Craft

Length:12.1 x Width:9 x Height:0.6 (cm)

Chen Huo-Ching (1914-2001, Taichung) was a master of lacquer art in Taiwan. After graduating from Chingshui Public School, he apprenticed at the Yamaka Lacquerware Studio in Taichung, where he trained in traditional lacquer techniques. Upon completing his studies, he remained at the studio as an artisan and later taught part-time at the Taichung Craft Training Institute, which eventually became a specialized craft school. Following World War II, Chen worked for the Air Force, where he was responsible for aircraft painting. After leaving this position due to health issues and personal loss, he devoted himself fully to lacquerware creation at home. In the 1960s, a peak period for Taiwan’s lacquerware exports to Japan, Chen served as a technical consultant to lacquerware companies and founded his own firm to fulfill Japanese commissions. From 1984 onward, he contributed extensively to the education and promotion of lacquer art, serving as an instructor at the Taiwan Provincial Handicraft Research Institute and the National Palace Museum. His contributions to the industry were highly influential, and in 1998, he was recognized by the Ministry of Education as a Master of Important Folk Art.
This panel features a single peony, its petals and leaves elegantly outlined in flowing lines. The composition is rich in detail and refinement. Chen Huo-Ching executed this piece using the takamakie technique, which he had learned from Yamaka Sensei. The original design was also brought to Taiwan by Yamaka from Japan. The production process for this work is highly intricate and time-consuming. First, the wooden panel was coated with black lacquer to create a base layer. The design was then transferred onto the surface using tracing paper, followed by a dusting of silver powder to make the outlines clearly visible. Red lacquer was then applied over the design, and when the lacquer reached a semi-dry state, additional silver powder was sprinkled onto the surface. This step, which involved applying red lacquer and sprinkling silver powder, was repeated as needed to achieve varying levels of relief, giving the design a three-dimensional texture. For the peony’s branches and leaves, a mixture of silver and tin powders was applied, creating a subdued and restrained beauty that enhances the overall elegance of the piece.

Accession number:20170300186