Taichung Museum of Art-Works

Inverted Sentences -2&3 Collection Image, Figure 1, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 2, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 3, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 4, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 5, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 6, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 7, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 8, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 9, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 10, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 11, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 12, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 13, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 14, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 15, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 16, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 17, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 18, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 19, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 20, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 21, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 22, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 23, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 24, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 25, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 26, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 27, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 28, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 29, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 30, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 31, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 32, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 33, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 34, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 35, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 36, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 37, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 38, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 39, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 40, Total 41 Figures

Inverted Sentences -2&3 Collection Image, Figure 41, Total 41 Figures

Inverted Sentences -2&3

Mixed Media

2017

此件為立體作品,放於保存盒中

Accession Number：20210100090

Chen Sung-Chih (b. 1978, Nantou) graduated from the Department of Visual Communication Design at Chaoyang University of Technology and earned his MFA in Plastic Arts from Tainan National University of the Arts. Specializing in mixed-media spatial installations, he has participated in artist-in-residence programs supported by Taiwan’s Ministry of Culture and the Taipei Artist Village, with projects taking him to the United Kingdom, Egypt, France, South Korea, and the United States. His work has received numerous accolades, including the S-An Arts Award, Taipei Arts Award, Taishin Arts Award, and the Li Chung-Sheng Foundation Visual Art Award. He has exhibited widely in both solo and group exhibitions in Taiwan and abroad.
Throughout his career, Chen has drawn from everyday, easily accessible materials to express deeply personal and emotional experiences. His work reflects a persistent exploration of materiality, spatial perception, and the search for meaning. Since 2017, Chen has developed a series titled Inverted Sentences. These site-specific installations use materials such as wood boards, fabric, cotton, and light fixtures—objects commonly found in daily life. By applying a visual logic akin to the literary technique of inversion, he rearranges and flips materials and spatial elements in all directions. In doing so, he dismantles binary notions of right and wrong, instead creating spaces that invite reflection and discovery through ambiguity.

Back

Works

Copyright