典藏單位:國立中正紀念堂管理處

館藏編號:PP10401200

黃則修

黃則修先生（1930-2014），兼具教育家、新聞記者暨攝影家等多重身分，更為業界譽稱為「臺灣攝影獨行俠」。1951年兼任日本《朝日新聞》、聯合電視駐臺攝影記者；1961年舉行「龍山寺」攝影個展、1962年與吳東興舉辦「被遺忘的樂園—野柳」雙人攝影展，被譽為「臺灣攝影史『專題攝影展』之濫觴」。以上二展，其後更引起政府對歷史文化古蹟的重視，促使野柳被設定為國家觀光景點。
1967年，擔任徵信新聞報（現中國時報）顧問，為臺灣創設第一座新聞彩印工廠，隔年以世界第一部美國高斯平板彩色輪轉機，印製臺灣首份彩色報紙，受到國際矚目，獲登於1980年的《世界名人錄》，隔年登《美國名人錄》，1985年兼任實踐大學教師，2012年在實踐大學退休，帶領學生定期維護位在校內之石板屋建築，2014年逝世於林口。
本件作品呈現氣度恢弘的中正紀念堂景緻，以彩虹的無限跨度展現中正紀念堂的規模尺度，畫面氛圍令人舒心，一振胸中鬱氣；照片上的建築物為國家戲劇院、主牌樓、民主廣場及民主大道，拍攝角度是從主堂上俯視攝影。彩虹的出現代表雨過天晴，可遇不可求，通常是猛然乍現地，自然帶給人們美好想像與幸運希望的綺麗感受；從此張照片觀察紀念堂附近的周遭建物仍未高於紀念堂，是以此照片亦可看出臺灣社會發展的歷史軌跡。(505字)

Huang Tse-Hsiu (1930-2014) was an educator, journalist, and photographer, widely recognized in the industry as the “Lone Ranger of Taiwanese Photography.” Born in Taipei, he wrote under the pen name Lao K and also referred to himself as Tzu-Yun Seventh Lord and Tzu-Yun Hermit, as he was the seventh-generation descendant of the Tzu-Yun Huang family in Taiwan, tracing his lineage back to Huang Shou-Kung of Quanzhou. In 1951, he concurrently served as a photojournalist in Taiwan for Japan’s Asahi Shimbun and United Television. In 1961, he held a solo photography exhibition titled Lungshan Temple, followed by a joint exhibition in 1962 with Wu Tung-Hsing, The Forgotten Paradise—Yehliu. These exhibitions were hailed as the pioneering thematic photography exhibition in Taiwanese photographic history. These two exhibitions subsequently heightened government awareness of historical and cultural heritage, leading to Yehliu’s designation as a national tourist site.

In 1967, Huang served as an advisor for Cheng-Hsin News (now China Times), where he established Taiwan’s first news color printing factory. The following year, he introduced the world’s first Goss flatbed color rotary press from the United States to print Taiwan’s first color newspaper, garnering international attention. In 1980, he was listed in “Who’s Who” in the World, followed by “Who’s Who in America” in 1981. In 1985, he became a lecturer at Shih Chien University, where he guided students in the regular maintenance of the school’s slate-roofed structures. He retired from Shih Chien University in 2012 and passed away in Linkou in 2014.

This artwork captures the grandeur of the Chiang Kai-Shek Memorial Hall, with the vast arc of a rainbow emphasizing the monumental scale of the site. The serene atmosphere of the image evokes a sense of comfort, dispelling any lingering unease. The photograph features the National Theater, the main archway, Democracy Square, and Democracy Boulevard, taken from an overlooking perspective atop the main hall. The appearance of the rainbow symbolizes the clearing of skies after the rain, a rare and fleeting phenomenon that brings with it a sense of beauty, optimism, and hope. Observing this photograph, one can also note that the surrounding buildings had yet to surpass the height of the memorial hall at the time, offering a visual record of Taiwan’s historical urban development.