典藏單位:國立中正紀念堂管理處

館藏編號:PT09300600

黃金陵

尺寸:180×45 (畫心)

黃金陵（1940-），號蘜士、瑤光、洛津散人、一燈等，1940年出生於彰化縣鹿港鎮，1955年入臺中高工就讀。1965年師事曹容學習書法，1967年畢業於臺灣藝術專科學校，1972年獲臺北市美展書法優選，同年十月獲蔣中正總統祝壽美展書法第二名，1974年與其他同仁成立換鵝書會，同年赴韓國參加中韓文化交流展，1975年獲第29屆全省美展第二名，1977年創辦小山樓書法專修塾，1986年任澹廬書會評議委員。
黃金陵從曹容學書，風骨勁健，兼擅四體，張光賓讚其「楷書淹有晉唐風儀，行草書在澹廬基礎之上，又融會懷素、二王俊逸之妙。暢達結密、義氣豪宕，可以上窺晉唐遺風。篆隸與摹古諸體，各有本源，生機流露，俱可自立。」並謂「筆性爽朗遒勁，輕捷處如天馬行空，沉穩時似錐沙壁坼，行筆剛健含婀娜，廉斷而宏肆。」
本作品是由黃金陵捐贈，於「澹廬書會妙墨風華展」展出，澹廬書會為已故國寶級著名大書法家曹容（秋圃）先生於民國18年(1929)所創立，曹大師別號澹廬，博通經史，遍臨歷代碑帖，自創「書、道、禪」心法，書藝超群。本作自書七言絕句，釋文「法鼓山榕隨處飛。紛紛法雨盡禪機。夤緣翰墨同一樂。拂拂春風過翠微。」以行書寫就。書以濃墨揮灑，提按較重，結體偏長，有米字遺風。然轉折較圓潤，筆力硬挺，有金石氣。(500字)

Huang Chin-ling (1940- )–pseudonyms Chu-shih, Yao-guang, Lochin Sanren, Yi-teng, etc.–was born in Lugang Township, Changhua County. He started studying at Taichung Municipal Taichung Industrial High School in 1955, and he learned calligraphy under Tsao Jung. In 1967, he graduated from National Taiwan University of Arts. In 1972, he won the Merit Award in the Taipei Calligraphy Exhibition, and in October, he won second place for calligraphy in the Chiang Kai-shek Birthday Anniversary Exhibition. In 1974, he established the Huano Calligraphy Society with others, and in the same year, he visited Korea for the Korea-China Cultural Exchange Exhibition. In 1975, he was awarded second place in the 29th Taiwan Provincial Art Exhibition. In 1977, he founded the Hsiaoshanlou Calligraphy School, and in 1986, he served as a review member of the Danlu Calligraphy Society.
Huang Chin-ling learned calligraphy from Tsao Jung. His style is vigorous, and he is proficient in four scripts. Chang Guang-bin praised him, saying his “regular script is flooded with the style of Jin and Tang Dynasties; his semi-cursive script is based on the Danlu style, but also combining Huaisu and Erhwang’s charm. The seal script and the ancient body have their origins, and they are both vigorous and self-reliant." He also states that Huang’s “pen is bright and strong, light and swift like a horse crossing the sky. When steady, it is like a cone on a sand wall, sturdy and holding. His penmanship is vigorous and graceful, clean and decisive, but grandiose.”
This work was donated by Huang Chin-ling to be exhibited in the Danlu Calligraphy Society Exhibition. The Danlu Calligraphy Society was established by Mr. Tsao Jung (Chiu-pu) in 1929. Mr. Tsao has a pseudonym Danlu, holds a broad understanding of historical classics, and has studied various inscriptions of previous dynasties. He established the “Shu, Dao, Zen” method with his outstanding calligraphy skills. This work spells out a seven-character quatrain written by Huang–“Banyan leaves fly everywhere at Fagushan, thin rain spells out endless opportunities. Mountains and waters pleasantly blend into the ink scenery, and the spring breeze gently caresses the green mountaintop.” Written in semi-cursive script, the form is elongated, with thick brushstrokes and heavy lifting. Yet while the turning points are rounded, the pen is stiff and upright, hinting at slight Jinshih qualities.