典藏單位:國立中正紀念堂管理處

館藏編號:PP10400700

黃則修

尺寸:60×27.6

黃則修先生（1930-2014），兼具教育家、新聞記者暨攝影家等多重身分，更為業界譽稱為「臺灣攝影獨行俠」。出生於臺北市，筆名老K，又因其為紫雲黃氏在臺灣之第七代，又自稱紫雲七郎、紫雲山人。1951年兼任日本《朝日新聞》、聯合電視駐臺攝影記者；1961年舉行「龍山寺」攝影個展、1962年與吳東興舉辦「被遺忘的樂園—野柳」雙人攝影展，被譽為「臺灣攝影史『專題攝影展』之濫觴」。以上二展，其後更引起政府對歷史文化古蹟的重視，促使野柳被設定為國家觀光景點。
1967年，擔任徵信新聞報（現中國時報）顧問，為臺灣創設第一座新聞彩印工廠，隔年以世界第一部美國高斯平板彩色輪轉機，印製臺灣首份彩色報紙，受到國際矚目，獲登於1980年的《世界名人錄》，隔年登《美國名人錄》，1985年兼任實踐大學教師，帶領學生定期維護位在校內之石板屋建築，2012年在實踐大學退休，2014年逝世於林口。
本攝影作品從國家音樂廳的角度拍攝國家戲劇院，在前面廣場的襯托下，國家戲劇院重簷廡殿頂的北方宮殿式建築更顯氣派。三三兩兩的行人穿插其間，映襯出中正紀念堂廣場的開闊面積，遠處陪襯的建築群，則可以反映臺北市中正區古典風貌與現代性景色的真實對照，而藉由新舊照片的多重角度賞析，讀出臺灣曾有過的歷史曾經。(501字)

Huang Tse-Hsiu (1930-2014) was an educator, journalist, and photographer, widely recognized in the industry as the “Lone Ranger of Taiwanese Photography.” Born in Taipei, he wrote under the pen name Lao K and also referred to himself as Tzu-Yun Seventh Lord and Tzu-Yun Hermit, as he was the seventh-generation descendant of the Tzu-Yun Huang family in Taiwan, tracing his lineage back to Huang Shou-Kung of Quanzhou. In 1951, he concurrently served as a photojournalist in Taiwan for Japan’s Asahi Shimbun and United Television. In 1961, he held a solo photography exhibition titled Lungshan Temple, followed by a joint exhibition in 1962 with Wu Tung-Hsing, The Forgotten Paradise—Yehliu. These exhibitions were hailed as the pioneering thematic photography exhibition in Taiwanese photographic history. These two exhibitions subsequently heightened government awareness of historical and cultural heritage, leading to Yehliu’s designation as a national tourist site.

In 1967, Huang served as an advisor for Cheng-Hsin News (now China Times), where he established Taiwan’s first news color printing factory. The following year, he introduced the world’s first Goss flatbed color rotary press from the United States to print Taiwan’s first color newspaper, garnering international attention. In 1980, he was listed in “Who’s Who” in the World, followed by “Who’s Who in America” in 1981. In 1985, he became a lecturer at Shih Chien University, where he guided students in the regular maintenance of the school’s slate-roofed structures. He retired from Shih Chien University in 2012 and passed away in Linkou in 2014.

This photographic work captures the National Theater from the perspective of the National Concert Hall. Framed by the spacious plaza in the foreground, the National Theater’s grand double-eaved hip roof, characteristic of northern palace-style architecture, stands out with an imposing presence. Scattered pedestrians weave through the scene, accentuating the vast expanse of the Chiang Kai-Shek Memorial Hall Plaza. The surrounding buildings in the background reflect a striking contrast between the classical and modern landscapes of Taipei’s Chung-Cheng District. Through a comparative appreciation of old and new photographs, this work offers a lens into Taiwan’s rich historical past.