典藏單位:國立中正紀念堂管理處

館藏編號:PT09803300

陳有炳

尺寸:138×34 (157×53)

陳有炳(1947-)，號有冰，字太一，新加坡人，祖籍廣東省潮州市澄海縣，水墨畫家。13歲即從海派名家范昌幹習國畫，創作已歷半世紀，1977年曾榮獲新加坡總統頒發「效率獎章」，以資表揚；1988年並獲北京國際現代水墨畫展優異獎。參加新加坡國慶美展(1964-75)、芬蘭美展、台北國際水墨畫展(1981)、巴西聖保羅國際雙年展(1985)、南韓亞運展(1986)、北京中國畫研究院個展(1987)、德國曼漢美展(1990)、蘇格蘭格拉斯哥東西方現代畫展(1991)、深圳第二屆國際水墨畫展(1992)、中國美術館個展(2002)等。
陳有炳藝術成就頗受讚譽，曾說：「人家稱我是大師、名匠、宗師，都是個別人的事，然而，我永遠是信仰真、善、忍的藝術工作者。」其畫風簡易率性，深具禪味。他利用筆墨色在宣紙自然渲染的特質，巧妙控制乾溼變化，營造趣味橫生的墨彩玄想世界。
此種簡易畫風之形成，據其自述，主要來自於1992年起學習法輪大法之故。此後，作品「純化正統水墨畫的反樸歸真，推至返本歸真，拙、率、生的三個大境界，是守樸抱真的中國畫過去最高界」。對他來說，透過傳統筆墨表達真我情性，揮灑間自然呈現酣、穉、憨等本真現象，此為最高境界。一如本作墨荷所見，在寥寥數筆間，即能離形得神，構圖大膽無拘制，筆酣墨潤，景物已與精神冥想合一，達到純淨理想的境界。(503字)

Chen You-Bing (1947-), also known as Youbing and Taiyi, is a Singaporean of Chaozhou descent from Chenghai County, Guangdong Province, and a renowned ink painter. At the age of 13, he began to study traditional Chinese painting under the famous artist Fan Chang-Gan. With a creative career spanning half a century, he was awarded the "Efficiency Medal" by the President of Singapore in 1977. In 1988, he won the Excellence Award at the Beijing International Modern Ink Painting Exhibition. He has participated in numerous exhibitions, including the Singapore National Day Art Exhibition (1964-1975), the Finland Art Exhibition, the Taipei International Ink Painting Exhibition (1981), the São Paulo International Biennial in Brazil (1985), the South Korea Asian Games Exhibition (1986), a solo exhibition at the Beijing Chinese Painting Research Institute (1987), the Mannheim Art Exhibition in Germany (1990), the East-West Modern Painting Exhibition in Glasgow, Scotland (1991), the 2nd International Ink Painting Exhibition in Shenzhen (1992), and a solo exhibition at the China Art Museum (2002).

Chen You-Bing's artistic achievements have been widely recognized. He once said: "People call me a master, a craftsman, a grandmaster, but these are individual opinions. I will always be an artist who believes in truth, kindness and tolerance. His painting style is simple and straightforward, with a deep Zen flavor. He skillfully uses the natural rendering properties of ink and paint on rice paper, skillfully controlling the variation of dry and wet, and creating a world of interesting and imaginative ink colors.

According to him, the formation of this simple painting style comes mainly from learning Falun Dafa since 1992. After that, his works "purified orthodox ink painting, returned to simplicity, reached the three great realms of simplicity, spontaneity, and vitality, and embodied the highest realm of traditional Chinese painting of upholding simplicity and embracing truth.” For him, the highest realm is to express the true self through traditional brush and ink, and naturally present robustness, steadfastness, and simplicity. Like the ink lotus in his work, it transcends form with just a few strokes to capture the spirit, with bold and unrestrained composition, vigorous brushwork and wet ink, the scenery merges with spiritual meditation, reaching the realm of pure ideal.