典藏單位:國立中正紀念堂管理處

館藏編號:PP10400200

黃則修

黃則修先生（1930-2014），兼具教育家、新聞記者暨攝影家等多重身分，更為業界譽稱為「臺灣攝影獨行俠」。1951年兼任日本《朝日新聞》、聯合電視駐臺攝影記者；1961年舉行「龍山寺」攝影個展、1962年與吳東興舉辦「被遺忘的樂園—野柳」雙人攝影展，被譽為「臺灣攝影史『專題攝影展』之濫觴」。以上二展，其後更引起政府對歷史文化古蹟的重視，促使野柳被設定為國家觀光景點。
1967年，擔任徵信新聞報（現中國時報）顧問，為臺灣創設第一座新聞彩印工廠，隔年以世界第一部美國高斯平板彩色輪轉機，印製臺灣首份彩色報紙，受到國際矚目，獲登於1980年的《世界名人錄》；1985年應聘實踐大學兼任教師，桃李滿天下。從現代的角度回溯黃則修的攝影作品，更能肯定其人文視野，化歷史文化為內才，以攝影紀錄留下當時代的環境，終生以藝術為職志。
本作的光影色調精粹了中正紀念堂的建築之美，其外表如同位於南京紫金山的國父陵寢，以藍、白二色為主；作品的取景角度富含著層次構圖，層疊著前景的馬路、中景的圍牆及綠蔭，引領觀者視線來到高聳的正堂八角攢尖屋頂，由氣場強烈的藍天與捲雲和襯，底下小小人兒充當著比例尺，對比中正紀念堂的雄偉，以黑白色調處理對比強烈的主題，更能精準地使莊嚴的氛圍溢出。(500字)

Huang Tse-Hsiu (1930-2014) was an educator, journalist, and photographer, widely recognized in the industry as the “Lone Ranger of Taiwanese Photography.” Born in Taipei, he wrote under the pen name Lao K and also referred to himself as Tzu-Yun Seventh Lord and Tzu-Yun Hermit, as he was the seventh-generation descendant of the Tzu-Yun Huang family in Taiwan, tracing his lineage back to Huang Shou-Kung of Quanzhou. In 1951, he concurrently served as a photojournalist in Taiwan for Japan’s Asahi Shimbun and United Television. In 1961, he held a solo photography exhibition titled Lungshan Temple, followed by a joint exhibition in 1962 with Wu Tung-Hsing, The Forgotten Paradise—Yehliu. These exhibitions were hailed as the pioneering thematic photography exhibition in Taiwanese photographic history. These two exhibitions subsequently heightened government awareness of historical and cultural heritage, leading to Yehliu’s designation as a national tourist site.

In 1967, Huang served as an advisor for Cheng-Hsin News (now China Times), where he established Taiwan’s first news color printing factory. The following year, he introduced the world’s first Goss flatbed color rotary press from the United States to print Taiwan’s first color newspaper, garnering international attention. In 1980, he was listed in “Who’s Who“ in the World, followed by “Who’s Who in America“ in 1981. In 1985, he became a lecturer at Shih Chien University, where he guided students in the regular maintenance of the school’s slate-roofed structures. He retired from Shih Chien University in 2012 and passed away in Linkou in 2014.

This artwork captures the architectural beauty of the Chiang Kai-Shek Memorial Hall through its refined interplay of light and shadow. Its exterior, primarily in blue and white, echoes the design of the Sun Yat-Sen Mausoleum in Nanjing. The composition is rich in depth, layering the road in the foreground, the enclosing wall and greenery in the midground, and finally drawing the viewer’s gaze toward the towering octagonal roof of the main hall. The imposing structure is set against a dramatic backdrop of a deep blue sky with swirling clouds, while the small human figures below serve as a visual scale, emphasizing the grandeur of the Memorial. Rendered in black and white, the stark contrast enhances the solemn atmosphere, allowing its dignified presence to resonate with striking clarity.