有華麗豐富的效果。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804013","MainTitle":"內方外圓水滴狀木茶几","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件內方外圓水滴狀木茶几，茶几內部有兩層且高低有致的多寶格，可供貯放小型器物，造型優雅方正。\r\n本茶几尺寸稍大，內部以榫卯技法製作兩層且高低有致的多寶格。几腳為圓形柱狀，自几面往內略為收縮，再於几腳底部往外疏展，與底部彎杠造型近似，可讓觀賞者有優雅的視覺效果。\r\n本茶几四個面為雕刻技法製作之花果紋及鏤雕水滴紋。\r\n本茶几結構以榫卯製作，几腳與內直柱皆為圓形柱狀，製作工法較為繁複。\r\n本茶几以內部有兩層且高低有致的多寶格，且几腳造型圓形柱狀與底部彎杠造型近似，可讓觀賞者有優雅的視覺效果，此為特有之造型，更顯華麗豐富的效果。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804014","MainTitle":"精雕日本實木茶几托","Creator":"","CreatedYear":"","Size":"001：54*54*45、002：54*54*45、003：53*53*57.5、004：53*53*57.5\r\n附1大（61*152.5*1.2）2小（61*61*1.2）玻璃（置典藏室四-E區）\r\n003～004茶几托共用一（大）件玻璃。","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組四件之精雕日本實木茶几托，造型為模仿西方文藝復興時期之造型，以古典的巴洛克元素設計在四個茶几托之造型，中央部位有車枳鏇木技法製作成寶瓶造型桌心軸，茶几板以墨色厚玻璃搭配使用。\r\n中央部位有車枳鏇木技法製作成寶瓶造型桌心軸，以古典的巴洛克元素應用在四個茶几托造型，利用規則的波浪狀曲線和反曲線的形式賦予動感的理念，顯現出西方藝術的具體風格與特色。透過寶瓶造型桌心軸與四個茶几托造型，再與十字形木杠底座組合，賦予動感的理念，是所有巴洛克藝術最重要的特徵。\r\n在雕刻技法表現上，將寶瓶造型桌腳再雕刻數條直型半圓凹槽。\r\n本茶几托結構以榫卯製作，寶瓶造型桌心軸與四個茶几托及十字形木杠底座以榫卯結合。\r\n本精雕日本實木茶几托造型穩重，厚重的十字形木杠底座上承寶瓶造型桌心軸與四個茶几托，再搭配墨色厚玻璃搭配使用，結構合宜。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804014001","MainTitle":"精雕日本實木茶几托","Creator":"","CreatedYear":"","Size":"附1件小（61*61*1.2）玻璃（置典藏室四-E區）\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDE0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組四件「精雕日本實木茶几托」之一，造型為模仿西方文藝復興時期之造型，以古典的巴洛克元素設計在四個茶几托之造型，中央部位有車枳鏇木技法製作成寶瓶造型桌心軸，茶几板以墨色厚玻璃搭配使用。\r\n中央部位有車枳鏇木技法製作成寶瓶造型桌心軸，以古典的巴洛克元素應用在四個茶几托造型，利用規則的波浪狀曲線和反曲線的形式賦予動感的理念，顯現出西方藝術的具體風格與特色。透過寶瓶造型桌心軸與四個茶几托造型，再與十字形木杠底座組合，賦予動感的理念，是所有巴洛克藝術最重要的特徵。\r\n在雕刻技法表現上，將寶瓶造型桌腳再雕刻數條直型半圓凹槽。\r\n本件茶几托結構以榫卯製作，寶瓶造型桌心軸與四個茶几托及十字形木杠底座以榫卯結合。\r\n本件「精雕日本實木茶几托」造型穩重，厚重的十字形木杠底座上承寶瓶造型桌心軸與個茶几托，再襯以墨色方形厚玻璃搭配使用，，結構合宜。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804014002","MainTitle":"精雕日本實木茶几托","Creator":"","CreatedYear":"","Size":"附1件小（61*61*1.2）玻璃（置典藏室四-E區）\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDE0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組四件「精雕日本實木茶几托」之二，造型為模仿西方文藝復興時期之造型，以古典的巴洛克元素設計在四個茶几托之造型，中央部位有車枳鏇木技法製作成寶瓶造型桌心軸，茶几板以墨色厚玻璃搭配使用。\r\n中央部位有車枳鏇木技法製作成寶瓶造型桌心軸，以古典的巴洛克元素應用在四個茶几托造型，利用規則的波浪狀曲線和反曲線的形式賦予動感的理念，顯現出西方藝術的具體風格與特色。透過寶瓶造型桌心軸與四個茶几托造型，再與十字形木杠底座組合，賦予動感的理念，是所有巴洛克藝術最重要的特徵。\r\n在雕刻技法表現上，將寶瓶造型桌腳再雕刻數條直型半圓凹槽。\r\n本件茶几托結構以榫卯製作，寶瓶造型桌心軸與四個茶几托及十字形木杠底座以榫卯結合。\r\n本件「精雕日本實木茶几托」造型穩重，厚重的十字形木杠底座上承寶瓶造型桌心軸與四個茶几托，再襯以墨色方形厚玻璃搭配使用，結構合宜。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804014003","MainTitle":"精雕日本實木茶几托","Creator":"","CreatedYear":"","Size":"003～004茶几托共用一件玻璃。大（61*152.5*1.2）置典藏四-E區","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDE0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組四件「精雕日本實木茶几托」之三，造型為模仿西方文藝復興時期之造型，以古典的巴洛克元素設計在四個茶几托之造型，中央部位有車枳鏇木技法製作成寶瓶造型桌心軸，茶几板以長形墨色厚玻璃搭配使用。\r\n中央部位有車枳鏇木技法製作成寶瓶造型桌心軸，以古典的巴洛克元素應用在四個茶几托造型，利用規則的波浪狀曲線和反曲線的形式賦予動感的理念，顯現出西方藝術的具體風格與特色。透過寶瓶造型桌心軸與四個茶几托造型，再與十字形木杠底座組合，賦予動感的理念，是所有巴洛克藝術最重要的特徵。\r\n在雕刻技法表現上，將寶瓶造型桌腳再雕刻數條直型半圓凹槽。\r\n本件茶几托結構以榫卯製作，寶瓶造型桌心軸與四個茶几托及十字形木杠底座以榫卯結合。\r\n本件「精雕日本實木茶几托」造型穩重，厚重的十字形木杠底座上承寶瓶造型桌心軸與四個茶几托，再襯以墨色長形厚玻璃搭配使用，結構合宜。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804014004","MainTitle":"精雕日本實木茶几托","Creator":"","CreatedYear":"","Size":"003～004茶几托共用一件玻璃。大（61*152.5*1.2）置典藏室(四)-E區","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDE0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為一組四件「精雕日本實木茶几托」之四，造型為模仿西方文藝復興時期之造型，以古典的巴洛克元素設計在四個茶几托之造型，中央部位有車枳鏇木技法製作成寶瓶造型桌心軸，茶几板以長形墨色厚玻璃搭配使用。\r\n中央部位有車枳鏇木技法製作成寶瓶造型桌心軸，以古典的巴洛克元素應用在四個茶几托造型，利用規則的波浪狀曲線和反曲線的形式賦予動感的理念，顯現出西方藝術的具體風格與特色。透過寶瓶造型桌心軸與四個茶几托造型，再與十字形木杠底座組合，賦予動感的理念，是所有巴洛克藝術最重要的特徵。\r\n在雕刻技法表現上，將寶瓶造型桌腳再雕刻數條直型半圓凹槽。\r\n本件茶几托結構以榫卯製作，寶瓶造型桌心軸與四個茶几托及十字形木杠底座以榫卯結合。\r\n 本件「精雕日本實木茶几托」造型穩重，厚重的十字形木杠底座上承寶瓶造型桌心軸與四個茶几托，再襯以墨色長形厚玻璃搭配使用，結構合宜。(詮釋委員：王肇楠)\r\n","ImageUrl":""}
,{"Identifier":"200804015","MainTitle":"大型精雕楊柳及八駿馬木屏風","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"八駿圖是傳統文化的圖騰，一般習慣會借八駿奔馳之狀，喻為事業興隆、發展神速，因此「駿業興隆」、「馬到成功」，常被用於事業開業的祝賀表達。\r\n《穆天子傳一》：「天子駿八：赤驥、盜驪、白義、踰輪、山子、渠黃、黃騮、綠耳。」又根據《拾遺記‧穆天子》：「穆王八駿：一名絕地，足不踐土；二名翻羽，行越飛禽；三名奔霄，夜行萬里；四名超影，逐日而行；五名踰輝，毛色炳耀；六名超光，一形十影；七名騰霧，乘雲而奔；八名挾翼，身有肉翅。」(引自施鎮洋‧李榮聰合著《鹿港龍山寺‧天后宮木雕藝術蓋覽》283頁)。\r\n本作品的畫面鋪陳似以清代宮廷畫家郎世寧的「八駿圖」為藍本，至於載體的條件有些落差，這也是作者的巧妙安排。工法以浮雕技法展現，刀痕較為粗獷、簡約，是件早期外銷工藝的風格，可惜作品未留下工藝作者的名號或資料，無法更清楚的說明。值得一提的倒是作品的載體本身，以日前台灣牛樟高價的行情且求得不易千年以上的牛樟材料就值得珍惜它。(詮釋委員：施鎮洋)\r\n","ImageUrl":""}
,{"Identifier":"200804016","MainTitle":"精雕西方三聖","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"西方三聖是指西方極樂世界的三位覺者；教主「阿彌陀佛」他的左脅侍「觀世音菩薩」和右脅侍「大勢至菩薩」。西方三聖又稱「阿彌陀三尊」。\r\n本作品以一級針葉樹材料為載體，框以闊葉樹種材料為之，表象色彩是人工加色。(以上材料判斷是以筆者個人經驗談，未經進一步科學分析)。對聯以浮雕工法表現，主體三聖寶像以貼雕技法呈現，其優勢在於省料又可加快生產速度，有時也可助材料尺寸不夠大解決窘境的辦法之一，是較晚期發展之方式，說它是「貼雕」，有些人還會覺得陌生，其實它的視覺感受即是浮雕技法。\r\n此作品是一件刀工熟練職業水準甚高之宗教工藝。不論是莊嚴的法相、身段、衣褶及下部的蓮花、荷葉、水波等等表現是值得各位看官細細地欣賞。它既是佛教文物，最佳的落腳位置應是佛堂中案桌上的正中央，更能反映出左右對聯「能於眾生施無畏 普使世閒得大明」之真諦。(詮釋委員：施鎮洋\r\n","ImageUrl":""}
,{"Identifier":"200804017","MainTitle":"螺鈿精鑲仕女圖","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「螺鈿精鑲仕女圖」是一幅描述以中國古代園林景色為背景的貴族女性閒適安逸生活情境，計有四組人物，由左而右分別為：書卷閱讀、翩然起舞、弦樂共賞、手捧浣紗，個個神態優雅秀麗、怡然自得。畫面構圖：主題人物與樹、石、花草、涼亭建物及圍欄小橋等，巧妙穿插安排，並列於接近的同一水平軸線上，屬中國唐宋宮廷仕女畫的表現技法之一。\r\n螺鈿鑲嵌技法原本是應用於漆器家具或漆器工藝品，本作品裡的人物衣裳、手持樂器、座具及紅木畫框上的裝飾圖案等，皆採用螺鈿鑲嵌的做法；人物的頭部和手肘部位採用半立體式的象牙雕刻嵌入並加上水墨描繪；庭園景致採用水墨勾勒及著色法，直接在木質平面上以傳統中國繪畫技法揮灑，讓整幅畫饒富生動情趣。為了材料的平整度與穩定性，本作品的底板為耐水夾板，表面採用黃楊木實木薄片膠合，俟整體畫作完成並裝框後，罩上表面的塗裝保護漆。\r\n這是一件寬幅（241.5 x 100.5cm）的美術工藝作品，適合掛在寬敞室內空間的牆面上，有如居家生活空間的大廳或起居室，當避免直接的陽光日照；尤其適合公共場所的等候空間，例如酒店、餐廳、銀行及大樓的接待空間等。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804018","MainTitle":"西遊記老象牙雕刻大筆筒","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\象牙類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"大約七千年前的新石器時代，在中國就有象牙製品在生活中被使用的紀錄，之後逐漸發展到象牙雕刻工藝的裝飾用品、禮器、文玩等，是一項古老的傳統工藝美術。\r\n本作品老象牙雕刻的材料是採用硬度4.5，比非洲象牙（2.5）或亞洲象牙（2.0）高的一萬一千年前就一直冰封在西伯利亞及阿拉斯加凍土層裡，後來被人們挖掘出來的古生代滅絕動物猛獁象的牙。去掉牙皮之後的精選老象牙，質地細密、潔白、溫潤，品質絕對不會輸給非洲象牙或亞洲象牙，而且尺寸大很多，可以讓牙雕創作者能有更大的揮灑空間，在寶石業界素有「藏界白金」美譽，屬有機寶石。\r\n圖中這一件〈西遊記老象牙雕刻大筆筒〉，作者以象牙表面當畫布，使用三角刀刻劃出平面構圖的輪廓線條，填入墨色，然後以中國水墨畫的技法上彩，描述西遊記中動人的情節內容。除了牙雕加上彩繪的工藝、美術呈現之外，本作品稱之為筆筒，顯然適合擺設於案頭使用，當然也夠條件安置於古董架上純欣賞、把玩。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804019","MainTitle":"人面頭像大象牙雕","Creator":"","CreatedYear":"","Size":"001:12.8*22*60.1，象牙:5.8*5.3*44.8，底座：高15.3、徑12.8\r\n002:12.8*20*59.7，象牙：6.3*5.3*44.5，底座：高15.2、徑12.8\r\n","Type":"工藝類\\象牙類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"大約七千年前的新石器時代，在中國就有象牙製品在生活中被使用的紀錄，之後逐漸發展到象牙雕刻工藝的裝飾用品、禮器、文玩等，是一項古老的傳統工藝美術。\r\n本作品老象牙雕刻的材料是採用硬度4.5，比非洲象牙（2.5）或亞洲象牙（2.0）高的一萬一千年前就一直冰封在西伯利亞及阿拉斯加凍土層裡，後來被人們挖掘出來的古生代滅絕動物猛獁象的牙。去掉牙皮之後的精選老象牙，質地細密，潔白、溫潤，品質絕對不會輸給非洲象牙或亞洲象牙，而且尺寸大很多，可以讓牙雕創作者能有更大的揮灑空間，在寶石業界素有「藏界白金」美譽，屬有機寶石。\r\n圖中這一件〈人面頭像大象牙雕〉，作者保留象牙尖端一小段材料的原始樣貌，就接近根部二分之一部位，進行人面頭像的立體雕刻。頭像以非洲美女為描述對象，看起來像是一位酋長的女兒（公主）盛裝打扮，雕工細膩，結構嚴謹，無論從哪一個角度欣賞，都很耐人尋味；誠如牙雕達人吳志偉所言：「用刻刀表達對生命的仰望」。為了作品的穩定度，配上以車床加工的貝殼化石底座；兩件成對的作品，適合擺設於客廳的大型古董架上或起居室空間的邊櫃上適當位置。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804019001","MainTitle":"人面頭像大象牙雕","Creator":"","CreatedYear":"","Size":"象牙：5.8*5.3*44.8 ，底座：高15.3、徑12.8","Type":"工藝類\\象牙類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDE5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"大約七千年前的新石器時代，在中國就有象牙製品在生活中被使用的紀錄，之後逐漸發展到象牙雕刻工藝的裝飾用品、禮器、文玩等，是一項古老的傳統工藝美術。\r\n本作品老象牙雕刻的材料是採用硬度4.5，比非洲象牙（2.5）或亞洲象牙（2.0）高的一萬一千年前就一直冰封在西伯利亞及阿拉斯加凍土層裡，後來被人們挖掘出來的古生代滅絕動物猛獁象的牙。去掉牙皮之後的精選老象牙，質地細密，潔白、溫潤，品質絕對不會輸給非洲象牙或亞洲象牙，而且尺寸大很多，可以讓牙雕創作者能有更大的揮灑空間，在寶石業界素有「藏界白金」美譽，屬有機寶石。\r\n圖中這一件〈人面頭像大象牙雕〉是兩件成對的作品之一，作者保留象牙尖端一小段材料的原始樣貌，就接近根部二分之一部位，進行人面頭像的立體雕刻。頭像以非洲美女為描述對象，看起來有如一位酋長的女兒（公主）盛裝打扮，雕工細膩，結構嚴謹，無論從哪一個角度欣賞，都很耐人尋味；誠如牙雕達人吳志偉所言：「用刻刀表達對生命的仰望」。為了作品的穩定度，配上以車床加工的貝殼化石底座；適合擺設於客廳的大型古董架上或起居室空間的邊櫃上適當位置。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804019002","MainTitle":"人面頭像大象牙雕","Creator":"","CreatedYear":"","Size":"象牙：6.3*5.3*44.5，底座：高15.2、徑12.8","Type":"工藝類\\象牙類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDE5MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"大約七千年前的新石器時代，在中國就有象牙製品在生活中被使用的紀錄，之後逐漸發展到象牙雕刻工藝的裝飾用品、禮器、文玩等，是一項古老的傳統工藝美術。\r\n本作品老象牙雕刻的材料是採用硬度4.5，比非洲象牙（2.5）或亞洲象牙（2.0）高的一萬一千年前就一直冰封在西伯利亞及阿拉斯加凍土層裡，後來被人們挖掘出來的古生代滅絕動物猛獁象的牙。去掉牙皮之後的精選老象牙，質地細密，潔白、溫潤，品質絕對不會輸給非洲象牙或亞洲象牙，而且尺寸大很多，可以讓牙雕創作者能有更大的揮灑空間，在寶石業界素有「藏界白金」美譽，屬有機寶石。\r\n圖中這一件〈人面頭像大象牙雕〉是兩件成對的作品之二，作者保留象牙尖端一小段材料的原始樣貌，就接近根部二分之一部位，進行人面頭像的立體雕刻。頭像以非洲美女為描述對象，看起來有如一位酋長的女兒（公主）盛裝打扮，雕工細膩，結構嚴謹，無論從哪一個角度欣賞，都很耐人尋味；誠如牙雕達人吳志偉所言：「用刻刀表達對生命的仰望」。為了作品的穩定度，配上以車床加工的貝殼化石底座；適合擺設於客廳的大型古董架上或起居室空間的邊櫃上適當位置。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804020","MainTitle":"觀世音菩薩象牙雕刻","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\象牙類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"大約七千年前的新石器時代，在中國就有象牙製品在生活中被使用的紀錄，之後逐漸發展到象牙雕刻工藝的裝飾用品、禮器、文玩等，是一項古老的傳統工藝美術。\r\n本作品老象牙雕刻的材料是採用硬度4.5，比非洲象牙（2.5）或亞洲象牙（2.0）高的一萬一千年前就一直冰封在西伯利亞及阿拉斯加凍土層裡，後來被人們挖掘出來的古生代滅絕動物猛獁象的牙。去掉牙皮之後的精選老象牙，質地細密，潔白、溫潤，品質絕對不會輸給非洲象牙或亞洲象牙，而且尺寸大很多，可以讓牙雕創作者能有更大的揮灑空間，在寶石業界素有「藏界白金」美譽，屬有機寶石。\r\n圖中這一件〈觀世音菩薩象牙雕刻〉，造形簡潔，雕工優異，頭部背後的光環為可拆裝的選擇性附件，應用簡易榫接結合，方便移動時卸下，避免損壞；左手持帶穗的如意形雕刻、右手持仙桃，面部表情慈祥；頭部姿態些微向下，適合擺在高一點的位置觀賞，如客廳的大型古董架上或玄關、起居室空間的高櫃上適當位置；在臺灣經過開光的佛像，通常會供奉在家裡神明廳的「頂棹（長條形高桌）」上頭或佛堂裡的主位。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804021","MainTitle":"鳳梨象牙雕刻","Creator":"","CreatedYear":"","Size":"附台座","Type":"工藝類\\象牙類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"大約七千年前的新石器時代，在中國就有象牙製品在生活中被使用的紀錄，之後逐漸發展到象牙雕刻工藝的裝飾用品、禮器、文玩等，是一項古老的傳統工藝美術。\r\n本作品老象牙雕刻的材料是採用硬度4.5，比非洲象牙（2.5）或亞洲象牙（2.0）高的一萬一千年前就一直冰封在西伯利亞及阿拉斯加凍土層裡，後來被人們挖掘出來的古生代滅絕動物猛獁象的牙。去掉牙皮之後的精選老象牙，質地細密，潔白、溫潤，品質絕對不會輸給非洲象牙或亞洲象牙，而且尺寸大很多，可以讓牙雕創作者能有更大的揮灑空間，在寶石業界素有「藏界白金」美譽，屬有機寶石。\r\n圖中這一件〈鳳梨象牙雕刻〉作品，遠觀之的確栩栩如生，雖然主體的部分是由創作者依象牙材料特性所設計一個個單獨又連續的獨特圖紋表現，乍看之下就像真的鳳梨，尤其是底下那四片自然反摺的鳳梨葉子。從頂上往下看，整體造形還保留有象牙材料稍微扁平狀的原始外形，生動、自然。木車床製作，造形簡潔的座子，施以深顏色的表面塗裝，配上象牙本色的作品，具強烈對比。除了放到古董架上賞玩之外，同樣適合玄關入口處的櫃子上面擺飾，象徵「旺旺來」（取臺灣台語鳳梨的諧音），因此在臺灣一些店家的門口常會瞥見其蹤影。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804022","MainTitle":"如來佛像玉石雕刻","Creator":"","CreatedYear":"","Size":"附台座","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"臺北故宮博物院曾經以「敬天格物」為名，舉辦過大規模的玉器精品特展，具體展現華夏民族敬天法祖的宗教倫理，以及中華古玉最深層的內涵。在中國，大約八千年前人們就已經發現玉石的優點，從作為工具使用而逐漸演變成美術工藝品乃至純藝術表現。玉器普遍被認為具有避邪、帶來好運的作用，應用的範圍涵蓋很廣：生活用品、宮廷禮器、宗教器物、工藝古玩、珠寶首飾及藝術創作等。\r\n誠如古來諺語：「玉不琢不成器」，充分說明一塊不起眼的璞玉，經過優秀匠師用心、費時雕琢之後，可以成為一件令人愛不釋手的作品。用來雕琢用的玉石其硬度大約在6.0 ~ 7.0，製作過程需要選擇硬度更高的石材作為挖鑿工具並和水研磨。由於古代沒有電動工具，必須完全靠手工具和人力來完成，雕工樸拙，更能顯出玉石作品的特質與美感；通常鑑定玉器的價值可以從：年代、用料、做工、造形及圖紋表現等入手。\r\n圖中這一件〈如來佛像玉石雕刻〉法象莊嚴，盤坐於蓮花臺上，造形安排嚴謹；整塊的綠色天然玉石顯現透光性、質佳，運用傳統雕工、可見古玉工法，足稱佳作；配上精緻的紅木雕刻適形臺座，將作品襯托得更臻完美。適合擺在相對較高的位置，例如客廳的大型古董架上或玄關、起居室空間高櫃上適當位置；在臺灣經過開光的佛像，通常會供奉在家裡神明廳的「頂棹（長條形高桌）」上頭或佛堂裡的主位。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804023","MainTitle":"香爐玉石雕刻","Creator":"","CreatedYear":"","Size":"附台座","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"臺北故宮博物院曾經以「敬天格物」為名，舉辦過大規模的玉器精品特展，具體展現華夏民族敬天法祖的宗教倫理，以及中華古玉最深層的內涵。在中國，大約八千年前人們就已經發現玉石的優點，從作為工具使用而逐漸演變成美術工藝品乃至純藝術表現。玉器普遍被認為具有避邪、帶來好運的作用，應用的範圍涵蓋很廣：生活用品、宮廷禮器、宗教器物、工藝古玩、珠寶首飾及藝術創作等。\r\n誠如古來諺語：「玉不琢不成器」，充分說明一塊不起眼的璞玉，經過優秀匠師用心、費時雕琢之後，可以成為一件令人愛不釋手的作品。用來雕琢用的玉石其硬度大約在6.0 ~ 7.0，製作過程需要選擇硬度更高的石材作為挖鑿工具並和水研磨。由於古代沒有電動工具，必須完全靠手工具和人力來完成，雕工樸拙，更能顯出玉石作品的特質與美感；通常鑑定玉器的價值可以從：年代、用料、做工、造形及圖紋表現等入手。\r\n圖中這一件〈香爐玉石雕刻〉形制上以三足鼎立之姿撐起香爐的主體，上蓋的手取紐採具象的獅子造形，雙耳環的吊掛體取象頭及象鼻造形，整體搭配勻稱。綠色天然玉石顯現透光性，雕工精緻可見古玉工法，足稱佳作，配上精緻的黑檀木雕刻適形臺座，將作品襯托得更臻完美。本件收藏珍品適合置於古董架上或起居室高櫃上的擺飾。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804024","MainTitle":"有鳳來儀成對玉器","Creator":"","CreatedYear":"","Size":"001：8*7*21.6、002：8.5*7*21.6","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"臺北故宮博物院曾經以「敬天格物」為名，舉辦過大規模的玉器精品特展，具體展現華夏民族敬天法祖的宗教倫理，以及中華古玉最深層的內涵。在中國，大約八千年前人們就已經發現玉石的優點，從作為工具使用而逐漸演變成美術工藝品乃至純藝術表現。玉器普遍被認為具有避邪、帶來好運的作用，應用的範圍涵蓋很廣：生活用品、宮廷禮器、宗教器物、工藝古玩、珠寶首飾及藝術創作等。\r\n誠如古來諺語：「玉不琢不成器」，充分說明一塊不起眼的璞玉，經過優秀匠師用心、費時雕琢之後，可以成為一件令人愛不釋手的作品。用來雕琢用的玉石其硬度大約在6.0 ~ 7.0，製作過程需要選擇硬度更高的石材作為挖鑿工具並和水研磨。由於古代沒有電動工具，必須完全靠手工具和人力來完成，雕工樸拙，更能顯出玉石作品的特質與美感；通常鑑定玉器的價值可以從：年代、用料、做工、造形及圖紋表現等入手。\r\n圖中作品〈有鳳來儀成對玉器〉有兩隻鳳鳥，一隻頭向左，一隻頭向右。鳳凰屬於雉科鳥類，是美麗的鳥，吉祥的鳥，更是鳥中之王；象徵欣喜、安寧和高貴，比喻為皓潔、美滿的愛情，因此通常會以成雙成對的作品呈現。整塊綠色天然玉石顯現透光性、質佳，雖然局部顯現褐色斑塊，但是都被創作者巧妙安排於適當位置，益增自然美感，在中國古玉的技法上稱之為巧色玉，完全運用傳統雕工、可見古玉工法，是為佳作；配上精緻的硬木雕刻適形臺座，將作品襯托得更臻完美。鳳鳥通常都是棲息在樹上，因此本作品適合擺在相對較高的位置觀賞，例如客廳的大型古董架上或起居室空間的高櫃上適當位置。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804024001","MainTitle":"有鳳來儀成對玉器之一（頭向左、樹幹有褐斑）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDI0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"臺北故宮博物院曾經以「敬天格物」為名，舉辦過大規模的玉器精品特展，具體展現華夏民族敬天法祖的宗教倫理，以及中華古玉最深層的內涵。在中國，大約八千年前人們就已經發現玉石的優點，從作為工具使用而逐漸演變成美術工藝品乃至純藝術表現。玉器普遍被認為具有避邪、帶來好運的作用，應用的範圍涵蓋很廣：生活用品、宮廷禮器、宗教器物、工藝古玩、珠寶首飾及藝術創作等。\r\n誠如古來諺語：「玉不琢不成器」，充分說明一塊不起眼的璞玉，經過優秀匠師用心、費時雕琢之後，可以成為一件令人愛不釋手的作品。用來雕琢用的玉石其硬度大約在6.0 ~ 7.0，製作過程需要選擇硬度更高的石材作為挖鑿工具並和水研磨。由於古代沒有電動工具，必須完全靠手工具和人力來完成，雕工樸拙，更能顯出玉石作品的特質與美感；通常鑑定玉器的價值可以從：年代、用料、做工、造形及圖紋表現等入手。\r\n圖中這件作品是〈有鳳來儀成對玉器〉兩件當中的其中一件，頭朝向左方，樹幹有明顯褐色斑塊。鳳凰屬於雉科鳥類，是美麗的鳥，吉祥的鳥，更是鳥中之王；象徵欣喜、安寧和高貴，比喻為皓潔、美滿的愛情，因此通常會以成雙成對的作品呈現。整塊綠色天然玉石顯現透光性、質佳，雖然局部顯現褐色斑塊，但是都被創作者巧妙安排於適當位置，益增自然美感，在中國工藝史上稱之為「巧色玉」，完全運用傳統雕工、可見古玉工法，是為佳作；配上精緻的硬木雕刻適形臺座，將作品襯托得更臻完美。鳳鳥通常都是棲息在樹上，因此本作品適合擺在相對較高的位置觀賞，例如客廳的大型古董架上或起居室空間的高櫃上適當位置。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804024002","MainTitle":"有鳳來儀成對玉器之二（頭向右、樹幹無褐斑）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDI0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"臺北故宮博物院曾經以「敬天格物」為名，舉辦過大規模的玉器精品特展，具體展現華夏民族敬天法祖的宗教倫理，以及中華古玉最深層的內涵。在中國，大約八千年前人們就已經發現玉石的優點，從作為工具使用而逐漸演變成美術工藝品乃至純藝術表現。玉器普遍被認為具有避邪、帶來好運的作用，應用的範圍涵蓋很廣：生活用品、宮廷禮器、宗教器物、工藝古玩、珠寶首飾及藝術創作等。\r\n誠如古來諺語：「玉不琢不成器」，充分說明一塊不起眼的璞玉，經過優秀匠師用心、費時雕琢之後，可以成為一件令人愛不釋手的作品。用來雕琢用的玉石其硬度大約在6.0 ~ 7.0，製作過程需要選擇硬度更高的石材作為挖鑿工具並和水研磨。由於古代沒有電動工具，必須完全靠手工具和人力來完成，雕工樸拙，更能顯出玉石作品的特質與美感；通常鑑定玉器的價值可以從：年代、用料、做工、造形及圖紋表現等入手。\r\n圖中這件作品是〈有鳳來儀成對玉器〉兩件當中的其中一件，頭朝向右方，樹幹無明顯褐色斑塊。鳳凰屬於雉科鳥類，是美麗的鳥，吉祥的鳥，更是鳥中之王；象徵欣喜、安寧和高貴，比喻為皓潔、美滿的愛情，因此通常會以成雙成對的作品呈現。整塊綠色天然玉石顯現透光性、質佳，雖然局部顯現褐色斑塊，但是都被創作者巧妙安排於適當位置，益增自然美感，在中國工藝史上稱之為「巧色玉」，完全運用傳統雕工、可見古玉工法，是為佳作；配上精緻的硬木雕刻適形臺座，將作品襯托得更臻完美。鳳鳥通常都是棲息在樹上，因此本作品適合擺在相對較高的位置觀賞，例如客廳的大型古董架上或起居室空間的高櫃上適當位置。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804025","MainTitle":"壽山石雕刻煙灰缸","Creator":"","CreatedYear":"","Size":"附台座","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是一件非常講究的小型煙灰缸，外圍直徑10.8公分，以整塊的壽山石雕刻而成，與其真的使用不如擺著欣賞意義更高，例如起居室的咖啡桌上擺飾或陳設於古董櫃裡；成品適合以植物性的陳年白茶油保養。\r\n壽山石是中國四大印石材料之一，非常適合作為印章雕刻，產於福建省福州市北郊的壽山鄉；以「地開石」為主要成份，由於受到母源的岩性和成礦的環境影響以及蝕變作用的差異，得細分為很多種類，顏色千變萬化，材料的硬度大致上約為2.8，質地略軟而帶脂潤，得以鋼刀手工刻劃或雕琢。\r\n本作品的造形設計，除了將梅花枝幹、鳥及擱香煙的承托等題材，巧妙地做出立體空間四方布局的安排之外；包括中央的主題煙灰缸頂面在內，鳥身上的羽毛、梅花的花瓣、香煙承托的凹面及地面等處，都可以看到線條圖紋的刻劃，讓整體作品顯得更有工藝美術古拙的感覺。\r\n如果將本創作視為藝術品，僅供收藏、把玩，那麼搭配傳統家具木工製作的精細黑檀木高檯就有它的存在價值。假如實際擺在起居室的咖啡桌上或傳統會客用的太師椅組高腳茶几上使用，底下的座子就可以省略，讓此「壽山石雕刻煙灰缸」單獨存在，於其下襯托一片適當大小的布料或皮革墊子，這樣就很完美。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804026","MainTitle":"樹幹葡萄攀籐青田石雕刻花插","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"圖中這一件〈樹幹葡萄攀籐青田石雕刻花插〉，以青田石材料而言，屬大型立體雕刻作品，而花插即花器之意；係以整塊的青田石精細雕刻而成，與其真的使用不如擺著欣賞意義更高，例如作為起居室邊櫃上的擺飾或陳設於古董櫃裡；成品適合以植物性的陳年白茶油保養。\r\n本作品從頂部看，略呈三角形；天然青田石主體雕刻的表現非常細膩，有如真實的去皮樹幹；葡萄攀籐的表現亦超乎寫實意象，尤其是以石材雕刻的葡萄葉感覺上比真的葉子還迷人，加上串串晶瑩剔透有如生鮮的葡萄，足見雕刻匠師技藝之高深。\r\n青田石是中國四大印石材料之一，非常適合作為印章雕刻，產於中國浙江省青田縣；以「葉蠟石」為主要成份，有黃、白、青、綠及灰等顏色，石質細膩透明者會有「凍」的感覺，是為上品；材料的硬度約為1.5左右，質地軟而帶脂潤，易於使用鋼刀手工刻劃或雕琢。成品適合以植物性的陳年白茶油保養。\r\n本作品的適形底座雖然是採用樹脂加石粉的材料製作，因為用心的雕塑精神，與上頭的石雕作品形成和諧呼應，顯然不失工藝品的整體價值；作品底座的內容暗含玄機，仔細看有多個隱藏似的豬頭像和豬前蹄。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804027","MainTitle":"石獅青田石雕刻薰香爐","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是一件整體都以青田石大塊材料雕刻而成的有蓋薰香爐，與其真的使用不如擺著欣賞意義更高；適合陳設於古董櫃裡或室內空間的高櫃上頭，部分有宗教信仰者會將此香爐擺在神明廳或佛堂的供桌上作為粉狀焚香（沉香、檀香及肖楠等）使用。\r\n本作品為三足鼎造形，底座連身，上蓋蓋鈕和左右雙耳特大，背面簡略處理，帶有民俗與宗教藝術的感覺。香爐的外觀裝飾取獅子具象動物形態為主題，內部是整個挖空的巧妙設計，香煙裊裊會從上蓋蓋鈕的石獅嘴部開口、獅子前足抱球的簍空部位及蓋身的小花窗穿透孔等處冒出，頗具意境與趣味性；香爐下身腹部正面的雙獅戲球立體狀圖案穿透孔具有特殊功能，是為進氣口，讓薰香可以順利燜燒。\r\n青田石是中國四大印石材料之一，非常適合作為印章雕刻，產於中國浙江省青田縣；以「葉蠟石」為主要成份，有黃、白、青、綠及灰等顏色，石質細膩透明者會有「凍」的感覺，是為上品；材料的硬度約為1.5左右，質地軟而帶脂潤，易於使用鋼刀手工刻劃或雕琢。成品適合以植物性的陳年白茶油保養。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804028","MainTitle":"粉彩花口高足小盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"粉彩花口高足小盤，盤口與盤身呈三瓣花形，腹部微鼓，下接高足，圈足外撇。盤口一圈烤金，盤心以綠色低溫釉上彩為地，填紅、藍、綠等各色琺瑯釉料，盤身飾有花卉，足部飾有水波紋，盤底落有雙方框「大清」紅彩款。\r\n瓷胎畫琺瑯為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，其布局和筆法，都具有傳統的中國畫的特徵，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。\r\n此件瓷胎粉彩花口盤整體色彩鮮豔豐富，為典型清代晚期民間日常生活所使用之加彩瓷器。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200804029","MainTitle":"彩瓷花草紋小罐","Creator":"","CreatedYear":"","Size":"附台座","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件彩瓷花草紋小罐為仿明清彩瓷風格，直口，短頸，圓肩，弧腹，罐身下接有一鏤雕木刻台座。瓷胎先刻劃花裝飾後，以高溫燒成，再施以低溫釉上彩。整體釉色鮮綠，器身飾滿刻劃花卷草紋，腹部飾有低溫釉上彩折枝花草紋樣，枝葉分別使用褐色與綠色描繪，花卉以紅色低溫彩裝飾出漸層效果，在綠底的襯托下，花卉色彩突出醒目。\r\n彩瓷的釉上彩技法在明清時期發展成熟，製作方法為在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，其布局和筆法，都具有傳統的中國畫的特徵。\r\n本件彩瓷花草紋小罐大小僅12公分高，已失去實質裝盛用途，為擺飾功能的陳設用具。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200804030","MainTitle":"薩摩慶田窯櫻花紋彩瓷罐","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"薩摩慶田窯櫻花紋彩瓷罐，撇口，厚唇，短頸，斜肩，鼓腹，斜壁下接圈足，器壁中段呈棱形凸起，整體呈上下兩碗型互扣狀。器面施以象牙白釉，釉層有細緻的龜裂開片，唇部施一圈金漆，器身以釉上彩繪有櫻花與樹幹枝葉，器底落有「薩摩慶田」四字雙行款。\r\n薩摩燒是日本鹿兒島縣燒造陶瓷之總稱，產品基本分為「白薩摩」和「黑薩摩」兩種，「白薩摩」指的是白色釉底上描金或施以赤、綠、黃等各種色澤鮮豔彩繪的產品，多燒製成香爐、花瓶等，「黑薩摩」則施以黑釉，產品多是日常使用的酒器與茶具為主。\r\n本件彩瓷罐為慶田窯燒製，慶田窯約於明治12年(1879)設立，主要燒製象牙白釉的白薩摩產品，是繼承薩摩竪野窯系的傳統。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200804031","MainTitle":"琺瑯彩圓形多層套盒","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本套盒共有四層，盒身呈圓形，直口，直壁，套盒蓋面隆起。整體以淺黃綠色低溫釉上彩為地，填紅、藍、綠等各色琺瑯釉料。套盒蓋面與盒身滿飾纏枝花卉，盒蓋中心嵌入的花形金屬扣環。盒身左右各有兩個紅褐色對稱之獸形繫鈕，盒底落有雙方框六字篆書「大清雍正年製」的礬紅加彩款。\r\n瓷胎畫琺瑯為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，其布局和筆法，都具有傳統的中國畫的特徵，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。\r\n此件瓷胎琺瑯彩套盒工筆畫手法細膩，暈染的漸層效果使整體色彩活潑豐富，為模仿清代官窯彩瓷風格的作品。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200804032","MainTitle":"茶葉末釉沖耳三足爐","Creator":"","CreatedYear":"","Size":"附台座","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"茶葉末釉沖耳三足爐為仿周時期青銅鬲式鼎，兩邊對稱豎耳，口微撇，束頸，鼓腹下接三足，配有木雕薰爐蓋與木雕台座，蓋上有一紅色玉石蓋鈕。三足爐整體線條簡潔雅致，沉穩厚重，爐身素面無紋，器底落有「大清乾隆年製」六字三行款，除足尖部露胎外，通體施茶葉末釉，釉面色澤溫潤。\r\n茶葉末釉是中國傳統高溫釉種類之一，以氧化鐵為金屬發色劑，經還原氣氛燒製而成，釉面透明度低，釉色黃、綠摻雜，在黃褐色的底色中散布許多微小的綠色斑點，頗似茶葉細末，故名茶葉末釉。\r\n沖耳爐，寓意良善，有敬天法祖之意，常見於書齋清供、神案祭祀等重要的殿堂中，此件三足沖耳爐為焚香之用的香具用品。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200804033","MainTitle":"九谷燒香爐","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"日本九州的有田地區，於西元十六世紀發展出各具特色的「伊萬里燒」、「鍋島燒」及「九谷燒」等不同風格的彩繪陶瓷器。其中「九谷燒」的特徵為：濃重色彩運用、獨特的構圖風格與繪畫技巧及底部的銘款等。\r\n圖中這一件薰香用的小型香爐（高度只有八公分，直徑七點二公分），是「九谷燒」晚期的特色產品之一，與日本的「備前燒」、「清水燒」齊名。陶器表面的上釉，以紅色釉料滿塗為背景，然後搭配金箔裝飾或以金水釉藥描繪圖紋，這樣的作法在日本稱為「金襴手」，也可以稱為「九谷燒金襴手」。混有熟料的陶土素坯，上滿紅色釉藥，以820℃ 燒成的陶器效果，此階段性產品稱為「赤燒」；之後加上去的金色釉藥部分，必須第二次入窯燒烤，以低於本燒的溫度將金色釉藥定著，才算大功告成。因為大量生產的關係，金色圖紋的部分採用多種上釉技巧，分別為：簍空型紙貼付後刷塗、線條單獨模樣部分採特製橡膠章沾著釉藥蓋印及局部手工描繪等。\r\n本香爐的形制與色彩特殊，帶有濃厚民藝品及宗教味道，通常會在日本國內的家庭祭祀場合、寺廟或特殊空間使用；此外國內、外的收藏家也會對此獨具特色的產品感到興趣。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804034","MainTitle":"粉彩嬰戲紋圓盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件粉彩嬰戲紋圓盤，敞口，弧腹下收，圈足，白地瓷胎，以琺瑯彩技法作為裝飾，盤心以細膩的工筆畫描繪出嬰戲人物紋樣，盤口內壁飾有一圈雲形裝飾帶，外壁飾有青花纏枝寶相花紋飾，盤底落有雙方框六字雙行篆書「大清乾隆年製」的礬紅加彩款。本件圓盤琺瑯彩暈染的漸層效果使整體色彩豐富，嬰戲人物活潑生動。\r\n瓷胎畫琺瑯為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，其布局和筆法，都具有傳統的中國畫的特徵，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200804035","MainTitle":"雕荷花琺瑯碗","Creator":"","CreatedYear":"","Size":"附台座","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"雕荷花琺瑯碗，約莫一般日用碗形大小，作為觀賞用的擺件，顯得小巧迷人，玲瓏有緻。碗形邊緣呈現十二瓣淺波浪狀的荷葉邊，偶數對仗，排列工整，具秩序感。碗內與碗外分別以掐絲琺瑯繪製荷花圖案，粉紅與水藍的花朵相互輝映，在綠色葉瓣的陪襯下，宛若出水芙蓉般更顯嬌嫩。顏色的對比清晰調和、主從有序。填入黑色釉彩的背景以金屬掐絲環繞的小雲紋取代水波紋，櫛比鱗次的排列，佈滿整個背景，顯露出具現代感的視覺圖案效果。花瓣顏色以粉紅與水藍調入銅白作出漸層暈染，於非掐絲圈圍處亦填入白色，讓花朵的形象突破線條框架，更顯寫意。另在碗外的構圖中安插了一株寫意山茶花，有新年新氣象的寓意。整體而言，線條流暢，樸實天真，顯露出乾淨、清麗、可愛、雅致的感受。(詮釋委員：康立穎)","ImageUrl":""}
,{"Identifier":"200804036","MainTitle":"簡筆彩繪陶瓶","Creator":"JENLHIWU","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"原資料記：「日本名陶家Jenkhiwu製人面紋陶瓶」\r\n本件陶瓶為現代日本藝術創作風格，直口，圓唇，短頸，豐肩圓潤往下收窄，歛腹下接平底微凹。整體以橘褐色釉為底，施以黑、白、赤、綠等彩釉線條，底部無施釉，落有「JENLHIWU」與「97」的字銘。\r\n陶瓶的胎體中夾帶較大的顆粒，釉面也有許多未燒結完全玻化的褐色斑點，橘褐色為底的釉層各處顏色濃淡不均勻，綠色、白色的圓滑曲線自由飄逸分布在器身上，再部分繪上紅色釉彩點綴，筆畫大膽豪放，色彩豐富，其融合了現代創作與日本傳統陶瓷器在釉色與胎體上呈現的樸質野趣，帶有濃厚的日本陶瓷風格，為別具特色的陳設用具。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200804037","MainTitle":"結晶釉花瓶","Creator":"","CreatedYear":"","Size":"附台座","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"結晶釉花瓶，特徵為盤口，束頸，圓肩，弧腹向下漸收，底部配有木座。整體玻璃光澤強，器身上部釉色粉紅，向下漸層乳白色，花形的結晶釉不規則分布在器身上。\r\n結晶釉的產生是由於燒製的過程中，釉內含有足量的結晶性物質，經熔融後處於飽和狀態，而在冷卻的過程中形成結晶，例如宋代茶盞上的兔毫、油滴等都是結晶釉的種類之一。而此件作品是高溫燒製後，利用緩慢冷卻的手法，使釉中飽和的矽酸锌產生結晶體，形成各式晶花分布，例如有三角形的結晶，花形結晶、針狀結晶等。另外亦可在基礎釉料中加入鐵、銅、錳、鈷等金屬發色劑，在相應的燒成條件下，釉面就會呈現出不同色澤。\r\n臺灣鶯歌燒製結晶釉作品，始於民國七十年代，其中當屬結晶花開的大而完整的「鋅結晶」最具特色。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200804038","MainTitle":"結晶釉葫蘆擺件","Creator":"","CreatedYear":"","Size":"附台座","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"結晶釉葫蘆擺件，整體為葫蘆之造型，頂部帶蒂，底部配有木座。整體玻璃光澤強，器身上部釉色褐黃，向下漸層趨於淡黃白色，花形的結晶釉主要分布在器身下半部。\r\n結晶釉的產生是由於燒製的過程中，釉內含有足量的結晶性物質，經熔融後處於飽和狀態，而在冷卻的過程中形成結晶，例如宋代茶盞上的兔毫、油滴等都是結晶釉的種類之一。而此件作品是高溫燒製後，利用緩慢冷卻的手法，使釉中飽和的矽酸锌產生結晶體，形成各式晶花分布，例如有三角形的結晶，花形結晶、針狀結晶等。另外亦可在基礎釉料中加入鐵、銅、錳、鈷等金屬發色劑，在相應的燒成條件下，釉面就會呈現出不同色澤。\r\n臺灣鶯歌的結晶釉瓷器製作，始於民國七十年代，其中以結晶生成的大而完整的「鋅結晶」釉色最具特色。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200804039","MainTitle":"孔雀綠釉雙獅紋細頸瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件孔雀綠釉雙獅紋細頸瓶，特徵為侈口，束頸，頸部細長，鼓腹，圈足。瓷胎先刻劃花裝飾後高溫燒成，再施以孔雀綠釉，入窯二次低溫燒製。釉色呈現鮮豔的藍色，器身飾滿刻劃花紋飾，口部連接頸部處有一圈回紋紋飾帶，頸肩上飾有焦葉紋，腹部刻劃有左右相對的獅紋，雙獅做回首之姿，毛髮線條滑順，於末端向內捲曲，兩獅之間刻劃有一纏枝牡丹紋，器肩上左右相對，各有一獸首貼花。整體刻劃花紋樣流暢靈巧，雙獅描繪細緻。\r\n孔雀綠釉因顏色似孔雀之尾羽般青翠而得名，呈現非常鮮豔的藍色，此類釉色在宋代即有燒製，至明清時期孔雀綠釉燒製工藝尤為成熟，產品日益豐富。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200804040","MainTitle":"銅紅釉觀音瓶","Creator":"","CreatedYear":"","Size":"高60*直徑26","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"銅紅釉觀音瓶兩件一組，撇口外敞，束頸，溜肩，歛腹，足部外撇，下接鏤雕雲紋木刻台座。\r\n器身素面無紋飾，瓷釉以氧化銅作為金屬發色劑，在高溫還原氣氛下燒製而成，由於氧化銅被還原成為銅離子，因而呈現鮮豔的紅色。古代銅紅釉燒成技術相當困難，不僅必須掌握釉料裡金屬發色劑的比例，還須嚴格控制窯爐裡的燒成氣氛，若是在氧化焰中燒成，銅紅釉則會呈現綠色。\r\n明清時期，銅紅釉的燒製始於官窯，明朝永樂、宣德期間，官窯成功穩定燒製純色鮮紅的祭紅瓷，至清代康熙更發展出鮮豔明亮的「郎窯紅」，是中國製瓷技術高度的表現。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200804040001","MainTitle":"銅紅釉觀音瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQwMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"銅紅釉觀音瓶兩件一組，此件為其一，撇口外敞，束頸，溜肩，歛腹，足部外撇，下接鏤雕雲紋木刻台座。\r\n器身素面無紋飾，瓷釉以氧化銅作為金屬發色劑，在高溫還原氣氛下燒製而成，由於氧化銅被還原成為銅離子，因而呈現鮮豔的紅色。古代銅紅釉燒成技術相當困難，不僅必須掌握釉料裡金屬發色劑的比例，還須嚴格控制窯爐裡的燒成氣氛，若是在氧化焰中燒成，銅紅釉則會呈現綠色。\r\n明清時期，銅紅釉的燒製始於官窯，明朝永樂、宣德期間，官窯成功穩定燒製純色鮮紅的祭紅瓷，至清代康熙更發展出鮮豔明亮的「郎窯紅」，是中國製瓷技術高度的表現。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200804040002","MainTitle":"銅紅釉觀音瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQwMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"銅紅釉觀音瓶兩件一組，此件為其二，撇口外敞，束頸，溜肩，歛腹，足部外撇，下接鏤雕雲紋木刻台座。\r\n器身素面無紋飾，瓷釉以氧化銅作為金屬發色劑，在高溫還原氣氛下燒製而成，由於氧化銅被還原成為銅離子，因而呈現鮮豔的紅色。古代銅紅釉燒成技術相當困難，不僅必須掌握釉料裡金屬發色劑的比例，還須嚴格控制窯爐裡的燒成氣氛，若是在氧化焰中燒成，銅紅釉則會呈現綠色。\r\n明清時期，銅紅釉的燒製始於官窯，明朝永樂、宣德期間，官窯成功穩定燒製純色鮮紅的祭紅瓷，至清代康熙更發展出鮮豔明亮的「郎窯紅」，是中國製瓷技術高度的表現。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200804041","MainTitle":"銅紅釉長頸瓶","Creator":"","CreatedYear":"","Size":"附台座","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"銅紅釉長頸瓶撇口外敞，長頸，溜肩，弧腹下收圈足，瓶身下接鏤雕木刻台座。整體小巧玲瓏，素面無紋飾，底足內署楷書「大清康熙年製」青花六字三行款，款文無圈線。\r\n瓷釉以氧化銅作為金屬發色劑，在高溫還原氣氛下燒製而成，由於氧化銅被還原成為銅離子，因而呈現鮮豔的紅色。此件長頸瓶整體釉色含有深淺不勻的斑點，口沿有因燒製時氧化還原程度不同而形成的綠色苔點，器下部則有不規則分布的黑釉焦泡。\r\n古代銅紅釉燒成技術相當困難，不僅必須掌握釉料裡銅發色劑的比例，還須嚴格控制窯爐裡的燒成氣氛，明清時期，銅紅釉的燒製都是由官窯進行作業，至清代康熙時期，更發展出呈色多變的「豇豆紅」，是中國製瓷技術高度的表現。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200804042","MainTitle":"描金彩繪豆形瓷盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"描金彩繪豆形瓷盤，花口，深腹，高足，由上至下俯覽盤口為弧狀的四方形。盤身以白色為底，唇部施黑釉，黑釉內摻雜金絲，盤內口沿處有一圈紅色為底的裝飾帶，帶內為描金雲紋。白底處描金紋樣內填低溫琺瑯彩釉料，蓮花為主要題材，輔以綠色纏枝花葉。盤身外壁描金折枝蓮花與蓮葉，內填紅、藍、綠等釉料，並運用暈染的漸層手法，色彩豐富。高足黑釉為底混合金絲，底部有一圈紅釉底三角紋裝飾帶，外圍為黑底描金雲紋裝飾帶，呈現仿漆器的質感。\r\n\r\n琺瑯彩為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展至此頂峰時期的產物，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，其布局和筆法，都具有傳統的中國畫的特徵。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200804043","MainTitle":"精雕雙鶴銅瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"山頂白雪，山嵐飄渺，雲氣裊裊升起，雙鶴比翼飛行。傳說中的仙鶴即丹頂鶴，性情高雅，身形美麗，在傳統的東方文化中佔有重要地位，與仙道和人的精神品格密切相關，常和挺拔蒼勁的古松一起入畫，象徵延年益壽；又因其雌雄相隨，步行規矩，情篤而不淫，具有很高的德性想像，故古人常以之比喻具有高尚品格的賢能之士。此作以日本傳統合金工法，藉由不同合金比例的金屬，施以鏨刻、鑲嵌貼合與焊接技法構成淺浮雕之圖紋，並經染色工序形成不同色調之金屬紋理與光澤。體裁、風格與技法承襲自東洋文化，圖紋線條細膩，形體寫實傳神，色調漸次融合具有溫度感。觀之畫面，彷彿可聽見鶴鳴之聲迴盪山谷，堪稱巧工之作。(詮釋委員：康立穎)","ImageUrl":""}
,{"Identifier":"200804044","MainTitle":"木雕關公","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本件立體木雕，以「關公帶騎」為主題造型設計，表達「關公與赤兔馬」的故事及精神。\r\n 在《三國演義》中，「關公與赤兔馬」都具有很高的形象表現。小説上描述，赤兔馬最早為西涼刺史董卓的坐騎，後被董卓用來收買人中豪傑武藝高強的呂布，有「人中呂布，馬中赤兔」的美稱；呂布死後，赤兔馬被曹操賞賜關羽，關公成仁後，赤兔馬思念舊主，絕食而亡。\r\n 赤兔馬號稱日行千里，雄偉超邁。關公武功蓋世，義薄雲天。赤兔馬伴隨著「忠勇仁義」的關公精神，被賦予「威猛忠貞」的寶駒形象。二者相輔相成，相得益彰。\r\n 本件「關公帶騎」，造型、刀法、神韻，皆頗具水準，是件佳作。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200804045","MainTitle":"松葉漆盤組","Creator":"","CreatedYear":"","Size":"18.2*17.9*1.2","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是台灣銷售歐美所製作的商品，有別於銷售日本的碗、瓶、盒…等立體造型食用器具，這是屬於平面木工的量產方式。\r\n在木托盤凹面上，上完底漆後施以表面金漆、木托盤突凸起的四個邊角面上用滾筒快速滾上黑色的漆。金色漆表面用約60度左右的烙印燒印出植物紋圖案，由所有的圖案分布的位置及數量皆相同的呈現可以得知，這是大量重複製作的商品。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"200804045001","MainTitle":"松葉漆盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQ1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是台灣銷售歐美所製作的商品，有別於銷售日本的碗、瓶、盒…等立體造型食用器具，這是屬於平面木工的量產方式。\r\n在木托盤凹面上，上完底漆後施以表面金漆、木托盤突凸起的四個邊角面上用滾筒快速滾上黑色的漆。金色漆表面用約60度左右的烙印燒印出植物紋圖案，由所有的圖案分布的位置及數量皆相同的呈現可以得知，這是大量重複製作的商品。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"200804045002","MainTitle":"松葉漆盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQ1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是台灣銷售歐美所製作的商品，有別於銷售日本的碗、瓶、盒…等立體造型食用器具，這是屬於平面木工的量產方式。\r\n在木托盤凹面上，上完底漆後施以表面金漆、木托盤突凸起的四個邊角面上用滾筒快速滾上黑色的漆。金色漆表面用約60度左右的烙印燒印出植物紋圖案，由所有的圖案分布的位置及數量皆相同的呈現可以得知，這是大量重複製作的商品。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"200804045003","MainTitle":"松葉漆盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQ1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是台灣銷售歐美所製作的商品，有別於銷售日本的碗、瓶、盒…等立體造型食用器具，這是屬於平面木工的量產方式。\r\n在木托盤凹面上，上完底漆後施以表面金漆、木托盤突凸起的四個邊角面上用滾筒快速滾上黑色的漆。金色漆表面用約60度左右的烙印燒印出植物紋圖案，由所有的圖案分布的位置及數量皆相同的呈現可以得知，這是大量重複製作的商品。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"200804045004","MainTitle":"松葉漆盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQ1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是台灣銷售歐美所製作的商品，有別於銷售日本的碗、瓶、盒…等立體造型食用器具，這是屬於平面木工的量產方式。\r\n在木托盤凹面上，上完底漆後施以表面金漆、木托盤突凸起的四個邊角面上用滾筒快速滾上黑色的漆。金色漆表面用約60度左右的烙印燒印出植物紋圖案，由所有的圖案分布的位置及數量皆相同的呈現可以得知，這是大量重複製作的商品。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"200804045005","MainTitle":"松葉漆盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQ1MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是台灣銷售歐美所製作的商品，有別於銷售日本的碗、瓶、盒…等立體造型食用器具，這是屬於平面木工的量產方式。\r\n在木托盤凹面上，上完底漆後施以表面金漆、木托盤突凸起的四個邊角面上用滾筒快速滾上黑色的漆。金色漆表面用約60度左右的烙印燒印出植物紋圖案，由所有的圖案分布的位置及數量皆相同的呈現可以得知，這是大量重複製作的商品。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"200804046","MainTitle":"日本漆筷5雙","Creator":"","CreatedYear":"","Size":"001黑、002紅、003淺綠、004深綠、005紫：22.6*1.7*1","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"桐木盒外盒中，內含5雙筷子的禮盒。上方設計有日本櫻花、菊、竹…等類似「友禪」紙或是「和服」布料的日本和風傳統圖案。\r\n通體製作搭配的色彩筷組，有助於家族共用時，家庭成員個人筷使用時候的專屬辯識，同時在下半段接觸食物處作了顆粒質感，有加強夾食物時防滑落的功能考量設計。\r\n有專屬桐木盒包裝，做為每日使用的生活道具，適合送禮新婚友人致意。除了結婚祝賀，也適合作為各種紀念日的餽贈禮物。\r\n像這樣全體塗上塗料的筷子，勢必日後會被相較於環保意識的提高，也越來越多用竹、鐵刀木、不鏽鋼來取代一次性拋棄式筷子的使用習慣，來維護實用的安全性。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"200804046001","MainTitle":"日本漆筷5雙-紫","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQ2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是外用桐木盒包裝，內含5雙筷子中的其中一雙紫色的筷子。\r\n上方設計有類似有日本花、枝、草、葉、等類似「友禪」紙，或是「和服」布料的日本和風傳統圖案。\r\n通體製作成紫色的筷子，有助於家族共用時，家庭成員個人筷使用時候的專屬辯識，同時在下半段接觸食物處作了顆粒質感，有加強夾食物時防滑落的功能考量設計。\r\n有專屬桐木盒包裝，做為每日使用的生活道具，適合送禮新婚友人致意。除了結婚祝賀，也適合作為各種紀念日的餽贈禮物。\r\n像這樣全體塗上塗料的筷子，勢必日後會被相較於環保意識的提高，也越來越多用竹、鐵刀木、不鏽鋼來取代一次性拋棄式筷子的使用習慣，來維護實用的安全性。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"200804046002","MainTitle":"日本漆筷5雙-深綠","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQ2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是外用桐木盒包裝，內含5雙筷子中的其中一雙綠色的筷子。\r\n上方設計有類似有日本楓葉、菊花、河流等類似「友禪」紙，或是「和服」布料的日本和風傳統圖案。\r\n通體製作成綠色的筷子，有助於家族共用時，家庭成員個人筷使用時候的專屬辯識，同時在下半段接觸食物處作了顆粒質感，有加強夾食物時防滑落的功能考量設計。\r\n有專屬桐木盒包裝，做為每日使用的生活道具，適合送禮新婚友人致意。除了結婚祝賀，也適合作為各種紀念日的餽贈禮物。\r\n像這樣全體塗上塗料的筷子，勢必日後會被相較於環保意識的提高，也越來越多用竹、鐵刀木、不鏽鋼來取代一次性拋棄式筷子的使用習慣，來維護實用的安全性。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"200804046003","MainTitle":"日本漆筷5雙-淺綠","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQ2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是外用桐木盒包裝，內含5雙筷子中的其中一雙芥茉色的筷子。\r\n上方設計有類似有日本櫻花、桃花…等類似「友禪」紙，或是「和服」布料的日本和風傳統圖案。\r\n通體製作成芥茉色的筷子，有助於家族共用時，家庭成員個人筷使用時候的專屬辯識，同時在下半段接觸食物處作了顆粒質感，有加強夾食物時防滑落的功能考量設計。\r\n有專屬桐木盒包裝，做為每日使用的生活道具，適合送禮新婚友人致意。除了結婚祝賀，也適合作為各種紀念日的餽贈禮物。\r\n像這樣全體塗上塗料的筷子，勢必日後會被相較於環保意識的提高，也越來越多用竹、鐵刀木、不鏽鋼來取代一次性拋棄式筷子的使用習慣，來維護實用的安全性。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"200804046004","MainTitle":"日本漆筷5雙-紅","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQ2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是外用桐木盒包裝，內含5雙筷子中的其中一雙紅色的筷子。\r\n上方設計有類似「友禪」紙，或是「和服」布料的日本和風傳統圖案。\r\n通體製作成紅色的筷子，有助於家族共用時，家庭成員個人筷使用時候的專屬辯識，同時在下半段接觸食物處作了顆粒質感，有加強夾食物時防滑落的功能考量設計。\r\n有專屬桐木盒包裝，做為每日使用的生活道具，適合送禮新婚友人致意。除了結婚祝賀，也適合作為各種紀念日的餽贈禮物。\r\n像這樣全體塗上塗料的筷子，勢必日後會被相較於環保意識的提高，也越來越多用竹、鐵刀木、不鏽鋼來取代一次性拋棄式筷子的使用習慣，來維護實用的安全性。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"200804046005","MainTitle":"日本漆筷5雙-黑","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQ2MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是外用桐木盒包裝，內含5雙筷子中的其中一雙黑色的筷子。\r\n上方設計有日本竹葉類似「友禪」紙，或是「和服」布料的日本和風傳統圖案。\r\n通體製作成黑色的筷子，有助於家族共用時，家庭成員個人筷使用時候的專屬辯識，同時在下半段接觸食物處作了顆粒質感，有加強夾食物時防滑落的功能考量設計。\r\n有專屬桐木盒包裝，做為每日使用的生活道具，適合送禮新婚友人致意。除了結婚祝賀，也適合作為各種紀念日的餽贈禮物。\r\n像這樣全體塗上塗料的筷子，勢必日後會被相較於環保意識的提高，也越來越多用竹、鐵刀木、不鏽鋼來取代一次性拋棄式筷子的使用習慣，來維護實用的安全性。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"200804047","MainTitle":"雕人物山水漆瓶","Creator":"","CreatedYear":"","Size":"瓶身23*23cm(高*徑)、附底座4*10.5cm(高*徑)2件","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這對銅胎花瓶造型是運用銅的延展，可塑性製成，將玻璃質粉末在金屬胎體表面形成保護膜，以藍色不透明琺瑯為內裡，用於保護且有裝飾的功能。\r\n花瓶外觀以「剔紅」的方式來詮釋「雕漆」的工藝技法。漆逐層塗積，塗一層，蔭乾後再塗一層。塗層少者幾十層，多者三五百層。然後以刀代筆，按照設計畫稿，雕刻出山水、花卉、人物等浮雕的紋樣。\r\n雕漆的工藝過程十分複雜，雕刻的刀法主要有平雕、浮雕、鏤雕、立體圓雕等。如此細緻、複雜的雕刻，一般需要半年乃至一年多的時間，要經過製胎、燒藍、作底、上漆、雕刻、磨光等十幾道工序，各工序技藝要求也都很高，所以是結合金屬工藝、 漆工藝及雕刻工藝集一身的精彩作品。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"200804047001","MainTitle":"雕人物山水漆瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQ3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這對銅胎花瓶造型是運用銅的延展，可塑性製成，將玻璃質粉末在金屬胎體表面形成保護膜，以藍色不透明琺瑯為內裡，用於保護且有裝飾的功能。\r\n花瓶外觀以「剔紅」的方式來詮釋「雕漆」的工藝技法。漆逐層塗積，塗一層，蔭乾後再塗一層。塗層少者幾十層，多者三五百層。然後以刀代筆，按照設計畫稿，雕刻出山水、花卉、人物等浮雕的紋樣。\r\n雕漆的工藝過程十分複雜，雕刻的刀法主要有平雕、浮雕、鏤雕、立體圓雕等。如此細緻、複雜的雕刻，一般需要半年乃至一年多的時間，要經過製胎、燒藍、作底、上漆、雕刻、磨光等十幾道工序，各工序技藝要求也都很高，所以是結合金屬工藝、 漆工藝及雕刻工藝集一身的精彩作品。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"200804047002","MainTitle":"雕人物山水漆瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQ3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這對銅胎花瓶造型是運用銅的延展，可塑性製成，將玻璃質粉末在金屬胎體表面形成保護膜，以藍色不透明琺瑯為內裡，用於保護且有裝飾的功能。\r\n花瓶外觀以「剔紅」的方式來詮釋「雕漆」的工藝技法。漆逐層塗積，塗一層，蔭乾後再塗一層。塗層少者幾十層，多者三五百層。然後以刀代筆，按照設計畫稿，雕刻出山水、花卉、人物等浮雕的紋樣。\r\n雕漆的工藝過程十分複雜，雕刻的刀法主要有平雕、浮雕、鏤雕、立體圓雕等。如此細緻、複雜的雕刻，一般需要半年乃至一年多的時間，要經過製胎、燒藍、作底、上漆、雕刻、磨光等十幾道工序，各工序技藝要求也都很高，所以是結合金屬工藝、 漆工藝及雕刻工藝集一身的精彩作品。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"200804048","MainTitle":"琉球漆器龍紋圓盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"將漆、桐油、立德粉槌拌調打成漆料黏性土，將此含漆成份的黏性土碾平，在漆料黏土未乾時用工具塑成浮雕式龍的圖案，再逐次精雕細琢，作出龍身上的鱗片，此時圖案便高於漆面且富有立體感，在形成高起的圖案上，再貼上金銀箔，便呈現出立體且有華麗感的浮雕效果。\r\n由於特殊而略帶繁瑣的製作工藝，堆錦藝術品顯出精細、生動、立體的藝術特色，同時色彩絢麗、紋理細膩，被稱為絲質的軟浮雕藝術。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"200804049","MainTitle":"雕猴琉璃工房","Creator":"琉璃工房","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"玻璃成型技法多樣，技巧更是複什，要如何將作品表現出更佳的一面，必要了解更多材質的應用與製做方式。\r\n此件作品應用玻璃的「精密脫蠟鑄造(亦稱單模製造)」技法製作完成。透過作者的雕塑功力，將母猴與小猴間的親情關愛表露無遺。顏色使用茶綠色，以霧狀處理表現，使得整體作品貴而不俗，可為收藏之作。(詮釋委員：黃安福)","ImageUrl":""}
,{"Identifier":"200804050","MainTitle":"七彩琉璃花瓶","Creator":"","CreatedYear":"","Size":"高22*直徑15","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"玻璃手工吹製成型，在玻璃工藝品業佔著極為重要的地位。它變化多端，用色多樣複什，常常是玻璃匠師們喜愛的製作方式。\r\n本作品透過內襯的顏色，外層包裹透明的水晶玻璃，反射出誘人的色彩，在自然光和人造光的照映下，變幻瑰麗多樣的色澤。為20世紀初葉，相當盛產流行之商品。(詮釋委員：黃安福)","ImageUrl":""}
,{"Identifier":"200804050001","MainTitle":"七彩琉璃花瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDUwMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"玻璃有數種成型方法，徒手模型吹製、機械鋼模吹製、機械壓模、徒手吹製等工法。其中，玻璃手工吹製成型，在玻璃工藝品業佔著極為重要的地位。它變化多端，用色多樣複什，常常是玻璃匠師們喜愛的製作方式。\r\n本件作品就是典型的型體模具及半徒手吹製完成的作品之一。其所呈現的特質，就是具現代感、有穿透性、色彩繽紛豐富。以燈光輔助，在自然光和人造光的照映下，變幻瑰麗多樣的色澤，增加其可觀賞性。本作品可量化生產，亦屬當時工作者的一種創作表現和嘗試之作。(詮釋委員：黃安福)","ImageUrl":""}
,{"Identifier":"200804050002","MainTitle":"七彩琉璃花瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDUwMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"玻璃有數種成型方法，徒手模型吹製、機械鋼模吹製、機械壓模、徒手吹製等工法。其中，玻璃手工吹製成型，在玻璃工藝品業佔著極為重要的地位。它變化多端，用色多樣複什，常常是玻璃匠師們喜愛的製作方式。\r\n本件與200804050001，同屬性近乎100%，可見是同時間完成之作品。以此判斷，應屬同樣工法、同作者(團隊)，更可以確定其特色，是可多量多樣生產的商品。一般花器樣式精簡、色彩簡易樸素，本作品所呈現的特質，就是具現代感、有穿透性、色彩繽紛豐富。以燈光輔助，在自然光和人造光的照映下，變幻瑰麗多樣的色澤，更增添其可觀賞性，可用於生活上插花之器也！(詮釋委員：黃安福)","ImageUrl":""}
,{"Identifier":"200804051","MainTitle":"七彩琉璃圓盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"玻璃手工吹製成型，在玻璃工藝品業佔著極為重要的地位。它變化多端，用色多樣複什，常常是玻璃匠師們喜愛的製作方式。\r\n平盤器物，一般都用以承裝食物。另一種使用方法最為常見的是「花藝流派」專用，如日本、中國、台灣，在花藝的二度表現上是最為慣用之器皿。本作品色彩多元，透過內襯的顏色，外層包裹透明的水晶玻璃，反射出誘人的色彩，在燈光輔助下，變幻瑰麗多樣的色澤，其本身就是一種觀賞性極佳的(單獨就可以觀賞)裝飾作品，不失為一特色也！(詮釋委員：黃安福)","ImageUrl":""}
,{"Identifier":"200804052","MainTitle":"七彩琉璃煙灰缸","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件作品為紅色加金箔線條，開口處以「徒手吹製」成型，是一般烟缸形式。透過內襯的顏色，外層包裹透明的水晶玻璃，反射出誘人的色彩，在自然光與人造光的照映下，變幻瑰麗多樣的色澤。\r\n玻璃手工吹製成型，在玻璃工藝品業佔著極為重要的地位。它變化多端，用色多樣複什，常常是玻璃匠師們喜愛的製作方式。\r\n所謂百變金鋼其材(玻璃就是唯一代表)，其型體由創作者以一扭、一彎、一曲線的走向製作，加上一點創作巧思，其功能與使用方法，即可出現不同的效果和可看性。(詮釋委員：黃安福)","ImageUrl":""}
,{"Identifier":"200804053","MainTitle":"七彩琉璃雙耳瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件作品為鎘紅霧狀雙耳花器，以「徒手吹製」成型，為商業化大量生產之產品。造型上和200804050、200804051等作品有所不同，一般會做為供奉神明插花之器使用。其色彩亦屬不同化學色系(不易退色)，但此作品色彩，鮮黃稍嫌不足，因此有一點濁氣，使之失色不少。(詮釋委員：黃安福)","ImageUrl":""}
,{"Identifier":"200804054","MainTitle":"噴金沙雕七彩花紅琉璃花瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件作品為酒紅色加金箔花器，以「徒手模型吹製」成型，是大量化生產產品。\r\n彩色玻璃的製作，基本上是加入各種金屬氧化物以熔之，亦即屬於金屬氧化物的發色作用。而紅色的呈現，有許多元素，包括金屬系、化學系、氣體和天然礦物質等。其中，以「黃金紅」最為名貴，但成本太高。因此，出現以純黃金做為發色紅的元素，一般都是世界一流名家、或是客製化委託、或博物館典藏的驚世之作。(詮釋委員：黃安福)","ImageUrl":""}
,{"Identifier":"200804055","MainTitle":"雕花綠琉璃花瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件作品是以長筒竹節(節理)的植物，作為創作元素。此乃竹子造型加上一些流動、透明的外衣花漾，使其產生一種凹凸有致的特殊視覺效果，才不會使本作品顯得過於樸素、精簡，失去玻璃應該具有的特質。(詮釋委員：黃安福)","ImageUrl":""}
,{"Identifier":"200804056","MainTitle":"琉璃紫色琉璃花器","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件作品同樣屬於器物之「高瓶」作法，但在其型體和色彩上作了一點曲度變化，可增加其律動(活化的感覺)。\r\n本作品之色彩以紫色呈現，不失其高貴典雅，雖簡易但有其品屬體味的意涵。作品之貴，在於創藝的表現，此作近也！(詮釋委員：黃安福)","ImageUrl":""}
,{"Identifier":"200804057","MainTitle":"套金紅色琉璃煙灰缸","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品以「套色」技法(套銀箔)呈現，是一種包玻璃的技術，於熱塑或吹製成形的玻璃外表包(套)一層或多層不同顏色的玻璃，待徐冷後可進行切割、噴砂、蝕刻等處理，使呈現下層的顏色。如果以技法來說，型以外內涵在內，此作品乃玻璃與複合媒材結合之一。\r\n一般而言，此「套色」技術現在已是一種普及的工法了，但還是廣被消費者青睞，市場性極高，作者以此為樂也！(詮釋委員：黃安福)","ImageUrl":""}
,{"Identifier":"200804058","MainTitle":"騎鹿童子石雕玉器","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"臺北故宮博物院曾經以「敬天格物」為名，舉辦過大規模的玉器精品特展，具體展現華夏民族敬天法祖的宗教倫理，以及中華古玉最深層的內涵。在中國，大約八千年前人們就已經發現玉石的優點，從作為工具使用而逐漸演變成美術工藝品乃至純藝術表現。玉器普遍被認為具有避邪、帶來好運的作用，應用的範圍涵蓋很廣：生活用品、宮廷禮器、宗教器物、工藝古玩、珠寶首飾及藝術創作等。\r\n誠如古來諺語：「玉不琢不成器」，充分說明一塊不起眼的璞玉，經過優秀匠師用心、費時雕琢之後，可以成為一件令人愛不釋手的作品。用來雕琢用的玉石其硬度大約在6.0 ~ 7.0，製作過程需要選擇硬度更高的石材作為挖鑿工具並和水研磨。由於古代沒有電動工具，必須完全靠手工具和人力來完成，雕工樸拙，更能顯出玉石作品的特質與美感；通常鑑定玉器的價值可以從：年代、用料、做工、造形及圖紋表現等入手。\r\n圖中這一件〈騎鹿童子石雕玉器〉的體積不是很大，雖然鹿的造形和比例並非完全寫實，因為頭上有象徵鹿角的盤錯造形雕刻足以辨認；騎在鹿背上的童子以中國傳統造形表現，右手持有靈芝，左手握持鹿角，象徵帶來吉祥、幸福、美麗、長壽、財源滾滾意涵；整塊的綠色天然玉石顯現透光性、質佳，運用傳統雕工、可見古玉工法，足稱佳作；配上精緻的紅木雕刻適形臺座，將作品襯托得更臻完美。適合擺在與眼睛水平視線等高的位置，例如客廳的大型古董架上或者玄關、起居室空間高櫃上適當位置。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804059","MainTitle":"南極仙翁象牙雕刻","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\象牙類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"大約七千年前的新石器時代，在中國就有象牙製品在生活中被使用的紀錄，之後逐漸發展到象牙雕刻工藝的裝飾用品、禮器、文玩等，是一項古老的傳統工藝美術。\r\n本作品老象牙雕刻的材料是採用一萬一千年前就一直冰封在西伯利亞及阿拉斯加凍土層裡，後來被人們挖掘出來的古生代滅絕動物猛獁象的牙，硬度4.5，比非洲象牙（2.5）或亞洲象牙（2.0）高。去掉牙皮之後的精選老象牙，質地細密，潔白、溫潤，品質絕對不會輸給非洲象牙或亞洲象牙，而且尺寸大很多，可以讓牙雕創作者能有更大的揮灑空間，在寶石業界素有「藏界白金」美譽，屬有機寶石。\r\n南極仙翁是中國傳說中的人物，象徵長壽與安詳，是長壽的吉星，與福星和祿星並稱為福祿壽三星。圖中的〈南極仙翁象牙雕刻〉體積不大，是一件小型精緻的作品，雖然不按一般人體的尺寸比例，但是造形簡潔、優美，雕工佳，感覺非常討喜；左手持帶穗的如意形雕刻、右手持仙桃，面部表情慈祥。\r\n本作品的黑檀木適形雕刻底座，採抽象的隨意造形，表面經過鋼刷處理，顯現木材紋理特有質感，使更具古樸襯托效果，與牙雕作品得以互相呼應。因為作品的尺度小，適合擺在高一點的位置觀賞，如客廳的大型古董架上或玄關、起居室空間的高櫃上適當位置；在臺灣經過開光的佛像，通常會供奉在家裡神明廳的「頂棹（長條形高桌）」上頭或佛堂裡。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200805001","MainTitle":"雞啼","Creator":"鄭梅玉","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 鄭梅玉是臺灣傑出的草編工藝師，彰化師範學院生物系畢業當老師的她，因興趣編織，1991年向林黃嬌教授學習藺草編織，她虛心求教，最後成了林黃嬌的得意門生。\r\n 熟悉藺草的特性與編織訣竅後，鄭梅玉發現隨意壓、折之間，從平缐到圓，一個圓可以千變萬化，每個轉折都產生令人意外的形貌，她從此致力藺草立體創作的工藝絶活。為了精益求精，她更遠從臺東到大甲向國寶草編藝師柯莊屘學技，也造訪鹿港黃志農老師學「柴絲草」編織，將此媒材作為頭髮、雞毛，融入藺草編創作，增添作品的活潑性。由於技藝精湛，她先後榮獲傳統工藝獎、全省美展、全國美展、國家工藝獎之肯定，並多次獲邀國際性展出。\r\n 本件鄭梅玉作品「雞啼」，鄭老師以巧手細致編一隻大公雞，腳前一隻小雞，以藺草編及柴絲草編法，表現生動的公雞形貌身羽，雞啼動態，令人忍不住笑出來的小雞，也是有樣學樣，昂首效啼。雄雞一鳴天下白，驅走了黑暗，或許就是雞啼草編的深度主題。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"200901001","MainTitle":"驅邪祈福-新船祭","Creator":"製作者：臺灣臺東監獄","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以藺草編織呈現達悟族新船祭驅邪祈靈的習俗儀式。新船安置於祭場上，祭儀開始，新船上坐滿族人，虔誠向祖靈祈求降福。新船兩邊，一邊是握拳怒目的族人，大聲吶喊驅逐惡靈入侵；一邊是持長矛的族人，保護新船聖潔無邪。\n臺灣特產的三角藺草編織工藝最早源於原住民，後來發展成重要的傳統工藝產業。此件作品以傳統藺草編織技法為基礎，改良為立體化編織，隨形轉圜，技藝精巧。整個下水祭典的場面人物多達四十多位，姿態裝飾各異，握拳執矛撐槳，或坐或蹲或立，有整體有細節，最後加上橙褐色雞羽為船飾，增加搖曳生姿的活潑氣息，熱鬧生動，充分表現編織與材質的美感及臺灣傳統文化的特色。（詮釋委員：楊偉林）","ImageUrl":""}
,{"Identifier":"200901001001","MainTitle":"驅邪祈福-新船祭","Creator":"製作者：臺灣臺東監獄","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAxMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200901001002","MainTitle":"驅邪祈福-新船祭","Creator":"製作者：臺灣臺東監獄","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAxMDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200901001003","MainTitle":"驅邪祈福-新船祭","Creator":"製作者：臺灣臺東監獄","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAxMDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200901002","MainTitle":"匯聚","Creator":"製作者：謝嘉亨","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件以手捏成形的陶藝大器創作，外型長而窄、採簡約對稱的抽象造形，釉彩單純卻絢麗。\n留學西班牙的謝嘉亨，帶回當地承襲自阿拉伯近年也漸稀的「閃光釉」釉彩技法，並持續鑽研之，追求陶藝材料與顏色的極致展現。\n本作以直線、弧曲面、斜向相交與比例分割等構成，造形出剛中帶柔、靜中有動的器形。藍色調的釉層深淺層次豐富遍布全器，並且浮現金色釉彩，目光游移器身上，讓人感受光的斑斕閃爍，同時，左右七道斜向對稱相交在中軸的波紋，聚焦了我們的感受意識。於此，謝嘉亨展現陶瓷藝術匯聚了土的可塑、火的掌控、釉的變幻，三者間彼此交融藉由當代的閃光釉彩，突出精采豐富的表現可能。（詮釋委員：朱珮儀）","ImageUrl":""}
,{"Identifier":"200901003","MainTitle":"禪風庭園 ZEN Garden","Creator":"製作者：陳人鳳","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"設計靈感源自中國庭園造景概念，以寫意抽象的手法勾勒出心靈的桃花源，嘗試營造兼具功能與美感的心靈遊憩空間。將抽象化的山丘、木林、水池、石頭、建築等庭園元素，巧妙的與一般辦公文具功能結合，並以模組化方法讓使用者能依需求與喜好自由組合；庭園意象的延伸不僅使制式呆板的辦公空間更富人文氣息，亦提供使用者一個舒緩工作情緒的私人空間。\n\n以綠工藝概念處理材料，將廢木材與廢塑膠回收利用，一半木粉、一半塑膠，外觀仍保有高級木材的質感，並具有耐腐蝕、抗酸鹼、不吸水不怕潮、不易變形等特點。作品主體部分，則以木工加工方式製作完成。\n\n設計者陳人鳳是位對設計充滿熱情與執行力的工業設計師，喜歡探索新事物，因此多年來在燈具設計、科技產品設計、3D 列印創意商品設計等領域有許多創新想法，擔任佳世達科技設計經理，協助公司品牌所設計的作品屢獲國際大獎肯定，多款熱銷全球市場的燈具商品都出自她之手。近幾年也受邀多場競賽擔任工業產品設計類評審與講者。（詮釋委員：杜文田）","ImageUrl":""}
,{"Identifier":"200901004","MainTitle":"榫接‧洽談桌","Creator":"製作者：盧圓華","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「榫接．洽談桌」作品，為當代辦公空間媒介感質的工藝文化氛圍。本質上提供一處場所意象—「合眾意會，議而有決」的空間環境形象，以人文色彩打破現代化辦公環境全盤工業色彩的凝滯氣氛。\n\n本榫接桌作品，立意為傳統實木家具產業尋找一條新出路。立基臺灣工藝傳統再出發，並應接新時代的生活空間、設計品味、消費習性和產業環境。兼容客製、消費、機能與時尚，著力木作構法系統應用的創新性，真實表露新時代的工藝創新精神。\n\n榫接．洽談桌為「開放性建築」延伸的榫卯工藝構法應用。整體開放性榫卯系統，由四個部分構成：桌面、兩具結構精妙的桌腳及兩根連桿和插梢。桌面本身即是有著精巧榫卯組合的木構架，和桌腳以四個支點相嵌結合，用兩根連桿即可貫串起整座榫接桌。桌具不需任何一根鐵釘，在整體形式上透露著結構理性和工藝意象雙重性格之美。（詮釋委員：盧圓華）","ImageUrl":""}
,{"Identifier":"200902001","MainTitle":"矢紋花器","Creator":"黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"許多竹編花器以曲線圓滑為尚，本件作品則反過來強調稜線與塊面。從上俯視可以看見六角形為本作品的基本形，從側面看籃體則可發現梯形與三角形塊面的轉折與交接，而整個中段的籃體都以猶如箭矢的矢紋為飾，矢紋接連成條狀後，有些向左，有些向右，形成轉折的趣味。配合籃體的稜線感，提把部分也將頂端拉成水平，以呼應稜線與塊面的基調。（詮釋委員：黃世輝）","ImageUrl":""}
,{"Identifier":"200902002","MainTitle":"三角錐型花器","Creator":"黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"斂口、圓肩、瘦底、有圈足，器物沿口處有鈕，掛著圓環雙耳的竹編器，整個器型敦厚穩重，其製作乃利用桂竹篾以菊花紋編法起底，配合山道紋編製胴體，再以竹條斜插呈三角錐型的紋飾，整體環繞連續、疏密有緻，煮染染色再以生漆擦拭塗裝‧(詮釋委員:翁徐得)","ImageUrl":""}
,{"Identifier":"200902003","MainTitle":"梅花紋花器","Creator":"黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"平編的高足架起，穿插入朵朵梅花紋環繞胴體，疏密有緻，器型優雅，外表經煮染成紅褐色，再以生漆擦拭塗裝‧（詮釋委員：翁徐得）","ImageUrl":""}
,{"Identifier":"200902004","MainTitle":"畚箕組10件","Creator":"黃塗山","CreatedYear":"","Size":"001:26*23.5*14.5、002:23*22.5*9.5、003:21.5*26.5*9.5、004:22*25.5*7、005:20*17*11.5、006:22.5*15.5*8.5、007:26.5*18*9.5、008:17*20*6、009:17*18*5、010:16.5*17.5*8(112.12.13修正)","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"竹編之箕，帶耳者稱「畚箕」，可裝畚及農產品。不帶耳者稱「插箕」，用為插裝榖米雜糧。而各地编法造型略異。此組竹箕，一組十件，，每件之外型编紋稍異，乃藉此集示各地不同造型编結，以明工藝之地區多元風貌。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"200902004001","MainTitle":"畚箕組-1","Creator":"製作者：黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"竹編之箕，帶耳者稱「畚箕」，可裝畚及農產品。不帶耳者稱「插箕」，用為插裝榖米雜糧。而各地编法造型略異。此組竹箕，一組十件，每件之外型编紋稍異，乃藉此集示各地不同造型编結，以明工藝之地區多元風貌。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"200902004002","MainTitle":"畚箕組-2","Creator":"製作者：黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"竹編之箕，帶耳者稱「畚箕」，可裝畚及農產品。不帶耳者稱「插箕」，用為插裝榖米雜糧。而各地编法造型略異。此組竹箕，一組十件，每件之外型编紋稍異，乃藉此集示各地不同造型编結，以明工藝之地區多元風貌。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"200902004003","MainTitle":"畚箕組-3","Creator":"製作者：黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"竹編之箕，帶耳者稱「畚箕」，可裝畚及農產品。不帶耳者稱「插箕」，用為插裝榖米雜糧。而各地编法造型略異。此組竹箕，一組十件，每件之外型编紋稍異，乃藉此集示各地不同造型编結，以明工藝之地區多元風貌。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"200902004004","MainTitle":"畚箕組-4","Creator":"製作者：黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDA0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"竹編之箕，帶耳者稱「畚箕」，可裝畚及農產品。不帶耳者稱「插箕」，用為插裝榖米雜糧。而各地编法造型略異。此組竹箕，一組十件，每件之外型编紋稍異，乃藉此集示各地不同造型编結，以明工藝之地區多元風貌。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"200902004005","MainTitle":"畚箕組-5","Creator":"製作者：黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDA0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"竹編之箕，帶耳者稱「畚箕」，可裝畚及農產品。不帶耳者稱「插箕」，用為插裝榖米雜糧。而各地编法造型略異。此組竹箕，一組十件，每件之外型编紋稍異，乃藉此集示各地不同造型编結，以明工藝之地區多元風貌。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"200902004006","MainTitle":"畚箕組-6","Creator":"製作者：黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDA0MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"竹編之箕，帶耳者稱「畚箕」，可裝畚及農產品。不帶耳者稱「插箕」，用為插裝榖米雜糧。而各地编法造型略異。此組竹箕，一組十件，每件之外型编紋稍異，乃藉此集示各地不同造型编結，以明工藝之地區多元風貌。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"200902004007","MainTitle":"畚箕組-7","Creator":"製作者：黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDA0MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"竹編之箕，帶耳者稱「畚箕」，可裝畚及農產品。不帶耳者稱「插箕」，用為插裝榖米雜糧。而各地编法造型略異。此組竹箕，一組十件，每件之外型编紋稍異，乃藉此集示各地不同造型编結，以明工藝之地區多元風貌。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"200902004008","MainTitle":"畚箕組-8","Creator":"製作者：黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDA0MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"竹編之箕，帶耳者稱「畚箕」，可裝畚及農產品。不帶耳者稱「插箕」，用為插裝榖米雜糧。而各地编法造型略異。此組竹箕，一組十件，每件之外型编紋稍異，乃藉此集示各地不同造型编結，以明工藝之地區多元風貌。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"200902004009","MainTitle":"畚箕組-9","Creator":"製作者：黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDA0MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"竹編之箕，帶耳者稱「畚箕」，可裝畚及農產品。不帶耳者稱「插箕」，用為插裝榖米雜糧。而各地编法造型略異。此組竹箕，一組十件，每件之外型编紋稍異，乃藉此集示各地不同造型编結，以明工藝之地區多元風貌。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"200902004010","MainTitle":"畚箕組-10","Creator":"製作者：黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDA0MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"竹編之箕，帶耳者稱「畚箕」，可裝畚及農產品。不帶耳者稱「插箕」，用為插裝榖米雜糧。而各地编法造型略異。此組竹箕，一組十件，每件之外型编紋稍異，乃藉此集示各地不同造型编結，以明工藝之地區多元風貌。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"200902005","MainTitle":"床頭燈","Creator":"製作者：黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以竹编床頭燈，闡述竹編亦可採燈具之製作，並藉竹皮之光澤、古樸，竹節之自然美，展現人生古樸典雅之境界。而竹床頭燈之造型，有如城堡、塔頂。篾目透光柔美，格外溫馨怡人。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"200902006","MainTitle":"松花花器","Creator":"製作者：黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此瓶型花器胴體以松花紋配合三角紋展現優雅細緻之風格。連體菱形紋具有強烈裝飾效果，又具有「方勝」之傳統吉祥意義。若視之為百步蛇紋之轉化亦可。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"200902007","MainTitle":"間插輪口紋花器","Creator":"黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以花器為形之藝術欣賞作品，斂口，無頸，敞腹，類橢圓形，以單輪口之秩序，緩和間插線條之放任，除了表現亂中有序之趣味之外，並力圖保持器體輪廓弧線之柔順美感。以單輪口技法為基調，穿梭間插技法，營造亂中有序，跳脫規矩束縛，追尋自由發展的創作空間。（詮釋委員：黃志農）","ImageUrl":""}
,{"Identifier":"200902008","MainTitle":"水草紋花器","Creator":"製作者：黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以花器為形之藝術欣賞作品，斜口，短頸，腹微鼓，高盤足。中段水草紋，賦予勻稱的器形，活潑的律動，斜形的口緣，加強了動感的呼應。水草紋飾應用於竹編織藝術，優美的紋理，似水漾動的旋律，經染色研磨及生漆塗裝，讓作品看起來更具有層次感。（詮釋委員：黃志農）","ImageUrl":""}
,{"Identifier":"200902009","MainTitle":"菊花紋花器","Creator":"製作者：黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"花器作「菊花紋花瓶」圖案與造型。傳統文化將菊視為「花中君子」、「花之隱逸」且菊能輕身益氣、令人久歲有徵，又稱「長壽花」。而「菊」音與「吉」同，故為「大吉」、與「瓶」之象徵平安，相輔相成。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"200902010","MainTitle":"山道紋花器","Creator":"製作者：黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件作品呈瓶形，可分成上中下三段，下段足部以水平紋路為主，追求穩重；中段胴體以山道紋編法為主，由垂直方向看便呈現之字形彎折的登山道路，但由水平方向看則有波浪的感覺；上段口部配合中段將緣口也設計成波浪狀。上下段的密實感相互呼應，更加凸顯中段山道紋的特殊造形。（詮釋委員：黃世輝）","ImageUrl":""}
,{"Identifier":"200902011","MainTitle":"單輪口梅花紋花器","Creator":"黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAyMDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"花器多數僅有一個開口，但本件作品卻設計了兩個對稱的開口，左右兩邊均能讓花草伸展出來，十分具有創意。除此之外，在胴體部分，以六角編法打底，再以亂編方式補入竹篾，並同時注意留出一些隙縫，因此從花器內往花器外觀察時，可以透視均勻錯落的小空洞，有如繁星之美。（詮釋委員：黃世輝）","ImageUrl":""}
,{"Identifier":"200903001","MainTitle":"粉缽","Creator":"林添福","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"擂缽的特徵是在碗形內側用工具括削成許多平行的斜紋，配合短棍使用可以把缽裡的食物磨碎。日本人用來研磨味噌，本島人則用來磨製米漿、花生粉、擂茶等。本作品利用高溫柴燒自然落灰成釉，有著渾然天成千變萬化的火土交融感覺。（詮釋委員：呂琪昌）","ImageUrl":""}
,{"Identifier":"200903002","MainTitle":"紫紅火球","Creator":"林添福","CreatedYear":"","Size":"附上蓋","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件形制雖然較「大火球」小，亦屬隨機置於室內之用。器表漏空，原為散發器內炭火的熱器，以達取目的；但作者以獨特刀法摟空菊紋，大小花瓣呈現放射形分不，結合厚重器形，表現靜動合一的美感。迄表上未上釉，但散發柴燒自然落輝光澤。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"200903003","MainTitle":"原始青瓷大龍罐","Creator":"林添福","CreatedYear":"","Size":"附上蓋","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"龍罐為台灣早期農業社會產物，供農家大量裝水飲用，實用性強。本作品是利用木柴作為燃料在窯內燃燒，高溫使熔融的灰燼和炙熱的陶土交融後在表面形成一層玻璃質釉面，產生渾然天成千變萬化的火土交融感覺。（詮釋委員：呂琪昌）","ImageUrl":""}
,{"Identifier":"200903004","MainTitle":"盤龍長景瓶","Creator":"林添福","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作者原擅長花盆製作，此件在原有深厚拉坏基礎下，善用堆雕、貼花、刻花等陶藝技巧。雲龍環繞長頸瓶之胴體與頸部交接觸，配合層層同心圓線，更增動感。質地堅硬，並具柴燒特有之光澤感。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"200903005","MainTitle":"三十珍甕","Creator":"林添福","CreatedYear":"","Size":"無蓋","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAzMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本甕就造型的基本結構觀察，線條明快，比例合度，賦予作品簡潔而豐富的內涵特色。器物內外通施褐黃色開片鉛釉，與器形相得益彰。口沿兩側的黑色把手，不但具備實用功能，也給予器物畫龍點睛的視覺效果，把實用功能與形式美感作了最完美的結合。(詮釋委員:呂琪昌)","ImageUrl":""}
,{"Identifier":"200903006","MainTitle":"大火球","Creator":"林添福","CreatedYear":"","Size":"附上蓋（變形）","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTAzMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"與攜帶式的「火龍」一樣，皆屬取暖工具，但此件為置於室內之形制，亦稱「炭盆」。器表漏空，原為散發器內炭火的熱器，以達取暖目的；但作者以獨特刀法摟空菊紋，大小花瓣程放射形分不，結合厚重器形，表現靜動合一的美感。器表散發含蓄釉光，亦足欣賞。。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"200904001","MainTitle":"門神-神荼、鬱壘","Creator":"陳萬能","CreatedYear":"","Size":"附件：展示櫃2座\r\n主材質： 木、玻璃\r\n尺寸：108*79*211\r\n門神展示：神荼（文）位於右側位置，鬱壘（武）作品為左側，斧具朝外。","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國自古有祀門習俗，門神反映了保護居住空間的心理要求;門神五花八門，發展到最後，為了因應各種吉祥需求，種類更多，但其中仍以西漢文獻就已提及的神荼、鬱壘，最資深有名。陳萬能此作，以錫結合銅等金屬，用雕塑手法呈現門神的英姿，可謂在傳統錫藝上另立創作蹊徑。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"200904001001","MainTitle":"門神-神荼","Creator":"製作者：陳萬能","CreatedYear":"","Size":"尺寸：108*79*211\r\n門神展示：神荼（文）位於右側位置，鬱壘（武）作品為左側，斧具朝外。\r\n重量(含武器)為50700g","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA0MDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國自古有祀門習俗，門神反映了保護居住空間的心理要求;門神五花八門，發展到最後，為了因應各種吉祥需求，種類更多，但其中仍以西漢文獻就已提及的神荼、鬱壘，最資深有名。陳萬能此作，以錫結合銅等金屬，用雕塑手法呈現門神的英姿，可謂在傳統錫藝上另立創作蹊徑。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"200904001002","MainTitle":"門神-鬱壘","Creator":"製作者：陳萬能","CreatedYear":"","Size":"附件：展示櫃2座\r\n主材質： 木、玻璃\r\n尺寸：108*79*211\r\n門神展示：神荼（文）位於右側位置，鬱壘（武）作品為左側，斧具朝外。\r\n重量(含武器)51550g","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA0MDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國自古有祀門習俗，門神反映了保護居住空間的心理要求;門神五花八門，發展到最後，為了因應各種吉祥需求，種類更多，但其中仍以西漢文獻就已提及的神荼、鬱壘，最資深有名。陳萬能此作，以錫結合銅等金屬，用雕塑手法呈現門神的英姿，可謂在傳統錫藝上另立創作蹊徑。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"200905001","MainTitle":"龍王泉州燈","Creator":"吳敦厚","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"寺廟懸掛、民間廟會活動前導。信仰層面之心靈撫慰，以及民間工藝之觀賞功能。泉州式直筒燈，竹篾手編固定式燈柸，可卸式圓形木製底連結竹片提樑。燈體雙面分別彩繪青龍，以及朱筆國泰民安，青龍以民間流傳之「九似三轉」畫法，書法字體屬超圓體。此組作品係寺廟祈福燈，繪製主題為青龍，龍為民間傳統信仰中，尊貴與吉祥之象徵，「龍現于天」為莫大之吉兆，又龍從雲，象徵風調雨順，與背面朱筆國泰民安相呼應，為黎民百姓對於太平盛世之祈求。（詮釋委員：黃志農）","ImageUrl":""}
,{"Identifier":"200905001001","MainTitle":"龍王泉州燈-風調雨順","Creator":"製作者：吳敦厚","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA1MDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"寺廟懸掛、民間廟會活動前導。信仰層面之心靈撫慰，以及民間工藝之觀賞功能。泉州式直筒燈，竹篾手編固定式燈柸，可卸式圓形木製底連結竹片提樑。燈體雙面分別彩繪青龍，以及朱筆國泰民安，青龍以民間流傳之「九似三轉」畫法，書法字體屬超圓體。此組作品係寺廟祈福燈，繪製主題為青龍，龍為民間傳統信仰中，尊貴與吉祥之象徵，「龍現于天」為莫大之吉兆，又龍從雲，象徵風調雨順，與背面朱筆國泰民安相呼應，為黎民百姓對於太平盛世之祈求。（詮釋委員：黃志農）","ImageUrl":""}
,{"Identifier":"200905001002","MainTitle":"龍王泉州燈-國泰民安","Creator":"製作者：吳敦厚","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA1MDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"寺廟懸掛、民間廟會活動前導。信仰層面之心靈撫慰，以及民間工藝之觀賞功能。泉州式直筒燈，竹篾手編固定式燈柸，可卸式圓形木製底連結竹片提樑。燈體雙面分別彩繪青龍，以及朱筆國泰民安，青龍以民間流傳之「九似三轉」畫法，書法字體屬超圓體。此組作品係寺廟祈福燈，繪製主題為青龍，龍為民間傳統信仰中，尊貴與吉祥之象徵，「龍現于天」為莫大之吉兆，又龍從雲，象徵風調雨順，與背面朱筆國泰民安相呼應，為黎民百姓對於太平盛世之祈求。（詮釋委員：黃志農）","ImageUrl":""}
,{"Identifier":"200905002","MainTitle":"八仙過海福州燈","Creator":"吳敦厚","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"八仙是民間信仰中極受歡迎的神明，民間歲時節慶、生命禮俗常懸掛八仙彩，本作品為擷取傳統吉祥元素，運用於現代的空間布置，背面的書法詞句，依購買者之需求而異，具有客製化的性質。泉州式直筒燈，竹篾手編固定式燈柸，可卸式園形木製底連結竹片提樑。燈體雙面分別彩繪八仙過海圖，以及朱筆臺灣工藝，八仙過海圖以民間流傳之故事內容為藍本，書法字體屬超黑體。泉州式直筒燈，竹篾手編固定式燈柸，燈體雙面分別彩繪八仙過海圖，以及朱筆台灣工藝。（詮釋委員：黃志農）","ImageUrl":""}
,{"Identifier":"200905002001","MainTitle":"八仙過海福州燈-臺灣工藝","Creator":"製作者：吳敦厚","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA1MDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"八仙是民間信仰中極受歡迎的神明，民間歲時節慶、生命禮俗常懸掛八仙彩，本作品為擷取傳統吉祥元素，運用於現代的空間布置，背面的書法詞句，依購買者之需求而異，具有客製化的性質。泉州式直筒燈，竹篾手編固定式燈柸，可卸式園形木製底連結竹片提樑。燈體雙面分別彩繪八仙過海圖，以及朱筆臺灣工藝，八仙過海圖以民間流傳之故事內容為藍本，書法字體屬超黑體。泉州式直筒燈，竹篾手編固定式燈柸，燈體雙面分別彩繪八仙過海圖，以及朱筆台灣工藝。（詮釋委員：黃志農）","ImageUrl":""}
,{"Identifier":"200905002002","MainTitle":"八仙過海福州燈-研發創意","Creator":"製作者：吳敦厚","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA1MDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"八仙是民間信仰中極受歡迎的神明，民間歲時節慶、生命禮俗常懸掛八仙彩，本作品為擷取傳統吉祥元素，運用於現代的空間布置，背面的書法詞句，依購買者之需求而異，具有客製化的性質。泉州式直筒燈，竹篾手編固定式燈柸，可卸式園形木製底連結竹片提樑。燈體雙面分別彩繪八仙過海圖，以及朱筆臺灣工藝，八仙過海圖以民間流傳之故事內容為藍本，書法字體屬超黑體。泉州式直筒燈，竹篾手編固定式燈柸，燈體雙面分別彩繪八仙過海圖，以及朱筆台灣工藝。（詮釋委員：黃志農）","ImageUrl":""}
,{"Identifier":"200906001","MainTitle":"蝴蝶紋瓶","Creator":"郭明橋","CreatedYear":"","Size":"","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"就瓶子的造形而言，小口、短頸、豐肩、瘦底、圈足，此瓶基本上吻合梅瓶的形制特徵，差異處僅在於外撇的口沿。梅瓶以口小僅能插梅枝而得名，原為酒器亦作花器，此瓶則作為日用擺飾之用途。瓶身修長，形體飽滿，造形挺秀，呈現堅實之感。金屬胎表面飾以蝴蝶搭配蔓藤植物紋樣，並於肩頸及足部上緣作環形圖紋連續排列收尾。紋樣圖案以傳統掐絲琺瑯作成，先以金屬絲線掐製圈圍圖案，再填入琺瑯彩燒製而成。金屬掐絲的構圖表現極其繁複，蝴蝶群飛共舞，蔓藤枝枒縈繞，觸鬚扭動前伸，彼此盤旋交錯，展現出匠師的緻密工巧；搭配艷麗的琺瑯色彩，整體畫面極具騷動感，呈現出生機盎然的瑰麗之感。(詮釋委員：康立穎)","ImageUrl":""}
,{"Identifier":"200906002","MainTitle":"觀音瓶","Creator":"郭明橋","CreatedYear":"","Size":"","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"觀音瓶又稱觀音尊，是流行於清朝康熙年間至乾隆時期的一種瓶式名稱。侈口、短頸、豐肩、肩下弧線內收、脛部以下外撇、圈足，整體瓶身修長，線條流暢。較之於傳統瓶式之比例，此瓶較顯豐碩。口沿圈圍處採直立的金屬片材，底部亦以金屬圈足收尾，瓶身則飾以掐絲琺瑯之蓮花紋樣，以寶藍為基底色調，整體色彩鮮豔卻顯調和。觀其圖案佈局，蓮花枝梗迴轉相對並橫向連結做連續構圖，枝葉綿延，環抱瓶身。掐絲線條表情極具巧思，轉化蓮花、佛手印與雲紋迴轉形象，呈現具複合性的線條語言。口沿下方、頸部與圈足上緣，以風格相近的指尖造形連續圖案收尾，渦形環繞，鏡射相對，環形排列，具趣味性也具宗教感。(詮釋委員：康立穎)","ImageUrl":""}
,{"Identifier":"200906003","MainTitle":"牡丹紋瓶","Creator":"郭明橋","CreatedYear":"","Size":"","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"撇口、細頸、圓腹、脛部外撇、圈足，瓶身形制融合傳統瓶式中的玉壺春瓶和膽瓶，瓶身曲線主要由左右兩個相互對稱的S形構成，線條曲線柔和優美，身形比例雖略顯垂墜感，但仍具細膩圓潤的風格。圓形金屬口沿搭配圓形金屬圈足，瓶身主題紋飾則以掐絲琺瑯描繪纏枝牡丹紋樣。每一朵牡丹花配色各異，琺瑯用色大膽，色調古拙宛若洞窟壁畫，於填彩中亦顯露筆觸。以赭紅為基底，紅、黑、綠、褐、紫，多種顏色之牡丹花形，伴隨交互纏繞具迴旋律動之枝葉，顏色線條與構圖均呈現恣意率直的趨向。口沿下方與足脛部依慣例飾以重複排列之圖紋，於不馴中略見規律，整體而言，瓶身造形與圖案描繪風格相異其趣，堪稱具表現性。(詮釋委員：康立穎)","ImageUrl":""}
,{"Identifier":"200906004","MainTitle":"金玉滿堂碗","Creator":"郭明橋","CreatedYear":"","Size":"","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以金魚、荷花、蓮蓬、荷葉、蜻蜓作同心圓形環繞構圖，景緻熱鬧，富麗堂皇，象徵金玉滿堂。圖案設計以圓心向外輻射做序列安排，位居中心的紅色大金魚為主，環繞周圍的小金魚為輔，外圍的點水蜻蜓是賓。主客之間於襯底的綻青琺瑯填彩中，以掐絲金屬絲線作水波紋，蜿蜒環繞，主配角之間相互對話，和諧圓滿。碗形內側邊緣以心形如意紋飾作連續排列，外側則以簡化的蕉葉紋並排串聯，延續傳統文化中的符號象徵語法，以諧音和象徵手法寄託吉祥如意、仕途高升之寓意。有趣的是金魚作為圖案設置均在碗內，此用意是否也耐人尋味？(詮釋委員：康立穎)","ImageUrl":""}
,{"Identifier":"200906005","MainTitle":"魚","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"擺飾是居家室內空間的協調者，透過精巧細緻的擺飾，可以有效地連結傢俱與空間，營造理想悅人的生活美學。擺飾的設計與創作形態亦居多樣性，作為一獨立物件，可視為生活場域中的微型雕塑，兼具實用性與藝術性。魚作為擺飾主題，除空間機能外，更強調其符號上的象徵意涵。例如魚與餘諧音，象徵財富、富足、富貴有餘；因其輕巧自在，象徵和諧與自由；有時更與風水方位緊密相連，據說魚飾物件朝東方擺正可旺財位。此魚形擺飾為一全立體之掐絲琺瑯製品，必須依序於各個弧面角度分多次重複燒製。魚體身上的紋飾介於文字與圖像之間，經由內填琺瑯顯露出類似抽象畫的特徵，並運用透明與不透明琺瑯的相互堆疊上彩，使魚體呈現半透明之水潤光澤，充分展現工藝匠師的耐心與工法巧思。(詮釋委員：康立穎)","ImageUrl":""}
,{"Identifier":"200906006","MainTitle":"彩帶膽瓶","Creator":"郭明橋","CreatedYear":"","Size":"","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"將傳統技法帶入具有現代感的造形風格，呈現具時代特徵的琺瑯形象。瓶身造形單純簡約，以圓柱狀的幾何形體構築瓶身並以彩帶作飾。彩帶紋飾以金屬掐絲排列構成，透過大弧曲線蜿蜒漸變，勾勒出彩帶舞動的紋理與皺褶。彩帶的掐絲表現於簡單中富有變化，或五、或六、或七，以位居中間的扭結樞紐，反向迴旋構成S形的動態舞姿；帶與帶之間彼此穿梭交疊，於形式構成之中營造出層次感與空間感；動態曲線沿瓶身直立的方向流動，讓瓶身在垂直的向度產生無限延伸的視覺效果。綜觀整體，透過理性化的線條組織，搭配深邃黝黑背景中具明度與彩度變化的色彩配置，似星空、銀河於宇宙星際之間綿延共舞。(詮釋委員：康立穎)","ImageUrl":""}
,{"Identifier":"200906007","MainTitle":"圓形珠寶盒","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此圓形珠寶盒，由上下兩個半圓球體相互嵌接組合。圓球體是最單純的幾何形體之一，因其具有球體核心，是內部能量指數最高的幾何形體。選擇圓球體做為珠寶盒，無形當中牽引了寶石所蓄積的大自然磁場與效應。球體內外均施以掐絲琺瑯上彩，並作圓弧曲線之圖案構成。金屬絲線環行於球體表面，宛若赤道經緯，具宇宙空間中的星體想像。繞行的金屬絲線並未整圈走盡，而係於球體上半圓折返，構成如同蘭花或柳葉之尖尾，於空間的物理性當中帶入柔軟的植物意象。就技法而言，圓球體的濕填琺瑯上彩更需要耐心，必須在兼顧黏合結構的穩定性當中緩慢進行，此球體造形雖簡單，亦呈現工藝匠師的細心與巧思。(詮釋委員：康立穎)","ImageUrl":""}
,{"Identifier":"200906008","MainTitle":"門神","Creator":"蘭亭美術公司","CreatedYear":"","Size":"001臉朝右、002臉朝左","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是遠古時代的故事，相傳於海的中央有相鄰不遠的兩個島，名為朔度島和萬鬼島。有一次朔度島的住民被萬鬼島的住民驅逐，落難於海上，時有神荼、鬱壘兩兄弟從海中挺身而出，揮舞桃花棒將朔度島上的萬鬼島民趕走，朔度島的原住民始得以安居。後來神荼、鬱壘兩兄弟不告而別，朔度島上的住民為了免於災難再度發生，將神荼（向左看）、鬱壘（向右看）兩兄弟的畫像貼於門上，這就是門神的由來。此後，中國唐朝年間也有關於門神的傳說，此一傳說故事的門神主角人物是秦叔寶（向左看）和尉遲公（向右看）。\r\n如果注意觀察，在臺灣有許多宮廟，當大門關閉時，可以看到畫滿門板的各式大幅門神圖像，象徵守護的意涵。民間的習俗，特別是在鄉下，每當過年前，都會於貼春聯的同時，將門神圖像貼紙一起更新。門神圖像經過長時期的演變，逐漸成為民間習俗的一部分，也形成了藝術創作的表現題材，有如年畫等等。\r\n圖中這一對精緻的門神圖框，有別於一般貼在門上的紙質門神圖像，經由絹印技法，製作成工藝美術品的裝飾畫作，適合現代生活空間布置使用。通常門神圖像都是一對、兩幅，左右各一，分別貼在兩扇大門上；如果大門是單片或不適合張貼者，可以將此一對兩幅以銅板為底的門神畫框，掛在進門口的玄關牆面上，除了幫助室內的美化功能之外，同樣具有驅凶避邪的意義。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200906008001","MainTitle":"門神-鬱壘","Creator":"蘭亭美術公司","CreatedYear":"","Size":"001臉朝右、002臉朝左","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDA4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是遠古時代的故事，相傳於海的中央有相鄰不遠的兩個島，名為朔度島和萬鬼島。有一\r\n次朔度島的住民被萬鬼島的住民驅逐，落難於海上，時有神荼、鬱壘兩兄弟從海中挺身而出，揮舞桃花棒將朔度島上的萬鬼島民趕走，朔度島的原住民始得以安居。後來神荼、鬱壘兩兄弟不告而別，朔度島上的住民為了免於災難再度發生，將神荼（向左看）、鬱壘（向右看）兩兄弟的畫像貼於門上，這就是門神的由來。此後，中國唐朝年間也有關於門神的傳說，此一傳說故事的門神主角人物是秦叔寶（向左看）和尉遲公（向右看）。\r\n如果注意觀察，在臺灣有許多宮廟，當大門關閉時，可以看到畫滿門板的各式大幅門神圖像，象徵守護的意涵。民間的習俗，特別是在鄉下，每當過年前，都會於貼春聯的同時，將門神圖像更新，藉以驅凶避邪。門神圖像經過長時期的演變，逐漸成為民間習俗的一部分，也形成了藝術創作的表現題材，有如年畫等等。\r\n圖中這一幅精緻的門神圖框，是本組作品中之一，圖像的主角是鬱壘（向右看），有別於一般貼在門上的紙質門神圖像，經由絹印技法，製作成工藝美術品的裝飾畫作，適合現代生活空間布置使用。通常門神圖像都是一對、兩幅，左右各一，分別貼在兩扇大門上；如果大門是單片或不適合張貼者，可以將此一對兩幅以銅板為底的門神畫框，掛在進門口的玄關牆面上，除了幫助室內美化功能之外，同樣具有驅凶避邪的意義。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200906008002","MainTitle":"門神-神荼","Creator":"蘭亭美術公司","CreatedYear":"","Size":"001臉朝右、002臉朝左","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDA4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是遠古時代的故事，相傳於海的中央有相鄰不遠的兩個島，名為朔度島和萬鬼島。有一次朔度島的住民被萬鬼島的住民驅逐，落難於海上，時有神荼、鬱壘兩兄弟從海中挺身而出，揮舞桃花棒將朔度島上的萬鬼島民趕走，朔度島的原住民始得以安居。後來神荼、鬱壘兩兄弟不告而別，朔度島上的住民為了免於災難再度發生，將神荼（向左看）、鬱壘（向右看）兩兄弟的畫像貼於門上，這就是門神的由來。此後，中國唐朝年間也有關於門神的傳說，此一傳說故事的門神主角人物是秦叔寶（向左看）和尉遲公（向右看）。\r\n如果注意觀察，在臺灣有許多宮廟，當大門關閉時，可以看到畫滿門板的各式大幅門神圖像，象徵守護的意涵。民間的習俗，特別是在鄉下，每當過年前，都會於貼春聯的同時，將門神圖像更新，藉以驅凶避邪。門神圖像經過長時期的演變，逐漸成為民間習俗的一部分，也形成了藝術創作的表現題材，有如年畫等等。\r\n圖中這一幅精緻的門神圖框，是本組作品中之二，圖像的主角是神荼（向左看），有別於一般貼在門上的紙質門神圖像，經由絹印技法，製作成工藝美術品的裝飾畫作，適合現代生活空間布置使用。通常門神圖像都是一對、兩幅，左右各一，分別貼在兩扇大門上；如果大門是單片或不適合張貼者，可以將此一對兩幅以銅板為底的門神畫框，掛在進門口的玄關牆面上，除了幫助室內美化功能之外，同樣具有驅凶避邪的意義。(詮釋委員:盧祥華)","ImageUrl":""}
,{"Identifier":"200906009","MainTitle":"聚寶盒(盆)裝飾畫","Creator":"蘭亭美術公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"近年來，門神已由驅邪的意涵演變成為招福的喜氣圖像，有如招財進寶、開運納吉、福祿\r\n壽喜、如意百果、天官賜福及百子圖、嬰戲圖等。象徵門神的圖像已儼然成為新年的裝飾畫，插畫藝術家們於此方面的創作題材，因此逐漸朝向多元化。\r\n這一件「聚寶盒（盆）」銅板畫，圖中聚寶盆裡種著一棵「招財樹」，樹上掛著滿滿成串的銅錢，有些銅錢因為視覺上的需要而採取正面布局，三位童子像互動關係的巧妙安排更添喜氣與生動的感覺。\r\n通常聚寶盆是為大肚、小口的立體容器，或呈敞開狀的大碗公，會被安置於室內的財位，如進門口的對角位置或厨房的爐臺下方。本圖的「聚寶盒（盆）」銅板畫，適合掛在玄關入口對角位置的牆面上，除了裝飾效果之外亦具風水習俗的實質意義。(詮釋委員：盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200906010","MainTitle":"觀音騎豺","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"據佛教說法，西方三聖之一的觀音菩薩神通廣大，象徵著救苦救難與慈悲為懷。「豺」原為猛禽，相傳受到觀音菩薩馴服度化為瑞獸，並以豺為坐騎，乘雲下凡渡化眾生。因「豺」與「財」音相近，豺便成為吉祥神獸的代表，「觀音騎豺」因而具有「送財觀音」之意。 \r\n本作品豺的造形為：豺首嘴巴裂口，微露肩牙、覃耳、捲毛眉、下顎為捲毛式鬃毛、雙目炯炯有神，螺紋片貼附身體，頸繫玉玦、披褂華貴，背脊披掛著雲紋及紅花裝飾的鞍座，球狀形簍空捲毛尾、熊蹄，側邊帶有咖啡色、濃綠的捲毛及胭脂紅火焰。對比之下，背上觀音姿態顯得肅穆莊嚴，嫻靜乘坐於豺背脊之上﹐右手持玉如意，左手持淨瓶，服飾潔白帶有竹葉紋飾。此作品散發著沉靜、超然之美，讓人心中感受到一股無可言喻的安定力量。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200906011","MainTitle":"觀音騎豺","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"觀音菩薩為西方三聖之一。據佛教說法，觀音慈悲為懷，神通廣大，為救苦救難之象徵。「豺」原為猛禽，相傳受到觀音菩薩馴服度化為瑞獸，亦騎豺乘雲下凡度化眾生。因「豺」與「財」音相近，成為吉祥神獸的代表，「觀音騎豺」亦則「送財觀音」之意。 \r\n本作品豺的造形為：豺首嘴巴裂口，微露肩牙、覃耳、捲毛眉、下顎為捲毛式鬃毛、雙目炯炯有神，螺紋片貼附身體，頸繫玉玦、披褂華貴，背脊披掛雲紋及紅花裝飾的鞍座，球狀形簍空捲毛尾、熊蹄，側邊帶有咖啡、濃綠捲毛及胭脂紅火焰。對比之下，背上觀音姿態嫻靜，肅穆莊嚴，乘坐於豺背脊之上﹐右手持玉如意，左手持淨瓶，服飾潔白帶有竹葉紋飾。令人油然感受到一股安定的力量，以及沉靜、超然之美。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200906012","MainTitle":"兵馬人物","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品疑似封神榜中的人物，坐乘老虎，張手朝天，表現呼風喚雨姿態，其表情剛正，表露正義之像。從衣服飄逸樣貌，可以推斷是表現在空中飛舞的狀態。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200906013","MainTitle":"兵馬人物","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品疑似封神榜中的人物，其身穿戰甲坐乘猛獅，弓手擊掌，做勢打鬥狀，其表情左眼凸起圓瞪，右瞇眼，表露不可一世神情。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200906014","MainTitle":"兵馬人物","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品疑似封神榜中的人物，其身穿戰甲坐乘麒麟，雙手握拳，兩臂弓起，做出衝拳戰鬥狀態，其頭部朝上，仰天長嘯，表露不可一世神情。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200906015","MainTitle":"閉口獅獸牌","Creator":"高枝明","CreatedYear":"","Size":"附錦盒","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本交趾陶作品稱八卦獅、咬劍獅，大多安置在房屋的門簷或照壁上，為民間作為辟邪之物，於台南安平十分常見。此作品主要蘊含四種創作元素，分別由八卦、七星劍及獅頭所構成。古時官衙門口都會放置一對石獅像，就連比較略具規模的平民住宅大門，也都會將前端石頭雕成獅子形，甚至某些店鋪的屋樑或屋頂上，也可約略看見獅子咆哮像貌。自古以來，中國人認為獅子具有保護居家、避邪的作用，鬼魅惡靈見其兇像皆會退避三舍，因此一直受到人們的喜愛。八卦最原始資料來源為西周的易經，為伏羲所創，具有易卜未來，指示前路的功用，也是中國傳統宗教的典型記號。八寶為八仙所持器物及七星劍，各具有神力，有降妖伏魔之功用。在獅形的開閉口上做變化，主要有鎮邪避凶，迎福的效用。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200906016","MainTitle":"龍頭獸牌","Creator":"高枝明","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品蘊含著八卦及龍頭兩種創作元素所構成。八卦最原始資料來源為西周的易經，為伏羲所創，具有易卜未來，指示前路趨吉避凶的功用。龍是中國遠古傳說中的神，善變化、興雲雨、利萬物，為「主水之神」；而從漢代開使，龍又逐漸與皇權聯繫在一起，元明以後更是象徵帝王，在民間則比喻男。直至近代，龍即成為華人心目中最尊貴的吉祥物代表，有神武、力量、卓越、掌財的象徵。在傳統宗教的典型記號中，龍具有興雲雨的巨大神力，日後轉化為避邪安康之意。\r\n本作品中龍的造形表現，頭似牛，額頭帶有八卦紋、眉毛成火焰狀、嘴似驢、眼似蝦、角似鹿、駝鼻、蛇脖、耳似牛、口角有鬚、頭部呈現鬃毛環繞、口含珠的形象。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200906017","MainTitle":"麒麟盤","Creator":"高枝明","CreatedYear":"","Size":"附錦盒","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品由眾多創作元素所組成，圓盤狀，盤中央為麒麟及其所踏的古琴、棋盤、線裝書及立軸畫等四寶、周邊布滿祥雲。外圍則以海碧色卍字作為底紋，並貼上灰色紅框圓形萬字紋、寶瓶、寶蓋、雙魚、蓮花、右旋螺、吉祥結、尊勝幢、法輪等八寶及蝙蝠等淺浮雕。麒麟為四靈之一，雄為麒，雌為麟，合稱麒麟。為仁獸。其形為龍頭，獨角，狼蹄，牛尾，鱗甲，為仁慈與吉祥的象徵。盤底為環狀福海壽山半立體紋飾環繞圓盤邊緣。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200906018","MainTitle":"九龍盤","Creator":"高枝明","CreatedYear":"","Size":"附錦盒，底座(可分開)","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"相傳龍為神靈之精，糾龍為群龍之長，能進退群龍，乘雲注雨以濟蒼生，為祈雨避邪之神。坐龍紋在封建社會中屬最尊貴的一種龍纹樣，只有帝王的正殿與服飾主要部位使用，加上「九」字自古以來被認為是陽數，清朝皇室特別認為「九」是吉祥而高貴的數目，寓有「富貴萬代」、「子孫萬代」等意。九在易經中，為眾數之意，亦代表大禮，九龍意味眾禮至極。盤中以雲和龍組成的圖案，雲和運為諧音，表示吉祥之運，任運自在。在盤中坐龍旁的五隻蝙蝠象徵著五福，一曰壽、二曰富、三曰康、四曰攸好德、五約考終命，此五福有福壽納福之意，此作品寓意圓滿之意。龍盤整體精雕細琢，具高貴鼎盛之氣度。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200906019","MainTitle":"如意","Creator":"高枝明","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"如意是一種象徵吉祥寓意的器物。原本乃作為僧侶在說教時，將要點抄錄其上作為備忘錄之用，現今常作為菩薩像所持之佛具。古代一般文官也同樣作為抄寫備忘之用，亦可作為指揮及護身的器具。如意一般的造形為頭呈靈芝或雲形，柄微曲，古時意味如願以償、祈福之意。現今常被視為吉祥器物，作為壽誕或結婚之贈禮。此如意作品造形分為上中下三段，上段成靈芝狀，內含雙龍搶珠半立體浮雕，中段呈現草花紋；中心點以濃綠為基底做出如翠綠質感的玉器；下段以福海壽山作為結尾，柄身刻有萬壽無疆篆體四字，柄身底紋採用淺黃底卍字鋪陳。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200906020","MainTitle":"仙人騎鶴","Creator":"天暉寶石公司","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品為南極仙翁。南極仙翁又稱南極老人、長生大帝，是古代神話中的長壽之神，又稱壽星或者老人星。南極仙翁的形象為額禿頂寬、白色長鬍、眉白細目的老人，以白鹿或白鶴為坐騎，持拐杖、仙桃等物，模樣討喜。當仙翁手持壽桃騎著鶴或鹿時，為駕馭獻壽，寓意使人長壽。其形象長久為道家追求長生的一種信仰，常被漢族民間用作年畫的圖案，為吉祥長壽的象徵。本作品為古圖常見的南極仙翁騎鶴形象，仙翁右手持仙桃，左手捧玉如意，騎坐在紅頂白鶴上，猶如翱翔天際一般。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200906021","MainTitle":"仙人騎鶴","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為南極仙翁，又稱南極老人、長生大帝，為古代神話中的長壽之神，又稱壽星或者老人星。其形象為額禿頂寬、白色長鬍、眉白細目的老人。常乘坐白鹿或白鶴，持拐杖、仙桃等物，模樣討喜。當仙翁騎鶴或鹿手持壽桃時，為駕馭獻壽，寓意使人長壽。其形象長久為道教追求長生的一種信仰，常被漢族民間用作年畫圖案，成為吉祥長壽的象徵。本作品為古圖常見的南極仙翁騎鶴形象，仙翁右手持仙桃，左手捧玉如意，騎坐在紅頂鶴上，猶如翱翔天際一般。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200906022","MainTitle":"魚紋瓶","Creator":"陳佐導","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"魚紋瓶特徵為撇口，圓唇，束頸，斜肩向下漸寬，弧腹下收圈足。整體以黑釉為底，器肩至器腹處有一乳白釉色潑灑塊面，其內描繪兩條紅色的魚紋，紅色魚紋呈現藍、紫色的銅發色乳濁分相釉特徵，器腹有多層弦紋，瓶底青釉處落有刻劃「導」與「1985」的字款。魚紋中變化多樣的紅、藍、紫釉色，是由於在燒製的過程中，會經過一系列複雜的窯內氣氛變化，如果這些銅發色乳濁釉的燒成狀況呈現不穩定變化，釉面就會產生不同質感與色澤。\r\n作者陳佐導於1925年出生，江蘇江蔭人，空軍專校飛行科畢業，業餘陶藝多年，退役後擔任多單位陶藝相關的評審，其作品顏色變化多端，尤以復興古代釉與創新的窯變釉，受到陶藝界的讚賞。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200906023","MainTitle":"嬰戲陶偶(六之一)－(六之六)","Creator":"其他-品牌：林氏陶瓷","CreatedYear":"","Size":"001玩具車14*7.5*16、002關刀、11.6*7.5*16、003騎馬11.7*7.5*16、004鞭炮12.5*8*14、005陀螺11.5*8.5*14、006彈珠12*8*10\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這組嬰戲陶偶，是以中國古代小孩的形象，去設計兒童傳統童玩－有騎木馬、拉孔明車、打陀螺、玩炮竹、耍關刀以及玩彈珠等六種。為「精華藝術陶瓷公司」相關子公司開發的玩偶產品。因老闆姓林（林中明先生），所以以「林氏陶瓷」為品牌，並設計以林為符號的商標。1980年代，裝飾陶瓷產業從接受西洋人物造型的外銷訂單，到技術成熟，將人物造型轉變為東方臉孔的中國小孩，並且逐步走向獨立設計，以及品牌的開發與經營。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200906023001","MainTitle":"嬰戲陶偶(六之二)拉孔明車","Creator":"其他-品牌：林氏陶瓷","CreatedYear":"","Size":"001玩具車14*7.5*16、002關刀、11.6*7.5*16、003騎馬11.7*7.5*16、004鞭炮12.5*8*14、005陀螺11.5*8.5*14、006彈珠12*8*10\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDIzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這組嬰戲陶偶，是以中國古代小孩的形象，去設計兒童傳統童玩－有騎木馬、拉孔明車、打陀螺、玩炮竹、耍關刀以及玩彈珠等六種。為「精華藝術陶瓷公司」相關子公司開發的玩偶產品。因老闆姓林（林中明先生），所以以「林氏陶瓷」為品牌，並設計以林為符號的商標。1986年代，裝飾陶瓷產業從接受西洋人物造型的外銷訂單，到技術成熟，將人物造型轉變轉變為東方臉孔的中國小孩，並且逐步走向獨立設計，以及品牌的開發與經營。 \r\n此件嬰戲陶偶由臺灣設計師與技師合作，陶偶的臉部較為素淨圓潤，肢體動作生動，由小孩童牽引著迷你玩具孔明車，眼神相對，饒富趣味，共使用黑、白、橙、深藍、淡青、綠、褐色、土黃等漸層釉色在不同部位。 \r\n(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200906023002","MainTitle":"嬰戲陶偶(六之一)耍關刀","Creator":"其他-品牌：林氏陶瓷","CreatedYear":"","Size":"001玩具車14*7.5*16、002關刀、11.6*7.5*16、003騎馬11.7*7.5*16、004鞭炮12.5*8*14、005陀螺11.5*8.5*14、006彈珠12*8*10\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDIzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這組嬰戲陶偶，是以中國古代小孩的形象，去設計兒童傳統童玩－有騎木馬、拉孔明車、打陀螺、玩炮竹、耍關刀以及玩彈珠等六種。為「精華藝術陶瓷公司」相關子公司開發的玩偶產品。因老闆姓林（林中明先生），所以以「林氏陶瓷」為品牌，並設計以林為符號的商標。為「精華藝術陶瓷公司」相關子公司開發的玩偶產品。因老闆姓林，所以以「林氏陶瓷」為品牌，並設計以林為符號的商標。1980年代，裝飾陶瓷產業從接受西洋人物造型的外銷訂單，到技術成熟，將人物造型轉變轉變為東方臉孔的中國小孩，並且逐步走向獨立設計，以及品牌的開發與經營。 。 \r\n此件嬰戲陶偶由臺灣設計師與技師合作，陶偶的臉部素淨圓潤，肢體動作生動，人偶所拿關刀，使用接合的方式，非一體成形，有點彎曲變形，為美中不足之處，使用黑、白、橙、綠、淡青、黃、灰、土黃等漸層釉色在不同部位。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200906023003","MainTitle":"嬰戲陶偶(六之三)騎木馬","Creator":"其他-品牌：林氏陶瓷","CreatedYear":"","Size":"001玩具車14*7.5*16、002關刀、11.6*7.5*16、003騎馬11.7*7.5*16、004鞭炮12.5*8*14、005陀螺11.5*8.5*14、006彈珠12*8*10\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDIzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這組嬰戲陶偶，是以中國古代小孩的形象，去設計兒童傳統童玩－有騎木馬、拉孔明車、打陀螺、玩炮竹、耍關刀以及玩彈珠等六種。為「精華藝術陶瓷公司」相關子公司開發的玩偶產品。因老闆姓林（林中明先生），所以以「林氏陶瓷」為品牌，並設計以林為符號的商標。1980年代，裝飾陶瓷產業從接受西洋人物造型的外銷訂單，到技術成熟，將人物造型轉變轉變為東方臉孔的中國小孩，並且逐步走向獨立設計，以及品牌的開發與經營。 \r\n此件嬰戲陶偶由臺灣設計師與技師合作，陶偶的臉部素淨圓潤，肢體動作生動，陶偶所騎的木馬與小鞭等配件，以接合的方式完成，呈現出騎木馬的快樂與奔放，共使用黑、白、橙、綠、藍綠、淺褐、海藍、深褐等漸層釉色在不同部位。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200906023004","MainTitle":"嬰戲陶偶(六之五)玩炮竹","Creator":"其他-品牌：林氏陶瓷","CreatedYear":"","Size":"001玩具車14*7.5*16、002關刀、11.6*7.5*16、003騎馬11.7*7.5*16、004鞭炮12.5*8*14、005陀螺11.5*8.5*14、006彈珠12*8*10\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDIzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這組嬰戲陶偶，是以中國古代小孩的形象，去設計兒童傳統童玩－有騎木馬、拉孔明車、打陀螺、玩炮竹、耍關刀以及玩彈珠等六種。為「精華藝術陶瓷公司」相關子公司開發的玩偶產品。因老闆姓林（林中明先生），所以以「林氏陶瓷」為品牌，並設計以林為符號的商標。1980年代，裝飾陶瓷產業從接受西洋人物造型的外銷訂單，到技術成熟，將人物造型轉變轉變為東方臉孔的中國小孩，並且逐步走向獨立設計，以及品牌的開發與經營。 \r\n此件嬰戲陶偶由臺灣設計師與技師合作，陶偶的臉部較為素淨圓潤，肢體動作生動，點放炮竹的表情豐富，以及堵住耳朵的動作，饒富趣味，共使用黑、白、橙、褐、藍等漸層釉色在不同部位。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200906023005","MainTitle":"嬰戲陶偶(六之四)打陀螺","Creator":"其他-品牌：林氏陶瓷","CreatedYear":"","Size":"001玩具車14*7.5*16、002關刀、11.6*7.5*16、003騎馬11.7*7.5*16、004鞭炮12.5*8*14、005陀螺11.5*8.5*14、006彈珠12*8*10\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDIzMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這組嬰戲陶偶，是以中國古代小孩的形象，去設計兒童傳統童玩－有騎木馬、拉孔明車、打陀螺、玩炮竹、耍關刀以及玩彈珠等六種。為「精華藝術陶瓷公司」相關子公司開發的玩偶產品。因老闆姓林（林中明先生），所以以「林氏陶瓷」為品牌，並設計以林為符號的商標。1980年代，裝飾陶瓷產業從接受西洋人物造型的外銷訂單，到技術成熟，將人物造型轉變轉變為東方臉孔的中國小孩，並且逐步走向獨立設計，以及品牌的開發與經營。 \r\n此件嬰戲陶偶由臺灣設計師與技師合作，陶偶的臉部較為素淨圓潤，肢體動作生動，小孩子拉著毛線球逗弄著小白狗，展現頑皮的一面，共使用黑、白、橙、水藍、灰、褐等漸層釉色在不同部位。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200906023006","MainTitle":"嬰戲陶偶(六之六)玩彈珠","Creator":"其他-品牌：林氏陶瓷","CreatedYear":"","Size":"001玩具車14*7.5*16、002關刀、11.6*7.5*16、003騎馬11.7*7.5*16、004鞭炮12.5*8*14、005陀螺11.5*8.5*14、006彈珠12*8*10\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDIzMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這組嬰戲陶偶，是以中國古代小孩的形象，去設計兒童傳統童玩－有騎木馬、拉孔明車、打陀螺、玩炮竹、耍關刀以及玩彈珠等六種。為「精華藝術陶瓷公司」相關子公司開發的玩偶產品。因老闆姓林（林中明先生），所以以「林氏陶瓷」為品牌，並設計以林為符號的商標。1980年代，裝飾陶瓷產業從接受西洋人物造型的外銷訂單，到技術成熟，將人物造型轉變轉變為東方臉孔的中國小孩，並且逐步走向獨立設計，以及品牌的開發與經營。 \r\n此件嬰戲陶偶由臺灣技師創作，陶偶的臉部較為素淨圓潤，肢體動作生動，是陶偶中唯一蹲姿，拿著彈珠正聚精會神瞄準其他彈珠，饒富趣味，共使用黑、白、橙、褐、黃、灰、綠等漸層釉色在不同部位。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200906024","MainTitle":"功夫小孩(二)－(六)","Creator":"陳慶良","CreatedYear":"","Size":"001五指6*4.3*8.5、002二指5.5*6.7、003寶劍5.5*3*7.8、004單腳站立6*4*5.5、005女5.5*3.8*8.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這組功夫小孩（出掌、運指、拔劍、拉筋、踢腿），共五件，但箱子的編號為(二)－(六)，不知為何少了(一)。檯座側面蓋有「1986臺灣泥塑」、「陳慶良」、「慧」等印記，可能是廠商品牌、設計師、原型雕塑師的記號。為「弘新企業有限公司」提供1987年中華民國工藝展展品，由陶藝家陳慶良塑型，五尊小孩造型共同之處，都有領巾、腰帶、功夫裝及功夫鞋。頭部也會隨著功夫動作的不同，而有不同的姿勢，為陳慶良早期作品。後製部模線沒有修整乾淨，面部表情以簡易的筆刀壓刺製造孔洞而成。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200906024001","MainTitle":"功夫小孩(二)出掌","Creator":"陳慶良","CreatedYear":"","Size":"001五指6*4.3*8.5、002二指5.5*6.7、003寶劍5.5*3*7.8、004單腳站立6*4*5.5、005女5.5*3.8*8.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDI0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這組功夫小孩（出掌、運指、拔劍、拉筋、踢腿），共五件，但箱子的編號為(二)－(六)，不知為何少了(一)。檯座側面蓋有「1986臺灣泥塑」、「陳慶良」、「慧」等印記，可能是廠商品牌、設計師、原型雕塑師的記號。為「弘新企業有限公司」提供1987年中華民國工藝展展品，由陶藝家陳慶良塑型，五尊小孩造型共同之處，都有領巾、腰帶、功夫裝及功夫鞋。頭部也會隨著功夫動作的不同，而有不同的姿勢，為陳慶良早期作品。後製部模線沒有修整乾淨，面部表情以簡易的筆刀壓刺製造孔洞而成。\r\n此件功夫小孩為蹲馬步出掌造型，整體以陶土原胎色為主，側邊有明顯模線，眼、耳、鼻、口、眉有用工具修飾壓孔，而頭髮和領巾、腰帶是脫模後另外黏接，領巾、袖子、腰帶、鞋以及頭髮為局部鐵紅釉色。以功夫為主題，陶偶姿勢有霸氣，聚精會神將掌運出。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200906024002","MainTitle":"功夫小孩(三)運指","Creator":"陳慶良","CreatedYear":"","Size":"001五指6*4.3*8.5、002二指5.5*6.7、003寶劍5.5*3*7.8、004單腳站立6*4*5.5、005女5.5*3.8*8.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDI0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這組功夫小孩（出掌、運指、拔劍、拉筋、踢腿），共五件，但箱子的編號為(二)－(六)，不知為何少了(一)。檯座側面蓋有「1986臺灣泥塑」、「陳慶良」、「慧」等印記，可能是廠商品牌、設計師、原型雕塑師的記號。為「弘新企業有限公司」提供1987年中華民國工藝展展品，由陶藝家陳慶良塑型，五尊小孩造型共同之處，都有領巾、腰帶、功夫裝及功夫鞋。頭部也會隨著功夫動作的不同，而有不同的姿勢，為陳慶良早期作品。後製部模線沒有修整乾淨，面部表情以簡易的筆刀壓刺製造孔洞而成。\r\n此件為左彎膝運指造型，主體以原陶胎色為主，側邊有明顯模線，眼、耳、鼻、口、眉有用工具修飾壓孔，而頭髮和領巾、腰帶是脫模後另外黏接，領巾、袖子、腰帶、鞋、眉毛以及頭髮為局部描繪鐵紅釉色。右手設計在腰背後，以凸顯正在運指集氣的態勢。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200906024003","MainTitle":"功夫小孩(四)拔劍","Creator":"陳慶良","CreatedYear":"","Size":"001五指6*4.3*8.5、002二指5.5*6.7、003寶劍5.5*3*7.8、004單腳站立6*4*5.5、005女5.5*3.8*8.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDI0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這組功夫小孩（出掌、運指、拔劍、拉筋、踢腿），共五件，但箱子的編號為(二)－(六)，不知為何少了(一)。檯座側面蓋有「1986臺灣泥塑」、「陳慶良」、「慧」等印記，可能是廠商品牌、設計師、原型雕塑師的記號。為「弘新企業有限公司」提供1987年中華民國工藝展展品，由陶藝家陳慶良塑型，五尊小孩造型共同之處，都有領巾、腰帶、功夫裝及功夫鞋。頭部也會隨著功夫動作的不同，而有不同的姿勢，為陳慶良早期作品。後製部模線沒有修整乾淨，面部表情以簡易的筆刀壓刺製造孔洞而成。 \r\n此件為功夫小孩單腳屈膝拔劍造型，主體以陶土原胎色為主，局部彩繪及暈染。側邊有明顯模線脫模後沒有修飾乾淨，眼、耳、鼻、口、眉毛用工具修飾壓孔，而頭髮和領巾、腰帶是脫模後另外黏接。領巾、袖子、腰帶、鞋、眉毛以及頭髮為局部描繪鐵紅釉色。由於為拔劍的姿勢，頭部與腰部集中在左邊，以呈現寶劍即將出鞘的氣勢。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200906024004","MainTitle":"功夫小孩(五)拉筋","Creator":"陳慶良","CreatedYear":"","Size":"001五指6*4.3*8.5、002二指5.5*6.7、003寶劍5.5*3*7.8、004單腳站立6*4*5.5、005女5.5*3.8*8.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDI0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這組功夫小孩（出掌、運指、拔劍、拉筋、踢腿），共五件，但箱子的編號為(二)－(六)，不知為何少了(一)。檯座側面蓋有「1986臺灣泥塑」、「陳慶良」、「慧」等印記，可能是廠商品牌、設計師、原型雕塑師的記號。為「弘新企業有限公司」提供1987年中華民國工藝展展品，由陶藝家陳慶良塑型，五尊小孩造型共同之處，都有領巾、腰帶、功夫裝及功夫鞋。頭部也會隨著功夫動作的不同，而有不同的姿勢，為陳慶良早期作品。後製部模線沒有修整乾淨，面部表情以簡易的筆刀壓刺製造孔洞而成。\r\n此件為拉筋造型，整體以陶土原胎色為主，側邊有明顯模線，眼、耳、鼻、口、眉有用工具修飾壓孔，而頭髮和領巾、腰帶是脫模後另外黏接，領巾、袖子、腰帶、鞋以及頭髮為局部鐵紅釉色。此尊陶偶較為逗趣，單腳抬腿的面部表情輕鬆，右手朝天，左手輔助左腳，像是打拳前的熱身。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200906024005","MainTitle":"功夫小孩(六)-女娃踢腿","Creator":"陳慶良","CreatedYear":"","Size":"001五指6*4.3*8.5、002二指5.5*6.7、003寶劍5.5*3*7.8、004單腳站立6*4*5.5、005女5.5*3.8*8.2","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDI0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這組功夫小孩（出掌、運指、拔劍、拉筋、踢腿），共五件，但箱子的編號為(二)－(六)，不知為何少了(一)。檯座側面蓋有「1986臺灣泥塑」、「陳慶良」、「慧」等印記，可能是廠商品牌、設計師、原型雕塑師的記號。為「弘新企業有限公司」提供1987年中華民國工藝展展品，由陶藝家陳慶良塑型，五尊小孩造型共同之處，都有領巾、腰帶、功夫裝及功夫鞋。頭部也會隨著功夫動作的不同，而有不同的姿勢，為陳慶良早期作品。後製部模線沒有修整乾淨，面部表情以簡易的筆刀壓刺製造孔洞而成。\r\n此件為唯一的功夫女孩，整體以陶土原胎色為主，側邊有明顯模線，眼、耳、鼻、口、眉有用工具修飾壓孔，而頭髮和領巾、腰帶是脫模後另外黏接。領巾、袖子、腰帶、鞋以及頭髮為局部鐵紅釉色。頭上的髮飾由白陶土黏製而成，利用土色不同來造成色彩變化。此尊女陶偶拳腳並出，有巾幗不讓鬚眉的氣勢。(詮釋委員：鄧淑慧)","ImageUrl":""}
,{"Identifier":"200906025","MainTitle":"牧童(男)","Creator":"陳慶良","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件牧童坐牛，牛腹下方蓋有「1986臺灣泥塑」、「陳慶良」、「慧」等印記，可能是廠商品牌、設計師、原型雕刻師的記號。為「弘新企業有限公司」提供1987中華民國工藝展展品，由陶藝家陳慶良塑型。\r\n主題為牧童兩邊的小髮髻，以及衣服看起來像女孩，但盒子特別註明是男孩。牧童與牛是以個體黏合的方式，並非一體成形，牛的四肢與身體接合處有明顯的模線，延伸至牛尾，此件以陶土原胎色呈現，只有在牛尾中間，以及牧童的頭髮施以鐵紅釉點綴，動作方面，牧童頭部昂揚，快樂的哼著歌，使牛也以開心的腳步往前進，作品反映出早期農業社會的農村樸實的景象。(詮釋委員：鄧淑慧)\r\n","ImageUrl":""}
,{"Identifier":"200906026","MainTitle":"五彩瓶","Creator":"光華明電(股)公司","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"圖中這一件花瓶被稱為五彩瓶，係因以鈷藍為底色的瓶身，滿佈由多種色彩構成的裝飾圖紋來命名。瓶身的腹部，安排有三大幅以番蓮花纏枝圖騰為主的對稱形式單獨模樣，裡頭穿插著蝙蝠、壽桃、石榴及靈芝等象徵招福納吉之各式圖案。瓶頸靠近肩部的地方，安排了一整圈象徵富貴的牡丹圖案。瓶頸的位置，飾以象徵為官榮華的雲紋圖案。整個瓶身的造形由兩個非幾何線條的凹、凸弧形構成，呈敞口、收復狀，肩部突顯。\r\n瓶身內部施以透明釉，顯出瓷土潔白的本色，優質的瓷土品質從瓶底未上釉的圈足部位得以窺見，本燒的燒成溫度約為1,250℃，質地堅硬。裝飾圖紋的部分是採用貼花轉印的技法，經由約820℃左右的二次燒烤，將釉色定著於已燒成的鈷藍釉色表面，包括瓶口的手繪描金線條。\r\n這是一只傳統造形、古典圖騰裝飾的精緻花瓶，因為做工與燒成品質俱佳又有木座陪襯，如果沒有插花時，可以當作藝術擺飾品欣賞。早期多以外銷為主。(詮釋委員：盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200906027","MainTitle":"花開富貴夜燈","Creator":"光華明電(股)公司","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"我們都知道骨灰瓷（bone china）製品的質感頗受使用者喜愛，乳白溫潤，胎薄輕盈，半透\r\n光性。本圖中的這一件〈花開富貴夜燈〉作品即應用以上所述材質特性，加上象徵富貴的牡丹花沒骨水墨畫為裝飾圖案，配上燈座、電源線、插頭及線間開關，可以調整白熾燈光源的明暗，極富溫馨氣氛，具情境燈效果，適合床頭、起居室及玄關等空間使用。當它未通上電流的情況下，可以直接欣賞該作品的精緻美感，具擺飾作用。\r\n就技術上而言，瓷土加入適量（36~46%）的優質牛骨粉，土質黏性低不適合手拉坯的製作方式，可以採用注漿法或鏇坯的方式成形，但是會讓瓷土的燒結溫度降低，重量減輕，又稱軟性瓷器。因為氧化燒加上骨粉原料的關係，燒成的器物其質地色澤明顯呈乳白狀，深受使用者喜愛。早期的產業型態，大部分產品以外銷為主。(詮釋委員：盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200906028","MainTitle":"富貴雙喜","Creator":"陳春明","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"談到竹雕，我們在臺北的故宮博物院裡頭可以看到一些明、清時代雋永的竹雕筆筒作品，\r\n件件都保存得很好，而臺灣目前也有不少竹雕工藝家從事此方面的創作。民國七十年，曾經榮獲國家文藝獎的陳春明老師，在他那高風亮節的竹雕世界裡，除了搭配茶道的用具之外，於竹雕藝術方面的創作亦不計其數，件件栩栩如生。\r\n圖中這一幅「富貴雙喜」花鳥山水畫竹管剖半的雕刻對聯，取蘇州園林古建築的開窗形式為圖框，從窗口往外探視，充滿著大自然景色，雖然題材內容常見於一般的國畫，但是要將畫面安排在竹管有限的狹長空間裡，雕出無限的想像，還是必須費盡巧思；於竹管肉厚有限的天然條件下，表現技法採用接近立體的半浮雕，誠屬不易，加上刀法純熟、乾淨俐落，充分展現竹材特有的質感，與繪畫用筆有截然不同的意境。\r\n通常臺灣的竹藝雕刻家們會選擇於冬季結束前，採伐四至五年生的成熟孟宗竹，經過清洗及防蛀、防腐處理，待其充分乾燥後才能開始雕刻實務，最後還要做好表面處理的塗裝工作。\r\n這組作品雖屬成對創作，也適宜單件使用。倘若成對使用，最好是在兩者之間搭配一幅書畫則視覺效果當更佳；若單獨使用，可以選擇室內有柱子的位置掛上，極為適合。（詮釋委員：盧祥華）\r\n","ImageUrl":""}
,{"Identifier":"200906028001","MainTitle":"富貴雙喜","Creator":"陳春明","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDI4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"談到竹雕，我們在臺北的故宮博物院裡頭可以看到一些明、清時代雋永的竹雕筆筒作品，\r\n件件都保存得很好，而臺灣目前也有不少竹雕工藝家從事此方面的創作。民國七十年，曾經榮獲國家文藝獎的陳春明老師，在他那高風亮節的竹雕世界裡，除了搭配茶道的用具之外，於竹雕藝術方面的創作亦不計其數，件件栩栩如生。\r\n圖中作品為「富貴雙喜」花鳥山水畫竹管剖半的雕刻對聯之一，取蘇州園林古建築的開窗形式為圖框，從窗口往外探視，充滿著大自然景色，雖然題材內容常見於一般的國畫，但是要將畫面安排在竹管有限的狹長空間裡，雕出無限的想像，還是必須費盡巧思；於竹管肉厚有限的天然條件下，表現技法採用接近立體的半浮雕，誠屬不易，加上刀法純熟、乾淨俐落，充分展現竹材特有的質感，與繪畫用筆有截然不同的意境。\r\n通常臺灣的竹藝雕刻家們會選擇於冬季結束前，採伐四至五年生的成熟孟宗竹，經過清洗及防蛀、防腐處理，待其充分乾燥後才能開始雕刻實務，最後還要做好表面處理的塗裝工作。\r\n本作品雖為成對創作，也適宜單件使用，可以選擇室內有柱子的位置掛上，極為適合。（詮釋委員：盧祥華）\r\n","ImageUrl":""}
,{"Identifier":"200906028002","MainTitle":"富貴雙喜","Creator":"陳春明","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDI4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"談到竹雕，我們在臺北的故宮博物院裡頭可以看到一些明、清時代雋永的竹雕筆筒作品，\r\n件件都保存得很好，而臺灣目前也有不少竹雕工藝家從事此方面的創作。民國七十年，曾經榮獲國家文藝獎的陳春明老師，在他那高風亮節的竹雕世界裡，除了搭配茶道的用具之外，於竹雕藝術方面的創作亦不計其數，件件栩栩如生。\r\n圖中作品為「富貴雙喜」花鳥山水畫竹管剖半的雕刻對聯之二，取蘇州園林古建築的開窗形式為圖框，從窗口往外探視，充滿著大自然景色，雖然題材內容常見於一般的國畫，但是要將畫面安排在竹管有限的狹長空間裡，雕出無限的想像，還是必須費盡巧思；於竹管肉厚有限的天然條件下，表現技法採用接近立體的半浮雕，誠屬不易，加上刀法純熟、乾淨俐落，充分展現竹材特有的質感，與繪畫用筆有截然不同的意境。\r\n通常臺灣的竹藝雕刻家們會選擇於冬季結束前，採伐四至五年生的成熟孟宗竹，經過清洗及防蛀、防腐處理，待其充分乾燥後才能開始雕刻實務，最後還要做好表面處理的塗裝工作。\r\n本作品雖為成對創作，也適宜單件使用，可以選擇室內有柱子的位置掛上，極為適合。（詮釋委員：盧祥華）\r\n","ImageUrl":""}
,{"Identifier":"200906029","MainTitle":"喜從天降","Creator":"陳春明","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"談到竹雕，我們在臺北的故宮博物院裡頭可以看到一些明、清時代雋永的竹雕筆筒作品，\r\n件件都保存得很好，而臺灣目前也有不少竹雕工藝家從事此方面的創作。民國七十年，曾經榮獲國家文藝獎的陳春明老師，在他那高風亮節的竹雕世界裡，除了搭配茶道的用具之外，於竹雕藝術方面的創作亦不計其數，件件栩栩如生。\r\n圖中這一幅「喜從天降」竹管剖半雕刻作品，取蘇州園林古建築的書卷造形開窗為圖框，從窗口往外探視，充滿著大自然田園景色，內容主要描寫兩隻小雞仰頭巧遇蜘蛛放絲下墜接近地面，創作者為了要將畫面安排在竹管有限的狹長空間裡，雕出無限的想像，還是必須費盡巧思，誠屬不易。本作品巧妙運用竹管材料厚度與竹材直向纖維天然條件，表現技法採用細線條立體透雕與立體淺浮雕並用，加上刀法純熟、乾淨俐落，充分展現竹材特有的質感。\r\n通常臺灣的竹藝雕刻家們會選擇於冬季結束前，採伐四至五年生的成熟孟宗竹，經過清洗及防蛀、防腐處理，待其充分乾燥後才能開始雕刻實務，雕刻部分完成後還要做好表面處理的塗裝工作，然後裝上木料材質的外框，即大功告成。\r\n這件作品適宜掛在室內空間較窄的牆面上，此外也適合與多幅同樣型式，不同題材的類似作品，安排於室內寬廣的牆面上，掛在一起欣賞，類似連作。(詮釋委員：盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200906030","MainTitle":"菜根香","Creator":"陳春明","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"談到竹雕，我們在臺北的故宮博物院裡頭可以看到一些明、清時代雋永的竹雕筆筒作品，\r\n件件都保存得很好，而臺灣目前也有不少竹雕工藝家從事此方面的創作。民國七十年，曾經榮獲國家文藝獎的陳春明老師，在他那高風亮節的竹雕世界裡，除了搭配茶道的用具之外，於竹雕藝術方面的創作亦不計其數，件件栩栩如生。\r\n圖中這一幅「菜根香」竹管剖半雕刻作品，取蘇州園林古建築的書卷造形開窗為圖框，從窗口往外探視，充滿著大自然田園景色；內容以甘藍菜為主題包含茄子和帶夾的花生，創作者為了要將畫面安排在竹管有限的狹長空間裡，雕出無限想像，還是必須費盡巧思，誠屬不易。本作品巧妙運用竹管材料厚度與竹材直向纖維天然條件，表現技法採用扁平狀立體透雕，充分展現三樣蔬果的特色與竹材特有的質感，加上刀法純熟、乾淨俐落，值得細細品味。\r\n通常臺灣的竹藝雕刻家們會選擇於冬季結束前，採伐四至五年生的成熟孟宗竹，經過清洗及防蛀、防腐處理，待其充分乾燥後才能開始雕刻實務，雕刻部分完成後還要做好表面處理的塗裝工作，然後裝上木料材質的外框，即大功告成。\r\n這件作品適宜掛在室內空間較窄的牆面上，此外也適合與多幅同樣型式，不同題材的類似作品，安排於室內寬廣的牆面上，掛在一起欣賞，類似連作。(詮釋委員：盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200906031","MainTitle":"竹籤吊燈組","Creator":"禮山竹器有限公司","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"民國五O ~ 七O年代，臺灣的竹工藝產業外銷興盛，圖中所示產品「竹籤吊燈組」即為當\r\n時眾多品目當中的一項，禮山竹器有限公司在負責人賴進益老師的帶領下，對新產品的開發非常積極，曾經推出不少優秀的竹藝產品。\r\n這一件「竹籤吊燈組」由三個單元的竹製燈罩群組而成，每一個燈罩的主體皆取竹材製作，桂竹材料富彈性、張力強，適合劈裂、彎曲及抽取竹籤；孟宗竹材料肉厚、富韌性，適合彎曲、製作竹圈。上下段的竹籤末端都繞了一個小半圈，看似單純卻值得注意，因為竹籤與中間大竹圈的插入結合點，做了巧妙的錯位，讓多數量的竹籤群產生自然有趣的律動感與結構性美感。本作品適宜掛在玄關入口處的角落，是為照明燈具也是掛飾品。\r\n\r\n此外，因為本作品的每一個單元之量體不大，如果要掛在起居室或比較高、大的空間，可以考慮增加單元數量，同樣採取錯落的安排方式，吊掛長度可以視空間的實際狀況調整，上頭竹圈的直徑有必要放大，或改用鐵絲材質製作。\r\n原作為了美化電纜線，穿上了去掉竹節的煙燻細竹管，因為竹管的直徑略粗加上深顏色的關係，與單元燈具的比重顯得有欠協調；或許捨棄煙燻細竹管，將電源線改為橡膠絕緣黑色棉質紗布包覆的傳統電纜，則益顯工藝品的精緻感覺。(詮釋委員：盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200906032","MainTitle":"雙龍圓屏(雙龍戲珠)","Creator":"宛其企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"龍是傳說中之神物，具有天上飛禽、地面走獸、水中魚蝦各類動物之身體特徵及神奇能力；天上飛奔，陸上馳騁與潛游大海，樣樣超絕，也是尊貴權威之象徵。\r\n龍既為傳說中之吉祥物，其造型則極盡多樣之變化；據《爾雅‧翼》龍「角似鹿、頭似駝、眼似鬼、耳似牛、項似蛇、腹似蜃、麟似鯉、爪似鷹、掌似虎」其中「眼似鬼」、「腹似蜃」只可會意無法言傳。(引自施鎮洋‧李榮聰合著《鹿港龍山寺‧天后宮木雕藝術蓋覽》203、207頁)\r\n戲珠之雙龍一從雲霧而降、一從浩瀚大海裡而昇。將龍三大神奇一次同時呈現海與天無際的空間，可見圖騰的原創者有夠神！說他將無限大的空間玩於股掌之間也不為過。本作品採透雕也就鏤空雕工法施之，刀工精準高低得宜，充分呈現景深與立體效果，施於微量水性顏料凸顯視覺美感，值得細細觀賞。(詮釋委員：施鎮洋)\r\n","ImageUrl":""}
,{"Identifier":"200906033","MainTitle":"牡丹雙鳳屏(榮華富貴)","Creator":"宛其企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"台灣俗稱「牡丹鳳」代表文明太平、富貴吉祥，也是祝賀新婚夫婦「鷥鳳和鳴」，比喻兩人恩愛和諧，得享榮華富貴生活。\r\n傳說鳳凰不啄活蟲、不折生草、不群居、不去汙穢處、無羅網之難，非梧桐不居、非竹不食、非靈泉不飲、飛則百鳥從之。鳳凰為仁德祥禽，見則天下和。\r\n牡丹花代表四季花卉之「春」是百花之王，比喻為雍容華貴，若以形容女性則喻為「絕世美人」、「國色天香」等美語稱讚。歷史中國稱為「國花」，尤其唐明皇特別寵愛，後世稱唐明皇為「牡丹花神」。\r\n本作品以透雕技法施之，框以抽象花朵串成一環成為圓框，刀工熟練，使牡丹花欉花朵盛開相互鬥豔搖曳生姿，頗有風韻。鳳凰雕鑿得宜體態逼真神傳，相互細語，一幅溫馨恩愛的花鳥世界。塗上適量水性顏料，增強表象更加嬌豔嫵媚亮眼，宛然盛事太平，榮華富貴之貌。(詮釋委員：施鎮洋)\r\n","ImageUrl":""}
,{"Identifier":"200906034","MainTitle":"菓子缽(一)-(四)","Creator":"漢三木業有限公司","CreatedYear":"","Size":"001同心木紋123*23*5、002原木紋18*18*5、003紅底黑邊20.7*20.7*5、004木紋邊加咖啡漆21.2*21.2*5","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此四件菓子缽為外銷日本所委託製作的商品，器型及色彩也多為委託製作商按照『日本之美』型錄中登錄的形式來訂製。\r\n這種表面噴上塗料漆的菓子缽，因為不是要承裝熱湯及直接接觸到高熱，所以直接於使用前後，用水直接清洗後再用布擦拭，即能完成日常清潔。加上大多使用在平日放水果餅乾以及祭祀時放牲禮供品用途，所以需求量大。\r\n台灣在1987年因為水土保持環境保護而頒佈了林木禁筏令，這其中材質輕軟的木材雜木（闊葉木材的商品名稱）如楠木、泡桐木等的木材因為量多易取得且加工容易，而大樣用於量產木製品。選用重量約為100公克左右的木材，使用上輕盈便利也是製作時的考量。裝飾色彩上大多以保留原木木紋，或是簡單的黑紅配置，沒有太多的圖案花紋裝飾，也是這時期菓子缽親民的風格特色。(詮釋委員：李本育)\r\n","ImageUrl":""}
,{"Identifier":"200906034001","MainTitle":"菓子缽(一)-(四)-同心木紋","Creator":"漢三木業有限公司","CreatedYear":"","Size":"001同心木紋123*23*5、002原木紋18*18*5、003紅底黑邊20.7*20.7*5、004木紋邊加咖啡漆21.2*21.2*5","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDM0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此作品是以加拿大白楓木來製作菓子缽器型。\r\n缽面底部的同心圓車痕線是一種稱為「千筋」的圖案，除了有裝飾的作用外，也藉由這種旋轉車出的凹痕線，來達到破壞木材纖維的筋性以增強木胎體日後變形的可能性。「千筋」的圈數，線與線的間距並無一定的形制，完全依據委託製作商的指定而製作，因此有許多變化的多樣性。\r\n缽表面這種仍保留清晰可見木紋理的塗裝方式稱為「木目塗」，是在原木上研磨後先做淺色木浸泡染色的步驟後，再施以研磨塗裝。染色的目的除了讓木胎體看起來具有內斂及高貴感外，同時預防在長期使用後，若表面塗裝漆剝落，木胎體仍能保留著色澤。(詮釋委員：李本育)\r\n","ImageUrl":""}
,{"Identifier":"200906034002","MainTitle":"菓子缽(一)-(四)-原木紋","Creator":"漢三木業有限公司","CreatedYear":"","Size":"001同心木紋123*23*5、002原木紋18*18*5、003紅底黑邊20.7*20.7*5、004木紋邊加咖啡漆21.2*21.2*5","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDM0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"缽表面這種仍保留清晰可見木紋理的塗裝方式稱為「木目塗」，是在原木上研磨後先做淺色木浸泡染色的步驟後，再施以研磨塗裝。染色的目的除了讓木胎體看起來具有內斂及高貴感外，同時預防在長期使用後，若表面塗裝漆剝落，木胎體仍能保留著色澤。\r\n這種表面噴上塗料漆的菓子缽，因為不是要承裝熱湯及直接接觸到高熱，所以直接於使用前後，用水直接清洗後再用布擦拭，即能完成日常清潔。加上大多使用在平日放水果餅乾以及祭祀時放牲禮供品用途，所以需求量大。(詮釋委員：李本育)\r\n","ImageUrl":""}
,{"Identifier":"200906034003","MainTitle":"菓子缽(一)-(四)-紅底黑邊","Creator":"漢三木業有限公司","CreatedYear":"","Size":"001同心木紋123*23*5、002原木紋18*18*5、003紅底黑邊20.7*20.7*5、004木紋邊加咖啡漆21.2*21.2*5","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDM0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此作品是以楠木來製作菓子缽器型，缽外表面雕刻成似龜甲殼的木雕質感，稱為「大龜甲」雕。\r\n車床車出缽型及底部圈足，再以手工雕刻表面，看似規律卻有手感的質感，同時必須注意缽口緣以及圈足寬度的平衡，是一件需有工藝技術的漆產品。\r\n缽內在處理底灰時，參考日本會津當地的做法，用碳粉取代粗灰，除了有保護胎體的作用外，還能達到隔熱的效果。所以這也是一件可以裝熱食的漆器。\r\n這件商品除了有車床的生產技術及黑紅的色漆裝飾外，又兼具木雕的工藝，是一件較耗工又有設計感的漆工藝商品。(詮釋委員：李本育)\r\n","ImageUrl":""}
,{"Identifier":"200906034004","MainTitle":"菓子缽(一)-(四)-木紋邊加咖啡漆","Creator":"漢三木業有限公司","CreatedYear":"","Size":"001同心木紋123*23*5、002原木紋18*18*5、003紅底黑邊20.7*20.7*5、004木紋邊加咖啡漆21.2*21.2*5","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDM0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此作品是以楠木來製作，缽緣外翻的造型有個特別的名稱稱作「羽帆型」。\r\n台灣在1987年因為水土保持環境保護而頒佈了林木禁筏令，這其中材質輕軟的木材雜木（闊葉木材的商品名稱）如楠木、泡桐木等的木材因為量多易取得且加工容易，而大樣用於量產木製品。\r\n 選用重量約為100公克左右的木材，使用上輕盈便利也是製作時的考量。裝飾色彩上大多以保留原木木紋，或是簡單的黑紅配置，沒有太多的圖案花紋裝飾，也是這時期菓子缽親民的風格特色。\r\n 口緣的紅色漆，是當時日本齋藤公司所販賣的一種無毒性可用於食器的合成天然漆。(詮釋委員：李本育)\r\n","ImageUrl":""}
,{"Identifier":"200906035","MainTitle":"四季吉祥","Creator":"陳夏生","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"位於東南西北方的羊首圖案寓意四季吉祥，其間隔有多重耳圈上編有酢漿草結的團錦結，狀似蝴蝶，八方輻射猶如藻井文飾。\r\n作品中央的大圈是多個耳圈編成的大團錦結，在編製此大團錦結時，分別在耳圈上：1.編金鐘結並飾以酢漿草結而成羊首形狀的結體。2.編六耳翼的團錦結。3.編六耳翼團錦結，同時在其上方耳圈綴個雙聯結，再加編飾有酢漿草結的團錦結。4.編六耳翼團錦結。如此反覆編完一周，線頭貫穿至圓內，完成中心點的團錦結。\r\n畫面上，拉長結體的耳翼，使成弧狀、圈狀或直線條，不僅讓緊實、塊狀的結體更生動，造形也趨於圖案的需求。\r\n(詮釋委員：簡玲亮、馮瓊珠)","ImageUrl":""}
,{"Identifier":"200906036","MainTitle":"並蒂","Creator":"陳夏生","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"兩個回菱結是方框的主結構；利用盤長結的基本編法，變化線路而形成中空的四方結形。中空處則以回菱結內圍的耳翼互編綰成位於中央的盤長結，耳翼線條交錯，有緻地似花瓣形，與回菱結外圍角的多圈耳翼團錦結，呼應著朵朵花開的溫馨祝福。\r\n這幅可掛飾於室內的作品，裱褙底色襯出結體更鮮明，棉質圓編帶的線材，一股曖曖含光的質地。但，最重要的是結體在畫面上佔有之比例、線條粗細如何，都是製作者要貫通的設計；用一條線從頭到尾完成所有的結體，則需根據線路的盤繞以及耳翼拉出的長短做為裝飾用所要的線材總長，計算無誤才可。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"200906037","MainTitle":"結飾","Creator":"陳夏生","CreatedYear":"","Size":"001(大三角)、002","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"結縄是古老人類的記事行為，隨生活中由綁固之需求而至裝飾美化，逐漸地應用在服飾、傢俱、器物、日常用具等結飾，除色彩、材質、造形襯托物件之美外，寓意有吉慶、如意、長壽、團錦、同心、十全等來祝福人生。\r\n結飾是一項傳統技藝，結子由單一基本結到複雜的變化結，呈現創作者心思縝密手法，熟練結體的線路，更要瞭解在何點與他方線段連結，編抽拉緊成符合設計的結體。而線材的粗細、軟硬、光澤、平滑、粗糙、凹凸、扁圓、樸實等質地，加以色彩的輝映都是重要選擇。線材有絲、棉、麻、尼龍等纖維，另金屬線、皮線、塑膠管線又有不同風味的表現。\r\n此兩件結飾之材質、色彩相同，結體局部編出立體狀。無論掛飾於壁面或佩繫長衫、長簾、器物上都可組合配對。（詮釋委員：簡玲亮、馮瓊珠）\r\n","ImageUrl":""}
,{"Identifier":"200906037001","MainTitle":"結飾","Creator":"陳夏生","CreatedYear":"","Size":"001(大三角)、002","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDM3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"將線對折，可形成吊掛用的長耳，也是編綰所需的兩個線頭；用圓編帶之線材，依順序雙聯結、酢漿草結、雙聯結、盤長結編後，將三個酢漿草結橫列編成，並預留左右兩邊酢漿草結的耳翼，做為進入回菱結內的線條。編綰回菱結時各將四邊外圍中點處的耳翼拉長與內圍各邊取一耳翼共編酢漿草結，同時帶有酢漿草結的耳翼也互為鈎連，佈於回菱結中空處，攀在結體上的耳翼線條高高地浮出，鏤空凸成立體。回菱結外圍的左右角及下方都是酢漿草結的編製。再編盤長結、雙聯結使與上方對稱。兩線頭往下，簡單以雙聯結、酢漿草結、雙聯結裝飾著，接續在鈕扣結中另加線，下段成了四條線，將線材末端鬆開打散，毛茸的質感雖輕，但展開面狀的分量！（詮釋委員：簡玲亮、馮瓊珠）\r\n","ImageUrl":""}
,{"Identifier":"200906037002","MainTitle":"結飾","Creator":"陳夏生","CreatedYear":"","Size":"001(大三角)、002","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDM3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"留出長耳圈後，以雙聯結構成顆粒狀開始，再編盤長結、酢漿草結，然後是利用鈕扣結三面外圍的線段分別在水平、垂直方向編出酢漿草結，形成鈕扣結為主的立體結體。\r\n雙聯結之後，當編綰盤長結時，1.在左右角處編立體鈕扣結。2.編與最上方同大小的盤長結。兩線頭往下，編似繡絿花造形的結體；3.上方三個酢漿草結橫向排列，左右耳圈拉長，準備與圓周左右方的酢漿草結編繞成雙錢結。4.兩線頭入圓心處編綰團錦結，利用其耳翼編圈內的酢漿草結及圓周左右方、下方的酢漿草結、雙錢結。5.編雙聯結、鈕扣結。\r\n兩線頭往下間隔一段長度後，以雙聯結、酢漿草結、雙聯結點綴、變化。直至尾端每條線頭各編一個鈕扣結，下方線材鬆開打散，呈現毛茸纖維的輕盈。（詮釋委員：簡玲亮、馮瓊珠）\r\n","ImageUrl":""}
,{"Identifier":"200906038","MainTitle":"結飾","Creator":"陳夏生","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"一個結體引人入勝之點，在於如何將編綰時的轉折處拉出長度或再編副結，增添造形與線條之美。\r\n留出耳圈，在藻井結上下方綴以雙聯結後，續編上方左右角各編有酢漿草結的三才結；三才結乃盤長結的變化，形似三角，也很厚實。往下編雙聯結、團錦結，拉長團錦結左右上方耳翼與三才結下方的耳翼互編成雙錢結。最後鈕扣結的線頭入穗子中固定。穗頭內是硬挺的中空管狀物，將經線掛滿圓周後，緯線依「吉」字圖案穿梭在經線的上下。穗子也呈現裝飾效果，採平滑柔軟的材質，搭配於服裝上，隨人體動作搖曳，韻味非常。\r\n在簾帳、古玩、器物、燈飾等有結飾的添加，除視覺的精緻，觸感也豐富。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"200906039","MainTitle":"結飾","Creator":"陳夏生","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品以壽的「 」圖形與寓「慶」的磬結，也用團錦結的耳翼有如朵朵盛開的花瓣，很燦爛地祝賀生日快樂及生命成長的喜悅。\r\n先留出耳圈後，1.以雙聯結、酢漿草結、雙聯結編於大團錦結之上下方，除裝飾外亦是支撐力量點。而大團錦結是多耳翼的編綰，在左右方各編由四個酢漿草結形成的如意結。因耳翼多，其中心有較大的鏤空。2.編磬結，利用左右上方角的耳翼編酢漿草結，而左右下方角的耳翼延伸出由酢漿草結編成的 字結及鈕扣結。最後，兩線頭在磬結正中處完成雙錢結，並將餘線藏入結體內。\r\n穗子使整個作品比例更美；除修長、光亮、平滑、柔軟的經線外，穿梭成斜紋樣的穗頭承接著上方層層耳圈與結體。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"200906040","MainTitle":"結飾","Creator":"鳳儀中國結飾中心","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是可掛於壁面或垂吊在空間的結飾裝置品，材質光澤亮麗，厚實的結體與柔軟穗子互為對稱平衡。\r\n上方以顆粒狀的鈕扣結開始，1.編粉色的磬結與墨綠色的盤長結，其中在左右兩邊拉出粉色酢漿草結，正中處編團錦結。2.圓框下的結體與上方的組合大致相同，只是在磬結上方左右耳翼多編一個酢漿草結，以增加在圓框上的連結點。3.圓心是小巧的團錦結綴以亮珠，圍繞有六朵橙色團錦結，最外圍的六個棕色磬結呈塊狀分佈，還以橙色線滾邊裝飾外廓，圈內的色彩有了層次。\r\n4.一面將墨綠色線材以穿梭掛結法套住圓框，一面在適當的位置連結住上方、下方、圈內的結體。瓷珠、長度比例合宜的穗子構成整體美，充滿吉慶的喜氣。(詮釋委員：簡玲亮、馮瓊珠)\r\n","ImageUrl":""}
,{"Identifier":"200906041","MainTitle":"水牛(一)-(四)","Creator":"國頂實業股份有限公司","CreatedYear":"","Size":"001翹腳的牛27*16.3*19.5、002頭朝左的牛33*10.5*20.5、003頭朝右的牛34*10*19.5、004無法站立36*12.5*20.5","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"四隻水牛，體態姿勢互異，構成水牛群像。水牛是臺灣農村生活與鄉土情感的表徵，創作者採用鄉土寫實主義的手法，呈現出具台灣土地情感的水牛擺飾。四隻水牛，體態飽滿，筋肉結實，目光炯炯，相互凝視，構成一幅有趣的互動群像。他(她)們彼此交錯站立，四方環視之中眼神相遇，經由前方母水牛的搔癢動作牽引，年輕小牛轉頭向右或向左，後方老公牛則仰頭傾身，引頸前盼。每一隻水牛均為一獨立個體，就動態擺設的概念而言，群體之中具備靈活的機動性，可以成群，亦可成雙，甚或孤獨對影，自得其樂。牛隻以雕塑鑄造工法製成，經由泥塑、模具翻製、注蠟、蠟件原形、殼模、高溫燒結、熔金、金屬澆注、脫模修整，最終完成鑄件。(詮釋委員：康立穎)","ImageUrl":""}
,{"Identifier":"200906041001","MainTitle":"水牛(一)-(四)-翹腳的牛","Creator":"國頂實業股份有限公司","CreatedYear":"","Size":"001翹腳的牛27*16.3*19.5、002頭朝左的牛33*10.5*20.5、003頭朝右的牛34*10*19.5、004無法站立36*12.5*20.5","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDQxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"四隻水牛擺件之一，翹腳的牛。牛隻低頭左傾，左後腳前伸搔癢，應是想要扒除牛蜱或牛蚤，連牛屁股上的尾巴也向左側揮動了起來。四隻水牛，體態姿勢互異，構成水牛群像。水牛是臺灣農村生活與鄉土情感的表徵，創作者採用鄉土寫實主義的手法，呈現出具台灣土地情感的水牛擺飾。水牛體態飽滿，筋肉結實，目光炯炯，相互凝視，構成一幅有趣的互動群像。他(她)們彼此交錯站立，四方環視之中眼神相遇，經由前方母水牛的搔癢動作牽引，年輕小牛轉頭向右或向左，後方老公牛則仰頭傾身，引頸前盼。每一隻水牛均是一獨立個體，就動態擺設的概念而言，群體之中具備靈活的機動性，可以成群，亦可成雙，甚或孤獨對影，自得其樂。(詮釋委員：康立穎)","ImageUrl":""}
,{"Identifier":"200906041002","MainTitle":"水牛(一)-(四)-頭朝左的牛","Creator":"國頂實業股份有限公司","CreatedYear":"","Size":"001翹腳的牛27*16.3*19.5、002頭朝左的牛33*10.5*20.5、003頭朝右的牛34*10*19.5、004無法站立36*12.5*20.5","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDQxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"四隻水牛擺件之二，頭朝左的牛。牛隻低頭左傾，朝向左前方凝視，應是受到左前方牛隻的動作吸引，四肢仍然沿原有方向穩定站立，但牛頭卻止不住好奇的左轉了。水牛是臺灣農村生活與鄉土情感的表徵，創作者採用鄉土寫實主義的手法，呈現出具台灣土地情感的水牛擺飾。水牛體態飽滿，筋肉結實，目光炯炯，相互凝視，構成一幅有趣的互動群像。他(她)們彼此交錯站立，四方環視之中眼神相遇，經由前方母水牛的搔癢動作牽引，年輕小牛轉頭向右或向左，後方老公牛則仰頭傾身，引頸前盼。每一隻水牛均是一獨立個體，就動態擺設的概念而言，群體之中具備靈活的機動性，可以成群，亦可成雙，甚或孤獨對影，自得其樂。(詮釋委員：康立穎)","ImageUrl":""}
,{"Identifier":"200906041003","MainTitle":"水牛(一)-(四)-頭朝右的牛","Creator":"國頂實業股份有限公司","CreatedYear":"","Size":"001翹腳的牛27*16.3*19.5、002頭朝左的牛33*10.5*20.5、003頭朝右的牛34*10*19.5、004無法站立36*12.5*20.5","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDQxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"四隻水牛擺件之三，頭朝右的牛。牛隻低頭右傾，朝向右前方凝視，應是受到右前方牛隻的動作吸引，四肢沿原有方向站立，身體微向右傾，右後腳略為前伸，蠢蠢欲動；但牛頭止不住好奇的先右轉了。水牛是臺灣農村生活與鄉土情感的表徵，創作者採用鄉土寫實主義的手法，呈現出具台灣土地情感的水牛擺飾。水牛體態飽滿，筋肉結實，目光炯炯，相互凝視，構成一幅有趣的互動群像。他(她)們彼此交錯站立，四方環視之中眼神相遇，經由前方母水牛的搔癢動作牽引，年輕小牛轉頭向右或向左，後方老公牛則仰頭傾身，引頸前盼。每一隻水牛均是一獨立個體，就動態擺設的概念而言，群體之中具備靈活的機動性，可以成群，亦可成雙，甚或孤獨對影，自得其樂。(詮釋委員：康立穎)","ImageUrl":""}
,{"Identifier":"200906041004","MainTitle":"水牛(一)-(四)-無法站立","Creator":"國頂實業股份有限公司","CreatedYear":"","Size":"001翹腳的牛27*16.3*19.5、002頭朝左的牛33*10.5*20.5、003頭朝右的牛34*10*19.5、004無法站立36*12.5*20.5","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDQxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"四隻水牛擺件之四，無法站立的牛。牛隻頭朝向前方拉長了身子，仰頭傾身，引頸前盼，應是受到前方牛隻的吸引，四肢沿原有方向站立，身體卻因極度前伸，重心前移，顯得站立不住了。水牛是臺灣農村生活與鄉土情感的表徵，創作者採用鄉土寫實主義的手法，呈現出具台灣土地情感的水牛擺飾。水牛體態飽滿，筋肉結實，目光炯炯，相互凝視，構成一幅有趣的互動群像。他(她)們彼此交錯站立，四方環視之中眼神相遇，經由前方母水牛的搔癢動作牽引，年輕小牛轉頭向右或向左，後方老公牛則仰頭傾身，引頸前盼。每一隻水牛均是一獨立個體，就動態擺設的概念而言，群體之中具備靈活的機動性，可以成群，亦可成雙，甚或孤獨對影，自得其樂。(詮釋委員：康立穎)","ImageUrl":""}
,{"Identifier":"200906042","MainTitle":"剔紅牡丹圓盤","Creator":"信三企業公司","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是一件雕漆漆器作品，使用木材製造內胎。木料採陳年舊料才比較不容易發生乾裂和變形。雕漆漆器的工藝製造，是一個相當複雜的過程，由於製造的手工性、雕刻的複雜性、技巧的專門性、藝術的獨特性，使得雕漆作品從設計到成品的製成，必須由許多手工藝人經過若干道步驟才能完成。\r\n這件作品在花卉雕刻的背景上是用「錦紋雕刻」，錦紋工細、規整、種類繁多、大小變化，所以在\"交叉對刀剔除法\"的基礎上，運刀施刀的方法是千變萬化的，密密麻麻如織錦般的重複細緻紋理，襯托出大面雕刻花卉的主題。\r\n雕漆作品漆塗層肥厚，刀口圓熟造型古樸莊重，紋飾精美考究，色澤光潤，形態典雅，並有防潮、抗熱、耐酸堿、不變形、不變質的特點。(詮釋委員：李本育)\r\n","ImageUrl":""}
,{"Identifier":"200906043","MainTitle":"中國古樂器飾瓶三泫","Creator":"大明工藝公司","CreatedYear":"","Size":"001古箏、002三弦、003秦琴、004月琴、005琵琶","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本組掛屏迷你樂器，都是弦樂器，有古箏、胡琴、三弦、月琴、琵琶等。具體而微，頗為別致。\r\n 弦樂器，是樂器中重要一支，在古典音樂乃至現代音樂中，幾乎所有抒情旋律都由弦樂聲部來演奏，其音質音色特徴是柔美、委婉、動聽、感人。弦樂器的音色統一，有多層次的表現力～合奏時澎湃激昂，獨奏時溫柔婉約；又因為豐富多變的弓法、指法，在「顫、碎、撥、跳、撫⋯」等技術撥弄下，而具有靈動、巧妙、勾畫的音律色彩！\r\n 中國古典弦樂器，在分類上有「弾撥弦鳴、弓拉弦鳴、擊奏弦鳴」等區別，如此靠彈撥力量使張緊的弦線振動發聲，是古人的智慧與藝術。而製作樂器，也是一種高度技巧的工藝。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200906043001","MainTitle":"中國古樂器飾瓶三泫","Creator":"大明工藝公司","CreatedYear":"","Size":"001古箏、002三弦、003秦琴、004月琴、005琵琶","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDQzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200906043002","MainTitle":"中國古樂器飾瓶三泫","Creator":"大明工藝公司","CreatedYear":"","Size":"001古箏、002三弦、003秦琴、004月琴、005琵琶","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDQzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200906043003","MainTitle":"中國古樂器飾瓶三泫","Creator":"大明工藝公司","CreatedYear":"","Size":"001古箏、002三弦、003秦琴、004月琴、005琵琶","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDQzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200906043004","MainTitle":"中國古樂器飾瓶三泫","Creator":"大明工藝公司","CreatedYear":"","Size":"001古箏、002三弦、003秦琴、004月琴、005琵琶","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDQzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200906043005","MainTitle":"中國古樂器飾瓶三泫","Creator":"大明工藝公司","CreatedYear":"","Size":"001古箏、002三弦、003秦琴、004月琴、005琵琶","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDQzMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"200906044","MainTitle":"七彩玉石瓶","Creator":"煥澤企業公司
曾煥澤","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此作品為蛇紋石車製的花瓶，蛇紋石是一種矽酸鹽礦的群組名稱， 它是由橄欖石變質產生的綠色礦物，硬度在2.5~4.5之間，這件花瓶是在花蓮豐田地區的蛇紋石，因蛇紋石通常包含數種同質異形物，可由橄欖石、輝石、角閃石變化而來，所以它就形成一石多彩的狀態，白色條紋為石英與方解石，白色閃光為雲母，綠色與紅色為橄欖石等各種顏色繽紛多彩的結合，這件作品的工藝是屬於車床車製工藝，車製完成連同拋光也一併在機台上完成，是花蓮地區盛行的生產模式。(詮釋委員：不具名)","ImageUrl":""}
,{"Identifier":"200906045","MainTitle":"竹林雅集(二)","Creator":"詹鏐淼","CreatedYear":"","Size":"","Type":"工藝類\\皮革類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國西晉末年，「格義」風氣盛行；東晉之初，乃取天竺「竹林」之名，加於「七賢」之上，\r\n成為「竹林七賢」。\r\n「竹林雅集（二）」為皮塑工藝家詹鏐淼先生以「竹林七賢」為題材的系列作品之一。此作品係參考古畫中的人物描寫，取其中一位「曠達」尊者，加上詹老師對皮塑的精湛造詣而形成立體創作，達到唯妙唯肖境界，在臺灣具有如此優異的皮塑技術與創作天分者可謂絕少數。\r\n皮塑作品有如漆藝作品之脫胎者，相較裝飾陶瓷作品顯然輕量許多，這是由於皮塑技法上的需要，所使用之植鞣革材料，為了面部表情的細膩呈現以及皺褶變化處的延展而必須將皮革削薄所致；捏塑的過程，同時須注意濕度與溫度的適宜掌控。\r\n完成塑形之後，可以保持皮革本色的自然效果，因為氧化的關係，隨著時間增長，皮革表面的顏色會由淡膚色逐漸轉為褐色；為了讓作品更為生動或創作表現上的需要，可以在皮革表面上色並做適當的保護處理。(詮釋委員：盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200906046","MainTitle":"羅漢","Creator":"詹鏐淼","CreatedYear":"","Size":"","Type":"工藝類\\皮革類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"羅漢又稱阿羅漢，梵語音譯為「Arhat」，是指能斷除一切煩惱，達到涅槃境界，不再受生\r\n死輪迴之苦，修行圓滿又具引導眾生向善德行，受人天供養之聖者。所謂的羅漢造形，實為菩薩的化身；羅漢必是出家的僧尼，僧尼是佛法的住持者，也是佛法的表徵者，羅漢的言行不可隨便，否則有礙佛教聲譽。\r\n此作品為皮塑工藝家詹鏐淼先生以「羅漢」為題材的系列作品之一。此作品係參考古畫中的人物描寫，取其中一位尊者圖像，加上詹老師對皮塑的精湛造詣而形成立體創作，達到唯妙唯肖境界，在臺灣具有如此優異的皮塑技術與創作天分者可謂絕少數。\r\n皮塑作品有如漆藝作品之脫胎者，相較裝飾陶瓷作品顯然輕量許多，這是由於皮塑技法上的需要，所使用之植鞣革材料，為了面部表情的細膩呈現以及皺褶變化處的延展而必須將皮革削薄所致；捏塑的過程，同時須注意濕度與溫度的適宜掌控。(詮釋委員：盧祥華)\r\n","ImageUrl":""}
,{"Identifier":"200906047","MainTitle":"意象","Creator":"劉邦漢","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品應用木材的原色，來襯托出精確的拼接而讓其產生立體的璀璨之美及高貴典雅的氣質。可貴的是作者以中國優雅的雙橢圓構成之吉祥雲圖形為底向上延伸形成優美的「福滿」之意象作品。\r\n作品的工藝技巧從底部到器口的弧度，呈現嚴謹的雕塑技術，讓稜線展現出工整之美，整個盆體應用木材的自然色彩之反差對比與漸進色的變化使作品顯現高雅之感。最為值得讚賞的是盆體的製作是由一層一層的木材應用精確的計算，排列堆砌膠合而成，再堆疊的每一層中又必須思考圖案的變化與接合弧度的密合與盆身弧形變化的加工技術。砌壘後的拋塑形體則是工藝技術的考驗；由各菱形多邊形的粗胚中，如何精準地抓住設計者想呈現的優美且理想弧線，這是作者的精湛技術重點。(詮釋委員：黃俊傑)\r\n","ImageUrl":""}
,{"Identifier":"200907001","MainTitle":"甘露寺(劉備招親)","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"甘露寺故事出自《三國演義》，為「賠了夫人又折兵」典故的由來。赤壁戰後，劉備無意交回荊州，因此陷害諸葛亮不成的周瑜，施予陰謀，建議孫權把小妹嫁給劉備，欲蒙騙將其囚禁，逼他交出荊州。不料被蜀國足智多謀的諸葛亮所識破，於是將計就計，反而受到孫權母親吳國太賞賜，甚合心意，將女兒孫尚香嫁給劉備，因此周瑜的陰謀失敗，反而弄假成真。從此，「劉備招親」的故事就被傳為千古佳話。\r\n此牆堵交趾陶作品甘露寺字樣上方為吳國太，右側孫尚香，左側為孫權，階梯下方穿黃袍者為劉備，與其相對者喬國老，劉備後方為身穿白袍戰甲者為趙雲。以戲曲場景式方式布局建築與人物的交流情景。整個場景及人物最為具戲劇性為劉備與喬國老兩人拱手做揖相敬的動作。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907002","MainTitle":"鴻門會(楚漢相爭)","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"《鴻門會》節錄自《史記．項羽本紀》，本無此篇名，為後人所加。此場宴會為未來的「楚漢相爭」揭開序幕。故事源自於兩位楚將劉邦與項羽所進行的一次簽約宴會。此前楚懷王熊心曾與諸將約定「先入關中者王之」，後由劉邦率先入關中滅秦而稱王，引發項羽不滿，劉邦自評實力不及項羽，自願將關中的統治權出讓給項羽，項羽於是打消討伐劉邦的打算，並為後來幾個月後分封諸侯創造和平條件立下基礎。此場宴會對楚漢戰爭及日後中國歷史影響深遠。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200907003","MainTitle":"桃園三結義","Creator":"林洸沂","CreatedYear":"","Size":"001劉備20*21*37、002關公30*20.5*38、003張飛41.5*14.5*41.5、004桌菜25*19*17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"桃園三結義出自羅貫中所撰寫小說《三國演義》的故事情節。漢靈帝中平元年（西元一八四年），由於黃巾賊作亂。劉備、關羽及張飛三位仁人志士，由於意氣相投，設下平定亂世的目標，於三月桃花盛開的季節，選在桃花園林，舉酒結義，結拜為義兄弟，立下有福同享，有難同當的誓約，為實現夢想而共同努力。\r\n劉備身穿水藍袍一手拖著酒杯，一手比足，坐在大石上，面露欣喜表情與關羽四目相對。關羽身穿綠袍，面帶凜然正氣表情昂首目視劉備，左手拿酒杯，右手平放大腿坐於大石上。張飛身穿深藍袍半裸露上體，握拳表現武術動作，弓腳箭步，雙眼炯炯有神凝視一點。由動作及表情，觀察三人個性，表露無遺。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907003001","MainTitle":"桃園三結義-劉備","Creator":"林洸沂","CreatedYear":"","Size":"001劉備20*21*37、002關公30*20.5*38、003張飛41.5*14.5*41.5、004桌菜25*19*17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"桃園三結義出自羅貫中所撰寫小說《三國演義》的故事情節。漢靈帝中平元年（西元一八四年），由於黃巾賊作亂。劉備、關羽及張飛三位仁人志士，由於意氣相投，設下平定亂世的目標，於三月桃花盛開的季節，選在桃花園林，舉酒結義，結拜為義兄弟，立下有福同享，有難同當的誓約，為實現夢想而共同努力。\r\n劉備身穿水藍袍一手拖著酒杯，一手比足，坐在大石上，面露欣喜表情與關羽四目相對。由動作及表情，觀察劉備個性，表露無遺。\r\n(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200907003002","MainTitle":"桃園三結義-關羽","Creator":"林洸沂","CreatedYear":"","Size":"001劉備20*21*37、002關公30*20.5*38、003張飛41.5*14.5*41.5、004桌菜25*19*17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"桃園三結義出自羅貫中所撰寫小說《三國演義》的故事情節。漢靈帝中平元年（西元一八四年），由於黃巾賊作亂。劉備、關羽及張飛三位仁人志士，由於意氣相投，設下平定亂世的目標，於三月桃花盛開的季節，選在桃花園林，舉酒結義，結拜為義兄弟，立下有福同享，有難同當的誓約，為實現夢想而共同努力。關羽身穿綠袍，面帶凜然正氣表情昂首目視劉備，左手拿酒杯，右手平放大腿坐於大石上。由動作及表情，觀察個性，表露無遺。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200907003003","MainTitle":"桃園三結義-張飛","Creator":"林洸沂","CreatedYear":"","Size":"001劉備20*21*37、002關公30*20.5*38、003張飛41.5*14.5*41.5、004桌菜25*19*17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"桃園三結義出自羅貫中所撰寫小說《三國演義》的故事情節。漢靈帝中平元年（西元一八四年），由於黃巾賊作亂。劉備、關羽及張飛三位仁人志士，由於意氣相投，設下平定亂世的目標，於三月桃花盛開的季節，選在桃花園林，舉酒結義，結拜為義兄弟，立下有福同享，有難同當的誓約，為實現夢想而共同努力。\r\n張飛身穿深藍袍半裸露上體，握拳表現武術動作，弓腳箭步，雙眼炯炯有神凝視一點。由動作及表情，觀察張飛個性，表露無遺。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907003004","MainTitle":"桃園三結義-桌菜","Creator":"林洸沂","CreatedYear":"","Size":"001劉備20*21*37、002關公30*20.5*38、003張飛41.5*14.5*41.5、004桌菜25*19*17","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDAzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"桃園三結義出自羅貫中所撰寫小說《三國演義》的故事情節。漢靈帝中平元年（西元一八四年），由於黃巾賊作亂。劉備、關羽及張飛三位仁人志士，由於意氣相投，設下平定亂世的目標，於三月桃花盛開的季節，選在桃花園林，舉酒結義，結拜為義兄弟，立下有福同享，有難同當的誓約，為實現夢想而共同努力。\r\n此為三人立誓約時的下酒菜及木桌，由桌子的側邊年輪可判斷為木桌，桌面擺放酒瓶、白盤裝豬頭、深藍盤裝水果(綠葡萄、水蜜桃、紅李子、佛手瓜)、彩盤裝紅魚、紅盤裝肉片。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200907004","MainTitle":"張良拾靴","Creator":"林洸沂","CreatedYear":"","Size":"001（老人）：25.5*21*38.5、002（張良）：20.5*17.5*30","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"張良為漢朝開國劉邦的軍師，助其滅項羽，一統天下，立下許多汗馬功勞。他年少時曾在下邳（今江蘇邳縣南）居住。一日出門散步，走到鎮東石橋，偶遇橋上一位身穿粗布褐色衣服的古怪老人(黃石公)。當經過老人身邊時，老人卻故意將鞋子丟落橋下，請張良下橋撿鞋子。雖然不悅，他仍尊重老人拾起鞋子，亦助其穿至腳上。老人見張良不但能忍辱下橋拾鞋，還能謙恭地跪下為其穿鞋，便讚賞其胸志，含笑而去。不到一會兒，老人又返回來說「儒子可教也！」之後老人又以三次赴約的方式考驗張良，終獲其認同，給予姜太公所留下的《太公兵法》兵書！張良反覆誦讀，認真體會，領悟兵書道理，增進許多智慧，後聲名遠播，成為漢朝開國皇帝劉邦的軍師。\r\n此交趾陶作品是黃石公，為白髮長鬍老人，身穿粗布褐色長袍，未穿鞋翹腳坐於石椅上，手持木枝手杖，呈現若有所思的表情。張良，身穿綠袍紅花紋飾長袍，跪蹲地上，雙手捧著鞋子，表現欲給予鞋子的動作。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907004001","MainTitle":"張良拾靴-老人","Creator":"林洸沂","CreatedYear":"","Size":"001（老人）：25.5*21*38.5、002（張良）：20.5*17.5*30","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"張良為漢朝開國劉邦的軍師，助其滅項羽，一統天下，立下許多汗馬功勞。他年少時曾在下邳（今江蘇邳縣南）居住。一日出門散步，走到鎮東石橋，偶遇橋上一位身穿粗布褐色衣服的古怪老人(黃石公)。當經過老人身邊時，老人卻故意將鞋子丟落橋下，請張良下橋撿鞋子。雖然不悅，他仍尊重老人拾起鞋子，亦助其穿至腳上。老人見張良不但能忍辱下橋拾鞋，還能謙恭地跪下為其穿鞋，便讚賞其胸志，含笑而去。不到一會兒，老人又返回來說「儒子可教也！」之後老人又以三次赴約的方式考驗張良，終獲其認同，給予姜太公所留下的《太公兵法》兵書！張良反覆誦讀，認真體會，領悟兵書道理，增進許多智慧，後聲名遠播，成為漢朝開國皇帝劉邦的軍師。\r\n此交趾陶作品為黃石公，為白髮長鬍老人，身穿粗布褐色長袍，未穿鞋翹腳坐於石椅上，手持木枝手杖，呈現若有所思的表情。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200907004002","MainTitle":"張良拾靴-張良","Creator":"林洸沂","CreatedYear":"","Size":"001（老人）：25.5*21*38.5、002（張良）：20.5*17.5*30","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"張良為漢朝開國劉邦的軍師，助其滅項羽，一統天下，立下許多汗馬功勞。他年少時曾在下邳（今江蘇邳縣南）居住。一日出門散步，走到鎮東石橋，偶遇橋上一位身穿粗布褐色衣服的古怪老人(黃石公)。當經過老人身邊時，老人卻故意將鞋子丟落橋下，請張良下橋撿鞋子。雖然不悅，他仍尊重老人拾起鞋子，亦助其穿至腳上。老人見張良不但能忍辱下橋拾鞋，還能謙恭地跪下為其穿鞋，便讚賞其胸志，含笑而去。不到一會兒，老人又返回來說「儒子可教也！」之後老人又以三次赴約的方式考驗張良，終獲其認同，給予姜太公所留下的《太公兵法》兵書！張良反覆誦讀，認真體會，領悟兵書道理，增進許多智慧，後聲名遠播，成為漢朝開國皇帝劉邦的軍師。\r\n此交趾陶作品為張良，身穿綠袍紅花紋飾長袍，跪蹲地上，雙手捧著鞋子，表現欲給予鞋子的動作(詮釋委員：曾永寬、呂皇澄)。\r\n","ImageUrl":""}
,{"Identifier":"200907005","MainTitle":"文殊菩薩","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"“文殊”為智慧之本體，『文殊菩薩』的藏語稱作『蔣貝揚』，妙吉祥、妙音的意思，又稱文殊師利菩薩、曼殊室利菩薩，亦稱妙吉祥菩薩。在藏傳佛教裡，『文殊菩薩』乃諸佛之智慧的化身，與“觀音菩薩”、“金剛手菩薩”，合稱為『三部主』，分別代表智慧、慈悲及力量。文殊菩薩坐騎為獅子，獅子雖為威猛會傷人的動物，但因力大無窮，自古以來被視為具有強大的力量，經文殊菩薩渡化後，轉變為鎮邪之靈獸。\r\n本交趾陶作品表現文殊菩薩騎在坐式獅子的造形，創作技法上主要以獅身捲毛為主要特點，捲毛為純手工搓揉土團，托直並於細土條側邊以釘耙工具畫線，最後揉卷貼於獅子身上。獅頭雙眼圓正，臉部似葉王典型獅形風格，尾部除捲毛技法並貼上螺紋貼片進行裝飾。文殊菩薩頭披藍色風帽，身穿黃袍綠褲，右手持玉如意，左手持經書。法像莊嚴沉靜，表現沉思智慧。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907006","MainTitle":"鍾馗","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鍾馗為捉鬼第一大神，民間常以他的畫像作為辟邪驅妖的神物。據說，鍾馗是終葵諧音轉換而來的。終葵本來是一種棒槌，古代舉行大儺儀式時，常揮舞終葵以驅疫逐鬼，後來人們以此名附會為食鬼的神人。\r\n鍾馗身材虎背熊腰，豹頭彪面，鷹鼻鯨口、龍額魚眼，臉上大把虯髯，其環眼圓睜，面露微笑，威風凜凜。頭戴烏紗帽(兩邊長翅已斷裂)，腰挂右持寶劍，身穿古藍袍，帶有葫蘆紋、扇子紋、玉板紋、雲紋及半立體龍紋。斬妖除魔的霸氣呼之欲出。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200907007","MainTitle":"米顛愛石","Creator":"蘇俊夫","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"米芾為北宋書畫名家，善於書畫，雖然在官場不得意，但其衣著、行為、迷戀書畫及愛石成癡的行為，卻被當時的人們視為癲狂，素有「米顛」之稱。由於沉迷於奇石，常因疏忽公事遭到貶官，他剛到任無為州監軍時，見州府的巨石奇特，就高興的說︰「此石足以讓我膜拜。」於是命隨從拿來他的袍笏，穿好官服，對著奇石行叩拜之禮。因愛石至深，以賞石經驗歸納出「瘦、皺、漏、透」四個鑑賞奇石的準則，影響甚遠。\r\n此作品以米芾、隨從及巨石為主，米芾身穿黃色官服，隨從亦穿黃袍側背書畫，兩人向巨石膜拜，面露敬重之義。\r\n(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200907008","MainTitle":"殺身成仁(吳鳳)","Creator":"羅木枝","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"吳鳳為台灣歷史上受爭議的人物，其「寬大」、「仁慈」及自我犧牲弭平紛爭的形象，令人動容。但其事蹟是否為真，在面對鄒族後代現身說法後，與教課書上所陳述的大相逕庭，可能為日本人「理番」的政治手法，主要作為宣傳原住民取首行為的「野蠻落後」，透過此故事進行「教化」。\r\n本作品吳鳳身穿紅色披風衣帽及紅鞋，騎乘白馬向前行，後面有兩位鄒族原住民，手持番刀，躲避於石頭與枯樹枝後方，其中一位提手作勢刺殺狀，但作品的刀已斷裂。另一位準備拔刀，兩人怒視吳鳳，即將行刺。交趾陶吳鳳作品中的胭脂紅，以酸化金發色而成，屬桃紅色，釉色質感有乳濁狀為林添木弟子使用的標準識別色。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200907009","MainTitle":"楊香打虎","Creator":"羅木枝","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為明成祖朱棣年間的孝子故事，謝定柱為大同府廣昌縣人（今河北淶源縣），為農家子弟。十二歲時，家中耕牛走失，母親抱弟追趕至森林，突被猛虎攻擊，其嚇得摔倒在地，弟弟亦被甩出。正當兩人陷於虎口之際，謝定柱奮力與虎對峙，先後以石頭及大棍攻擊，將老虎擊退，救出母親與弟弟。永樂十二年，其英勇事蹟傳至宮中，獲得皇帝下詔表彰，成為佳話。\r\n依照故事典故與作品相互對照後，本作品在交趾陶說明牌上有作家誤植情況，非楊香打虎，應為謝定柱打虎救母的故事。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907010","MainTitle":"虞舜耕田","Creator":"高枝明","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"上古時代，有三位皇帝：堯、舜、禹非常著名，他們均因高超德行受到推崇而舉薦登上帝位。其中以舜孝感動天最為人稱道。舜的父親為冥頑不靈之人，既無知，又喜胡作非為。生母為賢良婦德之人，卻不幸早逝。父親續弦後不辨是非，聽信後母讒言，羞辱虐待舜。同父異母的弟弟象，也對舜傲慢無禮，十分不友善，三個人經常聯合起來謀害舜。雖然舜知道這些事，卻依然對父母非常孝順，竭盡全力來使家庭溫馨和睦。舜的真誠孝心，不僅感動鄰里，甚至感動了天地萬物，出現神蹟，動物紛紛幫忙耕田，其孝行得到了很多人的讚美和傳頌。終獲得堯帝青睞將兩個女兒嫁給他，並授其帝位。\r\n本作品呈現堯帝與舜兩者間在田地交流情況。堯帝雙手作揖，舜拿著鋤頭，似乎與堯帝在說話。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907011","MainTitle":"關公過五關(送二嫂)","Creator":"高枝明","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品典故出於《三國演義》第二十七回：“關雲長挂印封金，千里走單騎，過五關斬六將。”的小說橋段。劉備軍被曹操擊潰，因此三結義兄弟失散，當時關羽被曹操軍將包圍，因賞識關羽，希望招降他。關羽出於對劉備的結拜誓言，以及保護兄嫂不被侵犯和顧及與張遼的情誼之下，同意暫時歸降，但提出降漢不降曹、確保兄嫂安全，不被侵犯、如有劉備消息就會立即離去，曹操不能阻攔等三點要求。後曹操透過各種利誘手法，期盼關羽歸降。正當此時，獲知劉備消息，立即向曹操請辭，但曹操避而不見，最後，關羽只能不辭而別。由於軍隊未得曹操手諭，因此一路阻攔，後關羽憑藉一己之力，過了五個曹操所轄關隘，立斬曹操六員大將。“過五關斬六將”因此得名。\r\n本作品呈現關羽與蔡陽對戰景象，張飛在關羽旁邊，觀看殺敵景象。主要是關羽為證明自己的氣節，為歸化曹軍，取信於張飛，使張飛明白關羽的苦衷。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200907012","MainTitle":"天王(一對)","Creator":"高枝明","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"四大天王又稱四大金剛，為佛教「三界」說中最接近人世之神，其主要任務是各自保護所守之世界，即為佛教所說的須彌山，為印度佛教護法神。中國以農立國，不可測的天災造成農耕稻作損害嚴重，象徵風、調 雨、順的神自然成為民間祈求國泰民安最普遍的信仰神祈。\r\n各神像特徵各有特色：東方持國天王膚色為白色，手持琵琶，象徵「調」，持國意為慈悲為懷，保護眾生；西方廣目天王膚色為紅色，手纏繞地龍，象徵「順」，廣目意為能以淨眼隨時觀察世界，護持人民；南方增長天王膚色為青色，手持寶劍，象徵「風」，象征智慧；北方多聞天王，膚色為綠色，一手持寶傘、一手持銀鼠，象徵「雨」，多聞比喻福，得之名間於四方，用以制服眾魔，護持人民財富。\r\n此對交趾陶作品為南方增長天王與北方多聞天王。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907012001","MainTitle":"天王(一對)-南方增長天王","Creator":"高枝明","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDEyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"四大天王又稱四大金剛，為佛教「三界」說中最接近人世之神，其主要任務是各自保護所守之世界，即為佛教所說的須彌山，為印度佛教護法神。中國以農立國，不可測的天災造成農耕稻作損害嚴重，象徵風、調 雨、順的神自然成為民間祈求國泰民安最普遍的信仰神祈。\r\n各神像特徵各有特色：東方持國天王膚色為白色，手持琵琶，象徵「調」，持國意為慈悲為懷，保護眾生；西方廣目天王膚色為紅色，手纏繞地龍，象徵「順」，廣目意為能以淨眼隨時觀察世界，護持人民；南方增長天王膚色為青色，手持寶劍，象徵「風」，象征智慧；北方多聞天王，膚色為綠色，一手持寶傘、一手持銀鼠，象徵「雨」，多聞比喻福，得之名間於四方，用以制服眾魔，護持人民財富。\r\n此交趾陶作品為南方增長天王。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907012002","MainTitle":"天王(一對)-北方多聞天王","Creator":"高枝明","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDEyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"四大天王又稱四大金剛，為佛教「三界」說中最接近人世之神，其主要任務是各自保護所守之世界，即為佛教所說的須彌山，為印度佛教護法神。中國以農立國，不可測的天災造成農耕稻作損害嚴重，象徵風、調 雨、順的神自然成為民間祈求國泰民安最普遍的信仰神祈。\r\n各神像特徵各有特色：東方持國天王膚色為白色，手持琵琶，象徵「調」，持國意為慈悲為懷，保護眾生；西方廣目天王膚色為紅色，手纏繞地龍，象徵「順」，廣目意為能以淨眼隨時觀察世界，護持人民；南方增長天王膚色為青色，手持寶劍，象徵「風」，象征智慧；北方多聞天王，膚色為綠色，一手持寶傘、一手持銀鼠，象徵「雨」，多聞比喻福，得之名間於四方，用以制服眾魔，護持人民財富。\r\n此交趾陶作品為北方多聞天王。其手持寶傘，銀鼠卻未表現於本件作品中。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200907013","MainTitle":"交趾陶製作過程之一-取土、洗土、練土","Creator":"高枝明","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此作品為陳述古代以傳統方法取得交趾陶黏土的流程，戴斗笠裸身的男子拿鋤頭至河床旁的小土坡挖掘生硬的陶土後，交由一旁穿古黃色服飾的夥伴加水，並以牛的獸力將陶土踩碎，軟化後，經過後方穿水藍色服飾的人員以水桶及篩網過濾大石礫及雜質後，最後將加工後的黏土交由身旁彪面虯髯的大漢攪拌成泥漿，讓黏土沉澱。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200907014","MainTitle":"交趾陶製作過程之二-造形作坏、陰乾晾晒","Creator":"高枝明","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"當取得陶土後，雕塑師傅開始著手創作交趾陶作品，身穿海碧色及古藍色的兩位師傅在竹搭的涼亭中手持工具進行創作，另一竹搭涼亭間有一張大長桌，為陰乾及放置半成品的地方。當作品陰乾完成後，再由師傅將作品放置戶外長桌，進行燒製的準備動作。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200907015","MainTitle":"交趾陶製作過程之三-燒坯","Creator":"高枝明","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此為古時候搭起饅頭窯的過程。外觀呈長橢圓形，其火膛呈半圓形，窯室左、右、後壁齊直、略外弧或外弧。窯室底，即窯床較平或略向後傾斜，後部設一平面呈橫長方形磚造煙囪。窯後壁下部設排煙孔，與窯床的煙道和後面的煙囪相通。這種火焰流動方式的饅頭窯，成為“半倒焰窯”。半倒焰窯約出現於西周晚期，此後逐漸流行，用於燒製陶器和瓷器。燒窯時是用磚把窯封起來的，除留有放置木材的孔洞外，窯爐前後皆留兩個孔，用古黃色塞子塞住，為觀察使用。\r\n本作品中有三個工作人員，一人手持木材行走為砍材師傅；一人將木材放置窯前空洞；一人以陶磚堆砌製作窯壁。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907016","MainTitle":"交趾陶製作過程之四-研釉、上釉、燒釉","Creator":"高枝明","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本階段為製釉、上釉、燒釉的過程。以木造結構的涼亭作為上釉地方，涼亭內的桌上擺有素坯花瓶、各類大小缽類陶器素坯，有一男一女手持毛筆進行上釉的動作。涼亭外則有身穿海碧服飾的女子進行釉藥研磨的工作。在女子正前方則有一位師傅在「四方窯」前方觀察窯內燒製的情況。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200907017","MainTitle":"交趾陶製作過程之五-嘉義交趾","Creator":"高枝明","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品主要以交趾陶表現寺廟內的裝飾。屬合院式格局，「護龍」呈現「口」字形建築形式，其特徵為所有房舍之正面均朝向中庭，對外成封閉的家牆。前後橫向的建築物稱「進」，左右直向 的建築物稱「護龍」（廂）。\r\n該作品表現男女老幼於廟內的互動情況，表現古代進出廟宇的景象。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907018","MainTitle":"太白醉酒","Creator":"羅木枝","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此作品傳達李白醉酒時豪放不拘小節的才華之氣。其愛詩愛酒，自稱酒仙，有言曰：李白斗酒詩三千。李白身穿藍青色寬袖博衣，鬍鬚飄逸，面露惆悵，倚壇斜靠於書僮肩上，眼神矇朧虛醉若有所思，帶有才氣之氣勢，襯出李白“酒中仙”的氣度。書僮右手指摀鼻，左手抱酒，需承受李白滿身酒氣，帶有無奈之感。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200907019","MainTitle":"和靖愛梅","Creator":"羅木枝","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"林和靖即林逋，字君復，宋杭州錢塘人。對畫梅花有獨到見解。自幼父母雙亡，但勤奮好學，性情恬淡好古，視富貴如浮雲，縱然家境貧困，衣食難以溫飽，仍豁達度日，隱居於西湖之孤山，房屋四周種植三百多棵梅花，養一隻白鵝及一頭梅花鹿。他一生未娶，無子。人因謂「梅妻鶴子」。曾寫《山園小梅》詩：「疏影橫斜水清淺，暗香浮動月其昏。」來歌頌梅花。\r\n本作品表現林逋對梅花的喜愛。林逋身穿紫色梅花紋飾的長袍，手持梅花並欣賞一株梅花樹，表情木訥，若有所思。身邊童子則指著某一朵梅花，似乎看到甚麼有趣的事！(詮釋委員：曾永寬、呂皇澄) \r\n","ImageUrl":""}
,{"Identifier":"200907020","MainTitle":"東坡愛硯","Creator":"羅木枝","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"蘇東坡一生坎坷，幾起幾落，除了具有超凡的文采外，對硯台的喜愛也超乎一般人想像，他愛硯、玩硯和藏硯，留下許多首硯銘，已到硯癡的程度。一次蘇東坡見好友張近家中有「龍尾子石硯」，便希望將家傳古銅劍與他交換。可見他愛硯之情，已超越愛劍。\r\n本作品表達蘇東坡對硯台的觀察與把玩。蘇東坡除了手持硯台把玩外，一位童子再拿另一個硯台交給他欣賞。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200907021","MainTitle":"鍾馗","Creator":"林智信","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鍾馗為捉鬼第一大神，民間常以他的畫像作為辟邪驅妖的神物。據說，鍾馗是終葵諧音轉換而來的。終葵本來是一種棒槌，古代舉行大儺儀式時，常揮舞終葵以驅疫逐鬼，後來人們以此名附會為食鬼的神人。\r\n鍾馗身材虎背熊腰，豹頭彪面，鷹鼻鯨口、龍額魚眼，臉上大把虯髯，眉頭沖天，其環眼圓睜，張嘴喝斥，威風凜凜。頭戴烏紗帽，腰挂左持寶劍(劍柄已斷裂)，身穿一品仙鶴官服，有驅魔震攝之意。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907022","MainTitle":"八仙之一李鐵拐","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"八 仙 為 中 國 民 間 道 教 傳 說 中 所 供 奉 的 八 位 得 道 仙 人。男 女 老 幼 、富 貴 貧 賤 、文 莊 粗 野 ， 各 種 角色都有，依次為 李 鐵 拐 、 鍾 離 權 、 張 果 老 、 何 仙 姑 、 藍 采 和 、 呂 洞 賓 、 韓 湘 子 、曹 國 舅 。也反應了民間階級的各個層面，明 清 以 來 八 仙 靈 跡 流 傳 廣 泛，深 植人 心。其神話傳說，富具穩定人心社會教化之意義，蘊含中國思想忠孝禮節於內，影響中國歷代社會層面至深。\r\n八仙故事各個引人入勝，寓意深遠。其中八仙過海、八仙仰壽故事，亦轉化為中國吉祥圖案，成為祝頌長壽的吉祥意義。\r\n八仙故事刻畫人物生動，有助於雕塑時掌握表現人物性格特徵。本作品李鐵拐袒胸露乳，手持葫蘆瓶，仰座於猛虎背上(前右腳已斷裂)。呈現不可一世的態度。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907023","MainTitle":"李哪吒","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"李哪吒為《封神演義》小說人物。在民間信仰中又稱中壇元帥、太子元帥、哪吒元帥、三太子爺、哪吒三太子、金環元帥、羅車太子、李羅車、羅車公..等。為李靖三子，學得乾元山金光洞太乙真人習法，法力高強，武藝超群。但因個性頑皮，大鬧東海龍宮，打死敖丙太子，用震天弓箭射死石磯娘娘門人。三太子自犯過錯，不願累及親人，折肉還母、刻骨還父，已報父母養育之恩。\r\n本作品中，其相貌身如童子、右手手握火尖槍(不見)，左手平擺，坐於祥龍之上，容貌威嚴祥和、帶有稚氣。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907024","MainTitle":"觀音","Creator":"林俊亨(林勤牧)","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"究其姿態涵義，本作品為水月觀音，水月觀音的水和月、或水中之月，清楚地象徵現象「空」或虛幻的本質，都是佛教對無常與無我的隱喻，如《大智度論》說：「一切相不可得，如影如響，如水中月，乍見即失。」\r\n觀音呈現為自在坐，右膝曲起，左足踏蓮，右臂直伸，置於膝上，左手撐於石台，成自在舒坦之坐姿。造形姿態表現洞澈無常、破除我執之後的自在。觀音像以水月姿坐於台上，頭戴寶冠，面容豐潤飽滿；上身不著衣服僅以條帛披上，其披肩與衣結在在呈現一股流動的韻律感；下著裙裳，有帶繫結於腰間，掩映間彷若重重波濤起伏、姿態變化無端，隱隱呼應「水」的主題及特性，深化了作品的意涵層次。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907025","MainTitle":"三國人物-關公","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"關羽為羅貫中長篇小說《三國演義》中與黃忠、馬超、張飛、趙雲並稱「五虎上將」的沙場猛將。三國時期蜀漢名將，約生於東漢桓帝延熹年間，漢末三國時劉備的重要將領。與張飛並稱「萬人敵」。\r\n本作品為交趾陶常見的戴騎，也就是將士騎馬姿態的表現。關羽戴綠頭巾，身穿獅盔戰甲，背帶四令旗，手持青龍偃月刀。面如重棗、唇若塗脂、丹鳳眼、臥蠶眉、鬍鬚垂於胸前、虎體猿臂，彪腹狼腰，騎乘橘色駿馬，威風凜凜。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907026","MainTitle":"騎鰲觀音","Creator":"林俊亨(林勤牧)","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳說古代東南海域出現一怪物，其貌似魚體、具有甲殼金罩、體態巨大、力大無窮。常興風作浪，顛覆魚舟淹沒村里，兇殘無比，使人民痛苦不堪。觀音聞訊大發慈悲，為民除害，以柳枝削成九個倒刺金勾，掛一泥人，誘使金鰲咬取，而後其囫圇吞下，泥人入口即化，使其疼痛難耐，被觀音所制服，受人崇敬。\r\n本件作品中，觀音足踏鼇背，手執如意，體態修長、婉約多姿、雙目回眸下視、玉面清新、流露意態瀟灑之貌。\r\n(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200907027","MainTitle":"三國人物-黃忠","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"黃忠為羅貫中長篇小說《三國演義》中與關羽、馬超、張飛、趙雲並稱「五虎上將」的沙場猛將。三國時期蜀漢名將，本為漢末群雄劉表部下中郎將，長沙太守韓玄部將，後成為劉備部將，歷任討虜將軍、征西將軍，官至後將軍，去世後諡號為剛侯。\r\n本作品為交趾陶常見的戴騎，也就是將士騎馬姿態的表現。黃忠頭戴三叉戟帥盔，身穿獅盔戰甲，背帶四令旗。面為六旬老翁，白眉、臉部留有三髭白鬚，虎體猿臂，彪腹狼腰，手拉二石力之弓，坐騎古黃駿馬。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907028","MainTitle":"三國人物-張飛","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"張飛為羅貫中長篇小說《三國演義》中與關羽、馬超、黃忠、趙雲並稱「五虎上將」的沙場猛將。三國時期蜀漢名將，與關羽並稱「萬人敵」。官至車騎將軍、領司隸校尉，封西鄉侯。\r\n本作品為交趾陶常見的戴騎，也就是將士騎馬姿態的表現。張飛頭戴武冠配有翠玉，身穿褐色長袍。面如豹頭環眼，燕頷虎鬚，虎體猿臂，彪腹狼腰，相貌粗曠，手提丈八點蛇矛，坐騎墨綠色駿馬。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907029","MainTitle":"三國人物-馬超","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"馬超為羅貫中長篇小說《三國演義》中與關羽、張飛、黃忠、趙雲並稱「五虎上將」的沙場猛將。為劉備稱帝後的驃騎將軍，領涼州牧，進封斄鄉侯。\r\n本作品為交趾陶常見的戴騎，也就是將士騎馬姿態的表現。馬超頭戴三叉戟帥盔，身穿深藍色獅盔戰甲，背帶四令旗。面如白玉，虎體猿臂，彪腹狼腰，坐騎白色駿馬。馬鞍部分運用蓋章技法，促使草花裝飾紋路更為細緻。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907030","MainTitle":"三國人物-黃忠","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"黃忠為羅貫中長篇小說《三國演義》中與關羽、馬超、張飛、趙雲並稱「五虎上將」的沙場猛將。三國時期蜀漢名將，本為漢末群雄劉表部下中郎將，長沙太守韓玄部將，後成為劉備部將，歷任討虜將軍、征西將軍，官至後將軍，去世後諡號為剛侯。\r\n本作品為交趾陶常見的戴騎，也就是將士騎馬姿態的表現。黃忠頭戴三叉戟帥盔，身穿獅盔戰甲，背帶四令旗。面為六旬老翁，白眉、臉部留有三髭白鬚，虎體猿臂，彪腹狼腰，手拉二石力之弓,坐騎古黃駿馬。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907031","MainTitle":"三國人物-馬超","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"馬超為羅貫中長篇小說《三國演義》中與關羽、張飛、黃忠、趙雲並稱「五虎上將」的沙場猛將。為劉備稱帝後的驃騎將軍，領涼州牧，進封斄鄉侯。\r\n本作品為交趾陶常見的戴騎，也就是將士騎馬姿態的表現。馬超頭戴三叉戟帥盔，身穿淺藍色戰甲，背帶四令旗。虎體猿臂，彪腹狼腰，坐騎白色駿馬。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907032","MainTitle":"八仙之一曹國舅","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"曹國舅為八仙人物之一，名佾，字景休。《宋史》記載他是宋朝慈聖光獻太后之弟，故稱國舅。其生性淡泊名利，閒暇時間便研究人生哲學，因此看淡人間百態。其弟曹景植，生性霸道無理，欺壓百姓，為非作歹。一日，他在城內酒後亂性，失手殺人。縣衙得知為國舅，遲不敢判處極刑。曹景休大義滅親，要求縣太爺秉公處理，以還公道。其弟被斬首處決後，曹國舅的心裏十分悲痛，看淡世間塵世，因此告辭皇上，揮別家人和朋友，散盡家財，救濟貧苦之人，隱居山中苦心修道。一天巧遇鍾離權和呂洞賓兩位神仙，得知懺悔悟道，授以《還真秘旨》，助他潛心修練，引入仙班。\r\n本作品主要表達出曹國舅悠然的神情態度，怡然自得，開懷無慮的姿態，充分表現出神話傳說中人物的性格。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907033","MainTitle":"八仙之一呂洞賓","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"八仙為中國民間道教傳說中所供奉的八位得道仙人。男女老幼、富貴貧賤、文莊粗野，各種角色都有，依次為李鐵拐、鍾離權、張果老、何仙姑、藍采和、呂洞賓、韓湘子、曹國舅。也反應了民間階級的各個層面，明清以來八仙靈跡流傳廣泛，深植人心。其神畫傳說，附具穩定人心社會教化之意義，蘊含中國思想忠孝禮節於內，影響中國歷代社會層面至深。\r\n本作品為呂洞賓身穿水藍太極袍，臉部留有三髭鬚，頭戴華陽巾，右手持火龍純陽劍於背後欲拔劍出鞘，左手持麈尾仰座於灰象背上，具有豪氣沖天及文質彬彬的仙風道骨形象。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907034","MainTitle":"劉海戲蟾","Creator":"林洸沂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"劉海蟾，五代時人，是道教傳說人物。傳說為仙童，喜歡將頭髮梳至額前，長度齊眉，故稱此種頭髮為「劉海」，後為了區別，改稱「瀏海」。\r\n俗有「劉海戲金蟾，步步釣金錢」之說。 神話傳說中，劉海蟾親人為貪官，死後即將貶入地獄，但因為仍願意修道，有良善之心，被化為三足金蟾投入東海中，歸龍王管轄。劉海蟾得道後，想要解救親人，以一串金錢誘釣三足蟾出海，每走一步，金蟾則吐出金錢，金錢又被源源不絕地撒佈到人間。劉海走到哪，就把錢撒到哪，周濟窮人，而劉海蟾也被視為有財神的能力。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907035","MainTitle":"靈芝","Creator":"高枝明","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"靈芝具有眾多的療效，為人類追求身體健康的象徵代表物，屬菌類植物，由於生長極慢且稀少，因此被奉為稀世珍品。\r\n傳說秦始皇統一六國後，為追求長生不老，派遣徐福氏帶了三千童男童女遠赴東海瀛洲就是為了找靈芝等仙草。因此其促進健康的形象被視為祥瑞之物，象徵長壽，也體現人們追求身體健康，平安幸福的美好願望。其形狀常被使用於吉祥圖案的繪畫創作，也常見於我國許多建築及工藝文物上，如：寺廟、亭台樓閣、古典服飾、傳統生活用具等。(詮釋委員：曾永寬、呂皇澄)\r\n","ImageUrl":""}
,{"Identifier":"200907036","MainTitle":"土地公 ","Creator":"林智信","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA3MDM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"土地公的信仰源源自人們對土地的崇拜。土地公，又稱福德正神，生前宅心仁厚、樂善好施，死後羽化成神，民眾為追憶他而拜祀。有句話說「田頭田尾土地公」，其意思便是說田的頭尾都可以看到土地公。祂屬於民間信仰中的地方保護神。隨時代轉變，現在不僅為祈福、求財、保平安的寓意、亦有保佑農業收成之意。\r\n本作品有別一般土地公白鬚、白髮，笑容可掬，衣著打扮如員外般的老人模樣。而是壯年樣貌，身穿紫紅色龍袍，帶有坐龍淺浮雕、福海寶塔、祥雲、日月及簡寫的壽字紋。其手持有物品有，右手拿金元寶、左手拿如意，頭戴丞相帽(左側龍形平翅已斷)。(詮釋委員：曾永寬、呂皇澄)","ImageUrl":""}
,{"Identifier":"200908001","MainTitle":"寶鴨","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鴨為中國常見禽鳥，古人以其性不飛移，用以為贅，以雁鴨做為民俗之婚禮，這即是古禮的「奠雁」，如《儀禮》：「昏禮下達，納采用雁」。直至近代，民間仍有以雁鴨為禮物；在台灣民俗上，如「跳鍾馗」，也以鴨為壓煞，取義「鴨、壓」諧音。\r\n鴨善戲水，形態俏巧，羽色可愛，古人在工藝上，用之於燈、熏香爐，而有「寶鴨」之稱，並用之於詩詞，如「鴨綠波、鵝黃乳」，「異香浮寶鴨、淨影印玉除」，殊富文學與生活之美。春江水暖鴨先知，鴨在傳統詩詞的意義，也象徵青春意緒。\r\n本件福建福州木雕寶鴨，造型生動，作為觀賞擺飾，引人發思古之幽情。(詮釋委員:簡榮聰)\r\n\r\n","ImageUrl":""}
,{"Identifier":"200908002","MainTitle":"牛","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"牛是傳統六畜之一，是農家耕作主力，也是運輸主力；在傳統以農立國社會，倡導「國所恃在民，民所恃在食，食所資在耕，耕所資在牛。」可見牛之重要性。\r\n在上古時代，牛是神農氏部族的圖騰，《史記》：「神農氏牛頭人身」，可知「牛」不但是祖源圖騰信仰，而且將頭部裝飾牛角；如今西南地區牛角苗族，仍留傳古俗。在閩台地區，為感念耕牛一生辛勞，有不食牛肉的例規。在民俗才藝表演方面，有「牛犁陣、鬥牛陣、牛犁歌」，都在節慶表演上，展現人文藝術。\r\n在台彎，有「春牛圖、耕牛圖、牧牛圖」，有「牛將軍廟、老牛的家、老牛安養中心」，反映了民間對牛的尊重。此件福州木雕牛，是赤牛，雕工傳神，神態沈穩，別具風格。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908003","MainTitle":"劉海戲金蟾","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"劉海戲金蟾，是中國民間流傳的喜神財神故事，還廣為流行「劉海戲金蟾步步釣金錢」的俗語。考究之，這故事形成很早，宋人李石所著《續博物志》中已有記載，明代的《四仙古像圖》，劉海亦位列其中。民間在雕刻或圖畫作品中，通常以少年相貌的劉海與金蟾相戲為主題表現「金蟾、金錢、劉海」的喜氣財氣象徵，本件蘇州木雕作品即本此意象而創作。\r\n傳統，劉海造型總是笑逐顏開，與金蟾咬錢、撒錢，構成「吉利、歡喜、財富」氛圍，是信仰結合工藝的美好創意與傳承。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908004","MainTitle":"齊天大聖像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"閩台區域的民間信仰有「齊天大聖」(或稱「大聖爺」之神，此信仰受自於宋代雜劇與明代吳承恩《西遊記》的影響。齊天大聖廟以福建的福州、蒲田為多，其中福州的聖王廟，宋代已有。民間崇拜大聖，因其武藝高強，制妖除魔，保境佑安。\r\n稽考齊天大聖原型源頭信仰，學者專家有說是源於「印度史詩《羅摩衍那》的神佛哈奴曼」，有說源自於「大禹治水時『無支祁』神猴」，也有主張是二者的混合。\r\n本件作品是泉州的「妝佛」工藝，從木雕的粗胚、細雕、上彩、漆線、按金、道具、入神，工序工法均要一絲不苟，是多元的工藝形成與組合。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908005","MainTitle":"椰雕","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"海南島是中國南部大島嶼，盛產椰子，當地居民以椰殼為原料，雕刻成各種精美工藝品。古代海南的官員，常以椰雕進貢中央，所以它又有「天南貢品」的雅號。\r\n與大陸內地而言，椰雕樣式新穎，造型古樸，紋飾鄉土，畫面別致，質地輕巧，融合「觀賞、實用」於一體，具有濃郁的海南風格。其技藝有「平面浮雕、立體浮雕、通花浮雕、帶棕立體雕刻、貝殼鑲嵌雕刻」等多種。其歷史淵源悠久，早期黎族在製陶及獨木舟之外，就地取材，椰殼耐酸耐鹼，自然就成為地方特色的工藝。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908006","MainTitle":"子母蝦","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"廣西地方盛產水牛，牛角顏色黑褐瑩潤，當地居民物盡其用，加予巧雕，而形成具有鄉土特色工藝。「合浦角雕」已是區級非物質文化遺產。\r\n合浦角雕，慣以牛角雕刻水族生物、動物而聞名。作品造型別具風味，神態生動，深受顧客喜愛，暢銷國內，並遠銷東南亞、歐美。\r\n這種角雕，論其歷史，已有二千多年，牛角之外，尚有羊角、鹿角等，其工藝表現，變化多端，琳瑯滿目，大方而細致，令人歎賞。\r\n本件角雕以水族蝦子、水草為題材，展現優游自在之生動神韻。蝦，在民俗上，也象徵「科甲如意，多子多孫」。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908007","MainTitle":"鍾馗捉鬼","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「鍾馗捉鬼」是中國民間的信仰與傳說，民俗以鍾馗善捉鬼、除妖、制煞、辟邪，故在工藝作品、繪畫，多有鍾馗捉妖、捉鬼的形象。俗信，端午節、除夕張貼鍾馗畫象，病房置鍾馗像等等，均可制煞、辟邪。民間傳說，鍾馗貌惡而心善，怒目可畏的背後是招吉致福。《北史》、《夢溪筆談》、《平鬼傳》都有傳說記載，但說法不一。\r\n近經學者研究，鍾馗其實本是古代儺祭時，用以打擊妖鬼的大木棒「終葵」，後人由器物崇拜轉為人格崇拜，「終葵」諧音「鍾馗」而變成驅魔的神。\r\n象山竹根雕，利用毛竹的竹根及其天然形態，通過藝術構思造型，使作品達到天人合一的逸趣，是知名的非物質文化遺產，也是優良的工藝創作。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908008","MainTitle":"麒麟送子","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"浙江象山竹根雕，已被評為「中國民間藝術(竹根雕)之鄉」。中國竹根雕藝術，起源於唐代，興盛於明朝，這一時間竹根雕藝術主要集中在上海的嘉定、南京一帶，在雕刻藝術風格上形成嘉定、金陵兩大派系。象山竹雕在繼承傳統基礎上，吸收了繪畫、書法、雕塑、技藝等，運用寫意、寫實的創作理念，根據竹根形狀、肌理，隨形施雕，化竹為奇。本件「麒麟送子」作品，即是隨物賦形。\r\n「麒麟送子」是中國傳統信仰，也是古代祈子法的一種。古人相信，麒麟是仁獸，是吉祥象徵，相傳孔子就是麒麟送來的，俗傳積善之家，求拜麒麟，可生育得子。故諸多材質的工藝作品，便多麒麟送子圖像。\r\n本件竹雕，童子、麒麟相依相偎，笑容可掬，展現吉祥喜樂之氣氛。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908009","MainTitle":"松鶴閣樓","Creator":"廠商：福州友好工藝美術廠","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州是一座有2200年建城史的文化名堿，人傑地靈，福州的壽山石雕、木雕、脫胎漆器，是福州工藝品三寶。而福州木雕擅以龍眼木、黃楊木、荔枝木、樟木、紅木、茶木為主要材料，雕刻人物、動物、花果等工藝品。刀法流暢、神態生動，具象精美，造型豐富而著稱。福州木雕，大至殿堂樓閣，小至案几陳設，都有木雕技藝表現。\r\n本件作品「松鶴閣樓」，以橢圓屏框，刻寫蒼松、仙鶴、亭台閣樓之優雅境界，景物騰空銜接，既空靈又脫俗，無異閬苑仙境，木理精細而不斷，既寄意，又觀賞。技藝巧妙，可見一斑。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908010","MainTitle":"雲石山水屏","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"大理石原指產於雲南省大理的白色帶有黑色花紋的石灰岩，剖面可以形成一幅天然的水墨山水畫，古代以之為畫屏式鑲嵌畫，遂發展成此項石材之稱呼。\r\n大理石主要用於加工成各種形材、板材，作建築的牆面、地面、台柱，或紀念建築之碑、塔、雕像。亦可雕刻成工藝美術品、文具、燈具、器皿等。\r\n大理石又稱「雲石」是重結晶的石灰岩，主要成分是碳酸鈣。\r\n本件雲南大理石山水屏，係選取石板材，就其天然山水紋，略加暈染，更肖抽象潑墨山石雲彩。\r\n中華文化素來鍾情山水，放懷自然，喜歡返樸歸真。仁者樂山，智者樂水，在喧囂紛擾的世間凡塵，寄托山水，使人超凡脫俗，盪煩滌慮。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908011","MainTitle":"雲石山水屏","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"大理石原指產於雲南省大理的白色帶有黑色花紋的石灰岩，剖面可以形成一幅天然的水墨山水畫，古代以之為畫屏式鑲嵌畫，遂發展成此項石材的稱呼。\r\n大理石主要用於加工成各種形材、板材，作建築的牆面、地面、台柱，或紀念建築之碑、塔、雕像。亦可雕刻成工藝美術品、文具、燈具、器皿等。\r\n大理石又稱「雲石」是重結晶的石灰岩，主要成分是碳酸鈣。\r\n本件「雲石山水屏」，係選取石板材，就其天然雲嵐山峰紋路，截取方幅，加木框襯托，宛如白茫雲嵐中，露出陡峭的山峰黛影，靈氣十足。\r\n雲南大理「雲石」是瑰麗奇石，選材取樣，也是智慧的工藝！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908012","MainTitle":"萬里長城","Creator":"廠商：福州友好工藝美術廠","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州軟木畫，又稱木畫，是中國著名傳統工藝。也是中國在國際上獨有的雕畫結合工藝。是「榕城三絕」之一。此工藝以栓樹皮(俗稱軟木)為材料，快刀作畫，雕鏤粘結成亭台樓閣、樹木花草、小橋流水、迴廊曲徑，以及人物鳥獸等，用於掛屏、屏風、大小擺件。\r\n福州軟木畫，因盛於福建福州，故稱之。且以「無聲的詩，立體的畫」聞名於世。此件「萬里長城」小座屏，色調古雅純樸，形象逼真，長城倚伏峻嶺、蜿蜒曲折，有「叢山數百里盡在一框屏」的藝術效果。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908013","MainTitle":"冬青木筷(五雙)","Creator":"其他-廠商：中國南陽出品","CreatedYear":"","Size":"001:竹林小鳥、002新婚燕爾、003春回大地、004一路蓮科、005白頭高干\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"烙畫，又稱「燙畫、火筆畫、火針刺繡」，其歷史悠久，是利用生長在懸崖峭壁上的多年生「崖冬青木」為原料，精細加工烙畫製成，始於漢代。\r\n冬青木紋理細緻，色澤潔淨，呈乳白色，氣味芳香、木性挺直。製筷時以所伐幹枝細條，截出筷坯，經刮削、車圓、打磨，做成木筷素身，最後烙花，用電熱鋼火筆，一手操筷，一手施烙，以熟練腕力、指力，筷轉筆運、順勾遂劃，繪出明快雅致的繡色花紋、山水人物、花鳥蟲魚...等各種圖案，十分典雅。\r\n烙畫因起源於中國歷史文化名堿河南省南陽市，被譽為「南陽三大寶」之一，因稱「南陽烙畫」。\r\n本件作品「冬青木筷」一組五雙，五雙花紋不同，各其瓷色、意義。(詮釋委員:簡榮聰)\r\n","ImageUrl":""}
,{"Identifier":"200908013001","MainTitle":"冬青木筷-竹林小鳥","Creator":"其他-廠商：中國南陽出品","CreatedYear":"","Size":"001:竹林小鳥、002新婚燕爾、003春回大地、004一路蓮科、005白頭高干\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDEzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"烙畫，又稱「燙畫、火筆畫、火針刺繡」，因源於中國歷史文化名堿河南省南陽市，因稱「南陽烙畫」。其歷史悠久，是利用生長在懸崖峭壁上的多年生「崖冬青木」為原料，精細加工烙畫製成，始於漢代。\r\n冬青木紋理細緻，色澤潔淨乳白，氣味芳香、木性挺直。以冬青木做成木筷，古今知名，其工藝亦技巧而精美。\r\n筷子，古名「箸」，是一種起源於中國的食具，在東亞、東南亞地區被作為主要餐具，新疆、西藏、蒙古的部份民族，也有廣泛使用。其歷史可追溯到四千年以前，其發明與原始農業、陶器運用有關。《史記》載：商紂時稱\"箸\"，兩漢又稱\"筯\"，明朝時吳中船民因忌諱稱「箸」，故改稱「快子」、「筷子」。\r\n「竹林小鳥」圖案，象徵好鳥林鳴的生機。(詮釋委員:簡榮聰)\r\n","ImageUrl":""}
,{"Identifier":"200908013002","MainTitle":"冬青木筷-新婚燕爾","Creator":"其他-廠商：中國南陽出品","CreatedYear":"","Size":"001:竹林小鳥、002新婚燕爾、003春回大地、004一路蓮科、005白頭高干\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDEzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"烙畫，又稱「燙畫、火筆畫、火針刺繡」，因起源於中國歷史文化名堿河南省南陽市，因稱「南陽烙畫」。冬青木紋理細緻，色澤潔淨乳白，氣味芳香、木性挺直。以冬青木做成木筷，古今知名，其工藝亦技巧而精美。\r\n筷子，古名「箸」，是一種起源於中國的食具，在東亞、東南亞地區被作為主要餐具，新疆、西藏、蒙古的部份民族，也有廣泛使用。其歷史可追溯到四千年以前，其發明與原始農業、陶器運用有關。《史記》載：商紂時稱\"箸\"，兩漢又稱\"筯\"，明朝時吳中船民因忌諱「箸」與「住、滯」同音，反稱之「快子、筷子」。\r\n「新婚燕爾」語出《詩經》，用作慶賀新婚之辭。(詮釋委員:簡榮聰)\r\n","ImageUrl":""}
,{"Identifier":"200908013003","MainTitle":"冬青木筷-春回大地","Creator":"其他-廠商：中國南陽出品","CreatedYear":"","Size":"001:竹林小鳥、002新婚燕爾、003春回大地、004一路蓮科、005白頭高干\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDEzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"烙畫，又稱「燙畫、火筆畫、火針刺繡」，因起源於中國歷史文化名堿河南省南陽市，因稱「南陽烙畫」。冬青木紋理細緻，色澤潔淨乳白，氣味芳香、木性挺直。以冬青木做成木筷，古今知名，其工藝亦技巧而精美，此為冬青木筷烙畫。\r\n筷子，古名「箸」，是一種起源於中國的食具，在東亞、東南亞地區被作為主要餐具，新疆、西藏、蒙古的部份民族，也有廣泛使用。其歷史可追溯到四千年以前。《史記》載：商紂時稱\"箸\"，兩漢又稱\"筯\"，明朝時吳中船民因忌諱「箸」與「住、滯」同音，反稱之「快子、筷子」。今河洛語仍保留古音。\r\n烙畫「春回大地」圖案，形容「嚴冬已過，春天又回到人間大地」。(詮釋委員:簡榮聰)\r\n","ImageUrl":""}
,{"Identifier":"200908013004","MainTitle":"冬青木筷-一路蓮科","Creator":"其他-廠商：中國南陽出品","CreatedYear":"","Size":"001:竹林小鳥、002新婚燕爾、003春回大地、004一路蓮科、005白頭高干\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDEzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"烙畫，又稱「燙畫、火筆畫、火針刺繡」，因起源於中國歷史文化名堿河南省南陽市，因稱「南陽烙畫」。冬青木紋理細緻，色澤潔淨乳白，氣味芳香、木性挺直。以冬青木做成木筷，古今知名，其工藝亦技巧而精美，此為冬青木筷烙畫。\r\n筷子，古名「箸」，是一種起源於中國的食具，在東亞、東南亞地區被作為主要餐具，新疆、西藏、蒙古的部份民族，也有廣泛使用。其歷史可追溯到四千年以前。《史記》載：商紂時稱\"箸\"，兩漢又稱\"筯\"，明朝時吳中船民因忌諱「箸」與「住、滯」同音，反稱之「快子、筷子」。今河洛語仍保留古音。\r\n烙畫「一路連科」，以鷺鷥與路、蓮與連，蘆科與科諧音，引申為「一路連科」，代表對科舉考試的順利、一路金榜題名。(詮釋委員:簡榮聰)\r\n","ImageUrl":""}
,{"Identifier":"200908013005","MainTitle":"冬青木筷-白頭高干","Creator":"其他-廠商：中國南陽出品","CreatedYear":"","Size":"001:竹林小鳥、002新婚燕爾、003春回大地、004一路蓮科、005白頭高干\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDEzMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"烙畫，又稱「燙畫、火筆畫、火針刺繡」，因起源於中國歷史文化名堿河南省南陽市，因稱「南陽烙畫」。冬青木紋理細緻，色澤潔淨乳白，氣味芳香、木性挺直。以冬青木做成筷子，古今知名，其工藝亦技巧而精美，此為冬青木筷烙畫。\r\n筷子，古名「箸」，是一種起源於中國的食具，在東亞、東南亞地區被作為主要餐具，新疆、西藏、蒙古的部份民族，也有廣泛使用。其歷史可追溯到四千年以前。《史記》載：商紂時稱\"箸\"，兩漢又稱\"筯\"，明朝時吳中船民因忌諱「箸」與「住、滯」同音，反稱之「快子、筷子」，今河洛語仍保留古音。\r\n烙畫「白頭高干」，以白頭翁形容白頭耆老，高桿，象徵高幹，表示仕途高位至白頭。另一意義代表「白頭偕老，夫妻恩愛到老」。(詮釋委員:簡榮聰)\r\n","ImageUrl":""}
,{"Identifier":"200908014","MainTitle":"冬青木筷(五雙)","Creator":"其他-廠商：中國南陽出品","CreatedYear":"","Size":"001一品清蓮、002延年益壽、003竹林小鳥、004有鳳來儀、005松鶴長齡\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"烙畫，又稱「燙畫、火筆畫、火針刺繡」，因起源於中國歷史文化名堿河南省南陽市，故又稱「南陽烙畫」。\r\n冬青木紋理細緻，色澤潔淨白色，氣味芳香、木性挺直。製筷時以所伐幹枝細條，截出筷坯，經刮削、車圓、打磨，做成木筷素身，最後烙花，用電熱鋼火筆，一手操筷，一手施烙，以熟練腕力、指力，筷轉筆運、順勾遂劃，繪出明快雅致的花紋、山水人物、花鳥蟲魚...等各種圖案，十分典雅。\r\n筷子，古名「箸」，是一種起源於中國的食具，在東亞、東南亞地區被作為主要餐具。其歷史可追溯到四千年以前。《史記》載：商紂時稱\"箸\"，漢又稱\"筯\"，明代時吳中船民因忌諱「箸」與「住、滯」同音，反稱之「快子、筷子」，今河洛語仍保留古音。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908014001","MainTitle":"冬青木筷-一品青蓮","Creator":"其他-廠商：中國南陽出品","CreatedYear":"","Size":"001一品清蓮、002延年益壽、003竹林小鳥、004有鳳來儀、005松鶴長齡\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDE0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"烙畫，又稱「燙畫、火筆畫、火針刺繡」，因河南省南陽市盛行，故又稱「南陽烙畫」。冬青木紋理細緻，色澤潔淨乳白，氣味芳香、木性挺直。以冬青木做成筷子，古今知名，其工藝技巧而精美，此為冬青木筷烙畫。\r\n筷子，古名「箸」，是一種起源於中國的食具，在東亞、東南亞地區被作為主要餐具。其歷史可追溯到四千年以前。《史記》載：商紂時稱\"箸\"，漢又稱\"筯\"，明朝時吳中船民因忌諱「箸」與「住、滯」同音，反稱之「快子、筷子」，今河洛語仍保留古音。\r\n木筷烙畫「一品青蓮」，宋代理學家獨愛蓮出淤泥而不染，濯清漣而不妖，譽為花之君子。佛教尊青蓮為一品，為最高功果之象徵。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908014002","MainTitle":"冬青木筷-延年益壽","Creator":"其他-廠商：中國南陽出品","CreatedYear":"","Size":"001一品清蓮、002延年益壽、003竹林小鳥、004有鳳來儀、005松鶴長齡\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDE0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"烙畫，又稱「燙畫、火筆畫、火針刺繡」，因河南省南陽市盛行，故又稱「南陽烙畫」。冬青木又稱女貞子樹，紋理細緻，色澤潔淨乳白，氣味芳香、木性挺直。以之做成筷子，古今知名，工藝巧美；烙畫木筷，在小幅筷面上作畫，並加題字。\r\n筷子，古名「箸」，是一種起源於中國的食具，在東亞、東南亞地區被作為主要餐具。其歷史可追溯到四千年以前。《史記》載：商紂時稱\"箸\"，漢又稱\"筯\"，明朝時吳中船民因忌諱「箸」與「住、滯」同音，反稱之「快子、筷子」，今河洛語仍保留古音。\r\n木筷烙畫「延年益壽」，畫秋菊榮茂，菊可延年益壽，故以之象徵。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908014003","MainTitle":"冬青木筷-竹林小鳥","Creator":"其他-廠商 ：中國南陽出品","CreatedYear":"","Size":"001一品清蓮、002延年益壽、003竹林小鳥、004有鳳來儀、005松鶴長齡\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDE0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"烙畫，又稱「燙畫、火筆畫、火針刺繡」，因河南省南陽市盛行，故又稱「南陽烙畫」。冬青木又稱女貞子樹，紋理細緻，色澤潔淨乳白，氣味芳香、木性挺直。以之做成筷子，古今知名，工藝巧美；烙畫木筷，即在小幅筷面上作畫，並加題字。\r\n筷子，古名「箸」，是一種起源於中國的食具，在東亞、東南亞地區被作為主要餐具。其歷史可追溯到四千年以前。《史記》載：商紂時稱\"箸\"，漢又稱\"筯\"，明朝時吳中船民因忌諱「箸」與「住、滯」同音，反稱之「快子、筷子」，今河洛語仍保留古音。\r\n木筷烙畫「竹林小鳥」，象徵好鳥林鳴的生機清妙！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908014004","MainTitle":"冬青木筷-有鳳來儀","Creator":"其他-廠商：中國南陽出品","CreatedYear":"","Size":"001一品清蓮、002延年益壽、003竹林小鳥、004有鳳來儀、005松鶴長齡\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDE0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"烙畫，又稱「燙畫、火筆畫、火針刺繡」，因盛行於河南省南陽市，故又稱「南陽烙畫」。冬青木又稱女貞子樹，紋理細緻，色澤潔淨乳白，氣味芳香、木性挺直。以之做成筷子，古今知名，工藝巧美，此烙畫木筷，即在小幅筷面上作畫，並加題字。\r\n筷子，古名「箸」，是一種起源於中國的食具，在東亞、東南亞地區被作為主要餐具。其歷史可追溯到四千年以前。《史記》載：商紂時稱\"箸\"，漢又稱\"筯\"，明朝時，吳中船民忌諱「箸」與「住、滯」同音，反稱之「快子、筷子」，今河洛語仍保留古音「箸」。\r\n木筷烙畫「有鳳來儀」，語出《尚書》：「簫韶九成，鳳凰來儀」，傳統信仰，有鳳出現翔飛，代表「太平之瑞」，吉祥瑞應徵兆。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908014005","MainTitle":"冬青木筷-松鶴長齡","Creator":"其他-廠商：中國南陽出品","CreatedYear":"","Size":"001一品清蓮、002延年益壽、003竹林小鳥、004有鳳來儀、005松鶴長齡\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDE0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"烙畫，又稱「燙畫、火筆畫、火針刺繡」，因盛行於河南省南陽市，故又稱「南陽烙畫」。冬青木又稱女貞子樹，紋理細緻，色澤潔淨乳白，氣味芳香、木性挺直。以之做成筷子，古今知名，工藝巧美，此烙畫木筷，即在小幅筷面上作畫，並加題字。\r\n筷子，古名「箸」，是一種起源於中國的食具，在東亞、東南亞地區被作為主要餐具。其歷史可追溯到四千年以前。《史記》載：商紂時稱\"箸\"，漢又稱\"筯\"，明朝時吳中船民忌諱「箸」與「住、滯」同音，反稱之「快子、筷子」，今河洛語仍保留古音。\r\n木筷烙畫「松鶴長齡」，傳統民間俗信，松鶴可壽千年，故以之象徵「松鶴長齡」。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908015","MainTitle":"木篦","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"篦，即密齒梳、細齒梳，亦稱「篦櫛、篦節、篦子、編笄」，古時簡稱「櫛」。在中國古代，篦是一種很普遍的理髮工具。\r\n篦之造型，或上部為把，或長方、或半圓，而下部為密齒，或中間有一樑，而兩側密齒。此件木篦，則匠心獨運，手把處呈長方形龍舟型，彩繪，龍首龍尾各上揚，龍身上連密排之細齒。\r\n篦之細齒，用以清除頭皮屑和和髮垢，或順髮，亦可用後在頭髮上別作髮飾。古代的篦，多以竹、木骨、金屬等製造，中國常州篦是著名的傳統手工藝品。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908016","MainTitle":"龍形剪紙","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"剪紙是最古老的中國民間藝術之一，用剪刀將紙剪成各樣圖案，動物、植物、人物、器物、幾何圖紋，以一種鏤空藝術及線條、顏色，在視覺上憑添美好的感受。常用於窗花、門箋、墻花、頂棚花、燈花等，顏色多為紅色，更增喜氣洋洋，吉祥喜慶氛圍。\r\n剪紙工藝，從考古發現，至少在北朝(386-581)就已經出現。傳統習俗，每逢過節或新婚喜慶，人們便將吉祥鮮艷的剪紙貼在家中窗戶、墻壁、門、燈籠上，節慶的氣氛也烘托得更加熱列。在中國傳統農村，剪紙是婦女的手藝。\r\n龍，是四靈之首，象徵吉祥、尊貴，也有辟邪的功能，龍形剪紙，也就意義深遠了。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908017","MainTitle":"孫悟空","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"剪紙是中國最古老的民間藝術之一，從考古發現，至少在北朝(386-581)就已經出現。其工藝用剪刀將紙剪成各樣圖案，動植物、人物器物、幾何圖紋等，以一種鏤空藝術及線條、顏色，在視覺上憑添美好的感受。\r\n剪紙的前身可追溯到漢唐婦女使用金銀箔剪成方勝貼在鬢角為飾的風俗。早期的剪紙多見於喪葬、祭祀等儀式，後衍為慶賀、吉祥、壓煞、招喜。傳統常用於窗花、門箋、墻花、頂棚花、燈花，貼在壁、窗、柱、門、鏡等處。\r\n本件剪紙題材孫悟空，乃取材至民間信仰齊天大聖，以其法術神通廣大高強，藉以報吉、增財、壓煞。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908018","MainTitle":"象牙三足蟾","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\象牙類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"三足蟾，又稱金蟾，金蟾是民間信仰中的靈物，古代民間傳說，它能口吐金錢，是旺財之物。其造型三隻腳，背負北斗七星，頭頂太極兩儀。\r\n相傳在古時候，有一名仙人叫劉海，曾經收伏金蟾妖精，這隻金蟾在後來跟隨劉海伏妖助人，而劉海喜愛布施金錢給一些貧苦人，所以金蟾能使人錢財轉富。所以後人俗信，在屋裡擺放三隻腳的蟾蜍，可以增財，古語「家有金蟾，財源綿綿」。\r\n本件是象牙雕「三足蟾」，可作為吊墜、掛飾或腰佩。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908019","MainTitle":"菊花石雕","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"菊花石雕是湖南瀏陽縣獨特的手工藝品，用生成於2億多年前的菊花石雕琢而成，瀏陽菊花石雕被譽為「全球第一」。\r\n這種菊花石，有類菊花圖紋，花蕊有單蕊、雙蕊、三蕊或無蕊，有類似竹葉菊、綉球龍葵菊、蒲葉菊、金錢菊花型等。雕琢藝人利用菊花石特點，精工雕琢、理出花瓣、添枝加葉、浮雕叢叢菊花。或加人物、描述典故。例如「淵明賞菊、天女散花、黃巢啄菊...」等，構思巧妙，曾獲得巴拿馬萬國博覽會獎牌。\r\n本件菊花雕石，描述陶淵明「賞菊東籬下，悠然見南山」。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908020","MainTitle":"鳳翔彩繪泥塑坐虎","Creator":"","CreatedYear":"","Size":"外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鳳翔彩繪泥塑，是陝西省寶雞市鳳翔縣的一種傳統民間藝術，當地人稱「泥貨」。鳳翔縣位于關中平原西部，境內出土的春秋戰國及漢唐墓葬中，均有泥塑的陪葬陶俑，可見其泥塑工藝歷史之久。當地老鄉購泥塑置於家中，用以祈子、護身、辟邪、鎮宅、納福。六營村的脫胎彩繪泥偶由此出名，並代代相傳，成為中國民間美術中獨具特色的精品，在國內外享有盛譽。\r\n鳳翔泥塑坐虎，造型誇張、色彩鮮艷。逢年過節趕廟會，當地人以坐虎作為禮品，贈送孩子滿月。坐虎的工序為「製模、翻坯、粘合成型、精拋、彩繪、勾線、裝色、上光」，形態粗獷誇張、簡練概括，色彩大紅大綠，深具民藝特色。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908021","MainTitle":"泥叫獅(三件)","Creator":"","CreatedYear":"","Size":"001大:長:12、寬:9、高:12.5\r\n002中:長:10、寬:6.5、高:10.5\r\n003小:長:6.5、寬4.2、高:6.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-544公克；002-235公克；003-105公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"山東高密市是著名的民間藝術之鄉。其中「掛灰年畫、剪紙、聶家庄泥塑」，被稱為「高密三絕」。聶家庄「泥叫獅」類似「泥叫虎」，是泥塑玩具之一。清朝嘉慶年間，進入全盛期，此期之後，泥玩具演化為會動、會叫、會逗趣的活玩藝。\r\n泥玩具在藝術造型上，大膽誇張、注重寫意神似，力求簡約概況、似于不似，與天津「泥人張」注重寫真的藝術手法大異其趣。其色彩運用，鮮明醒目、柔和動人、用色少而精，以桃紅、大綠兩種基本顏色為主，神情獨特、恰到好處，不失濃郁的民間情調；因其著色濃艷，在全國泥塑中別具一格。\r\n此組「泥叫獅」有大中小三件，用手拉動首尾，即有叫聲，可玩、可辟邪、招吉。因係手工，所以大中小獅臉部表情不一。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908021001","MainTitle":"泥叫獅(三件)-大","Creator":"","CreatedYear":"","Size":"001大:長:12、寬:9、高:12.5\r\n002中:長:10、寬:6.5、高:10.5\r\n003小:長:6.5、寬4.2、高:6.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-544公克；002-235公克；003-105公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDIxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"山東高密市是著名的民間藝術之鄉。其中「掛灰年畫、剪紙、聶家庄泥塑」，被稱為「高密三絕」。\r\n聶家庄泥塑「泥叫獅」是聶家庄生產的泥玩具，又稱「泥叫虎」。清朝嘉慶年間，進入全盛期，這一時期以後，泥玩具演化為會動、會叫、會逗趣的活玩藝。在藝術造型上，大膽誇張、注重寫意神似、力求簡約概況、似于不似，與天津「泥人張」注重寫真的藝術手法大異其趣。其色彩運用，鮮明醒目、柔和動人、用色少而精，以桃紅、大綠兩種基本顏色為主，神情獨特、恰到好處，不失濃郁的民間情調。因其著色濃艷，在全國泥塑中別具一格。用手拉動首尾，即有叫聲，又可辟邪、招吉。所以名稱「泥叫獅」，大受歡迎。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908021002","MainTitle":"泥叫獅(三件)-中","Creator":"","CreatedYear":"","Size":"001大:長:12、寬:9、高:12.5\r\n002中:長:10、寬:6.5、高:10.5\r\n003小:長:6.5、寬4.2、高:6.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-544公克；002-235公克；003-105公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDIxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"山東高密市是著名的民間藝術之鄉。其中「掛灰年畫、剪紙、聶家庄泥塑」，被稱為「高密三絕」。聶家庄「泥叫獅」類似「泥叫虎」，是泥塑玩具之一。清朝嘉慶年間，進入全盛期，以後，泥玩具演化為會動、會叫、會逗趣的活玩藝。\r\n泥玩具在藝術造型上，大膽誇張、注重寫意神似、力求簡約概況、似于不似，與天津「泥人張」注重寫實的藝術手法大異其趣。其色彩運用，鮮明醒目、柔和動人、用色少而精，以桃紅、大綠兩種基本顏色為主，神情獨特、恰到好處，不失濃郁的民間情調。因其著色濃艷，在全國泥塑中別具一格。\r\n此為「泥叫獅」中件，用手拉動首尾，即有叫聲，可玩、可辟邪、招吉。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908021003","MainTitle":"泥叫獅(三件)-小","Creator":"","CreatedYear":"","Size":"001大:長:12、寬:9、高:12.5\r\n002中:長:10、寬:6.5、高:10.5\r\n003小:長:6.5、寬4.2、高:6.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-544公克；002-235公克；003-105公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDIxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"山東高密市是著名的民間藝術之鄉。其中「掛灰年畫、剪紙、聶家庄泥塑」，被稱為「高密三絕」。聶家庄「泥叫獅」類似「泥叫虎」，是泥塑玩具之一。清朝嘉慶年間進入全盛期，此後，泥玩具演化為會動、會叫、會逗趣的活玩藝。\r\n泥玩具在藝術造型上，大膽誇張、注重寫意神似、力求簡約概況、似于不似，與天津「泥人張」注重寫實的藝術手法大異其趣。其色彩運用，鮮明醒目、柔和動人、用色少而精，以桃紅、大綠兩種基本顏色為主，神情獨特、恰到好處，不失濃郁的民間情調。因其著色濃艷，在全國泥塑中別具一格。\r\n此為「泥叫獅」小件，用手拉動首尾，即有叫聲，可玩、可辟邪、招吉。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908022","MainTitle":"泥泥獅","Creator":"","CreatedYear":"","Size":"外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"河南淮陽所出品的泥塑民間藝術「泥泥狗」，已經傳承6000多年，頗富盛名。「泥泥狗」是通稱，實際上其造型是一種多種怪獸的複合體，品類多達200多種。其產生背景源於伏羲、女媧的神話「女媧摶土造人」的泥娃娃，已被專家稱為了解中國先民圖騰崇拜的活化石，列為國家非物質文化遺產。\r\n在淮陽太昊陵廟會上，供奉很多大小「泥泥狗」，被當作祭祀人祖伏羲用的「聖物、吉祥物」。「泥泥狗」用淤泥捏製，全漆黑底，然後用綠、黃、赤、白粉五色，繪以點線結構圖案，造型古樸、手法簡練，每個都有孔可吹，音韵渾厚。本件「泥泥狗」造型為獅子。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908023","MainTitle":"吹糖人","Creator":"","CreatedYear":"","Size":"外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「泥人張」為天津的知名泥塑工藝，創始於清代道光年間，現為天津首批國家級非物質文化遺產。泥人張彩塑創作題材，來源於民間習俗、舞台戲劇、民間故事、古典文學名著。其作品特色用色簡雅明快、用料講究、神形兼具。「天津泥人張」、與「惠山泥人（江蘇無錫）」、「大吳泥塑」（廣東潮州），孿名為中國三大泥塑工藝。\r\n「泥人張」創始人張明山，只須與人對面坐談，搏土於手，不動聲色，瞬間而成，面目徑寸、不僅形神畢肖，且栩栩如生。其彩塑，把傳統捏泥人，提高到圓塑藝術的水平，又裝飾以色彩、道具，形成了獨特的風格。其作品精美，影響遠及世界各地，在中國傳統民間手工藝史上占有重要地位。\r\n本作品以「吹糖人」為題材，寫實地呈現民間老行業的生態。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908024","MainTitle":"耍猴人","Creator":"","CreatedYear":"","Size":"外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的泥塑藝術早在原始社會的河姆渡文化遺址就已發現。「泥人張」則是天津彩塑民間工藝的暱稱，始於清道光年間，為首批國家級非物質文化遺產。\r\n「泥人張」是因創始人張明山，及子孫五代努力薪傳，而薪傳的特殊成就稱號。「泥人」所用材料是含沙量低、無雜質的純淨膠泥，經風化、打漿、過濾、脫水，加以綿絮反覆砸揉而成為熟泥，補助材料尚有木材、竹藤、鉛絲、紙張、絹花等，自然風乾，入窯烘燒，溫度要達700度C左右，出窯後經打磨，整理，即可著色。\r\n彩塑用料，過去為水粉色，今使用丙烯色，可以用水沖洗，不易褪色。\r\n“塑”與”繪”是「泥人張」的彩塑藝術特點，通過技藝，隨類賦形，表現人物、刻劃性格，展示現實生活。本件「耍猴人」便是反應了傳統市井的生活一斑。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908025","MainTitle":"豬八戒","Creator":"","CreatedYear":"","Size":"外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「浚縣泥塑」是河南浚縣的傳統泥塑藝術，傳說始於隋末，發展到近代，每年正月、七月廟會時，各村各家泥塑藝人便忙碌創作，買賣泥玩具成了廟會主要內容，還遠銷外省各地。泥塑原料，是將黃膠泥晒乾，碾碎過篩，加上綿花和紙漿，再掺水和勻，用木頭捶打數通，使膠泥變得柔軟細膩。經過「搓、拉、捏、掐」，將泥塑形，在灶鍋烘熱冒烟、用黑或棕色打底，再在晾乾泥塑上涂上各種鮮艷色彩，便算完成，俗稱「泥咕咕」，已列入非物質文化遺產。\r\n本件題材「豬八戒」，便是以「西遊記」為本，形塑彩繪，粗獷憨厚，線條色調古拙有趣，反映「浚縣泥塑」「泥咕咕」的地方特色。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908026","MainTitle":"岐山彩繪泥塑臥牛","Creator":"","CreatedYear":"","Size":"外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"和陜西鳳翔泥塑一樣，陜西岐山（周公故里）也生產泥塑，造型古樸典雅，稚拙可愛。其製作工序為「製模、紙筋、入泥、脫胎、掛粉、勾線、彩繪、塗漆」，與鳳翔泥塑差不多，區別在於鳳翔泥塑多白底加彩，而岐山泥塑則多黑底襯彩。\r\n本件彩塑臥牛，即是典型岐山泥塑風格，將牛彩繪為黑、白、灰、柑紅的線條色彩，古雅稚拙，相當可愛！臥牛之淡定、自在、穩重，神韻內斂。\r\n牛，是農家的耕作動力，貨物搬運也多依賴牠，堪稱農家一員，勞作之外的休憩，最能體會農家的風味。做為廟會擺攤的泥塑玩具，它的一貫地方風格特色，受到民間歡迎。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908027","MainTitle":"兔兒爺","Creator":"","CreatedYear":"","Size":"外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「兔兒爺」是老北京民間的傳統玩具，最早源於明末的祭月泥偶。到了清代逐漸轉變成了兒童的玩具。如今「彩塑兔兒爺」，已經是北京非物質文化遺產。\r\n兔兒爺造型起源，形象源自月中的玉兔。北京的民間傳說是，有一年，北京城鬧瘟疫，月宮嫦娥派玉兔下凡消災治病。為了能給更多病人治病，玉兔或騎馬、虎、獅、鹿，走遍城內外，當玉兔消除瘟疫後回到月宮。人們用泥塑兔兒爺、兔兒奶，在農曆八月十五中秋供奉她。其實兔兒爺的產生，源於上古月神的崇拜，月中有兔的傳說，最起碼春秋時已有。後來因玉兔的信仰，產生了專供兒童祭月的造像－兔兒爺。本件「兔兒爺騎虎」，造型稚拙可愛，彩塑明艷柔和，地方特色濃郁。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908028","MainTitle":"西遊記(五件)","Creator":"","CreatedYear":"","Size":"001豬:長4，寬4，高4\r\n002孫:長4，寬3，高6\r\n003沙:長5.5，寬3，高4\r\n004唐:長7，寬2.5，高9 \r\n005龜:長8，寬4.5，高8\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-47公克；002-39公克；003-45公克；004-100公克；005-110公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本組「西遊記」(五件），是浙江嵊縣泥塑作品。嵊縣泥塑是浙江名特產品，形成于上世紀七十年代。以造型洗練，注重誇張變形，小巧精美著稱。其用料主要采用當地的烏黑泥，質地細膩潔淨、粘性好、可塑性強。其工法，首先將泥料進行揉碾加工，增強其靭性，然後用手揑塑，依所要題材塑形，其次翻製石膏坯模，再次批量生產，上彩，其敷彩精確適當，艷而不俗，淡而明顯，塑彩之後，渾然一體。\r\n嵊縣泥塑，題材以塑製戲曲人物為多，工藝特色是作品小巧玲瓏、擕帶方便、及濃郁民族風格，是以馳名中外、遠銷各地。本組「西遊記」人物，即是家喻戶曉的「唐僧騎白龍馬、孫悟空、豬八戒、沙悟淨、神黿載師徒」。可成組，也可分件，件件都是故事！\r\n《西遊記》是中國古典神怪小說，中國「四大名著」之一，明朝中葉吳承恩匯整宋代以來的民間傳說雜劇，書中講述唐三藏師徒及龍馬五人往西天取經故事，表現了懲惡揚善的古老主題，並及諷刺權力官場的小説。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908028001","MainTitle":"西遊記(五件)-豬八戒","Creator":"","CreatedYear":"","Size":"001豬:長4，寬4，高4\r\n002孫:長4，寬3，高6\r\n003沙:長5.5，寬3，高4\r\n004唐:長7，寬2.5，高9 \r\n005龜:長8，寬4.5，高8\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-47公克；002-39公克；003-45公克；004-100公克；005-110公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDI4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"豬八戒，法號悟能，是中國古典小說《西遊記》所述唐三藏三個徒弟之一，排名第二，豬臉人身。根據《西遊記》故事，豬八戒原是天庭中統領八萬天河水兵的天蓬元帥，因蟠桃會上酒醉調戲月宮嫦娥，被貶下凡，因投錯胎變成豬模様。後經觀音菩薩指點，拜唐僧為師，一同赴西天取經，而修成正果！\r\n《西遊記》是具有濃郁象徵意味的神魔小說的代表作，而豬八戒則是作者吳承恩在這部小說中著力塑造的一個喜劇典型。在他的身上既有人的吃苦耐勞、憨厚率直的品質，也有貪婪自私的本性、又有神的本領、還有豬的形體特徵，這充分體現了吳承恩把人性、神性、豬性的完美結合。\r\n嵊縣泥塑將豬八戒的外表形態，塑造得肥臉胖身，一身福態可愛，在工藝設計方面，別具風格特色！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908028002","MainTitle":"西遊記(五件)-孫悟空","Creator":"","CreatedYear":"","Size":"001豬:長4，寬4，高4\r\n002孫:長4，寬3，高6\r\n003沙:長5.5，寬3，高4\r\n004唐:長7，寬2.5，高9 \r\n005龜:長8，寬4.5，高8\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-47公克；002-39公克；003-45公克；004-100公克；005-110公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDI4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"孫悟空是中國著名神佛之一，《西遊記》所述，祂原由開天闢地以來仙石所化，經過一番求道過程，精通地煞七十二變、肋斗雲、長生不老法術。曾經大鬧龍宮取得如意金箍棒，又大鬧地府勾去生死簿，後被天界招安，封為弼馬溫。得知職位低卑後閙回花果山，並戰勝托塔天王和三太子討伐，迫使玉皇大帝封其為齊天大聖。又其後因大閙天宮，天王、天將、星宿、天兵對其圍剿均不能敗之。後來在與如來鬥法中被壓在五行山下悔過，經觀音點化，為唐僧救出，保護西天取經，一路降妖除魔，不畏艱險困苦，最後修成正果。\r\n孫悟空生性聰明、活潑、忠誠、神通廣大、嫉惡如仇，在民間信仰中代表機智、勇敢、神武。本件嵊縣泥塑，表現孫悟空的乘雲形象，稚氣可愛，顕示彩塑工藝的特色與風格！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908028003","MainTitle":"西遊記(五件)-沙悟淨","Creator":"","CreatedYear":"","Size":"001豬:長4，寬4，高4\r\n002孫:長4，寬3，高6\r\n003沙:長5.5，寬3，高4\r\n004唐:長7，寬2.5，高9 \r\n005龜:長8，寬4.5，高8\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-47公克；002-39公克；003-45公克；004-100公克；005-110公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDI4MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"西遊記－沙悟淨，又名沙僧、沙和尚，是《西遊記》唐三藏的第三徒弟。他原是天庭武神，受封捲簾大將，因失手打碎琉璃盞被貶下凡，盤踞在流沙河成為妖怪，以人為食，項下掛著九個骷髏，串為項鍊。其後被觀音菩薩指點成為唐僧徒弟，追隨師傅、師兄孫悟空、豬八戒，以及白龍馬一起赴西天取經，歷九九八十一魔難，取經功德圓滿，修成正果。\r\n《西遊記》所表現的沙悟淨，個性溫和、正義、忠實，和白龍馬一樣，默默守護、默默做事、好像是沒有凸出個性，像傳統社會大多數的一群。\r\n本件嵊縣泥塑，風格渾厚，彩繪的沙僧，絡腮鬍、善良面，擔著行李，長途跋涉，默默前行！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908028004","MainTitle":"西遊記(五件)-唐三藏與白龍馬","Creator":"","CreatedYear":"","Size":"001豬:長4，寬4，高4\r\n002孫:長4，寬3，高6\r\n003沙:長5.5，寬3，高4\r\n004唐:長7，寬2.5，高9 \r\n005龜:長8，寬4.5，高8\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-47公克；002-39公克；003-45公克；004-100公克；005-110公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDI4MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"唐三藏，是中國著名古典小說《西遊記》的主要角色之一，其原型是唐代的玄奘法師。三藏法師是一種敬稱，指精通佛教聖典三大類別「經、律、論」三藏的法師，《西遊記》稱「唐三藏」，其實是為了避其名諱，故尊稱為「中國的三藏法師」。\r\n一般世人對玄奘的印象多來自《西遊記》的唐三藏唐僧，善良、溫文、儒雅、純真、無邪、忠厚，偶爾善惡難辨，容易聽信讒言，也容易受到詐騙；反映了世俗中最純善的人性佛性。但他又具有柔靭、剛強的性格，西天取經、宏揚佛法，一直是他堅不可摧、穩不可撼的意志。\r\n唐三藏前往西天取經一路所駕白龍馬，也非等閒。在《西遊記》中，白龍馬原是西海龍王的三太子，被觀音菩薩點化，化成白龍馬，載駝唐僧西天取經，歴盡艱辛，終於修成正果。\r\n本件嵊縣泥塑，色彩柔艷簡潔，寥寥數筆，落落形象，具見地方風格與造型藝術！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908028005","MainTitle":"西遊記(五件)-龜通天河老黿","Creator":"","CreatedYear":"","Size":"001豬:長4，寬4，高4\r\n002孫:長4，寬3，高6\r\n003沙:長5.5，寬3，高4\r\n004唐:長7，寬2.5，高9 \r\n005龜:長8，寬4.5，高8\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-47公克；002-39公克；003-45公克；004-100公克；005-110公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDI4MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"老黿是《西遊記》中通天河原來的主人，後來金魚怪來到此處與老黿爭鬥，被金魚怪傷他許多兒女，奪了他許多眷族。老黿鬥不過，水府遂被他所占。金魚怪自稱靈感大王，他專吃童男童女，每年要村莊居民供奉廟前，並保證能保風調雨順五穀豐收，地方村民懾於妖怪法力強大及民生經濟，無可奈何，甚感悲苦。\r\n唐僧師徒路過通天河畔陳家莊，自告奮勇要為莊民除妖。孫悟空和豬八戒一起，變作童男童女，準備誘殺妖怪。\r\n不料被妖怪識破，跳入河中逃走。金魚怪含恨報復施法將通天河結冰，誘唐僧師徒從冰上渡河時，突然冰裂擒住唐僧。孫悟空、豬八戒、沙悟淨三人雖多次入水尋妖怪交戰，也難予取勝！無奈去找南海觀音菩薩，用魚籃將原是她南海園中蓮池金鯉魚的妖怪鎮住提回自家池中。\r\n通天河老黿終得回府，感激報恩，自願負載師徒渡過通天河。本件嵊縣泥塑「通天河老黿」，以烏泥塑老黿駝著唐僧師徒，在比例上反襯老黿之大，在工藝上表現了各別的個性！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908029","MainTitle":"老者像(紅衣)","Creator":"","CreatedYear":"","Size":"外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"廣東佛山，自古即以石灣陶著名於世，被稱之為「石灣公仔」。唐宋時期，隨著對外貿易的發展，石灣公仔就開始遠銷日本、東南亞；明代以後石灣公仔的生產進入鼎盛期，方圓幾公里的小鎮有陶瓷107座，陶瓷行業人數達6萬多人，《明詩綜》有載：「石灣瓦，甲天下」，反映了當時石灣陶的地位。鼎盛時期產品種類繁多，逐步分支為人物、動物陶塑、器皿造型、園林陶藝及微塑五大類，成為獨具嶺南特色的工藝品。公元2006年「石灣公仔」更被列入首批國家級非物質文化遺產。\r\n本件公仔作品「老者像」，是透過泥塑上釉點妝的工藝效果，反映一位老年漁翁的相貌心境。「老人」又稱「老者」，象徵一個人從幼童到少年、到青年、到壯年、中年，歷經長期人生世事的磨練、經驗、體會，到了老年，已由而立、不惑、知天命、耳順、從心所欲，而經驗豐富、世事練達、心境圓融、處世淡然、坦然、順然。\r\n從公仔外觀，白眉白髪白鬚，而目光炯炯，象徵智慧精神！漁翁有魚，代表「有餘」，代表「心境」，紅衣只是衣服的外相。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908030","MainTitle":"老者像(白衣)","Creator":"","CreatedYear":"","Size":"外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"廣東佛山，自古即以石灣陶著名於世，被稱之為「石灣公仔」。唐宋時期，隨著對外貿易的發展，石灣公仔就開始遠銷日本、東南亞；明代以後石灣公仔的生產進入鼎盛期，方圓幾公里的小鎮有陶瓷107座，陶瓷行業人數達6萬多人，《明詩綜》有載：「石灣瓦，甲天下」，反映了當時石灣陶的地位。鼎盛時期產品種類繁多，逐步分支為人物、動物陶塑、器皿造型、園林陶藝及微塑五大類，成為獨具嶺南特色的工藝品。公元2006年「石灣公仔」更被列入首批國家級非物質文化遺產。\r\n本件公仔作品「老者像」，是透過泥塑上釉點妝的工藝效果，反映一位老年儒生的相貌心境。「老人」又稱「老者」，象徵一個人從幼童到少年、到青年、到壯年、中年，歷經長期人生世事的磨練、經驗、體會，到了老年，已由而立、不惑、知天命、耳順、從心所欲，而經驗豐富、世事練達、心境圓融、處世淡然、坦然、順然。\r\n從公仔外觀，黑眉黑髪黑鬚，且目光炯炯，象徵智慧精神！儒生杯空，代表「無欲」，代表「心境」，白衣只是衣服的外相，塑相的簡約，或許象徵「歸真反璞」。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908031","MainTitle":"紅樓夢","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"《紅樓夢》，中國古典長篇章回小說，且是中國四大小説之一。故事是從女媧補天時所剩下的一塊石頭講起，因此又名《石頭記》。《紅樓夢》主要描寫一個美好世界的興起、發展，和最後無可避免的悲劇性幻滅。不過此書最為人所熟知的是賈寶玉和林黛玉的愛情，及二人與薛寶釵之間的関係，婚姻悲劇，以及賈寶玉親戚賈府、史家、薛家、王家等四大家族的興衰。其情節豐富，布局嚴密，直接取材於現實的社會生活，和作者的親身體驗，揭露封建時代上層階級的虛偽荒淫、腐朽剝削，是一部表面寫愛情生活瑣事，底質刻劃封建社會的小說。\r\n北京的核桃麵人技藝，也稱麵塑。是一種製作簡單但藝術性高尚的傳統手工藝品。它先是選擇較大較周正的核桃，對半剖開，去除核肉，曬乾、粗磨、上漆、上臘，然後在核殼內用麵粉揑成人物、器物，表達人物、故事、小説。\r\n本件北京核桃麵人，就是以紅樓夢人物賈寶玉、林黛玉為題材所揑塑的工藝！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908032","MainTitle":"冰糖葫蘆","Creator":"設計者：李大為","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"北京的「冰糖葫蘆」，是有名的北方冬天零食，一般用山楂串成，糖稀凍硬，吃起來又酸又甜，還很冰，小孩子喜歡吃。在台灣，慣稱它「鳥梨糖」。\r\n「金蟬猴」，俗稱「毛猴」，是北京獨有的民間藝術。它是將蟬蛻、辛夷、白芨、木通四味中草藥，按人體的肢體特徵，巧妙粘接而成猴子形象的手工技藝。又稱「半寸猢猻、北京毛猴、昆蟲塑」。\r\n相傳清朝同治七年(1867)，北京「南慶仁堂」藥舖有個掌櫃的尖酸霸道，經常無故打駡伙計，大家又惹不起他，只好忍氣吞聲。一個配藥的小伙計，偶然發現蟬蛻和辛夷具有動物的特徵，就用前述四味中藥巧妙做成藥掌櫃的。小伙計的惡作劇，無意間創造了流傳至今的「北京金蟬猴」。\r\n辛夷，也就是玉蘭花，它的花包像毛猴的身軀。而頭部四肢，用蟬蛻做成，也是妙像神似！毛猴有時會戴斗笠，是木通做成。早期的金蟬猴作品，大多數表現老北京市井文化，被列為非物質文化遺產。\r\n本件作品，描述冰糖葫蘆攤位，一金猴正顧著，有一位金猴媽媽，推著小金猴推車，來買糖葫蘆，既市井，又傳神！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908033","MainTitle":"黃包車","Creator":"設計者：李大為","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「金蟬猴」，俗稱「毛猴」，是北京獨有的民間藝術。它是將蟬蛻、辛夷、白芨、木通四味中草藥，按人體的肢體特徵，巧妙粘接而成猴子形象的手工技藝。又稱「半寸猢猻、北京毛猴、昆蟲塑」。\r\n相傳清朝同治七年(1867)，北京「南慶仁堂」藥舖有個掌櫃的尖酸霸道，經常無故打駡伙計，大家又惹不起他，只好忍氣吞聲。一個配藥的小伙計，偶然發現蟬蛻和辛夷具有動物的特徵，就用前述四味中藥巧妙做成藥掌櫃的。小伙計的惡作劇，無意間創造了流傳至今的「北京金蟬猴」。\r\n辛夷，也就是玉蘭花，它的花包像毛猴的身軀。而頭部四肢，用蟬蛻做成，也是妙像神似！毛猴有時會戴斗笠，是木通做成。早期的金蟬猴作品，大多數表現老北京市井文化，被列為非物質文化遺產。\r\n本件作品「黃包車」，就是以金蟬猴做成「乘客、拉車」的，用麵粉揑塑黃包車。猢猻只有半寸大小，連同臺座，堪稱工藝巧妙！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908034","MainTitle":"平劇人物-張飛","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"北京銅茶盤子戲，又稱「鬃人、銅盤人、盤中好戲」，是老北京的傳統玩具，因為是在銅盤中擺置鬃人戲曲人物，因此被稱為「銅茶盤子戲，，為北京市非物質文化遺產。\r\n「鬃人」，是以秫秸當架，膠泥做頭，在頭部勾畫臉譜，紙漿或布飾身胎，外繃彩紙描繪服飾，於底部裝黏一圈豬鬃，就形塑成一尊尊戲劇人物，高度通常為數公分到數十公分。只要規律敲擊上面有鬃人的銅盤子，那些人偶就會緩慢自旋，再搭配藝人唱歌，場面就如一場生動的舞台。\r\n本件鬃人平劇人物「張飛」，《三國演義》形容他豹頭環眼，故其平劇臉譜，眉子眼窩均呈環形，在剛猛中含有嫵媚，且有微笑形態，為最成功的造型。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908035","MainTitle":"平劇人物-孟良","Creator":"","CreatedYear":"","Size":"附翎毛2支","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"北京銅茶盤子戲，又稱「鬃人、銅盤人、盤中好戲」，是老北京的傳統玩具，因為是在銅盤中擺置鬃人戲曲人物，因此被稱為「銅茶盤子戲，為北京市非物質文化遺產。\r\n「鬃人」，是以秫秸當架，膠泥做頭，在頭部勾畫臉譜，紙漿或布飾身胎，外繃彩紙描繪服飾，於底部裝黏一圈豬鬃，就形塑成一尊尊戲劇人物，高度通常為數公分到數十公分。只要規律敲擊上面有鬃人的銅盤子，那些人偶就會緩慢自旋，再搭配藝人唱歌，場面就如一場生動的舞台。\r\n本件鬃人平劇人物-孟良，是北宋時期歷史人物，曾授朝散郎守殿中丞 ，致仕騎都尉 。在宋軍中成為對遼防御的北軍軍官; 是楊延昭部將。從各地叫做孟良崮，孟良營，孟良梯的地名，依稀可以推測孟良早年是綠林好漢。\r\n焦贊，是北宋後期富弼部下，也是抵抗遼軍的北軍將領。事實上，焦贊和北宋前期的楊延昭根本不可能相識，應是後世或評書藝人的戲劇化改編，將二人被安排給楊家將作下屬，以勇猛著稱抵抗契丹的大將。因常常一起出場，被後人稱為「焦不離孟，孟不離焦」，以比喻感情深厚，形影不離。\r\n孟良、焦贊在歷史上都有一點踪跡，但孟良沒有明確記載，只知道他是楊延昭部將，墓地在河北永清；焦贊墓則在河北雄縣。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908036","MainTitle":"平劇人物-典韋","Creator":"","CreatedYear":"","Size":"附翎毛1支","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"北京銅茶盤子戲，又稱「鬃人、銅盤人、盤中好戲」，是老北京的傳統玩具，因為是在銅盤中擺置鬃人戲曲人物，因此被稱為「銅茶盤子戲，為北京市非物質文化遺產。\r\n「鬃人」，是以秫秸當架，膠泥做頭，在頭部勾畫臉譜，紙漿或布飾身胎，外繃彩紙描繪服飾，於底部裝黏一圈豬鬃，就形塑成一尊尊戲劇人物，高度通常為數公分到數十公分。只要規律敲擊上面有鬃人的銅盤子，那些人偶就會緩慢自旋，再搭配藝人唱歌，場面就如一場生動的舞台。\r\n本件鬃人平劇人物-典韋，為三國時代魏國曹操護身勇將，其勇猛善戰，不同凡響。所率士卒，也都十分勇敢，每場戰鬥，都先登陷陣。其為人忠慎穩重，志節仼俠，力氣過人，雄武偉烈，受人推崇。戲曲中典韋角色，面譜以黃色為主，畫成花三塊瓦臉，表示其忠勇、兇猛，眉間勾雙...，為其所用兵器。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908037","MainTitle":"平劇人物-姜維","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"北京銅茶盤子戲，又稱「鬃人、銅盤人、盤中好戲」，是老北京的傳統玩具，因為是在銅盤中擺置鬃人戲曲人物，因此被稱為「銅茶盤子戲，為北京市非物質文化遺產。\r\n「鬃人」，是以秫秸當架，膠泥做頭，在頭部勾畫臉譜，紙漿或布飾身胎，外繃彩紙描繪服飾，於底部裝黏一圈豬鬃，就形塑成一尊尊戲劇人物，高度通常為數公分到數十公分。只要規律敲擊上面有鬃人的銅盤子，那些人偶就會緩慢自旋，再搭配藝人唱歌，場面就如一場生動的舞台。\r\n本件鬃人平劇人物-姜維，為三國時期蜀漢著名軍事家，深受諸葛亮器重。孔明死後，姜維總領蜀漢軍權，並先後11次伐魏。為人清廉樸素，節儉簡約，為一時之模範。而蜀漢成都遭遇魏將鄧艾陰取險路偷襲，後主劉禪投降。姜維不得已詐降魏，陰謀策劃鍾會反魏，盡殺魏將，設法復國，後因事機敗露，自刎報效蜀漢。\r\n姜維平劇臉譜「紅臉」代表對蜀漢之忠心，額上太極圖，說明他通曉陰陽八卦。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908038","MainTitle":"泥人張泥偶(一盒八個)","Creator":"中央工藝美術學院阮氏工藝品廠","CreatedYear":"","Size":"001唐:長5，寬2.3，高7\r\n002孫:長2.7，寬2.7，高6.4\r\n003豬:長3，寬2.8，高6.5\r\n004沙:長3.5，寬2.8，高6.4\r\n005藍衣白扇:長3.5，寬2.2，高8\r\n006桃紅女:長3.8，寬2.5，高7.7\r\n007綠衣女:長4.4，寬2，高6.9\r\n008長笛女:長3.3，寬2.5，高7.8\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-48公克；002-58公克；003-47公克；004-56公克；005-48公克；006-50公克；007-40公克；008-52\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥偶，一組八人，除了唐三藏師徒之外，還有可愛仕女。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908038001","MainTitle":"泥人張泥偶(一盒八個)-唐三藏與白龍馬","Creator":"中央工藝美術學院阮氏工藝品廠","CreatedYear":"","Size":"001唐:長5，寬2.3，高7\r\n002孫:長2.7，寬2.7，高6.4\r\n003豬:長3，寬2.8，高6.5\r\n004沙:長3.5，寬2.8，高6.4\r\n005藍衣白扇:長3.5，寬2.2，高8\r\n006桃紅女:長3.8，寬2.5，高7.7\r\n007綠衣女:長4.4，寬2，高6.9\r\n008長笛女:長3.3，寬2.5，高7.8\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-48公克；002-58公克；003-47公克；004-56公克；005-48公克；006-50公克；007-40公克；008-52公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"唐三藏，是中國著名古典小說《西遊記》的主要角色之一，其原型是唐代的玄奘法師。三藏法師是一種敬稱，指精通佛教聖典三大類別「經、律、論」三藏的法師，《西遊記》稱「唐三藏」，其實是為了避其名諱，故尊稱為「中國的三藏法師」。\r\n一般世人對玄奘的印象多來自《西遊記》的唐三藏唐僧，善良、溫文、儒雅、純真、無邪、忠厚，偶爾善惡難辨，容易聽信讒言，也容易受到詐騙；反映了世俗中最純善的人性佛性。但他又具有柔靭、剛強的性格，西天取經、宏揚佛法，一直是他堅不可摧、穩不可撼的意志。\r\n唐三藏前往西天取經一路所駕白龍馬，也非等閒。在《西遊記》中，白龍馬原是西海龍王的三太子，被觀音菩薩點化，化成白龍馬，載駝唐僧西天取經，歴盡艱辛，終於修成正果。\r\n本件泥人張作品「唐三藏與白龍馬」，線條細膩，彩塑簡潔可愛，具見彩塑藝術功夫！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908038002","MainTitle":"泥人張泥偶(一盒八個)-孫悟空","Creator":"中央工藝美術學院阮氏工藝品廠","CreatedYear":"","Size":"001唐:長5，寬2.3，高7\r\n002孫:長2.7，寬2.7，高6.4\r\n003豬:長3，寬2.8，高6.5\r\n004沙:長3.5，寬2.8，高6.4\r\n005藍衣白扇:長3.5，寬2.2，高8\r\n006桃紅女:長3.8，寬2.5，高7.7\r\n007綠衣女:長4.4，寬2，高6.9\r\n008長笛女:長3.3，寬2.5，高7.8\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-48公克；002-58公克；003-47公克；004-56公克；005-48公克；006-50公克；007-40公克；008-52公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"孫悟空是中國著名神佛之一，《西遊記》所述，祂原由開天闢地以來仙石所化，經過一番求道過程，精通地煞七十二變、肋斗雲、長生不老法術。曾經大鬧龍宮取得如意金箍棒，又大鬧地府勾去生死簿，後被天界招安，封為弼馬溫。得知職位低卑後閙回花果山，並戰勝托塔天王和三太子討伐，迫使玉皇大帝封其為齊天大聖。又其後因大閙天宮，天王、天將、星宿、天兵對其圍剿均不能敗之。後來在與如來鬥法中被壓在五行山下悔過，經觀音點化，為唐僧救出，保護西天取經，一路降妖除魔，不畏艱險困苦，最後修成正果。\r\n孫悟空生性聰明、活潑、忠誠、神通廣大、嫉惡如仇，在民間信仰中代表機智、勇敢、神武。本件作品泥人張泥偶孫悟空，彩塑簡潔柔和、清純可愛，彷彿在思索觀照大千世界！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908038003","MainTitle":"泥人張泥偶(一盒八個)-豬八戒","Creator":"中央工藝美術學院阮氏工藝品廠","CreatedYear":"","Size":"001唐:長5，寬2.3，高7\r\n002孫:長2.7，寬2.7，高6.4\r\n003豬:長3，寬2.8，高6.5\r\n004沙:長3.5，寬2.8，高6.4\r\n005藍衣白扇:長3.5，寬2.2，高8\r\n006桃紅女:長3.8，寬2.5，高7.7\r\n007綠衣女:長4.4，寬2，高6.9\r\n008長笛女:長3.3，寬2.5，高7.8\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-48公克；002-58公克；003-47公克；004-56公克；005-48公克；006-50公克；007-40公克；008-52公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM4MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"豬八戒，法號悟能，是中國古典小說《西遊記》所述唐三藏三個徒弟之一，排名第二，豬臉人身。根據《西遊記》故事，豬八戒原是天庭中統領八萬天河水兵的天蓬元帥，因蟠桃會上酒醉調戲月宮嫦娥，被貶下凡，因投錯胎變成豬模様。後經觀音菩薩指點，拜唐僧為師，一同赴西天取經，而修成正果！\r\n《西遊記》是具有濃郁象徵意味的神魔小說的代表作，而豬八戒則是作者吳承恩在這部小說中著力塑造的一個喜劇典型。在他的身上既有人的吃苦耐勞、憨厚率直的品質，也有貪婪自私的本性、又有神的本領、還有豬的形體特徵，這充分體現了吳承恩把人性、神性、豬性的完美結合。\r\n本件泥人張泥偶-豬八戒，彩塑可愛，充滿玩具之豬寶寶可親風格！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908038004","MainTitle":"泥人張泥偶(一盒八個)-沙悟淨","Creator":"中央工藝美術學院阮氏工藝品廠","CreatedYear":"","Size":"001唐:長5，寬2.3，高7\r\n002孫:長2.7，寬2.7，高6.4\r\n003豬:長3，寬2.8，高6.5\r\n004沙:長3.5，寬2.8，高6.4\r\n005藍衣白扇:長3.5，寬2.2，高8\r\n006桃紅女:長3.8，寬2.5，高7.7\r\n007綠衣女:長4.4，寬2，高6.9\r\n008長笛女:長3.3，寬2.5，高7.8\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-48公克；002-58公克；003-47公克；004-56公克；005-48公克；006-50公克；007-40公克；008-52公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM4MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"西遊記－沙悟淨，又名沙僧、沙和尚，是《西遊記》唐三藏的第三徒弟。他原是天庭武神，受封捲簾大將，因失手打碎琉璃盞被貶下凡，盤踞在流沙河成為妖怪，以人為食，項下掛著九個骷髏，串為項鍊。其後被觀音菩薩指點成為唐僧徒弟，追隨師傅、師兄孫悟空、豬八戒，以及白龍馬一起赴西天取經，歷九九八十一魔難，取經功德圓滿，修成正果。\r\n《西遊記》所表現的沙悟淨，個性溫和、正義、忠實，和白龍馬一樣，默默守護、默默做事、好像是沒有凸出個性，像傳統社會大多數的一群。\r\n本件泥人張泥偶沙悟淨，彩塑穩定有力，表現悟淨絡腮鬍、忠義臉的風格！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908038005","MainTitle":"泥人張泥偶(一盒八個)-執扇仕女","Creator":"中央工藝美術學院阮氏工藝品廠","CreatedYear":"","Size":"001唐:長5，寬2.3，高7\r\n002孫:長2.7，寬2.7，高6.4\r\n003豬:長3，寬2.8，高6.5\r\n004沙:長3.5，寬2.8，高6.4\r\n005藍衣白扇:長3.5，寬2.2，高8\r\n006桃紅女:長3.8，寬2.5，高7.7\r\n007綠衣女:長4.4，寬2，高6.9\r\n008長笛女:長3.3，寬2.5，高7.8\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-48公克；002-58公克；003-47公克；004-56公克；005-48公克；006-50公克；007-40公克；008-52公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM4MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本件泥人張泥偶-執扇仕女，彩塑素雅，表達執扇舞蹈之美！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908038006","MainTitle":"泥人張泥偶(一盒八個)-彈琵琶仕女","Creator":"中央工藝美術學院阮氏工藝品廠","CreatedYear":"","Size":"001唐:長5，寬2.3，高7\r\n002孫:長2.7，寬2.7，高6.4\r\n003豬:長3，寬2.8，高6.5\r\n004沙:長3.5，寬2.8，高6.4\r\n005藍衣白扇:長3.5，寬2.2，高8\r\n006桃紅女:長3.8，寬2.5，高7.7\r\n007綠衣女:長4.4，寬2，高6.9\r\n008長笛女:長3.3，寬2.5，高7.8\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-48公克；002-58公克；003-47公克；004-56公克；005-48公克；006-50公克；007-40公克；008-52公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM4MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本件泥人張泥偶-彈琵琶仕女，彩塑素雅柔和傳神，正聚精會神，倚頭陶醉音樂之中！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908038007","MainTitle":"泥人張泥偶(一盒八個)-少女與愛犬","Creator":"中央工藝美術學院阮氏工藝品廠","CreatedYear":"","Size":"001唐:長5，寬2.3，高7\r\n002孫:長2.7，寬2.7，高6.4\r\n003豬:長3，寬2.8，高6.5\r\n004沙:長3.5，寬2.8，高6.4\r\n005藍衣白扇:長3.5，寬2.2，高8\r\n006桃紅女:長3.8，寬2.5，高7.7\r\n007綠衣女:長4.4，寬2，高6.9\r\n008長笛女:長3.3，寬2.5，高7.8\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-48公克；002-58公克；003-47公克；004-56公克；005-48公克；006-50公克；007-40公克；008-52公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM4MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本件泥人張泥偶-少女與愛犬，彩塑簡潔可愛！將少女與狗的神情，描繪入神！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908038008","MainTitle":"泥人張泥偶(一盒八個)-長笛女","Creator":"中央工藝美術學院阮氏工藝品廠","CreatedYear":"","Size":"001唐:長5，寬2.3，高7\r\n002孫:長2.7，寬2.7，高6.4\r\n003豬:長3，寬2.8，高6.5\r\n004沙:長3.5，寬2.8，高6.4\r\n005藍衣白扇:長3.5，寬2.2，高8\r\n006桃紅女:長3.8，寬2.5，高7.7\r\n007綠衣女:長4.4，寬2，高6.9\r\n008長笛女:長3.3，寬2.5，高7.8\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-48公克；002-58公克；003-47公克；004-56公克；005-48公克；006-50公克；007-40公克；008-52公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM4MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本件泥人張泥偶-長笛女，彩塑素雅，橫笛欲吹，神韻迷人！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908039","MainTitle":"泥人張泥偶(一盒八個)","Creator":"","CreatedYear":"","Size":"001受刑人:長2.8，寬2.8，高7\r\n002紅衣:長5.9，寬3.5，高5.7\r\n003紫衣人:長3，寬3，高5\r\n004長鬍人:長4.5，寬3，高6\r\n005高藍:長3.5，寬2.4，高4.7\r\n006矮藍:長4，寬2.6，高4\r\n007高淺藍:長3.5，寬2.4，高7.8\r\n008女:長2.7，寬2.1，高7.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-64公克；002-85公克；003-44公克；004-66公克；005-35公克；006-36公克；007-50公克；008-53公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥人張泥偶(一盒八個)，包括了《水滸傳》、《金瓶梅》兩本小說人物。\r\n(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908039001","MainTitle":"泥人張泥偶(一盒八個)-水滸傳林冲","Creator":"","CreatedYear":"","Size":"001受刑人:長2.8，寬2.8，高7\r\n002紅衣:長5.9，寬3.5，高5.7\r\n003紫衣人:長3，寬3，高5\r\n004長鬍人:長4.5，寬3，高6\r\n005高藍:長3.5，寬2.4，高4.7\r\n006矮藍:長4，寬2.6，高4\r\n007高淺藍:長3.5，寬2.4，高7.8\r\n008女:長2.7，寬2.1，高7.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-64公克；002-85公克；003-44公克；004-66公克；005-35公克；006-36公克；007-50公克；008-53公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥人張泥偶-水滸傳林冲，武藝蓋世，曾任京都八十萬禁軍教頭，因得罪太尉高俅，被羅織入罪，刺配滄州。他為人行俠仗義，救弱濟貧，個性謹愼，逆來順受，對事盡責，對上恭敬，但終因受盡逼害，火燒山神廟，雪夜上梁山，性格転變，使他敢愛敢恨！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908039002","MainTitle":"泥人張泥偶(一盒八個)-黑旋風李逵","Creator":"","CreatedYear":"","Size":"001受刑人:長2.8，寬2.8，高7\r\n002紅衣:長5.9，寬3.5，高5.7\r\n003紫衣人:長3，寬3，高5\r\n004長鬍人:長4.5，寬3，高6\r\n005高藍:長3.5，寬2.4，高4.7\r\n006矮藍:長4，寬2.6，高4\r\n007高淺藍:長3.5，寬2.4，高7.8\r\n008女:長2.7，寬2.1，高7.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-64公克；002-85公克；003-44公克；004-66公克；005-35公克；006-36公克；007-50公克；008-53公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM5MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥人張泥偶-《水滸傳》黑旋風李逵，梁山108好漢之一。人稱李鐵牛，使二挺板斧，膚色黝黑，性格暴烈嗜殺，力大無窮，頭腦簡單，武功不高，純靠蠻力打鬥，但氣勢逼人，令敵軍聞風喪膽。其彩塑渾樸，用色大膽，自成風格。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908039003","MainTitle":"泥人張泥偶(一盒八個)-王婆","Creator":"","CreatedYear":"","Size":"001受刑人:長2.8，寬2.8，高7\r\n002紅衣:長5.9，寬3.5，高5.7\r\n003紫衣人:長3，寬3，高5\r\n004長鬍人:長4.5，寬3，高6\r\n005高藍:長3.5，寬2.4，高4.7\r\n006矮藍:長4，寬2.6，高4\r\n007高淺藍:長3.5，寬2.4，高7.8\r\n008女:長2.7，寬2.1，高7.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-64公克；002-85公克；003-44公克；004-66公克；005-35公克；006-36公克；007-50公克；008-53公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM5MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本件作品王婆，是中國著名小說《水滸傳》和《金瓶梅》的人物，住在武大郎隔壁，家𥚃開了一茶坊，兼作媒婆和接生婆的生意。她從中牽線，誘使潘金蓮和西門慶通姦，並唆使兩人毒死武大郎。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908039004","MainTitle":"泥人張泥偶(一盒八個)-武松","Creator":"","CreatedYear":"","Size":"001受刑人:長2.8，寬2.8，高7\r\n002紅衣:長5.9，寬3.5，高5.7\r\n003紫衣人:長3，寬3，高5\r\n004長鬍人:長4.5，寬3，高6\r\n005高藍:長3.5，寬2.4，高4.7\r\n006矮藍:長4，寬2.6，高4\r\n007高淺藍:長3.5，寬2.4，高7.8\r\n008女:長2.7，寬2.1，高7.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-64公克；002-85公克；003-44公克；004-66公克；005-35公克；006-36公克；007-50公克；008-53公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM5MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥人張泥偶-武松，是《水滸傳》中英雄人物，武術高強，曾經空手在景陽崗打死一隻猛虎。他是武大郎的胞弟，因西門慶勾引武大郎之妻潘金蓮，又和潘設計毒死武大郎，乃殺西門慶潘金蓮報仇。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908039005","MainTitle":"泥人張泥偶(一盒八個)-金瓶梅李瓶兒","Creator":"","CreatedYear":"","Size":"001受刑人:長2.8，寬2.8，高7\r\n002紅衣:長5.9，寬3.5，高5.7\r\n003紫衣人:長3，寬3，高5\r\n004長鬍人:長4.5，寬3，高6\r\n005高藍:長3.5，寬2.4，高4.7\r\n006矮藍:長4，寬2.6，高4\r\n007高淺藍:長3.5，寬2.4，高7.8\r\n008女:長2.7，寬2.1，高7.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-64公克；002-85公克；003-44公克；004-66公克；005-35公克；006-36公克；007-50公克；008-53公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM5MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥人張泥偶-《金瓶梅》李瓶兒，她是小說中虛擬的人物，與西門慶、潘金蓮並列。李瓶兒身世經歷相當曲折離奇，她對前夫絕情狠毒，卻甘心屈居西門慶第六妾，而個性愈溫和嫺雅，卻因潘金蓮陰毒排擠陷害，使她喪子、生病、死亡，著書人將她刻畫成苦旦角色，讓人讀之感慨！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908039006","MainTitle":"泥人張泥偶(一盒八個)-武大郎","Creator":"","CreatedYear":"","Size":"001受刑人:長2.8，寬2.8，高7\r\n002紅衣:長5.9，寬3.5，高5.7\r\n003紫衣人:長3，寬3，高5\r\n004長鬍人:長4.5，寬3，高6\r\n005高藍:長3.5，寬2.4，高4.7\r\n006矮藍:長4，寬2.6，高4\r\n007高淺藍:長3.5，寬2.4，高7.8\r\n008女:長2.7，寬2.1，高7.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-64公克；002-85公克；003-44公克；004-66公克；005-35公克；006-36公克；007-50公克；008-53公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM5MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥人張泥偶-武大郎，又稱武大，是中國古典小說《水滸傳》和《金瓶梅》中的一個人物。他是武松的哥哥，潘金蓮的丈夫。小説描寫他容貌醜陋，身材短矮且生性軟弱，只能老實賣炊餅度日節儉，買到一套小木房。後來無意間獲娶美妻潘金蓮，卻由此招來橫禍，被奸夫淫婦害死。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908039007","MainTitle":"泥人張泥偶(一盒八個)-西門慶","Creator":"中央工藝美術學院阮氏工藝品廠","CreatedYear":"","Size":"001受刑人:長2.8，寬2.8，高7\r\n002紅衣:長5.9，寬3.5，高5.7\r\n003紫衣人:長3，寬3，高5\r\n004長鬍人:長4.5，寬3，高6\r\n005高藍:長3.5，寬2.4，高4.7\r\n006矮藍:長4，寬2.6，高4\r\n007高淺藍:長3.5，寬2.4，高7.8\r\n008女:長2.7，寬2.1，高7.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-64公克；002-85公克；003-44公克；004-66公克；005-35公克；006-36公克；007-50公克；008-53公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM5MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥人張泥偶-《金瓶梅》西門慶，是中國古典小說《水滸傳》及《金瓶梅》中人物。兩書描寫的西門慶性格和出生基本上一致：為風流富家子弟，也是好色之徒，勾引潘金蓮，害死武大郎。不過，《水滸傳》中的西門慶是被武松打死的，而《金瓶梅》中的西門慶則是緃慾過度猝死。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908039008","MainTitle":"泥人張泥偶(一盒八個)-潘金蓮","Creator":"","CreatedYear":"","Size":"001受刑人:長2.8，寬2.8，高7\r\n002紅衣:長5.9，寬3.5，高5.7\r\n003紫衣人:長3，寬3，高5\r\n004長鬍人:長4.5，寬3，高6\r\n005高藍:長3.5，寬2.4，高4.7\r\n006矮藍:長4，寬2.6，高4\r\n007高淺藍:長3.5，寬2.4，高7.8\r\n008女:長2.7，寬2.1，高7.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-64公克；002-85公克；003-44公克；004-66公克；005-35公克；006-36公克；007-50公克；008-53公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDM5MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥人張泥偶-潘金蓮，中國著名小說《水滸傳》和《金瓶梅》將她刻劃成一個既聰明機智、美麗風流，又心狠手辣、寡廉鮮恥、搬弄是非、淫慾無度的女人；成為陰險、妖艷、淫蕩、狠毒的典型；以美女蕩婦的形象，背負千載惡名！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908040","MainTitle":"泥人張泥偶(八件) ","Creator":"","CreatedYear":"","Size":"001受刑人:長2.8，寬2.8，高7\r\n002紅衣:長5.9，寬3.5，高5.7\r\n003紫衣人:長3，寬3，高5\r\n004長鬍人:長4.5，寬3，高6\r\n005高藍:長3.5，寬2.4，高4.7\r\n006矮藍:長4，寬2.6，高4\r\n007高淺藍:長3.5，寬2.4，高7.8\r\n008女:長2.7，寬2.1，高7.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-63公克；002-85公克；003-44公克；004-65公克；005-36克；006-36公克；007-56公克；008-56公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥人張泥偶(一盒八個)，包括了《水滸傳》、《金瓶梅》兩本小說人物。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908040001","MainTitle":"泥人張泥偶-林冲","Creator":"","CreatedYear":"","Size":"001受刑人:長2.8，寬2.8，高7\r\n002紅衣:長5.9，寬3.5，高5.7\r\n003紫衣人:長3，寬3，高5\r\n004長鬍人:長4.5，寬3，高6\r\n005高藍:長3.5，寬2.4，高4.7\r\n006矮藍:長4，寬2.6，高4\r\n007高淺藍:長3.5，寬2.4，高7.8\r\n008女:長2.7，寬2.1，高7.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-63公克；002-85公克；003-44公克；004-65公克；005-36克；006-36公克；007-56公克；008-56公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQwMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥人張泥偶-水滸傳林冲，武藝蓋世，曾任京都八十萬禁軍教頭，因得罪太尉高俅，被羅織入罪，刺配滄州。他為人行俠仗義，救弱濟貧，個性謹愼，逆來順受，對事盡責，對上恭敬，但終因受盡逼害，火燒山神廟，雪夜上梁山，性格転變，使他敢愛敢恨！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908040002","MainTitle":"泥人張泥偶-黑旋風李逵","Creator":"","CreatedYear":"","Size":"001受刑人:長2.8，寬2.8，高7\r\n002紅衣:長5.9，寬3.5，高5.7\r\n003紫衣人:長3，寬3，高5\r\n004長鬍人:長4.5，寬3，高6\r\n005高藍:長3.5，寬2.4，高4.7\r\n006矮藍:長4，寬2.6，高4\r\n007高淺藍:長3.5，寬2.4，高7.8\r\n008女:長2.7，寬2.1，高7.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-63公克；002-85公克；003-44公克；004-65公克；005-36克；006-36公克；007-56公克；008-56公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQwMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥人張泥偶-《水滸傳》黑旋風李逵，梁山108好漢之一。人稱李鐵牛，使二挺板斧，膚色黝黑，性格暴烈嗜殺，力大無窮，頭腦簡單，武功不高，純靠蠻力打鬥，但氣勢逼人，令敵軍聞風喪膽。其彩塑渾樸，用色大膽，自成風格。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908040003","MainTitle":"泥人張泥偶-金瓶梅王婆","Creator":"","CreatedYear":"","Size":"001受刑人:長2.8，寬2.8，高7\r\n002紅衣:長5.9，寬3.5，高5.7\r\n003紫衣人:長3，寬3，高5\r\n004長鬍人:長4.5，寬3，高6\r\n005高藍:長3.5，寬2.4，高4.7\r\n006矮藍:長4，寬2.6，高4\r\n007高淺藍:長3.5，寬2.4，高7.8\r\n008女:長2.7，寬2.1，高7.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-63公克；002-85公克；003-44公克；004-65公克；005-36克；006-36公克；007-56公克；008-56公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQwMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本件作品王婆，是中國著名小說《水滸傳》和《金瓶梅》的人物，住在武大郎隔壁，家𥚃開了一茶坊，兼作媒婆和接生婆的生意。她從中牽線，誘使潘金蓮和西門慶通姦，並唆使兩人毒死武大郎。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908040004","MainTitle":"泥人張泥偶-武松","Creator":"","CreatedYear":"","Size":"001受刑人:長2.8，寬2.8，高7\r\n002紅衣:長5.9，寬3.5，高5.7\r\n003紫衣人:長3，寬3，高5\r\n004長鬍人:長4.5，寬3，高6\r\n005高藍:長3.5，寬2.4，高4.7\r\n006矮藍:長4，寬2.6，高4\r\n007高淺藍:長3.5，寬2.4，高7.8\r\n008女:長2.7，寬2.1，高7.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-63公克；002-85公克；003-44公克；004-65公克；005-36克；006-36公克；007-56公克；008-56公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQwMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥人張泥偶-武松，是《水滸傳》中英雄人物，武術高強，曾經空手在景陽崗打死一隻猛虎。他是武大郎的胞弟，因西門慶勾引武大郎之妻潘金蓮，又和潘設計毒死武大郎，乃殺西門慶潘金蓮報仇。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908040005","MainTitle":"泥人張泥偶-李瓶兒 ","Creator":"","CreatedYear":"","Size":"001受刑人:長2.8，寬2.8，高7\r\n002紅衣:長5.9，寬3.5，高5.7\r\n003紫衣人:長3，寬3，高5\r\n004長鬍人:長4.5，寬3，高6\r\n005高藍:長3.5，寬2.4，高4.7\r\n006矮藍:長4，寬2.6，高4\r\n007高淺藍:長3.5，寬2.4，高7.8\r\n008女:長2.7，寬2.1，高7.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-63公克；002-85公克；003-44公克；004-65公克；005-36克；006-36公克；007-56公克；008-56公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQwMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥人張泥偶-《金瓶梅》李瓶兒，她是小說中虛擬的人物，與西門慶、潘金蓮並列。李瓶兒身世經歷相當曲折離奇，她對前夫絕情狠毒，卻甘心屈居西門慶第六妾，而個性愈溫和嫺雅，卻因潘金蓮陰毒排擠陷害，使她喪子、生病、死亡，著書人將她刻畫成苦旦角色，讓人讀之感慨！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908040006","MainTitle":"泥人張泥偶-武大郎","Creator":"","CreatedYear":"","Size":"001受刑人:長2.8，寬2.8，高7\r\n002紅衣:長5.9，寬3.5，高5.7\r\n003紫衣人:長3，寬3，高5\r\n004長鬍人:長4.5，寬3，高6\r\n005高藍:長3.5，寬2.4，高4.7\r\n006矮藍:長4，寬2.6，高4\r\n007高淺藍:長3.5，寬2.4，高7.8\r\n008女:長2.7，寬2.1，高7.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-63公克；002-85公克；003-44公克；004-65公克；005-36克；006-36公克；007-56公克；008-56公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQwMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥人張泥偶-武大郎，又稱武大，是中國古典小說《水滸傳》和《金瓶梅》中的一個人物。他是武松的哥哥，潘金蓮的丈夫。小説描寫他容貌醜陋，身材短矮且生性軟弱，只能老實賣炊餅度日節儉，買到一套小木房。後來無意間獲娶美妻潘金蓮，卻由此招來橫禍，被奸夫淫婦害死。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908040007","MainTitle":"泥人張泥偶-西門慶","Creator":"","CreatedYear":"","Size":"001受刑人:長2.8，寬2.8，高7\r\n002紅衣:長5.9，寬3.5，高5.7\r\n003紫衣人:長3，寬3，高5\r\n004長鬍人:長4.5，寬3，高6\r\n005高藍:長3.5，寬2.4，高4.7\r\n006矮藍:長4，寬2.6，高4\r\n007高淺藍:長3.5，寬2.4，高7.8\r\n008女:長2.7，寬2.1，高7.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-63公克；002-85公克；003-44公克；004-65公克；005-36克；006-36公克；007-56公克；008-56公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQwMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥人張泥偶-《金瓶梅》西門慶，是中國古典小說《水滸傳》及《金瓶梅》中人物。兩書描寫的西門慶性格和出生基本上一致：為風流富家子弟，也是好色之徒，勾引潘金蓮，害死武大郎。不過，《水滸傳》中的西門慶是被武松打死的，而《金瓶梅》中的西門慶則是緃慾過度猝死。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908040008","MainTitle":"泥人張泥偶-潘金蓮","Creator":"","CreatedYear":"","Size":"001受刑人:長2.8，寬2.8，高7\r\n002紅衣:長5.9，寬3.5，高5.7\r\n003紫衣人:長3，寬3，高5\r\n004長鬍人:長4.5，寬3，高6\r\n005高藍:長3.5，寬2.4，高4.7\r\n006矮藍:長4，寬2.6，高4\r\n007高淺藍:長3.5，寬2.4，高7.8\r\n008女:長2.7，寬2.1，高7.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-63公克；002-85公克；003-44公克；004-65公克；005-36克；006-36公克；007-56公克；008-56公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQwMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥人張泥偶-潘金蓮，中國著名小說《水滸傳》和《金瓶梅》將她刻劃成一個既聰明機智、美麗風流，又心狠手辣、寡廉鮮恥、搬弄是非、淫慾無度的女人；成為陰險、妖艷、淫蕩、狠毒的典型；以美女蕩婦的形象，背負千載惡名！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908041","MainTitle":"臉譜(六個)","Creator":"","CreatedYear":"","Size":"附盒-K-3\r\n001:白底、紅點、黑鬍\r\n002:紅白底、白鬍\r\n003:綠底、紅鬍\r\n004:白底、藍點、黑鬍\r\n005:白底、紅黃點、白鬍\r\n006:藍底、紅鬍\r\n001受刑人:長2.8，寬2.8，高7\r\n002紅衣:長5.9，寬3.5，高5.7\r\n003紫衣人:長3，寬3，高5\r\n004長鬍人:長4.5，寬3，高6\r\n005高藍:長3.5，寬2.4，高4.7\r\n006矮藍:長4，寬2.6，高4\r\n007高淺藍:長3.5，寬2.4，高7.8\r\n008女:長2.7，寬2.1，高7.5\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-134公克；002-118公克；003-133公克；004-130公克；005-131克；006-127公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"惠山泥人是江蘇省無錫市的一項民間藝術，至今已有四百餘年的歷史，與天津泥人張、大吳泥塑齊名，為中國三大泥塑，2006年被列為國家級非物質文化遺產。\r\n惠山泥人使用惠山地區一米以下的黑泥為材料，土質細柔，可塑性極佳，宋代蘇東坡曾有「惠泉山下土如濡」之詩。其作品可分兩類：粗貨與細貨，「粗貨」大凡都用模具印製題材大體為民間習俗、神話傳說、吉祥喜慶、福祿壽佛等，如「大阿福、蠶貓、春牛」等。「細貨」由藝人真接揑製而成，題材源自崑曲，以表現戲曲人物形象為主，做工精巧。其製作工藝，則需「一印、二揑、三格、四鑲、五扳」五道工序。其中以揑最為関鍵，要使用「揉、搓、揑、包、推、拍、敲、鑲、貼、扳、捻、捋、裝、格、剪、戳、滾、拉」等手法。而泥胚成型後，彩繪更顕重要，強調「三分坯七分彩」。\r\n「京劇臉譜」是一種具有中國文化特色的特殊化妝方法。要具體表達戲劇人物相貌、個性、氣質，故某一種類型人物都有一種大概的譜式。臉譜的色彩，看來五顏六色，各種顏色不但代表忠奸善惡，還有個性特質。臉譜圖案十分豐富，大體分為「額頭圖、眉型圖、眼眶圖、鼻窩圖、嘴叉圖、嘴下圖」，每佪部位的圖案變化多端。\r\n本組作品六件，臉譜各異，形相、個性，也就不同。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908041001","MainTitle":"臉譜(六個)-白底、紅點、黑鬍","Creator":"","CreatedYear":"","Size":"001:白底、紅點、黑鬍\r\n002:紅白底、白鬍\r\n003:綠底、紅鬍\r\n004:白底、藍點、黑鬍\r\n005:白底、紅黃點、白鬍\r\n006:藍底、紅鬍\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-134公克；002-118公克；003-133公克；004-130公克；005-131克；006-127公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"惠山泥人是江蘇省無錫市的一項民間藝術，至今已有四百餘年的歷史，與天津泥人張、大吳泥塑齊名，為中國三大泥塑，2006年被列為國家級非物質文化遺產。\r\n惠山泥人使用惠山地區一米以下的黑泥為材料，土質細柔，可塑性極佳，宋代蘇東坡曾有「惠泉山下土如濡」之詩。其作品可分兩類：粗貨與細貨，「粗貨」大凡都用模具印製題材大體為民間習俗、神話傳說、吉祥喜慶、福祿壽佛等，如「大阿福、蠶貓、春牛」等。「細貨」由藝人真接揑製而成，題材源自崑曲，以表現戲曲人物形象為主，做工精巧。其製作工藝，則需「一印、二揑、三格、四鑲、五扳」五道工序。其中以揑最為関鍵，要使用「揉、搓、揑、包、推、拍、敲、鑲、貼、扳、捻、捋、裝、格、剪、戳、滾、拉」等手法。而泥胚成型後，彩繪更顕重要，強調「三分坯七分彩」。\r\n「京劇臉譜」是一種具有中國文化特色的特殊化妝方法。要具體表達戲劇人物相貌、個性、氣質，故某一種類型人物都有一種大概的譜式。臉譜的色彩，看來五顏六色，各種顏色不但代表忠奸善惡，還有個性特質。臉譜圖案十分豐富，大體分為「額頭圖、眉型圖、眼眶圖、鼻窩圖、嘴叉圖、嘴下圖」，每佪部位的圖案變化多端。\r\n本組作品「白底、紅點、黑鬍」，屬於「凈行」中的「花臉」，京劇臉譜，源於我國南北朝北齊，興盛於唐代歌舞戲，也叫「大面、代面」，是「形、神、意」的藝術表現。其用色意義，原則是：紅色表示耿直、忠義、有血性，多表現正面角色。黑色表示公正、無私、剛毅、直爽、勇猛。白色分粉白和油白，表現姦邪、將官、和尚、老英雄。綠色表示莽撞、暴燥、勇猛。藍色表示剛強、豪爽，有時表示陰險、狡猾。黃色表示彪悍、凶暴、殘忍。紫色表示肅穆、威嚴、正義。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908041002","MainTitle":"臉譜(六個)-紅白底、白鬍","Creator":"","CreatedYear":"","Size":"001:白底、紅點、黑鬍\r\n002:紅白底、白鬍\r\n003:綠底、紅鬍\r\n004:白底、藍點、黑鬍\r\n005:白底、紅黃點、白鬍\r\n006:藍底、紅鬍\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-134公克；002-118公克；003-133公克；004-130公克；005-131克；006-127公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"惠山泥人是江蘇省無錫市的一項民間藝術，至今已有四百餘年的歷史，與天津泥人張、大吳泥塑齊名，為中國三大泥塑，2006年被列為國家級非物質文化遺產。\r\n惠山泥人使用惠山地區一米以下的黑泥為材料，土質細柔，可塑性極佳，宋代蘇東坡曾有「惠泉山下土如濡」之詩。其作品可分兩類：粗貨與細貨，「粗貨」大凡都用模具印製題材大體為民間習俗、神話傳說、吉祥喜慶、福祿壽佛等，如「大阿福、蠶貓、春牛」等。「細貨」由藝人真接揑製而成，題材源自崑曲，以表現戲曲人物形象為主，做工精巧。其製作工藝，則需「一印、二揑、三格、四鑲、五扳」五道工序。其中以揑最為関鍵，要使用「揉、搓、揑、包、推、拍、敲、鑲、貼、扳、捻、捋、裝、格、剪、戳、滾、拉」等手法。而泥胚成型後，彩繪更顕重要，強調「三分坯七分彩」。\r\n「京劇臉譜」是一種具有中國文化特色的特殊化妝方法。要具體表達戲劇人物相貌、個性、氣質，故某一種類型人物都有一種大概的譜式。臉譜的色彩，看來五顏六色，各種顏色不但代表忠奸善惡，還有個性特質。臉譜圖案十分豐富，大體分為「額頭圖、眉型圖、眼眶圖、鼻窩圖、嘴叉圖、嘴下圖」，每佪部位的圖案變化多端。\r\n本組作品「紅白底、白鬍」，屬於「凈行」中的「花臉」，京劇臉譜，源於我國南北朝北齊，興盛於唐代歌舞戲，也叫「大面、代面」，是「形、神、意」的藝術表現。其用色意義，原則是：紅色表示耿直、忠義、有血性，多表現正面角色。黑色表示公正、無私、剛毅、直爽、勇猛。白色分粉白和油白，表現姦邪、將官、和尚、老英雄。綠色表示莽撞、暴燥、勇猛。藍色表示剛強、豪爽，有時表示陰險、狡猾。黃色表示彪悍、凶暴、殘忍。紫色表示肅穆、威嚴、正義。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908041003","MainTitle":"臉譜(六個)-綠底、紅鬍","Creator":"","CreatedYear":"","Size":"001:白底、紅點、黑鬍\r\n002:紅白底、白鬍\r\n003:綠底、紅鬍\r\n004:白底、藍點、黑鬍\r\n005:白底、紅黃點、白鬍\r\n006:藍底、紅鬍\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-134公克；002-118公克；003-133公克；004-130公克；005-131克；006-127公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"惠山泥人是江蘇省無錫市的一項民間藝術，至今已有四百餘年的歷史，與天津泥人張、大吳泥塑齊名，為中國三大泥塑，2006年被列為國家級非物質文化遺產。\r\n惠山泥人使用惠山地區一米以下的黑泥為材料，土質細柔，可塑性極佳，宋代蘇東坡曾有「惠泉山下土如濡」之詩。其作品可分兩類：粗貨與細貨，「粗貨」大凡都用模具印製題材大體為民間習俗、神話傳說、吉祥喜慶、福祿壽佛等，如「大阿福、蠶貓、春牛」等。「細貨」由藝人真接揑製而成，題材源自崑曲，以表現戲曲人物形象為主，做工精巧。其製作工藝，則需「一印、二揑、三格、四鑲、五扳」五道工序。其中以揑最為関鍵，要使用「揉、搓、揑、包、推、拍、敲、鑲、貼、扳、捻、捋、裝、格、剪、戳、滾、拉」等手法。而泥胚成型後，彩繪更顕重要，強調「三分坯七分彩」。\r\n「京劇臉譜」是一種具有中國文化特色的特殊化妝方法。要具體表達戲劇人物相貌、個性、氣質，故某一種類型人物都有一種大概的譜式。臉譜的色彩，看來五顏六色，各種顏色不但代表忠奸善惡，還有個性特質。臉譜圖案十分豐富，大體分為「額頭圖、眉型圖、眼眶圖、鼻窩圖、嘴叉圖、嘴下圖」，每佪部位的圖案變化多端。\r\n本組作品「紅白底、白鬍」，屬於「凈行」中的「花臉」，京劇臉譜，源於我國南北朝北齊，興盛於唐代歌舞戲，也叫「大面、代面」，是「形、神、意」的藝術表現。其用色意義，原則是：紅色表示耿直、忠義、有血性，多表現正面角色。黑色表示公正、無私、剛毅、直爽、勇猛。白色分粉白和油白，表現姦邪、將官、和尚、老英雄。綠色表示莽撞、暴燥、勇猛。藍色表示剛強、豪爽，有時表示陰險、狡猾。黃色表示彪悍、凶暴、殘忍。紫色表示肅穆、威嚴、正義。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908041004","MainTitle":"臉譜(六個)-白底、藍點、黑鬍","Creator":"","CreatedYear":"","Size":"001:白底、紅點、黑鬍\r\n002:紅白底、白鬍\r\n003:綠底、紅鬍\r\n004:白底、藍點、黑鬍\r\n005:白底、紅黃點、白鬍\r\n006:藍底、紅鬍\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-134公克；002-118公克；003-133公克；004-130公克；005-131克；006-127公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"惠山泥人是江蘇省無錫市的一項民間藝術，至今已有四百餘年的歷史，與天津泥人張、大吳泥塑齊名，為中國三大泥塑，2006年被列為國家級非物質文化遺產。\r\n惠山泥人使用惠山地區一米以下的黑泥為材料，土質細柔，可塑性極佳，宋代蘇東坡曾有「惠泉山下土如濡」之詩。其作品可分兩類：粗貨與細貨，「粗貨」大凡都用模具印製題材大體為民間習俗、神話傳說、吉祥喜慶、福祿壽佛等，如「大阿福、蠶貓、春牛」等。「細貨」由藝人真接揑製而成，題材源自崑曲，以表現戲曲人物形象為主，做工精巧。其製作工藝，則需「一印、二揑、三格、四鑲、五扳」五道工序。其中以揑最為関鍵，要使用「揉、搓、揑、包、推、拍、敲、鑲、貼、扳、捻、捋、裝、格、剪、戳、滾、拉」等手法。而泥胚成型後，彩繪更顕重要，強調「三分坯七分彩」。\r\n「京劇臉譜」是一種具有中國文化特色的特殊化妝方法。要具體表達戲劇人物相貌、個性、氣質，故某一種類型人物都有一種大概的譜式。臉譜的色彩，看來五顏六色，各種顏色不但代表忠奸善惡，還有個性特質。臉譜圖案十分豐富，大體分為「額頭圖、眉型圖、眼眶圖、鼻窩圖、嘴叉圖、嘴下圖」，每佪部位的圖案變化多端。\r\n本組作品「紅白底、白鬍」，屬於「凈行」中的「花臉」，京劇臉譜，源於我國南北朝北齊，興盛於唐代歌舞戲，也叫「大面、代面」，是「形、神、意」的藝術表現。其用色意義，原則是：紅色表示耿直、忠義、有血性，多表現正面角色。黑色表示公正、無私、剛毅、直爽、勇猛。白色分粉白和油白，表現姦邪、將官、和尚、老英雄。綠色表示莽撞、暴燥、勇猛。藍色表示剛強、豪爽，有時表示陰險、狡猾。黃色表示彪悍、凶暴、殘忍。紫色表示肅穆、威嚴、正義。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908041005","MainTitle":"臉譜(六個)-白底、紅黃點、白鬍","Creator":"","CreatedYear":"","Size":"001:白底、紅點、黑鬍\r\n002:紅白底、白鬍\r\n003:綠底、紅鬍\r\n004:白底、藍點、黑鬍\r\n005:白底、紅黃點、白鬍\r\n006:藍底、紅鬍\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-134公克；002-118公克；003-133公克；004-130公克；005-131克；006-127公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"惠山泥人是江蘇省無錫市的一項民間藝術，至今已有四百餘年的歷史，與天津泥人張、大吳泥塑齊名，為中國三大泥塑，2006年被列為國家級非物質文化遺產。\r\n惠山泥人使用惠山地區一米以下的黑泥為材料，土質細柔，可塑性極佳，宋代蘇東坡曾有「惠泉山下土如濡」之詩。其作品可分兩類：粗貨與細貨，「粗貨」大凡都用模具印製題材大體為民間習俗、神話傳說、吉祥喜慶、福祿壽佛等，如「大阿福、蠶貓、春牛」等。「細貨」由藝人真接揑製而成，題材源自崑曲，以表現戲曲人物形象為主，做工精巧。其製作工藝，則需「一印、二揑、三格、四鑲、五扳」五道工序。其中以揑最為関鍵，要使用「揉、搓、揑、包、推、拍、敲、鑲、貼、扳、捻、捋、裝、格、剪、戳、滾、拉」等手法。而泥胚成型後，彩繪更顕重要，強調「三分坯七分彩」。\r\n「京劇臉譜」是一種具有中國文化特色的特殊化妝方法。要具體表達戲劇人物相貌、個性、氣質，故某一種類型人物都有一種大概的譜式。臉譜的色彩，看來五顏六色，各種顏色不但代表忠奸善惡，還有個性特質。臉譜圖案十分豐富，大體分為「額頭圖、眉型圖、眼眶圖、鼻窩圖、嘴叉圖、嘴下圖」，每佪部位的圖案變化多端。\r\n本組作品「紅白底、白鬍」，屬於「凈行」中的「花臉」，京劇臉譜，源於我國南北朝北齊，興盛於唐代歌舞戲，也叫「大面、代面」，是「形、神、意」的藝術表現。其用色意義，原則是：紅色表示耿直、忠義、有血性，多表現正面角色。黑色表示公正、無私、剛毅、直爽、勇猛。白色分粉白和油白，表現姦邪、將官、和尚、老英雄。綠色表示莽撞、暴燥、勇猛。藍色表示剛強、豪爽，有時表示陰險、狡猾。黃色表示彪悍、凶暴、殘忍。紫色表示肅穆、威嚴、正義。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908041006","MainTitle":"臉譜(六個)-藍底、紅鬍","Creator":"","CreatedYear":"","Size":"001:白底、紅點、黑鬍\r\n002:紅白底、白鬍\r\n003:綠底、紅鬍\r\n004:白底、藍點、黑鬍\r\n005:白底、紅黃點、白鬍\r\n006:藍底、紅鬍\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-134公克；002-118公克；003-133公克；004-130公克；005-131克；006-127公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"惠山泥人是江蘇省無錫市的一項民間藝術，至今已有四百餘年的歷史，與天津泥人張、大吳泥塑齊名，為中國三大泥塑，2006年被列為國家級非物質文化遺產。\r\n惠山泥人使用惠山地區一米以下的黑泥為材料，土質細柔，可塑性極佳，宋代蘇東坡曾有「惠泉山下土如濡」之詩。其作品可分兩類：粗貨與細貨，「粗貨」大凡都用模具印製題材大體為民間習俗、神話傳說、吉祥喜慶、福祿壽佛等，如「大阿福、蠶貓、春牛」等。「細貨」由藝人真接揑製而成，題材源自崑曲，以表現戲曲人物形象為主，做工精巧。其製作工藝，則需「一印、二揑、三格、四鑲、五扳」五道工序。其中以揑最為関鍵，要使用「揉、搓、揑、包、推、拍、敲、鑲、貼、扳、捻、捋、裝、格、剪、戳、滾、拉」等手法。而泥胚成型後，彩繪更顕重要，強調「三分坯七分彩」。\r\n「京劇臉譜」是一種具有中國文化特色的特殊化妝方法。要具體表達戲劇人物相貌、個性、氣質，故某一種類型人物都有一種大概的譜式。臉譜的色彩，看來五顏六色，各種顏色不但代表忠奸善惡，還有個性特質。臉譜圖案十分豐富，大體分為「額頭圖、眉型圖、眼眶圖、鼻窩圖、嘴叉圖、嘴下圖」，每佪部位的圖案變化多端。\r\n本組作品「紅白底、白鬍」，屬於「凈行」中的「花臉」，京劇臉譜，源於我國南北朝北齊，興盛於唐代歌舞戲，也叫「大面、代面」，是「形、神、意」的藝術表現。其用色意義，原則是：紅色表示耿直、忠義、有血性，多表現正面角色。黑色表示公正、無私、剛毅、直爽、勇猛。白色分粉白和油白，表現姦邪、將官、和尚、老英雄。綠色表示莽撞、暴燥、勇猛。藍色表示剛強、豪爽，有時表示陰險、狡猾。黃色表示彪悍、凶暴、殘忍。紫色表示肅穆、威嚴、正義。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908042","MainTitle":"鬃人(綠袍花臉)","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"北京銅茶盤子戲，又稱「鬃人、銅盤人、盤中好戲」，是老北京的傳統玩具，因為是在銅盤中擺置鬃人戲曲人物，因此被稱為「銅茶盤子戲，，為北京市非物質文化遺產。\r\n「鬃人」，是以秫秸當架，膠泥做頭，在頭部勾畫臉譜，紙漿或布飾身胎，外繃彩紙描繪服飾，於底部裝黏一圈豬鬃，就形塑成一尊尊戲劇人物，高度通常為數公分到數十公分。只要規律敲擊上面有鬃人的銅盤子，那些人偶就會緩慢自旋，再搭配藝人唱歌，場面就如一場生動的舞台。\r\n本件鬃人平劇人物-鬃人(綠袍花臉)，京劇臉譜，源於我國南北朝北齊，興盛於唐代歌舞戲，也叫「大面、代面」，是「形、神、意」的藝術表現。其用色意義，原則是：紅色表示耿直、忠義、有血性，多表現正面角色。黑色表示公正、無私、剛毅、直爽、勇猛。白色分粉白和油白，表現姦邪、將官、和尚、老英雄。綠色表示莽撞、暴燥、勇猛。藍色表示剛強、豪爽，有時表示陰險、狡猾。黃色表示彪悍、凶暴、殘忍。紫色表示肅穆、威嚴、正義。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908043","MainTitle":"鬃人(黑袍花臉)","Creator":"","CreatedYear":"","Size":"附刀棍1支","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"北京銅茶盤子戲，又稱「鬃人、銅盤人、盤中好戲」，是老北京的傳統玩具，因為是在銅盤中擺置鬃人戲曲人物，因此被稱為「銅茶盤子戲，，為北京市非物質文化遺產。\r\n「鬃人」，是以秫秸當架，膠泥做頭，在頭部勾畫臉譜，紙漿或布飾身胎，外繃彩紙描繪服飾，於底部裝黏一圈豬鬃，就形塑成一尊尊戲劇人物，高度通常為數公分到數十公分。只要規律敲擊上面有鬃人的銅盤子，那些人偶就會緩慢自旋，再搭配藝人唱歌，場面就如一場生動的舞台。\r\n本件鬃人平劇人物-鬃人(綠袍花臉)，京劇臉譜，源於我國南北朝北齊，興盛於唐代歌舞戲，也叫「大面、代面」，是「形、神、意」的藝術表現。其用色意義，原則是：紅色表示耿直、忠義、有血性，多表現正面角色。黑色表示公正、無私、剛毅、直爽、勇猛。白色分粉白和油白，表現姦邪、將官、和尚、老英雄。綠色表示莽撞、暴燥、勇猛。藍色表示剛強、豪爽，有時表示陰險、狡猾。黃色表示彪悍、凶暴、殘忍。紫色表示肅穆、威嚴、正義。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908044","MainTitle":"龍飛鳳舞(彩繪瓷磚拼圖)","Creator":"","CreatedYear":"","Size":"外箱尺寸：42*8.2*21.5公分；\r\n含外箱重：7650公克(含另一組作品200908046同箱)；\r\n30片裸重6600公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在臺灣的百年古厝，喜用花磚裝飾，形成典雅富麗外觀。臺灣老花磚源自於西班牙「馬約利卡」(MajoliCa )瓷磚。日據時期，日本為開拓海外貿易而將此引進臺灣，花磚盛行於1915～1935年間。商人為了配合市場需求，開始在地化的改良，加上中國人物花卉鳥獸山水及文字、幾何、吉祥圖案，使花磚成為獨樹一格的工藝。\r\n中國大陸的花磚，最知名者在廣東佛山，近代遼寧營口市也在致力發展。本件疑為佛山或營口花磚「龍飛鳳舞」，是由燒製30彩瓷磚組合而成。長條橫幅，左邊祥龍，右邊瑞鳳，慶雲缭繞周圍；左右拱托「龍飛鳳舞」四字，行書渾厚秀雅，行雲流水。深藍底，朱金色，工藝氛圍，高貴穩重。\r\n龍鳯為我國自古傳統祥瑞徵兆，既是四靈之一，也是象徵男女的高貴、夫妻的恩愛和睦。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908045","MainTitle":"十二生肖(彩繪瓷磚拼圖)","Creator":"營口市有機化工廠","CreatedYear":"","Size":"001鼠、002牛、003虎、004兔、005龍、006蛇、007馬、008羊、009猴、010雞、011狗、012豬\r\n1.外箱尺寸：42*33.5*26公分\r\n2.含外箱重：6100公克\r\n3.單件裸重：001-235g、002-223g、003-231g、004-235g、005-245g、006-232g、007-225g、008-227g、009-233g、010-222g、011-230g、 \r\n 012-231g","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在臺灣的百年古厝，喜用花磚裝飾，形成典雅富麗外觀。臺灣老花磚源自於西班牙「馬約利卡」(MajoliCa )瓷磚。日據時期，日本為開拓海外貿易而將此引進臺灣，花磚盛行於1915～1935年間。商人為了配合市場需求，開始在地化的改良，加上中國人物花卉鳥獸山水及文字、幾何、吉祥圖案，使花磚成為獨樹一格的工藝。\r\n中國大陸的花磚，最知名者在廣東佛山，近代遼寧營口市也在致力發展。本組「十二生肖」彩繪瓷磚，就是遼寧省營口市產品，包括了「子鼠、丑牛、寅虎、卯兔、辰龍、巳蛇、午馬、未羊、申猴、酉雞、戍狗、亥豬」，全部都經手工繪製，構圖巧妙，動作俏皮，具有地方特色。\r\n在中國及東亞地區國家，傳統以「鼠、牛、虎、兔、龍、蛇、馬、羊、猴、雞、狗、豬」，十二種動物搭配十二地支，做為屬相。十二生肖的起源與動物崇拜圖腾有關，是上古圖騰族群联合輪值的排序。據湖北雲夢睡虎地與甘肅天水放馬灘出土的秦簡可知，先秦時期即有比較完整的生肖系統存在。最早記載與現代相同的十二生肖的傳世文獻，是東漢王充的《論衡》。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908045001","MainTitle":"十二生肖-子鼠","Creator":"營口市有機化工廠","CreatedYear":"","Size":"001鼠、002牛、003虎、004兔、005龍、006蛇、007馬、008羊、009猴、010雞、011狗、012豬\r\n1.外箱尺寸：42*33.5*26公分\r\n2.含外箱重：6100公克\r\n3.單件裸重：001-235g、002-223g、003-231g、004-235g、005-245g、006-232g、007-225g、008-227g、009-233g、010-222g、011-230g、 \r\n 012-231g","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQ1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"瓷版裝飾畫，又稱瓷磚、花磚，中國大陸的花磚，最知名者在廣東佛山，近代遼寧營口市也在致力發展。本組「十二生肖」彩繪瓷磚，就是遼寧省營口市產品，包括了「子鼠、丑牛、寅虎、卯兔、辰龍、巳蛇、午馬、未羊、申猴、酉雞、戍狗、亥豬」，全部都經手工繪製，構圖巧妙，動作俏皮，具有地方特色。\r\n在中國及東亞地區國家，傳統以「鼠、牛、虎、兔、龍、蛇、馬、羊、猴、雞、狗、豬」，十二種動物搭配十二地支，做為屬相。十二生肖的起源與動物崇拜圖腾有關，是上古圖騰族群联合輪值的排序。據湖北雲夢睡虎地與甘肅天水放馬灘出土的秦簡可知，先秦時期即有比較完整的生肖系統存在。最早記載與現代相同的十二生肖的傳世文獻，是東漢王充的《論衡》。\r\n本件瓷磚-子鼠，「子」指十二地支的首次、首位，在時間上代表半夜，乃一天的開始。從甲骨文「子」的形狀看，標示男子之最旺生機。而「鼠」的特性，聰明、伶俐、善繁殖，也是鼠圖騰族群所崇拜學習的。著色以綠鼠、褐豆、黑子線條組成，類似唐三彩之格調。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908045002","MainTitle":"十二生肖-丑牛","Creator":"營口市有機化工廠","CreatedYear":"","Size":"001鼠、002牛、003虎、004兔、005龍、006蛇、007馬、008羊、009猴、010雞、011狗、012豬\r\n1.外箱尺寸：42*33.5*26公分\r\n2.含外箱重：6100公克\r\n3.單件裸重：001-235g、002-223g、003-231g、004-235g、005-245g、006-232g、007-225g、008-227g、009-233g、010-222g、011-230g、 \r\n 012-231g","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQ1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"瓷版裝飾畫，又稱瓷磚、花磚，中國大陸的花磚，最知名者在廣東佛山，近代遼寧營口市也在致力發展。本組「十二生肖」彩繪瓷磚，就是遼寧省營口市產品，包括了「子鼠、丑牛、寅虎、卯兔、辰龍、巳蛇、午馬、未羊、申猴、酉雞、戍狗、亥豬」，全部都經手工繪製，構圖巧妙，動作俏皮，具有地方特色。\r\n在中國及東亞地區國家，傳統以「鼠、牛、虎、兔、龍、蛇、馬、羊、猴、雞、狗、豬」，十二種動物搭配十二地支，做為屬相。十二生肖的起源與動物崇拜圖腾有關，是上古圖騰族群联合輪值的排序。據湖北雲夢睡虎地與甘肅天水放馬灘出土的秦簡可知，先秦時期即有比較完整的生肖系統存在。最早記載與現代相同的十二生肖的傳世文獻，是東漢王充的《論衡》。\r\n本件瓷磚-丑牛，生肖牛與十二地支的第二位「丑」相對應，所以稱為「丑牛」。中國是傳統的農業社會，牛可説是中國農家耕土運貨之所賴。牛之力量大，又耐勞、強壯，毅力，上古農業族群即以牛為圖騰。例如《史記》載：「神農氏牛頭人身」，即頭部作牛頭帶角之裝飾。本件「丑牛」花磚，綠底、褐黃牛身、白腹，昂首、睜目、吼叫，是赤牛樣貌！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908045003","MainTitle":"十二生肖-寅虎","Creator":"營口市有機化工廠","CreatedYear":"","Size":"001鼠、002牛、003虎、004兔、005龍、006蛇、007馬、008羊、009猴、010雞、011狗、012豬\r\n1.外箱尺寸：42*33.5*26公分\r\n2.含外箱重：6100公克\r\n3.單件裸重：001-235g、002-223g、003-231g、004-235g、005-245g、006-232g、007-225g、008-227g、009-233g、010-222g、011-230g、 \r\n 012-231g","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQ1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"瓷版裝飾畫，又稱瓷磚、花磚，中國大陸的花磚，最知名者在廣東佛山，近代遼寧營口市也在致力發展。本組「十二生肖」彩繪瓷磚，就是遼寧省營口市產品，包括了「子鼠、丑牛、寅虎、卯兔、辰龍、巳蛇、午馬、未羊、申猴、酉雞、戍狗、亥豬」，全部都經手工繪製，構圖巧妙，動作俏皮，具有地方特色。\r\n在中國及東亞地區國家，傳統以「鼠、牛、虎、兔、龍、蛇、馬、羊、猴、雞、狗、豬」，十二種動物搭配十二地支，做為屬相。十二生肖的起源與動物崇拜圖腾有關，是上古圖騰族群联合輪值的排序。據湖北雲夢睡虎地與甘肅天水放馬灘出土的秦簡可知，先秦時期即有比較完整的生肖系統存在。最早記載與現代相同的十二生肖的傳世文獻，是東漢王充的《論衡》。\r\n本件瓷磚-寅虎，以唐三彩的裝飾風格繪製，綠山野、黃岩虎，雄視一方。寅為地支第三，生肖配虎，故稱寅虎。虎為上古時代史前圖騰之一，主要分布在中國西方，後來向東發展，造成東方龍族、西方虎族之文化交融。例如古羌族、巴族、彜族、納西族、漢族，都與虎圖騰有關！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908045004","MainTitle":"十二生肖-卯兔","Creator":"營口市有機化工廠","CreatedYear":"","Size":"001鼠、002牛、003虎、004兔、005龍、006蛇、007馬、008羊、009猴、010雞、011狗、012豬\r\n1.外箱尺寸：42*33.5*26公分\r\n2.含外箱重：6100公克\r\n3.單件裸重：001-235g、002-223g、003-231g、004-235g、005-245g、006-232g、007-225g、008-227g、009-233g、010-222g、011-230g、 \r\n 012-231g","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQ1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"瓷版裝飾畫，又稱瓷磚、花磚，中國大陸的花磚，最知名者在廣東佛山，近代遼寧營口市也在致力發展。本組「十二生肖」彩繪瓷磚，就是遼寧省營口市產品，包括了「子鼠、丑牛、寅虎、卯兔、辰龍、巳蛇、午馬、未羊、申猴、酉雞、戍狗、亥豬」，全部都經手工繪製，構圖巧妙，動作俏皮，具有地方特色。\r\n在中國及東亞地區國家，傳統以「鼠、牛、虎、兔、龍、蛇、馬、羊、猴、雞、狗、豬」，十二種動物搭配十二地支，做為屬相。十二生肖的起源與動物崇拜圖腾有關，是上古圖騰族群联合輪值的排序。據湖北雲夢睡虎地與甘肅天水放馬灘出土的秦簡可知，先秦時期即有比較完整的生肖系統存在。最早記載與現代相同的十二生肖的傳世文獻，是東漢王充的《論衡》。\r\n本件花磚作品-卯兔，以唐三彩裝飾風格繪製，綠地白兔，筆誷稚拙可愛！生肖兔對應地支卯，故稱「卯兔」。上古時代，以玉兔代表月亮，象徵純潔、長生、柔美、繁殖、機警，故兔亦為某族群之圖騰。古人認為，白兔是神聖的、高貴的，是長壽不老之象徵。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908045005","MainTitle":"十二生肖-辰龍","Creator":"營口市有機化工廠","CreatedYear":"","Size":"001鼠、002牛、003虎、004兔、005龍、006蛇、007馬、008羊、009猴、010雞、011狗、012豬\r\n1.外箱尺寸：42*33.5*26公分\r\n2.含外箱重：6100公克\r\n3.單件裸重：001-235g、002-223g、003-231g、004-235g、005-245g、006-232g、007-225g、008-227g、009-233g、010-222g、011-230g、 \r\n 012-231g","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQ1MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"瓷版裝飾畫，又稱瓷磚、花磚，中國大陸的花磚，最知名者在廣東佛山，近代遼寧營口市也在致力發展。本組「十二生肖」彩繪瓷磚，就是遼寧省營口市產品，包括了「子鼠、丑牛、寅虎、卯兔、辰龍、巳蛇、午馬、未羊、申猴、酉雞、戍狗、亥豬」，全部都經手工繪製，構圖巧妙，動作俏皮，具有地方特色。\r\n在中國及東亞地區國家，傳統以「鼠、牛、虎、兔、龍、蛇、馬、羊、猴、雞、狗、豬」，十二種動物搭配十二地支，做為屬相。十二生肖的起源與動物崇拜圖腾有關，是上古圖騰族群联合輪值的排序。據湖北雲夢睡虎地與甘肅天水放馬灘出土的秦簡可知，先秦時期即有比較完整的生肖系統存在。最早記載與現代相同的十二生肖的傳世文獻，是東漢王充的《論衡》。\r\n本件花磚作品-辰龍，以唐三彩裝飾風格繪製，生肖龍對應地支辰，故稱「辰龍」。龍，是中國信仰的神靈動物，亦為重要圖騰。龍之圖騰，且為眾多圖騰之組合，其神靈變化莫測，神通廣大，能夠掌雨，《易經-繫辭》：「雨从龍，風从虎」，古人相信「龍主雨，虎主風」，雨順風調，可使國泰民安。龍，傳統象徵「神聖、高貴、祥瑞」。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908045006","MainTitle":"十二生肖-巳蛇","Creator":"營口市有機化工廠","CreatedYear":"","Size":"001鼠、002牛、003虎、004兔、005龍、006蛇、007馬、008羊、009猴、010雞、011狗、012豬\r\n1.外箱尺寸：42*33.5*26公分\r\n2.含外箱重：6100公克\r\n3.單件裸重：001-235g、002-223g、003-231g、004-235g、005-245g、006-232g、007-225g、008-227g、009-233g、010-222g、011-230g、 \r\n 012-231g","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQ1MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"瓷版裝飾畫，又稱瓷磚、花磚，中國大陸的花磚，最知名者在廣東佛山，近代遼寧營口市也在致力發展。本組「十二生肖」彩繪瓷磚，就是遼寧省營口市產品，包括了「子鼠、丑牛、寅虎、卯兔、辰龍、巳蛇、午馬、未羊、申猴、酉雞、戍狗、亥豬」，全部都經手工繪製，構圖巧妙，動作俏皮，具有地方特色。\r\n在中國及東亞地區國家，傳統以「鼠、牛、虎、兔、龍、蛇、馬、羊、猴、雞、狗、豬」，十二種動物搭配十二地支，做為屬相。十二生肖的起源與動物崇拜圖腾有關，是上古圖騰族群联合輪值的排序。據湖北雲夢睡虎地與甘肅天水放馬灘出土的秦簡可知，先秦時期即有比較完整的生肖系統存在。最早記載與現代相同的十二生肖的傳世文獻，是東漢王充的《論衡》。\r\n本件花磚作品-巳蛇，是以唐三彩裝飾風格繪製，生肖蛇對應地支巳，故稱「巳蛇」。蛇是史前先民敬畏的動物，蛇也是上古重要氏族圖騰。《史記》載：「伏羲氏人頭蛇身」，可知中華人祖的伏羲氏族群因崇拜蛇圖騰闗係，族群在身上刺青蛇紋，故稱「人首蛇身」。蛇生肖人生性智慧、審慎、精明、藝術。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908045007","MainTitle":"十二生肖-午馬","Creator":"營口市有機化工廠","CreatedYear":"","Size":"001鼠、002牛、003虎、004兔、005龍、006蛇、007馬、008羊、009猴、010雞、011狗、012豬\r\n1.外箱尺寸：42*33.5*26公分\r\n2.含外箱重：6100公克\r\n3.單件裸重：001-235g、002-223g、003-231g、004-235g、005-245g、006-232g、007-225g、008-227g、009-233g、010-222g、011-230g、 \r\n 012-231g","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQ1MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"瓷版裝飾畫，又稱瓷磚、花磚，中國大陸的花磚，最知名者在廣東佛山，近代遼寧營口市也在致力發展。本組「十二生肖」彩繪瓷磚，就是遼寧省營口市產品，包括了「子鼠、丑牛、寅虎、卯兔、辰龍、巳蛇、午馬、未羊、申猴、酉雞、戍狗、亥豬」，全部都經手工繪製，構圖巧妙，動作俏皮，具有地方特色。\r\n在中國及東亞地區國家，傳統以「鼠、牛、虎、兔、龍、蛇、馬、羊、猴、雞、狗、豬」，十二種動物搭配十二地支，做為屬相。十二生肖的起源與動物崇拜圖腾有關，是上古圖騰族群联合輪值的排序。據湖北雲夢睡虎地與甘肅天水放馬灘出土的秦簡可知，先秦時期即有比較完整的生肖系統存在。最早記載與現代相同的十二生肖的傳世文獻，是東漢王充的《論衡》。\r\n本件花磚作品-午馬，是以唐三彩裝飾風格繪製，生肖馬對應地支午，故稱「午馬」。馬對中華先民殊為重要，戰爭、耕地、運輸，都依賴它，且列為六畜之首。古人崇敬天馬，以血汗馬及白馬為尚。馬亦為上古時代氏族圖騰之一。\r\n本件午馬，綠地白身，抬地昂首高鳴，有騏驥千里的氣概！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908045008","MainTitle":"十二生肖-未羊","Creator":"營口市有機化工廠","CreatedYear":"","Size":"001鼠、002牛、003虎、004兔、005龍、006蛇、007馬、008羊、009猴、010雞、011狗、012豬\r\n1.外箱尺寸：42*33.5*26公分\r\n2.含外箱重：6100公克\r\n3.單件裸重：001-235g、002-223g、003-231g、004-235g、005-245g、006-232g、007-225g、008-227g、009-233g、010-222g、011-230g、 \r\n 012-231g","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQ1MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"瓷版裝飾畫，又稱瓷磚、花磚，中國大陸的花磚，最知名者在廣東佛山，近代遼寧營口市也在致力發展。本組「十二生肖」彩繪瓷磚，就是遼寧省營口市產品，包括了「子鼠、丑牛、寅虎、卯兔、辰龍、巳蛇、午馬、未羊、申猴、酉雞、戍狗、亥豬」，全部都經手工繪製，構圖巧妙，動作俏皮，具有地方特色。\r\n在中國及東亞地區國家，傳統以「鼠、牛、虎、兔、龍、蛇、馬、羊、猴、雞、狗、豬」，十二種動物搭配十二地支，做為屬相。十二生肖的起源與動物崇拜圖腾有關，是上古圖騰族群联合輪值的排序。據湖北雲夢睡虎地與甘肅天水放馬灘出土的秦簡可知，先秦時期即有比較完整的生肖系統存在。最早記載與現代相同的十二生肖的傳世文獻，是東漢王充的《論衡》。\r\n本件花磚作品十二生肖-未羊，是以唐三彩裝飾風格繪製。生肖羊對應地支未，故稱「未羊」。羊是六畜之一，且是吉祥動物，古字「羊、祥」同假借，一直到今天，民間節慶仍有保留「賽神羊」之俗。羊之性格馴良，登躍峭壁絕嶺，如履平地，上古時代亦為氏族圖騰之一。在遊牧民族，羊是財富與生活所資。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908045009","MainTitle":"十二生肖-申猴","Creator":"營口市有機化工廠","CreatedYear":"","Size":"001鼠、002牛、003虎、004兔、005龍、006蛇、007馬、008羊、009猴、010雞、011狗、012豬\r\n1.外箱尺寸：42*33.5*26公分\r\n2.含外箱重：6100公克\r\n3.單件裸重：001-235g、002-223g、003-231g、004-235g、005-245g、006-232g、007-225g、008-227g、009-233g、010-222g、011-230g、 \r\n 012-231g","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQ1MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"瓷版裝飾畫，又稱瓷磚、花磚，中國大陸的花磚，最知名者在廣東佛山，近代遼寧營口市也在致力發展。本組「十二生肖」彩繪瓷磚，就是遼寧省營口市產品，包括了「子鼠、丑牛、寅虎、卯兔、辰龍、巳蛇、午馬、未羊、申猴、酉雞、戍狗、亥豬」，全部都經手工繪製，構圖巧妙，動作俏皮，具有地方特色。\r\n在中國及東亞地區國家，傳統以「鼠、牛、虎、兔、龍、蛇、馬、羊、猴、雞、狗、豬」，十二種動物搭配十二地支，做為屬相。十二生肖的起源與動物崇拜圖腾有關，是上古圖騰族群联合輪值的排序。據湖北雲夢睡虎地與甘肅天水放馬灘出土的秦簡可知，先秦時期即有比較完整的生肖系統存在。最早記載與現代相同的十二生肖的傳世文獻，是東漢王充的《論衡》。\r\n本件花磚作品十二生肖-申猴，是以唐三彩裝飾風格繪製，生肖猴對應地支申，故稱「申猴」。猿猴行動敏捷，攀樹過枝，如履平地，在佛教視神猴為保護神，在上古時代信仰，亦有氏族以之為圖騰。在《西遊記》小説，齊天大聖孫悟空更赫赫知名。本件申猴，畫蟠桃與採桃仙猴，形態靈活可愛，布局佳秀。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908045010","MainTitle":"十二生肖-酉雞","Creator":"營口市有機化工廠","CreatedYear":"","Size":"001鼠、002牛、003虎、004兔、005龍、006蛇、007馬、008羊、009猴、010雞、011狗、012豬\r\n1.外箱尺寸：42*33.5*26公分\r\n2.含外箱重：6100公克\r\n3.單件裸重：001-235g、002-223g、003-231g、004-235g、005-245g、006-232g、007-225g、008-227g、009-233g、010-222g、011-230g、 \r\n 012-231g","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQ1MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"瓷版裝飾畫，又稱瓷磚、花磚，中國大陸的花磚，最知名者在廣東佛山，近代遼寧營口市也在致力發展。本組「十二生肖」彩繪瓷磚，就是遼寧省營口市產品，包括了「子鼠、丑牛、寅虎、卯兔、辰龍、巳蛇、午馬、未羊、申猴、酉雞、戍狗、亥豬」，全部都經手工繪製，構圖巧妙，動作俏皮，具有地方特色。\r\n在中國及東亞地區國家，傳統以「鼠、牛、虎、兔、龍、蛇、馬、羊、猴、雞、狗、豬」，十二種動物搭配十二地支，做為屬相。十二生肖的起源與動物崇拜圖腾有關，是上古圖騰族群联合輪值的排序。據湖北雲夢睡虎地與甘肅天水放馬灘出土的秦簡可知，先秦時期即有比較完整的生肖系統存在。最早記載與現代相同的十二生肖的傳世文獻，是東漢王充的《論衡》。\r\n本件花磚作品十二生肖-酉雞，是以唐三彩裝飾風格繪製，生肖雞對應地支酉，故稱「酉雞」。雞能司晨司更，且為引出日頭太陽之神鳥，備受古人崇拜，古夷越民族視雞為鳳為圖騰，甚至象徵日，在民間且有「太陽星君」之崇拜。民間以其叶音，入厝新居、新婚喜宴，第一道菜餚是全雞，引申「起家、興家」。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908045011","MainTitle":"十二生肖-戌狗","Creator":"","CreatedYear":"","Size":"001鼠、002牛、003虎、004兔、005龍、006蛇、007馬、008羊、009猴、010雞、011狗、012豬\r\n1.外箱尺寸：42*33.5*26公分\r\n2.含外箱重：6100公克\r\n3.單件裸重：001-235g、002-223g、003-231g、004-235g、005-245g、006-232g、007-225g、008-227g、009-233g、010-222g、011-230g、 \r\n 012-231g","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQ1MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"瓷版裝飾畫，又稱瓷磚、花磚，中國大陸的花磚，最知名者在廣東佛山，近代遼寧營口市也在致力發展。本組「十二生肖」彩繪瓷磚，就是遼寧省營口市產品，包括了「子鼠、丑牛、寅虎、卯兔、辰龍、巳蛇、午馬、未羊、申猴、酉雞、戍狗、亥豬」，全部都經手工繪製，構圖巧妙，動作俏皮，具有地方特色。\r\n在中國及東亞地區國家，傳統以「鼠、牛、虎、兔、龍、蛇、馬、羊、猴、雞、狗、豬」，十二種動物搭配十二地支，做為屬相。十二生肖的起源與動物崇拜圖腾有關，是上古圖騰族群联合輪值的排序。據湖北雲夢睡虎地與甘肅天水放馬灘出土的秦簡可知，先秦時期即有比較完整的生肖系統存在。最早記載與現代相同的十二生肖的傳世文獻，是東漢王充的《論衡》。\r\n本件花磚作品十二生肖-戌狗，是以唐三彩裝飾風格繪製而成，生肖狗對應地支戌，故稱「戌狗」。狗與人類関係密切，源遠流長，早在十三萬年前已被人類馴服。從此成為人的忠實朋友、獵友、守衛，並發展為圖騰，例如福建的盤瓠信仰。(參見簡榮聰〈台灣的狗崇拜〉)(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908045012","MainTitle":"十二生肖-亥豬","Creator":"營口市有機化工廠","CreatedYear":"","Size":"001鼠、002牛、003虎、004兔、005龍、006蛇、007馬、008羊、009猴、010雞、011狗、012豬\r\n1.外箱尺寸：42*33.5*26公分\r\n2.含外箱重：6100公克\r\n3.單件裸重：001-235g、002-223g、003-231g、004-235g、005-245g、006-232g、007-225g、008-227g、009-233g、010-222g、011-230g、 \r\n 012-231g","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQ1MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"瓷版裝飾畫，又稱瓷磚、花磚，中國大陸的花磚，最知名者在廣東佛山，近代遼寧營口市也在致力發展。本組「十二生肖」彩繪瓷磚，就是遼寧省營口市產品，包括了「子鼠、丑牛、寅虎、卯兔、辰龍、巳蛇、午馬、未羊、申猴、酉雞、戍狗、亥豬」，全部都經手工繪製，構圖巧妙，動作俏皮，具有地方特色。\r\n在中國及東亞地區國家，傳統以「鼠、牛、虎、兔、龍、蛇、馬、羊、猴、雞、狗、豬」，十二種動物搭配十二地支，做為屬相。十二生肖的起源與動物崇拜圖腾有關，是上古圖騰族群联合輪值的排序。據湖北雲夢睡虎地與甘肅天水放馬灘出土的秦簡可知，先秦時期即有比較完整的生肖系統存在。最早記載與現代相同的十二生肖的傳世文獻，是東漢王充的《論衡》。\r\n本件花磚作品十二生肖-亥豬，是以唐三彩裝飾風格繪製，生肖豬對應地支亥，故稱「亥豬」。上古先民，崇拜野豬，以其凶猛、暴勇、智慧、靈敏、善繁殖，所以敬之為圖騰。紅山文化玉器有豬龍，商代甲骨文中有「彘」的氏族，《山海經》中，有大量的豬靈民族。商代甲骨文中，「家」是祭祖的宗廟正室，這可能起源於遠古的豬神廟。豬被馴化後，代表財富，並演化為「無豕不成家」的農業社會觀念。本件花磚圖案樸美，富造型圖案設計感。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908046","MainTitle":"廣窯綠釉油燈","Creator":"","CreatedYear":"","Size":"外箱尺寸：42*8.2*21.5公分；\r\n含外箱重：7650公克(含另一組作品200908044同箱)","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國文明，用火歷史極久，遠溯自距今17O萬年前的雲南元謀人。而照明之燈具，已知周朝戰國時代已經使用燈具。而歷代燈具，經過工匠巧妙造型設計，秦漢以下，歸納就有～豆形燈、人俑燈、連盞燈、朱雀燈、雁足燈、獸形燈、連枝燈、槃燈、行燈、拈燈、巵燈、三足爐形燈、奩形燈、耳杯形燈、提形燈、柱形燈…等等。而燈具材料，則有陶瓷製、金屬製、石玉製、木竹製，品類繁多，工藝琳琅。\r\n本件作品-廣窯綠釉油燈，是廣東佛山石灣窯製品，簡稱「廣窯」。廣窯歷史淵遠流長，明清時為鼎盛期，至今依然產製，以日用陶瓷為重心。此件油燈為柱形燈，底座承盤形，圓柱上小盤，可置放燈盞，燈盞為乳白色，故意與綠釉燈身區別，以防不小心碰到跌落。在電燈為使用的早期社會民家，即流行此款可執的油燈，令人發思古幽情！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908047","MainTitle":"捏麵人-仕女","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國民間藝術「揑麵人」，原稱「揑米江人」，又稱「麵塑、麵花、揑糯米尪仔、麵粉尪仔、年模」。其緣起相傳三國時蜀漢諸葛亮於某次征伐南蠻渡江遇暴漲而阻，乃以糯米粉揑米人祭江，終於順利橫渡，而有「揑米江人」之稱。\r\n古時富貴府第，宴客前常以麵粉揑作酒席，供待賓客欣賞，謂之「看桌」。由於色彩光鮮艷麗，造型生動，題材有趣，深受賓客民眾喝彩！\r\n揑麵人以人物為主，故稱。其實題材不限人物。傳統塑料以糯米粉、麵粉為主，通風陰乾，近年改以塑土、珍珠土等改良，省工而外表亮麗！\r\n傳統揑麵人的工藝技法，是將數種基本形加以變化組合。基本形有「圓形、橢圓形、水滴形、梭形」四種，工具有「蠟油、牙籖、剪刀、牛角尖、梳子、毛筆、色母」。\r\n本件揑麵人-仕女，造型婀娜多姿，色調柔美，足見匠師手藝！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908048","MainTitle":"龜形墨","Creator":"歙縣老胡開文墨廠","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"徽墨，是中國傳統墨中最富盛名的一種，因其主要產地徽州府而得名，列入文房四寶及國家非物質文化遺產。\r\n徽墨起源於晚唐，時值戰亂，大批良匠南下避禍，易州製墨能手奚超父子定居歙州。二人利用皖南特產的松樹原料，改進工藝，終於製成良墨。其子廷珪被南唐李後主李煜賞識，賜姓為李。自此李廷珪成為製墨宗師，所製徽墨在宋就已稀珍。清代乾隆皇帝將世傳的李廷珪墨在墨雲室珍藏，現存台北國立故宮博物院。\r\n本件龜形墨，是歙縣老胡開文墨廠製品。胡氏精心歷代製墨技法，墨色黑潤，歷久不褪，入紙不暈，品質極佳！其製墨技法，有「雕模、點煙、製墨、曬墨、打磨、描金」等工序，其主材質為石墨。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908049","MainTitle":"持扇老人","Creator":"","CreatedYear":"","Size":"外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「石灣陶、景德瓷」，是中國兩大陶瓷系統，可說概括了中國陶瓷的精髓。與景德鎭陶瓷業不同，石灣窯是民窯，它主要為市場需要生產，為外銷需要而生產，除了生產日用陶瓷外，還大量生產美術陶瓷作品。\r\n石灣陶塑技藝具有人文性、地方性、民族性的特點。以人物造型為代表的「石灣公仔」，陶塑技藝形神兼備，它吸收各種文化藝術精華，高度寫實和適度誇張相結合，兼有生活趣味和藝術品位，形成了鮮明的嶺南地方風格。\r\n石灣公仔的製作工藝有「構思創作、泥料煉製、成形、裝飾、上釉、龍窯煅燒」等六個工序。龍窯的上中下有高中低三種火，分別用于移動燒製物品的不同部位。\r\n本件石灣公仔-持扇老人，是以揑塑手法，塑成高人隠士樣子的戴笠持扇老者，象徵高雅、閒逸、自在的風格。人物之衣袍、斗笠，皆施霽藍釉，顯得素雅內斂。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908050","MainTitle":"持傘人","Creator":"","CreatedYear":"","Size":"1.外箱尺寸：41.5*32*26.7公分\r\n2.含外箱重：8950公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「石灣陶、景德瓷」，是中國兩大陶瓷系統，可說概括了中國陶瓷的精髓。與景德鎭陶瓷業不同，石灣窯是民窯，它主要為市場需要生產，為外銷需要而生產，除了生產日用陶瓷外，還大量生產美術陶瓷作品。\r\n石灣陶塑技藝具有人文性、地方性、民族性的特點。以人物造型為代表的「石灣公仔」，陶塑技藝形神兼備，它吸收各種文化藝術精華，高度寫實和適度誇張相結合，兼有生活趣味和藝術品位，形成了鮮明的嶺南地方風格。\r\n石灣公仔的製作工藝有「構思創作、泥料煉製、成形、裝飾、上釉、龍窯煅燒」等六個工序。龍窯的上中下有高中低三種火，分別用于移動燒製物品的不同部位。\r\n本件石灣公仔-持傘人，是以揑塑持傘人士，紫衣藍褲紅傘，人物作賞景狀，可能表現為優遊林泉的雅士。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908051","MainTitle":"持書人","Creator":"","CreatedYear":"","Size":"1.外箱尺寸：41.5*32*26.7公分\r\n2.含外箱重：8950公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「石灣陶、景德瓷」，是中國兩大陶瓷系統，可說概括了中國陶瓷的精髓。與景德鎭陶瓷業不同，石灣窯是民窯，它主要為市場需要生產，為外銷需要而生產，除了生產日用陶瓷外，還大量生產美術陶瓷作品。\r\n石灣陶塑技藝具有人文性、地方性、民族性的特點。以人物造型為代表的「石灣公仔」，陶塑技藝形神兼備，它吸收各種文化藝術精華，高度寫實和適度誇張相結合，兼有生活趣味和藝術品位，形成了鮮明的嶺南地方風格。\r\n石灣公仔的製作工藝有「構思創作、泥料煉製、成形、裝飾、上釉、龍窯煅燒」等六個工序。龍窯的上中下有高中低三種火，分別用于移動燒製物品的不同部位。\r\n本件石灣公仔-持書人，是以揑塑持書人士，淡紫色衣袍、持丹書，人物作賞景狀，可能表現為優遊閒吟的雅士。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908052","MainTitle":"圓明園(四件)","Creator":"","CreatedYear":"","Size":"001白帽:長:6寬:2.5高:11.5\r\n002紅帽:長:3.5寬:2高:7.3\r\n003桔衣:長:3.5寬:2高:12\r\n004女:長:4.5寬:2高:12.2\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-76公克；002-32公克；003-62公克；004-54公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥偶作品「圓明園人物」(四件)，是以清代圓明園故事人物，推測可能是「咸豐皇帝、㦤貴妃(慈禧)、肅順、同治帝」為题材。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908052001","MainTitle":"圓明園故事人物-肅順","Creator":"","CreatedYear":"","Size":"001白帽:長:6寬:2.5高:11.5\r\n002紅帽:長:3.5寬:2高:7.3\r\n003桔衣:長:3.5寬:2高:12\r\n004女:長:4.5寬:2高:12.2\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-76公克；002-32公克；003-62公克；004-54公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDUyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥偶作品「圓明園人物」-肅順，愛新覺羅氏，清朝宗室，咸豐帝臨終前指派的顧命八大臣之一。當咸豐十年(1860)，英法聯軍入侵京師，搶刧珍寶，火燒圓明園，肅順隨咸豐帝避難熱河。咸豐帝死後，同治帝年幼，因反對慈禧太后垂簾聽政，被慈禧與恭親王奕訢發動「祺祥之變」奪權，並羅織入罪斬殺。近代史家評價其「鐵腕吏治、整肅政風、主張促進市場經濟，求起積弊於衰靡之世」，因得罪當權而死。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908052002","MainTitle":"圓明園故事人物-同治幼帝","Creator":"","CreatedYear":"","Size":"001白帽:長:6寬:2.5高:11.5\r\n002紅帽:長:3.5寬:2高:7.3\r\n003桔衣:長:3.5寬:2高:12\r\n004女:長:4.5寬:2高:12.2\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-76公克；002-32公克；003-62公克；004-54公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDUyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥偶作品「圓明園人物」-同治幼帝，乃咸豐皇帝長子，慈禧太后的親生兒子，，5歲登基，原設年號為「祺祥」，不及一年，發生辛酉政變，最終由慈禧太后垂簾聽政，並改年號「同治」。年僅18歲即駕崩。同治親政時，興辦洋務，頗有發憤圖強之心，此時史稱「同治中興」。對台灣治理転為積極，制「開山撫番」政策。並擬修復圆明園，遭反對乃止。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908052003","MainTitle":"圓明園故事人物-咸豐帝","Creator":"","CreatedYear":"","Size":"001白帽:長:6寬:2.5高:11.5\r\n002紅帽:長:3.5寬:2高:7.3\r\n003桔衣:長:3.5寬:2高:12\r\n004女:長:4.5寬:2高:12.2\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-76公克；002-32公克；003-62公克；004-54公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDUyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥偶作品「圓明園人物」-咸豐帝，清朝第九任皇帝，他即位後，國家已顯疲弊，他重用曾國藩鎮平叛亂，提抜粛順革除弊政。但任內內憂外患，中國屢被列強侵略，先是咸豐十年(1860)英法聯軍攻占北京，搶刼珍貴，火燒圓明園，清廷被迫訂定不平等條約，割地賠款。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908052004","MainTitle":"圓明園故事人物-懿貴妃(慈禧太后)","Creator":"","CreatedYear":"","Size":"001白帽:長:6寬:2.5高:11.5\r\n002紅帽:長:3.5寬:2高:7.3\r\n003桔衣:長:3.5寬:2高:12\r\n004女:長:4.5寬:2高:12.2\r\n外箱尺寸：41.5*32*26.7公分\r\n含外箱重：8950公克\r\n裸重：001-76公克；002-32公克；003-62公克；004-54公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDUyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天津泥人張彩塑泥偶，是一種深得百姓厚愛的傳統民間藝術品，經流傳發展至今已有180年歴史。其作品形象生動，色彩豐富，引人注目喜愛！泥人張的彩塑泥偶，把傳統的揑泥人提高到圓塑藝術的水準，又裝飾以色彩、道具，形成了獨特的風格。它是繼元代劉元之後，我國又一個泥塑藝術的高峰。「泥人張」創始人是張長林(字明山，後以字行)，經過張兆榮(字玉亭)、張培承(字景祜)、張銘、張乃英等五代傳人的精心傳承，泥人張成為天津乃至中國北方泥塑藝術的精粹！\r\n泥人又稱泥偶，所用材料是含沙量低、無雜質的純凈膠泥，經風化、打漿、過濾、脫水，加入棉絮反復砸揉而成熟泥，其特點是粘合性強。輔助材料還有木材、竹藤、鉛絲、紙張、絹花等。塑造後自然風乾，入窯烘燒，溫度700度C，出窯後經打磨、整理、著色，彩繪用色使用丙烯色。\r\n傳統泥人張作品以寫實逼真為主，而更小型的泥偶，則賦予簡潔的點線面，具有文藝傳統的抒情，是「塑」與「繪」的兩大結合。\r\n本組泥偶作品「圓明園人物」-懿貴妃(慈禧太后)，是咸豐帝妃，也是同治帝生母，為同治、光緖年間清朝的實際統治者。在慈禧太后死後僅三年，清朝滅亡，中華民國成立。咸豐帝體弱多病，兼之當時英法聯軍入侵北京，又有太平天國作亂，圓明園被英法軍搶刧火燒，咸豐帝與懿貴妃避居河北熱河，常囑貴妃代筆批閱奏章。咸豐十一年(1861)咸豐帝在熱河行宮令其年僅五歲獨子同治幼帝繼承皇位，慈禧太后垂簾聽政長達47年。對清朝末年的中國國運，有很大影響。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908053","MainTitle":"達摩","Creator":"","CreatedYear":"","Size":"外箱尺寸：27*28*42公分\r\n含外箱重：7150公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"廣東佛山，自古即以石灣陶著名於世，被稱之為「石灣公仔」。唐宋時期，隨著對外貿易的發展，石灣公仔就開始遠銷日本、東南亞；明代以後石灣公仔的生產進入鼎盛期，方圓幾公里的小鎮有陶瓷107座，陶瓷行業人數達6萬多人，《明詩綜》有載：「石灣瓦，甲天下」，反映了當時石灣陶的地位。鼎盛時期產品種類繁多，逐步分支為人物、動物陶塑、器皿造型、園林陶藝及微塑五大類，成為獨具嶺南特色的工藝品。公元2006年「石灣公仔」更被列入首批國家級非物質文化遺產。\r\n本件廣東佛山石灣窯陶塑作品：達摩，即是取材於佛教故事。達摩，又稱菩提達摩，為佛教中國禪宗初代祖師，又稱達摩祖師、東土第一代祖師。菩提達摩，意譯為「覺法」，菩提本意為「覺悟」，達摩本義則是「佛法」。\r\n本件彩塑，靈活生動，乳白釉衣袍，拄杖仰天，大概引用「達摩一葦渡江」後之典故；手持禪杖，信步而行，見山朝拜，遇寺從禪，來到嵩山少林寺，駐跡傳教，廣集僧徒，首傳禪宗。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908054","MainTitle":"懷素","Creator":"其他-工藝美術師：劉藕生","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"廣東佛山，自古即以石灣陶著名於世，被稱之為「石灣公仔」。唐宋時期，隨著對外貿易的發展，石灣公仔就開始遠銷日本、東南亞；明代以後石灣公仔的生產進入鼎盛期，方圓幾公里的小鎮有陶瓷107座，陶瓷行業人數達6萬多人，《明詩綜》有載：「石灣瓦，甲天下」，反映了當時石灣陶的地位。鼎盛時期產品種類繁多，逐步分支為人物、動物陶塑、器皿造型、園林陶藝及微塑五大類，成為獨具嶺南特色的工藝品。公元2006年「石灣公仔」更被列入首批國家級非物質文化遺產。\r\n本件廣東佛山石灣窯陶塑作品：懷素，是中國名書法家，以善狂草出名，唐朝人稱他為醉僧。懷素幼年出家，最初修習佛經、歷律書，後來留意書法。因貧而無紙可書，就在家郷故里種植芭蕉萬餘株以供揮灑，以蕉葉代紙練字。因此，稱他居住地方為「綠天庵」。書不足，乃漆一盤書之又漆一方板，書寫再三，盤板皆穿。懷素性格疎放，不拘小節細行，常飲酒以養性，寫草書以暢志，每當酒酣興發，一遇到寺壁里牆，衣裳器皿，無所不書，唐朝人稱為「醉僧」，與另一狂草書法家張旭有「顛張醉素」之譽。\r\n本作品彩塑，霽藍釉衣袍皺折流動，醉僧專注握拳，筆力千鈞，頗富神韻！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908055","MainTitle":"採芝","Creator":"其他-石灣美陶廠助理工藝美術師：劉桂樂","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"廣東佛山，自古即以石灣陶著名於世，被稱之為「石灣公仔」。唐宋時期，隨著對外貿易的發展，石灣公仔就開始遠銷日本、東南亞；明代以後石灣公仔的生產進入鼎盛期，方圓幾公里的小鎮有陶瓷107座，陶瓷行業人數達6萬多人，《明詩綜》有載：「石灣瓦，甲天下」，反映了當時石灣陶的地位。鼎盛時期產品種類繁多，逐步分支為人物、動物陶塑、器皿造型、園林陶藝及微塑五大類，成為獨具嶺南特色的工藝品。公元2006年「石灣公仔」更被列入首批國家級非物質文化遺產。\r\n本件廣東佛山石灣窯陶塑作品：採芝，描寫一人俯看懸崖，伸手採芝。芝是真菌，古人認為食之延年長生。本作品是以古代賢人摘采芝草，高隱避世為題材而創作。(見《史記-留侯世家》、《高士傳-四皓》：「秦末有四皓東园公、角里先生、綺里季、夏黃公，見秦政苛虐，乃隱于商雒，曾作歌曰：莫莫高山，深谷逶迤。嘩嘩紫芝，可以療飢。」後來引喻為遁隠。名其歌為〈采芝操〉或〈四皓歌〉，亦省稱〈采芝〉。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908056","MainTitle":"張旭","Creator":"其他-石灣美陶廠高級工藝美術師：莊稼","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"廣東佛山，自古即以石灣陶著名於世，被稱之為「石灣公仔」。唐宋時期，隨著對外貿易的發展，石灣公仔就開始遠銷日本、東南亞；明代以後石灣公仔的生產進入鼎盛期，方圓幾公里的小鎮有陶瓷107座，陶瓷行業人數達6萬多人，《明詩綜》有載：「石灣瓦，甲天下」，反映了當時石灣陶的地位。鼎盛時期產品種類繁多，逐步分支為人物、動物陶塑、器皿造型、園林陶藝及微塑五大類，成為獨具嶺南特色的工藝品。公元2006年「石灣公仔」更被列入首批國家級非物質文化遺產。\r\n本件廣東佛山石灣窯陶塑作品：張旭(675～750)，官至金吾長史，故號張長史，唐朝中葉吳縣人，開元、天寶年間在世，他以造化為師，墨池功深，常飲酒入醉，索筆狂書，草書蛇飛龍舞，甚至以頭髪蘸墨書寫，人稱「張顛」，以草書狂草著名於世。與李白詩歌，裴旻劍舞，並稱「三絶」。又與李白、賀知章等人被稱「飲中八仙」。又與賀知章、張若虛、包融號稱「吳中四絶」。書法與懷素齊名，後世稱為「草聖」。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908057","MainTitle":"托缽羅漢","Creator":"其他-石灣美陶廠助理工藝美術師：劉國成","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"廣東佛山，自古即以石灣陶著名於世，被稱之為「石灣公仔」。唐宋時期，隨著對外貿易的發展，石灣公仔就開始遠銷日本、東南亞；明代以後石灣公仔的生產進入鼎盛期，方圓幾公里的小鎮有陶瓷107座，陶瓷行業人數達6萬多人，《明詩綜》有載：「石灣瓦，甲天下」，反映了當時石灣陶的地位。鼎盛時期產品種類繁多，逐步分支為人物、動物陶塑、器皿造型、園林陶藝及微塑五大類，成為獨具嶺南特色的工藝品。公元2006年「石灣公仔」更被列入首批國家級非物質文化遺產。\r\n本件廣東佛山石灣窯陶塑作品：「托缽羅漢」。喻示一則故事～從前印度有一個羅漢，依規托缽於路，他走了很多路，缽仍空空。他走到王宮門口，見王宮大象滿身瓔珞，飽腹悠行，不禁慨嘆説：「修慧不修福，羅漢托空缽；修福不修慧，大象披瓔珞。」由此以觀，「福慧雙修」，十分重要。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908058","MainTitle":"龜形耳枕","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"陝西千陽手工布藝，是深受民眾喜愛的民藝。傳統的習俗，春節來臨前，家戶備年貨，農村除了給孩子準備壓歲錢外，長輩還得給孩子備新服新帽新鞋、新枕頭新蓋被。「虎裝」最多，在民俗信仰，老虎是吉祥物，帽子衣服鞋子都是虎圖案，用虎的形象驅鬼辟邪，保護孩子沒病沒災。虎圖案之外，也發展其他吉祥動物，如龜、鹿、羊、豬、貓、獅子、麒麟等，此外，魚蛙昆蟲植物也被引用。因其大量採用「繍、貼、拼、搐」工藝，大量保留了原始藝術圖騰、生命生殖崇拜遺痕，故而文化意涵充滿了象徵和隱喻，也蕴含民間祈平安、盼吉利、求富貴的心理，是陝西民藝奇葩，譽為「民間藝術之鄕」。\r\n陝西千陽手工布藝，虎裝只是手工刺繡的一種，因為民風純樸，文化底蘊深厚，民間藝人輩出，布藝、剪紙、刺繍、編織等都聞名遐邇。特別被稱為「母親藝術」的布藝刺繍，更保留了炎帝氏族與周秦文化的民藝精萃，內涵深厚、構圖明快，造型渾樸，色彩艷麗，鄉土特色濃郁！\r\n本件作品「龜形耳枕」，以龜為枕之造型，象徵長壽；中央開孔留氣眼及容供耳朶；布枕用黑色棉布繍五毒蟲，隱喻辟邪；色彩黑底襯彩，神龜相貌樸拙可愛，形容帶有虎圖騰風貌，充滿陝西地方民藝風格！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908059","MainTitle":"雙頭獅形童枕","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"陝西千陽手工布藝，是深受民眾喜愛的民藝。傳統的習俗，春節來臨前，家戶備年貨，農村除了給孩子準備壓歲錢外，長輩還得給孩子備新服新帽新鞋、新枕頭新蓋被。「虎裝」最多，在民俗信仰，老虎是吉祥物，帽子衣服鞋子都是虎圖案，用虎的形象驅鬼辟邪，保護孩子沒病沒災。虎圖案之外，也發展其他吉祥動物，如龜、鹿、豬、羊、貓、獅子、麒麟等，此外，魚蛙昆蟲植物也被引用。因其大量採用「繍、貼、拼、搐」工藝，大量保留了原始藝術圖騰、生命生殖崇拜遺痕，故而文化意涵充滿了象徵和隱喻，也蕴含民間祈平安、盼吉利、求富貴的心理，是陝西民藝奇葩，譽為「民間藝術之鄕」。\r\n陝西千陽手工布藝，虎裝只是手工刺繡的一種，因為民風純樸，文化底蘊深厚，民間藝人輩出，布藝、剪紙、刺繍、編織等都聞名遐邇。特別被稱為「母親藝術」的布藝刺繍，更保留了炎帝氏族與周秦文化的民藝精萃，內涵深厚、構圖明快，造型渾樸，色彩艷麗，鄉土特色濃郁！\r\n本件作品「雙頭獅形童枕」，以紅市包軟草或棉絮做成枕形，兩端加上獅頭繡片，色彩鮮豔，形相稚拙，獅耳綴小流蘇，表現童枕超可愛！獅與虎，在民俗信仰，都可鎮伏百獸，期待藉此圖案辟邪駆煞，讓兒童睡眠安好！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908060","MainTitle":"黑豬形童枕","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"陝西千陽手工布藝，是深受民眾喜愛的民藝。傳統的習俗，春節來臨前，家戶備年貨，農村除了給孩子準備壓歲錢外，長輩還得給孩子備新服新帽新鞋、新枕頭新蓋被。「虎裝」最多，在民俗信仰，老虎是吉祥物，帽子衣服鞋子都是虎圖案，用虎的形象驅鬼辟邪，保護孩子沒病沒災。虎圖案之外，也發展其他吉祥動物，如龜、鹿、豬、羊、貓、獅子、麒麟等，此外，魚蛙昆蟲植物也被引用。因其大量採用「繍、貼、拼、搐」工藝，大量保留了原始藝術圖騰、生命生殖崇拜遺痕，故而文化意涵充滿了象徵和隱喻，也蕴含民間祈平安、盼吉利、求富貴的心理，是陝西民藝奇葩，譽為「民間藝術之鄕」。\r\n陝西千陽手工布藝，虎裝只是手工刺繡的一種，因為民風純樸，文化底蘊深厚，民間藝人輩出，布藝、剪紙、刺繍、編織等都聞名遐邇。特別被稱為「母親藝術」的布藝刺繍，更保留了炎帝氏族與周秦文化的民藝精萃，內涵深厚、構圖明快，造型渾樸，色彩艷麗，鄉土特色濃郁！\r\n本件作品「黑豬形童枕」，以黑市包軟草或棉絮做成豬形，貼上繡花片如雙耳、嘴巴、臀花、尾毛，繍上水滴形眼，模樣古樸可愛。豬在民俗認知上，象徵財富，代表強壯，這件黑豬枕的童枕，既鄉土，又民俗！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908061","MainTitle":"獅子形童枕","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"陝西千陽手工布藝，是深受民眾喜愛的民藝。傳統的習俗，春節來臨前，家戶備年貨，農村除了給孩子準備壓歲錢外，長輩還得給孩子備新服新帽新鞋、新枕頭新蓋被。「虎裝」最多，在民俗信仰，老虎是吉祥物，帽子衣服鞋子都是虎圖案，用虎的形象驅鬼辟邪，保護孩子沒病沒災。虎圖案之外，也發展其他吉祥動物，如龜、鹿、豬、羊、貓、獅子、麒麟等，此外，魚蛙昆蟲植物也被引用。因其大量採用「繍、貼、拼、搐」工藝，大量保留了原始藝術圖騰、生命生殖崇拜遺痕，故而文化意涵充滿了象徵和隱喻，也蕴含民間祈平安、盼吉利、求富貴的心理，是陝西民藝奇葩，譽為「民間藝術之鄕」。\r\n陝西千陽手工布藝，虎裝只是手工刺繡的一種，因為民風純樸，文化底蘊深厚，民間藝人輩出，布藝、剪紙、刺繍、編織等都聞名遐邇。特別被稱為「母親藝術」的布藝刺繍，更保留了炎帝氏族與周秦文化的民藝精萃，內涵深厚、構圖明快，造型渾樸，色彩艷麗，鄉土特色濃郁！\r\n本件作品「獅子形童枕」，以綠色棉布包做成小獅模樣，繍著圓圓雙目，紅鬃線條，配著粉紅貼花的髪飾、鬚飾、尾飾、腳飾、水滴鼻，煞是可愛！獅子在民俗認知上，象徵尊貴、辟邪！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908062","MainTitle":"獅子滾繡球","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"獅是百獣之王，獅子滾繍球，表示喜慶吉祥歡樂之意。俗傳，雌雄二獅相戲時，牠們的纎毛纏在一起，滾而成球，小獅子便從中產出。這個繍球乃吉祥之物，它的變形圖稱「繍球錦、繍球紋」，廣泛用於衣料、建築、家具、什器等方面。中國大陸與台灣節慶有弄獅(獅子舞)，已經成為民俗技藝。雙獅戲繍球，又成為民間生殖儀式的象徵！\r\n這件北京繍花布藝-「獅子滾繡球」，是一件優秀的作品！運用不同彩色棉布棉線材料，貼布、刺繡、揑紥、綴飾技巧，塑成獅子繍球。獅子模樣俏皮可愛極了，睜眼、呲牙、咧嘴而笑，一面舞弄繍球，一面側耳傾聽，神態靈活逼真、貼心聰慧，洵為工藝妙品！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908063","MainTitle":"貓","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"陝西千陽手工布藝，是深受民眾喜愛的民藝。傳統的習俗，春節來臨前，家戶備年貨，農村除了給孩子準備壓歲錢外，長輩還得給孩子備新服新帽新鞋、新枕頭新蓋被。「虎裝」最多，在民俗信仰，老虎是吉祥物，帽子衣服鞋子都是虎圖案，用虎的形象驅鬼辟邪，保護孩子沒病沒災。虎圖案之外，也發展其他吉祥動物，如龜、鹿、豬、羊、貓、獅子、麒麟等，此外，魚蛙昆蟲植物也被引用。因其大量採用「繍、貼、拼、搐」工藝，大量保留了原始藝術圖騰、生命生殖崇拜遺痕，故而文化意涵充滿了象徵和隱喻，也蕴含民間祈平安、盼吉利、求富貴的心理，是陝西民藝奇葩，譽為「民間藝術之鄕」。\r\n陝西千陽手工布藝，虎裝只是手工刺繡的一種，因為民風純樸，文化底蘊深厚，民間藝人輩出，布藝、剪紙、刺繍、編織等都聞名遐邇。特別被稱為「母親藝術」的布藝刺繍，更保留了炎帝氏族與周秦文化的民藝精萃，內涵深厚、構圖明快，造型渾樸，色彩艷麗，鄉土特色濃郁！\r\n本件布藝作品-貓，以黑布作底，揑塑貓形，再運用繍、貼、拼、搐的技巧，做出顧盼好奇、豎耳翹尾的貓兒神態。身邊再繍上彩蝶，愈發顯得可愛！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908064","MainTitle":"龜形掛飾","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"陝西千陽手工布藝，是深受民眾喜愛的民藝。傳統的習俗，春節來臨前，家戶備年貨，農村除了給孩子準備壓歲錢外，長輩還得給孩子備新服新帽新鞋、新枕頭新蓋被。「虎裝」最多，在民俗信仰，老虎是吉祥物，帽子衣服鞋子都是虎圖案，用虎的形象驅鬼辟邪，保護孩子沒病沒災。虎圖案之外，也發展其他吉祥動物，如龜、鹿、豬、羊、貓、獅子、麒麟等，此外，魚蛙昆蟲植物也被引用。因其大量採用「繍、貼、拼、搐」工藝，大量保留了原始藝術圖騰、生命生殖崇拜遺痕，故而文化意涵充滿了象徵和隱喻，也蕴含民間祈平安、盼吉利、求富貴的心理，是陝西民藝奇葩，譽為「民間藝術之鄕」。\r\n陝西千陽手工布藝，虎裝只是手工刺繡的一種，因為民風純樸，文化底蘊深厚，民間藝人輩出，布藝、剪紙、刺繍、編織等都聞名遐邇。特別被稱為「母親藝術」的布藝刺繍，更保留了炎帝氏族與周秦文化的民藝精萃，內涵深厚、構圖明快，造型渾樸，色彩艷麗，鄉土特色濃郁！\r\n本件布藝作品-龜形掛飾，以紫色棉布作底，運用繍、貼、拼、搐的技巧，揑塑繍貼一隻伏貼的龜。龜的面目智慧有趣，龜背繍纹典雅工緻，又象徵長壽祥瑞，作為掛飾，既美觀，又吉祥，也可做為插針線的布包。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908065","MainTitle":"蜘蛛十二生肖壁挂","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"陝西千陽手工布藝，是深受民眾喜愛的民藝。傳統的習俗，春節來臨前，家戶備年貨，農村除了給孩子準備壓歲錢外，長輩還得給孩子備新服新帽新鞋、新枕頭新蓋被。「虎裝」最多，在民俗信仰，老虎是吉祥物，帽子衣服鞋子都是虎圖案，用虎的形象驅鬼辟邪，保護孩子沒病沒災。虎圖案之外，也發展其他吉祥動物，如龜、鹿、豬、羊、貓、獅子、麒麟等，此外，魚蛙昆蟲植物也被引用。因其大量採用「繍、貼、拼、搐」工藝，大量保留了原始藝術圖騰、生命生殖崇拜遺痕，故而文化意涵充滿了象徵和隱喻，也蕴含民間祈平安、盼吉利、求富貴的心理，是陝西民藝奇葩，譽為「民間藝術之鄕」。\r\n陝西千陽手工布藝，虎裝只是手工刺繡的一種，因為民風純樸，文化底蘊深厚，民間藝人輩出，布藝、剪紙、刺繍、編織等都聞名遐邇。特別被稱為「母親藝術」的布藝刺繍，更保留了炎帝氏族與周秦文化的民藝精萃，內涵深厚、構圖明快，造型渾樸，色彩艷麗，鄉土特色濃郁！\r\n本件布藝作品-蜘蛛十二生肖壁掛，就是利用棉布色塊，透過繍、貼、拼、搐的技巧，揑塑繍貼一隻彩色大蜘蛛，身體上繍貼五毒，下方懸掛十二生肖小香包，外觀琳瑯滿目，十分可愛！蜘蛛、叶音智慧；五毒、象徵辟邪；十二生肖引申紀年吉祥。它用來掛飾牆壁或架下，既美觀，又民俗，且鄉土！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908066","MainTitle":"龜十二生肖壁挂","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"陝西千陽手工布藝，是深受民眾喜愛的民藝。傳統的習俗，春節來臨前，家戶備年貨，農村除了給孩子準備壓歲錢外，長輩還得給孩子備新服新帽新鞋、新枕頭新蓋被。「虎裝」最多，在民俗信仰，老虎是吉祥物，帽子衣服鞋子都是虎圖案，用虎的形象驅鬼辟邪，保護孩子沒病沒災。虎圖案之外，也發展其他吉祥動物，如龜、鹿、豬、羊、貓、獅子、麒麟等，此外，魚蛙昆蟲植物也被引用。因其大量採用「繍、貼、拼、搐」工藝，大量保留了原始藝術圖騰、生命生殖崇拜遺痕，故而文化意涵充滿了象徵和隱喻，也蕴含民間祈平安、盼吉利、求富貴的心理，是陝西民藝奇葩，譽為「民間藝術之鄕」。\r\n陝西千陽手工布藝，虎裝只是手工刺繡的一種，因為民風純樸，文化底蘊深厚，民間藝人輩出，布藝、剪紙、刺繍、編織等都聞名遐邇。特別被稱為「母親藝術」的布藝刺繍，更保留了炎帝氏族與周秦文化的民藝精萃，內涵深厚、構圖明快，造型渾樸，色彩艷麗，鄉土特色濃郁！\r\n本件布藝作品-龜十二生肖壁掛，就是利用粉紅棉布色塊，透過繍、貼、拼、搐的技巧，揑塑繍貼一隻彩色大祥龜，龜身上繍貼五毒，下方懸掛十二生肖小香包，外觀琳瑯滿目，十分可愛！龜、代表長壽；五毒、象徵辟邪；十二生肖引申紀年吉祥。它用來掛飾牆壁或架下，既美觀，又民俗，且鄉土！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908067","MainTitle":"「松鶴長春」手繪首飾盒","Creator":"","CreatedYear":"","Size":"001大16.6*16.5*3.9\r\n002~005小橢圓(4個)7*5.5*2.5\r\n006小圓2.3*4.5(徑)\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「松鶴長春」是中國傳統的吉祥話，也是祝福語！它的典故源遠流長。松、是百木之長，長青長壽、傲霜鬥雪、卓然不群，最早見於《詩經·小雅·斯干》：「秩秩斯干，幽幽南山。如竹苞矣，如松茂矣。」因為松的樹齢長久，經冬不凋，松被引用祝福壽考、比喻長生。在道教神話中，松是不死的象徵，仙家喜愛在古松下修道、奕棋；古人認為服食松葉、松根，便能飛升成仙、長生不老。松樹高大挺拔，也代表高潔不群的形象。\r\n鶴，高飛於天、長鳴於淵，《詩經》：「鶴鳴于九霄，聲聞于天。」可知上古認知。其形貌高…優雅，被道教視為出世之神鳥，象徵高潔、清雅。傳説晋代時，遼東的丁令威，學道後化成鶴仙。又《神境記》記載，相傳漢代時，曾有一對慕道夫婦，在石室中修道隱居，後化白鶴仙去。仙鶴的信仰，千百年來深植民間。\r\n傳統民俗藝術，常將松鶴聯合，象徵「松齡鶴壽、松鶴長春、松鶴延年。」人們都希望青春永駐、健康長壽，因此上述的題材就在民間流行廣泛。\r\n本組布藝作品-「松鶴長春」手繪首飾盒，就是善用棉布做成盒身盒蓋，在白雪的蓋面上，手繪松鶴長春國畫，姿態各異，相當秀緻！一組六件，可藏貯首飾，既高雅，又美觀！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908067001","MainTitle":"「松鶴長春」手繪首飾盒-大","Creator":"","CreatedYear":"","Size":"001大16.6*16.5*3.9\r\n002~005小橢圓(4個)7*5.5*2.5\r\n006小圓2.3*4.5(徑)\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDY3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「松鶴長春」是中國傳統的吉祥話，也是祝福語！它的典故源遠流長。松、是百木之長，長青長壽、傲霜鬥雪、卓然不群，最早見於《詩經·小雅·斯干》：「秩秩斯干，幽幽南山。如竹苞矣，如松茂矣。」因為松的樹齢長久，經冬不凋，松被引用祝福壽考、比喻長生。在道教神話中，松是不死的象徵，仙家喜愛在古松下修道、奕棋；古人認為服食松葉、松根，便能飛升成仙、長生不老。松樹高大挺拔，也代表高潔不群的形象。\r\n鶴，高飛於天、長鳴於淵，《詩經》：「鶴鳴于九霄，聲聞于天。」可知上古認知。其形貌高…優雅，被道教視為出世之神鳥，象徵高潔、清雅。傳説晋代時，遼東的丁令威，學道後化成鶴仙。又《神境記》記載，相傳漢代時，曾有一對慕道夫婦，在石室中修道隱居，後化白鶴仙去。仙鶴的信仰，千百年來深植民間。\r\n傳統民俗藝術，常將松鶴聯合，象徵「松齡鶴壽、松鶴長春、松鶴延年。」人們都希望青春永駐、健康長壽，因此上述的題材就在民間流行廣泛。\r\n本組布藝作品-「松鶴長春」手繪首飾盒，就是善用棉布做成盒身盒蓋，在白雪的蓋面上，手繪松鶴長春國畫，姿態各異，相當秀緻！本件是大件，呈柿蒂型，可藏貯首飾，既高雅，又美觀！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908067002","MainTitle":"手繪首飾盒-小橢圓(池沼雙鶴)","Creator":"","CreatedYear":"","Size":"001大16.6*16.5*3.9\r\n002~005小橢圓(4個)7*5.5*2.5\r\n006小圓2.3*4.5(徑)\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDY3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鶴，高飛於天、長鳴於淵，《詩經》：「鶴鳴于九霄，聲聞于天。」可知上古認知。其形貌高…優雅，被道教視為出世之神鳥，象徵高潔、清雅。傳説晋代時，遼東的丁令威，學道後化成鶴仙。又《神境記》記載，相傳漢代時，曾有一對慕道夫婦，在石室中修道隱居，後化白鶴仙去。仙鶴的信仰，千百年來深植民間。\r\n傳統民俗藝術，常將松鶴聯合，象徵「松齡鶴壽、松鶴長春、松鶴延年。」人們都希望青春永駐、健康長壽，因此上述的題材就在民間流行廣泛。\r\n本組布藝作品-「池沼雙鶴」，既象徵夫妻的恩愛，也代表夫婦的長壽！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908067003","MainTitle":"手繪首飾盒-小橢圓(松齡鶴壽)","Creator":"","CreatedYear":"","Size":"001大16.6*16.5*3.9\r\n002~005小橢圓(4個)7*5.5*2.5\r\n006小圓2.3*4.5(徑)\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDY3MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「松鶴長春」是中國傳統的吉祥話，也是祝福語！它的典故源遠流長。松、是百木之長，長青長壽、傲霜鬥雪、卓然不群，最早見於《詩經·小雅·斯干》：「秩秩斯干，幽幽南山。如竹苞矣，如松茂矣。」因為松的樹齢長久，經冬不凋，松被引用祝福壽考、比喻長生。在道教神話中，松是不死的象徵，仙家喜愛在古松下修道、奕棋；古人認為服食松葉、松根，便能飛升成仙、長生不老。松樹高大挺拔，也代表高潔不群的形象。\r\n鶴，高飛於天、長鳴於淵，《詩經》：「鶴鳴于九霄，聲聞于天。」可知上古認知。其形貌高…優雅，被道教視為出世之神鳥，象徵高潔、清雅。傳説晋代時，遼東的丁令威，學道後化成鶴仙。又《神境記》記載，相傳漢代時，曾有一對慕道夫婦，在石室中修道隱居，後化白鶴仙去。仙鶴的信仰，千百年來深植民間。\r\n傳統民俗藝術，常將松鶴聯合，象徵「松齡鶴壽、松鶴長春、松鶴延年。」人們都希望青春永駐、健康長壽，因此上述的題材就在民間流行廣泛。\r\n本組布藝作品-手繪首飾盒-小橢圓(松齡鶴壽），在蓋面上手繪雙鶴于飛、松茂長青，引申「松齡鶴壽」。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908067004","MainTitle":"手繪首飾盒-小橢圓(松鶴延年)","Creator":"","CreatedYear":"","Size":"001大16.6*16.5*3.9\r\n002~005小橢圓(4個)7*5.5*2.5\r\n006小圓2.3*4.5(徑)\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDY3MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"松鶴長春」是中國傳統的吉祥話，也是祝福語！它的典故源遠流長。松、是百木之長，長青長壽、傲霜鬥雪、卓然不群，最早見於《詩經·小雅·斯干》：「秩秩斯干，幽幽南山。如竹苞矣，如松茂矣。」因為松的樹齢長久，經冬不凋，松被引用祝福壽考、比喻長生。在道教神話中，松是不死的象徵，仙家喜愛在古松下修道、奕棋；古人認為服食松葉、松根，便能飛升成仙、長生不老。松樹高大挺拔，也代表高潔不群的形象。\r\n鶴，高飛於天、長鳴於淵，《詩經》：「鶴鳴于九霄，聲聞于天。」可知上古認知。其形貌高…優雅，被道教視為出世之神鳥，象徵高潔、清雅。傳説晋代時，遼東的丁令威，學道後化成鶴仙。又《神境記》記載，相傳漢代時，曾有一對慕道夫婦，在石室中修道隱居，後化白鶴仙去。仙鶴的信仰，千百年來深植民間。\r\n傳統民俗藝術，常將松鶴聯合，象徵「松齡鶴壽、松鶴長春、松鶴延年。」人們都希望青春永駐、健康長壽，因此上述的題材就在民間流行廣泛。\r\n本組布藝作品-手繪首飾盒-小橢圓(松鶴延年），在蓋面上手繪雙鶴並立於老松枝幹，引申「松鶴延年」。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908067005","MainTitle":"手繪首飾盒-小橢圓(池沼雙鶴)","Creator":"","CreatedYear":"","Size":"001大16.6*16.5*3.9\r\n002~005小橢圓(4個)7*5.5*2.5\r\n006小圓2.3*4.5(徑)\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDY3MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鶴，高飛於天、長鳴於淵，《詩經》：「鶴鳴于九霄，聲聞于天。」可知上古認知。其形貌高…優雅，被道教視為出世之神鳥，象徵高潔、清雅。傳説晋代時，遼東的丁令威，學道後化成鶴仙。又《神境記》記載，相傳漢代時，曾有一對慕道夫婦，在石室中修道隱居，後化白鶴仙去。仙鶴的信仰，千百年來深植民間。\r\n傳統民俗藝術，常將松鶴聯合，象徵「松齡鶴壽、松鶴長春、松鶴延年。」人們都希望青春永駐、健康長壽，因此上述的題材就在民間流行廣泛。\r\n本組布藝作品-「池沼雙鶴」，既象徵夫妻的恩愛，也代表夫婦的長壽！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908067006","MainTitle":"手繪首飾盒-小圓","Creator":"","CreatedYear":"","Size":"001大16.6*16.5*3.9\r\n002~005小橢圓(4個)7*5.5*2.5\r\n006小圓2.3*4.5(徑)\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDY3MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"壽是亙古以來人類所追求的目標，活得長久，活得健康，活得快樂，是「五福」之一。中國自古六十歲以上始稱壽，凡六十、七十、八十、…整數多慶壽。祝壽方式，設壽堂、掛壽幛、食壽麵、壽桃，而壽桃以「蟠桃」為標誌。\r\n壽桃、蟠桃的地位十分重要；我國民俗信仰源遠流長，《神異經》記載：「東方有樹，高五十丈，名曰桃。其子徑三尺三寸，和核美食之，令人益壽。」《拾遺記》説：「螃螗山去扶桑五萬里，日所不及。地寒則桃樹千圍，其花青黑色，萬歲一食。」又《漢武帝內傳》：「侍女以玉盤盛仙桃七顆，大如鴨卵，形圓青色，以呈王母。母以四顆與帝，桃味甘美，口有盈味。母曰：此桃三千年一生實。」在《西遊記》及民間戲劇的瑤池金母「蟠桃宴會」，蟠桃都是仙桃，人食之長生不老。\r\n本件棉布布藝手繪首飾盒-小圓盒，盒蓋繪仙桃二顆，碩大豐美，顏色鮮豔，其圖案意義，就是象徵「長壽」。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908068","MainTitle":"童子抱南瓜針扎","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國傳統民間婦女，講究女紅，針線的工夫是一辈子的事。傳統社會，男耕女織，婦女織布之外，一家人穿的衣服帽鞋、家𥚃日用，都靠婦女自製。婦女的一生勤勞，織布、縫紉、修補，雙手從幼忙到老、從早忙到晚！針線是裁縫的工具，中間休息煑飯忙家事，「針線」就暫時放在針線籃盒𥚃，或插在針扎布上。\r\n本件布藝「童子抱南瓜針扎」，就是婦女的傳統手藝之一的布藝。採用色料棉布、棉花、棉線，透過「繍、拼、貼、搐、畫」的技巧，揑塑成八瓣南瓜，及擁抱南瓜的童子，南瓜綠瓣黃蒂，童子身穿各色衣服，五官手繪，清秀可愛，構成美好的針扎包。南瓜象徵多子，八個童子也象徵多子多孫，這樣的針扎，吊掛在牆壁，既巧思！又藝術！又吉祥！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908069","MainTitle":"童子抱南瓜針扎","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國傳統民間婦女，講究女紅，針線的工夫是一辈子的事。傳統社會，男耕女織，婦女織布之外，一家人穿的衣服帽鞋、家𥚃日用，都靠婦女自製。婦女的一生勤勞，織布、縫紉、修補，雙手從幼忙到老、從早忙到晚！針線是裁縫的工具，中間休息煑飯忙家事，「針線」就暫時放在針線籃盒𥚃，或插在針扎布上。\r\n本件布藝「童子抱南瓜針扎」，就是婦女的傳統手藝之一的布藝。採用色料棉布、棉花、棉線，透過「繍、拼、貼、搐、畫」的技巧，揑塑成八瓣南瓜，及擁抱南瓜的童子，南瓜金紅瓣鵝綠蒂，童子身穿各色衣服，五官手繪，清秀可愛，構成美好的針扎包。南瓜象徵多子，八個童子也象徵多子多孫，這樣的針扎，吊掛在牆壁，既巧思！又藝術！又吉祥！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908070","MainTitle":"童子抱南瓜針扎","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國傳統民間婦女，講究女紅，針線的工夫是一辈子的事。傳統社會，男耕女織，婦女織布之外，一家人穿的衣服帽鞋、家𥚃日用，都靠婦女自製。婦女的一生勤勞，織布、縫紉、修補，雙手從幼忙到老、從早忙到晚！針線是裁縫的工具，中間休息煑飯忙家事，「針線」就暫時放在針線籃盒𥚃，或插在針扎布上。\r\n本件布藝「童子抱南瓜針扎」，就是婦女的傳統手藝之一的布藝。採用色料棉布、棉花、棉線，透過「繍、拼、貼、搐、畫」的技巧，揑塑成橢圓形南瓜，及擁抱南瓜的童子，南瓜綠皮肥滿，上面彩繪丹紅衣服仕女，童子身穿各色衣服，五官手繪，清秀可愛，構成美好的另一款式針扎包。南瓜象徵多子，八個童子也象徵多子多孫，這樣的針扎，吊掛在牆壁，既巧思！又藝術！又吉祥！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908071","MainTitle":"童子抱南瓜針扎","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國傳統民間婦女，講究女紅，針線的工夫是一辈子的事。傳統社會，男耕女織，婦女織布之外，一家人穿的衣服帽鞋、家𥚃日用，都靠婦女自製。婦女的一生勤勞，織布、縫紉、修補，雙手從幼忙到老、從早忙到晚！針線是裁縫的工具，中間休息煑飯忙家事，「針線」就暫時放在針線籃盒𥚃，或插在針扎布上。\r\n本件布藝「童子抱南瓜針扎」，就是婦女的傳統手藝之一的布藝。採用色料棉布、棉花、棉線，透過「繍、拼、貼、搐、畫」的技巧，揑塑成橢圓形南瓜，及擁抱南瓜的童子，南瓜紅皮肥滿，上面彩繪鵝綠衣服仕女，童子身穿各色衣服，五官手繪，清秀可愛，構成美好的另一款式針扎包。南瓜象徵多子，八個童子也象徵多子多孫，這樣的針扎，吊掛在牆壁，既巧思！又藝術！又吉祥！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908072","MainTitle":"雲南刺繡背包","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的民間刺繍，豐富多彩，偉大精深！依地方區域，漢族刺繍有「湘繍、蘇繍、粵繍、蜀繍」四大名繍。而少數民族的以雲南貴州一帶的「苗繍」最為精美。苗族的織品有織、繍兩大類，染則以藍染著稱。苗繍的技法，有「疊繍、堆布繍、縐繍、十字繍、錫繍」等各式。苗繍的織品是最靠近生活、貼近人身的民間美術。刺繍的主要工序是繍，在繍之前的準備是將一股絲來進行刺繍的準備作業，以針長21·5mm、針眼0·5mm的鋼針來進行刺繍。圖案依照生活經驗、傳統圖騰，將對未來的期望、祝福，都繍在一方布塊𥚃。雲南刺繍的風格「古老、質樸、細膩、大方、典麗」，總之，其繍法多様，花様繁多，構圖虛實結合，形成別具一格的藝術符號。\r\n本件布繍作品「雲南剌繍背包」，以「繍、貼、拼、綴」的技巧，製成紅繍線圖案搭襯的背包，典麗精緻。藍條邊框，白條布，藍底紅綫如意雲頭組合，亞形四瓣花，風格大方而高雅。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908073","MainTitle":"雲南刺繡背包","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的民間刺繍，豐富多彩，偉大精深！依地方區域，漢族刺繍有「湘繍、蘇繍、粵繍、蜀繍」四大名繍。而少數民族的以雲南貴州一帶的「苗繍」最為精美。苗族的織品有織、繍兩大類，染則以藍染著稱。苗繍的技法，有「疊繍、堆布繍、縐繍、十字繍、錫繍」等各式。苗繍的織品是最靠近生活、貼近人身的民間美術。刺繍的主要工序是繍，在繍之前的準備是將一股絲來進行刺繍的準備作業，以針長21·5mm、針眼0·5mm的鋼針來進行刺繍。圖案依照生活經驗、傳統圖騰，將對未來的期望、祝福，都繍在一方布塊𥚃。雲南刺繍的風格「古老、質樸、細膩、大方、典麗」，總之，其繍法多様，花様繁多，構圖虛實結合，形成別具一格的藝術符號。\r\n本件布繍作品「雲南剌繍背包」，以「繍、貼、拼、綴」的技巧，製成紅繍線圖案搭襯的背包，典麗精緻。藍布暗花紋作底，紅條邊框，粉紅細條紋條布背帶，藍底紅綫四出花瓣組合四周，搭配中央方形多様幾何圖案化花卉，風格大方而高雅。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908074","MainTitle":"雲南刺繡背包","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的民間刺繍，豐富多彩，偉大精深！依地方區域，漢族刺繍有「湘繍、蘇繍、粵繍、蜀繍」四大名繍。而少數民族的以雲南貴州一帶的「苗繍」最為精美。苗族的織品有織、繍兩大類，染則以藍染著稱。苗繍的技法，有「疊繍、堆布繍、縐繍、十字繍、錫繍」等各式。苗繍的織品是最靠近生活、貼近人身的民間美術。刺繍的主要工序是繍，在繍之前的準備是將一股絲來進行刺繍的準備作業，以針長21·5mm、針眼0·5mm的鋼針來進行刺繍。圖案依照生活經驗、傳統圖騰，將對未來的期望、祝福，都繍在一方布塊𥚃。雲南刺繍的風格「古老、質樸、細膩、大方、典麗」，總之，其繍法多様，花様繁多，構圖虛實結合，形成別具一格的藝術符號。\r\n本件布繍作品「雲南剌繍背包」，以「繍、貼、拼、綴」的技巧，製成獨特裝飾花片的側背布包。其特色是：以三角形之組合，表現不同的花卉紋，互襯互映，相輔相成。\r\n而作為背包之邊框及背帶，則以藍黑布條白線交索紋為襯，襯托不俗。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908075","MainTitle":"雲南刺繡童帽","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的民間刺繍，豐富多彩，偉大精深！依地方區域，漢族刺繍有「湘繍、蘇繍、粵繍、蜀繍」四大名繍。而少數民族的以雲南貴州一帶的「苗繍」最為精美。苗族的織品有織、繍兩大類，染則以藍染著稱。苗繍的技法，有「疊繍、堆布繍、縐繍、十字繍、錫繍」等各式。苗繍的織品是最靠近生活、貼近人身的民間美術。刺繍的主要工序是繍，在繍之前的準備是將一股絲來進行刺繍的準備作業，以針長21·5mm、針眼0·5mm的鋼針來進行刺繍。圖案依照生活經驗、傳統圖騰，將對未來的期望、祝福，都繍在一方布塊𥚃。雲南刺繍的風格「古老、質樸、細膩、大方、典麗」，總之，其繍法多様，花様繁多，構圖虛實結合，形成別具一格的藝術符號。\r\n本件布繍作品「雲南剌繍童帽」，以「繍、貼、拼、綴」的技巧，製成獨特裝飾花片的童帽。帽之正面繍雙蝶拱牡丹、椒果，蓋耳繍仙鶴花卉。披肩遮風花片更形富麗，剌繡雙蝶蓮蓬，襯以花卉滾邊，更加好看。而內涵意義富貴(牡丹、椒果)、長壽（蝴蝶)、多子多孫(蓮蓬），則更使布繍更耐人尋味！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908076","MainTitle":"雲南刺繡線包","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的民間刺繍，豐富多彩，偉大精深！依地方區域，漢族刺繍有「湘繍、蘇繍、粵繍、蜀繍」四大名繍。而少數民族的以雲南貴州一帶的「苗繍」最為精美。苗族的織品有織、繍兩大類，染則以藍染著稱。苗繍的技法，有「疊繍、堆布繍、縐繍、十字繍、錫繍」等各式。苗繍的織品是最靠近生活、貼近人身的民間美術。刺繍的主要工序是繍，在繍之前的準備是將一股絲來進行刺繍的準備作業，以針長21·5mm、針眼0·5mm的鋼針來進行刺繍。圖案依照生活經驗、傳統圖騰，將對未來的期望、祝福，都繍在一方布塊𥚃。雲南刺繍的風格「古老、質樸、細膩、大方、典麗」，總之，其繍法多様，花様繁多，構圖虛實結合，形成別具一格的藝術符號。\r\n本件布繍作品「雲南剌繍線包」，以「繍、貼、拼、綴」的技巧，製成獨特裝飾花片的缐包。包之背面素色襯綫，而正面中間條幅繍「飛鳳牡丹」（寓意一品富貴)，上下花片為淺黃底襯紅花綠葉，桃紅布條拼接邊框，清朗而不失鮮艷之美。線包為婦女置放色線之用。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908077","MainTitle":"雲南刺繡線包","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的民間刺繍，豐富多彩，偉大精深！依地方區域，漢族刺繍有「湘繍、蘇繍、粵繍、蜀繍」四大名繍。而少數民族的以雲南貴州一帶的「苗繍」最為精美。苗族的織品有織、繍兩大類，染則以藍染著稱。苗繍的技法，有「疊繍、堆布繍、縐繍、十字繍、錫繍」等各式。苗繍的織品是最靠近生活、貼近人身的民間美術。刺繍的主要工序是繍，在繍之前的準備是將一股絲來進行刺繍的準備作業，以針長21·5mm、針眼0·5mm的鋼針來進行刺繍。圖案依照生活經驗、傳統圖騰，將對未來的期望、祝福，都繍在一方布塊𥚃。雲南刺繍的風格「古老、質樸、細膩、大方、典麗」，總之，其繍法多様，花様繁多，構圖虛實結合，形成別具一格的藝術符號。\r\n本件布繍作品「雲南剌繍線包」，以「繍、貼、拼、綴」的技巧，製成獨特裝飾花片的缐包。包之背面素色襯綫，而正面中間條幅繍「飛鳳牡丹」（寓意一品富貴)，上下花片為淺黃底襯紅花綠葉，黑色棉布條拼接邊框，清朗而不失對比之美。線包為婦女置放色線之用。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908078","MainTitle":"雲南刺繡線包","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的民間刺繍，豐富多彩，偉大精深！依地方區域，漢族刺繍有「湘繍、蘇繍、粵繍、蜀繍」四大名繍。而少數民族的以雲南貴州一帶的「苗繍」最為精美。苗族的織品有織、繍兩大類，染則以藍染著稱。苗繍的技法，有「疊繍、堆布繍、縐繍、十字繍、錫繍」等各式。苗繍的織品是最靠近生活、貼近人身的民間美術。刺繍的主要工序是繍，在繍之前的準備是將一股絲來進行刺繍的準備作業，以針長21·5mm、針眼0·5mm的鋼針來進行刺繍。圖案依照生活經驗、傳統圖騰，將對未來的期望、祝福，都繍在一方布塊𥚃。雲南刺繍的風格「古老、質樸、細膩、大方、典麗」，總之，其繍法多様，花様繁多，構圖虛實結合，形成別具一格的藝術符號。\r\n本件布繍作品「雲南剌繍線包」，以「繍、貼、拼、綴」的技巧，製成獨特裝飾花片的缐包，以供手拿。本件特色是以桃紅布條飾邊框，上布蓋繍寶相花朶朶，缐包正面上下界各繍不同花卉，工整美觀而對異變化。線包為婦女放置色線之用。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908079","MainTitle":"雲南刺繡線包","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的民間刺繍，豐富多彩，偉大精深！依地方區域，漢族刺繍有「湘繍、蘇繍、粵繍、蜀繍」四大名繍。而少數民族的以雲南貴州一帶的「苗繍」最為精美。苗族的織品有織、繍兩大類，染則以藍染著稱。苗繍的技法，有「疊繍、堆布繍、縐繍、十字繍、錫繍」等各式。苗繍的織品是最靠近生活、貼近人身的民間美術。刺繍的主要工序是繍，在繍之前的準備是將一股絲來進行刺繍的準備作業，以針長21·5mm、針眼0·5mm的鋼針來進行刺繍。圖案依照生活經驗、傳統圖騰，將對未來的期望、祝福，都繍在一方布塊𥚃。雲南刺繍的風格「古老、質樸、細膩、大方、典麗」，總之，其繍法多様，花様繁多，構圖虛實結合，形成別具一格的藝術符號。\r\n本件布繍作品「雲南剌繍線包」，以「繍、貼、拼、綴」的技巧，製成獨特裝飾花片的缐包，以供手拿。以黑棉布為襯底，包蓋繡紅花，正面兩幅花片貼合，繍以不同花色姿態，以求變化。蓋面並施以短針繍之虚線為界。整體來說，頗為典麗！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908080","MainTitle":"雲南紮染方墊","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"雲南少數民族的「藍染」十分有名，是利用蓼藍的草本植物取得藍色染料，通過紥染技藝，將棉布染成所需的藍中帶有白色花紋圖案的花布；此種技藝今通稱「紥染」。紥染，顧名思義就是先紥花，再染色。紥花包括設計繪圖、模版製作、印花和扎花；染色則分為冷染和熱染兩種工藝。\r\n扎花前，藝人需要先構思完整的花纹様式，這攸關創作者的生活閱歷與藝術修養，在紥染工序中稱為第一次創作。其次是扎花技術，工匠的用線將白布绑著，做成一定襞折的纈結，再浸入染缸浸染，每浸一次色深一層，到一定程度後，取出晾乾，拆去纈結，便出現令人驚喜的藍白花染布。\r\n本件紮染方墊-藍染花墊，現出工整排列的白花，細看每朶花各有光影光暈，藍與白構成了扎染獨特而幽雅的境界，給人清高、秀麗、純真、寧靜、玄妙的靈動！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908081","MainTitle":"雲南紮染方墊","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"雲南少數民族的「藍染」十分有名，是利用蓼藍的草本植物取得藍色染料，通過紥染技藝，將棉布染成所需的藍中帶有白色花紋圖案的花布；此種技藝今通稱「紥染」。紥染，顧名思義就是先紥花，再染色。紥花包括設計繪圖、模版製作、印花和扎花；染色則分為冷染和熱染兩種工藝。\r\n扎花前，藝人需要先構思完整的花纹様式，這攸關創作者的生活閱歷與藝術修養，在紥染工序中稱為第一次創作。其次是扎花技術，工匠的用線將白布绑著，做成一定襞折的纈結，再浸入染缸浸染，每浸一次色深一層，到一定程度後，取出晾乾，拆去纈結，便出現令人驚喜的藍白花染布。\r\n本件紮染方墊-藍染花墊，現出工整排列的白花，細看每朶花各有光影光暈，藍與白構成了扎染獨特而幽雅的境界，給人清高、秀麗、純真、寧靜、玄妙的靈動！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908082","MainTitle":"雲南刺繡圍兜","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的民間刺繍，豐富多彩，偉大精深！依地方區域，漢族刺繍有「湘繍、蘇繍、粵繍、蜀繍」四大名繍。而少數民族的以雲南貴州一帶的「苗繍」最為精美。苗族的織品有織、繍兩大類，染則以藍染著稱。苗繍的技法，有「疊繍、堆布繍、縐繍、十字繍、錫繍」等各式。苗繍的織品是最靠近生活、貼近人身的民間美術。刺繍的主要工序是繍，在繍之前的準備是將一股絲來進行刺繍的準備作業，以針長21·5mm、針眼0·5mm的鋼針來進行刺繍。圖案依照生活經驗、傳統圖騰，將對未來的期望、祝福，都繍在一方布塊𥚃。雲南刺繍的風格「古老、質樸、細膩、大方、典麗」，總之，其繍法多様，花様繁多，構圖虛實結合，形成別具一格的藝術符號。\r\n本件布繍作品「雲南剌繍圍兜」，以「繍、貼、拼、綴」的技巧，製成獨特裝飾花片的圍兜，綠色布底，貼上梯形、正方形花片，皆有美麗滾邊，上為石林花鳥，下為藍染寶相花。此圍兜又稱肚兜，為傳統婦女內衣圍兜。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908083","MainTitle":"雲南刺繡圍兜","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的民間刺繍，豐富多彩，偉大精深！依地方區域，漢族刺繍有「湘繍、蘇繍、粵繍、蜀繍」四大名繍。而少數民族的以雲南貴州一帶的「苗繍」最為精美。苗族的織品有織、繍兩大類，染則以藍染著稱。苗繍的技法，有「疊繍、堆布繍、縐繍、十字繍、錫繍」等各式。苗繍的織品是最靠近生活、貼近人身的民間美術。刺繍的主要工序是繍，在繍之前的準備是將一股絲來進行刺繍的準備作業，以針長21·5mm、針眼0·5mm的鋼針來進行刺繍。圖案依照生活經驗、傳統圖騰，將對未來的期望、祝福，都繍在一方布塊𥚃。雲南刺繍的風格「古老、質樸、細膩、大方、典麗」，總之，其繍法多様，花様繁多，構圖虛實結合，形成別具一格的藝術符號。\r\n本件布繍作品「雲南剌繍圍兜」，以「繍、貼、拼、綴」的技巧，製成獨特裝飾花片的圍兜，藍染幾何圖案條紋布底，貼上梯形、正方形花片，皆有美麗滾邊，襯托典麗規整。作為傳統婦女肚兜，既內斂又熱心！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908084","MainTitle":"刺繡耳罩","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDg0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的民間刺繍，豐富多彩，偉大精深！依地方區域，漢族刺繍有「湘繍、蘇繍、粵繍、蜀繍」四大名繍。而少數民族的以雲南貴州一帶的「苗繍」最為精美。苗族的織品有織、繍兩大類，染則以藍染著稱。苗繍的技法，有「疊繍、堆布繍、縐繍、十字繍、錫繍」等各式。苗繍的織品是最靠近生活、貼近人身的民間美術。刺繍的主要工序是繍，在繍之前的準備是將一股絲來進行刺繍的準備作業，以針長21·5mm、針眼0·5mm的鋼針來進行刺繍。圖案依照生活經驗、傳統圖騰，將對未來的期望、祝福，都繍在一方布塊𥚃。雲南刺繍的風格「古老、質樸、細膩、大方、典麗」，總之，其繍法多様，花様繁多，構圖虛實結合，形成別具一格的藝術符號。\r\n本件布繍作品「刺繡耳罩」，推測仍為苗繍，因為苗繍之精者，其風格不遜蘇繍、湘繍！此對耳罩正面藍布罩上繍盆花仙人，背面可套耳。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908085","MainTitle":"布龜","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"陝西千陽手工布藝，是深受民眾喜愛的民藝。傳統的習俗，春節來臨前，家戶備年貨，農村除了給孩子準備壓歲錢外，長輩還得給孩子備新服新帽新鞋、新枕頭新蓋被。「虎裝」最多，在民俗信仰，老虎是吉祥物，帽子衣服鞋子都是虎圖案，用虎的形象驅鬼辟邪，保護孩子沒病沒災。虎圖案之外，也發展其他吉祥動物，如龜、鹿、豬、羊、貓、獅子、麒麟等，此外，魚蛙昆蟲植物也被引用。因其大量採用「繍、貼、拼、搐」工藝，大量保留了原始藝術圖騰、生命生殖崇拜遺痕，故而文化意涵充滿了象徵和隱喻，也蕴含民間祈平安、盼吉利、求富貴的心理，是陝西民藝奇葩，譽為「民間藝術之鄕」。\r\n陝西千陽手工布藝，虎裝只是手工刺繡的一種，因為民風純樸，文化底蘊深厚，民間藝人輩出，布藝、剪紙、刺繍、編織等都聞名遐邇。特別被稱為「母親藝術」的布藝刺繍，更保留了炎帝氏族與周秦文化的民藝精萃，內涵深厚、構圖明快，造型渾樸，色彩艷麗，鄉土特色濃郁！\r\n本件布藝作品-布龜，推測仍為陝西千陽手工布藝，透過繍、拼技術，製作布龜，形態古樸可愛！靑綠布底，襯托紅缐的龜甲紋、回紋、頭腳紋飾，可擺飾，可實用。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908086","MainTitle":"布龜","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDg2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"陝西千陽手工布藝，是深受民眾喜愛的民藝。傳統的習俗，春節來臨前，家戶備年貨，農村除了給孩子準備壓歲錢外，長輩還得給孩子備新服新帽新鞋、新枕頭新蓋被。「虎裝」最多，在民俗信仰，老虎是吉祥物，帽子衣服鞋子都是虎圖案，用虎的形象驅鬼辟邪，保護孩子沒病沒災。虎圖案之外，也發展其他吉祥動物，如龜、鹿、豬、羊、貓、獅子、麒麟等，此外，魚蛙昆蟲植物也被引用。因其大量採用「繍、貼、拼、搐」工藝，大量保留了原始藝術圖騰、生命生殖崇拜遺痕，故而文化意涵充滿了象徵和隱喻，也蕴含民間祈平安、盼吉利、求富貴的心理，是陝西民藝奇葩，譽為「民間藝術之鄕」。\r\n陝西千陽手工布藝，虎裝只是手工刺繡的一種，因為民風純樸，文化底蘊深厚，民間藝人輩出，布藝、剪紙、刺繍、編織等都聞名遐邇。特別被稱為「母親藝術」的布藝刺繍，更保留了炎帝氏族與周秦文化的民藝精萃，內涵深厚、構圖明快，造型渾樸，色彩艷麗，鄉土特色濃郁！\r\n本件布藝作品-布龜，推測仍為陝西千陽手工布藝，透過繍、拼技術，製作布龜，形態古樸可愛！靑綠布底，襯托紅缐的龜甲紋、回紋、頭腳紋飾，可擺飾，可實用。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908087","MainTitle":"布飾兔","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"陝西千陽手工布藝，是深受民眾喜愛的民藝。傳統的習俗，春節來臨前，家戶備年貨，農村除了給孩子準備壓歲錢外，長輩還得給孩子備新服新帽新鞋、新枕頭新蓋被。「虎裝」最多，在民俗信仰，老虎是吉祥物，帽子衣服鞋子都是虎圖案，用虎的形象驅鬼辟邪，保護孩子沒病沒災。虎圖案之外，也發展其他吉祥動物，如龜、鹿、豬、羊、貓、獅子、麒麟等，此外，魚蛙昆蟲植物也被引用。因其大量採用「繍、貼、拼、搐」工藝，大量保留了原始藝術圖騰、生命生殖崇拜遺痕，故而文化意涵充滿了象徵和隱喻，也蕴含民間祈平安、盼吉利、求富貴的心理，是陝西民藝奇葩，譽為「民間藝術之鄕」。\r\n陝西千陽手工布藝，虎裝只是手工刺繡的一種，因為民風純樸，文化底蘊深厚，民間藝人輩出，布藝、剪紙、刺繍、編織等都聞名遐邇。特別被稱為「母親藝術」的布藝刺繍，更保留了炎帝氏族與周秦文化的民藝精萃，內涵深厚、構圖明快，造型渾樸，色彩艷麗，鄉土特色濃郁！\r\n本件布藝作品-布飾兔，推測仍為陝西千陽手工布藝，透過繍、拼技術，製作布兔掛飾，形態古樸可愛！桃紅布底，襯托繖針繡大眼、身毛、米繍花，作為掛飾好看，佩戴也佳！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908088","MainTitle":"布飾獅","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"陝西千陽手工布藝，是深受民眾喜愛的民藝。傳統的習俗，春節來臨前，家戶備年貨，農村除了給孩子準備壓歲錢外，長輩還得給孩子備新服新帽新鞋、新枕頭新蓋被。「虎裝」最多，在民俗信仰，老虎是吉祥物，帽子衣服鞋子都是虎圖案，用虎的形象驅鬼辟邪，保護孩子沒病沒災。虎圖案之外，也發展其他吉祥動物，如龜、鹿、豬、羊、貓、獅子、麒麟等，此外，魚蛙昆蟲植物也被引用。因其大量採用「繍、貼、拼、搐」工藝，大量保留了原始藝術圖騰、生命生殖崇拜遺痕，故而文化意涵充滿了象徵和隱喻，也蕴含民間祈平安、盼吉利、求富貴的心理，是陝西民藝奇葩，譽為「民間藝術之鄕」。\r\n陝西千陽手工布藝，虎裝只是手工刺繡的一種，因為民風純樸，文化底蘊深厚，民間藝人輩出，布藝、剪紙、刺繍、編織等都聞名遐邇。特別被稱為「母親藝術」的布藝刺繍，更保留了炎帝氏族與周秦文化的民藝精萃，內涵深厚、構圖明快，造型渾樸，色彩艷麗，鄉土特色濃郁！\r\n本件布藝作品-布飾獅，推測仍為陝西千陽手工布藝，透過繍、拼、綴等技術，製作布獅掛飾，形態古樸可愛！獅面笑容可掬，桃紅布底，襯托短針繡雙眼、身毛、腳趾，既可辟邪，也可觀賞！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908089","MainTitle":"藍花布小布虎","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"陝西千陽手工布藝，是深受民眾喜愛的民藝。傳統的習俗，春節來臨前，家戶備年貨，農村除了給孩子準備壓歲錢外，長輩還得給孩子備新服新帽新鞋、新枕頭新蓋被。「虎裝」最多，在民俗信仰，老虎是吉祥物，帽子衣服鞋子都是虎圖案，用虎的形象驅鬼辟邪，保護孩子沒病沒災。虎圖案之外，也發展其他吉祥動物，如龜、鹿、豬、羊、貓、獅子、麒麟等，此外，魚蛙昆蟲植物也被引用。因其大量採用「繍、貼、拼、搐」工藝，大量保留了原始藝術圖騰、生命生殖崇拜遺痕，故而文化意涵充滿了象徵和隱喻，也蕴含民間祈平安、盼吉利、求富貴的心理，是陝西民藝奇葩，譽為「民間藝術之鄕」。\r\n陝西千陽手工布藝，虎裝只是手工刺繡的一種，因為民風純樸，文化底蘊深厚，民間藝人輩出，布藝、剪紙、刺繍、編織等都聞名遐邇。特別被稱為「母親藝術」的布藝刺繍，更保留了炎帝氏族與周秦文化的民藝精萃，內涵深厚、構圖明快，造型渾樸，色彩艷麗，鄉土特色濃郁！\r\n本件布藝作品-藍花布小布虎，推測仍為陝西千陽手工布藝，透過繍、貼、拼、綴等技術，製作布虎擺飾，形態古樸可愛！，藍花布底，襯托眉目鬚身雙耳，具有地方民藝風格！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908090","MainTitle":"藍花布小花虎","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDkw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"陝西千陽手工布藝，是深受民眾喜愛的民藝。傳統的習俗，春節來臨前，家戶備年貨，農村除了給孩子準備壓歲錢外，長輩還得給孩子備新服新帽新鞋、新枕頭新蓋被。「虎裝」最多，在民俗信仰，老虎是吉祥物，帽子衣服鞋子都是虎圖案，用虎的形象驅鬼辟邪，保護孩子沒病沒災。虎圖案之外，也發展其他吉祥動物，如龜、鹿、豬、羊、貓、獅子、麒麟等，此外，魚蛙昆蟲植物也被引用。因其大量採用「繍、貼、拼、搐」工藝，大量保留了原始藝術圖騰、生命生殖崇拜遺痕，故而文化意涵充滿了象徵和隱喻，也蕴含民間祈平安、盼吉利、求富貴的心理，是陝西民藝奇葩，譽為「民間藝術之鄕」。\r\n陝西千陽手工布藝，虎裝只是手工刺繡的一種，因為民風純樸，文化底蘊深厚，民間藝人輩出，布藝、剪紙、刺繍、編織等都聞名遐邇。特別被稱為「母親藝術」的布藝刺繍，更保留了炎帝氏族與周秦文化的民藝精萃，內涵深厚、構圖明快，造型渾樸，色彩艷麗，鄉土特色濃郁！\r\n本件布藝作品-藍花布小布虎，推測仍為陝西千陽手工布藝，透過繍、貼、拼、綴等技術，製作布虎擺飾，形態古樸可愛！，藍花布底，紅色王字，襯托眉目鬚身雙耳，具有地方民藝風格！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908091","MainTitle":"黃小布虎","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDkx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"陝西千陽手工布藝，是深受民眾喜愛的民藝。傳統的習俗，春節來臨前，家戶備年貨，農村除了給孩子準備壓歲錢外，長輩還得給孩子備新服新帽新鞋、新枕頭新蓋被。「虎裝」最多，在民俗信仰，老虎是吉祥物，帽子衣服鞋子都是虎圖案，用虎的形象驅鬼辟邪，保護孩子沒病沒災。虎圖案之外，也發展其他吉祥動物，如龜、鹿、豬、羊、貓、獅子、麒麟等，此外，魚蛙昆蟲植物也被引用。因其大量採用「繍、貼、拼、搐」工藝，大量保留了原始藝術圖騰、生命生殖崇拜遺痕，故而文化意涵充滿了象徵和隱喻，也蕴含民間祈平安、盼吉利、求富貴的心理，是陝西民藝奇葩，譽為「民間藝術之鄕」。\r\n陝西千陽手工布藝，虎裝只是手工刺繡的一種，因為民風純樸，文化底蘊深厚，民間藝人輩出，布藝、剪紙、刺繍、編織等都聞名遐邇。特別被稱為「母親藝術」的布藝刺繍，更保留了炎帝氏族與周秦文化的民藝精萃，內涵深厚、構圖明快，造型渾樸，色彩艷麗，鄉土特色濃郁！\r\n本件布藝作品-黃小布虎，推測仍為陝西千陽手工布藝，透過繍、貼、拼、綴等技術，製作布虎擺飾，形態古樸可愛！，黃色布底，聳耳、睜目、呲牙、翹尾，具有地方民藝風格！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908092","MainTitle":"雲中瓊花","Creator":"設計者：黃薌","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDky","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"緙絲，又稱刻絲，是中國傳統的一種絲織品，其特色是以緙織方式織造，緯缐並不橫貫全幅，而僅在需要處與經線交織，稱為「通經斷緯」法。其成品正反兩面如一，在不同色彩的輪廓之間並不相連，憑空背光觀察可見點點孔隙，有如以刀鏤刻而成。最初「通經斷緯」的緙織技法是用於毛織物，稱緙毛。至唐代開始將此技法用於絲品。南宋時期緙絲可模仿書法畫作，風格細腻柔美，欣賞價值極高。明清兩朝的緙絲中心在蘇州，在清代乾隆之世達到鼎盛，所産織品多供朝廷使用。今天緙絲生產主要集中在江蘇蘇州、南通一帶。公元2009年，緙絲織造技藝，以「中國蠶桑絲織技藝」的一部分，列入世界非物質文化遺產名錄。\r\n本件緙𢇃作品「雲中瓊花」，表現雪白瓊花綠葉，在雲中飄搖，一派仙姿。蝴蝶戀花停駐，不忍飛離，也藴涵天地的有情！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908093","MainTitle":"鳳梨果盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDkz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"嵊縣竹編，是流行於浙江省嵊縣的一種傳統手工藝品，以編織精巧、工藝繁多、花色豐富見長，作為浙江竹編傑出代表，今已被到為國家級非物質文化遺產。\r\n嵊縣竹編的技法，包括龜背、傳絲、打束、纏股、盒結邊等200餘種，粗細並美。以竹編模擬動物、竹絲篾片漂白、篾片燙印花筋、及藍胎漆器為四大工藝特徵；尤以竹編模擬動物為特色，常以虎、豹、獅、象、雞、魚等動物、或瓜果蔬菜等植物為造型；與盒罐籃盤等作巧妙結合，實用欣賞兼備。至20世紀80年代已發展為「籃、盤、罐、盒、瓶、屏風、動物、植物、人物、家具、燈具、建築物」等十二大類7000多個花色品種，蔚為大觀！\r\n本件竹編作品「鳳梨果盤」，仿鳳梨之型、紋、色製作，逼真美觀，真是用賞兼得！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908094","MainTitle":"鳳梨果盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDk0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"嵊縣竹編，是流行於浙江省嵊縣的一種傳統手工藝品，以編織精巧、工藝繁多、花色豐富見長，作為浙江竹編傑出代表，今已被到為國家級非物質文化遺產。\r\n嵊縣竹編的技法，包括龜背、傳絲、打束、纏股、盒結邊等200餘種，粗細並美。以竹編模擬動物、竹絲篾片漂白、篾片燙印花筋、及藍胎漆器為四大工藝特徵；尤以竹編模擬動物為特色，常以虎、豹、獅、象、雞、魚等動物、或瓜果蔬菜等植物為造型；與盒罐籃盤等作巧妙結合，實用欣賞兼備。至20世紀80年代已發展為「籃、盤、罐、盒、瓶、屏風、動物、植物、人物、家具、燈具、建築物」等十二大類7000多個花色品種，蔚為大觀！\r\n本件竹編作品「鳳梨果盤」，仿鳳梨之型、紋、色製作，逼真美觀，真是用賞兼得！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908095","MainTitle":"提梁花籃","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"嵊縣竹編，是流行於浙江省嵊縣的一種傳統手工藝品，以編織精巧、工藝繁多、花色豐富見長，作為浙江竹編傑出代表，今已被到為國家級非物質文化遺產。\r\n嵊縣竹編的技法，包括龜背、傳絲、打束、纏股、盒結邊等200餘種，粗細並美。以竹編模擬動物、竹絲篾片漂白、篾片燙印花筋、及藍胎漆器為四大工藝特徵；尤以竹編模擬動物為特色，常以虎、豹、獅、象、雞、魚等動物、或瓜果蔬菜等植物為造型；與盒罐籃盤等作巧妙結合，實用欣賞兼備。至20世紀80年代已發展為「籃、盤、罐、盒、瓶、屏風、動物、植物、人物、家具、燈具、建築物」等十二大類7000多個花色品種，蔚為大觀！\r\n本件竹編作品「提梁花籃」，善用竹編技巧，粗細竹篾、器物造型、花朶纹飾，平盤開口，方形提把，編成優美傳統提梁型式！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908096","MainTitle":"花籃","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDk2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"嵊縣竹編，是流行於浙江省嵊縣的一種傳統手工藝品，以編織精巧、工藝繁多、花色豐富見長，作為浙江竹編傑出代表，今已被到為國家級非物質文化遺產。\r\n嵊縣竹編的技法，包括龜背、傳絲、打束、纏股、盒結邊等200餘種，粗細並美。以竹編模擬動物、竹絲篾片漂白、篾片燙印花筋、及藍胎漆器為四大工藝特徵；尤以竹編模擬動物為特色，常以虎、豹、獅、象、雞、魚等動物、或瓜果蔬菜等植物為造型；與盒罐籃盤等作巧妙結合，實用欣賞兼備。至20世紀80年代已發展為「籃、盤、罐、盒、瓶、屏風、動物、植物、人物、家具、燈具、建築物」等十二大類7000多個花色品種，蔚為大觀！\r\n本件竹編作品「提梁花果籃」，善用竹編技巧，粗細竹篾、器物造型、花樣纹飾，平盤回緣、紅桃蓋，葵形提把，編成優美傳統提梁型式，形成喜氣洋洋的桃紅色，可插花，也可貯果，賞用兼備！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908097","MainTitle":"竹編雙耳花瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDk3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"泉州竹編是福建省特色傳統手工藝品之一，其歷史悠久，編織技術、造型和裝飾，具有濃厚的地方特色。它的製作過程，包括選料、破竹、破篾、拉絲、編織、染色、插花、噴漆等多道工序。福建多產竹，故産區遍布全省，以泉州、福州、古田、漳平、寧德、廈門、永春等地較著名，也各具特點。\r\n泉州竹編通常運用雀目編法、旋花編法、辮花編法、平順編法等各種編織構造形式，製作所需造型，再配以染色，發展為精巧雅緻、莊重渾厚、新奇古趣的系列。主要花色品種有瓶、罐、籃、盒、盤、樽、盂、壁掛屏、花器、花薰、鳥籠、台燈、動物等500多種，𣈱銷國際。\r\n本件泉州竹編雙耳花瓶，以粗細竹篾，編織古銅瑩亮的古代穿耳樽造型，利用竹皮自然色澤，呈現莊重典雅之美，可謂工藝精湛！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908098","MainTitle":"竹編染色蝴蝶(六個)","Creator":"","CreatedYear":"","Size":"001.長:19.5寬:15.3高:0.6\r\n002.長:21.2寬:19.5高:0.6\r\n003.長:23寬:18.5高:0.6\r\n004.長:20.6寬:19.4高:0.6\r\n005.長:21.3寬:18.3高:0.6\r\n006.長:21.7寬:19高:0.6","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDk4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"泉州竹編是福建省特色傳統手工藝品之一，其歷史悠久，編織技術、造型和裝飾，具有濃厚的地方特色。它的製作過程，包括選料、破竹、破篾、拉絲、編織、染色、插花、噴漆等多道工序。福建多產竹，故産區遍布全省，以泉州、福州、古田、漳平、寧德、廈門、永春等地較著名，也各具特點。\r\n泉州竹編通常運用雀目編法、旋花編法、辮花編法、平順編法等各種編織構造形式，製作所需造型，再配以插花、染色，發展為精巧雅緻、莊重渾厚、新奇古趣的系列。主要花色品種有瓶、罐、籃、盒、盤、樽、盂、壁掛屏、花器、花薰、鳥籠、台燈、動物等500多種，𣈱銷國際。\r\n本件泉州「竹編染色蝴蝶」(六個)，以薄竹篾編成蝶身、雙鬚、雙眼、雙翅，蝴蝶翩翩飛舞，頗為傳神！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908098001","MainTitle":"竹編染色蝴蝶-1","Creator":"","CreatedYear":"","Size":"001.長:19.5寬:15.3高:0.6\r\n002.長:21.2寬:19.5高:0.6\r\n003.長:23寬:18.5高:0.6\r\n004.長:20.6寬:19.4高:0.6\r\n005.長:21.3寬:18.3高:0.6\r\n006.長:21.7寬:19高:0.6","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDk4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"泉州竹編是福建省特色傳統手工藝品之一，其歷史悠久，編織技術、造型和裝飾，具有濃厚的地方特色。它的製作過程，包括選料、破竹、破篾、拉絲、編織、染色、插花、噴漆等多道工序。福建多產竹，故産區遍布全省，以泉州、福州、古田、漳平、寧德、廈門、永春等地較著名，也各具特點。\r\n泉州竹編通常運用雀目編法、旋花編法、辮花編法、平順編法等各種編織構造形式，製作所需造型，再配以插花、染色，發展為精巧雅緻、莊重渾厚、新奇古趣的系列。主要花色品種有瓶、罐、籃、盒、盤、樽、盂、壁掛屏、花器、花薰、鳥籠、台燈、動物等500多種，𣈱銷國際。\r\n本件泉州「竹編染色蝴蝶-1」，以薄竹篾編成蝶身、雙鬚、雙眼、雙翅，蝴蝶翩翩飛舞，染成層次之粉紅、丹紅的張翅蝴蝶，頗為傳神！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908098002","MainTitle":"竹編染色蝴蝶-2","Creator":"","CreatedYear":"","Size":"001.長:19.5寬:15.3高:0.6\r\n002.長:21.2寬:19.5高:0.6\r\n003.長:23寬:18.5高:0.6\r\n004.長:20.6寬:19.4高:0.6\r\n005.長:21.3寬:18.3高:0.6\r\n006.長:21.7寬:19高:0.6","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDk4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"泉州竹編是福建省特色傳統手工藝品之一，其歷史悠久，編織技術、造型和裝飾，具有濃厚的地方特色。它的製作過程，包括選料、破竹、破篾、拉絲、編織、染色、插花、噴漆等多道工序。福建多產竹，故産區遍布全省，以泉州、福州、古田、漳平、寧德、廈門、永春等地較著名，也各具特點。\r\n泉州竹編通常運用雀目編法、旋花編法、辮花編法、平順編法等各種編織構造形式，製作所需造型，再配以插花、染色，發展為精巧雅緻、莊重渾厚、新奇古趣的系列。主要花色品種有瓶、罐、籃、盒、盤、樽、盂、壁掛屏、花器、花薰、鳥籠、台燈、動物等500多種，𣈱銷國際。\r\n本件泉州「竹編染色蝴蝶-2」，以薄竹篾編成蝶身、雙鬚、雙眼、雙翅，蝴蝶翩翩飛舞，染成層次之粉紅、丹紅的張翅蝴蝶，頗為傳神！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908098003","MainTitle":"竹編染色蝴蝶-3","Creator":"","CreatedYear":"","Size":"001.長:19.5寬:15.3高:0.6\r\n002.長:21.2寬:19.5高:0.6\r\n003.長:23寬:18.5高:0.6\r\n004.長:20.6寬:19.4高:0.6\r\n005.長:21.3寬:18.3高:0.6\r\n006.長:21.7寬:19高:0.6","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDk4MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"泉州竹編是福建省特色傳統手工藝品之一，其歷史悠久，編織技術、造型和裝飾，具有濃厚的地方特色。它的製作過程，包括選料、破竹、破篾、拉絲、編織、染色、插花、噴漆等多道工序。福建多產竹，故産區遍布全省，以泉州、福州、古田、漳平、寧德、廈門、永春等地較著名，也各具特點。\r\n泉州竹編通常運用雀目編法、旋花編法、辮花編法、平順編法等各種編織構造形式，製作所需造型，再配以插花、染色，發展為精巧雅緻、莊重渾厚、新奇古趣的系列。主要花色品種有瓶、罐、籃、盒、盤、樽、盂、壁掛屏、花器、花薰、鳥籠、台燈、動物等500多種，𣈱銷國際。\r\n本件泉州「竹編染色蝴蝶-3」，以薄竹篾編成蝶身、雙鬚、雙眼、雙翅，蝴蝶翩翩飛舞，染成層次之粉藍、深藍的張翅蝴蝶，頗為傳神！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908098004","MainTitle":"竹編染色蝴蝶-4","Creator":"","CreatedYear":"","Size":"001.長:19.5寬:15.3高:0.6\r\n002.長:21.2寬:19.5高:0.6\r\n003.長:23寬:18.5高:0.6\r\n004.長:20.6寬:19.4高:0.6\r\n005.長:21.3寬:18.3高:0.6\r\n006.長:21.7寬:19高:0.6","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDk4MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"泉州竹編是福建省特色傳統手工藝品之一，其歷史悠久，編織技術、造型和裝飾，具有濃厚的地方特色。它的製作過程，包括選料、破竹、破篾、拉絲、編織、染色、插花、噴漆等多道工序。福建多產竹，故産區遍布全省，以泉州、福州、古田、漳平、寧德、廈門、永春等地較著名，也各具特點。\r\n泉州竹編通常運用雀目編法、旋花編法、辮花編法、平順編法等各種編織構造形式，製作所需造型，再配以插花、染色，發展為精巧雅緻、莊重渾厚、新奇古趣的系列。主要花色品種有瓶、罐、籃、盒、盤、樽、盂、壁掛屏、花器、花薰、鳥籠、台燈、動物等500多種，𣈱銷國際。\r\n本件泉州「竹編染色蝴蝶-4」，以薄竹篾編成蝶身、雙鬚、雙眼、雙翅，蝴蝶翩翩飛舞，染成層次之粉褐的張翅蝴蝶，頗為傳神！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908098005","MainTitle":"竹編染色蝴蝶-5","Creator":"","CreatedYear":"","Size":"001.長:19.5寬:15.3高:0.6\r\n002.長:21.2寬:19.5高:0.6\r\n003.長:23寬:18.5高:0.6\r\n004.長:20.6寬:19.4高:0.6\r\n005.長:21.3寬:18.3高:0.6\r\n006.長:21.7寬:19高:0.6","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDk4MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"泉州竹編是福建省特色傳統手工藝品之一，其歷史悠久，編織技術、造型和裝飾，具有濃厚的地方特色。它的製作過程，包括選料、破竹、破篾、拉絲、編織、染色、插花、噴漆等多道工序。福建多產竹，故産區遍布全省，以泉州、福州、古田、漳平、寧德、廈門、永春等地較著名，也各具特點。\r\n泉州竹編通常運用雀目編法、旋花編法、辮花編法、平順編法等各種編織構造形式，製作所需造型，再配以插花、染色，發展為精巧雅緻、莊重渾厚、新奇古趣的系列。主要花色品種有瓶、罐、籃、盒、盤、樽、盂、壁掛屏、花器、花薰、鳥籠、台燈、動物等500多種，𣈱銷國際。\r\n本件泉州「竹編染色蝴蝶-5」，以薄竹篾編成蝶身、雙鬚、雙眼、雙翅，蝴蝶翩翩飛舞，染成層次之金黃的雙翅、褐色紋線，頗為傳神！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908098006","MainTitle":"竹編染色蝴蝶-6","Creator":"","CreatedYear":"","Size":"001.長:19.5寬:15.3高:0.6\r\n002.長:21.2寬:19.5高:0.6\r\n003.長:23寬:18.5高:0.6\r\n004.長:20.6寬:19.4高:0.6\r\n005.長:21.3寬:18.3高:0.6\r\n006.長:21.7寬:19高:0.6","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDk4MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"泉州竹編是福建省特色傳統手工藝品之一，其歷史悠久，編織技術、造型和裝飾，具有濃厚的地方特色。它的製作過程，包括選料、破竹、破篾、拉絲、編織、染色、插花、噴漆等多道工序。福建多產竹，故産區遍布全省，以泉州、福州、古田、漳平、寧德、廈門、永春等地較著名，也各具特點。\r\n泉州竹編通常運用雀目編法、旋花編法、辮花編法、平順編法等各種編織構造形式，製作所需造型，再配以插花、染色，發展為精巧雅緻、莊重渾厚、新奇古趣的系列。主要花色品種有瓶、罐、籃、盒、盤、樽、盂、壁掛屏、花器、花薰、鳥籠、台燈、動物等500多種，𣈱銷國際。\r\n本件泉州「竹編染色蝴蝶-6」，以薄竹篾編成蝶身、雙鬚、雙眼、雙翅，蝴蝶翩翩飛舞，染成層次之金黃、褐黑的雙翅、黃色紋線，頗為傳神！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908099","MainTitle":"竹編染色蝦","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDk5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"泉州竹編是福建省特色傳統手工藝品之一，其歷史悠久，編織技術、造型和裝飾，具有濃厚的地方特色。它的製作過程，包括選料、破竹、破篾、拉絲、編織、染色、插花、噴漆等多道工序。福建多產竹，故産區遍布全省，以泉州、福州、古田、漳平、寧德、廈門、永春等地較著名，也各具特點。\r\n泉州竹編通常運用雀目編法、旋花編法、辮花編法、平順編法等各種編織構造形式，製作所需造型，再配以插花、染色，發展為精巧雅緻、莊重渾厚、新奇古趣的系列。主要花色品種有瓶、罐、籃、盒、盤、樽、盂、壁掛屏、花器、花薰、鳥籠、台燈、動物等500多種，𣈱銷國際。\r\n本件泉州「竹編染色蝦」，以薄竹篾編成蝦頭、蝦身、雙螯、多腳、蝦尾，蝦子伏地作勢，並染成層次之褐黑的身軀形象，頗為傳神！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908100","MainTitle":"竹編染色老鷹","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"泉州竹編是福建省特色傳統手工藝品之一，其歷史悠久，編織技術、造型和裝飾，具有濃厚的地方特色。它的製作過程，包括選料、破竹、破篾、拉絲、編織、染色、插花、噴漆等多道工序。福建多產竹，故産區遍布全省，以泉州、福州、古田、漳平、寧德、廈門、永春等地較著名，也各具特點。\r\n泉州竹編通常運用雀目編法、旋花編法、辮花編法、平順編法等各種編織構造形式，製作所需造型，再配以插花、染色，發展為精巧雅緻、莊重渾厚、新奇古趣的系列。主要花色品種有瓶、罐、籃、盒、盤、樽、盂、壁掛屏、花器、花薰、鳥籠、台燈、動物等500多種，𣈱銷國際。\r\n本件泉州「竹編染色老鷹」，以薄竹篾編成鷹頭、鷹身、雙翅、老鷹張翅飛翔，俯瞰作勢，並染成層次之金黃、褐黑的身軀形象，頗為威武！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908101","MainTitle":"竹編染色雙魚容器","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"遼寧營口竹編自古傳承農業社會的竹編用具，很多家庭自己種竹、砍竹、劈竹、取篾、編造用具，自給自足，習以為常。有的竹織竹編，也因農業社會的發展成為一種行業，提供經常日用的竹籃、竹盤、竹籠、竹籮、竹筐、竹箕、竹椅、竹桌、竹櫥等。時至今日，竹器逐漸為化工製品、塑料製品取代。但仍有工匠仍然製造傳統籃、盤、簍、瓶、簸箕等製品，逐漸創新造型、設計圖様、加工染色、插綴等技藝，發展出多用途多功能的地方風格特色！\r\n本件竹編染色雙魚容器，就是遼寧營口的竹編代表作品！從主體造型看，很像是「簍」！在簍身上下縮腰處染褐色，増加襯托的效果。簍的上方開口，可作真正的魚簍，也可以做為花器，也可作為其他容器用途，它的周圍一端還加綴花結提掛梁把。簍的兩旁，加綴兩條竹編的魚，魚嘴是張開的，因此，雙魚也可作為實用，也可做為觀賞。總之，這件竹編染色容器，可作擺飾，也可作魚簍，或花器，或其他用途，看人家愛怎麼用就怎麼用！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908102","MainTitle":"竹編染色雙鳥容器","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"遼寧營口竹編自古傳承農業社會的竹編用具，很多家庭自己種竹、砍竹、劈竹、取篾、編造用具，自給自足，習以為常。有的竹織竹編，也因農業社會的發展成為一種行業，提供經常日用的竹籃、竹盤、竹籠、竹籮、竹筐、竹箕、竹椅、竹桌、竹櫥等。時至今日，竹器逐漸為化工製品、塑料製品取代。但仍有工匠仍然製造傳統籃、盤、簍、瓶、簸箕等製品，逐漸創新造型、設計圖様、加工染色、插綴等技藝，發展出多用途多功能的地方風格特色！\r\n本件竹編染色雙鳥容器，就是遼寧營口的竹編代表作品！從主體造型看，很像是「簍」！簍身作圓筒形，周圍結花纹，上緣開口兩端，編織雙鳥昂首挺胸相對，並加吊把，十分逗趣美觀。簍的上方開口，可作真正的字紙簍，也可以做為花器，也可作其他容器用途，它的周圍雙鳥中央還加綴提掛梁把。因此，雙鳥容器也可作為實用，也可做為壁掛觀賞。總之，這件竹編染色容器，可作擺飾，也可作字紙簍，或花器，或其他用途，看人家愛怎麼用就怎麼用！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908103","MainTitle":"首飾盒(系列)","Creator":"","CreatedYear":"","Size":"001(大)長:8.8寬:8.6高:4.7\r\n002(中)長:6.8寬:6.8高:3.2\r\n003(小)長:5.5寬:6高:2.4\r\n004(大)長:11寬:7.5高:4.7\r\n005(中)長:9.7寬:6高:3.2\r\n006(小)長:8寬:4.5高:2.2\r\n007(大).長:7.6寬:7.6高:4.7\r\n008(中)長:6.5寬:6.5高:3.2\r\n009(小)長:5.2寬:5.2高:2.2\r\n010(大).長:11.5寬:7.5高:4.7\r\n011(中)長:9.8寬:6.3高:3.3\r\n012(小)長:8寬:5.1高:2.2\r\n013(大)高:4.7徑:8\r\n014(中)高:3.1徑:6.8\r\n015(小)高:2.1徑:5.2\r\n016(大).長:9寬:9高:4.7\r\n017(中)長:7.6寬:6.5高:3.2\r\n018(小)長:5.9寬:5.1高:2.2\r\n*每盒裡面各有2個，包括外盒共18個。","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"哈爾濱的麥桿工藝，因其製作材料為麥桿而得名。它的起源于古代盛産小麥的中原地區，始于隋唐時期的宮廷工藝，已有1500餘年歷史。其材料選用優質小麥桿，利用麥桿表皮本身自然光澤，紋理的質感，經過煑、刮、熏、製、熨、漂等十幾道加工處理工序，吸收借鑒國畫、版畫、剪紙、烙畫等諸多藝術手法製作。黑龍江麥桿工藝始于1903年，獨創半浮雕技藝，作品古樸典雅，富麗秀美，色澤內斂。以這組麥桿工藝首飾盒為例，系列大小形狀不同的首飾盒，融合了造型設計、圖案設計、色彩設計的技藝，製作琳琅滿目、多彩多姿的首飾盒，既實用，又供觀賞，樣式多、挑選機會也多，值得借鏡！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908103001","MainTitle":"首飾盒-三角(大)","Creator":"","CreatedYear":"","Size":"001(大)長:8.8寬:8.6高:4.7\r\n002(中)長:6.8寬:6.8高:3.2\r\n003(小)長:5.5寬:6高:2.4\r\n004(大)長:11寬:7.5高:4.7\r\n005(中)長:9.7寬:6高:3.2\r\n006(小)長:8寬:4.5高:2.2\r\n007(大).長:7.6寬:7.6高:4.7\r\n008(中)長:6.5寬:6.5高:3.2\r\n009(小)長:5.2寬:5.2高:2.2\r\n010(大).長:11.5寬:7.5高:4.7\r\n011(中)長:9.8寬:6.3高:3.3\r\n012(小)長:8寬:5.1高:2.2\r\n013(大)高:4.7徑:8\r\n014(中)高:3.1徑:6.8\r\n015(小)高:2.1徑:5.2\r\n016(大).長:9寬:9高:4.7\r\n017(中)長:7.6寬:6.5高:3.2\r\n018(小)長:5.9寬:5.1高:2.2\r\n*每盒裡面各有2個，包括外盒共18個。","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"哈爾濱的麥桿工藝，因其製作材料為麥桿而得名。它的起源于古代盛産小麥的中原地區，始于隋唐時期的宮廷工藝，已有1500餘年歷史。其材料選用優質小麥桿，利用麥桿表皮本身自然光澤，紋理的質感，經過煑、刮、熏、製、熨、漂等十幾道加工處理工序，吸收借鑒國畫、版畫、剪紙、烙畫等諸多藝術手法製作。黑龍江麥桿工藝始于1903年，獨創半浮雕技藝，作品古樸典雅，富麗秀美，色澤內斂。以這組麥桿工藝首飾盒為例，系列大小形狀不同的首飾盒，融合了造型設計、圖案設計、色彩設計的技藝，製作琳琅滿目、多彩多姿的首飾盒，既實用，又供觀賞，樣式多、挑選機會也多，值得借鏡！\r\n本件首飾盒-三角（大)，盒作三角形立體造型，底部相互平行黑橙線紋，襯托上蓋之黑底綠葉彩花，工整中寓變化，韻味特別，相當耐看！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908103002","MainTitle":"首飾盒-三角(中)","Creator":"","CreatedYear":"","Size":"001(大)長:8.8寬:8.6高:4.7\r\n002(中)長:6.8寬:6.8高:3.2\r\n003(小)長:5.5寬:6高:2.4\r\n004(大)長:11寬:7.5高:4.7\r\n005(中)長:9.7寬:6高:3.2\r\n006(小)長:8寬:4.5高:2.2\r\n007(大).長:7.6寬:7.6高:4.7\r\n008(中)長:6.5寬:6.5高:3.2\r\n009(小)長:5.2寬:5.2高:2.2\r\n010(大).長:11.5寬:7.5高:4.7\r\n011(中)長:9.8寬:6.3高:3.3\r\n012(小)長:8寬:5.1高:2.2\r\n013(大)高:4.7徑:8\r\n014(中)高:3.1徑:6.8\r\n015(小)高:2.1徑:5.2\r\n016(大).長:9寬:9高:4.7\r\n017(中)長:7.6寬:6.5高:3.2\r\n018(小)長:5.9寬:5.1高:2.2\r\n*每盒裡面各有2個，包括外盒共18個。","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"哈爾濱的麥桿工藝，因其製作材料為麥桿而得名。它的起源于古代盛産小麥的中原地區，始于隋唐時期的宮廷工藝，已有1500餘年歷史。其材料選用優質小麥桿，利用麥桿表皮本身自然光澤，紋理的質感，經過煑、刮、熏、製、熨、漂等十幾道加工處理工序，吸收借鑒國畫、版畫、剪紙、烙畫等諸多藝術手法製作。黑龍江麥桿工藝始于1903年，獨創半浮雕技藝，作品古樸典雅，富麗秀美，色澤內斂。以這組麥桿工藝首飾盒為例，系列大小形狀不同的首飾盒，融合了造型設計、圖案設計、色彩設計的技藝，製作琳琅滿目、多彩多姿的首飾盒，既實用，又供觀賞，樣式多、挑選機會也多，值得借鏡！\r\n本件首飾盒-三角（中)，是中型的珠寶盒，盒作三角形立體造型，底部相互平行黑橙線紋，襯托上蓋之黑底綠葉彩花，工整中寓變化，韻味特別，相當耐看！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908103003","MainTitle":"首飾盒-三角(小)","Creator":"","CreatedYear":"","Size":"001(大)長:8.8寬:8.6高:4.7\r\n002(中)長:6.8寬:6.8高:3.2\r\n003(小)長:5.5寬:6高:2.4\r\n004(大)長:11寬:7.5高:4.7\r\n005(中)長:9.7寬:6高:3.2\r\n006(小)長:8寬:4.5高:2.2\r\n007(大).長:7.6寬:7.6高:4.7\r\n008(中)長:6.5寬:6.5高:3.2\r\n009(小)長:5.2寬:5.2高:2.2\r\n010(大).長:11.5寬:7.5高:4.7\r\n011(中)長:9.8寬:6.3高:3.3\r\n012(小)長:8寬:5.1高:2.2\r\n013(大)高:4.7徑:8\r\n014(中)高:3.1徑:6.8\r\n015(小)高:2.1徑:5.2\r\n016(大).長:9寬:9高:4.7\r\n017(中)長:7.6寬:6.5高:3.2\r\n018(小)長:5.9寬:5.1高:2.2\r\n*每盒裡面各有2個，包括外盒共18個。","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"哈爾濱的麥桿工藝，因其製作材料為麥桿而得名。它的起源于古代盛産小麥的中原地區，始于隋唐時期的宮廷工藝，已有1500餘年歷史。其材料選用優質小麥桿，利用麥桿表皮本身自然光澤，紋理的質感，經過煑、刮、熏、製、熨、漂等十幾道加工處理工序，吸收借鑒國畫、版畫、剪紙、烙畫等諸多藝術手法製作。黑龍江麥桿工藝始于1903年，獨創半浮雕技藝，作品古樸典雅，富麗秀美，色澤內斂。以這組麥桿工藝首飾盒為例，系列大小形狀不同的首飾盒，融合了造型設計、圖案設計、色彩設計的技藝，製作琳琅滿目、多彩多姿的首飾盒，既實用，又供觀賞，樣式多、挑選機會也多，值得借鏡！\r\n本件首飾盒-三角（小)，是小型的珠寶盒，盒作三角形立體造型，底部相互平行黑橙線紋，襯托上蓋之黑底綠葉彩花，工整中寓變化，韻味特別，相當耐看！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908103004","MainTitle":"首飾盒-長方(大)","Creator":"","CreatedYear":"","Size":"001(大)長:8.8寬:8.6高:4.7\r\n002(中)長:6.8寬:6.8高:3.2\r\n003(小)長:5.5寬:6高:2.4\r\n004(大)長:11寬:7.5高:4.7\r\n005(中)長:9.7寬:6高:3.2\r\n006(小)長:8寬:4.5高:2.2\r\n007(大).長:7.6寬:7.6高:4.7\r\n008(中)長:6.5寬:6.5高:3.2\r\n009(小)長:5.2寬:5.2高:2.2\r\n010(大).長:11.5寬:7.5高:4.7\r\n011(中)長:9.8寬:6.3高:3.3\r\n012(小)長:8寬:5.1高:2.2\r\n013(大)高:4.7徑:8\r\n014(中)高:3.1徑:6.8\r\n015(小)高:2.1徑:5.2\r\n016(大).長:9寬:9高:4.7\r\n017(中)長:7.6寬:6.5高:3.2\r\n018(小)長:5.9寬:5.1高:2.2\r\n*每盒裡面各有2個，包括外盒共18個。","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"哈爾濱的麥桿工藝，因其製作材料為麥桿而得名。它的起源于古代盛産小麥的中原地區，始于隋唐時期的宮廷工藝，已有1500餘年歷史。其材料選用優質小麥桿，利用麥桿表皮本身自然光澤，紋理的質感，經過煑、刮、熏、製、熨、漂等十幾道加工處理工序，吸收借鑒國畫、版畫、剪紙、烙畫等諸多藝術手法製作。黑龍江麥桿工藝始于1903年，獨創半浮雕技藝，作品古樸典雅，富麗秀美，色澤內斂。以這組麥桿工藝首飾盒為例，系列大小形狀不同的首飾盒，融合了造型設計、圖案設計、色彩設計的技藝，製作琳琅滿目、多彩多姿的首飾盒，既實用，又供觀賞，樣式多、挑選機會也多，值得借鏡！\r\n本件首飾盒-長方（大)，是大型的長方形珠寶盒，盒作長方形立體造型，底部相互平行黑紅線紋，襯托上蓋之紅底配襯～彩帶、紅珠、白珠、菱形、三角的山林幾何圖形裝飾，工整中寓變化，韻味特別，相當耐看！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908103005","MainTitle":"首飾盒-長方(中)","Creator":"","CreatedYear":"","Size":"001(大)長:8.8寬:8.6高:4.7\r\n002(中)長:6.8寬:6.8高:3.2\r\n003(小)長:5.5寬:6高:2.4\r\n004(大)長:11寬:7.5高:4.7\r\n005(中)長:9.7寬:6高:3.2\r\n006(小)長:8寬:4.5高:2.2\r\n007(大).長:7.6寬:7.6高:4.7\r\n008(中)長:6.5寬:6.5高:3.2\r\n009(小)長:5.2寬:5.2高:2.2\r\n010(大).長:11.5寬:7.5高:4.7\r\n011(中)長:9.8寬:6.3高:3.3\r\n012(小)長:8寬:5.1高:2.2\r\n013(大)高:4.7徑:8\r\n014(中)高:3.1徑:6.8\r\n015(小)高:2.1徑:5.2\r\n016(大).長:9寬:9高:4.7\r\n017(中)長:7.6寬:6.5高:3.2\r\n018(小)長:5.9寬:5.1高:2.2\r\n*每盒裡面各有2個，包括外盒共18個。","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAzMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"哈爾濱的麥桿工藝，因其製作材料為麥桿而得名。它的起源于古代盛産小麥的中原地區，始于隋唐時期的宮廷工藝，已有1500餘年歷史。其材料選用優質小麥桿，利用麥桿表皮本身自然光澤，紋理的質感，經過煑、刮、熏、製、熨、漂等十幾道加工處理工序，吸收借鑒國畫、版畫、剪紙、烙畫等諸多藝術手法製作。黑龍江麥桿工藝始于1903年，獨創半浮雕技藝，作品古樸典雅，富麗秀美，色澤內斂。以這組麥桿工藝首飾盒為例，系列大小形狀不同的首飾盒，融合了造型設計、圖案設計、色彩設計的技藝，製作琳琅滿目、多彩多姿的首飾盒，既實用，又供觀賞，樣式多、挑選機會也多，值得借鏡！\r\n本件首飾盒-長方（中)，是中型的長方形珠寶盒，盒作長方形立體造型，底部相互平行黑紅線紋，襯托上蓋之紅底配襯～彩帶、紅珠、白珠、菱形、三角的山林幾何圖形裝飾，工整中寓變化，韻味特別，相當耐看！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908103006","MainTitle":"首飾盒-長方(小)","Creator":"","CreatedYear":"","Size":"001(大)長:8.8寬:8.6高:4.7\r\n002(中)長:6.8寬:6.8高:3.2\r\n003(小)長:5.5寬:6高:2.4\r\n004(大)長:11寬:7.5高:4.7\r\n005(中)長:9.7寬:6高:3.2\r\n006(小)長:8寬:4.5高:2.2\r\n007(大).長:7.6寬:7.6高:4.7\r\n008(中)長:6.5寬:6.5高:3.2\r\n009(小)長:5.2寬:5.2高:2.2\r\n010(大).長:11.5寬:7.5高:4.7\r\n011(中)長:9.8寬:6.3高:3.3\r\n012(小)長:8寬:5.1高:2.2\r\n013(大)高:4.7徑:8\r\n014(中)高:3.1徑:6.8\r\n015(小)高:2.1徑:5.2\r\n016(大).長:9寬:9高:4.7\r\n017(中)長:7.6寬:6.5高:3.2\r\n018(小)長:5.9寬:5.1高:2.2\r\n*每盒裡面各有2個，包括外盒共18個。","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAzMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"哈爾濱的麥桿工藝，因其製作材料為麥桿而得名。它的起源于古代盛産小麥的中原地區，始于隋唐時期的宮廷工藝，已有1500餘年歷史。其材料選用優質小麥桿，利用麥桿表皮本身自然光澤，紋理的質感，經過煑、刮、熏、製、熨、漂等十幾道加工處理工序，吸收借鑒國畫、版畫、剪紙、烙畫等諸多藝術手法製作。黑龍江麥桿工藝始于1903年，獨創半浮雕技藝，作品古樸典雅，富麗秀美，色澤內斂。以這組麥桿工藝首飾盒為例，系列大小形狀不同的首飾盒，融合了造型設計、圖案設計、色彩設計的技藝，製作琳琅滿目、多彩多姿的首飾盒，既實用，又供觀賞，樣式多、挑選機會也多，值得借鏡！\r\n本件首飾盒-長方（小)，是小型的長方形珠寶盒，盒作長方形立體造型，底部相互平行黑紅線紋，襯托上蓋之紅底配襯～彩帶、紅珠、白珠、菱形、三角的山林幾何圖形裝飾，工整中寓變化，韻味特別，相當耐看！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908103007","MainTitle":"首飾盒-正方(大)","Creator":"","CreatedYear":"","Size":"001(大)長:8.8寬:8.6高:4.7\r\n002(中)長:6.8寬:6.8高:3.2\r\n003(小)長:5.5寬:6高:2.4\r\n004(大)長:11寬:7.5高:4.7\r\n005(中)長:9.7寬:6高:3.2\r\n006(小)長:8寬:4.5高:2.2\r\n007(大).長:7.6寬:7.6高:4.7\r\n008(中)長:6.5寬:6.5高:3.2\r\n009(小)長:5.2寬:5.2高:2.2\r\n010(大).長:11.5寬:7.5高:4.7\r\n011(中)長:9.8寬:6.3高:3.3\r\n012(小)長:8寬:5.1高:2.2\r\n013(大)高:4.7徑:8\r\n014(中)高:3.1徑:6.8\r\n015(小)高:2.1徑:5.2\r\n016(大).長:9寬:9高:4.7\r\n017(中)長:7.6寬:6.5高:3.2\r\n018(小)長:5.9寬:5.1高:2.2\r\n*每盒裡面各有2個，包括外盒共18個。","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAzMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"哈爾濱的麥桿工藝，因其製作材料為麥桿而得名。它的起源于古代盛産小麥的中原地區，始于隋唐時期的宮廷工藝，已有1500餘年歷史。其材料選用優質小麥桿，利用麥桿表皮本身自然光澤，紋理的質感，經過煑、刮、熏、製、熨、漂等十幾道加工處理工序，吸收借鑒國畫、版畫、剪紙、烙畫等諸多藝術手法製作。黑龍江麥桿工藝始于1903年，獨創半浮雕技藝，作品古樸典雅，富麗秀美，色澤內斂。以這組麥桿工藝首飾盒為例，系列大小形狀不同的首飾盒，融合了造型設計、圖案設計、色彩設計的技藝，製作琳琅滿目、多彩多姿的首飾盒，既實用，又供觀賞，樣式多、挑選機會也多，值得借鏡！\r\n本件首飾盒-正方（大)，是大型的正方形珠寶盒，盒作正方形立體造型，底部相互平行粉白紅線紋，襯托上蓋之金黃麥桿色底配襯～緑色枝葉及紅色蟠桃形裝飾，神秘吉祥中寓變化，韻味特別，相當耐看！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908103008","MainTitle":"首飾盒-正方(中)","Creator":"","CreatedYear":"","Size":"001(大)長:8.8寬:8.6高:4.7\r\n002(中)長:6.8寬:6.8高:3.2\r\n003(小)長:5.5寬:6高:2.4\r\n004(大)長:11寬:7.5高:4.7\r\n005(中)長:9.7寬:6高:3.2\r\n006(小)長:8寬:4.5高:2.2\r\n007(大).長:7.6寬:7.6高:4.7\r\n008(中)長:6.5寬:6.5高:3.2\r\n009(小)長:5.2寬:5.2高:2.2\r\n010(大).長:11.5寬:7.5高:4.7\r\n011(中)長:9.8寬:6.3高:3.3\r\n012(小)長:8寬:5.1高:2.2\r\n013(大)高:4.7徑:8\r\n014(中)高:3.1徑:6.8\r\n015(小)高:2.1徑:5.2\r\n016(大).長:9寬:9高:4.7\r\n017(中)長:7.6寬:6.5高:3.2\r\n018(小)長:5.9寬:5.1高:2.2\r\n*每盒裡面各有2個，包括外盒共18個。","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAzMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"哈爾濱的麥桿工藝，因其製作材料為麥桿而得名。它的起源于古代盛産小麥的中原地區，始于隋唐時期的宮廷工藝，已有1500餘年歷史。其材料選用優質小麥桿，利用麥桿表皮本身自然光澤，紋理的質感，經過煑、刮、熏、製、熨、漂等十幾道加工處理工序，吸收借鑒國畫、版畫、剪紙、烙畫等諸多藝術手法製作。黑龍江麥桿工藝始于1903年，獨創半浮雕技藝，作品古樸典雅，富麗秀美，色澤內斂。以這組麥桿工藝首飾盒為例，系列大小形狀不同的首飾盒，融合了造型設計、圖案設計、色彩設計的技藝，製作琳琅滿目、多彩多姿的首飾盒，既實用，又供觀賞，樣式多、挑選機會也多，值得借鏡！\r\n本件首飾盒-正方（中)，是中型的正方形珠寶盒，盒作正方形立體造型，底部相互平行粉白紅線紋，襯托上蓋之金黃麥桿色底配襯～緑色枝葉及紅色蟠桃形裝飾，神秘吉祥中寓變化，韻味特別，相當耐看！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908103009","MainTitle":"首飾盒-正方(小)","Creator":"","CreatedYear":"","Size":"001(大)長:8.8寬:8.6高:4.7\r\n002(中)長:6.8寬:6.8高:3.2\r\n003(小)長:5.5寬:6高:2.4\r\n004(大)長:11寬:7.5高:4.7\r\n005(中)長:9.7寬:6高:3.2\r\n006(小)長:8寬:4.5高:2.2\r\n007(大).長:7.6寬:7.6高:4.7\r\n008(中)長:6.5寬:6.5高:3.2\r\n009(小)長:5.2寬:5.2高:2.2\r\n010(大).長:11.5寬:7.5高:4.7\r\n011(中)長:9.8寬:6.3高:3.3\r\n012(小)長:8寬:5.1高:2.2\r\n013(大)高:4.7徑:8\r\n014(中)高:3.1徑:6.8\r\n015(小)高:2.1徑:5.2\r\n016(大).長:9寬:9高:4.7\r\n017(中)長:7.6寬:6.5高:3.2\r\n018(小)長:5.9寬:5.1高:2.2\r\n*每盒裡面各有2個，包括外盒共18個。","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAzMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"哈爾濱的麥桿工藝，因其製作材料為麥桿而得名。它的起源于古代盛産小麥的中原地區，始于隋唐時期的宮廷工藝，已有1500餘年歷史。其材料選用優質小麥桿，利用麥桿表皮本身自然光澤，紋理的質感，經過煑、刮、熏、製、熨、漂等十幾道加工處理工序，吸收借鑒國畫、版畫、剪紙、烙畫等諸多藝術手法製作。黑龍江麥桿工藝始于1903年，獨創半浮雕技藝，作品古樸典雅，富麗秀美，色澤內斂。以這組麥桿工藝首飾盒為例，系列大小形狀不同的首飾盒，融合了造型設計、圖案設計、色彩設計的技藝，製作琳琅滿目、多彩多姿的首飾盒，既實用，又供觀賞，樣式多、挑選機會也多，值得借鏡！\r\n本件首飾盒-正方（小)，是小型的正方形珠寶盒，盒作正方形立體造型，底部相互平行粉白紅線紋，襯托上蓋之金黃麥桿色底配襯～緑色枝葉及紅色蟠桃形裝飾，神秘吉祥中寓變化，韻味特別，相當耐看！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908103010","MainTitle":"首飾盒-楕圓(大)","Creator":"","CreatedYear":"","Size":"001(大)長:8.8寬:8.6高:4.7\r\n002(中)長:6.8寬:6.8高:3.2\r\n003(小)長:5.5寬:6高:2.4\r\n004(大)長:11寬:7.5高:4.7\r\n005(中)長:9.7寬:6高:3.2\r\n006(小)長:8寬:4.5高:2.2\r\n007(大).長:7.6寬:7.6高:4.7\r\n008(中)長:6.5寬:6.5高:3.2\r\n009(小)長:5.2寬:5.2高:2.2\r\n010(大).長:11.5寬:7.5高:4.7\r\n011(中)長:9.8寬:6.3高:3.3\r\n012(小)長:8寬:5.1高:2.2\r\n013(大)高:4.7徑:8\r\n014(中)高:3.1徑:6.8\r\n015(小)高:2.1徑:5.2\r\n016(大).長:9寬:9高:4.7\r\n017(中)長:7.6寬:6.5高:3.2\r\n018(小)長:5.9寬:5.1高:2.2\r\n*每盒裡面各有2個，包括外盒共18個。","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAzMDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"哈爾濱的麥桿工藝，因其製作材料為麥桿而得名。它的起源于古代盛産小麥的中原地區，始于隋唐時期的宮廷工藝，已有1500餘年歷史。其材料選用優質小麥桿，利用麥桿表皮本身自然光澤，紋理的質感，經過煑、刮、熏、製、熨、漂等十幾道加工處理工序，吸收借鑒國畫、版畫、剪紙、烙畫等諸多藝術手法製作。黑龍江麥桿工藝始于1903年，獨創半浮雕技藝，作品古樸典雅，富麗秀美，色澤內斂。以這組麥桿工藝首飾盒為例，系列大小形狀不同的首飾盒，融合了造型設計、圖案設計、色彩設計的技藝，製作琳琅滿目、多彩多姿的首飾盒，既實用，又供觀賞，樣式多、挑選機會也多，值得借鏡！\r\n本件首飾盒-橢圓(大)，是大型的橢圓形珠寶盒，盒作橢圓形立體造型，底部相互平行粉白紅線紋，襯托上蓋之丹紅色底配襯～黛緑色枝葉及紅色花朵、加上白花淡青大蝴蝶裝飾，神秘吉祥中寓變化，韻味特別，相當耐看！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908103011","MainTitle":"首飾盒-楕圓(中)","Creator":"","CreatedYear":"","Size":"001(大)長:8.8寬:8.6高:4.7\r\n002(中)長:6.8寬:6.8高:3.2\r\n003(小)長:5.5寬:6高:2.4\r\n004(大)長:11寬:7.5高:4.7\r\n005(中)長:9.7寬:6高:3.2\r\n006(小)長:8寬:4.5高:2.2\r\n007(大).長:7.6寬:7.6高:4.7\r\n008(中)長:6.5寬:6.5高:3.2\r\n009(小)長:5.2寬:5.2高:2.2\r\n010(大).長:11.5寬:7.5高:4.7\r\n011(中)長:9.8寬:6.3高:3.3\r\n012(小)長:8寬:5.1高:2.2\r\n013(大)高:4.7徑:8\r\n014(中)高:3.1徑:6.8\r\n015(小)高:2.1徑:5.2\r\n016(大).長:9寬:9高:4.7\r\n017(中)長:7.6寬:6.5高:3.2\r\n018(小)長:5.9寬:5.1高:2.2\r\n*每盒裡面各有2個，包括外盒共18個。","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAzMDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"哈爾濱的麥桿工藝，因其製作材料為麥桿而得名。它的起源于古代盛産小麥的中原地區，始于隋唐時期的宮廷工藝，已有1500餘年歷史。其材料選用優質小麥桿，利用麥桿表皮本身自然光澤，紋理的質感，經過煑、刮、熏、製、熨、漂等十幾道加工處理工序，吸收借鑒國畫、版畫、剪紙、烙畫等諸多藝術手法製作。黑龍江麥桿工藝始于1903年，獨創半浮雕技藝，作品古樸典雅，富麗秀美，色澤內斂。以這組麥桿工藝首飾盒為例，系列大小形狀不同的首飾盒，融合了造型設計、圖案設計、色彩設計的技藝，製作琳琅滿目、多彩多姿的首飾盒，既實用，又供觀賞，樣式多、挑選機會也多，值得借鏡！\r\n本件首飾盒-橢圓(中)，是中型的橢圓形珠寶盒，盒作橢圓形立體造型，底部相互平行粉白紅線紋，襯托上蓋之丹紅色底配襯～黛緑色枝葉及紅色花朵、加上白花淡青大蝴蝶裝飾，神秘吉祥中寓變化，韻味特別，相當耐看！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908103012","MainTitle":"首飾盒-楕圓(小)","Creator":"","CreatedYear":"","Size":"001(大)長:8.8寬:8.6高:4.7\r\n002(中)長:6.8寬:6.8高:3.2\r\n003(小)長:5.5寬:6高:2.4\r\n004(大)長:11寬:7.5高:4.7\r\n005(中)長:9.7寬:6高:3.2\r\n006(小)長:8寬:4.5高:2.2\r\n007(大).長:7.6寬:7.6高:4.7\r\n008(中)長:6.5寬:6.5高:3.2\r\n009(小)長:5.2寬:5.2高:2.2\r\n010(大).長:11.5寬:7.5高:4.7\r\n011(中)長:9.8寬:6.3高:3.3\r\n012(小)長:8寬:5.1高:2.2\r\n013(大)高:4.7徑:8\r\n014(中)高:3.1徑:6.8\r\n015(小)高:2.1徑:5.2\r\n016(大).長:9寬:9高:4.7\r\n017(中)長:7.6寬:6.5高:3.2\r\n018(小)長:5.9寬:5.1高:2.2\r\n*每盒裡面各有2個，包括外盒共18個。","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAzMDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"哈爾濱的麥桿工藝，因其製作材料為麥桿而得名。它的起源于古代盛産小麥的中原地區，始于隋唐時期的宮廷工藝，已有1500餘年歷史。其材料選用優質小麥桿，利用麥桿表皮本身自然光澤，紋理的質感，經過煑、刮、熏、製、熨、漂等十幾道加工處理工序，吸收借鑒國畫、版畫、剪紙、烙畫等諸多藝術手法製作。黑龍江麥桿工藝始于1903年，獨創半浮雕技藝，作品古樸典雅，富麗秀美，色澤內斂。以這組麥桿工藝首飾盒為例，系列大小形狀不同的首飾盒，融合了造型設計、圖案設計、色彩設計的技藝，製作琳琅滿目、多彩多姿的首飾盒，既實用，又供觀賞，樣式多、挑選機會也多，值得借鏡！\r\n本件首飾盒-橢圓(小)，是小型的橢圓形珠寶盒，盒作橢圓形立體造型，底部相互平行粉白紅線紋，襯托上蓋之丹紅色底配襯～黛緑色枝葉及紅色花朵、加上白花淡青大蝴蝶裝飾，神秘吉祥中寓變化，韻味特別，相當耐看！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908103013","MainTitle":"首飾盒-圓(大)","Creator":"","CreatedYear":"","Size":"001(大)長:8.8寬:8.6高:4.7\r\n002(中)長:6.8寬:6.8高:3.2\r\n003(小)長:5.5寬:6高:2.4\r\n004(大)長:11寬:7.5高:4.7\r\n005(中)長:9.7寬:6高:3.2\r\n006(小)長:8寬:4.5高:2.2\r\n007(大).長:7.6寬:7.6高:4.7\r\n008(中)長:6.5寬:6.5高:3.2\r\n009(小)長:5.2寬:5.2高:2.2\r\n010(大).長:11.5寬:7.5高:4.7\r\n011(中)長:9.8寬:6.3高:3.3\r\n012(小)長:8寬:5.1高:2.2\r\n013(大)高:4.7徑:8\r\n014(中)高:3.1徑:6.8\r\n015(小)高:2.1徑:5.2\r\n016(大).長:9寬:9高:4.7\r\n017(中)長:7.6寬:6.5高:3.2\r\n018(小)長:5.9寬:5.1高:2.2\r\n*每盒裡面各有2個，包括外盒共18個。","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAzMDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"哈爾濱的麥桿工藝，因其製作材料為麥桿而得名。它的起源于古代盛産小麥的中原地區，始于隋唐時期的宮廷工藝，已有1500餘年歷史。其材料選用優質小麥桿，利用麥桿表皮本身自然光澤，紋理的質感，經過煑、刮、熏、製、熨、漂等十幾道加工處理工序，吸收借鑒國畫、版畫、剪紙、烙畫等諸多藝術手法製作。黑龍江麥桿工藝始于1903年，獨創半浮雕技藝，作品古樸典雅，富麗秀美，色澤內斂。以這組麥桿工藝首飾盒為例，系列大小形狀不同的首飾盒，融合了造型設計、圖案設計、色彩設計的技藝，製作琳琅滿目、多彩多姿的首飾盒，既實用，又供觀賞，樣式多、挑選機會也多，值得借鏡！\r\n本件首飾盒-圓(大)，是大型的圓形珠寶盒，盒作圓形立體造型，底部相互平行金黃黑色條紋，襯托上蓋之玄黑色底配襯～白青色枝葉、斑馬線及雙紅色花朵、加上白花黑點山形裝飾，神秘吉祥中寓變化，韻味特別，相當耐看！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908103014","MainTitle":"首飾盒-圓(中)","Creator":"","CreatedYear":"","Size":"001(大)長:8.8寬:8.6高:4.7\r\n002(中)長:6.8寬:6.8高:3.2\r\n003(小)長:5.5寬:6高:2.4\r\n004(大)長:11寬:7.5高:4.7\r\n005(中)長:9.7寬:6高:3.2\r\n006(小)長:8寬:4.5高:2.2\r\n007(大).長:7.6寬:7.6高:4.7\r\n008(中)長:6.5寬:6.5高:3.2\r\n009(小)長:5.2寬:5.2高:2.2\r\n010(大).長:11.5寬:7.5高:4.7\r\n011(中)長:9.8寬:6.3高:3.3\r\n012(小)長:8寬:5.1高:2.2\r\n013(大)高:4.7徑:8\r\n014(中)高:3.1徑:6.8\r\n015(小)高:2.1徑:5.2\r\n016(大).長:9寬:9高:4.7\r\n017(中)長:7.6寬:6.5高:3.2\r\n018(小)長:5.9寬:5.1高:2.2\r\n*每盒裡面各有2個，包括外盒共18個。","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAzMDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"哈爾濱的麥桿工藝，因其製作材料為麥桿而得名。它的起源于古代盛産小麥的中原地區，始于隋唐時期的宮廷工藝，已有1500餘年歷史。其材料選用優質小麥桿，利用麥桿表皮本身自然光澤，紋理的質感，經過煑、刮、熏、製、熨、漂等十幾道加工處理工序，吸收借鑒國畫、版畫、剪紙、烙畫等諸多藝術手法製作。黑龍江麥桿工藝始于1903年，獨創半浮雕技藝，作品古樸典雅，富麗秀美，色澤內斂。以這組麥桿工藝首飾盒為例，系列大小形狀不同的首飾盒，融合了造型設計、圖案設計、色彩設計的技藝，製作琳琅滿目、多彩多姿的首飾盒，既實用，又供觀賞，樣式多、挑選機會也多，值得借鏡！\r\n本件首飾盒-圓(中)，是中型的圓形珠寶盒，盒作圓形立體造型，底部相互平行金黃黑色條紋，襯托上蓋之玄黑色底配襯～白青色枝葉、斑馬線及雙紅色花朵、加上白花黑點山形裝飾，神秘吉祥中寓變化，韻味特別，相當耐看！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908103015","MainTitle":"首飾盒-圓(小)","Creator":"","CreatedYear":"","Size":"001(大)長:8.8寬:8.6高:4.7\r\n002(中)長:6.8寬:6.8高:3.2\r\n003(小)長:5.5寬:6高:2.4\r\n004(大)長:11寬:7.5高:4.7\r\n005(中)長:9.7寬:6高:3.2\r\n006(小)長:8寬:4.5高:2.2\r\n007(大).長:7.6寬:7.6高:4.7\r\n008(中)長:6.5寬:6.5高:3.2\r\n009(小)長:5.2寬:5.2高:2.2\r\n010(大).長:11.5寬:7.5高:4.7\r\n011(中)長:9.8寬:6.3高:3.3\r\n012(小)長:8寬:5.1高:2.2\r\n013(大)高:4.7徑:8\r\n014(中)高:3.1徑:6.8\r\n015(小)高:2.1徑:5.2\r\n016(大).長:9寬:9高:4.7\r\n017(中)長:7.6寬:6.5高:3.2\r\n018(小)長:5.9寬:5.1高:2.2\r\n*每盒裡面各有2個，包括外盒共18個。","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAzMDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"哈爾濱的麥桿工藝，因其製作材料為麥桿而得名。它的起源于古代盛産小麥的中原地區，始于隋唐時期的宮廷工藝，已有1500餘年歷史。其材料選用優質小麥桿，利用麥桿表皮本身自然光澤，紋理的質感，經過煑、刮、熏、製、熨、漂等十幾道加工處理工序，吸收借鑒國畫、版畫、剪紙、烙畫等諸多藝術手法製作。黑龍江麥桿工藝始于1903年，獨創半浮雕技藝，作品古樸典雅，富麗秀美，色澤內斂。以這組麥桿工藝首飾盒為例，系列大小形狀不同的首飾盒，融合了造型設計、圖案設計、色彩設計的技藝，製作琳琅滿目、多彩多姿的首飾盒，既實用，又供觀賞，樣式多、挑選機會也多，值得借鏡！\r\n本件首飾盒-圓(小)，是小型的圓形珠寶盒，盒作圓形立體造型，底部相互平行金黃黑色條紋，襯托上蓋之玄黑色底配襯～白青色枝葉、斑馬線及雙紅色花朵，神秘吉祥中寓變化，韻味特別，相當耐看！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908103016","MainTitle":"首飾盒-六邊形(大)","Creator":"","CreatedYear":"","Size":"001(大)長:8.8寬:8.6高:4.7\r\n002(中)長:6.8寬:6.8高:3.2\r\n003(小)長:5.5寬:6高:2.4\r\n004(大)長:11寬:7.5高:4.7\r\n005(中)長:9.7寬:6高:3.2\r\n006(小)長:8寬:4.5高:2.2\r\n007(大).長:7.6寬:7.6高:4.7\r\n008(中)長:6.5寬:6.5高:3.2\r\n009(小)長:5.2寬:5.2高:2.2\r\n010(大).長:11.5寬:7.5高:4.7\r\n011(中)長:9.8寬:6.3高:3.3\r\n012(小)長:8寬:5.1高:2.2\r\n013(大)高:4.7徑:8\r\n014(中)高:3.1徑:6.8\r\n015(小)高:2.1徑:5.2\r\n016(大).長:9寬:9高:4.7\r\n017(中)長:7.6寬:6.5高:3.2\r\n018(小)長:5.9寬:5.1高:2.2\r\n*每盒裡面各有2個，包括外盒共18個。","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAzMDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"哈爾濱的麥桿工藝，因其製作材料為麥桿而得名。它的起源于古代盛産小麥的中原地區，始于隋唐時期的宮廷工藝，已有1500餘年歷史。其材料選用優質小麥桿，利用麥桿表皮本身自然光澤，紋理的質感，經過煑、刮、熏、製、熨、漂等十幾道加工處理工序，吸收借鑒國畫、版畫、剪紙、烙畫等諸多藝術手法製作。黑龍江麥桿工藝始于1903年，獨創半浮雕技藝，作品古樸典雅，富麗秀美，色澤內斂。以這組麥桿工藝首飾盒為例，系列大小形狀不同的首飾盒，融合了造型設計、圖案設計、色彩設計的技藝，製作琳琅滿目、多彩多姿的首飾盒，既實用，又供觀賞，樣式多、挑選機會也多，值得借鏡！\r\n本件首飾盒-六邊(大)，是大型六角型的珠寶盒，盒作六邊形立體造型，底部相互平行金黃紅色條紋，襯托上蓋之紅色底配襯～粉紅色枝莖，金黃花葉，神秘吉祥中寓變化，韻味特別，相當高貴！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908103017","MainTitle":"首飾盒-六邊形(中)","Creator":"","CreatedYear":"","Size":"001(大)長:8.8寬:8.6高:4.7\r\n002(中)長:6.8寬:6.8高:3.2\r\n003(小)長:5.5寬:6高:2.4\r\n004(大)長:11寬:7.5高:4.7\r\n005(中)長:9.7寬:6高:3.2\r\n006(小)長:8寬:4.5高:2.2\r\n007(大).長:7.6寬:7.6高:4.7\r\n008(中)長:6.5寬:6.5高:3.2\r\n009(小)長:5.2寬:5.2高:2.2\r\n010(大).長:11.5寬:7.5高:4.7\r\n011(中)長:9.8寬:6.3高:3.3\r\n012(小)長:8寬:5.1高:2.2\r\n013(大)高:4.7徑:8\r\n014(中)高:3.1徑:6.8\r\n015(小)高:2.1徑:5.2\r\n016(大).長:9寬:9高:4.7\r\n017(中)長:7.6寬:6.5高:3.2\r\n018(小)長:5.9寬:5.1高:2.2\r\n*每盒裡面各有2個，包括外盒共18個。","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAzMDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"哈爾濱的麥桿工藝，因其製作材料為麥桿而得名。它的起源于古代盛産小麥的中原地區，始于隋唐時期的宮廷工藝，已有1500餘年歷史。其材料選用優質小麥桿，利用麥桿表皮本身自然光澤，紋理的質感，經過煑、刮、熏、製、熨、漂等十幾道加工處理工序，吸收借鑒國畫、版畫、剪紙、烙畫等諸多藝術手法製作。黑龍江麥桿工藝始于1903年，獨創半浮雕技藝，作品古樸典雅，富麗秀美，色澤內斂。以這組麥桿工藝首飾盒為例，系列大小形狀不同的首飾盒，融合了造型設計、圖案設計、色彩設計的技藝，製作琳琅滿目、多彩多姿的首飾盒，既實用，又供觀賞，樣式多、挑選機會也多，值得借鏡！\r\n本件首飾盒-六邊(中)，是中型六角型的珠寶盒，盒作六邊形立體造型，底部相互平行金黃紅色條紋，襯托上蓋之紅色底配襯～粉紅色枝莖，金黃花葉，神秘吉祥中寓變化，韻味特別，相當高貴！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908103018","MainTitle":"首飾盒-六邊形(小)","Creator":"","CreatedYear":"","Size":"001(大)長:8.8寬:8.6高:4.7\r\n002(中)長:6.8寬:6.8高:3.2\r\n003(小)長:5.5寬:6高:2.4\r\n004(大)長:11寬:7.5高:4.7\r\n005(中)長:9.7寬:6高:3.2\r\n006(小)長:8寬:4.5高:2.2\r\n007(大).長:7.6寬:7.6高:4.7\r\n008(中)長:6.5寬:6.5高:3.2\r\n009(小)長:5.2寬:5.2高:2.2\r\n010(大).長:11.5寬:7.5高:4.7\r\n011(中)長:9.8寬:6.3高:3.3\r\n012(小)長:8寬:5.1高:2.2\r\n013(大)高:4.7徑:8\r\n014(中)高:3.1徑:6.8\r\n015(小)高:2.1徑:5.2\r\n016(大).長:9寬:9高:4.7\r\n017(中)長:7.6寬:6.5高:3.2\r\n018(小)長:5.9寬:5.1高:2.2\r\n*每盒裡面各有2個，包括外盒共18個。","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTAzMDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"哈爾濱的麥桿工藝，因其製作材料為麥桿而得名。它的起源于古代盛産小麥的中原地區，始于隋唐時期的宮廷工藝，已有1500餘年歷史。其材料選用優質小麥桿，利用麥桿表皮本身自然光澤，紋理的質感，經過煑、刮、熏、製、熨、漂等十幾道加工處理工序，吸收借鑒國畫、版畫、剪紙、烙畫等諸多藝術手法製作。黑龍江麥桿工藝始于1903年，獨創半浮雕技藝，作品古樸典雅，富麗秀美，色澤內斂。以這組麥桿工藝首飾盒為例，系列大小形狀不同的首飾盒，融合了造型設計、圖案設計、色彩設計的技藝，製作琳琅滿目、多彩多姿的首飾盒，既實用，又供觀賞，樣式多、挑選機會也多，值得借鏡！\r\n本件首飾盒-六邊(小)，是小型六角型的珠寶盒，盒作六邊形立體造型，底部相互平行金黃紅色條紋，襯托上蓋之紅色底配襯～粉紅色枝莖，金黃花葉，神秘吉祥中寓變化，韻味特別，相當高貴！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908104","MainTitle":"牛形尊","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"嵊縣竹編，是流行於浙江省嵊縣的一種傳統手工藝品，以編織精巧、工藝繁多、花色豐富見長，作為浙江竹編傑出代表，今已被到為國家級非物質文化遺產。\r\n嵊縣竹編的技法，包括龜背、傳絲、打束、纏股、盒結邊等200餘種，粗細並美。以竹編模擬動物、竹絲篾片漂白、篾片燙印花筋、及藍胎漆器為四大工藝特徵；尤以竹編模擬動物為特色，常以虎、豹、獅、象、雞、魚等動物、或瓜果蔬菜等植物為造型；與盒罐籃盤等作巧妙結合，實用欣賞兼備。至20世紀80年代已發展為「籃、盤、罐、盒、瓶、屏風、動物、植物、人物、家具、燈具、建築物」等十二大類7000多個花色品種，蔚為大觀！\r\n本件作品「牛形尊」，就是以竹編模擬乳牛編成酒器，牛背有蓋，可以啟合，牛身內可裝酒，即可實用容器，也可作為擺飾！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908105","MainTitle":"竹絲扇(洛神)","Creator":"四川省自貢市工藝美術廠","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"竹絲扇，俗稱龔扇，中國傳統手工藝術珍品，且是中國四大名扇之一：江蘇檀香扇、廣東火畫扇、四川竹絲扇、浙江綾絹扇。竹絲扇有燦若雲錦、顏色嫩黃、薄如蟬翼、綿軟細膩的美評。扇面多呈桃形，形似紈扇，是用細如絹絲的竹絲精心編織而成，是中國工藝品中的一顆明珠。\r\n竹絲扇，是由清代末年的龔爵五所創，在龔家已傳了四代，已經有一百多年歷史，人們習慣稱自貢竹絲扇為「龔扇」，暢銷世界五十多個國家，深受好評！\r\n竹絲扇第二代傳人龔玉璋，把原來用的幾種篾刀改製成剖、刮、挑、撥等各功能的工具十多種。在編織手法上，也改善單純的人字編織法，擴展為點、線、破、十字等新工藝。取材也很考究，要用青陰山的葉小節長、春筍秋材的「一年青」黃竹。經「勻花、刮青、起薄、清刮，最後成纖細如髪絲、薄透如蟬翼、柔如絹、靱如綢的竹𢇁！一把竹扇往往要用一千多根竹絲。可以對照名家書畫編織，達到名手臨畫的程度。本件作品「洛神」即是以古畫洛神為本，影像傳神，堪稱巧奪天工、世之瑰寶！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908106","MainTitle":"竹絲扇(仙翁)","Creator":"四川省自貢市工藝美術廠","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"竹絲扇，俗稱龔扇，中國傳統手工藝術珍品，且是中國四大名扇之一：江蘇檀香扇、廣東火畫扇、四川竹絲扇、浙江綾絹扇。竹絲扇有燦若雲錦、顏色嫩黃、薄如蟬翼、綿軟細膩的美評。扇面多呈桃形，形似紈扇，是用細如絹絲的竹絲精心編織而成，是中國工藝品中的一顆明珠。\r\n竹絲扇，是由清代末年的龔爵五所創，在龔家已傳了四代，已經有一百多年歷史，人們習慣稱自貢竹絲扇為「龔扇」，暢銷世界五十多個國家，深受好評！\r\n竹絲扇第二代傳人龔玉璋，把原來用的幾種篾刀改製成剖、刮、挑、撥等各功能的工具十多種。在編織手法上，也改善單純的人字編織法，擴展為點、線、破、十字等新工藝。取材也很考究，要用青陰山的葉小節長、春筍秋材的「一年青」黃竹。經「勻花、刮青、起薄、清刮，最後成纖細如髪絲、薄透如蟬翼、柔如絹、靱如綢的竹𢇁！一把竹扇往往要用一千多根竹絲。可以對照名家書畫編織，達到名手臨畫的程度。本件作品「仙翁」即是以古畫仙翁為本，影像傳神，堪稱巧奪天工、世之瑰寶！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908107","MainTitle":"竹絲扇(仕女彈琴)","Creator":"四川省自貢市工藝美術廠","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"竹絲扇，俗稱龔扇，中國傳統手工藝術珍品，且是中國四大名扇之一：江蘇檀香扇、廣東火畫扇、四川竹絲扇、浙江綾絹扇。竹絲扇有燦若雲錦、顏色嫩黃、薄如蟬翼、綿軟細膩的美評。扇面多呈桃形，形似紈扇，是用細如絹絲的竹絲精心編織而成，是中國工藝品中的一顆明珠。\r\n竹絲扇，是由清代末年的龔爵五所創，在龔家已傳了四代，已經有一百多年歷史，人們習慣稱自貢竹絲扇為「龔扇」，暢銷世界五十多個國家，深受好評！\r\n竹絲扇第二代傳人龔玉璋，把原來用的幾種篾刀改製成剖、刮、挑、撥等各功能的工具十多種。在編織手法上，也改善單純的人字編織法，擴展為點、線、破、十字等新工藝。取材也很考究，要用青陰山的葉小節長、春筍秋材的「一年青」黃竹。經「勻花、刮青、起薄、清刮，最後成纖細如髪絲、薄透如蟬翼、柔如絹、靱如綢的竹𢇁！一把竹扇往往要用一千多根竹絲。可以對照名家書畫編織，達到名手臨畫的程度。本件作品「仕女彈琴」即是以古畫為本，影像傳神，古雅俏美，堪稱巧奪天工、世之瑰寶！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908108","MainTitle":"觀音","Creator":"帥雨","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"四川竹藝，因四川産竹品種豐富𨶹係，當地藝人遂有良好條件創硏竹藝，因此名家輩出，形成幾大流派。其中梁平的竹簾畫、自貢的龔扇、崇慶的瓷胎竹編、江安的竹簧雕刻、竹鑲嵌等，都是頗享盛譽！\r\n梁平竹簾畫起源於宋代，最初是造紙竹簾，從實用的窗簾、門簾、帳圍、桌圍、床圍等逐步形成了裝飾工藝品，傳統的詩書畫便上了竹簾。竹簾畫的編織十分平整柔軟，因有粉底堂心，詩畫作於上面，就有傳統宣紙的質感。最精湛的竹簾畫是採用蠶𢇁與竹缐作經緯交織，密不漏縫，如絲絹般精細潤澤，山水人物繪于其上，維妙維肖、活靈活現！\r\n本件作品「觀音」，就是如此的材料工藝，加上摹擬古畫所製成，佈局筆調，確是名不虛傳！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908109","MainTitle":"荷鳥","Creator":"呂嵐","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"四川竹藝，因四川産竹品種豐富𨶹係，當地藝人遂有良好條件創硏竹藝，因此名家輩出，形成幾大流派。其中梁平的竹簾畫、自貢的龔扇、崇慶的瓷胎竹編、江安的竹簧雕刻、竹鑲嵌等，都是頗享盛譽！\r\n梁平竹簾畫起源於宋代，最初是造紙竹簾，從實用的窗簾、門簾、帳圍、桌圍、床圍等逐步形成了裝飾工藝品，傳統的詩書畫便上了竹簾。竹簾畫的編織十分平整柔軟，因有粉底堂心，詩畫作於上面，就有傳統宣紙的質感。最精湛的竹簾畫是採用蠶𢇁與竹缐作經緯交織，密不漏縫，如絲絹般精細潤澤，山水人物繪于其上，維妙維肖、活靈活現！\r\n本件作品「荷鳥」，就是如此的材料工藝，加上摹擬古畫所製成，佈局筆調，確是名不虛傳！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908110","MainTitle":"棕編蜥蜴","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本件棕編作品「蜥蜴」，形態傳神，斑紋以筆點畫，可見棕編工藝之一斑。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908111","MainTitle":"棕編象","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本件棕編作品「象」，形態傳神，長鼻後之象牙，以鉛線拗成，鼻、腳、腹、尾，編法編紋各異，可見棕編工藝之一斑。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908112","MainTitle":"棕編卷蛇","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本件棕編作品「卷蛇」，形態傳神，編技巧妙，輔以黑白相間的斑紋點綴，令人望之生畏，可見棕編工藝之一斑。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908113","MainTitle":"棕編龍","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本件棕編作品「龍」，形態傳神，編技巧妙，龍首上昂、張嘴、伏地、翹尾，眼睛以小黑豆作飾，可見棕編工藝之一斑。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908114","MainTitle":"棕編龍","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本件棕編作品「龍」，形態傳神，編技巧妙，龍首上昂、張嘴、伏地、翹尾，身體鬃鱗還間隔以尖葉表現，顯得個性更加剽悍厲害！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908115","MainTitle":"棕編龍","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本件棕編作品「龍」，形態傳神，編技巧妙，龍眼以小黑豆充飾，龍首高昂、張嘴、伏地、拱背、翹尾，形成靈活之曲線。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908116","MainTitle":"棕編龍","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本件棕編作品「龍」，形態傳神，編技巧妙，龍眼以小黑豆充飾，龍首高昂、張嘴、伏地、拱背、翹尾，形成靈活之曲線。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908117","MainTitle":"棕編恐龍","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本件棕編作品「恐龍」，形態傳神，編技巧妙，龍首俯看、張嘴、行動、平背、翹尾，形成靈活之嘶吼模樣。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908118","MainTitle":"棕編蛇","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本件棕編作品「蛇」，形態傳神，編技巧妙，蛇行蜿蜒，昂首凝視，輔以黑白相間的斑紋點綴，令人望之生畏，可見棕編工藝之一斑。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908119","MainTitle":"棕編蛇","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本件棕編作品「蛇」，形態傳神，編技巧妙，蛇行蜿蜒圈繞，矯轉昂首凝視，輔以黑白相間的斑紋點綴，令人望之生畏，可見棕編工藝之一斑。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908120","MainTitle":"棕編眼鏡蛇","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本件棕編作品「眼鏡蛇」，形態傳神，編技巧妙，雙眼綴以小黑豆，蛇行蜿蜒，矯轉昂首凝視，輔以黑背花腹，相間的斑紋點綴，令人望之生畏，可見棕編工藝之一斑。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908121","MainTitle":"棕編袋鼠","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本件棕編作品「袋鼠」，形態傳神，編技巧妙，袋鼠俯身察看，若有所思，想必認為牠的尾巴怎麼長了點！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908122","MainTitle":"棕編袋鼠","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本件棕編作品「袋鼠」，形態抽象，編技巧妙，袋鼠昂首察看，若有所思，想必認為牠的𩓐子、尾巴怎麼變長了？！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908123","MainTitle":"棕編鸚鵡","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本件棕編作品「鸚鵡」，形態傳神，編技巧妙，身足與翅編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124","MainTitle":"棕編昆蟲、爬蟲26個","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲、爬蟲26個」，可説琳琅滿目！其物雖小，更可看出棕編匠人的巧思及手藝。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124001","MainTitle":"棕編昆蟲、爬蟲26個-1","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品之1「鍬形蟲」，編織巧妙，姿態傳神，鍬形蟲叉開頭前如鉗的大牙，正是兒童在樹下玩耍尋覓的對象！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124002","MainTitle":"棕編昆蟲、爬蟲26個-2","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「草螟仔」，就是草蝗蟲，常出現在稻田裡，形態傳神，編技巧妙，身足與翅編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124003","MainTitle":"棕編昆蟲、爬蟲26個-3","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「螳螂」，就是俗稱的「草猴」，常出現在郊外鄉下，形態傳神，編技巧妙，頭身足與翅編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124004","MainTitle":"棕編昆蟲、爬蟲26個-4","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「稻仔螟」，就是稻草蝗蟲，常出現在稻田裡，形態傳神，編技巧妙，目身足與翅編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124005","MainTitle":"棕編昆蟲、爬蟲26個-5","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲-5」，形態傳神，編技巧妙，目身足與翅編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124006","MainTitle":"棕編昆蟲、爬蟲26個-6","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲-6」，像是蝗蟲，雙腳後踼，形態傳神，編技巧妙，目身足與翅編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124007","MainTitle":"棕編昆蟲、爬蟲26個-7","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲-7」，像是蝗蟲，雙腳筆直，翅膀短小，好像青幼期。形態傳神，編技巧妙，目身足與翅編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124008","MainTitle":"棕編昆蟲、爬蟲26個-8","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本件棕編作品「蛇」，形態傳神，編技巧妙，蛇行蜿蜒，矯轉昂首凝視，輔以黑背白身相間的斑紋點綴，令人望之生畏，可見棕編工藝之一斑。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124009","MainTitle":"棕編昆蟲、爬蟲26個-9","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲-9」，形態傳神，翅膀蓋過短腹，鬚目頭身足編法各異，可見棕編造型之變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124010","MainTitle":"棕編昆蟲、爬蟲26個-10","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲-10」，像是大蝗蟲，雙腳後曲，形態傳神，編技巧妙，目身足與翅編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124011","MainTitle":"棕編昆蟲、爬蟲26個-11","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲-11」，像是大蜉蝣，四腳扒水，形態傳神，編技巧妙，目身足與翅編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124012","MainTitle":"棕編昆蟲、爬蟲26個-12","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲-12」，像是草蝗蟲，雙翅蓋腹，形態傳神，編技巧妙，目身足與翅編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124013","MainTitle":"棕編昆蟲、爬蟲26個-13","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲-13」，像是大蝗蟲，雙翅上抬，露出肚腹，形態傳神，編技巧妙，目身足與翅編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124014","MainTitle":"棕編昆蟲、爬蟲26個-14","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲-14」，造型奇特並加染色，背面雙鬚點白點，像是天牛，雙翅蓋腹，形態傳神，編技巧妙，目身足與翅編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124015","MainTitle":"棕編昆蟲、爬蟲26個-15","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲-15」，像是大蝗蟲，雙翅上抬，露出肚腹，形態傳神，編技巧妙，目身足與翅編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124016","MainTitle":"棕編昆蟲、爬蟲26個-16","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲-16」，像是大黑蟬，雙翅透明，透視肚腹，形態傳神，編技巧妙，目身足與翅編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124017","MainTitle":"棕編昆蟲、爬蟲26個-17","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「爬蟲-17」，像是守宮蜥蜴，身軀蜿爬，形態傳神，編技巧妙，染色逼真，眼睛點綴小黑豆，身足栩栩如生，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124018","MainTitle":"棕編昆蟲、爬蟲26個-18","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「爬蟲-18」，像是蜥蜴，身軀蜿爬，形態傳神，編技巧妙，染色逼真，身足栩栩如生，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124019","MainTitle":"棕編昆蟲、爬蟲26個-19","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲-19」，像是水族蝦子，形態傳神，編技巧妙，目身足與翅編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124020","MainTitle":"棕編昆蟲、爬蟲26個-20","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲-20」，精編水族蝦子，形態傳神，編技巧妙，目身足與翅編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124021","MainTitle":"棕編昆蟲、爬蟲26個-21","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲-21」，像是大蝗蟲，雙翅上抬，後腳亦上抬，露出肚腹，形態傳神，編技巧妙，目身足與翅編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124022","MainTitle":"棕編昆蟲、爬蟲26個-22","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲-22」，像是稻仔螟，身體瘦長，尖頭，雙翅順貼，後腳曲地，露出肚腹，形態傳神，編技巧妙，目身足與翅編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124023","MainTitle":"棕編昆蟲、爬蟲26個-23","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲-23」，是大蜻蜓，雙翅透明，以細鉛絲作翅絡，加上細長直尾，形態傳神，編技巧妙，目身足與翅編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124024","MainTitle":"棕編昆蟲、爬蟲26個-24","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲-24」，是大蜻蜓，雙翅透明上揚，以細鉛絲作翅絡，加斜上細長直尾，形態傳神，編技巧妙，目身足與翅編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124025","MainTitle":"棕編昆蟲、爬蟲26個-25","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲-25」，是大蜈蚣，形態傳神，編技巧妙，頭身足尾編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908124026","MainTitle":"棕編昆蟲、爬蟲26個-26","Creator":"","CreatedYear":"","Size":"001:長:4.5，寬:4.3，高:1.2。\r\n002:長:10，寬:0.7，高:3。\r\n003:長:8.5，寬:0.6，高:5。\r\n004:長:7，寬:0.8，高:3.3。\r\n005:長:4，寬:2，高:1。\r\n006:長:7，寬:1.3，高:3。\r\n007:長:3，寬:1.3，高:1。\r\n008:長:14，寬:0.6，高:0.3。\r\n009:長:4，寬:2，高:1.7。\r\n010:長:6.5，寬:0.8，高:2。\r\n011:長:13，寬:3，高:0.3。\r\n012:長:3，寬:1.5，高:0.8。\r\n013:長:7，寬:0.7，高:2.5。\r\n014:長:4.7，寬:1.5，高:1.5。\r\n015:長:6.5，寬:0.7，高:1.7。\r\n016:長:6.5，寬:2.2，高:1.2。\r\n017:長:13.5，寬:4，高:0.6。\r\n018:長:10.2，寬:2.2，高:0.3。\r\n019:長:9，寬:5，高:0.8。\r\n020:長:9，寬:5，高:0.8。\r\n021:長:6，寬:0.7，高:2。\r\n022:長:9.6，寬:0.8，高:2.3。\r\n023:長:9，寬:0.6，高:3。\r\n024:長:9，寬:0.6，高:3。\r\n025:長:9，寬:1.5，高:0.6。\r\n026:長:9，寬:1.5，高:0.6。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI0MDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲-26」，是大蜈蚣，形態傳神，身體百足蜿蜒，編技巧妙，頭鬚身足尾編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125","MainTitle":"棕編昆蟲、魚蝦23個","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個」，在所編昆蟲、水族魚蝦類創作，各呈生態，形韵傳神，編技巧妙，頭鬚身足尾編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125001","MainTitle":"棕編昆蟲、魚蝦23個-1","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-1」，就是蚱蜢，形韵傳神，編技巧妙，頭鬚身足尾編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125002","MainTitle":"棕編昆蟲、魚蝦23個-2","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-2」，就是蚱蜢，身尾後腿抬高，形韵傳神，編技巧妙，頭鬚身足尾編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125003","MainTitle":"棕編昆蟲、魚蝦23個-3","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-3」，就是蚱蜢，身尾平直，翅短、長身、曲後腿，形韵傳神，編技巧妙，頭鬚身足尾編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125004","MainTitle":"棕編昆蟲、魚蝦23個-4","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-4」，看是小蚱蜢，翅膀蓋過身軀，編法奇特！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125005","MainTitle":"棕編昆蟲、魚蝦23個-5","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-5」，就是蝦，彷彿在水中優遊，自在行動，形態傳神，編織細緻！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125006","MainTitle":"棕編昆蟲、魚蝦23個-6","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-6」，就是蝦，彷彿在水中優遊，自在行動，形態傳神，編織細緻！那蝦子的雙眼還特別用黑筆點睛呢！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125007","MainTitle":"棕編昆蟲、魚蝦23個-7","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-7」，造型小巧可愛，像是鄉下的昆蟲土蜂，巧編再加上點染，看起來維妙維肖！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125008","MainTitle":"棕編昆蟲、魚蝦23個-8","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-8」，像是鄉下的昆蟲土蜂，巧編再加上點染，黑身而白點，看起來維妙維肖！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125009","MainTitle":"棕編昆蟲、魚蝦23個-9","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-9」，像是鄉下的昆蟲土蜂，巧編再加上點染，黑身而白點，看起來維妙維肖！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125010","MainTitle":"棕編昆蟲、魚蝦23個-10","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-10」，像是鄉下的昆蟲土蜂，巧編再加上點染，黑身而白點，觸鬚前探，看起來維妙維肖！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125011","MainTitle":"棕編昆蟲、魚蝦23個-11","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-11」，像是鄉下的昆蟲土蜂，巧編再加上點染，渾身黑色，觸鬚前探，看起來維妙維肖！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125012","MainTitle":"棕編昆蟲、魚蝦23個-12","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-12」，像是鄉下的昆蟲土蜂，巧編再加上點染，渾身黑色，觸鬚前探，看起來維妙維肖！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125013","MainTitle":"棕編昆蟲、魚蝦23個-13","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-13」，像是鄉下的昆蟲土蜂，巧編再加上點染，渾身黑色，觸鬚前探，看起來維妙維肖！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125014","MainTitle":"棕編昆蟲、魚蝦23個-14","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-14」，像是鄉下的昆蟲土蜂，巧編再加上點染，渾身黑色，觸鬚前探，後身略上揚，看起來維妙維肖！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125015","MainTitle":"棕編昆蟲、魚蝦23個-15","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-15」，就是蝦，彷彿在水中優遊，自在行動，形態傳神，編織細緻！那蝦子的雙眼還特別用黑筆點睛呢！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125016","MainTitle":"棕編昆蟲、魚蝦23個-16","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-16」，就是蝦，彷彿在水中優遊，自在行動，形態傳神，編織細緻！那蝦子的雙眼還特別用黑筆點睛呢！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125017","MainTitle":"棕編昆蟲、魚蝦23個-17","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-17」，就是蝦，彷彿在水中優遊，自在行動，形態傳神，編織細緻！那蝦子的雙眼還特別用黑筆點睛呢！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125018","MainTitle":"棕編昆蟲、魚蝦23個-18","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-18」，就是蚱蜢，身尾弧度，翅長、身略短、曲後腿，形韵傳神，編技巧妙，頭鬚身足尾編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125019","MainTitle":"棕編昆蟲、魚蝦23個-19","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-19」，就是蚱蜢，身尾弧度，翅長、肚身略短、曲後腿，俯頭，形韵傳神，編技巧妙，頭鬚身足尾編法各異，可以看出棕編的工法變化。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125020","MainTitle":"棕編昆蟲、魚蝦23個-20","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-20」，就是金魚，巨眼、肥身、葩尾，編織工藝之外並加點染黑色，使雙眼、魚身，愈加逼真！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125021","MainTitle":"棕編昆蟲、魚蝦23個-21","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲魚蝦23個-21」，就是金魚，巨眼、肥身、葩尾，編織工藝之外並加點染黑色，使雙眼、魚身，愈加逼真！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125022","MainTitle":"棕編昆蟲、爬蟲魚蝦23個-22","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲爬蟲魚蝦23個-22」，就是蛇，棕編蛇形之後，更加染黒色，使之黑黃相間，更像毒蛇！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908125023","MainTitle":"棕編昆蟲、爬蟲魚蝦23個-23","Creator":"","CreatedYear":"","Size":"001:長:11，寬:1，高:3.4。\r\n002:長:10.5，寬:0.9，高:3.4。\r\n003:長:9，寬:0.9，高:3。\r\n004:長:4，寬:2，高:1。\r\n005:長:5，寬:3，高:0.3。\r\n006:長:5，寬:3，高:0.3。\r\n007、008、009、010:長:4.5，寬:3.3，高:0.9。\r\n011、012、013、014:長:5.5，寬:3，高:1.1。\r\n015、016、017:長:10，寬:4.5，高:1。\r\n018、019:長:7.2，寬:08，高:1.7。\r\n020、021:長:7，寬:3.5，高:1。\r\n022、023:長:20，寬:0.8，高:0.3。\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI1MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"棕編是漢族傳統手工技藝之一，是以棕櫚樹葉為原料編製的工藝品。棕葉製品，古來有之。長江流域的棕編主要產於陜西南部的漢中、四川、貴州、湖南、江南等地，以四川新繁棕編、湖南棕編玩具最負盛名。此外，貴州塘頭棕編提籃、浙江武義棕绷亦很有名。2011年5月，棕編已經列入國家級非物質文化遺產名錄。\r\n新繁棕編主要有鞋、帽、提包、套果盒、玩具、扇、椅七類，幾十個花色。玩具類以白色或棕葉原色棕𢇁為材料，以編、扣、結、穿等技法編製成稚拙可愛的魚、蟲、獅、象等。湖南棕編採用老棕葉和棕葉芯為原料，經過加工後製成兒童玩具。這種棕編往往採用結體穿插扎系的方法來構成形象，主要題材有蜻蜓、蚱蜢、青蛙、龜、蛇、金魚、孔雀等。有「單肚皮」和「雙肚皮」等編法。編好後用附加物作些小點綴，如小豆子之類，有的斑紋用筆點畫。\r\n本組棕編作品「昆蟲爬蟲魚蝦23個-23」，就是蛇，棕編蛇形，蜿蜒前行，更加染黒色，使之黑黃相間，更像毒蛇！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908126","MainTitle":"松鶴竹簾畫","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"竹簾畫是中國傳統手工藝品，曾被列為皇家貢品。它既實用，又是美化生活的裝飾品。竹簾畫在精編的竹絲卷簾上繪畫，通常運用具有傳統特色的國畫技法，以重慶梁平竹簾最聞名，有「細如毫髪密如絲」的美譽。\r\n重慶竹簾，淸光緒年間就發展了油漆彩繪的畫簾，是用光滑纖細的竹絲作緯綫，蠶絲作經線，編織而成，然後在簾子的幅面畫山水、人物、花卉、翎毛、走獸等國畫，成為精美的壁飾和窗簾。梁平竹簾以當地盛產的慈竹為原料，借助簡單而巧妙的木結構機械，抽成細如毫髮的竹絲，經過手工製作，織成薄如蟬翼、形似錦帛的獨特竹簾，并結合書畫、剩繍、植絨等多種表現手法，製作各種形式的掛簾、屏風、裝飾畫，色澤典雅，工藝精細。\r\n本件「松鶴朝陽竹簾畫，構圖布局不凡，松鶴均代表長壽，朝陽正是一天的光明希望！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908127","MainTitle":"老鷹","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"泉州竹編是福建省特色傳統手工藝品之一，其歷史悠久，編織技術、造型和裝飾，具有濃厚的地方特色。它的製作過程，包括選料、破竹、破篾、拉絲、編織、染色、插花、噴漆等多道工序。福建多產竹，故産區遍布全省，以泉州、福州、古田、漳平、寧德、廈門、永春等地較著名，也各具特點。\r\n泉州竹編通常運用雀目編法、旋花編法、辮花編法、平順編法等各種編織構造形式，製作所需造型，再配以染色，發展為精巧雅緻、莊重渾厚、新奇古趣的系列。主要花色品種有瓶、罐、籃、盒、盤、樽、盂、壁掛屏、花器、花薰、鳥籠、台燈、動物等500多種，𣈱銷國際。\r\n本件泉州竹編老鷹，以粗細竹篾，編織展翅高飛的鷹姿，利用竹皮自然色澤及染成黑褐的翅膀，呈現顧盼自雄的自在之美，可謂工藝精湛！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908128","MainTitle":"芭蕉扇","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"泉州竹編是福建省特色傳統手工藝品之一，其歷史悠久，編織技術、造型和裝飾，具有濃厚的地方特色。它的製作過程，包括選料、破竹、破篾、拉絲、編織、染色、插花、噴漆等多道工序。福建多產竹，故産區遍布全省，以泉州、福州、古田、漳平、寧德、廈門、永春等地較著名，也各具特點。\r\n泉州竹編通常運用雀目編法、旋花編法、辮花編法、平順編法等各種編織構造形式，製作所需造型，再配以染色，發展為精巧雅緻、莊重渾厚、新奇古趣的系列。主要花色品種有瓶、罐、籃、盒、盤、樽、盂、壁掛屏、花器、花薰、鳥籠、台燈、動物等500多種，𣈱銷國際。\r\n本件推測是泉州竹編作品「芭蕉扇」，以粗細竹篾編織芭蕉扇淺盆，即可供日常生活之扇涼，又可當擺飾、容器，造型奇特。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908129","MainTitle":"貓熊草編掛飾","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"草編，是利用各種柔靱草本植物為原料加工編製的工藝品。其原料生長地域廣泛，而且易得易作，故草編工藝在中國民間十分普及。近代為了使作品流傳経久長遠，有的利用彩帶代替植物莖葉，有的利用事先染有各種彩色的草，編織各種圖案，有的編好後加印裝飾紋樣。\r\n中國最早的草編遺物是河姆渡文化，距今有7000年之久，周代已有莞(蒲草)編制的莞席，且有專業的草工，作「萑葦」之器。到春秋戰國時期，已有用萱麻、蒲草編制的斗笠，秦漢時期，草編已在民間廣泛使用。草編的用草，草莖光滑、節少、質細而柔靱，要有較強的拉力和耐折性。采割來的草料先要挑選，梳理整齊，進行初加工後，方可編製。在主要品種上，有河北、河南、山東的麥草編，上海嘉定、廣東高要、東莞黃草編、浙江的金絲草編、湖南龍須草編、台灣的藺草、稻草編。\r\n本件草編貓熊掛飾，以草編圓形墊底，上襯不織布做成的可愛貓熊及球、竹葉，任人看了都喜歡！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908130","MainTitle":"貓熊草編掛飾","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"草編，是利用各種柔靱草本植物為原料加工編製的工藝品。其原料生長地域廣泛，而且易得易作，故草編工藝在中國民間十分普及。近代為了使作品流傳経久長遠，有的利用彩帶代替植物莖葉，有的利用事先染有各種彩色的草，編織各種圖案，有的編好後加印裝飾紋樣。\r\n中國最早的草編遺物是河姆渡文化，距今有7000年之久，周代已有莞(蒲草)編制的莞席，且有專業的草工，作「萑葦」之器。到春秋戰國時期，已有用萱麻、蒲草編制的斗笠，秦漢時期，草編已在民間廣泛使用。草編的用草，草莖光滑、節少、質細而柔靱，要有較強的拉力和耐折性。采割來的草料先要挑選，梳理整齊，進行初加工後，方可編製。在主要品種上，有河北、河南、山東的麥草編，上海嘉定、廣東高要、東莞黃草編、浙江的金絲草編、湖南龍須草編、台灣的藺草、稻草編。\r\n本件草編貓熊掛飾，以草編圓形墊底，上襯不織布做成的可愛貓熊及球、竹葉，任人看了都喜歡！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908131","MainTitle":"人偶草編掛飾","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"草編，是利用各種柔靱草本植物為原料加工編製的工藝品。其原料生長地域廣泛，而且易得易作，故草編工藝在中國民間十分普及。近代為了使作品流傳経久長遠，有的利用彩帶代替植物莖葉，有的利用事先染有各種彩色的草，編織各種圖案，有的編好後加印裝飾紋樣。\r\n中國最早的草編遺物是河姆渡文化，距今有7000年之久，周代已有莞(蒲草)編制的莞席，且有專業的草工，作「萑葦」之器。到春秋戰國時期，已有用萱麻、蒲草編制的斗笠，秦漢時期，草編已在民間廣泛使用。草編的用草，草莖光滑、節少、質細而柔靱，要有較強的拉力和耐折性。采割來的草料先要挑選，梳理整齊，進行初加工後，方可編製。在主要品種上，有河北、河南、山東的麥草編，上海嘉定、廣東高要、東莞黃草編、浙江的金絲草編、湖南龍須草編、台灣的藺草、稻草編。\r\n本件草編人偶掛飾，以草編橢圓形墊底，上襯不織布做成的媽媽帶小孩、逺屋，用色變化典麗，人物臉形稚拙可愛，任人看了都喜歡！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908132","MainTitle":"人偶草編掛飾","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"草編，是利用各種柔靱草本植物為原料加工編製的工藝品。其原料生長地域廣泛，而且易得易作，故草編工藝在中國民間十分普及。近代為了使作品流傳経久長遠，有的利用彩帶代替植物莖葉，有的利用事先染有各種彩色的草，編織各種圖案，有的編好後加印裝飾紋樣。\r\n中國最早的草編遺物是河姆渡文化，距今有7000年之久，周代已有莞(蒲草)編制的莞席，且有專業的草工，作「萑葦」之器。到春秋戰國時期，已有用萱麻、蒲草編制的斗笠，秦漢時期，草編已在民間廣泛使用。草編的用草，草莖光滑、節少、質細而柔靱，要有較強的拉力和耐折性。采割來的草料先要挑選，梳理整齊，進行初加工後，方可編製。在主要品種上，有河北、河南、山東的麥草編，上海嘉定、廣東高要、東莞黃草編、浙江的金絲草編、湖南龍須草編、台灣的藺草、稻草編。\r\n本件草編人偶掛飾，以草編橢圓形墊底，上襯不織布做成的男女小孩童，衣著各異，用色變化典麗，人物臉形稚拙可愛，任人看了都喜歡！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908133","MainTitle":"娃娃草編掛飾","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"草編，是利用各種柔靱草本植物為原料加工編製的工藝品。其原料生長地域廣泛，而且易得易作，故草編工藝在中國民間十分普及。近代為了使作品流傳経久長遠，有的利用彩帶代替植物莖葉，有的利用事先染有各種彩色的草，編織各種圖案，有的編好後加印裝飾紋樣。\r\n中國最早的草編遺物是河姆渡文化，距今有7000年之久，周代已有莞(蒲草)編制的莞席，且有專業的草工，作「萑葦」之器。到春秋戰國時期，已有用萱麻、蒲草編制的斗笠，秦漢時期，草編已在民間廣泛使用。草編的用草，草莖光滑、節少、質細而柔靱，要有較強的拉力和耐折性。采割來的草料先要挑選，梳理整齊，進行初加工後，方可編製。在主要品種上，有河北、河南、山東的麥草編，上海嘉定、廣東高要、東莞黃草編、浙江的金絲草編、湖南龍須草編、台灣的藺草、稻草編。\r\n本件草編娃娃掛飾，以草編橢圓形墊底，上襯不織布做成的娃娃，用色典麗，人物臉形稚拙可愛，任人看了都喜歡！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908134","MainTitle":"娃娃草編掛飾","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"草編，是利用各種柔靱草本植物為原料加工編製的工藝品。其原料生長地域廣泛，而且易得易作，故草編工藝在中國民間十分普及。近代為了使作品流傳経久長遠，有的利用彩帶代替植物莖葉，有的利用事先染有各種彩色的草，編織各種圖案，有的編好後加印裝飾紋樣。\r\n中國最早的草編遺物是河姆渡文化，距今有7000年之久，周代已有莞(蒲草)編制的莞席，且有專業的草工，作「萑葦」之器。到春秋戰國時期，已有用萱麻、蒲草編制的斗笠，秦漢時期，草編已在民間廣泛使用。草編的用草，草莖光滑、節少、質細而柔靱，要有較強的拉力和耐折性。采割來的草料先要挑選，梳理整齊，進行初加工後，方可編製。在主要品種上，有河北、河南、山東的麥草編，上海嘉定、廣東高要、東莞黃草編、浙江的金絲草編、湖南龍須草編、台灣的藺草、稻草編。\r\n本件草編娃娃掛飾，以草編橢圓形墊底，上襯不織布做成的娃娃，用色典麗，人物臉形稚拙可愛，任人看了都喜歡！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908135","MainTitle":"動物草編掛飾","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"草編，是利用各種柔靱草本植物為原料加工編製的工藝品。其原料生長地域廣泛，而且易得易作，故草編工藝在中國民間十分普及。近代為了使作品流傳経久長遠，有的利用彩帶代替植物莖葉，有的利用事先染有各種彩色的草，編織各種圖案，有的編好後加印裝飾紋樣。\r\n中國最早的草編遺物是河姆渡文化，距今有7000年之久，周代已有莞(蒲草)編制的莞席，且有專業的草工，作「萑葦」之器。到春秋戰國時期，已有用萱麻、蒲草編制的斗笠，秦漢時期，草編已在民間廣泛使用。草編的用草，草莖光滑、節少、質細而柔靱，要有較強的拉力和耐折性。采割來的草料先要挑選，梳理整齊，進行初加工後，方可編製。在主要品種上，有河北、河南、山東的麥草編，上海嘉定、廣東高要、東莞黃草編、浙江的金絲草編、湖南龍須草編、台灣的藺草、稻草編。\r\n本件草編動物掛飾，以草編橢圓形墊底，上襯不織布做成的豬寶寶，裝飾用色鮮艷，動物物形態稚拙可愛，任人看了都喜歡！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908136","MainTitle":"動物草編掛飾","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"草編，是利用各種柔靱草本植物為原料加工編製的工藝品。其原料生長地域廣泛，而且易得易作，故草編工藝在中國民間十分普及。近代為了使作品流傳経久長遠，有的利用彩帶代替植物莖葉，有的利用事先染有各種彩色的草，編織各種圖案，有的編好後加印裝飾紋樣。\r\n中國最早的草編遺物是河姆渡文化，距今有7000年之久，周代已有莞(蒲草)編制的莞席，且有專業的草工，作「萑葦」之器。到春秋戰國時期，已有用萱麻、蒲草編制的斗笠，秦漢時期，草編已在民間廣泛使用。草編的用草，草莖光滑、節少、質細而柔靱，要有較強的拉力和耐折性。采割來的草料先要挑選，梳理整齊，進行初加工後，方可編製。在主要品種上，有河北、河南、山東的麥草編，上海嘉定、廣東高要、東莞黃草編、浙江的金絲草編、湖南龍須草編、台灣的藺草、稻草編。\r\n本件草編動物掛飾，以草編橢圓形墊底，上襯不織布做成的狗寶寶，裝飾用色鮮艷，動物物形態稚拙可愛，任人看了都喜歡！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908137","MainTitle":"動物草編掛飾","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"草編，是利用各種柔靱草本植物為原料加工編製的工藝品。其原料生長地域廣泛，而且易得易作，故草編工藝在中國民間十分普及。近代為了使作品流傳経久長遠，有的利用彩帶代替植物莖葉，有的利用事先染有各種彩色的草，編織各種圖案，有的編好後加印裝飾紋樣。\r\n中國最早的草編遺物是河姆渡文化，距今有7000年之久，周代已有莞(蒲草)編制的莞席，且有專業的草工，作「萑葦」之器。到春秋戰國時期，已有用萱麻、蒲草編制的斗笠，秦漢時期，草編已在民間廣泛使用。草編的用草，草莖光滑、節少、質細而柔靱，要有較強的拉力和耐折性。采割來的草料先要挑選，梳理整齊，進行初加工後，方可編製。在主要品種上，有河北、河南、山東的麥草編，上海嘉定、廣東高要、東莞黃草編、浙江的金絲草編、湖南龍須草編、台灣的藺草、稻草編。\r\n本件草編動物掛飾，以草編橢圓形墊底，上襯不織布做成的猴寶寶，裝飾用色素雅，動物形態稚拙可愛，任人看了都喜歡！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908138","MainTitle":"動物草編掛飾","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"草編，是利用各種柔靱草本植物為原料加工編製的工藝品。其原料生長地域廣泛，而且易得易作，故草編工藝在中國民間十分普及。近代為了使作品流傳経久長遠，有的利用彩帶代替植物莖葉，有的利用事先染有各種彩色的草，編織各種圖案，有的編好後加印裝飾紋樣。\r\n中國最早的草編遺物是河姆渡文化，距今有7000年之久，周代已有莞(蒲草)編制的莞席，且有專業的草工，作「萑葦」之器。到春秋戰國時期，已有用萱麻、蒲草編制的斗笠，秦漢時期，草編已在民間廣泛使用。草編的用草，草莖光滑、節少、質細而柔靱，要有較強的拉力和耐折性。采割來的草料先要挑選，梳理整齊，進行初加工後，方可編製。在主要品種上，有河北、河南、山東的麥草編，上海嘉定、廣東高要、東莞黃草編、浙江的金絲草編、湖南龍須草編、台灣的藺草、稻草編。\r\n本件草編動物掛飾，以草編橢圓形墊底，上襯不織布做成的馬寶寶，裝飾用色素雅，鬃尾紅丹，動物形態稚拙可愛，任人看了都喜歡！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908139","MainTitle":"動物草編掛飾","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"草編，是利用各種柔靱草本植物為原料加工編製的工藝品。其原料生長地域廣泛，而且易得易作，故草編工藝在中國民間十分普及。近代為了使作品流傳経久長遠，有的利用彩帶代替植物莖葉，有的利用事先染有各種彩色的草，編織各種圖案，有的編好後加印裝飾紋樣。\r\n中國最早的草編遺物是河姆渡文化，距今有7000年之久，周代已有莞(蒲草)編制的莞席，且有專業的草工，作「萑葦」之器。到春秋戰國時期，已有用萱麻、蒲草編制的斗笠，秦漢時期，草編已在民間廣泛使用。草編的用草，草莖光滑、節少、質細而柔靱，要有較強的拉力和耐折性。采割來的草料先要挑選，梳理整齊，進行初加工後，方可編製。在主要品種上，有河北、河南、山東的麥草編，上海嘉定、廣東高要、東莞黃草編、浙江的金絲草編、湖南龍須草編、台灣的藺草、稻草編。\r\n本件草編動物掛飾，以草編橢圓形墊底，上襯不織布做成的公雞，裝飾用色鮮艷，動物形態稚拙可愛，任人看了都喜歡！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908140","MainTitle":"人物草編掛飾","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"草編，是利用各種柔靱草本植物為原料加工編製的工藝品。其原料生長地域廣泛，而且易得易作，故草編工藝在中國民間十分普及。近代為了使作品流傳経久長遠，有的利用彩帶代替植物莖葉，有的利用事先染有各種彩色的草，編織各種圖案，有的編好後加印裝飾紋樣。\r\n中國最早的草編遺物是河姆渡文化，距今有7000年之久，周代已有莞(蒲草)編制的莞席，且有專業的草工，作「萑葦」之器。到春秋戰國時期，已有用萱麻、蒲草編制的斗笠，秦漢時期，草編已在民間廣泛使用。草編的用草，草莖光滑、節少、質細而柔靱，要有較強的拉力和耐折性。采割來的草料先要挑選，梳理整齊，進行初加工後，方可編製。在主要品種上，有河北、河南、山東的麥草編，上海嘉定、廣東高要、東莞黃草編、浙江的金絲草編、湖南龍須草編、台灣的藺草、稻草編。\r\n本件草編人物掛飾，以草編橢圓形墊底，上襯不織布做成的拍鼓舞人，裝飾用色鮮艷，類似維吾爾族男士，人物形態稚拙可愛，任人看了都喜歡！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908141","MainTitle":"人物草編掛飾","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"草編，是利用各種柔靱草本植物為原料加工編製的工藝品。其原料生長地域廣泛，而且易得易作，故草編工藝在中國民間十分普及。近代為了使作品流傳経久長遠，有的利用彩帶代替植物莖葉，有的利用事先染有各種彩色的草，編織各種圖案，有的編好後加印裝飾紋樣。\r\n中國最早的草編遺物是河姆渡文化，距今有7000年之久，周代已有莞(蒲草)編制的莞席，且有專業的草工，作「萑葦」之器。到春秋戰國時期，已有用萱麻、蒲草編制的斗笠，秦漢時期，草編已在民間廣泛使用。草編的用草，草莖光滑、節少、質細而柔靱，要有較強的拉力和耐折性。采割來的草料先要挑選，梳理整齊，進行初加工後，方可編製。在主要品種上，有河北、河南、山東的麥草編，上海嘉定、廣東高要、東莞黃草編、浙江的金絲草編、湖南龍須草編、台灣的藺草、稻草編。\r\n本件草編人物掛飾，以草編橢圓形墊底，上襯不織布做成前揹粉紅布袋內裝綠色刺瓜姑娘，裝飾用色柔和鮮明，類似少數民族少女，人物形態稚秀可愛！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908142","MainTitle":"人物草編掛飾","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"草編，是利用各種柔靱草本植物為原料加工編製的工藝品。其原料生長地域廣泛，而且易得易作，故草編工藝在中國民間十分普及。近代為了使作品流傳経久長遠，有的利用彩帶代替植物莖葉，有的利用事先染有各種彩色的草，編織各種圖案，有的編好後加印裝飾紋樣。\r\n中國最早的草編遺物是河姆渡文化，距今有7000年之久，周代已有莞(蒲草)編制的莞席，且有專業的草工，作「萑葦」之器。到春秋戰國時期，已有用萱麻、蒲草編制的斗笠，秦漢時期，草編已在民間廣泛使用。草編的用草，草莖光滑、節少、質細而柔靱，要有較強的拉力和耐折性。采割來的草料先要挑選，梳理整齊，進行初加工後，方可編製。在主要品種上，有河北、河南、山東的麥草編，上海嘉定、廣東高要、東莞黃草編、浙江的金絲草編、湖南龍須草編、台灣的藺草、稻草編。\r\n本件草編人物掛飾，以草編橢圓形墊底，上襯不織布做成的演奏樂器姑娘，裝飾用色鮮明，類似少數民族少女，人物形態稚秀可愛，任人看了都喜歡！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908143","MainTitle":"上海絨織墊(貓熊)","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"上海絨織，也稱上海絨繍、絨線繍、畫繍、東方的油價畫。是新興的中國工藝美術品之一。即用彩色羊毛絨線，在特製的網眼麻布上用各色絨線、一格一針地繡製出圖像的一種工藝品。每一針就是一個小色塊，一個畫面用少剛幾萬個，多則幾十萬個小色塊組合表達。繍製時隨畫換線，因彩施色，因而色彩豐富，層次分明，形象生動。善于表達不同景物的亂針繡，使絨繡的表現力更強，更富于質感。\r\n上海絨繡不但能繍製盤墊、書包，也能如繪畫般繡出國畫、油畫的筆墨情趣！絨繡原流行於歐洲，二十世紀傳入中國，30年代末，上海絨繡藝術家劉佩珍等劉氏五姐妹率先用絨繡製作人物肖像，50年代初，上海絨繡藝術家高婉玉對絨繡的配色等工藝進行了改革，豐富了色彩。\r\n本件絨織作品「貓熊」，宛如水彩畫、國畫，頗得墨韻之趣！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908144","MainTitle":"上海絨織墊(帆船)","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"上海絨織，也稱上海絨繍、絨線繍、畫繍、東方的油價畫。是新興的中國工藝美術品之一。即用彩色羊毛絨線，在特製的網眼麻布上用各色絨線、一格一針地繡製出圖像的一種工藝品。每一針就是一個小色塊，一個畫面用少剛幾萬個，多則幾十萬個小色塊組合表達。繍製時隨畫換線，因彩施色，因而色彩豐富，層次分明，形象生動。善于表達不同景物的亂針繡，使絨繡的表現力更強，更富于質感。\r\n上海絨繡不但能繍製盤墊、書包，也能如繪畫般繡出國畫、油畫的筆墨情趣！絨繡原流行於歐洲，二十世紀傳入中國，30年代末，上海絨繡藝術家劉佩珍等劉氏五姐妹率先用絨繡製作人物肖像，50年代初，上海絨繡藝術家高婉玉對絨繡的配色等工藝進行了改革，豐富了色彩。\r\n本件絨織作品「帆船」，宛如水彩畫，描寫多艘帆船在湖上飄行，逺山、近水、波影，頗得墨韻之趣！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908145","MainTitle":"柳編搖籃車","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編搖籃車，供嬰兒使用，舖上軟墊，躺在籃上的嬰兒可以被推動來回輕搖，比傳統搖籃多了輪子。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908146","MainTitle":"柳編三層架","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編三層架，供置放各種物品、雜誌、報紙等，均可分類，頗為素雅！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908147","MainTitle":"柳編小方盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編小方盤，供置放現用的各種物品、書籍、雜誌、報紙等，頗為素雅！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908148","MainTitle":"柳編大方盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編大方盤，供置放現用的各種物品、書籍、雜誌、報紙等，頗為素雅！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908149","MainTitle":"柳編橢圓盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編橢圓盤，供置放現用的各種物品、書籍、雜誌、報紙等，頗為素雅！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908150","MainTitle":"柳編提籃-小","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編提籃-小，籃口草綠色，與金白本色相襯，可供置放物品，提取行動攜帶，頗為素雅！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908151","MainTitle":"柳編提籃-中","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編提籃-中，籃口呈敞口橢圓形，可供置放物品，提取行動攜帶，頗為素雅！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908152","MainTitle":"柳編提籃-大","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編提籃-大，籃口呈敞口長方形，可供置放物品，提取行動攜帶，頗為素雅！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908153","MainTitle":"柳編錐狀籃","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編錐狀籃，籃口呈敞口喇叭錐狀形，可供置放物品，揹著行動攜帶，頗為素雅古樸！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908154","MainTitle":"柳編飾品","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編飾品，巧編三朶寶相花，花瓣花蕊各呈放射狀，花心染紅，頗為美麗高貴！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908155","MainTitle":"柳編飾品","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編飾品，巧編4朶寶相花，花瓣花蕊各五瓣，呈放射狀，花心染黑，設計頗類勲章，頗為美麗高貴！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908156","MainTitle":"柳編飾品","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編飾品，巧編12瓣寶相花，花瓣向外長於三只心字蒂上，花心六角星型，設計頗類大寶相花，頗為美麗高貴！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908157","MainTitle":"柳編飾品","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編飾品，巧編三朶寶相花，花瓣向外，花蕊放射呈圓形型，中央寶相花如太陽，左右寶相花四瓣形，富設計感，頗為美麗高貴！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908158","MainTitle":"柳編掛飾(八件)","Creator":"","CreatedYear":"","Size":"001:高:1.1,徑:7.3\r\n002:高:1.5,徑:8\r\n003:長:6,寬:3,高:6.1\r\n004:長:11寬:11,高:0.7\r\n005:長:7.6,寬:5,高:1.2\r\n006:高:0.5,徑:5.5\r\n007:高:4.5,寬:0.7,高:6\r\n008:高:7.5,徑:3.5","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本组柳編掛飾，巧編朶朶寶相花，或飾品，形狀各異，頗多巧思、創意！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908158001","MainTitle":"柳編掛飾(八件)-1","Creator":"","CreatedYear":"","Size":"001:高:1.1,徑:7.3\r\n002:高:1.5,徑:8\r\n003:長:6,寬:3,高:6.1\r\n004:長:11寬:11,高:0.7\r\n005:長:7.6,寬:5,高:1.2\r\n006:高:0.5,徑:5.5\r\n007:高:4.5,寬:0.7,高:6\r\n008:高:7.5,徑:3.5","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTU4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編掛飾，巧編圓形花環，中接人型飾物，頗具巧思、創意！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908158002","MainTitle":"柳編掛飾(八件)-2","Creator":"","CreatedYear":"","Size":"001:高:1.1,徑:7.3\r\n002:高:1.5,徑:8\r\n003:長:6,寬:3,高:6.1\r\n004:長:11寬:11,高:0.7\r\n005:長:7.6,寬:5,高:1.2\r\n006:高:0.5,徑:5.5\r\n007:高:4.5,寬:0.7,高:6\r\n008:高:7.5,徑:3.5","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTU4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編掛飾，巧編放射狀花瓣花蕊，花心點紅，頗具巧思、創意！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908158003","MainTitle":"柳編掛飾(八件)-3","Creator":"","CreatedYear":"","Size":"001:高:1.1,徑:7.3\r\n002:高:1.5,徑:8\r\n003:長:6,寬:3,高:6.1\r\n004:長:11寬:11,高:0.7\r\n005:長:7.6,寬:5,高:1.2\r\n006:高:0.5,徑:5.5\r\n007:高:4.5,寬:0.7,高:6\r\n008:高:7.5,徑:3.5","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTU4MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編掛飾，巧編抽象帶翅羽人，頗具巧思、創意！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908158004","MainTitle":"柳編掛飾(八件)-4","Creator":"","CreatedYear":"","Size":"001:高:1.1,徑:7.3\r\n002:高:1.5,徑:8\r\n003:長:6,寬:3,高:6.1\r\n004:長:11寬:11,高:0.7\r\n005:長:7.6,寬:5,高:1.2\r\n006:高:0.5,徑:5.5\r\n007:高:4.5,寬:0.7,高:6\r\n008:高:7.5,徑:3.5","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTU4MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編掛飾，巧編九瓣星狀寶相花，中央也是九瓣花，十分別緻，頗具巧思、創意！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908158005","MainTitle":"柳編掛飾(八件)-5","Creator":"","CreatedYear":"","Size":"001:高:1.1,徑:7.3\r\n002:高:1.5,徑:8\r\n003:長:6,寬:3,高:6.1\r\n004:長:11寬:11,高:0.7\r\n005:長:7.6,寬:5,高:1.2\r\n006:高:0.5,徑:5.5\r\n007:高:4.5,寬:0.7,高:6\r\n008:高:7.5,徑:3.5","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTU4MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編掛飾，巧編抽象帶翅羽人，頗具巧思、創意！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908158006","MainTitle":"柳編掛飾(八件)-6","Creator":"","CreatedYear":"","Size":"001:高:1.1,徑:7.3\r\n002:高:1.5,徑:8\r\n003:長:6,寬:3,高:6.1\r\n004:長:11寬:11,高:0.7\r\n005:長:7.6,寬:5,高:1.2\r\n006:高:0.5,徑:5.5\r\n007:高:4.5,寬:0.7,高:6\r\n008:高:7.5,徑:3.5","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTU4MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編掛飾，巧編多大理花狀寶相花，中央也是多瓣花，花心方形，十分別緻，頗具巧思、創意！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908158007","MainTitle":"柳編掛飾(八件)-7","Creator":"","CreatedYear":"","Size":"001:高:1.1,徑:7.3\r\n002:高:1.5,徑:8\r\n003:長:6,寬:3,高:6.1\r\n004:長:11寬:11,高:0.7\r\n005:長:7.6,寬:5,高:1.2\r\n006:高:0.5,徑:5.5\r\n007:高:4.5,寬:0.7,高:6\r\n008:高:7.5,徑:3.5","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTU4MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編掛飾，巧編雞心型，線條相係處呈方勝形，十分別緻，頗具巧思、創意！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908158008","MainTitle":"柳編掛飾(八件)-8","Creator":"","CreatedYear":"","Size":"001:高:1.1,徑:7.3\r\n002:高:1.5,徑:8\r\n003:長:6,寬:3,高:6.1\r\n004:長:11寬:11,高:0.7\r\n005:長:7.6,寬:5,高:1.2\r\n006:高:0.5,徑:5.5\r\n007:高:4.5,寬:0.7,高:6\r\n008:高:7.5,徑:3.5","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTU4MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編掛飾，巧編松果形，技術巧妙！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908159","MainTitle":"柳編花環","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"柳編是用柳條編織的工藝品，在中國多處地方，當地農民把柳編作為主要的收入來源。它不僅凝聚了農民最樸實的智慧，也反映綠色農業的廣濶前景。在古代人們只是作為普通的日常實用品，直到20世紀後才漸成出口創匯的項目。\r\n中國的三大柳編生產基地～山東、河南、安徽。它的起源甚早，在新石器時代就出現用柳條編織的籃筐。春秋戰國時期，用柳條編織杯盤等，外塗以漆，稱為「杯棬」。唐代，河北滄州柳箱已經著名，宋代以後傳統柳編工藝品主要有衣箱、筐籮、簸箕、貯籃等，近代又推出搖籃車、層架、各式盤、籃、飾品等。\r\n柳編的主要材料是綿柳，農民自家種植，一般初春種，夏末就可割下儲存秋冬之用。為什麼用綿柳呢？因綿柳比垂柳較癟，透氣性更好，利于編製。其工序～割取原料、剝皮、選料、存儲、編製。將外皮去除曬乾後的柳條，柔軟易彎、粗細勻稱、色澤高雅；首先，將柳條泡軟、起底、編織。\r\n本件柳編掛飾，巧編花環，環下掛飾，琳琅滿目，變化多端，葉形、花形、太陽形，最下為小羽人，技術巧妙，想見隨風搖曳，景致引發思古幽情！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908160","MainTitle":"蘇繡-美人與小狗","Creator":"中國蘇州刺繡研究所","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"蘇繍，原指江蘇東部各地刺繍之總稱，包括蘇州、無錫、常州、南通、揚州等地的傳統刺繡。其中以蘇州刺繍最古且盛，至今流傳，故時下已為江蘇剌繍之一般總代名詞。\r\n蘇繍是中國四大名繍之一，以其工藝細膩、精美，2006年被列為中國國家級非物質文化遺產。近代以南通的沈壽最為出名，其作品屢次入遌國寶級贈品。據《說苑》記載，春秋時期吳國地區已經有「繍衣而豹裘」，三國時期吳國孫權的趙夫人擅長刺繍，能在方帛上繍山河城邑等圖案畫像，被當時人稱為「針絕」。宋代蘇州戶戶有剌繡，明代蘇繍成為「精細雅清」之地方特色。清代蘇繍鼎盛，民國以來逐漸式微，亟待保護！\r\n蘇繍可分「傳統細繍、仿真繍、亂針繡」三大譜系，蘇繍有「圖案秀麗、色彩典雅、針法活潑、製作精細」之特色。在中國刺繡～蘇繍、湘繡、蜀繍、粵繍(以四大名繍)，北京京繍、溫州甌繍、開封汴繡、上海顧繡、苗族苗繍中，蘇繍堪稱第一。刺繡的針法有「錯針繍、亂針繡、網繍、滿地繍、鎖絲、納絲、納錦、平金、影金、盤金、鋪絨、刮絨、戳紗、灑線、挑花」等等。用途主要包括生活裝飾，生活用品。\r\n本件蘇繍作品「美人與小狗」，頗具宋畫風格，鑲在木座屏，顯得十分典麗清雅。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908161","MainTitle":"蘇繡-普賢菩薩","Creator":"中國蘇州刺繡研究所","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"蘇繍，原指江蘇東部各地刺繍之總稱，包括蘇州、無錫、常州、南通、揚州等地的傳統刺繡。其中以蘇州刺繍最古且盛，至今流傳，故時下已為江蘇剌繍之一般總代名詞。\r\n蘇繍是中國四大名繍之一，以其工藝細膩、精美，2006年被列為中國國家級非物質文化遺產。近代以南通的沈壽最為出名，其作品屢次入遌國寶級贈品。據《說苑》記載，春秋時期吳國地區已經有「繍衣而豹裘」，三國時期吳國孫權的趙夫人擅長刺繍，能在方帛上繍山河城邑等圖案畫像，被當時人稱為「針絕」。宋代蘇州戶戶有剌繡，明代蘇繍成為「精細雅清」之地方特色。清代蘇繍鼎盛，民國以來逐漸式微，亟待保護！\r\n蘇繍可分「傳統細繍、仿真繍、亂針繡」三大譜系，蘇繍有「圖案秀麗、色彩典雅、針法活潑、製作精細」之特色。在中國刺繡～蘇繍、湘繡、蜀繍、粵繍(以四大名繍)，北京京繍、溫州甌繍、開封汴繡、上海顧繡、苗族苗繍中，蘇繍堪稱第一。刺繡的針法有「錯針繍、亂針繡、網繍、滿地繍、鎖絲、納絲、納錦、平金、影金、盤金、鋪絨、刮絨、戳紗、灑線、挑花」等等。用途主要包括生活裝飾，生活用品。\r\n本件蘇繍作品「普賢菩薩」，頗具古畫風格，鑲在木座屏，顯得十分典麗清雅。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908162","MainTitle":"望江樓銀絲盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的銀絲工藝，十分著名，主要係採用炭絲、穿絲、纍絲、填絲等技法，將銀製成絲並編織成各種樣式的實用器皿或裝飾品。如花瓶、果盤、烟具、茶具、掛屏、手杖、首飾等，主要著名有「北京花絲，四川成都、山東濰坊嵌銀」，製作技法巧妙、纎細玲瓏。\r\n北京的花絲，就是把白銀抽成細軟的絲，運用花絲和點鏨技法，按照設計要求，交互用填絲、纍絲、炭絲、穿絲、搓絲，及在銀片上鏨出點、線、面浮雕圖案，相互組合而成。結構嚴謹、造型別致、虛實相間、富麗堂皇，具有濃厚的東方色彩。近年，又創新「底紋襯托」技藝，更臻提昇。\r\n本件「望江樓銀絲盤」，就是北京美妙的銀工藝！匠師利用上述技藝，作成橢圓倭邊花絲盤，在細密的網格上襯托望江樓的建築風景，雲朶縈繞、帆影淼淼！白銀為貴金屬，經過精密工藝做成銀絲盤，既高貴！又典雅！又實用！憑添生活美感！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908163","MainTitle":"仙鶴銀絲盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的銀絲工藝，十分著名，主要係採用炭絲、穿絲、纍絲、填絲等技法，將銀製成絲並編織成各種樣式的實用器皿或裝飾品。如花瓶、果盤、烟具、茶具、掛屏、手杖、首飾等，主要著名有「北京花絲，四川成都、山東濰坊嵌銀」，製作技法巧妙、纎細玲瓏。\r\n北京的花絲，就是把白銀抽成細軟的絲，運用花絲和點鏨技法，按照設計要求，交互用填絲、纍絲、炭絲、穿絲、搓絲，及在銀片上鏨出點、線、面浮雕圖案，相互組合而成。結構嚴謹、造型別致、虛實相間、富麗堂皇，具有濃厚的東方色彩。近年，又創新「底紋襯托」技藝，更臻提昇。\r\n本件「仙鶴銀絲盤」，就是北京美妙的銀工藝！匠師利用上述技藝，作成圓形花邊銀絲盤，在細密的網格上襯托正面展翅仙鶴！仙鶴在民間傳統習俗，認為吉祥又象徵長壽。白銀為貴金屬，經過精密工藝做成銀絲盤，既高貴！又典雅！又實用！憑添生活美感！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908164","MainTitle":"孔雀開屏銀絲盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的銀絲工藝，十分著名，主要係採用炭絲、穿絲、纍絲、填絲等技法，將銀製成絲並編織成各種樣式的實用器皿或裝飾品。如花瓶、果盤、烟具、茶具、掛屏、手杖、首飾等，主要著名有「北京花絲，四川成都、山東濰坊嵌銀」，製作技法巧妙、纎細玲瓏。\r\n北京的花絲，就是把白銀抽成細軟的絲，運用花絲和點鏨技法，按照設計要求，交互用填絲、纍絲、炭絲、穿絲、搓絲，及在銀片上鏨出點、線、面浮雕圖案，相互組合而成。結構嚴謹、造型別致、虛實相間、富麗堂皇，具有濃厚的東方色彩。近年，又創新「底紋襯托」技藝，更臻提昇。\r\n本件「孔雀開屏銀絲盤」，就是北京美妙的銀工藝！匠師利用上述技藝，作成圓形花邊銀絲盤，在細密的網格上襯托展開尾羽如屏的孔雀！孔雀在民間傳統習俗，認為高貴、吉祥又象徵長壽。白銀為貴金屬，經過精密工藝做成銀絲盤，既高貴！又典雅！又實用！憑添生活美感！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908165","MainTitle":"金絲孔雀架","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的銀絲工藝，十分著名，主要係採用炭絲、穿絲、纍絲、填絲等技法，將銀製成絲並編織成各種樣式的實用器皿或裝飾品。如花瓶、果盤、烟具、茶具、掛屏、手杖、首飾等，主要著名有「北京花絲，四川成都、山東濰坊嵌銀」，製作技法巧妙、纎細玲瓏。\r\n北京的花絲，就是把白銀抽成細軟的絲，運用花絲和點鏨技法，按照設計要求，交互用填絲、纍絲、炭絲、穿絲、搓絲，及在銀片上鏨出點、線、面浮雕圖案，相互組合而成。結構嚴謹、造型別致、虛實相間、富麗堂皇，具有濃厚的東方色彩。近年，又創新「底紋襯托」技藝，更臻提昇。\r\n本件「金絲孔雀架」擺飾，就是北京美妙的銀工藝！匠師利用上述技藝，作成花盆山石葡萄，且加上塡燒琺瑯技藝。葡萄結實纍纍，象徵豐收！孔雀開屏屹立於奇石之上，身體尾羽鍍金，頂冠鑲寶石，翎眼填燒琺瑯，色彩繽紛。在民間傳統習俗，孔雀開屏被認為高貴、吉祥，又象徵長壽。白銀為貴金屬，經過精密工藝做成攞飾，既高貴！又典雅！又實用！憑添生活美感！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908166","MainTitle":"金絲荷花鳥架","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的銀絲工藝，十分著名，主要係採用炭絲、穿絲、纍絲、填絲等技法，將銀製成絲並編織成各種樣式的實用器皿或裝飾品。如花瓶、果盤、烟具、茶具、掛屏、手杖、首飾等，主要著名有「北京花絲，四川成都、山東濰坊嵌銀」，製作技法巧妙、纎細玲瓏。\r\n北京的花絲，就是把白銀抽成細軟的絲，運用花絲和點鏨技法，按照設計要求，交互用填絲、纍絲、炭絲、穿絲、搓絲，及在銀片上鏨出點、線、面浮雕圖案，相互組合而成。結構嚴謹、造型別致、虛實相間、富麗堂皇，具有濃厚的東方色彩。近年，又創新「底紋襯托」技藝，更臻提昇。\r\n本件「金絲荷花鳥架」擺飾，就是北京美妙的銀工藝！匠師利用上述技藝，作成水池荷葉荷花，花上停立蜻蜓，葉上駐足靑蛙，梗上立翠鳥，荷葉蟲鳥鍍金，翎毛、花卉、昆蟲、荷花且加上塡燒彩色琺瑯技藝。在民間傳統觀念，這是一幅荷塘清趣景象，生機盎然！白銀為貴金屬，經過精密工藝做成攞飾，既高貴！又典雅！又覌賞！憑添生活美感！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908167","MainTitle":"金絲籬豆雞雛","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的銀絲工藝，十分著名，主要係採用炭絲、穿絲、纍絲、填絲等技法，將銀製成絲並編織成各種樣式的實用器皿或裝飾品。如花瓶、果盤、烟具、茶具、掛屏、手杖、首飾等，主要著名有「北京花絲，四川成都、山東濰坊嵌銀」，製作技法巧妙、纎細玲瓏。\r\n北京的花絲，就是把白銀抽成細軟的絲，運用花絲和點鏨技法，按照設計要求，交互用填絲、纍絲、炭絲、穿絲、搓絲，及在銀片上鏨出點、線、面浮雕圖案，相互組合而成。結構嚴謹、造型別致、虛實相間、富麗堂皇，具有濃厚的東方色彩。近年，又創新「底紋襯托」技藝，更臻提昇。\r\n本件「金絲架豆雞雛」擺飾，就是北京美妙的銀工藝！匠師利用上述技藝，作成竹架豆藤，花葉盎然，且有結豆筴。竹架豆藤花葉下，有雞雛四隻覓食。為求逼真，且加上塡燒彩色琺瑯技藝。在民間傳統觀念，這是一幅田園自然美景，富有農村之樂！白銀為貴金屬，經過精密工藝做成攞飾，既高貴！又典雅！又覌賞！憑添生活美感！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908168","MainTitle":"瓜形首飾盒","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的銀絲工藝，十分著名，主要係採用炭絲、穿絲、纍絲、填絲等技法，將銀製成絲並編織成各種樣式的實用器皿或裝飾品。如花瓶、果盤、烟具、茶具、掛屏、手杖、首飾等，主要著名有「北京花絲，四川成都、山東濰坊嵌銀」，製作技法巧妙、纎細玲瓏。\r\n北京的花絲，就是把白銀抽成細軟的絲，運用花絲和點鏨技法，按照設計要求，交互用填絲、纍絲、炭絲、穿絲、搓絲，及在銀片上鏨出點、線、面浮雕圖案，相互組合而成。結構嚴謹、造型別致、虛實相間、富麗堂皇，具有濃厚的東方色彩。近年，又創新「底紋襯托」技藝，更臻提昇。\r\n本件「瓜形首飾盒」，就是北京美妙的銀工藝！匠師利用上述技藝，作成南瓜形帶藤蒂的首飾盒子，盒紐帶呈現藤莖雙葉，蓋面且鑲嵌紅綠寶石，纍纍呈圓珠及水珠形。各瓜瓣面，加飾各種花樣，瓜面並以掐絲襯地。為求逼真，各種花葉且加上塡燒彩色琺瑯技藝。在民間傳統觀念，這是一幅南瓜多子、瓜瓞綿延的景物，富有傳統吉祥之義！白銀為貴金屬，經過精密工藝做成攞飾，既高貴！又典雅！又覌賞！又實用！憑添生活美感！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908169","MainTitle":"瓜蟲","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的銀絲工藝，十分著名，主要係採用炭絲、穿絲、纍絲、填絲等技法，將銀製成絲並編織成各種樣式的實用器皿或裝飾品。如花瓶、果盤、烟具、茶具、掛屏、手杖、首飾等，主要著名有「北京花絲，四川成都、山東濰坊嵌銀」，製作技法巧妙、纎細玲瓏。\r\n北京的花絲，就是把白銀抽成細軟的絲，運用花絲和點鏨技法，按照設計要求，交互用填絲、纍絲、炭絲、穿絲、搓絲，及在銀片上鏨出點、線、面浮雕圖案，相互組合而成。結構嚴謹、造型別致、虛實相間、富麗堂皇，具有濃厚的東方色彩。近年，又創新「底紋襯托」技藝，更臻提昇。\r\n本件「瓜蟲」擺飾，就是北京美妙的銀工藝！匠師利用上述技藝，作成刺瓜形帶藤葉昆蟲的擺飾。葉藤鍍金，為求逼真，刺瓜昆蟲且加上塡燒綠色琺瑯技藝。在民間傳統觀念，這是一幅刺瓜多子、瓜瓞綿延的景物，富有傳統吉祥之義！白銀為貴金屬，經過精密工藝做成攞飾，既高貴！又典雅！又覌賞！憑添生活美感！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908170","MainTitle":"流荷蜻蜓","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的銀絲工藝，十分著名，主要係採用炭絲、穿絲、纍絲、填絲等技法，將銀製成絲並編織成各種樣式的實用器皿或裝飾品。如花瓶、果盤、烟具、茶具、掛屏、手杖、首飾等，主要著名有「北京花絲，四川成都、山東濰坊嵌銀」，製作技法巧妙、纎細玲瓏。\r\n北京的花絲，就是把白銀抽成細軟的絲，運用花絲和點鏨技法，按照設計要求，交互用填絲、纍絲、炭絲、穿絲、搓絲，及在銀片上鏨出點、線、面浮雕圖案，相互組合而成。結構嚴謹、造型別致、虛實相間、富麗堂皇，具有濃厚的東方色彩。近年，又創新「底紋襯托」技藝，更臻提昇。\r\n本件「流荷蜻蜓」擺飾，就是北京美妙的銀工藝！匠師利用上述技藝，作成荷花流動、蜻蜓飛駐的形象擺飾。青蜓葉脈荷梗蓮蓬鍍金，為求逼真，且加上塡燒綠色琺瑯技藝。在民間傳統觀念，這是一幅荷塘清趣的景物，富有傳統清雅之義！白銀為貴金屬，經過精密工藝做成攞飾，既高貴！又典雅！又覌賞！憑添生活美感！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908171","MainTitle":"雞雛蟋蟀","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的銀絲工藝，十分著名，主要係採用炭絲、穿絲、纍絲、填絲等技法，將銀製成絲並編織成各種樣式的實用器皿或裝飾品。如花瓶、果盤、烟具、茶具、掛屏、手杖、首飾等，主要著名有「北京花絲，四川成都、山東濰坊嵌銀」，製作技法巧妙、纎細玲瓏。\r\n北京的花絲，就是把白銀抽成細軟的絲，運用花絲和點鏨技法，按照設計要求，交互用填絲、纍絲、炭絲、穿絲、搓絲，及在銀片上鏨出點、線、面浮雕圖案，相互組合而成。結構嚴謹、造型別致、虛實相間、富麗堂皇，具有濃厚的東方色彩。近年，又創新「底紋襯托」技藝，更臻提昇。\r\n本件「雞雛蟋蟀」擺飾，就是北京美妙的銀工藝！匠師利用上述技藝，作成渾圓纍絲編織身體及片羽翅形象的小雞擺飾，並加上鍍金。而蟋蟀則是加上塡燒綠色琺瑯技藝。在民間傳統觀念，這是一幅兩隻小雞在逗蟋蟀的田園生態景物，富有傳統鄉土風味之趣！白銀為貴金屬，經過精密工藝做成攞飾，既高貴！又典雅！又覌賞！憑添生活美感！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908172","MainTitle":"牽牛花八曲形銀絲盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的銀絲工藝，十分著名，主要係採用炭絲、穿絲、纍絲、填絲等技法，將銀製成絲並編織成各種樣式的實用器皿或裝飾品。如花瓶、果盤、烟具、茶具、掛屏、手杖、首飾等，主要著名有「北京花絲，四川成都、山東濰坊嵌銀」，製作技法巧妙、纎細玲瓏。\r\n北京的花絲，就是把白銀抽成細軟的絲，運用花絲和點鏨技法，按照設計要求，交互用填絲、纍絲、炭絲、穿絲、搓絲，及在銀片上鏨出點、線、面浮雕圖案，相互組合而成。結構嚴謹、造型別致、虛實相間、富麗堂皇，具有濃厚的東方色彩。近年，又創新「底紋襯托」技藝，更臻提昇。\r\n本件「牽牛花八曲形銀絲盤」，就是北京美妙的銀工藝！匠師利用上述技藝，作成圓形八瓣花邊銀絲盤，在細密的網格上襯托牽牛花葉，有鄉村野花的清趣！白銀為貴金屬，經過精密工藝做成銀絲盤，既高貴！又典雅！又實用！憑添生活美感！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908173","MainTitle":"蒙古刀","Creator":"甘肅省寧夏民族特需用品廠","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"蒙古刀是牧民隨身攜帶的生產生活工具，也是男子佩帶的一種裝飾品。依據傳統習俗，不戴蒙古刀的男子漢，婦女多看不起，但蒙古刀並非械鬥工具，而是蒙古人贈送尊貴朋友最珍貴的禮品。蒙古刀深得貴族喜愛，它溶入了蒙古族文化的精髓，也代表了蒙古族精湛的工藝。\r\n元朝因是蒙古統治，而元朝蒙古腰刀普遍注重彎曲，這種彎曲度很適用於馬戰。當時世界上以大馬士革刀為最好的單兵武器，可是戰爭時，刀的彎曲度大，其力的釋放比直形兵器要強得多，元朝士兵所持彎刀反而展現強大的戰力，蒙古刀自此開始聞名。\r\n現代蒙古刀一般作為觀賞和紀念之用，刀身一般採用優質花紋鋼反覆鍛打製成，注重鋼口硬而鋒利，刀柄和刀鞘除了好用為主外，還強調突顯美觀作用。用金、銀、銅、鐵、木、牛角、牛骨、牛皮等材料，視主人身份、富貴程度區別，以不同的工藝製成。蒙古刀做工精良，鋒利無比，削鐵如泥。刀柄、刀鞘很講究，有的還鑲嵌銀質、銅質、鋁質的花紋圖案，有的甚至鑲嵌寶石。蒙古刀有長十几厘米至數十厘米不等。而影響蒙古刀形成的因素，主要有生產及生活方式、民族禮儀、宗教信仰等。\r\n本件作品「蒙古刀」，是甘肅省寧夏民族特需用品廠製，屬不鏽鋼小刀，刀身鎸刻河州，柄鞘皆有裝飾，小巧精緻！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908174","MainTitle":"英吉沙小刀(兩把)","Creator":"","CreatedYear":"","Size":"001(含套):長:23.6，寬:3.5，高:2.6。(刀:長:23，寬:3.7，高:2.2、鐵套:長:14，寬:2.5，高:1.2)\r\n002(含套):長:21.4，寬:3.5，高:1.7。(刀:長:19.1，寬:3.5，高:1.1、皮套:長:20，寬:3.0，高:1.5)\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「英吉沙小刀」以其精美的造型、秀麗的紋飾、鋒利的刄口，而工藝聞名。英吉沙，維吾爾族語，意為「新城」，地處塔里木盆地西緣，昆侖山北麓，是古絲綢之路的驛站，是著名的「中國小刀之鄉」。\r\n英吉沙小刀是中國少數民族三大名刀之一，與保安族的保安腰刀、雲南阿昌族的戶撒刀齊名。英吉沙小刀有彎式、直式、箭式、鴿式等12個品種傳統造型。\r\n英吉沙縣有1000多名刀匠，人們一般將做刀人分為「刀匠、師傅、大師傅」三個級別，一般刀匠都不在刀上刻名字，師傅級別、多數刻名字，大師傅級別、必刻名字。\r\n英吉沙小刀一般用不鏽、彈簧鋼、軸承鋼等打製，好的刀是以側結鋼工藝打製，那是一錘一錘的手工鍛打的，淬火到位後，削鐵如泥！\r\n本組作品「英吉沙小刀(兩把），工藝各具特色，頗為小巧精緻！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908174001","MainTitle":"英吉沙小刀(兩把)-刀(含套)","Creator":"","CreatedYear":"","Size":"001(含套):長:23.6，寬:3.5，高:2.6。(刀:長:23，寬:3.7，高:2.2、鐵套:長:14，寬:2.5，高:1.2)\r\n002(含套):長:21.4，寬:3.5，高:1.7。(刀:長:19.1，寬:3.5，高:1.1、皮套:長:20，寬:3.0，高:1.5)\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTc0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「英吉沙小刀」以其精美的造型、秀麗的紋飾、鋒利的刄口，而工藝聞名。英吉沙，維吾爾族語，意為「新城」，地處塔里木盆地西緣，昆侖山北麓，是古絲綢之路的驛站，是著名的「中國小刀之鄉」。\r\n英吉沙小刀是中國少數民族三大名刀之一，與保安族的保安腰刀、雲南阿昌族的戶撒刀齊名。英吉沙小刀有彎式、直式、箭式、鴿式等12個品種傳統造型。\r\n英吉沙縣有1000多名刀匠，人們一般將做刀人分為「刀匠、師傅、大師傅」三個級別，一般刀匠都不在刀上刻名字，師傅級別、多數刻名字，大師傅級別、必刻名字。\r\n英吉沙小刀一般用不鏽、彈簧鋼、軸承鋼等打製，好的刀是以側結鋼工藝打製，那是一錘一錘的手工鍛打的，淬火到位後，削鐵如泥！\r\n本組作品「英吉沙小刀(兩把）-直刄，柄、刄與鞘各塡燒琺瑯，鑲嵌人造寶石，頗為小巧精緻！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908174002","MainTitle":"英吉沙小刀(兩把)-刀(含套)","Creator":"","CreatedYear":"","Size":"001(含套):長:23.6，寬:3.5，高:2.6。(刀:長:23，寬:3.7，高:2.2、鐵套:長:14，寬:2.5，高:1.2)\r\n002(含套):長:21.4，寬:3.5，高:1.7。(刀:長:19.1，寬:3.5，高:1.1、皮套:長:20，寬:3.0，高:1.5)\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTc0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「英吉沙小刀」以其精美的造型、秀麗的紋飾、鋒利的刄口，而工藝聞名。英吉沙，維吾爾族語，意為「新城」，地處塔里木盆地西緣，昆侖山北麓，是古絲綢之路的驛站，是著名的「中國小刀之鄉」。\r\n英吉沙小刀是中國少數民族三大名刀之一，與保安族的保安腰刀、雲南阿昌族的戶撒刀齊名。英吉沙小刀有彎式、直式、箭式、鴿式等12個品種傳統造型。\r\n英吉沙縣有1000多名刀匠，人們一般將做刀人分為「刀匠、師傅、大師傅」三個級別，一般刀匠都不在刀上刻名字，師傅級別、多數刻名字，大師傅級別、必刻名字。\r\n英吉沙小刀一般用不鏽、彈簧鋼、軸承鋼等打製，好的刀是以側結鋼工藝打製，那是一錘一錘的手工鍛打的，淬火到位後，削鐵如泥！\r\n本組作品「英吉沙小刀(兩把）-皮套，柄作鴿頭，頗為小巧精緻！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908175","MainTitle":"牡丹花瓶(乙對)","Creator":"","CreatedYear":"","Size":"001左紅、002右紅","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"搪瓷，又稱琺瑯，指將玻璃或陶瓷質粉末熔解在基質(如金屬、玻璃、陶瓷)表面形成的外殻，多為彩色具有藝術美感的花樣，用於保護和裝飾。它的工藝技法，是用石英、長石等為主要原料，並加入純鹼、硼砂等為溶劑，氧化鈦、氧化銻、氟化物等為乳濁劑，金屬氧化物為着色劑，經過粉碎、混合熔融後，傾入水中急冷成琺瑯漿，塗敷於金屬製品表面，經過乾燥、燒成，即得搪瓷琺瑯製品。\r\n中國的琺瑯器，以金屬胎琺瑯器較多，常見有掐絲琺瑯、畫琺瑯兩大類，此外，偶爾可見鏨胎琺瑯及透明琺瑯。\r\n本組作品「牡丹花瓶(乙對)，即北京搪瓷掐絲琺瑯對瓶，瓶作乳白雲紋底，襯托牡丹花葉、舞蝶，瓶口連心紋青紅圖樣為飾，整體對瓶，著色明快艷麗，端莊優雅！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908175001","MainTitle":"牡丹花瓶(乙對)-左紅","Creator":"","CreatedYear":"","Size":"001左紅、002右紅","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTc1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"搪瓷，又稱琺瑯，指將玻璃或陶瓷質粉末熔解在基質(如金屬、玻璃、陶瓷)表面形成的外殻，多為彩色具有藝術美感的花樣，用於保護和裝飾。它的工藝技法，是用石英、長石等為主要原料，並加入純鹼、硼砂等為溶劑，氧化鈦、氧化銻、氟化物等為乳濁劑，金屬氧化物為着色劑，經過粉碎、混合熔融後，傾入水中急冷成琺瑯漿，塗敷於金屬製品表面，經過乾燥、燒成，即得搪瓷琺瑯製品。\r\n中國的琺瑯器，以金屬胎琺瑯器較多，常見有掐絲琺瑯、畫琺瑯兩大類，此外，偶爾可見鏨胎琺瑯及透明琺瑯。\r\n本組作品「牡丹花瓶(乙對)-左紅，即北京搪瓷掐絲琺瑯對瓶，瓶作乳白雲紋底，襯托牡丹花葉、舞蝶，瓶口連心紋青紅圖樣為飾，整體花瓶，著色明快艷麗，端莊優雅！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908175002","MainTitle":"牡丹花瓶(乙對)-右紅","Creator":"","CreatedYear":"","Size":"001左紅、002右紅","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTc1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"搪瓷，又稱琺瑯，指將玻璃或陶瓷質粉末熔解在基質(如金屬、玻璃、陶瓷)表面形成的外殻，多為彩色具有藝術美感的花樣，用於保護和裝飾。它的工藝技法，是用石英、長石等為主要原料，並加入純鹼、硼砂等為溶劑，氧化鈦、氧化銻、氟化物等為乳濁劑，金屬氧化物為着色劑，經過粉碎、混合熔融後，傾入水中急冷成琺瑯漿，塗敷於金屬製品表面，經過乾燥、燒成，即得搪瓷琺瑯製品。\r\n中國的琺瑯器，以金屬胎琺瑯器較多，常見有掐絲琺瑯、畫琺瑯兩大類，此外，偶爾可見鏨胎琺瑯及透明琺瑯。\r\n本組作品「牡丹花瓶(乙對)-右紅，即北京搪瓷掐絲琺瑯對瓶，瓶作乳白雲紋底，襯托牡丹花葉、舞蝶，瓶口連心紋青紅圖樣為飾，整體花瓶，著色明快艷麗，端莊優雅！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908176","MainTitle":"銀筷子(一雙)","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"搪瓷，又稱琺瑯，指將玻璃或陶瓷質粉末熔解在基質(如金屬、玻璃、陶瓷)表面形成的外殻，多為彩色具有藝術美感的花樣，用於保護和裝飾。它的工藝技法，是用石英、長石等為主要原料，並加入純鹼、硼砂等為溶劑，氧化鈦、氧化銻、氟化物等為乳濁劑，金屬氧化物為着色劑，經過粉碎、混合熔融後，傾入水中急冷成琺瑯漿，塗敷於金屬製品表面，經過乾燥、燒成，即得搪瓷琺瑯製品。\r\n中國的琺瑯器，以金屬胎琺瑯器較多，常見有掐絲琺瑯、畫琺瑯兩大類，此外，偶爾可見鏨胎琺瑯及透明琺瑯。\r\n本組作品「銀筷子(一雙)，即北京搪瓷琺瑯製品，在銀質筷身上半部，加上掐絲琺瑯，即端莊優雅，又高貴實用！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908177","MainTitle":"文字盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"搪瓷，又稱琺瑯，指將玻璃或陶瓷質粉末熔解在基質(如金屬、玻璃、陶瓷)表面形成的外殻，多為彩色具有藝術美感的花樣，用於保護和裝飾。它的工藝技法，是用石英、長石等為主要原料，並加入純鹼、硼砂等為溶劑，氧化鈦、氧化銻、氟化物等為乳濁劑，金屬氧化物為着色劑，經過粉碎、混合熔融後，傾入水中急冷成琺瑯漿，塗敷於金屬製品表面，經過乾燥、燒成，即得搪瓷琺瑯製品。\r\n中國的琺瑯器，以金屬胎琺瑯器較多，常見有掐絲琺瑯、畫琺瑯兩大類，此外，偶爾可見鏨胎琺瑯及透明琺瑯。\r\n本組作品「文字盤」，即北京搪瓷琺瑯製品，在銅質圓盤上，加上佛家八吉祥、梵文、忍冬紋等掐絲琺瑯，即端莊優雅，又高貴實用！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908178","MainTitle":"萬里長城","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鐵畫，指用鐵片和鐵絲鍛打焊接成為圖畫的一種工藝品，一般塗成黑色或棕紅色，作成掛屏、掛燈。相傳是明末清初安徽蕪湖鉄匠湯鵬所創，以後逐漸傳到外地。\r\n鐵畫是用鉄鑄成線條，再焊接而成的，主要是借鑒國畫的水墨、章法、布局，線條簡明有力，蒼勁古樸。鐵畫工藝綜合了古代金銀空花的焊接技術，吸取了剪紙、木刻、磚雕的長處，融合了國畫的筆意章法，畫面明暗對比鮮明，虛實結合，立體感強，有國畫黑白相間的風韻美，也有西畫層次分明的立體美。\r\n鐵畫的種類很多，有人物木石、山川風景、花鳥草蟲，總之凡能在紙上畫出的，鐵畫均可一展其風韻。\r\n本件鐵畫作品「萬里長城」，線條黑白相襯、布局畫面，長城遠近分明，十分逼真，也別具風格，引人入勝，令人讚美！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908179","MainTitle":"花蟲(四幅)","Creator":"","CreatedYear":"","Size":"001螳螂、002蝴蝶、003蜻蜓、004蟋蟀","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鐵畫，指用鐵片和鐵絲鍛打焊接成為圖畫的一種工藝品，一般塗成黑色或棕紅色，作成掛屏、掛燈。相傳是明末清初安徽蕪湖鉄匠湯鵬所創，以後逐漸傳到外地。\r\n鐵畫是用鉄鑄成線條，再焊接而成的，主要是借鑒國畫的水墨、章法、布局，線條簡明有力，蒼勁古樸。鐵畫工藝綜合了古代金銀空花的焊接技術，吸取了剪紙、木刻、磚雕的長處，融合了國畫的筆意章法，畫面明暗對比鮮明，虛實結合，立體感強，有國畫黑白相間的風韻美，也有西畫層次分明的立體美。\r\n鐵畫的種類很多，有人物木石、山川風景、花鳥草蟲，總之凡能在紙上畫出的，鐵畫均可一展其風韻。\r\n本件鐵畫作品「花蟲」四幅，各作月圓形，中繪萱花螳螂、蓮科蜻蜓、蝴蝶秋葵、蟋蟀芍藥，線條黑白相襯、布局畫面，生態唯妙，十分逼真，也別具風格，令人讚美！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908179001","MainTitle":"花蟲(四幅)-螳螂","Creator":"","CreatedYear":"","Size":"001螳螂、002蝴蝶、003蜻蜓、004蟋蟀","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTc5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鐵畫，指用鐵片和鐵絲鍛打焊接成為圖畫的一種工藝品，一般塗成黑色或棕紅色，作成掛屏、掛燈。相傳是明末清初安徽蕪湖鉄匠湯鵬所創，以後逐漸傳到外地。\r\n鐵畫是用鉄鑄成線條，再焊接而成的，主要是借鑒國畫的水墨、章法、布局，線條簡明有力，蒼勁古樸。鐵畫工藝綜合了古代金銀空花的焊接技術，吸取了剪紙、木刻、磚雕的長處，融合了國畫的筆意章法，畫面明暗對比鮮明，虛實結合，立體感強，有國畫黑白相間的風韻美，也有西畫層次分明的立體美。\r\n鐵畫的種類很多，有人物木石、山川風景、花鳥草蟲，總之凡能在紙上畫出的，鐵畫均可一展其風韻。\r\n本件鐵畫作品「花蟲(四幅）-螳螂，此作月圓形，中繪萱花螳螂，迎風搖曳於園石之上，線條黑白相襯、布局畫面，生態唯妙，十分逼真，也別具風格，令人讚美！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908179002","MainTitle":"花蟲(四幅)-蝴蝶","Creator":"","CreatedYear":"","Size":"001螳螂、002蝴蝶、003蜻蜓、004蟋蟀","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTc5MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鐵畫，指用鐵片和鐵絲鍛打焊接成為圖畫的一種工藝品，一般塗成黑色或棕紅色，作成掛屏、掛燈。相傳是明末清初安徽蕪湖鉄匠湯鵬所創，以後逐漸傳到外地。\r\n鐵畫是用鉄鑄成線條，再焊接而成的，主要是借鑒國畫的水墨、章法、布局，線條簡明有力，蒼勁古樸。鐵畫工藝綜合了古代金銀空花的焊接技術，吸取了剪紙、木刻、磚雕的長處，融合了國畫的筆意章法，畫面明暗對比鮮明，虛實結合，立體感強，有國畫黑白相間的風韻美，也有西畫層次分明的立體美。\r\n鐵畫的種類很多，有人物木石、山川風景、花鳥草蟲，總之凡能在紙上畫出的，鐵畫均可一展其風韻。\r\n本件鐵畫作品「花蟲(四幅）-蝴蝶，此作月圓形，中繪蝴蝶秋葵，迎風搖曳於園石之上，線條黑白相襯、布局畫面，生態唯妙，十分逼真，也別具風格，令人讚美！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908179003","MainTitle":"花蟲(四幅)-蜻蜓","Creator":"","CreatedYear":"","Size":"001螳螂、002蝴蝶、003蜻蜓、004蟋蟀","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTc5MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鐵畫，指用鐵片和鐵絲鍛打焊接成為圖畫的一種工藝品，一般塗成黑色或棕紅色，作成掛屏、掛燈。相傳是明末清初安徽蕪湖鉄匠湯鵬所創，以後逐漸傳到外地。\r\n鐵畫是用鉄鑄成線條，再焊接而成的，主要是借鑒國畫的水墨、章法、布局，線條簡明有力，蒼勁古樸。鐵畫工藝綜合了古代金銀空花的焊接技術，吸取了剪紙、木刻、磚雕的長處，融合了國畫的筆意章法，畫面明暗對比鮮明，虛實結合，立體感強，有國畫黑白相間的風韻美，也有西畫層次分明的立體美。\r\n鐵畫的種類很多，有人物木石、山川風景、花鳥草蟲，總之凡能在紙上畫出的，鐵畫均可一展其風韻。\r\n本件鐵畫作品「花蟲(四幅）-蜻蜓，此作月圓形，中繪蜻蜓蓮科，迎風搖曳於池沼之上，線條黑白相襯、布局畫面，生態唯妙，十分逼真，也別具風格，令人讚美！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908179004","MainTitle":"花蟲(四幅)-蟋蟀","Creator":"","CreatedYear":"","Size":"001螳螂、002蝴蝶、003蜻蜓、004蟋蟀","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTc5MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鐵畫，指用鐵片和鐵絲鍛打焊接成為圖畫的一種工藝品，一般塗成黑色或棕紅色，作成掛屏、掛燈。相傳是明末清初安徽蕪湖鉄匠湯鵬所創，以後逐漸傳到外地。\r\n鐵畫是用鉄鑄成線條，再焊接而成的，主要是借鑒國畫的水墨、章法、布局，線條簡明有力，蒼勁古樸。鐵畫工藝綜合了古代金銀空花的焊接技術，吸取了剪紙、木刻、磚雕的長處，融合了國畫的筆意章法，畫面明暗對比鮮明，虛實結合，立體感強，有國畫黑白相間的風韻美，也有西畫層次分明的立體美。\r\n鐵畫的種類很多，有人物木石、山川風景、花鳥草蟲，總之凡能在紙上畫出的，鐵畫均可一展其風韻。\r\n本件鐵畫作品「花蟲(四幅）-蟋蟀，此作月圓形，中繪蟋蟀芍藥，迎風搖曳於園石之上，線條黑白相襯、布局畫面，生態唯妙，十分逼真，也別具風格，令人讚美！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908180","MainTitle":"人物(四幅)","Creator":"","CreatedYear":"","Size":"001矇眼、002玩炮竹、004踢毽子、004玩皮球","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鐵畫，指用鐵片和鐵絲鍛打焊接成為圖畫的一種工藝品，一般塗成黑色或棕紅色，作成掛屏、掛燈。相傳是明末清初安徽蕪湖鉄匠湯鵬所創，以後逐漸傳到外地。\r\n鐵畫是用鉄鑄成線條，再焊接而成的，主要是借鑒國畫的水墨、章法、布局，線條簡明有力，蒼勁古樸。鐵畫工藝綜合了古代金銀空花的焊接技術，吸取了剪紙、木刻、磚雕的長處，融合了國畫的筆意章法，畫面明暗對比鮮明，虛實結合，立體感強，有國畫黑白相間的風韻美，也有西畫層次分明的立體美。\r\n鐵畫的種類很多，有人物木石、山川風景、花鳥草蟲，總之凡能在紙上畫出的，鐵畫均可一展其風韻。\r\n本件鐵畫作品「人物(四幅）」，各作月圓形，中繪兒童人物，嬉戲於庭院，線條黑白相襯、布局畫面，生態唯妙，十分逼真，也別具風格，令人讚美！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908180001","MainTitle":"人物(四幅)-矇眼","Creator":"","CreatedYear":"","Size":"001矇眼、002玩炮竹、004踢毽子、004玩皮球","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTgwMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鐵畫，指用鐵片和鐵絲鍛打焊接成為圖畫的一種工藝品，一般塗成黑色或棕紅色，作成掛屏、掛燈。相傳是明末清初安徽蕪湖鉄匠湯鵬所創，以後逐漸傳到外地。\r\n鐵畫是用鉄鑄成線條，再焊接而成的，主要是借鑒國畫的水墨、章法、布局，線條簡明有力，蒼勁古樸。鐵畫工藝綜合了古代金銀空花的焊接技術，吸取了剪紙、木刻、磚雕的長處，融合了國畫的筆意章法，畫面明暗對比鮮明，虛實結合，立體感強，有國畫黑白相間的風韻美，也有西畫層次分明的立體美。\r\n鐵畫的種類很多，有人物木石、山川風景、花鳥草蟲，總之凡能在紙上畫出的，鐵畫均可一展其風韻。\r\n本件鐵畫作品「人物(四幅)-矇眼」，幅作月圓形，中繪兒童人物，一童矇眼，正在玩捉迷藏，嬉戲於庭院，線條黑白相襯、布局畫面，生態唯妙，十分逼真，也別具風格，令人讚美！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908180002","MainTitle":"人物(四幅)-玩炮竹","Creator":"","CreatedYear":"","Size":"001矇眼、002玩炮竹、004踢毽子、004玩皮球","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTgwMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鐵畫，指用鐵片和鐵絲鍛打焊接成為圖畫的一種工藝品，一般塗成黑色或棕紅色，作成掛屏、掛燈。相傳是明末清初安徽蕪湖鉄匠湯鵬所創，以後逐漸傳到外地。\r\n鐵畫是用鉄鑄成線條，再焊接而成的，主要是借鑒國畫的水墨、章法、布局，線條簡明有力，蒼勁古樸。鐵畫工藝綜合了古代金銀空花的焊接技術，吸取了剪紙、木刻、磚雕的長處，融合了國畫的筆意章法，畫面明暗對比鮮明，虛實結合，立體感強，有國畫黑白相間的風韻美，也有西畫層次分明的立體美。\r\n鐵畫的種類很多，有人物木石、山川風景、花鳥草蟲，總之凡能在紙上畫出的，鐵畫均可一展其風韻。\r\n本件鐵畫作品「人物(四幅)-玩炮竹」，幅作月圓形，中繪兒童人物，一童摀耳，一童正在點燃炮竹，互相嬉戲於庭院，線條黑白相襯、布局畫面，生態唯妙，十分逼真，也別具風格，令人讚美！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908180003","MainTitle":"人物(四幅)-踢毽子","Creator":"","CreatedYear":"","Size":"001矇眼、002玩炮竹、004踢毽子、004玩皮球","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTgwMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鐵畫，指用鐵片和鐵絲鍛打焊接成為圖畫的一種工藝品，一般塗成黑色或棕紅色，作成掛屏、掛燈。相傳是明末清初安徽蕪湖鉄匠湯鵬所創，以後逐漸傳到外地。\r\n鐵畫是用鉄鑄成線條，再焊接而成的，主要是借鑒國畫的水墨、章法、布局，線條簡明有力，蒼勁古樸。鐵畫工藝綜合了古代金銀空花的焊接技術，吸取了剪紙、木刻、磚雕的長處，融合了國畫的筆意章法，畫面明暗對比鮮明，虛實結合，立體感強，有國畫黑白相間的風韻美，也有西畫層次分明的立體美。\r\n鐵畫的種類很多，有人物木石、山川風景、花鳥草蟲，總之凡能在紙上畫出的，鐵畫均可一展其風韻。\r\n本件鐵畫作品「人物(四幅)-踢毽子」，幅作月圓形，中繪兒童人物，一童觀看，一童正在踢毽子，互相嬉戲於庭院，線條黑白相襯、布局畫面，生態唯妙，十分逼真，也別具風格，令人讚美！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908180004","MainTitle":"人物(四幅)-玩皮球","Creator":"","CreatedYear":"","Size":"001矇眼、002玩炮竹、004踢毽子、004玩皮球","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTgwMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鐵畫，指用鐵片和鐵絲鍛打焊接成為圖畫的一種工藝品，一般塗成黑色或棕紅色，作成掛屏、掛燈。相傳是明末清初安徽蕪湖鉄匠湯鵬所創，以後逐漸傳到外地。\r\n鐵畫是用鉄鑄成線條，再焊接而成的，主要是借鑒國畫的水墨、章法、布局，線條簡明有力，蒼勁古樸。鐵畫工藝綜合了古代金銀空花的焊接技術，吸取了剪紙、木刻、磚雕的長處，融合了國畫的筆意章法，畫面明暗對比鮮明，虛實結合，立體感強，有國畫黑白相間的風韻美，也有西畫層次分明的立體美。\r\n鐵畫的種類很多，有人物木石、山川風景、花鳥草蟲，總之凡能在紙上畫出的，鐵畫均可一展其風韻。\r\n本件鐵畫作品「人物(四幅)-玩皮球」，幅作月圓形，中繪兒童人物，二位童子正在追逐皮球，互相嬉戲於庭院，線條黑白相襯、布局畫面，生態唯妙，十分逼真，也別具風格，令人讚美！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908181","MainTitle":"奔牛鐵畫","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鐵畫，指用鐵片和鐵絲鍛打焊接成為圖畫的一種工藝品，一般塗成黑色或棕紅色，作成掛屏、掛燈。相傳是明末清初安徽蕪湖鉄匠湯鵬所創，以後逐漸傳到外地。\r\n鐵畫是用鉄鑄成線條，再焊接而成的，主要是借鑒國畫的水墨、章法、布局，線條簡明有力，蒼勁古樸。鐵畫工藝綜合了古代金銀空花的焊接技術，吸取了剪紙、木刻、磚雕的長處，融合了國畫的筆意章法，畫面明暗對比鮮明，虛實結合，立體感強，有國畫黑白相間的風韻美，也有西畫層次分明的立體美。\r\n鐵畫的種類很多，有人物木石、山川風景、飛禽走獸、花鳥草蟲，總之凡能在紙上畫出的，鐵畫均可一展其風韻。\r\n本件鐵畫作品「奔牛鐵畫」，是安徽蕪湖鉄畫作品，俗稱鉄花，以錘為筆，鍛鉄為畫，幅作月圓形，中繪奔牛，低頭昂角，雄壯威武，勢不可擋！線條肌肉、布局畫面，生態唯妙，栩栩如生，也別具風格，令人讚美！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908182","MainTitle":"景泰藍蝴蝶拼盒","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"景泰藍，學名銅胎掐絲琺瑯，又稱燒青，是金屬胎嵌搪瓷工藝在中國衍生的一個獨立品種。明末時，世傳此物大行於景泰年間，晚清古董行沿用此說，命名為「景泰琺瑯」或「景泰瑯」。後來又因其所用搪瓷釉料多為月藍色，且「瑯、藍」音近，訛變為「景泰藍」。\r\n製作景泰藍時，工序是「製胎、掐絲、燒焊、點藥、燒藍、磨光、點金」，要先將掐製成所需形狀的扁銅絲銲接在銅胎上，在劃分的空格內填入各種顏色的琺瑯漿，後經焙燒磨光點金而成。原在宮廷監管下製作，19世紀其技藝流入民間，成為「燕京八絕」之一，其中景泰藍被列入中國國家級非物質文化遺產。精美的景泰藍製品，必須是色彩潤澤鲜明，胎骨厚重堅實，掐絲整齊匀稱、鍍金璨爛光亮。\r\n本件 景泰藍工藝，以掐絲塡燒琺瑯技法，在黃銅打造的胎體上，精巧佈置蝴蝶優美細膩的形態花紋，付予藝術的梅花梅枝觸鬚，身體、線條、紋飾，紋飾豐富典麗，有寶相花朶、羽毛紋、渦紋、寶錠紋等不勝枚舉。\r\n這件「景泰藍蝴蝶拼盒」的組合，盒身計四個，盒與蓋分開則八個，不但組合細密，連紋飾線條都巧妙接合，因此，合起來是一隻彩蝶，分開是個別的珠寶首飾盒。可謂構思巧妙，造型獨特，妙趣盎然！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908183","MainTitle":"景泰藍蝴蝶拼盒","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"景泰藍，學名銅胎掐絲琺瑯，又稱燒青，是金屬胎嵌搪瓷工藝在中國衍生的一個獨立品種。明末時，世傳此物大行於景泰年間，晚清古董行沿用此說，命名為「景泰琺瑯」或「景泰瑯」。後來又因其所用搪瓷釉料多為月藍色，且「瑯、藍」音近，訛變為「景泰藍」。\r\n製作景泰藍時，工序是「製胎、掐絲、燒焊、點藥、燒藍、磨光、點金」，要先將掐製成所需形狀的扁銅絲銲接在銅胎上，在劃分的空格內填入各種顏色的琺瑯漿，後經焙燒磨光點金而成。原在宮廷監管下製作，19世紀其技藝流入民間，成為「燕京八絕」之一，其中景泰藍被列入中國國家級非物質文化遺產。精美的景泰藍製品，必須是色彩潤澤鲜明，胎骨厚重堅實，掐絲整齊匀稱、鍍金璨爛光亮。\r\n本件 景泰藍工藝，以掐絲塡燒琺瑯技法，在黃銅打造的胎體上，精巧佈置蝴蝶優美細膩的形態花紋，付予藝術的梅花梅枝觸鬚，身體、線條、紋飾，紋飾豐富典麗，有寶相花朶、羽毛紋、渦紋、寶錠紋等不勝枚舉。\r\n這件「景泰藍蝴蝶拼盒」的組合，盒身計四個，盒與蓋分開則八個，不但組合細密，連紋飾線條都巧妙接合，因此，合起來是一隻彩蝶，分開是個別的珠寶首飾盒。可謂構思巧妙，造型獨特，妙趣盎然！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908184","MainTitle":"黑底牡丹花瓶","Creator":"","CreatedYear":"","Size":"001左粉紅牡丹、002右粉紅牡丹","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTg0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"景泰藍，學名銅胎掐絲琺瑯，又稱燒青，是金屬胎嵌搪瓷工藝在中國衍生的一個獨立品種。明末時，世傳此物大行於景泰年間，晚清古董行沿用此說，命名為「景泰琺瑯」或「景泰瑯」。後來又因其所用搪瓷釉料多為月藍色，且「瑯、藍」音近，訛變為「景泰藍」。\r\n製作景泰藍時，工序是「製胎、掐絲、燒焊、點藥、燒藍、磨光、點金」，要先將掐製成所需形狀的扁銅絲銲接在銅胎上，在劃分的空格內填入各種顏色的琺瑯漿，後經焙燒磨光點金而成。原在宮廷監管下製作，19世紀其技藝流入民間，成為「燕京八絕」之一，其中景泰藍被列入中國國家級非物質文化遺產。精美的景泰藍製品，必須是色彩潤澤鲜明，胎骨厚重堅實，掐絲整齊匀稱、鍍金璨爛光亮。\r\n本件 景泰藍工藝，以掐絲塡燒琺瑯技法，在黃銅打造的胎體上，精巧佈置蝴蝶優美細膩的形態花紋，付予藝術的梅花梅枝觸鬚，身體、線條、紋飾，紋飾豐富典麗，有寶相花朶、羽毛紋、渦紋、寶錠紋等不勝枚舉。\r\n這件「景泰藍黑底牡丹花瓶」，是一對天球瓶，瓶身掐絲雲紋、牡丹花枝葉紋、蝴蝶紋，花葉肥美奔放，蝴蝶翩翩飛舞，瓶口緣心紋，在黑底襯托下，十分明艷，工藝動人，妙趣盎然！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908184001","MainTitle":"黑底牡丹花瓶-左粉紅牡丹","Creator":"","CreatedYear":"","Size":"001左粉紅牡丹、002右粉紅牡丹","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTg0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"景泰藍，學名銅胎掐絲琺瑯，又稱燒青，是金屬胎嵌搪瓷工藝在中國衍生的一個獨立品種。明末時，世傳此物大行於景泰年間，晚清古董行沿用此說，命名為「景泰琺瑯」或「景泰瑯」。後來又因其所用搪瓷釉料多為月藍色，且「瑯、藍」音近，訛變為「景泰藍」。\r\n製作景泰藍時，工序是「製胎、掐絲、燒焊、點藥、燒藍、磨光、點金」，要先將掐製成所需形狀的扁銅絲銲接在銅胎上，在劃分的空格內填入各種顏色的琺瑯漿，後經焙燒磨光點金而成。原在宮廷監管下製作，19世紀其技藝流入民間，成為「燕京八絕」之一，其中景泰藍被列入中國國家級非物質文化遺產。精美的景泰藍製品，必須是色彩潤澤鲜明，胎骨厚重堅實，掐絲整齊匀稱、鍍金璨爛光亮。\r\n本件 景泰藍工藝，以掐絲塡燒琺瑯技法，在黃銅打造的胎體上，精巧佈置蝴蝶優美細膩的形態花紋，付予藝術的梅花梅枝觸鬚，身體、線條、紋飾，紋飾豐富典麗，有寶相花朶、羽毛紋、渦紋、寶錠紋等不勝枚舉。\r\n這件「景泰藍黑底牡丹花瓶-左粉紅牡丹」，是一支天球瓶，瓶身掐絲雲紋、牡丹花枝葉紋、蝴蝶紋，花葉肥美奔放，蝴蝶翩翩飛舞，瓶口緣心紋，在黑底襯托下，十分明艷，工藝動人，妙趣盎然！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908184002","MainTitle":"黑底牡丹花瓶-右粉紅牡丹","Creator":"","CreatedYear":"","Size":"001左粉紅牡丹、002右粉紅牡丹","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTg0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"景泰藍，學名銅胎掐絲琺瑯，又稱燒青，是金屬胎嵌搪瓷工藝在中國衍生的一個獨立品種。明末時，世傳此物大行於景泰年間，晚清古董行沿用此說，命名為「景泰琺瑯」或「景泰瑯」。後來又因其所用搪瓷釉料多為月藍色，且「瑯、藍」音近，訛變為「景泰藍」。\r\n製作景泰藍時，工序是「製胎、掐絲、燒焊、點藥、燒藍、磨光、點金」，要先將掐製成所需形狀的扁銅絲銲接在銅胎上，在劃分的空格內填入各種顏色的琺瑯漿，後經焙燒磨光點金而成。原在宮廷監管下製作，19世紀其技藝流入民間，成為「燕京八絕」之一，其中景泰藍被列入中國國家級非物質文化遺產。精美的景泰藍製品，必須是色彩潤澤鲜明，胎骨厚重堅實，掐絲整齊匀稱、鍍金璨爛光亮。\r\n本件 景泰藍工藝，以掐絲塡燒琺瑯技法，在黃銅打造的胎體上，精巧佈置蝴蝶優美細膩的形態花紋，付予藝術的梅花梅枝觸鬚，身體、線條、紋飾，紋飾豐富典麗，有寶相花朶、羽毛紋、渦紋、寶錠紋等不勝枚舉。\r\n這件「景泰藍黑底牡丹花瓶-右粉紅牡丹」，是一支天球瓶，瓶身掐絲雲紋、牡丹花枝葉紋、蝴蝶紋，花葉肥美奔放，蝴蝶翩翩飛舞，瓶口緣心紋，在黑底襯托下，十分明艷，工藝動人，妙趣盎然！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908185","MainTitle":"金絲絲瓜蝶架","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國的銀絲工藝，十分著名，主要係採用炭絲、穿絲、纍絲、填絲等技法，將銀製成絲並編織成各種樣式的實用器皿或裝飾品。如花瓶、果盤、烟具、茶具、掛屏、手杖、首飾等，主要著名有「北京花絲，四川成都、山東濰坊嵌銀」，製作技法巧妙、纎細玲瓏。\r\n北京的花絲，就是把白銀抽成細軟的絲，運用花絲和點鏨技法，按照設計要求，交互用填絲、纍絲、炭絲、穿絲、搓絲，及在銀片上鏨出點、線、面浮雕圖案，相互組合而成。結構嚴謹、造型別致、虛實相間、富麗堂皇，具有濃厚的東方色彩。近年，又創新「底紋襯托」技藝，更臻提昇。\r\n本件「金絲絲瓜蝶架」擺飾，就是北京美妙的銀工藝！匠師利用上述技藝，作成鍍金瓜藤莖鬚，自枯木中攀爬而上，花葉盎然，結出大綠絲瓜一個，頂端幼小嫩瓜猶帶著花蒂，一隻蝴蝶飛停葉間。絲瓜為求逼真，且加上塡燒彩色琺瑯技藝，綠葉粉紅白花瓣黃蕊，襯托得美麗生機盎然，。在民間傳統觀念，這是一幅田園自然美景，富有農村之樂！白銀為貴金屬，經過精密工藝做成攞飾，既高貴！又典雅！又覌賞！憑添生活美感！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908186","MainTitle":"景泰藍圓形煙灰缸","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTg2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"景泰藍，學名銅胎掐絲琺瑯，又稱燒青，是金屬胎嵌搪瓷工藝在中國衍生的一個獨立品種。明末時，世傳此物大行於景泰年間，晚清古董行沿用此說，命名為「景泰琺瑯」或「景泰瑯」。後來又因其所用搪瓷釉料多為月藍色，且「瑯、藍」音近，訛變為「景泰藍」。\r\n製作景泰藍時，工序是「製胎、掐絲、燒焊、點藥、燒藍、磨光、點金」，要先將掐製成所需形狀的扁銅絲銲接在銅胎上，在劃分的空格內填入各種顏色的琺瑯漿，後經焙燒磨光點金而成。原在宮廷監管下製作，19世紀其技藝流入民間，成為「燕京八絕」之一，其中景泰藍被列入中國國家級非物質文化遺產。精美的景泰藍製品，必須是色彩潤澤鲜明，胎骨厚重堅實，掐絲整齊匀稱、鍍金璨爛光亮。\r\n這件「景泰藍圓形煙灰缸」，缸作圓形、柑口，淺盆、平底，唇與周緣掐絲塡燒琺瑯，飾草龍拐子拱番蓮，紋理皆鍍金，顯得相當典雅！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908187","MainTitle":"景泰藍筷子乙盒(兩雙)","Creator":"","CreatedYear":"","Size":"001紅底、002白底","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"景泰藍，學名銅胎掐絲琺瑯，又稱燒青，原是金屬胎嵌搪瓷工藝在中國衍生的一個獨立品種。明末時，世傳此物大行於景泰年間，晚清古董行沿用此說，命名為「景泰琺瑯」或「景泰瑯」。後來又因其所用搪瓷釉料多為月藍色，且「瑯、藍」音近，訛變為「景泰藍」。\r\n製作景泰藍時，工序是「製胎、掐絲、燒焊、點藥、燒藍、磨光、點金」，胎體一般多金屬胎，也有象牙胎。象牙筷琺瑯在工序上，要先將掐製成所需形狀的扁銅絲銲接在象牙做成的筷子身胎上，在劃分的空格內填入各種顏色的琺瑯漿，後經焙燒磨光點金而成。原在宮廷監管下製作，19世紀其技藝流入民間，成為「燕京八絕」之一，其中景泰藍被列入中國國家級非物質文化遺產。精美的景泰藍製品，必須是色彩潤澤鲜明，胎骨厚重堅實，掐絲整齊匀稱、鍍金璨爛光亮。\r\n這件「景泰藍筷子乙盒」，放置兩雙筷子，一為紅底琺瑯，一為白底琺瑯，襯托細小花朶，頗顯秀致，在美觀上，各擅勝場，顯得相當高貴典雅！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908187001","MainTitle":"景泰藍筷子乙盒(兩雙)-紅底","Creator":"","CreatedYear":"","Size":"001紅底、002白底","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTg3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"景泰藍，學名銅胎掐絲琺瑯，又稱燒青，原是金屬胎嵌搪瓷工藝在中國衍生的一個獨立品種。明末時，世傳此物大行於景泰年間，晚清古董行沿用此說，命名為「景泰琺瑯」或「景泰瑯」。後來又因其所用搪瓷釉料多為月藍色，且「瑯、藍」音近，訛變為「景泰藍」。\r\n製作景泰藍時，工序是「製胎、掐絲、燒焊、點藥、燒藍、磨光、點金」，胎體一般多金屬胎，也有象牙胎。象牙筷琺瑯在工序上，要先將掐製成所需形狀的扁銅絲銲接在象牙做成的筷子身胎上，在劃分的空格內填入各種顏色的琺瑯漿，後經焙燒磨光點金而成。原在宮廷監管下製作，19世紀其技藝流入民間，成為「燕京八絕」之一，其中景泰藍被列入中國國家級非物質文化遺產。精美的景泰藍製品，必須是色彩潤澤鲜明，胎骨厚重堅實，掐絲整齊匀稱、鍍金璨爛光亮。\r\n這件「景泰藍筷子乙盒(兩雙）-紅底」，以紅底琺瑯，襯托藍色黃色細小花朶，頗顯秀致，在美觀上，感覺相當高貴典雅！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908187002","MainTitle":"景泰藍筷子乙盒(兩雙)-白底","Creator":"","CreatedYear":"","Size":"001紅底、002白底","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTg3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"景泰藍，學名銅胎掐絲琺瑯，又稱燒青，原是金屬胎嵌搪瓷工藝在中國衍生的一個獨立品種。明末時，世傳此物大行於景泰年間，晚清古董行沿用此說，命名為「景泰琺瑯」或「景泰瑯」。後來又因其所用搪瓷釉料多為月藍色，且「瑯、藍」音近，訛變為「景泰藍」。\r\n製作景泰藍時，工序是「製胎、掐絲、燒焊、點藥、燒藍、磨光、點金」，胎體一般多金屬胎，也有象牙胎。象牙筷琺瑯在工序上，要先將掐製成所需形狀的扁銅絲銲接在象牙做成的筷子身胎上，在劃分的空格內填入各種顏色的琺瑯漿，後經焙燒磨光點金而成。原在宮廷監管下製作，19世紀其技藝流入民間，成為「燕京八絕」之一，其中景泰藍被列入中國國家級非物質文化遺產。精美的景泰藍製品，必須是色彩潤澤鲜明，胎骨厚重堅實，掐絲整齊匀稱、鍍金璨爛光亮。\r\n這件「景泰藍筷子乙盒(兩雙）-白底」，以白底琺瑯，襯托藍瓣紅心細小花朶，頗顯秀致，在美觀上，感覺相當高貴典雅！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908188","MainTitle":"景泰藍筷子乙盒(兩雙)","Creator":"","CreatedYear":"","Size":"001藍底、002寶藍底","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"景泰藍，學名銅胎掐絲琺瑯，又稱燒青，原是金屬胎嵌搪瓷工藝在中國衍生的一個獨立品種。明末時，世傳此物大行於景泰年間，晚清古董行沿用此說，命名為「景泰琺瑯」或「景泰瑯」。後來又因其所用搪瓷釉料多為月藍色，且「瑯、藍」音近，訛變為「景泰藍」。\r\n製作景泰藍時，工序是「製胎、掐絲、燒焊、點藥、燒藍、磨光、點金」，胎體一般多金屬胎，也有象牙胎。象牙筷琺瑯在工序上，要先將掐製成所需形狀的扁銅絲銲接在象牙做成的筷子身胎上，在劃分的空格內填入各種顏色的琺瑯漿，後經焙燒磨光點金而成。原在宮廷監管下製作，19世紀其技藝流入民間，成為「燕京八絕」之一，其中景泰藍被列入中國國家級非物質文化遺產。精美的景泰藍製品，必須是色彩潤澤鲜明，胎骨厚重堅實，掐絲整齊匀稱、鍍金璨爛光亮。\r\n這件「景泰藍筷子乙盒(兩雙）」，以藍底、寶藍底琺瑯，襯托藍瓣紅心細小花朶，頗顯秀致，在美觀上，感覺相當高貴典雅！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908188001","MainTitle":"景泰藍筷子乙盒(兩雙)-藍底","Creator":"","CreatedYear":"","Size":"001藍底、002寶藍底","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTg4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"景泰藍，學名銅胎掐絲琺瑯，又稱燒青，原是金屬胎嵌搪瓷工藝在中國衍生的一個獨立品種。明末時，世傳此物大行於景泰年間，晚清古董行沿用此說，命名為「景泰琺瑯」或「景泰瑯」。後來又因其所用搪瓷釉料多為月藍色，且「瑯、藍」音近，訛變為「景泰藍」。\r\n製作景泰藍時，工序是「製胎、掐絲、燒焊、點藥、燒藍、磨光、點金」，胎體一般多金屬胎，也有象牙胎。象牙筷琺瑯在工序上，要先將掐製成所需形狀的扁銅絲銲接在象牙做成的筷子身胎上，在劃分的空格內填入各種顏色的琺瑯漿，後經焙燒磨光點金而成。原在宮廷監管下製作，19世紀其技藝流入民間，成為「燕京八絕」之一，其中景泰藍被列入中國國家級非物質文化遺產。精美的景泰藍製品，必須是色彩潤澤鲜明，胎骨厚重堅實，掐絲整齊匀稱、鍍金璨爛光亮。\r\n這件「景泰藍筷子乙盒(兩雙）-藍底」，以藍底琺瑯，襯托藍瓣紅心細小花朶，頗顯秀致，在美觀上，感覺相當高貴典雅！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908188002","MainTitle":"景泰藍筷子乙盒(兩雙)-寶藍底","Creator":"","CreatedYear":"","Size":"001藍底、002寶藍底","Type":"工藝類\\琺瑯類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTg4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"景泰藍，學名銅胎掐絲琺瑯，又稱燒青，原是金屬胎嵌搪瓷工藝在中國衍生的一個獨立品種。明末時，世傳此物大行於景泰年間，晚清古董行沿用此說，命名為「景泰琺瑯」或「景泰瑯」。後來又因其所用搪瓷釉料多為月藍色，且「瑯、藍」音近，訛變為「景泰藍」。\r\n製作景泰藍時，工序是「製胎、掐絲、燒焊、點藥、燒藍、磨光、點金」，胎體一般多金屬胎，也有象牙胎。象牙筷琺瑯在工序上，要先將掐製成所需形狀的扁銅絲銲接在象牙做成的筷子身胎上，在劃分的空格內填入各種顏色的琺瑯漿，後經焙燒磨光點金而成。原在宮廷監管下製作，19世紀其技藝流入民間，成為「燕京八絕」之一，其中景泰藍被列入中國國家級非物質文化遺產。精美的景泰藍製品，必須是色彩潤澤鲜明，胎骨厚重堅實，掐絲整齊匀稱、鍍金璨爛光亮。\r\n這件「景泰藍筷子乙盒(兩雙）-寶藍底」，以寶藍底琺瑯，襯托白瓣紅心細小花朶，頗顯秀致，在美觀上，感覺相當高貴典雅！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908189","MainTitle":"銀製菩薩像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"金銀是貴金屬，傳統銀器的製作使用，反映了中國社會的經濟、通貨、裝飾、地位、衛生、信仰、民俗、工藝。在歷史年代較久的城市鄉鎮，都有銀樓銀舖，供應民眾的需要。銀器的手工製作工藝，其工序工法是「化銀、鍛打、下料、粗加工、松膠托、精加工(錘鏨、鏨刻、鐫鏤雕花、焊接、酸洗、漂洗晾乾、鑲嵌、點翠、填燒琺瑯、打磨、拋光」等等。\r\n手工製作的銀器工藝，大致歸納以下方式：～「澆鑄成形，鏨刻細部」、「錘鏨為主，鏨刻、鐫鏤為輔」、「花絲工藝加鑲嵌、點翠或琺瑯」。\r\n本件「銀製菩薩像」，是通過「澆鑄、雕刻、焊接、琺瑯」的技藝，打造而成。工藝精緻小巧，立體圓實，可供擺飾，也可供奉祭祀，其價值性高。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908190","MainTitle":"吞口","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTkw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在雲南、貴州、四川、湖南等省，有一項少數民族的傳統的習俗，他們會在門楣上掛吞口，或者在祭祀活動時戴上吞口做成的面具，模仿祭祀開光勳作，編成舞蹈，演繹吞口舞。吞口舞，威猛雄壯、古樸粗獷中帶著優美流暢、翻騰自如的美感，充滿濃郁的民族風情。\r\n吞口，又稱為獸牌、虎頭牌、天口、噴口，是為驅鬼逐疫、辟邪保平安的神物。其俗源流古早，是上古時代的儺祭儺面演變而來。早在漢代，中國民間就有懸掛吞口驅避邪祟的習俗，多為少民族所流傳，白族、彝族、瑤族、布依族、水族都奉行這樣文化，但各族間的吞口造型紋飾略有差異。雲南石林男子在祈禱人畜興旺、五穀豐登的祭祀日𥚃戴吞口面具載歌載舞。彝族的「五虎吞口」最具民族特色，多是楚雄地區彝族巫師用葫蘆瓢繪製。「五虎吞口」是一個大虎頭內含四個小虎頭，額頭、兩眼珠和口咬的劍柄頭均雕成虎頭形狀，造型誇張。並有在虎年、虎月、虎日、虎時畫吞口，虎日掛吞口的習俗。如今，吞口除了作為辟邪保平安的習俗外，更延伸文創商品，開發一系列書籤、抱枕、銅勺、瓷碗、木瓢等物品。\r\n吞口有木製、瓢製，可彩繪或雕刻，粗獷古樸。本件木雕吞口，是雲南劍川製品。在亦可作為木瓢的另面圓弧，彩繪面目猙獰的朱額獸面形狀，可作掛飾、或駆邪、或勺水瓢。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908191","MainTitle":"吞口","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTkx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在雲南、貴州、四川、湖南等省，有一項少數民族的傳統的習俗，他們會在門楣上掛吞口，或者在祭祀活動時戴上吞口做成的面具，模仿祭祀開光勳作，編成舞蹈，演繹吞口舞。吞口舞，威猛雄壯、古樸粗獷中帶著優美流暢、翻騰自如的美感，充滿濃郁的民族風情。\r\n吞口，又稱為獸牌、虎頭牌、天口、噴口，是為驅鬼逐疫、辟邪保平安的神物。其俗源流古早，是上古時代的儺祭儺面演變而來。早在漢代，中國民間就有懸掛吞口驅避邪祟的習俗，多為少民族所流傳，白族、彝族、瑤族、布依族、水族都奉行這樣文化，但各族間的吞口造型紋飾略有差異。雲南石林男子在祈禱人畜興旺、五穀豐登的祭祀日𥚃戴吞口面具載歌載舞。彝族的「五虎吞口」最具民族特色，多是楚雄地區彝族巫師用葫蘆瓢繪製。「五虎吞口」是一個大虎頭內含四個小虎頭，額頭、兩眼珠和口咬的劍柄頭均雕成虎頭形狀，造型誇張。並有在虎年、虎月、虎日、虎時畫吞口，虎日掛吞口的習俗。如今，吞口除了作為辟邪保平安的習俗外，更延伸文創商品，開發一系列書籤、抱枕、銅勺、瓷碗、木瓢等物品。\r\n吞口有木製、瓢製，可彩繪或雕刻，粗獷古樸。本件木雕吞口，是雲南劍川製品。在亦可作為木瓢的另面圓弧，彩繪面目猙獰的黃額獸面形狀，可作掛飾、或駆邪、或勺水瓢。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908192","MainTitle":"吞口","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTky","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在雲南、貴州、四川、湖南等省，有一項少數民族的傳統的習俗，他們會在門楣上掛吞口，或者在祭祀活動時戴上吞口做成的面具，模仿祭祀開光勳作，編成舞蹈，演繹吞口舞。吞口舞，威猛雄壯、古樸粗獷中帶著優美流暢、翻騰自如的美感，充滿濃郁的民族風情。\r\n吞口，又稱為獸牌、虎頭牌、天口、噴口，是為驅鬼逐疫、辟邪保平安的神物。其俗源流古早，是上古時代的儺祭儺面演變而來。早在漢代，中國民間就有懸掛吞口驅避邪祟的習俗，多為少民族所流傳，白族、彝族、瑤族、布依族、水族都奉行這樣文化，但各族間的吞口造型紋飾略有差異。雲南石林男子在祈禱人畜興旺、五穀豐登的祭祀日𥚃戴吞口面具載歌載舞。彝族的「五虎吞口」最具民族特色，多是楚雄地區彝族巫師用葫蘆瓢繪製。「五虎吞口」是一個大虎頭內含四個小虎頭，額頭、兩眼珠和口咬的劍柄頭均雕成虎頭形狀，造型誇張。並有在虎年、虎月、虎日、虎時畫吞口，虎日掛吞口的習俗。如今，吞口除了作為辟邪保平安的習俗外，更延伸文創商品，開發一系列書籤、抱枕、銅勺、瓷碗、木瓢等物品。\r\n吞口有木製、瓢製，可彩繪或雕刻，粗獷古樸。本件木雕吞口，是雲南劍川製品。在亦可作為木瓢的另面圓弧，彩繪面目猙獰的綠色獸面形狀，可作掛飾、或駆邪、或勺水瓢。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908193","MainTitle":"龍頭面具","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTkz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福建泉州古來人文工藝璀燦，其中糊紙工藝也頗著名。糊紙的工藝特色，包含「竹紥、紙藝、泥塑、皮面、彩繪、裱布」。「竹紥」在於巧妙運用編竹造型；「紙藝」在於透過摺紙、剪紙、鑿紙技術將紙依需要做好；「泥塑」在於製作紙臉、土頭模具；「皮面」在於將造型表面依序打黃土底漆、壓粉線、安金；「彩繪」在於土頭、紙面上彩畫而增實感美觀；「裱布」在於造型上裱上布料，增加態勢。\r\n做人偶或面具的工藝，除了糊紙，也有利用「紙漿雕塑法」或「禙紙脫胎法」。大型的神騎製作可區分九大技巧「綁、糊、摺、繪、擠、剪、穿、揑塑、技工」。「紙漿雕塑法」的製作工法工序有「打紙漿～將浸過的舊紙打成糊狀紙漿、調漿～在紙漿中加入樹脂調和如黏土狀、骨架製作～將紙板割形作出造型、紙漿塑形、乾燥、彩繪、保護上漆」。近代製作人面、土頭、獅頭，多採用「紙漿雕塑法」。\r\n面具的定義，是指使用不透明的材質，用來隔離遮掩真實的面目，而呈現另一張經過塑造的臉孔。因此，面具又稱「大面、代面、假面、象、花臉、貓面、鬼臉、臉殼、假頭、蓋頭、罩臉、魈鬼仔殻⋯」。其源甚古，始於上古儺儀，逐漸衍增，用於「平安戲跳神、民間慶典藝陣、除穢壓煞」的宗教與娛樂之中。\r\n本件龍頭面具，就是利用上述工藝技法，製成雙角龍頭面具，眼、鼻留孔，可供觀看呼吸！龍頭青面獠牙、黃鼻、笑口、火額，看起來親切逗趣！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908194","MainTitle":"笑面大頭面具","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTk0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福建泉州古來人文工藝璀燦，其中糊紙工藝也頗著名。糊紙的工藝特色，包含「竹紥、紙藝、泥塑、皮面、彩繪、裱布」。「竹紥」在於巧妙運用編竹造型；「紙藝」在於透過摺紙、剪紙、鑿紙技術將紙依需要做好；「泥塑」在於製作紙臉、土頭模具；「皮面」在於將造型表面依序打黃土底漆、壓粉線、安金；「彩繪」在於土頭、紙面上彩畫而增實感美觀；「裱布」在於造型上裱上布料，增加態勢。\r\n做人偶或面具的工藝，除了糊紙，也有利用「紙漿雕塑法」或「禙紙脫胎法」。大型的神騎製作可區分九大技巧「綁、糊、摺、繪、擠、剪、穿、揑塑、技工」。「紙漿雕塑法」的製作工法工序有「打紙漿～將浸過的舊紙打成糊狀紙漿、調漿～在紙漿中加入樹脂調和如黏土狀、骨架製作～將紙板割形作出造型、紙漿塑形、乾燥、彩繪、保護上漆」。近代製作人面、土頭、獅頭，多採用「紙漿雕塑法」。\r\n面具的定義，是指使用不透明的材質，用來隔離遮掩真實的面目，而呈現另一張經過塑造的臉孔。因此，面具又稱「大面、代面、假面、象、花臉、貓面、鬼臉、臉殼、假頭、蓋頭、罩臉、魈鬼仔殻⋯」。其源甚古，始於上古儺儀，逐漸衍增，用於「平安戲跳神、民間慶典藝陣、除穢壓煞」的宗教與娛樂之中。\r\n本件笑面大頭面具，就是利用上述工藝技法，製成和尚頭面具，眼、鼻留孔，可供觀看呼吸！大頭慈眉善目、濃眉大眼、垂耳、笑口，看起來親切逗趣！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908195","MainTitle":"黑獅頭(大)","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統中國文化，民俗流行弄獅舞龍，以為制邪壓煞、祈吉求祥、娛神樂人。福建廣東臺灣地區，弄獅十分有名，弄獅主要在獅頭，也是由上古儺儀衍增到漢代雜戲而發展。福建閩獅也稱台灣獅。其製作過程是先以泥土塑型、裱禙、脫模、架框、彩繪、配件」而後成品。由於傳統工法「泥土塑型」費工費時費料，又獅頭笨重舞弄費力，經過改良，近年改用強化紙糊製，或紙漿雕塑，相對減輕重量，舞弄輕便。\r\n獅子，古作師子，為西域各國進貢之異獣，東漢年間，佛教傳入中土，象徵智慧的文殊菩薩騎獅傳法，獅子成為佛之護法，遂演變為宗教及民間信仰尊崇為守護神、祥瑞象徵。舞獅，遂為東亞民間傳統表演藝術，白居易〈西涼伎〉詩中提及獅子舞是西涼舞種之一。中國民俗傳統，認為舞獅可以駆邪辟鬼，故每逢年節喜慶、開張慶典、廟會陣頭、迎接神遶境，都會敲鑼打鼓、舞獅驅邪招祥。\r\n本件作品「黑獅頭(大)」，頭臉作黑色，角鬃作金色，型態類廣東醒獅，威武中帶著逗趣！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908196","MainTitle":"黑角獅頭(中)","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTk2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統中國文化，民俗流行弄獅舞龍，以為制邪壓煞、祈吉求祥、娛神樂人。福建廣東臺灣地區，弄獅十分有名，弄獅主要在獅頭，也是由上古儺儀衍增到漢代雜戲而發展。福建閩獅也稱台灣獅。其製作過程是先以泥土塑型、裱禙、脫模、架框、彩繪、配件」而後成品。由於傳統工法「泥土塑型」費工費時費料，又獅頭笨重舞弄費力，經過改良，近年改用強化紙糊製，或紙漿雕塑，相對減輕重量，舞弄輕便。\r\n獅子，古作師子，為西域各國進貢之異獣，東漢年間，佛教傳入中土，象徵智慧的文殊菩薩騎獅傳法，獅子成為佛之護法，遂演變為宗教及民間信仰尊崇為守護神、祥瑞象徵。舞獅，遂為東亞民間傳統表演藝術，白居易〈西涼伎〉詩中提及獅子舞是西涼舞種之一。中國民俗傳統，認為舞獅可以駆邪辟鬼，故每逢年節喜慶、開張慶典、廟會陣頭、迎接神遶境，都會敲鑼打鼓、舞獅驅邪招祥。\r\n本件作品「黑角獅頭(中)」，頭臉作朱色，鬚眉雪白，角作黑色，型態類廣東醒獅，威武中帶著逗趣！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908197","MainTitle":"銀角獅頭(中)","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTk3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統中國文化，民俗流行弄獅舞龍，以為制邪壓煞、祈吉求祥、娛神樂人。福建廣東臺灣地區，弄獅十分有名，弄獅主要在獅頭，也是由上古儺儀衍增到漢代雜戲而發展。福建閩獅也稱台灣獅。其製作過程是先以泥土塑型、裱禙、脫模、架框、彩繪、配件」而後成品。由於傳統工法「泥土塑型」費工費時費料，又獅頭笨重舞弄費力，經過改良，近年改用強化紙糊製，或紙漿雕塑，相對減輕重量，舞弄輕便。\r\n獅子，古作師子，為西域各國進貢之異獣，東漢年間，佛教傳入中土，象徵智慧的文殊菩薩騎獅傳法，獅子成為佛之護法，遂演變為宗教及民間信仰尊崇為守護神、祥瑞象徵。舞獅，遂為東亞民間傳統表演藝術，白居易〈西涼伎〉詩中提及獅子舞是西涼舞種之一。中國民俗傳統，認為舞獅可以駆邪辟鬼，故每逢年節喜慶、開張慶典、廟會陣頭、迎接神遶境，都會敲鑼打鼓、舞獅驅邪招祥。\r\n本件作品「銀角獅頭(中)」，頭臉作朱色，鬚眉雪白，角作銀色，型態類廣東醒獅，威武中帶著逗趣！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908198","MainTitle":"黑角獅頭(中)","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTk4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統中國文化，民俗流行弄獅舞龍，以為制邪壓煞、祈吉求祥、娛神樂人。福建廣東臺灣地區，弄獅十分有名，弄獅主要在獅頭，也是由上古儺儀衍增到漢代雜戲而發展。福建閩獅也稱台灣獅。其製作過程是先以泥土塑型、裱禙、脫模、架框、彩繪、配件」而後成品。由於傳統工法「泥土塑型」費工費時費料，又獅頭笨重舞弄費力，經過改良，近年改用強化紙糊製，或紙漿雕塑，相對減輕重量，舞弄輕便。\r\n獅子，古作師子，為西域各國進貢之異獣，東漢年間，佛教傳入中土，象徵智慧的文殊菩薩騎獅傳法，獅子成為佛之護法，遂演變為宗教及民間信仰尊崇為守護神、祥瑞象徵。舞獅，遂為東亞民間傳統表演藝術，白居易〈西涼伎〉詩中提及獅子舞是西涼舞種之一。中國民俗傳統，認為舞獅可以駆邪辟鬼，故每逢年節喜慶、開張慶典、廟會陣頭、迎接神遶境，都會敲鑼打鼓、舞獅驅邪招祥。\r\n本件作品「黑角獅頭(中)」，頭臉作朱色，鬚眉雪白，角作黑色，型態類廣東醒獅，威武中帶著逗趣！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908199","MainTitle":"黑角黃獅獅頭(小)","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MTk5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統中國文化，民俗流行弄獅舞龍，以為制邪壓煞、祈吉求祥、娛神樂人。福建廣東臺灣地區，弄獅十分有名，弄獅主要在獅頭，也是由上古儺儀衍增到漢代雜戲而發展。福建閩獅也稱台灣獅。其製作過程是先以泥土塑型、裱禙、脫模、架框、彩繪、配件」而後成品。由於傳統工法「泥土塑型」費工費時費料，又獅頭笨重舞弄費力，經過改良，近年改用強化紙糊製，或紙漿雕塑，相對減輕重量，舞弄輕便。\r\n獅子，古作師子，為西域各國進貢之異獣，東漢年間，佛教傳入中土，象徵智慧的文殊菩薩騎獅傳法，獅子成為佛之護法，遂演變為宗教及民間信仰尊崇為守護神、祥瑞象徵。舞獅，遂為東亞民間傳統表演藝術，白居易〈西涼伎〉詩中提及獅子舞是西涼舞種之一。中國民俗傳統，認為舞獅可以駆邪辟鬼，故每逢年節喜慶、開張慶典、廟會陣頭、迎接神遶境，都會敲鑼打鼓、舞獅驅邪招祥。\r\n本件作品「黑角黃獅獅頭(小)」，頭臉作朱色，鬚眉雪白，角作黑色，黃身，型態類廣東醒獅，威武中帶著逗趣！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908200","MainTitle":"黑角紅獅獅頭(小)","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjAw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統中國文化，民俗流行弄獅舞龍，以為制邪壓煞、祈吉求祥、娛神樂人。福建廣東臺灣地區，弄獅十分有名，弄獅主要在獅頭，也是由上古儺儀衍增到漢代雜戲而發展。福建閩獅也稱台灣獅。其製作過程是先以泥土塑型、裱禙、脫模、架框、彩繪、配件」而後成品。由於傳統工法「泥土塑型」費工費時費料，又獅頭笨重舞弄費力，經過改良，近年改用強化紙糊製，或紙漿雕塑，相對減輕重量，舞弄輕便。\r\n獅子，古作師子，為西域各國進貢之異獣，東漢年間，佛教傳入中土，象徵智慧的文殊菩薩騎獅傳法，獅子成為佛之護法，遂演變為宗教及民間信仰尊崇為守護神、祥瑞象徵。舞獅，遂為東亞民間傳統表演藝術，白居易〈西涼伎〉詩中提及獅子舞是西涼舞種之一。中國民俗傳統，認為舞獅可以駆邪辟鬼，故每逢年節喜慶、開張慶典、廟會陣頭、迎接神遶境，都會敲鑼打鼓、舞獅驅邪招祥。\r\n本件作品「黑角紅獅獅頭(小)」，頭臉作朱色，鬚眉黑色，角亦作黑色，型態類廣東醒獅，威武中帶著逗趣！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908201","MainTitle":"金角棕獅獅頭(小)","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統中國文化，民俗流行弄獅舞龍，以為制邪壓煞、祈吉求祥、娛神樂人。福建廣東臺灣地區，弄獅十分有名，弄獅主要在獅頭，也是由上古儺儀衍增到漢代雜戲而發展。福建閩獅也稱台灣獅。其製作過程是先以泥土塑型、裱禙、脫模、架框、彩繪、配件」而後成品。由於傳統工法「泥土塑型」費工費時費料，又獅頭笨重舞弄費力，經過改良，近年改用強化紙糊製，或紙漿雕塑，相對減輕重量，舞弄輕便。\r\n獅子，古作師子，為西域各國進貢之異獣，東漢年間，佛教傳入中土，象徵智慧的文殊菩薩騎獅傳法，獅子成為佛之護法，遂演變為宗教及民間信仰尊崇為守護神、祥瑞象徵。舞獅，遂為東亞民間傳統表演藝術，白居易〈西涼伎〉詩中提及獅子舞是西涼舞種之一。中國民俗傳統，認為舞獅可以駆邪辟鬼，故每逢年節喜慶、開張慶典、廟會陣頭、迎接神遶境，都會敲鑼打鼓、舞獅驅邪招祥。\r\n本件作品「金角棕獅獅頭(小)」，頭臉作棕色，鬚眉黑色，角作金色，型態類廣東醒獅，威武中帶著逗趣！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908202","MainTitle":"金角桔獅獅頭(小)","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統中國文化，民俗流行弄獅舞龍，以為制邪壓煞、祈吉求祥、娛神樂人。福建廣東臺灣地區，弄獅十分有名，弄獅主要在獅頭，也是由上古儺儀衍增到漢代雜戲而發展。福建閩獅也稱台灣獅。其製作過程是先以泥土塑型、裱禙、脫模、架框、彩繪、配件」而後成品。由於傳統工法「泥土塑型」費工費時費料，又獅頭笨重舞弄費力，經過改良，近年改用強化紙糊製，或紙漿雕塑，相對減輕重量，舞弄輕便。\r\n獅子，古作師子，為西域各國進貢之異獣，東漢年間，佛教傳入中土，象徵智慧的文殊菩薩騎獅傳法，獅子成為佛之護法，遂演變為宗教及民間信仰尊崇為守護神、祥瑞象徵。舞獅，遂為東亞民間傳統表演藝術，白居易〈西涼伎〉詩中提及獅子舞是西涼舞種之一。中國民俗傳統，認為舞獅可以駆邪辟鬼，故每逢年節喜慶、開張慶典、廟會陣頭、迎接神遶境，都會敲鑼打鼓、舞獅驅邪招祥。\r\n本件作品「金角桔獅獅頭(小)」，頭臉作桔色，鬚眉雪白，角作金色，型態類廣東醒獅，威武中帶著逗趣！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908203","MainTitle":"大頭娃娃(男)","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福建泉州古來人文工藝璀燦，其中糊紙工藝也頗著名。糊紙的工藝特色，包含「竹紥、紙藝、泥塑、皮面、彩繪、裱布」。「竹紥」在於巧妙運用編竹造型；「紙藝」在於透過摺紙、剪紙、鑿紙技術將紙依需要做好；「泥塑」在於製作紙臉、土頭模具；「皮面」在於將造型表面依序打黃土底漆、壓粉線、安金；「彩繪」在於土頭、紙面上彩畫而增實感美觀；「裱布」在於造型上裱上布料，增加態勢。\r\n做人偶或面具的工藝，除了糊紙，也有利用「紙漿雕塑法」或「禙紙脫胎法」。大型的神騎製作可區分九大技巧「綁、糊、摺、繪、擠、剪、穿、揑塑、技工」。「紙漿雕塑法」的製作工法工序有「打紙漿～將浸過的舊紙打成糊狀紙漿、調漿～在紙漿中加入樹脂調和如黏土狀、骨架製作～將紙板割形作出造型、紙漿塑形、乾燥、彩繪、保護上漆」。近代製作人面、土頭、獅頭，多採用「紙漿雕塑法」。\r\n面具的定義，是指使用不透明的材質，用來隔離遮掩真實的面目，而呈現另一張經過塑造的臉孔。因此，面具又稱「大面、代面、假面、象、花臉、貓面、鬼臉、臉殼、假頭、蓋頭、罩臉、魈鬼仔殻⋯」。其源甚古，始於上古儺儀，逐漸衍增，用於「平安戲跳神、民間慶典藝陣、除穢壓煞」的宗教與娛樂之中。\r\n本件大頭娃娃(男)面具，就是利用上述工藝技法，製成和尚頭面具，眼留孔，可供觀看！，看起來稚嫩可愛！親切逗趣！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908204","MainTitle":"大頭娃娃(女)","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福建泉州古來人文工藝璀燦，其中糊紙工藝也頗著名。糊紙的工藝特色，包含「竹紥、紙藝、泥塑、皮面、彩繪、裱布」。「竹紥」在於巧妙運用編竹造型；「紙藝」在於透過摺紙、剪紙、鑿紙技術將紙依需要做好；「泥塑」在於製作紙臉、土頭模具；「皮面」在於將造型表面依序打黃土底漆、壓粉線、安金；「彩繪」在於土頭、紙面上彩畫而增實感美觀；「裱布」在於造型上裱上布料，增加態勢。\r\n做人偶或面具的工藝，除了糊紙，也有利用「紙漿雕塑法」或「禙紙脫胎法」。大型的神騎製作可區分九大技巧「綁、糊、摺、繪、擠、剪、穿、揑塑、技工」。「紙漿雕塑法」的製作工法工序有「打紙漿～將浸過的舊紙打成糊狀紙漿、調漿～在紙漿中加入樹脂調和如黏土狀、骨架製作～將紙板割形作出造型、紙漿塑形、乾燥、彩繪、保護上漆」。近代製作人面、土頭、獅頭，多採用「紙漿雕塑法」。\r\n面具的定義，是指使用不透明的材質，用來隔離遮掩真實的面目，而呈現另一張經過塑造的臉孔。因此，面具又稱「大面、代面、假面、象、花臉、貓面、鬼臉、臉殼、假頭、蓋頭、罩臉、魈鬼仔殻⋯」。其源甚古，始於上古儺儀，逐漸衍增，用於「平安戲跳神、民間慶典藝陣、除穢壓煞」的宗教與娛樂之中。\r\n本件大頭娃娃(女)面具，就是利用上述工藝技法，製成大頭面具，稀疏瀏海，眼留孔，可供觀看！，看起來稚嫩可愛！親切逗趣！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908205","MainTitle":"金角獅頭","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統中國文化，民俗流行弄獅舞龍，以為制邪壓煞、祈吉求祥、娛神樂人。福建廣東臺灣地區，弄獅十分有名，弄獅主要在獅頭，也是由上古儺儀衍增到漢代雜戲而發展。福建閩獅也稱台灣獅。其製作過程是先以泥土塑型、裱禙、脫模、架框、彩繪、配件」而後成品。由於傳統工法「泥土塑型」費工費時費料，又獅頭笨重舞弄費力，經過改良，近年改用強化紙糊製，或紙漿雕塑，相對減輕重量，舞弄輕便。\r\n獅子，古作師子，為西域各國進貢之異獣，東漢年間，佛教傳入中土，象徵智慧的文殊菩薩騎獅傳法，獅子成為佛之護法，遂演變為宗教及民間信仰尊崇為守護神、祥瑞象徵。舞獅，遂為東亞民間傳統表演藝術，白居易〈西涼伎〉詩中提及獅子舞是西涼舞種之一。中國民俗傳統，認為舞獅可以駆邪辟鬼，故每逢年節喜慶、開張慶典、廟會陣頭、迎接神遶境，都會敲鑼打鼓、舞獅驅邪招祥。\r\n本件作品「金角獅頭」，頭臉作朱色，鬚眉雪白，角作金色，型態類廣東醒獅，威武中帶著逗趣！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908206","MainTitle":"猴頭","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福建泉州古來人文工藝璀燦，其中糊紙工藝也頗著名。糊紙的工藝特色，包含「竹紥、紙藝、泥塑、皮面、彩繪、裱布」。「竹紥」在於巧妙運用編竹造型；「紙藝」在於透過摺紙、剪紙、鑿紙技術將紙依需要做好；「泥塑」在於製作紙臉、土頭模具；「皮面」在於將造型表面依序打黃土底漆、壓粉線、安金；「彩繪」在於土頭、紙面上彩畫而增實感美觀；「裱布」在於造型上裱上布料，增加態勢。\r\n做人偶或面具的工藝，除了糊紙，也有利用「紙漿雕塑法」或「禙紙脫胎法」。大型的神騎製作可區分九大技巧「綁、糊、摺、繪、擠、剪、穿、揑塑、技工」。「紙漿雕塑法」的製作工法工序有「打紙漿～將浸過的舊紙打成糊狀紙漿、調漿～在紙漿中加入樹脂調和如黏土狀、骨架製作～將紙板割形作出造型、紙漿塑形、乾燥、彩繪、保護上漆」。近代製作人面、土頭、獅頭，多採用「紙漿雕塑法」。\r\n面具的定義，是指使用不透明的材質，用來隔離遮掩真實的面目，而呈現另一張經過塑造的臉孔。因此，面具又稱「大面、代面、假面、象、花臉、貓面、鬼臉、臉殼、假頭、蓋頭、罩臉、魈鬼仔殻⋯」。其源甚古，始於上古儺儀，逐漸衍增，用於「平安戲跳神、民間慶典藝陣、除穢壓煞」的宗教與娛樂之中。\r\n本件猴頭面具，就是利用上述工藝技法，製成猴頭面具，綠髪白臉火眼，眼留孔，可供觀看！，看起來面目可愛！親切逗趣！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908207","MainTitle":"獅鼓(大)","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\皮革類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鼓在中國歷史文化，源遠流長，自古擊鼓鳴金，不僅用於禮樂，也用於軍事。鼓聲咚咚，震撼人心，激勵士氣，是重要的樂器。\r\n傳統老手法製作鼓，其首選木材是椿木，椿木去除水分後，木質硬脆，最適合做樂器。工匠將椿木加工成帶孤度的鼓身木條後，要進行烘乾；然後再依據鼓的尺寸大小，把椿樹木料做成一段段弧形狀，再將弧狀木板用膠粘在一起，就形成圓形鼓身。其次依據鼓面大小裁剪牛皮，泡好的熟牛皮，準備蒙鼓裝訂，將牛皮蒙在鼓身上後用力頂牛皮，使其彈性得以拉伸；接著就是敲撃鼓面，調節鼓音，再把鼓皮用庖丁固定在鼓身上。最後一步是上漆完成。好的鼓，音域寛厚、音色脆亮，鼓槌和鼓面的觸打反應靈敏度高，能適應不同地理氣候，音質保持長久不變。2011年，「山西劉氏老鼓」製作技藝被山西省公布為「省級非物質文化遺產」。\r\n傳統的鼓，在古代，不僅用於祭祀、樂舞、軍事，還用於驅逐猛獸、報時、報警，近代用途愈廣，民族樂隊、各種戲劇、曲藝、歌舞、賽船、舞獅、弄龍、喜慶集會，都離不開鼓類樂器！\r\n本件作品獅鼓(大)，是用於舞獅之配樂，鼓身漆黑，加繪桃花，傳統竹篾桶箍朱漆。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908208","MainTitle":"獅鼓(中)","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\皮革類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鼓在中國歷史文化，源遠流長，自古擊鼓鳴金，不僅用於禮樂，也用於軍事。鼓聲咚咚，震撼人心，激勵士氣，是重要的樂器。\r\n傳統老手法製作鼓，其首選木材是椿木，椿木去除水分後，木質硬脆，最適合做樂器。工匠將椿木加工成帶孤度的鼓身木條後，要進行烘乾；然後再依據鼓的尺寸大小，把椿樹木料做成一段段弧形狀，再將弧狀木板用膠粘在一起，就形成圓形鼓身。其次依據鼓面大小裁剪牛皮，泡好的熟牛皮，準備蒙鼓裝訂，將牛皮蒙在鼓身上後用力頂牛皮，使其彈性得以拉伸；接著就是敲撃鼓面，調節鼓音，再把鼓皮用庖丁固定在鼓身上。最後一步是上漆完成。好的鼓，音域寛厚、音色脆亮，鼓槌和鼓面的觸打反應靈敏度高，能適應不同地理氣候，音質保持長久不變。2011年，「山西劉氏老鼓」製作技藝被山西省公布為「省級非物質文化遺產」。\r\n傳統的鼓，在古代，不僅用於祭祀、樂舞、軍事，還用於驅逐猛獸、報時、報警，近代用途愈廣，民族樂隊、各種戲劇、曲藝、歌舞、賽船、舞獅、弄龍、喜慶集會，都離不開鼓類樂器！\r\n本件作品獅鼓(中)，是用於舞獅之配樂，鼓身漆黑，加繪桃花，傳統竹篾桶箍朱漆。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908209","MainTitle":"獅鼓(小)","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\皮革類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鼓在中國歷史文化，源遠流長，自古擊鼓鳴金，不僅用於禮樂，也用於軍事。鼓聲咚咚，震撼人心，激勵士氣，是重要的樂器。\r\n傳統老手法製作鼓，其首選木材是椿木，椿木去除水分後，木質硬脆，最適合做樂器。工匠將椿木加工成帶孤度的鼓身木條後，要進行烘乾；然後再依據鼓的尺寸大小，把椿樹木料做成一段段弧形狀，再將弧狀木板用膠粘在一起，就形成圓形鼓身。其次依據鼓面大小裁剪牛皮，泡好的熟牛皮，準備蒙鼓裝訂，將牛皮蒙在鼓身上後用力頂牛皮，使其彈性得以拉伸；接著就是敲撃鼓面，調節鼓音，再把鼓皮用庖丁固定在鼓身上。最後一步是上漆完成。好的鼓，音域寛厚、音色脆亮，鼓槌和鼓面的觸打反應靈敏度高，能適應不同地理氣候，音質保持長久不變。2011年，「山西劉氏老鼓」製作技藝被山西省公布為「省級非物質文化遺產」。\r\n傳統的鼓，在古代，不僅用於祭祀、樂舞、軍事，還用於驅逐猛獸、報時、報警，隨著時代衍變，鼓的大小品類愈多，用途愈廣，民族樂隊、各種戲劇、曲藝、歌舞、賽船、舞獅、弄龍、喜慶集會，都離不開鼓類樂器！\r\n本件作品獅鼓(小)，是用於舞獅之配樂，鼓身漆黑，加繪桃花，傳統竹篾桶箍朱漆。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908210","MainTitle":"鈴鼓(大)","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\皮革類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鼓在中國歷史文化，源遠流長，自古擊鼓鳴金，不僅用於禮樂，也用於軍事。鼓聲咚咚，震撼人心，激勵士氣，是重要的樂器。\r\n傳統老手法製作鼓，其首選木材是椿木，椿木去除水分後，木質硬脆，最適合做樂器。工匠將椿木加工成帶孤度的鼓身木條後，要進行烘乾；然後再依據鼓的尺寸大小，把椿樹木料做成一段段弧形狀，再將弧狀木板用膠粘在一起，就形成圓形鼓身。其次依據鼓面大小裁剪牛皮，泡好的熟牛皮，準備蒙鼓裝訂，將牛皮蒙在鼓身上後用力頂牛皮，使其彈性得以拉伸；接著就是敲撃鼓面，調節鼓音，再把鼓皮用庖丁固定在鼓身上。最後一步是上漆完成。好的鼓，音域寛厚、音色脆亮，鼓槌和鼓面的觸打反應靈敏度高，能適應不同地理氣候，音質保持長久不變。2011年，「山西劉氏老鼓」製作技藝被山西省公布為「省級非物質文化遺產」。\r\n傳統的鼓，在古代，不僅用於祭祀、樂舞、軍事，還用於驅逐猛獸、報時、報警，隨著時代衍變，鼓之大小品類愈多，用途愈廣，民族樂隊、各種戲劇、曲藝、歌舞、賽船、舞獅、弄龍、喜慶集會，都離不開鼓類樂器！\r\n本件作品鈴鼓(大)，是用於曲藝之配樂，鼓身漆黑，周邊加綴小鈴，可以添加鼓鈴雙聲效果。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908211","MainTitle":"鈴鼓(小)","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\皮革類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鼓在中國歷史文化，源遠流長，自古擊鼓鳴金，不僅用於禮樂，也用於軍事。鼓聲咚咚，震撼人心，激勵士氣，是重要的樂器。\r\n傳統老手法製作鼓，其首選木材是椿木，椿木去除水分後，木質硬脆，最適合做樂器。工匠將椿木加工成帶孤度的鼓身木板後，要進行烘乾；然後再依據鼓的尺寸大小，把椿樹木料做成一段段弧形狀，再將弧狀木板用膠粘在一起，就形成圓形鼓身。其次依據鼓面大小裁剪牛皮，泡好的熟牛皮，準備蒙鼓裝訂，將牛皮蒙在鼓身上後用力頂牛皮，使其彈性得以拉伸；接著就是敲撃鼓面，調節鼓音，再把鼓皮用庖丁固定在鼓身上。最後一步是上漆完成。好的鼓，音域寛厚、音色脆亮，鼓槌和鼓面的觸打反應靈敏度高，能適應不同地理氣候，音質保持長久不變。2011年，「山西劉氏老鼓」製作技藝被山西省公布為「省級非物質文化遺產」。\r\n傳統的鼓，在古代，不僅用於祭祀、樂舞、軍事，還用於驅逐猛獸、報時、報警，近代用途愈廣，民族樂隊、各種戲劇、曲藝、歌舞、賽船、舞獅、弄龍、喜慶集會，都離不開鼓類樂器！\r\n本件作品鈴鼓(小)，是用於曲藝之配樂，鼓身漆黑，周邊加綴小鈴，可以添加鼓鈴雙聲效果。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908212","MainTitle":"吞口","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在雲南、貴州、四川、湖南等省，有一項少數民族的傳統的習俗，他們會在門楣上掛吞口，或者在祭祀活動時戴上吞口做成的面具，模仿祭祀開光勳作，編成舞蹈，演繹吞口舞。吞口舞，威猛雄壯、古樸粗獷中帶著優美流暢、翻騰自如的美感，充滿濃郁的民族風情。\r\n吞口，又稱為獸牌、虎頭牌、天口、噴口，是為驅鬼逐疫、辟邪保平安的神物。其俗源流古早，是上古時代的儺祭儺面演變而來。早在漢代，中國民間就有懸掛吞口驅避邪祟的習俗，多為少民族所流傳，白族、彝族、瑤族、布依族、水族都奉行這樣文化，但各族間的吞口造型紋飾略有差異。雲南石林男子在祈禱人畜興旺、五穀豐登的祭祀日𥚃戴吞口面具載歌載舞。彝族的「五虎吞口」最具民族特色，多是楚雄地區彝族巫師用葫蘆瓢繪製。「五虎吞口」是一個大虎頭內含四個小虎頭，額頭、兩眼珠和口咬的劍柄頭均雕成虎頭形狀，造型誇張。並有在虎年、虎月、虎日、虎時畫吞口，虎日掛吞口的習俗。如今，吞口除了作為辟邪保平安的習俗外，更延伸文創商品，開發一系列書籤、抱枕、銅勺、瓷碗、木瓢等物品。\r\n吞口有木製、瓢製，可彩繪或雕刻，粗獷古樸。本件木雕吞口，是雲南大理製品。在亦可作為木瓢的另面圓弧，彩繪面目猙獰的綠色獸面形狀，可作掛飾、或駆邪、或勺水瓢。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908213","MainTitle":"吞口","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在雲南、貴州、四川、湖南等省，有一項少數民族的傳統的習俗，他們會在門楣上掛吞口，或者在祭祀活動時戴上吞口做成的面具，模仿祭祀開光勳作，編成舞蹈，演繹吞口舞。吞口舞，威猛雄壯、古樸粗獷中帶著優美流暢、翻騰自如的美感，充滿濃郁的民族風情。\r\n吞口，又稱為獸牌、虎頭牌、天口、噴口，是為驅鬼逐疫、辟邪保平安的神物。其俗源流古早，是上古時代的儺祭儺面演變而來。早在漢代，中國民間就有懸掛吞口驅避邪祟的習俗，多為少民族所流傳，白族、彝族、瑤族、布依族、水族都奉行這樣文化，但各族間的吞口造型紋飾略有差異。雲南石林男子在祈禱人畜興旺、五穀豐登的祭祀日𥚃戴吞口面具載歌載舞。彝族的「五虎吞口」最具民族特色，多是楚雄地區彝族巫師用葫蘆瓢繪製。「五虎吞口」是一個大虎頭內含四個小虎頭，額頭、兩眼珠和口咬的劍柄頭均雕成虎頭形狀，造型誇張。並有在虎年、虎月、虎日、虎時畫吞口，虎日掛吞口的習俗。如今，吞口除了作為辟邪保平安的習俗外，更延伸文創商品，開發一系列書籤、抱枕、銅勺、瓷碗、木瓢等物品。\r\n吞口有木製、瓢製，可彩繪或雕刻，粗獷古樸。本件木雕吞口，是雲南大理製品。在亦可作為木瓢的另面圓弧，彩繪面目猙獰的黑色獸面形狀，可作掛飾、或駆邪、或勺水瓢。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908214","MainTitle":"吞口","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在雲南、貴州、四川、湖南等省，有一項少數民族的傳統的習俗，他們會在門楣上掛吞口，或者在祭祀活動時戴上吞口做成的面具，模仿祭祀開光勳作，編成舞蹈，演繹吞口舞。吞口舞，威猛雄壯、古樸粗獷中帶著優美流暢、翻騰自如的美感，充滿濃郁的民族風情。\r\n吞口，又稱為獸牌、虎頭牌、天口、噴口，是為驅鬼逐疫、辟邪保平安的神物。其俗源流古早，是上古時代的儺祭儺面演變而來。早在漢代，中國民間就有懸掛吞口驅避邪祟的習俗，多為少民族所流傳，白族、彝族、瑤族、布依族、水族都奉行這樣文化，但各族間的吞口造型紋飾略有差異。雲南石林男子在祈禱人畜興旺、五穀豐登的祭祀日𥚃戴吞口面具載歌載舞。彝族的「五虎吞口」最具民族特色，多是楚雄地區彝族巫師用葫蘆瓢繪製。「五虎吞口」是一個大虎頭內含四個小虎頭，額頭、兩眼珠和口咬的劍柄頭均雕成虎頭形狀，造型誇張。並有在虎年、虎月、虎日、虎時畫吞口，虎日掛吞口的習俗。如今，吞口除了作為辟邪保平安的習俗外，更延伸文創商品，開發一系列書籤、抱枕、銅勺、瓷碗、木瓢等物品。\r\n吞口有木製、瓢製，可彩繪或雕刻，粗獷古樸。本件木雕吞口，是雲南大理製品。在亦可作為木瓢的另面圓弧，彩繪面目猙獰的黑底卷渦螭纹抽象形狀，可作掛飾、或駆邪、或勺水瓢。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908215","MainTitle":"吞口","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在雲南、貴州、四川、湖南等省，有一項少數民族的傳統的習俗，他們會在門楣上掛吞口，或者在祭祀活動時戴上吞口做成的面具，模仿祭祀開光勳作，編成舞蹈，演繹吞口舞。吞口舞，威猛雄壯、古樸粗獷中帶著優美流暢、翻騰自如的美感，充滿濃郁的民族風情。\r\n吞口，又稱為獸牌、虎頭牌、天口、噴口，是為驅鬼逐疫、辟邪保平安的神物。其俗源流古早，是上古時代的儺祭儺面演變而來。早在漢代，中國民間就有懸掛吞口驅避邪祟的習俗，多為少民族所流傳，白族、彝族、瑤族、布依族、水族都奉行這樣文化，但各族間的吞口造型紋飾略有差異。雲南石林男子在祈禱人畜興旺、五穀豐登的祭祀日𥚃戴吞口面具載歌載舞。彝族的「五虎吞口」最具民族特色，多是楚雄地區彝族巫師用葫蘆瓢繪製。「五虎吞口」是一個大虎頭內含四個小虎頭，額頭、兩眼珠和口咬的劍柄頭均雕成虎頭形狀，造型誇張。並有在虎年、虎月、虎日、虎時畫吞口，虎日掛吞口的習俗。如今，吞口除了作為辟邪保平安的習俗外，更延伸文創商品，開發一系列書籤、抱枕、銅勺、瓷碗、木瓢等物品。\r\n吞口有木製、瓢製，可彩繪或雕刻，粗獷古樸。本件木雕吞口，是雲南大理製品。在亦可作為木瓢的另面圓弧，彩繪面目猙獰的黑紅綠白花臉壯漢形狀，可作掛飾、或駆邪、或勺水瓢。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908216","MainTitle":"吞口","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在雲南、貴州、四川、湖南等省，有一項少數民族的傳統的習俗，他們會在門楣上掛吞口，或者在祭祀活動時戴上吞口做成的面具，模仿祭祀開光勳作，編成舞蹈，演繹吞口舞。吞口舞，威猛雄壯、古樸粗獷中帶著優美流暢、翻騰自如的美感，充滿濃郁的民族風情。\r\n吞口，又稱為獸牌、虎頭牌、天口、噴口，是為驅鬼逐疫、辟邪保平安的神物。其俗源流古早，是上古時代的儺祭儺面演變而來。早在漢代，中國民間就有懸掛吞口驅避邪祟的習俗，多為少民族所流傳，白族、彝族、瑤族、布依族、水族都奉行這樣文化，但各族間的吞口造型紋飾略有差異。雲南石林男子在祈禱人畜興旺、五穀豐登的祭祀日𥚃戴吞口面具載歌載舞。彝族的「五虎吞口」最具民族特色，多是楚雄地區彝族巫師用葫蘆瓢繪製。「五虎吞口」是一個大虎頭內含四個小虎頭，額頭、兩眼珠和口咬的劍柄頭均雕成虎頭形狀，造型誇張。並有在虎年、虎月、虎日、虎時畫吞口，虎日掛吞口的習俗。如今，吞口除了作為辟邪保平安的習俗外，更延伸文創商品，開發一系列書籤、抱枕、銅勺、瓷碗、木瓢等物品。\r\n吞口有木製、瓢製，可彩繪或雕刻，粗獷古樸。本件木雕吞口，可能是雲南大理製品。在亦可作為木瓢的另面圓弧，彩繪面目猙獰的黑紅綠白花臉怪獸形狀，可作掛飾、或駆邪、或勺水瓢。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908217","MainTitle":"吞口","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在雲南、貴州、四川、湖南等省，有一項少數民族的傳統的習俗，他們會在門楣上掛吞口，或者在祭祀活動時戴上吞口做成的面具，模仿祭祀開光勳作，編成舞蹈，演繹吞口舞。吞口舞，威猛雄壯、古樸粗獷中帶著優美流暢、翻騰自如的美感，充滿濃郁的民族風情。\r\n吞口，又稱為獸牌、虎頭牌、天口、噴口，是為驅鬼逐疫、辟邪保平安的神物。其俗源流古早，是上古時代的儺祭儺面演變而來。早在漢代，中國民間就有懸掛吞口驅避邪祟的習俗，多為少民族所流傳，白族、彝族、瑤族、布依族、水族都奉行這樣文化，但各族間的吞口造型紋飾略有差異。雲南石林男子在祈禱人畜興旺、五穀豐登的祭祀日𥚃戴吞口面具載歌載舞。彝族的「五虎吞口」最具民族特色，多是楚雄地區彝族巫師用葫蘆瓢繪製。「五虎吞口」是一個大虎頭內含四個小虎頭，額頭、兩眼珠和口咬的劍柄頭均雕成虎頭形狀，造型誇張。並有在虎年、虎月、虎日、虎時畫吞口，虎日掛吞口的習俗。如今，吞口除了作為辟邪保平安的習俗外，更延伸文創商品，開發一系列書籤、抱枕、銅勺、瓷碗、木瓢等物品。\r\n吞口有木製、瓢製，可彩繪或雕刻，粗獷古樸。本件木雕吞口，可能是雲南大理製品。在亦可作為木瓢的另面圓弧，彩繪面目猙獰的紅色金色花臉怪獸形狀，可作掛飾、或駆邪、或勺水瓢。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908218","MainTitle":"吞口","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在雲南、貴州、四川、湖南等省，有一項少數民族的傳統的習俗，他們會在門楣上掛吞口，或者在祭祀活動時戴上吞口做成的面具，模仿祭祀開光勳作，編成舞蹈，演繹吞口舞。吞口舞，威猛雄壯、古樸粗獷中帶著優美流暢、翻騰自如的美感，充滿濃郁的民族風情。\r\n吞口，又稱為獸牌、虎頭牌、天口、噴口，是為驅鬼逐疫、辟邪保平安的神物。其俗源流古早，是上古時代的儺祭儺面演變而來。早在漢代，中國民間就有懸掛吞口驅避邪祟的習俗，多為少民族所流傳，白族、彝族、瑤族、布依族、水族都奉行這樣文化，但各族間的吞口造型紋飾略有差異。雲南石林男子在祈禱人畜興旺、五穀豐登的祭祀日𥚃戴吞口面具載歌載舞。彝族的「五虎吞口」最具民族特色，多是楚雄地區彝族巫師用葫蘆瓢繪製。「五虎吞口」是一個大虎頭內含四個小虎頭，額頭、兩眼珠和口咬的劍柄頭均雕成虎頭形狀，造型誇張。並有在虎年、虎月、虎日、虎時畫吞口，虎日掛吞口的習俗。如今，吞口除了作為辟邪保平安的習俗外，更延伸文創商品，開發一系列書籤、抱枕、銅勺、瓷碗、木瓢等物品。\r\n吞口有木製、瓢製，可彩繪或雕刻，粗獷古樸。本件木雕吞口，可能是雲南大理製品。在亦可作為木瓢的另面圓弧，彩繪面目猙獰的紅青黑白黃花臉，額頭王字，怪獸形狀，可作掛飾、或駆邪、或勺水瓢。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908219","MainTitle":"吞口","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在雲南、貴州、四川、湖南等省，有一項少數民族的傳統的習俗，他們會在門楣上掛吞口，或者在祭祀活動時戴上吞口做成的面具，模仿祭祀開光勳作，編成舞蹈，演繹吞口舞。吞口舞，威猛雄壯、古樸粗獷中帶著優美流暢、翻騰自如的美感，充滿濃郁的民族風情。\r\n吞口，又稱為獸牌、虎頭牌、天口、噴口，是為驅鬼逐疫、辟邪保平安的神物。其俗源流古早，是上古時代的儺祭儺面演變而來。早在漢代，中國民間就有懸掛吞口驅避邪祟的習俗，多為少民族所流傳，白族、彝族、瑤族、布依族、水族都奉行這樣文化，但各族間的吞口造型紋飾略有差異。雲南石林男子在祈禱人畜興旺、五穀豐登的祭祀日𥚃戴吞口面具載歌載舞。彝族的「五虎吞口」最具民族特色，多是楚雄地區彝族巫師用葫蘆瓢繪製。「五虎吞口」是一個大虎頭內含四個小虎頭，額頭、兩眼珠和口咬的劍柄頭均雕成虎頭形狀，造型誇張。並有在虎年、虎月、虎日、虎時畫吞口，虎日掛吞口的習俗。如今，吞口除了作為辟邪保平安的習俗外，更延伸文創商品，開發一系列書籤、抱枕、銅勺、瓷碗、木瓢等物品。\r\n吞口有木製、瓢製，可彩繪或雕刻，粗獷古樸。本件木雕吞口，可能是雲南劍川製品。在亦可作為木瓢的另面圓弧，彩繪面目猙獰、條紋稚拙的紅青黑白黃花臉，額頭日紋之怪獸形狀，可作掛飾、或駆邪、或勺水瓢。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908220","MainTitle":"吞口","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在雲南、貴州、四川、湖南等省，有一項少數民族的傳統的習俗，他們會在門楣上掛吞口，或者在祭祀活動時戴上吞口做成的面具，模仿祭祀開光勳作，編成舞蹈，演繹吞口舞。吞口舞，威猛雄壯、古樸粗獷中帶著優美流暢、翻騰自如的美感，充滿濃郁的民族風情。\r\n吞口，又稱為獸牌、虎頭牌、天口、噴口，是為驅鬼逐疫、辟邪保平安的神物。其俗源流古早，是上古時代的儺祭儺面演變而來。早在漢代，中國民間就有懸掛吞口驅避邪祟的習俗，多為少民族所流傳，白族、彝族、瑤族、布依族、水族都奉行這樣文化，但各族間的吞口造型紋飾略有差異。雲南石林男子在祈禱人畜興旺、五穀豐登的祭祀日𥚃戴吞口面具載歌載舞。彝族的「五虎吞口」最具民族特色，多是楚雄地區彝族巫師用葫蘆瓢繪製。「五虎吞口」是一個大虎頭內含四個小虎頭，額頭、兩眼珠和口咬的劍柄頭均雕成虎頭形狀，造型誇張。並有在虎年、虎月、虎日、虎時畫吞口，虎日掛吞口的習俗。如今，吞口除了作為辟邪保平安的習俗外，更延伸文創商品，開發一系列書籤、抱枕、銅勺、瓷碗、木瓢等物品。\r\n吞口有木製、瓢製，可彩繪或雕刻，粗獷古樸。本件木雕吞口，可能是雲南劍川製品。在亦可作為木瓢的另面圓弧，彩繪面目猙獰、披頭散髮的紅緑黑白黃棕花臉，火眼白鼻之怪獸形狀，可作掛飾、或駆邪、或勺水瓢。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908221","MainTitle":"千里眼","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"布袋戲偶，俗稱「布袋戲尪仔」，它的基本構件是「身架、服飾、頭盔」，其中「身架」包括「偶頭、布身、手、布腿、鞋」五項細部。「偶頭」是一尊布袋戲偶的靈魂、身體首要；偶頭雕刻的良窳，往往決定一尊戲偶的價值與品相。福建泉州的偶頭，以「花園頭」、「塗門頭」最負盛名。「花園頭」的尺寸分為一號、二號、三號等三種類型，一號頭最大。布袋戲偶的角色可區分為六大類「生、旦、淨、末、丑、雜」，其中「淨」是花臉，「末」是年紀老邁的老人，「雜」是凡不能歸為生、旦、淨、末、丑的人物便稱之，例如「孫悟空、豬八戒、千里眼、順風耳…」。\r\n本件作品「千里眼」，是民間信仰天上聖母媽祖的兩大部將之一，衪可以看見干里以外的事物，為媽祖偵察世上一切；與「順風耳」齊名，一齊侍衛媽祖。在神像造型上，一般宮廟雕塑形象是「右手持方天畫…，左手舉至額前做遠視狀的乃千里眼(又稱金精將軍)」，「左手持月眉斧頭，右手舉至側耳作傾聽狀的是順風耳(又稱水精將軍）」。不論神像造型變化如何，凡是擧手遮光遠視的是「千里眼」，擧手指耳或耳邊傾聽的是「順風耳」。\r\n本件作品為近年卡通造型，注重突眼表現，耳鼻毛為紅色伸張，造型紋飾殊為誇張！頭頂金精叉髻！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908222","MainTitle":"順風耳","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"布袋戲偶，俗稱「布袋戲尪仔」，它的基本構件是「身架、服飾、頭盔」，其中「身架」包括「偶頭、布身、手、布腿、鞋」五項細部。「偶頭」是一尊布袋戲偶的靈魂、身體首要；偶頭雕刻的良窳，往往決定一尊戲偶的價值與品相。福建泉州的偶頭，以「花園頭」、「塗門頭」最負盛名。「花園頭」的尺寸分為一號、二號、三號等三種類型，一號頭最大。布袋戲偶的角色可區分為六大類「生、旦、淨、末、丑、雜」，其中「淨」是花臉，「末」是年紀老邁的老人，「雜」是凡不能歸為生、旦、淨、末、丑的人物便稱之，例如「孫悟空、豬八戒、千里眼、順風耳…」。\r\n本件作品「順風耳」，是民間信仰天上聖母媽祖的兩大部將之一，衪可以聽到干里以外的聲音，為媽祖偵察世上一切；與「千里眼」齊名，一齊侍衛媽祖。在神像造型上，一般宮廟雕塑形象是「右手持方天畫…，左手舉至額前做遠視狀的乃千里眼(又稱金精將軍)」，「左手持月眉斧頭，右手舉至側耳作傾聽狀的是順風耳(又稱水精將軍）」。不論神像造型變化如何，凡是擧手遮光遠視的是「千里眼」，擧手指耳或耳邊傾聽的是「順風耳」。\r\n本件作品為近年卡通造型，注重兩耳表現，耳後雙翅伸張，鼻子前後水珠連紋，造型紋樣殊為誇大！頭頂水精高髻！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908223","MainTitle":"吞口木瓢","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在雲南、貴州、四川、湖南等省，有一項少數民族的傳統的習俗，他們會在門楣上掛吞口，或者在祭祀活動時戴上吞口做成的面具，模仿祭祀開光勳作，編成舞蹈，演繹吞口舞。吞口舞，威猛雄壯、古樸粗獷中帶著優美流暢、翻騰自如的美感，充滿濃郁的民族風情。\r\n吞口，又稱為獸牌、虎頭牌、天口、噴口，是為驅鬼逐疫、辟邪保平安的神物。其俗源流古早，是上古時代的儺祭儺面演變而來。早在漢代，中國民間就有懸掛吞口驅避邪祟的習俗，多為少民族所流傳，白族、彝族、瑤族、布依族、水族都奉行這樣文化，但各族間的吞口造型紋飾略有差異。雲南石林男子在祈禱人畜興旺、五穀豐登的祭祀日𥚃戴吞口面具載歌載舞。彝族的「五虎吞口」最具民族特色，多是楚雄地區彝族巫師用葫蘆瓢繪製。「五虎吞口」是一個大虎頭內含四個小虎頭，額頭、兩眼珠和口咬的劍柄頭均雕成虎頭形狀，造型誇張。並有在虎年、虎月、虎日、虎時畫吞口，虎日掛吞口的習俗。如今，吞口除了作為辟邪保平安的習俗外，更延伸文創商品，開發一系列書籤、抱枕、銅勺、瓷碗、木瓢等物品。\r\n吞口有木製、瓢製，可彩繪或雕刻，粗獷古樸。本件木雕吞口木瓢，可能是雲南劍川製品。在亦可作為木瓢的另面圓弧，彩繪面目猙獰、巨目獠牙，額頭太極圖，紅黑白綠地花臉，重眼紅鼻之怪獸形狀，可作掛飾、或駆邪、或勺水瓢。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908224","MainTitle":"漆籃(大)","Creator":"福建省永春縣工藝美術廠","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"漆籃的工藝，以福建泉州永春最出色出名，永春漆籃乃為福建省特色民間傳統竹漆工藝。始於明正德年間(1506~1522)，迄今已有500年歷史。漆籃共有三大種類「扁籃、格籃、盛籃」，每類又分特級、甲級、光油等幾個級別，規格大小達100多種。漆籃製作主要有竹編、油灰、漆畫三大工序，每大工序又分許多道小工序，一個漆籃的製作完成需要50多道工序，周期達一個多月。\r\n福建永春漆籃的工藝特點有三：1、用細如琴弦的竹絲編籃，因而特別輕便。2、用桐油和細如麵粉的泥土拌成油灰抹在竹籃的關鍵部位，因而特別堅固。3、用生漆髹籃，繪以圖畫、描金、堆雕等，因而精美富麗，工藝繁複。綜合言之，永春漆籃工藝把竹編技藝和漆畫堆雕技藝合二為一，使簡單的竹籃由單調變得富彩紛呈。不僅具有高雅古樸、端莊大方、精巧玲瓏的藝術風格，而且還具有耐酸、耐鹼、耐用的特性。曾被選送意大利、日本、波蘭等30多個國家展覽。漆籃的功能，傳統用於結婚壽誕、走親訪友、迎神祭祖等場合。在生活中可作為盛放物品的容器、在藝術上可作為觀賞之品。被列為福建省非物質文化遺產名錄！\r\n本件漆籃（大)，乃是大型永春漆籃，籃分二層，以黑紅相間之髹漆技術，增加竹編提梁籃之美觀外，並於黑漆上擂金畫，更顯得優雅高貴！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908225","MainTitle":"漆籃(中)","Creator":"福建省永春縣工藝美術廠","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"漆籃的工藝，以福建泉州永春最出色出名，永春漆籃乃為福建省特色民間傳統竹漆工藝。始於明正德年間(1506~1522)，迄今已有500年歷史。漆籃共有三大種類「扁籃、格籃、盛籃」，每類又分特級、甲級、光油等幾個級別，規格大小達100多種。漆籃製作主要有竹編、油灰、漆畫三大工序，每大工序又分許多道小工序，一個漆籃的製作完成需要50多道工序，周期達一個多月。\r\n福建永春漆籃的工藝特點有三：1、用細如琴弦的竹絲編籃，因而特別輕便。2、用桐油和細如麵粉的泥土拌成油灰抹在竹籃的關鍵部位，因而特別堅固。3、用生漆髹籃，繪以圖畫、描金、堆雕等，因而精美富麗，工藝繁複。綜合言之，永春漆籃工藝把竹編技藝和漆畫堆雕技藝合二為一，使簡單的竹籃由單調變得富彩紛呈。不僅具有高雅古樸、端莊大方、精巧玲瓏的藝術風格，而且還具有耐酸、耐鹼、耐用的特性。曾被選送意大利、日本、波蘭等30多個國家展覽。漆籃的功能，傳統用於結婚壽誕、走親訪友、迎神祭祖等場合。在生活中可作為盛放物品的容器、在藝術上可作為觀賞之品。被列為福建省非物質文化遺產名錄！\r\n本件漆籃（中)，乃是中型永春漆籃，籃分二層，以黑紅相間之髹漆技術，增加竹編提梁籃之美觀外，並於黑漆上擂金畫，更顯得優雅高貴！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908226","MainTitle":"漆籃(小)","Creator":"福建省永春縣工藝美術廠","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"漆籃的工藝，以福建泉州永春最出色出名，永春漆籃乃為福建省特色民間傳統竹漆工藝。始於明正德年間(1506~1522)，迄今已有500年歷史。漆籃共有三大種類「扁籃、格籃、盛籃」，每類又分特級、甲級、光油等幾個級別，規格大小達100多種。漆籃製作主要有竹編、油灰、漆畫三大工序，每大工序又分許多道小工序，一個漆籃的製作完成需要50多道工序，周期達一個多月。\r\n福建永春漆籃的工藝特點有三：1、用細如琴弦的竹絲編籃，因而特別輕便。2、用桐油和細如麵粉的泥土拌成油灰抹在竹籃的關鍵部位，因而特別堅固。3、用生漆髹籃，繪以圖畫、描金、堆雕等，因而精美富麗，工藝繁複。綜合言之，永春漆籃工藝把竹編技藝和漆畫堆雕技藝合二為一，使簡單的竹籃由單調變得富彩紛呈。不僅具有高雅古樸、端莊大方、精巧玲瓏的藝術風格，而且還具有耐酸、耐鹼、耐用的特性。曾被選送意大利、日本、波蘭等30多個國家展覽。漆籃的功能，傳統用於結婚壽誕、走親訪友、迎神祭祖等場合。在生活中可作為盛放物品的容器、在藝術上可作為觀賞之品。被列為福建省非物質文化遺產名錄！\r\n本件漆籃（小)，乃是小型永春漆籃，以黑金、開光相間之髹漆技術，增加竹編提梁籃之美觀外，並於黑漆上擂金畫，更顯得優雅高貴！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908227","MainTitle":"漆籃(小)","Creator":"福建省永春縣工藝美術廠","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"漆籃的工藝，以福建泉州永春最出色出名，永春漆籃乃為福建省特色民間傳統竹漆工藝。始於明正德年間(1506~1522)，迄今已有500年歷史。漆籃共有三大種類「扁籃、格籃、盛籃」，每類又分特級、甲級、光油等幾個級別，規格大小達100多種。漆籃製作主要有竹編、油灰、漆畫三大工序，每大工序又分許多道小工序，一個漆籃的製作完成需要50多道工序，周期達一個多月。\r\n福建永春漆籃的工藝特點有三：1、用細如琴弦的竹絲編籃，因而特別輕便。2、用桐油和細如麵粉的泥土拌成油灰抹在竹籃的關鍵部位，因而特別堅固。3、用生漆髹籃，繪以圖畫、描金、堆雕等，因而精美富麗，工藝繁複。綜合言之，永春漆籃工藝把竹編技藝和漆畫堆雕技藝合二為一，使簡單的竹籃由單調變得富彩紛呈。不僅具有高雅古樸、端莊大方、精巧玲瓏的藝術風格，而且還具有耐酸、耐鹼、耐用的特性。曾被選送意大利、日本、波蘭等30多個國家展覽。漆籃的功能，傳統用於結婚壽誕、走親訪友、迎神祭祖等場合。在生活中可作為盛放物品的容器、在藝術上可作為觀賞之品。被列為福建省非物質文化遺產名錄！\r\n本件漆籃（小)，乃是小型永春漆籃，但卻工藝精細，籃分三層，以黑红、開光相間之髹漆技術，增加竹編提梁籃之美觀外，並於黑漆上擂金畫，更顯得優雅高貴！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908228","MainTitle":"漆籃(小)","Creator":"福建省永春縣工藝美術廠","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"漆籃的工藝，以福建泉州永春最出色出名，永春漆籃乃為福建省特色民間傳統竹漆工藝。始於明正德年間(1506~1522)，迄今已有500年歷史。漆籃共有三大種類「扁籃、格籃、盛籃」，每類又分特級、甲級、光油等幾個級別，規格大小達100多種。漆籃製作主要有竹編、油灰、漆畫三大工序，每大工序又分許多道小工序，一個漆籃的製作完成需要50多道工序，周期達一個多月。\r\n福建永春漆籃的工藝特點有三：1、用細如琴弦的竹絲編籃，因而特別輕便。2、用桐油和細如麵粉的泥土拌成油灰抹在竹籃的關鍵部位，因而特別堅固。3、用生漆髹籃，繪以圖畫、描金、堆雕等，因而精美富麗，工藝繁複。綜合言之，永春漆籃工藝把竹編技藝和漆畫堆雕技藝合二為一，使簡單的竹籃由單調變得富彩紛呈。不僅具有高雅古樸、端莊大方、精巧玲瓏的藝術風格，而且還具有耐酸、耐鹼、耐用的特性。曾被選送意大利、日本、波蘭等30多個國家展覽。漆籃的功能，傳統用於結婚壽誕、走親訪友、迎神祭祖等場合。在生活中可作為盛放物品的容器、在藝術上可作為觀賞之品。被列為福建省非物質文化遺產名錄！\r\n本件漆籃（小)，乃是小型永春漆籃，但卻工藝精細，籃分二層，以黑色金色、開光相間之髹漆技術，增加竹編提梁籃之美觀外，並於黑漆上擂金畫，更顯得優雅高貴！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908229","MainTitle":"二層漆盒","Creator":"福州工藝美術學校專業實習工廠","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。操用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤、盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n福州脫胎漆器在我國傳統的朱黑等漆色上，以「真金碾泥」、「真銀碾泥」技法材料(即以真金真銀碾成金粉銀粉，調和為料），增加了藍、綠、褐等多種漆色。有的裝飾還用上了刻銀絲、刻金絲、螺鈿、鑲嵌等，使脫胎漆器更加精美。\r\n本件福州漆盒，盒分二層，在長方盒邊盒蓋黑色漆地上，以流暢紅色線藤狀，表現流動的雲紋線紋，風味古樸一如漢代漆畫！輔以工整之直條朱線紋，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908230","MainTitle":"漆鼎","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。操用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤、盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n福州脫胎漆器在我國傳統的朱黑等漆色上，以「真金碾泥」、「真銀碾泥」技法材料(即以真金真銀碾成金粉銀粉，調和為料），增加了藍、綠、褐等多種漆色。有的裝飾還用上了刻銀絲、刻金絲、螺鈿、鑲嵌等，使脫胎漆器更加精美。\r\n本件福州漆鼎，仿漢代古鼎造型，三獸足，渾身玄黑漆地，朱紅弦紋，以流暢紅色在鼎蓋鼎身上，勾勒點畫，表現流動的勾紋線紋，風味古樸一如漢代漆畫！輔以渾厚帶耳的古鼎風貌，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908231","MainTitle":"漆壺","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。操用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤、盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n福州脫胎漆器在我國傳統的朱黑等漆色上，以「真金碾泥」、「真銀碾泥」技法材料(即以真金真銀碾成金粉銀粉，調和為料），增加了藍、綠、褐等多種漆色。有的裝飾還用上了刻銀絲、刻金絲、螺鈿、鑲嵌等，使脫胎漆器更加精美。\r\n本件福州漆壺，仿漢代古壺造型，圈足，渾身玄黑漆地，朱紅弦紋數圈，粗細變化，以流暢紅色在壼蓋壺身上，勾勒點畫，表現流動的勾紋線紋，風味古樸一如漢代漆畫！輔以渾厚帶頂蓋足的古壺風貌，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908232","MainTitle":"漆勺","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。操用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤、盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n福州脫胎漆器在我國傳統的朱黑等漆色上，以「真金碾泥」、「真銀碾泥」技法材料(即以真金真銀碾成金粉銀粉，調和為料），增加了藍、綠、褐等多種漆色。有的裝飾還用上了刻銀絲、刻金絲、螺鈿、鑲嵌等，使脫胎漆器更加精美。\r\n本件福州漆勺，仿漢代古勺造型，長柄，勺部，以玄黑漆地，襯托朱紅勺部，輔以點線勾勒柄飾，風味古樸一如漢代漆勺，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908233","MainTitle":"圓形漆盒","Creator":"","CreatedYear":"","Size":"001:高7.5*直徑12、002:高5.5*直徑10、003:高4*直徑8","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。操用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤、盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n福州脫胎漆器在我國傳統的朱黑等漆色上，以「真金碾泥」、「真銀碾泥」技法材料(即以真金真銀碾成金粉銀粉，調和為料），增加了藍、綠、褐等多種漆色。有的裝飾還用上了刻銀絲、刻金絲、螺鈿、鑲嵌等，使脫胎漆器更加精美。\r\n本件福州圓形漆盒(大中小三個)，仿漢代古盒造型，圓蓋圓身，在玄黑色漆地上繪以朱綫弦紋、幾何圖紋，中央朱雀紋，風味古樸一如漢代漆盒，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908233001","MainTitle":"圓形漆盒(大)","Creator":"","CreatedYear":"","Size":"001:高7.5*直徑12、002:高5.5*直徑10、003:高4*直徑8","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjMzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。操用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤、盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n福州脫胎漆器在我國傳統的朱黑等漆色上，以「真金碾泥」、「真銀碾泥」技法材料(即以真金真銀碾成金粉銀粉，調和為料），增加了藍、綠、褐等多種漆色。有的裝飾還用上了刻銀絲、刻金絲、螺鈿、鑲嵌等，使脫胎漆器更加精美。\r\n本件福州圓形漆盒(大)，仿漢代古盒造型，圓蓋圓身，在玄黑色漆地上繪以朱綫弦紋、幾何圖紋，中央朱雀紋，風味古樸一如漢代漆盒，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908233002","MainTitle":"圓形漆盒(中)","Creator":"","CreatedYear":"","Size":"001:高7.5*直徑12、002:高5.5*直徑10、003:高4*直徑8","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjMzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。操用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤、盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n福州脫胎漆器在我國傳統的朱黑等漆色上，以「真金碾泥」、「真銀碾泥」技法材料(即以真金真銀碾成金粉銀粉，調和為料），增加了藍、綠、褐等多種漆色。有的裝飾還用上了刻銀絲、刻金絲、螺鈿、鑲嵌等，使脫胎漆器更加精美。\r\n本件福州圓形漆盒(中)，仿漢代古盒造型，圓蓋圓身，在玄黑色漆地上繪以朱綫弦紋、幾何圖紋，中央朱雀紋，風味古樸一如漢代漆盒，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908233003","MainTitle":"圓形漆盒(小)","Creator":"","CreatedYear":"","Size":"001:高7.5*直徑12、002:高5.5*直徑10、003:高4*直徑8","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjMzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。操用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤、盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n福州脫胎漆器在我國傳統的朱黑等漆色上，以「真金碾泥」、「真銀碾泥」技法材料(即以真金真銀碾成金粉銀粉，調和為料），增加了藍、綠、褐等多種漆色。有的裝飾還用上了刻銀絲、刻金絲、螺鈿、鑲嵌等，使脫胎漆器更加精美。\r\n本件福州圓形漆盒(小)，仿漢代古盒造型，圓蓋圓身，在玄黑色漆地上繪以朱綫弦紋、幾何圖紋，中央朱雀紋，風味古樸一如漢代漆盒，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908234","MainTitle":"方型漆盒(大中小三個)","Creator":"","CreatedYear":"","Size":"001:12.3*12.3*7、002:10.7*10.7*5.5、003:9.4*9.4*3.7","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。操用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤、盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n福州脫胎漆器在我國傳統的朱黑等漆色上，以「真金碾泥」、「真銀碾泥」技法材料(即以真金真銀碾成金粉銀粉，調和為料），增加了藍、綠、褐等多種漆色。有的裝飾還用上了刻銀絲、刻金絲、螺鈿、鑲嵌等，使脫胎漆器更加精美。\r\n本件福州方形漆盒(大中小三個)，仿漢代古盒造型，方蓋方身，在玄黑色漆地上繪以朱綫邊紋、走獸圖紋，流雲紋，風味古樸一如漢代漆盒，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908234001","MainTitle":"方型漆盒(大)","Creator":"","CreatedYear":"","Size":"001:12.3*12.3*7、002:10.7*10.7*5.5、003:9.4*9.4*3.7","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjM0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。操用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤、盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n福州脫胎漆器在我國傳統的朱黑等漆色上，以「真金碾泥」、「真銀碾泥」技法材料(即以真金真銀碾成金粉銀粉，調和為料），增加了藍、綠、褐等多種漆色。有的裝飾還用上了刻銀絲、刻金絲、螺鈿、鑲嵌等，使脫胎漆器更加精美。\r\n本件福州方形漆盒(大)，仿漢代古盒造型，方蓋方身，在玄黑色漆地上繪以朱綫邊紋、走獸圖紋，流雲紋，風味古樸一如漢代漆盒，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908234002","MainTitle":"方型漆盒(中)","Creator":"","CreatedYear":"","Size":"001:12.3*12.3*7、002:10.7*10.7*5.5、003:9.4*9.4*3.7","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjM0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。操用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤、盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n福州脫胎漆器在我國傳統的朱黑等漆色上，以「真金碾泥」、「真銀碾泥」技法材料(即以真金真銀碾成金粉銀粉，調和為料），增加了藍、綠、褐等多種漆色。有的裝飾還用上了刻銀絲、刻金絲、螺鈿、鑲嵌等，使脫胎漆器更加精美。\r\n本件福州方形漆盒(中)，仿漢代古盒造型，方蓋方身，在玄黑色漆地上繪以朱綫邊紋、走獸圖紋，流雲紋，風味古樸一如漢代漆盒，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908234003","MainTitle":"方型漆盒(小)","Creator":"","CreatedYear":"","Size":"001:12.3*12.3*7、002:10.7*10.7*5.5、003:9.4*9.4*3.7","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjM0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。操用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤、盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n福州脫胎漆器在我國傳統的朱黑等漆色上，以「真金碾泥」、「真銀碾泥」技法材料(即以真金真銀碾成金粉銀粉，調和為料），增加了藍、綠、褐等多種漆色。有的裝飾還用上了刻銀絲、刻金絲、螺鈿、鑲嵌等，使脫胎漆器更加精美。\r\n本件福州方形漆盒(小)，仿漢代古盒造型，方蓋方身，在玄黑色漆地上繪以朱綫邊紋、走獸圖紋，流雲紋，風味古樸一如漢代漆盒，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908235","MainTitle":"蝴蝶形漆盒","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"甘肅天水的生漆資源豐富，生產加工歷史悠久，其中尤以雕漆在國內外享有盛譽。天水漆器選料嚴格，漆質堅硬，漆面光亮，是中國漆器工藝中一個出類拔萃的品系。\r\n天水漆器，除了雕漆，也有彩漆屏繪和雕塡的技法進行裝飾。「彩漆屏繪」是用漆刷沾上各種顏色的漆，直接在漆面上作工筆重彩繪；「雕填」則是在漆面上雕出圖案，然後用配有顏料的漆填上；兩者都講究布局的合理協調。\r\n天水漆器已有兩千多年悠久歷史，到20世紀初，產品從油飾、罩漆逐漸転向雕塡、彩繪。雕塡是在未經褪光的地子上以粉作畫，再用刀雕刻，剔去灰皮露出漆地，然後以色漆填平，陰乾後，硏磨褪光而成，表面平滑如鏡，色漆嵌入地子可保持久遠，不會脫落。\r\n本件蝴蝶形漆盒，造型如蝶，並在蝶身上以朱線條裝飾如意雲頭、雙福壽字；以牡丹飛蝶、葡萄花果裝飾翅膀，典雅富麗，秀致大方，殊具特色及設計之美之妙！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908236","MainTitle":"倭角方形漆盒","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"甘肅天水的生漆資源豐富，生產加工歷史悠久，其中尤以雕漆在國內外享有盛譽。天水漆器選料嚴格，漆質堅硬，漆面光亮，是中國漆器工藝中一個出類拔萃的品系。\r\n天水漆器，除了雕漆，也有彩漆屏繪和雕塡的技法進行裝飾。「彩漆屏繪」是用漆刷沾上各種顏色的漆，直接在漆面上作工筆重彩繪；「雕填」則是在漆面上雕出圖案，然後用配有顏料的漆填上；兩者都講究布局的合理協調。\r\n天水漆器已有兩千多年悠久歷史，到20世紀初，產品從油飾、罩漆逐漸転向雕塡、彩繪。雕塡是在未經褪光的地子上以粉作畫，再用刀雕刻，剔去灰皮露出漆地，然後以色漆填平，陰乾後，硏磨褪光而成，表面平滑如鏡，色漆嵌入地子可保持久遠，不會脫落。\r\n本件倭角方形漆盒，造型古典，在盒蓋、盒身上皆做了倭角的變化，蓋面朱地雕填番蓮花葉鋪滿，盒蓋盒側邊雕飾柿蒂地紋開光番蓮紋，盒蓋盒身邊框飾回紋、連雲紋，典雅富麗，秀致大方，古色古香，殊具特色及設計之美之妙！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908237","MainTitle":"雕漆圓扁盒","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"北京雕漆是一項古老的地方傳統手工技藝，始於唐代，興於宋元，盛於明、清。此雕漆工藝，是將天然漆料在胎上髹塗，有時塗上數十層，甚至幾百層，至一定程度的厚度，再用刀在漆上進行雕刻花紋，由於漆色彩的不同，而有「剔紅」、「剔黑」、「剔彩」、「剔犀」、「剔黃」、「剔緑」等不同的技藝名目。北京雕漆以朱紅為主，黃、綠、黑等做底色。其工序要經過「製胎、燒藍、作底、著漆、雕刻、磨光等，各階段技藝要求都很高。雕漆的配色也很講究，過去只有黑、紅、黃、綠4種顏色，發展到近代有白、杏黃、茶紅、粉紅等20多種。每種作品也由單一色彩發展到多種套色。北京雕漆外表古雅莊重，紋樣嚴謹，雕工精細，是其傳統特點。北京雕漆在雕刻技藝上也有新的發展，過去一般是平雕，近年出現了浮雕、鏤空雕、立體圓雕。\r\n本件作品是北京雕漆扁圓盒，盒之地面為黑色，經過雕刻的紋飾，因髹漆多層及黑朱異色關係，就顯得紋缐的多層次色彩，又精緻，又莊重，又古雅！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908238","MainTitle":"柿蒂形漆盒","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。操用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤、盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n福州脫胎漆器在我國傳統的朱黑等漆色上，以「真金碾泥」、「真銀碾泥」技法材料(即以真金真銀碾成金粉銀粉，調和為料），增加了藍、綠、褐等多種漆色。有的裝飾還用上了刻銀絲、刻金絲、螺鈿、鑲嵌等，使脫胎漆器更加精美。\r\n本件福州柿蒂形漆盒，仿漢代古盒造型，柿蒂四瓣形，在玄黑色漆地上，繪以多彩流動雲紋及珍禽異獸，風味古樸一如漢代漆盒，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908239","MainTitle":"螺鈿漆椅形茶几擺設(三件)","Creator":"","CreatedYear":"","Size":"001~002椅子*2:長:11.9，寬:9.5，高:20。\r\n003桌子:長:12，寬:12，高:9。\r\n\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國是世界上最早使用漆器的國家，早在7000年前的河姆渡文化遺址就有漆器，其發展歷史久遠，鑲嵌螺鈿漆器作為漆器工藝的一種，最早可追溯到西周時期。西漢盛行彩繪和嵌金箔、銀箔漆器。唐代時盛行金銀平脫工藝、鑲嵌螺鈿漆器、戧金工藝。唐代鑲嵌螺鈿的貝殻較厚，至北宋始將貝殻片硏磨，截切成薄片，作品更為精细。明清兩代，鑲嵌螺鈿漆器又飾以金銀箔和金銀屑，使之更為絢麗。\r\n山西省 稷山縣鑲嵌螺鈿漆器不僅在工藝上細致複雜，要經過選型、製胎、設計圖案、髹漆、螺鈿鑲嵌、推光等數十道繁雜工序，而且在用料方面頗為講究，產品在製作過程中，使用天然生漆、螺鈿、貴金屬和木、紙等為原材料。所製作之產品，外觀古樸雅致，構造精細，漆面光潔，線條流暢，色調和諧，圖案清新高雅，手感細膩滑潤，耐熱防潮，經久耐用，展現了中國特有的傳統民間傳統手工藝的特點，具有欣賞、藝術、收藏、歷史價值。\r\n螺鈿又名螺甸、螺填、鈿嵌，分「硬螺鈿」與「軟螺鈿」兩種，主要取材于蚌殼、鮑魚殼、貝殼，將其磨薄磨光加工成硬螺鈿片或是通過泡製加工成軟螺鈿後，嵌入胎漆，具有美麗的珍珠般多彩光澤。\r\n本组作品「螺鈿漆椅茶几擺設(三件)」，工藝精良，椅作太師椅型式，几作正方立體箱形，皆鑲嵌細致精美之螺鈿纹飾，頗為高雅。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908239001","MainTitle":"螺細漆椅形茶几擺設(三件)-椅子","Creator":"","CreatedYear":"","Size":"001~002椅子*2:長:11.9，寬:9.5，高:20。\r\n003桌子:長:12，寬:12，高:9。\r\n\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjM5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國是世界上最早使用漆器的國家，早在7000年前的河姆渡文化遺址就有漆器，其發展歷史久遠，鑲嵌螺鈿漆器作為漆器工藝的一種，最早可追溯到西周時期。西漢盛行彩繪和嵌金箔、銀箔漆器。唐代時盛行金銀平脫工藝、鑲嵌螺鈿漆器、戧金工藝。唐代鑲嵌螺鈿的貝殻較厚，至北宋始將貝殻片硏磨，截切成薄片，作品更為精细。明清兩代，鑲嵌螺鈿漆器又飾以金銀箔和金銀屑，使之更為絢麗。\r\n山西省 稷山縣鑲嵌螺鈿漆器不僅在工藝上細致複雜，要經過選型、製胎、設計圖案、髹漆、螺鈿鑲嵌、推光等數十道繁雜工序，而且在用料方面頗為講究，產品在製作過程中，使用天然生漆、螺鈿、貴金屬和木、紙等為原材料。所製作之產品，外觀古樸雅致，構造精細，漆面光潔，線條流暢，色調和諧，圖案清新高雅，手感細膩滑潤，耐熱防潮，經久耐用，展現了中國特有的傳統民間傳統手工藝的特點，具有欣賞、藝術、收藏、歷史價值。\r\n螺鈿又名螺甸、螺填、鈿嵌，分「硬螺鈿」與「軟螺鈿」兩種，主要取材于蚌殼、鮑魚殼、貝殼，將其磨薄磨光加工成硬螺鈿片或是通過泡製加工成軟螺鈿後，嵌入胎漆，具有美麗的珍珠般多彩光澤。\r\n本组作品「螺鈿漆椅茶几擺設(三件)-椅子」，工藝精良。椅作太師椅型式，靠背、扶手皆作回紋裝飾；靠背正面螺鈿仙鶴、花紋；背後螺鈿古壽字及五蝠紋；椅面螺甸花卉拱團壽紋，椅腳皆鑲嵌細致精美之螺鈿纹飾，整體造型、紋飾，頗為富麗高雅。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908239002","MainTitle":"螺細漆椅形茶几擺設(三件)-椅子","Creator":"","CreatedYear":"","Size":"001~002椅子*2:長:11.9，寬:9.5，高:20。\r\n003桌子:長:12，寬:12，高:9。\r\n\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjM5MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國是世界上最早使用漆器的國家，早在7000年前的河姆渡文化遺址就有漆器，其發展歷史久遠，鑲嵌螺鈿漆器作為漆器工藝的一種，最早可追溯到西周時期。西漢盛行彩繪和嵌金箔、銀箔漆器。唐代時盛行金銀平脫工藝、鑲嵌螺鈿漆器、戧金工藝。唐代鑲嵌螺鈿的貝殻較厚，至北宋始將貝殻片硏磨，截切成薄片，作品更為精细。明清兩代，鑲嵌螺鈿漆器又飾以金銀箔和金銀屑，使之更為絢麗。\r\n山西省 稷山縣鑲嵌螺鈿漆器不僅在工藝上細致複雜，要經過選型、製胎、設計圖案、髹漆、螺鈿鑲嵌、推光等數十道繁雜工序，而且在用料方面頗為講究，產品在製作過程中，使用天然生漆、螺鈿、貴金屬和木、紙等為原材料。所製作之產品，外觀古樸雅致，構造精細，漆面光潔，線條流暢，色調和諧，圖案清新高雅，手感細膩滑潤，耐熱防潮，經久耐用，展現了中國特有的傳統民間傳統手工藝的特點，具有欣賞、藝術、收藏、歷史價值。\r\n螺鈿又名螺甸、螺填、鈿嵌，分「硬螺鈿」與「軟螺鈿」兩種，主要取材于蚌殼、鮑魚殼、貝殼，將其磨薄磨光加工成硬螺鈿片或是通過泡製加工成軟螺鈿後，嵌入胎漆，具有美麗的珍珠般多彩光澤。\r\n本组作品「螺鈿漆椅茶几擺設(三件)-椅子」，工藝精良。椅作太師椅型式，靠背、扶手皆作回紋裝飾；靠背正面螺鈿仙鶴、花紋；背後螺鈿古壽字及五蝠紋；椅面螺甸花卉拱團壽紋，椅腳皆鑲嵌細致精美之螺鈿纹飾，整體造型、紋飾，頗為高雅富麗。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908239003","MainTitle":"螺細漆椅形茶几擺設(三件)-茶几","Creator":"","CreatedYear":"","Size":"001~002椅子*2:長:11.9，寬:9.5，高:20。\r\n003桌子:長:12，寬:12，高:9。\r\n\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjM5MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國是世界上最早使用漆器的國家，早在7000年前的河姆渡文化遺址就有漆器，其發展歷史久遠，鑲嵌螺鈿漆器作為漆器工藝的一種，最早可追溯到西周時期。西漢盛行彩繪和嵌金箔、銀箔漆器。唐代時盛行金銀平脫工藝、鑲嵌螺鈿漆器、戧金工藝。唐代鑲嵌螺鈿的貝殻較厚，至北宋始將貝殻片硏磨，截切成薄片，作品更為精细。明清兩代，鑲嵌螺鈿漆器又飾以金銀箔和金銀屑，使之更為絢麗。\r\n山西省 稷山縣鑲嵌螺鈿漆器不僅在工藝上細致複雜，要經過選型、製胎、設計圖案、髹漆、螺鈿鑲嵌、推光等數十道繁雜工序，而且在用料方面頗為講究，產品在製作過程中，使用天然生漆、螺鈿、貴金屬和木、紙等為原材料。所製作之產品，外觀古樸雅致，構造精細，漆面光潔，線條流暢，色調和諧，圖案清新高雅，手感細膩滑潤，耐熱防潮，經久耐用，展現了中國特有的傳統民間傳統手工藝的特點，具有欣賞、藝術、收藏、歷史價值。\r\n螺鈿又名螺甸、螺填、鈿嵌，分「硬螺鈿」與「軟螺鈿」兩種，主要取材于蚌殼、鮑魚殼、貝殼，將其磨薄磨光加工成硬螺鈿片或是通過泡製加工成軟螺鈿後，嵌入胎漆，具有美麗的珍珠般多彩光澤。\r\n本组作品「螺鈿漆椅茶几擺設(三件)-茶几」，工藝精良。几作正方立體型式，四面皆作三層開光花紋裝飾，其兩旁襯地作六角出花含蕊，整體造型、紋飾，頗為高雅富麗。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908240","MainTitle":"鳳形雙杯","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"荊州漆器是湖北荊州地方傳統藝術珍品之一。源于春秋戰國時期的楚國，荊州楚墓中出土的眾多木胎漆器，大都造型奇特，雕琢精细，繪畫工巧，形成典型的楚文化風格。在地下埋藏2300多年，仍然色彩艷麗，光澤奪目！荊州漆器世代相傳，工藝水準不斷提高，元末生産的金漆盆、金漆桶，即是現代胎花退光漆器的前身。近代荊州漆器繼承歷代傳統工藝，製作仿古漆器，使古老傳統髹漆工藝大放異采！\r\n仿古漆器選用從古墓中出土的古楠木為胎，採用退光漆(水磨漆）處理，製作工藝活潑精致，造型輕巧優美。花色主要有彩繪、貼金、嵌花三大類。\r\n本件作品「鳳形雙杯漆器」，係仿古彩繪，造型奇特，大鳥張開雙翅後背雙杯，長尾後伸，可作把手。雙杯後下，各立一小鳥背負，齊心合力，使雙杯穩定。杯身彩繪雙螭交叉紋，杯子上下緣繪曲齒紋。整體鳳鳥雙杯，以朱黃色作底襯托羽紋、螭紋，鳳鳥則為黑地襯托羽紋，色調協調中有變化，工整中有古樸，殊為典麗優雅！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908241","MainTitle":"漆畫山鬼","Creator":"王和舉","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福建福州號稱「漆都」，向來漆藝成就輝煌，除了脫胎漆器名揚海內外，漆畫也頗負盛名。其中漆畫藝家王和舉，是中國工藝美術大師，他1936年生於四川成都，1959年四川美術學院漆器專業畢業後，分發褔州工作。福州在清代乾隆年間有沈紹安開始名揚國際，近代有高秀金、李芝卿使漆藝聲名遠揚。1963年冬，王和舉和著名漆藝大師李芝卿的女弟子施萱榮合作完成了他的第一幅作品「九歌」。1964年漆畫作為一個新的畫種出現在建國15周年的第四屆全國美展，王和舉以「鹽場」參展，成為第一代漆畫家群體中的佼佼者。迄今其漆畫作品已有4件被中國美術館收藏，13件被福建省美術館收藏，另外還有作品流傳到日本、台灣等地。其作品「塩場」、「鼓浪嶼」、「老子出關」、「九歌」、「兵車行」、「火燒赤壁」等等，都是出名的精心傑作。\r\n漆畫的創作，不僅要善用漆料、善於漆藝之外，其作畫的題材，海濶天空，古往今來。漆畫家除了造型功夫要精擅外，更需要主觀世界的充實。亦即要博知文史，博覽群書，博覽各種社會民俗，加於浸淫融合、體會思想，然後創作，反映國家、民族、地方、特色！\r\n本件作品「山鬼」，題材本於屈原楚辭中的「九歌」。山鬼騎豹，秀貌長髪，藍白衣裳，披帶飄風，手執芝蘭，悠悠行於茂密蓊鬱漆黑的森林中，山鬼其實就是山神。此漆畫構圖布局著色，均臻上乘，確實是名家名作。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908242","MainTitle":"漆畫惠安女","Creator":"陳思純","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福建福州的漆畫成就非凡，其中第一代漆畫家有「王和舉、鄭益坤、吳川、鄭力為，廖國寧等人，他們的特質，既精於漆藝，也精於畫藝；他們在從事漆畫探索之時，就同時具備了一個畫家的條件。王和舉大師在他大學的教育使他不僅具備了漆藝的修養技能，同時又具備了很好的繪畫基礎和文學修養；他能廣泛地從民族民間藝術吸取營養，并擅長于從中國歷史中發掘題材，如前文所述的「山鬼」，具有很高的文化品位，代表了中國漆畫高尚的水平。\r\n第二代漆畫家有「陳立德、鄭修鈐、唐明修、汪天亮、陳金華、吳嘉詮、陳明光、陳思純」等，第三代有「蘇國偉、李雲燕」等，他們大都畢業于福建工藝美術學校、福州工藝美術學校，甚至到四川美院、中央工藝美院深造，不僅獵取漆藝以外的傳統繪畫經驗，也注意吸取現代藝術的營養；因此他們的作品風格與題材，就更加豐富多樣。(參考《福建漆畫》福建美術出版社，2002年版）。\r\n本件作品「惠安女」，係第二代漆藝家陳思純所創作，以福建「惠安女」為题材，描寫惠安婦女頭紥花巾，披袖套、穿黑褲、捲起褲管，在晚霞滿天中，仍然合力扛著岩石，奮力走在堤防上；為了家鄉的安全，她們勤勞不懈的精神。畫面構造佈局高妙，著色對比強烈，題旨感人，確實是一件優秀作品！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908243","MainTitle":"漆畫茅蟲","Creator":"陳明光","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福建福州的漆畫成就非凡，其中第一代漆畫家有「王和舉、鄭益坤、吳川、鄭力為，廖國寧等人，他們的特質，既精於漆藝，也精於畫藝；他們在從事漆畫探索之時，就同時具備了一個畫家的條件。王和舉大師在他大學的教育使他不僅具備了漆藝的修養技能，同時又具備了很好的繪畫基礎和文學修養；他能廣泛地從民族民間藝術吸取營養，并擅長于從中國歷史中發掘題材，如前文所述的「山鬼」，具有很高的文化品位，代表了中國漆畫高尚的水平。\r\n第二代漆畫家有「陳立德、鄭修鈐、唐明修、汪天亮、陳金華、吳嘉詮、陳明光、陳思純」等，第三代有「蘇國偉、李雲燕」等，他們大都畢業于福建工藝美術學校、福州工藝美術學校，甚至到四川美院、中央工藝美院深造，不僅獵取漆藝以外的傳統繪畫經驗，也注意吸取現代藝術的營養；因此他們的作品風格與題材，就更加豐富多樣。(參考《福建漆畫》福建美術出版社，2002年版）。\r\n本件作品「茅蟲」，係第二代漆藝家陳明光所創作，以福建鄉村植物昆蟲為题材，描寫秋天的荻花，疏密有致，一隻秋蟬停在葉面上，迎風搖曳，夕照昏紅，彷彿在靜定的思考什麼？畫面構造佈局高妙，著色髹塗，貼黏蛋殻，都頗顕獨到，確實是一件優秀作品！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908244","MainTitle":"漆畫鳳","Creator":"吳川","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福建福州的漆畫成就非凡，其中第一代漆畫家有「王和舉、鄭益坤、吳川、鄭力為，廖國寧等人，他們的特質，既精於漆藝，也精於畫藝；他們在從事漆畫探索之時，就同時具備了一個畫家的條件。王和舉大師在他大學的教育使他不僅具備了漆藝的修養技能，同時又具備了很好的繪畫基礎和文學修養；他能廣泛地從民族民間藝術吸取營養，并擅長于從中國歷史中發掘題材，如前文所述的「山鬼」，具有很高的文化品位，代表了中國漆畫高尚的水平。\r\n第二代漆畫家有「陳立德、鄭修鈐、唐明修、汪天亮、陳金華、吳嘉詮、陳明光、陳思純」等，第三代有「蘇國偉、李雲燕」等，他們大都畢業于福建工藝美術學校、福州工藝美術學校，甚至到四川美院、中央工藝美院深造，不僅獵取漆藝以外的傳統繪畫經驗，也注意吸取現代藝術的營養；因此他們的作品風格與題材，就更加豐富多樣。(參考《福建漆畫》福建美術出版社，2002年版）。\r\n本件作品「鳯」，係第一代漆藝家吳川所創作，以傳統四靈之一的鳯鳥為题材，描寫彩鳳昂首挺胸而立，襯托著苗族羽冠人物舟蟹，形象簡約，造型古樸。吳川1965年畢業于廣州美術學院版畫系，版畫的修養使他的藝術追求傾向簡約概括，此件「鳳」漆畫，運用多種技法，營造彩色斑爛，融合少數民族風格傳説，使畫面豐富而統一，確實是一件優秀作品！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908245","MainTitle":"方形漆盤(二個)","Creator":"","CreatedYear":"","Size":"001大:長:35.6，寬:35.6，高:3.9。\r\n002小:長:33.2，寬:33.2，高:3.6。","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。採用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤、盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n在脫胎漆器之外，福州漆藝也擅長漆畫。本件福州漆盤，在長方盤面上為黑色漆地，繪以工整之界畫，中畫流暢紅色線藤狀交叉紋，表現流動的雲紋線紋，風味古樸一如漢代漆畫！輔以工整之直條朱線紋，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908245001","MainTitle":"方形漆盤(大)","Creator":"","CreatedYear":"","Size":"001大:長:35.6，寬:35.6，高:3.9。\r\n002小:長:33.2，寬:33.2，高:3.6。","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjQ1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。操用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n在脫胎漆器之外，福州漆藝也擅長漆畫。本件福州漆盤（大)，在長方盤面上為黑色漆地，繪以工整之界畫，中畫流暢紅色線藤狀交叉紋，表現流動的雲紋線紋，風味古樸一如漢代漆畫！輔以工整之直條朱線紋，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908245002","MainTitle":"方形漆盤(小)","Creator":"","CreatedYear":"","Size":"001大:長:35.6，寬:35.6，高:3.9。\r\n002小:長:33.2，寬:33.2，高:3.6。","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjQ1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。操用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤、盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n在脫胎漆器之外，福州漆藝也擅長漆畫。本件福州漆盤（小)，在長方盤面上為黑色漆地，繪以工整之界畫，中畫流暢紅色線藤狀交叉紋，表現流動的雲紋線紋，風味古樸一如漢代漆畫！輔以工整之直條朱線紋，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908246","MainTitle":"漆壺","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"漆籃的工藝，以福建泉州永春最出色出名，永春漆籃乃為福建省特色民間傳統竹漆工藝。始於明正德年間(1506~1522)，迄今已有500年歷史。漆籃共有三大種類「扁籃、格籃、盛籃」，每類又分特級、甲級、光油等幾個級別，規格大小達100多種。漆籃製作主要有竹編、油灰、漆畫三大工序，每大工序又分許多道小工序，一個漆籃的製作完成需要50多道工序，周期達一個多月。\r\n福建永春漆籃的工藝特點有三：1、用細如琴弦的竹絲編籃，因而特別輕便。2、用桐油和細如麵粉的泥土拌成油灰抹在竹籃的關鍵部位，因而特別堅固。3、用生漆髹籃，繪以圖畫、描金、堆雕等，因而精美富麗，工藝繁複。綜合言之，永春漆籃工藝把竹編技藝和漆畫堆雕技藝合二為一，使簡單的竹籃由單調變得富彩紛呈。不僅具有高雅古樸、端莊大方、精巧玲瓏的藝術風格，而且還具有耐酸、耐鹼、耐用的特性。曾被選送意大利、日本、波蘭等30多個國家展覽。漆籃的功能，傳統用於結婚壽誕、走親訪友、迎神祭祖等場合。在生活中可作為盛放物品的容器、在藝術上可作為觀賞之品。被列為福建省非物質文化遺產名錄！\r\n本件漆壺，可能是永春漆籃之延伸作品「壺器」，在編織完成的帶環耳壺身上，漆以多層之生漆，使其不漏水，而且有裝貯食品之功能，更顯得古樸實用！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908247","MainTitle":"圓形漆盤(小)","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。操用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤、盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n在脫胎漆器之外，福州漆藝也擅長漆畫。本件圓形漆盤（小)，在圓盤面上為黑色漆地，中央繪以朱紅環面，襯以曲齒紋、弦紋，及古符號，中心繪以花狀屏面，中書棣書「君奉食」，風味古樸一如漢代漆畫，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908248","MainTitle":"漆耳杯(兩個)","Creator":"","CreatedYear":"","Size":"001:黑、002:紅","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。操用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤、盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n在脫胎漆器之外，福州漆藝也擅長漆畫。本件作品「漆耳杯」，仿古漆耳杯(羽觴)造型，在兩個橢圓杯面上各為黑、朱色漆地，兩耳黑地繪飾朱色界畫花紋，中央書寫反襯之朱色、黑色隸文「君幸食」三字，風味古樸一如漢代漆畫，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908248001","MainTitle":"漆耳杯-黑","Creator":"","CreatedYear":"","Size":"001:黑、002:紅","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjQ4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。操用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤、盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n在脫胎漆器之外，福州漆藝也擅長漆畫。本件作品「漆耳杯－黑」，乃仿古漆耳杯(羽觴)造型，在橢圓杯面上漆黑色漆地，兩耳黑地繪飾朱色界畫花紋，中央書寫朱色隸文「君幸食」三字，杯背漆黒色，風味古樸一如漢代漆畫，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908248002","MainTitle":"漆耳杯-紅","Creator":"","CreatedYear":"","Size":"001:黑、002:紅","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjQ4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。操用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤、盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n在脫胎漆器之外，福州漆藝也擅長漆畫。本件作品「漆耳杯－紅」，乃仿古漆耳杯(羽觴)造型，在橢圓杯面上紅色漆地，兩耳黑地繪飾朱色界畫花紋，中央書寫黑色隸文「君幸食」三字，杯背漆黑色，風味古樸一如漢代漆畫，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908249","MainTitle":"四層方漆盒","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"福州漆器，又稱福建脫胎漆器、福州脫胎漆器，産於福州市，為清代沈紹安首創脫胎漆器技法，已有180多年歷史。操用「脫胎」即漆器製成後去掉器胎的方法。特點是質地輕巧堅固，色澤鮮豔古樸，還具有耐熱、耐酸、耐鹼等優點。被譽為「真正的中國民間藝術」。與北京景泰藍、江西景德鎮瓷器，並稱「中國傳統工藝三寶」，享譽國內外。\r\n福州漆器的品類之多，在全國漆器行業首屈一指，共有18類1200多個花色品種。福州漆器從坯胎質地看，有布質、陶質、金屬、塑料胎；從功能與用途看，有欣賞陳設類、生活實用類、旅遊纪念類；從品種樣式看，有瓶、盤、盒、具、屏、聯、框、架、箱、幾、案、櫃等18類；從裝飾技法看，分彩髹、彩畫、印錦、台花、雕填、鑲嵌、暗花、針刻、閃光、變圖、仿彩等；在製作工藝看，胎坯、漆灰地、打磨、髹漆、裝飾等工序，總共要經過四五十道、甚至上百道的手工操作。\r\n本件福州四層方漆盒，仿漢代古盒造型，長方立體分層形制，盒計四層，可以分貯妝奩飾物。在玄黑色漆地上，繪以朱色、銀色流動雲紋及草藤紋，風味古樸一如漢代漆盒，有典雅高貴的氣質。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908250","MainTitle":"螺鈿硯箱","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"徽州古稱新安，地處皖南山區，氣候溫暖濕潤，自古盛產天然生漆，與浙西嚴州所產生漆合稱「徽嚴生漆」。因漆料充足，徽州漆器亦很著名。明清兩代，平常人家亦常用漆杯盤、盒箱、屏風等生活器具，鑲嵌彩畫，精細工致。受徽州獨特的地理環境和文化影響，漆器亦具有濃厚的地方特色，多以木、藤或竹編為胎，淡水螺鈿或彩畫為裝飾，這成為徽州民間日用器皿的重要特徵。\r\n徽州漆器的製作包含描金、嵌鑲螺鈿、雕漆、竹編等工藝品類，百技千工，麗質文華，體現了明清時期徽州卓絕的髹漆技藝。漆器的裝飾圖案有纏枝花草、歷史典故、神話傳說、文人雅集、龍鳳祥瑞等題材。\r\n徽州漆器的製作工藝有「鑲嵌、刻漆、描金彩絵、磨漆、堆漆五大類，其中鑲嵌以螺鈿漆器最著名，磨漆以菠蘿漆和漆砂硯著名，彩繪以脫胎彩繪漆器著名。明朝時徽州漆工黃成所著《髹飾錄》則是我國古代唯一流傳至今的漆工專著。\r\n本件藏品「螺鈿硯箱」，盒蓋以鑲嵌螺鈿呈現花器及花卉，梅蘭迎春，一高一低，錯落有致。盒箱內放置中國書畫墨、筆硯、水注等文房四寶，乃上海墨廠出品「大好山水」墨條，並標記「徽州曾素功十一世孫裕衡氏按易水法」裝就。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908251","MainTitle":"鹿紋圓漆盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"徽州古稱新安，地處皖南山區，氣候溫暖濕潤，自古盛產天然生漆，與浙西嚴州所產生漆合稱「徽嚴生漆」。因漆料充足，徽州漆器亦很著名。明清兩代，平常人家亦常用漆杯盤、盒箱、屏風等生活器具，鑲嵌彩畫，精細工致。受徽州獨特的地理環境和文化影響，漆器亦具有濃厚的地方特色，多以木、藤或竹編為胎，淡水螺鈿或彩畫為裝飾，這成為徽州民間日用器皿的重要特徵。\r\n徽州漆器的製作包含描金、嵌鑲螺鈿、雕漆、竹編等工藝品類，百技千工，麗質文華，體現了明清時期徽州卓絕的髹漆技藝。漆器的裝飾圖案有纏枝花草、歷史典故、神話傳說、文人雅集、龍鳳祥瑞等題材。\r\n徽州漆器的製作工藝有「鑲嵌、刻漆、描金彩絵、磨漆、堆漆五大類，其中鑲嵌以螺鈿漆器最著名，磨漆以菠蘿漆和漆砂硯著名，彩繪以脫胎彩繪漆器著名。明朝時徽州漆工黃成所著《髹飾錄》則是我國古代唯一流傳至今的漆工專著。\r\n本件藏品「鹿紋圓漆盤」，盤面以極細螺鈿礦石碎屑撒在麋鹿褐色身軀上，類似灑金，呈現昂首奔跑狀態，予人如醉如夢，朦朧之美。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908252","MainTitle":"黑陶壺","Creator":"","CreatedYear":"","Size":"1.外箱尺寸：42*33.5*26公分\r\n2.含外箱重：6100公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"山東日照黑陶是龍山文化最著名、最典型的陶器，被史學家稱之為「原始文化中的瑰寶」。這項古老的傳統製陶技藝，有「色如墨，聲如鐘、薄如紙、亮如鏡、硬如瓷」的美譽。這種起源古老龍山文化、源遠流長、一脈傳承的陶器，通體漆黒，閃閃發亮，玄幽冥遠的工藝表現，有獨特的審美情趣，涵蘊著原始古樸之美。\r\n日照黑陶在1990年以前，地方俗稱「日照土陶」，功能為實用性之生活器皿，包括黑碗、黑盆、青磚、青瓦等。1990年以後，官稱「日照黑陶」，功能從實用到觀賞，發展高檔工藝品。工藝由雕刻、鏤空、挑點、剔泥、平雕、浮雕等近80種工藝技法。黑陶有細泥、泥質、夾砂三種，其中以細泥薄壁黒陶製作水平最高，胎壁厚僅0．5～1毫米，有「蛋殼陶」之稱。早在瓷器產生的約2000年前，中國黑陶已達到與瓷器相媲美的工藝程度。而黑陶表面所呈現純靜的黑色，是以獨特的無釉無彩、碳化窯變的古老工藝燒製而成的，出窯後就渾然天成，不再做任何處理。近代日照黑陶不斷硏古創新，一般探用高溫密封窯烟滲碳之法，可分別掌握達到毛光、烏光、漆光的程度。形成仿製、復古、創新三大系列，仿古、移植、複製、工藝、觀賞、實用等六個類別300多個品種。\r\n本件黑陶壺，工藝師仇志海作品，仿古銅器紋飾造型，既典雅，又高貴、且古樸。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908253","MainTitle":"黑陶觚","Creator":"","CreatedYear":"","Size":"1.外箱尺寸：42*33.5*26公分\r\n2.含外箱重：6100公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"山東日照黑陶是龍山文化最著名、最典型的陶器，被史學家稱之為「原始文化中的瑰寶」。這項古老的傳統製陶技藝，有「色如墨，聲如鐘、薄如紙、亮如鏡、硬如瓷」的美譽。這種起源古老龍山文化、源遠流長、一脈傳承的陶器，通體漆黒，閃閃發亮，玄幽冥遠的工藝表現，有獨特的審美情趣，涵蘊著原始古樸之美。\r\n日照黑陶在1990年以前，地方俗稱「日照土陶」，功能為實用性之生活器皿，包括黑碗、黑盆、青磚、青瓦等。1990年以後，官稱「日照黑陶」，功能從實用到觀賞，發展高檔工藝品。工藝由雕刻、鏤空、挑點、剔泥、平雕、浮雕等近80種工藝技法。黑陶有細泥、泥質、夾砂三種，其中以細泥薄壁黒陶製作水平最高，胎壁厚僅0．5～1毫米，有「蛋殼陶」之稱。早在瓷器產生的約2000年前，中國黑陶已達到與瓷器相媲美的工藝程度。而黑陶表面所呈現純靜的黑色，是以獨特的無釉無彩、碳化窯變的古老工藝燒製而成的，出窯後就渾然天成，不再做任何處理。近代日照黑陶不斷硏古創新，一般探用高溫密封窯烟滲碳之法，可分別掌握達到毛光、烏光、漆光的程度。形成仿製、復古、創新三大系列，仿古、移植、複製、工藝、觀賞、實用等六個類別300多個品種。\r\n本件黑陶觚，仿古銅器紋飾造型，既典雅，又高貴、且古樸。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908254","MainTitle":"黑陶瓶","Creator":"","CreatedYear":"","Size":"1.外箱尺寸：42*33.5*26公分\r\n2.含外箱重：6100公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"山東日照黑陶是龍山文化最著名、最典型的陶器，被史學家稱之為「原始文化中的瑰寶」。這項古老的傳統製陶技藝，有「色如墨，聲如鐘、薄如紙、亮如鏡、硬如瓷」的美譽。這種起源古老龍山文化、源遠流長、一脈傳承的陶器，通體漆黒，閃閃發亮，玄幽冥遠的工藝表現，有獨特的審美情趣，涵蘊著原始古樸之美。\r\n日照黑陶在1990年以前，地方俗稱「日照土陶」，功能為實用性之生活器皿，包括黑碗、黑盆、青磚、青瓦等。1990年以後，官稱「日照黑陶」，功能從實用到觀賞，發展高檔工藝品。工藝由雕刻、鏤空、挑點、剔泥、平雕、浮雕等近80種工藝技法。黑陶有細泥、泥質、夾砂三種，其中以細泥薄壁黒陶製作水平最高，胎壁厚僅0．5～1毫米，有「蛋殼陶」之稱。早在瓷器產生的約2000年前，中國黑陶已達到與瓷器相媲美的工藝程度。而黑陶表面所呈現純靜的黑色，是以獨特的無釉無彩、碳化窯變的古老工藝燒製而成的，出窯後就渾然天成，不再做任何處理。近代日照黑陶不斷硏古創新，一般探用高溫密封窯烟滲碳之法，可分別掌握達到毛光、烏光、漆光的程度。形成仿製、復古、創新三大系列，仿古、移植、複製、工藝、觀賞、實用等六個類別300多個品種。\r\n本件黑陶瓶，仿古銅器紋飾造型，作天球瓶狀，在瓶之肩肚腹雕刻花紋，裝飾藝術高，既典雅，又高貴、且古樸。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908255","MainTitle":"黑陶罐","Creator":"","CreatedYear":"","Size":"1.外箱尺寸：42*33.5*26公分\r\n2.含外箱重：6100公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"山東日照黑陶是龍山文化最著名、最典型的陶器，被史學家稱之為「原始文化中的瑰寶」。這項古老的傳統製陶技藝，有「色如墨，聲如鐘、薄如紙、亮如鏡、硬如瓷」的美譽。這種起源古老龍山文化、源遠流長、一脈傳承的陶器，通體漆黒，閃閃發亮，玄幽冥遠的工藝表現，有獨特的審美情趣，涵蘊著原始古樸之美。\r\n日照黑陶在1990年以前，地方俗稱「日照土陶」，功能為實用性之生活器皿，包括黑碗、黑盆、青磚、青瓦等。1990年以後，官稱「日照黑陶」，功能從實用到觀賞，發展高檔工藝品。工藝由雕刻、鏤空、挑點、剔泥、平雕、浮雕等近80種工藝技法。黑陶有細泥、泥質、夾砂三種，其中以細泥薄壁黒陶製作水平最高，胎壁厚僅0．5～1毫米，有「蛋殼陶」之稱。早在瓷器產生的約2000年前，中國黑陶已達到與瓷器相媲美的工藝程度。而黑陶表面所呈現純靜的黑色，是以獨特的無釉無彩、碳化窯變的古老工藝燒製而成的，出窯後就渾然天成，不再做任何處理。近代日照黑陶不斷硏古創新，一般探用高溫密封窯烟滲碳之法，可分別掌握達到毛光、烏光、漆光的程度。形成仿製、復古、創新三大系列，仿古、移植、複製、工藝、觀賞、實用等六個類別300多個品種。\r\n本件黑陶罐，仿古銅器紋飾造型，作大口矮腹狀，在罐之肩肚腹雕刻花紋，裝飾藝術佳，既典雅，又高貴、且古樸。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908256","MainTitle":"八方貫耳青瓷瓶","Creator":"","CreatedYear":"","Size":"1.外箱尺寸：42*33.5*26公分\r\n2.含外箱重：6100公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"中國靑瓷，自古聞名，也是最早的瓷器。靑瓷的形成，是使釉中含有較多氧化金屬物氧化鉄，在氧化焰中燒製成黃色，在還原焰中燒製成青色。在六朝時期青瓷的主要產地是以浙江地區為中心，青瓷的造型已經多元多樣，反映了瓷器的發展，已開始取代了銅器和漆器的地位。其主要品種有「壺、尊、罐、瓶、碗、盤、杯、盒、燈、薰、魂瓶、虎子」等，以越窯為代表。至宋代的瓷器，是工藝美術中最為傑出的一個品種，簡稱「宋瓷」。汝窯、官窯、龍泉窯、哥窯，都是青瓷。\r\n龍泉靑瓷，這種「雨過天青雲破處，梅子流酸泛綠時」的神秘翠色，深受國人喜愛，一燒上千年。到民國時期，整個龍泉地區只有幾家窯場苦撐，而品質式微。1957年後，政府恢復青瓷之重視與提升，始再現風華，2009年，聯合國教科文組織審議並批准列入「人類非物質文化遺產代表作名錄」的76個項目，這是全球第一個入選「人類非遺」的陶瓷類專案。\r\n本件「八方貫耳青瓷瓶」，為仿宋代官窯貫耳壼，器形古典，釉色清幽，質感淵穆，開片自然，工藝品味殊為高尚。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908257","MainTitle":"蕪湖鉄畫迎客松","Creator":"蕪湖儲氏鐵畫工藝品有限公司","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MjU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"蕪湖鉄畫，原名「鉄花」，安徽省蕪湖地區特產，為中國傳統獨具風格的工藝品之一。鐵畫製作起源於宋代，清代康熙年間，安徽蕪湖鐵畫才自成一體，並逐漸享譽國際，至今已有340多年歷史。蕪湖鉄畫以錘為筆，以鉄為墨，以砧為紙，鍛鉄為畫，鬼斧神工，氣韻天成。\r\n鉄畫吸取了我國傳統國畫的構圖法，及金銀首飾、剪紙、雕塑等工藝技法，以低碳鋼作原料，以鉄代墨、以錘代筆，經過出稿、剪、砸、燒打、上漆蠟、上框等工序，和「打活」、「鑽活」等工藝，精致成山水、人物、花卉、蟲魚、飛禽、走獸等各種藝術品。它將民間剪紙、雕刻、鑲嵌等各種藝術的技法溶為一體，採用中國畫章法，黑白對比、虛實結合、蒼勁凝重，另有一番情趣！\r\n本件作品「迎客松」，係以黃山迎客松為题材，依上述工法、技術，將迎客松之卓然挺拔、屹立風雅的形象，與及黃山峻峭磊落的岩石，表達得唯妙唯肖，誠為傑出之作。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200909001","MainTitle":"粉彩群仙祝壽圖雙耳瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件群仙祝壽圖雙耳瓶為仿清官窯風格，撇口，長頸，弧肩，圓腹，下收圈足，頸部有雙耳。瓷胎高溫燒成後，再施以低溫紅、藍、綠等各色琺瑯釉料。器身滿飾花紋，器底以藍色釉料為地，落有「大清乾隆年製」六字三行紅彩篆書方款。雙耳瓶腹部以低溫釉上彩描繪了各路神仙人物共赴壽宴，畫面安排了人物由陸地、空中和海上三路紛至，人物疏密有別，錯落有致，另一側橫書篆文「群仙祝壽圖」字樣，前後繪有紅彩鈐印。\r\n瓷胎畫琺瑯為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，其布局和筆法，都具有傳統的中國畫的特徵，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909002","MainTitle":"仿元青花鳳紋菱口折沿盤","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"仿元青花鳳紋菱口折沿盤，盤口呈菱花形，折沿，弧壁，淺圈足，足內無釉露胎，露胎處呈現淺淺的桔紅色，也就是俗稱的火石紅。折沿上繪海水波濤紋，內壁裝飾一圈纏枝蓮紋，盤心則繪有鳳鳥、牽牛花、竹節、蕉葉、瓜果等紋飾，外壁繪一圈纏枝蓮紋。青花色澤濃艷，圖案滿密，布局嚴密，繁而不亂，具有典型元代青花瓷的風格。\r\n青花瓷是使用鈷料在瓷胎上繪畫，施透明釉後，高溫燒成，呈現出藍色紋飾的釉下彩瓷。有別以往刻花、劃花、印花等傳統陶瓷器裝飾技法，元代景德鎮窯區所燒造的青花瓷，是以筆繪的方式在瓷器上裝飾紋樣，且青花鈷料的著色力強，發色艷麗，紋飾鮮明清晰，因而深受廣大市場的歡迎，在中國製瓷史上占有相當重要的地位。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909003","MainTitle":"仿元青花龍鳳紋八稜梅瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"仿元青花龍鳳紋八稜梅瓶，有一八稜形鈕蓋，梅瓶瓶身呈八稜形，小口，折沿，短頸，豐肩，肩部以下漸收至底。肩部繪有幾何方格紋飾帶與四朵如意雲形開光，開光內分別勾繪鳳凰、麒麟。腹部主題紋飾為四組菱花形開光，開光內分別繪有一對鳳鳥以及龍紋。足部四朵如意雲形開光內裝飾纏枝牡丹紋。如意雲形開光與菱花形開光間，則以卷草紋填滿。全器滿佈裝飾圖案，布局嚴謹，繁而不亂，具有典型元代青花瓷的風格。\r\n青花瓷指的是使用鈷料在瓷胎上繪畫，再施以透明釉，高溫燒成，呈現出白地藍花的高溫釉下彩裝飾。有別以往刻花、劃花、印花等傳統陶瓷器裝飾技法，元代景德鎮窯區所燒造的青花瓷，是以筆繪的方式在瓷器上裝飾紋樣，且青花的著色力強，發色艷麗，紋飾永不褪色，因而深受廣大市場的歡迎，在中國製瓷史上占有相當重要的地位。\r\n(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200909004","MainTitle":"仿哥窯貫耳瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"仿哥窯貫耳瓶，特徵為直口，長頸，扁圓腹，腹上鼓下斂，圈足。口沿兩側對稱置管形貫耳。通體施灰青色釉，釉面滋潤，布滿細碎開片紋。圈足內滿釉，足端無釉，呈鐵褐色。此器耳部上端與瓶口沿平齊。口耳相連的寬度與腹徑幾乎相等，上下呼應，構成視覺上的平衡感，給人以端莊優雅之美感。\r\n哥窯名列宋代五大名窯之一，胎體多呈現紫黑色，施以高溫長石厚釉，而釉面網狀的細密開片是其重要特徵。由於瓷胎和釉的膨脹係數不同，燒成冷卻的過程中釉與胎的收縮率不一，導致釉面出現自然開裂的現象，之後經過人工著色滲入裂紋中，就成為了俗稱的「金絲鐵線」。至於口部邊緣釉薄處隱約露出紫黑的胎色，以及底足未施釉處呈現的鐵黑色，一般又有「紫口鐵足」之說。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909005","MainTitle":"仿鈞窯歛口小罐","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"仿鈞窯歛口小罐的特徵為：歛口，斜肩向下漸寬，鼓腹，淺圈足。以濃淡不一的藍色乳濁釉為底，釉色由上向下漸層變化，口沿處偏褐色，近圈足處釉色最藍。罐底無釉，有多圈同心圓的拉坏痕。整體釉面玻璃光澤強，有許多細密的開裂，器身上有兩處不規則的銅紅釉潑灑塊面，呈現藍、紫色的銅發色乳濁分相釉特徵。\r\n鈞窯名列宋代五大名窯之一，燒製乳濁分相釉為主，以其「入窯一色，出窯萬彩」的「窯變」聞名。鈞釉中變化多樣的紅、藍、紫釉色，是由於在燒製的過程中，會經過一系列複雜的窯內氣氛變化，如果這些銅發色乳濁釉的燒成狀況呈現不穩定變化，釉面就會產生不同質感與色澤。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200909006","MainTitle":"仿鈞窯歛口碗","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"仿鈞窯歛口碗，特徵為廣口微斂，弧腹下收，小圈足。圈足處無釉外，通體施以濃淡不一的天藍色乳濁釉，口沿薄釉處呈現淺褐色，器身上有一處不規則的銅紅釉塊面，呈現藍、紫色的銅發色乳濁分相釉特徵。全器造型規整端莊，光澤內斂，充滿樸素厚重的美感。\r\n鈞窯名列宋代五大名窯之一，燒製乳濁分相釉為主，以其「入窯一色，出窯萬彩」的「窯變」聞名。鈞釉中變化多樣的紅、藍、紫釉色，是由於在燒製的過程中，會經過一系列複雜的窯內氣氛變化，如果這些銅發色乳濁釉的燒成狀況呈現不穩定變化，釉面就會產生不同質感與色澤。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909007","MainTitle":"仿宋代吉州窯黑釉木葉紋斗笠碗","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"仿宋代吉州窯黑釉木葉紋斗笠碗，特徵為：敞口，斜壁，小圈足。器形因倒置後形似斗笠，故名。本件斗笠碗釉面明亮深沉，碗內底裝飾有樹葉形紋。黑釉木葉紋製作方法是在含鐵量高的深色釉面上，附上真實的天然樹葉，再經高溫氧化焰下燒造，運用樹葉所殘留的草木灰熔入釉面，形成特殊的裝飾效果。\r\n吉州窯為宋代南方有名瓷窯之一，窯址位於今天的江西省吉安縣永和鎮，此地窯業始於五代，而興盛於宋，在南宋時期形成頗具規模的民間窯場。吉州窯所產瓷器種類繁多，因受到宋代社會飲茶、鬥茶風氣的影響，黑釉器異軍突起，尤以黑釉木葉紋成為其產品中最典型的代表。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909008","MainTitle":"仿宋建窯兔毫茶盞","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"仿宋建窯兔毫茶盞，特徵為：敞口，凸唇，弧壁，小圈足。內外施黑釉，外壁施釉不及底，胎體厚重堅致，胎呈灰色。兔毫紋其形成是因為燒製過程中窯內溫度的變化，使釉中鐵元素析出至釉層表面，流動時形成如兔毫般的結晶而得名。\r\n宋代飲茶之風盛行，喜用點茶法，點茶時將茶葉末放在茶碗裡，注入少量沸水，泡製成膏狀，用沸水點注，用茶筅擊拂，使茶末與水相互交融，茶湯表面便會泛起白色的泡沫，泡沫色白為上。泡沫在黑釉茶碗裡最為清楚，故宋代點茶、鬥茶多用黑釉、深腹厚壁的茶盞。\r\n建窯為宋代南方有名瓷窯之一，窯址分布於福建省建陽縣，所產瓷器以黑釉茶盞為主，除了兔毫紋理外，還有鷓鴣斑、油滴、玳瑁等特色品種，因宋代社會飲茶、鬥茶風氣的影響，建盞備受世人推崇。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909009","MainTitle":"仿北宋汝窯蓮花形溫碗","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"仿北宋汝窯蓮花形溫碗，特徵為：花式口緣，唇口微撇，深腹，弧壁，高圈足，圈足微撇。器身以刻劃的線條形塑出花瓣之貌，俯看猶如八瓣的盛開蓮花。除底足一圈無施釉外，全器施淡青色乳濁釉，釉面呈現出濃淡不一的藍、褐釉色，有許多細密的開片。\r\n分相乳濁釉是由於釉料中兩種互不相溶的成分，對窯爐內燒製的氣氛與溫度反應不同，呈現不同質感與色澤。而汝窯所使用的青瓷釉則是以長石為主要成分的石灰鹼釉系統。而雖兩者釉料燒製出的效果相似，然而在成分與燒製技術上卻有很大的差別。\r\n本件溫碗器型仿自金銀器，通常與執壺成套出現，溫碗口徑略大於執壺，因內盛熱水用以溫酒而得名。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909010","MainTitle":"仿磁州窯白地黑花瓷罐","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"仿磁州窯白地黑花瓷罐，特徵為：直口，厚唇，短頸，溜肩，弧腹向下漸收，凹底，底部一圈無施釉。器身上繪有紋樣，共有五層紋飾帶，紋飾帶內以黑褐色釉料為底，花紋內填白釉，利用白釉與褐釉的反差效果展現裝飾紋樣。紋飾主題為器腹中央的纏枝團花紋，其餘紋飾帶分別裝飾回字紋、花瓣紋與卷草紋。紋飾內容樸質豪放，線條簡潔。\r\n磁州窯是中國古代北方規模龐大的民窯體系，窯址位於河北省磁縣，古稱磁州。創燒於北宋，直至明清仍有燒製，燒造歷史悠久，產品有白釉、黑釉、彩繪瓷等，為了提高產品質量，廣泛使用白色化妝土，創造了具有水墨畫風的白地黑繪，裝飾除了運用常見的刻花外，以白地黑花、白釉剔花、剔黑最富盛名。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909011","MainTitle":"青瓷瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"青瓷瓶特徵為：撇口，圓唇，短頸，豐肩，弧腹向下漸收，圈足。施青瓷釉高溫還原焰燒成，釉色橄欖綠，玻璃質感和透光度強，釉色相似於耀州窯。全器素面無刻劃紋飾，釉面有網狀的細密開片，具有哥窯開片的特徵。\r\n哥窯名列宋代五大名窯之一，胎體多呈現紫黑色，施以高溫長石厚釉，而釉面網狀的細密開片是其重要特徵。由於瓷胎和釉的膨脹係數不同，燒成冷卻的過程中釉與胎的收縮率不一，導致釉面出現自然開裂的現象，之後經過人工著色滲入裂紋中，就成為了俗稱的「金絲鐵線」。至於口部邊緣釉薄處隱約露出紫黑的胎色，以及底足未施釉處呈現的鐵黑色，一般又有「紫口鐵足」之說。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200909012","MainTitle":"仿磁州窯剔花牡丹紋瓷瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"仿磁州窯剔花牡丹紋瓷瓶，特徵為：平口，短頸，平肩，弧腹向下漸收，圈足。除剔花處無釉外，通體施醬釉。肩部刻有以頸部為中心呈放射狀的蓮瓣紋。腹部至足部間有三層開光，皆以剔刻技法裝飾，第一層為纏枝牡丹紋，第二層為纏枝卷草紋，第三層為蓮瓣紋。足底無釉。整體造型渾厚穩重，利用胎體原色與醬釉的反差效果展現裝飾紋樣，紋飾內容樸質豪放，清晰明快。\r\n本件瓷瓶器身剔除釉層的裝飾手法，亦見於宋元時期西夏的靈武窯，該窯因被發現於寧夏回族自治區靈武縣而得名，始燒於西夏，盛於金而終於元。受磁州窯裝飾藝術的影響，靈武窯主要以黑釉、醬釉剔花為主，並且廣泛使用白色化妝土。常見技法為在胎上施釉，再刻花後剔去花外的釉，露出胎色或化妝土，胎釉的色差具有很強的裝飾效果。(詮釋委員：盧泰康)\r\n\r\n","ImageUrl":""}
,{"Identifier":"200909013","MainTitle":"青瓷刻花瓜棱形雙繫罐","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"青瓷刻花瓜棱形雙繫罐特徵為：直口，凸唇，短頸，雙繫呈扭繩狀，弧腹向下漸收，瓜棱形，足部外撇。瓷胎先刻劃花裝飾後，以高溫青瓷釉燒成，高溫釉色呈現沉穩的青綠。頸部飾有刻花焦葉紋，腹部以瓜棱的曲線作為分隔，每格畫面刻劃折枝花草紋。\r\n青瓷是使用以鐵作為金屬發色劑的釉料，在還原焰中高溫燒成。若釉料含鐵比例不正確，燒製過程中，窯爐內還原氣氛不充足，色調則呈現黃色或黃褐色。青瓷的發展歷史悠久，如唐代越窯、宋代汝窯、宋官窯、耀州窯、龍泉窯等，皆為燒造青瓷著名的窯場。\r\n此罐造型別緻，瓜棱線條自然樸實，裝飾圖案滿密，因刻劃技法而呈現釉色濃淡相異的效果，紋飾富有豐盈感。\r\n(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200909014","MainTitle":"仿耀州窯纏枝牡丹紋瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"仿耀州窯纏枝牡丹紋瓶特徵為：小圓口，口沿外折，短頸，折肩，直腹微弧。全器以模具印花裝飾，肩部近頸處裝飾三道弦紋，腹部裝飾纏枝牡丹紋，底部裝飾蓮瓣紋。全器釉色淡青，玻璃質感和透光度強，線條因積釉深淺不一，而更加凸顯紋飾的立體感。\r\n耀州窯是宋代北方青瓷的代表，窯址位於西安以北的銅川，此處宋代轄於耀州，故名耀州窯。該窯亦曾兼燒黑、白、醬釉瓷及唐三彩等，在宋代時尤為鼎盛，成為中國八大瓷窯系之一。多燒製還原氣氛的青瓷釉，釉色青綠如橄欖，釉質感晶瑩而溫潤。紋飾以直刀深刻和斜刀剔刻的方法進行刻劃，一直一斜，兩刀出花，為耀州窯獨具風格的裝飾技法。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909015","MainTitle":"仿磁州窯白釉珍珠地劃花牡丹紋瓷枕","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"仿磁州窯白釉珍珠地劃花牡丹紋瓷枕，呈橢圓雲頭造形，中間較為凹陷，外緣高，形成一個弧面。枕面上高下低，白色釉面裝飾細密珍珠狀小圓圈為地，主題紋飾刻劃纏枝牡丹紋，線條上再施黑褐彩。珍珠地劃花系模仿金銀器工藝之裝飾技法，是磁州窯極具特色的裝飾手法之一。\r\n磁州窯是中國古代北方規模龐大的民窯體系，窯址位於河北省磁縣，古稱磁州。創燒於北宋，直至明清仍有燒製，燒造歷史悠久，產品有白釉、黑釉、彩繪瓷等，為了提高產品質量，廣泛使用白色化妝土，創造了具有水墨畫風的白地黑繪，裝飾除了運用常見的刻花外，以白地黑花、白釉剔花、剔黑最富盛名。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909016","MainTitle":"青瓷帶蓋三足薰爐","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"青瓷帶蓋三足薰爐，爐身直口，短頸，鼓腹，三足，瑞獸雙耳自頸部連接到腹部。瓷胎裝飾紋樣後，以高溫青瓷釉燒成，高溫釉色呈現淡青。爐身頸部飾有卷草紋，腹部印有雙獅戲球紋，足部近器底處裝飾獸首，三足宛如象足，粗壯有力。爐蓋上塑造一隻躺臥之姿的瑞獸，張嘴露齒。器蓋與器身上有多處圓孔，便於薰香逸出。\r\n青瓷是使用以鐵作為金屬發色劑的釉料，在還原焰中高溫燒成。若釉料含鐵比例不正確，燒製過程中，窯爐內還原氣氛不充足，色調則呈現黃色或黃褐色。青瓷的發展歷史悠久，如晚唐至五代北宋初的越窯、北宋汝窯、宋官窯、耀州窯、龍泉窯等，皆為燒造青瓷著名的窯場。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909017","MainTitle":"琺瑯彩仕女圖雙耳大瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"琺瑯彩仕女圖雙耳大瓶特徵為：撇口，長頸，折肩，弧腹，腹下漸收。瓷胎高溫燒成後，再施以低溫紅、藍、綠等各色琺瑯釉料。頸部滿飾花紋，頸上有象形雙耳，瓶腹部以低溫釉上彩描繪了仕女聚集於庭院讀書之故事，各人服飾與打扮各異，神態生動，背景勾繪庭台樓閣、山水園林，以中國畫中的渲染技法施彩，富有濃淡層次之感，秀美雅致。\r\n瓷胎畫琺瑯為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆朝頂峰時期的產物，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，其佈局和筆法，都具有傳統的中國畫的特徵，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909018","MainTitle":"德化窯白瓷觀音坐像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件德化窯白瓷觀音坐像，觀音呈跌珈坐於圓形蒲團上。頭戴天冠，頭上披觀音兜，面部圓潤飽滿，大耳雙垂，廣額彎眉，眉間有一白亳，雙目微啟似閉，扁鼻小口，面容莊嚴。觀音外著披肩，內穿袈裟，衣摺層次清晰流暢，胸前佩飾瓔珞，雙手隱於袈裟之中，呈微彎交會於腹部。佛像頭與脖頸連接處有明顯銜接痕跡，應為頭部與身體局部分塑，入窯前再黏接而成，之後經過表面修飾，施透明釉入窯燒製而成。\r\n德化窯是中國古代著名民窯之一，以燒製白瓷著稱，窯址位於今福建省德化縣，至明代發展達到高峰。其產品白瓷胎質致密，色澤溫潤，釉中呈現乳白色，故被稱為「豬油白」。德化窯是福建沿海地區古外銷瓷重要產地之一，以生產白瓷塑像而聞名。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909019","MainTitle":"石灣窯塔吉克族姑娘塑像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件石灣窯作品為塔吉克族姑娘站姿雕塑，其眉毛細長，雙眼有神，鼻梁高聳，五官刻畫非常精細立體。頭微微傾斜，左手托下巴，右手拿盛裝奶製品的容器，面容沈靜地望向遠方。身著塔吉克族民族傳統服飾，頭戴綠釉著色的圓形「庫勒塔帽」，上披白頭巾；塔袍上身以銅紅釉料著色，下身由上往下為深棕及白色，表現出漸層飄動之感。\r\n塔吉克族屬於歐羅巴人種，主要分布於新疆及中亞高海拔地區，以畜牧業維生。在《大唐西域記》中即有此族的記載，塔吉克族的先人於西元二至三世紀建立朅盤陀國，「朅盤陀」一詞意為「山路」或「山間平地」。塔克吉克之婦女崇尚紅色，在當地被認為是青春的象徵，此件塔吉克族姑娘雕塑不僅別緻迷人，更表現出塔吉克族悠久的服飾文化。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909020","MainTitle":"石灣窯戲猴羅漢塑像","Creator":"羅明佳","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件石灣窯戲猴羅漢塑像，羅漢呈躺臥之姿，靠於枯木之上，著袈裟、束褲，袒胸露肚，一手持仙桃，眼神正對枯木上的獼猴。全器刻劃傳神，袈裟飾以青瓷釉，並呈現開片特徵。衣紋皺褶線條流暢，枯木紋理塑造維妙維肖。器身後部題字「戲猴羅漢」以及方框篆書款。\r\n羅明佳，1963年8月出生，廣東佛山人，1986年就讀於南海師范美術陶塑班，1989年進石灣美術陶瓷廠創作室工作，1993年創立“明佳美術陶瓷廠”，作品題材廣泛，善於運用施釉工藝和貼塑手法表現作品。\r\n石灣窯在今廣東佛山市石灣鎮，明清著名民窯之一。以陶塑和建築陶瓷著稱，極盛於明清兩代。\r\n石灣窯吸收了中國各大名窯的釉色，其豐富的色彩成為石灣陶塑的裝飾手法特色之一。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909021","MainTitle":"石灣窯雄鷹塑像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件鷹塑像造型線條簡練，雄鷹回首，眼神銳利，展現傲視群雄的風采。鷹身羽毛呈現清晰立體感，絲絲分明，片片叢聚，雙爪強勁有力的站在高處岩石或枯木上，爪尖尖銳逼真，將老鷹的勇猛矯健展現得淋漓盡致。\r\n本件瓷塑器身通體施以高溫乳濁分相釉，玻璃光澤強烈，由於高溫燒製過程中，釉面流動，釉色漸層多變，呈現出藍、紫色的銅發色乳濁分相釉特徵。頭、身、爪整體以變化多樣的白、紅、藍、紫釉色覆蓋，發色豔麗富有動勢。其豐富的釉色是由於在燒製的過程中，經過一系列複雜的窯內氣氛變化，釉料中兩種互不相溶的成分，對窯爐內燒製的氣氛與溫度反應不同，釉面產生不同質感與色澤。此件鷹雕塑既突出了高超的藝術展現力、工藝技巧，也體現了老鷹壯美，雄勇的意徵。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909022","MainTitle":"石灣窯仕女塑像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件石灣窯塑像刻畫清末中國女性千姿百媚的姿態。仕女青絲高挽，兩鬢簪花，桃花粉面，柳葉眉，眉間點綴一朱砂，杏核眼，櫻桃小口，一手托於臉頰旁，一手擺在前方，下半身呈現半蹲姿。其身著清末漢族仕女襖服，寬袖，裙上加有飄帶，長度超過膝蓋，服裝整體勾繪了盛開花卉紋飾，並以釉上加彩施以粉橘、藏藍、墨綠等顏色，華貴優美。器底內壁有款，款文「賞扇癸酉□□□□製」。\r\n本件石灣窯運用各種釉藥彩料在瓷胎表面上繪製紋飾，然後入窯燒成。石灣窯吸收了中國各大名窯的釉色，其豐富的色彩成為其陶塑的裝飾手法特色之一。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909023","MainTitle":"石灣窯石榴紅釉羅漢騎犀像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件石灣窯石榴紅釉羅漢騎犀像通體施釉，釉色濃艷富光澤，胎質細膩，仿犀皮紋理獨樹一格。\r\n羅漢法相生動莊嚴，眉骨高聳，身微左傾側坐，左手持經卷，右手垂下輕撫左膝，紅彩上衣褶垂落，層層覆蓋，騎在一匹向前疾馳的犀牛上，充分表徵修行者勇往直前的心境。犀牛氣勢雄渾，皮膚線條粗獷利落，肌膚紋理亦唯妙唯肖，技藝精湛。\r\n羅漢信仰最早源於印度，但羅漢造像卻不普及於印度本地，基本上羅漢像可看做是中國佛教藝術的創造。至唐代高僧玄奘詳述十六羅漢行跡及各自眷屬，自此羅漢信仰始在中國流行。宋元時期更逐漸演變出十八羅漢，主要與民間信仰發生關聯，對信仰傳播發揮著重要作用。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909024","MainTitle":"石灣窯行腳僧塑像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"石灣窯僧人塑像頂戴斗笠，開相慈悲，神態嫻靜安詳，生動傳神。面露微笑，眉間、鼻間及兩鬢皆有白毫。身穿袈裟，淺褐飾褲，腳穿草鞋，右手持一長木棍，承托淺藍色行囊，行囊內裝有經軸與木魚等用具。通體施釉上彩，設色溫婉和諧，衣褶皺輕盈流動，線條流暢富有韻律，表現出僧人長途跋涉時的裝束狀態。器底內壁有款，款文內容為「行腳僧 乙丑秋作」， \r\n本件石灣窯運用多種釉藥彩料裝飾器身，然後入窯燒成。石灣窯吸收了中國各大名窯的釉色，其豐富的色彩成為其陶塑的裝飾手法特色之一。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909025","MainTitle":"石灣窯李冰塑像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"石灣窯李冰塑像，身揹斗笠，頭戴高帽，白眉長鬚，右手持一長木棍，神情肅穆，威而不猛。通體施以各種釉色，表現衣帽、膚色等特徵，設色溫婉和諧，衣褶皺輕盈流動，線條流暢富有韻律。器底內壁有款，內容為「李冰 乙丑秋」。\r\n李冰為戰國時期的水利家，對天文地理也有研究。秦昭襄王末年（約公元前256~前251年）為蜀郡守，在今四川省都江堰市（原灌縣）岷江出山口處主持興建了中國早期的灌溉工程都江堰，因而使川西平原富庶起來，受到人民的感念。\r\n石灣窯在今廣東佛山市石灣鎮，明清著名民窯之一。以陶塑和建築陶瓷著稱，極盛於明清兩代。\r\n石灣窯吸收了中國各大名窯的釉色，其豐富的色彩成為石灣陶塑的裝飾手法特色之一。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909026","MainTitle":"鈞釉貓頭鷹塑像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件貓頭鷹塑像造型線條簡練，雙翅高舉，回首之姿，眼神銳利，展現傲視群雄的風采。鷹身羽毛與流淌的漸層鈞釉相互襯托，呈現清晰的立體感，雙爪強勁有力的站在高處岩石或枯木上，爪尖尖銳逼真，將貓頭鷹的振翅勇猛的姿態展現得淋漓盡致。\r\n本件瓷塑器身通體施以鈞釉（高溫乳濁分相釉），玻璃光澤強烈，由於高溫燒製過程中，釉面流動，釉色漸層多變，呈現出藍、紫色的銅發色鈞釉（乳濁分相釉）特徵。頭、身、爪整體以變化多樣的藍、紫釉色覆蓋，發色豔麗富有動勢。其豐富的鈞釉是由於在燒製的過程中，經過一系列複雜的窯內氣氛變化，鈞釉中兩種互不相溶的成分，對窯爐內燒製的氣氛與溫度反應不同，釉面產生不同質感與色澤。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200909027","MainTitle":"琺瑯彩花鳥紋高足廣口瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"琺瑯彩花鳥紋高足廣口瓶特徵為：直口，短頸，折肩，直壁，折腹，圈足。白地瓷胎，使用琺瑯彩在器身上以細膩的工筆畫，描繪出盛開的花卉與枝葉簇擁著雙鳥。另一側直書詩文，並繪有紅彩鈐印，器底落有「慎德堂製」四字雙行紅彩款。琺瑯彩暈染的漸層效果使整體色彩活潑豐富。\r\n慎德堂，原本是圓明園九州清晏建築群的一座，出於道光皇帝對慎德堂的喜愛，因而要求景德鎮御窯場燒製一批底款為「慎德堂製」的瓷器。到了民國時期，亦流行以私人住所或書房名稱作為款識的堂名款瓷器，標誌著個人收藏或私家民生之用，其中慎德堂即為常見的堂名之一。\r\n瓷胎畫琺瑯是清代官窯發展出的陶瓷裝飾技法，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909028","MainTitle":"石灣窯沙皮犬塑像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件石灣窯沙皮犬塑像通體施釉，釉色深褐，仿毛髮紋理獨樹一格。沙皮犬擺件呈蹲坐，目光炯炯有神，雙耳直豎，皮膚充滿皺褶。刻劃的線條粗獷利落，肌膚紋理亦唯妙唯肖，技藝精湛。本件石灣窯以鐵作為金屬發色劑的褐色釉裝飾瓷胎表面，然後入窯燒成。\r\n石灣窯在今廣東佛山市石灣鎮，明清著名民窯之一。以陶塑和建築陶瓷著稱，極盛於明清兩代。\r\n石灣窯吸收了中國各大名窯的釉色，其豐富的色彩成為石灣陶塑的裝飾手法特色之一。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909029","MainTitle":"簡筆彩繪瓷瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件簡筆彩繪瓷瓶呈現出現代陶瓷藝術創作風格，直口，短頸，豐肩圓潤往下收窄，圈足。器底光滑，足內滿釉。以釉上彩技法作為裝飾，瓷胎高溫燒成後，再施以低溫紅、藍、綠等各色釉料。器身上以粗獷的黑釉描繪出人形線條，筆意隨興，人形表現各有不同，隨著線條擺動，呈現身姿柔軟之貌，流動的韻律表現出人物的動態感。人物背景以多種色塊拼湊而成，釉層各處顏色濃淡不均勻，加彩暈染的漸層效果使色彩活潑豐富。整體形式簡潔，色彩和諧，充滿童畫趣味。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200909030","MainTitle":"青花人面魚紋短頸瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"青花人面魚紋短頸瓶特徵為：直口，短頸，溜肩，弧腹下收，圈足。器底光滑，足內滿釉，落有青花「景德鎮製」四字雙行篆書款。全器以釉下青花鈷料滿飾紋樣，入窯高溫燒成青花釉。口沿繪有三角形的變形蕉葉紋，器身紋樣仿製於陝西半坡遺址出土的新石器時代仰韶文化人面魚紋彩陶盆，以及網狀矩形紋樣。人面魚紋人面呈圓形，頭頂有似髮髻的尖狀物和魚鰭形裝飾。此瓶筆繪線條樸實，充滿童畫趣味。\r\n青花瓷自元代景德鎮窯區開始燒造，使用鈷料在瓷胎上繪畫，施透明釉後，高溫燒成。青花鈷料的著色力強，發色艷麗，紋飾鮮明清晰，因而深受廣大市場的歡迎，在中國製瓷史上占有相當重要的地位，並影響日本、越南等周邊地區的陶瓷生產。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909031","MainTitle":"龍泉青瓷花口長頸瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"龍泉青瓷花口長頸瓶特徵為：花口，細長頸，鼓腹，圈足。施以微量鐵作為金屬著色劑的青瓷釉，在高溫還原焰中燒成。胎骨潔白，釉色淡青，質如青玉。頸部飾以雙弦紋，近肩處印有蕉葉紋，器腹印花卉，近足底處飾以變形蓮瓣紋，器底光滑，足內滿釉，以青花釉料落有方框「中國龍泉」四字雙行款。\r\n龍泉窯是古代浙江龍泉地區眾多青瓷窯場的總稱，為中國南方著名的青瓷產地，於宋代興起，元、明時期還保持著大量的生產。龍泉窯產品主要分為白胎與黑胎兩類。黑胎青瓷產品數量較少，以薄胎厚釉、釉層開片為特色。白胎青瓷釉層光滑細膩不開片，胎色潔白，釉層青翠如玉，以燒製粉青、梅子青釉聞名，裝飾手法普遍採用刻劃花、印花與貼塑。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909032","MainTitle":"灰青開片釉彩繪瓶-「草原之夢」","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件灰青開片釉彩繪瓶-「草原之夢」，特徵為小口，短頸，折肩，斜壁，折腹，高圈足。全器以釉下灰青釉入窯高溫燒成，後施低溫釉上彩繪。器壁上填滿釉彩，釉色紅褐。場景描繪了人物騎馬於砂石之上，勾繪的紅彩紋樣似馬又似砂石，作者將物象分解，化簡成多種幾何形，以邊稜方正的線條，代替圓滑的曲線，具有構成主義與抽象主義的風格。瓶身上下釉面特徵為穩重沉著的仿哥窯開片釉。此瓶為融合古代陶瓷藝術的現代創作品。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。釉上彩瓷品類包含琺瑯彩、五彩、素三彩、描金瓷等，其發色艷麗，紋飾鮮明清晰，在中國製瓷史上占有相當重要的地位。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909033","MainTitle":"花草紋彩繪天球瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"花草紋彩繪天球瓶特徵為：直口，長頸，圓腹，圈足。器底光滑，足內滿釉。以釉上彩技法作為裝飾，瓷胎高溫燒成後，再施以低溫紅、藍、綠等各色釉料。器身上以細膩的筆畫描繪出花葉，黑釉勾勒葉脈、蝴蝶、蚱蜢等昆蟲紋飾，近足部處花葉的根脈排列縝密，加彩暈染的漸層效果使整體色彩活潑豐富。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。釉上彩瓷品類包含五彩、素三彩、描金瓷等，其中最具代表性的當屬瓷胎畫琺瑯，琺瑯彩為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909034","MainTitle":"茶葉末釉加彩刻花鐘形瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"茶葉末釉加彩刻花鐘形瓶為現代陶瓷藝術創作，器身呈鐘形，特徵為：歛口，斜壁，折腹，高足。全器先施茶葉末釉，刻花線條紋樣後高溫燒成，再於紋飾線條刮釉露胎處施以紅、綠、藍等各色彩繪，入窯二次燒造。器身上刻劃一草書「舞」字，畫面中以隨意不連續的筆畫，構成了人形、長髮以及裙裳等等紋樣，線條飄逸，營造出人形翩翩起舞之貌。器底落有藍彩方框款文。\r\n茶葉末釉是中國傳統高溫釉種類之一，以氧化鐵為金屬發色劑，經還原氣氛燒製而成，釉面透明度低，釉色黃、綠摻雜，在黃褐色的底色中散布許多微小的綠色斑點，頗似茶葉細末，故名茶葉末釉。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909035","MainTitle":"琺瑯彩墨地萬花箭筒","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"琺瑯彩墨地萬花箭筒，呈圓筒狀，特徵為：直口，深直腹，淺圈足。通體滿飾低溫釉上彩花紋，口沿與近底處勾繪卷草紋、蕉葉紋等紋飾帶，墨地上以紅、黃、藍、綠等色繪畫各式樣花卉，畫面繁密，釉色濃豔。\r\n瓷胎畫琺瑯為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，其布局和筆法，都具有傳統的中國畫的特徵，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。\r\n箭筒原以皮革、竹木等材質製成，為存放箭的筒子，後來逐漸轉變成書房的陳設用具，用於放置書畫卷軸。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909036","MainTitle":"青花褐釉簡筆彩繪瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件青花褐釉簡筆彩繪瓶為現代陶瓷藝術創作風格，瓶身為直口，短頸，溜肩，弧腹，圈足。全器以釉下青花鈷料，以及以鐵作為金屬著色劑的釉下褐釉滿飾紋樣，入窯高溫燒成。口沿施一圈褐釉，器腹以環繞的褐釉線條分成多個畫面，線條隨興勾勒。器底以青花落有款文。整體筆畫大膽豪放，融合了現代創作與傳統釉彩於瓷胎之上。\r\n青花瓷自元代景德鎮窯區開始燒造，使用鈷料在瓷胎上繪畫，施透明釉後，高溫燒成。青花鈷料的著色力強，發色艷麗，紋飾鮮明清晰，因而深受廣大市場的歡迎，在中國製瓷史上占有相當重要的地位，並影響日本、越南等周邊地區的陶瓷生產。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909037","MainTitle":"加彩描金日本仕女紋蓋罐","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"加彩描金日本仕女紋蓋罐，罐身直口，短頸，圓肩向下漸收，圈足，附有圓蓋。以釉上彩技法作為裝飾，瓷胎高溫燒成後，施以低溫紅、藍、綠等各色釉料，再描金勾勒線條輪廓。器身以細膩的筆畫勾繪出山景以及櫻花樹下姿態各異的日本仕女人物，整體色調淺褐，釉色協調。器底以紅彩落有「超藝設計」方框簡體字樣。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。釉上彩瓷品類包含琺瑯彩、五彩、素三彩、描金瓷等，廣彩為其中一種彩瓷風格。廣彩是廣州地區釉上彩瓷的簡稱，常見滿地開光的設計，構圖緊密，並運用了西洋元素，搭配鮮豔的色彩圖案，因而深受海外市場的歡迎。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909038","MainTitle":"青花時裝少女紋瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"青花時裝少女紋瓶為現代陶瓷藝術創作風格，特徵為：花口，深直腹，圈足。器底光滑，足內滿釉，落有青花「景德鎮製」四字雙行篆書款。全器以釉下青花鈷料滿飾紋樣，入窯高溫燒成青花釉。器身描繪三名少女穿梭於樹林之中的場景，人物身著現代服飾，林木細長，林中勾繪纏枝的花葉飄盪，背景則是暈染不規則形狀的藍地色塊。\r\n青花瓷自元代景德鎮窯區開始燒造，使用鈷料在瓷胎上繪畫，施透明釉後，高溫燒成。青花鈷料的著色力強，發色艷麗，紋飾鮮明清晰，因而深受廣大市場的歡迎，在中國製瓷史上占有相當重要的地位，並影響日本、越南等周邊地區的陶瓷生產。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909039","MainTitle":"釉下多彩魚紋高足瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"釉下多彩魚紋高足瓶為現代陶瓷藝術創作風格，特徵為：直口，短頸，折肩，弧腹，高足。器底光滑，足內滿釉。口沿施青花釉，器身上以青花線條開光，內繪有游魚，顏色各異，並以簡潔的撇畫筆觸裝飾畫面。由於高溫燒製過程中，釉面流動，釉色漸層多變，呈現出藍、紫色的銅發色乳濁分相釉特徵。\r\n分相乳濁釉特徵為變化多樣的紅、藍、紫釉色，是由於在燒製的過程中，會經過一系列複雜的窯內氣氛變化，釉料中兩種互不相溶的成分，對窯爐內燒製的氣氛與溫度反應不同，如果這些銅發色乳濁釉的燒成狀況呈現不穩定變化，釉面就會產生不同質感與色澤。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909040","MainTitle":"行者武松影青瓷塑","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件行者武松影青瓷塑，武松左腳呈弓狀，右腳伸直立於臺座上，臺座書有「行者武松」四字。武松頭戴髮箍，髮長至肩部，雙耳隱於長髮間，面部圓潤飽滿，寬額頭，粗眉，與杏眼向上揚起，鼻挺且鼻翼寬，紅唇小口，面容嚴肅凜然。武松身穿寬袖上衣，下穿束褲，腰際間束一腰帶，腳穿長靴，表面施以青白釉（影青），衣摺線條流暢清晰，頸戴佛珠，左手握拳向上高舉，手肘往內微彎，右手向下伸直，反手握刀器，呈現出武松強健之體魄，與果敢勇猛之形象。在小說《水滸傳》中，武松綽號為「行者」，其最著名故事為景陽崗打虎，在《臨安縣志》、《浙江通志》中記載武松曾經刺殺蔡經姪子杭州知洲之子蔡鋆，被捕後酷刑拷打而卒，是真實存在的歷史人物。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200909041","MainTitle":"琺瑯彩墨地神佛開光紋蓋罐","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"琺瑯彩墨地神佛開光紋蓋罐，罐身直口，短頸，圓肩，弧腹向下漸收，圈足，附有圓蓋。器底光滑，足內滿釉。瓷胎高溫燒成後，再施以低溫釉料。墨地上以紅、藍等色繪畫彩雲，器身滿布圓形開光，開光內勾繪各式神佛坐像。畫面繁密，釉色濃豔。\r\n瓷胎畫琺瑯為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，其布局和筆法，都具有傳統的中國畫的特徵，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909042","MainTitle":"「慶豐收」青花人物紋瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件「慶豐收」青花人物紋瓶，特徵為撇口，長頸，折肩，斜壁，弧腹下收，高圈足。器底光滑，足內滿釉，落有青花「景德鎮製」四字雙行篆書款。器壁以釉下青花鈷料滿飾紋樣，以簡單的筆畫描繪人形，線條有稜有角，模仿原始圖騰之風格。瓶身不施青花鈷料的部分，釉面特徵為穩重沉著的仿哥窯開片釉。此瓶為融合古代陶瓷藝術的現代創作品。\r\n青花瓷自元代景德鎮窯區開始燒造，使用鈷料在瓷胎上繪畫，施透明釉後，高溫燒成。青花鈷料的著色力強，發色艷麗，紋飾鮮明清晰，因而深受廣大市場的歡迎，在中國製瓷史上占有相當重要的地位，並影響日本、越南等周邊地區的陶瓷生產。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909043","MainTitle":"鈞釉雙耳瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鈞釉雙耳瓶特徵為：小口，長頸，頸部飾有蝙蝠形雙耳，鼓腹，高足，足部外撇。通體施以濃淡不一的藍色乳濁釉，器身上呈不規則的褐色釉斑點，釉色豐富多變。全器造型規整端莊，光澤內斂，充滿樸素厚重的美感。\r\n鈞窯名列宋代五大名窯之一，燒製乳濁分相釉為主，以其「入窯一色，出窯萬彩」的「窯變」聞名。鈞釉中變化多樣的紅、藍、紫釉色，是由於在燒製的過程中，會經過一系列複雜的窯內氣氛變化，釉料中兩種互不相溶的成分，對窯爐內燒製的氣氛與溫度反應不同，如果這些銅發色乳濁釉的燒成狀況呈現不穩定變化，釉面就會產生不同質感與色澤。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200909044","MainTitle":"紫砂壽星塑像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件壽星以紫砂泥料雕塑而成，人物呈站姿，慈眉善目，高額美髯，一手捋鬚，一手持杖，袍袖層迭，線條流暢。背底落有方框篆書款。壽星即為南極仙翁，是中國道教中的長壽之神，被視為長壽的吉星，經常與福星和祿星並稱福祿壽三星。\r\n江蘇宜興所產紫砂泥料的抗膨脹係數高，可塑性良好，亦可摻入不同色調，使坯料呈現多種色澤效果。宜興紫砂泥坯的雕塑程序，通常是先打成泥片，經過接合，再初步套模成雛形，然後慢慢修琢出所需之肌理線條，最後呈現自然協調的質感。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909045","MainTitle":"琺瑯彩纏枝花卉紋蓋罐","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"琺瑯彩纏枝花卉紋蓋罐，罐身直口，短頸，圓肩，弧腹向下漸收，附有圓蓋。白地瓷胎，以釉上彩技法作為裝飾，瓷胎高溫燒成後，再施以低溫紅、藍、黃等色釉料。器身上以細膩的筆畫描繪出纏枝的花葉紋樣。此罐圖案滿密，線條流暢，濃淡暈染的效果富有韻律。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。釉上彩瓷品類包含五彩、素三彩、描金瓷等，其中最具代表性的當屬瓷胎畫琺瑯，琺瑯彩為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物。由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909046","MainTitle":"德化窯白瓷觀音立像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件德化窯白瓷觀音立像，觀音佇立於龍形圓座上，頭疏高髻，披觀音兜，面部長圓，大耳雙垂，廣額寬眉，眉間有一白亳，雙眼微啟似閉，挺鼻小口，面容成微笑狀，神情慈祥。觀音上著雙領垂肩式袈裟，下穿束裙，衣摺層次清晰，線條流暢，呈現豐富的立體感，胸前佩飾瓔珞，雙手置於腹部之間，右手施皈依印，左手持淨瓶。\r\n德化窯是中國古代著名民窯之一，以燒製白瓷著稱，窯址位於今福建省德化縣，至明代發展達到高峰，其產品白瓷胎質致密，色澤溫潤，釉中呈現乳白色，故被稱為「豬油白」。德化窯是福建沿海地區古外銷瓷重要產地之一，以生產白瓷塑像而聞名。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909047","MainTitle":"四季美人瓷塑-春","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"四季美人瓷塑四件一組，此件為其中的春。仕女人物呈坐姿，一手托腮，置於彎曲的腿足之上，一手支撐於地，身前花籃放有牡丹，與仕女牡丹頭飾相互呼應，亦象徵了春花的盛開。此塑像胎骨潔白，以釉上彩技法作為裝飾，捏塑成形的瓷胎高溫燒成後，再施以低溫各色釉料，描金彩繪。器身上以細膩的筆畫點綴出配飾，色彩突出，氣質雍容華貴。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。廣東地區的廣彩以及潮彩皆為相當著名的彩瓷風格，廣彩運用了西洋元素，搭配鮮豔的色彩圖案，因而深受海外市場的歡迎。而潮彩的瓷雕，用料精細，釉料潔白，造型秀美，更以鏤雕工藝配以捏塑的各式瓷花最負盛名。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909048","MainTitle":"四季美人瓷塑-夏","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"四季美人瓷塑四件一組，此件為其中的夏。仕女人物呈坐姿，一手斜靠於石上，一手持涼扇，身前置有荷葉與荷花，荷花或盛開，或含苞待放，與仕女頭飾相互呼應，象徵著夏天的到來。此塑像胎骨潔白，以釉上彩技法作為裝飾，捏塑成形的瓷胎高溫燒成後，再施以低溫各色釉料，描金彩繪。器身上以細膩的筆畫點綴出配飾，色彩突出，氣質雍容華貴。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。廣東地區的廣彩以及潮彩皆為相當著名的彩瓷風格，廣彩運用了西洋元素，搭配鮮豔的色彩圖案，因而深受海外市場的歡迎。而潮彩的瓷雕，用料精細，釉料潔白，造型秀美，更以鏤雕工藝配以捏塑的各式瓷花最負盛名。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909049","MainTitle":"四季美人瓷塑-秋","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"四季美人瓷塑四件一組，此件為其中的秋。仕女人物呈坐姿，雙腿交疊，側身斜坐於地，一手托籃，一手持花，籃內滿置盛開的菊花，與仕女頭飾相互呼應，象徵著秋天的季節。此塑像胎骨潔白，以釉上彩技法作為裝飾，捏塑成形的瓷胎高溫燒成後，再施以低溫各色釉料，描金彩繪。器身上以細膩的筆畫點綴出配飾，色彩突出，氣質雍容華貴。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。廣東地區的廣彩以及潮彩皆為相當著名的彩瓷風格，廣彩運用了西洋元素，搭配鮮豔的色彩圖案，因而深受海外市場的歡迎。而潮彩的瓷雕，用料精細，釉料潔白，造型秀美，更以鏤雕工藝配以捏塑的各式瓷花最負盛名。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909050","MainTitle":"四季美人瓷塑-冬","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"四季美人瓷塑四件一組，此件為其中的冬。仕女人物呈坐姿，雙腿併攏，跪坐於地毯之上，身著紅色棉襖，手持梅枝，與仕女梅花頭飾相互呼應，象徵著冬季的到來。此塑像胎骨潔白，以釉上彩技法作為裝飾，捏塑成形的瓷胎高溫燒成後，再施以低溫各色釉料，描金彩繪。器身上以細膩的筆畫點綴出配飾，色彩突出。棉襖紋理處理細膩仿真，瓷塑技藝高超純熟。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。廣東地區的廣彩以及潮彩皆為相當著名的彩瓷風格，廣彩運用了西洋元素，搭配鮮豔的色彩圖案，因而深受海外市場的歡迎。而潮彩的瓷雕，用料精細，釉料潔白，造型秀美，更以鏤雕工藝配以捏塑的各式瓷花最負盛名。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200909051","MainTitle":"四美奏樂瓷塑-琵琶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"四美奏樂瓷塑四件一組，此件為其中的琵琶。仕女人物呈坐姿，雙腿交叉疊放，坐於石座之上，手抱琵琶，撫弄琴弦。此塑像胎骨潔白，以釉上彩技法作為裝飾，捏塑成形的瓷胎高溫燒成後，再施以低溫各色釉料，描金彩繪。器身上以細膩的筆畫點綴出配飾，色彩突出，華貴優美。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。廣東地區的廣彩以及潮彩皆為相當著名的彩瓷風格，廣彩運用了西洋元素，搭配鮮豔的色彩圖案，因而深受海外市場的歡迎。而潮彩的瓷雕，用料精細，釉料潔白，造型秀美，更以鏤雕工藝配以捏塑的各式瓷花最負盛名。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909052","MainTitle":"四美奏樂瓷塑-簫","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"四美奏樂瓷塑四件一組，此件為其中的簫。仕女人物呈坐姿，雙腿併攏，蹲坐於石座之上，持簫靠於唇上，作吹奏之貌。此塑像胎骨潔白，以釉上彩技法作為裝飾，捏塑成形的瓷胎高溫燒成後，再施以低溫各色釉料，描金彩繪。器身上以細膩的筆畫點綴出配飾，色彩突出，華貴優美。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。廣東地區的廣彩以及潮彩皆為相當著名的彩瓷風格，廣彩運用了西洋元素，搭配鮮豔的色彩圖案，因而深受海外市場的歡迎。而潮彩的瓷雕，用料精細，釉料潔白，造型秀美，更以鏤雕工藝配以捏塑的各式瓷花最負盛名。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909053","MainTitle":"四美奏樂瓷塑-鼓","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"四美奏樂瓷塑四件一組，此件為其中的鼓。仕女人物呈坐姿，雙腿併攏，高坐於石座之上，一手持鼓，一手持鼓棒，作演奏之姿。此塑像胎骨潔白，以釉上彩技法作為裝飾，捏塑成形的瓷胎高溫燒成後，再施以低溫各色釉料，描金彩繪。器身上以細膩的筆畫點綴出配飾，色彩突出，華貴優美。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。廣東地區的廣彩以及潮彩皆為相當著名的彩瓷風格，廣彩運用了西洋元素，搭配鮮豔的色彩圖案，因而深受海外市場的歡迎。而潮彩的瓷雕，用料精細，釉料潔白，造型秀美，更以鏤雕工藝配以捏塑的各式瓷花最負盛名。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909054","MainTitle":"四美奏樂瓷塑-笙","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"四美奏樂瓷塑四件一組，此件為其中的笙。仕女人物呈坐姿，雙腿併攏，上身扭轉，斜坐於石座之上，雙手捧笙，作吹奏姿態。此塑像胎骨潔白，以釉上彩技法作為裝飾，捏塑成形的瓷胎高溫燒成後，再施以低溫各色釉料，描金彩繪。器身上以細膩的筆畫點綴出配飾，色彩突出，華貴優美。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。廣東地區的廣彩以及潮彩皆為相當著名的彩瓷風格，廣彩運用了西洋元素，搭配鮮豔的色彩圖案，因而深受海外市場的歡迎。而潮彩的瓷雕，用料精細，釉料潔白，造型秀美，更以鏤雕工藝配以捏塑的各式瓷花最負盛名。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909055","MainTitle":"宜興紫砂提樑茶壺","Creator":"王愛仙","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件宜興紫砂提樑茶壺。壺身飽滿若瓜，圓蓋上老藤截斷作為壺鈕，壺蓋上裝飾紫砂泥桃葉與桃果，三根枯藤製成提樑壺柄，朱泥壺身，陰刻描金銘文：「煮白石，泛綠雲，一瓢細酌邀桐君」，另一面裝飾陰刻描金梅枝雀鳥紋，壺底落有陰刻方框雙行四字「王愛仙制」篆書款，壺蓋內則落有方框陰刻「王愛仙」楷書款。茶壺造型簡潔大方，意象自然。 \r\n中國的飲茶文化自明代開始，發展出散茶沖泡的飲茶法，將沸水注入壺具沖泡散茶後，再使用茶盞盛茶飲用，沖泡式的茶具因此應運而生。江蘇宜興所產紫砂泥料氣孔較大，抗膨脹係數高，具有良好的吸水性與透氣性，成為製作沖泡式茶具的不二之選。宜興紫砂壺產品豐富，造型多樣，常見以竹、木等植物作為創作題材。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909056","MainTitle":"宜興陶仿竹茶具組","Creator":"","CreatedYear":"","Size":"001竹椅茶盤:長:17.8，寬:13.5，高:8.5。\r\n002茶壺:長:11.8，寬:6，高:6.5。\r\n003~004四杯子:高:3.2，徑:3。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"宜興陶仿竹茶具組，包含茶盤、茶壺、茶杯，共1組6件。以宜興陶土為材質，造型模仿竹製品，施以翠竹色的綠彩。茶杯與茶壺呈單節竹節狀，茶壺含蓋，帶一流嘴與一繫把，茶盤呈現多段竹節拼接而成的竹椅，整組茶具造型雅致簡樸，綠竹之意象清新自然。\r\n中國的飲茶文化自明代開始，發展出散茶沖泡的飲茶法，將沸水注入壺具沖泡散茶後，再使用茶盞盛茶飲用，沖泡式的茶具因此應運而生。江蘇宜興所產紫砂泥料氣孔較大，抗膨脹係數高，具有良好的吸水性與透氣性，成為製作沖泡式茶具的不二之選。宜興紫砂壺產品豐富，造型多樣，其地竹海廣袤，富有盛名，亦常見歷代紫砂茶壺以竹作為創作題材。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909056001","MainTitle":"宜興陶仿竹茶具組-竹椅型茶盤","Creator":"","CreatedYear":"","Size":"001竹椅茶盤:長:17.8，寬:13.5，高:8.5。\r\n002茶壺:長:11.8，寬:6，高:6.5。\r\n003~004四杯子:高:3.2，徑:3。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDU2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"宜興陶仿竹茶具組，包含茶盤、茶壺、茶杯，共1組6件，此件為竹椅型茶盤。以宜興陶土為材質，造型模仿竹製品，施以翠竹色的綠彩。茶杯與茶壺呈單節竹節狀，茶壺含蓋，帶一流嘴與一繫把，茶盤呈現多段竹節拼接而成的竹椅，整組茶具造型雅致簡樸，綠竹之意象清新自然。 \r\n中國的飲茶文化自明代開始，發展出散茶沖泡的飲茶法，將沸水注入壺具沖泡散茶後，再使用茶盞盛茶飲用，沖泡式的茶具因此應運而生。江蘇宜興所產紫砂泥料氣孔較大，抗膨脹係數高，具有良好的吸水性與透氣性，成為製作沖泡式茶具的不二之選。宜興紫砂壺產品豐富，造型多樣，其地竹海廣袤，富有盛名，亦常見歷代紫砂茶壺以竹作為創作題材。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909056002","MainTitle":"宜興陶仿竹茶具組-茶壺","Creator":"周麗華","CreatedYear":"","Size":"001竹椅茶盤:長:17.8，寬:13.5，高:8.5。\r\n002茶壺:長:11.8，寬:6，高:6.5。\r\n003~004四杯子:高:3.2，徑:3。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDU2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"宜興陶仿竹茶具組，包含茶盤、茶壺、茶杯，共1組6件，此件為茶壺。茶壺呈單節竹節狀，含蓋，帶一流嘴與一繫把，以宜興陶土為材質，造型模仿竹製品，施以翠竹色的綠彩，壺底落有方框雙行四字「周麗華制」篆書款，壺蓋內則落有兩處圓框篆書款，分別為「周」以及「麗華」。整組茶具造型雅致簡樸，綠竹之意象清新自然。 \r\n中國的飲茶文化自明代開始，發展出散茶沖泡的飲茶法，將沸水注入壺具沖泡散茶後，再使用茶盞盛茶飲用，沖泡式的茶具因此應運而生。江蘇宜興所產紫砂泥料氣孔較大，抗膨脹係數高，具有良好的吸水性與透氣性，成為製作沖泡式茶具的不二之選。宜興紫砂壺產品豐富，造型多樣，其地竹海廣袤，富有盛名，亦常見歷代紫砂茶壺以竹作為創作題材。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909056003","MainTitle":"宜興陶仿竹茶具組-茶杯","Creator":"","CreatedYear":"","Size":"001竹椅茶盤:長:17.8，寬:13.5，高:8.5。\r\n002茶壺:長:11.8，寬:6，高:6.5。\r\n003~004四杯子:高:3.2，徑:3。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDU2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"宜興陶仿竹茶具組，包含茶盤、茶壺、茶杯，共1組6件，此為四件茶杯之一。茶杯直口，直壁，呈單節竹節狀，以宜興陶土為材質，造型模仿竹製品，施以翠竹色的綠彩。整組茶具造型雅致簡樸，綠竹之意象清新自然。\r\n中國的飲茶文化自明代開始，發展出散茶沖泡的飲茶法，將沸水注入壺具沖泡散茶後，再使用茶盞盛茶飲用，沖泡式的茶具因此應運而生。江蘇宜興所產紫砂泥料氣孔較大，抗膨脹係數高，具有良好的吸水性與透氣性，成為製作沖泡式茶具的不二之選。宜興紫砂壺產品豐富，造型多樣，其地竹海廣袤，富有盛名，亦常見歷代紫砂茶壺以竹作為創作題材。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909056004","MainTitle":"宜興陶仿竹茶具組-茶杯","Creator":"","CreatedYear":"","Size":"001竹椅茶盤:長:17.8，寬:13.5，高:8.5。\r\n002茶壺:長:11.8，寬:6，高:6.5。\r\n003~004四杯子:高:3.2，徑:3。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDU2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"宜興陶仿竹茶具組，包含茶盤、茶壺、茶杯，共1組6件，此為四件茶杯之二。茶杯直口，直壁，呈單節竹節狀，以宜興陶土為材質，造型模仿竹製品，施以翠竹色的綠彩。整組茶具造型雅致簡樸，綠竹之意象清新自然。\r\n中國的飲茶文化自明代開始，發展出散茶沖泡的飲茶法，將沸水注入壺具沖泡散茶後，再使用茶盞盛茶飲用，沖泡式的茶具因此應運而生。江蘇宜興所產紫砂泥料氣孔較大，抗膨脹係數高，具有良好的吸水性與透氣性，成為製作沖泡式茶具的不二之選。宜興紫砂壺產品豐富，造型多樣，其地竹海廣袤，富有盛名，亦常見歷代紫砂茶壺以竹作為創作題材。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909056005","MainTitle":"宜興陶仿竹茶具組-茶杯","Creator":"","CreatedYear":"","Size":"001竹椅茶盤:長:17.8，寬:13.5，高:8.5。\r\n002茶壺:長:11.8，寬:6，高:6.5。\r\n003~004四杯子:高:3.2，徑:3。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDU2MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"宜興陶仿竹茶具組，包含茶盤、茶壺、茶杯，共1組6件，此為四件茶杯之三。茶杯直口，直壁，呈單節竹節狀，以宜興陶土為材質，造型模仿竹製品，施以翠竹色的綠彩。整組茶具造型雅致簡樸，綠竹之意象清新自然。\r\n中國的飲茶文化自明代開始，發展出散茶沖泡的飲茶法，將沸水注入壺具沖泡散茶後，再使用茶盞盛茶飲用，沖泡式的茶具因此應運而生。江蘇宜興所產紫砂泥料氣孔較大，抗膨脹係數高，具有良好的吸水性與透氣性，成為製作沖泡式茶具的不二之選。宜興紫砂壺產品豐富，造型多樣，其地竹海廣袤，富有盛名，亦常見歷代紫砂茶壺以竹作為創作題材。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909056006","MainTitle":"宜興陶仿竹茶具組-茶杯","Creator":"","CreatedYear":"","Size":"001竹椅茶盤:長:17.8，寬:13.5，高:8.5。\r\n002茶壺:長:11.8，寬:6，高:6.5。\r\n003~004四杯子:高:3.2，徑:3。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDU2MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"宜興陶仿竹茶具組，包含茶盤、茶壺、茶杯，共1組6件，此為四件茶杯之四。茶杯直口，直壁，呈單節竹節狀，以宜興陶土為材質，造型模仿竹製品，施以翠竹色的綠彩。整組茶具造型雅致簡樸，綠竹之意象清新自然。\r\n中國的飲茶文化自明代開始，發展出散茶沖泡的飲茶法，將沸水注入壺具沖泡散茶後，再使用茶盞盛茶飲用，沖泡式的茶具因此應運而生。江蘇宜興所產紫砂泥料氣孔較大，抗膨脹係數高，具有良好的吸水性與透氣性，成為製作沖泡式茶具的不二之選。宜興紫砂壺產品豐富，造型多樣，其地竹海廣袤，富有盛名，亦常見歷代紫砂茶壺以竹作為創作題材。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909057","MainTitle":"漁翁得利塑像","Creator":"","CreatedYear":"","Size":"老人:長:41，寬:27，高:38。\r\n魚簍:長:6.3，寬:5.2，高:5.9。\r\n釣竿:長:35，寬:21，高:0.3。\r\n魚:長:11，寬:5，高:7。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件漁翁得利塑像為陶塑作品，人物坐於山石之上，髮髻高挽，濃眉細目，鬍鬚落腮，身披薄衣，體態精實有力，漁翁頸掛草帽，一手持釣竿，一手持釣線，釣線一端懸吊上鉤之魚。全器刻劃傳神，漁翁滿臉笑顏的喜悅神情表現生動，釣竿垂墜自然，山石粗糙表面粗獷利落，肌骨紋理亦唯妙唯肖，薄衣皺褶線條流暢，將草帽以及魚簍的編織紋路刻劃細緻入微，技藝精湛。整體塑像頗有仙逸之氣。此件寓意漁翁連連得利，諸事有成。\r\n江蘇宜興所產紫砂泥料的抗膨脹係數高，可塑性良好，亦可摻入不同色調，使坯料呈現多種色澤效果，成為宜興紫砂陶獨特的工藝表現手法。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909058","MainTitle":"宜興陶仿竹茶具組","Creator":"吳君華","CreatedYear":"","Size":"001茶盤:高:21.5，徑:6。\r\n002茶壺:長:15.3，寬:8.5，高:7.8。\r\n003~008六杯子:高:3.3，徑:4.4。\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"宜興陶仿竹茶具組，包含茶盤、茶壺、茶杯，共1組8件。以宜興陶土為材質，造型模仿竹製品，在器身上刻劃出竹子紋理，並使用不同泥料來增加顏色的層次感。茶杯與茶壺呈單節竹節狀，茶壺含蓋，帶一流嘴與一繫把，茶盤呈現為較寬的一段竹節，含有一個鏤雕的上蓋，下層容器外圍裝飾貼塑的帶葉竹枝。整組茶具造型雅致簡樸，竹色沉著穩重。\r\n中國的飲茶文化自明代開始，發展出散茶沖泡的飲茶法，將沸水注入壺具沖泡散茶後，再使用茶盞盛茶飲用，沖泡式的茶具因此應運而生。江蘇宜興所產紫砂泥料氣孔較大，抗膨脹係數高，具有良好的吸水性與透氣性，成為製作沖泡式茶具的不二之選。宜興紫砂壺產品豐富，造型多樣，其地竹海廣袤，富有盛名，亦常見歷代紫砂茶壺以竹作為創作題材。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909058001","MainTitle":"宜興陶仿竹茶具組-茶盤","Creator":"吳君華","CreatedYear":"","Size":"001茶盤:高:21.5，徑:6。\r\n002茶壺:長:15.3，寬:8.5，高:7.8。\r\n003~008六杯子:高:3.3，徑:4.4。\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDU4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"宜興陶仿竹茶具組，包含茶盤、茶壺、茶杯，共1組8件，此件為茶盤。茶盤由上蓋與下層盆狀容器組成，以宜興陶土為材質，造型模仿竹製品，呈現為較寬的一段竹節，上蓋鏤空雕刻花瓣形裝飾，下層容器外圍裝飾貼塑的帶葉竹枝，在器身上刻劃出竹子紋理，並使用不同泥料來增加顏色的層次感。整組茶具造型雅致簡樸，竹色沉著穩重。\r\n中國的飲茶文化自明代開始，發展出散茶沖泡的飲茶法，將沸水注入壺具沖泡散茶後，再使用茶盞盛茶飲用，沖泡式的茶具因此應運而生。江蘇宜興所產紫砂泥料氣孔較大，抗膨脹係數高，具有良好的吸水性與透氣性，成為製作沖泡式茶具的不二之選。宜興紫砂壺產品豐富，造型多樣，其地竹海廣袤，富有盛名，亦常見歷代紫砂茶壺以竹作為創作題材。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909058002","MainTitle":"宜興陶仿竹茶具組-茶壺","Creator":"吳君華","CreatedYear":"","Size":"001茶盤:高:21.5，徑:6。\r\n002茶壺:長:15.3，寬:8.5，高:7.8。\r\n003~008六杯子:高:3.3，徑:4.4。\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDU4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"宜興陶仿竹茶具組，包含茶盤、茶壺、茶杯，共1組8件，此件為茶壺。茶壺呈單節竹節狀，含蓋，帶一流嘴與一繫把，以宜興陶土為材質，造型模仿竹製品，在器身上刻劃出竹子紋理，並使用不同泥料來增加顏色的層次感。壺底落有方框雙行四字「吳君華制」篆書款，壺蓋內則落有圓框款文。整組茶具造型雅致簡樸，竹色沉著穩重。\r\n中國的飲茶文化自明代開始，發展出散茶沖泡的飲茶法，將沸水注入壺具沖泡散茶後，再使用茶盞盛茶飲用，沖泡式的茶具因此應運而生。江蘇宜興所產紫砂泥料氣孔較大，抗膨脹係數高，具有良好的吸水性與透氣性，成為製作沖泡式茶具的不二之選。宜興紫砂壺產品豐富，造型多樣，其地竹海廣袤，富有盛名，亦常見歷代紫砂茶壺以竹作為創作題材。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909058003","MainTitle":"宜興陶仿竹茶具組-茶杯","Creator":"吳君華","CreatedYear":"","Size":"001茶盤:高:21.5，徑:6。\r\n002茶壺:長:15.3，寬:8.5，高:7.8。\r\n003~008六杯子:高:3.3，徑:4.4。\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDU4MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"宜興陶仿竹茶具組，包含茶盤、茶壺、茶杯，共1組8件，此為6件茶杯之一。茶杯直口，直壁，呈單節竹節狀，以宜興陶土為材質，造型模仿竹製品，在器身上刻劃出竹子紋理，並使用不同泥料來增加顏色的層次感。杯底落有圓框「君華」篆書款。整組茶具造型雅致簡樸，竹色沉著穩重。\r\n中國的飲茶文化自明代開始，發展出散茶沖泡的飲茶法，將沸水注入壺具沖泡散茶後，再使用茶盞盛茶飲用，沖泡式的茶具因此應運而生。江蘇宜興所產紫砂泥料氣孔較大，抗膨脹係數高，具有良好的吸水性與透氣性，成為製作沖泡式茶具的不二之選。宜興紫砂壺產品豐富，造型多樣，其地竹海廣袤，富有盛名，亦常見歷代紫砂茶壺以竹作為創作題材。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909058004","MainTitle":"宜興陶仿竹茶具組-茶杯","Creator":"吳君華","CreatedYear":"","Size":"001茶盤:高:21.5，徑:6。\r\n002茶壺:長:15.3，寬:8.5，高:7.8。\r\n003~008六杯子:高:3.3，徑:4.4。\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDU4MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"宜興陶仿竹茶具組，包含茶盤、茶壺、茶杯，共1組8件，此為6件茶杯之二。茶杯直口，直壁，呈單節竹節狀，以宜興陶土為材質，造型模仿竹製品，在器身上刻劃出竹子紋理，並使用不同泥料來增加顏色的層次感。杯底落有圓框「君華」篆書款。整組茶具造型雅致簡樸，竹色沉著穩重。\r\n中國的飲茶文化自明代開始，發展出散茶沖泡的飲茶法，將沸水注入壺具沖泡散茶後，再使用茶盞盛茶飲用，沖泡式的茶具因此應運而生。江蘇宜興所產紫砂泥料氣孔較大，抗膨脹係數高，具有良好的吸水性與透氣性，成為製作沖泡式茶具的不二之選。宜興紫砂壺產品豐富，造型多樣，其地竹海廣袤，富有盛名，亦常見歷代紫砂茶壺以竹作為創作題材。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909058005","MainTitle":"宜興陶仿竹茶具組-茶杯","Creator":"吳君華","CreatedYear":"","Size":"001茶盤:高:21.5，徑:6。\r\n002茶壺:長:15.3，寬:8.5，高:7.8。\r\n003~008六杯子:高:3.3，徑:4.4。\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDU4MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"宜興陶仿竹茶具組，包含茶盤、茶壺、茶杯，共1組8件，此為6件茶杯之三。茶杯直口，直壁，呈單節竹節狀，以宜興陶土為材質，造型模仿竹製品，在器身上刻劃出竹子紋理，並使用不同泥料來增加顏色的層次感。杯底落有圓框「君華」篆書款。整組茶具造型雅致簡樸，竹色沉著穩重。\r\n中國的飲茶文化自明代開始，發展出散茶沖泡的飲茶法，將沸水注入壺具沖泡散茶後，再使用茶盞盛茶飲用，沖泡式的茶具因此應運而生。江蘇宜興所產紫砂泥料氣孔較大，抗膨脹係數高，具有良好的吸水性與透氣性，成為製作沖泡式茶具的不二之選。宜興紫砂壺產品豐富，造型多樣，其地竹海廣袤，富有盛名，亦常見歷代紫砂茶壺以竹作為創作題材。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909058006","MainTitle":"宜興陶仿竹茶具組-茶杯","Creator":"吳君華","CreatedYear":"","Size":"001茶盤:高:21.5，徑:6。\r\n002茶壺:長:15.3，寬:8.5，高:7.8。\r\n003~008六杯子:高:3.3，徑:4.4。\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDU4MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"宜興陶仿竹茶具組，包含茶盤、茶壺、茶杯，共1組8件，此為6件茶杯之四。茶杯直口，直壁，呈單節竹節狀，以宜興陶土為材質，造型模仿竹製品，在器身上刻劃出竹子紋理，並使用不同泥料來增加顏色的層次感。整組茶具造型雅致簡樸，竹色沉著穩重。\r\n中國的飲茶文化自明代開始，發展出散茶沖泡的飲茶法，將沸水注入壺具沖泡散茶後，再使用茶盞盛茶飲用，沖泡式的茶具因此應運而生。江蘇宜興所產紫砂泥料氣孔較大，抗膨脹係數高，具有良好的吸水性與透氣性，成為製作沖泡式茶具的不二之選。宜興紫砂壺產品豐富，造型多樣，其地竹海廣袤，富有盛名，亦常見歷代紫砂茶壺以竹作為創作題材。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909058007","MainTitle":"宜興陶仿竹茶具組-茶杯","Creator":"吳君華","CreatedYear":"","Size":"001茶盤:高:21.5，徑:6。\r\n002茶壺:長:15.3，寬:8.5，高:7.8。\r\n003~008六杯子:高:3.3，徑:4.4。\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDU4MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"宜興陶仿竹茶具組，包含茶盤、茶壺、茶杯，共1組8件，此為6件茶杯之五。茶杯直口，直壁，呈單節竹節狀，以宜興陶土為材質，造型模仿竹製品，在器身上刻劃出竹子紋理，並使用不同泥料來增加顏色的層次感。杯底落有圓框「君華」篆書款。整組茶具造型雅致簡樸，竹色沉著穩重。\r\n中國的飲茶文化自明代開始，發展出散茶沖泡的飲茶法，將沸水注入壺具沖泡散茶後，再使用茶盞盛茶飲用，沖泡式的茶具因此應運而生。江蘇宜興所產紫砂泥料氣孔較大，抗膨脹係數高，具有良好的吸水性與透氣性，成為製作沖泡式茶具的不二之選。宜興紫砂壺產品豐富，造型多樣，其地竹海廣袤，富有盛名，亦常見歷代紫砂茶壺以竹作為創作題材。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909058008","MainTitle":"宜興陶仿竹茶具組-茶杯","Creator":"吳君華","CreatedYear":"","Size":"001茶盤:高:21.5，徑:6。\r\n002茶壺:長:15.3，寬:8.5，高:7.8。\r\n003~008六杯子:高:3.3，徑:4.4。\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDU4MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"宜興陶仿竹茶具組，包含茶盤、茶壺、茶杯，共1組8件，此為6件茶杯之六。茶杯直口，直壁，呈單節竹節狀，以宜興陶土為材質，造型模仿竹製品，在器身上刻劃出竹子紋理，並使用不同泥料來增加顏色的層次感。整組茶具造型雅致簡樸，竹色沉著穩重。\r\n中國的飲茶文化自明代開始，發展出散茶沖泡的飲茶法，將沸水注入壺具沖泡散茶後，再使用茶盞盛茶飲用，沖泡式的茶具因此應運而生。江蘇宜興所產紫砂泥料氣孔較大，抗膨脹係數高，具有良好的吸水性與透氣性，成為製作沖泡式茶具的不二之選。宜興紫砂壺產品豐富，造型多樣，其地竹海廣袤，富有盛名，亦常見歷代紫砂茶壺以竹作為創作題材。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909059","MainTitle":"紫砂鍾馗塑像","Creator":"郭超鋼","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件紫砂鍾馗塑像表現鍾馗醉酒之態，鍾馗手抱酒缸，按劍倚靠於上，臉絡腮胡，目光炯炯，張嘴吐舌，酣暢快意。鍾馗多以猙獰可怖的面目示人，常手持利劍，捉拿妖魔鬼怪。此塑像風格與傳統的鍾馗形象不同，其醉態使人覺得詼諧可親。全器刻劃傳神，衣紋處理細緻，皺褶線條流暢，帽冠與玉帶上有青釉半圓形裝飾，背部落有「郭超鋼」方框篆書款。\r\n\r\n郭超鋼1969年生於江蘇宜興，為紫砂壺藝人，曾任職於紫砂工藝二廠徐秀棠雕塑工作室，後成立個人工作坊從事創作。郭氏作品題材廣泛，除紫砂壺外，亦有神佛雕塑作品。\r\n江蘇宜興所產紫砂泥料的抗膨脹係數高，可塑性良好，亦可摻入不同色調，使坯料呈現多種色澤效果，成為宜興紫砂陶獨特的工藝表現手法。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909060","MainTitle":"鈞釉雙耳瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鈞釉雙耳瓶特徵為：盤口，長頸，頸部飾有對稱雙耳，鼓腹向下漸收。器身素面無紋飾，口沿薄釉處呈現淺褐色，器身呈現不均勻的銅紅釉色，呈現藍、紫色的銅發色乳濁分相釉特徵，施釉不及底，近底處有掛釉現象。全器造型簡潔，光澤內斂，充滿樸素厚重的美感。\r\n鈞窯名列宋代五大名窯之一，燒製乳濁分相釉為主，以其「入窯一色，出窯萬彩」的「窯變」聞名。鈞釉中變化多樣的紅、藍、紫釉色，是由於在燒製的過程中，會經過一系列複雜的窯內氣氛變化，釉料中兩種互不相溶的成分，對窯爐內燒製的氣氛與溫度反應不同，如果這些銅發色乳濁釉的燒成狀況呈現不穩定變化，釉面就會產生不同質感與色澤。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909061","MainTitle":"「情趣羅漢」紫砂塑像之一","Creator":"郭超鋼","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「情趣羅漢」紫砂塑像一組六件，此件為其一。羅漢以紫砂泥料塑成，呈盤坐之姿，著袈裟、束褲，袒胸露肚，身形佝僂。左手靠於膝上，反手做挖鼻的動作。羅漢眉骨高聳，臉部因左手動作而呈現擠壓變形，表情刻劃傳神，袈裟衣紋處理細緻，皺褶線條流暢。羅漢表現豪放不羈，臉部神情誇張生動，極富趣味。背部落有「郭超鋼」方框篆書款。\r\n\r\n郭超鋼1969年生於江蘇宜興，為紫砂壺藝人，曾任職於紫砂工藝二廠徐秀棠雕塑工作室，後成立個人工作坊從事創作。郭氏作品題材廣泛，除紫砂壺外，亦有神佛雕塑作品。\r\n江蘇宜興所產紫砂泥料的抗膨脹係數高，可塑性良好，亦可摻入不同色調，使坯料呈現多種色澤效果，成為宜興紫砂陶獨特的工藝表現手法。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909062","MainTitle":"「情趣羅漢」紫砂塑像之二","Creator":"郭超鋼","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「情趣羅漢」紫砂塑像一組六件，此件為其二。羅漢以紫砂泥料塑成，呈盤坐之姿，著袈裟、束褲，袒胸露肚，身形佝僂。雙手緊握帶骨肉腿，頭部向右扭轉，與雙手呈反向，做用力撕咬之貌。羅漢眉骨高聳，目光如炬，因嘴部撕扯肉骨而面部猙獰。羅漢表情刻劃傳神，袈裟衣紋處理細緻，皺褶線條流暢，呈現手法誇張生動，極富趣味感。背部落有「郭超鋼」方框篆書款。\r\n\r\n郭超鋼1969年生於江蘇宜興，為紫砂壺藝人，曾任職於紫砂工藝二廠徐秀棠雕塑工作室，後成立個人工作坊從事創作。郭氏作品題材廣泛，除紫砂壺外，亦有神佛雕塑作品。\r\n江蘇宜興所產紫砂泥料的抗膨脹係數高，可塑性良好，亦可摻入不同色調，使坯料呈現多種色澤效果，成為宜興紫砂陶獨特的工藝表現手法。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909063","MainTitle":"「情趣羅漢」紫砂塑像之三","Creator":"郭超鋼","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「情趣羅漢」紫砂塑像一組六件，此件為其三。羅漢以紫砂泥料塑成，坐像右腿屈弓，左腿後收，著袈裟、束褲，袒胸露肚，身形佝僂。右手放置於膝上，左手持長條背抓器做搔癢之姿。羅漢眉骨高聳，雙眼微閉，嘴角一邊揚起，神情呈現舒爽放鬆之態。全器刻劃傳神，袈裟衣紋處理細緻，皺褶線條流暢。羅漢表現豪放不羈，臉部表情生動，極富趣味感。背部落有「郭超鋼」方框篆書款。\r\n郭超鋼1969年生於江蘇宜興，為紫砂壺藝人，曾任職於紫砂工藝二廠徐秀棠雕塑工作室，後成立個人工作坊從事創作。郭氏作品題材廣泛，除紫砂壺外，亦有神佛雕塑作品。\r\n江蘇宜興所產紫砂泥料的抗膨脹係數高，可塑性良好，亦可摻入不同色調，使坯料呈現多種色澤效果，成為宜興紫砂陶獨特的工藝表現手法。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200909064","MainTitle":"「情趣羅漢」紫砂塑像之四","Creator":"郭超鋼","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「情趣羅漢」紫砂塑像一組六件，此件為其四。羅漢以紫砂泥料塑成，呈盤坐之姿，著袈裟、束褲，袒胸露肚，身形佝僂。雙手捧著右腳腳掌，頭部向前，作噘嘴吹氣之貌。羅漢眉骨高聳，雙眼半開，嘴部因吹氣而噘起，詼諧逗趣，面部表情刻劃傳神，袈裟衣紋處理細緻，皺褶線條流暢。羅漢表現豪放不羈，極富趣味感。背部落有「郭超鋼」方框篆書款。\r\n\r\n郭超鋼1969年生於江蘇宜興，為紫砂壺藝人，曾任職於紫砂工藝二廠徐秀棠雕塑工作室，後成立個人工作坊從事創作。郭氏作品題材廣泛，除紫砂壺外，亦有神佛雕塑作品。\r\n江蘇宜興所產紫砂泥料的抗膨脹係數高，可塑性良好，亦可摻入不同色調，使坯料呈現多種色澤效果，成為宜興紫砂陶獨特的工藝表現手法。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909065","MainTitle":"「情趣羅漢」紫砂塑像之五","Creator":"郭超鋼","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「情趣羅漢」紫砂塑像一組六件，此件為其五。羅漢以紫砂泥料塑成，雙腳交疊盤坐，著袈裟、束褲，袒胸露肚，身形佝僂，身軀俯向前，露出左邊肩膀肌理，左手支撐在地，右手雙手搭於左肩，做搔癢之姿。羅漢眉骨高聳，獅鼻瞠目，神情威嚴，面部表情刻劃傳神，袈裟衣紋處理細緻，皺褶線條流暢。羅漢表現豪放不羈，極富趣味感。背部落有「郭超鋼」方框篆書款。\r\n郭超鋼1969年生於江蘇宜興，為紫砂壺藝人，曾任職於紫砂工藝二廠徐秀棠雕塑工作室，後成立個人工作坊從事創作。郭氏作品題材廣泛，除紫砂壺外，亦有神佛雕塑作品。\r\n江蘇宜興所產紫砂泥料的抗膨脹係數高，可塑性良好，亦可摻入不同色調，使坯料呈現多種色澤效果，成為宜興紫砂陶獨特的工藝表現手法。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909066","MainTitle":"「情趣羅漢」紫砂塑像之六","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「情趣羅漢」紫砂塑像一組六件，此件為其六。羅漢以紫砂泥料塑成，呈盤坐之姿，著袈裟、束褲，袒胸露肚。雙手高舉，頭部上仰，張口作呵欠伸腰之貌。羅漢眉骨高聳，雙目半開，嘴部因呵欠而拉長下顎，詼諧逗趣，面部表情刻劃傳神，袈裟衣紋處理細緻，皺褶線條流暢。羅漢表現豪放不羈，極富趣味感。落有「郭超鋼」方框篆書款。\r\n郭超鋼1969年生於江蘇宜興，為紫砂壺藝人，曾任職於紫砂工藝二廠徐秀棠雕塑工作室，後成立個人工作坊從事創作。郭氏作品題材廣泛，除紫砂壺外，亦有神佛雕塑作品。\r\n江蘇宜興所產紫砂泥料的抗膨脹係數高，可塑性良好，亦可摻入不同色調，使坯料呈現多種色澤效果，成為宜興紫砂陶獨特的工藝表現手法。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909067","MainTitle":"琺瑯彩錦雞花石紋瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"琺瑯彩錦雞花石紋瓶特徵為：直口，弧腹向下漸收，淺圈足，瓶身寬扁，兩側肩部刻劃三層弦紋。白地瓷胎，使用琺瑯彩在器身上以細膩的工筆畫描繪出錦雞、牡丹、山石等紋飾，另一側直書詩文，並繪有紅彩鈐印，器底落有「慎德堂製」四字雙行紅彩款。琺瑯彩暈染的漸層效果使整體色彩活潑豐富。\r\n慎德堂，原本是圓明園九州清晏建築群的一座，出於道光皇帝對慎德堂的喜愛，因而要求景德鎮御窯場燒製一批底款為「慎德堂製」的瓷器。到了民國時期，亦流行以私人住所或書房名稱作為款識的堂名款瓷器，標誌著個人收藏或私家民生之用，其中慎德堂即為常見的堂名之一。\r\n\r\n瓷胎畫琺瑯是清代官窯發展出的陶瓷裝飾技法，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909068","MainTitle":"孔雀牡丹瓷塑","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"孔雀牡丹瓷塑，通體施釉，釉面光澤。擺件為兩隻雀鳥立於鏤雕的木幹之上，底部有紅、白盛開的牡丹花朵。孔雀雪白，鳥身施以紅、藍色淡彩暈染，體態優美，細勁隆胸，雙腳有力，長尾雄健，由背至尾，有繁密眼圈，娉婷悅目。牡丹花開繁盛，片片花瓣雕塑細緻，呈現出柔軟的質感。木頭則利用釉色勾繪出逼真紋理，雕塑技藝精湛。牡丹雍容華貴，自唐宋以來，成為吉祥幸福，繁榮昌盛的象徵，與孔雀相配，具有喜慶的良好寓意。\r\n釉上彩是中國傳統陶瓷釉藥裝飾技法之一，使用各種低溫釉彩在已經高溫燒成的陶瓷器表面繪製紋飾，然後二次入窯低溫燒成。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909069","MainTitle":"「青山醉月」瓷塑","Creator":"蔡敬標","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件「青山醉月」瓷塑為人物呈側坐之姿，仰頭望遠，若有所思，一手撫於石上，一手握杯，雙腳疊放，身體扭轉一側，岩石之上題有「青山醉月」字樣。此塑像胎骨潔白，圓領袍服先以透明釉高溫燒成，再施以釉上彩技法作為裝飾，人物肌理處露胎無釉，以各色低溫釉料點綴出配飾與膚色，描金彩繪。李白生前有「志在青山」的遺願，人物應為刻劃詩人李白的塑像。造型生動傳神，整體色彩和諧。器底印有「蔡敬標」方款。\r\n\r\n蔡敬標，藝名蔡木生，江西豐城人。系高級工藝美術師，長期在景德鎮雕塑瓷廠從事瓷雕創作，擅長大型瓷雕塑造。作品多以傳統人物、神話故事為題材，博採眾長，融合工藝性、藝術性為一體。作品多次參加陶瓷美術展並獲得獎項。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909070","MainTitle":"鷹塑像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件鷹塑像置於木座之上，整體造型簡練，鷹左翅向內彎曲，右翅微微展開，呈現了俯衝向下的瞬間，眼神銳利，展現其鎖定目標後的沉穩與狡詐。鷹身羽毛以細膩的筆畫雕刻，再運用不同顏色的質料或釉彩，仿擬出鷹身上各部位的質感，羽尾的漸層呈現清晰，充滿立體感，絲絲分明，片片叢聚，雙爪強勁有力，爪尖尖銳逼真，將老鷹的勇猛矯健展現得淋漓盡致。此件鷹雕塑既突出了高超的藝術展現力、工藝技巧，也體現了老鷹克敵制勝的意象。\r\n老鷹為常見的藝術表現題材，在中國與西方中，鷹具有軍事與政治上權力的象徵，亦有宏大致遠、浩然正氣的意義。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909071","MainTitle":"琺瑯彩鶴紋橄欖形高足瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"琺瑯彩鶴紋橄欖形高足瓶特徵為：歛口，弧腹，高圈足。白地瓷胎，使用琺瑯彩在器身上以細膩的工筆畫描繪出仙鶴、梅花等紋飾，另一側直書詩文，並繪有紅彩鈐印，器底以紅彩落有「乾隆年製」四字雙行雙方框楷書款。琺瑯彩暈染的漸層效果使整體色彩活潑豐富。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。釉上彩瓷品類包含五彩、素三彩、描金瓷等，其中最具代表性的當屬瓷胎畫琺瑯，琺瑯彩為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物。由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909072","MainTitle":"紫砂彌勒佛塑像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件紫砂彌勒佛塑像以紫砂泥料製成，胎色灰褐，人物呈站姿，光頭如比丘，雙耳垂肩，臉上滿面笑容，身穿袈裟，袒胸露腹，一手提按布袋，一手持拿佛珠。本件塑像表現彌勒佛慈眉善目的形象。彌勒佛一般造型多做笑口常開狀，故極受民間喜愛。背底落有方框篆書款。\r\n江蘇宜興所產紫砂泥料的抗膨脹係數高，可塑性良好，亦可摻入不同色調，使坯料呈現多種色澤效果。宜興紫砂泥坯的雕塑程序，通常是先打成泥片，經過接合，再初步套模成雛形，然後慢慢修琢出所需之肌理線條，最後呈現自然協調的質感。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909073","MainTitle":"天女散花瓷塑","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"天女散花瓷塑，人物站立於飛龍之上，手持花籃，身披彩帶，體態輕盈，飄曳的衣裙、彩帶凌空擺動。此塑像胎骨潔白，以釉上彩技法作為裝飾，捏塑成形的瓷胎高溫燒成後，再施以低溫各色釉料，描金彩繪。器身上以細膩的筆畫點綴出華麗豐富的配飾，氣質雍容華貴。「天女散花」一詞原本來源自佛教中《維摩詰經·觀眾生品》里的一則故事。後常將「天女散花」寓意為春滿人間，吉慶常在。\r\n釉上彩是中國傳統陶瓷裝飾技法之一，使用各種低溫釉彩在已高溫燒成的瓷坯表面繪製紋飾，然後再二次入窯，低溫燒成。廣東地區的廣彩與潮彩皆為相當著名的彩瓷風格，廣彩運用了西洋元素，搭配鮮豔的色彩圖案，因而深受海外市場的歡迎。而潮彩的瓷雕，用料精細，釉料潔白，造型秀美，更以鏤雕工藝配以各式瓷花捏塑最負盛名。\r\n(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200909074","MainTitle":"石灣窯石榴紅釉「與君同壽」塑像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件石灣窯石榴紅釉「與君同壽」塑像，人物主題為南極仙翁，呈站姿，身形佝僂，慈眉善目，長鬚雪白，一手持杖，衣飾施以石榴紅釉，釉色濃艷富光澤，衣袍袖層迭，線條流暢。器底內壁落有方框篆書款。南極仙翁又稱壽星，是中國道教中的長壽之神，被視為長壽的吉星，經常與福星和祿星並稱福祿壽三星。\r\n石灣窯在今廣東佛山市石灣鎮，明清著名民窯之一。以陶塑和建築陶瓷著稱，極盛於明清兩代。\r\n石灣窯吸收了中國各大名窯的釉色，其豐富的色彩成為石灣陶塑的裝飾手法特色之一。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200909075","MainTitle":"釉上彩魚藻紋筆筒","Creator":"劉俊峰","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"釉上彩魚藻紋筆筒，呈圓筒狀，直口，深直腹，圈足。白地瓷胎，使用釉上彩在器身上以細膩的工筆畫描繪出游魚穿梭在綠藻之間，漣漪波動，湖面倒映著明月。一側直書詩文，並繪有紅彩鈐印，器底以紅彩落有「大乾隆年製」六字三行雙方框篆書款。畫面繪工細膩，筆趣優雅。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。釉上彩瓷品類包含五彩、素三彩、描金瓷等，其中最具代表性的當屬瓷胎畫琺瑯，琺瑯彩為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物。由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200909076","MainTitle":"青瓷加彩龍紋長頸瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件青瓷加彩龍紋長頸瓶，特徵為：直口，長頸，折肩，弧腹，下收方圈足。瓷胎先刻劃出浮雕龍紋與雲紋後，以高溫青瓷釉燒成。腹部再施以低溫釉上彩，描繪山水樓閣，紋飾構圖嚴謹，山石層次清晰，湖水船帆場景上方直書詩文，並繪有紅彩鈐印。方圈足四角處裝飾有浮雕紋飾。器底落有紅彩「大清乾隆年製」六字三行篆書雙方款。\r\n高溫青瓷是使用以鐵作為金屬發色劑的釉料，在還原焰中高溫燒成。若釉料含鐵比例不正確，燒製過程中，窯爐內還原氣氛不充足，色調則呈現黃色或黃褐色。彩瓷的釉上彩技法在明清時期發展成熟，製作方法為在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，其布局和筆法，都具有傳統的中國畫的特徵。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909077","MainTitle":"琺瑯彩山水紋筆筒","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"琺瑯彩山水紋筆筒特徵為：敞口，束腰，高圈足。白地瓷胎，使用琺瑯彩在器身上以細膩的工筆畫描繪出山水樓閣，紋飾構圖嚴謹，山石層次清晰，湖水船帆場景上方直書詩文，並繪有紅彩鈐印，器底以紅彩落有「居仁堂製」四字雙行雙方框篆書款。琺瑯彩暈染的漸層效果使整體色彩活潑豐富。\r\n「居仁堂製」款的瓷器，是民國五年袁世凱稱帝時的特製瓷器。民國時期，亦流行以私人住所或書房名稱作為款識的堂名款瓷器，標誌著個人收藏或私家民生之用。\r\n瓷胎畫琺瑯是清代官窯發展出的陶瓷裝飾技法，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909078","MainTitle":"釉上彩花蝶紋蓋罐","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"釉上彩花蝶紋蓋罐，罐身為直口，短頸，豐肩，歛腹，圈足，附寶珠頂圓蓋。白地瓷胎，使用琺瑯彩在器身上以細膩的工筆畫描繪出花蝶、瓜果等紋飾，器腹上花形開光內勾繪了鳥禽與盛開的花卉，器底以紅彩落有「大清同治年製」六字三行雙方框篆書款。色彩多樣活潑，畫面熱鬧豐富。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。釉上彩瓷品類包含五彩、素三彩、描金瓷等，其中最具代表性的當屬瓷胎畫琺瑯，琺瑯彩為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物。由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909079","MainTitle":"石灣窯石榴紅釉達摩塑像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDc5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件石灣窯石榴紅釉達摩塑像，通體施釉，釉色濃艷富光澤，人物為達摩，呈站姿，雙眉緊鎖，雙目有神，臉部流露出緘默沉思的表情。達摩身着披風帽連長袍，袖手合拱於胸腹間，赤足站立。披風長袍施有鮮豔的石榴紅釉，袍袖層迭，線條流暢。器底內壁落有方框篆書款。\r\n達摩又稱普提達摩，傳謂南朝梁時的高僧，天竺人，本名菩提多羅，於梁普通元年入華，武帝迎至金陵。後渡江往魏，止嵩山少林寺，面壁九年而化。達摩提倡斷絕一切想念雜思以求悟得佛理，被奉爲中國禪宗的初祖。\r\n石灣窯在今廣東佛山市石灣鎮，明清著名民窯之一。以陶塑和建築陶瓷著稱，極盛於明清兩代。\r\n石灣窯吸收了中國各大名窯的釉色，其豐富的色彩成為石灣陶塑的裝飾手法特色之一。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909080","MainTitle":"玉蘭錦雞瓷塑","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDgw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件玉蘭錦雞瓷塑，錦雞形象栩栩如生，活靈活現，鳥身表面施以透明釉呈現翎羽潔白之貌，雙抓與鳥喙施則黃釉。錦雞蹲立於玉蘭花枝之上，尾羽垂直豎起。玉蘭花枝施深褐色釉，花朵施以粉紅色釉，紋理雕刻入裡，釉色逼真自然，整體呈現超凡脫俗，素雅艷澤之美感。\r\n錦雞為清代補服品級的標誌，也常被視為富貴的象徵，而玉蘭花亦是歷代中國繪畫中的常見題材，為早春之花，先葉開，象徵春天及欣欣向榮的生命形態，反映人們對於美好事物的追求與嚮往，玉蘭花開絢爛，冰清玉潔，同時也是純潔與高雅的象徵。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909081","MainTitle":"鈞釉花蕾形瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDgx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鈞釉花蕾形瓶，造型為花蕾形，含苞待放之貌，器身裝飾心形鏤空裝飾，折腹，圈足。器底光滑，足內滿釉。整體釉面玻璃光澤強，由於高溫燒製過程中，釉面流動，釉色漸層多變，呈現出藍、紫色的銅發色乳濁分相釉特徵。器身流淌的藍釉形成自然水漾的紋路，間雜密佈紅紫釉色，整體由上向下流淌的漸層效果，頗具動態效果。\r\n鈞釉是一種分相乳濁釉，其特徵為變化多樣的紅、藍、紫釉色，是由於在燒製的過程中，會經過一系列複雜的窯內氣氛變化，釉料中兩種互不相溶的成分，對窯爐內燒製的氣氛與溫度反應不同，如果這些銅發色乳濁釉的燒成狀況呈現不穩定變化，釉面就會產生不同質感與色澤。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909082","MainTitle":"青花瓷塑羅漢像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDgy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"青花瓷塑羅漢像為站像，寬額，大耳，眉頭微蹙，雙目細長，長髮披肩，身著雙領垂肩式袈裟，身體微微斜向一方，雙手抱於胸前，珠串掛飾自然垂放於手上。毛髮與鬍鬚以青花釉料著色，袈裟以青花繪滿花草與雜寶紋。羅漢像為中國佛教美術創作常見的題材之一，此尊羅漢塑像胎質潔白細膩，刻劃生動，眼神明銳有力，不怒自威，身體與飄動的衣襬形成S型線條，富有動勢。\r\n青花瓷是使用鈷料在瓷胎上繪畫，施透明釉後，高溫燒成，呈現出藍色紋飾的釉下彩瓷。有別以往刻花、劃花、印花等傳統陶瓷器裝飾技法，青花鈷料的著色力強，發色艷麗，紋飾鮮明清晰，因而深受廣大市場的歡迎。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909083","MainTitle":"釉上彩描金花鳥紋冬瓜罐","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDgz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"釉上彩描金花鳥紋冬瓜罐，罐身為子母口，豐肩，弧腹，圈足，附寶珠頂小蓋。白地瓷胎，使用琺瑯彩在器身上以細膩的工筆畫描繪出各式花卉、昆蟲等紋飾，器肩錦地開光中裝飾博古圖樣，器腹開光內勾繪了鳥禽與盛開的花卉，開光之間施以金彩。整體色彩多樣活潑，構圖工整，畫面熱鬧豐富。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。釉上彩瓷品類包含五彩、素三彩、描金等，其中最具代表性的當屬瓷胎畫琺瑯，琺瑯彩為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物。由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909084","MainTitle":"粉彩群仙祝壽雙獅銜環耳蓋瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDg0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件粉彩群仙祝壽雙獅銜環耳蓋瓶特徵為：子母口，長頸，豐肩，弧腹向下漸收，圈足。除足上一圈無釉外，器壁施釉加彩。蓋瓶之蓋鈕為一立獅戲球，蓋與頸部以低溫釉上紅彩為地，勾繪有綠、藍彩纏枝花卉，頸部花形開光內裝飾有童子踏於彩雲之上的吉祥紋樣。器肩上雙耳為獅頭狀的舖首銜環。器腹描繪了群仙祝壽圖，眾八仙與福祿壽三星各持法寶，或捧桃祝頌。此瓶拉坏規整，白釉勻淨，施彩鮮豔，人物姿態生動傳神，畫面豐富熱鬧。\r\n瓷胎畫琺瑯為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，其布局和筆法，都具有傳統的中國畫的特徵，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909085","MainTitle":"琺瑯彩花鳥紋瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDg1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"琺瑯彩花鳥紋瓶特徵為：歛口，斜肩，直腹，高圈足。白地瓷胎，使用琺瑯彩在器身上以細膩的工筆畫描繪出花鳥、竹石等紋飾，另一側直書詩文，並繪有紅彩鈐印，器底落有「慎德堂製」四字雙行紅彩款。琺瑯彩暈染的漸層效果使整體色彩活潑豐富。\r\n慎德堂，原本是圓明園九州清晏建築群的一座，出於道光皇帝對慎德堂的喜愛，因而要求景德鎮御窯場燒製一批底款為「慎德堂製」的瓷器。到了民國時期，亦流行以私人住所或書房名稱作為款識的堂名款瓷器，標誌著個人收藏或私家民生之用，其中慎德堂即為常見的堂名之一。\r\n瓷胎畫琺瑯是清代官窯發展出的陶瓷裝飾技法，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909086","MainTitle":"唐代美女瓷塑","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDg2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件唐代美女瓷塑人物呈站姿，著肚兜、長裙，梳簪花高髻，頭戴玫瑰，一手靠於臉旁，一手置於身後撫弄絲帶，雙目低垂，姿態嬌媚，身形柔軟，身形呈S型曲線，線條俐落灑脫。本件塑像細節裝飾精巧，仕女頭髮、面部與胸部等處，施以各色低溫釉料點綴出配飾與膚色，而描金彩繪與服飾暈染漸層效果，則使整體釉色更加豐富。人物造型端莊娟秀，整體色彩和諧，透露出一種自然高逸秀勁的雅韻。\r\n釉上加彩亦為中國陶瓷常見裝飾技法之一，使用各種低溫釉彩在高溫燒成的瓷器坯體上繪製紋飾，然後再二次入窯，低溫燒成。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909087","MainTitle":"仿商代青銅鼓造型黑陶瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDg3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"仿商代青銅鼓造型黑陶瓶，造型仿商代的青銅鼓，主要由鼓冠、鼓身、鼓座三部分組成。鼓冠呈馬鞍狀，中間有一開口。鼓身似一橫置的腰鼓，兩端各有一圈以兩列乳釘紋為飾的裝飾帶，為仿皮革釘於鼓身的形態。鼓座呈矩形。現今所發現之相同造形商代青銅鼓，可見湖北崇陽出土的饕餮紋青銅鼓，以及日本泉屋博古館收藏的夔神青銅鼓。\r\n本器陶色深黑，表面紋樣雕刻部分加有綠彩，仿擬青銅器因氧化而產生的銅綠效果。鼓身刻劃漢代畫像石風格的減地平面雕，畫面中有上下兩排舞人剪影，著長袖，頭部隨身體側向一邊，雙臂揮舞，腰枝隨自然彎曲和扭動，產生委婉柔和的動感，每個人物姿態各有不同，體態輕盈柔軟。畫面中間排則刻劃了動物與人物形象的浮雕。浮雕人物表面光滑，淺淺地突出底面，底面刻意表現鑿刀雕刻後凹凸不平的特徵。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909088","MainTitle":"石灣窯釋迦牟尼像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDg4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件石灣窯釋迦牟尼像呈站姿貯立於蒲團上，頭頂有一肉髻，雙耳垂至肩部，額頭寬且有抬頭紋，眉粗呈半月彎曲，雙眼閉目，鼻挺且鼻翼寬，細嘴薄唇表面，人中至下巴與兩頰之間留有鬍鬚，面容肅穆。釋迦摩尼身著坦右肩袈裟，且坦露身軀，身軀飾有彎曲線條，彰顯出肋骨與胸骨突出，呈現出釋迦摩尼肌肉不足的瘦弱體態，衣摺層次清晰流暢，腰際間束有一腰帶，左手施無畏印，右手自然垂下至右腿旁，右腳呈跨步姿勢置於左腳前。造像呈現出釋迦摩尼瘦弱之形象，應為描述摩尼苦行之事蹟。塑像身著之袈裟施白色乳濁釉，釉面開片，呈現出凝著厚重的效果。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200909089","MainTitle":"青花加彩花蝶紋玲瓏瓷八角碗","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDg5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"青花加彩花蝶紋玲瓏瓷八角碗由上俯視呈八角形，直口，弧壁下收，圈足。全器切修規整，胎釉潔白勻淨，輕薄瑩透。碗口內外壁裝飾有一圈青花如意紋，器身上雕鏤出許多如米粒般的孔洞，釉上彩繪配合孔洞的位置，勾繪花草與蝴蝶等紋飾，近足處與圈足裝飾青花紋飾帶，器底以青花釉料落有篆書雙方框「景德鎮製」款文。整體裝飾豐富熱鬧，鏤空透光處與釉上彩繪相映成趣，富有巧思。\r\n玲瓏瓷為制瓷工藝的技法之一，在瓷器坯體上鏤雕出許多規則的「玲瓏眼」，使兩面洞透，然後內外施透明釉高溫燒成，洞眼便成為半透明的亮孔，是景德鎮特有名品。此種裝飾技法於明代逐漸發展起來，往往配合輕薄的胎體與青花、加彩紋樣，靈巧剔透。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909090","MainTitle":"青花加彩金魚紋玲瓏瓷梅瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDkw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"青花加彩金魚紋玲瓏瓷梅瓶特徵為：盤口，短頸，豐肩，斜壁下收，圈足。全器切修規整，胎釉潔白勻淨，輕薄瑩透。口沿與器肩上以青花釉彩繪製多層幾何紋飾帶。器腹處的青花開光中，以紅、綠釉上彩勾繪出金魚優游於綠藻的畫面。開光之間則以雕鏤的孔洞排列出壽字，米粒狀的孔洞配合釉上彩，繪製出花草與蝴蝶等紋飾。近足處與圈足裝飾青花紋飾帶，器底以青花釉料落有篆書雙方框「景德鎮製」款文。整體裝飾豐富熱鬧，鏤空透光處與釉上彩繪相映成趣，富有巧思。\r\n玲瓏瓷為制瓷工藝的技法之一，在瓷器坯體上鏤雕出許多規則的「玲瓏眼」，使兩面洞透，然後內外施透明釉高溫燒成，洞眼便成為半透明的亮孔，是景德鎮特有名品。此種裝飾技法於明代逐漸發展起來，往往配合輕薄的胎體與青花、加彩紋樣，靈巧剔透。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909091","MainTitle":"灰青釉開片魚形瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDkx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"灰青釉開片魚形瓶，整體曲線為魚之造型，瓶身四方，平頂部開一小口，器肩上裝飾琮式的ㄧ節駔紋，器壁近底處內斂，足部外撇，淺圈足，器底中心有一圓孔。通體施灰青色釉，釉面滋潤，布滿細碎開片紋。圈足內滿釉，足端無釉，呈鐵褐色。本件魚形瓶，釉面特徵雖為穩重沉著的仿哥窯釉，然而其魚身造型增添趣味，富有韻律感，為融合古代陶瓷藝術的現代創作品。\r\n哥窯名列宋代五大名窯之一，胎體多呈現紫黑色，施以高溫長石厚釉，而釉面網狀的細密開片是其重要特徵。由於瓷胎和釉的膨脹係數不同，燒成冷卻的過程中釉與胎的收縮率不一，導致釉面出現自然開裂的現象，之後經過人工著色滲入裂紋中，就成為了俗稱的「金絲鐵線」。至於口部邊緣釉薄處隱約露出紫黑的胎色，以及底足未施釉處呈現的鐵黑色，一般又有「紫口鐵足」之說。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909092","MainTitle":"銅紅釉玉壺春瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDky","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"銅紅釉玉壺春瓶特徵為：撇口，細頸，圓腹，圈足。器身素面無紋飾，瓷釉以氧化銅作為金屬發色劑，在高溫還原氣氛下燒製而成，由於氧化銅被還原成為銅離子，因而呈現鮮豔的紅色。銅紅釉流動性高，唇口處的釉料在燒製過程中向下流動，常呈現出瓷胎的白色。\r\n古代銅紅釉燒成技術相當困難，不僅必須掌握釉料裡金屬發色劑的比例，還須嚴格控制窯爐裡的燒成氣氛，若是在氧化焰中燒成，銅紅釉則會呈現綠色。明清時期，銅紅釉的燒製始於官窯，明朝永樂、宣德期間，官窯成功穩定燒製純色鮮紅的祭紅瓷，至清代康熙更發展出鮮豔明亮的「郎窯紅」，是中國製瓷技術高度的成就。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909093","MainTitle":"龍泉窯青瓷牡丹紋鳳尾瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDkz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"龍泉窯青瓷牡丹紋鳳尾瓶特徵為：盤口，方唇，長頸，鼓腹，腹下漸收，圈足。釉色青綠溫潤，器腹凸刻纏枝牡丹紋，牡丹花刻劃飽滿，整體紋飾繁而不亂，精美細膩。\r\n龍泉窯是古代浙江龍泉地區眾多青瓷窯場的總稱，為南方著名的青瓷產地，於宋代興起，元、明時期還保持著大量的生產。龍泉窯產品主要分為白胎與黑胎兩類。黑胎青瓷產品數量較少，以薄胎厚釉、釉層開片為特色。白胎青瓷釉層光滑細膩不開片，胎色潔白，釉層青翠如玉，以燒製粉青、梅子青釉聞名，裝飾手法普遍採用刻劃花、印花與貼塑。鳳尾瓶為元代甚為流行的器型，是龍泉窯產品經典的造型之一。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909094","MainTitle":"青花描金琮式瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDk0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"青花描金琮式瓶為圓口，方身，直腹，圈足，口與足大小相若。全器以釉下青花鈷料勾繪纏枝花草紋，入窯高溫燒成青花釉，後施金彩勾描紋飾輪廓，再低溫燒成釉上彩繪。器底落有「九谷外志人」藍彩方框款。\r\n琮式瓶始見於宋代，宋代盛行仿古之風，此種瓶式為仿照新石器時代良渚文化的玉琮外形，再加以變化而成。瓷質琮式瓶承襲玉琮之內圓外方，只是玉琮內圓上下通透，而瓷製則加了圈足和底。\r\n青花瓷自元代景德鎮窯區開始燒造，使用鈷料在瓷胎上繪畫，施透明釉後，高溫燒成。青花鈷料的著色力強，發色艷麗，紋飾鮮明清晰，因而深受廣大市場的歡迎，在中國製瓷史上占有相當重要的地位，並影響日本有田、越南北部等周邊地區的陶瓷生產。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909095","MainTitle":"紫砂伽藍神塑像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDk1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件紫砂伽藍神塑像以紫砂泥料製成，人物半蹲踞做弓箭步，一手持長劍，一手作劍指背於後。人像濃眉交蹙，鳳目微合。身穿鎧甲、龍紋戰袍，足蹬雲靴。衣袍隨風飄動，如滾滾波濤，氣勢雄闊，氣宇非凡。\r\n伽藍神 (Qiélán shén)，又稱為伽藍菩薩，是佛寺（伽藍）的守護神，相當於道教的「境主神」，因此也是佛教道場、佛堂的守護神。後與中國民間信仰，形象逐漸與關聖帝君相結合。\r\n江蘇宜興所產紫砂泥料強度高，抗膨脹係數高，賦予紫砂泥良好的可塑性，可摻入不同色調、不同材質，呈現顏色深淺效果，成為宜興紫砂獨特的手工技藝。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909096","MainTitle":"描金加彩觀音坐像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDk2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件描金加彩觀音坐像，觀音呈跌珈坐於蓮花臺座上，頭披觀音兜，雙耳垂至肩部，面部長圓，寬額彎眉，眉間有一白亳，細眼挺鼻，紅唇小口，面容祥和。觀音身披袒胸寬袖描金釉袈裟，袈裟表面以連珠紋交錯裝飾，胸前佩飾瓔珞，右手作皈依印，且手持一法器，左手五指微彎曲，平舉置於腹前。觀音身後有火焰形紋背光，背光上以雙連珠紋隔出一空間，且飾有佛字花草紋飾。臺座則是施以粉紅色釉上彩蓮花裝飾，座前延伸有一佛桌，且有一香爐放置於桌面上。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。釉上彩瓷品類包含琺瑯彩、五彩、描金瓷等。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200909097","MainTitle":"廣彩開光人物故事大瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDk3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"廣彩開光人物故事大瓶特徵為：喇叭口，長頸，溜肩，弧腹向下漸收。以釉上彩技法作為裝飾，瓷胎高溫燒成後，再施以低溫紅、藍、綠等各色釉上彩料。器身上以細膩的筆畫描繪出紋樣，全器佈滿開光，開光內描繪人物故事以及花鳥紋飾等主題，開光之間以花草紋樣填滿間隙，構圖嚴謹，色彩豔麗，加彩暈染的漸層效果使整體色彩活潑豐富。\r\n釉上彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。釉上彩瓷品類包含琺瑯彩、五彩、素三彩、描金瓷等，廣彩為其中一種彩瓷風格。廣彩是廣州地區釉上彩瓷的簡稱，常見滿地開光的設計，構圖緊密，並運用了西洋元素，搭配鮮豔的色彩圖案，因而深受海外市場的歡迎。\r\n(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200909098","MainTitle":"「愛菊」瓷塑","Creator":"蔡敬標","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDk4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件「愛菊」瓷塑，人物為一男子與一童子，呈站立之姿，男子頭戴草帽，手持一杖，人物望遠，若有所思。童子倚靠在側，手捧花籃，籃裡裝滿菊花。陶淵明生前有「試攜子姪輩，披榛步荒墟」、「命室攜童弱，良日登遠遊」的詩詞作品，可見此塑像人物應為刻劃陶淵明攜子，表現了其舐犢之情，而童子提籃之菊，則代表了陶淵明胸懷隱逸之志，淡泊名利素雅堅貞的品性，造型生動傳神，整體色彩和諧。器底印有「蔡敬標」方款。\r\n蔡敬標，藝名蔡木生，江西豐城人。系高級工藝美術師，長期在景德鎮雕塑瓷廠從事瓷雕創作，擅長大型瓷雕塑造。作品多以傳統人物、神話故事為題材，博採眾長，融合工藝性、藝術性為一體。作品多次參加陶瓷美術展並獲得獎項。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909099","MainTitle":"琺瑯彩花鳥紋燈籠瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MDk5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"琺瑯彩花鳥紋燈籠瓶特徵為：直口，溜肩，直壁，弧腹向下漸收，高圈足，造型相似於古代宮燈。白地瓷胎，使用琺瑯彩在器身上以細膩的工筆畫描繪出花鳥、山石等紋飾，另一側直書詩文，並繪有紅彩鈐印，器底落有「慎德堂製」四字雙行紅彩款。琺瑯彩暈染的漸層效果使整體色彩活潑豐富。\r\n\r\n慎德堂，原本是圓明園九州清晏建築群的一座，出於道光皇帝對慎德堂的喜愛，因而要求景德鎮御窯場燒製一批底款為「慎德堂製」的瓷器。到了民國時期，亦流行以私人住所或書房名稱作為款識的堂名款瓷器，標誌著個人收藏或私家民生之用，其中慎德堂即為常見的堂名之一。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909100","MainTitle":"釉上彩庭園人物紋箭筒","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTAw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"釉上彩庭園人物紋箭筒，呈圓筒狀，特徵為：直口，深直腹，圈足。通體滿飾低溫釉上彩花紋，器身開光內以紅、黃、藍、綠等色描繪了庭園、婦人以及孩童，開光與開光間勾繪了博古圖紋樣，畫面豐富，釉色濃豔。器底無釉，有多道拉坏的弦紋痕跡，器底落有紅彩「乾隆年製」雙方框楷書款。 \r\n釉上彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。釉上彩瓷品類包含五彩、素三彩、描金瓷等，其中最具代表性的當屬瓷胎畫琺瑯，琺瑯彩為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物。\r\n箭筒原以皮革、竹木等材質製成，為存放箭的筒子，後來逐漸轉變成書房的陳設用具，用於放置書畫卷軸。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909101","MainTitle":"白瓷觀音立像","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件白瓷觀音立像，觀音佇立於龍形圓座上，頭疏高髻，披觀音兜，面部長圓，大耳雙垂，廣額寬眉，眉間有一白亳，雙眼微啟似閉，挺鼻小口，面容成微笑狀，神情慈祥。觀音上著雙領垂肩式袈裟，下穿束裙，衣摺層次清晰，線條流暢，呈現豐富的立體感，胸前佩飾瓔珞，雙手置於腹部之間，右手持念珠，左手持淨瓶。\r\n白瓷神佛造像當屬德化窯產品最為著名，德化窯是古代著名民窯之一，以燒製白瓷著稱，窯址位於今福建省德化縣，至明代發展達到高峰，其產品白瓷胎質致密，色澤溫潤，釉中呈現乳白色，故被稱為「豬油白」。是福建沿海地區古外銷瓷重要產地之一。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909102","MainTitle":"青花描金將軍罐","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"青花描金將軍罐，罐身為直口，短頸，豐肩，歛腹，淺圈足，附寶珠頂高圓蓋。全器以釉下青花鈷料滿飾紋樣，入窯高溫燒成青花釉，後施金彩勾描紋飾輪廓，再低溫燒成釉上彩繪。紋樣以繪有花草的雲形開光為一單位，成組填滿器身。器底落有「九谷外志人」紅彩方框款。將軍罐為明、清開始流行的器型，其寶珠頂蓋形似將軍盔帽，故而得名。此罐圖案滿密，布局規整，畫面少有留空。\r\n青花瓷自元代景德鎮窯區開始燒造，使用鈷料在瓷胎上繪畫，施透明釉後，高溫燒成。青花鈷料的著色力強，發色艷麗，紋飾鮮明清晰，因而深受廣大市場的歡迎，在中國製瓷史上占有相當重要的地位，並影響日本、越南等周邊地區的陶瓷生產。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909103","MainTitle":"青花纏枝番蓮花紋鳳尾瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"青花纏枝番蓮花紋鳳尾瓶特徵為：喇叭口，長頸，豐肩，歛腹，高圈足。全器滿飾花紋，近口沿處裝飾一圈卷草紋與變形雲紋，頸部與器腹繪纏枝番蓮花，器肩繪海水波濤紋，近足部裝飾環繞的裝飾帶，器底以青料書寫「大清乾隆年製」六字三行篆書款。青花色澤濃艷，圖案滿飾，布局嚴密，繁而不亂。\r\n青花瓷是使用鈷料在瓷胎上繪畫，施透明釉後，高溫燒成，呈現出藍色紋飾的釉下彩瓷。有別以往刻花、劃花、印花等傳統陶瓷器裝飾技法，青花鈷料的著色力強，以筆繪的方式在瓷器上裝飾紋樣，發色艷麗，紋飾鮮明清晰，因而深受廣大市場的歡迎，在中國製瓷史上占有相當重要的地位。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909104","MainTitle":"琺瑯彩墨地描金花鳥紋箭筒","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"琺瑯彩墨地描金花鳥紋箭筒，呈圓筒狀，特徵為：直口，深直腹，淺圈足。通體滿飾低溫釉上彩花紋，口沿與近底處勾繪如意紋、變形蓮瓣紋紋飾帶，墨地上運用紅、黃、藍、綠等色釉彩勾繪花鳥，再施金彩勾描紋飾輪廓，整體畫面繁密，釉色濃豔。器底以紅彩落有方框「中國製造」與¬「MADE IN CHINA」字樣。\r\n瓷胎畫琺瑯為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆朝頂峰時期的產物，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，其布局和筆法，都具有傳統的中國畫的特徵，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909105","MainTitle":"琺瑯彩墨地花卉紋冬瓜罐","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"琺瑯彩描金花鳥紋冬瓜罐，罐身為子母口，豐肩，弧腹，附寶珠頂小蓋。通體滿飾低溫釉上彩花紋，墨地上以紅、黃、藍、綠等色繪畫各式花卉，整體畫面繁密，釉色濃豔。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯低溫燒成。釉上彩瓷品類包含五彩、素三彩、描金瓷等，其中最具代表性的當屬瓷胎畫琺瑯，琺瑯彩為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物。由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909106","MainTitle":"貴妃醉酒瓷塑","Creator":"雕塑瓷廠研究所製","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件貴妃醉酒瓷塑刻劃了雍容華貴的楊玉環在失意醉酒時，醉意朦朧的氣韻。瓷塑人物呈站姿，著青花衫裙，梳簪花高髻，頭戴牡丹，一手托杯，一手置於臉旁，雙目低垂，似醉非醉，姿態嬌媚，身形柔軟前傾，從旁側看身形呈S型曲線。此塑像胎骨潔白，衫裙先以青花描繪，高溫燒成，再以釉上彩技法作為裝飾，施以低溫各色釉料點綴出配飾與膚色，描金彩繪。造型生動傳神，整體色彩和諧。器底印有「雕塑瓷廠研究所製」與「成型方月珍」方款。\r\n青花瓷自元代景德鎮窯區開始燒造，使用鈷料在瓷胎上繪畫，施透明釉後，高溫燒成。青花鈷料的著色力強，發色艷麗，紋飾鮮明清晰。釉上加彩亦為中國陶瓷常見裝飾技法之一，使用各種低溫釉彩在高溫燒成的瓷器坯體上繪製紋飾，然後再二次入窯，低溫燒成。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909107","MainTitle":"琺瑯彩花卉紋盤口細頸瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"琺瑯彩花卉紋盤口細頸瓶特徵為：盤口，細頸，溜肩，弧腹向下漸收，圈足。白地瓷胎，以琺瑯彩技法作為裝飾，器身上以細膩的工筆畫描繪出各式折枝花草、昆蟲等紋飾，暈染的漸層效果使整體色彩活潑豐富。器底以紅彩落有「景德鎮牌」四字雙行雙方框篆書款，與綠彩-「MADE IN CHINA」字樣。\r\n瓷胎畫琺瑯為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，其布局和筆法，都具有傳統的中國畫的特徵，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909108","MainTitle":"釉上彩花卉紋箭筒","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"釉上彩萬花箭筒，呈圓筒狀，特徵為：直口，深直腹，圈足。通體滿飾低溫釉上彩花紋，以紅、黃、藍、綠等色繪製各式樣花卉，整體畫面繁密，釉色濃豔。器底無釉，有多道拉坏的弦紋痕跡，並繪有一圈紅彩圓圈，重疊在紅彩「乾隆年製」方框楷書款上方。 \r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。釉上彩瓷品類包含五彩、素三彩、描金瓷等，其中最具代表性的當屬瓷胎畫琺瑯，琺瑯彩為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆朝頂峰時期的產物。\r\n箭筒原以皮革、竹木等材質製成，為存放箭的筒子，後來逐漸轉變成書房的陳設用具，用於放置書畫卷軸。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909109","MainTitle":"釉上彩纏枝花卉紋將軍罐","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"釉上彩纏枝花卉紋將軍罐，罐身為直口，短頸，豐肩，歛腹，附寶珠頂高圓蓋。白地瓷胎，以釉上彩技法作為裝飾，瓷胎高溫燒成後，再施以低溫紅、藍兩色釉料。器身上以細膩的筆畫描繪出纏枝的花葉紋樣。將軍罐為清代流行的器型，其寶珠頂蓋形似將軍盔帽，故而得名。此罐圖案滿密，線條流暢，以紅、藍低溫釉彩填色，濃淡暈染的效果富有韻律。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。釉上彩瓷品類包含五彩、素三彩、描金瓷等，其中最具代表性的當屬瓷胎畫琺瑯，琺瑯彩為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物。由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909110","MainTitle":"釉上彩描金孔雀紋箭筒","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"釉上彩描金孔雀紋箭筒，呈圓筒狀，特徵為：直口，深直腹，淺圈足。通體滿飾低溫釉上彩裝飾，運用紅、黃、藍、綠等釉彩勾繪孔雀與牡丹等紋飾，再施金彩勾描紋飾輪廓，整體畫面繁密，釉色濃豔。口沿與近底處勾繪如意紋、變形蓮瓣紋紋飾帶，器底以紅彩落有方框「中國制造」與¬「MADE IN CHINA」字樣。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。釉上彩瓷品類包含五彩、素三彩、描金瓷等，其中最具代表性的當屬瓷胎畫琺瑯，琺瑯彩為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909111","MainTitle":"琺瑯彩孔雀紋盤口細頸瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"琺瑯彩孔雀紋盤口細頸瓶特徵為：盤口，細頸，溜肩，弧腹向下漸收，圈足。白地瓷胎，以琺瑯彩技法作為裝飾，器身上以細膩的工筆畫表現方形開光，開光內勾繪各式折枝花草、孔雀等紋飾，暈染的漸層效果使整體色彩活潑豐富。器底以紅彩落有「大清乾隆年製」六字三行雙方框篆書款。\r\n瓷胎畫琺瑯為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，其布局和筆法，都具有傳統的中國畫的特徵，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909112","MainTitle":"琺瑯彩吉祥人物紋短頸罐","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"琺瑯彩吉祥人物紋短頸罐特徵為：撇口，短頸，豐肩，歛腹，近底處外撇。白地瓷胎，以琺瑯彩作為裝飾，器身上以細膩的工筆畫描繪出各式紅地纏枝花草紋飾，器腹相對的兩側勾勒如意形開光，分別描繪「麒麟送子」與「和合二聖」為主題的傳統吉祥圖案。暈染的漸層效果使整體色彩活潑豐富。\r\n瓷胎畫琺瑯為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，其布局和筆法，都具有傳統的中國畫的特徵，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909113","MainTitle":"青瓷銅錢紋天球瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"青瓷銅錢紋天球瓶特徵為：直口，細長頸，圓腹，圈足。器底光滑，足內滿釉。以模具注漿成型，施以鐵作為金屬著色劑的青瓷釉，在高溫還原焰中燒成。胎骨潔白，釉色淡青，質如青玉。全器可見圓形方孔錢幣印花紋紋飾。\r\n龍泉窯是古代浙江龍泉地區眾多青瓷窯場的總稱，為南方著名的青瓷產地，於宋代興起，元、明時期還保持著大量的生產。龍泉窯產品主要分為白胎與黑胎兩類。黑胎青瓷產品數量較少，以薄胎厚釉、釉層開片為特色。白胎青瓷釉層光滑細膩不開片，胎色潔白，釉層青翠如玉，以燒製粉青、梅子青釉聞名，裝飾手法普遍採用刻劃花、印花與貼塑。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909114","MainTitle":"青瓷銅錢紋天球瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"青瓷銅錢紋天球瓶特徵為：直口，細長頸，圓腹，圈足。器底光滑，足內滿釉。以模具注漿成型，施以鐵作為金屬著色劑的青瓷釉，在高溫還原焰中燒成。胎骨潔白，釉色淡青，質如青玉。全器可見圓形方孔錢幣印花紋裝飾。\r\n龍泉窯是古代浙江龍泉地區眾多青瓷窯場的總稱，為南方著名的青瓷產地，於宋代興起，元、明時期還保持著大量的生產。龍泉窯產品主要分為白胎與黑胎兩類。黑胎青瓷產品數量較少，以薄胎厚釉、釉層開片為特色。白胎青瓷釉層光滑細膩不開片，胎色潔白，釉層青翠如玉，以燒製粉青、梅子青釉聞名，裝飾手法普遍採用刻劃花、印花與貼塑。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909115","MainTitle":"青瓷葫蘆瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"青瓷葫蘆瓶特徵為：直口，葫蘆形，圈足。器底光滑，足內滿釉。近口沿處裝飾一圈紋飾帶，瓶身裝飾印花纏枝牡丹紋。胎骨潔白，釉色淡青，質如青玉。\r\n龍泉窯是古代浙江龍泉地區眾多青瓷窯場的總稱，為南方著名的青瓷產地，於宋代興起，元、明時期還保持著大量的生產。龍泉窯產品主要分為白胎與黑胎兩類。黑胎青瓷產品數量較少，以薄胎厚釉、釉層開片為特色。白胎青瓷釉層光滑細膩不開片，胎色潔白，釉層青翠如玉，以燒製粉青、梅子青釉聞名，裝飾手法普遍採用刻劃花、印花與貼塑。葫蘆瓶為宋、元時期開始流行的器型，是龍泉窯產品經典的造型之一。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909116","MainTitle":"青瓷葫蘆瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"青瓷葫蘆瓶特徵為：直口，葫蘆形，圈足。器底光滑，足內滿釉。近口沿處裝飾一圈紋飾帶，瓶身裝飾印花纏枝牡丹紋。胎骨潔白，釉色淡青，質如青玉。\r\n龍泉窯是古代浙江龍泉地區眾多青瓷窯場的總稱，為南方著名的青瓷產地，於宋代興起，元、明時期還保持著大量的生產。龍泉窯產品主要分為白胎與黑胎兩類。黑胎青瓷產品數量較少，以薄胎厚釉、釉層開片為特色。白胎青瓷釉層光滑細膩不開片，胎色潔白，釉層青翠如玉，以燒製粉青、梅子青釉聞名，裝飾手法普遍採用刻劃花、印花與貼塑。葫蘆瓶為宋、元時期開始流行的器型，是龍泉窯產品經典的造型之一。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909117","MainTitle":"鈞釉瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鈞釉瓶特徵為：小口，短頸，折肩，斜壁向下漸寬，折腹，高足。整體釉面玻璃光澤強，由於高溫燒製過程中，釉面流動，釉色漸層多變，呈現出藍、紫色的銅發色乳濁分相釉特徵。口沿處偏褐色，器身藍釉形成自然流淌的紋路，間雜密佈紅紫釉色，整體由上向下流淌的漸層效果，頗具動態效果。\r\n鈞釉是一種分相乳濁釉，其特徵為變化多樣的紅、藍、紫釉色，是由於在燒製的過程中，會經過一系列複雜的窯內氣氛變化，釉料中兩種互不相溶的成分，對窯爐內燒製的氣氛與溫度反應不同，如果這些銅發色乳濁釉的燒成狀況呈現不穩定變化，釉面就會產生不同質感與色澤。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909118","MainTitle":"紅彩描金雲紋短頸瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"紅彩描金雲紋短頸瓶，罐身撇口，短頸，溜肩向下漸收，圈足。以釉上彩技法作為裝飾，瓷胎高溫燒成後，施以低溫紅彩釉料，再描金勾勒線條輪廓。器身飾滿紋飾，以細膩的筆畫勾繪作重複的半橢圓形為背景，背景前裝飾有大小錯落的卷雲形紋樣。整體色調粉紅，釉色協調，暈染的漸層效果使整體色彩更加活潑豐富。\r\n釉上加彩是陶瓷裝飾技法之一，使用各種低溫彩料在燒成的瓷器釉面上繪製紋飾，然後再二次入窯，低溫燒成。釉上彩瓷品類包含了五彩、素三彩、琺瑯彩、描金釉等類型。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909119","MainTitle":"釉上彩花鳥紋蓋罐","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"釉上彩花鳥紋蓋罐，罐身直口，短頸，圓肩，弧腹向下漸收，圈足，附有圓蓋。以釉上彩技法作為裝飾，瓷胎高溫燒成後，再施以低溫紅、藍、綠等各色釉料。器肩裝飾有變形蓮瓣紋，器身以細膩的筆畫勾繪花草紋樣滿飾畫面，器腹上扇形開光與花形開光內描繪鷹鳥紋、花籃紋等吉祥圖案。整體畫面繁密，釉色濃豔。器底以紅彩落有「義謙堂龍年製」字樣。\r\n釉上彩是陶瓷裝飾技法之一，品類包含琺瑯彩、五彩、素三彩、描金瓷等，這些各種低溫釉彩，在高溫燒成後的瓷坯表面進行繪製，然後再二次入窯，低溫燒成。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909120","MainTitle":"鈞釉葫蘆長瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"鈞釉葫蘆瓶特徵為：撇口，葫蘆形，器身下部修長，圈足。器底光滑，足內滿釉。整體釉面玻璃光澤強，由於高溫燒製過程中，釉面流動，釉色漸層多變，呈現出藍、紫色的銅發色乳濁分相釉特徵。口沿處偏褐色，器身流淌的藍釉形成自然水漾的紋路，間雜密佈紅紫色鈞釉，整體由上向下流淌的漸層效果，頗具動態效果。\r\n鈞釉是一種分相乳濁釉，其特徵為變化多樣的紅、藍、紫釉色，是由於在燒製的過程中，會經過一系列複雜的窯內氣氛變化，釉料中兩種互不相溶的成分，對窯爐內燒製的氣氛與溫度反應不同，如果這些銅發色乳濁釉的燒成狀況呈現不穩定變化，釉面就會產生不同質感與色澤。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909121","MainTitle":"青瓷加彩戲曲人物紋長頸瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件青瓷加彩戲曲人物紋長頸瓶為仿明清彩瓷風格，直口，長頸，弧肩，圓腹，下收圈足，瓷胎先刻劃花裝飾後，以高溫青瓷釉燒成，再施以低溫釉上彩。高溫釉色呈現淡綠，肩上飾有陰線刻花焦葉紋，腹部刻劃畫纏枝花草紋。長頸瓶頸部與腹部飾有低溫釉上彩戲曲人物紋樣，故事題材為古代戰爭場面，肩部為錦地、雲形等紋樣填充的紋飾帶，腹部下方飾有紅、綠、黃彩的變形蓮瓣紋，整體紋樣疏朗簡潔，人物描繪生動活潑。器底有青花「景德鎮製」四字雙行篆書方款，約為1960年代至1970年代景德鎮窯燒製產品。\r\n彩瓷的釉上彩技法在明清時期發展成熟，製作方法為在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，其布局和筆法，都具有傳統的中國畫的特徵。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909122","MainTitle":"青花刻花瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件青花刻花瓶為現代陶瓷藝術創作風格，瓶身呈圓筒狀，直口，短頸，折肩，直壁下收，圈足。全器未施透明釉，白胎表面粗糙，在器表刻劃紋飾後，以釉下青花鈷料填入刻線內。刻劃的雲紋、人形，以抽象方式表現了敦煌壁畫上的飛天。器底書有文款。器身裝飾筆畫大膽豪放，融合了現代創作與傳統釉彩於瓷胎之上。\r\n青花瓷自元代景德鎮窯區開始燒造，使用鈷料在瓷胎上繪畫，施透明釉後，高溫燒成。青花鈷料的著色力強，發色艷麗，紋飾鮮明清晰，因而深受廣大市場的歡迎，在中國製瓷史上占有相當重要的地位，並影響日本、越南等周邊地區的陶瓷生產。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909123","MainTitle":"琺瑯彩墨地描金花卉紋瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"琺瑯彩墨地描金花卉紋瓶特徵為：喇叭口，短頸，弧腹，圈足。通體滿飾低溫釉上彩花紋，瓶身黑白相間開光，開光呈S形。墨地上裝飾繁密的小花，白地上勾繪大朵的花卉，再施金彩勾描紋飾輪廓。整體畫面紋樣豐富，釉色濃豔。器底以紅彩落有「中國製造」與¬「MADE IN CHINA」字樣。\r\n瓷胎畫琺瑯為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，其布局和筆法，都具有傳統的中國畫的特徵，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909124","MainTitle":"寫意人物2","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件寫意人物作品以陶瓷製成，立雕人物呈站姿，長髮披肩，側身倚著大提琴，頭部朝肩膀方向扭轉，因塑像上窄下寬的曲線，呈現人物俯視觀者的視覺效果。整體造型簡潔，以塊狀面積處理展現造型的平衡，雖簡化了線條細節，人物肌理仍刻劃傳神。塑像胎色素黑，胎面留有塑造時所遺留的紋理，充分表現出樸素、恬靜的形象。\r\n近代藝術雕塑作品慢慢地脫離傳統寫實的風格，其中立體主義對雕塑的影響甚鉅，雕塑不再侷限於物的美感與對稱平衡的規則，或是以描述文學性的故事題材為主題。從而轉向於注重體量感、空間感、形式感等，使用更自由的表現手法來傳達美感。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909125","MainTitle":"寫意人物3","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件寫意人物作品以陶瓷製成，立雕人物呈站姿，雙手持圓球狀物體靠於左側大腿旁，上身斜向前作扭轉之態，恰與右腳向後的動作呈連續性的輔助力量，配合腰部扭轉的動勢，展現能量的流動。整體造型簡潔，以塊狀面積處理展現造型的平衡，雖簡化了線條細節，人物肌理仍刻劃傳神。塑像素面紅褐，胎面留有塑造時所留下的紋理，凸顯人物全神貫注、蓄勢待發的神態。\r\n近代藝術雕塑作品慢慢地脫離傳統寫實的風格，其中立體主義對雕塑的影響甚鉅，雕塑不再侷限於物的美感與對稱平衡的規則，或是以描述文學性的故事題材為主題。從而轉向於注重體量感、空間感、形式感等，使用更自由的表現手法來傳達美感。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909126","MainTitle":"琺瑯彩四方提樑壺","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"琺瑯彩四方提樑壺，器身呈四方形，含有一方形蓋，蓋上方形鈕，提樑亦呈方形。壺身為直口，平肩、曲流，平底四角處貼有直角形的足，頸環繞一圈回字型紋，平肩處裝飾六角形錦地紋，器壁以黃釉為底色，在花形開光旁繪上纏枝牡丹紋，開光內則勾繪供器寶物等圖樣的博古圖。\r\n瓷胎畫琺瑯為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，其布局和筆法，都具有傳統的中國畫的特徵，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909127","MainTitle":"青瓷八仙紋瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"青瓷八仙紋瓶特徵為：撇口，長頸，弧腹，圈足。施以鐵作為金屬發色劑的青瓷釉，在高溫還原焰中燒成。胎骨潔白，釉色淡青，質如青玉。器腹裝飾有八處開光，開光內以減地浮雕方式表現八仙題材，器底光滑，足內滿釉，落有三枚方框篆書款。此瓶裝飾風格具有元代龍泉窯露胎貼花紋飾的特徵。\r\n龍泉窯是古代浙江龍泉地區眾多青瓷窯場的總稱，為南方著名的青瓷產地，於宋代興起，元、明時期還保持著大量的生產。龍泉窯產品主要分為白胎與黑胎兩類。黑胎青瓷產品數量較少，以薄胎厚釉、釉層開片為特色。白胎青瓷釉層光滑細膩不開片，胎色潔白，釉層青翠如玉，以燒製粉青、梅子青釉聞名，裝飾手法普遍採用刻劃花、印花與貼塑。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909128","MainTitle":"粉彩仕女圖瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件粉彩仕女圖瓶為仿清官窯風格，盤口，短頸，溜肩，弧腹，下收淺圈足。瓷胎高溫燒成後，再施以低溫紅、藍、綠等各色琺瑯釉料。頸部滿飾花紋，器底紅彩篆書方款，瓶腹部以低溫釉上彩描繪了仕女聚集於庭院讀書之故事，各人服飾與打扮各異，神態生動，背景勾繪庭園欄杆、山石以及柳樹，以中國畫中的渲染技法施彩，富有濃淡層次之感，秀美雅致。器腹另一側書有行體詩句，前後繪有紅彩鈐印。\r\n瓷胎畫琺瑯為清代官窯發展出的陶瓷裝飾技法，是中國製瓷工藝發展到清代康熙、雍正、乾隆頂峰時期的產物，在高溫燒成的瓷器上勾繪紋飾，再入窯低溫燒成，其布局和筆法，都具有傳統的中國畫的特徵，由於琺瑯彩中的砷在低溫釉中會產生白色半透明的乳濁作用，呈現出粉白漸層的效果，因此琺瑯彩也常被稱作為粉彩。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909129","MainTitle":"灰青釉開片露胎貼花仕女人物四方瓶","Creator":"吳青","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"灰青釉開片露胎貼花仕女人物四方瓶，口呈亞字形，深直腹，圈足。通體施灰青色釉，釉面滋潤，布滿細碎開片紋，具有哥窯開片的特徵。圈足內落有「吳青」篆書方框款，款文露胎，足端無釉，胎呈鐵褐色。器身裝飾鐵褐色露胎的仕女人物，呈現浮雕立體的效果，人物再經細緻線條刻劃，姿態表現各異。\r\n哥窯名列宋代五大名窯之一，胎體多呈現紫黑色，施以高溫長石厚釉，而釉面網狀的細密開片是其重要特徵。由於瓷胎和釉的膨脹係數不同，燒成冷卻的過程中釉與胎的收縮率不一，導致釉面出現自然開裂的現象，之後經過人工著色滲入裂紋中，就成為了俗稱的「金絲鐵線」。至於口部邊緣釉薄處隱約露出紫黑的胎色，以及底足未施釉處呈現的鐵黑色，一般又有「紫口鐵足」之說。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909130","MainTitle":"仿耀州窯青瓷刻劃蓮紋瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"仿耀州窯青瓷刻劃蓮紋瓶特徵為：敞口，圓唇，弦紋束頸，溜肩，鼓腹向下漸收，弦紋束足，底足外撇。頸部裝飾有變形蓮瓣紋，器肩上刻劃卷草紋飾帶，肩部弦紋下方貼塑一圈覆蓮花瓣，器腹圓形開光內刻劃纏枝蓮花，腰間至足部弦紋所分隔出的空間內刻劃變形蓮瓣紋。全器釉色青黃，玻璃質感和透光度強，刻劃的線條因積釉深淺不一，而更加凸顯紋飾的立體感。\r\n耀州窯是北方青瓷的代表，以西安以北的黃堡為中心，此處宋代轄於耀州，故名耀州窯。該窯亦曾兼燒黑、白、醬釉瓷及唐三彩等，在宋代時尤為鼎盛，成為中國八大瓷窯系之一。多燒製還原氣氛的青瓷釉，釉色青綠如橄欖，釉質感晶瑩而溫潤。紋飾以直刀深刻和斜刀剔刻的方法進行刻劃，一直一斜，兩刀出花，為耀州窯獨具風格的裝飾技法。仿耀州窯青瓷刻劃蓮紋瓶特徵為：敞口，圓唇，弦紋束頸，溜肩，鼓腹向下漸收，弦紋束足，底足外撇。頸部裝飾有變形蓮瓣紋，器肩上刻劃卷草紋飾帶，肩部弦紋下方貼塑一圈覆蓮花瓣，器腹圓形開光內刻劃纏枝蓮花，腰間至足部弦紋所分隔出的空間內刻劃變形蓮瓣紋。全器釉色青黃，玻璃質感和透光度強，刻劃的線條因積釉深淺不一，而更加凸顯紋飾的立體感。\r\n\r\n耀州窯是北方青瓷的代表，以西安以北的黃堡為中心，此處宋代轄於耀州，故名耀州窯。該窯亦曾兼燒黑、白、醬釉瓷及唐三彩等，在宋代時尤為鼎盛，成為中國八大瓷窯系之一。多燒製還原氣氛的青瓷釉，釉色青綠如橄欖，釉質感晶瑩而溫潤。紋飾以直刀深刻和斜刀剔刻的方法進行刻劃，一直一斜，兩刀出花，為耀州窯獨具風格的裝飾技法。\r\n\r\n","ImageUrl":""}
,{"Identifier":"200909131","MainTitle":"仿耀州窯青瓷刻劃蓮紋瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"仿耀州窯青瓷刻劃蓮紋瓶特徵為：敞口，圓唇，弦紋束頸，溜肩，鼓腹向下漸收，弦紋束足，底足外撇。頸部裝飾有變形蓮瓣紋，器肩上刻劃卷草紋飾帶，肩部弦紋下方貼塑一圈覆蓮花瓣，器腹圓形開光內刻劃纏枝蓮花，腰間至足部弦紋所分隔出的空間內刻劃變形蓮瓣紋。全器釉色青黃，玻璃質感和透光度強，刻劃的線條因積釉深淺不一，而更加凸顯紋飾的立體感。\r\n耀州窯是北方青瓷的代表，以西安以北的黃堡為中心，此處宋代轄於耀州，故名耀州窯。該窯亦曾兼燒黑、白、醬釉瓷及唐三彩等，在宋代時尤為鼎盛，成為中國八大瓷窯系之一。多燒製還原氣氛的青瓷釉，釉色青綠如橄欖，釉質感晶瑩而溫潤。紋飾以直刀深刻和斜刀剔刻的方法進行刻劃，一直一斜，兩刀出花，為耀州窯獨具風格的裝飾技法。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909132","MainTitle":"仿磁州窯黑釉鐵鏽花短頸小口瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"仿磁州窯黑釉鐵鏽花短頸小口瓶特徵為：小口，口下出脊，短頸，豐肩，圓腹，腹下漸收，平底。通體施黑釉，器身上以含有氧化鐵的著色劑繪滿簡筆花草，花草紋中的鐵晶體析出釉面，呈現斑斕的鐵銹紅色，故又稱鐵鏽花，此種裝飾手法是磁州窯宋、金時期特有的工藝。\r\n磁州窯是中國古代北方規模龐大的民窯體系，窯址位於河北省磁縣，古稱磁州。創燒於北宋，直至明清仍有燒製，燒造歷史悠久，產品有白釉、黑釉、彩繪瓷等，為了提高產品質量，廣泛使用白色化妝土，創造了具有水墨畫風的白地黑繪，裝飾除了運用常見的刻花外，以白地黑花、白釉剔花、剔黑最富盛名。(詮釋委員：盧泰康)","ImageUrl":""}
,{"Identifier":"200909133","MainTitle":"仿磁州窯黑釉剔刻花龍紋瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"仿磁州窯黑釉剔刻花龍紋瓶，特徵為敞口，凸唇，束頸，圓肩豐滿，斜壁向下漸收。瓶身肩部裝飾有覆蓮瓣紋，腹部白釉為地，以黑釉繪有一騰龍，龍頭收縮入肩，爪子一揚一收，作蓄勢待發之貌，飄動的鬚與其尾脊充滿動態感，龍麟排列井然有序，足部刻劃變形蓮瓣紋。整體紋樣剔劃細膩，白地黑繪的色差具有很強的裝飾效果。\r\n磁州窯是中國古代北方規模龐大的民窯體系，窯址位於河北省磁縣，古稱磁州。創燒於北宋，直至明清仍有燒製，燒造歷史悠久，產品有白釉、黑釉、彩繪瓷等，為了提高產品質量，廣泛使用白色化妝土，創造了具有水墨畫風的白地黑繪，裝飾除了運用常見的刻花外，以白地黑花、白釉剔花、剔黑最富盛名，此種裝飾技法影響了後來的西夏靈武窯。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"200909134","MainTitle":"仿磁州窯黑釉剔刻花梅瓶","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA5MTM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"仿磁州窯黑釉剔刻花梅瓶，瓶口呈覆杯形，短頸，圓肩，弧腹向下漸收。通體施黑釉，肩部刻有以頸部為中心呈放射狀的蓮瓣紋，以及一圈裝飾帶。腹部剔刻纏枝牡丹紋，以及一圈連續回字紋飾帶。足部刻劃變形蓮瓣紋。整體造型渾厚穩重，利用胎體原色與黑釉的反差效果展現裝飾紋樣，紋飾內容樸質豪放，清晰明快。\r\n磁州窯是中國古代北方規模龐大的民窯體系，窯址位於河北省磁縣，古稱磁州。創燒於北宋，直至明清仍有燒製，燒造歷史悠久，產品有白釉、黑釉、彩繪瓷等，為了提高產品質量，廣泛使用白色化妝土，創造了具有水墨畫風的白地黑繪，裝飾除了運用常見的刻花外，以白地黑花、白釉剔花、剔黑最富盛名，此種裝飾技法影響了後來的西夏靈武窯。(詮釋委員：盧泰康)\r\n","ImageUrl":""}
,{"Identifier":"201001001","MainTitle":"傳承","Creator":"耀淞實業股份有限公司 /代表人：陳膺全","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品以榫卯接合構法完成，垂足腳棖彎曲外張形成重要風格形式，精細的利用古幣圖騰、官帽形體設計成八字腳造型，隱喻財富與權貴，龍、鳳、蝙蝠、天鳥和蓮花則是吉祥、尊貴、福氣、榮耀、幸運等象徵。整體設計以傳統為主軸，雕飾集中在桌面、桌腳圍蔽的ㄇ字型木構架下方與內側，並展現細膩的雕刻、研磨及塗裝的作工，也跳脫了傳統規律的造型，是一件融合現代美感的典雅木作。\n\n「傳承」供桌—頂下桌作品，取法漢體形制，並儘其裝飾之能事，於視覺焦點強化吉祥圖案雕刻和金漆裝飾。這般工藝家具的藝術風格取向與作法，如歐陸巴洛克、洛可可風家具，祇是角隅處的鑄銅鎏金換成金漆描繪。黑檀木製頂下桌的木結構，和附著其上的鳥獸與藻飾透雕、金漆飾，兩者分立形式，正如清末傳統建築與裝飾藝術，和唐宋大式木作斗拱結構與造型美大異其趣。（詮釋委員：盧圓華）","ImageUrl":""}
,{"Identifier":"201001001001","MainTitle":"傳承","Creator":"製作者：耀淞實業股份有限公司
代表人：陳膺全","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAxMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201001001002","MainTitle":"傳承","Creator":"製作者：耀淞實業股份有限公司
代表人：陳膺全","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAxMDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201001002","MainTitle":"波光鱗影","Creator":"製作者：劉素茹","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「波光粼粼」的製作步驟為，先將桂竹去皮剖成細竹篾，內層以斜紋編法編作而成，外層則以十字編法打底，編出兩層胴體後，加以藤皮穿繞固定。器身材料使用整束竹篾，竹篾分用雙色、雙層交錯斜插，繞成螺旋狀後以絞編做肩頸，以煙燻桂竹壓三密編做封底。緣口及底框，則以藤條塑形，藤皮纏繞固定，成形後生漆擦拭數回，生漆擦拭除可保護作品外，更可增添作品之藝術價值。\n此作的竹篾取材與生漆擦拭，均為熟練精緻，其器型方底圓口，細腰寬肩，高挑大氣，穩重而優雅，寬窄不一的經篾間距，以不同寬度的竹篾，由上至下斜插於器身，呈現簡潔規律、肌理豐富的層次美，其紋理如水波漣漪，又似魚鱗片片。就整件作品而言，創作者改變了慣有甕形外觀，改變了固有的編作組合技法，實屬彌足珍貴的佳品。（詮釋委員：林秀鳳）","ImageUrl":""}
,{"Identifier":"201001003","MainTitle":"和風(Pokkao)","Creator":"楊志隆(木雕/代表人) 楊勝雄(木作) ","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「和風(Pokkao)」桌作品取法彰化武德殿建築風格，以唐博風造型語彙為最鮮明的特徵元素與表情。桌面部分於井字型構架中嵌入鏤空雕板，加上玻璃形成觀景桌面；由四朵斗栱支撐，並銜接桌面下家具結構為此作品最大特色。\n作者使用日治時期彰化武德殿建築木構架形式的斗拱、插角等元素加以組合，經由傳統榫接方法表現，在整體比例或零件組構上形成工藝表情，製作技藝運用精緻。其細部圖案的經營如：懸魚裝飾、吉祥圖花和銅片裝飾等，形成和風文化特色的造型美感，也顯示了傳統工藝造型在臺灣多元面貌，於廿一世紀臺灣工藝競賽留下反濡化的一頁。（詮釋委員：盧圓華）","ImageUrl":""}
,{"Identifier":"201001004","MainTitle":"山川","Creator":"侯志慶","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「山川」高腳桌作品，由三個單元的ㄇ字型淺板桌所組成。錯位排列形成「山」字型，桌面以三等分構成形式，如「川」字形態；視覺上打破秩序產生動感，表達對於自然的敬意和環保的訴求。\n桌子以榫接不施釘的方式構成，中路桌面下採用弧形構件以強化門形框架的結構穩定性，而錐形的榫尾除了有加強作用外，也變成可勾掛袋的多功用途。（詮釋委員：盧圓華）","ImageUrl":""}
,{"Identifier":"201001005","MainTitle":"竹光桌燈LED Desk Light","Creator":"劉晨旭","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以三支竹片構成一個造型簡潔的桌上型檯燈，簡潔、明快，深富現代藝術低限主義的趣味。竹片本身經過彎曲，形成張力；此外，長邊與短邊的比例，也經過深思，既滿足燈光伸長照射的工學原理，也成為造型上均衡對應的視覺感受，不致呆板、單調。\n另以鋁材包裹橫向兩端，及直向中段與基座，既是固定竹片的必要結構，也形成媒材對照的材質之美；而直向檯座的高低，可依需求決定擺放位置，或是牆角、或是桌邊，乃至桌上……，都可為空間增添溫暖與人文的氣息。\n竹材在臺地運用甚廣，但作為現代燈座之用，倒是少見；尤其劈削成片後，利用竹片易於彎曲的特性，作成具彈性且精簡的造型，讓原本可能流於嚴肅、壓力的空間，有了活潑、靈巧的氛圍。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"201001006","MainTitle":"禪園竹影","Creator":"製作者：張賽青","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本組作品創作概念取自日本和風庭園枯山水的禪意氛圍，欲表達出日本生活美學大師谷琦潤一郎先生在《陰翳禮讚》一書中所敘述的：以引光藉影的手法為建築與空間添生命的概念，利用自然而樸拙平凡的材料讓人產生信賴的調性。\n作品全組件機能主要設計作為辦公室用品，利用木料胎體設計為大小不等的矩形量體假借為建築的框架意象，局部加入異材質的竹材捲簾，諭意為大和民族禪風生活文化中，作為內外空間中介不可或缺的空間附屬設施，竹簾為整組作品表現創作概念設計的焦點。\n作者用蛋殼貼附技法表現日式庭園枯山水，用貼葉暈金技法寫意出庭園裡隨風飄動的竹葉在斜陽映照下，竹葉飄動閃耀著紅金光暈；而在空間內部作為遮陽的竹簾上，婆娑的竹枝葉影則利用描寫技法以黑漆繪竹，讓原本靜瑟侘寂的庭園多了幾分生命的靈動。（詮釋委員：張賽青）","ImageUrl":""}
,{"Identifier":"201001006001","MainTitle":"禪園竹影","Creator":"製作者：張賽青","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAxMDA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201002001","MainTitle":"超登采石","Creator":"施鎮洋","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「超登采石」一詞，源自明朝開國名將常遇春在采石磯渡江戰役率先登岸，比喻他英勇過人。此類表現題材原多附屬於傳統建築、家具，此件則脫離出來，適合於居住空間牆面之單純欣賞、擺飾作用。以浮雕技法配合台灣天然牛樟素材，呈現人物動態，表現藝術張力。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"201002002","MainTitle":"平平安安(四季六屏)","Creator":"施鎮洋","CreatedYear":"","Size":"為整體尺寸","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品名稱之「四季」指圖案內容的「四君子」--春蘭、夏竹、秋菊、冬梅，加上對聯「池花春映日」「窗竹夜鳴秋」，合為六屏的表現形式，「屏」又與「平」同音，所以整組作品寓意四季平安或平平安安。四屏各配以象徵長壽的「壽石」，取得整體合諧統調的藝術風格。「四君子」本是中國文人藝術中最重要的表現題材，藉以反映理想的人格。梅，有對抗寒冬的毅力，成為隱士象徵;蘭，有「王者香」之稱，喻優美資質;竹，也象徵清風高節;菊，代表幽閑，也是長壽象徵。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"201002002001","MainTitle":"平平安安(四季六屏)-池花春映日","Creator":"施鎮洋","CreatedYear":"","Size":"為整體尺寸","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAyMDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品名稱之「四季」指圖案內容的「四君子」--春蘭、夏竹、秋菊、冬梅，加上對聯「池花春映日」「窗竹夜鳴秋」，合為六屏的表現形式，「屏」又與「平」同音，所以整組作品寓意四季平安或平平安安。四屏各配以象徵長壽的「壽石」，取得整體合諧統調的藝術風格。「四君子」本是中國文人藝術中最重要的表現題材，藉以反映理想的人格。梅，有對抗寒冬的毅力，成為隱士象徵;蘭，有「王者香」之稱，喻優美資質;竹，也象徵清風高節;菊，代表幽閑，也是長壽象徵。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"201002002002","MainTitle":"平平安安(四季六屏)-冰肌玉骨","Creator":"施鎮洋","CreatedYear":"","Size":"為整體尺寸","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAyMDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品名稱之「四季」指圖案內容的「四君子」--春蘭、夏竹、秋菊、冬梅，加上對聯「池花春映日」「窗竹夜鳴秋」，合為六屏的表現形式，「屏」又與「平」同音，所以整組作品寓意四季平安或平平安安。四屏各配以象徵長壽的「壽石」，取得整體合諧統調的藝術風格。「四君子」本是中國文人藝術中最重要的表現題材，藉以反映理想的人格。梅，有對抗寒冬的毅力，成為隱士象徵;蘭，有「王者香」之稱，喻優美資質;竹，也象徵清風高節;菊，代表幽閑，也是長壽象徵。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"201002002003","MainTitle":"平平安安(四季六屏)-王者之香","Creator":"施鎮洋","CreatedYear":"","Size":"為整體尺寸","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAyMDAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品名稱之「四季」指圖案內容的「四君子」--春蘭、夏竹、秋菊、冬梅，加上對聯「池花春映日」「窗竹夜鳴秋」，合為六屏的表現形式，「屏」又與「平」同音，所以整組作品寓意四季平安或平平安安。四屏各配以象徵長壽的「壽石」，取得整體合諧統調的藝術風格。「四君子」本是中國文人藝術中最重要的表現題材，藉以反映理想的人格。梅，有對抗寒冬的毅力，成為隱士象徵;蘭，有「王者香」之稱，喻優美資質;竹，也象徵清風高節;菊，代表幽閑，也是長壽象徵。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"201002002004","MainTitle":"平平安安(四季六屏)-虛心貞節","Creator":"施鎮洋","CreatedYear":"","Size":"為整體尺寸","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAyMDAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品名稱之「四季」指圖案內容的「四君子」--春蘭、夏竹、秋菊、冬梅，加上對聯「池花春映日」「窗竹夜鳴秋」，合為六屏的表現形式，「屏」又與「平」同音，所以整組作品寓意四季平安或平平安安。四屏各配以象徵長壽的「壽石」，取得整體合諧統調的藝術風格。「四君子」本是中國文人藝術中最重要的表現題材，藉以反映理想的人格。梅，有對抗寒冬的毅力，成為隱士象徵;蘭，有「王者香」之稱，喻優美資質;竹，也象徵清風高節;菊，代表幽閑，也是長壽象徵。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"201002002005","MainTitle":"平平安安(四季六屏)-素質瓊英","Creator":"施鎮洋","CreatedYear":"","Size":"為整體尺寸","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAyMDAyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品名稱之「四季」指圖案內容的「四君子」--春蘭、夏竹、秋菊、冬梅，加上對聯「池花春映日」「窗竹夜鳴秋」，合為六屏的表現形式，「屏」又與「平」同音，所以整組作品寓意四季平安或平平安安。四屏各配以象徵長壽的「壽石」，取得整體合諧統調的藝術風格。「四君子」本是中國文人藝術中最重要的表現題材，藉以反映理想的人格。梅，有對抗寒冬的毅力，成為隱士象徵;蘭，有「王者香」之稱，喻優美資質;竹，也象徵清風高節;菊，代表幽閑，也是長壽象徵。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"201002002006","MainTitle":"平平安安(四季六屏)-窗竹夜鳴秋","Creator":"施鎮洋","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAyMDAyMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品名稱之「四季」指圖案內容的「四君子」--春蘭、夏竹、秋菊、冬梅，加上對聯「池花春映日」「窗竹夜鳴秋」，合為六屏的表現形式，「屏」又與「平」同音，所以整組作品寓意四季平安或平平安安。四屏各配以象徵長壽的「壽石」，取得整體合諧統調的藝術風格。「四君子」本是中國文人藝術中最重要的表現題材，藉以反映理想的人格。梅，有對抗寒冬的毅力，成為隱士象徵;蘭，有「王者香」之稱，喻優美資質;竹，也象徵清風高節;菊，代表幽閑，也是長壽象徵。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"201002003","MainTitle":"「鶴飛千尺雪、龍起一潭水」竹對聯","Creator":"施鎮洋","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件孟宗竹製之「竹對聯」，竹面所刻「鶴飛千尺雪、龍起一潭水」兩句詩文係引自宋代禪師圜悟克勤的兩句上堂語，惟將原文「鶴飛千尺雪、龍起一潭水」中的第二句最末字的「冰」字改為「水」字。行書字跡以深淺不一的流暢刀法刻撰，書風簡勁有力，筆觸入木三分，充分表現出野鶴與蛟龍在雪地和潭水中騰飛時的磅礡氣勢。(詮釋委員:黃翠梅)","ImageUrl":""}
,{"Identifier":"201002003001","MainTitle":"「鶴飛千尺雪」竹對聯","Creator":"施鎮洋","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAyMDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件孟宗竹製之「竹對聯」，竹面所刻「鶴飛千尺雪、龍起一潭水」兩句詩文係引自宋代禪師圜悟克勤的兩句上堂語，惟將原文「鶴飛千尺雪、龍起一潭水」中的第二句最末字的「冰」字改為「水」字。行書字跡以深淺不一的流暢刀法刻撰，書風簡勁有力，筆觸入木三分，充分表現出野鶴與蛟龍在雪地和潭水中騰飛時的磅礡氣勢。(詮釋委員:黃翠梅)","ImageUrl":""}
,{"Identifier":"201002003002","MainTitle":"「龍起一潭水」竹對聯","Creator":"施鎮洋","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAyMDAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件孟宗竹製之「竹對聯」，竹面所刻「鶴飛千尺雪、龍起一潭水」兩句詩文係引自宋代禪師圜悟克勤的兩句上堂語，惟將原文「鶴飛千尺雪、龍起一潭水」中的第二句最末字的「冰」字改為「水」字。行書字跡以深淺不一的流暢刀法刻撰，書風簡勁有力，筆觸入木三分，充分表現出野鶴與蛟龍在雪地和潭水中騰飛時的磅礡氣勢。(詮釋委員:黃翠梅)","ImageUrl":""}
,{"Identifier":"201002004","MainTitle":"首","Creator":"施鎮洋","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件木雕為傳統小木作裝飾性題材作品，全器以正面龍首為核心，四周纏繞如意形雲朵和火焰狀裝飾，採浮雕及透雕結合技法一體成形，表現作品內外空間與多層次美感，主題輪廓線條流暢，曲折宛轉，裝飾技術精湛，充分展現神龍見首不見尾的超絕威儀與藝術興味。(詮釋委員:黃翠梅)","ImageUrl":""}
,{"Identifier":"201003001","MainTitle":"菩薩","Creator":"李松林","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此尊觀音菩薩袒胸赤足，頭戴寶冠，肩撘披帛，胸披纓絡，坐於海石基座之上，其右足高曲，右手倚膝，左足下垂，左手撐扶座側，衣褶流暢自如，姿態閒適自在，造形取法宋朝觀音造像風格。此外，菩薩面形清逸秀麗，雙目下視，神情蘊藉內斂，深具人間性格又不失菩薩尊儀。(詮釋委員:黃翠梅)","ImageUrl":""}
,{"Identifier":"201003002","MainTitle":"忠孝廉節","Creator":"李松林","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2010","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMDAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件屏風作品共分六屏，正面中間四屏以圖文搭配精刻「忠—孔明進出師表」、「孝—狄仁傑望雲思親」、「廉—楊震清廉四知」、「節—蘇武北海牧羊」四種主題，左右兩屏配以圓形篆字對聯。背面中間四屏刻明末清初注名書法家傅山先生之草書詩句，左右二屏為其書齋對聯。圖文表現精細雅致，工序繁複耗時，為李松林先生實用性家具代表作之ㄧ。(詮釋委員:黃翠梅)","ImageUrl":""}
,{"Identifier":"201101001","MainTitle":"哈囉!","Creator":"製作者：李金生","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"原型雕塑師的背景，讓李金生純熟於立體塑造及動態掌握，擅長以寫實性的孩童塑像，創造充滿想像意味的空間。\n作品〈哈囉！〉以寫實手法表現九位小孩，從衣著、書包等細節傳達作者參照了自己成長年代的小學學童特徵，相形幼小身軀而顯巨大的長型方框，表面裝飾當時的毛玻璃印花紋樣，搭依連結著孩童，赤足腳踏的地面，則顯露鋼筋水泥礫石交灌的堅實粗曠。鉅細靡遺雕塑昔日臺灣社會古意質樸的鄉土印象。\n當孩童各有表情姿態向著我們揮手之際，唯獨右二男孩轉身回望。李金生透過這個回望男孩和意味不明的飄浮長框，構築出劇場性的時空想像、象徵空間：也許是長大歷事但仍保有童心的我，回溯昔日，向著年幼對未來充滿好奇的自己輕聲招呼。（詮釋委員：朱珮儀）","ImageUrl":""}
,{"Identifier":"201101002","MainTitle":"夏雪","Creator":"製作者：呂兆宏","CreatedYear":"","Size":"單片：185×0.1×50cm","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"油桐花落英繽紛的模樣彷彿是夏季中的飄雪，獨具氛圍。欲表現此主題需要強調特殊的色彩效果，來呈現當下空氣與光影的變化，以漸層、漸變、融合的視覺效果來傳達此一豐富的意境。\n作者使用無數的同色系嫘縈（人造絲），具有光滑明亮的色澤，由黃、橘、綠、藍互相過渡混合，以單股合成三股，集合成線縷，再以Bubble block織紋結構透過層疊織紋交織，以集合成具有光影粼粼的效果。而畫面中的油桐花則是以手挑夾織方法織入，形成若隱若現的穿透感，而其中色彩細膩分佈的方式則是以手工綴織方式織作而成。作品看似寫意，卻舉凡從備線、整經、夾織、綴織等，無一不考驗著作者的耐心毅力，與對色彩的精準判斷與嚴苛要求。（詮釋委員：吳佩珊）","ImageUrl":""}
,{"Identifier":"201101002001","MainTitle":"夏雪","Creator":"製作者：呂兆宏","CreatedYear":"","Size":"單片：185×0.1×50cm","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201101002002","MainTitle":"夏雪","Creator":"製作者：呂兆宏","CreatedYear":"","Size":"單片：185×0.1×50cm","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201101002003","MainTitle":"夏雪","Creator":"製作者：呂兆宏","CreatedYear":"","Size":"單片：185×0.1×50cm","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201101002004","MainTitle":"夏雪","Creator":"製作者：呂兆宏","CreatedYear":"","Size":"單片：185×0.1×50cm","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201101002005","MainTitle":"夏雪","Creator":"製作者：呂兆宏","CreatedYear":"","Size":"單片：185×0.1×50cm","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDAyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201101002006","MainTitle":"夏雪","Creator":"製作者：呂兆宏","CreatedYear":"","Size":"單片：185×0.1×50cm","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDAyMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201101002007","MainTitle":"夏雪","Creator":"製作者：呂兆宏","CreatedYear":"","Size":"單片：185×0.1×50cm","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDAyMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201101002008","MainTitle":"夏雪","Creator":"製作者：呂兆宏","CreatedYear":"","Size":"單片：185×0.1×50cm","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDAyMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201101003","MainTitle":"絲瓜-傳承","Creator":"製作者：劉青芳","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「絲瓜-傳承」是創作者劉青芳於2010年臺灣工藝競賽中榮獲傳統工藝組三等獎的作品。這件作品巧妙運用了傳統金銀細工技法，通過輾、鋸、磨、焊等工序，生動地模擬出曬乾的絲瓜造型。作品中，純銀線纏繞的設計展現了絲瓜內部的纖維，而外皮則利用銀的延展性，透過錘敲技術完美呈現絲瓜皮的質感，搭配乾燥的葉子和蔓藤，讓整件作品更顯生動活潑、栩栩如生。\n作者在設計上運用了多層次的堆疊與焊接，讓觀賞者在乍見整體與端詳局部之間，體會到不同的視覺效果與金工技巧的趣味。作品不僅展現了自然的美，更引發了對生命循環的思考：早春的菜園裡，黃花盛開，青翠的菜瓜隨之而生；而秋天的枯萎則象徵著生命的轉化過程。\n這件作品不僅是對金工技藝展現，更是作者思念父親的情感舒發；對父親教導的深刻回憶。正如絲瓜籽在土壤中等待重生，有如期待著這份技藝能夠代代相傳，延續下去。（詮釋委員：陳國珍）","ImageUrl":""}
,{"Identifier":"201101004","MainTitle":"記憶的滋味","Creator":"製作者：吳宜紋","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"木頭的年輪記錄著它生長的環境和氣候變化，尊重每一塊回收木材所留下的痕跡與木材特性，用心地製作，讓生命的原初紀錄更發揚光大。手工餅乾是童年單純的美好記憶，如同手工板凳的真實誠懇，作者依照撿回來的木頭特性來調配餅乾板凳口味：原味餅乾+巧克力腳、原味咬一口餅乾+巧克力腳、巧克力餅乾+牛奶口味腳、原味餅乾+原味椅腳。餅乾下方的橫板除了加強結構也可置物，同時也是取自餅乾裡的那一片內餡作為造型。\n\n「記憶的滋味」作品，轉化臺灣民眾成長過程的口感經驗，成為一組場所感座凳，也留下典型的懷舊地域主義文創工藝。\n\n從口欲到記憶，重拾臺灣這塊土地上的社會生活故事。上個世紀六零年代鐵盒裝「牛奶餅」，可以是大人們登門拜訪的伴手禮，更是小孩子們的最愛。撕開膠帶打開鐵盒蓋，牛奶香撲身令人垂涎欲滴!曾經滿是臺灣經濟快速成長前的生活日常。\n\n牛奶餅形態座面周沿鋸齒狀、圓形面盤小凹點，留下動人的製餅模壓痕。記憶的滋味為名，表徵視域中懷舊情感風味；也記錄2010年，臺灣工藝獎評審委員們的審美品味。1970~1990年臺灣校園民歌登上流行音樂主流。20年後出現餅乾椅凳，懷舊地域主義風格作品，登上臺灣工藝獎。（詮釋委員：盧圓華）","ImageUrl":""}
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,{"Identifier":"201101004002","MainTitle":"記憶的滋味","Creator":"製作者：吳宜紋","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201101004003","MainTitle":"記憶的滋味","Creator":"製作者：吳宜紋","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201101004004","MainTitle":"記憶的滋味","Creator":"製作者：吳宜紋","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDA0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201101005","MainTitle":"饅頭瓷罐","Creator":"製作者：廖先立","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本組作品以餐桌上的常民食物「饅頭」做為發想，巧思轉化成桌上的擺飾瓷罐，外觀白皙渾圓之上有幾撇褐色抽象筆墨環繞點綴，如草書、行筆又如潑墨般的韻致，與蓋罐上的木質蓋鈕一起呼應自然。表面似有麵團柔軟時以手抓的痕跡，實則為拉坏作用所致，同時也手塑造形微調各個樣貌，賦予兩側尖突狀如手把的功用，為使圓球造形蓋罐穩立，底部飾有足。整體5件一組排列於底座上，底座也別出心裁地在邊緣角落共六處以瓷塊鑲嵌，其上以正楷與象形字體標示著：「天地山川日月」。\n\n作品呈現質樸自然的氛圍，創作者在造形上多所下功夫，在瓷土拉坏的過程中聯想到麵團作用而成的「饅頭」瓷罐，有手作的捏塑整形與毛筆潑釉、水洗渲染的筆觸，並選取枯木裁切作表面碳化與平滑的處理後再與瓷坯接合，作為蓋鈕同時也如畫龍點睛般讓造形更突出。蓋子採取截蓋與容器主體貼合，提升容器的密封度，可作為餐桌上茶包、糖、鹽等食物之容器，亦可不用蓋子，作為花器使用。\n\n創作者廖先立為南投縣陶藝家，於921大地震後，於一次拉坏體驗中發現土的神奇力量，深受感動而報名參加了「集集陶藝工藝師師資養成班」，期間也參加了臺灣工藝研究發展中心開設的專業陶藝研習課程，研習陶燈與餐具開發、手擠柸、釉藥研習等專業技能。2005年參加「林錦鐘老師釉藥班」，隨後於南投市貓羅溪畔成立了「立陶宛個人工作室」，始踏上陶藝創作領域之路。廖先立曾多次獲獎，早期有2005年臺灣陶藝新人獎銅奬、2006南投陶文化產品開發設計競賽優選、2007臺灣公藝競賽（傳統組）佳作等，近期有2019年廈門文博、東方茶席大賽茶具設計獎及2020年第八屆臺灣國際金壼奬入選。因工作室位於南投陶發源地，因此起心動念，以尋找南投陶早期製陶的元素來作為創作素材，特意尋找「魚池紅土」、「魚池白秈土」、「南投市原礦」以傳承臺灣製陶文化，前後花了十餘年時間，於2020年四月於南投虎山藝術館展出成果個展，有「水沙蓮漣」與「南投紅」這兩個南投在地元素的茶具誕生，彌足珍貴（註1）。（詮釋委員：杜文田）\n\n註1資料來源：國家文化記憶庫＞臺灣茶器陶藝作家-廖先立-南投市＞https://tcmb.culture.tw/zh-tw/detail?id=486348&indexCode=Culture_People\n臺灣生活新聞Taiwan Daily Network > https://youtu.be/QZslY5WAjro?si=V5m97qJ-JM1PGVlW","ImageUrl":""}
,{"Identifier":"201101005001","MainTitle":"饅頭瓷罐","Creator":"製作者：廖先立","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201101005002","MainTitle":"饅頭瓷罐","Creator":"製作者：廖先立","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201101005003","MainTitle":"饅頭瓷罐","Creator":"製作者：廖先立","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDA1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201101005004","MainTitle":"饅頭瓷罐","Creator":"製作者：廖先立","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDA1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201101005005","MainTitle":"饅頭瓷罐","Creator":"製作者：廖先立","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDA1MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201101006","MainTitle":"對話-台灣長凳","Creator":"製作者：盧圓華","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「對話．臺灣長凳」作品，以全實木榫卯接合構法製作完成。作為一把具傳統新意的長條凳，打破現代設計機能主義之限制，提供可以乘坐、跨步、蹺腳，乃至於可以斜倚與躺臥的公共性格家具。在座面板下方的工藝與機趣，保留原木邊材的自然形態，反襯筆直俐落的座面線腳；呼應微弧座面，並對話兩腳柱間補間倒駝峯波狀曲線，最終取得整體形式美感新經驗。\n\n在家宅、商業接待空間中，它「有背無背，有扶手沒扶手」之新象，隱喻新臺灣人待客之道：虛位以待而任君解讀。涵容「空間」之後，「對話—臺灣長凳」的問世，也體現：歷史總讓人惦記，文化就那麼令人著迷！（詮釋委員：盧圓華）","ImageUrl":""}
,{"Identifier":"201102001","MainTitle":"雕釉珊瑚紅底花卉紋缽","Creator":"蘇世雄","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"珊瑚紅為傳統彩瓷色釉之一，類似珊瑚之紅，故名。此器以手拉坯成形，內外側以創新雕釉技法呈現各式花樣，顯蘊花開富貴，喜樂吉祥之視覺與人文意涵。因傳統紅色系列象徵興旺、吉祥、喜氣、多施以釉上彩繪；然此器則為雕釉，故有傳統與創新的風格特色。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"201102002","MainTitle":"雕釉黃底菊花紋瓶","Creator":"蘇世雄","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"比起宋代已有之單層單色「搔刻」陶作技法，多色層的「雕釉」則為作者所獨創。此件在小口渾圓的器形上，施以釉色自內而外為鈦黃、赤茶、黃、褐、橘黃、黃等六層構成之菊花紋，空隙處則以斑狀地紋填實，呈現黃色系中之瑰麗色澤變化；與傳統雕漆之「剔彩」五色燦爛美感相比，可謂異曲同工。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"201103001","MainTitle":"鍾馗醉臥酒","Creator":"李松林","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件屏風、係鹿港木彫大師李松林，利用老舊樟木經蟲蛀腐朽所形成之天然紋理，作為襯底及台座，運用浮彫「鍾馗醉酒」圖像，鑲嵌入屏，綴以詩句；屏背並有其子李秉圭「登高山望遠海」題句，遂完成一座可屏風，可擺飾，可觀賞，可辟邪之精美工藝作品。傳統信仰，以鍾馗神力能壓煞制鬼，民間多以繪像懸掛避邪，此品為高難度工藝之浮彫鑲，匠心獨運，似見鍾馗閒來無事，醉倒山林之間，寓意深妙！(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"201104001","MainTitle":"吉祥富貴","Creator":"林葆家","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件作品係台灣著名陶藝家林葆家，以釉下青花，釉上赤繪金彩等多重技法，讓以紅釉為襯底烘托牡丹花葉之高貴，並寓意吉祥。作者在學習日本陶瓷之後，擅以豐富釉彩，揮灑藝術創作。此器結合釉下青花，釉上彩繪，描金，鬥彩之多重技法表現，是1980年代嘗試創作的風格之一。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"201104002","MainTitle":"靜","Creator":"林葆家","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"青瓷工藝，於傳統中國陶瓷工藝史源遠流長，到宋代趨於巔峰，至今仍被廣泛燒製。此器係林葆家在晚年以喜愛之端穩靜穆之心境，以太白尊形式轉化為小口鐘形之花器，寄託淡遠清妙的哲學意涵。粉清釉色，給人沉穩安定，且又天機無限的感受，這是作者80年代倡導陶藝「新古典主義」的典型之一。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"201104003","MainTitle":"漫舞","Creator":"林葆家","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"林葆家晚年喜愛的鐘形瓶(太白尊)表現色釉與線面意涵，反映在寄託的端莊穩重，靜定安然的天地之中，以不同的色釉，自由自在舞動的點線條面，彷彿在遼闊的青色天地之間，有無限生命律動的生命意義。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"201104004","MainTitle":"青青草原","Creator":"林葆家","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTA0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"由作品名稱不難了解創作意圖，在陶胎白化妝的坏面上，以澄澈明淨的翠綠釉色表現初春青草情境。作者晚年為傳統青瓷賦予新意，下了很大功夫，尤其青瓷釉產生不同疏密深淺的冰裂紋變化，亦其獨特藝術風格。作者常以類似此件之矮鐘器形，作各種釉色變化實驗；其上半部渾圓飽滿，接近圈足底部出現兩圈張力十足之稜線，使器形在穩健中出現轉折變化。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"201104005","MainTitle":"綻放","Creator":"林葆家","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTA0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件拉坏成形，器形注重口、肩、腹、足部之線與面的和諧銜接，各區塊比例勻稱、穩健、細膩；白化妝層甚厚，施以青色釉以充分遮掩陶胎之呈色，然後大膽揮灑艷麗色釉，如銅紅、孔雀藍、孔雀綠、釩黃等；在青瓷器上作抽象繪畫表現，仍彷彿可見池塘中綻放鳶尾花的身影。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"201105001","MainTitle":"刀劍組-螭虎秦劍","Creator":"郭常喜","CreatedYear":"","Size":"1.刀劍：113*6*3.5 \r\n2.展示檯：37*19*65 ","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這把「螭虎秦劍」，是臺灣刀劍工藝家郭常喜(1946年～）精心製作。\r\n 郭常喜自幼承襲父祖世傳的刀劍工藝，早年主要承作高精密工業用刀，曾赴日本學習鑄劍技術，還到中國大陸收集寶劍名刀等相關書籍，仿造中國古代名劍鑄各式兵器，得過全省美展等多項大獎，後來在1990年成立興達港刀鋪，並不斷硏新技法，在1998年成功硏發「摺疊鋼」，2002年成立「郭常喜藝術兵器文物館」，以推廣刀劍工藝文化為目標。\r\n 國際知名導演李安的電影「臥虎藏龍」中的「青冥劍」與400多件兵器，全都出自郭常喜之手，使他聲名大噪。\r\n 本件「螭虎秦劍」為仿秦皇長劍造型精心打造。劍刃乃折疊高碳花紋鋼，手工硏磨；劍把棉臘繩纏繞，並與劍鞘精銅雕塑螭虎且鑲嵌寶石裝飾，鞘殼為酸枝檀木，工藝精美。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"201105002","MainTitle":"浮雲","Creator":"施鎮洋","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 施鎭洋(1946～)是臺灣木雕工藝大師，長期在雲林科技大學及逢甲大學硏究所授課。榮獲文建會、文化部頒授重要傳統工藝保存者（人間國寶）殊榮。世居鹿港，從小追隨父親大木作匠師施坤玉出入各地寺廟參與修復工程，承襲泉州主流技法，熟悉大木、小木作、及鑿花技巧，作品細膩美妙，蘊含豐富文化精髓。\r\n 施鎮洋也喜愛收藏「名家字畫」，特別是鹿港地區的名家。他認為「書法與木雕最直接的聯想是匾額，然而坊間大部分的匾額都是制式化的成品」，他認為這樣的結合並非完美。因此他主張「若不能在木頭上表達出書法的精氣神，只是單純套用字體雕刻，依舊維持在平面的展現，這樣的作品是毫無意義的。」\r\n 施鎮洋的木雕絕活之一，就是在木雕上表達出書法家書寫的意境。本件施鎮洋木雕作品「浮雲」，就是鹿港才子名書法家施文炳的翰墨。施文炳一生致力文化工作，提倡詩風，詩文書畫民俗兼備，被稱為「現代臺灣末代傳統文人」，2008年出版《臺灣末代傳統文人—施文炳詩文集》，2014年逝世，享年八十四歲。\r\n 本件「浮雲」臺灣牛樟木雕，將施文炳書法筆調、飛白，以綠漆、貼螺甸方式表達淋漓盡致！工藝精妙！並寄托文人的清高，不義之富且貴，於我如浮雲！(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"201105003","MainTitle":"秋老梧桐","Creator":"施鎮洋","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2011","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMTA1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 施鎭洋(1946～)是臺灣木雕工藝大師，長期在雲林科技大學及逢甲大學硏究所授課。榮獲文建會、文化部頒授重要傳統工藝保存者（人間國寶）殊榮。世居鹿港，從小追隨父親大木作匠師施坤玉出入各地寺廟參與修復工程，承襲泉州主流技法，熟悉大木、小木作、及鑿花技巧，作品細膩美妙，蘊含豐富文化精髓。\r\n 施鎮洋也喜愛收藏「名家字畫」，特別是鹿港地區的名家。他認為「書法與木雕最直接的聯想是匾額，然而坊間大部分的匾額都是制式化的成品」，他認為這樣的結合並非完美。因此他主張「若不能在木頭上表達出書法的精氣神，只是單純套用字體雕刻，依舊維持在平面的展現，這樣的作品是毫無意義的。」\r\n 施鎮洋的木雕絕活之一，就是在木雕上表達出書畫家筆墨的意境。本件施鎮洋木雕作品「秋老梧桐」，意境高遠，刻繪樟木如重巒疊嶂紋理中，映照著梧桐枝葉，飄逸於秋風，山雀孤單一隻，立在桐枝上鳴叫，予人涼風瑟瑟，秋老梧桐，文人墨客，知音稀少的寂寥落寞。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"201201001","MainTitle":"文武兼具","Creator":"陳志昇","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「文武兼具」作品以歷史名將「關公」為人物主題，為商業界視文武財神，其忠義與智勇雙全的形象深植人心。人物形體為身著文袍並手持武器，伸手止步狀，代表謀定後動並以武力為後盾，不畏任何強敵挑戰之威武氣勢。\r\n外型用錫片為主要素材，經過鍛打、焊接與銼修而成，特別透過鍛打的方式讓冷硬感的金屬片表現出自然衣摺的柔順感。外觀雖主要以銀色的錫本色呈現，並以局部紅銅片與青銅片搭配來點綴作品的色彩。衣服正面則以鑿刻打印出猛龍花紋，讓作品具備有工藝陰陽刻的技法，另外鬍鬚製作的方法是將錫片先輾壓成薄片後，再用剪刀一絲絲裁剪而成。整體呈空心狀，為確保日久後不受重量擠壓而變形，內部有不銹鋼管為架構作為物體重量的支撐。（詮釋委員：陳志昇）","ImageUrl":""}
,{"Identifier":"201201002","MainTitle":"華實並茂傳希望","Creator":"彭信豪","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品以玄武岩為料，以象徵陽光與希望的向日葵為創作體裁，將其萌芽、花開、結子等過程，用於茶盤設計，代表生命一脈相承，以及對未來無限的期待與希望。\n作者設計巧妙，茶盤造型採長方形穩固基底，中間雕出向日葵豐實花蕊，外緣則仿花瓣漸變為茶盤腳座，型態柔軟優雅；金色芽絲聚合成為泄水孔，柔軟曲線與石材的拋光巧妙搭配，展現工藝的難度與技巧，寄託葉實並茂的生活希望。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"201201003","MainTitle":"寶島晨暮","Creator":"公司：弘毅休閒文化有限公司-西丘織造
代表人：謝克駿","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以染、剪、折、捏、塑、拼技術組成的帛雕藝術「寶島晨暮」是兩幅大型絲絹作品，兩幅作品的題材來自高雄在地的生活元素，在暮色中有果園裡的玉荷包各個鮮嫩紅潤、爭奇鬥豔，並綴有活靈活現的貓頭鷹。而在晨光中，則有伴著花卉的國寶鳥藍腹鷳。作品中的1顆荔枝就要用572片的小絲綢，一片一片染色後，再縫製完成，\n古籍上記載有所謂「剪采做花」，便指以綢、絹等高貴的絲料製作花卉飾品。「漢宮花」是一種以捏摺絲絹做成各種畫的藝術，左手持鑷子，右手掌布，依據各種組件的不同製作程序和要訣，捏出：劍、丸、袋、花心、花瓣、冠、山八種組件。漢宮花的所有圖形，不論是山水、花鳥或人物，都由這八種組件的技巧衍生出來。作者以在地的題材重現這項失傳的工藝予當代觀眾面前。（詮釋委員：吳佩珊）","ImageUrl":""}
,{"Identifier":"201201003001","MainTitle":"寶島晨暮","Creator":"公司：弘毅休閒文化有限公司-西丘織造
代表人：謝克駿","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAxMDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201201003002","MainTitle":"寶島晨暮","Creator":"公司：弘毅休閒文化有限公司-西丘織造
代表人：謝克駿","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAxMDAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201201004","MainTitle":"蘊釀","Creator":"林建成","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"看似竹片編成的屏風與燈具，其實是以堆積手法黏貼而成的效果。作者先以斜向約20-30度的角度，將桂竹的竹管切剖成寬約2毫米的楕圓形薄片；然後以加熱的方式，讓這些薄片形成微微的彎度。接著以一片片堆疊、黏合的方式，既作成一曲面型的屏風，又作成一卵形的燈具。最後在燈具中加入燈泡，由內向外投光出來，造成一種溫暖、神秘、複雜，又安靜的氛圍，猶如生命初成時的「醞釀」之光。是一件超越傳統工藝技法的藝術表現作品。\r\n這種以斜向剖切竹管的手法，打破傳統竹篾編織的傳統技術，在楕圓竹圈不斷堆積、黏貼下，不論屏風或燈具，都散發一種綿密、延展的生命力量。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"201201004001","MainTitle":"蘊釀","Creator":"林建成","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAxMDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201201004002","MainTitle":"蘊釀","Creator":"林建成","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAxMDA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201201005","MainTitle":"方盒琴","Creator":"廠商：玄晉個人工作室
代表人：林玄晉","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"看似平凡無奇的一檯傳統敲擊樂器，其實是現代科技運用下的一件工藝產品。作者以臺灣竹山孟宗竹為材料，經過碳化處理後，切割成平板，再加以拼合黏貼，成為中空方形；接著切割長短，形成音階，且在方管被敲擊的一端，留出空隙，以增加音響的振動與共鳴。\n傳統的敲擊樂器，琴鍵多以木質為材料，因此也稱「木琴」；但此件樂器的作者以竹材取代木材，且將平實的單鍵，改為方管形的竹材結構，展現出竹鍵特有的共鳴與清脆音效。這些作法的得以實現，完全拜現代科技加工處理之功，也創造出聽眾以往未曾有過的音質感受。\n除音樂效果的改良與精進外，整組樂器的組合、拆裝、收納等，也都表現出創作者的貼心與創意。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"201201006","MainTitle":"The floral sensation","Creator":"製作者：吳竟銍","CreatedYear":"","Size":"整體尺寸","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「The Floral Sensation」是吳竟銍於2011年臺灣工藝競賽中獲得創新設計組第三名的作品。這件作品由26件獨立的胸飾組成，展示各式擬態果實與盛開的花朵。透明壓克力板的鏤空設計為每件作品提供了專屬的空間，讓整體造形在無論取下單件作品或放上單一作品都是和諧統一的壁飾。\n各式擬態果實與盛開的花朵是運用敲花技法創作而成，展現出果實花朵的飽滿量感；而表面則透過琺瑯燒製和化學染色，呈現出豐富的色彩，用色活潑大膽襯托出金屬胎體的穩重。作者將顏色象徵著人際關係的不同階段，表達了人與人之間如同植物生長般的緊密聯繫。\n這件作品不僅保留了金屬的原色，還透過壓輾技術展現出細緻的質感變化。它完整地傳達了作者對旅行的渴望，以及在記錄旅途中所感受到的各種情感，用來象徵著生命中每一次相遇的美好與感動。（詮釋委員：陳國珍）","ImageUrl":""}
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,{"Identifier":"201201006021","MainTitle":"The floral sensation","Creator":"製作者：吳竟銍","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAxMDA2MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201201006022","MainTitle":"The floral sensation","Creator":"製作者：吳竟銍","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAxMDA2MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201201006023","MainTitle":"The floral sensation","Creator":"製作者：吳竟銍","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAxMDA2MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201201006024","MainTitle":"The floral sensation","Creator":"製作者：吳竟銍","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAxMDA2MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201201006025","MainTitle":"The floral sensation","Creator":"製作者：吳竟銍","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAxMDA2MDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201201006026","MainTitle":"The floral sensation","Creator":"製作者：吳竟銍","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAxMDA2MDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201202001","MainTitle":"土黃釉罐","Creator":"蔡榮祐","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"蔡榮祐擅於利用台灣本土的礦土，與創作的無光色釉，結合成樸實無華的鄉土特質。此器作者以渾厚敦圓的外形、保留拉坏的弦形紋理，土黃釉色無華，雜以鐵斑，既是大地原始的樸實，彷彿又是天地人間社會的縮影。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"201202002","MainTitle":"結晶盤1981-1","Creator":"蔡榮祐","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作者為研究結晶釉調配及燒成技術，以藍色釉表現類似燒鈞窯的水藍、淡雅深遠為太空之神秘。又利用降溫技法，讓鈦結晶體，呈現圓點擴張的效果。圓盤彷彿是宇宙，結晶彷彿是星雲，本件盤子可審視細觀，也可作容器。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"201202003","MainTitle":"甕1983~1","Creator":"蔡榮祐","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品運用2種以上釉色變化，在渾圓的甕體上，形成對比效果與白釉如雲如瀑之流動美感。 作者使用水洗純苗栗土，無含鐵質，故無鐵斑與釉葯摻雜情形，黑白對照在渾圓的甕上，是蔡榮祐刻意表現的白天與黑夜的時空嗎?!(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"201202004","MainTitle":"黃釉蓋罐1986~1","Creator":"蔡榮祐","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"先噴「雅青釉」為底色，接著部分塗臘，以產生排水的隔離作用，再噴黃釉，窯燒完成後，產生了作者戲稱為「梨仔瓜」的色澤趣味。以臘隔離的工藝技法，常見如蠟染，水墨畫也有加膠後產生彷彿相生相剋的特殊筆墨美感，皆可謂異曲同之妙。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"201202005","MainTitle":"小口瓶1986~1","Creator":"蔡榮祐","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"雙耳小口瓶，先於坏體蔭乾後，拍打為六角形修整成形；施釉時先噴上一層乳白釉，然後在中間胴體部分塗臘作隔離，再噴一層綠色釉，使之錯落分布於乳白釉上，待高溫窯燒後，兩種釉藥竟產生若即若離卻又自然共熔的特別效果。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"201202006","MainTitle":"褐釉蓋罐1986~1","Creator":"蔡榮祐","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"過去民間廚房裡常有這樣的雙耳蓋罐，所以這一件作品，類似尋常容器，充滿民藝風格。製作技法是先於坏體蔭乾後，拍打為四角形後修整成形；接著運用兩種釉色，先噴黑釉，再以漸層方式噴上褐釉，二釉重疊，色感內斂沉穩之中，又充滿融合色層的豐富變化。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"201202007","MainTitle":"圓滿1991~1","Creator":"蔡榮祐","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件先在器身下大半不噴黑色釉，繼之噴乳黃釉，高溫窯燒後形成二色重疊及漸層效果，因採含鐵質之新竹北埔原礦土，故出現黑點，亦為一大特色。論者謂作者作品釉色釋放出溫厚、圓融、恬靜、包容的情境；其實器形亦然，尤其此件顯示作者追求造形「極簡」的一貫作風，器口較厚，更增整體渾厚藝術風格。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"201202008","MainTitle":"条紋罐1993~1","Creator":"蔡榮祐","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在日常生活中原本儲備各類陶製杯盤鍋碗瓢盆、瓶瓶罐罐，用來泡茶、烹煮、貯存、醃製食物，不僅實用，還能散發功能性的自主美感。作者蒐藏數量繁多的生活民藝品，從中體驗到「用即是美」的感動，進而啟發他創作根源；他始終認為陶藝的創作要能和生活結合，他說：「希望它能夠是一個很好的擺飾東西，有很豐富的色彩、很好的質感、很優美的條，如果能夠有這樣的功能的話，那可能會提升它作品本身的那種價值感。」本件敞口網紋罐，以苗栗土拉胚成形，通體茶褐色釉藥以高溫還原燒成；罐口部分一圈芥黃乳釉增加溫潤感，罐身深色網紋並不刻意求工整，有流動線條和淺浮雕的效果，頗具自然變化之趣。(詮釋委員:江韶瑩) ","ImageUrl":""}
,{"Identifier":"201202009","MainTitle":"圓滿1997~1","Creator":"蔡榮祐","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"蔡榮佑先生是一位虔誠的宗教信仰者，說他喜歡把生活的態度與做人的道理加在作品之上，賦予陶藝創作更多的生命意涵，希望讓它能夠表達人本的返樸歸真；他常以：圓滿、憨厚、惜福、親情、耿直、求變、方圓、包容、捨得、滿則溢、石窟頌等系列為作品或特展命名，這些正是他為人處事、無爭的個性、樸質心靈的寫照。 本件為1997年圓滿系列作品之ㄧ，似圓非圓，厚唇短頸，口徑約略為肚寬之半，器形厚實飽滿；以新竹北埔的原礦土為胚體，結合草木灰釉重疊處理，高溫燒成釉彩自然流動的特色。(詮釋委員:江韶瑩)","ImageUrl":""}
,{"Identifier":"201202010","MainTitle":"圓滿1999~1","Creator":"蔡榮祐","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件為1999年圓滿系列作品之ㄧ，厚唇短頸，口徑約略為肚寬之半，圈足略收，器形飽滿圓實；以新竹北埔的原礦土為胚體，施以三種草木灰釉重疊處理，用還原焰高溫燒成，在器表上呈現深淺不一的鐵褐色斑爛光澤條紋。 在釉色表現上，作者不斷地實驗各種不同處方配料、還原或氧化、窯溫高低以及可能的變化，結合多層次施釉的技法，在精準純熟控制窯燒火候之下，燒成釉彩既柔軟且流動的特有效果。(詮釋委員:江韶瑩)","ImageUrl":""}
,{"Identifier":"201202011","MainTitle":"方圓憨厚2004~1","Creator":"蔡榮祐","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"方圓憨厚系列作品，隱喻天圓地方、剛柔並濟的溫良人格，也投射了作者方寸之間的堅持與修養。方圓四壁是略扁的方形，以免失之於正正方方的刻板，上下面陶板則為正方形，容納正圓居中，才能不偏不倚。 本作品採用苗栗土為胚體，內外再施以茶葉末釉、灰釉，利用釉料融點的相近，瞬間燒成互相融溶滲透的漸層、質感豐富的效果，內外皆美。(詮釋委員:江韶瑩)","ImageUrl":""}
,{"Identifier":"201202012","MainTitle":"包容47","Creator":"蔡榮祐","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"包容系列是作者經過六年的技術研發及試驗才得到突破的結果，以這一系列的作品表達族群融合、包容異己、平衡社會發展的理念。 以低溫軟土胚為基底，呈現自然的淺灰底色，只在頂面陶板施青花高溫厚稠釉藥，在高溫窯燒之下，產生流動的斑紋釉彩，覆蓋方形器璧的上部。這柔軟流動的釉彩、頂部硬線分割的留白對角線、錯開的菱形與中間靜止的圓形，極具時尚設計感，似乎是在呼籲以柔克剛、消彌對立相互包容的渴望。(詮釋委員:江韶瑩)","ImageUrl":""}
,{"Identifier":"201202013","MainTitle":"憨厚2006~2","Creator":"蔡榮祐","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品體型渾圓、小歛口，帶圈足；內置一直立圓筒，可當花器或居家擺飾使用。器體表面如淡墨花青的釉色，有縮釉造成的大小粒狀微開片，層層疊疊、藹藹內斂，在在反應無心機、溫柔敦厚的風格。 為了要能實用，成形的工序工法頗不簡單，首先拉胚大圓球體，待半乾對剖成兩件大半圓，再置入直立圓筒，對準開口，再接合大半圓胚體、修胚、上釉、窯燒而成。(詮釋委員:江韶瑩)","ImageUrl":""}
,{"Identifier":"201202014","MainTitle":"包容21","Creator":"蔡榮祐","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"包容是作者較為晚近的系列作品，以低溫軟土(外胚)包覆硬土(內胚)的方式塑造，用以支撐內部中空造型，再以高溫釉藥噴塗於軟土的外胚，利用釉與土冷卻收縮率的不同，造就作者獨步一幟的斑紋流釉。 系列作品的體高普遍的降低了，更適合俯瞰，說明觀看事物的角度應該放低，彼此尊重、包容文化的差異，減少對立的衝突與紛擾，這說明他的陶藝創作已從技術層面的格局走向美學、哲學的意義空間了。 本件作品呈現黃金比例，厚實而沉穩，手感極佳。在紋飾方面，中間一道鑲白邊的花青條紋，有力的連接兩側各美其美的分合關係，令人驚艷。(詮釋委員:江韶瑩)","ImageUrl":""}
,{"Identifier":"201202015","MainTitle":"包容49","Creator":"蔡榮祐","CreatedYear":"","Size":"附底板","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"包容系列的作品，是在表現剛與柔相互調合的創作思考。「剛」的部分是指陶器形狀，或材質物理性的堅硬及穩定性；「柔」的部分指的是釉(作者所謂「低溫釉土」)在高溫融熔狀態，受地心引力作用下流動的樣貌(當然是冷卻後所觀看的)。作者在這樣概念下，去操作「釉」的流動範圍、流速以及其「出軌」。而作品成功的前提是對這「釉」有清楚的認識，知道其合適的溫域，以致能夠預知在融熔狀態下移動多遠、立面與斜面的流速的不同等等。釉彩的網點像標竿(或記號)，而整個釉面像是標竿移動的距離與流速軌跡的紀錄表格。這紀錄表格竟成了器物的裝飾。〈包容49〉這件作品，平面部分，因受地心引力不明顯，網點看似靜止，稜線斜面便明顯擺盪，而立面宛如瀑布傾瀉溢流(出軌)。(詮釋委員:鄭永國) ","ImageUrl":""}
,{"Identifier":"201202016","MainTitle":"憨厚15","Creator":"蔡榮祐","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統陶瓷器以拉胚成形，在縱剖面上呈蛋殼形狀。作者描述憨厚，是從石臼厚實的器型所得的靈感，故以雙牆套接而成。看似厚牆的器物不同於一般陶瓷器的印象，乃一新的視覺經驗。此外，器物之重量感亦是另一特色，不僅表現在實質上(因雙牆之故)，也在作品尺寸上作調整，寬度大於高度，因為穩重而憨厚。 (詮釋委員:鄭永國)","ImageUrl":""}
,{"Identifier":"201202017","MainTitle":"滿則溢2008-17","Creator":"蔡榮祐","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「滿則溢系列」的作品，沿用了憨厚系列的「雙牆」套接方式成形。而厚牆的視覺感被「水面」取代，呈現滿盈的視覺效果，又貼附波浪立面牆，彷彿水滿而溢的意象，釉在器表上的流紋被立體化了。作者賦予作品人格化的命名，啟發觀賞者的想像空間。「滿則溢」一者有警醒勿自滿之意；另者，亦可以從內在的豐滿盈溢出來，彰顯於外來揣摩。從器型的平整圓潤來看，即使是”溢”出亦保有含蓄之美。(詮釋委員:鄭永國)","ImageUrl":""}
,{"Identifier":"201202018","MainTitle":"包容64","Creator":"蔡榮祐","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"包容系列的作品，是在表現剛與柔相互調合的創作思考。「剛」的部分是指陶器形狀，或材質物理性的堅硬及穩定性；「柔」的部分指的是釉(作者所謂「低溫釉土」)在高溫融熔狀態，受地心引力作用下流動的樣貌(當然是冷卻後所觀看的)。作者在這樣概念下，去操作「釉」的流動範圍、流速以及其「出軌」。而作品成功的前提是對這「釉」有清楚的認識，知道其合適的溫域，以致能夠預知在融熔狀態下移動多遠、立面與斜面的流速的不同等等。釉彩的網點像標竿(或記號)，而整個釉面像是標竿移動的距離與流速軌跡的紀錄表格。這紀錄表格竟成了器物的裝飾。\r\n〈包容64〉與〈包容2008~22〉同為2008年採傳統器型之作。以固定之條件(傳統器型)而嘗試創新變化，勢必要開發新的元素。作者在此又加入二種網點釉色搭配的新項，試圖豐富包容系列之面向。(詮釋委員:鄭永國) ","ImageUrl":""}
,{"Identifier":"201202019","MainTitle":"包容2008-22","Creator":"蔡榮祐","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"包容系列的作品，是在表現剛與柔相互調合的創作思考。「剛」的部分是指陶器形狀，或材質物理性的堅硬及穩定性；「柔」的部分指的是釉(作者所謂「低溫釉土」)在高溫融熔狀態，受地心引力作用下流動的樣貌(當然是冷卻後所觀看的)。作者在這樣概念下，去操作「釉」的流動範圍、流速以及其「出軌」。而作品成功的前提是對這「釉」有清楚的認識，知道其合適的溫域，以致能夠預知在融熔狀態下移動多遠、立面與斜面的流速的不同等等。釉彩的網點像標竿(或記號)，而整個釉面像是標竿移動的距離與流速軌跡的紀錄表格。這紀錄表格竟成了器物的裝飾。\r\n〈包容2008-22〉作者自云此為「2003年完成第一件成功包容作品後轉換方向時所作。」觀察2003年作品採用方型器物，自此轉向傳統瓶甕器型，而以釉色網點的變化來發展，編號22，可知作者用力之深。(詮釋委員:鄭永國) ","ImageUrl":""}
,{"Identifier":"201202020","MainTitle":"包容2009~8","Creator":"蔡榮祐","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"包容系列的作品，是在表現剛與柔相互調合的創作思考。「剛」的部分是指陶器形狀，或材質物理性的堅硬及穩定性；「柔」的部分指的是釉(作者所謂「低溫釉土」)在高溫融熔狀態，受地心引力作用下流動的樣貌(當然是冷卻後所觀看的)。作者在這樣概念下，去操作「釉」的流動範圍、流速以及其「出軌」。而作品成功的前提是對這「釉」有清楚的認識，知道其合適的溫域，以致能夠預知在融熔狀態下移動多遠、立面與斜面的流速的不同等等。釉彩的網點像標竿(或記號)，而整個釉面像是標竿移動的距離與流速軌跡的紀錄表格。這紀錄表格竟成了器物的裝飾。\r\n〈包容2009~8〉以不對稱的小口瓶，企圖開發新意，藍色網點採斜面自瓶口罩下，不再全面覆蓋，與綠釉的搭配，是作者多方嘗試，形成一己美學之作。 (詮釋委員:鄭永國) ","ImageUrl":""}
,{"Identifier":"201202021","MainTitle":"包容2009~16","Creator":"蔡榮祐","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAyMDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"包容系列的作品，是在表現剛與柔相互調合的創作思考。「剛」的部分是指陶器形狀，或材質物理性的堅硬及穩定性；「柔」的部分指的是釉(作者所謂「低溫釉土」)在高溫融熔狀態，受地心引力作用下流動的樣貌(當然是冷卻後所觀看的)。作者在這樣概念下，去操作「釉」的流動範圍、流速以及其「出軌」。而作品成功的前提是對這「釉」有清楚的認識，知道其合適的溫域，以致能夠預知在融熔狀態下移動多遠、立面與斜面的流速的不同等等。釉彩的網點像標竿(或記號)，而整個釉面像是標竿移動的距離與流速軌跡的紀錄表格。這紀錄表格竟成了器物的裝飾。\r\n〈包容2009-16〉經過方型、瓶罐器型，改採直筒形式，作者鍥而不捨地嘗試上釉及燒窯的方式，以追尋新的感受。凝固掛垂在直筒瓶口的厚釉，已不再是傳統的「釉感」，而是很實質和坯體相當的存在。(詮釋委員:鄭永國) ","ImageUrl":""}
,{"Identifier":"201203001","MainTitle":"豐年杵歌","Creator":"賴高山","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「蓬萊塗」漆器是台灣獨有的特色，以豐富色彩及豪放技法著稱，題材大多描述臺灣早期庶民生活景像為主，以台灣的特產香蕉、鳳梨、日月潭邵族原住民及蝴蝶蘭等為題材，色彩亮麗、鮮艷，是台灣獨有的特色。1916年，日本漆藝工藝大師山中公在台灣台中設立 「山中工藝美術漆器製作所」，培養王清霜、陳火慶、賴高山三位國寶級漆藝家，各有特色。\r\n賴高山的作品相當費工耗時，他以八雲塗特殊技法，將畫底堆高之後彩繪，再上透明漆，經過彩繪、上漆、研磨推光等，這樣重覆多道的工序，最後才能繪製成品。\r\n臺灣漆藝大師賴高山之子 賴作明 ：「其實我父親的作品，大概是中國人的作品裡面，最耗工費時的，是因為他的畫裡面，有加框條又貼布，雖然我們現在看這個表面看不到，其實畫的裡面蘊含了很多很多工序跟技法。」賴高山1937年以優異成績考進台中工藝專修學校漆工科，1940年由老師推薦進入東京美術學校深造，漆藝師事河面冬山，油畫師事和田三造，2位皆為日本藝壇大師。1947年學成歸國的賴高山致力漆器、油畫藝術之推廣，除了漆器技法上的突破之外，1954年與林之助、顏水龍、楊啟東、呂佛庭等藝壇巨擘，共同發起創立中部美術協會。1974年，與張錫卿、張炳南、張耀熙等名家再創東南美術會，至今仍是推動台中地區文化藝術的主要藝文團體。\r\n 本作品以堆高之技法製造立體之效果，呈現出整體立體之美感，以貝殼沙灑在厚塗透漆上，待透漆乾燥與貝殼沙緊密連結，連續數次直到完成一定厚度，再予繪畫三層、研磨、推光、打蠟。作品具有四十年代蓬萊漆器上的原住民與九○年代的漆畫技法融合，取材原住民邵族最隆重的祭典儀式與身著傳統服飾婦女及臺灣特有植物，香蕉、木瓜，慶祝豐收的歡喜，傳達「台灣人要畫本地代表特色」，是作者最具代表性的作品。(詮釋委員:江韶瑩)\r\n","ImageUrl":""}
,{"Identifier":"201203002","MainTitle":"山影","Creator":"賴高山","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"台灣知名漆藝師賴高山，所創作這件「山影」漆器，是他結合古典主義與抽象主義的特殊之作。\r\n 以傳統高脚供盤為造形思維，運用夾紵脫胎、貝殼貼付、變塗等技法，逐次完成大型供盤商腳圓座圈足的器形。圈足圓座底部以山形圖案為主，作品色彩黃黑變塗，研磨成光影表現；點綴邵族的年祭、身著傳統服飾的婦女、象徵豐收意涵的舂石音、生意盎然的果樹、秋實中金黃色的稻穗與原野，映現日月潭耐人尋味雋永的人文風光。\r\n 器之上沿則以藍色為基調，配上貝殼貼付，展現湖色湛藍，雲影天光。湖面中央，以蕾絲貼付襯托湖光山色的優雅美麗也隱喻日月潭所蘊含的景觀文化之美。(詮釋委員:簡榮聰)\r\n","ImageUrl":""}
,{"Identifier":"201203003","MainTitle":"運河邊","Creator":"賴高山","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"雖有野生漆樹，卻無漆料生產，故早期民間日用或習俗所需漆器，多仰賴大陸閩、粵所產。直至日據時代日本人自越南引進漆種，大量種植，採收漆料；並設學校培養人才，製作漆器，始建立台灣品牌的漆藝；日據時代所謂「蓬萊塗」，即屬真正台灣風格的漆藝。賴高山為第一代台灣本土漆藝代表。 「蓬萊塗」除具備實用功能的器物外，還發展了純供觀賞如掛飾等漆繪作品。賴高山此件＜運河＞，可謂典型代表作，主題表現馬來西亞麻六甲運河邊閩南式建築聚落風情；結合多種漆藝技巧，如在木板上雕刻圖案後，以生漆固胎，髹塗朱漆，再填色漆，貼貝殼砂、蛋殼，呈現如幻似真的美感。(詮釋委員:莊伯和) ","ImageUrl":""}
,{"Identifier":"201204001","MainTitle":"螢火蟲","Creator":"創作者：羅芬芬","CreatedYear":"","Size":"單件鑄鐵架尺寸;共計12件鑄鐵架（含天花板垂吊3件），附展示用黑石卵一批（鋪陳底部）。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201204001001","MainTitle":"螢火蟲-1","Creator":"創作者：羅芬芬","CreatedYear":"","Size":"單件鑄鐵架尺寸;共計12件鑄鐵架（含天花板垂吊3件），附展示用黑石卵一批（鋪陳底部）。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjA0MDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201204001002","MainTitle":"螢火蟲-2","Creator":"創作者：羅芬芬","CreatedYear":"","Size":"單件鑄鐵架尺寸;共計12件鑄鐵架（含天花板垂吊3件），附展示用黑石卵一批（鋪陳底部）。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjA0MDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201204001003","MainTitle":"螢火蟲-3","Creator":"創作者：羅芬芬","CreatedYear":"","Size":"單件鑄鐵架尺寸;共計12件鑄鐵架（含天花板垂吊3件），附展示用黑石卵一批（鋪陳底部）。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjA0MDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201204001004","MainTitle":"螢火蟲-4","Creator":"創作者：羅芬芬","CreatedYear":"","Size":"單件鑄鐵架尺寸;共計12件鑄鐵架（含天花板垂吊3件），附展示用黑石卵一批（鋪陳底部）。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjA0MDAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201204001005","MainTitle":"螢火蟲-5","Creator":"創作者：羅芬芬","CreatedYear":"","Size":"單件鑄鐵架尺寸;共計12件鑄鐵架（含天花板垂吊3件），附展示用黑石卵一批（鋪陳底部）。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjA0MDAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201204001006","MainTitle":"螢火蟲-6","Creator":"創作者：羅芬芬","CreatedYear":"","Size":"單件鑄鐵架尺寸;共計12件鑄鐵架（含天花板垂吊3件），附展示用黑石卵一批（鋪陳底部）。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjA0MDAxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201204001007","MainTitle":"螢火蟲-7","Creator":"創作者：羅芬芬","CreatedYear":"","Size":"單件鑄鐵架尺寸;共計12件鑄鐵架（含天花板垂吊3件），附展示用黑石卵一批（鋪陳底部）。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjA0MDAxMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201204001008","MainTitle":"螢火蟲-8","Creator":"創作者：羅芬芬","CreatedYear":"","Size":"單件鑄鐵架尺寸;共計12件鑄鐵架（含天花板垂吊3件），附展示用黑石卵一批（鋪陳底部）。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjA0MDAxMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201204001009","MainTitle":"螢火蟲-9","Creator":"創作者：羅芬芬","CreatedYear":"","Size":"單件鑄鐵架尺寸;共計12件鑄鐵架（含天花板垂吊3件），附展示用黑石卵一批（鋪陳底部）。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjA0MDAxMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201204001010","MainTitle":"螢火蟲-10","Creator":"創作者：羅芬芬","CreatedYear":"","Size":"單件鑄鐵架尺寸;共計12件鑄鐵架（含天花板垂吊3件），附展示用黑石卵一批（鋪陳底部）。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjA0MDAxMDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201204001011","MainTitle":"螢火蟲-11","Creator":"創作者：羅芬芬","CreatedYear":"","Size":"單件鑄鐵架尺寸;共計12件鑄鐵架（含天花板垂吊3件），附展示用黑石卵一批（鋪陳底部）。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjA0MDAxMDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201204001012","MainTitle":"螢火蟲-12","Creator":"創作者：羅芬芬","CreatedYear":"","Size":"單件鑄鐵架尺寸;共計12件鑄鐵架（含天花板垂吊3件），附展示用黑石卵一批（鋪陳底部）。","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjA0MDAxMDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201301001","MainTitle":"口唱心和","Creator":"創作者：張世蓉","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這組生動的原民群像雕塑，展現孩童們坐在樹幹上渾然忘我的歌唱神情。他們身上穿著代表排灣族文化特色的背心與頭飾，從胸前細部的縫貝、身後的百步蛇紋飾與陶甕圖騰可判斷，以及手腕配帶的琉璃珠鍊與頭上的山豬獠牙頭飾，可見創作者觀察入微，手法細膩，將族群特色具體而微地彰顯出來。\n\n以陶土捏塑，施以土色系釉色與透明釉，最後以瓦斯窯1240℃高溫還原燒成，整體大地色系的群像，與原民生活的風土相襯，彰顯部落文化中人與自然和諧共處的精神，五個孩子手搭手肩靠肩，他們閉眼張口，面容專注寧靜，彷彿凝佇在時空片刻中，靜默卻彷如有樂音。\n\n創作者張世蓉1959年出生於臺灣臺東；1995年師承李永明老師習陶，舉辦多次個展與聯展，於2012年獲得臺灣工藝競賽傳統工藝組一等獎，作品受到各界矚目（註1）。並曾於臺東縣政府文化處、臺東縣國小（豐里、東成、賓朗、新園）、臺東部落大學、臺東泰源技能訓練所與國立臺東專科學校擔任陶藝指導老師。作品從早期的鄉土小民到原住民族的生活情態，以現代陶藝技法將臺東特有的文化族群融入自己多年的陶藝創作經驗中。於2012年成立陶屋工房，以陶為媒材，張世蓉希望將藝術融入生活美學中，願望是「希望做一屋子的陶，將房子裡的陶藝創作品和大家分享。」（註2）（詮釋委員：杜文田）\n\n註1臺灣工藝研究發展中心舉辦的全國性「臺灣工藝競賽」分為「傳統工藝」及「創新設計」兩大類組，今年2012年共計受理661件參賽作品，有90件入選、其中27組作品獲獎、（兩組各十名佳作與一、二、三等和新光三越特別獎）。其中「傳統工藝組」最高獎項「一等獎」由臺東縣的陶藝家張世蓉獲得此項殊榮，也是項競賽開辦以來，臺東縣參賽作品中獲得的最高榮譽。資料來源：文化部>文化新聞 https://www.moc.gov.tw/News_Content.aspx?n=105&s=45081\n\n註2臺東聚落回聲 >識職人>張世蓉 http://www.echotaitung.tw/index.php?Act=1&SK=2120&MK=0&PK=3","ImageUrl":""}
,{"Identifier":"201301002","MainTitle":"明潭山居圖","Creator":"創作者：王佩雯","CreatedYear":"","Size":"附棉布包裝袋及木箱；另2片屏風收納時，使用之襯布。\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201301003","MainTitle":"水的線條","Creator":"創作者：林國信","CreatedYear":"","Size":"壺約30×30×20(2個) 杯約6×6× (5個) 匙約15×2×1(2個)\r\n附木質底座（底座上有1洞，可固定匙）","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「水的線條」是林國信於2012年臺灣工藝競賽中獲得傳統工藝組第三名的作品。這件作品旨在表現水紋線條的微妙變化，展現了作者運用金屬工藝展現對於形態質感的深刻理解。整體以自然寫意構圖，讓人有如置身水岸旁聽得到潺潺水聲。\n林國信運用鍛敲技術將銀材塑造成壺身，並以木目金技法製作握柄，讓整體設計流暢且富有質感。壺身的水滴型設計，隨著焊接的延伸，彷彿涓涓細水，讓觀賞者在欣賞中感受到具象與抽象的交融。這件作品不僅是對傳統工藝創新，更是作者努力掙脫傳統束縛的象徵，展現出旺盛的創造力。作品傳遞其獨特的視野和設計理念，讓人感受到水的流動與生命的延續，傳遞出深刻的哲學思考與寬闊之人生觀。（詮釋委員：陳國珍）","ImageUrl":""}
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,{"Identifier":"201301003006","MainTitle":"水的線條","Creator":"製作者：林國信","CreatedYear":"","Size":" 附木質底座（底座上有1洞，可固定匙）","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAxMDAzMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201301003007","MainTitle":"水的線條","Creator":"製作者：林國信","CreatedYear":"","Size":"附木質底座（底座上有1洞，可固定匙）","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAxMDAzMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201301003008","MainTitle":"水的線條","Creator":"製作者：林國信","CreatedYear":"","Size":" 附木質底座（底座上有1洞，可固定匙）","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAxMDAzMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201301003009","MainTitle":"水的線條","Creator":"製作者：林國信","CreatedYear":"","Size":" 附木質底座（底座上有1洞，可固定匙）","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAxMDAzMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201301004","MainTitle":"Love Seed","Creator":"創作者：黃美馨","CreatedYear":"","Size":"1.200301004.001（立鐘）：直立式；附1鐘垂（水滴形）。\r\n2.201301004.002（掛一）： 2掛勾；附1鐘垂（圓柱形）。\r\n2.201301004.003（掛二）：2掛勾；附1鐘垂（長圓柱形），放置於002木箱內。\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這組作品有三件計時器，包含中間一座可放置於檯面上的立鐘與左右兩件可上牆的掛鐘。計時的鐘面皆是以木製齒輪組合的傳動系統，依據機械時鐘的原理，垂吊銀與銅塊擺錘作為發條動力。立鐘以如蕨類捲曲的流線木柱搭配動力齒輪的機械裝置，唯美中有精密的重力位能與齒輪傳動運轉，交錯間流洩出光影圖騰，配合轉動節奏形成如漣漪般的幻影，不僅是具報時功能的機械鐘，也是室內具裝飾性的雕塑品，讓等候與徘徊者從視覺與聽覺中享受獨有的時空氛圍；如同回到二十世紀初歐美興起的裝飾藝術風潮與蒸氣龐克的應用。\n\n以硬木中較易於加工的胡桃木與臺灣紫檀作為曲線立柱與木製齒輪的主要材料，並鍛敲銀材成如蕨葉線條般的銀棒穿插輔助齒輪掛鐘，尾端飾有一隻銀製的小瓢蟲，瓢蟲翅膀打開可見其內裝置是上發條的小鐘。在計算與組合齒輪的整體組織與架構能力中，可見以線鋸機切割齒輪的細膩精工以及金工創作上的亮眼表現；木材種類的色系運用及與金屬材質結合的比例上，完美融合，實屬出自工藝之心的頂真傑作。\n\n創作者黃美馨來自澎湖，2012年尚在求學時期就以決心與實力成功地挑戰了工藝之夢，作品在由文化部指導、臺灣工藝研究發展中心與新光三越共同舉辦的臺灣工藝競賽當中，獲得創新設計組一等獎；2014年她參加新北市工藝設計青年獎（該年以金屬工藝為競賽主軸）取得佳作，2016年國立臺灣藝術大學工藝設計學系碩士畢業。（詮釋委員：杜文田）\n\n參考資料：臺灣工藝研究發展中心藏品查詢資訊系統https://collections.culture.tw/ntcri_collectionsweb/collection.aspx?GID=M8MSMSMHM2","ImageUrl":""}
,{"Identifier":"201301005","MainTitle":"豆干長椅","Creator":"設計者：韓昌志
製作者：正格原木","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201301006","MainTitle":"翻轉","Creator":"創作者：黃淑蘭","CreatedYear":"","Size":"倒裝壺：25×12×10碗：12×1×5(2個)、壓克力底座:50×50\r\n*附2透明壓克力展示台座（1大1小）；及1塊玻璃展示台。 ","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「翻轉」是黃淑蘭於2012年臺灣工藝競賽中獲得創新設計組第三名的作品，靈感源自中國傳統的「倒裝壺」。整體的特殊銀白金屬與藍色系表達了作者提醒大眾對地球的重視與愛護。\n透過手工鍛敲在99.99%純錫材料技術來成形，並以漆技法裝飾表面，展現出簡潔而清新的造型。作品的表面紋飾巧妙地保留了鍛敲過程中留下的工作痕跡，並以藍、白色漆料填充，經過打磨後形成了獨特的花紋，彷彿從外太空俯瞰的藍色海洋與白雲。\n「翻轉」的倒裝壺結構被賦予象徵「換個角度生活」和「產生新樂趣」的生活態度，作者希望能讓使用者與觀賞者在寧靜中休憩，回歸到初心純真的瞬間，感受自然的多變與美好。這件作品不僅是一件茶具，更是一種生活哲學的體現。（詮釋委員：陳國珍）","ImageUrl":""}
,{"Identifier":"201301006001","MainTitle":"翻轉","Creator":"黃淑蘭","CreatedYear":"","Size":"倒裝壺：25×12×10碗：12×1×5(2個)、壓克力底座:50×50\r\n*附2透明壓克力展示台座（1大1小）；及1塊玻璃展示台。 ","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAxMDA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201301006002","MainTitle":"翻轉","Creator":"黃淑蘭","CreatedYear":"","Size":"倒裝壺：25×12×10碗：12×1×5(2個)、壓克力底座:50×50\r\n*附2透明壓克力展示台座（1大1小）；及1塊玻璃展示台。 ","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAxMDA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201301006003","MainTitle":"翻轉","Creator":"黃淑蘭","CreatedYear":"","Size":"倒裝壺：25×12×10碗：12×1×5(2個)、壓克力底座:50×50\r\n*附2透明壓克力展示台座（1大1小）；及1塊玻璃展示台。 ","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAxMDA2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201302001","MainTitle":"西遊記","Creator":"陳萬能","CreatedYear":"","Size":"單件尺寸詳部件資料。","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"《西遊記》是家喻戶曉的神話故事，描述唐三藏前往西天取經的路上，與孫悟空、豬八戒、沙悟淨及白龍馬，師徒五人歷經十四年寒暑、九九八十一磨難，大戰各路妖魔鬼怪，最後達到西天取回真經。作者以浪漫主義的想像力，在人物形象塑造上，把人、神和動物原型的特點，巧妙的結合在一起，刻畫了四位主角鮮明的個性、神奇瑰麗似假亦真的虛幻神話世界。\r\n 場景選擇故事中最經典的情境：唐三藏騎著白龍馬居中，沙悟淨手直指著一個筋斗十萬八千里、騰雲駕霧在高山上張望護衛的孫悟空，回首呼喊著負重難行又落後、慢吞吞的豬八戒，得加緊趕上在前探路的大師兄。以人物的高度差和透視景深，強調空間的距離感；細節的描寫，如孫行者的如意金箍棒、豬悟能的上寶沁晶耙、經匣和僧帽、沙和尚的降妖月靈鏟，歷歷在目；整組人物以富於動態的袍服袈裟和誇張姿態呈現，雖然手法詼諧、逗趣，卻合理又真實，更符合觀看者心裡的幻象預期。\r\n 傳統錫藝多為製作香爐、五賽瓶供、柑燈蠋台等，陳萬能藝師是創作錫藝第一人，充分掌握錫的金屬延展、光澤、結晶和可剪折的特性，並以細微的觀察、豐富的民俗知識和創新的技法，開啟新的錫工藝藝術創作；本件《西遊記》以錫片手工反面敲打成型，再經一片一片塑形焊接組合、銼修、削光、砂磨、擦洗、拋光拋亮而成。部分再貼上金箔，如唐三藏身披的錦爛異寶袈裟，或上漆染黑，如八戒身上的僧袍等，最後再上漆、念珠綴飾而大功告成，件件精采。(詮釋委員:江韶瑩)\r\n","ImageUrl":""}
,{"Identifier":"201302001001","MainTitle":"西遊記-孫悟空","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201302001002","MainTitle":"西遊記-豬八戒","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201302001003","MainTitle":"西遊記-沙悟淨","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201302001004","MainTitle":"西遊記-唐三藏","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201302002","MainTitle":"太平有象","Creator":"陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「太平有象」作品外觀呈現上窄下寬的三角錐穩固造型，透過由上到下的寬度擴張，延伸出八卦卦理的具象變化。\n其外型含義為，最上層的四角花瓶中肚鑲入圓形貝殼圖案，其中的兩魚圖騰代表太極陰陽呈現「兩儀」。有四隻象鼎立花瓶代表春夏秋冬的四時與東南西北四向的「四象」。最底層八角底座則為代表的基本物象是乾象天、兌象澤、離象火、震象雷、巽象風、坎象水、艮象山、坤象地，古代認為這是宇宙最明顯的八種物象為「八卦」。花瓶在東方字義上取之瓶有「平安」的意思，搭配大象有「跡象」與「希望」的意義，結合成「太平有象」，除了富饒豐盛的象徵外，也是對天下太平的期望。（詮釋委員：陳志昇）","ImageUrl":""}
,{"Identifier":"201302003","MainTitle":"龍龜檀香爐","Creator":"陳萬能","CreatedYear":"","Size":"附一拖盤","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"龍龜為東方傳說的吉祥神獸，有鎮守和權力地位的象徵，外型是一種兼具龍和龜形態的生物，模樣為龍首、龍足、龍尾，身體部位則為龜甲狀。長龍能代表古代帝王與權力的象徵，而龜在東方有長生長壽的意義，兩種結合除了有天長地久的意義外同時也代表常榮興盛與長壽的期望。\n此件龍龜作品的形體主要以純錫片搭配紅銅片逐步鍛打後焊接成型，身上的鱗片為一片一片焊接而成。主體利用龜身作為檀香爐的部份，上層龜殼為活動式，如同爐蓋的功能，由紅銅片敲打而成並鑿出孔洞以利檀香煙竄。作品不僅平時可當靜態擺設外，也具備了檀香爐的使用功能。（詮釋委員：陳志昇）","ImageUrl":""}
,{"Identifier":"201302004","MainTitle":"貼金九龍屏風","Creator":"陳萬能","CreatedYear":"","Size":"附2件檯座固定屏風（含4支黑色釘子）。\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「貼金九龍屏風」以正面半浮狀的蟒龍作為屏風的主題，使用不銹鋼網作為框架中間支撐的結構，透過簍空的方式讓猛龍呈現身處於雲中的懸浮空間感。\n整條龍以錫片打造後全身貼以純金箔以顯露出高貴氣勢，搭配同樣以錫為基底再上色的五彩雲朵，並以紅銅片經敲打製成的火焰圍繞陪襯，讓整體營造出華麗的視覺氛圍，四周圍繞八條小龍構成黑色木框的九龍屏風。右上方似亞字為「王」亦代表王權、左上方有螺旋紋的圓形物為抽象的「貝螺」源自清朝的圖樣，有掌握天下權力的象徵。屏風大部份放於出入口，其功能除了主要保有隱私功能外也有擋煞避邪的作用。（詮釋委員：陳志昇）","ImageUrl":""}
,{"Identifier":"201302005","MainTitle":"媽祖、千里眼、順風耳","Creator":"陳萬能","CreatedYear":"","Size":"單件尺寸詳部件資料。","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本組媽祖與千里眼、順風耳三件作品均為純錫片敲打焊接而成，內部均為空心狀，為求長期存放的穩固，內部都有金屬筋條架構支撐。以工藝的製作過程，為逐步焊接構成的「加法」，不同於一般實心木、石雕的刻鑿削去成型的「減法」。\n錫的熔點比一般金屬的鐵、銅低，因此在錫片敲打前中並不需要加熱退火就可直接鍛打塑形，另外製作過程中因錫片與錫片焊接時的材料也是同材質，在熔接後銼修處就看不出接縫，很容易被誤認為是實心鑄造或脫蠟而成。此組作品保留了大部份元素材金屬錫的原色，主要以貼金或局部上色來增加表現的色彩。\n神祇若曾有被歷代君王受封帝后後才能乘坐鳳輦，本件特別製作鳳輦座椅來表現媽祖的尊貴。（詮釋委員：陳志昇）","ImageUrl":""}
,{"Identifier":"201302005001","MainTitle":"媽祖、千里眼、順風耳","Creator":"製作者：陳萬能","CreatedYear":"","Size":"附玻璃框罩（開門式、作品固定）\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201302005002","MainTitle":"媽祖、千里眼、順風耳","Creator":"製作者：陳萬能","CreatedYear":"","Size":"附玻璃框罩（開門式、作品固定）","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201302005003","MainTitle":"媽祖、千里眼、順風耳","Creator":"製作者：陳萬能","CreatedYear":"","Size":"附玻璃框罩（開門式、作品固定）","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201302006","MainTitle":"儀杖組","Creator":"陳萬能","CreatedYear":"","Size":"為放置9件儀仗不銹鋼檯座之尺寸","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"儀仗本為帝王護衛所持之兵器，衍用於民間信仰賦予威武驅邪之意涵，寺廟的儀仗也象徵著神明的神格位階。儀仗平時置於寺廟兩側，神明遶境活動時，與涼傘、繡旗、執事牌等陣頭同行，隨侍出巡護衛神尊。全副儀仗有36件，本作品有18件，屬於半副儀仗。\r\n台灣寺廟之儀仗大都為木造，錫製儀仗比較罕見。\r\n本作品為錫藝大師陳萬能所製作。18件儀仗杖頭以純錫手工打造，作龍頭、矛、通天化戟、靈蛇、日輪、槍、雲龍、立瓜鎚、大戟、鳳首、鰲斧、鳳毛、雙錢槍、月輪、鉤、判官筆、大刀、立瓜鎚等18種造形。並以鑲嵌彩珠以及安金箔做裝飾。\r\n18件儀仗分別插置於兩座杖架上，杖架與杖桿並未使用錫材，而是以不鏽鋼製作，乃為顧及堅牢之實用機能。(詮釋委員:黃志農)\r\n","ImageUrl":""}
,{"Identifier":"201302006001","MainTitle":"儀杖組-龍頭柺","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"儀仗本為帝王護衛所持之兵器，衍用於民間信仰賦予威武驅邪之意涵，寺廟的儀仗也象徵著神明的神格位階。儀仗平時置於寺廟兩側，神明遶境活動時，與涼傘、繡旗、執事牌等陣頭同行，隨侍出巡護衛神尊。全副儀仗有36件，本作品有18件，屬於半副儀仗。\r\n台灣寺廟之儀仗大都為木造，錫製儀仗比較罕見。\r\n本作品為錫藝大師陳萬能所製作。18件儀仗杖頭以純錫手工打造，作龍頭、矛、通天化戟、靈蛇、日輪、槍、雲龍、立瓜鎚、大戟、鳳首、鰲斧、鳳毛、雙錢槍、月輪、鉤、判官筆、大刀、立瓜鎚等18種造形。並以鑲嵌彩珠以及安金箔做裝飾。\r\n18件儀仗分別插置於兩座杖架上，杖架與杖桿並未使用錫材，而是以不鏽鋼製作，乃為顧及堅牢之實用機能。(詮釋委員:黃志農)\r\n","ImageUrl":""}
,{"Identifier":"201302006002","MainTitle":"儀杖組-方天晝戟","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"儀仗本為帝王護衛所持之兵器，衍用於民間信仰賦予威武驅邪之意涵，寺廟的儀仗也象徵著神明的神格位階。儀仗平時置於寺廟兩側，神明遶境活動時，與涼傘、繡旗、執事牌等陣頭同行，隨侍出巡護衛神尊。全副儀仗有36件，本作品有18件，屬於半副儀仗。\r\n台灣寺廟之儀仗大都為木造，錫製儀仗比較罕見。\r\n本作品為錫藝大師陳萬能所製作。18件儀仗杖頭以純錫手工打造，作龍頭、矛、通天化戟、靈蛇、日輪、槍、雲龍、立瓜鎚、大戟、鳳首、鰲斧、鳳毛、雙錢槍、月輪、鉤、判官筆、大刀、立瓜鎚等18種造形。並以鑲嵌彩珠以及安金箔做裝飾。\r\n18件儀仗分別插置於兩座杖架上，杖架與杖桿並未使用錫材，而是以不鏽鋼製作，乃為顧及堅牢之實用機能。(詮釋委員:黃志農)\r\n","ImageUrl":""}
,{"Identifier":"201302006003","MainTitle":"儀杖組-日輪","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"儀仗本為帝王護衛所持之兵器，衍用於民間信仰賦予威武驅邪之意涵，寺廟的儀仗也象徵著神明的神格位階。儀仗平時置於寺廟兩側，神明遶境活動時，與涼傘、繡旗、執事牌等陣頭同行，隨侍出巡護衛神尊。全副儀仗有36件，本作品有18件，屬於半副儀仗。\r\n台灣寺廟之儀仗大都為木造，錫製儀仗比較罕見。\r\n本作品為錫藝大師陳萬能所製作。18件儀仗杖頭以純錫手工打造，作龍頭、矛、通天化戟、靈蛇、日輪、槍、雲龍、立瓜鎚、大戟、鳳首、鰲斧、鳳毛、雙錢槍、月輪、鉤、判官筆、大刀、立瓜鎚等18種造形。並以鑲嵌彩珠以及安金箔做裝飾。\r\n18件儀仗分別插置於兩座杖架上，杖架與杖桿並未使用錫材，而是以不鏽鋼製作，乃為顧及堅牢之實用機能。(詮釋委員:黃志農)\r\n","ImageUrl":""}
,{"Identifier":"201302006004","MainTitle":"儀杖組-矛","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"儀仗本為帝王護衛所持之兵器，衍用於民間信仰賦予威武驅邪之意涵，寺廟的儀仗也象徵著神明的神格位階。儀仗平時置於寺廟兩側，神明遶境活動時，與涼傘、繡旗、執事牌等陣頭同行，隨侍出巡護衛神尊。全副儀仗有36件，本作品有18件，屬於半副儀仗。\r\n台灣寺廟之儀仗大都為木造，錫製儀仗比較罕見。\r\n本作品為錫藝大師陳萬能所製作。18件儀仗杖頭以純錫手工打造，作龍頭、矛、通天化戟、靈蛇、日輪、槍、雲龍、立瓜鎚、大戟、鳳首、鰲斧、鳳毛、雙錢槍、月輪、鉤、判官筆、大刀、立瓜鎚等18種造形。並以鑲嵌彩珠以及安金箔做裝飾。\r\n18件儀仗分別插置於兩座杖架上，杖架與杖桿並未使用錫材，而是以不鏽鋼製作，乃為顧及堅牢之實用機能。(詮釋委員:黃志農)\r\n","ImageUrl":""}
,{"Identifier":"201302006005","MainTitle":"儀杖組-靈蛇","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA2MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"儀仗本為帝王護衛所持之兵器，衍用於民間信仰賦予威武驅邪之意涵，寺廟的儀仗也象徵著神明的神格位階。儀仗平時置於寺廟兩側，神明遶境活動時，與涼傘、繡旗、執事牌等陣頭同行，隨侍出巡護衛神尊。全副儀仗有36件，本作品有18件，屬於半副儀仗。\r\n台灣寺廟之儀仗大都為木造，錫製儀仗比較罕見。\r\n本作品為錫藝大師陳萬能所製作。18件儀仗杖頭以純錫手工打造，作龍頭、矛、通天化戟、靈蛇、日輪、槍、雲龍、立瓜鎚、大戟、鳳首、鰲斧、鳳毛、雙錢槍、月輪、鉤、判官筆、大刀、立瓜鎚等18種造形。並以鑲嵌彩珠以及安金箔做裝飾。\r\n18件儀仗分別插置於兩座杖架上，杖架與杖桿並未使用錫材，而是以不鏽鋼製作，乃為顧及堅牢之實用機能。(詮釋委員:黃志農)\r\n","ImageUrl":""}
,{"Identifier":"201302006006","MainTitle":"儀杖組-鉸","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA2MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"儀仗本為帝王護衛所持之兵器，衍用於民間信仰賦予威武驅邪之意涵，寺廟的儀仗也象徵著神明的神格位階。儀仗平時置於寺廟兩側，神明遶境活動時，與涼傘、繡旗、執事牌等陣頭同行，隨侍出巡護衛神尊。全副儀仗有36件，本作品有18件，屬於半副儀仗。\r\n台灣寺廟之儀仗大都為木造，錫製儀仗比較罕見。\r\n本作品為錫藝大師陳萬能所製作。18件儀仗杖頭以純錫手工打造，作龍頭、矛、通天化戟、靈蛇、日輪、槍、雲龍、立瓜鎚、大戟、鳳首、鰲斧、鳳毛、雙錢槍、月輪、鉤、判官筆、大刀、立瓜鎚等18種造形。並以鑲嵌彩珠以及安金箔做裝飾。\r\n18件儀仗分別插置於兩座杖架上，杖架與杖桿並未使用錫材，而是以不鏽鋼製作，乃為顧及堅牢之實用機能。(詮釋委員:黃志農)\r\n","ImageUrl":""}
,{"Identifier":"201302006007","MainTitle":"儀杖組-判官筆","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA2MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"儀仗本為帝王護衛所持之兵器，衍用於民間信仰賦予威武驅邪之意涵，寺廟的儀仗也象徵著神明的神格位階。儀仗平時置於寺廟兩側，神明遶境活動時，與涼傘、繡旗、執事牌等陣頭同行，隨侍出巡護衛神尊。全副儀仗有36件，本作品有18件，屬於半副儀仗。\r\n台灣寺廟之儀仗大都為木造，錫製儀仗比較罕見。\r\n本作品為錫藝大師陳萬能所製作。18件儀仗杖頭以純錫手工打造，作龍頭、矛、通天化戟、靈蛇、日輪、槍、雲龍、立瓜鎚、大戟、鳳首、鰲斧、鳳毛、雙錢槍、月輪、鉤、判官筆、大刀、立瓜鎚等18種造形。並以鑲嵌彩珠以及安金箔做裝飾。\r\n18件儀仗分別插置於兩座杖架上，杖架與杖桿並未使用錫材，而是以不鏽鋼製作，乃為顧及堅牢之實用機能。(詮釋委員:黃志農)\r\n","ImageUrl":""}
,{"Identifier":"201302006008","MainTitle":"儀杖組-大刀","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA2MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"儀仗本為帝王護衛所持之兵器，衍用於民間信仰賦予威武驅邪之意涵，寺廟的儀仗也象徵著神明的神格位階。儀仗平時置於寺廟兩側，神明遶境活動時，與涼傘、繡旗、執事牌等陣頭同行，隨侍出巡護衛神尊。全副儀仗有36件，本作品有18件，屬於半副儀仗。\r\n台灣寺廟之儀仗大都為木造，錫製儀仗比較罕見。\r\n本作品為錫藝大師陳萬能所製作。18件儀仗杖頭以純錫手工打造，作龍頭、矛、通天化戟、靈蛇、日輪、槍、雲龍、立瓜鎚、大戟、鳳首、鰲斧、鳳毛、雙錢槍、月輪、鉤、判官筆、大刀、立瓜鎚等18種造形。並以鑲嵌彩珠以及安金箔做裝飾。\r\n18件儀仗分別插置於兩座杖架上，杖架與杖桿並未使用錫材，而是以不鏽鋼製作，乃為顧及堅牢之實用機能。(詮釋委員:黃志農)\r\n","ImageUrl":""}
,{"Identifier":"201302006009","MainTitle":"儀杖組-立瓜鎚","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA2MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"儀仗本為帝王護衛所持之兵器，衍用於民間信仰賦予威武驅邪之意涵，寺廟的儀仗也象徵著神明的神格位階。儀仗平時置於寺廟兩側，神明遶境活動時，與涼傘、繡旗、執事牌等陣頭同行，隨侍出巡護衛神尊。全副儀仗有36件，本作品有18件，屬於半副儀仗。\r\n台灣寺廟之儀仗大都為木造，錫製儀仗比較罕見。\r\n本作品為錫藝大師陳萬能所製作。18件儀仗杖頭以純錫手工打造，作龍頭、矛、通天化戟、靈蛇、日輪、槍、雲龍、立瓜鎚、大戟、鳳首、鰲斧、鳳毛、雙錢槍、月輪、鉤、判官筆、大刀、立瓜鎚等18種造形。並以鑲嵌彩珠以及安金箔做裝飾。\r\n18件儀仗分別插置於兩座杖架上，杖架與杖桿並未使用錫材，而是以不鏽鋼製作，乃為顧及堅牢之實用機能。(詮釋委員:黃志農)\r\n","ImageUrl":""}
,{"Identifier":"201302006010","MainTitle":"儀杖組-鰲斧","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA2MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"儀仗本為帝王護衛所持之兵器，衍用於民間信仰賦予威武驅邪之意涵，寺廟的儀仗也象徵著神明的神格位階。儀仗平時置於寺廟兩側，神明遶境活動時，與涼傘、繡旗、執事牌等陣頭同行，隨侍出巡護衛神尊。全副儀仗有36件，本作品有18件，屬於半副儀仗。\r\n台灣寺廟之儀仗大都為木造，錫製儀仗比較罕見。\r\n本作品為錫藝大師陳萬能所製作。18件儀仗杖頭以純錫手工打造，作龍頭、矛、通天化戟、靈蛇、日輪、槍、雲龍、立瓜鎚、大戟、鳳首、鰲斧、鳳毛、雙錢槍、月輪、鉤、判官筆、大刀、立瓜鎚等18種造形。並以鑲嵌彩珠以及安金箔做裝飾。\r\n18件儀仗分別插置於兩座杖架上，杖架與杖桿並未使用錫材，而是以不鏽鋼製作，乃為顧及堅牢之實用機能。(詮釋委員:黃志農)\r\n","ImageUrl":""}
,{"Identifier":"201302006011","MainTitle":"儀杖組-鳳毛","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA2MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"儀仗本為帝王護衛所持之兵器，衍用於民間信仰賦予威武驅邪之意涵，寺廟的儀仗也象徵著神明的神格位階。儀仗平時置於寺廟兩側，神明遶境活動時，與涼傘、繡旗、執事牌等陣頭同行，隨侍出巡護衛神尊。全副儀仗有36件，本作品有18件，屬於半副儀仗。\r\n台灣寺廟之儀仗大都為木造，錫製儀仗比較罕見。\r\n本作品為錫藝大師陳萬能所製作。18件儀仗杖頭以純錫手工打造，作龍頭、矛、通天化戟、靈蛇、日輪、槍、雲龍、立瓜鎚、大戟、鳳首、鰲斧、鳳毛、雙錢槍、月輪、鉤、判官筆、大刀、立瓜鎚等18種造形。並以鑲嵌彩珠以及安金箔做裝飾。\r\n18件儀仗分別插置於兩座杖架上，杖架與杖桿並未使用錫材，而是以不鏽鋼製作，乃為顧及堅牢之實用機能。(詮釋委員:黃志農)\r\n","ImageUrl":""}
,{"Identifier":"201302006012","MainTitle":"儀杖組-金錢鎗","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA2MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"儀仗本為帝王護衛所持之兵器，衍用於民間信仰賦予威武驅邪之意涵，寺廟的儀仗也象徵著神明的神格位階。儀仗平時置於寺廟兩側，神明遶境活動時，與涼傘、繡旗、執事牌等陣頭同行，隨侍出巡護衛神尊。全副儀仗有36件，本作品有18件，屬於半副儀仗。\r\n台灣寺廟之儀仗大都為木造，錫製儀仗比較罕見。\r\n本作品為錫藝大師陳萬能所製作。18件儀仗杖頭以純錫手工打造，作龍頭、矛、通天化戟、靈蛇、日輪、槍、雲龍、立瓜鎚、大戟、鳳首、鰲斧、鳳毛、雙錢槍、月輪、鉤、判官筆、大刀、立瓜鎚等18種造形。並以鑲嵌彩珠以及安金箔做裝飾。\r\n18件儀仗分別插置於兩座杖架上，杖架與杖桿並未使用錫材，而是以不鏽鋼製作，乃為顧及堅牢之實用機能。(詮釋委員:黃志農)\r\n","ImageUrl":""}
,{"Identifier":"201302006013","MainTitle":"儀杖組-鳳柺","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA2MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"儀仗本為帝王護衛所持之兵器，衍用於民間信仰賦予威武驅邪之意涵，寺廟的儀仗也象徵著神明的神格位階。儀仗平時置於寺廟兩側，神明遶境活動時，與涼傘、繡旗、執事牌等陣頭同行，隨侍出巡護衛神尊。全副儀仗有36件，本作品有18件，屬於半副儀仗。\r\n台灣寺廟之儀仗大都為木造，錫製儀仗比較罕見。\r\n本作品為錫藝大師陳萬能所製作。18件儀仗杖頭以純錫手工打造，作龍頭、矛、通天化戟、靈蛇、日輪、槍、雲龍、立瓜鎚、大戟、鳳首、鰲斧、鳳毛、雙錢槍、月輪、鉤、判官筆、大刀、立瓜鎚等18種造形。並以鑲嵌彩珠以及安金箔做裝飾。\r\n18件儀仗分別插置於兩座杖架上，杖架與杖桿並未使用錫材，而是以不鏽鋼製作，乃為顧及堅牢之實用機能。(詮釋委員:黃志農)\r\n","ImageUrl":""}
,{"Identifier":"201302006014","MainTitle":"儀杖組-月輪","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA2MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"儀仗本為帝王護衛所持之兵器，衍用於民間信仰賦予威武驅邪之意涵，寺廟的儀仗也象徵著神明的神格位階。儀仗平時置於寺廟兩側，神明遶境活動時，與涼傘、繡旗、執事牌等陣頭同行，隨侍出巡護衛神尊。全副儀仗有36件，本作品有18件，屬於半副儀仗。\r\n台灣寺廟之儀仗大都為木造，錫製儀仗比較罕見。\r\n本作品為錫藝大師陳萬能所製作。18件儀仗杖頭以純錫手工打造，作龍頭、矛、通天化戟、靈蛇、日輪、槍、雲龍、立瓜鎚、大戟、鳳首、鰲斧、鳳毛、雙錢槍、月輪、鉤、判官筆、大刀、立瓜鎚等18種造形。並以鑲嵌彩珠以及安金箔做裝飾。\r\n18件儀仗分別插置於兩座杖架上，杖架與杖桿並未使用錫材，而是以不鏽鋼製作，乃為顧及堅牢之實用機能。(詮釋委員:黃志農)\r\n","ImageUrl":""}
,{"Identifier":"201302006015","MainTitle":"儀杖組-叉","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA2MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"儀仗本為帝王護衛所持之兵器，衍用於民間信仰賦予威武驅邪之意涵，寺廟的儀仗也象徵著神明的神格位階。儀仗平時置於寺廟兩側，神明遶境活動時，與涼傘、繡旗、執事牌等陣頭同行，隨侍出巡護衛神尊。全副儀仗有36件，本作品有18件，屬於半副儀仗。\r\n台灣寺廟之儀仗大都為木造，錫製儀仗比較罕見。\r\n本作品為錫藝大師陳萬能所製作。18件儀仗杖頭以純錫手工打造，作龍頭、矛、通天化戟、靈蛇、日輪、槍、雲龍、立瓜鎚、大戟、鳳首、鰲斧、鳳毛、雙錢槍、月輪、鉤、判官筆、大刀、立瓜鎚等18種造形。並以鑲嵌彩珠以及安金箔做裝飾。\r\n18件儀仗分別插置於兩座杖架上，杖架與杖桿並未使用錫材，而是以不鏽鋼製作，乃為顧及堅牢之實用機能。(詮釋委員:黃志農)\r\n","ImageUrl":""}
,{"Identifier":"201302006016","MainTitle":"儀杖組-雲龍","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA2MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"儀仗本為帝王護衛所持之兵器，衍用於民間信仰賦予威武驅邪之意涵，寺廟的儀仗也象徵著神明的神格位階。儀仗平時置於寺廟兩側，神明遶境活動時，與涼傘、繡旗、執事牌等陣頭同行，隨侍出巡護衛神尊。全副儀仗有36件，本作品有18件，屬於半副儀仗。\r\n台灣寺廟之儀仗大都為木造，錫製儀仗比較罕見。\r\n本作品為錫藝大師陳萬能所製作。18件儀仗杖頭以純錫手工打造，作龍頭、矛、通天化戟、靈蛇、日輪、槍、雲龍、立瓜鎚、大戟、鳳首、鰲斧、鳳毛、雙錢槍、月輪、鉤、判官筆、大刀、立瓜鎚等18種造形。並以鑲嵌彩珠以及安金箔做裝飾。\r\n18件儀仗分別插置於兩座杖架上，杖架與杖桿並未使用錫材，而是以不鏽鋼製作，乃為顧及堅牢之實用機能。(詮釋委員:黃志農)\r\n","ImageUrl":""}
,{"Identifier":"201302006017","MainTitle":"儀杖組-木瓜鎚","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA2MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"儀仗本為帝王護衛所持之兵器，衍用於民間信仰賦予威武驅邪之意涵，寺廟的儀仗也象徵著神明的神格位階。儀仗平時置於寺廟兩側，神明遶境活動時，與涼傘、繡旗、執事牌等陣頭同行，隨侍出巡護衛神尊。全副儀仗有36件，本作品有18件，屬於半副儀仗。\r\n台灣寺廟之儀仗大都為木造，錫製儀仗比較罕見。\r\n本作品為錫藝大師陳萬能所製作。18件儀仗杖頭以純錫手工打造，作龍頭、矛、通天化戟、靈蛇、日輪、槍、雲龍、立瓜鎚、大戟、鳳首、鰲斧、鳳毛、雙錢槍、月輪、鉤、判官筆、大刀、立瓜鎚等18種造形。並以鑲嵌彩珠以及安金箔做裝飾。\r\n18件儀仗分別插置於兩座杖架上，杖架與杖桿並未使用錫材，而是以不鏽鋼製作，乃為顧及堅牢之實用機能。(詮釋委員:黃志農)\r\n","ImageUrl":""}
,{"Identifier":"201302006018","MainTitle":"儀杖組-大戟","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA2MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"儀仗本為帝王護衛所持之兵器，衍用於民間信仰賦予威武驅邪之意涵，寺廟的儀仗也象徵著神明的神格位階。儀仗平時置於寺廟兩側，神明遶境活動時，與涼傘、繡旗、執事牌等陣頭同行，隨侍出巡護衛神尊。全副儀仗有36件，本作品有18件，屬於半副儀仗。\r\n台灣寺廟之儀仗大都為木造，錫製儀仗比較罕見。\r\n本作品為錫藝大師陳萬能所製作。18件儀仗杖頭以純錫手工打造，作龍頭、矛、通天化戟、靈蛇、日輪、槍、雲龍、立瓜鎚、大戟、鳳首、鰲斧、鳳毛、雙錢槍、月輪、鉤、判官筆、大刀、立瓜鎚等18種造形。並以鑲嵌彩珠以及安金箔做裝飾。\r\n18件儀仗分別插置於兩座杖架上，杖架與杖桿並未使用錫材，而是以不鏽鋼製作，乃為顧及堅牢之實用機能。(詮釋委員:黃志農)\r\n","ImageUrl":""}
,{"Identifier":"201302007","MainTitle":"官將首-三人組","Creator":"陳萬能","CreatedYear":"","Size":"附令牌2件、羽毛2支","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"台灣重要錫藝保存者，人間國寶陳萬能，所創作「官將首」作品，及是其神明系列之近作，在風格及技藝上，更較前提昇及突破。\r\n本作品取材台灣社會豐富多元，民間信仰之廟會活動之一，官將首以其身份職責，專司緝拿妖魔鬼怪，並增損善惡人之壽命，故形相威嚴猙獰。\r\n陳萬能以其擅長之錫藝，將錫片以刻、點、揉、抝、折、合及善用青紅銅複合媒材及彩繪，將官將首之形相神韻、動作、架勢,表現淋漓盡致，是作者最具代表性作品之一。\r\n官將首通常在廟會神明出巡時，出現於駕前，盛行於近代台灣社會，更反映了人民追求治安之心理，與對現實社會之無奈，渴望藉神明之力，緝凶賜福之深義，傳達意念深遠。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"201302008","MainTitle":"祝福（竹虎）","Creator":"陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"台灣雖不產虎，但人們對牠並不陌生，尤其時常出現在民俗信仰、美術造型裡，可謂深入人心。 簡單地說，民間取虎之勇猛，代表生命力旺盛，作為鴻圖大展的預兆，又有消災避邪的效用，也成為兒童的守護。 陳萬能此作，更有特殊涵義，他以錫形塑一行走中的老虎，置於花樟木台座上，看來虎虎生風虎旁象徵性地立一株綠竹。原來「虎」與「福」諧音，「錫」與「惜」同音，與「賜」諧音，所以錫虎寓意「惜福」、「賜福」;至於「竹」又與「祝」諧音，因此整件作品象徵「祝福」。(詮釋委員:莊伯和)","ImageUrl":""}
,{"Identifier":"201302009","MainTitle":"龍柱燈","Creator":"陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"龍柱燈為錫藝大師陳萬能之作品，以傳統柑燈之形制加以改造。\r\n柑燈為台灣民間信仰之禮器，擺置於寺廟供桌上，象徵光明；擺置於祠堂與家庭神明廳，則除了象徵光明之外，另有「人丁興旺」、「添丁」之寓意，因為「燈」為「丁」之諧音。\r\n龍柱燈1組2件，主體一上一下作立體龍身盤繞狀，周邊飾以雲朵，龍身與雲朵皆以純錫手工打造，上置紅柑燈粒，金彩分書「鳳毛」、「麟趾」，下置傳統八角底座，底座之裝飾使用模鑄鏤空錫片銲接組合。\r\n龍在傳統上象徵尊貴與吉祥，也代表人們對於飛黃騰達的期望，而龍柱在寺廟建築中更具有多層重要意涵。本作品之雙龍造形，作龍頭上下對望姿態，象徵「陰陽交泰」，造形設計可能受鹿港龍山寺龍柱之影響，因為萬能錫鋪即位於鹿港龍山寺前。(詮釋委員:黃志農)","ImageUrl":""}
,{"Identifier":"201302009001","MainTitle":"龍柱燈-鳳毛(龍高）","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"龍柱燈為錫藝大師陳萬能之作品，以傳統柑燈之形制加以改造。\r\n柑燈為台灣民間信仰之禮器，擺置於寺廟供桌上，象徵光明；擺置於祠堂與家庭神明廳，則除了象徵光明之外，另有「人丁興旺」、「添丁」之寓意，因為「燈」為「丁」之諧音。\r\n龍柱燈1組2件，主體一上一下作立體龍身盤繞狀，周邊飾以雲朵，龍身與雲朵皆以純錫手工打造，上置紅柑燈粒，金彩分書「鳳毛」、「麟趾」，下置傳統八角底座，底座之裝飾使用模鑄鏤空錫片銲接組合。\r\n龍在傳統上象徵尊貴與吉祥，也代表人們對於飛黃騰達的期望，而龍柱在寺廟建築中更具有多層重要意涵。本作品之雙龍造形，作龍頭上下對望姿態，象徵「陰陽交泰」，造形設計可能受鹿港龍山寺龍柱之影響，因為萬能錫鋪即位於鹿港龍山寺前。(詮釋委員:黃志農)","ImageUrl":""}
,{"Identifier":"201302009002","MainTitle":"龍柱燈-麟趾（龍低）","Creator":"製作者：陳萬能","CreatedYear":"","Size":"","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAyMDA5MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"龍柱燈為錫藝大師陳萬能之作品，以傳統柑燈之形制加以改造。\r\n柑燈為台灣民間信仰之禮器，擺置於寺廟供桌上，象徵光明；擺置於祠堂與家庭神明廳，則除了象徵光明之外，另有「人丁興旺」、「添丁」之寓意，因為「燈」為「丁」之諧音。\r\n龍柱燈1組2件，主體一上一下作立體龍身盤繞狀，周邊飾以雲朵，龍身與雲朵皆以純錫手工打造，上置紅柑燈粒，金彩分書「鳳毛」、「麟趾」，下置傳統八角底座，底座之裝飾使用模鑄鏤空錫片銲接組合。\r\n龍在傳統上象徵尊貴與吉祥，也代表人們對於飛黃騰達的期望，而龍柱在寺廟建築中更具有多層重要意涵。本作品之雙龍造形，作龍頭上下對望姿態，象徵「陰陽交泰」，造形設計可能受鹿港龍山寺龍柱之影響，因為萬能錫鋪即位於鹿港龍山寺前。(詮釋委員:黃志農)","ImageUrl":""}
,{"Identifier":"201303001001","MainTitle":"表面張力-1","Creator":"榮木正敏Sakaegi Masatos","CreatedYear":"","Size":"外箱尺寸：46*27*34公分\r\n含外箱重：3900公克\r\n裸重：001-1039公克；002-903公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAzMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201303001002","MainTitle":"表面張力-2","Creator":"榮木正敏Sakaegi Masatos","CreatedYear":"","Size":"外箱尺寸：46*27*34公分\r\n含外箱重：3900公克\r\n裸重：001-1039公克；002-903公克\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzAzMDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304001","MainTitle":"山中公東京美術學校畢業證書","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這份畢業證書是山中 公先生在距今一百多年前，也就是1908年，由當時還是名字為甲谷 公的身分（1921年來臺後改名山中 公）所取得的大學畢業證書。跟大部分的臺灣大學生取得大學學位的年齡雷同，山中 公先生也是在22歲的時候畢業於東京美術學校的「漆工科」（相當於美術學院裡的漆工藝系），東京美術學校也就是目前的日本東京藝術大學的前身，是日本唯一的一所國立藝術大學。\r\n 畢業證書上記載著山中 公先生是日本四國香川縣出生的士族（士族-是日本明治時期政府採取的其中一種身分階層，明治維新後日本政府廢止武士等特權階級身分，創設華族、士族…等四民平等的政策）。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000043768a708b4fd9612ae562f58c5aa3ebb1ff24b186e3369bbe28ec1134b02f22b5d650d32a1d8ea3674b6b88c056cafa0b376228a42db143aa306b1187f396da"}
,{"Identifier":"201304002","MainTitle":"大禮紀念狀","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這份大禮紀念章證書，是山中 公先生當時姓名還是甲谷 公先生（1921年來臺後改名山中 公），在1915年末，時值29歲時，由日本帝國賞勳局（日本內閣府的內部部局之一，負責勳章、獎章與榮典等相關事務的管理）所頒發的。受賞時山中 公先生的身分是大學畢業後從1909～1916年（明治42年～大正5年），擔任日本香川縣縣立工藝學校的高中教師時所獲得的榮譽。相對於這張證書，推斷當時應該也領受到了一枚金屬的勳章。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000001be4c468677cc7a9596d1a903ddfb2f6af0df8874bfa4bc816e903ff2b0c21ed9664a598e7fa6979fcf5d368a0f59227ef1be3492154162545fbd22c9a9a3c17"}
,{"Identifier":"201304003","MainTitle":"出口工藝展覽會獎狀","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一幀在展覽時以「餐具套組工藝設計」商品展出時，所獲得的獎狀。此時山中 公先生是以在臺灣的身分，參加1936年所舉辦的商工省輸出（出口行業）展，參展這年山中 公先生時值50歲。這份獎狀除了有頒獎人署名蓋章外，另有總審查長的簽名用印，可知是一場競賽性質的工藝出口產品的甄選及展出。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000004aa782a1ba6407f1c548818a4644e33547549d6b100221de191adba8791c4c7c7b4457586afc3c968fbdad62f81ddd3cc8a38193435ac124973f7040f4b5a8bd"}
,{"Identifier":"201304004","MainTitle":"日本經濟報報導","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是從1989年日本經濟日報上裁剪下來的報紙新聞，是一篇當時任教於日本東京藝術大學的大西長利教授所報導的關於亞洲漆文化的新聞內容。此篇報導主要是談及大西長利教授針對中國、韓國、日本、臺灣這幾個國家關於漆文化的特色發展與實地觀察。\r\n 其中一段（畫紅線處）是關於臺灣的漆文化內容。大西長利教授談及：「臺灣戰前在臺中曾經設立過市立漆藝學校，擔任校長的是一位從日本東京美術學校（現東京藝術大學）畢業的學生山中 公，當時被山中 公所教導的學生輩，從戰後到現今持續致力於漆創作與漆商品生產，在漆文化的層面上，發揮了領導作用」。\r\n 而這篇內容中談及的學生輩，主要是指從山中 公當時在臺中所辦的學校畢業，爾後引領臺灣漆藝發展的陳火慶、賴高山及王清霜這三位大師級的漆藝家。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000db972c787b423e42204c5e32396d5d2033e4d1d13dcdfa1455fce4ec03cc0b4e6d8a56b2265b645787cc309b924493b854c8e655da60411e92afb4d5837382d0"}
,{"Identifier":"201304005","MainTitle":"台中市街圖","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 距今100多年從1917年起第二代的臺中火車站及中區的第二市場興建啟用…當時的總督府將臺灣重新劃分成臺北、新竹、臺中、臺南、高雄五州，臺中市是臺中州廳所在。這張地圖標示的正是當時臺中州的地圖。\r\n 圖中特地用紅筆標示的有富貴亭及臺中州高等女學校及臺中州第一小學校。富貴亭料理店是臺中較早開設的日本料理店，約於1908年（明治41年）後，富貴亭已成為臺中市區宴席會客的場所。1917年第二代臺中火車站落成啟用的典禮會後，與會賓客亦是齊聚於富貴亭會餐。\r\n 臺中州高等女學校（現臺中女中），山中 公先生曾任教於此校。臺中州第一小學校（現光復國小），山中美子女士（山中 公女兒）是從這所學校畢業的。2013年山中美子女士捐贈父親山中 公先生作品、漆藝用具及資料回到臺灣時，曾在母校唱著依然熟悉旋律的校歌，而留下感動的淚水。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000006adf5714b349b818cd515d8d3e8e6101be3eb7ef34588a5356251d84b4f8137a8d42d057798f55a3911c7a4c282f7018bdfee0f4629ff360bb6462f150ef7ed8"}
,{"Identifier":"201304006","MainTitle":"台中市街圖","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 臺中市是從日治時代開始市區整治與規劃，這些政策相對影響了市區中的社會與經濟活動。當時不論是鐵路旅遊導覽手冊、有關臺中的書籍或是工商名錄等，都不約而同地載錄著這位於臺中市中區中山路與三民路口的富貴亭。此張地圖並非是當時的地圖，但是卻很清楚地以紅色筆標示出山中 公先生當初在臺中市的居住地（山中家）、（工藝專修學校）及臺中火車站、臺中女子中學…等相對位置，也幫助了2013年山中美子（山中 公女兒）重新踏上臺灣土地時，成為重遊臺中舊地時的重要依據。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000a00633ff3d44478701c3ee43b35e5507b51ab44a6c90ce4356f5bdcc8ac4d12f76fa47af8369b868de1ccbce15b73a7c81305025bbffa235fb064c9c023acf24"}
,{"Identifier":"201304007","MainTitle":"傳習所所在地圖","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是標示「工藝傳習所」所在地的一份簡略地圖。這份地圖紙本有兩層，上層是一張半透明的描圖紙，紙上標記著「建物略圖」文字，下層圖則另標有「土地略圖」文字，依據下層圖「宅建用鑑定報告」用印，應該可以推測出，這是一份為了要蓋地面上建築而向公部門所申請的一份土地鑑定報告。也可以知道是依據先有的土地圖後再描繪建物圖。\r\n 由上層的圖中標示著「建物略図」、「一丁目」、「工藝伝習所」、「第二市場」、「弍階」等書寫的文字，可以得知這是位於第二市場（建於大正6年，1917年，臺中市三民路與臺灣大道交接之處）對面的一棟兩層樓建築物的圖示，標示著當時工藝傳習所的所在。\r\n 下層位置圖圖中標示的文字則有「土地略図」、「一丁目」、「縮尺六百分ノ一」、「縱貫道路」、「20.5k」、「25k」、「他人所有」、「建一～建二十」等書寫文字及「宅建用鑑定報告」印。可以得知這張圖是以比例尺600分之一標示工藝傳習所土地面積的縮圖，位於當時的縱貫路旁，左右有私人土地相鄰，約有20個單位的建物位於此區域內。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000004e81e6e7944134d60167324a22c84f1c82e47abd53f6b7b0e7adad2228972f58d12ab26712c62d1312a2539c82f4d1695ea7746e1049c133086fa9d97f650541"}
,{"Identifier":"201304007001","MainTitle":"傳習所所在地圖","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDA3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304007002","MainTitle":"傳習所所在地圖","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDA3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304008","MainTitle":"蓬萊塗硯盒","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"山中公先生參考日本故鄉四國香川讚岐淺雕漆器的技法，結合臺灣風情與原住民風貌為主題，運用鮮豔的顏色與強而有力的雕法設計出「蓬萊塗」。1935年臺中州勸業課出版的「臺中之產業與觀光」中，將具有臺灣代表充滿南國情懷的臺中市的漆器稱為「蓬萊塗漆器」。\n此件作品以臺灣原住民邵族杵歌為主題，背景應為日月潭風景，前景則為臺灣香蕉樹，四邊佐以雕刻圖案設計，是一件可內置硯臺實用功能的漆器木雕盒漆器。\n目前臺灣存有的蓬萊塗漆器，尚未發現有任何一件具山中公先生本人的簽名。或許是因為這由山中公設技並傳授的蓬萊塗漆器是當時具地方色彩的量產文創商品之故，提供當時往返日臺的日本人作為伴手禮的目的，而不是作為個人作品創作的緣故。（詮釋委員：李本育）","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000034ed4ef056759f91b6e699907e3abaa3e71d6af6e7e7b837b1260f208a049b9081e796635d160a89a0f752b4c9844f087ed5e539c008f65a91786d08b1f5372f"}
,{"Identifier":"201304009","MainTitle":"楓葉木地蒔繪小盒","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"運用細密紋理、不易蟲蛀、輕盈且隔潮的桐木作為盒體，盒面上運用灑粉的蒔繪技法裝飾著紅葉與金綠葉。木地蒔繪是一種保留原木紋理的漆藝撒粉技法。運用高級原木、純金粉與天然漆液，達到互相輝映及頂級工藝的極致之美效果。\n於原木面上罩滿一層薄錫箔，於其上切割出楓葉形狀並剔除此楓葉形狀的錫箔。此舉的目的在保護沒有圖案部分的桐木，在製作漆工藝的過程中，保持錫箔下的桐木質地絕對不會造成髒污或傷痕。楓葉形狀內則由打底塗土漆步驟開始，逐步塗漆、撒粉、研磨至推光，最後揭除覆蓋在桐木上的錫箔即告完成。\n這件楓木蒔繪盒是山中公先生於戰後由臺灣撤回日本時，裹在隨身棉被、衣物偷偷帶回日本的唯一一件作品。為了大學畢業時必須聯合製作一件大型屏風作品時所試做的漆盒，也得知此件作品對於山中公先生而言是非常具有貴重及深遠的意義。（詮釋委員：李本育）","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000e8cf87efbfe9286e66d244017aa7be3acb9e69885c19cc66f2bad1e4a01f3950e97099f5ae43b8a12eb94ae5a124df90d281ae88610194dd875458250282154a"}
,{"Identifier":"201304010","MainTitle":"三層點心盒","Creator":"山中公","CreatedYear":"","Size":"詳201304010.001～003，1組3件;原件以套疊方式置入小木箱。","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"山中公先生擔任教育者角色，著重寫生觀察的美學教育及教導學生製作木胎漆器的技術。這件以歲寒三友松、竹、梅為主題所作的三套疊點心盒作品，是山中公先生戰後返回日本時為參加日本比賽所製作的作品。作品底部未簽名，但在裝此套疊三作品的木盒上，則有墨書親筆簽名。\n三套疊以「松」盒體積最小，松針做菱形幾何形的圖案化表現，在高蒔繪堆高的基礎厚度上，運用平目粉及銀粉金屬光澤來呈現松針細線的變化，樹幹則為較寫實的風格。「竹」盒居中尺寸，大於松盒但小於梅盒。運用平目粉及銀粉演繹細竹葉上的光澤，於高蒔繪上精湛的勾勒出細線葉脈裝飾。「梅」盒尺寸最大，乘載了竹與松盒。運用銀粉光澤及金平目粉，將含苞待放的花苞與盛開的複瓣梅花表情做了完整展現。（詮釋委員：李本育）","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000087ccb5bd2adc7e348e996ffa0ad7b5532378d3ec081d9b620466d2137d5975a76e28c356defd0e0716a72601b84d167cc622dd2c0298c65b6677f1c98ded3bd5"}
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,{"Identifier":"201304010004","MainTitle":"三層點心盒","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDEwMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304011","MainTitle":"黑漆蓋碗－畫著燕子的碗","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000003870141dc67c623d16b825fa6e60d93cd99236e1752a723b1df2178aec30152426b5e7753c1ee1f6e29e73bc085a3030ea4f0a6ac88a4ce930874183b6f047ba"}
,{"Identifier":"201304011001","MainTitle":"黑漆蓋碗－畫著燕子的碗","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDExMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304011002","MainTitle":"黑漆蓋碗－畫著燕子的碗","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDExMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304011003","MainTitle":"黑漆蓋碗－畫著燕子的碗","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDExMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"201304011005","MainTitle":"黑漆蓋碗－畫著燕子的碗","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDExMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304012","MainTitle":"黑漆蓋碗－中","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000dfad605c4cfca099a02a3ecfb4d2cd18e5b784c403f222b2a95e001607fc9ebcd6461a7ad0b701e955729246e13f9e93b8ddec6d9ad6c05bb7e9724b0a07b760"}
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,{"Identifier":"201304013004","MainTitle":"黑漆蓋碗－小","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDEzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"201304014","MainTitle":"黑漆蓋碗－大","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000403658e83132cf0f6263ce8e535090ec5ac7fa41e75131477e918eb965099c4fd7867368fea909b76b06ae3531fe3c7494666a98c3226aab96779f70419eb3c0"}
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,{"Identifier":"201304014002","MainTitle":"黑漆蓋碗－大","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDE0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304014003","MainTitle":"黑漆蓋碗－大","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDE0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304014004","MainTitle":"黑漆蓋碗－大","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDE0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304014005","MainTitle":"黑漆蓋碗－大","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDE0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304015","MainTitle":"秋草蒔繪盤","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件「秋草蒔繪盤」是為數極少的山中公先生戰後返日後的創作。木盤中以色漆繪製了許多秋天常見到的桔梗花、芒草及槐花…，蕭瑟的金秋時節秋風颯爽，作者並不是描繪千樹萬樹的紅葉深秋楓紅，而是於盤面近景繪製許多不經意路徑的秋季草花，於色漆未乾之際撒上純金銀粉末，使其黏附固定於盤體圖案設計上。秋風吹送秋歌，於中遠景撒上些許的平目粉增添畫面景深及氛圍，待色漆乾凅後，整體罩塗一層透明漆，蔭乾後研磨推光完成。\n盤面色彩斑斕的花卉因為通體塗上罩明透漆，金秋的田野遍地層染的金黃顯得內斂含蘊，不凸顯燦燦耀眼的金光，淡泊平靜的秋色中，蘊藏著成熟的秋之美韻。盤底以大片的銀箔貼附後磨顯出斑駁的黑色與銀色塊面，此舉是少數會顧及作品底部呈現的藝術家表現。（詮釋委員：李本育）","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000071f23d76b8bd33141db539131c673f8dace3dba77c3e3fe9cb60f359be4d2fa8580245d6aaaf4ec3a67d1f03d39812188dfe29840ed34b490724c3ddac1308f4"}
,{"Identifier":"201304016","MainTitle":"蔓草花樣的茶罐","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件茶道具棗形罐作品是戰後回到日本後所做的作品，風格亦是山中公先生慣有的善於對自然觀察所創作的生活實用品。茶罐容器的外觀通體是素黑色漆的呈現，運用漆藝銀蒔繪技法來表現蔓草花樣的平蒔繪面，撒上12號以上的粗銀粉，來表現出平面化清晰的蔓草圖樣。在塗了漆的圖案面上灑上銀粉，判別漆的乾涸狀態，利用漆微乾而未全乾之際，取用細針剔刻出葉脈及花脈的線條，藉此表現此技法的細緻度與高超穩定的技術含量。\n棗形罐內部與蓋子的內面、茶罐底面的內側都仔細謹慎地灑滿了金銀的梨子地粉來做完美的的裝飾，在在都顯現藝術家專業與一絲不苟的認真執念。（詮釋委員：李本育）","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000000f4a3e3712ce52987cd3f09bdbf69b662849c14e253c2b84d8c91feafc4da848bb7824994457bb00527371beb92e42151f50fa7e3c7bd8e9f217e20ceb1553f8"}
,{"Identifier":"201304017","MainTitle":"設計圖集封套","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304018","MainTitle":"雙面繪設計草圖－含鏡小畫妝盒","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000df16991023ed0ccc9d3a78ef1f68073fd0002e6d91a11279175f31a3eab78d2e915bb3cc47340af41d57cec237da3ea326ed438852852430c2d07f4aaca13411"}
,{"Identifier":"201304019","MainTitle":"設計草圖－裝飾圖案","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000001d0c7b6f707865a1503535d413d7c298c0a8a9fc05edaa10ab8fdebec4a501f5b45273a62e1ca5e97bd15f78c93948837c85613040d7b9e0b71754b3da59132b"}
,{"Identifier":"201304020","MainTitle":"雙面繪設計草圖－茶托設計","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000042567e0262a99782b6ff313bb0af32dfacc7c76635ac702ae3c29fd19e36f6cab42540b9e01bd2e556ec1184d82bad1cb5b17a963957677767857181d2c69442"}
,{"Identifier":"201304021","MainTitle":"雙面繪設計草圖－鬱金香、茶花","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDIx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000008fabc4d3b332cc44e37f7dce2b0186b7e5c1dfbb0435cddcaacf09bfea190060b1ddb266f646ab6ad3966706c51edda2a21facf469291e7c1b1d9f96ad5fd1bf"}
,{"Identifier":"201304022","MainTitle":"雙面繪設計草圖－九月十七日","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000776f0b96296143d8eb746473e7445a5d3ad740801725351f5d7c120549d99bfe03ac5137e1562fe203c03e5de484d3a0f202051fa87dad07bf8ce400d2f1b97d"}
,{"Identifier":"201304023","MainTitle":"雙面繪設計草圖－小鳥","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000009952ee6f8c1dd89077bd3fe6fa038a36b7a1a8147556dc61cb19881b12455215f255dde5f2621e9b5500266622246600b22fce8a06446b2fd715460eca0a0977"}
,{"Identifier":"201304024","MainTitle":"雙面繪設計草圖－飛魚、玫瑰花","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000a240b66e15a2730ed0d23160ba4aea081268d818809a59143494e18b240fdc71671e3559542576e37eefa1cc07a7246233688392dbae9c2cc274392cc43c15e6"}
,{"Identifier":"201304025","MainTitle":"設計草圖－煙斗與印泥盒","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000d5ddac40343a30207a2e9c6678433f04c0feb288b6a8cd491b105803e9a764139ec0a7a846e7077a959eea24c2ec6afc2193ab1f80c8332039ae7ac4f840fc90"}
,{"Identifier":"201304026","MainTitle":"雙面繪設計草圖－菖蒲花與石榴","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000004418cd9d958e92f8461efd667133fed3b89ce919e682c078725c7de2be541d8b069e9c92fcc8a828f4b788487f533db9b4aaf5983dd142b20168c7e25a2a0f1f"}
,{"Identifier":"201304027","MainTitle":"雙面繪設計草圖－器皿","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000006f0d3ad164a686dc2d005176ad2035f3b8f5ea66d3af1dd7ac7ea41493da1d96513be0e147e4819d564f41aa372499920d29d9da135c27b26050a03b07e2536b"}
,{"Identifier":"201304028","MainTitle":"雙面繪設計草圖－蜻蜓","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDI4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000007dd35c1ba5cef9ea74bc20c6579f606cad4d18d80bae6cc285331dea9b981cdb60ffdfdb185905b2fed3ceb9023ebb991629bcb9240d7d9ff4677e330e5df60d"}
,{"Identifier":"201304029","MainTitle":"雙面繪設計草圖－槐花、南天竹和鶴","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDI5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000ec8f7ac5a3b76e4d19f81071d066831aeef8397c2d8af2d5c5ef6806a9bd8a9f6d143ed96d4f5ae0a84c37298986f2234ca682ba96be9e46571d75435e6c1c9c"}
,{"Identifier":"201304030","MainTitle":"設計草圖－香菸盒","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDMw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是為了香煙盒所做的展開設計草圖。右邊是香菸盒的設計－畫著山茶花圖案，左邊則是置放菸盒、菸具的四方形皿設計－畫著菊花及水紋的圖案。因為計劃使用蒔繪技法，勢必最後整體將會呈現出金色光澤，所以此草圖以藤黃顏料的不同明暗度來表現出不同金粉的光澤度。兩個設計圖上都詳細的記載著應用蒔繪技法時，圖案每個區塊所要使用的金粉種類。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000008b9458892fe28f8e6254223fec0ae44f670073312e243bbf39337bc5600944da38fccf30ba793c60ac97c0fc2994e1033281911156b8cce55463a0407aecf271"}
,{"Identifier":"201304031","MainTitle":"黑筒－內含薄紙設計草圖","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDMx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304032","MainTitle":"薄紙設計草圖-1","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDMy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000e8b41e9b302e850973d95231154f67a49e945bd96d62acafeb41daf62204e8117d4b36ab7f9f02df190f3d04eac78d1fd9126d9c6a9c4811fad14a8a20c46b48"}
,{"Identifier":"201304033","MainTitle":"薄紙設計草圖-2","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDMz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000134309d102b2fcbbd244152c3c6e93f488f856cb25e8eef9517a0a9dd3310399401114d4374c4649ae19c4581fe3d13a0302ac9b12ac20e700e3c645d96568a9"}
,{"Identifier":"201304034","MainTitle":"薄紙設計草圖-3","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDM0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000053c36fe54ab44acb66fd09f0b7fdc52a30c6e8f1c02b85595ee65bbded5d303598e900da532dc05d442a84adf6d33eeafce88df16ca782ed4204c554b94376e5"}
,{"Identifier":"201304035","MainTitle":"薄紙設計草圖-4","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDM1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000bd58199363aaa773f46c7675ca28ec3677247fa1056cde338f936d2649fbf9e5ed4c0df63f949f762a716c6e4eb09e160e3d2818cd8f61c9636fb20596e70414"}
,{"Identifier":"201304036","MainTitle":"薄紙設計草圖-5","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDM2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000017a7a6cef306e691e2fd2a3452f3ea9260025a9e7ba1182bf68772a3a7a2324d8b66c93c8f69d2f747266bafe52294810db9fe3d0886988c988a716993f6c254"}
,{"Identifier":"201304037","MainTitle":"薄紙設計草圖-6","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDM3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000097c05dcbaff296a9e6af14547d89941943dc3dbc0b45150f9614d52bf069a81fd3bfdf99a016ad82a681a9e695d85b776e00f46428fb6f3fcbd76b95af720488"}
,{"Identifier":"201304038","MainTitle":"薄紙設計草圖-7","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDM4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000f9a6267f2b7ecab76fc60ffb48e7336be71d004ca4139642780fe465743e402e609ad594b83e8ea8406ad79e6f5e1069ca14239873f80b7ebb85da3b480ae30c"}
,{"Identifier":"201304039","MainTitle":"薄紙設計草圖-8","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDM5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000a3b868a10a380dcef756824bc758c2963535a0ef0e9fc87a0fbdb23c458acf7a92aae9445b33d572341e656766a8c112a03280b0d78764f804e135a2028bd96d"}
,{"Identifier":"201304040","MainTitle":"薄紙設計草圖-9","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDQw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000903d9e517698728c9f5c04d7d864984e071a4db06cecd236a91a8d3d06a51912386cad5978e9e79f4e7bec6cdfb22cc81e7485831f9483f3e5943b38dd72cecf"}
,{"Identifier":"201304041","MainTitle":"薄紙設計草圖-10","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDQx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000f1355f74c9928562c6717dc9266b3090fd30c1112bc0241033d97062ba9ffe0249a11cddac3ce9cec2536e4f9e71207a20a38f616f081a3744333731620dbd04"}
,{"Identifier":"201304042","MainTitle":"薄紙設計草圖-11","Creator":"山中公","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDQy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000008f1443666d44a18ed95f8f6ed5f7850de4896127e36e2aae0cf8d3a13911eedc36c22fc8b98158f4a85aac08db61a499dcfb377309f9f218cabeed56944921da"}
,{"Identifier":"201304043","MainTitle":"蒔繪用拂筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDQz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這五支是尚未用過且功能特殊的筆。以漆從事繪畫並灑上金銀粉時，可使用這種拂筆將落在漆外的金銀粉撢掃入沾了漆的畫面。另外，若要灑上少量金銀粉以呈現蒔暈，也可使用拂筆。使用拂筆力道要輕，以免觸動到漆上的金銀粉，因此筆毛以質軟的狸毛製成。（詮釋委員：李本育）","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000014254db29cbbff405023a7583eae0aa305fa0312602a574c11952dc755113ece4e5fa0147a395a97a5fc81cb18c875cf03513a629afb7fa57741b84f96f65aad"}
,{"Identifier":"201304043001","MainTitle":"蒔繪用拂筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDQzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304043002","MainTitle":"蒔繪用拂筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDQzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304043003","MainTitle":"蒔繪用拂筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDQzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304043004","MainTitle":"蒔繪用拂筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDQzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304043005","MainTitle":"蒔繪用拂筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDQzMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304044","MainTitle":"短刷筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是特殊刷筆，用來在小面積上塗抹薄漆，其材質為貓毛或兔毛。這種刷筆有特殊設計，可將帶有黏性的蒔繪用繪漆（弁柄漆）均勻且極細緻的延展開來，現在已經沒有人生產，是很貴重的刷筆。為了補強結構，筆桿的黑色部分塗有黑漆。（詮釋委員：李本育）","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000027f519d28922334ccb6871e7abdd73a6782eb6ab2afad77145075a76caab0bf0e0737b112c7f90d2d8de9a52b550a5fb3018c5c6a903928b599c953c354ccc75"}
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,{"Identifier":"201304044008","MainTitle":"短刷筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDQ0MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304045","MainTitle":"蒔繪筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDQ1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"黃色筆桿稱為黃軸，紅色筆桿稱為赤軸亦有黑軸黑色筆桿。蒔繪創作時，筆觸最細緻的線描部分會用紅軸描繪。黃軸用以描繪略粗的線條及小面積之塗抹。筆毛以貓毛製作；前端透明處稱為「水毛」，是重要結構。這種筆也很貴重，是畫蒔繪時不可或缺的重要工具。（詮釋委員：李本育）","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000a8d2ce6c438978121d5b9310cc93b9b546fd062a8e59de048d2608d848ffb5e7e9d740ce9cdb3fa30eb3f32fff6bb29ac7b1b57df5f01b9dad6dd34c1cdaf02c"}
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,{"Identifier":"201304045006","MainTitle":"蒔繪筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDQ1MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304046","MainTitle":"雕刻刀","Creator":"","CreatedYear":"","Size":"整體長度約19.5～15.0","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDQ2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此雕刻刀用來雕刻蓬萊塗等木胎，雕刀柄的圖畫部分用漆細心修飾，可以感覺到山中公對自己使用喜愛的工具所賦予的感情。（詮釋委員：李本育）","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000773023639c055e7c586a1f19269cbf41e8910b37ebf9f216ca449907bea085eda3750bf6c6877779783cee49cc8168d93704f414cb949d79ce8389f62fc09773"}
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,{"Identifier":"201304046002","MainTitle":"雕刻刀","Creator":"","CreatedYear":"","Size":"整體長度約19.5～15.0","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDQ2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304047","MainTitle":"箔竹夾","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDQ3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"竹製夾子，用來在漆面上貼金箔時夾取金箔的工具。前端削得細且薄，接合處以漆固定，是山中公自製的寶貴工具。（詮釋委員：李本育）","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000940692f6705cf9e799bbaa84235f11490e0c831b6ee49a51913beeacc63e54592c387402afe11a19ee0907138870b879f35e272c031f5e90c962c62e3efe4a6e"}
,{"Identifier":"201304048","MainTitle":"蒔繪用筆洗、剔棒","Creator":"","CreatedYear":"","Size":"整體長度約15.2～41.0寬度約1.2～0.7高度約0.4～0.8","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDQ4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"蒔繪用筆洗（左邊五支）\r\n清洗畫筆時會用到此玳瑁製工具。畫完蒔繪後會在筆上沾上植物油，將筆尖放在右手食指上，以小刮刀尖端將蒔繪筆之中的漆與油一併壓刮出來洗淨。通常會用此工具重覆前述步驟數次，以徹底洗出筆中餘留的漆。\r\n剔棒（右ㄧ ）\r\n在漆面上灑金銀粉後，在漆乾涸之前用此工具將溢出於漆圖案之外的金銀粉剔除，將圖案輪廓整理俐落不留金銀粉毛邊，剔棒也會使用於剔劃出葉子的葉脈等細線。通常由藝術家個人用金屬或竹子手工製造。（詮釋委員：李本育）","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000062030ea9a821b49b16ea829cba855c5d281c2917ab39f3cb08a735203eeba6f12d2627a13d3a28edc0493c41247da942448568efe3631ac950bc62511948d18d"}
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,{"Identifier":"201304048006","MainTitle":"蒔繪用筆洗、剔棒","Creator":"","CreatedYear":"","Size":"整體長度約15.2～41.0寬度約1.2～0.7高度約0.4～0.8","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDQ4MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304049","MainTitle":"蒔繪筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDQ5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"蒔繪筆（右邊四支）\r\n筆毛呈褐色，應是鼠毛或狸毛製成。製作蒔絵時，以此筆描繪極其細緻的線條。目前日本只剩一位在製造這種筆的專業人才，是非常寶貴的工具。\r\n黃軸蒔繪用筆（左起三支）\r\n以漆描畫圖案並在其上撒上金銀粉，接著用這種畫筆暈蒔讓金銀粉暈成有疏密類似素描的明暗效果，或加以修飾。筆毛為狸毛，筆尖平整可畫出柔軟的漸層。（詮釋委員：李本育）","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000337f76e6abdad017464cfece71fbb7e2672dd2091fecf6969d9061691da146a111f348045324b22bd3dcbb8f4c00d309be9eb9812ef7c127a85db813fb1d32de"}
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,{"Identifier":"201304049007","MainTitle":"蒔繪筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDQ5MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304050","MainTitle":"各種蒔繪筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這些是創作蒔繪時使用的各種畫筆。這些工具自當時留傳至今仍未曾使用，因此非常寶貴。即使是日本國內，恐怕也找不到像這般齊全且保存良好的筆。（詮釋委員：李本育）","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000018a4e51f96bcab169d106056e5ce85fc24f0f950e14ff216fe9ab3b342496780b93cf5b2944e12766e3771a5651fc19b0c1dbcdbc752107bb49e6459cf6eccb5"}
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,{"Identifier":"201304050011","MainTitle":"各種蒔繪筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUwMDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304050012","MainTitle":"各種蒔繪筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUwMDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304050013","MainTitle":"各種蒔繪筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUwMDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304050014","MainTitle":"各種蒔繪筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUwMDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304050015","MainTitle":"各種蒔繪筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUwMDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304050016","MainTitle":"各種蒔繪筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUwMDE2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304050017","MainTitle":"各種蒔繪筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUwMDE3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304050018","MainTitle":"各種蒔繪筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUwMDE4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304050019","MainTitle":"各種蒔繪筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUwMDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304050020","MainTitle":"各種蒔繪筆","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUwMDIw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304051","MainTitle":"吉野紙","Creator":"","CreatedYear":"","Size":"整體長度約50～64寬度約5～48","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是一種和紙，過濾漆時會用到這種手工製和紙。此紙產於奈良縣吉野地帶，專為過濾漆中灰塵雜質而產，薄而強韌。此批紙非常難得留傳至今。（詮釋委員：李本育）","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000ed70d2efbc1bada74377622e9344b14d76adb24ea0f993647b02f163aff3546b1a48e96deb5e355d19579896185aa62226cdc244124983989e779f0e1d1533fb"}
,{"Identifier":"201304051001","MainTitle":"吉野紙-1","Creator":"","CreatedYear":"","Size":"整體長度約50～64寬度約5～48","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304051002","MainTitle":"吉野紙-2","Creator":"","CreatedYear":"","Size":"整體長度約50～64寬度約5～48","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304051003","MainTitle":"吉野紙-3","Creator":"","CreatedYear":"","Size":"整體長度約50～64寬度約5～48","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304051004","MainTitle":"吉野紙-4","Creator":"","CreatedYear":"","Size":"整體長度約50～64寬度約5～48","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304051005","MainTitle":"吉野紙-5","Creator":"","CreatedYear":"","Size":"整體長度約50～64寬度約5～48","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304051006","MainTitle":"吉野紙-6","Creator":"","CreatedYear":"","Size":"整體長度約50～64寬度約5～48","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304051007","MainTitle":"吉野紙-7","Creator":"","CreatedYear":"","Size":"整體長度約50～64寬度約5～48","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUxMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304051008","MainTitle":"吉野紙-8","Creator":"","CreatedYear":"","Size":"整體長度約50～64寬度約5～48","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUxMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304051009","MainTitle":"吉野紙-9","Creator":"","CreatedYear":"","Size":"整體長度約50～64寬度約5～48","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUxMDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304051010","MainTitle":"吉野紙-10","Creator":"","CreatedYear":"","Size":"整體長度約50～64寬度約5～48","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUxMDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304051011","MainTitle":"吉野紙-11","Creator":"","CreatedYear":"","Size":"整體長度約50～64寬度約5～48","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUxMDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304051012","MainTitle":"吉野紙-12","Creator":"","CreatedYear":"","Size":"整體長度約50～64寬度約5～48","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUxMDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304051013","MainTitle":"吉野紙-13","Creator":"","CreatedYear":"","Size":"整體長度約50～64寬度約5～48","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUxMDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201304052","MainTitle":"吉野紙","Creator":"","CreatedYear":"","Size":"整體長度約25～25寬度約34～48.5","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一種稱為「吉野紙」的天然紙材，產於日本奈良縣吉野地區的一種薄且細緻的手工製紙。漆工藝製作過程中，過濾漆中的灰塵及雜質時必須利用到吉野紙。吉野紙通常與木製的一種稱為「濾漆架」（ウマ）的過濾器同時搭配使用，是具有柔軟性且薄而強韌的優良紙質，即使保存在空氣中，也不會因溼度的變化而產生收縮或膨脹的現象。\r\n 由包裝紙上寫的「吉野残」可得知這是山中 公先生拆封使用過後所餘留下來的吉野紙。此批剩下來的吉野紙，非常難得能留傳至今，除了以木纖維並混合白土的獨特製作方法讓這種紙具有優良的保質期外，也說明了使用者愛材惜材的個性特質，即使是目前仍在從事漆藝工作的漆藝家或工廠，也很難能找到還保有這麼早期手工所製作的吉野紙了。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000089f8f01b9e53d339a2e3d8bfdb36c945d1ec59517116de7082bda1502776f629f8357fe1c311eaf88ca5af6828e3dee932a4f3c69f7c9ae37f91877f9c499484"}
,{"Identifier":"201304053","MainTitle":"與家人合照於自宅（前排左一為山中公）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDUz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「昭和六、七年 台中 山中公」，這是手寫在這幀照片背後的文字，說明是1931、1932年間拍攝於家門前的合照。\r\n 坐著的四人正是山中家族的一家四口，前排依序為左一為山中 公先生、左二為山中美子（山中 公女兒）、左三山中龜次郎（富貴亭主人）。後排坐著的則是山中チカ（山中 公妻子），此時山中 公先生約為45～46歲。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000c505c4cadc1a26bf7cb85932c58f1c593c692a9e445d73b8536d10f763ce47ed744615b71a6e1921dfd92c5946bbef601819d71a935e7b4c38c3654b676298d6"}
,{"Identifier":"201304054","MainTitle":"攝於台灣航線船上","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDU0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此幀照片拍攝於臺灣航線船上。1937、1938年間，山中 公先生約為51～52歲左右，此時正值經營「株式會社臺中工藝品製作所」之際，有自行製作及販賣的臺中市鄉土工藝品漆器生產，亦有以代工製成後再冠上其他公司品牌銷售以及臺灣主要物產及商品陳列販賣。實際銷售點除了臺中以外，甚至擴及臺灣全島，同時也外銷至日本、朝鮮、滿州等地區。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000585d5858dcdabcc58ac33f8d381ab71d563b714a24cb78a45dbe99b154e222f672504062416f11722ae8b344f1cdd53ae69e349f14f44772b857214e55bfcebb"}
,{"Identifier":"201304055","MainTitle":"與家人合照於台中（右一為山中公）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDU1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 左一坐著的是山中チカ（山中公妻子）、左二為山中美子（山中 公女兒），右為山中 公先生。1932年，此張照片中右一的山中 公先生時值46歲，拄著杖挺立地站著，是留存的照片中屬英姿挺拔的身影，也因此在2013年世紀蓬萊塗臺灣百年漆藝展時，便以此作為等身比例的人形立牌，也讓山中美子女士當下彷彿又見到了久違的父親。2013年，在山中美子女士捐贈父親所有文物及作品回臺灣時，回憶從臺中女中畢業後，與父親討論想回日本京都大學念書時，父親曾以「提昇學問及修養成為一輩子的財富」的話語勉勵她，讓美子女士至今都還記得父親當時溫和的笑容。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000031c6ba3296dd7b995cabe3bf1020b2192bf317d7583ca6f9f2ad36c50643be830c87aa59d6fba521cef66fdcc9e9e421cfb445dbc11c70f980e136cf45598ece"}
,{"Identifier":"201304056","MainTitle":"戰後返回日本後攝於自家庭園","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDU2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 日本戰敗後，山中 公先生帶著後來被山中美子所捐贈回臺灣的大部分作品及資料返回日本。此張照片即是1946年山中 公先生戰後返回日本後攝於自家庭園照。從1916山中 公先生30歲時來臺灣至1946年60歲時被遣回日本，這30年來在臺灣，幾乎將個人從日本東京美術學校（現東京藝術大學）修習的「美術史」、「漆工史」等理論課程，及漆工藝專業領域中專研的「木工制作」、「漆加飾技法」等完整的漆工藝實技，盡數的運用在臺中工藝專修學校的學生教育上，對臺灣的漆教育有了開創及深遠的影響。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000006f577d8f611222fe073253f2b4f2ade6a40773563a27a88530d8b3d79240d1987b53ad1b3cae26b15ad313acca77899ff2a0e00b077d8c9db588848b5f81135e"}
,{"Identifier":"201304057","MainTitle":"返日前攝於台中（前排左二為山中公）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDU3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 由照片正面右側書寫文字為昭和21年3月（1946年）得知這是返日前攝於臺中的照片，前排左二為山中 公先生。山中 公先生自戰後返日後，即與臺灣的漆產業與漆歷史失聯，一直到山中美子意識到自己將無法再保存父親的這些留下來的作品、遺物及資料，而決定將父親的遺品捐給東京藝大所採取的主動聯絡，才讓這遺漏60多年來的歷史見證又重新能回到漆歷史的軌道上。雖然東京藝術大學美術館最後因為從來沒有收藏捐贈品的先例，而婉拒了這批對臺灣漆歷史有著無與倫比重要的文物典藏，卻也造就了最後山中 公先生文物得以典藏在國立台灣工藝研究發展中心的完美歸屬。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000b84ff8024dce7242c424da53e8ff62c1911d6d85b171acca15cace7b88bea2a99244aa8f604cc426519202d889e475b265596b90e6c48a09d9997b88f610b10a"}
,{"Identifier":"201304058","MainTitle":"山中公及友人","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這張照片是1930年左右山中 公先生與友人的合照，此時山中 公先生時值44歲左右，已在臺灣生活了15年左右，照片中三人穿的是唐裝而不是和服，雖然已無從得知為何有此裝扮，但卻是張比較特殊的照片。\r\n 此時的山中 公先生，是「山中商店」的負責人，與「三好漆器店」（大正8年-1919年設立）的負責人三好俊平（小山中公先生一歲）同樣來自香川縣，且同年來臺時最初也都寄宿於山中龜次郎家中。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000c938dbb7ff86fe9292550d2d8b9d004e443c3458a47c45363baf79de9a44106f0bc75187859e1e9eba4d50d15ae798465e72380062e7fb3931f0ab21c4886fc2"}
,{"Identifier":"201304059","MainTitle":"台中工藝專修學校與家人合照（後排左一為山中公）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDU5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 由照片背後書寫的文字得知此照片是於昭和11年9月8日（1936）年所拍攝於臺中工藝專修學校，前排右為山中龜次郎（山中 公養父）、左為山中美子（山中 公女兒），後排左為山中 公先生、後排中為山中正夫（山中 公兒子），後排右為山中チカ（山中 公妻子）。這是一張山中公家族一家五口全員到齊的合照。山中正夫並未與山中 公夫婦一起於1916年來臺，直到1940年29歲時才來臺與家人團聚。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000913776319efc1e50ee5637c1a99b622f48c1b52f08422819792918f80e4fba1c4578b35c32decb6191498255b46975cb52b62b2b487d32beb43c722fdaf643fa"}
,{"Identifier":"201304060","MainTitle":"台中富貴亭料理店玄關","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDYw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此照片由相片背後所書寫的文字得知是在臺中富貴亭料理店玄關前三人的合照，是在大正六年（1917年）由最左邊叫做藤井達之負責櫃臺收銀職位的員工所送來給山中 公先生的照片。照片中間的是廚師，右邊的則是料理師傅。\r\n 這張照片的富貴亭玄關是於秋天新建造完成，富貴亭約建造於1900年左右，1916年12月13日新的富貴亭建築落成（今中山路與三民路口 第二市場對面），所以三位員工於新落成的建築玄關前合照，隔了一年1917年12月藤井達之才送來此照片給山中 公先生留存。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000000f0244160e94f8e56763ad6f8431e737008a2d4250f3b5d8bb924c50bef40cbb1278fecb7bf5b7a1fb6899a781bc0ca5a370c9970b1ca530969e889923cac329"}
,{"Identifier":"201304061","MainTitle":"台中富貴亭料理店大宴會廳","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDYx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 完成於1916年的臺中富貴亭料理店的大宴會廳（大廣間），有88個並列的褟禢米（疊敷）大小，建築物兩側也都是使用褟禢米的包廂間，是總數可以容納150個褟禢米大小的大宴會廳，以便能擴大營業規模。富貴亭在當時是臺中料理屋首屈一指的代表，也是臺中地區宴會的主要場所，除了創建硬體新館舍建築以外，藝妓眾多與料理美味也是造成富貴亭遠近馳名的原因。\r\n 這張照片也是由當時擔任櫃檯收銀員的藤井達之所送過來留存的照片。富貴亭在戰後停止營業，輾轉成為報社、市黨部、小兒科診所、有露安企業…現為停車場。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000a57faae507955d589ffd31ff51f31cbafc987bd22c4b33cabbd4eab14832bcde91889af8da1ff2e46bf219e06c5514c47c2f1b09950fc16d54b5507efff4ba9f"}
,{"Identifier":"201304062","MainTitle":"台中富貴亭料理店大門口","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDYy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這張1931年元旦在富貴亭大門口所拍的照片，是由左起第二位著長衫手持帽的男子，名字叫做孫祥泰的友人送給山中美子留念的合照。\r\n 前排坐著的是山中 公先生，山中美子（山中 公女兒）站在父親身邊。前排最右邊的則為13歲即入臺中工藝專修學校習藝的陳火慶藝師。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000f4d84a0e92ffad9b5c2e4b9337d74e7f338a8d2a9ef82b34a6b4f4fa88a6a812d7b65b35df9940e7f285076679dc9e583aaba57add734a4706bed256693e7256"}
,{"Identifier":"201304063","MainTitle":"攝於台中東勢","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDYz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此幀照片拍攝於1928年（昭和三年六月三日～）的東勢，1920年臺灣總督府將臺灣改成五州三廳制，後再改制為設臺中州東勢郡。（臺中東半部地勢較高的部分分為東山線，包括東勢鎮、石岡鄉、新社鄉及和平鄉，即臺灣日治時期臺中州的東勢郡地區。）\r\n 此時山中 公先生（前排戴帽者）時值42歲，來臺已邁入第12個年頭，此階段山中 公先生已將臺灣特有的原住民及特色水果融入漆器製作，發展出具臺灣特色的「蓬萊塗」。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000e59ed85095adbe5fdd6f4938d9264aca98349eb47e0eeeeb239a730008eeae8aba0fe166080088b950b5d0d50b5158c5263dd2b9145b4da77ad578d4bc4bf21c"}
,{"Identifier":"201304064","MainTitle":"攝於台中東勢","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDY0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 山中 公先生（後排左四）在1928年間（昭和三年）拍攝了這張在東勢與友人及原住民的合照，這張照片山中 公先生還熱情的勾住一位原住民的手合影。\r\n 東勢在日治時代是屬於臺中州農業組合經營的林場，是當時製作缽盆、菓器盒等「蓬萊漆器」木材料的產地，同時也是「蓬萊塗」蕃俗風情、熱帶風景等素材的最佳取材地域，這應該算是臺灣漆器工藝的發祥點了。\r\n 「蓬萊漆器」是良材美器的結合，也因為蓬萊漆器被選為臺中的名產品，在1928的這一年同時也設立了市立工藝傳習所，發展漆工藝品的量產製作。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000003b075e08686f7815640542cee5b9107e164017edc9ac7fc8850cc885ca282bfacbc49903fa449ff0e980dc00cb764062d7db98a8375a97175fb0612e8db346fe"}
,{"Identifier":"201304064001","MainTitle":"攝於台中東勢","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDY0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000003dfd1a1584d3704bc7bd1659543c2bfab742d71b8a507f185025ceb1b9bb1f06723ba1c199034006bd32f7fd186ba0a0508733e3bb1384db3e15cf9dee49e3ee"}
,{"Identifier":"201304064002","MainTitle":"攝於台中東勢","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDY0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000c637832b47684bb6a114136197187598e4ad6077adf24a46495c9aacd8ce1ca40703551d125d7af0bb776b7ff005e1f6644516ed9e9f744cca312d9b817c2c19"}
,{"Identifier":"201304065","MainTitle":"攝於台中東勢","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDY1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一張由遠處拍攝，記錄霧社原住民的一張生活照。臺中霧社地點位於今南投縣仁愛鄉，霧社是臺中州能高郡的蕃地的行政中心，是當時日方建立的樣板聚落。日治時期1930年（昭和5年）發生的原住民武裝抗日事件，事件起因是賽德克族原住民不滿日本統治當局長期以來苛虐暴政，而由馬赫坡社頭目莫那‧魯道率領德克達亞群各部落聯合起事，襲擊霧社。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000b9717566d4d555a0813d7db9b6f47a98777d441060fb2c588bb943456183d3278aa41f6cd591084c58e4779b4e03484ac5ea23f98c3864aa3615c2d750373683"}
,{"Identifier":"201304066","MainTitle":"山中公與親戚攝於屏東","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDY2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一張山中 公先生拍攝於屏東的一張合照。屏東市舊名阿猴，原本為平埔原住民聚落，因「阿猴」地理位置位於今高雄市半屏山之東，所以後來在日治時期，「阿緱」這個地名，被日本人改名為屏東。\r\n 山中 公先生1886年生於日本香川縣，因緣際會來到臺灣。剛到臺灣時除了任教於臺中商業學校（今臺中科技大學）、第一高等女校（今臺中女中）同時也製作「富貴亭」所需的漆器。之後成立漆器製作所做為私人的教育機構 ，集中當時來自日本山中、會津、高松沖繩等地的師資，教導臺灣的年輕人做漆。其後，設立工藝傳習所（相當於三年制的工藝學校），除教導基礎素描、專業實用技術外，也涉及一般的學識素養。日本戰敗後，於1949年在兵庫縣寶塚市，於壯志未深的心境中辭世。在臺30年間於漆藝的貢獻成就、身家產業皆在過去的60多年間已鮮為人知的幾乎被遺忘了。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000004b4df9b42e77b3abb2780552d21f87a73a5e55515ac25a6d111cbba4058aeeb913516fab55e42723382ece7c42bc2360e638713f25cdbcab55d0d53873eda80d"}
,{"Identifier":"201304067","MainTitle":"攝於台中東勢","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDY3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一張由山中 公先生領軍在東勢蕃社，可能是考察或戶外教學目的而造訪所拍的一張團體照。（左起第二位）。蕃地 (東勢郡) 東勢郡所管轄之蕃地範圍相當於今臺中市和平區範圍。蕃地，為1920年~1945年間臺灣日治時期行政區劃中一種特殊制度，在原住民部落未設街庄，而由郡役所直接管轄，郡役所警察課於各社設立警察分室管理。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000050c4683a179e3bf08ec94d06f741c2b2d88a33857315c4d57901688b44e66cc645e8733f2be399da914fb32dcb6e865a0c25d9adbfd3dec4ba434058631f89a9"}
,{"Identifier":"201304068","MainTitle":"未具標題","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDY4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 1936年，臺灣總督府將對於臺灣原住民的蕃人名稱改為高砂族，同時，並對原住民開始實施與臺灣漢人相同的皇民化政策，自此，不具名卻存在的理蕃政策。\r\n 山中 公先生熱愛臺灣風土文化，依據高松讚岐雕的製作手法，先在木胎上雕刻，再塗上色漆，結合臺灣原住民圖案元素，呈現臺灣獨特的風土民情文化，成為當時臺灣藝術文化產業的主體，在臺灣稱之為「蓬萊塗」。此張照片正是以生蕃人形、風景等熱帶情趣為主題所拍攝的紀錄照。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000005b13add7e7ae02c178ca939142ff35c57c0c9b466f619d66b4dc58fc1fe32f570bd1bcc555f5d1fab213c1e24d29040e58cfed8322a0c14fdee007b1bba0bb1c"}
,{"Identifier":"201304069","MainTitle":"台中市工藝傳習學校","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDY5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 1928年開辦的「臺中市工藝傳習所」招收小學畢業的初中生，5月1日在臺中公園內的舊商品陳列館內舉行開學典禮。分為轆轤部、漆工部兩部門，各招收5名學生。山中 公先生此時除了獲聘為臺中市工藝傳習所的負責人外，亦為傳習所講師，同時還經營自己的漆器製作所，持續製作蓬萊漆器。\r\n 此時臺中市工藝傳習所的主旨是讓學生能學習關於鄉土工藝的知識與技能，學生若超過招生名額時，會進行入學考試，因為沒有供應學生宿舍，因此限定招募的是臺中可通勤的學生，修業年期為三年。學生修業完成後，仍需居住在臺中兩年，以便從事在傳習所所學習到的相關行業的工作。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000057678d91a0d2824ac797f4346fd7ef105ef978708141eb26d06b53951bf46086e989c5175ea97210fc65774508554db8e74d172e0ce73785d50711f171a87a2e"}
,{"Identifier":"201304070","MainTitle":"台中市工藝傳習學校","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDcw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 1936年（昭和11年）起，市立工藝傳習所改名「私立臺中工藝傳習所」（位於今居仁街、民權路間的自由路上）。1937年（昭和12年）再次更名為「私立臺中工藝專修學校」。\r\n 此張照片即為山中 公先生（前排中）在私立臺中工藝專修學校校門口前所拍攝的合照。這是一所三年制教學的工藝專門國中，設有「漆工」及「家具」兩個專業，學生人數設定在120人次內，是一所入學時必須筆試、面試及健康檢查的私立國中。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000ed187e4807efe74516de50149136ecbcdb781e70996b33e83a0fe90d6b8a9f1f959b3746a43acaaf36a4fa9cedd86a4f527c9f7bf4a8b20c6a27556433b23b15"}
,{"Identifier":"201304071","MainTitle":"台中富貴亭料理店玄關","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDcx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這張拍攝於富貴亭前的合照，是山中 公先生於1920年前後剛到臺灣四年，時值34歲時的照片。1920年山中 公先生當時還是以甲谷 公氏（1925年後改用山中 公之名）熱情的參與臺中地區的公共事務，此時也已經在富貴亭料理店旁（今三民路與民族路口）開設「山中工藝所」，並且也在臺中物產陳列館販售漆工藝品。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x020000001c438754366cef8cf231f3e8627cbfd6d43ea056825a4b1e5de9f91ef8cc65cee5332aaaaa4d58917c47aea4674adba75e8fe963810afb2404cf59450e1efc57"}
,{"Identifier":"201304072","MainTitle":"山中公與長孫－攝於日本戰後（山中美子的長男）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDcy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是山中 公先生從臺灣回到日本2年後，在寶塚市手抱孫子山中清行的合照。山中清行是2012年山中美子著手捐贈父親山中 公先生文物、作品時，主要的聯絡及協助者。身為山中 公的孫子，除了陪伴母親來臺完成捐贈心願外，也在2018年末出席見證了在日本香川縣所舉辦的「臺日漆藝交流展」。這是一場緬懷臺日過往漆文化交流情誼的展覽與連結山中 公先生傳承與影響臺灣漆工藝的展覽。這張山中 公先生於1948年含飴弄孫之際所拍的照片中的祖孫兩人，竟在70年後於香川與臺灣再次有了漆藝情誼的連結。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000cfd922b811cb98b18fac84e76dbfb94b96f11fc4ab481e5244121561d1c0ffb16cd345417c1867057936a0099067868add6e0c7c5240edef17e2778074bb702d"}
,{"Identifier":"201304073","MainTitle":"攝於台灣（屏東四重溪）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDcz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一張約於1928年間，在屏東四重溪所拍攝的臺灣風土民情。此地為環山盆地，河流貫穿其中，早期當地居民若要進出此地，就必須要打赤腳渡川而行，沿途中必須涉溪四次而過，所以俗稱為「四重溪」。\r\n 山中 公先生並不是以日本文化直接導入臺灣，而為了創作臺灣獨特的工藝品而遊歷探訪臺灣全島，運用臺灣特有的木材，探究風土人情，同時深入原住民部落。將實際收集與見識到的色彩、人物形體與習俗等意境融合，呈現在臺灣的工藝產品風格製作。這些工藝產品也深受來臺日人及滿州、朝鮮等地來臺考察訪視者的賞識與歡迎。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000ee9d0f2d8c63b890774ea8baf495ace78b03a0a04b04f3249b417ebdf24caad7c5fc4cfa16fcb80cf7d4625e9e8163f8da4e700823ec5e414bea702d47b9f8b5"}
,{"Identifier":"201304074","MainTitle":"攝於台灣","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDc0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 1935年間臺灣也出現了「高砂漆器」（蕃人一詞有歧視的意思，之後日本對臺灣的原住民都改稱「高砂族」。但是行政區劃上，原住民居住地仍繼續被稱為蕃地），是用原住民特有的器物型態、臺灣樣式的圖案及熱帶的豐富色彩，來設計雕刻成商品。這種巧妙的運用強烈原住民的美感特色來詮釋臺灣特有的風味，又兼具實用及堅固的漆器，在當時獲得許多好評。\r\n 此張照片中的原住民少女形象，也經常表現在當時的臺中的重要特產漆工藝品上，搭配椰子樹及菓物的元素及慶祝豐收及豐年杵歌的寓意，著實讓漆工藝在當時大放異彩。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x0200000028c7c5d79036998f308d0af8a45a4482e05d42ec465e5b2296df8aedb7eb02d43543c540472441451730f632486b3878e945c23bc04bb2d75e30cd42dd8853b6"}
,{"Identifier":"201304075","MainTitle":"攝於台灣（屏東四重溪）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDc1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此張照片是1928年間在屏東四重溪所拍攝，主題應該是原住民的豐年祭。豐年祭大多是以農耕收成之後的日子作為祭典日，是原住民的習俗。當穀物收割之後，各部落分別舉行盛大的慶典活動，以感謝神靈的恩惠。豐年祭的活動中歌舞是活動的重心，完整的豐年祭必須歌和舞合為一體。豐年祭的歌舞男女有別，由男子擔任主要角色，女子僅居於助興地位。且無個人表演，須加入隊伍同唱共舞以體會歌舞的意義及精神所在。這樣的主題因為經常會出現在漆器的表面裝飾圖樣上，除了慎終追遠緬懷祖先、也有感恩祈福五穀豐收的涵義。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000641c7c47a5b411c447c3980c636d5ed70a19331505b62c5e0ea2deb62ba475f9c287c274e859d09714362267fbdcf39b30d9eb337bf4c84635859960c01f736c"}
,{"Identifier":"201304076","MainTitle":"台南廣播電台開幕（左一為山中公女兒山中美子）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDc2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這張照片的背面是寫著昭和45年11月4日 (1970年) 從有馬先生的妹妹那裏所接受到的照片。這張照片是山中美子（左一 山中 公女兒）小時候參加臺南廣播電臺開幕時所拍攝的照片。\r\n 山中美子主動提出無償捐贈父親160多件的文物於國立臺灣工藝研究發展中心典藏，機緣是因為自己年事已高，擔心自己未來恐無法良好的保存這些父親的重要文物及作品，所以詢求東京藝術大學美術館典藏。因為大多是漆工藝相關的文物，所以東京藝大委託漆工藝主管（類似臺灣的系主任）三田村有純先生處理。這一切彷彿在上天庇佑之中，山中 公先生的文物又回到了臺灣。冥冥之中讓臺灣缺失的那一段漆藝發展史，又因這些文物的歸屬而有了補缺的機會。(詮釋委員：李本育)","ImageUrl":""}
,{"Identifier":"201304077","MainTitle":"未具標題","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDc3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一張明信片，內容是臺中公園的後藤新平銅像。後藤新平曾經是臺灣總督府民政長官，（1898年－1906年）任內，因臺灣總督兒玉源太郎軍務繁忙，後藤實際掌握臺灣政治。今天的縱貫鐵路，絕大部分就是在後藤新平的任內所完成的。在臺灣林業史上曾經扮演重要角色的阿里山森林鐵路，也是後藤新平主導興建的。後藤新平銅像位於今日的兒童遊樂場旁，建於1912年（大正元年），如今銅像基座仍在，目前已換成國父孫中山先生銅像。照片中的建築物是興建的第一代臺中物產陳列館，1902年12月始建~1926年拆除。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000e335972d489ca1b39f93c013f3b68ce2e5c319b4fd4e8422fbe11a787b149c9fdf4668cc043eab3f5592e8e8efd1122858f7a4d9b89ca1038432768e5a1a457f"}
,{"Identifier":"201304078","MainTitle":"台中美食地圖","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2013","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMzA0MDc4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一張臺中州的地圖，標示著臺中駅（火車站）及臺中市州廳（市政府）及市役所（行政官署）等重要地標，當然富貴亭料理店也在其中。可以了解到當時臺中市的機關、路名及各式商店的分布。有趣的是右下角標註著的是由福原節雄/豊雄所提供的1996年08月07日「幻の臺中地図」（並非現實中的臺中地圖）。(詮釋委員：李本育)","ImageUrl":"https://collections.culture.tw/ShowGALImage.aspx?FROM=OPENDATA&SYSUID=20&IMG1=0x02000000a516ee3638792ca7174e600187f8a33e405b23a0ce5bd3658e487ed2813c6628388e9512ddc048a5b51cffbcf155e12d2b72639e9308c612af4ac57a8d5fa97a"}
,{"Identifier":"201401001","MainTitle":"沙漠風","Creator":"陳炳廷 ","CreatedYear":"","Size":"附砂石乙包","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件具現代抽象造形的雕塑物體，宛如器皿的開口上有著蜿蜒的稜線，外觀可見充滿泥、砂土顆粒的肌理與赭紅粗獷的陶土，呼應主題想傳達的大漠荒原風景與感受，有著如風颯颯吹起堆積的沙丘，以及在大地上形成優美線條的風紋。環繞雕塑觀看可發現，每一面向都有不同的風景，不同的線條與光影變化。\n\n陶土中摻拌著熟料砂，從表面隱約地透射出幽微晶亮，映現出向背間的明暗虛實和光影層次。作品以手擠坯技法進行，是以一手擠壓土條，另一手輔助撫平定位於盤築的主體上，在身體帶動下土條層層堆疊盤築，完成形體後再加以塑形。熟料砂混在陶土中使陶坯體更趨堅實，也增加創作者手中的摩擦力，提升難度。\n\n陶藝家陳炳廷生於臺中市龍井區，因家族營造事業結束，人生陷入低潮，40歲投入創作領域，2000年向臺中陶藝先驅陳金成學習大甲東傳統手擠坯技法，並加以靈活運用，發展出個人陶藝創作的特色，在雕塑體成形的結構上多所鑽研，掌握到陶土塑性，因應線條作出力學上平衡的美感，以抽象簡約的立體造形、樸素的釉色展現極簡大器之風。自2010年獲得臺中縣美展工藝類首獎，陸續獲獎不斷，2017年榮獲受邀「藝術薪火相傳－第7屆臺中市美術家接力展」（註1）。（詮釋委員：杜文田）\n\n註1「藝術薪火相傳－臺中市美術家接力展」由臺中市葫蘆墩文化中心（原臺中縣立文化中心）舉辦，自縣市合併後至今2024年已臻第14屆。資料來源：臺中市葫蘆墩文化中心\nhttps://www.huludun.taichung.gov.tw/album/index.asp?Parser=99,8,230","ImageUrl":""}
,{"Identifier":"201401002","MainTitle":"齊天大聖","Creator":"林貞鐃 ","CreatedYear":"","Size":"木底座:約25×50×25cm\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品以齊天大聖為題材。齊天大聖出自明代小說《西遊記》的孫悟空形象，敘述孫悟空追隨唐三藏西方取經，途中屢次拯救為妖怪所劫的唐僧師徒，終至西天取得真經功成正果。福建閩地民間形成對齊天大聖的信仰，據傳始自明代（註1），根據教育部臺灣臺語常用詞稱孫悟空為「猴齊天」（註2）。\n \n猴齊天雕像採坐姿，頭戴束冠，身著正式袍服，一腳翹起端坐；面部莊嚴，兩眼有神，可見其「毛臉雷公嘴」特徵（註3），將猴齊天略帶野性之氣勢表露無遺。猴齊天坐在狀似千年的大石上，儀態上有著力與美的均衡兼顧，大石也象徵著猴齊天的誕生，是吸收天地精華而生的石猴。\n\n主體選用樟木作材，此雕像擺脫傳統神明形制的拘束，先於木材上繪出身形真實比例，電鋸切割雛形後，以鑿刀雕刻身形及細刀勾勒衣服皺摺、胄甲紋飾與面部表情。整體刀痕精準，尤其面部與手部可現毛髮狀的刻痕細膩、穩健。作者另取漂流檜木，透過雕鑿成型噴砂處理，使基座表面似有歲月的痕跡。\n\n創作者林貞鐃藝師（1953～），臺南市人，福州派「人樂軒」佛具第三代。2014年受臺南市政府公告登錄為「粧佛工藝保存者」。自幼見祖父打造神像粗胚，初中畢業後，隨叔叔林利銘習藝四年三個月方才出師。技法著重神尊姿態及面部莊嚴，承襲福州派神髓，肢體比例分明，姿態誇張，不失肅穆。粧佛過程先選取樟木，以刀鋸雕塑粗胚，塗黃土底蓋住毛細孔，防止龜裂蟲蛀，繼之磨出細部線條並經修飾，最後再施以膠水調和黃土製成作粉線，貼金箔上漆。1993年自創「神采佛像雕塑」工作室，以泥塑打稿再施以木雕，較他人圖紙作業更加周全，成品更富立體感，蔚為特色。為紀念肖猴之祖父林亨琛，來臺創建「人樂軒」。2013年林貞鐃藝師雕成《齊天大聖》，榮獲臺灣工藝競賽傳統工藝組第二名，典藏於國立臺灣工藝研究發展中心，並於2020年獲選為「臺灣工藝之家」，目前交棒兒子林仁傑，傳承發揮粧佛藝術（註4）。（詮釋委員：杜文田）\n\n註1資料來源：維基百科＞福建猴神崇拜 https://zh.wikipedia.org/zh-tw/%E5%AD%99%E6%82%9F%E7%A9%BA\n註2 https://sutian.moe.edu.tw/zh-hant/su/8665/\n註3原著小說西遊記第三十六回中描述孫悟空長相為：「七高八低孤拐臉，兩隻黃眼睛，一個磕額頭，獠牙往外生。就象屬螃蟹的，肉在裏面，骨在外面。」，其他路人及妖怪對於孫悟空的長相皆說是「毛臉雷公嘴」。資料來源：維基百科孫悟空. (2024, October 31). Retrieved from 維基百科, 自由的百科全書: \nhttps://zh.wikipedia.org/w/index.php?title=%E5%AD%99%E6%82%9F%E7%A9%BA&oldid=84793866\n註4臺南市文化資產管理局>木刻造神─「粧佛」保存者林貞鐃\nhttps://tmach-culture.tainan.gov.tw/page.asp?mainid=%7B3C1F4CCD-FCC8-4B1F-B82D-8CFE2FA59DC3%7D","ImageUrl":""}
,{"Identifier":"201401003","MainTitle":"虛褱乃容","Creator":"許成源","CreatedYear":"","Size":"壺：Ø11×6 罐：Ø6×9 杯：Ø3×3cm 則：12×4×1 勾：13×1×3cm \r\n附棉布袋4個、木座：62×34×5cm \r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「虛褱乃容」是許成源創作的一件獨特茶具，榮獲2013年臺灣工藝競賽傳統工藝組3等獎。靈感源自竹節，象徵著文人所追求的君子節氣。這件作品以剖半的竹節為基礎，巧妙地設計成茶則，並以竹節的結構作為蓋頂，展現出竹子的韌性與優雅。壺身的設計靈感來自於大自然，無論在強風中如何搖擺，依然保持著淡然與穩定的姿態，傳遞出一種禪意。\n作者選用銀材作為泡茶的主要材料，因為銀能釋放負離子，使水質更加柔和甘甜。另一方面作者特別設計了檀木仿刻的竹節手把，巧妙地嵌入壺身，並雕飾成竹頭的蓋鈕，既美觀又實用，解決了金屬壺燙手的問題。\n這件作品不僅是一個茶具，更展現了作者對於生活哲學的理解與追求。透過「虛褱乃容」，使用者能感受到茶道的靜謐與優雅，體會到自然與人心的和諧共存。（詮釋委員：陳國珍）\n\n","ImageUrl":""}
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,{"Identifier":"201401003004","MainTitle":"虛褱乃容","Creator":"許成源","CreatedYear":"","Size":"則：12×4×1 附棉布袋1個","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDAzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201401003005","MainTitle":"虛褱乃容","Creator":"許成源","CreatedYear":"","Size":"勾：13×1×3cm \r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDAzMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201401004","MainTitle":"蛀在我的花園裡","Creator":"吳竟銍","CreatedYear":"","Size":"1.整體約40×400×40cm(單件懸掛組合展示);每個外框為40×5×40 cm（共計141件琺瑯銅片）\r\n2.各窗框及組合琺瑯圓片統計如下：\r\n201401004.001 ：25片\r\n201401004.002 ：19片\r\n201401004.003 ：11片\r\n201401004.004 ：10片\r\n201401004.005 ：14片\r\n201401004.006 ：14片\r\n201401004.007 ：21片\r\n201401004.008 ：27片\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「蛀在我的花園裡」是吳竟銍於2013年臺灣工藝競賽中獲得創新設計組一等獎的作品。這件作品以空窗琺瑯技法燒製與金屬鏤空技術為主，工藝的困難挑戰是將琺瑯填入無底的孔洞，經過多次高溫燒製和打磨，最終呈現出一種透光繽紛色彩的琺瑯藝術。\n作品的靈感來自於透過窗戶所見的模糊風景，作者將花朵的形體簡化為圓片，並以空窗琺瑯技法燒製出綠色和黃色的微妙差異。反覆的高溫燒製過程使紅銅片累積氧化物，進而賦予琺瑯更深刻的質感。在繁複的燒製和研磨工序中，作者目睹圓片孔洞逐漸出現破裂，這一過程讓他體悟到最終結果與最初願望之間的不可預測性，正如蟲兒侵蛀那片原本嚮往的甜美花園。\n這件作品不僅展現了作者對材料的深刻理解，也反映了對生命中無常與變化的思考。透過「蛀在我的花園裡」，觀者得以感受到藝術與自然之間的微妙聯繫，以及對於美好事物的珍惜與反思。（詮釋委員：陳國珍）","ImageUrl":""}
,{"Identifier":"201401004001","MainTitle":"蛀在我的花園裡","Creator":"吳竟銍","CreatedYear":"","Size":"201401004.001 ：25片\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201401004002","MainTitle":"蛀在我的花園裡","Creator":"吳竟銍","CreatedYear":"","Size":"201401004.002 ：19片\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201401004003","MainTitle":"蛀在我的花園裡","Creator":"吳竟銍","CreatedYear":"","Size":"201401004.003 ：11片\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201401004004","MainTitle":"蛀在我的花園裡","Creator":"吳竟銍","CreatedYear":"","Size":"201401004.004 ：10片\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDA0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201401004005","MainTitle":"蛀在我的花園裡","Creator":"吳竟銍","CreatedYear":"","Size":"201401004.005 ：14片\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDA0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201401004006","MainTitle":"蛀在我的花園裡","Creator":"吳竟銍","CreatedYear":"","Size":"201401004.006 ：14片\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDA0MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201401004007","MainTitle":"蛀在我的花園裡","Creator":"吳竟銍","CreatedYear":"","Size":"201401004.007 ：21片\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDA0MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201401004008","MainTitle":"蛀在我的花園裡","Creator":"吳竟銍","CreatedYear":"","Size":"201401004.008 ：27片\r\n","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDA0MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201401005","MainTitle":"運轉坤乾","Creator":"朱李立","CreatedYear":"","Size":"桌90×90×70 椅42×42×46cm","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「運轉乾坤」作品—多功能旋轉式棋盤是以滾箱的概念製作。中間巧妙安置一具抽屜，並使抽屜成為棋箱之軸心，抽屜內部則隱藏暗閥以控制棋箱滾動和固定。桌面可選擇圍棋、象棋、西洋棋和跳棋等四種不同棋盤，皆屬臺灣常民生活娛興、愉樂的一部分。棋盤面則運用幾種不同色澤的木頭拼合而成，讓原本枯燥的等待時間變得更輕鬆而益智，也巧妙地讓桌子成為一個中介的討論話題。（詮釋委員：盧圓華）","ImageUrl":""}
,{"Identifier":"201401005001","MainTitle":"運轉坤乾","Creator":"朱李立","CreatedYear":"","Size":"桌90×90×70","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201401005002","MainTitle":"運轉坤乾","Creator":"朱李立","CreatedYear":"","Size":"椅42×42×46cm","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201401005003","MainTitle":"運轉坤乾","Creator":"朱李立","CreatedYear":"","Size":"椅42×42×46cm","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDA1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201401006","MainTitle":"陀螺杯","Creator":"易佑安","CreatedYear":"","Size":"作品：10×10×12.5、10×10×16.5、12.3×12.3×11.3、14×14×14.6、14×14×22.2\r\n附木座:\r\n95×25×4.5cm\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"設計靈感源自於臺灣傳統童玩-「陀螺」旋轉時的動態美感。下方的底座則是由上方的陀螺延伸而成。環繞於杯上的螺鈿裝飾模仿旋轉時產生的視覺暫留效果，整體設計如同正在旋轉的陀螺。底部的尖角設計讓作品置於桌面時呈現45度斜躺，而放置於底座上則可保持直立。外觀使用漆黑色，搭配紅色的輪廓框住底部，內部則是金黃光澤，形成強烈的視覺對比。\n這項設計結合了傳統漆藝的技法與現代設計理念。漆工藝有著悠久的歷史，以其光澤和耐用性著稱。作品選用白楊木和檜木作為主要材料，並以漆工藝的傳統技法來強化結構，以確保杯子在使用時的穩定性和耐用性。\n這組杯子的設計反映了對傳統文化的致敬，同時也展現了現代設計的創新思維。通過模仿陀螺的動態美感，試圖將靜態的物品賦予動態的生命力。整體作品在視覺上給人以強烈的動感和現代感，並在材質和技法上體現了對傳統工藝的尊重和創新。（詮釋委員：易佑安）","ImageUrl":""}
,{"Identifier":"201401006001","MainTitle":"陀螺杯","Creator":"易佑安","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201401006002","MainTitle":"陀螺杯","Creator":"易佑安","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201401006003","MainTitle":"陀螺杯","Creator":"易佑安","CreatedYear":"","Size":"作品：10×10×12.5、10×10×16.5、12.3×12.3×11.3、14×14×14.6、14×14×22.2\r\n附木座:\r\n95×25×4.5cm\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDA2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201401006004","MainTitle":"陀螺杯","Creator":"易佑安","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDA2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201401006005","MainTitle":"陀螺杯","Creator":"易佑安","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAxMDA2MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201402001","MainTitle":"桌椅組","Creator":"李榮烈","CreatedYear":"","Size":"表列尺寸以桌子代表;桌子61×69×69、椅凳42×35×35；附上蓋\r\n\r\n","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"桌子之造形為台灣農漁時期一般民家使用之樣式，桌子的骨架為傳統竹管家具之技法，桌面以竹編技法製作。\r\n桌椅組之座椅採圓形鼓凳與圓桌搭配，鼓凳以竹編技法製作與桌面呼應。\r\n凳面為活動式設計，如盛器之頂蓋，圓凳內具收藏雜物之功能，而凳面作籃胎漆器，翻轉可做漆盤使用，作品呈現作者的創意設計，作品呈現作者兼具竹管工、竹編與漆藝等三項工藝技法，結合成一組完美的作品。(詮釋委員：黃志農）","ImageUrl":""}
,{"Identifier":"201402001001","MainTitle":"桌椅組-桌","Creator":"李榮烈","CreatedYear":"","Size":"表列尺寸以桌子代表;桌子61×69×69、椅凳42×35×35\r\n","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAyMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"桌子之造形為台灣農漁時期一般民家使用之樣式，桌子的骨架為傳統竹管家具之技法，桌面以竹編技法製作。\r\n桌椅組之座椅採圓形鼓凳與圓桌搭配，鼓凳以竹編技法製作與桌面呼應。\r\n凳面為活動式設計，如盛器之頂蓋，圓凳內具收藏雜物之功能，而凳面作籃胎漆器，翻轉可做漆盤使用，作品呈現作者的創意設計，作品呈現作者兼具竹管工、竹編與漆藝等三項工藝技法，結合成一組完美的作品。(詮釋委員：黃志農）","ImageUrl":""}
,{"Identifier":"201402001002","MainTitle":"桌椅組-椅","Creator":"李榮烈","CreatedYear":"","Size":"表列尺寸以桌子代表;桌子61×69×69、椅凳42×35×35；附上蓋\r\n","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAyMDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"桌子之造形為台灣農漁時期一般民家使用之樣式，桌子的骨架為傳統竹管家具之技法，桌面以竹編技法製作。\r\n桌椅組之座椅採圓形鼓凳與圓桌搭配，鼓凳以竹編技法製作與桌面呼應。\r\n凳面為活動式設計，如盛器之頂蓋，圓凳內具收藏雜物之功能，而凳面作籃胎漆器，翻轉可做漆盤使用，作品呈現作者的創意設計，作品呈現作者兼具竹管工、竹編與漆藝等三項工藝技法，結合成一組完美的作品。(詮釋委員：黃志農）","ImageUrl":""}
,{"Identifier":"201402001003","MainTitle":"桌椅組-椅","Creator":"李榮烈","CreatedYear":"","Size":"表列尺寸以桌子代表;桌子61×69×69、椅凳42×35×35；附上蓋\r\n\r\n","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAyMDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"桌子之造形為台灣農漁時期一般民家使用之樣式，桌子的骨架為傳統竹管家具之技法，桌面以竹編技法製作。\r\n桌椅組之座椅採圓形鼓凳與圓桌搭配，鼓凳以竹編技法製作與桌面呼應。\r\n凳面為活動式設計，如盛器之頂蓋，圓凳內具收藏雜物之功能，而凳面作籃胎漆器，翻轉可做漆盤使用，作品呈現作者的創意設計，作品呈現作者兼具竹管工、竹編與漆藝等三項工藝技法，結合成一組完美的作品。(詮釋委員：黃志農）","ImageUrl":""}
,{"Identifier":"201402001004","MainTitle":"桌椅組-椅","Creator":"李榮烈","CreatedYear":"","Size":"表列尺寸以桌子代表;桌子61×69×69、椅凳42×35×35；附上蓋\r\n\r\n","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAyMDAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"桌子之造形為台灣農漁時期一般民家使用之樣式，桌子的骨架為傳統竹管家具之技法，桌面以竹編技法製作。\r\n桌椅組之座椅採圓形鼓凳與圓桌搭配，鼓凳以竹編技法製作與桌面呼應。\r\n凳面為活動式設計，如盛器之頂蓋，圓凳內具收藏雜物之功能，而凳面作籃胎漆器，翻轉可做漆盤使用，作品呈現作者的創意設計，作品呈現作者兼具竹管工、竹編與漆藝等三項工藝技法，結合成一組完美的作品。(詮釋委員：黃志農）","ImageUrl":""}
,{"Identifier":"201402001005","MainTitle":"桌椅組-椅","Creator":"李榮烈","CreatedYear":"","Size":"表列尺寸以桌子代表;桌子61×69×69、椅凳42×35×35；附上蓋\r\n\r\n","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAyMDAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"桌子之造形為台灣農漁時期一般民家使用之樣式，桌子的骨架為傳統竹管家具之技法，桌面以竹編技法製作。\r\n桌椅組之座椅採圓形鼓凳與圓桌搭配，鼓凳以竹編技法製作與桌面呼應。\r\n凳面為活動式設計，如盛器之頂蓋，圓凳內具收藏雜物之功能，而凳面作籃胎漆器，翻轉可做漆盤使用，作品呈現作者的創意設計，作品呈現作者兼具竹管工、竹編與漆藝等三項工藝技法，結合成一組完美的作品。(詮釋委員：黃志農）","ImageUrl":""}
,{"Identifier":"201402002","MainTitle":"葫蘆","Creator":"李榮烈","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"葫蘆為台灣民間信仰習俗中，十分喜愛之造型。\r\n這是一件極為成功的籃胎漆器作品，生漆為液狀材料，漆器之製作原則上需要有胎體，大多數的漆器在製作完成時，胎體就被漆層覆蓋而不見。籃胎漆器以竹藤編器為胎體，本件作品竹編胎體並未完全被漆層覆蓋，當我們欣賞漆藝之美時，同時也可以看見露胎部分的竹編美感。(詮釋委員：黃志農）\r\n","ImageUrl":""}
,{"Identifier":"201403001","MainTitle":"樹","Creator":"李榮烈","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2014","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品描寫樹之主幹與分枝之局部表現，以不規則之間插技法，象徵樹皮之蒼老斑駁，呈現紛雜而不紊亂編打功力。\r\n主幹下方之圓形規則圖形，象徵樹瘤，外圓內方很容易與樹之花果產生聯想，圓形外緣裝飾人字形環帶，圏內之方形作三度空間之立體表現，與間插樹皮的紛雜形成趣味性的對比。(詮釋委員：黃志農）","ImageUrl":""}
,{"Identifier":"201501001","MainTitle":"深藏不露","Creator":"朱李立","CreatedYear":"","Size":"附操作說明1張","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2015","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNTAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此件桌上型木櫃作品以精湛的工法，巧思設計，運用木材獨有的紋理與不同材質間的色差作為外在美觀特色，內部空間也暗藏玄機：頂部由上蓋掀起，以暗鎖活頁等機關組合在內部，板材直角相接處與抽屜轉角皆以鳩尾榫製作，結構牢固穩定。\n\n保留傳統工法，榫卯設計加入創意，附三道連環瑣，作品利用與箱體同材質的木頭去建構，以細膩手工製作鳩尾榫隱藏其中，使致鎖中有鎖，卻無見鎖的賞玩樂趣。只要蓋上面蓋，關上抽屜，便會馬上自動鎖起，讓第一次使用的人摸不清、猜不透，知道使用訣竅後更是驚喜其隱藏之密室及多重空間，操作耐人尋味。\n\n作者朱李立從事傳統木工40多年，曾二度獲得新竹市模範勞工，以及2019年全國職場達人盃藝術傢俱二等獎。自2007年開始參加臺灣工藝競賽屢獲佳績，除了本件精巧的木櫃獲得2014年臺灣工藝競賽一等獎，其他作品包括：《運轉乾坤》多功能旋轉式棋盤獲得2013年臺灣工藝競賽二等獎；《訴說之福》是運用變形的木材，順著木材本性，按部就班完成的特色櫃子，入選2019年臺灣工藝競賽，以及《九宮玄機》九宮格櫃子入選2020年臺灣工藝競賽。（詮釋委員：杜文田）","ImageUrl":""}
,{"Identifier":"201501002","MainTitle":"靜","Creator":"黃桂珠
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,{"Identifier":"201501002007","MainTitle":"靜","Creator":"黃桂珠
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,{"Identifier":"201501002008","MainTitle":"靜","Creator":"黃桂珠
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,{"Identifier":"201501002009","MainTitle":"靜","Creator":"黃桂珠
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,{"Identifier":"201501002010","MainTitle":"靜","Creator":"黃桂珠
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,{"Identifier":"201501002011","MainTitle":"靜","Creator":"黃桂珠
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,{"Identifier":"201501002012","MainTitle":"靜","Creator":"黃桂珠
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,{"Identifier":"201501002013","MainTitle":"靜","Creator":"黃桂珠
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,{"Identifier":"201501002014","MainTitle":"靜","Creator":"黃桂珠
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,{"Identifier":"201501002016","MainTitle":"靜","Creator":"黃桂珠
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,{"Identifier":"201501002017","MainTitle":"靜","Creator":"黃桂珠
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,{"Identifier":"201501002018","MainTitle":"靜","Creator":"黃桂珠
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,{"Identifier":"201501002019","MainTitle":"靜","Creator":"黃桂珠
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,{"Identifier":"201501002020","MainTitle":"靜","Creator":"黃桂珠
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,{"Identifier":"201501003","MainTitle":"竹編般若波羅蜜多心經","Creator":"法務部矯正署澎湖監獄","CreatedYear":"","Size":"作品整體展示尺寸","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2015","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNTAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是一件高97公分、寬152公分的竹編作品，以約7200條長30公分、寬1.2毫米的孟宗竹蔑所編成，內容為260個字的「般若波羅密多心經」，由法務部矯正署澎湖監獄獄友在國寶匠師彭祖林指導下，花費近一年的時間集體創作而成。\r\n作品進行編織之前，所有的竹篾也都由參與者親自從劈竹開始，劈成長寬一致的竹篾備料，再進行編織圖案文字的構圖設計，最後由多人分工接力實際編織而成，其中渉及各種基本技術的工序、工法；一切進行，正如一部修心養性、凝神靜氣的「心經」誦讀，對所有參與的獄友都具深刻的意義。\r\n本件作品中的書法楷體或許來自電腦資料的取用，但由文字草圖到竹編成形，其實面臨諸多實務上的困難，也成為作品「技藝」的特點。工藝之魅力，正展現在這些匠意與匠心的呈現。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"201501004","MainTitle":"童年騎趣","Creator":"李英嘉","CreatedYear":"","Size":"001：93×53×63cm（前雙輪轉）、002：73×43×55（前單輪）、003：74×45×55（前雙輪）","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2015","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNTAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在現今高度工業化的消費市場，常見的兒童三輪車騎乘玩具大多為金屬或塑膠製品，為展現當代工藝性並實現童年夢想，作者以擅長的木工加工技法，設計出木製三輪車，除了基本的前輪踩踏板式、前雙輪踏板式外，另有一款使用汽車的正時皮帶作為傳動的三輪車，期望給予兒童三輪車另類新感受。在功能性之外，多種木材質的紋理與色澤搭配賦予三輪車具變化感的外觀，有著如積木組合般的幾何造形以及流線圓滑的設計感。\n\n製作過程運用3D電腦繪圖繪製機械傳動結構與各零組件，透過對木材軟硬度與特性的了解，配置適用的部件，以車床、刨削、研磨取形製作原木原色的組件並拼貼；其中腳踏傳動三輪車再利用木齒輪結合車用正時皮帶，達到傳動功能。\n\n作者為李英嘉，國立臺灣藝術大學工藝設計學系木工課程助理教授，擅長以木材創作各式實用作品，跳脫傳統家具作品形式，教學方針以設計思考為先，技術努力後上的原則，貢獻木工教育英才無數，專書著作《木藝安全輔具設計與應用之創新•復刻•再生》。2014以「集何．動」木藝創作個展於新竹鐵道藝術村、2019年 「臺清藝華－國立臺灣藝術大學工藝設計學系與國立清華大學藝術與設計學系師生聯展 、2019年 傳承－李英嘉木藝創作展（個展）於剝皮寮歷史街區展出。指導學生成績：范琬榕作品〈小世界〉獲得2015年臺灣工藝競賽創新設計組一等獎、張凱亘作品〈生命特徵〉獲得2019年臺灣工藝競賽一等獎、陳柏丞作品〈賽瑟爾拉的製琴師〉獲得2020年臺灣工藝競賽二等獎。（詮釋委員：杜文田）","ImageUrl":""}
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,{"Identifier":"201501005","MainTitle":"悠閒","Creator":"吳國書","CreatedYear":"","Size":"作品整體展示尺寸50×50×30；茶盒收納後50×28×10","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2015","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNTAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"結合「竹」與「茶」元素，是臺灣深具本土特色的工藝表現。此作〈悠閒〉茶組具，除工藝技術的展現外，更以色彩、圖案、形式的別緻、典雅，受人喜愛。\n取名〈悠閒〉，除了是品茶人的心情寫照，也是整組竹工藝的精神主題。從茶組上蓋與茶盤上雕刻、鑲嵌的圖案：金魚、荷葉，搭配大量的留白，讓品茶的友伴在打開茶蓋的時刻，即感受到心情的平靜，乃至竹材特殊的媒材之美。茶蓋也同時兼具茶盤功能，下盒則是收整所有茶具之用。輕便、簡潔，適合外出擕帶。\n整體茶盤帶有曲線的造型，也打破了一般方型的刻板印象，讓「茶水」的流動，和「金魚、荷葉」的水波盪漾產生聯想；也為茶具的造型帶來活潑、生動的視覺特色。簡單的波浪曲線，對竹材直線纖維特質而言，顯然並非容易之事。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"201501005001","MainTitle":"悠閒","Creator":"吳國書","CreatedYear":"","Size":"附上蓋\r\n作品整體展示尺寸50×50×30；茶盒收納後50×28×10","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2015","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNTAxMDA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"201501005006","MainTitle":"悠閒","Creator":"吳國書","CreatedYear":"","Size":"作品整體展示尺寸50×50×30；茶盒收納後50×28×10","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2015","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNTAxMDA1MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201501005007","MainTitle":"悠閒","Creator":"吳國書","CreatedYear":"","Size":"作品整體展示尺寸50×50×30；茶盒收納後50×28×10","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2015","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNTAxMDA1MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"201501005009","MainTitle":"悠閒","Creator":"吳國書","CreatedYear":"","Size":"作品整體展示尺寸50×50×30；茶盒收納後50×28×10","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2015","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNTAxMDA1MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201501005010","MainTitle":"悠閒","Creator":"吳國書","CreatedYear":"","Size":"作品整體展示尺寸50×50×30；茶盒收納後50×28×10","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2015","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNTAxMDA1MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201501006","MainTitle":"歸行","Creator":"曾梓杭","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2015","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNTAxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「歸行」是一款以「龜」型設計為靈感的背包，專為旅行與日常使用而設計，並從保護功能出發，結合了硬殼包的防護特性與軟布包的舒適質感。這款背包可容納單眼相機、平板等電子產品，背部採用符合人體工學的緩衝墊，使用者在背戴時可享受到極致舒適的背負體驗。其設計旨在鼓勵忙碌的上班族或長時間低頭使用手機的人群走出戶外、親近自然，實踐現代樂活的生活方式。\n\n背包的木殼部分選用胡桃木集層膠合，經精細打磨並以雕刻工藝呈現龜殼的立體層次感，其表面以透明金油烤漆，既保留了天然木紋，又具備防潑水與抗UV功能。背戴部分的緩衝材質設計，進一步提升舒適度。「歸行」整體重量僅為800克，突破了傳統硬殼包的設計，將功能、時尚與工藝完美結合。（詮釋委員：曾梓杭）","ImageUrl":""}
,{"Identifier":"201502001","MainTitle":"觀音-渡化","Creator":"施至輝","CreatedYear":"","Size":"禪床42.5×18.3×21\r\n觀音19×15×31","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2015","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNTAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"觀音菩薩因「聞聲救苦」而名，以大慈大悲普度眾生，《妙法蓮華經》稱觀音有三十二化身，民間信仰中常見之觀音菩薩，大都為容貌姣美，神情慈藹之女神造形。\r\n西遊記中紅孩兒為阻檔唐僧一行取經，與孫悟空交戰失利，求助觀音，後被收服為善才童子。(詮釋委員：黃志農）\r\n","ImageUrl":""}
,{"Identifier":"201502002","MainTitle":"坐鎮中軍-將軍爺（劍童印童組）","Creator":"施至輝","CreatedYear":"","Size":"坐鎮中軍-將軍爺：21×20×43 （附件：五色旗5支），依序為綠、白、黃、黑、紅色\r\n劍童:10×10×26.5 （附件：劍1支）\r\n印童:10.5×10.5×26.5\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2015","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNTAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"將軍爺之粧製一體成形，連體式將軍帽，座椅與底座也採連座式。臉部彩繪參考京劇臉譜圖案。衣袍為內甲外袍之半文武模式，外著蟒袍，右肩右腿露出內著之鎧甲。右臂高舉，手握五色三角形令旗。底座兩側分別書寫「民國壬午」、「陽月雕塑」，底座背面刻「二〇〇二 施至輝作」字款。印童、劍童分別具有文與武之屬性，施至輝以臉部造形，以及臉部粉面設色加以區別(詮釋委員：黃志農）。\n\n將軍爺尊像種類甚多，有的是廟宇主祀，有的是副祀。\n中軍，源自古代官職或軍隊建置，分中、左、右，或上、中、下；中軍由主帥親自率領，是發號司令的指揮中樞，本像手持五色旗，更代表東西南北中的全方位概念，可見地位之崇高。\n作品材質為牛樟，經粗胚、細胚、打磨等雕刻過程後，再施「牽漆線」、彩繪、安金、鑲嵌等複雜裝飾工法、工序、且尊像與台座為一體成型，整體屬於福建泉州派妝佛作工。作品充滿威風凜凜的氣勢，將軍爺坐姿已使人心生恐懼；尤其花臉彩繪，作者繼承其父施禮的技法家傳，成為表現作品懾人神氣的焦點；另如頭戴通天盔，有龍自上而下盤繞，亦足欣賞。\n作品施作時，前後皆有已逝黃志農先生主導的拍攝紀錄留下，殊為難得。\n將軍爺旁有形體較小的劍童、印童二部屬，陪襯主尊，彰顯其地位；三尊像的作法承自古老傳統，二童一武一文，除表情、造型外，也以黑臉、粉紅臉加以區別。（詮釋委員：莊伯和）","ImageUrl":""}
,{"Identifier":"201502003","MainTitle":"威嚴神采-關公","Creator":"施至輝","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2015","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNTAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"威嚴神采--關公為施至輝得意之作，作品以泉州派雕刻風格，注重架式、佈局、比例，細膩典雅、穩重厚實，雕作木胚實體完成後，上底漆後不打稿，直接於作品上施作漆線，漆線完成後安金箔、著色、植鬚，以及珠玉裝飾，皆由施至輝一人獨力完成。\r\n關公，名羽，字雲長，三國時代山西解縣人士，為蜀漢大將，相傳劉邦、關羽、張飛桃園三結義之故事，為後人津津樂道，並奉為「勇武忠義」的典範。道教尊為「協天大帝」、「恩主公」「關聖帝君」、「關帝爺」、「關夫子」、「關公」，佛教奉為「伽藍護法」，儒教稱為「文衡帝君」，民間信仰中也奉為「武財神」，是台灣地區祀奉最普遍的神祇之一。(詮釋委員：黃志農）\r\n","ImageUrl":""}
,{"Identifier":"201502004","MainTitle":"田都元帥","Creator":"施至輝","CreatedYear":"","Size":"附件：官帽1件","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2015","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNTAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"田都元帥之源起眾說紛紜，有唐玄宗時之樂工雷海青說、也有陳平、翼宿星君之傳說。\r\n作品以粧佛方式呈現，右文左武腳踩金獅文武兼備，左手握持角帶，右手倒比劍指、面容俊睿，整件作品色彩極為亮眼，架式十足。以頂上官帽，係以手工量身訂製之布帽，做工繁複僅適戴於本作品。(詮釋委員：黃志農）\r\n","ImageUrl":""}
,{"Identifier":"201502005","MainTitle":"天上聖母組","Creator":"施至輝","CreatedYear":"","Size":"天上聖母：26×23.85×50.5\r\n千里眼：12×12×26.5（附件：戟1件/右手）\r\n順風耳：12×12.5×26.5（附件：斧1件/左手）\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2015","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNTAyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"台灣的媽祖信仰由海神，逐漸演化為全能女神，無論是大小街莊、山海聚落，還是通都大邑，都可看到媽祖廟。據統計臺灣地區，媽祖廟約有500座。\r\n千里眼、順風耳為媽祖之左右侍衛，相傳兄弟倆名高明、高覺，為殷紂部將，遭姜子牙制伏，死後陰魂據桃花山為惡，媽祖收伏為侍。\r\n以傳統形象雕作天上聖母，須將其聞聲救苦的莊嚴、稍顯豐腴，略帶一絲淺笑的慈悲面容表現出，恰如其分地端坐儀態表現，精緻的雕工與漆線裝飾，是此作品的精華處。(詮釋委員：黃志農）","ImageUrl":""}
,{"Identifier":"201503001","MainTitle":"福德正神","Creator":"施修禮","CreatedYear":"","Size":"","Type":"工藝類\\其他類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2015","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNTAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統泉州式福德正神坐像，面貌和藹慈祥，雙眼微瞌，蓄長鬚，頭戴七星冠，身軀福態豐腴，雙手倚於交椅上，左掌內引，右掌持元寶，寓招財進寶。身著金袍壽衣，雙肩、腹部、雙膝各以漆線盤飾團壽紋，腰繫佛青腰帶與壽字垂飾，象徵富貴福壽俱全。\r\n神像之盔冠，常見使用布帽或紙帽；底座也常採用離座式作法，亦即神像與底座分離；而神像的鬍鬚也常以植鬚的技法呈現。施修禮的福德正神的七星冠、鬍鬚、底座，皆於木雕階段一體成形，顯現了他木雕功力的高深造詣。\r\n底座字款「昭和丁丑」、「花月彫塑」，昭和為日據時期之日本年號，丁丑則為漢文化的紀元體系，花月亦為漢文化農曆二月之暱稱。日據時期台灣地區之款識文化，極具文化資產時代性、地域性與族群性之特質。（詮釋委員：黃志農）","ImageUrl":""}
,{"Identifier":"201601001","MainTitle":"變奏山水","Creator":"李偵綾","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"變奏來自於對反覆元素的熟稔與應用的恣意灑脫。山水畫不僅於風景的描繪，更加入不同視角的心靈觀照，反映當代人文思想。織錦畫又叫像景織物，不同於疊加的油彩，作者應用電腦提花技術專門的分層組合設計模式。使用這種設計模組編織結構，來達到少數色彩混搭模擬多種色彩的效果，使得像景織物的色織可以做到無窮變化。織物獨特的微觀立體空間，更能包容光陰在畫面中的穿梭。\n靈感取自家鄉花蓮太魯閣的山水，長達八百公分的手織畫，以畫軸形式呈現。經線是以白色棉線作為畫面的明度，緯線則是以數十種色系的sp線混合而成，揉合交織成豐富的色彩。宛如印象派畫的色彩表現，家鄉風景中的空間、線條、色調、光線和陰影，既有傳統水墨的精深，也有西方繪畫的韻律。（詮釋委員：吳佩珊）","ImageUrl":""}
,{"Identifier":"201601002","MainTitle":"拙納自在","Creator":"廖偉淇","CreatedYear":"","Size":"作品整體展示尺寸：100×71×35\r\n壓克力12支，作品計算件數不含展示木座，共5件。","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"廖偉淇以精湛的金屬鍛造技藝聞名，其創作結合技術與心靈，將鍛敲視為修鍊心與手的過程。在敲擊間，力與形、手與心交融，猶如禪修，將專注與虔誠注入金屬，使其從平面解放，幻化為輕薄蜿蜒的立體曲線，呈現流動的「類繪畫」形式。創作過程中藉形而下的勞動透過物質的投入，形而上的感受則蘊含超越世俗的思維，兩者相輔相成，帶來超越視覺的感官體驗，進而傳遞圓滿與幸福的能量。\n靈感來源於自然與環境的細微觀察，鍛造過程如修行，每一擊皆為心的淬鍊，展現深邃的金工美學意涵。金屬的延展與收縮，映照禪意中的「不增不減」，敲花與烤色則體現「無常即美」，在流動中彰顯永恆之美。運用工藝巧技，下沉延展、上升收縮、松膠敲花、金屬烤色等多樣技法，並結合木藝、漆藝與金箔貼附，使作品兼具工藝美感與文化內涵。其作品不僅是視覺饗宴，更是一場藝術療癒的修行，透過多元技藝與靈性情感喚起觀者的平靜與圓滿。（詮釋委員：廖偉淇）","ImageUrl":""}
,{"Identifier":"201601002001","MainTitle":"拙納自在","Creator":"廖偉淇","CreatedYear":"","Size":"作品整體展示尺寸：100×71×35\r\n壓克力12支，作品計算件數不含展示木座，共5件。","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201601002002","MainTitle":"拙納自在","Creator":"廖偉淇","CreatedYear":"","Size":"作品整體展示尺寸：100×71×35\r\n壓克力12支，作品計算件數不含展示木座，共5件。","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201601002003","MainTitle":"拙納自在","Creator":"廖偉淇","CreatedYear":"","Size":"作品整體展示尺寸：100×71×35\r\n壓克力12支，作品計算件數不含展示木座，共5件。","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201601002004","MainTitle":"拙納自在","Creator":"廖偉淇","CreatedYear":"","Size":"作品整體展示尺寸：100×71×35\r\n壓克力12支，作品計算件數不含展示木座，共5件。","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201601002005","MainTitle":"拙納自在","Creator":"廖偉淇","CreatedYear":"","Size":"作品整體展示尺寸：100×71×35\r\n壓克力12支，作品計算件數不含展示木座，共5件。","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDAyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201601003","MainTitle":"緊事寬辦~來杯茶吧","Creator":"江松智","CreatedYear":"","Size":"作品整體展示尺寸：67×55×30","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「緊事寬辦~來杯茶吧」基本要素是櫸木、竹，利用竹與木精緻雕刻技法來呈現。\n櫸木茶盤以多層次的雕刻技法，中層雕刻成柔軟的茶巾，再以圓形包崁住成一體的多層次茶盤。\n茶倉以竹節為特色，利用木工車床車出櫸木蓮子鑲嵌於倉蓋上，茶倉內外徑以手工榫接製成，再以雕刻蓮子的意象來呈現。\n利用竹節刻成乾枯的荷葉巧妙覆蓋在竹筒上，小蝸牛駐足在破損荷葉上，設計蟲蛀洞口的荷葉插上茶簪，茶匙，含苞荷花上面停著慢條斯理的小蝸牛，茶匙及蓮蓬上站著淘氣小樹蛙的茶簪，織成荷溏情趣的筆筒組。\n人面竹刻成荷葉茶則，利用竹子的岀枝雕刻出荷葉柄及小樹蛙，增添在泡茶之餘欣賞茶則的雅興。藉由泡茶體驗拿得起放得下的人生哲學，在泡茶過程欣賞竹的溫潤、虛心、步步高升的寓意及木的親和力，使人平心，享受生活工藝自慢活的情境。（詮釋委員：江松智）","ImageUrl":""}
,{"Identifier":"201601003001","MainTitle":"緊事寬辦~來杯茶吧","Creator":"江松智","CreatedYear":"","Size":"作品整體展示尺寸：67×55×30","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201601003002","MainTitle":"緊事寬辦~來杯茶吧","Creator":"江松智","CreatedYear":"","Size":"作品整體展示尺寸：67×55×30","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201601003003","MainTitle":"緊事寬辦~來杯茶吧","Creator":"江松智","CreatedYear":"","Size":"作品整體展示尺寸：67×55×30","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201601003004","MainTitle":"緊事寬辦~來杯茶吧","Creator":"江松智","CreatedYear":"","Size":"作品整體展示尺寸：67×55×30","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDAzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201601003005","MainTitle":"緊事寬辦~來杯茶吧","Creator":"江松智","CreatedYear":"","Size":"作品整體展示尺寸：67×55×30","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDAzMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201601003006","MainTitle":"緊事寬辦~來杯茶吧","Creator":"江松智","CreatedYear":"","Size":"作品整體展示尺寸：67×55×30","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDAzMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201601003007","MainTitle":"緊事寬辦~來杯茶吧","Creator":"江松智","CreatedYear":"","Size":"作品整體展示尺寸：67×55×30","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDAzMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201601004","MainTitle":"小世界","Creator":"范琬榕","CreatedYear":"","Size":"作品整體展示尺寸：120×120×70","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這是一個迷宮小世界，它生於木材，如同我們之於自然，讓人們和著自然界的陽光、微風、憑著自由意識，遊走於此木質的世界。作者巧心將傳統鋼珠迷宮玩具，改造為更具變化、挑戰性且具有工藝美感的木製玩具，使用車床與積層曲木技術，搭配手工鋸切、刻磨、刨削與金屬鉚釘，讓平臺的遊戲轉化為3D立體空間，各個面向的空間迷宮道路都可相互貫通，提升迷宮的益智功能、空間感的訓練，搭配手、眼協調的能力，將迷宮遊戲昇華至全新的層次。\n\n運用各式木質零碎木料，搭配透明壓克力管與鋼珠，創作出木質3D立體鋼珠迷宮玩具，整組共有四件，分別為立體方塊、輪軸型、行星球體儀、雲霄飛車組造型。不同於塑膠製玩具，迷宮道路以木材取代，讓鋼珠撞擊出木材沉穩的聲響，除了是益智遊戲，精巧複雜地道路迷宮也可成為妝點室內的擺設雕塑。\n\n創作者范琬榕參與2015年臺灣工藝競賽，當時仍就學於國立臺灣藝術大學工藝設計學系四年級，接受李英嘉助理教授的指導，在創意上大膽發揮，執行實踐也具有相當高的水準。競賽評審黃俊傑委員，國立屏東科技大學木材科學與設計系副教授，指出，「其中尺寸的精準度與在空間中的結合是歷年來工藝競賽中所罕見，這意味著年輕一代已由傳統的3D思維轉化為立體交錯的複雜工藝製作。」（註1）（詮釋委員：杜文田）\n\n註1黃俊傑（2015年12月）。木藝再興與工藝隱憂—2O15年臺灣工藝競賽觀後感。臺灣工藝季刊，59，14 ","ImageUrl":""}
,{"Identifier":"201601004001","MainTitle":"小世界","Creator":"范琬榕","CreatedYear":"","Size":"作品整體展示尺寸：120×120×70","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201601004002","MainTitle":"小世界","Creator":"范琬榕","CreatedYear":"","Size":"作品整體展示尺寸：120×120×70","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201601004003","MainTitle":"小世界","Creator":"范琬榕","CreatedYear":"","Size":"作品整體展示尺寸：120×120×70","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201601004004","MainTitle":"小世界","Creator":"范琬榕","CreatedYear":"","Size":"作品整體展示尺寸：120×120×70","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDA0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201601005","MainTitle":"螳螂椅","Creator":"邱證鉿","CreatedYear":"","Size":"展開為：120×150×85cm\r\n變形後為：120×75×85cm\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「螳螂椅」作品為一生物擬態家具。在桌與椅的變化之間，此張餐桌前腳長、後腳短的結構，和昆蟲中的獵食者「螳螂」形似；可以由兩人長椅變形成為四人餐桌椅的家具，可視空間與用途滿足不同需求。\n\n為求結構強度與美觀性兩者的平衡，各部件皆以三層原木、三接榫方式膠合而成，並在各材料相接處做出淺溝，以呈現昆蟲肢節的樣貌。這一螳螂椅，於其桌體展開的順暢過程中，和桌身側面有著螳螂揮臂補食的動作相似，構件形態如生物肢體而富工藝趣味。（詮釋委員：盧圓華）","ImageUrl":""}
,{"Identifier":"201601006","MainTitle":"凝望時光","Creator":"羅念慈","CreatedYear":"","Size":"每個約36×8×45\r\n作品整體展示尺寸：60X60X50公分\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這件造形線條優雅，帶有現代極簡風格的木作燈具是以傳統家具製作的手工木作技法，結合時間心力琢磨而成。有機自然的線條如水鳥之翼，讓燈架可自由上下調整至適合的角度，此時如發芽種子造形的主體燈座，也成為尋找生活平衡定點遊戲中的一員。從點燈開啟工作生活模式的瞬間，即映照出大自然與時光作為照明基調的意趣，如同創作者所形容的，「感動，有時是個瞬間。波光瀲灩的水面，青蔥蓊鬱的稻田，銀白皎潔的月光在不平衡中覓得安定，點一盞燈，如水鳥般細細地凝望，跟自己相處的時光。」\n\n採用實木曲木技法製作出燈架的主體曲線，以車床旋製燈軸與燈座；底座以矽膠鑄模翻製混凝土，並調製水性顏料著色，混凝土除了增加燈座重量，達到穩定作用，其質地也增加整體作品的清幽感；木頭燈座的部分以砂紙手工逐步研磨拋光，並以天然塗料均勻塗佈，反覆進行以上工序直至平順柔滑；用作電路的銀絲嵌入燈架木片當中，讓燈具顯得分外精緻。\n\n創作者羅念慈女士基於對木創作的熱愛，持續以融合了傳統上用於家具及家飾上的榫卯、曲木、旋木等木作工法，運用在客製化木製眼鏡的創作上，得到市場很大的迴響，以「羅秉堯-是也設計」作為公司品牌。（詮釋委員：杜文田）","ImageUrl":""}
,{"Identifier":"201601006001","MainTitle":"凝望時光","Creator":"羅念慈","CreatedYear":"","Size":"每個約36×8×45\r\n作品整體展示尺寸：60X60X50公分\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201601006002","MainTitle":"凝望時光","Creator":"羅念慈","CreatedYear":"","Size":"每個約36×8×45\r\n作品整體展示尺寸：60X60X50公分\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201601006003","MainTitle":"凝望時光","Creator":"羅念慈","CreatedYear":"","Size":"每個約36×8×45\r\n作品整體展示尺寸：60X60X50公分\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAxMDA2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201602001","MainTitle":"福祿罐","Creator":"張繼陶","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"帶著炭素的紅色火焰，慵懶的穿梭在窯心，促使釉藥中的鋇和鎂緊緊捉住銅的元素，永遠地與坏體燒灼相守；錫與硼酸鈣在鋅的媒合之下，讓整體釉面譜出完美的樂章。\r\n上窄下闊的葫蘆造型是一種吉祥的象徵，作者以此造型燒造出代表福祿意義的容器，祝福有緣觀賞這件作品的人，都能“百子千孫，繁茂吉祥＂。葫蘆的形狀自然穩重，銅釉在火焰的推波助瀾之下，恰似海濤月波滾滾紅塵，在厚厚的釉層中液相分離，土與火的協奏曲熱烈的展開，吟詠出礦石斑斕壯闊的樂章。（詮釋委員：羅森豪）","ImageUrl":""}
,{"Identifier":"201602002","MainTitle":"平安旺福","Creator":"張繼陶","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"瀑布般奔流的釉漿，把美人醉的靈魂，帶入彼岸的大海。佇立在作品頂端的忠狗為您守護，祂帶來寧靜的指引；這是一份自然的悸動，釉色流過春來的大地，忠狗帶著一種無言的忠誠，儘管世間如樹葉婆娑搖動，釉色如水流般悠悠逝去，祂仍坦然把胸懷守護大地。型似蘋果飾以忠狗，採取形與意的諧音〝平安旺福〞。作者的創作動機一向是正念著為大眾、為這個時代祈福。\r\n氣流帶動不安份的火焰翩翩起舞，銅紅與銅綠釉液液分相，彼此鬥艷狂奔，因而燒造出無法掩飾的美人醉釉色。三層多掛釉，底釉中的鎂及天然骨灰幫助中層主釉發色，有如山中茂密的森林，能招喚釉要元素的精靈；以銅紅釉為中層較厚的主釉，就像森林中的潺潺流水，自然道出銅釉神話般的奧秘；最上層釉則以土灰、稻草灰為主，可使面釉在低溫中流動，如山中飄渺的霧氣，帶動整體的氣韻。（詮釋委員：羅森豪）","ImageUrl":""}
,{"Identifier":"201602003","MainTitle":"春池","Creator":"張繼陶","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"窯裡朦朦的緋紅暈光，火色千變萬化，在燒成的氣氛之中，火焰有權力解釋陶藝一切的奧妙，作者本身也只能追隨火神的劇本，與土、釉等大自然能量所安排的角色盡情演出；很多時候心中更要安靜聆聽火焰的聲音，大部分燒陶的經驗，是陶藝家自己無法用言語說出更深層的祕密，一輩子累積這樣的經驗，才能道盡「美人醉」釉色的風采。\r\n作者拉坏的手紋印記，在坯體表面形成潺潺的細流，帶動著柳綠浮萍吟唱輕曲。雀躍的火舞，將釉中的銅綠，染濡出又圓又沉的活潑精靈，緊緊依附著湖邊波光粼粼，曉霧徐來的詩情畫意。\r\n作者將作品名為「春池」做為筆洗之用，為書畫藝術家所雍有。洗筆時多種色彩混淆一起，似有攪亂一池春水之意。這樣的命題也提示著，作者將釉藥一層一層的多掛，燃燒的火焰又是多變無常，這樣無法預料的變數的「攪亂一池春水」，就是本件作品的精神所在。（詮釋委員：羅森豪）","ImageUrl":""}
,{"Identifier":"201602004","MainTitle":"美人醉","Creator":"張繼陶","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"窯房裡熊熊火焰的熱情精靈，催促著釉漿裡的物質昇華，悸動的「銅」分子顯現出自然而活躍。釉火交鋒，釉泡轟然開起，在澎湃驚濤下「銅綠」破繭而出，伴隨嫣紅、緋紅與火鶴紅的襯托相輔相成。美人醉的燒成造藝，是在於作者善用大自然的力量，對於火焰的拿捏要到達了無與有之際，每一次的進出窯都是絕對，每一次的進出窯都是唯一，一期一會的燒造過程不可被取代。\r\n美人醉釉的組成的基本元素，與其他釉藥系統的配方大致相同，美人醉釉卻因在燒製過程，作者在燒窯的當下應該是處於憩於理性行於熱情的心境，來進行窯壓與火焰顏色的控制，所以火焰皆在於無與有之際微妙的漂移，因此你可以燒製相同的瓷器，但無法燒出一模一樣的作品。於是；美人醉是有生命的，每一件極致無暇的美人醉都是單一，都有其絕對的特質。（詮釋委員：羅森豪）","ImageUrl":""}
,{"Identifier":"201602005","MainTitle":"羊蹄甲(紫荊花)","Creator":"張繼陶","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"生艷動人的紫荊花攀至枝頭高處，一抹紅潤夕陽漸漸地潛入作品根部，在半透明的古色礦石釉的包圍與浸濡之下，一切生靈帶來永恆的和諧。我們看到夕陽照在半遮掩的紫荊花末梢，同樣也照映著人生的真理；夕陽無限好，但甚麼時候花開？甚麼時候該花落呢？\r\n近似圓相的坯體，是大自然的渾沌自體，作者在圓相的陶胎上，再畫了一大圓圈的夕陽，意謂著世間的一切，都包容在圓滿的涅槃當中。（詮釋委員：羅森豪）","ImageUrl":""}
,{"Identifier":"201602006","MainTitle":"筆底春風","Creator":"張繼陶","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAyMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"春風拂過畫筆，展現葡萄紫及月光白的花蕊，搖曵在安寧祥和的田野中，是一縷輕風流動暗伏的香氣，鈞釉氤氳如水瀑、如禪畫的氣質飄灑得淋漓盡致。筆底春風在畫筆與鈞釉之間無分軒輊，陶藝結合了地、水、火、風等大自然的元素與能量，皆是變化莫測不可預知，這也是鈞釉充滿精神性的美感所在。\r\n如何燒出鈞釉迷人的的效果；完美的鈞釉，不是燒出作者自己已知曉的東西，而是作者想燒出自己尚未知曉的東西，這應當是沒預期這樣燒或那樣燒的念頭，因為無法控制與想像，鈞釉是個迷；所以鈞釉是從陶藝家的窯爐中生出來的。因此鈞釉的美感早被文人墨客所讚美：畫家嫌筆拙丹青難繪，詩人怨詞窮錦句失色。（詮釋委員：羅森豪）","ImageUrl":""}
,{"Identifier":"201602007","MainTitle":"春風又綠江南岸","Creator":"張繼陶","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAyMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"窯內的火舞在漫遊飛翔之際，釉漿在火焰熱情的邀約下獲得舒展，鈞釉在沸騰之間捕捉無以預期的蟹逅，銅分子在這樣難以言喻的氛圍裡，與其他媒熔物質不期的相遇，因而才能有捕獲一片霞紅煙紫色澤的因緣。無數飛舞在釉面的漫天綠點，消融在星辰穹鼎底下蕩漾著笑意。浮游在釉面上蠢蠢欲動的釉斑結晶，流露著一種深沉和婉約韻律，透出點點春色做為回報。\r\n作者致力攫取美妙的浮光掠影，捉住稍縱即逝的吉光片羽，因此在作品裡賦予了神話的色彩。這一切欣欣向榮的美景生氣盎然，都頌讚隱藏在鈞釉神秘交融的見證。（詮釋委員：羅森豪）","ImageUrl":""}
,{"Identifier":"201602008","MainTitle":"迎風","Creator":"張繼陶","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAyMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"狂草般的筆鋒餘勢未盡，枝葉在空中隨風拂動，畫面中的佈白，與背景的古龍泉青瓷釉息息相通。因此；作品中無一處沒有息，有畫之處把息畫成畫，無畫處把息燒成了氣，這是一種氣韻之氣。\r\n運用含鐵質的陶坏襯托著青瓷，以局部施以為底釉，再用銅紅、鉻綠與黑料簡筆彩繪，用弱還原火焰燒成，是作者長期處理釉色的基本手法，這樣的風格最能表現大地靜謐的氣息；於是詩人筆下的拂牆花影動，疑是玉人來，這樣的形容，最能貼近作者在這系列作品上所要表達的訊息。（詮釋委員：羅森豪）","ImageUrl":""}
,{"Identifier":"201603001","MainTitle":"玄武","Creator":"張繼陶","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"岩漿地窖裡不安定的靈魂蠢蠢欲動，當能量大到極限，會從地表中噴出熾熱的熔岩，瞬間冷卻凝結形成玄武岩等的火成岩。作者把燒銅釉的過程，生動的模擬出「岩漿」般噴發出來在地表流動與凝固的過程；燒熔的釉漿在窯壓的驅使之下，促使沉積在釉漿底層較重黑色的金屬化合物，如火山爆發一般地噴出釉漿表面，使得作品有著地殼般的古雅穩重。\r\n釉漿的元素來自大自然的礦石材料，雖然這些石頭粉塵無法言語，但仍需要有與火焰商量顏色的本能；於是銅紅曜變釉經過作者的用心燒製，繽紛的釉色才可道盡花時清寒，暑氣荷風，立秋與冬至，作品嶄露出星月風露的靈魂，大自然的意志與氣息完整展現。\r\n古人說：人法天、天法道、道法自然；作者在燒陶的精神上，徹底參透此道理。（詮釋委員：羅森豪）","ImageUrl":""}
,{"Identifier":"201604001","MainTitle":"彩墨結晶瓷","Creator":"孫超","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"地、水、火、風因緣合和，陶藝家運用宇宙間最原始的元素與力量解放自然。轆轤啟動藝術生命的輪迴，把坏體放入窯內，一切未可預知的火焰靈動，在數不清的升溫與散熱之間，徐徐開出一朵朵瑰麗晶花，碧綠而明澈，境界從絢麗中展開空靈。\r\n在烈火之熾熱、結晶之燦爛，從精美無瑕暈染間，青韻層次律節，結晶的美感相當絕對。釉面與形體就道盡一切，再多的文字形容或文學性的聯想延伸都是多餘。一件陶藝作品若能憑藉著釉色和造形，就能帶給觀者超時空的美感，那麼它就具有藝術性，擔當得起藝術的稱謂。陶藝工作者與作品之間可謂是藝術的火煉、生命的結晶。（詮釋委員：羅森豪）\r\n","ImageUrl":""}
,{"Identifier":"201604002","MainTitle":"洄","Creator":"張憲平","CreatedYear":"","Size":"29*29*27(1130523重新測量)","Type":"工藝類\\籐材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以一條籐芯為軸心，採單旋螺捲編法，籐皮由中心往外圈繞，形成層層圖紋並構成密實的器體。在豐腴的器肩上，則編作鏤空套環紋樣，加上細長如彩帶、隨意起伏自然而流暢的編紋。都與基礎的器體相呼應，使整件作品造型顯得更優美。（詮釋委員：莊伯和）","ImageUrl":""}
,{"Identifier":"201604003","MainTitle":"朝顏","Creator":"賴作明","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2016","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNjA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品設計成實用的托盤，托盤是裝餐點、茶或餐具的一個盤子，方便一次運送多個餐飲具或食物。\r\n此作品以描繪於夏日初始，旭日東昇之際，牽牛花剎那綻放熱鬧的容顏為主題。以漆繪、描漆灑金粉技法詮釋具象的花卉與纏繞莖的受光面，佐以變塗呈現黑漆背景空間的氛圍。 \r\n暮光中永不散去的容颜，生命中永不丢失的温暖。以此花卉裝飾於茶托盤間，以茶的溫度，藉由端茶時手的溫度傳遞心的溫暖！（詮釋委員：李本育）\r\n","ImageUrl":""}
,{"Identifier":"201701001","MainTitle":"墨金茶具組","Creator":"康嘉良","CreatedYear":"","Size":"普洱茶倉25.2×25.2×31cm\r\n一斤茶倉19.5×19.5×20cm\r\n酒精爐座19.5×17×12.5cm\r\n壺承（2件）20×20×3.6、14×14×2.2cm\r\n水盂14×14×8cm\r\n茶壺11.5×8×13.5cm\r\n茶盅8.5×7.7×8.3cm\r\n花器（2件）7.5×5.5×15.5cm\r\n小茶倉cm7.5×7.5×8.5cm\r\n一兩小茶倉6.3×6.3×5.6cm\r\n杯托7.7×7.7×1.5cm\r\n喝杯5.4×5.4×3.4cm\r\n則置10.5×1×1cm\r\n附件：茶則、茶針、棉布、底座（放置一兩小茶倉、小茶倉用）、竹製底座（放置茶杯）、3塊布（布展用）\r\n約15×7×6、13×8×4、20×15×9、30×25×4cm\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這組茶具體現了臺灣茶藝文化中濃厚的生活美學風氣；呈現茶席桌上的完整組件，包含了茶壺、壺承、水盂、茶盅、喝杯、杯托、四個容積不同的茶倉、爐座、花器、則置，充實器用功能；同時以精湛的工藝創造出後現代的材質模擬風格，掌握釉藥變化以呈現金銀銅鐵材質在歲月沉澱中鏽蝕斑駁的美感，更運用金工鍛敲處理配件，使整體融合一氣呵成，賦予茶席桌上一股懷舊復古又低調奢華的氛圍；工藝與材質之美增添茶席間話題與樂趣。\n\n這組墨金茶具組，大部分組件以手拉坏成形後再加以雕塑，器物外表施予錳銅結晶金屬釉，以高溫1235度還原燒成；茶壺上的銀色釉為局部施以白金釉上彩，低溫燒製。附件部分如茶壺提把、壺紐、罐紐、爐座耳環皆以金工鍛敲成形。\n\n陶藝家康嘉良先生1981年出生於臺中，大甲高級中學美工科畢業，進入嶺東技術學院商業設計系，於2005年畢業。2011年成立工作室《良品坊》。以分享創作具美感創意的器物，提升生活美學為初心，追求創作具美感之器物，把手作的溫度與人分享，帶給他人幸福與感動的生活。創作想法取材自古器物造型、紋飾、建築空間、大自然的萬物等等，因喜愛古文物之美，對器物線條的美感追求與造型創造力的掌握，讓作品完整細膩呈現出所追求的器物精神是創作的基本態度。近年參賽得獎紀錄有：2017年第五屆海峽工藝精品獎金獎、2019年臺灣工藝競賽機能獎、2020年 第八屆臺灣國際金壺獎典藏推薦獎、第八屆臺灣國際金壺獎茶藝推薦獎。」（註1）（詮釋委員：杜文田）\n\n註1資料來源：文化部國家文化記憶庫收存系統 https://cmsdb.culture.tw/person/60B332AA-AF87-44C5-BAA6-DF5D0899397D","ImageUrl":""}
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,{"Identifier":"201701001022","MainTitle":"墨金茶具組","Creator":"康嘉良","CreatedYear":"","Size":"竹製底座（放置茶杯用）\r\n\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAxMDAxMDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201701001023","MainTitle":"墨金茶具組","Creator":"康嘉良","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAxMDAxMDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201701002","MainTitle":"玄武","Creator":"吳宗賢","CreatedYear":"","Size":"","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品「玄武」，乃透過平板玻璃（窗戶玻璃）的窯爐加工，創造玻璃材質的「澎湖玄武岩」風貌的擺飾。使用的材料是有碳酸鈉成分的「平板鈉玻璃」，而其加工技術是「熱端加工」中的釉藥彩繪、熔合，以及自重下垂（烤彎、熔陷）。\n製作過程為首先裁切四片長方形的平板鈉玻璃，並於每一片玻璃的表面以釉藥進行彩繪「玄武岩」的表面斑駁肌理與色彩，以及來自於海面反射的藍色波光，先分別進窯爐完成釉藥燒製之後，依序將平板鈉玻璃上下堆疊，創造多層次的視覺效果，再將之放置於窯爐中的耐火（熱）模具上，再次燒製，使四片玻璃熔合成一片有層次的厚玻璃，由於模具是呈波浪狀，因此當玻璃在高溫軟化的同時，會因本身的重量以及地心引力，自重下垂（烤彎、熔陷）成波浪狀造形，彰顯「玄武岩」的特徵。（詮釋委員：蕭銘芚）\n作品以澎湖玄武岩概念發想，使用多層次窯燒技法，營造空間的深度感，先以單片施釉入窯，待成色出爐後四片重疊，再度入窯燒結，體現柔合柱狀玄武，節理透亮堅毅、海浪侵蝕以致岩石斑駁，而海面波浪反射於岩壁形成藍色粼粼光影的自然意象。創作者足具細微觀察力，透過玻璃與釉彩、金屬基座，充分表現出複合媒材之巧妙結合，將設計概念轉化成執行力，同時具備展現師法自然的禮敬之意。(詮釋委員：吳宗賢) ","ImageUrl":""}
,{"Identifier":"201701003","MainTitle":"天目熒星-空無藍天","Creator":"吳宗義","CreatedYear":"","Size":"附底座（木）","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"吳宗義1998年隨吳毓學習釉藥學接觸天目釉後，為其繽紛幻化所吸引。流傳自中國宋代的天目釉，是以鐵發色的黑釉，吳宗義投身鑽研二十多年，以「天目熒星」為品牌，取「熒」炫目的火光之意，象徵宛如闃黑夜空裡奪目引人的斑斕星光。\n天目釉燒製極為不易但釉彩變幻萬千，些微的窯溫差異便造成不同釉彩型態與色澤。這件作品以拉坏形塑上寬下束，通體飽滿渾圓的短頸收口器形，施以氧化鐵為發色劑的釉藥，氧化燒達1260度，當釉裡的含氧化合物經高溫釋出氣泡，便帶出鐵等不同比重的礦物元素，顯現深淺青色，當氣泡脹破順曲面流動，造就層層隱約閃現點點金光的多變釉彩，賦予宛如青空有雲飄動、有光閃耀的想像。是一件器形與釉彩特性加乘而相得益彰的古典新作。（詮釋委員：朱珮儀）","ImageUrl":""}
,{"Identifier":"201701004","MainTitle":"四時節器(香器)","Creator":"陳明宗","CreatedYear":"","Size":"香器9×9×12cm\r\n香盤5×5×1cm\r\n附件：底座(90×23×2.5)及8個香柱（以錦盒個別收納，存放於木箱）\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作者運用漆藝材料擁有豐富色彩層次的特性，詮釋四季季節更替自然界的色彩變化。\n造型設計以現代簡約的立方體器型呈現，創作一款可以隨心境轉換而更動擺設的香道使用器具-香器。藉由當代漆藝美學所設計出的具象實用器具，結合品香冥思的抽象意境，探討人與自然共生共滅的關聯性。 \n作品以天然木胎製作成型，結合樹漆材料及多重技法運用呈現表面裝飾，藉由多彩繽紛的色彩演繹出四季時節之美，進而完成一款六件組有設計特色的香器具。此款特色的香道具藉著方形四邊的導氣縫，促使裊裊香氣得以舒展延伸，蔓延於此款香器四周外圍，造成煙霧繚繞的意境。（詮釋委員：李本育）","ImageUrl":""}
,{"Identifier":"201701004001","MainTitle":"四時節器(香器)","Creator":"陳明宗","CreatedYear":"","Size":"香器9×9×12cm\r\n香盤5×5×1cm\r\n附件：底座及8個香柱（以錦盒個別收納，存放於木箱）\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAxMDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201701004002","MainTitle":"四時節器(香器)","Creator":"陳明宗","CreatedYear":"","Size":"香器9×9×12cm\r\n香盤5×5×1cm\r\n附件：底座及8個香柱（以錦盒個別收納，存放於木箱）\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAxMDA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201701004003","MainTitle":"四時節器(香器)","Creator":"陳明宗","CreatedYear":"","Size":"香器9×9×12cm\r\n香盤5×5×1cm\r\n附件：底座及8個香柱（以錦盒個別收納，存放於木箱）\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAxMDA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201701004004","MainTitle":"四時節器(香器)","Creator":"陳明宗","CreatedYear":"","Size":"香器9×9×12cm\r\n香盤5×5×1cm\r\n附件：底座及8個香柱（以錦盒個別收納，存放於木箱）\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAxMDA0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201701004005","MainTitle":"四時節器(香器)","Creator":"陳明宗","CreatedYear":"","Size":"香器9×9×12cm\r\n香盤5×5×1cm\r\n附件：底座及8個香柱（以錦盒個別收納，存放於木箱）\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAxMDA0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201701004006","MainTitle":"四時節器(香器)","Creator":"陳明宗","CreatedYear":"","Size":"香器9×9×12cm\r\n香盤5×5×1cm\r\n附件：底座及8個香柱（以錦盒個別收納，存放於木箱）\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAxMDA0MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201701005","MainTitle":"境","Creator":"潘力瑋","CreatedYear":"","Size":"櫃55×42×69cm\r\n桌133×68×77cm\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「境」—桌與櫃作品，透過相思木、梣木、扁柏等木料的天然紋理、顏色、軟硬質感，加上老木料經歲月、自然力所留下的時空記痕；產出物件特有的工藝表情，也留駐了工藝創作者的心思。 \n櫃子正立面抽面板色澤漸層、曲面變化，對比框架式結構；刻意製作特具流動感的花梨木抽屜把手，處處顯露創作者意圖—手作功夫帶來工藝表情。櫃體上板、桌面上異木鑲嵌做工精緻，帶來手作鑲崁工藝趣味。桌子以鳩尾榫接木結構完成，外觀平直輪廓以反襯動感的曲形薄片或板件。整體來看，桌下乾坤也平衡了桌面、櫃面的工藝造作。\n「境」 — 桌與櫃作品表情豐富，唯作者原設想營造「寧靜的閱讀氛圍，展現人文厚度」意象。就留待各位觀者的直覺、體驗感受了!（詮釋委員：盧圓華）","ImageUrl":""}
,{"Identifier":"201701005001","MainTitle":"境","Creator":"潘力瑋","CreatedYear":"","Size":"櫃55×42×69cm\r\n桌133×68×77cm\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAxMDA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201701005002","MainTitle":"境","Creator":"潘力瑋","CreatedYear":"","Size":"櫃55×42×69cm\r\n桌133×68×77cm\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAxMDA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201702001","MainTitle":"龍鳳圖騰大壺","Creator":"竹南蛇窯創辦人：林添福","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「龍鳳圖騰大壺」為林添福從傳統日用陶師，轉型工藝美術的早期作品。工藝技法是傳統拉坯、擠坯的綜合成形法，但器型與裝飾卻是參考故宮圖錄，輯古創新的一種表現。器型略為尖底，肩部特別寬大氣勢磅薄，搭配遠古圖騰，有一種古今交會的現代藝術拼貼趣味，反映當時流行的審美風潮。（詮釋委員：鄧淑慧）\r\n","ImageUrl":""}
,{"Identifier":"201702002","MainTitle":"火岩長景瓶","Creator":"竹南蛇窯創辦人：林添福","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"器身有如飛碟，加上一個修長的瓶口；用木柴以高溫燒至質感有如岩漿。\r\n「長景瓶」為林添福代表器形之一，如飛碟般的寬扁瓶身，修長高挑的瓶頸，獨特而罕見。雖然是從古代「長頸瓶」脫胎換骨而來，但林添福的「長景瓶」全由拉坯組合合成，有屬於自己器型的獨特風格。故2008年發表時，重新命名為「長景瓶」系列。\r\n此件「火岩長景瓶」瓶頸特別高挑，展先藝師高超的拉坯技藝。質感有如火山岩漿翻滾沸騰，是現代陶藝柴燒追求特殊極致的一種美感表現。（詮釋委員：鄧淑慧）\r\n","ImageUrl":""}
,{"Identifier":"201702003","MainTitle":"蜜色瓷窯汗福氣瓶","Creator":"竹南蛇窯創辦人：林添福","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"以傳統甕型架接高挑的高足，是林添福從傳統日用陶蛻變到工藝美術的代表造型之一。取頭大為福之意。\r\n「福氣瓶」為林添福個人創作的代表作。上半身器型較為寬大，高足修長。林添福從傳統七孔花器，逐步演變而來。這件「蜜色瓷窯汗福氣瓶」的特色為頭部較接近傳統茶葉罐的甕型，林添福將傳統日用陶的形制之美保留，轉換成他個人創作語彙，變成獨立欣賞的藝術觀賞品。以古代灰釉為基底，現代高溫柴燒為新的美感詮釋，表現既古雅又有個人獨特風格的當代陶藝精神。（詮釋委員：鄧淑慧）","ImageUrl":""}
,{"Identifier":"201702004","MainTitle":"有春","Creator":"竹南蛇窯創辦人：林添福","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"簡單的茶葉罐甕型，裝飾有線條雕刻的四條金魚。不上釉，用柴燒表現古樸的自然本色。\r\n此為傳統日用陶的茶葉罐甕型，但沒有製作蓋子作為實用之物，而是裝飾線雕金魚。簡簡單單，不上釉，用柴燒表現古樸自然的本色。林添福晚年86歲，信手捻來的「有春」系列，器型大多繁複，當作藝品創作，只有這件造型最簡單，也最能呈顯林添福純真自然的性格。（詮釋委員：鄧淑慧）","ImageUrl":""}
,{"Identifier":"201702005","MainTitle":"飛瀑聚寶盆","Creator":"竹南蛇窯創辦人：林添福","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAyMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"圓渾飽滿的器型，微微內縮的盆口。自然柴燒流釉。\r\n圓渾飽滿的器型，出自一位九十歲高齡的陶藝家之手，相當令人感動。原礦土要拉坯非常困難，但林添福仍頂真到位，將傳統形制的「火盆」縮小，將此一形制之美的比例美感詮釋到最恰到好處！\r\n近代收藏家則取廣口招財，大肚聚寶之意，而有「聚寶盆」的好聽名字。\r\n兒子林瑞華以高溫1400℃柴燒而成，不施任何釉藥，讓柴燒落灰與土坯的骨胎共熔玉質化質感，落灰釉如瀑洩下氣勢壯闊，局部有自然金絲和冰裂效果，變化細微，耐人尋味﹔為臺灣傳統陶走出一個全新的美學格局。（詮釋委員：鄧淑慧）\r\n","ImageUrl":""}
,{"Identifier":"201702006","MainTitle":"竹南蛇窯螺紋缽","Creator":"竹南蛇窯創辦人：林添福","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAyMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統角硿，寬口厚唇，適合盛裝各種食物，也便於搬運，為以前廚房應用最廣泛的容器。\r\n此為林添福九十一歲高齡所作，收錄在得獎紀錄專輯中。\r\n角硿為傳統的日用陶中應用最廣的容器，三個或四個一組，過去幾乎是家家戶戶廚房必備的粗陶，不過隨著時代變遷已經消失難以再見。\r\n這件2016年重現的傳統角缽，以手工煉製原礦土，老人家展現寬口，折唇高超拉坯技藝，以及拍打印紋的工藝裝飾。\r\n蛇窯傳人林瑞華更以現代高溫柴燒的方式燒成，燒出有如礦石古玉般的質感，這是竹南蛇窯拍印紋的經典之作。（詮釋委員：鄧淑慧）\r\n","ImageUrl":""}
,{"Identifier":"201703001","MainTitle":"碟型瓶","Creator":"其他-竹南蛇窯創辦人：林添福","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"如飛碟造型、是林添福長景瓶系列中少數短頸造型的作品。瓶身邊緣有林添福慣用的「手指壓繩紋紋飾」。\r\n這只「碟形瓶」是林添福極少數短頸造型的碟形作品(不超過五件)。\r\n如飛碟造型，以四件拉坯的坯體組合而成，瓶身邊緣有林添福慣用的「手指壓繩紋紋飾」。是他組合坯體時，以泥條加固的修飾花紋。\r\n作品有噴上一層薄薄的泥釉，在傳統的蛇窯柴燒，但以現代柴燒裸露的燒法(不蓋匣缽)，單面落灰較多，產生一種自然落灰黃金流釉的變化。在古代稱為「陰陽臉」，是一種不均勻視為瑕疵的表現，但現代柴燒陶藝的審美趣味鍾情於此，林添福也能轉換美感的表現，只是他和時下年輕人流行追求的柴燒喜歡粗糙火紋或無光的落灰質地不一樣。林添福喜歡將柴燒燒到自然釉融的狀態，表現柴燒千變萬化的自然釉之美。加上他有紅泥釉的傳統基底，表現出既古雅又現代的獨特風格。（詮釋委員：鄧淑慧）","ImageUrl":""}
,{"Identifier":"201704001","MainTitle":"一魷未盡","Creator":"創作者：黃媽慶","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 利用樟木本身的紋理，採擬真的細雕手法，將一尾魷魚乾懸掛在一片油漆脫落、卻仍貼著一張方形春聯的門板上；那是臺灣漁村常見的生活記憶。\r\n 出身鹿港的傳統木雕家黃媽慶（1952-），擅長具鄉土趣味的創作題材；這件作品創作於2016年，是較不同於過去農村題材的創作，以細膩的手法表現出魷魚晒乾後特有的彈性質感，以及鬚部吸盤的特徵，有著歲月溫暖的人文感受。\r\n 傳統的雕刻技法，取材當代的生活題材，並以現代藝術作品裝裱的形式，是傳統工藝轉型成觀賞性作品的常見手法，黃媽慶是個中深具代表性的藝術家；取名〈一魷未盡〉，係「意猶未盡」的諧音，既富幽默味，也有吉祥喻意，是令人喜愛的創作。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"201704002","MainTitle":"八魚自在","Creator":"創作者：黃媽慶","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 採取浮雕的手法，在接近正方形的橫長木塊上，雕出八尾鯉魚。八魚泳動方向，大致相同，由右而左，但深淺不一、遠近稍異，形成豐富的畫面空間感，也增加了魚群活潑的生命力；再加上淺淡的染色，如魚的背鰭，和水面的綠，乃至魚身的紅，都讓作品更添逼真如實的趣味。\r\n 以游魚表現東方文人自由自在的心境，是傳統木雕常見的主題，數量從雙魚，到六如，到八或九的數字，都是吉祥圓滿的象徵。本作以〈八魚自在〉，是強調空間的圓滿，即所謂的「八方雲集」；而八魚排列的形式，隱隱中也構成一個太極的分布，由左到右，是一個橫倒S形的形式，太極乃有生生不息的喻意。\r\n 黃媽慶的作品，取材生活、深具鄉野之趣，技法高超，本作在深淺、遠近、正側…..等等形象及空間的分布上，都展現了藝術家獨具的創意思維與技巧。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"201704003","MainTitle":"荷葉映紅蓮","Creator":"創作者：黃媽慶","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 原本笨重厚實的木頭，被藝術家雕造成輕薄而幾近透明的荷葉，穿透的破洞，更增添荷葉的生動感；葉脈的開展，乃至爬行其上的小蝸牛，這是黃媽慶相當擅長的題材，也是鄉野題材中深具代表性的作品。\r\n 巨大的荷花葉片，守護著一株同樣自水面升騰而出的紅蓮，荷蓮本一體，相生相扶、相映成趣。\r\n 荷、蓮在東方文學藝術中，本就是人格高潔的象徵，所謂「出污泥而不染」之外，更是東方佛教的聖花，佛坐蓮花而度化眾生。黃媽慶的荷葉，讓已死的木頭重新獲得生命，更滋潤人心，提升靈性；葉的輕透、柔軟，乃至曲折、靈動，正是藝術家功同造化的可貴之處。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"201704004","MainTitle":"受汙染濕地","Creator":"創作者：黃媽慶","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzA0MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 拖鞋、破碗、塑膠罐，和寄居蟹、死魚…….，組構成臺灣濕地受污染的不堪場景；長期歌讚、雕塑臺灣生態之美的黃媽慶，少見地以負面的形式來記錄、揭發臺灣美麗濕地生態遭受嚴重破壞、污染的情況，這是藝術家的良心與吶喊。\r\n 藝術作品，有時候可以抒情、審美，但有時候也可以論述、批判。黃媽慶是一位多元表現、多方關懷的木雕藝術家；因此，他的作品既歌讚農村生態之美，也關懷臺灣海岸生態的遭受破壞。\r\n 這件作品除題材的特殊之外，在創作的技法上亦有其突出之處，包括寄居蟹複雜、細緻的節肢、觸鬚，以及濕地潮濕、坑洞的感覺，在在突破木質的堅硬限制，作了成功的轉換與表現。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"201704005","MainTitle":"絲路","Creator":"創作者：黃媽慶","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzA0MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 在一條彎曲的絲瓜上，有一隻蝸牛緩慢地向上爬行；絲瓜表面一絡絡浮起的組織，就像一條條的馬路，蝸牛沿著這些「絲路」前行。\r\n 「絲路」也帶著一些人文、歷史的想像，那是中亞之間運行蠶絲織品往來歐亞的貿易之路；蝸牛的緩慢行走，一如「絲路」上艱辛前行的駱駝隊伍。作品的取名，讓作品產生了意在言外的豐富聯想，也是藝術家人文修為的展現。\r\n 絲瓜本身表面的紋理，加上頭尾瓜梗、瓜蒂的的造型，已經充滿精細寫實的雕工表現，再加上瓜身那些自然形成的裂痕，乃至刻意雕造的破皮缺口，在在讓這無言瓜果，散發更多引人品味、欣賞的生氣。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"201705001","MainTitle":"時空閃耀","Creator":"三田村有純","CreatedYear":"","Size":"92×15×85cm","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件作品如同作品名稱所訴說的「時空」與「閃耀」兩個主題。\r\n 「時空」這抽象的主題，於此件木雕漆藝中以月及宇宙詮釋。一直以來月亮經常是作者在創作作品時慣用的主題，此作品的頂端呈現著一輪寓意著陰晴圓缺不完整形狀的明月，夜晚的時間與星空的空間並置的宇宙觀成為作品的軸心思惟。主體造型同時運用教堂、入口與階梯空間的虛實配置，演繹的是作者在20世紀末赴歐洲考察漆藝相關產業與漆藝術時，有感於教堂建築、民間敬仰與當地自然環境的和諧融合，據此印象創作出了許多具歐洲印象的系列性作品。\r\n 「閃耀」是以純金銀的金屬光彩，表現於作品的色澤。藉由漆天目蒔繪技法，表達作品中月夜與宇宙星空的靜謐與閃耀光輝。「漆天目蒔繪」是作者在2005年左右開始使用的技法，鑒於抹茶茶碗中油滴天目釉在深青色中隱現宇宙彩光的效果，作者深受陶瓷天目釉效果的影響， 轉而運用漆與多種類粗細及大小不同的金粉與金箔．在深色的漆面上揮灑出具有世界觀與宇宙觀的豐富層次的金銀光彩。（詮釋委員：李本育）","ImageUrl":""}
,{"Identifier":"201705002","MainTitle":"夜光貝丸文四方平箱","Creator":"山村慎哉","CreatedYear":"","Size":"10.7x 10.7x 1.8ｃm","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 山村慎哉任職於日本金澤美術工藝大學，是一位運用傳統漆藝技法結合現代設計手法，創作實用漆藝的一位現代風格漆藝家。其細緻的風格不僅呈現在處理材質質感及表面裝飾上，更在開發小巧及薄木的造型盒及飾品上獨樹一格。\r\n 這件作品是以木盒成型方式，表面運用切割成由小到大的圈狀細線（丸文）貝作為表面裝飾。不同於坊間大多將薄片貝殼裁切成花卉、蟲鳥、人物、樓閣…等主題，作為貼貝創作的題材，作者將貝殼反面先施作伏彩色（塗色漆或薄漆上敷金銀粉）的色彩計畫後，再以此作為抽象幾何的元素，將之排列組合成精緻的現代裝飾設計。（詮釋委員：李本育）","ImageUrl":""}
,{"Identifier":"201705003","MainTitle":"聽海I ","Creator":"畠中博子","CreatedYear":"","Size":"36ｘ25ｘ0.2cm","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzA1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 相較於木胎本身優異的特性而被廣泛地運用在漆畫素材上，金屬漆畫則顯得獨特且具有現代感。金屬胎與漆液的運用結合最早是用於金屬防鏽目的，日後則因為金屬材質不易產生像木材的膨脹收縮變化產生變數，導致漆膜層龜裂剝落，相對穩定性高且易量產下，有了抗氧化鋁的生產與運用，現代工藝創作或建築構件及生活上運用的獎盃及器物等，也都有了金屬漆藝的呈現。\r\n 畠中博子的這幅鋁板漆畫，先以「烤漆燒付」技法增加漆液與金屬這兩種異材質的附著度，後再以微細的切貝技法，運用色貝間微妙的色彩安排來演繹大海由遠而近的聲音。這件作品中是少見將線貝切至小於0.1公分寬度來呈現海水波光粼粼的色彩光感，將主題置於畫中心，讓觀者藉由視覺動感的觀海，浸沁到聽覺靜態的聽海，思緒便隨波漂置海的彼端。（詮釋委員：李本育）","ImageUrl":""}
,{"Identifier":"201705004","MainTitle":"窗17-011","Creator":"鄭榮煥","CreatedYear":"","Size":"35x35x2.5cm","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzA1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「窗」系列是鄭榮煥漆藝家在自然天趣的材料上，完美地展現自我風格的漆藝創作。\r\n 運用天然漆液、手抄紙、金屬箔、昆蟲翅、薄貝…等大自然的恩物，經由現代設計手法，重複排列、層疊，演繹一扇處於都市生活中對大自然環境重思與嚮往的窗意象創作。\r\n 擺脫傳統平面漆畫髹塗及研磨推光等繁複工序的製作流程，不隨韓國鑲嵌貝殼國粹漆藝風格主流派起舞，榮煥老師也不似其他韓國漆藝家將漆工藝運用在木工傢俱的表面裝飾上，而是正視對環境保護及自然生態重新的省思。藉由「窗內外眺」肉眼所及，或經由心靈之窗對自然幻化之境的感知，將長時間蒐集的自然磷光色澤的貝、翅、箔…共構置入於平面漆藝術的創作。（詮釋委員：李本育）","ImageUrl":""}
,{"Identifier":"201705005","MainTitle":"虛與實","Creator":"鄭容宙","CreatedYear":"","Size":"10x10x75cm","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzA1MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 韓國位於半島地理位置，漆藝技法以螺鈿（貝殼鑲嵌、貼付）為國風，在亞洲是非常有特色的國度。韓國的漆藝教育在大學課程中並不是獨立存在的科目與課程，通常伴隨著木工課程並進。\r\n 鄭容宙身為漆藝家同時任教於韓國嶺南大學教授一職，專注於個人風格的形制表現，作品大都呈現木胎漆藝為表現手法。此「虛與實」作品造型以車床車出連貫的幾何造型，從上而下依序是圓柱體、圓錐體、圓球體與圓片底座，具有流暢感與統一性。色彩亦以同一區位單色髹塗，達到造型與色彩光潤樸素的理性簡練風格。跳脫韓國傳統引以為傲的漆藝螺鈿風，此作品呈現設計與美感的現代多元風貌。（詮釋委員：李本育）","ImageUrl":""}
,{"Identifier":"201705006","MainTitle":"細語","Creator":"蔡文","CreatedYear":"","Size":"40x40x5cm","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzA1MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「細語」這件漆畫是以款彩（刻灰）雕凹的技法來構建畫面，續以金箔貼附整體，呈現黑與金的漆藝獨特的氛圍。主題表現竹林與芭蕉葉間成雙的鳥兒悠然地細語，詮釋「自在嬌鶯恰恰啼」的和諧意境。\r\n 漆藝中的雕漆與款彩技法有著相同的工序與材料，都是將漆面雕後填漆或貼箔，讓平面的漆板有了高低起伏的變化，並增添了畫面景深的豐富性。惟款彩是在漆板打底工程中，先將漆灰依據圖案雕刻，還刻意留有紋樣清楚凸出的輪廓線，就如同工筆畫中先鉤勒出明顯的線條再填上色、或類似木刻板畫刻意保留凸起的外輪廓般的效果。款彩（刻灰）便是以刀代筆，主訴一種偏向寫實而不是寫意的風格。（詮釋委員：李本育）","ImageUrl":""}
,{"Identifier":"201705007","MainTitle":"鼓節","Creator":"趙克定","CreatedYear":"","Size":"30x40x1.3cm","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2017","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxNzA1MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 漆畫是越南的國畫，越南也是最早將漆藝推向繪畫領域的國家。\r\n 趙克定以民間習俗「鼓節」為題旨、畫面具有傳統越南漆畫的黑、紅、黃三色為主基調的特色。黑髮、紅血、黃皮膚傳統配色主導了越南漆畫在色彩中的表訴。越南漆畫色彩寓意包含：黑色代表宇宙時空；紅色代表著幸福與繁榮，認為血液等同於生命意徵；黃色代表人性與死亡的超脫。\r\n 此作天與地之間沒有明顯的地平線為界，人物形象也不是寫實的影像，以描繪技法為主的繪畫方式，經由數次混色、層疊、打磨的工序，造就畫面鋪陳的具時空流動的情境，也呈現出越南漆畫通常富有的神秘氛圍。（詮釋委員：李本育）","ImageUrl":""}
,{"Identifier":"201801001","MainTitle":"戀戀夏日","Creator":"江松智","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這個好似木頭刻出的詩篇，其實是一個具有厚度的中空有節竹材，雕刻技法細膩且一體成型，色澤處理合宜，表現出夏日萬花齊放百家爭鳴後，繁華退去，剩下的是滄桑殘荷和風霜後的乾葉，樹蛙夫妻對小樹蛙細數著過往的豐功偉業，教育著晚輩要努力才能成功，且要有竹的虛心，能伸能屈，並像圓一樣的得體，在綠意盎然的夏末裡，夢想就在圓竹（築）上。（本文摘自2017台灣工藝競賽專輯）\r\n\r\n江松智的戀戀夏日這件作品曾獲2017年台灣工藝競賽美術工藝組1等獎，其中將絲瓜的不規則多皺紋的型態與表面，以及青蛙可愛的模樣生動地刻畫出來，在雕刻方面顯示了創作者精細雕刻的能力。詳細看，這件作品以孟宗竹管雕刻出殘破乾枯的絲瓜，絲瓜僅剩右邊部分軀體，左邊部分則不知所以。但就算在這樣的腐朽絲瓜上，仍然有好幾隻青蛙自在地優游休憩，有如在夏日的好時光中。無視於瓜果殘破的青蛙，似乎有一種灑脫與超越！觀看作品時，人們目光的焦點可能從大絲瓜推進到小青蛙，但拉遠來看，瓜果青蛙都在一個具有梯形體底座上面的圈環中，有逃不出如來佛掌心之感。另一方面，整個作品像個獎盃，彷彿在獎勵著對殘破的另類解釋。(詮釋委員：黃世輝)\r\n","ImageUrl":""}
,{"Identifier":"201801002","MainTitle":"豐收","Creator":"陳瑛傑","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作者悉心切割多種木材，然後拚貼、膠合、拋光打磨後，鋪排呈現出台灣農村秋收冬藏的自然景像，與現在的機械化農耕景況截然不同，構圖主題散發著思古幽情的韻味，勾起兒時回憶景像，田埂路盡頭便是磚厝村莊，努力辛勤的農人牽引著滿載稻米包的牛車，一切辛勞在豐收後全是值得。（本文摘自2017台灣工藝競賽專輯）\r\n 巧妙運用各種木片色彩深淺不同的特性，組構成一幅農村豐收的美好圖像：從大樹下休憩的黃牛，及農舍一旁豬圈餵食的農婦，到滿載稻米的牛車，和稻田中收割、打穀的忙碌農夫，以及遠方的房舍、山巒…..，十足的台灣傳統農村風光，也是許多存在於記憶中、今日現實中難得再見的童年印象。創作者展現了精細的拼貼手法，特別是那些充滿生命與色彩的樹葉、房舍瓦頂及磚牆紅白相間的造形，乃至已經收割和尚未收割的稻子形式，還有遠方起伏有緻的山巒光影……，再加上雙層的實木外框，在在展現了藝術家獨特的創意與工法；這是2017年台灣工藝競賽美術工藝組的得獎作品。\r\n 木片拼貼也是傳統木作工藝中的一種手法，以往被一般工匠視為雕蟲小技，但這件〈豐收〉作品，平實的構圖、細緻的手法、感人的內容，都讓人對過往的農村生活生發無窮的懷念。(詮釋委員：蕭瓊瑞)\r\n","ImageUrl":""}
,{"Identifier":"201801003","MainTitle":"潛藏","Creator":"簡嘉儀","CreatedYear":"","Size":"茶盒18×18×16、茶盤75×20×2.5\r\n附編織綁帶119×2.5\r\n","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"茶道是一門藝術，而精於茶道的人也越來越多，所以此組作品便是以茶道所設計的。茶盒是圓蓋籃款式，可放置簡易茶具，攜帶到大自然享受品茗樂趣，而藍胎漆器的作法則增加耐用性，織帶採原住民風織法，增添器物之美；茶盤以長型呈現，在茶席擺飾時，除了實用，亦能符合茶道者所追求的美感意境，運用簡單編法造成視覺上的波紋，並在兩側把手飾以鏍鈿點綴，展現簡潔內斂的氣度。（本文摘自2017台灣工藝競賽專輯）\r\n 簡嘉儀這件作品『潛藏』曾獲得2017年台灣工藝競賽美術工藝組3等獎，由一塊瘦長扁平板底座茶盤與一個座上的竹籃茶盒所構成，茶盤有竹編表面與黑色邊框，並以生漆多層髹飾，站在平板上的則是上下倒扣相接的竹盒，並以織帶相捆，也經過透明顏色生漆處理。相較於平板底座茶盤的修長長度，茶盒籃子則相對顯得迷你。這套茶具組其實具有實用性，茶盒與盒內物件構成簡易且便於攜帶的泡茶組，長茶盤則增進了茶席泡茶的儀式感。作品名稱為『潛藏』，所以讓人聯想那茶盒中可以包藏著什麼？除了茶具茶葉，還有什麼貴重之物？或者潛藏著泡茶者的心意？對創作者與收藏者而言，最珍貴的也許是創意的發想，以及籃胎漆器的細膩製作。(詮釋委員：黃世輝)","ImageUrl":""}
,{"Identifier":"201801003001","MainTitle":"潛藏","Creator":"簡嘉儀","CreatedYear":"","Size":"茶盒18×18×16、茶盤75×20×2.5\r\n附編織綁帶119×2.5\r\n","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201801003002","MainTitle":"潛藏","Creator":"簡嘉儀","CreatedYear":"","Size":"茶盒18×18×16、茶盤75×20×2.5\r\n附編織綁帶119×2.5\r\n","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201801004","MainTitle":"潛艇方舟","Creator":"銀濟春","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"大洪水即將再次來到，但人類已自大到直接漠視了此次浩劫。動物們日夜打造的潛艇方舟終於完成，啟航的前夕仍帶上了嬰兒；期望待洪水退去後能一同打造萬物共生的美好世界。在台灣的木創作裡，鮮見這種可愛又可動的大型作品，創作者用非常多的巧思去安排各種齒輪並舖陳多組的獨創動物角色，透過螺旋槳的旋轉，每個單元故事同時耀然紛呈，動靜皆有可觀之處，不論是操作者或觀察，大家都會非常開心，並從細膩的玩賞裡，也自然地理解了創作者欲傳達的環保理想。（本文摘自2017台灣工藝競賽專輯）\r\n 作品描述：\r\n類似古代「多寶盒」的概念，卻以現代的潛艇型式展現，在分隔成大約10個大小不一的空間，外加兩個似乎可以打開的抽屜，藝術家置入了各種不同活動中的卡通人物與擬人化動物，包括：正在以繩索拉著木桶工作的小熊、握著操縱桿的人物和一旁穿著尿布的小孩、正在料理大魚或已經開始進食的貓，乃至站在晒滿衣服的陽台前的狗，以及演奏音樂的狐狸和青蛙，和健身房中的長頸鳥與猩猩….等。潛艇型式的「方舟」，也讓人容易聯結聖經中容納百獸、延續生命的挪亞方舟故事；這是一件充滿童趣與想像的室內裝飾作品。\r\n 類似的主題或構想，即使以平面繪畫表現，都屬不易，何況是以立體的彩色木雕型式呈現，更加困難；尤其尺寸的小巧，卻件件清楚交代，毫不含糊，即使是最前方、放在架上的盆栽植物，和料理大餐的貓兒廚房牆面上吊著的餐具......，都讓人有精巧、逼真的驚艷。另一值得注意的匠心，是聯結各室間的管線、樓梯、繩索，打破傳統「多寶盒」各格獨立的制式作法，讓整座潛艇方舟再形成一個具生命的整體。最後是在潛艇方舟另一邊的牆面，露出圓形的開窗，更增加了空間穿透的立體感，堪稱是一件充滿匠心與巧工的傑作。（詮釋委員：蕭瓊瑞）\r\n\r\n","ImageUrl":""}
,{"Identifier":"201801005","MainTitle":"優諦雅陶瓷喇叭","Creator":"圓嚮創意有限公司 代表人：許永祥","CreatedYear":"","Size":"各38×25×125cm\r\n附腳墊各4個\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這對紅、白一對的陶瓷喇叭，首先在造型上就展演了創新的戲碼，主角音箱為瓷器，外表塗裝紅、白珠光烤漆，配角有精緻的木柄、藤編、金屬等構件，看似左擁琵琶右抱胡琴的血緣，但又誕生了全新的自我，脫離傳統的音箱形式，兼具文化與優雅工藝美學質感，深深令人激賞！\r\n主體的陶瓷喇叭幕後是研發十年的漫長之路，不對稱的造型需以制具輔助，才能控制在1280°高溫窯燒中不變形，方能一一組裝精密的各式構件。當音樂響起，在工藝質感與音質層次共鳴的細膩演繹下，為臺灣震撼出五感生活精品音質的新樂章。這對紅、白珠光烤漆，配角有精緻的木柄、藤飾、金屬等構件，看似左擁琵琶右抱胡琴的血緣，但又誕生了全新的自我，脫離傳統的音箱形式，兼具文化與優雅工藝美學質感。（本文摘自2017台灣工藝競賽專輯）\r\n 這對陶瓷喇叭由圓嚮創意有限公司代表人許永祥於2016年設計開發出，造形創意脫胎自中國傳統弦樂器；音箱部分運用精密的陶瓷模具生產，1280°高溫窯燒而成，配上木質把柄與底座，整體結構可拆裝組卸；外觀以漆、籐編與金屬裝飾。大膽創新的設計與精湛工藝的整合，於2017年台灣工藝設計競賽中，榮獲創新設計組二等大獎。\r\n相較於一般以纖維板甚或塑膠製造的音箱，陶瓷音箱能大幅降低音波共鳴殘響，使音質表現更為純淨清晰（註1）。設計者許永祥身兼瓷嬉工坊創辦人，所帶領團隊在陶瓷注漿開模生產與窯燒技術上皆有高超成熟的經驗值，克服了陶瓷形體窯燒變形、收縮與尺寸密合的問題，使陶瓷音箱具有腔體氣密度及組裝精密的高品質；並與專業音響結構工程師研發專屬電子分音器，完美音響專業。高溫燒製成形的瓷器共鳴腔體，發揮了器形及表面質感的優勢，充分擴展陶瓷材質的特性與功能，除了豐富音樂內涵與視聽感官，造形上更增添藝術性與收藏價值。\r\n此件作品也榮獲經濟部第25屆中小企業創新研究獎，得獎專刊介紹文（註2）中指出，「整組Ceramics Speakers 創新的基礎就是文化特色，… Euodia 音箱想要表達的價值不僅在作品本身，而是整體台灣的人文素養及工藝技術的價值。」註1以內容積接近之陶瓷與MFD木質音箱作頻率響應比較，可得木質音箱於50-80Hz明顯多出共鳴殘響，故陶瓷製音箱音質表現更為清晰乾淨。(詮釋委員：杜文田)\r\n","ImageUrl":""}
,{"Identifier":"201801005001","MainTitle":"優諦雅陶瓷喇叭","Creator":"圓嚮創意有限公司 代表人：許永祥","CreatedYear":"","Size":"各38×25×125cm\r\n附腳墊各4個\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201801005002","MainTitle":"優諦雅陶瓷喇叭","Creator":"圓嚮創意有限公司 代表人：許永祥","CreatedYear":"","Size":"各38×25×125cm\r\n附腳墊各4個\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201801006","MainTitle":"The tide of the soul","Creator":"陳子榆","CreatedYear":"","Size":"約15×7×6、13×8×4、20×15×9、30×25×4\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品使用瓷土原料製成泥漿，運用石膏模具注漿成形。操作過程中分別將不同顏色之泥漿依序注入模內，利用石膏吸附水分之能力逐漸增厚形成彩色泥層。脫模後再予以壓擠變形而成為不同形態之造形，再經局部切削研磨而露出泥層之彩色變化，成為作品表現的視覺焦點。\n作者運用模具量產的產業技術，製作量化之單一造形，再利用石膏模具吸水特性製成坯體彩色泥層，及軟坯擠壓變形的可能性，以表達自己對時間與情緒的詮釋。其中模具注漿成形的量化相同造形，可視為每日生活的日常，而不同的壓擠變形具與局部切削色彩，則成為每日生活中不同壓力的感受與情緒的抒發。如同作者所敘：「如同潮汐，每天都在不斷的掏空、填補，而日常同樣不斷經歷著失去與獲得，情感起伏和意識的探索，將如潮水般來往的情緒，凝結於某個生活物件之中。」\n作者自小就讀美術班，對生活周遭的事物觀察入微，大學進入國立台灣藝術大學工藝設計學系，接觸陶瓷材料後引發對陶藝創作的興趣，尤其製作過程中材質變化與心情轉換的契合與對映，成為創作中重要的表現元素。(詮釋委員：劉鎮洲)","ImageUrl":""}
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,{"Identifier":"201801006002","MainTitle":"The tide of the soul","Creator":"陳子榆","CreatedYear":"","Size":"約15×7×6、13×8×4、20×15×9、30×25×4\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201801006003","MainTitle":"The tide of the soul","Creator":"陳子榆","CreatedYear":"","Size":"約15×7×6、13×8×4、20×15×9、30×25×4\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201801006004","MainTitle":"The tide of the soul","Creator":"陳子榆","CreatedYear":"","Size":"約15×7×6、13×8×4、20×15×9、30×25×4\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201801006005","MainTitle":"The tide of the soul","Creator":"陳子榆","CreatedYear":"","Size":"約15×7×6、13×8×4、20×15×9、30×25×4\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA2MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"201801006007","MainTitle":"The tide of the soul","Creator":"陳子榆","CreatedYear":"","Size":"約15×7×6、13×8×4、20×15×9、30×25×4\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA2MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201801006008","MainTitle":"The tide of the soul","Creator":"陳子榆","CreatedYear":"","Size":"約15×7×6、13×8×4、20×15×9、30×25×4\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA2MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201801006009","MainTitle":"The tide of the soul","Creator":"陳子榆","CreatedYear":"","Size":"約15×7×6、13×8×4、20×15×9、30×25×4\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA2MDA5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201801006010","MainTitle":"The tide of the soul","Creator":"陳子榆","CreatedYear":"","Size":"約15×7×6、13×8×4、20×15×9、30×25×4\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA2MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201801006011","MainTitle":"The tide of the soul","Creator":"陳子榆","CreatedYear":"","Size":"約15×7×6、13×8×4、20×15×9、30×25×4\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA2MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201801006012","MainTitle":"The tide of the soul","Creator":"陳子榆","CreatedYear":"","Size":"約15×7×6、13×8×4、20×15×9、30×25×4\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA2MDEy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201801006013","MainTitle":"The tide of the soul","Creator":"陳子榆","CreatedYear":"","Size":"約15×7×6、13×8×4、20×15×9、30×25×4\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA2MDEz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201801006014","MainTitle":"The tide of the soul","Creator":"陳子榆","CreatedYear":"","Size":"約15×7×6、13×8×4、20×15×9、30×25×4\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA2MDE0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201801006015","MainTitle":"The tide of the soul","Creator":"陳子榆","CreatedYear":"","Size":"約15×7×6、13×8×4、20×15×9、30×25×4\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA2MDE1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
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,{"Identifier":"201801006022","MainTitle":"The tide of the soul","Creator":"陳子榆","CreatedYear":"","Size":"約15×7×6、13×8×4、20×15×9、30×25×4\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA2MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201801006023","MainTitle":"The tide of the soul","Creator":"陳子榆","CreatedYear":"","Size":"約15×7×6、13×8×4、20×15×9、30×25×4\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA2MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201801006024","MainTitle":"The tide of the soul","Creator":"陳子榆","CreatedYear":"","Size":"約15×7×6、13×8×4、20×15×9、30×25×4\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAxMDA2MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201802001","MainTitle":"奔騰","Creator":"孫超","CreatedYear":"","Size":"畫心:211×64×2.5\r\n整體尺寸: 240×97×6\r\n掛勾2片","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2018","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxODAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 孫超老師以結晶釉為創作語彙、瓷版為畫布，掌握結晶釉彩獨特的成形方式與多樣能達致色彩流動且具方向感的施釉方式，在窯火的考驗催生中創造大尺幅的抽象畫作。此件瓷版畫上有藍白色系釉彩、藍色結晶花交疊，層次細膩如浪花上岸的水波泡沫，而黃與暖橘色釉彩在右上角與之形成互補，像是遠方初上海面的朝陽；畫面左端另增添一片瓷版，延伸水波線條。整體具色彩張力、清透的晶花質感與動態，營造如海浪波濤奔流向暖陽的壯觀氣勢。 \r\n 師從孫超的陶藝家林妙芳，曾以瓷版畫的「藝術創造工程」說明孫超在工藝製作上的精神態度(註1)，意即跨越「理性科學的製作門檻」，擁抱「感性人文的揮灑空間」，兩者完美結合。製作門檻上，先建立釉式配方，以及瓷版成形與可精準控制爐火燒成的電窯設備工程，於此基礎上，揮灑中國水墨畫中的寫意手法，順勢而發，噴、刷、淋、灑、蘸兼用的施釉，運用結晶釉與非晶釉結合在高火溶融過程中的變化，在巨幅瓷板空間上表現出結晶釉晶體多層次綻放與流動生成的自然韻味。孫超的好友，文人藝術家楚戈形容他的瓷版畫「富有中國仙家飄渺的生氣動機」(註2)」，貼切地點出孫超饒富詩意與想像空間的藝術表現。 \r\n 2018年獲頒國家工藝成就獎，孫超(1929)於中壯年始從雕塑專業轉入故宮作陶瓷釉藥研究，1982年於新北市三芝成立田心窯，將釉藥原本裝飾性角色，提升成為繪畫性藝術表現的媒材。1980年代初期研發出以鋅結晶釉為主的傳統器形作品，是臺灣首位創作出高溫結晶釉的藝術家，驚嘆陶藝界人士，1987年獲國家文藝獎；1990年代以後，孫超受到華裔法國畫家朱德群(1920-2014)及法國抽象畫派成員捷克藝術家František Kupka（1871-1957）畫風啟發，轉而挑戰大尺寸瓷版畫，賦予中國水墨寫意意境，放手揮灑。作品並陸續受到國際注目—獲英國維多利亞與艾伯特博物館(1988)、美國紐約伊佛森美術館(1992)、德國國立卡賽爾博物館(1993)、英國大英博物館(1994)典藏。\r\n 孫超老師在《超以象外—2018年國家工藝成就獎得獎者孫超紀錄片》中講述道，「你跟那高可摘星的人比高矮，雖然摘不到星星，可是你已經在雲之上了。」顯露出他對完美的追求與堅持。孫超將其自身用釉經驗與研發結晶釉的心得於2001年集結出版《窯火中的創造》一書，2009年由新北市立鶯歌陶瓷博物館再版售罄且而絕版。2019年由國立臺灣工藝研究發展中心重新精裝再版，以闡揚孫超由技進藝，藝近乎道的境界精神，是為工藝家一生追求卓越的最佳典範。\r\n註1：引用林妙芳，孫超瓷版畫的藝術創造工程，《陶藝雜誌》，No.78，臺北:五行圖書，頁54-59\r\n註2：引用法藍瓷網站 http://www.franzstudio.com/mgz_tw3.asp?vol=tw56&page=401\r\n（詮釋委員：杜文田）","ImageUrl":""}
,{"Identifier":"201901001","MainTitle":"圓融","Creator":"林港平","CreatedYear":"","Size":"附絨布底座","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2019","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxOTAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品竹編處理非常細緻，表面的漆一定要一次薄博的反覆多次，一次薄博的反複多次，之後還必須把漆擦乾淨，表面才會透明、光亮。若未處理乾淨，就會出現很多黑點。竹編處理的漆器技法非常到位，更加上使用漆器變塗技法，一般變塗是一次一次填了之後去磨，這邊還使用堆高的技法再去磨平，所以會跟一般看到不一樣。（本文來源：2018年台灣工藝競賽專輯）\" 這是一件以竹編為底、外包麻布，再加以天然漆和色漆而成的竹編漆器；細頸寬肩，黑黃對映，顯得典雅而高貴，勇奪2018年臺灣工藝競賽美術工藝組一等獎。\r\n 出身修車黑手的林港平，在一次偶然的機會中，接觸竹編藝術，更利用夜間閒暇，拜師林根在先生學習竹藝，從最基礎的剖竹開始。由於機械專長的根底，讓他很快地就掌握了竹片規格化的訣竅，並展現出細竹編織的才能，也開始在許多競賽中展露頭角。\r\n 這件〈圓融〉，以優美的曲線造型，在細竹編織的胎底上，覆加天然漆與混合黃土粉的色漆；除了口沿及內壁的黑色之外，瓶身的黑圈也以微微的波紋起伏，暗含了當中細點的變化，在古典中散發一種神秘的美感。（詮釋委員：蕭瓊瑞）\"\r\n\r\n","ImageUrl":""}
,{"Identifier":"201901002","MainTitle":"分形‧無限","Creator":"賴孝哲","CreatedYear":"","Size":"001:壺/11.5×7.5×8.5 002:壺承/14×14×5.5 003:水方/14.5×13×10 004:勻杯/8.5×6×9.5\r\n005:日倉（附蓋）/8.5×6.5×9 006:茶則/18×5×2 007:茶匙/18×2×0.9\r\n008:不鏽鋼架28×11.2×1.2\r\n009: 黑鐵片茶盤/98×28.5×5\r\n010：茶杯-1/4.6×4.5×4\r\n011：茶杯-2/4.5×4.5×4\r\n012：茶杯-3/4.5×4.8×4.1\r\n013：茶杯-4/4.9×4.8×4.3\r\n014：","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2019","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxOTAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品為複合媒材作品，分別使用陶瓷、鐵及黑色烤漆，茶具組為陶瓷製成，分別有茶壺、壺承、茶杯、茶海等，作品以手捏成形，造形樸實具有自由、隨興的手感；茶具組以灰黑色消光釉為主調，搭配壺身的紅色釉及茶海外表的白色釉，使茶具組顯得沉穩而典雅。茶盤以鐵板與方管製成，茶盤面狹長方整並以黑色烤漆處理，而一道手繪帶狀的淺土黃色活化了冷硬的黑色盤面，而能襯托置於其上的茶具組，茶盤面以方管結構架高而有輕盈感，造形簡潔而具有現代感，也使作品整體流露出寧靜、幽雅的氛圍。\n作品中手捏成形的茶具組在傳統中展現清新、自由的美感，而工整的鐵製茶盤則具有冷硬的工業風，作者企圖從傳統脈絡中發展出個人特色，並尋求與現代設計相互融合，讓傳統的茶席文化透過創新的設計得到傳承與發揚。(詮釋委員：劉鎮洲)","ImageUrl":""}
,{"Identifier":"201901003","MainTitle":"鴻韻生輝","Creator":"謝嘉亨","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2019","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxOTAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"在陰影處理上，會因為移動與光線之間的關係，產生不同變化，因他不只是單點透視，在陶土的周圍產生一種多點透視，不再從一觀點去看待一件事情，其實有多種虛與實，在這個現實空間裡，實與虛之間有多種的交叉，多重比對。（本文來源：2018年台灣工藝競賽專輯）\r\n以平易近人的台灣鳳梨為創作的造型基礎，色彩以紅色系為主，來軟化作品的造型剛性，斑斕的紅色搭配灰銀金屬色調，呈現出現代感並彰顯出一股永恆的生命力。鳳梨意味旺來，藉由此作品傳達對台灣各行各業的祝福與對未來的期許!（本文來源：作者提供）\r\n美麗斑斕的釉光，妝點在這件幾何立體塊狀組成的鳳梨造形物上。鮮紅與金、銀、藍、紫相互交輝，時而隱現、時而奪目，是中低溫釉上彩的閃光釉魅力所在，於釉燒過程的操控中，將氧化銅、氧化銀、氧化鉍還原出的金屬色光。在耀眼閃亮的色彩烘托中，更加符合鳳梨受台灣人賦予「旺來」的美意象徵，傳達出對台灣各行各業的祝福與對未來的期許。\r\n\r\n活耀於國際陶藝舞台的台灣陶藝家謝嘉亨，向以寫實擬真、縮小比例的陶瓷蒸氣火車系列創作知名。此次以一件幾何立體塊狀如鳳梨造形的作品參加2018年台灣工藝競賽，獲得美術工藝組三等獎殊榮。謝嘉亨青年時期曾於西班牙求學接觸到閃光釉，在恩師喬安·伊萊瑟 (Joan Ilacer) 的指導下研究成功燒製。閃光釉釉彩藝術出自中亞的彩虹釉，由阿拉伯人於十三世紀統治西班牙時使用於皇室陶瓷器上而流傳。謝嘉亨對陶土媒材塑性的掌握，讓他能寫實的塑造精細機械部件與結構，進而表現運用在他個人喜愛的早期交通工具與蒸汽火車上，乃至近期具結構性的幾何立體塊狀造形。加上他精湛頂真的陶瓷燒製技術，充分發揮閃光釉彩的藝術性，運用筆刷、噴槍、淋釉、潑釉、浸釉等方式來變化閃光釉的施釉過程；並於釉相掌控上以疊釉時釉的薄厚、熔點，創造出顏色之對比、層次與流動斑斕的效果，宛如印象派畫家捕捉光與色的表現。\r\n\r\n2020年首次集結早期交通工具與蒸氣火車，於臺北當代工藝設計分館展出「經典世代－謝嘉亨陶藝創作展」；陶瓷蒸氣火車系列作品不僅是全臺灣唯一，謝嘉亨也是世界上唯一以陶瓷技法表現蒸氣火車的陶藝家。(詮釋委員：杜文田)\r\n","ImageUrl":""}
,{"Identifier":"201901004","MainTitle":"行雲","Creator":"劉榮輝","CreatedYear":"","Size":"001:71×28.5×13、\r\n002:71×38.5×13.3、\r\n003:63×40×11.8、\r\n004:64×34×13.7、\r\n005:76.5×45.5×10.3、\r\n006:84×35×12\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2019","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxOTAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作者長期觀察雲層的變化，此作品以噴釉來產生雲層虛虛實實、雲雲霧霧變化。兼具觀賞與實用功能。中國人愛金，所有的線條都勾勒上金箔，這件作品可以掛、也可以平放當花器等，線條非常流暢。（本文來源：2018年台灣工藝競賽專輯）\r\n天際變化萬千、變化莫測之雲，以陶土呈現，依擺飾的件數、位置與方式展現出雲多變的樣貌，並使用紅藍綠金黑白等色調，增加其深淺變化性，作品中白色、藍色與金色雲朵，則勾勒出雲之動靜虛實。作品可當壁飾觀賞，亦可置於平台檔花器使用。（本文來源：作者提供）\r\n此件陶藝作品由六朵東方祥雲雲體組成，雲朵的形體結合了陶板切割出的祥雲輪廓，以及壓模成容器形且口緣為祥雲輪廓的錐狀體；兩者隨意搭襯聚合，並以懸掛壁飾呈現。透過釉色調配與金箔裝飾，祥雲呈現織部釉的綠、黑與紅的色澤暈染，隱約可見雲靄間映襯著金邊；遠觀牆面，彷如見山色光影穿梭，晝夜虛實交映，營造出雲層疊嶂，飄浮動感。\r\n\r\n創作者劉榮輝生於1972年台北，畢業於協和美工陶藝組師承劉瑋仁老師，作品曾榮獲1999年南瀛美展首獎，自2017年開始以「雲」為創作主題，於2018年參加台灣工藝競賽榮獲創新設計組一等獎，自此開展一系列以東方祥雲圖騰為風格的壁掛式裝置作品（有些甚至可拆卸下來成為花器使用）與生活陶器。劉榮輝擅長運用織部釉、銅綠釉等色系豐富的釉彩，讓作品呈現如彩墨暈染般的生動自然。近年更積極參加國際陶藝競賽，屢獲佳績，分獲得2019羅馬尼亞 CLUJ 國際陶藝雙年展首獎、西班牙國際陶藝雙年展首獎。\r\n\r\n《行雲》這件作品開啟了藝術作品所具有多元實用功能的發展性。雲朵壁飾兼作花器與花藝的結合，更突顯人們生活中希冀與大自然呼應造景的美學感知，藉由陶藝創作的連結，引領出新世代的生活美學感。 (詮釋委員：杜文田) \r\n","ImageUrl":""}
,{"Identifier":"201901005","MainTitle":"攢傳","Creator":"劉宇婷","CreatedYear":"","Size":"001（碗）：11x11x7\r\n002（橢圓形碗）：13x13x7\r\n003（盤/上蓋）：Ø28.5×3.5\r\n004（大碗）：Ø 27×10.5\r\n附說明書3張、附銅板3片（展示用）\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2019","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxOTAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"來自中國古代糖果盒概念，在過去幾年來已不太常使用了，甚至多半是塑膠製品。作者進行改良，使外觀呈現出傳統工藝風概念的外型，在內部的使用性上，運用多層次，幾個大小不一的飽和概念，能夠多層次的轉動與組裝;讓過年的時候，繽紛的糖果可以呈現出更多樣的變化層次。此作品兼具了外觀與實用特性。（本文來源：2018年台灣工藝競賽專輯）\r\n傳統華人新年文化中所使用的「攢盒」(俗稱糖果盒)，與平日祭祀時所使用的「供盤」，皆是臺灣人生活中不可或缺的禮器。「攢盒」有「十全十美」的齊全之意，目前市面上的全盒多數為塑膠製品，且因盒內有分格配置，不易挪作他用，作為代表文化習俗之物，一年之中只有過年時會使用委實可惜。\r\n本作品從文化中貼近生活的器物作為創作基礎，在造型設計上以多功能的實用性作改良，以貼近日常生活的需求；製作方式與媒材將以傳統工藝表現，近年來許多當代設計師與傳統工藝師合作的作品，取材於自然的環保素材製作，透過設計將作品更貼近現代人的生活型態，藉由工藝師的巧手展現地方文化與人文智慧；紋飾上則不同於傳統的「攢盒」上所使用的中國或日本風格，而是以臺灣本土的文化素材為理念，讓使用者能夠在使用時感受到屬於臺灣的文化。（本文來源：作者提供）\r\n這套漆器作品共有四個組件(碗、橢圓形碗、大碗及盤/上蓋)所組合而成，為2018年台灣工藝競賽創新設計組得獎之作品。主要目的乃為了祭祀用之供盤或一般使用之糖果盒所創作與製作而成，具有觀賞與實用之價值。作品之材質為木胎、內外加上黑色生漆，內側流線文飾相當優雅美觀，並於碗緣處飾以金邊與銀箔，藉以凸顯金元寶之意象。創作之主題「攢傳」用意良好，同時也以金飾圖案呈現於上蓋之表面，整體造形簡潔亮麗同時也傳達神聖吉祥之意涵。作品本身相當樸素與典雅，分開來使用或收合起來儲藏也相當方便節省空間，非常符合日常生活之實用性，該作品之典藏相當具有示範學習之作用。(詮釋委員：何明泉)","ImageUrl":""}
,{"Identifier":"201901006","MainTitle":"參數造型面磚","Creator":"其他：築房數位設計
其他-代表人：曹瀚元","CreatedYear":"","Size":"001：91.2×13×96（重量約70～80公斤）\r\n002：88.5×85×6.8\r\n003：91.5×91.5×5.8\r\n每塊約為10x10cm\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2019","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxOTAxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品結合陶瓷材料、數位設計及3D列印技術製作而成，是傳統工藝材料與當代科技融合的創新表現。在造形設計上是過程式編成與數學運算，產生秩序性的點、線、面組合而成，再透過陶瓷3D列印機將具體形態呈現出來。在實務操作上除了電腦運算與陶瓷3D列印機的研發外，對不同密度泥漿的調製、泥坯整形、相關窯具的設計製作及入窯燒製處理，均與當代科技密不可分。\r\n在作品設計上作者企圖從生活周遭事物中尋找有趣的細節，從中分析其構成組合的參數，再予以重組、轉化設計出立體面磚，再以陶瓷3D列印機製作成形燒製而成，讓科技完美地與陶做結合。而透過數位設計及3D列印所製成的作品，能展現均質性、秩序性的美感效果。這種數位設計及3D列印技術的運用，也讓陶瓷面磚造形的開發具有極高的自由度，能快速因應社會需求而調整面磚的尺寸、花樣、造形或顏色，提升產業效益。(詮釋委員：劉鎮洲)","ImageUrl":""}
,{"Identifier":"201902001","MainTitle":"存清菓子盒-桃子和枇杷的協奏曲","Creator":"中田陽平","CreatedYear":"","Size":"漆盒：直徑 23，長 23、寬 23、高 13。\r\n夾層盤：直徑 22，長 22、寬 22、高 2。\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2019","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxOTAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 以做為點心容器的設計稿為本，製作木胎，經過打底作業後，塗上黑漆，進行上塗後研磨，再以色漆繪圖，乾燥後施以螺鈿（貼貝）作業等，再塗上透漆，研磨出圖案後進行胴擦作業（譯註：使作品增加光澤的步驟）以增加光澤，圖案邊緣以「刃」雕刻強調，即完成「存清」作品。（譯註：存清技法源於東南亞，後傳至中國，於室町時代傳入日本。玉楮象谷雖然在中國技法中添加了新技術，使其成為日本獨特的技法，但仍使用中國的稱呼「存清」。存清是在黑底、紅底、黃底等面漆上以色漆描繪圖案，輪廓及漆繪的主要部分用「刃」加以線雕，細節部分以細雕製作而成的技法。常用於書信盒及圓盤等日用品而為人熟知。）\r\n 中田陽平生於1982年生，目前是香川縣的職業工藝師。此件作品是在2018年於日本香川舉辦「臺灣香川漆藝交流展」中互贈的禮物，香川漆藝中蒟醬、存清、雕漆、後藤塗、象谷塗製作的漆器被指定為日本國家的傳統工藝品。\r\n 中田陽平此件作品是以存清技法製作的點心盒。存清技法是結合蒔繪與沈金的一種漆藝技法。點心盒以夏季盛產枇杷圖案，貫穿盒蓋與盒身整體外觀的主體。盒內的夾層盤面則以春天盛開的桃花圖案裝飾。透過器物上描繪的果實與花卉的圖案色彩視覺享受，搭配器物內盛裝的果實風味與花卉造型的點心味覺享受，是日式漆藝、品茗和果子相互輝映的和風藝術饗宴。（詮釋委員：李本育）\r\n","ImageUrl":""}
,{"Identifier":"201903001","MainTitle":"漣漪","Creator":"創作者：張憲平","CreatedYear":"","Size":"1.提籃：34Φ×53 H\r\n2.底座（小）：30.8Φ×2 H\r\n3.底座（大）：37.5Φ×2.5 H\r\n","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2019","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxOTAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本作以竹篾三角孔編作為器體，體表以輪口編、錯落編等手法交錯編成，附半圓提手，兩端束篾穿繞編作，並附大小二層底盤。\r\n 張憲平（1943-）出身苗栗藺草編織家庭，到了他接掌家族事業時期，藺草已業逐漸衰微，張憲平乃轉往竹藤編發展，並以作工細緻，且具規格化的控制，獲得日商賞識，重新奠定家庭事業基礎。\r\n 張憲平在家族手工藝事業的發展中，也凸顯個人創作特色，獲得2017年國家工藝成就獎，也是文化部公告的傳統工藝竹藤編的保存者。此作取名〈漣漪〉，是在器體表面以輪口紋飾錯落分佈，籃底則放在一個類似有著同心圓的墊子上。兩者均具「漣漪」陣陣的意象，張憲平的竹藤編創作往往富含文學意境的想像與表現，令人喜愛。（詮釋委員：蕭瓊瑞）\r\n","ImageUrl":""}
,{"Identifier":"201903001001","MainTitle":"漣漪","Creator":"創作者：張憲平","CreatedYear":"","Size":"1.提籃：34Φ×53 H\r\n2.底座（小）：30.8Φ×2 H\r\n3.底座（大）：37.5Φ×2.5 H\r\n","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2019","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxOTAzMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201903001002","MainTitle":"漣漪","Creator":"創作者：張憲平","CreatedYear":"","Size":"1.提籃：34Φ×53 H\r\n2.底座（小）：30.8Φ×2 H\r\n3.底座（大）：37.5Φ×2.5 H\r\n","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2019","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxOTAzMDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201903001003","MainTitle":"漣漪","Creator":"創作者：張憲平","CreatedYear":"","Size":"1.提籃：34Φ×53 H\r\n2.底座（小）：30.8Φ×2 H\r\n3.底座（大）：37.5Φ×2.5 H\r\n","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2019","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxOTAzMDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"201904001","MainTitle":"荷塘清趣","Creator":"創作者：施鎮洋","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2019","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxOTA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 作品堵心的部份是以臺灣牛樟木，採透雕的手法，雕刻出荷塘莖葉荷花、蜿蜒掙長的清雅之趣；柔順之間，又有君子出污泥而不染的超塵意喻。\r\n 出身鹿港木雕世家的施鎮洋（1946-），是臺灣文資法通過後，第一批被指定的木雕技術保存者；以他傳統鑿花的堅實技巧背景，充份展現獨特又富創意的現代構圖與雅趣，贏得木雕界的肯定。\r\n 這件〈荷塘清趣〉，在堵心牛樟的淺淡木質色彩之外，外框以較濃重的臺灣紅檜裝飾，益顯作品的穩重與典雅，形質合一、相得益彰，允為佳構；尤其細長的葉梗、花莖，在透雕的手法下，精緻而柔美，同時也襯托出荷葉的寬大和花朵的豐美，是兼具傳統與現代的傑出作品。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"201905001","MainTitle":"春湖","Creator":"創作者：張憲平","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2019","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxOTA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此作以竹篾三角孔編成，採多條竹篾成束穿繞施作，時而疏、時而密，緣口及底圈足用籐條、籐皮紮結及蟲形棒捲編作；編體兩側附有繩紋編提耳。\r\n 張憲平（1943-）的竹編，往往結合藤條、藤皮，進行具半立體特色的浮雕表現，打破純粹竹編較易流於生冷的材質限制，給人一種活潑、趣味的感受；這樣的手法，應是源於他原本藺草編織的家族背景，也是他成功為家族事業轉型的一項特色。\r\n 這件取名〈春湖〉的作品，以竹篾成束地穿繞，構成交織的圓弧形，有若水中蔓生的水草，糾結不斷、欣欣向榮，一如春天的湖泊中，可見的生機無限；而緣口及底部圈足摻入藤條、藤皮的紮結手法，更軟化了整體結構的質感。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"201906001","MainTitle":"春歸","Creator":"創作者：孫超","CreatedYear":"","Size":"畫心52x69x2.5、畫框75.5x69x2.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2019","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxOTA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 孫超老師以結晶釉為創作語彙、瓷版為畫布，掌握結晶釉彩獨特的成形方式與多樣能達致色彩流動且具方向感的施釉方式，在窯火的考驗催生中創造大尺幅的抽象畫作。此件瓷版畫上有藍白色系釉彩、藍色結晶花交疊，層次細膩如浪花上岸的水波泡沫，而黃與暖橘色釉彩在右上角與之形成互補，像是遠方初上海面的朝陽；畫面左端另增添一片瓷版，延伸水波線條。整體具色彩張力、清透的晶花質感與動態，營造如海浪波濤奔流向暖陽的壯觀氣勢。 \r\n 師從孫超的陶藝家林妙芳，曾以瓷版畫的「藝術創造工程」說明孫超在工藝製作上的精神態度(註1)，意即跨越「理性科學的製作門檻」，擁抱「感性人文的揮灑空間」，兩者完美結合。製作門檻上，先建立釉式配方，以及瓷版成形與可精準控制爐火燒成的電窯設備工程，於此基礎上，揮灑中國水墨畫中的寫意手法，順勢而發，噴、刷、淋、灑、蘸兼用的施釉，運用結晶釉與非晶釉結合在高火溶融過程中的變化，在巨幅瓷板空間上表現出結晶釉晶體多層次綻放與流動生成的自然韻味。孫超的好友，文人藝術家楚戈形容他的瓷版畫「富有中國仙家飄渺的生氣動機」(註2)」，貼切地點出孫超饒富詩意與想像空間的藝術表現。 \r\n 2018年獲頒國家工藝成就獎，孫超(1929)於中壯年始從雕塑專業轉入故宮作陶瓷釉藥研究，1982年於新北市三芝成立田心窯，將釉藥原本裝飾性角色，提升成為繪畫性藝術表現的媒材。1980年代初期研發出以鋅結晶釉為主的傳統器形作品，是臺灣首位創作出高溫結晶釉的藝術家，驚嘆陶藝界人士，1987年獲國家文藝獎；1990年代以後，孫超受到華裔法國畫家朱德群(1920-2014)及法國抽象畫派成員捷克藝術家František Kupka（1871-1957）畫風啟發，轉而挑戰大尺寸瓷版畫，賦予中國水墨寫意意境，放手揮灑。作品並陸續受到國際注目—獲英國維多利亞與艾伯特博物館(1988)、美國紐約伊佛森美術館(1992)、德國國立卡賽爾博物館(1993)、英國大英博物館(1994)典藏。\r\n 孫超老師在《超以象外—2018年國家工藝成就獎得獎者孫超紀錄片》中講述道，「你跟那高可摘星的人比高矮，雖然摘不到星星，可是你已經在雲之上了。」顯露出他對完美的追求與堅持。孫超將其自身用釉經驗與研發結晶釉的心得於2001年集結出版《窯火中的創造》一書，2009年由新北市立鶯歌陶瓷博物館再版售罄且而絕版。2019年由國立臺灣工藝研究發展中心重新精裝再版，以闡揚孫超由技進藝，藝近乎道的境界精神，是為工藝家一生追求卓越的最佳典範。\r\n註1：引用林妙芳，孫超瓷版畫的藝術創造工程，《陶藝雜誌》，No.78，臺北:五行圖書，頁54-59\r\n註2：引用法藍瓷網站 http://www.franzstudio.com/mgz_tw3.asp?vol=tw56&page=401\r\n（詮釋委員：杜文田）","ImageUrl":""}
,{"Identifier":"201906002","MainTitle":"穹蒼","Creator":"創作者：孫超","CreatedYear":"","Size":"畫心55.1x142x3、畫框87x178x6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2019","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxOTA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 孫超以結晶釉為創作語彙、瓷版為畫布，在窯火的考驗催生中創造大尺幅的抽象瓷版畫作；以噴、刷、淋灑等方式多層次施予綠、藍色結晶釉以及小晶體白色結晶釉；使晶花開散跳躍於藍綠釉色暈染的畫面之上，營造出畫面層次豐富的景深，給予觀者遠可觀其境，近可觀其質的想像空間。畫面右下角之處隱身於璀璨晶花內可見到創作者孫超的簽名落款。詩經《大雅．桑柔》：「靡有旅力，以念穹蒼。」自古以來，人類對於地球上所見之穹蒼，即視為賦予神祉的上蒼，宇宙間擁有無限的奧妙，一如微觀結晶釉體的世界，燦爛中蘊含多許生成綻放的變數機緣。\r\n 瓷版畫的製作上，孫超結合了自己所設下的科學門檻與隨心境所致的人文揮灑。從建立釉式配方開始，為克服瓷版於窯火中變形曲翹而特製的設備機具，與建造可精準控制爐火溫度與燒成效果的大型電窯設備，足以用一項「藝術創造工程」比擬；更說明了孫超在工藝製作上的精神態度。於此基礎上，他得以胸有成竹地揮灑、寫意，順勢而發，兼運噴、刷、淋、灑、蘸不同施釉方式，使結晶釉與非晶釉結合在高火溶融過程中的變化，留住於巨幅瓷板空間上，開出晶釉晶體多層次綻放與流動生成的自然韻味。文人藝術家楚戈形容孫超的瓷版畫「富有中國仙家飄渺的生氣動機」，貼切地點出孫超饒富詩意與想像空間的藝術表現。 \r\n 2018年獲頒國家工藝成就獎，孫超(1929)於中壯年始從雕塑專業轉入故宮作陶瓷釉藥研究，1982年於新北市三芝成立田心窯，將釉藥原本裝飾性角色，提升成為繪畫性藝術表現的媒材。1980年代初期研發出以鋅結晶釉為主的傳統器形作品，是臺灣首位創作出高溫結晶釉的藝術家，驚嘆陶藝界人士，1987年獲頒國家文藝獎；1990年代以後，孫超受到華裔法國畫家朱德群(1920-2014)及法國抽象畫派成員捷克藝術家František Kupka（1871-1957）畫風啟發，轉而挑戰大尺寸瓷版畫，賦予中國水墨寫意意境，放手揮灑。作品並陸續受到國際注目—獲英國維多利亞與艾伯特博物館(1988)、美國紐約伊佛森美術館(1992)、德國國立卡賽爾博物館(1993)、英國大英博物館(1994)典藏。\r\n 孫超老師在《超以象外—2018年國家工藝成就獎得獎者孫超紀錄片》中講述道，「你跟那高可摘星的人比高矮，雖然摘不到星星，可是你已經在雲之上了。」顯露出他對完美的追求與堅持。孫超將其自身用釉經驗與研發結晶釉的心得於2001年集結出版《窯火中的創造》一書，2009年新北市立鶯歌陶瓷博物館再版售罄且而絕版。2019年由國立臺灣工藝研究發展中心重新精裝再版，以闡揚孫超由技進藝，藝近乎道的境界精神，是為工藝家一生追求卓越的最佳典範。（詮釋委員：杜文田）","ImageUrl":""}
,{"Identifier":"201907001","MainTitle":"年年有餘","Creator":"創作者：許朝宗","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2019","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxOTA3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這是一只外形圓渾飽滿如聚寶瓶、細頸敞口的瓶器，外表展現陶藝家許朝宗獨創的鐵鏽質感釉色，搭配金彩仿古花卉與九魚連貫圖騰，饒富東方美學符號意涵。在鐵鏽質感與金彩唐草的相互烘托下，一方面彰顯器物質地之美，一方面細緻地含藏著美好祝福寓意。\r\n 製作工法上，瓶身為瓷土還原燒製成型，表面施予創作者以天目釉為基礎、含有三氧化二鐵的獨創鐵繡花釉，入窯還原燒1320℃，降溫呈窯變結晶狀，呈現如鐵鏽般的質感，散發絲微銀白光暉。接著，再施以釉上金彩彩繪；於瓶肩頸部分刷上大面積金水，揉合運用霧金與亮金的描金技法繪製金底其上的魚群與水草圖騰，形成些微的浮雕效果；瓶身部分則以毛筆沾取金水，工筆白描繪製花草，最後再進窯以850℃，氧化燒成固色。\r\n 許朝宗(1955)，宜蘭人，出道於鶯歌仿古彩繪陶瓷外銷風潮的1970年代，歷經市拿陶瓷、吉洲窯，一路關注跟隨、掌握臺灣陶瓷產業動向。2015年受邀至德國名瓷MEISSEN麥森陶瓷廠駐村進行技術交流，以陶板作品「蛻變」獲麥森博物館典藏，為亞洲第一人；並於2019年榮選為「臺灣工藝之家協會」理事長。他嫻熟仿古陶瓷工法、工序與釉藥調配；研發鐵鏽花釉，並於金彩技法上有嶄新突破與應用，在仿古藝術陶瓷多彩豐富的樣貌中，開出一條具高辨識度的個人釉彩路線。\r\n 仿古藝術陶瓷涵蓋青花、鬥彩、粉彩、金彩等單獨或綜合運用的彩繪技法，以仿明清工筆畫的題材內容與筆法，於瓷器上繪製寓意吉祥美意諧音的花蟲鳥獸唐草，或是代表高尚品德的梅蘭竹菊蓮等紋樣。這些圖騰紋樣隨著明清時期的青花瓷器聲名遠播，成為中華民族文化獨有的視覺語彙；例如，蝙蝠寓意福從天降、葫蘆音似福祿。本件繪有魚群嬉戲的現代圖騰，按此語彙原則，更能參透其「年年有餘」的美意聯想。（詮釋委員：杜文田）","ImageUrl":""}
,{"Identifier":"201907002","MainTitle":"麒麟送子","Creator":"創作者：許朝宗","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2019","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxOTA3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件瓶器造型為仿古膽瓶形制，直長頸大腹瓶身，底有圈足。腹部以青花與描金繪製麒麟圖；瓶肩頸飾以纏枝花卉金彩，頸口有一青花綴金的環飾。創作者許朝宗老師在鶯歌仿古彩繪陶瓷的傳承與發揚上著力甚深，取饒富傳統祈福美意的麒麟為主題，於古典膽瓶形制上分繪了三隻麒麟，佐以祥雲、書卷。據傳孔子出生前有麒麟降臨先師家院子「口吐玉書」，所以民間認為麒麟帶來聖賢盛世之兆，賜予人們子嗣使家族興旺，形成麒麟送子之說。\r\n 麒麟為中國古代神話傳說中的祥瑞之獸，關於牠的形貌眾說紛紜，最早以《詩經・周南》中的〈麟之趾〉篇所描述的「四肢帶蹄、頂上長角」的形象立下基礎，從後續衍生的不同形象中可歸納其外貌多半具有：似龍或獅的頭首，身形為鹿或帶鱗，四足帶蹄如馬或蹄有五趾，頭頂有一角帶肉，腹部有黃毛，尾如牛尾。此瓶中三麒麟獸的形貌即帶有以上特徵。\r\n 青花彩繪以氧化鈷為著色劑，直接於瓷胎上繪製主題圖騰，再施罩透明釉，經1300°C左右高溫一次燒成。此件青花筆觸細膩，用色濃淡兼具，線條疏密、斑點分布、曲紋皆掌握得宜，整體構圖生動，以俯視視角表現麒麟回首生姿，顯得靈活有力。\r\n 仿古藝術陶瓷涵蓋青花、鬥彩、粉彩、金彩等單獨或綜合運用的彩繪技法，以仿明清工筆畫的題材內容與筆法，於瓷瓶器上繪製中華民族文化千年積累流傳下來的圖騰、紋樣，寓意吉兆與祝福。許朝宗(1955)潛研陶瓷傳統底蘊，不懈地研發屬於現代人的美感特色，從而於作品中透露仿古彩繪陶瓷的特殊時代氛圍—一種古器新用的典雅華麗，標幟著臺灣工藝特色之美，亦親民地存於生活美感的觀賞啟發中。（詮釋委員：杜文田）","ImageUrl":""}
,{"Identifier":"201907003","MainTitle":"蛻變","Creator":"創作者：許朝宗","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2019","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxOTA3MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這只彩繪圓盤，盤上以金彩表現蝴蝶由蟲蛻變為蝶的歷程。沿著圓盤右下方圍繞一支花草，仔細端倪可見近底部之處有一毛毛蟲，中間為正在破蛹而出的蝴蝶側身，盤上方則為一隻大蝴蝶，從花草上方華麗飛翔而出。瓷盤以仿古陶瓷彩繪工藝表現自然生態主題，兼具古典形式與現代符號氛圍的圖樣，成為一件具觀賞與收藏價值的工藝藝術品。\r\n 製作工法上，盤子表面與盤外底皆施予創作者以天目釉為基礎、含有三氧化二鐵的獨創鐵繡花釉；於呈現如鐵鏽般質感的盤面上，再施以釉上金彩彩繪。創作者許朝宗揉合運用霧金與亮金的描金技法形成浮雕效果，使主題更加立體生動；有別於仿古工筆唐草紋飾的連枝、纏繞表現形式，他以個人化的線條，更為自由、寫實地繪製出花葉、昆蟲、蝴蝶的圖樣。\r\n 許朝宗(1955)，宜蘭人，出道於鶯歌仿古彩繪陶瓷外銷風潮的1970年代，歷經市拿陶瓷、吉洲窯，一路關注跟隨、掌握臺灣陶瓷產業動向。1980年代以後，鶯歌彩瓷逐漸從仿古的裝飾紋飾，走向取自於本土化的題材，陶瓷業者紛紛投入創新繪法。許朝宗研發鐵鏽花釉，並於金彩技法上有嶄新突破與應用，在仿古藝術陶瓷多彩豐富的樣貌中，開出獨樹一格的釉彩路線。2015年受邀至德國名瓷MEISSEN麥森陶瓷廠駐村進行技術交流，以與此件同主題的陶板作品「蛻變」獲麥森博物館典藏，為亞洲第一人；並於2019年榮選為「臺灣工藝之家協會」理事長。\r\n 仿古藝術陶瓷涵蓋青花、鬥彩、粉彩、金彩等單獨或綜合運用的彩繪技法，以仿明清工筆畫的題材內容與筆法，於瓷瓶器上繪製中華民族文化千年積累流傳下來的圖騰、紋樣，寓意吉兆與祝福。許朝宗潛研陶瓷傳統底蘊，不懈地研發屬於現代人的美感特色，從而於作品中透露仿古彩繪陶瓷的特殊時代氛圍—一種古器新用的典雅華麗，標幟著臺灣工藝特色之美，亦親民地存於生活美感的觀賞啟發中。（詮釋委員：杜文田）","ImageUrl":""}
,{"Identifier":"201907004","MainTitle":"晨曦","Creator":"創作者：許朝宗","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2019","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxOTA3MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這只釉下彩繪裝飾瓷盤，表現晨間天光燦爛，藍色的天空與海在朝陽升起之際被暈染出一片橙亮；水中映照出黑線勾描的船單影隻。創作者許朝宗以釉下五彩，模擬西畫筆觸的繪畫方式作瓷盤彩繪，橫向的藍色釉與橘黃色釉的交界上，可見細微點狀的筆觸，鋪畫漸層。瓷盤繪製後施以透明釉，經1320°C 還原燒成。\r\n 1970年代的鶯歌仿古彩繪陶瓷外銷市場興盛，到了1980年代後，鶯歌彩瓷逐漸從仿古的裝飾紋飾，走向取自於本土化的題材，陶瓷業者紛紛投入創新繪法。身處市場核心的許朝宗認為，「陶瓷一定要勇於實驗。」這是他對學生與自我不斷提醒的概念，如何在釉藥、彩繪或造型上加以突破改良，一直是他持續鑽研探究的陶瓷課題。此件不同於仿古藝術陶瓷風格的創作，更加突顯了鶯歌藝術陶瓷的時代性特色。\r\n 陶藝家許朝宗(1955)，宜蘭人，出道於鶯歌仿古彩繪陶瓷外銷風潮的1970年代，歷經市拿陶瓷、吉洲窯，一路關注跟隨、掌握臺灣陶瓷產業動向。他研發鐵鏽花釉，並於金彩技法上有嶄新突破與應用，在仿古藝術陶瓷多彩豐富的樣貌中，開出一條具高辨識度的個人釉彩路線。2015年受邀至德國名瓷MEISSEN麥森陶瓷廠駐村進行技術交流，以陶板作品「蛻變」獲麥森博物館典藏，為亞洲第一人；並於2019年榮選為「臺灣工藝之家協會」理事長。（詮釋委員：杜文田）","ImageUrl":""}
,{"Identifier":"202001001","MainTitle":"生命特徵","Creator":"創作者：張凱亘","CreatedYear":"","Size":"001：90x90x90、002：94x93x56、003：59x79x70、004: 85x79x92.5\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"系列作品名為生命特徵，描述不同生命階段的姿態，整體造型也結合宇宙天文的概念。\r\n第一件為初始，型態由中心向外發散，向世界扎根，猶如宇宙大爆炸之起源，描述生命誕生之初，串珠元素是描述基因型態，構造能夠旋轉，意為向前進行。\r\n第二件為囚牢，表達生命迷惘，困住的階段，開始接收到許多外在世界影響，生命容易迷失其中，構造上呈現雜亂不一致，可以轉動傾倒，看似有所空間，卻又繞不出去，型態較像是宇宙中渾沌的氣團。\r\n第三件為探尋，開始找出生命出路，真正認識自己的過程，構造上在轉動、翻滾中，探尋屬於自己的空間，型態如同成形的星系，逐漸穩定。\r\n第四件為平衡，懂得與世界相處交流，表達能與世界平衡相處，外在環境變動，我們也能夠有適當的回應去反饋，變得更柔軟有彈性，如同面對世界，如同應對社會，構造上施展外力旋轉或擠壓，皆能得到內部結構反饋，呈現一種制動之感。\r\n核心部分都以\"薰香\"來表示，薰香載體意為軀殼，薰香點燃的輕煙意為本我意識，煙無形無色不受拘束，卻又真實存在，希望在生命各個階段，即使型態外在改變了，軀殼改變了，真實的自我還是能夠如同輕煙不受拘束，在每個階段彼此連結，維持真實的自我，不忘初心。（本文來源：台灣工藝競賽官網）\r\n這是一件意圖顛覆傳統木作印象的創作，沒有任何一條直線造型的木材，而是以四組完全曲線造型的單元，組構成一個既像鳥類翅膀、又像螺旋機械的飛船，取名〈生命特徵〉，更在強調生生不息、繁衍不盡的生命動力。\r\n這件作品運用了檜木、楓木、橡木、烏心木、胡桃木、柚木、紅酸枝等多種木料，透過冷壓曲木的技術，表現出木材柔軟、可塑的特性，在流線與曲度的迴旋、組構間，展現了一種優雅、無限延展的柔性生命力。\r\n在傳統的木作成品中，垂直與平行的直線構成是基本的造型原則，那是為了實用與穩定的要求下，造成的木作印象；但張凱亘的〈生命特徵〉，刻意顛覆這種印象，沒有留給直線木料一點空間，如果有，也只是曲狀如弦弓間，作為活動小串圈中間的那些軸心。在中國傳統美學與哲學中，直線屬「乾德」，喻意方正；曲線屬「坤德」，意涵圓融；表現在中西建築上，分別為希臘式的立柱、山牆，和中國傳統建築中的弧型屋脊和燕尾、飛簷；〈生命特徵〉的創意，顯然和這樣的傳統文化有著隱隱呼應的意義。\r\n此作為2019年台灣工藝競賽獲得一等獎的作品。(詮釋委員：蕭瓊瑞)\r\n\r\n","ImageUrl":""}
,{"Identifier":"202001002","MainTitle":"種子的旅行","Creator":"創作者：尤雅容","CreatedYear":"","Size":"001：28×28×53、002：35×35×50.5","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"蒲公英的種子成熟時，會長出白白的冠毛，乘風飛行；鬼針草的種子成熟時，會帶有尖尖的細刺，隨著動物到處跑；指甲花的種子成熟時，會用力向外彈出去，靠自己的力量去探險！植物雖然不會走動，種子卻有辦法去旅行，去尋找他們的新家。\r\n以建築人文的外觀為雛形，融合植物自然的元素當作焦點；以粗曠厚重的肌理為表象，點綴細緻輕巧的物件相互映襯；以樸實無華的素顏為基底，施以光亮無暇的釉色營造對比。\r\n作品本身專注於質地的開發與掌握，甚至保留局部過程的痕跡，彰顯陶瓷材料柔軟可塑的特性，用來表達植物傳播的意象，生命奧秘的體察，也是思索人和自然的關係。（本文來源：台灣工藝競賽官網）\r\n這件陶藝創作以放大微觀的視角，將種子的概念融入空間場域，以相連如建築量體的規模與數量，強化種子的移動方向性。以粗曠厚重的肌理為表象，點綴細緻輕巧的物件相互映襯，大量相似的幾何曲線造形，各有些微變化，表現出視覺的張力。在樸實無華的素顏基底上，施以光亮無暇的釉色，營造對比。作品本身專注於質地的開發與掌握，甚至保留局部過程的痕跡，彰顯陶瓷材料柔軟可塑的特性，用來表達植物傳播的意象，生命奧秘的體察。\r\n尤雅容師承羅森豪教授於台北教育大學，任職於新北市國小，畢業後進入臺北藝術大學造形研究所；曾獲得2006年玉山美術獎陶藝類首獎、2009年苗栗陶藝獎社會組首獎、2015年新北陶藝獎實用組首獎、2017年第三屆臺灣青年陶藝獎雙年展獲獎。研究所時期，她即以植物種子具有「包容內部的滋養能量」之概念來作造形設計，創作邏輯習慣在前有的基礎上作重組、變化與延伸，擅以石膏翻模與泥條盤築法成形。\r\n這件作品從人性化的思考視角看待種子，將種子的傳播類比為人的成長，同時也思索人和自然間的互動，人面對大自然的態度。(詮釋委員：杜文田)\r\n","ImageUrl":""}
,{"Identifier":"202001003","MainTitle":"雛","Creator":"創作者：蔡子硯","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"雛顧名思義就是幼鳥的意函 ，幼鳥在成年之後，會離開自己的巢穴，學習如何飛行、如何自己生存，他們就是遵循著本能去達成他們所想，我們人也是一樣的，我們有求知慾，所以我們會去學習自己所感興趣的事；我們有物慾，所以我們會追求財富，來滿足自己個人的欲望；人們永無止境地追尋著自己的夢想，夢為一種欲望，欲望則驅使著我們行動，而成功造就了今日。我的作品以雛作為主題來做延伸，象徵著羽翼未豐，意指著人們有著無限的可能，不該止步於當下或滿足於有形的富足，更應該要跳脫出自己的舒適圈，踏上自己所無法企及的高度。（本文來源：台灣工藝競賽官網）\r\n取名〈雛〉，乃是泛指鳥類的幼鳥，有頭、有尾，但羽翼未豐，卻仍有振翅的慾望，以槳代翅，不斷划動，永續前進。作者是先以實木木皮膠合，再用冷壓曲木的工法，取得適當的曲度後，形成鳥身；當中加入電力帶動的齒輪運轉，形成飛船的意象。這種結合科技與想像的創作，吸納了日本動畫大師宮崎駿作品的元素，卻也蘊含了中國古代鳳鳥文明的想像：「風」、「鳳」本為一體；太陽也稱「金烏」，每日從東方出生、升起，橫過天際，黃昏時墜於西方而死，第二天卻又浴火重生於東方……。\r\n〈雛〉的創作想像，集合諸多文化元素，但技術的完成，卻是許多現代科技的加入。作品的較小尺寸，可做為純粹賞玩的趣味，一旦有機會放大、懸吊，則成為動力雕塑的公共藝術。(詮釋委員：蕭瓊瑞)\r\n","ImageUrl":""}
,{"Identifier":"202002001","MainTitle":"東方黑色金鳳蝶","Creator":"創作者：黃翠華","CreatedYear":"","Size":"含框長79.2、寬66、高：6：\r\n畫心長50、高36\r\n","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「梅花繡」是楊秀治老師在七十年代所創發出來的技法，使用傳統繡學號的車繡機，運針移布表現繪畫特性。針法包括平針、旋針、開針、拉針、長短針等。講求靈活運用各種針法與色彩明暗遠近疏密的搭配，達到暈色與層次變化的效果。\r\n 黃翠華老師從1989年開始師承楊秀治。本件作品是以攝影轉化而來。以車繡的技巧、運用平針，小開針、小拉針等針法加上靈活的配色，將蝴蝶鱗翅的質地、輕靈的動作與空氣裡的微氛優雅地呈現出來。\r\n 繡製時，是以一尺圓徑的繡繃銜接而成的，繡繃與繡繃之間顏色針腳的融合與銜接，需要流暢生動無斷層之嫌，是技法中最困難的部分。針法的層次如繪畫的筆觸，如何堆疊、如何暈染、如何表現，正是刺繡者功力之所在。（詮釋委員：楊偉林）","ImageUrl":""}
,{"Identifier":"202003001","MainTitle":"傳說","Creator":"創作者：連寶猜","CreatedYear":"","Size":"貓咪：3Ox12x1O\r\n人頭：30x36x37\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件是一座以臺灣苗栗土雕塑的頭像，面目向上仰、眼上翻嘴張開，面露驚惶；頭上扎入一隻顯得邪惡狡猾的動物。整體造型粗曠卻生動，塑像表面可見不同土質色顯露且近乎斑駁的效果，營造出令人不安的狀態。根據作者說明創作動機，背後是關於一名少年因誤信台灣民間靈魂附體的傳說，導致終日幻想成疾的故事。一名慈悲的少年收容一隻幼小流浪貓，卻因打球誤擊貓咪頭部造成貓咪死亡，導致少年終日聞貓嚎驚悸並精神崩潰，誤了求學時期，父母遍尋名醫無著落。某日少年表哥來訪與少年同房，半夜看少年因貓啼聲，驚悚萬端，逐開門外出查訪，發現屋頂有許多貓聚集叫春，而窗口吹進的冷風乃是鄰居冷氣管所至，至此真相大白。\r\n 飛奔狡疾的貓兒身軀黏附於鐵條上，並且植入塑像頭頂，此作法將迷信傳說侵擾人思想的概念更予以具體化；整體造型粗曠卻刻畫生動，以陶土本質的顯露及線條的簡潔有力，延發出原始主義素人塑像的味道。整體捕捉人恐慌的心理樣貌，以迷信怪力亂神、捕風捉影的後果寫照作為一種提醒，訓示世人實事求是；藉由事件描述人性，再藉由陶藝手法反映社會寫實。\r\n 創作者連寶猜女士(1953)是臺灣早期陶藝發展中少數的女性知名陶藝家，在以器皿實用為生產主力的社會經濟氛圍中，勇於以陶塑創作表現藝術理念，並陸續結合焊鐵、不鏽鋼、光纖、繪畫等多媒材設計大型公共藝術，從事藝術創作40多年；曾拜師於雕塑大師楊英風、陶藝先進邱煥堂與林葆家兩位教授，於1978年臺北天母成立陶源精舍，從事陶藝教學至今。她以世俗化、為人親近的佛像造型雕塑受到廣大歡迎，並以投射人生百態的畫作、陶塑創作受到藝壇注目，藉由陶土說故事，用作品啟發人們的心靈。曾多次受邀舉辦海內外個展及榮獲國際多項大獎，作品典藏於臺灣國立歷史博物館、國立臺灣美術館。（詮釋委員：杜文田）","ImageUrl":""}
,{"Identifier":"202003002","MainTitle":"也是生活","Creator":"創作者：連寶猜","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件陶土雕塑結合了一座少女頭像與女性軀體張腿跨坐、伸臂的瘋狂姿態；幾乎要裂開的軀體兩腿間有一個裝著幾枚錢幣的小缽。整體造型手法在少女頭像與女體之間有些微反差，一個是粗略簡約的面容輪廓，一個是有著生動線條的四肢與體態；塑像表面皆以土胎與色土混合，熟料顆粒顯露形成近乎斑駁的效果，兩者在具象與擬態之間召喚省思。\r\n 創作者曾經參加救援雛妓的工作，方知有些雛妓對自己的工作甘之如飴，並不願被救，她們覺得工作輕鬆，既可滿足性的需求，收入也不錯。作者為此感到震驚痛心之餘，質疑是少女無知？亦或是社會風氣敗壞使然？人的生命，因著不同的認知與影響，而致截然不同的生活。\r\n 作者表現雛妓以裸露的舞姿坐在少女頭上，雛妓面貌模糊的頭向後仰，身體從頸部劃下一道裂痕，穿過胸口腹部直達陰部，劇烈、簡約有力的手法頗具震撼的視覺效果，象徵女性身體的同時，也讓人聯想女性私處作為生產與性服務的工具，雖僅一線之隔，卻能造就截然不同的生命樣態。以此非寫實、擬象的造型發人省思，藉由事件描述人性，再藉由陶藝手法反映社會寫實。\r\n 創作者連寶猜女士(1953)是臺灣早期陶藝發展中少數的女性知名陶藝家，在以器皿實用為生產主力的社會經濟氛圍中，勇於以陶塑創作表現藝術理念，並陸續結合焊鐵、不鏽鋼、光纖、繪畫等多媒材設計大型公共藝術，從事藝術創作40多年；曾拜師於雕塑大師楊英風、陶藝先進邱煥堂與林葆家兩位教授，於1978年臺北天母成立陶源精舍，從事陶藝教學至今。她以世俗化、為人親近的佛像造型雕塑受到廣大歡迎，並以投射人生百態的畫作、陶塑創作受到藝壇注目，藉由陶土說故事，用作品啟發人們的心靈。曾多次受邀舉辦海內外個展及榮獲國際多項大獎，作品典藏於臺灣國立歷史博物館、國立臺灣美術館。（詮釋委員：杜文田）","ImageUrl":""}
,{"Identifier":"202003003","MainTitle":"上錯天堂投錯胎","Creator":"創作者：連寶猜","CreatedYear":"","Size":"1.豬博士：22x 22x 24\r\n2.書：33x26x48\r\n3.書含土人：32x32x42\r\n4.書：32x32x24","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件陶土雕塑作品以兩座書堆與其上的角色兩相對照組成。右邊的書堆上是一隻正在打瞌睡、戴著博士帽的小豬；左邊的書堆上有一位瘦小的土人，正辛苦的攀爬其上。左右形成有趣鮮明的對比，如一則寓言故事般的耐人尋味。細看之下，兩堆書的書名與大小不同；豬博士所在的書堆由較小本也較少的書堆疊而成；瘦小土人攀爬的卻是開本較大也堆疊更高的書堆；兩堆書的書背上各自一一地寫上了不同書名。\r\n 創作者創造的寓言是以兩種截然不同的形象比喻貧富，當豬博士可以從較少的書堆中建立起自己輕鬆的處境，瘦小的土人卻汗涔涔地在更高大的書堆中艱苦爬行；書堆於此比擬作社會階級/階梯，對照之下，看出社會貧富懸殊莫此為甚。另一層解讀，則或可視書堆為知識，因此讓人省思，在知識的追求上是寧願當享福的豬，還是願意當辛苦的土人? \r\n 創作者並不著墨於陶藝技法中的釉色表現，書名的標示與外表彩繪，以壓克力彩或許更能表現自如；反而著重於意象與觀點的表達，透過角色設定與造型的捏塑，賦予陶藝社會寫實批判的力道。\r\n 創作者連寶猜女士(1953)是臺灣早期陶藝發展中少數的女性知名陶藝家，在以器皿實用為生產主力的社會經濟氛圍中，勇於以陶塑創作表現藝術理念，並陸續結合焊鐵、不鏽鋼、光纖、繪畫等多媒材設計大型公共藝術，從事藝術創作40多年；曾拜師於雕塑大師楊英風、陶藝先進邱煥堂與林葆家兩位教授，於1978年臺北天母成立陶源精舍，從事陶藝教學至今。她以世俗化、為人親近的佛像造型雕塑受到廣大歡迎，並以投射人生百態的畫作、陶塑創作受到藝壇注目，藉由陶土說故事，用作品啟發人們的心靈。曾多次受邀舉辦海內外個展及榮獲國際多項大獎，作品典藏於臺灣國立歷史博物館、國立臺灣美術館。（詮釋委員：杜文田）","ImageUrl":""}
,{"Identifier":"202004001","MainTitle":"蛻變","Creator":"創作者：許朝宗","CreatedYear":"","Size":"瓶高38.5、直徑35、口徑13、底徑16cm","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 在這只寶藍色甕上可見以描金構圖而成的生動景象，由下至上環繞甕體曲面安排著毛蟲、破繭而出的蝶、成蝴的生命蛻變過程。整體以仿古陶瓷彩繪工藝表現自然生態主題，飽滿的藍與金，搭配出高貴典雅的氣質，甕底可見創作者許朝宗的刻字落款，以及德國名瓷廠麥森MEISSEN的雙劍商標，讓作品充備了觀賞與收藏的藝術價值。\r\n 由底部落款中的麥森商標可知，此件作品是許朝宗於2015年受邀至德國名瓷MEISSEN麥森瓷廠駐村時的創作，於當地燒製成功的作品之一。麥森瓷廠窯燒高溫至1450℃，為因應此高溫條件挑選了鈷藍、鉻綠兩種釉藥來表現，共計有福壽系列、瓜瓞系列、蛻變系列、與窯變四大主題作品。有別於明清工筆唐草紋飾的連枝、纏繞表現形式，他採勾勒填彩的方式，以更自由、寫實地線條繪製出花葉、昆蟲、蝴蝶的圖樣。製作過程起於紙上繪製圖騰底稿，再轉畫到瓷坯上，將圖騰範圍畫塗上隔離膠後，即可以噴釉、鈷藍釉藥吹青、噴上透明釉，待釉乾後除下隔離膠，填入釉下彩，入窯高溫燒製1450℃；出窯後以金彩鉤繪蛻變圖騰，再次入窯燒製900℃完成。與此件同主題的陶板作品「蛻變」獲麥森博物館典藏，為亞洲第一人。\r\n 許朝宗(1955)，宜蘭人，出道於鶯歌仿古彩繪陶瓷外銷風潮的1970年代，歷經市拿陶瓷、吉洲窯，一路關注跟隨、掌握臺灣陶瓷產業動向。仿古藝術陶瓷涵蓋青花、鬥彩、粉彩、金彩等單獨或綜合運用的彩繪技法，以仿明清工筆畫的題材內容與筆法，於瓷瓶器上繪製中華民族文化千年積累流傳下來的圖騰、紋樣，寓意吉兆與祝福。1980年代以後，鶯歌彩瓷逐漸從仿古的裝飾紋飾，走向取自於本土化的題材，陶瓷業者紛紛投入創新繪法。許朝宗研發鐵鏽花釉，並於金彩技法上有嶄新突破與應用，在仿古藝術陶瓷多彩豐富的樣貌中，開出獨樹一格的釉彩路線。2019年榮選為「臺灣工藝之家協會」理事長。（詮釋委員：杜文田）","ImageUrl":""}
,{"Identifier":"202005001","MainTitle":"女兒的新嫁衣","Creator":"陳桂美","CreatedYear":"","Size":"馬甲29.5*28*21、披肩(裙)80*33.5*1.5、項鍊45*8*2.5、耳環9*3(2個)\r\n","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"202005002","MainTitle":"圓滿","Creator":"陳桂美","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"202005003","MainTitle":"蛻變1","Creator":"陳桂美","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDA1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"202005004","MainTitle":"天佑","Creator":"陳桂美","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDA1MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"202005005","MainTitle":"單輪口間插花器","Creator":"黃塗山","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDA1MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此作以活潑的輪口編手法，編織成一個擁有多個圓口造型的插花器，打破一般規整的編法，加上竹篾色澤的變化，是難度頗高、具自由創意的一種嘗試。\r\n 黃塗山（1926-2020）是日治時期竹山郡竹材工藝傳習所的畢業生，畢業後留任研習生，師承日籍藝師；戰後成為南投手工業研究所技術員，對臺灣竹藝創作及傳習，均具貢獻。\r\n 黃塗山1993年獲教育部民族藝術薪傳獎、2008年獲國家工藝成就獎，2010年登錄為臺灣重要傳統工藝竹編工藝保存者；其作品以均整、細緻為特色，此作則屬較為活潑且具個人創意特色之作。黃塗山傳藝甚勤，受教子弟表現傑出者，不勝枚舉，是臺灣竹編工藝的宗師型人物。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"202006001","MainTitle":"大中至和","Creator":"創作者：王俠軍
其他-品牌商：八方新氣股份有限公司 ","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"古代青銅器造形工整、紋樣豐富，製作精美細緻，是金屬工藝中極為華麗的表現。青銅器的製作是以砂模澆注金屬熔液而成，冷卻後脫模時則將砂模敲碎取出成品，形體與表面紋飾一體成形。而陶瓷的注漿成形是以石膏製成模具澆注泥漿，待泥漿被吸附石膏內壁至一定厚度後，將多餘泥漿倒出成為中空坯體，再拆開石膏模具取出泥坯，而為了石膏模具易於拆卸及不損壞泥坯，所以注漿坯體的造形不可過於複雜，若有過多的凹凸紋飾或配件，則需另製模具製成後再黏貼組合而成，其過程極為耗工耗時，難度亦高。\r\n本作品是以仿製青銅器的工整與華麗紋樣表現為目標，運用潔白瓷土注漿成主要形體，其餘紋飾、配件亦分別注漿製成，再經細心黏貼組合後入窯燒製而成。而其中最為困難的部分是注漿成形的瓷漿坯體容易收縮變形、黏貼部分的紋飾配件易於開裂，以及活動圓環扣件易於沾黏釉藥等，作者必須在製作的各個階段中，運用熟稔的技術與合適的工具加以克服。因此，本作品除了在造形上呈現精緻端莊之美外，作者挑戰陶瓷製作技術極限的精神與毅力，也是值得喝采的。(詮釋委員：劉鎮洲)","ImageUrl":""}
,{"Identifier":"202006002","MainTitle":"日升・月恒","Creator":"創作者：王俠軍
其他-品牌商：八方新氣股份有限公司 ","CreatedYear":"","Size":"日升：31×20×55、月恆：29.5×17×55","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"要為一向只華麗優雅、委婉感性的瓷器美感，注入前所未有自信果決的知性意象，是作者從玻璃創作轉道瓷器革新，「瓷航」重要的創作理念，期許完成別開生面剛柔並濟，陰陽調和的瓷器新貌，本案即是一例。\r\n在克服瓷土高溫軟化收縮所產生造型上變形和龜裂的技術問題後，「寓道於器」象徵性的指涉手法，成為他為傳統瓶瓶罐罐瓷器的靜態姿勢，所完成主動積極表述的新格局和新氣象。日升．月恒，顧名思義，具剛柔、陰陽相對應元素，它們以形制節奏，氣韻和置於金屬架的上升意象，來詮釋這寓意生生不息充滿正能量的文化命題。\r\n這一對作品，除相互映照，也各司其職，各自完成表述命題象徵的內含。\r\n「日升」主體瓶身以多邊稜角切面的簡捷，與外圍直角大面、鏤空方形櫺格的剛毅構成，共同演繹「日」的陽剛豪邁，相對「月恒」，則以弧性和圓孔的柔美語彙，掌握「月」般的陰柔親切，一日一月彼此相輝映。\r\n而各自作品的本身，也是由這兩股剛柔、曲直、厚薄等不同的對比語意並置共構所組合。日升．月恒捨棄色彩筆觸線條圖案的圖飾，改以線條語意、重複元素、造型結構、光影層次和昂然氣韻，完成恭整均衡的卓絕格局，為瓷器器皿形制型塑華麗優雅之餘的剛健恢弘，同時也藉瓷器展現二元相輔相成的文化核心。(詮釋委員：王俠軍)","ImageUrl":""}
,{"Identifier":"202006003","MainTitle":"浩然盛世","Creator":"創作者：王俠軍
其他-品牌商：八方新氣股份有限公司 ","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDA2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「浩然盛世」是件高難度瓷器工藝所完成的作品，首先要完成細膩的原型製作，接著繁瑣的製模流程，為落實這壯闊的造型，量身定做輔助托具的精準設計和製作是重點，之後，進行重要的灌漿和泥坯整形的細膩作業，最後低成功率的燒製挑戰才是最關鍵。\r\n作品藉青銅器鼎立霸氣意象和白瓷疏朗氣質，詮釋盆景所講求優、秀、險、雄的美感。\r\n作者王俠軍抽取青銅器特有粗刻森嚴的紋飾和昂然鼎立的姿態等青銅器特有意象和元素，以對比語意和並置手法，建構雄偉壯闊的深刻張力，演繹瓷器形制難得隆重莊器嚴的氣韻。\r\n頂端多邊形瓶口佈局嚴謹，四面瑞獸羅列律動，完成陣勢浩蕩動勢的上身，對比沿底部而上，擔任支撐單純薄片底座的安靜堅忍，彼此對峙，相互給力，增強隆重氣勢。\r\n有機複雜上身腔體與幾何簡潔薄片底座、立體繽紛裝飾與平面俐落素雅等輕重、繁簡的強弱對峙，進行器物形體的辯證，解構器物原有量體，改以虛實厚薄重組，以上大與下小、空腔與實片、動態與靜置、古典與現代等二元對話，完成「險」峻雄奇的磅礴氣韻。\r\n優秀細節、精美紋飾，映照如盆景所呈現生機細膩的優雅生命，再以強烈對比架構的險奇造型和渾雄壯碩的構成呈現，完成作品浩然聳立，殿堂昂然的風采。\r\n本作品，藉商周帝國器物紋飾和浩然意象，重構時代盎然美感和民族工藝瓷器盛世再起的寓意。(詮釋委員：王俠軍)","ImageUrl":""}
,{"Identifier":"202007001","MainTitle":"力士","Creator":"創作者：陳啟村","CreatedYear":"","Size":"眼瞪：30x24.5x34、眼閉：30x25.5x41.5","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDA3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 兩個屈膝坐在地面的力士，原是神尊踏在腳下的小鬼，木雕家陳啟村憐其可愛，乃化配角為主角，將小鬼的造型，提升為力士的形象。\r\n 兩者體型相當，造型特徵一致，都是大耳、短角，虎臂熊腰，頭至背上長毛，雙足雙手均有銅環；然而在相同與相似之外，亦有不同卻相對應的地方，如：一人雙角、瞪眼、左手撐頭、右膝柱著下巴；另一人單角、閉眼、左手 抱腿、左膝柱著下巴。整體給人壯碩短小的可愛印象。\r\n 陳啟村的傳統雕刻，融入現代人體結構的解剖學知識，肌肉分明、力道十足，既具人性的親和度，又富神怪的想像力，是橫跨傳統與現代的木雕大師；而類似力士的造型，後來也發展出版畫的作品，深受喜愛。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"202007002","MainTitle":"媽祖","Creator":"創作者：陳啟村","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDA3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 完成於2000年的〈媽祖〉一作，是臺南府城木雕工藝家陳啟村（1963-）的作品。福州派出身的陳啟村，作品講究全手工的刀法，從媽祖身上的披肩、纓絡，到長袍的紋飾，以往匠師慣常使用的粉線作法，在此都被精細的雕工所取代。\r\n 接近現實比例的身形，在側身微轉的姿態下，散發媽祖天后神格的尊榮與慈祥；雙手持笏、腳踏浪花，作為海上之神，媽祖拯溺救難的作為，自宋代以來，早已成為所有海民崇拜的對象。\r\n 陳啟村雕作此像的同年，臺南奇美企業亦在安平舊港發起設立林默娘雕像的計劃，此作的完成，呼應此一計劃，特具時代的意義；而陳啟村2020年的榮獲國家工藝成就獎，更凸顯這件作品的珍貴。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"202008001","MainTitle":"竹林七賢","Creator":"創作者：李秉圭","CreatedYear":"","Size":"嵇康：45 x20.5 x13.6\r\n阮咸：38 x23 x18\r\n劉伶：26 x30 x18\r\n阮籍：42 x21.6 x18.5\r\n王戎：39 x17 x20\r\n山濤、向秀：30 x46.5 x23\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDA4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 竹林七賢是中國魏晉南北朝時期，遁世隱居自然的七位賢士，包括：嵇康、阮咸、劉伶、阮籍、王戎、山濤、向秀等。出身鹿港木雕世家，也是知名木雕大師李松林之子的李秉圭（1949-）以6件1組的形式，將這七位賢士的特徵及動作，形成可供不同排列、組構的方式，達到不同的視覺效果。\r\n 七賢或坐、或立，或抱琴而行、或坐而彈琴、或飲茶、或下棋……，人物神態各異，但瀟灑無爭的脫塵特質則一。李秉圭的刀法流暢，靜態中擁有風吹衣飄的動態感；而人物的神態表情之細緻，也是這位擁有「鑿花技術保存者」與「傳統木雕保存者」雙認證的國寶藝師，技藝突出的特點之一。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"202009001","MainTitle":"《五合盤長別針》刺繡首飾《蓮華盤長項鍊》刺繡首飾「刺繡針法與造型練習系列」","Creator":"創作者：粘碧華","CreatedYear":"","Size":"項鍊:22 x 19.5 x 0.8 、別針:14 x 5.5 x0.8","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDA5MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 粘碧華老師長期研究中西古文明刺繡，並臨摹傳統刺繡的造型/針法/配色來做為刺繡的入門練習，從中實驗傳統配色、器物造型、服裝制度、和運針的方式。這一系列刺繡首飾「刺繡針法與造型練習系列」於焉誕生，並改變了功用，將造型立體化，祈使設計能依於傳統，並從傳統中走出一條實驗的道路。\r\n 「刺繡首飾」實驗的內容也包括控制刺繡「繡製的時間」、「布料厚度的縫合困難度」、「挑戰最窄布縧的縫合」、和「各種立體繡法的練習」等實驗範圍。\r\n 古代有香包、鎖匙袋、眼鏡袋、吉祥掛飾等立體造型的佩飾或掛在牆上的裝飾物，但沒有純粹以「首飾」為出發點的刺繡作品。這一系列作品在裁製上嘗試用極細、極窄、和立體多層次造型來實驗；搭配各種刺繡珠子、絲繡、珠玉的材質；在觀念上融入創作者日常所思所見所讀所感，結合金工首飾上的專業，做成完美的結合。\r\n 關於圖飾部分，本件作品使用連綿的盤長紋為基礎再加以變化，並以織金錦加厚折疊成立體三角形單元重複的方式作成頸飾部分，與盤長紋的方形角度相得益彰，在古典中散發出大氣的現代感。（詮釋委員：楊偉林）","ImageUrl":""}
,{"Identifier":"202010001","MainTitle":"松","Creator":"創作者：葉經義","CreatedYear":"","Size":"163 x 11.1 x 35、含框：167.5x13.5x49.5","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDEwMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 在一個橫長的空間中，以透雕的手法，刻劃一棵枝幹古拙、針葉繁茂的老松樹；橫向的生長，上下空間的壓迫，反而更呈顯松樹不屈、不凋的堅強性格。\r\n 葉經義是臺灣戰後重要的木雕匠師，除參與傳統廟宇的木雕施作與修復外，一度也以日本建築隔間的天窗（又稱「欄間」）木作雕刻為主要工作，並成立公司進行外銷。\r\n 此作正是這種和隔間天窗的形式創作，在不施油漆的素木材質中，有一種素樸、堅毅的氣韻，特別是樹幹的肌理紋路，以及松針如實又虛的手法，乃至幾乎溢出欄間的枝葉表現，在在顯示匠師的獨特創意與技術。2014年，獲文化部公告為傳統工藝木雕類保存者。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"202010002","MainTitle":"蓄勢待發","Creator":"創作者：葉經義","CreatedYear":"","Size":"51x15x40.5、含框：63.5 x22.5 x55.3","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDEwMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 以現代寫實的手法，取材臺灣牛樟木，將一匹舉足踏步、昂首揚尾，準備奔馳的駿馬神態，刻劃得栩栩如生，猶如一支引滿弓弦、只待放手射發的利箭，張力十足。\r\n 葉經義（1937-）是戰後臺灣重要的木雕匠師，曾受聘為日本沖繩國定史蹟首里城的琉球王尚真氏御王座、御差床、御轎椅，進行木作的復原設計與製作。早年也為臺灣許多廟宇木作進行施作，並參與古蹟木作修護。\r\n 由於工作的忙碌，葉經義早期較少個人的創作與發表；此作是他自職場退休後的作品，消瘦峭雋的造型，不同於唐代豐美肥胖的駿馬，反而流露一絲日本清雅素樸的韻味，馬尾的細緻分叉，以及馬口的肌肉、馬腳的骨骼，在在顯示葉經義的細膩觀察與表現。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"202011001","MainTitle":"瓜瓞綿綿大盤","Creator":"創作者：許朝宗","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDExMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 瓷盤上以五彩—釉裡紅、鈷藍、鉻綠、粉紅、黃釉繪製有瓜、瓞、蝴蝶、瓜曼的紋飾，以工筆雙鉤填彩，釉上再以金水點飾、描金。本作品榮獲1996年台灣生活用品評選暨展覽「優選獎」。創作者許朝宗以精湛熟稔的技法、繁複多工的工序，於金彩上增添高難度的浮金彩繪，屬手工精細之極品，透過藤上結了許多大大小小的胡瓜及眾多蝴蝶幫忙授粉，象徵子孫萬代與昌盛，成就一只寓意美好的仿古裝飾彩繪盤。\r\n 《詩經·大雅·綿》篇中有一語:「綿綿瓜瓞，民之初生，自土沮漆。」指周朝開國歷史如瓜瓞般歲歲相繼不絕，後來衍生用以祝頌子孫繁衍昌盛。瓜瓞大者叫瓜，小者稱瓞，瓜蔓的末端能不斷生瓜，因此綿綿不絕，寓意子孫萬代。\r\n 許朝宗(1955)，宜蘭人，出道於鶯歌仿古彩繪陶瓷外銷風潮的1970年代，歷經市拿陶瓷、吉洲窯，一路關注跟隨、掌握臺灣陶瓷產業動向。1980年代以後，鶯歌彩瓷逐漸從仿古的裝飾紋飾，走向取自於本土化的題材，陶瓷業者紛紛投入創新繪法。許朝宗研發鐵鏽花釉，並於金彩技法上有嶄新突破與應用，在仿古藝術陶瓷多彩豐富的樣貌中，開出獨樹一格的釉彩路線。2015年受邀至德國名瓷MEISSEN麥森陶瓷廠駐村進行技術交流，以與此件同主題的陶板作品「蛻變」獲麥森博物館典藏，為亞洲第一人；並於2019年榮選為「臺灣工藝之家協會」理事長。\r\n 仿古藝術陶瓷涵蓋青花、鬥彩、粉彩、金彩等單獨或綜合運用的彩繪技法，以仿明清工筆畫的題材內容與筆法，於瓷瓶器上繪製中華民族文化千年積累流傳下來的圖騰、紋樣，寓意吉兆與祝福。許朝宗潛研陶瓷傳統底蘊，不懈地研發屬於現代人的美感特色，從而於作品中透露仿古彩繪陶瓷的特殊時代氛圍—一種古器新用的典雅華麗，標幟著臺灣工藝特色之美，亦親民地存於生活美感的觀賞啟發中。（詮釋委員：杜文田）","ImageUrl":""}
,{"Identifier":"202011002","MainTitle":"祥龍獻瑞天球瓶","Creator":"創作者：許朝宗","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDExMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件瓶器造型為仿明永樂青花穿蓮龍紋天球瓶型制，直長頸、鼓腹、底無圈足。創作者許朝宗以己開創的鐵繡花釉與描金於瓶腹繪製一條環繞瓶身的三爪行龍圖騰，間隙襯以波浪紋與纏枝番蓮紋及於瓶頸，頸口有一環飾。許朝宗於鶯歌仿古彩繪陶瓷的傳承與發揚上著力甚深，取饒富傳統祈福美意的祥龍獻瑞為主題，於古典主題上結合了現代釉彩與金彩彩繪技法，使作品具文化底蘊、亙古彌新之意。此作的穿蓮三爪行龍圖騰樣貌，張口吐舌、闊步張爪、龍身畫滿鱗甲，以回首之姿顯得威武靈動與尊貴之氣，加上以金彩繪飾更添整體氣勢恢弘、富麗莊重。\r\n 許朝宗(1955)，宜蘭人，出道於鶯歌仿古彩繪陶瓷外銷風潮的1970年代，歷經市拿陶瓷、吉洲窯，一路關注跟隨、掌握臺灣陶瓷產業動向。1980年代以後，鶯歌彩瓷逐漸從仿古的裝飾紋飾，走向取自於本土化的題材，陶瓷業者紛紛投入創新繪法。許朝宗研發鐵鏽花釉，並於金彩技法上有嶄新突破與應用，在仿古藝術陶瓷多彩豐富的樣貌中，開出獨樹一格的釉彩路線。2015年受邀至德國名瓷MEISSEN麥森陶瓷廠駐村進行技術交流，以與此件同主題的陶板作品「蛻變」獲麥森博物館典藏，為亞洲第一人；並於2019年榮選為「臺灣工藝之家協會」理事長。\r\n 仿古藝術陶瓷涵蓋青花、鬥彩、粉彩、金彩等單獨或綜合運用的彩繪技法，以仿明清工筆畫的題材內容與筆法，於瓷瓶器上繪製中華民族文化千年積累流傳下來的圖騰、紋樣，寓意吉兆與祝福。許朝宗潛研陶瓷傳統底蘊，不懈地研發屬於現代人的美感特色，從而於作品中透露仿古彩繪陶瓷的特殊時代氛圍—一種古器新用的典雅華麗，標幟著臺灣工藝特色之美，亦親民地存於生活美感的觀賞啟發中。（詮釋委員：杜文田）","ImageUrl":""}
,{"Identifier":"202011003","MainTitle":"福海壽山梅瓶","Creator":"創作者：許朝宗","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDExMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這只五彩彩繪裝飾梅瓶，以仿明清的青花、五彩、粉彩技法綜合表現，瓶身繪滿紅色蝙蝠於海上，青花繪製的海浪波濤中有一太湖石岸山，岩石間生有水仙、青竹、靈芝與松。運用中國傳統圖騰，福海(蝙蝠與海)、壽山(生有水仙、靈芝)，寓意長壽萬福。梅瓶形制流行於宋朝，特徵為口小、短頸、圓肩、腹修長、上豐下歛，近底部微張，底內挖為圈足。此件大抵上相符，為口部以現代的設計造型將唇口展延為一外侈的碟形；底部內挖且作菱形圈足。\r\n 創作者許朝宗將釉下青花彩(仿清)、釉下五彩(仿明)及釉上粉彩(仿清)的彩繪工藝進行合併，陶瓷燒製過程結合了柴燒與電窯燒，加上因施釉技術分釉上釉下，多所堆疊，燒成溫度稍有差錯即容易產生瑕疵，工藝技術上非常具挑戰性，此件成功將釉色完美展現，實屬難得之作。底部有創作者刻畫簽名落款。\r\n 1970年代的鶯歌仿古彩繪陶瓷外銷市場興盛，到了1980年代後，鶯歌彩瓷逐漸從仿古的裝飾紋飾，走向取自於本土化的題材，陶瓷業者紛紛投入創新繪法。身處市場核心的許朝宗認為，「陶瓷一定要勇於實驗。」這是他對學生與自我不斷提醒的概念，如何在釉藥、彩繪與造型上加以突破改良，一直是他持續鑽研探究的陶瓷課題。此件由仿古藝術陶瓷風格創新之作，更加突顯了鶯歌藝術陶瓷的時代性特色。\r\n 陶藝家許朝宗(1955)，宜蘭人，出道於鶯歌仿古彩繪陶瓷外銷風潮的1970年代，歷經市拿陶瓷、吉洲窯，一路關注跟隨、掌握臺灣陶瓷產業動向。他研發鐵鏽花釉，並於金彩技法上有嶄新突破與應用，在仿古藝術陶瓷多彩豐富的樣貌中，開出一條具高辨識度的個人釉彩路線。2015年受邀至德國名瓷MEISSEN麥森陶瓷廠駐村進行技術交流，以陶板作品「蛻變」獲麥森博物館典藏，為亞洲第一人；並於2019年榮選為「臺灣工藝之家協會」理事長。（詮釋委員：杜文田）","ImageUrl":""}
,{"Identifier":"202011004","MainTitle":"花團錦簇大盤","Creator":"創作者：許朝宗","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDExMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這只五彩彩繪裝飾大盤，是創作者見滿山櫻花遍開的美景有所感動之創作。以自然生動的工筆勾勒填彩，運用青花、粉紅、綠、黃釉色，繪出當代自然景象之美。櫻花盛開之狀以幾乎滿盤的構圖布局，綜衡平面藝術與立體造型兼顧的考量，使整體更具裝飾與觀賞性。搭配木架底座，使瓷盤能立起呈現，底部有創作者刻畫簽名落款。\r\n 1970年代的鶯歌仿古彩繪陶瓷外銷市場興盛，到了1980年代後，鶯歌彩瓷逐漸從仿古的裝飾紋飾，走向取自於本土化的題材，陶瓷業者紛紛投入創新繪法。身處市場核心的許朝宗認為，「陶瓷一定要勇於實驗。」這是他對學生與自我不斷提醒的概念，如何在釉藥、彩繪與造型上加以突破改良，一直是他持續鑽研探究的陶瓷課題。此件由仿古藝術陶瓷風格創新之作，更加突顯了鶯歌藝術陶瓷的時代性特色。\r\n 陶藝家許朝宗(1955)，宜蘭人，出道於鶯歌仿古彩繪陶瓷外銷風潮的1970年代，歷經市拿陶瓷、吉洲窯，一路關注跟隨、掌握臺灣陶瓷產業動向。他研發鐵鏽花釉，並於金彩技法上有嶄新突破與應用，在仿古藝術陶瓷多彩豐富的樣貌中，開出一條具高辨識度的個人釉彩路線。2015年受邀至德國名瓷MEISSEN麥森陶瓷廠駐村進行技術交流，以陶板作品「蛻變」獲麥森博物館典藏，為亞洲第一人；並於2019年榮選為「臺灣工藝之家協會」理事長。（詮釋委員：杜文田）","ImageUrl":""}
,{"Identifier":"202011005","MainTitle":"秋波一枝蓮波口瓶","Creator":"創作者：許朝宗","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDExMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這只花口瓶(又稱波口瓶)因其瓶口有如盛開花瓣而稱之，瓶身上繪有蓮花與蓮子。蓮花瓣上有浮雕刻紋，並以鈷藍釉色線繪、點飾，產生具有韻律感的視覺效果。花瓣間可見綠釉底的蓮葉上藏有金彩繪製的蓮子，更顯彌足珍貴。東方文化傳統中以蓮花象徵高潔，出淤泥而不染，然此件瓶器整體以現代美感重新設計傳統主題，饒富新意，開啟仿古藝術裝飾花瓶的新局，令人耳目一新。底部有創作者刻畫簽名落款。\r\n 1970年代的鶯歌仿古彩繪陶瓷外銷市場興盛，到了1980年代後，鶯歌彩瓷逐漸從仿古的裝飾紋飾，走向取自於本土化的題材，陶瓷業者紛紛投入創新繪法。身處市場核心的許朝宗認為，「陶瓷一定要勇於實驗。」這是他對學生與自我不斷提醒的概念，如何在釉藥、彩繪與造型上加以突破改良，一直是他持續鑽研探究的陶瓷課題。此件由仿古藝術陶瓷風格創新之作，更加突顯了鶯歌藝術陶瓷的時代性特色。\r\n 陶藝家許朝宗(1955)，宜蘭人，出道於鶯歌仿古彩繪陶瓷外銷風潮的1970年代，歷經市拿陶瓷、吉洲窯，一路關注跟隨、掌握臺灣陶瓷產業動向。他研發鐵鏽花釉，並於金彩技法上有嶄新突破與應用，在仿古藝術陶瓷多彩豐富的樣貌中，開出一條具高辨識度的個人釉彩路線。2015年受邀至德國名瓷MEISSEN麥森陶瓷廠駐村進行技術交流，以陶板作品「蛻變」獲麥森博物館典藏，為亞洲第一人；並於2019年榮選為「臺灣工藝之家協會」理事長。（詮釋委員：杜文田）","ImageUrl":""}
,{"Identifier":"202012001","MainTitle":"暮睱","Creator":"創作者：彭坤炎 ","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDEyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「暮暇」是作者較早期的一件作品，造型成傾斜向上似長方亦似圓柱的長塊狀。表面如大地赭土色是由變塗和髹漆技法日日堆疊的呈現，裁切的金箔方塊表面刷顯朦朧感，詮釋日照大地後傍晚時分，空氣中徐風吹拂，光線由接近土地的亮隨著造形體向上延伸，而視覺也隨之飄向遠方漸暗的天際。\r\n 此件作品並無太多的表面裝飾，樸實無華的凸顯出日增月異下，堆漆本身的材質與質化效果。如樹木木紋般的紋裡可在作品底部窺見，完美的用天然樹漆演繹自然的木紋。在春夏秋冬四季更迭，時間在樹幹間緩緩地增長著形成年輪；於日升月恆日復一日，光陰在堆漆層漸漸地增生著形成作品。在在都於作品中看見作者的毅力與對工藝創作的熱情。（詮釋委員：李本育）","ImageUrl":""}
,{"Identifier":"202012002","MainTitle":"祥瑞之光","Creator":"創作者：彭坤炎 ","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDEyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 此件漆藝造型作品像是一個原本完整橢圓蛋型，抽離了一半虛空間，留下另一半實面積的半抽象雕塑。「祥瑞之光」瑞氣千條從天而降，金色的光芒運用金箔表現，映照反射在胎體外觀上，增添作品金色的層次與飽和度。由下而上延伸的螺旋線條成為貫穿整件作品的主軸，黑色與金色的內外襯照，凸顯黑色沉穩與金色高貴的時尚。\r\n 堆砌稠漆成型的創作方式，在臺灣屬較不普及的漆藝技術。除了較耗工費時外，也因為沒有依附在任何載體上，必須要有較強烈的造型意識運作，更增加了創作的不確定性。在每天一公分增生的面積層層積累的時間與作品厚度，更印證了創作者的毅力與堅持。（詮釋委員：李本育）","ImageUrl":""}
,{"Identifier":"202012003","MainTitle":"秋韻","Creator":"創作者：彭坤炎 ","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDEyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 「堆漆」顯見的漆技法運用上有以下三類：\r\n 1.用深淺不一色漆層層堆疊成塊狀材料後，再以此材料的厚薄車或雕出造型的千層堆漆或單色堆朱，此類屬漆藝製胎方式之一。\r\n 2.在圖案或線條上重複用漆堆疊至某個高度，此類屬漆藝表面裝飾。\r\n 3.堆砌濃稠生漆粗胚成型後整修造型，此類亦屬漆藝製胎方式。\r\n 此「秋韻」作品造型如優雅高貴的華服，翻轉的衣領加上圓融的器型，凸顯隨形演化的堆漆成型技術。運用紅葉金秋的色彩配置，以金箔裁切成片演繹飄落的紅葉，詮釋秋天秋高氣爽、秋詩篇篇的意境與韻味。這是一件兼具純藝術雕塑造型與工藝實用功能的漆藝創作。（詮釋委員：李本育）","ImageUrl":""}
,{"Identifier":"202012004","MainTitle":"夏日情懷","Creator":"創作者：彭坤炎 ","CreatedYear":"","Size":"","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDEyMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 這件「夏日情懷」作品運用大面積的紅色與金色。金色產生炫輝、光明、陽光的光澤感，也賦予了神聖、光榮、輝煌的意義。以金色詮釋夏日陽光，除了有照耀人間光芒魅力的訴求，也同時運用了金箔表達作品中諸多層次及豐富變化與至高無上的光彩。紅色具有熱情、喜氣、積極的象徵，也傳遞著生命、朝氣、歡慶的寓意。金色與紅色共同配置下，完整演繹這件作品於醒目的華貴感。\r\n 作者一貫運用稠漆塑形的手法，隨形演化與隨類賦彩。這件作品乍看如實用功能的花瓶，在瓶口封平的同時，卻也看到作者輾轉將實用工藝提升至純藝術雕塑地位的企圖心。如同這件作品傳遞出夏日熱情奔放的情懷般，在日日層層堆砌漆液，色色交疊金箔蛋殼的時日裡，藝術家對於漆工藝創作的堅持與熱情，也透過作品做了寄心於藝、寄情於形的完美傳達。（詮釋委員：李本育）","ImageUrl":""}
,{"Identifier":"202013001","MainTitle":"《渦紋》刺繡造形項鍊「刺繡針法與造型練習系列」","Creator":"創作者：粘碧華","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDEzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 粘碧華老師長期研究中西古文明刺繡，並臨摹傳統刺繡的造型/針法/配色來做為刺繡的入門練習，從中實驗傳統配色、器物造型、服裝制度、和運針的方式。這一系列刺繡首飾「刺繡針法與造型練習系列」於焉誕生，並改變了功用，將造型立體化，祈使設計能依於傳統，並從傳統中走出一條實驗的道路。\r\n 「刺繡首飾」實驗的內容也包括控制刺繡「繡製的時間」、「布料厚度的縫合困難度」、「挑戰最窄布縧的縫合」、和「各種立體繡法的練習」等實驗範圍。\r\n 古代有香包、鎖匙袋、眼鏡袋、吉祥掛飾等立體造型的佩飾或掛在牆上的裝飾物，但沒有純粹以「首飾」為出發點的刺繡作品。這一系列作品在裁製上嘗試用極細、極窄、和立體多層次造型來實驗；搭配各種刺繡珠子、絲繡、珠玉的材質；在觀念上融入創作者日常所思所見所讀所感，結合金工首飾上的專業，做成完美的結合。\r\n 本件作品雖然以傳統渦紋出發，但以極具動勢的亂針繡搭配各色絲線表現，呈現仿若在太極混沌中的迴旋力量，所有繁複色彩鎔鑄一爐化為無形，黑色皮繩重疊對應加重力道，於袖珍微型中見天地靈氣。（詮釋委員：楊偉林）","ImageUrl":""}
,{"Identifier":"202013002","MainTitle":"《敦煌迴響》項鍊「刺繡針法與造型練習系列」","Creator":"創作者：粘碧華","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDEzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 粘碧華老師長期研究中西古文明刺繡，並臨摹傳統刺繡的造型/針法/配色來做為刺繡的入門練習，從中實驗傳統配色、器物造型、服裝制度、和運針的方式。這一系列刺繡首飾「刺繡針法與造型練習系列」於焉誕生，並改變了功用，將造型立體化，祈使設計能依於傳統，並從傳統中走出一條實驗的道路。\r\n 「刺繡首飾」實驗的內容也包括控制刺繡「繡製的時間」、「布料厚度的縫合困難度」、「挑戰最窄布縧的縫合」、和「各種立體繡法的練習」等實驗範圍。\r\n 古代有香包、鎖匙袋、眼鏡袋、吉祥掛飾等立體造型的佩飾或掛在牆上的裝飾物，但沒有純粹以「首飾」為出發點的刺繡作品。這一系列作品在裁製上嘗試用極細、極窄、和立體多層次造型來實驗；搭配各種刺繡珠子、絲繡、珠玉的材質；在觀念上融入創作者日常所思所見所讀所感，結合金工首飾上的專業，做成完美的結合。\r\n 本件作品以貼布繡搭配平金針法完成，主要重點在赭石與石綠的色緞互補搭配，是敦煌山水雲石的典型色彩之一，簡筆的卷草、雲紋，淡化了裝飾性，呈現古意內斂、樸素莊重的氣氛。（詮釋委員：楊偉林）","ImageUrl":""}
,{"Identifier":"202013003","MainTitle":"登龍門得富貴","Creator":"創作者：粘碧華","CreatedYear":"","Size":"","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2020","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMDEzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 粘碧華老師一方面專研傳統中西刺繡的各種針法技術，一方面勇於突破傳統刺繡的構圖或組成方式，融合各種繪畫、拼貼、編織技術，將刺繡帶入藝術的表現範疇，\r\n 本作品表面上看起來使用了傳統富貴牡丹、鯉躍龍門的傳統象徵以及紅色軟緞暗花的襯底，呈現出一派雍容華貴的氣氛，實則蘊含了當代的情境與創新的刺繡手法。\r\n 1.為傳統刺繡開新路的實驗：將底布與上面的刺繡分開製作，藉著「畫面分割刺繡」以達到「省時省工」以及「隨時隨地可以做刺繡」的目的。\r\n 2.重點主題使用傳統精細的刺繡表現、畫面底部則使用裱褙後的布地，經過剪裁、編織、拼貼、和縫合，以設計出帶有象徵意義的、豐富作品構圖的、彷如織物的「暗花」圖案，寓意富貴連綿不絕。剪裁過的暗花，形成三度空間的鏤空線條，與繡工嚴實的牡丹與鯉魚相互虛實掩映，加上棒針勾打的鏤空銅線與邊框上的繪畫紋樣，再增添更多畫面層次。這些都是突破傳統刺繡之處，而成為嶄新的藝術創作。\r\n 3.新材料的使用，包括以電子零件及銅線點綴局部畫面、以諷喻台灣科技產業成為創造財富的新貴。（詮釋委員：楊偉林）","ImageUrl":""}
,{"Identifier":"202101001","MainTitle":"酸枝圈椅（麒麟紋圈椅）","Creator":"其他-製作者：永興祥木業股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2021","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMTAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 本圈椅是香港政府委託研究團隊參照北京故宮典藏之明清家具「黃花梨麒麟紋圈椅」設計，來臺懇請臺南永興祥木業股份有限公司合作。透過重製傳統木作工具、可行性榫卯結構評估。並從文化創意產業、文化與自然保育來探討木材的可應用性、工藝傳承發展方向。\r\n 應用貴重的巴里黃檀（紅酸枝）經打樣、備料、乾燥、製材、打版、加工細作、雕刻、組裝、打磨到塗裝作業共約六十道工序而成。展現臺灣工匠頂真精神及臺灣在現代化過程中工匠的技藝融合了歐陸工匠精神與日本工藝的嚴謹態度，配合臺灣匠人在榫卯處理上深受歐陸機器操作的靈活手法，與傳統中式純手工技法大異其趣。即可激發年輕匠人投入產業使傳統木作工藝得以傳承。本座圈椅在傳統木作工藝上極具劃時代突破性技術，須以典藏。（詮釋委員：黃俊傑）\r\n","ImageUrl":""}
,{"Identifier":"202102001","MainTitle":"星辰寰宇","Creator":"創作者：梁晊瑋","CreatedYear":"","Size":"1.主件天目承座：15*15*8\r\n2.副件茶則：18*7*3\r\n 副件荼針：20*0.7*1.2 \r\n 底座(木)30*30*5\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2021","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMTAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"202102002","MainTitle":"艷紅白玉","Creator":"創作者：梁晊瑋","CreatedYear":"","Size":"1.主件天目承座：15*15*8\r\n2.副件茶則：18*7*3\r\n 副件荼針：20*0.7*1.2\r\n 底座(木)30*30*5\r\n","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2021","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMTAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"202103001","MainTitle":"黃金兔毫油滴天目鬥茶碗","Creator":"創作者：邵椋揚","CreatedYear":"","Size":"含外箱尺寸：47*34*23公分；\r\n含外箱重量：5700公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2021","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMTAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"202103002","MainTitle":"玳瑁天目鬥茶碗","Creator":"創作者：邵椋揚","CreatedYear":"","Size":"含外箱尺寸：47*34*23公分；\r\n含外箱重量：5700公克","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2021","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMTAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"202104001","MainTitle":"千字文","Creator":"創作者：吳德賢","CreatedYear":"","Size":"","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2021","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMTA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"202105001","MainTitle":"禪荷。漱泉","Creator":"林智斌","CreatedYear":"","Size":"001茶盤40x38.5x4.5\r\n002壺17.6x11.5x21\r\n003蓮蓬 4x4.3x36.6\r\n004茶倉(大)17.4x16.2x30.6\r\n005茶倉(小)12.2x10.5x18.5\r\n006壺29. 9x15x16\r\n007壺24x12x11.3\r\n008水方 15.5x15x9.2\r\n009茶海 18.5x11.5x8.7\r\n010茶盤18.7x18.7x2.3\r\n011荷葉香爐 (附底盤)主：12.3x42x5.6、附件：Ø10.3x0.5\r\n012杯11x10.1x4.2\r\n013杯11x10.8x3.8\r\n014杯7.2x7.2x3.9\r\n015杯7.5x7.7x3.8\r\n016杯 7.6x7.4x4\r\n017杯托11.8x12x2.2\r\n018杯托12.5x11.2x1.7\r\n019杯托10.1x10.5x1.7\r\n020杯托11.3x10x1.7\r\n021杯托12.1x9.7x2\r\n附鐵製底座2件：金屬片147 x66.5 x0.2，金屬台座147 x66.5 x 6.5\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2021","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMTA1MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"利用仿生方式將天然物的形態表現在茶具造形上，是陶藝創作者常表現的手法，這類作品中大多保留器物原有的形態特徵，易於辨識其品類。本作品則刻意隱藏了器物原有的形態特徵，並以物件的錯落散置，營造出一段存於自然中的景觀，表現出作者在創作上所呈現的巧思。\r\n作品中手捏成形的茶具組分別以荷葉、葉梗、蓮蓬的形態製成，由於順應實物原有姿態，作者刻意淡化茶具既有的形制，把壺把、壺鈕、壺嘴等實用性的結構融入作品中。同時，作者為了描寫秋天枯乾的荷葉，巧妙地運用棕黃土塑形，並以細緻的手法刻劃出枯乾荷葉的肌理，表現出精湛的塑造能力。\r\n作品中荷花、蓮蓬、荷葉梗等以錯落方式散置於茶盤上，在黑色亮面的茶盤上實物與倒影相互映照，仿佛看到了一片秋色中寧靜荷池的景象。因此，本作品除了具有茶具組的使用功能外，在靜置擺設時更成為一方可供觀賞的裝置作品。\r\n作者畢業於國立台灣藝術大學雕塑學系，專精於對物件形態的觀察，也擅長於造形的捏塑與表面質感的處理，因此作品除了寫實逼真外，還能將物件的神韻傳達出來。(詮釋委員：劉鎮洲)","ImageUrl":""}
,{"Identifier":"202105002","MainTitle":"賽瑟爾拉的製琴師","Creator":"陳柏丞","CreatedYear":"","Size":"001：整體尺寸33.5×52×107、主Ø26×100、架33×52×78.5\r\n002：整體尺寸33.8×63×101、主：18×22×97.5、架：33.8×63×101、\r\n003：整體尺寸31×82×25、主：31×82×21.5、架：7.5×39×12、\r\n004：41×20×27.5\r\n005：38×17×27\r\n\r\n","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2021","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMTA1MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"由陳柏丞先生創作的〝賽瑟爾拉的製琴師〞作品中可以嗅到創作者是一位追求生命實踐與理想的工藝勇者，透過對於一座充斥著音樂的城市Cithara -塞瑟爾拉城的發想起點，城市中市民窮極一生的使命就是創造出自己心中理想的聲音，他們用自己富有情感的雙手，透過一顆善心的灌輸培育著魔法種子，日日勤奮的努力讓種子能長出樂器果實；而越是用心照料那顆種子的市民，最後長出來的果實形成的樂器，越是接近自己心中理想的聲音。作品的故事寓意著每個人都會有自己追求的理想，而創作者用心且努力的期望能製造出自己滿意的聲音，也可以耕耘出屬於自己的理想。\r\n本創作是應用複雜的木作、拼接、木工車床及鑲嵌、雕刻、曲木壓合等工法，精巧的搭配樂器製作技術與金工技術的融合所創作出。可貴的是木材的設計搭配，讓整個作品更顯神祕性又不失高貴的韻味。以種子的造型為基本形式設計，再由故事主題衍生出五種弦樂器的製作工藝。雖為弦樂器，但其每一種樂器多有它不同的發音與撥音機制，十分有趣。(詮釋委員：黃俊傑)","ImageUrl":""}
,{"Identifier":"202105003","MainTitle":"潑墨粉青","Creator":"陳志強","CreatedYear":"","Size":"001茶盤：119.5x40x10 \r\n002茶盤：51x45 x7\r\n003茶盤：34.5x33x5\r\n004茶盤：56.5x35x6.5 \r\n005杯托：15.7x15x2.8\r\n006杯托：14.2x13x2.8 \r\n007杯托：13x11.5x3\r\n008杯托：8x7.5x2 \r\n009碗：Ø 25.5x11\r\n010茶倉：Ø18.7x17.6\r\n011茶壺：19x11 x 10.5\r\n012茶倉：Ø 9x11.5\r\n013茶海：10x8.5 x 9.6\r\n014杯：Ø 12.2x6\r\n015杯：Ø10.4x5\r\n016杯：Ø 8.7x4.7\r\n017杯：Ø 7.7x4\r\n018杯：Ø 5.7x3.2\r\n019杯：Ø 4.9x2.7\r\n020杯：Ø 3.1x1.9\r\n021：16.5x16.5 x 4\r\n","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2021","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMTA1MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品為陶瓷茶具組搭配創意茶盤而成茶席的擺設，茶具組分別有茶壺、壺承、茶杯、茶海、茶倉等，作品以拉坯成形，造形工整典雅；整體茶具組以淡雅細緻的粉青釉色為主調，釉色溫潤柔滑並有細緻的開片紋理，使茶具組顯得清幽而典雅，而茶具器形上的蓋鈕、壺把及掛釉的流動垂墜，則讓作品增添了一些輕鬆自在的韻味。相對於茶器的工整典雅，茶盤造形則仿潑墨濺汁的形態，造形自由隨興而具有動態感，加上黑色消光釉的處理而能襯托置於其上的茶具組，也使作品整體散發出清新、活潑的氣息。\r\n「潑墨法」是山水畫中的一種表現手法，「潑」是有意識地將墨潑灑出去，讓墨在潑的過程中造成一種隨興、灑脫、不拘泥的一種表現形式。作者巧妙地將其形態運用到茶盤的製作，形成作品中的視覺焦點，並成為具有創意的茶席擺設。\r\n作者畢業於國立台灣藝術大學工藝設計學系，專攻陶瓷工藝，對中國傳統陶瓷工藝之美具有濃厚興趣，同時也鑽研水墨、書法之表現，而將東方傳統之美融入陶瓷的創作之中。(詮釋委員：劉鎮洲)","ImageUrl":""}
,{"Identifier":"202106001","MainTitle":"顏水龍竹家具手繪圖-三層架 ","Creator":"設計者：顏水龍","CreatedYear":"","Size":"含框：L73×W63×H3","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2021","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMTA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 顏水龍先生深受英國威廉莫里斯「工藝藝術化」理念之影響，極欲改善富鄉土造型的臺灣傳統竹管家具，探討竹材之特性，管狀粗細的運用，易彎曲塑形的纖維靭性，自然色澤透出的溫潤感，經設計再賦予竹家具新的視覺藝術。\r\n 此是用於家庭、工作室最常使用的置物架或書架設計圖。硬筆導出竹管堅固的線條，色彩的濃淡看出了竹管的圓柱狀。以大竹管立於平面作為穩定結構的力量，次粗度的竹管貫穿形成面狀，細竹管則是填於面的裝飾線條，竹管彼此間互增強平衡、牢固。\r\n ［右圖］是支撐在［中間圖］的左右側，也是放入［左圖］以竹片排列成的面層所擱置的支力點，構成疏密有緻的產品。這三圖看出模組化拆解、組合的方便性，是顏先生設計竹家具重點之一。（詮釋委員：簡玲亮）","ImageUrl":""}
,{"Identifier":"202106002","MainTitle":"顏水龍竹家具手繪圖-茶几","Creator":"設計者：顏水龍","CreatedYear":"","Size":"含框：L73×W63×H3","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2021","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMTA2MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 四Ｏ年代，顔水龍先生在臺灣工藝品生產推行委員會所主辦的工藝展覽會中，觀察到竹製家具與竹工藝品、生活用品需求增加，尤受美國喜愛。因此，促使顏先生加緊腳步，在竹用品、器物的開發導入藝術設計概念，講究實用與美觀並駕的品質，進而銷售的經濟效益。\r\n 同時在包浩斯理念，搬運方便，易組裝的模組化方式來製作產品，所以此張設計圖能將此茶几充分地拆解至單一；［右下圖］的腳架在下方跨有一面竹片排列的墊層，上方則是［左上圖］的桌面套了進來，腳架似扶手般浮出桌面。\r\n 由［左下圖］觀之，縱橫向的斜度、長短畫面顯示結構的穩定、平衡。搭配著各據一方的椅子，畫面將更完美、有價值。\r\n 真不愧是畫家的手法，除有圖學的嚴謹，在設計圖中反覆細線條，由線拉成面，看出竹片的細工。濃淡的色彩猶如看到立體的實物。（詮釋委員：簡玲亮）","ImageUrl":""}
,{"Identifier":"202106003","MainTitle":"顏水龍竹家具手繪圖-邊桌 ","Creator":"設計者：顏水龍","CreatedYear":"","Size":"含框：L73×W63×H3","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2021","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMTA2MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 具有臺灣風土味的竹器深深吸引顏水龍先生，於三Ｏ年代間走訪臺灣各地，探討竹材的種類及特性，更費心思研究竹器產品的技藝。當在臺南市定居後，1943年成立「竹藝工房」，從事竹器的設計與繪圖，禮聘嘉義的竹藝師傅來店製作。然而第二次世界大戰卻中斷了這項傳統工藝的經營。\r\n 1949年遷居嘉義，仍以喜愛的竹管自建家屋，竹藝產品的構思不減，夜晚伏案，使用硬筆、水彩繪製設計圖，其嚴謹的製圖法細膩表現竹材質，合理的使用功能。此張繪圖已製成實物，是隨時隨地可移動的小桌几，下方的竹腳架呈平均的四角點站立，上置以編有圖紋的圓形𥴊仔成為桌面，能用於日常曬物、節慶糕餅、湯圖的堆積處，事後很易清洗。拿下𥴊仔，合攏腳架，即能穩當地靠於牆面，不佔空間。朋友來到，撐開面、腳，任君品茶、咖啡，並享受自然材質感。\r\n 油畫顏料、調色盤、筆有序地排在𥴊仔上，就這橏地陪伴顏水龍先生作畫一段長日子。（詮釋委員：簡玲亮）","ImageUrl":""}
,{"Identifier":"202106004","MainTitle":"顏水龍竹家具手繪圖-茶几","Creator":"設計者：顏水龍","CreatedYear":"","Size":"含框 L73×W63×H3\r\n","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2021","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMTA2MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 日本學者讚嘆臺灣竹材多種多量，可利用於生活的資材，滿足日常用物、家具、儀禮的需求。而早期先民器物用具大都在周遭環境使用，無論功能、造型幾乎循著傳統的模式，這對時代變遷下的產業，卻是不易發展，因此顏水龍先生積極深入探究各項問題，瞭解不同品種的竹材與可加諸的技術，最重要還須有新穎的樣式、多功能的開發設計。\r\n 顏先生繪此茶几設計圖，其桌面將是竹篾編成後，膠合於木板上，桌緣另以厚竹片包起來。背面的木板四角落鑿有洞，是桌腳竹柱卡入的穩定點，非常方便拆卸、運送與安裝。桌腳除以細竹管構成簡潔的圖案線條美外，力道上藉助多根竹管連接腳柱，加強視覺上的厚重度，也能承受桌面的壓力。\r\n 雖只是三片簡單的組合，但製作的技法攸關產品的美好與否。（詮釋委員：簡玲亮）","ImageUrl":""}
,{"Identifier":"202106005","MainTitle":"顏水龍竹家具手繪圖-客廳椅","Creator":"設計者：顏水龍","CreatedYear":"","Size":"含框 L73×W63×H3\r\n","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2021","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMTA2MDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 三Ｏ、四Ｏ年代間顏水龍先生致力於竹材、竹製品的探討，遍訪各地竹材產地，瞭解氣候環境下的竹材特性。偶然的機會，於臺北橋附近，被許多製作竹器店家內堆滿傳統竹藝品與竹材所吸引，遂時常來到此地請教師傅各種製作細節、技法，歷時有半年餘。\r\n 之後著手設計竹管家具，融入藝術美化造型，又以模組化方便產銷運輸之想法，每個產品都可拆解，組合的設計為主。\r\n 此張繪圖立體有力，［左圖］是椅背，讓人有端正、畢挺的直立感。從［右圖］看椅背側面及椅面稍傾斜角度，姿勢適度地放鬆下來。主支架用粗的竹管以直或變曲技法處理，穩固結構。細竹管穿於粗竹管的鑿洞內，連接上下形成面狀，也分散受力，架構簡單、純靜。此為低重心坐椅，連小小孩兒能安全爬上、下玩耍，甚至躺睡個半响。（詮釋委員：簡玲亮）","ImageUrl":""}
,{"Identifier":"202106006","MainTitle":"顏水龍竹家具手繪圖-客廳椅","Creator":"設計者：顏水龍","CreatedYear":"","Size":"含框 L73×W63×H3\r\n","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2021","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMTA2MDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 三Ｏ年代，顏水龍先生在法國處於工業革命的主張氛圍中，掌握將會到來的趨勢，回到臺灣很有見地的展開傳統竹藝品材質、技法、造型的探討，多年中舉辦手工業座談會，期能提高全臺工藝品質，促進經濟效益。而顏先生本人也奮力為竹製品開發設計，繪出家具圖。\r\n 此張設計圖為客廳椅，與早期的高腳太師椅式的拘謹感覺完全不同，這是低重心、寛且深的座位容量。用竹片鋪滿椅面、椅背，與左右側面裝飾有細竹管長短的圖案線條，組合出方形的端正，長形的延伸與圓形的充實圓滿，加以鏤空的通透越是覺得豪華。\r\n 利用鑿孔的技巧連接住細竹管與各主支架的貫穿。彎曲技法能讓90度角轉折成形，亦可圓弧圓圓。\r\n 繪圖仔細精準中見得管狀的立體感，竹節的呈現位置也明白標示著。（詮釋委員：簡玲亮）","ImageUrl":""}
,{"Identifier":"202106007","MainTitle":"顏水龍竹家具手繪圖-客廳椅","Creator":"設計者：顏水龍","CreatedYear":"","Size":"含框 L73×W63×H3\r\n","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2021","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMTA2MDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 從日治時期到光復初期的照片資料中，不難看到日常生活所使用的竹管家具、竹工藝品等，可知在臺灣的竹材產量豐富，有取之不盡，用之不竭大地賜予的厚愛，加以民風純樸善良，能安分接受天然環境的竹材資源，幾乎都在竹製器物、用品、家具的使用中完成人生的各種不同階段。\r\n 顏水龍先生於青年時期在東京、法國求學、工作，受當時產業改革的思維，回臺後便決定投入竹製品產業，改善產品之造型，適用、易運銷，增加經濟效益以富足鄉親的生活。\r\n 除瞭解竹材特性、製作技巧外，最重要的一環是設計開發符合需求的用品、用具。一系列竹家具手繪圖經顏先生精細準確圖示，很立體的呈現；這張低重心的客廳椅畫得美，線條單純，但為達模組化的處理，關鍵點的改變要格外費心思。（詮釋委員：簡玲亮）","ImageUrl":""}
,{"Identifier":"202106008","MainTitle":"顏水龍竹家具手繪圖-客廳椅","Creator":"設計者：顏水龍","CreatedYear":"","Size":"含框 L73×W63×H3\r\n","Type":"工藝類\\紙材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2021","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMTA2MDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":" 1934年，顏水龍先生與恩師藤島武二擔任第八回臺展西洋畫審查委員，由日本同行抵臺，相處中，恩師勉勵：「多對故鄉盡一份心力。」銘記此言，經深思熟慮後，認為應提昇日常用品器物的使用功能與品質、造型的優異，從已普遍在生活中的竹製產品、竹管家具著手是可行的方向，所以有關竹材的知識、製作成形的技藝、國內外市場之需求等，都要努力地充實，漫漫一條長路。\r\n 顏先生設計開發新產品，時時在紙上鈎勒出形體，並一再修正，每張竹家具設計手繪圖定稿完成皆是精細可讀。此張椅子繪圖繪出竹管的立體狀與結構的穩定；細竹管、竹片構成左右側面及椅背、椅面。管與管間的連接，以鑿洞之技巧使其貫穿或頂住。而彎曲成形關乎造型之重要技法。疏密間的溫度感看得見，坐姿的舒適度如何，能否坐它一回試試！（詮釋委員：簡玲亮）","ImageUrl":""}
,{"Identifier":"202107001","MainTitle":"顏水龍竹製三層架","Creator":"設計者：顏水龍
其他-製作者：許正","CreatedYear":"","Size":"","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2021","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMTA3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件為顏水龍所設計的竹製三層架，全部使用竹材來製作。垂直與水平的主要支架的部分，使用竹管鑿孔穿入竹管的方式來建立主要框架；水平承台的部分則使用「斬併」的技法，將竹管展開來，形成細竹條並排的樣態，並排細竹條的上下則在適當地方各設置穩固支撐的插條；三層架的背面，較不吃力的地方則使用細竹枝烤彎的技法來塑造不會太繁複的裝飾；背面頂部則有竹管烤彎成馬背造形。整體造形除了小裝飾之外，以垂直與水平線條為多，因而形成設計精簡的感受。在台灣傳統竹管家具的製作時，往往會使用「包管」的技法，使主要框架兼具穩固與有力的美感，但這件三層架並未使用「包管」技法，而選擇較為簡單的鑿孔穿入，推估在成本上較為有利。(詮釋委員：黃世輝)","ImageUrl":""}
,{"Identifier":"202107002","MainTitle":"顏水龍竹製客廳椅","Creator":"設計者：顏水龍
其他-製作者：許正","CreatedYear":"","Size":"為單椅尺寸。","Type":"工藝類\\竹材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2021","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMTA3MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本件為顏水龍所設計的竹製客廳椅，採取包管、斬併等技法，包管用於建立穩定的基本骨架，斬併則用於建立乘坐的椅面。包管的多種椅子中有低矮的小椅子，也有較高的椅子、聞名的乳母椅、太師椅等。有些椅子沒有椅背，有些除了椅背之外，還有扶手，有些則還有更繁複的細竹枝烤彎裝飾。本件顏水龍則將現代設計的概念帶入，捨棄了細竹烤彎的裝飾，而僅用水平與垂直，或接近水平垂直來當基準線條。在主構架與裝飾細竹管上，都使用水平線與相似的近垂直線。整個造形看來舒爽，穿透性很強，但具有椅背與扶手的關係，仍然有一些些豪華的感覺。(詮釋委員：黃世輝)","ImageUrl":""}
,{"Identifier":"202108001","MainTitle":"天人合一","Creator":"王清霜 ","CreatedYear":"","Size":"515×160cm","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2021","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMTA4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"這幅大型漆畫作品構圖共分為三大區塊，依照時間軸線分別以台灣工藝發展歷程的過去、現在與未來之三個階段，象徵式呈現台灣工藝數十年來的艱辛途徑、歷程與精神。左邊的區塊為「過去」，以幾何抽象“人”的雙手形態，運用仿古漆藝製作龍、鳳、龜、鹿等吉祥之纹飾，代表著早年工藝發展主要為以手工業為核心的全盛時期；右邊的區塊代表著「現在」，以螺鈿及蛋殼貼附技法，顯示出現代工藝技法的日新月異、創新突破如天地間之無限寬廣延伸；中間的部分則代表著「未來」，以金銀箔粉為背景，展現出未來工藝世紀輝煌成果如黃金般燦爛。圖中以高蒔繪的技法製作火焰中誕生之鳳凰，則是王清霜老師在921地震後重新創作而成，象徵著臺灣工藝浴火重生之契機。創作主題「天人合一」意味著工藝與大自然之間的和諧共存關係，工藝的技術與藝術是人類與自然共生、共融的極致呈現。(詮釋委員：何明泉)","ImageUrl":""}
,{"Identifier":"202201001","MainTitle":"天際線","Creator":"創作者：蔡政宏\t","CreatedYear":"","Size":"50X52X78","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2022","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMjAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"環境影響建築外形，需求形塑內外在的連結於是美感漸漸地被建立了起來，無論是現實或是創意都是如此的形成。此次的作品是要表現對居住環境趣味性的詮釋，環狀的造型代表生生不息的循環，高低突出的房舍對景觀的渴望终就形成了天際線上的節奏。(作者)\r\n眾多白色小房子蓋在高聳入雲的石柱上，宛如童話故事裡的場景，白房子上藍色的屋頂讓人聯想希臘愛琴海海邊的石屋。以陶板、土條手塑方式層疊環狀的搭起樹枝狀石柱，讓白房子群聚高低穿梭佇立其上，並且在石柱與石柱間飾有城牆、橋梁連結，宛如真實的白屋聚落。屋子並留有小窗口以及可掀蓋的屋頂，讓小屋空間作為陶燈之用。\r\n2006年創作者蔡政宏創立白房子工作室，成立品牌，並上架與白房子相關手作物於文創平台，風格獨樹一幟。白房子可作觀賞收藏，也可放置蠟燭成為燈檯，透過一扇窗、門或樓梯的空間發出光和熱，傳遞溫暖。\r\n作品隱射出對居住環境的關注，以童話般場景中的天際線景觀畫面吸引觀者，由想像進入，作現世生活中的對照。此外，在藝術性的創作中融合了實用功能，更符合居家生活的趣味與體驗，極具工藝生活美學上的選擇。(詮釋委員：杜文田) \r\n\r\n\r\n\r\n\r\n\r\n\r\n","ImageUrl":""}
,{"Identifier":"202201002","MainTitle":"山高水承","Creator":"創作者：黃淑萍","CreatedYear":"","Size":"001 4.9x5x4\r\n002 6x6.2x5\r\n003 6.5x6.5x3.6\r\n004 7.5x75x3.6\r\n005 5.5x10.5x12\r\n006 7.2x11.5x13.2","Type":"工藝類\\金屬類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2022","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMjAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"此組「山高水承」的茶具組以999純銀、820銀銅合金鍛敲製成；銀製茶壺、茶杯、茶碗造形以自然形態山水植物發想構成，如題「山高水承」表現在不對稱的壺身杯碗，略小的底座反襯出山勢斗峭，順勢而下的壺把猶如高山之泉涓涓而來，山水潺潺做響。創作者黃淑萍鍛敲此組「山高水承」銀製茶壺，可見其了然於心的構圖，如山巖的大塊切面，並在表面保留金屬鍛痕，像是承載歲月時間的痕跡，形態雅致沉穩硬挺。而如荷葉般的茶碗略顯乾枯，肌理豐富。整體作品兼具造形美感、品茗情境與實用功能。\r\n此組「山高水承」的茶具組除了鍛敲技法的處理外，另一特徵在於銀器墨銀法，作者黃淑萍保留銀自然硫化的變色；表面泛著或棕或藍黑氧化金屬色，而不是鎧鎧發亮的銀色，可見淡泊低調的處理加深古樸意境。植物生長的規律性與山巖粗曠肌理形成對比，增加整體作品的形態層次。一個茶杯、兩個茶壺、三個茶碗座落有致，像是一山一水一葉之間的悠遠清閑，可以想像文人墨客以「山高水承」煮水品茗的飲茶過程，更添舒適淡雅的茶香韻味。「山高水承」整體作品風格自在大器，禪意十足。(詮釋委員：陳國珍)","ImageUrl":""}
,{"Identifier":"202201003","MainTitle":"薄瓷心器","Creator":"王元德","CreatedYear":"","Size":"001 6.5x6.5x3.6\r\n002 6.5x6.5x3.9\r\n003 8.5x8.7x4.5\r\n004 8.5x8.5x5.0\r\n005 11.0x11.2x6.8\r\n006 11.2x11.3x7.6","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2022","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyMjAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"陶瓷的製作自古至今己有數千年，製作技術也隨著工藝與科技的進步而推陳出新，尤其近年來3D列印技術的發展，也讓陶瓷成形技術推進到新的境界。傳統製陶的拉坯、土條、土板、注漿、鏇坯等是大家所熟知的成形技術，從常見的陶瓷器形上也大多可以辨別其成形所採用的方法。而在本作品上所看到的厚薄坯體交錯與多層次穿透空間，卻很難令人意想到其確切的成形方式，這是作品中最大的魅力。\r\n作者透過可以燒成不同表面光澤質感與燒結溫度的瓷土製成泥漿，分層刷塗到氣球表面，再以油畫刀、橡皮刀、排筆等工具，在瓷土表面作上深淺不同的浮雕紋路，使坯體形成厚薄不一與不同的肌理，在燒成後經光線照射便產生豐富的光影變化。雙層薄胎碗則是以雕塑的方式，將內外雙層的透光薄胎用鏤空與浮雕手法，讓茶碗具有穿透性的空間交錯與光影變化。\r\n作者畢業於高職美工科，專攻雕塑與繪畫，表現不凡，高職畢業時雕塑作品便曾入選全省美展。對於陶藝是從陶瓷產業出發，歷經原形雕模、產品設計、業務行銷到窯廠設置、生產等，累積豐富的專業經驗。因此轉向陶藝創作後，能克服技術障礙挑戰高難度的創作表現。(詮釋委員：劉鎮洲)","ImageUrl":""}
,{"Identifier":"202401001","MainTitle":"四邊形的和諧","Creator":"創作者：赤堀郁彥","CreatedYear":"","Size":"115*150*5(公分)","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2024","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「四邊形的和諧」是1994年赤堀郁彥老師於第33回日本現代工藝美術展参展作品。\n作品中間鋸齒狀的面上畫有由藍到紅的漸層，可讓人感受到節奏感與音樂的律動，而藍色到粉紅這一色調可以如此明亮，是因為在基底裡摻入了鈦，屬於當代金屬的鈦，與其說有金屬本身的質感，不如說它能夠襯托出顯色效果。\n在台灣漆藝表現難得看到的技藝與金屬媒材的運用，畫面乾淨利落，尤其畫中空間的平衡，感受到金屬元素與黑漆和佈局表現相當的和諧，佇立畫前觀看讓人內心平靜了下來。\n\n綜合赤堀郁彥老師的漆藝創作特點如下：\n1.赤堀郁彥老師擅長將產業園區管路題材設計成幾何化，期許引起共鳴進而減少公害問題，作品具現代感，技藝精湛，曾獲日展特選多次、日展文部科學大臣賞等大賞。老師從事漆藝60幾年，二戰之後受到美國文化影響，大部份的器皿和生活用品使用化學漆塗料，轉以漆、不鏽鋼、螺鈿、玉蟲、金箔、銀箔等綜合媒材創作，風格跳脫傳統工藝，以現代感、幾何圖案表現宇宙意象。\n2.於橫濱研究、傳授傳統「芝山漆器」技法經過數十年，「芝山漆器」技法是將貝類、象牙或鱉甲硬殼等材質立體化後鑲入漆藝表現中，是橫濱當地獨門技法。除了傳統技藝之外，其更擅長複合鑲嵌異媒材，以視覺幾何設計組成畫面，鑲入現代工業現成物的未來感見長，不僅開創了自己的獨特風格，並富於當代語彙的表現作法，堪稱當代漆藝創作先驅。\n3.赤堀先生創作「四邊形的和諧」作品，以天然生漆結合不鏽鋼、螺鈿、金箔、銀箔等綜合媒材創作，風格跳脫傳統工藝，以現代感、幾何圖案表現宇宙意象。（詮釋委員：彭坤炎）","ImageUrl":""}
,{"Identifier":"202401002","MainTitle":"遙遠的情景","Creator":"創作者：赤堀郁彥","CreatedYear":"","Size":"128*98*35(公分)","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2024","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「遙遠的情景」，這件作品是赤堀郁彥老師於1995年参展第27回日本美術展覽會的作品。\n赤堀郁彥老師夫婦經常海外旅遊，在一次緬甸旅行時有感而發做出這件作品，畫面上右邊是表現紐約的高樓大廈，下邊則表現著緬甸寶塔（佛塔），現代建築和寶塔的組合，如同訴說著人類的歷史，展現出人類活動所企及的可觀時間，高樓的牆面用不鏽鋼精細的髮紋表現霧面質感，再與鏡面組合以呈現其對比變化，是一件抽象又富人文内涵的優秀作品。\n在台灣漆藝表現難得看到的技藝與金屬媒材的運用，畫面乾淨利落，尤其畫中空間的協調，感受到金屬元素不鏽鋼板片與朱紅漆面和佈局表現相當的和諧，老師夫婦在古佛教聖地攬勝有感而發，古代與現代高樓、高塔的相似與差異，霧面與鏡面表現是描述歷史建物的對比，佇立畫前觀看讓人感受到人文變遷的軌跡，古代與當代建物對比的趣味。\n\n綜合赤堀郁彥老師的漆藝創作特點如下：\n1.赤堀郁彥老師擅長將產業園區管路題材設計成幾何化，期許引起共鳴進而減少公害問題，作品具現代感，技藝精湛，曾獲日展特選多次、日展文部科學大臣賞等大賞。老師從事漆藝60幾年，二戰之後受到美國文化影響，大部份的器皿和生活用品使用化學漆塗料，轉以天然生漆、不鏽鋼、螺鈿、玉蟲、金箔、銀箔等綜合媒材創作，風格跳脫傳統工藝，以現代感、幾何圖案表現宇宙意象。\n2.於橫濱研究、傳授傳統「芝山漆器」技法經過數十年，「芝山漆器」技法是將貝類、象牙或鱉甲硬殼等材質立體化後鑲入漆藝表現中，是橫濱當地獨門技法。除了傳統技藝之外，其更擅長複合鑲嵌異媒材，以視覺幾何設計組成畫面，鑲入現代工業現成物的未來感見長，不僅開創了自己的獨特風格，並富於當代語彙的表現作法，堪稱當代漆藝創作先驅。\n3.赤堀郁彥老師創作「遙遠的情景」作品，製作的技法使用不鏽鋼媒材與切割機運用，天然生漆結合金箔等綜合媒材創作，風格跳脫傳統工藝，以現代感、幾何圖案表現建物意象是少見難得的技法。（詮釋委員：彭坤炎）","ImageUrl":""}
,{"Identifier":"202401003","MainTitle":"往未知的宇宙","Creator":"創作者：赤堀郁彥","CreatedYear":"","Size":"136*104*5(公分)","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2024","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「往未知的宇宙」，是赤堀郁彥老師2010年參加第49回日本現代工藝美術展的作品。\n作品畫面呈現黑臘色的大地，飄浮著大、中、小的群星表現如同宇宙空間的意象，作品中巧妙地運用不鏽鋼的光澤，右邊所繪的大星球，被金屬骨架般的物件所圍繞，比喻人類活在世上的各種束縛。\n「往未知宇宙」帶來的想像，如世界各國爭先恐後地發射衛星到宇宙間，在地球之外展開著競爭，是赤堀郁彥老師對於宇宙觀的凝思；是赤堀老師充满宇宙想像，用現代漆藝表現的優秀作品。\n在台灣漆藝表現難得看到的技藝與金屬媒材的運用，畫面乾淨利落，尤其畫中空間的協調，金屬元素不鏽鋼與黑色漆面和漆藝加飾技法，佈局表現相當的和諧，老師對於宇宙的憧憬有感而發，宇宙間群星各自圍繞成為星際網絡，地球人類也爭相發射人造衛星在宇宙間和群星競逐，佇立畫前觀看讓人感受到宇宙的奧妙，讓人嚮往探尋未知的宇宙，星際間圍繞的軌跡如同束縛人類的牽絆，唯有放下，掙脫束縛，自由自在的翱翔於無際的宇宙中。\n\n綜合赤堀郁彥老師的漆藝創作特點如下：\n1.赤堀郁彥老師擅長將產業園區管路題材設計成幾何化，期許引起共鳴進而減少公害問題，作品具現代感，技藝精湛，曾獲日展特選多次、日展文部科學大臣賞等大賞。老師從事漆藝60幾年，二戰之後受到美國文化影響，大部份的器皿和生活用品使用化學漆塗料，轉以天然生漆、不鏽鋼、螺鈿、玉蟲、金箔、銀箔等綜合媒材創作，風格跳脫傳統工藝，以現代感、幾何圖案表現宇宙意象。\n2.於橫濱研究、傳授傳統「芝山漆器」技法經過數十年，「芝山漆器」技法是將貝類、象牙或鱉甲硬殼等材質立體化後鑲入漆藝表現中，是橫濱當地獨門技法。除了傳統技藝之外，其更擅長複合鑲嵌異媒材，以視覺幾何設計組成畫面，鑲入現代工業現成物的未來感見長，不僅開創了自己的獨特風格，並富於當代語彙的表現作法，堪稱當代漆藝創作先驅。\n3.赤堀郁彥老師創作「往未知的宇宙」作品，以天然生漆結合不鏽鋼、螺鈿、金箔、銀箔等綜合媒材創作，風格跳脫傳統工藝，以現代感、幾何圖案表現宇宙意象。充滿想像的字宙觀闡述，現代漆藝技法高超。（詮釋委員：彭坤炎）","ImageUrl":""}
,{"Identifier":"202401004","MainTitle":"宇宙的光跡","Creator":"創作者：赤堀郁彥","CreatedYear":"","Size":"140*115*5(公分)","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2024","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNDAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「宇宙的光跡」，是2016年赤堀郁彥老師參展第55回日本現代工藝美術展的作品。\n赤堀老師近幾年的作品常以朱紅色作為背景底色，他認為不管是日展還是現代工藝美術展，底色處理大都是黑色居多，所以用朱紅色相對顯眼。確實，日本的漆藝家很多都會在黑漆上進行蒔繪或色漆、金色的蒔繪配在黑漆上特別搶眼，然而老師卻大膽的在朱紅色背景上畫出直線和曲線來建構出動態感的當代空間，在呈現星座世界的技法表現上，除了不鏽鋼外，螺鈿、玉蟲羽片、金箔、珍珠貝等也成為點綴的重點。\n「宇宙的光跡」，是赤堀郁彥老師對於宇宙觀的凝思；是赤堀老師充满宇宙想像，用現代漆藝表現的優秀作品。\n在台灣漆藝表現難得看到的技藝與金屬媒材的運用，畫面乾淨利落，尤其畫中空間的協調，金屬元素不鏽鋼與朱色漆面和漆藝加飾技法如螺鈿與玉蟲羽片貼附表示星球、沈金表示星際光跡，佈局表現相當的和諧，老師對於宇宙的憧憬有感而發，宇宙間群星各自圍繞成為宇宙的光跡，佇立畫前觀看讓人感受到宇宙的奧妙，讓人嚮往探尋未知的宇宙。\n\n綜合赤堀郁彥老師的漆藝創作特點如下：\n1.赤堀郁彥老師擅長將產業園區管路題材設計成幾何化，期許引起共鳴進而減少公害問題，作品具現代感，技藝精湛，曾獲日展特選多次、日展文部科學大臣賞等大賞。老師從事漆藝60幾年，二戰之後受到美國文化影響，大部份的器皿和生活用品使用化學漆塗料，轉以天然生漆、不鏽鋼、螺鈿、玉蟲、金箔、銀箔等綜合媒材創作，風格跳脫傳統工藝，以現代感、幾何圖案表現宇宙意象。\n2.於橫濱研究、傳授傳統「芝山漆器」技法經過數十年，「芝山漆器」技法是將貝類、象牙或鱉甲硬殼等材質立體化後鑲入漆藝表現中，是橫濱當地獨門技法。除了傳統技藝之外，其更擅長複合鑲嵌異媒材，以視覺幾何設計組成畫面，鑲入現代工業現成物的未來感見長，不僅開創了自己的獨特風格，並富於當代語彙的表現作法，堪稱當代漆藝創作先驅。\n3.赤堀郁彥老師創作「宇宙的光跡」作品，以天然生漆結合不鏽鋼、螺鈿、玉蟲、金箔、銀箔等綜合媒材創作，風格跳脫傳統工藝，以現代感、幾何圖案表現宇宙意象。充滿想像的字宙觀闡述，現代漆藝技法高超。（詮釋委員：彭坤炎）","ImageUrl":""}
,{"Identifier":"202401005","MainTitle":"宇宙的軌跡-2017","Creator":"創作者：赤堀郁彥","CreatedYear":"","Size":"140*115*5(公分)","Type":"工藝類\\漆器類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2024","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNDAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"「宇宙的軌跡-2017」，赤堀郁彥老師為第56回日本現代工藝美術展參展的作品。\n赤堀郁彥老師運用朱紅底漆當作背景的底色，像是金屬部份所使用的不鏽鋼，還特地送至專門的工廠切割成合適的大小，作品是意圖表現出人造衛星被分離時的狀態，固定於衛星的金屬器具被卸下後，衛星彷彿就會朝著遙不可及的方向展開飛行，此意象不僅指涉著人造衛星，也象徵朝向一個光明未来的新開始，在赤堀老師的作品裡，常以宏觀的視野處理時間與空間。\n「宇宙的軌跡-2017」帶來的想像，如人造衛星於宇宙分離時狀態，其衛星會隨著軌跡環繞，是赤堀郁彥老師對於宇宙觀的凝思；是赤堀老師充满宇宙想像，用現代漆藝表現的優秀作品。\n在台灣漆藝表現難得看到的技藝與金屬媒材的運用，畫面乾淨利落，尤其畫中空間的協調，金屬元素不鏽鋼與朱色漆面和漆藝加飾技法，如：圓型珍珠貝像月球、玉蟲羽片貼付代表星球，曲塊不鏽鋼是人造衛星飛擊上軌分離主體的載件，佈局表現相當的和諧，老師對於宇宙的憧憬有感而發，宇宙間群星各自圍繞成為星際網絡，人造衛星在宇宙間和群星競逐環繞，佇立畫前觀看讓人感受到宇宙的奧妙，讓人嚮往。人類藉由發射衛星探尋未知的宇宙，將宇宙的資訊傳回地球，終將完成任務，其也會自由自在的翱翔於無際的宇宙中，朝向光明的未来。\n\n綜合赤堀郁彥老師的漆藝創作特點如下：\n1.赤堀郁彥老師擅長將產業園區管路題材設計成幾何化，期許引起共鳴進而減少公害問題，作品具現代感，技藝精湛，曾獲日展特選多次、日展文部科學大臣賞等大賞。老師從事漆藝60幾年，二戰之後受到美國文化影響，大部份的器皿和生活用品使用化學漆塗料，轉以天然生漆、不鏽鋼、螺鈿、玉蟲、金箔、銀箔等綜合媒材創作，風格跳脫傳統工藝，以現代感、幾何圖案表現宇宙意象。\n2.於橫濱研究、傳授傳統「芝山漆器」技法經過數十年，「芝山漆器」技法是將貝類、象牙或鱉甲硬殼等材質立體化後鑲入漆藝表現中，是橫濱當地獨門技法。除了傳統技藝之外，其更擅長複合鑲嵌異媒材，以視覺幾何設計組成畫面，鑲入現代工業現成物的未來感見長，不僅開創了自己的獨特風格，並富於當代語彙的表現作法，堪稱當代漆藝創作先驅。\n3.赤堀郁彥老師創作「宇宙的軌跡-2017」作品，以天然生漆結合不鏽鋼、螺鈿、金箔、銀箔等綜合媒材創作，風格跳脫傳統工藝，以現代感、幾何圖案表現宇宙意象。充滿想像的字宙觀闡述，現代漆藝技法高超。（詮釋委員：彭坤炎）","ImageUrl":""}
,{"Identifier":"202402001","MainTitle":"媽祖出巡","Creator":"創作者：陳三火","CreatedYear":"","Size":"媽祖 130*35*115\r\n仕女 130*35*115\r\n千里眼、順風耳 46*30*60","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2024","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNDAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統的剪黏，是以半立體的單面造型置於廟宇的屋頂或水車堵上，陳三火的此作，則完全以圓雕（360度面向）的手法，採一組多件的方式，呈現媽祖出巡時的陣仗氣勢。\r\n此件乃藝術家眾多神佛立像中尺度較大、人物組成完整的一組，包括：媽祖、侍女二人，及脇侍神：千里眼與順風耳。造型莊嚴、尊貴，媽祖與侍女均腳踏雲朵居中而立，脇侍神則持武器左右護持。全作靜立與動態共存，站立的三位女性，看似靜立，卻衣裙飄動，動態的兩位脇侍神則神態威武凝重，是陳三火剪黏創作中的精品，傳統與現代兼俱。\r\n傳統剪黏以「剪」後「黏」合的方式創作，且多以破碎的碗片為材料；但陳三火則不拘碗片，大量採用花瓶、酒瓶，乃至瓷製玩具，「以摃代剪」的方式，創作出更為活潑、多樣、有趣的作品。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"202402001001","MainTitle":"媽祖出巡-媽祖","Creator":"創作者：陳三火","CreatedYear":"","Size":"113*35*115","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2024","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNDAyMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統的剪黏，是以半立體的單面造型置於廟宇的屋頂或水車堵上，陳三火的此作，則完全以圓雕（360度面向）的手法，採一組多件的方式，呈現媽祖出巡時的陣仗氣勢。\r\n此件乃藝術家眾多神佛立像中尺度較大、人物組成完整的一組，包括：媽祖、侍女二人，及脇侍神：千里眼與順風耳。造型莊嚴、尊貴，媽祖與侍女均腳踏雲朵居中而立，脇侍神則持武器左右護持。全作靜立與動態共存，站立的三位女性，看似靜立，卻衣裙飄動，動態的兩位脇侍神則神態威武凝重，是陳三火剪黏創作中的精品，傳統與現代兼俱。\r\n傳統剪黏以「剪」後「黏」合的方式創作，且多以破碎的碗片為材料；但陳三火則不拘碗片，大量採用花瓶、酒瓶，乃至瓷製玩具，「以摃代剪」的方式，創作出更為活潑、多樣、有趣的作品。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"202402001002","MainTitle":"媽祖出巡-左仕女","Creator":"創作者：陳三火","CreatedYear":"","Size":"113*35*115","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2024","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNDAyMDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統的剪黏，是以半立體的單面造型置於廟宇的屋頂或水車堵上，陳三火的此作，則完全以圓雕（360度面向）的手法，採一組多件的方式，呈現媽祖出巡時的陣仗氣勢。\r\n此件乃藝術家眾多神佛立像中尺度較大、人物組成完整的一組，包括：媽祖、侍女二人，及脇侍神：千里眼與順風耳。造型莊嚴、尊貴，媽祖與侍女均腳踏雲朵居中而立，脇侍神則持武器左右護持。全作靜立與動態共存，站立的三位女性，看似靜立，卻衣裙飄動，動態的兩位脇侍神則神態威武凝重，是陳三火剪黏創作中的精品，傳統與現代兼俱。\r\n傳統剪黏以「剪」後「黏」合的方式創作，且多以破碎的碗片為材料；但陳三火則不拘碗片，大量採用花瓶、酒瓶，乃至瓷製玩具，「以摃代剪」的方式，創作出更為活潑、多樣、有趣的作品。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"202402001003","MainTitle":"媽祖出巡-右仕女","Creator":"創作者：陳三火","CreatedYear":"","Size":"113*35*115","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2024","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNDAyMDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統的剪黏，是以半立體的單面造型置於廟宇的屋頂或水車堵上，陳三火的此作，則完全以圓雕（360度面向）的手法，採一組多件的方式，呈現媽祖出巡時的陣仗氣勢。\r\n此件乃藝術家眾多神佛立像中尺度較大、人物組成完整的一組，包括：媽祖、侍女二人，及脇侍神：千里眼與順風耳。造型莊嚴、尊貴，媽祖與侍女均腳踏雲朵居中而立，脇侍神則持武器左右護持。全作靜立與動態共存，站立的三位女性，看似靜立，卻衣裙飄動，動態的兩位脇侍神則神態威武凝重，是陳三火剪黏創作中的精品，傳統與現代兼俱。\r\n傳統剪黏以「剪」後「黏」合的方式創作，且多以破碎的碗片為材料；但陳三火則不拘碗片，大量採用花瓶、酒瓶，乃至瓷製玩具，「以摃代剪」的方式，創作出更為活潑、多樣、有趣的作品。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"202402001004","MainTitle":"媽祖出巡-千里眼","Creator":"創作者：陳三火","CreatedYear":"","Size":"46*30*60","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2024","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNDAyMDAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"傳統的剪黏，是以半立體的單面造型置於廟宇的屋頂或水車堵上，陳三火的此作，則完全以圓雕（360度面向）的手法，採一組多件的方式，呈現媽祖出巡時的陣仗氣勢。\r\n此件乃藝術家眾多神佛立像中尺度較大、人物組成完整的一組，包括：媽祖、侍女二人，及脇侍神：千里眼與順風耳。造型莊嚴、尊貴，媽祖與侍女均腳踏雲朵居中而立，脇侍神則持武器左右護持。全作靜立與動態共存，站立的三位女性，看似靜立，卻衣裙飄動，動態的兩位脇侍神則神態威武凝重，是陳三火剪黏創作中的精品，傳統與現代兼俱。\r\n傳統剪黏以「剪」後「黏」合的方式創作，且多以破碎的碗片為材料；但陳三火則不拘碗片，大量採用花瓶、酒瓶，乃至瓷製玩具，「以摃代剪」的方式，創作出更為活潑、多樣、有趣的作品。（詮釋委員：蕭瓊瑞）","ImageUrl":""}
,{"Identifier":"202402001005","MainTitle":"媽祖出巡-順風耳","Creator":"創作者：陳三火","CreatedYear":"","Size":"46*30*60","Type":"工藝類\\陶瓷類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2024","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNDAyMDAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"","ImageUrl":""}
,{"Identifier":"202403001","MainTitle":"三英戰呂布","Creator":"創作者：李秉圭","CreatedYear":"","Size":"147*60*13(外)\r\n111*35.5*8(內)","Type":"工藝類\\木材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2024","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNDAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"《三國演義》最為人津津樂道的打鬥場面，又稱汜水關（牢虎關）之戰。三英指劉備、關羽、張飛三位英才，出自《三國演義》第五回〈發矯詔諸鎮應曹公，破關兵三英戰呂布〉。\r\n東漢末年，董卓把持朝政，曹操發矯詔號召討伐；在汜水關關羽斬華雄，董卓派呂布出陣，連番戰勝，最後劉、關、張團團圍住呂布，不停廝殺，反派代表呂布以一敵三，不得不敗下陣來。\r\n這一情節，民眾既孰悉又感興趣，所以時常出現於藝術表現題材，如小說繡像插圖、建築的壁畫、木刻、石柱、交趾陶、剪黏……；名作如北京頤和園長廊彩繪等。\r\n廟宇建築「員光」（垂樑，加強樑柱結構的穩定），由於量體大，位置顯著，成為匠師樂於展現雕刻功力所在；尤其題材雖然固定，但構圖、人物安排又可讓匠師極盡巧思、故各家造型不同。\r\n本作雖採員光形式，卻是一幅獨立的雕刻作品；樟木材質，透雕鑿花手法，但兩邊團頭（篆頭）刻螭虎盤繞，則有底不透光，既具裝飾美感，又有保護作用。\r\n畫面左邊雉翎行頭、持方天畫戟者為呂布，與手持丈八蛇矛的張飛交戰，作者讓張飛位居畫面中央，似乎有意突顯他一馬當先的勇猛；張飛後方為持青龍偃月刀的關羽、持雌雄雙股劍的劉備；整體人物或座騎，甚至兵卒動勢顧盼之間，都顯現作者經營構圖的用心，值得細細品味。（詮釋委員：莊伯和）","ImageUrl":""}
,{"Identifier":"202501001","MainTitle":"霧窗外的松與梅","Creator":"創作者：粘碧華","CreatedYear":"","Size":"200*80(公分)","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2025","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNTAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"畫面以分割塊狀構成，如同被擦拭後顯現的窗景。紅焰般的暮色渲染大地，塊狀區域內以亂針繡密實鋪陳，各色絲線交錯堆疊，形成豐富而有節奏的視覺效果。松針刺繡細膩鋪展，綠意盎然，粉色梅蕊點綴其間，古松樹幹挺立，整體色彩斑斕而充滿生命力。\r\n創作結合壓克力彩繪、刺繡與拼貼等技法。先於毛料上以彩線亂針繡繡出雲層，再剪裁成形，於繡片上進一步繡出松樹造型，最後釘縫於已完成壓克力底色的畫布上。畫面底層以壓克力彩繪鋪陳，刻意分割的塊狀內部則以細密而不紊亂的刺繡技法呈現，使色彩自然漸層並展現生態意象。\r\n〈霧窗外的松與梅〉融合傳統文化符號與創作者的內在觀照。松與梅在傳統書畫中象徵堅忍長青，而「窗」則隱喻觀看世界的心境與視角。作品透過繪畫與刺繡的結合，探討傳統象徵在當代個人感知中如何被重構、遮蔽或重新理解；刺繡過程亦被視為一種自我沉澱與心靈修煉的實踐。\r\n","ImageUrl":""}
,{"Identifier":"202501002","MainTitle":"愛心小餅乾","Creator":"創作者：粘碧華","CreatedYear":"","Size":"70*70.5(公分)含框","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2025","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNTAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"《愛心小餅乾》由多件心形刺繡小繡片組構而成，結合棉、麻、絲、毛料、不織布為底，並以絲線、麻線、棉線、金蔥線等表現不同的設計圖案。每件作品雖小，針法與圖案細膩精緻可人，可見飛舞的蝴蝶、飄揚的菊花、變化的幾何圖形。\r\n作品源自其自 2002 年推動之刺繡傳承與教學實踐「鹿港鎮菜園里刺繡十年傳習計劃」，最初以少量針法結合裁布構圖，發展出「心連心」造型。多年後進一步透過「單一針法、多種排序」、「零件式」、「趣味設計」等方式。逐步實驗並形成「刺繡小餅乾」系列。\r\n作者將歷年來為教學製作的「刺繡小餅乾」繡在心型的不織布片上形成愛心小餅乾。本作透過集錦式拼貼呈現豐富的材質、針法的大排列組合，具有獨特的視覺構成與藝術性。不僅是刺繡的創新探索，亦蘊含工藝教育推廣與傳承的意義。\r\n","ImageUrl":""}
,{"Identifier":"202501003","MainTitle":"漂鳥集","Creator":"創作者：粘碧華","CreatedYear":"","Size":"200*80(公分)無框","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2025","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNTAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"落日、雲彩、枯枝、漂鳥，再現秋日西沉，失群的候鳥隱匿於細密枯枝間。作者以泰戈爾《漂鳥集》詩意為靈感：「綠草在泥土裡尋找夥伴，樹木向空中追尋孤獨。根是地下的枝，枝是天上的根。」\r\n技法與媒材豐富，結合壓克力彩繪、刺繡、拼貼，運用絲、棉、麻、金蔥線與毛料等纖維。製作程序先在畫布上彩繪，標示亂針繡範圍，再在布地上刺繡兩排粗細不一的樹幹與樹枝，完成後依布上樹型延伸繪出未完成樹幹與枝條，最後繪上落日、雲彩與漂鳥，形成獨特混合媒材表現，呈現細膩的線條與光影層次。\r\n作品構圖兼具實驗性與現代感，將自然景觀與刺繡技法融合，主題轉化文學意境，營造蕭瑟靜謐氛圍，並探討生命、自然與歸屬。展現藝術家對刺繡與繪畫融合的成熟技法與當代纖維藝術創作能量。\r\n","ImageUrl":""}
,{"Identifier":"202501004","MainTitle":"靛藍水雲線上的音符","Creator":"創作者：粘碧華","CreatedYear":"","Size":"118.5*53.5(公分)含框","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2025","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNTAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品名《靛藍水雲線上的音符》，結合刺繡、繪畫與珠寶金工設計等多重技藝，展現豐富的創作層次。畫面中以「飛鳥」造型的刺繡首飾為主角，運用網繡針法，包括「三角架構龜背紋」、「三角架構雪花紋」、「方格架構菱形崗釘紋」等多種紋飾，呈現不同絲線色彩與立體姿態，宛如浮雲間跳躍的音符，層次豐富、色彩溫潤祥和。\r\n製作過程結合藍染布、壓克力彩繪、刺繡與拼貼等技術。飛鳥造型先以繡線刺繡於軟緞上，經裁剪並鋪棉處理，形成立體繡件；布地則以棉布藍染後進行剪裁與拼接，再施以壓克力彩繪，最後將飛鳥繡件組合於畫面之中。\r\n作品運用網繡針法將飛鳥立體化，以絲線色澤、針法表現其飛翔姿態與奇趣。透過線條的律動，呈現音符般的節奏感，探索視覺藝術與音樂的跨感官連結，兼具刺繡工藝美學與當代藝術實驗性，展現臺灣當代纖維藝術的創新表現力。\r\n","ImageUrl":""}
,{"Identifier":"202501005","MainTitle":"愛情偏光鏡","Creator":"創作者：粘碧華","CreatedYear":"","Size":"100*80(公分)","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2025","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNTAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"一隻孔雀立於畫幅核心，被心形及從中放射出的光波圍繞。孔雀開屏以細膩的刺繡針法完成，絲線在深色底布上層層鋪陳，秩序嚴謹而光澤閃耀。飛落的茱萸花以絲線針繡呈現，張揚起伏的波浪則以壓克力彩繪表現。作品名《愛情偏光鏡》作者援引科學中用以鑑識寶石真偽的「光譜儀」概念，將西方刺繡傳統中象徵「道德誠正」的孔雀圖像，置於心形稜鏡與光譜之中，轉化為對「愛情真偽」辨識的視覺隱喻。\r\n製作上，將圖案分別繡在軟緞與棉布上，用「摘綾」（Applique）的方式製成繡片，拼貼在壓克力繪製的畫布上。過程需先完成羽毛背後飛落的花瓣，再繡製孔雀本體，並細緻處理落於其身側的花朵層次。利用軟緞、棉、麻、絲線的材質特色以細膩的針法將圖案凸顯。\r\n《愛情偏光鏡》將刺繡融合繪畫與觀念思考，展現刺繡工藝於當代愛情詮釋中的創新表現。\r\n","ImageUrl":""}
,{"Identifier":"202501006","MainTitle":"蝴蝶夢蝴蝶","Creator":"創作者：粘碧華","CreatedYear":"","Size":"66*92(公分)含框","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2025","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNTAxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"《蝴蝶夢蝴蝶》取意自莊周夢蝶。畫面以帆布為底，施以壓克力彩繪，毛線織繡成圈狀，如水波與泡沫般層層擴散。蝴蝶分置畫面兩側相對，蝶翅邊緣以細密絲線針法點點呈現，猶如金珠細綴。大小不一的毛線織繡分布其間，甚至延伸出畫框，營造如夢似真的視覺氛圍。\r\n\r\n藝師對此作自述：「明末清初的才子張潮，在《幽夢影》一書中寫道『莊周夢為蝴蝶，莊周之幸也；蝴蝶夢為莊周，蝴蝶之不幸也』。讀後不覺莞爾，若繡「蝴蝶夢為蝴蝶」呢? 然而可否引申為『蝴蝶君』，則看觀畫者之臆度了。」\r\n\r\n作品為媒材構成與針法技藝展現之作。繡布的邊框為做出蠟染圖案的感覺，先在帆布地上用帆布打底劑厚塗、用吹風機吹出龜裂感，再彩繪底色及圖案。之後拼貼上蝴蝶造型繡片，並運用各色絲線與毛線呈現蝴蝶飛舞與夢幻泡影的氛圍。\r\n\r\n藝術家援引張潮《幽夢影》之語，延伸「夢」的多重視角，畫面成為觀者投射與想像的空間。作品展現刺繡工藝承載哲學思考與文化記憶的當代詮釋。\r\n \r\n","ImageUrl":""}
,{"Identifier":"202501007","MainTitle":"龍與鷹","Creator":"創作者：粘碧華","CreatedYear":"","Size":"54*80(公分)含框","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2025","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNTAxMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"龍與鷹對峙為主題，龍鷹皆以金蔥線密實針繡呈現。左側龍鬚飛張、昂首挺立，氣勢凌厲；右側鷹振翅高飛，凌空而起。背景以紅、綠、藍、黃等對比色絲線細密鋪陳，強化雙方對峙的張力。龍象徵中國，鷹代表美國，隱喻當代國際權力結構的角力關係。藝師自述內容為「全球化經濟結束之後的國際風雲」。\r\n作品以毛料布為底，結合亂針繡、羽毛繡、金蔥繡、高繡、盤曲針、滾針等多樣針法，並融入閩粵地區二地、三地築丁退卷針（古稱跳紗針法），以及歐洲中古時期的重疊交叉鎖針縧（Double Twisted Chain Stitch），展現高度技藝整合。\r\n作品完成於2024至2025年間，正值美中政治角力升溫之際。《龍與鷹》透過傳統工藝轉化當代政治議題，呈現工藝作為時代記錄與象徵敘事的可能性。\r\n","ImageUrl":""}
,{"Identifier":"202502001","MainTitle":"走出中世紀","Creator":"創作者：粘碧華","CreatedYear":"","Size":"含框 56.5x44.5","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2025","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNTAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"〈走出中世紀〉呈現繁花盛放的景象，畫面構圖密實而色彩豐富，展現強烈的裝飾性與視覺張力。構圖靈感來自義大利畫家阿爾欽博托（Giuseppe Arcimboldo）以植物與蔬果組合形象的創作方式，將自然元素轉化為充滿節奏與生命力的視覺結構。\r\n作品運用中世紀之後發展出的多樣刺繡針法進行創作，包括羽毛繡、鎖邊、交叉鎖針、玫瑰花結針、浮凸鎖針、蛛網針、金線繡，以及由織紋轉化而成的刺繡針法群等，展現藝師對西方刺繡技法的深入觀察與純熟掌握。材料以毛料、絲線與棉線交互運用，使畫面在質地與層次上呈現豐富變化。\r\n作品意在回應西方宗教革命後思想解放與個人意識抬頭的時代精神。隨著宗教束縛鬆動，藝術表現逐漸轉向自由而個人化的探索，刺繡亦從貴族專屬的絲絨工藝，發展為民間廣泛運用的毛線與多樣針法。〈走出中世紀〉以繁花意象象徵民間刺繡在思想解放下蓬勃綻放的創造力與生命力。\r\n","ImageUrl":""}
,{"Identifier":"202502002","MainTitle":"彩陶新釋","Creator":"創作者：粘碧華","CreatedYear":"","Size":"73x47(公分含框","Type":"工藝類\\玻璃類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2025","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNTAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"《彩陶新釋》以刺繡重新詮釋古代彩陶紋樣，並剪裁古文明中象徵玄妙與福佑的螺璇線條造型。作品透過絲線與布料進行纏線實驗，呈現五千年前彩陶拍印旋紋與剪紙韻律中線條的節奏與美感。軟緞布料特別選用近似紅土的色澤，回應陶土低溫燒造所生成的自然意趣。\r\n\r\n作品結合彩陶紋樣與螺璇「剪紋飾」造型，材質運用軟緞、絲線、棉線與金蔥線。製作流程為先將軟緞裱褙於宣紙，剪裁成長條，其上剪紙出圖案，將長條形編成格紋，最後施以刺繡。\r\n\r\n本作除以創新技法轉化歷史紋樣外，亦展現藝師對傳統刺繡如何調適現代社會的思考。藝師自述，傳統刺繡若欲立足於工業社會，須兼顧縮短工時、零件化製作、機繡無法取代的針法，以及構圖設計的美學。本作運用網繡、鎖繡、釘線、打籽、直針繡等技法，可分段完成，較符合當代生活中時間與空間的運用方式。《彩陶新釋》體現藝師以刺繡回應現代性的創作觀點。\r\n","ImageUrl":""}
,{"Identifier":"202503001","MainTitle":"風盪水沙連","Creator":"創作者：陳景林","CreatedYear":"","Size":"162*90(公分)","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2025","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNTAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"《風盪水沙連》是陳景林以紮染技法創作的藍染山水畫。畫面前景為湖水波光，中景為山巒層疊，高遠處鋪展藍天白雲，呈現山的沉靜與水的躍動，流露自然景觀的律動之美。紮染（又稱絞染或絞纈）技法歷史逾千年，傳統上多用於服飾布料的裝飾花紋。本作巧妙融合多層次縫絞法呈現山的層次，以緩移提浸法描繪雲層，以捲縮絞染法刻畫湖水波紋，三類技法雖在人類裝飾工藝中已有千年歷史，卻少見於山水畫創作。陳景林長期考察民間染織工藝，並因繪畫創作需求而將這些技法融入畫作，因而開創出藍靛染畫的獨特表現。《風盪水沙連》為日月潭系列作品之一，不僅再現湖光山色的自然景致，也呈現傳統工藝與臺灣當代山水意象的融合之美。\r\n\r\n","ImageUrl":""}
,{"Identifier":"202503002","MainTitle":"遠眺群峰","Creator":"創作者：陳景林","CreatedYear":"","Size":"220*124(公分)","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2025","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNTAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"本作品以藍染紮染技法創作，描繪群峰綿延、層巒疊嶂的山勢景觀，山形起伏平緩而富節奏，畫面中近景安排蜿蜒溪谷與林木作為視覺焦點，遠觀氣勢磅礡，近看則可見山巒、林相與水勢的細膩變化，營造出層次分明的空間感。\r\n技法運用多層次縫絞法進行藍染，媒材選用亞麻布，其細緻布面使藍色層次更顯通透潤澤，呈現水氣盎然的視覺效果。原本多用於裝飾工藝的絞染技法，在此被轉化為山水構圖的表現語彙，拓展了藍染媒材的藝術可能性。\r\n作品以紮染技法詮釋臺灣中央山脈及其連峰景觀。臺灣山脈多呈南北走向，群峰迤邐、氣勢雄渾，構成島嶼最鮮明的地景特色。構圖結合山水畫論平遠、深遠與高遠的空間經營：橫式畫幅中下段明顯呈現深遠層次，視覺再從山谷循著各層山形左右之字上移，則畫作又具高遠特性。展現東方山水多點透視的觀念。作者成長於南投山林之間，長年親近自然，其對山水的情感與工藝實踐在此交會，形塑出具有臺灣山岳精神的山水藍染。\r\n","ImageUrl":""}
,{"Identifier":"202503003","MainTitle":"攀援","Creator":"創作者：陳景林","CreatedYear":"","Size":"280*113(公分)","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2025","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNTAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品以瓊麻纖維編織而成，再現岩壁一隅的自然生態景象。岩石表面呈現起伏肌理，其間小草與凸蘚參差錯落，樹根與長鬚緊緊抓住岩石裂縫。整體構成聚焦自然細節，呈現靜中帶動的張力。\r\n本件為運用臺灣在地纖維進行的實驗性嘗試。作者由平面的梭織轉向半立體的浮雕式織作。材料選用當時仍在恆春生產的瓊麻纖維，並結合平織、地毯織與纏繞等多種編織技法，儘管為單一素材，卻蘊含豐富的創作語彙。透過纖維在硬柔、粗細與長短上的對比運用，賦予畫面層次及視覺張力。\r\n岩壁上的植物不僅是自然描寫，更象徵生命在險峻環境中尋找支點、持續攀援向上的力量，呈現堅韌而積極的生命精神。\r\n","ImageUrl":""}
,{"Identifier":"202503004","MainTitle":"瀑","Creator":"創作者：陳景林","CreatedYear":"","Size":"228*95(公分)","Type":"工藝類\\纖維染織類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2025","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAyNTAzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"https://collections.culture.tw/ntcri_collectionsweb/auth.aspx","Description":"作品以瓊麻與絲瓜絡為主要材料，形塑岩壁與瀑布的自然景象。水瀑自畫面長軸上方傾瀉而下，形成垂直流動的視覺主軸；左右兩側的岩壁看似作為背景，實則透過層層纖維組織呈現出細膩而豐富的肌理變化，襯托出流洩而下的瓊麻瀑布。\r\n創作著重於天然纖維素材的質感與結構表現，運用絲瓜絡的條狀特性，結合瓊麻絲與瓊麻線的扭絞、交織與建構組合，使材質在鬆緊、粗細與方向變化中產生多樣視覺效果。色彩上刻意節制，多保留纖維的原色與原質，強調素材本身的質感與層次。\r\n〈瀑〉創作靈感源自作者遊歷山林、觀賞瀑布的經驗。透過想像力的轉化與草圖的淬鍊，保留瀑布與岩壁的造形特徵，捨去細節描寫，發展出形式簡潔而有力的纖維軟雕塑，呈現纖維媒材在結構與肌理上的表現潛能，也展現作者持續探索材質與編織語彙的創作階段。\r\n","ImageUrl":""}
]