國立台灣文學館-藏品資訊

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Title:First issue of Taiwan Bungei

Category:Periodical

Author:Hiroshi Nagasaki/Royal Society of Taiwanese Literature

No. of Item:One volume

Dimension:22*15cm*

Description:Edited by Hiroshi Nagasaki. Published by the Royal Society of Taiwanese Literature. A Japanese-language monthly. Vol. 1 No. 1, May 1, 1944. 110 pages.
Taiwan Bungei is a publication of the Royal Society of Taiwanese Literature, issued in Japanese. Basically it was a merger of two Japanese literary magazines: Bungei Taiwan and Taiwan Bungaku. There were six members of the editing committee: besides Zhang Wenhuan, the other five—Hojin Yano, Shatsuki Koyama, Takeshi Takemura, Hiroshi Nagasaki, and Mitsuru Nishikawa—were all Japanese. Yano, a major figure in charge of Taiwan Bungei as well as a standing director of the Royal Society of Taiwanese Literature, writes in his opening statement: "The future of this magazine is fully dependent on the writers who live on this island. As long as they are passionate about literature in service of the nation and are cognizant of our mission to guide the public, not only in thinking but also in terms of writing." Nishikawa states, "We comrades must dedicate ourselves to serving as literary ministers; literary devotion to the Emperor is essential." From these two statements it is not hard to discern this magazine's intense official quality and its relationship with the war machine of the Empire of Japan.
The first issue features the works of several well-known Taiwanese and Japanese writers, including Nature by Lu Heruo, Sousou by Hayao Hamada, and Taiwan North-South Railway by Mitsuru Nishikawa. Sousou and Taiwan North-South Railway, originally serialized in Bungei Taiwan, remained unfinished when the magazine ceased publication; their publication continued in Taiwan Bungei, and as such the magazine was seen as the successor to the Bungei Taiwan line. On the back cover are the words "Taiwan Literary Series," an ad for Lu Heruo's Clear Autumn and Reiko Sakaguchi's Zheng Family. Generally speaking, Taiwan Bungei was the property of the war machine, its style tending toward romanticism and nostalgia as a means to propagate the "literature of Imperial subjects." As such, the writers were frequently required to write pieces that echoed national policy, and were subject to considerable restrictions. The periodical ceased publication in January 1945; in all, eight issues were released.

期刊名稱:臺灣文藝1卷1號創刊號

創刊日期:昭和19年5月1日

類別:期刊

編輯兼發行人:長崎浩

表紙（封面）、カット（插畫）:立石鐵臣

カット（插畫）:古川義光

カット（插畫）:木下靜涯

カット（插畫）:顏水龍

印刷所:吉村商會印刷所

印刷人:吉村清三郎

原件與否:原件

藏品層次:單件

數量單位:1式2冊

尺寸大小(長*寬*高):21.2*15.1*0.6cm

數位化類別:影像(圖片)

是否數位化:否

典藏單位:國立臺灣文學館

其他說明:1.《台灣文藝》為「台灣文學奉公會」機關刊物，以日文刊行，基本上是由兩份日文文學雜誌《文藝臺灣》與《台灣文學》合併而成。編輯委員六名，除張文環外，其餘五位：矢野峰人、小山捨月、竹村猛、長崎浩、西川滿皆為日本人；其中矢野峰人不僅是《台灣文藝》的主要負責人，同時也擔任台灣文學奉公會常務理事，他在發刊詞中表示：「此雜誌的將來全部依靠居住於本島的文學者的雙肩。只要是熱衷於文學報國之念者，不單單是思想上，也在文章方面必須自覺具有指導大眾之使命。」至於西川滿則說道：「我們同志披瀝作為文臣之至誠，非樹立不滅的勤皇文學不可。」由這兩段話不難窺見該雜誌濃厚的官方性質，及與日本帝國戰爭體制的關係。
2.創刊號中有幾位著名的台、日作家作品，包括呂赫若〈山川草木〉、濱田隼雄〈草創〉、西川滿〈台灣縱貫鐵道〉，〈草創〉與〈台灣縱貫鐵道〉原本連載於《文藝臺灣》，後因雜誌停刊而未完，現又於《臺灣文藝》刊登，因而被視為《文藝臺灣》路線的遺緒。封底上有「台灣文學叢書」：呂赫若《清秋》、以及坂口■子的《鄭一家》的廣告。總的說來，《台灣文藝》乃是戰爭動員體制下的產物，其風格主要趨向浪漫抒情與懷鄉路線，以宣揚倡導「皇民文學」為主旨，作家因此經常被要求書寫呼應國策的作品，自然不免受到相當程度的約束。發行至1945年1月停刊，總計8期。
3.C2封面、封底脫落。

提供者:趙天儀

登錄號:NMTL20090470078

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