[{"Identifier":"199102001","MainTitle":"貴蛇紋石正方形檯燈桌","Creator":"創作者：盧祥華
廠商：裕崧工業股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"199102002","MainTitle":"貴蛇紋石正方形咖啡桌","Creator":"創作者：盧祥華
廠商：裕崧工業股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"199102003","MainTitle":"大理石桌椅組","Creator":"創作者：陳一青","CreatedYear":"","Size":"477.05kg","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1991","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5MTAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"199502001","MainTitle":"石花器","Creator":"創作者：奇峰工藝社","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"199502002","MainTitle":"石刻一蓮花抱珠","Creator":"創作者：石道企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAyMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"199502003","MainTitle":"石刻一全球在握","Creator":"創作者：石道企業有限公司","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAyMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"199503002","MainTitle":"鄉村系列－牧牛","Creator":"李耀堂","CreatedYear":"","Size":"附木箱\r\n","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"「牧牛」茶盤，為李耀堂利用黑膽石的細緻肌理、間應材質與天然造型，雕琢台灣水牛悠遊鄉村池塘的景緻，作成兼具實用與觀賞功能的茶盤，造型設計富生活情趣，兼具寫實主義之美。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199511001","MainTitle":"堂桌","Creator":"創作者：陳一青
台灣石材股份有限公司","CreatedYear":"","Size":"190.5*39.9*10(花崗石板)","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NTExMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"199601002","MainTitle":"皇筍硯","Creator":"蔡龍雄","CreatedYear":"","Size":"附木座,錦盒","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"依照黃色螺溪石的色澤與筍香進而創作筍形硯，此種運用天然素材的巧思，接近當代材料屬性美學觀點。\r\n然而硯池開口若能配合撥、切、裂筍等造型則更佳。(詮釋委員：廖秀玲)\r\n\r\n「皇筍硯」為蔡龍雄利用稀有棕黃螺溪石天然造型，設計竹筍硯品，象徵台灣鄉土純厚、樸實，與甘於淡泊的意境。此時溫潤其美如玉，黃色為傳統皇帝顏色，個稱「皇筍」。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"199604002","MainTitle":"玉胡琴","Creator":"向宸國際事業有限公司","CreatedYear":"","Size":"35*22*69(含木座)。36.5*24.5*25(木座)。\r\n木座(放置於4B區-5架-5櫃-2抽)與玉胡琴分開放置。","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"199604003","MainTitle":"富貴滿堂","Creator":"廠商：向宸國際事業公司
創作者：胡孔燊","CreatedYear":"","Size":"附蓋、木座(23.5*23.5*6.5)","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1995","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA0MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"199608001","MainTitle":"冬陽","Creator":"創作者：蔡永武","CreatedYear":"","Size":"83.1kg","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":" 「蔡永武」是現代優秀雕塑藝術家，臺灣嘉義人。復興美工科習藝，並自民國73年起著手宗教藝術研究，追隨當代名家賴鎮遠鑽研佛像雕塑，以石、木雕刻十幾年；78年師事許禮憲精進石雕，陶藝、陶壁、佛造像等為其所長。\r\n 本件石雕「冬陽」作品，於80年獲臺灣工藝研究所優良創作獎，並獲典藏。其技法技術主要運用了「切割、雕刻、琢磨、拋光、潤飾」，將一件石材，賦予造型設計、題材生命。「冬陽」表達了在寒冷的冬天，鄕村一位身穿厚裘，左手腕帶著環飾，光著雙腳，髪後龜髻打扮的老婦人，孤單的坐在石階上，俯身低頭，露手屈臂，懷抱著唯一倚靠的拐杖閉目休息。溫暖的冬陽，彷彿撫慰著孤獨且行動蹣跚的老人，讓她擁有了短暫的暖和、幸福與恬適。\r\n 這件作品將冰冷的石材，透過凝練的技藝，巧妙的構思，圓熟的刀法，老婦的神態，衣服的皺摺，使人物充滿了滄桑歲月的無奈，寒冷現實生活的殘酷，「負日之暄」的溫馨畫面，令人感慨、感動卻也百感交集！(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199608002","MainTitle":"融","Creator":"創作者：黃輝雄","CreatedYear":"","Size":"32.145kg","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1996","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NjA4MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"「黃輝雄」是現代優秀雕塑藝術家，臺灣彰化人。其雕塑技法在彰師附工養成，1980年代開始創作，1984－93年屢獲國省市各種美展獎賞。創作從造型與表現中可以延伸至石雕、鐵雕等各式各樣十幾種材質。其藝術核心思想，是「前進大自然，頌揚生命和諧、親情之愛、及隂陽太極」。\r\n本件作品「融」，於1991年獲國立臺灣工藝研究所傑出石雕創作獎首獎，並獲典藏。石雕透過石材切割、雕刻、琢磨、拋光、潤飾技法，呈現一座抽象雙身連體的型像，像是兩個動物或植物，或直接是兩個連結的石像，也可能是兩個社會或世界，或國家或宇宙。雖然看是兩位個體，但身體其實是相連的，身體的本質原素相同，而互相融合，血濃於水，如父如母，如兄如弟，如姊如妹，且是同胞。對立與對抗，都是違反天道自然。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"199704001","MainTitle":"米羅拼花西餐桌","Creator":"山輝石業股份有限公司","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1997","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5NzA0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"「米羅拼花西餐桌」是由不同色澤的石材，以水刀切割鑲嵌拼貼而成，其工法類似傳統螺鈿的異材質組合，但又必須克服石材本身的厚度及硬度。桌板不宜太厚，避免增加承載的重量，且切削過後石板本身主體強度已經破壞，實務面其結構支撐必須補強，這也是「米羅拼花西餐桌」在技術層面上所面臨的一大考驗。\n拜現代科技與材料進步所賜，環氧樹脂與玻璃纖維網的使用，讓薄型石材的物理特性得以提升，解決了這方面的問題。\n水刀切割技術的引進，在當代石材加工產業中，扮演一個非常積極重要的角色。特別在鑲嵌工藝領域的應用，精準度不僅獲得極大的提升，加工速度與效率也獲致倍數的成長。\n典藏「米羅拼花西餐桌」最大的意義，是克服了傳統工法的限制，提供石材產業一個不同向度嶄新的思維，讓未來有志於從事石材家具設計的工藝師們，更游刃有餘得以展現各種創意與表現。(詮釋委員：邱泰洋)","ImageUrl":""}
,{"Identifier":"199801002","MainTitle":"澄明茶具","Creator":"創作者：潘宗盛","CreatedYear":"","Size":"附底座（陳列館提供95.9.15）","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"「澄明」茶具，為潘宗盛採埔里灰色石心石，以輕量感之食材配合主題「空靈澄明」意象，雕琢大小圓弧淺池，襯托茶盤之圓潤光華，呈現整體祥和之空靈美，頗具創意。其大小圓弧可分別沖水泡茶及置茶巾工具。(詮釋委員：簡榮聰)\r\n\r\n造型來自自身的閉目冥思，乃依據經驗法則的創作。冥想時虛設的指躍，與茶盤上的杯舞契合，再加上內外虛實與本體造型的相互呼應，作品靈感可謂天成。(詮釋委員：廖秀玲)","ImageUrl":""}
,{"Identifier":"199803002","MainTitle":"瓜架一隅","Creator":"董英豐","CreatedYear":"","Size":"附木箱","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"「瓜架一隅」是採集自濁水溪的螺溪石作為雕刻材料，螺溪石質感溫潤但色澤迥異，本件作品的顏色偏向灰褐色，墨堂及墨池研磨之處，則明顯呈現較深的灰黑色，與絲瓜雕刻的部分形成強烈的對比。\r\n作者董英豐先生十四歲國小畢業後，即投入硯台雕刻的工作，早期從事商品化的雕刻，以支撐其創作及生活。二十歲以後，開始嘗試將作品做藝術化的表現，「瓜架一隅」就是其步入成熟期後的代表作。\r\n沿著竹節攀爬而上的絲瓜，展現頑強的生命力，與依附筆直的竹節，形成柔弱與剛強的畫面，一前一後相互輝映。作者同時在竹節的部分施以研磨，使作品的層次感更顯豐富，硯側則保留一些粗曠的肌理質感，使整件作品看起來更為生動活潑。低垂而下的絲瓜，巧妙的將觀者的視覺又拉回硯面，不知作者是否有意讓觀賞者順藤摸瓜，看到其作品精妙的佈局與巧思。(詮釋委員：邱泰洋)","ImageUrl":""}
,{"Identifier":"199804002","MainTitle":"水月觀音","Creator":"進龍實業有限公司","CreatedYear":"","Size":"附壓克力盒,木箱、沈香杯","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1998","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5ODA0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"199903001","MainTitle":"君子能容","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"盧志松的家鄉在澎湖，早期當地的漁民常利用竹筒來製作浮標，時間一久這些被棄置的浮筒，接連遭受海水、蛀蟲及白蟻的啃蝕，產生一種帶有歲月滄桑的美感，且富變化的竹節紋理及質感，看在工藝家盧志松的眼裡，卻是不可多得的題材，自然成為他石壺創作靈感的來源。\r\n藝術源自於生活！盧志松自稱是個茶癡，因為他喜歡喝茶。但又想要在茶具上，擁有屬於自己的獨特性，所以常以茶壺來做為雕刻題材。他說「這些茶壺都是為我自己而做的！一方面是記錄生活的回憶，另一方面也是因為自己愛泡茶」，「君子能容」就是在這樣的時空背景中產生的。\r\n竹子屬禾本科集剛柔於一身，與松、梅並稱歲寒三友，和梅、蘭、菊又有「四君子」的美稱，在台灣更是隨處可見。竹子亦是騷人墨客筆下最愛的題材，東坡先生一句「寧可食無肉，不可居無竹」，充分表達了文人雅士清新脫俗的品味，更將對竹子的愛好推向高峰。\r\n盧志松的作品由一個茶壺搭配四個杯子組成，皆以竹子的造型表現，首先在選材方面，他用較接近竹子紋理的木紋石作為創作石材。因為木紋石的紋理像竹子具方向性，雕刻過程中掌握其紋理的走向就很重要，必須順著竹子的節理與生長方向來雕刻，才不會有違和感。可見作者盧志松對竹子有很深刻的觀察跟理解，加上長期積累的雕刻經驗，才能駕馭其中讓頑石點頭，也藉由「君子能容」這件作品，提醒人們要「知壺惜福」，讓作品的精神性提升到哲學的層次，足見作者的用心及巧思。(詮釋委員：邱泰洋)","ImageUrl":""}
,{"Identifier":"199903001001","MainTitle":"君子能容","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"1999","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MTk5OTAzMDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"200010004","MainTitle":"知竹常樂","Creator":"創作者：陳昱森","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEwMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"「知竹常樂」乃文房用品，作者陳昱森，利用沉積岩紋理、色澤，以寫實主義設計雕琢老舊竹節狀硯台，外觀頗富古趣，既有老竹之神韻，又具巧雕之工藝，展現腐竹成器的和諧與自然之趣味，引喻傳統「知足常樂」的銘言。(詮釋委員：簡榮聰)\r\n\r\n順著沉積岩的紋理向，而創作出殘破竹節形硯，可謂一大巧思。若能再次配合硯池開口，於筍切造型多些巧妙安排，將更形完美。如何突破傳統硯雕的行事法則應是當代硯雕家的課題。(詮釋委員：廖秀玲)","ImageUrl":""}
,{"Identifier":"200012001","MainTitle":"石燈","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2000","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMDEyMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":" 本件作品，係經過仔細挑選，從大自然中選擇一個外表橢圓的璞石，將上下尖端切割整齊，然後鑿空內部及上部，形成薄壁如缸似甕的型態，之後在渾圓的形體上，鑿穿大小不等的圓洞圓窗。在臥足的近底處鑿穿一小孔，按置電線插頭電燈，就形成了「石燈」。\r\n 不同於一般裸露的電燈，或按上玻璃外罩的燈，按上糊紙或竹編的燈籠，這件外表敦厚樸實褐黑的石燈，透過圓形的小窗洞，流露出穩重中的溫馨光芒光影。耐用而耐看的石燈，在生活上充滿了古樸典雅的氣質。(詮釋委員:簡榮聰)","ImageUrl":""}
,{"Identifier":"200107001","MainTitle":"記憶收納盒","Creator":"創作者：黃進春","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2001","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMTA3MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"記憶收納盒此一作品呈現出材質轉換的趣味，石材的加工方式以“震撼教育”為之，同屬減法加工的木質材料卻必須以“斬斷情絲”的加工方式處理之。如今將二者調換，石質印象變成木質肌理；彷彿將木材的DNA韌性植入石材當中，令人莞爾。(詮釋委員:廖秀玲)\r\n","ImageUrl":""}
,{"Identifier":"200203001","MainTitle":"體","Creator":"創作者：黃弘鎮、黃進春","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjAzMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"200203002","MainTitle":"樹","Creator":"創作者：黃弘鎮，許藝獻","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjAzMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"200203003","MainTitle":"蝶","Creator":"創作者：黃弘鎮、黃文榮","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjAzMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"200203004","MainTitle":"梅雲","Creator":"創作者：黃弘鎮、董鴻福","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjAzMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"200203005","MainTitle":"飄鼓","Creator":"創作者：黃弘鎮、陳純輝","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjAzMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"200203006","MainTitle":"雲山","Creator":"創作者：黃弘鎮、鄧廉懷","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjAzMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"200203007","MainTitle":"竽葉","Creator":"創作者：黃弘鎮、鄧臣敦","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjAzMDA3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"200203008","MainTitle":"憩","Creator":"創作者：黃弘鎮、陳智峰","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjAzMDA4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"200206001","MainTitle":"石雕-玄鳥","Creator":"創作者：陳培澤","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA2MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"200208001","MainTitle":"君子不朽","Creator":"Creator：LU, Chih-Sung
創作者：盧志松","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA4MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"「品茗」為中華文化「人生四品」(焚香、插花、掛畫、品茗)之一。本組石雕茶壺六件一組，內蘊品茗之趣味，外現朽竹之古樸，工藝技巧、造型設計、雕琢藝術，表現頗佳，呈現器具之實用與工藝之優美。\n竹子中空有節，傳統文化流傳比喻為君子之謙沖、貞節、儒雅。茶具本為生活雅事，品茶更有生活禪味。本項作品六件一組，件件以朽竹為題材，既飽耐歲月風霜，亦寄託道法自然。作品借喻竹子為「君子」，象徵秉持竹子貞節，涵養人格品質，乃成就「君子不朽」。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"200208001001","MainTitle":"君子不朽","Creator":"創作者：盧志松","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA4MDAxMDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"200208001002","MainTitle":"君子不朽","Creator":"創作者：盧志松","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA4MDAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"200208001003","MainTitle":"君子不朽","Creator":"創作者：盧志松","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA4MDAxMDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"200208001004","MainTitle":"君子不朽","Creator":"創作者：盧志松","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA4MDAxMDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"200208001005","MainTitle":"君子不朽","Creator":"創作者：盧志松","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA4MDAxMDA1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"200208001006","MainTitle":"君子不朽","Creator":"創作者：盧志松","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2002","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMjA4MDAxMDA2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"200308003","MainTitle":"石紋方桌","Creator":"創作者：不詳","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzA4MDAz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"","ImageUrl":""}
,{"Identifier":"200317004","MainTitle":"釋放","Creator":"創作者：鄭階和","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2003","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwMzE3MDA0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"巧雕「石盤與流水」，呈現埔里灰色石心皮肉對映白灰色調之美，實踐簡約美學設計，襯托流動曲線塊面，象徵大地與池沼之自然環境氛圍。\n茶道中品茗的休閒境界頗深。茶盤與其他茶具及茶席，往往受到喝茶人的關注品賞。這件茶盤沒有繁複的裝飾，在橢圓的大地上，佐以流動的曲池，造型設計使人「釋放」塵凡的拘束與煩惱，在茶道中領略「清淨無為」的愉悅，確是佳作。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"200801002","MainTitle":"不語","Creator":"製作者：許藝獻","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"長方茶盤宛如天地，大小岩石錯落著老中青三代的「距離」與「關係」。玄冥中露出狹長窗框，流雲穿過飛鳥羽翼，日月時光如轉輪，自在流逝過往，萬物寂靜－天地寂靜不語；老樹健在不語，都彷彿領悟－宇宙變與不變的道理。\n本件石茶盤，作者透過石材的雕刻，寄託宇宙的變與不變，天地不語，道在其中。茶盤玄冥色，天地萬物往來成古今，在輪轉歲月中，一切歸於寂靜不語。時光悄悄流逝，有如飛鳥流雲；老樹與岩石，經歷無數日月，悟道「天地者，萬物之逆旅；光陰者，百代之過客」，知道「瞬間與永恆」，也是默然不語。（詮釋委員：簡榮聰）","ImageUrl":""}
,{"Identifier":"200804022","MainTitle":"如來佛像玉石雕刻","Creator":"","CreatedYear":"","Size":"附台座","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDIy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"臺北故宮博物院曾經以「敬天格物」為名，舉辦過大規模的玉器精品特展，具體展現華夏民族敬天法祖的宗教倫理，以及中華古玉最深層的內涵。在中國，大約八千年前人們就已經發現玉石的優點，從作為工具使用而逐漸演變成美術工藝品乃至純藝術表現。玉器普遍被認為具有避邪、帶來好運的作用，應用的範圍涵蓋很廣：生活用品、宮廷禮器、宗教器物、工藝古玩、珠寶首飾及藝術創作等。\r\n誠如古來諺語：「玉不琢不成器」，充分說明一塊不起眼的璞玉，經過優秀匠師用心、費時雕琢之後，可以成為一件令人愛不釋手的作品。用來雕琢用的玉石其硬度大約在6.0 ~ 7.0，製作過程需要選擇硬度更高的石材作為挖鑿工具並和水研磨。由於古代沒有電動工具，必須完全靠手工具和人力來完成，雕工樸拙，更能顯出玉石作品的特質與美感；通常鑑定玉器的價值可以從：年代、用料、做工、造形及圖紋表現等入手。\r\n圖中這一件〈如來佛像玉石雕刻〉法象莊嚴，盤坐於蓮花臺上，造形安排嚴謹；整塊的綠色天然玉石顯現透光性、質佳，運用傳統雕工、可見古玉工法，足稱佳作；配上精緻的紅木雕刻適形臺座，將作品襯托得更臻完美。適合擺在相對較高的位置，例如客廳的大型古董架上或玄關、起居室空間高櫃上適當位置；在臺灣經過開光的佛像，通常會供奉在家裡神明廳的「頂棹（長條形高桌）」上頭或佛堂裡的主位。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804023","MainTitle":"香爐玉石雕刻","Creator":"","CreatedYear":"","Size":"附台座","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDIz","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"臺北故宮博物院曾經以「敬天格物」為名，舉辦過大規模的玉器精品特展，具體展現華夏民族敬天法祖的宗教倫理，以及中華古玉最深層的內涵。在中國，大約八千年前人們就已經發現玉石的優點，從作為工具使用而逐漸演變成美術工藝品乃至純藝術表現。玉器普遍被認為具有避邪、帶來好運的作用，應用的範圍涵蓋很廣：生活用品、宮廷禮器、宗教器物、工藝古玩、珠寶首飾及藝術創作等。\r\n誠如古來諺語：「玉不琢不成器」，充分說明一塊不起眼的璞玉，經過優秀匠師用心、費時雕琢之後，可以成為一件令人愛不釋手的作品。用來雕琢用的玉石其硬度大約在6.0 ~ 7.0，製作過程需要選擇硬度更高的石材作為挖鑿工具並和水研磨。由於古代沒有電動工具，必須完全靠手工具和人力來完成，雕工樸拙，更能顯出玉石作品的特質與美感；通常鑑定玉器的價值可以從：年代、用料、做工、造形及圖紋表現等入手。\r\n圖中這一件〈香爐玉石雕刻〉形制上以三足鼎立之姿撐起香爐的主體，上蓋的手取紐採具象的獅子造形，雙耳環的吊掛體取象頭及象鼻造形，整體搭配勻稱。綠色天然玉石顯現透光性，雕工精緻可見古玉工法，足稱佳作，配上精緻的黑檀木雕刻適形臺座，將作品襯托得更臻完美。本件收藏珍品適合置於古董架上或起居室高櫃上的擺飾。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804024","MainTitle":"有鳳來儀成對玉器","Creator":"","CreatedYear":"","Size":"001：8*7*21.6、002：8.5*7*21.6","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDI0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"臺北故宮博物院曾經以「敬天格物」為名，舉辦過大規模的玉器精品特展，具體展現華夏民族敬天法祖的宗教倫理，以及中華古玉最深層的內涵。在中國，大約八千年前人們就已經發現玉石的優點，從作為工具使用而逐漸演變成美術工藝品乃至純藝術表現。玉器普遍被認為具有避邪、帶來好運的作用，應用的範圍涵蓋很廣：生活用品、宮廷禮器、宗教器物、工藝古玩、珠寶首飾及藝術創作等。\r\n誠如古來諺語：「玉不琢不成器」，充分說明一塊不起眼的璞玉，經過優秀匠師用心、費時雕琢之後，可以成為一件令人愛不釋手的作品。用來雕琢用的玉石其硬度大約在6.0 ~ 7.0，製作過程需要選擇硬度更高的石材作為挖鑿工具並和水研磨。由於古代沒有電動工具，必須完全靠手工具和人力來完成，雕工樸拙，更能顯出玉石作品的特質與美感；通常鑑定玉器的價值可以從：年代、用料、做工、造形及圖紋表現等入手。\r\n圖中作品〈有鳳來儀成對玉器〉有兩隻鳳鳥，一隻頭向左，一隻頭向右。鳳凰屬於雉科鳥類，是美麗的鳥，吉祥的鳥，更是鳥中之王；象徵欣喜、安寧和高貴，比喻為皓潔、美滿的愛情，因此通常會以成雙成對的作品呈現。整塊綠色天然玉石顯現透光性、質佳，雖然局部顯現褐色斑塊，但是都被創作者巧妙安排於適當位置，益增自然美感，在中國古玉的技法上稱之為巧色玉，完全運用傳統雕工、可見古玉工法，是為佳作；配上精緻的硬木雕刻適形臺座，將作品襯托得更臻完美。鳳鳥通常都是棲息在樹上，因此本作品適合擺在相對較高的位置觀賞，例如客廳的大型古董架上或起居室空間的高櫃上適當位置。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804024001","MainTitle":"有鳳來儀成對玉器之一（頭向左、樹幹有褐斑）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDI0MDAx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"臺北故宮博物院曾經以「敬天格物」為名，舉辦過大規模的玉器精品特展，具體展現華夏民族敬天法祖的宗教倫理，以及中華古玉最深層的內涵。在中國，大約八千年前人們就已經發現玉石的優點，從作為工具使用而逐漸演變成美術工藝品乃至純藝術表現。玉器普遍被認為具有避邪、帶來好運的作用，應用的範圍涵蓋很廣：生活用品、宮廷禮器、宗教器物、工藝古玩、珠寶首飾及藝術創作等。\r\n誠如古來諺語：「玉不琢不成器」，充分說明一塊不起眼的璞玉，經過優秀匠師用心、費時雕琢之後，可以成為一件令人愛不釋手的作品。用來雕琢用的玉石其硬度大約在6.0 ~ 7.0，製作過程需要選擇硬度更高的石材作為挖鑿工具並和水研磨。由於古代沒有電動工具，必須完全靠手工具和人力來完成，雕工樸拙，更能顯出玉石作品的特質與美感；通常鑑定玉器的價值可以從：年代、用料、做工、造形及圖紋表現等入手。\r\n圖中這件作品是〈有鳳來儀成對玉器〉兩件當中的其中一件，頭朝向左方，樹幹有明顯褐色斑塊。鳳凰屬於雉科鳥類，是美麗的鳥，吉祥的鳥，更是鳥中之王；象徵欣喜、安寧和高貴，比喻為皓潔、美滿的愛情，因此通常會以成雙成對的作品呈現。整塊綠色天然玉石顯現透光性、質佳，雖然局部顯現褐色斑塊，但是都被創作者巧妙安排於適當位置，益增自然美感，在中國工藝史上稱之為「巧色玉」，完全運用傳統雕工、可見古玉工法，是為佳作；配上精緻的硬木雕刻適形臺座，將作品襯托得更臻完美。鳳鳥通常都是棲息在樹上，因此本作品適合擺在相對較高的位置觀賞，例如客廳的大型古董架上或起居室空間的高櫃上適當位置。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804024002","MainTitle":"有鳳來儀成對玉器之二（頭向右、樹幹無褐斑）","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDI0MDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"臺北故宮博物院曾經以「敬天格物」為名，舉辦過大規模的玉器精品特展，具體展現華夏民族敬天法祖的宗教倫理，以及中華古玉最深層的內涵。在中國，大約八千年前人們就已經發現玉石的優點，從作為工具使用而逐漸演變成美術工藝品乃至純藝術表現。玉器普遍被認為具有避邪、帶來好運的作用，應用的範圍涵蓋很廣：生活用品、宮廷禮器、宗教器物、工藝古玩、珠寶首飾及藝術創作等。\r\n誠如古來諺語：「玉不琢不成器」，充分說明一塊不起眼的璞玉，經過優秀匠師用心、費時雕琢之後，可以成為一件令人愛不釋手的作品。用來雕琢用的玉石其硬度大約在6.0 ~ 7.0，製作過程需要選擇硬度更高的石材作為挖鑿工具並和水研磨。由於古代沒有電動工具，必須完全靠手工具和人力來完成，雕工樸拙，更能顯出玉石作品的特質與美感；通常鑑定玉器的價值可以從：年代、用料、做工、造形及圖紋表現等入手。\r\n圖中這件作品是〈有鳳來儀成對玉器〉兩件當中的其中一件，頭朝向右方，樹幹無明顯褐色斑塊。鳳凰屬於雉科鳥類，是美麗的鳥，吉祥的鳥，更是鳥中之王；象徵欣喜、安寧和高貴，比喻為皓潔、美滿的愛情，因此通常會以成雙成對的作品呈現。整塊綠色天然玉石顯現透光性、質佳，雖然局部顯現褐色斑塊，但是都被創作者巧妙安排於適當位置，益增自然美感，在中國工藝史上稱之為「巧色玉」，完全運用傳統雕工、可見古玉工法，是為佳作；配上精緻的硬木雕刻適形臺座，將作品襯托得更臻完美。鳳鳥通常都是棲息在樹上，因此本作品適合擺在相對較高的位置觀賞，例如客廳的大型古董架上或起居室空間的高櫃上適當位置。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804025","MainTitle":"壽山石雕刻煙灰缸","Creator":"","CreatedYear":"","Size":"附台座","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDI1","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"這是一件非常講究的小型煙灰缸，外圍直徑10.8公分，以整塊的壽山石雕刻而成，與其真的使用不如擺著欣賞意義更高，例如起居室的咖啡桌上擺飾或陳設於古董櫃裡；成品適合以植物性的陳年白茶油保養。\r\n壽山石是中國四大印石材料之一，非常適合作為印章雕刻，產於福建省福州市北郊的壽山鄉；以「地開石」為主要成份，由於受到母源的岩性和成礦的環境影響以及蝕變作用的差異，得細分為很多種類，顏色千變萬化，材料的硬度大致上約為2.8，質地略軟而帶脂潤，得以鋼刀手工刻劃或雕琢。\r\n本作品的造形設計，除了將梅花枝幹、鳥及擱香煙的承托等題材，巧妙地做出立體空間四方布局的安排之外；包括中央的主題煙灰缸頂面在內，鳥身上的羽毛、梅花的花瓣、香煙承托的凹面及地面等處，都可以看到線條圖紋的刻劃，讓整體作品顯得更有工藝美術古拙的感覺。\r\n如果將本創作視為藝術品，僅供收藏、把玩，那麼搭配傳統家具木工製作的精細黑檀木高檯就有它的存在價值。假如實際擺在起居室的咖啡桌上或傳統會客用的太師椅組高腳茶几上使用，底下的座子就可以省略，讓此「壽山石雕刻煙灰缸」單獨存在，於其下襯托一片適當大小的布料或皮革墊子，這樣就很完美。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804026","MainTitle":"樹幹葡萄攀籐青田石雕刻花插","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDI2","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"圖中這一件〈樹幹葡萄攀籐青田石雕刻花插〉，以青田石材料而言，屬大型立體雕刻作品，而花插即花器之意；係以整塊的青田石精細雕刻而成，與其真的使用不如擺著欣賞意義更高，例如作為起居室邊櫃上的擺飾或陳設於古董櫃裡；成品適合以植物性的陳年白茶油保養。\r\n本作品從頂部看，略呈三角形；天然青田石主體雕刻的表現非常細膩，有如真實的去皮樹幹；葡萄攀籐的表現亦超乎寫實意象，尤其是以石材雕刻的葡萄葉感覺上比真的葉子還迷人，加上串串晶瑩剔透有如生鮮的葡萄，足見雕刻匠師技藝之高深。\r\n青田石是中國四大印石材料之一，非常適合作為印章雕刻，產於中國浙江省青田縣；以「葉蠟石」為主要成份，有黃、白、青、綠及灰等顏色，石質細膩透明者會有「凍」的感覺，是為上品；材料的硬度約為1.5左右，質地軟而帶脂潤，易於使用鋼刀手工刻劃或雕琢。成品適合以植物性的陳年白茶油保養。\r\n本作品的適形底座雖然是採用樹脂加石粉的材料製作，因為用心的雕塑精神，與上頭的石雕作品形成和諧呼應，顯然不失工藝品的整體價值；作品底座的內容暗含玄機，仔細看有多個隱藏似的豬頭像和豬前蹄。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804027","MainTitle":"石獅青田石雕刻薰香爐","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDI3","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"這是一件整體都以青田石大塊材料雕刻而成的有蓋薰香爐，與其真的使用不如擺著欣賞意義更高；適合陳設於古董櫃裡或室內空間的高櫃上頭，部分有宗教信仰者會將此香爐擺在神明廳或佛堂的供桌上作為粉狀焚香（沉香、檀香及肖楠等）使用。\r\n本作品為三足鼎造形，底座連身，上蓋蓋鈕和左右雙耳特大，背面簡略處理，帶有民俗與宗教藝術的感覺。香爐的外觀裝飾取獅子具象動物形態為主題，內部是整個挖空的巧妙設計，香煙裊裊會從上蓋蓋鈕的石獅嘴部開口、獅子前足抱球的簍空部位及蓋身的小花窗穿透孔等處冒出，頗具意境與趣味性；香爐下身腹部正面的雙獅戲球立體狀圖案穿透孔具有特殊功能，是為進氣口，讓薰香可以順利燜燒。\r\n青田石是中國四大印石材料之一，非常適合作為印章雕刻，產於中國浙江省青田縣；以「葉蠟石」為主要成份，有黃、白、青、綠及灰等顏色，石質細膩透明者會有「凍」的感覺，是為上品；材料的硬度約為1.5左右，質地軟而帶脂潤，易於使用鋼刀手工刻劃或雕琢。成品適合以植物性的陳年白茶油保養。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200804058","MainTitle":"騎鹿童子石雕玉器","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2008","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwODA0MDU4","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"臺北故宮博物院曾經以「敬天格物」為名，舉辦過大規模的玉器精品特展，具體展現華夏民族敬天法祖的宗教倫理，以及中華古玉最深層的內涵。在中國，大約八千年前人們就已經發現玉石的優點，從作為工具使用而逐漸演變成美術工藝品乃至純藝術表現。玉器普遍被認為具有避邪、帶來好運的作用，應用的範圍涵蓋很廣：生活用品、宮廷禮器、宗教器物、工藝古玩、珠寶首飾及藝術創作等。\r\n誠如古來諺語：「玉不琢不成器」，充分說明一塊不起眼的璞玉，經過優秀匠師用心、費時雕琢之後，可以成為一件令人愛不釋手的作品。用來雕琢用的玉石其硬度大約在6.0 ~ 7.0，製作過程需要選擇硬度更高的石材作為挖鑿工具並和水研磨。由於古代沒有電動工具，必須完全靠手工具和人力來完成，雕工樸拙，更能顯出玉石作品的特質與美感；通常鑑定玉器的價值可以從：年代、用料、做工、造形及圖紋表現等入手。\r\n圖中這一件〈騎鹿童子石雕玉器〉的體積不是很大，雖然鹿的造形和比例並非完全寫實，因為頭上有象徵鹿角的盤錯造形雕刻足以辨認；騎在鹿背上的童子以中國傳統造形表現，右手持有靈芝，左手握持鹿角，象徵帶來吉祥、幸福、美麗、長壽、財源滾滾意涵；整塊的綠色天然玉石顯現透光性、質佳，運用傳統雕工、可見古玉工法，足稱佳作；配上精緻的紅木雕刻適形臺座，將作品襯托得更臻完美。適合擺在與眼睛水平視線等高的位置，例如客廳的大型古董架上或者玄關、起居室空間高櫃上適當位置。(詮釋委員：盧祥華)","ImageUrl":""}
,{"Identifier":"200906044","MainTitle":"七彩玉石瓶","Creator":"煥澤企業公司
曾煥澤","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA2MDQ0","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"此作品為蛇紋石車製的花瓶，蛇紋石是一種矽酸鹽礦的群組名稱， 它是由橄欖石變質產生的綠色礦物，硬度在2.5~4.5之間，這件花瓶是在花蓮豐田地區的蛇紋石，因蛇紋石通常包含數種同質異形物，可由橄欖石、輝石、角閃石變化而來，所以它就形成一石多彩的狀態，白色條紋為石英與方解石，白色閃光為雲母，綠色與紅色為橄欖石等各種顏色繽紛多彩的結合，這件作品的工藝是屬於車床車製工藝，車製完成連同拋光也一併在機台上完成，是花蓮地區盛行的生產模式。(詮釋委員：不具名)","ImageUrl":""}
,{"Identifier":"200908010","MainTitle":"雲石山水屏","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDEw","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"大理石原指產於雲南省大理的白色帶有黑色花紋的石灰岩，剖面可以形成一幅天然的水墨山水畫，古代以之為畫屏式鑲嵌畫，遂發展成此項石材之稱呼。\r\n大理石主要用於加工成各種形材、板材，作建築的牆面、地面、台柱，或紀念建築之碑、塔、雕像。亦可雕刻成工藝美術品、文具、燈具、器皿等。\r\n大理石又稱「雲石」是重結晶的石灰岩，主要成分是碳酸鈣。\r\n本件雲南大理石山水屏，係選取石板材，就其天然山水紋，略加暈染，更肖抽象潑墨山石雲彩。\r\n中華文化素來鍾情山水，放懷自然，喜歡返樸歸真。仁者樂山，智者樂水，在喧囂紛擾的世間凡塵，寄托山水，使人超凡脫俗，盪煩滌慮。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908011","MainTitle":"雲石山水屏","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDEx","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"大理石原指產於雲南省大理的白色帶有黑色花紋的石灰岩，剖面可以形成一幅天然的水墨山水畫，古代以之為畫屏式鑲嵌畫，遂發展成此項石材的稱呼。\r\n大理石主要用於加工成各種形材、板材，作建築的牆面、地面、台柱，或紀念建築之碑、塔、雕像。亦可雕刻成工藝美術品、文具、燈具、器皿等。\r\n大理石又稱「雲石」是重結晶的石灰岩，主要成分是碳酸鈣。\r\n本件「雲石山水屏」，係選取石板材，就其天然雲嵐山峰紋路，截取方幅，加木框襯托，宛如白茫雲嵐中，露出陡峭的山峰黛影，靈氣十足。\r\n雲南大理「雲石」是瑰麗奇石，選材取樣，也是智慧的工藝！(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"200908019","MainTitle":"菊花石雕","Creator":"","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2009","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAwOTA4MDE5","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"菊花石雕是湖南瀏陽縣獨特的手工藝品，用生成於2億多年前的菊花石雕琢而成，瀏陽菊花石雕被譽為「全球第一」。\r\n這種菊花石，有類菊花圖紋，花蕊有單蕊、雙蕊、三蕊或無蕊，有類似竹葉菊、綉球龍葵菊、蒲葉菊、金錢菊花型等。雕琢藝人利用菊花石特點，精工雕琢、理出花瓣、添枝加葉、浮雕叢叢菊花。或加人物、描述典故。例如「淵明賞菊、天女散花、黃巢啄菊...」等，構思巧妙，曾獲得巴拿馬萬國博覽會獎牌。\r\n本件菊花雕石，描述陶淵明「賞菊東籬下，悠然見南山」。(詮釋委員：簡榮聰)","ImageUrl":""}
,{"Identifier":"201201002","MainTitle":"華實並茂傳希望","Creator":"彭信豪","CreatedYear":"","Size":"","Type":"工藝類\\石材類","Owner":"國立臺灣工藝研究發展中心","AcquiredDate":"2012","OriginalUrl":"https://collections.culture.tw/Object.aspx?SYSUID=20&RNO=MjAxMjAxMDAy","OwnerCollectionsWebsite":"https://collections.culture.tw/ntcri_collectionsweb/","OwnerWebsite":"https://www.ntcri.gov.tw/","ApplicationGuide":"","Description":"本作品以玄武岩為料，以象徵陽光與希望的向日葵為創作體裁，將其萌芽、花開、結子等過程，用於茶盤設計，代表生命一脈相承，以及對未來無限的期待與希望。\n作者設計巧妙，茶盤造型採長方形穩固基底，中間雕出向日葵豐實花蕊，外緣則仿花瓣漸變為茶盤腳座，型態柔軟優雅；金色芽絲聚合成為泄水孔，柔軟曲線與石材的拋光巧妙搭配，展現工藝的難度與技巧，寄託葉實並茂的生活希望。（詮釋委員：簡榮聰）","ImageUrl":""}
]