典藏單位:國立中正紀念堂管理處

館藏編號:PT09401000

藤崎千雲

尺寸:209×152 (畫心)

藤崎千雲（1950-），生於日本長野縣，水墨畫家。曾居住臺北七年之久，期間受教於膠彩畫家黃鷗波、水墨畫家孫柏堂、蘇峰男等人，並曾向黃君璧請益。曾入選日輝展，得日本水墨畫無鑑查展覽、日本文人畫府展、日本全國水墨畫秀作展、雪舟國際美術協會無鑑查會員等殊榮。
水墨畫在日本通常被稱為「文人畫」或「南畫」，有其自身的歷史脈絡。受到德川時期喜好漢學的影響，水墨在日本得到發展。但日本的「文人畫」與中國不同，不僅只存於士大夫的脈絡中。日本「文人畫」強調自發性與氣韻，在明治時期被理解為東洋畫的本質。藤崎千雲以山水與花卉為主要題材，山水有南宗淡逸典雅簡麗的特質，設色少；花卉則以沒骨法見長，水墨、設色皆有。
其作畫特色在於畫面整體氛圍統一感之掌握，樹葉點皴看似疏鬆，結構卻頗為嚴謹。畫家常以乾濕交錯的技法表現，藉以營造筆情墨韻在紙上的效果。此外，畫家喜愛描繪瀑布溪流，此畫為代表作之一。畫面分為前、中、後三景：近景河岸樹林以重墨點染，中景以緩瀑河岸構成，遠景則是垂直傾瀉而下的瀑布。觀者的視覺受前景重墨引導，盤桓而上可見遠方瀑布氣勢，接著順流到平面的水流，再回到近景的波流。整體的視覺受墨色韻律與畫面結構安排的引導，讀來輕快適意。(502字)

Senun Fujisaki (1950-), born in Nagano Prefecture, is an ink wash painter. During her life in Taipei for seven years, she was taught by gouache painter Huang Ou-bo, ink wash painter Sun Po-tang, and Su Feng-nan, and also sought advices from Huang Chun-pi. Not only has she been selected for the Nikkikai Art Exhibition, but she has also won awards from Japan Ink Wash Painting Appraisal-Free Exhibition, Japan Literati Art Annual, All Japan Sumie Art Exhibition organized by National Japanese Ink Painting Art Association, and Sesshu International Art Society, where she is an appraisal-free member.
Ink painting, often referred to as "literati painting" or "southern painting (Nanga)," has its own historical context in Japan. It was developed in Japan under the influence of the preference for sinology in Tokugawa period. Differed from Chinese ink wash paintings, "literati painting" in Japan is not confined to its scholar-bureaucrats, the intellectual, or social class. During the Meiji Restoration period, the literati painting's emphasis on initiative and artistic vitality was considered as the essence of the Toyoga (Eastern Painting). Senun Fujisaki's main subjects are landscapes and flowers. Her portrayal of a landscape is generally with a little color and has the light, elegant and simple qualities of NanZong, an ink wash art school. She is also known for her mogu approach, a Chinese painting technique that emphasizes forms created by ink and washes to the flowers and its varying uses of colors.
Senun Fujisaki has a flair for constructing the mood of her paintings. The leaves, although seemingly loose and random, have a rigid structure. The artist often uses both wet and dry washes to highlight the virtuoso brushwork and the perceived spirits on the paper. Meanwhile, the artist is also fond of the waterfall landscape. Concerto of the Jiuzhaigou Valley is one of her representative works. The painting can be seen from three scenes. The foreground, painted with heavy shades of black, portrays the riverbank and the forest; the middle ground depicts the breezy water; the background characterizes the stupendous waterfall. The viewers' attention is first drawn to the deep black in the foreground, then to the distant waterfall followed by the serene water in the middle, finally back to the waves in the front. The ink's rhythmic vitality and the painting's structural arrangement lead viewers to a smooth visual experience.