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阿里山高景
登錄號:PT06901200的圖片(PT06901200-1.jpg)(CC BY-NC),第1張,共1張
  
登錄號:PT06901200的圖片(PT06901200-1.jpg)(CC BY-NC),第1張,共1張
典藏單位:國立中正紀念堂管理處
館藏編號:PT06901200
胡克敏
尺寸:122×61 (206×73)
胡克敏(1909-1991),別署漾碧軒主,江蘇武進仁(譯註: 人),台灣國畫家。1926年就讀上海美專,續入研究院。1929年返鄉任教,參加賑災畫展,後服務於筧橋中央航空學校、抗戰時調成都主持文宣。1949年隨軍來台,任空總政戰部,兼任政工幹校美術系,獲聘教育部美術教育委員、歷史博物館研究員、國立藝專、文化大學美術系、敦煌學教授,與畫友合組「八朋畫會」。1931年獲西湖博覽會全國畫展優選。曾於武進公園舉辦個展,抗戰勝利舉行航空畫展,來台後參加反共美展,於中山堂、台灣藝術館、歷史博物館舉辦個展等。1960年在紐約世界博覽會中國館舉辦敦煌壁畫展。任中華民國畫學會常務理事並獲金爵獎、中華學術院士,出版畫集多冊。
就讀上海美專時主修國畫,選修西畫,接觸新式美術教育,受教於黃賓虹、樂諸山、潘天壽、賀天健,並向吳昌碩請益,透過「引西潤中」之方法改革傳統。1956年受歷史博物館之託,以黑白照片經年餘臨摹敦煌壁畫101幅。擅長四季山水、清供花卉、歷史故實、寫生海景等,畫風紮實穩健、細緻溫潤,姚夢谷故讚其畫說:「古艷沉著,毫無火霸和脂粉氣。」
本作以寫生手法描繪阿里山參天古木,透過仰角透視之方法,凸顯神木屹立宏偉、抵禦霜寒之生動外貌;其旁樹木遠山小徑,則以略帶傳統筆墨之法畫出,相映成趣。(505字)
Hu Ke-Min (1909-1991), also known by the pseudonym Yangbixuan Zhu, was a renowned traditional Chinese painter from Wujin, Jiangsu Province. In 1926, he attended the Shanghai Fine Arts School and then enrolled in its Research Institute. He returned home in 1929 to teach, participated in a charity art exhibition for disaster relief, and later served at the Jianqiao Central Aviation School and led cultural publicity in Chengdu during the anti-Japanese war. In 1949, after the military went to Taiwan, he served in the Air Force General Political Warfare Department and at the same time in the Art Department of the Political Work Cadre School. He was appointed a member of the Art Education Committee of the Ministry of Education, a researcher at the Museum of History, and a professor at the National Art School and the Chinese Culture University. He co-founded the "Ba Peng (Eight Friends) Painting Association" with fellow artists. In 1931 he was honored at the National Painting Exhibition of the West Lake Expo. He held solo exhibitions in Wujin Park and an exhibition of aerial paintings to celebrate the victory of the anti-Japanese war. After coming to Taiwan, he participated in anti-communist art exhibitions and held solo exhibitions at Zhongshan Hall, the Taiwan Art Museum and the Museum of History. In 1960, he held an exhibition of Dunhuang wall paintings in the China Pavilion of the New York World's Fair. He served as the executive director of the Republic of China Painting Society and received the Golden Knight Award and Chinese Academician. He also published many collections of paintings.

While studying at the Shanghai Fine Arts School, Hu focused mainly on traditional Chinese painting with elective courses in Western painting. Exposed to modern art education, he was mentored by Huang Bin-Hong, Le Zhu-Shan, Pan Tian-Shou, He Tian-Jian, and sought advice from Wu Chang-Shuo, reforming tradition through the method of "infusing the West to enrich China". In 1956, commissioned by the National Museum of History, he spent over a year meticulously copying 101 Dunhuang murals from black-and-white photographs. He excelled in painting landscapes of all four seasons, flowers, historical facts and plein air seascapes, with a painting style that is solid, stable, detailed and warm. Yao Meng-Gu praised his painting, saying, "It is ancient, beautiful and serene, with no overbearing and powdery air.

This work uses plein air techniques to depict the ancient trees in Alishan. The method of low-angle perspective emphasizes the vivid appearance of the majestic sacred trees standing tall against the cold; the adjacent trees, distant mountains, and small paths are painted with traditional brush and ink methods, creating an interesting contrast.