典藏單位:國立中正紀念堂管理處

館藏編號:PT09401100

藤崎千雲

尺寸:235×177 (畫心)

藤崎千雲（1950-），生於日本長野縣，水墨畫家。曾居住臺北七年之久，期間受教於膠彩畫家黃鷗波、水墨畫家孫柏堂、蘇峰男等人，並曾向黃君璧請益。曾入選日輝展，得日本水墨畫無鑑查展覽、日本文人畫府展、日本全國水墨畫秀作展、雪舟國際美術協會無鑑查會員等殊榮。
水墨畫在日本通常被稱為「文人畫」或「南畫」，有其自身的歷史脈絡。受到德川時期喜好漢學的影響，水墨在日本得到發展。但日本的「文人畫」與中國不同，不僅只存於士大夫的脈絡中。日本「文人畫」強調自發性與氣韻，在明治時期被理解為東洋畫的本質。藤崎千雲以山水與花卉為主要題材，山水有南宗淡逸典雅簡麗的特質，設色少；花卉則以沒骨法見長，水墨、設色皆有。
藤崎千雲擅畫瀑布，除擅長描繪氣勢磅礡場景外，亦有如此作之造境小景。通常先以溼筆皴擦出瀑水分流，再以淡墨暈染，豐富水流的變化。對於瀑布周遭的樹木則予以統調墨點描繪，藉以烘托主景。此作品主要以遠景立面與水流平面構成，遠方瀑布傾瀉而下，底部巧妙地運用近景樹影遮蔽，而遠至近的遞進，則由石頭與水流的形狀變化加以達成。畫家利用墨線粗細與墨色濃淡，表現出近景的湍流與遠景的幽靜，同時以強烈的墨色對比塑造前景水流的戲劇性，增加觀者的臨場感。（504字）

Senun Fujisaki (1950-), born in Nagano Prefecture, is an ink wash painter. During her life in Taipei for seven years, she was taught by gouache painter Huang Ou-bo, ink wash painter Sun Po-tang, and Su Feng-nan, and also sought advices from Huang Chun-pi. Not only has she been selected for the Nikkikai Art Exhibition, but she has also won awards from Japan Ink Wash Painting Appraisal-Free Exhibition, Japan Literati Art Annual, All Japan Sumie Art Exhibition organized by National Japanese Ink Painting Art Association, and Sesshu International Art Society, where she is an appraisal-free member.
Ink painting, often referred to as "literati painting" or "southern painting (Nanga)," has its own historical context in Japan. It was developed in Japan under the influence of the preference for sinology in Tokugawa period. Differed from Chinese ink wash paintings, "literati painting" in Japan is not confined to its scholar-bureaucrats, the intellectual, or social class. During the Meiji Restoration period, the literati painting's emphasis on initiative and artistic vitality was considered as the essence of the Toyoga (Eastern Painting). Senun Fujisaki's main subjects are landscapes and flowers. Her portrayal of a landscape is generally with a little color and has the light, elegant and simple qualities of NanZong, an ink wash art school. She is also known for her mogu approach, a Chinese painting technique that emphasizes forms created by ink and washes to the flowers and its varying uses of colors. The artist has a talent for depicting waterfalls in both an epic or miniature scene, such as Visions of My Hometown. While wet brush strokes are used to create the varying layering of the waterfall, light washes are blended to enrich the variation of water flow. The trees around the waterfall are painted in dappled monotone to accentuate the main subject. The distant view and the surface of the water create the dynamic structure of the work, with the waterfall pouring down in the distance, the bottom is cleverly obscured by the tree shadows in the foreground. The changing shapes of the rock and waterflow further accentuate the shift in perspectives. By varying her brushstrokes and uses of colors, Senun Fujisai characterizes the foreground's turbulence and the serenity in the background. The stark contrast between the ink washes dramatizes the whole painting, enhancing the viewers' sense of presence.