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Title:Taiwan Trilogy I: Passage to Luojin

Category:Manuscript

Author:Shih Shu-ching

No. of Item:589 sheets (589 pages)

Dimension:27*40.2cm

Keyword:Shih Shu-ching | Taiwan Trilogy | Luojin | Lukang | Chi-zi opera

Description:This novel is the first installment of the Taiwan Trilogy series. Set in the author’s hometown Luojin (now Lukang Township, Changhua County), Three Journeys to Luojin tells the story of Hsu Ching, a male actor who always plays female roles in a chi-zi opera company. [Translator’s note: Chi-zi, literally “seven characters,” is a form of traditional Chinese opera that features seven characters with male actors playing female roles.] Hsu moves from mainland China to Taiwan, where he witnesses the rise and decline of Lukang Township as his role in the opera company evolves. Over the span of a decade in the late Qing Dynasty, Hsu performed in Lukang three times, the first during the Jiaqing Emperor’s rule, the second during the Daoguang Emperor’s rule, and the third during the Xianfeng Emperor’s rule. Hsu begins his performing career playing the role of a child but soon transitions to playing the female lead. At the request of wealthy investor Wu Chiu, Hsu is instructed to wear women’s clothes at all times, walk as if he had bound feet, and learn how to be “more ladylike” by shadowing prostitutes. To put food on the table, Hsu has no choice but to suppress his masculine instincts, that is until his secondary sex characteristics develop as he reaches puberty. The author uses Hsu’s gender identity as a metaphor for the turmoil and identity crisis experienced by those who immigrated to Taiwan in an era of great change.

主要名稱:行過洛津

劃一題名:台灣三部曲之一

成文日期:西元2002年7月

類別:手稿

作者:施叔青

原件與否:原件

藏品層次:單件

數量單位:589張共589頁

尺寸大小(長*寬*高):27*40.2cm

數位化類別:影像(圖片)

是否數位化:是

關鍵詞:施叔青｜台灣三部曲｜洛津｜鹿港｜七子戲班

內容目次:1. 勸君切莫過台灣｜2. 轉眼繁華等水泡｜4. 洛津無城門可守｜8. 濁水溪的神話｜9. 有人豎旗造反｜10. 十五拋球，十六踏火｜11. 楊柳活著抽陀螺，楊柳青著放風箏，楊柳死就踢毽子，楊柳…… ｜12. 珍珠點腳小一塊，嘴唇烏沉沉｜16. 楔本「荔鐘記」｜17. 桐油籠裝桐油｜18. 益春留傘｜19. 心肝破碎魂飄渺｜22. 弦仔師蔡尋

典藏單位:國立臺灣文學館

摘要:本筆資料為《台灣三部曲》中的第一部小說，其以故鄉鹿港（舊名洛津）的發展史為敘事背景，描寫原為泉州七子戲班的旦角許情，來台的過程中，透過身分的變換見證鹿港發展的興衰。許情三次前往鹿港演出，時序分別為清末嘉慶、道光與咸豐年間，來台的身分由受戲班班主調教而成的童伶，以及成為旦角後，由富商烏秋進階將其塑造為更符合女性形象。無論是衣著的講究，或是模仿女性的纏足，許情甚至向娼妓學習更貼和女性柔媚的形象。許情為了生存，一再接受自己被規訓為女體的壓迫。直至青春期的到來，性徵的出現才宣告結束。作者也藉由許情的性別認同轉換，代表台灣在移民發展的過程中，不僅失去主體性，也遭受各個權力的壓迫與折磨。（文／歐人鳳）

其他說明:1.本筆資料為初稿共589頁，書寫於美加美稿紙，稿紙有剪黏痕跡。作者自編頁碼1-621頁。
2.本筆資料收錄於台灣三部曲之一《行過洛津》（台北：時報，2003年12月）。
3.本筆資料共25節，但部分以數字標示，並無題名。
4.施叔青《台灣三部曲》的第一部，二、三部分別為《風前塵埃》、《三世人》。這是作者自2000年開始構思、撰寫、發表的作品，以自己的家鄉鹿港（昔日名稱為洛津）作為起點，以台灣史的發展時間作為故事推進的軸線，首節以之〈勸君切莫過台灣〉為名，自洛津最為繁榮的清末嘉慶年間，描寫福建七子戲的伶人許情，三次搭船到台灣，見證了海港起家的洛津其五十年興衰，與這城市萬變的繁華之景，許晴的境遇、台灣的遭遇，在作者的筆下一一完成串聯。

提供者:施叔青

登錄號:NMTL20100410004

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