典藏單位:國立中正紀念堂管理處

館藏編號:PT09788200

林雪卿

尺寸:98.5x123x3.5(含框)

林雪卿(1952- )，新北人，畢業於國立台灣師範大學美術系，與丈夫也是版畫大家鐘有輝為大學同學，日後共同創立十青版畫會。任台北市立教育大學視覺藝術學系所的專任教授，並於國立臺灣藝術大學版畫藝術研究所兼任、中華民國版畫學會的理事。對各種版畫製作皆有研究及體驗，為台灣研究電腦輔助版畫的教學先驅。是目前台灣少數專精各種現代版畫材料技法人才，也是少數從事版畫藝術創作的女性藝術教育工作者。平時除創作與研究外，更致力於推廣台灣現代版畫藝術教育。他常思考陰陽虛實與主觀客觀的問題，認為世間事物很多都是由陰陽結合而成，其協調的美感，全化實為虛，如此才能創造出生命，每一系列都是個人理念的追求與自我成長的期許。
其作品也經常出現屬於大自然的元素，例如宇宙、天地、潮汐或朔望等。早期熱愛將蝶類入畫， 擷取蝶類蛻變的過程作為象徵。近期作品則以木紋的圖形為大宗，層層疊疊的波紋有如天空，又似海洋或光波，甚至有大氣流動之感。
臺灣為蝴蝶王國，作者以蝴蝶為符碼，以螺旋向外的方式飛翔於高聳的自由廣場牌樓上，象徵臺灣自由之風迭起的里程碑。作者研究版畫的新科技與傳統技法的關聯之重要性，以電腦輔助版畫，把客觀的真實轉化為主觀的表現，營造數位影像處理的當代感。(507字)

Lin Hsueh-Ching (1952-), born in New Taipei City, graduated from the Fine Arts Department at National Taiwan Normal University. She and her husband, the renowned printmaker Chung You-Hui, were college classmates and later co-founded the Shi-Ching Printmaking Association. Lin is a full-time professor in the Department of Visual Arts at Taipei Municipal University of Education and an adjunct professor at the Graduate Institute of Printmaking at National Taiwan University of Arts. She also serves as a director of the Printmaking Society of the Republic of China. Lin has extensive research and experience in various printmaking techniques and is a pioneer in teaching computer-assisted printmaking in Taiwan. She is one of the few experts in Taiwan specializing in modern printmaking materials and techniques and is also among the few female art educators dedicated to printmaking art creation. Besides her own creation and research, she is committed to promoting modern printmaking art education in Taiwan. Lin often contemplates the interplay between yin and yang, the real and the virtual, and the subjective and objective. She believes that many things in the world are formed by the combination of yin and yang, with their harmonious beauty transforming reality into the virtual, thus creating life. Each of her series reflects her pursuit of personal ideals and expectations for self-growth.
Her works frequently feature elements of nature, such as the universe, earth, tides, and lunar phases. In her early works, she loved incorporating butterflies, using their metamorphosis as a symbol. Recently, her works predominantly feature wood grain patterns, with layered ripples resembling the sky, ocean, light waves, or even the flow of the atmosphere.
Taiwan is known as the Kingdom of Butterflies, and Lin uses the butterfly as a motif. She depicts them spiraling outward and soaring over the tall Freedom Square Arch, symbolizing the milestones of Taiwan’s rising winds of freedom. Lin's research emphasizes the importance of the relationship between new technologies and traditional techniques in printmaking. By using computer-assisted printmaking, she transforms objective reality into subjective expression, creating a contemporary feel through digital image processing.