典藏單位:國立中正紀念堂管理處

館藏編號:PT09301900

林隆達

尺寸:135×58 (畫心)

林隆達（1954-），生於臺中縣大甲鎮。自幼受父親薰陶，喜好臨池，就讀清水中學時，受曹緯初校長指導。就學於中國醫藥大學期間，先後受施人豪、陳其銓指導。1981年獲得藥學碩士學位後，進行政院衛生署藥物食品檢驗局，1984年升任科長。1986年獲全省美展第一名與免審查資格。1989年離開公職，經營京華藝術中心，1993年入省長辦公室，並於中國醫藥大學兼課。1994年獲教育部文藝創作獎、中山文藝獎。2001年作品獲國立歷史博物館典藏，2003年任臺灣藝術大學副教授。
林隆達廣臨歷代碑帖，行、草、篆、隸各體兼擅，達到動靜皆宜、形意合一的境界，字中既見雄肆亦見精勁，既有古樸又顯秀雅，繼承傳統又富創新。林隆達特別致力於黃白泥金的佛經抄寫，端莊靈動，融會古今，且持續不斷，毅力過人，既顯華麗，又顯莊嚴，備受社會肯定，有法鼓山庋藏其鈔經作品。評者謂其「篆書淵雅古勁，隸書遒厚樸茂，楷書端整秀潤，行書則飄灑酣暢而饒韻致。」
本作以行書寫成，釋文「碧雲天。黃葉地。秋色連波。波上寒煙翠。山映斜陽天接水。芳草無情。更在斜陽外。黯鄉魂，追旅思。夜夜除非。好夢留人睡。明月樓高休獨倚。酒入愁腸，化作相思淚。」通篇布局穩重，輕重相間，結體左右開展，有趙松雪氣韻，但更為靈動，並摻入金石筆法，較為穩重。(510字)

Lin Lung-ta (1954- ) was born in Dajia Town, Taichung County (now Dajia District, Taichung City). Under his father's influence, he liked to practice Chinese calligraphy near pools of water since childhood. When he studied at Qingshui Junior High School, he was under the instruction of the principal, Tsao Wei-chu. While studying at China Medical University, he was taught successively Shih Jen-hao and Chen Chi-chuan. After obtaining a master's degree in pharmacy in 1981, he entered the Food and Drug Administration under the Ministry of Health and Welfare, and was later promoted to Division Chef in 1984. In 1986, he was awarded first place in the Taiwan Provincial Art Exhibition as well as the honor of being permanently exempt from review for future art exhibitions. In 1989, he left the public office to run Kyoka Art Center. In 1993, he entered the Province Governor's office and taught part-time at China Medical University. He was awarded the Ministry of Education's Literary and Artistic Creation Award, as well as the Sun Yat Sen Literary and Artistic Creation Award in 1994. His works were collected by the National Museum of History in 2001, and he became an associate professor at National Taiwan University of Arts in 2003.
Lin Lung-ta learned by imitating many historic rubbings from stone inscriptions; thus, he became proficient at semi-cursive, cursive, seal, and clerical script. His calligraphy is static yet dynamic, combining meaning into its form. The characters are majestic and vigorous, simple yet elegant, traditional yet innovative. Lin Lung-ta is particularly dedicated to the copying of the Buddhist scriptures on yellow, white, and golden paper. It is dignified and agile, blending the ancient and modern, continuous with outstanding perseverance, and both gorgeous and solemn that makes the work widely recognized by society. There is also a collection of his scripture works at Fagushan. Critics consider his seal script elegant and ancient, his clerical script simple yet vigorous, his regular script neat and smooth, and his semi-cursive script unrestrained yet charming.
This work was completed in semi-cursive script, in which the interpretation is, "The sky is covered with blue clouds, the ground coated with yellowed leaves. To the water's edge spread autumn colors, cold mist hovers over green waters. The setting sun reflects off mountain peaks, sky and waters connected in harmony. The grass feels not, for more grows beyond the setting sun like unrestrained nostalgia. Drowning in homesickness, which snaps at my heals as I travel. Sleepless nights prevail, unless sweet dreams spare me some rest. Leaning over railings atop towers, I admire the moon alone. Down a drink of spirits into my saddened soul, into wistful tears they drip." The layout is steady, the degree of seriousness is perfectly balanced, and the structure is evenly spread out. There is some of Chao Sung-hsueh's charms, yet it is more agile, while the incorporation of bronze techniques adds to the stableness of the work.