典藏單位:國立中正紀念堂管理處

館藏編號:PT09904600

官大欽/戴武光/李源海/范乾海

尺寸:90x173x3(含框)

此作由「三得藝文中常會」成員官大欽、戴武光、李源海、范乾海等人共繪而成，為一幅合作畫。該畫會秉持對藝文推展的熱愛，成員專長更橫跨書法、水墨、竹雕、玻璃等不同中西繪畫媒材。
合繪者背景與專精如下：戴武光（1943-），新竹人，師大美術系畢業，受林玉山、黃君璧、李澤藩等大師指導，擅長中西繪畫，尤精現代水墨創作。其作品曾獲全省美展優選，並多次擔任評審。戴武光主張以設計與西畫觀點融入水墨，以構圖的創新開發現代水墨新的可能。李源海（1948-），苗栗人，師事嶺南派畫家萬玉其與楊善深，連續獲得中日美展文部大巨獎，與范乾海交情甚篤，多次聯展。范乾海（1953-），苗栗人，師事楊善深，范、李兩人亦同屬唐墨畫會，深受嶺南派之影響。官大欽（1954-），新竹人，擅長書畫篆刻。師事蔡友、周澄、吳平等大家。曾獲中日書畫首獎，並多次赴日舉辦個展。
這件水墨描繪巨松瀑布景色與空谷鳥囀的清幽意境。合作畫出自於古代「雅集」傳統，合繪的作者各選所長，相互應對搭配，以求畫面協調。由風格或筆墨特色來看，左方山石似官大欽所繪；喜鵲與書法似出自於善寫禽鳥的戴武光之手；右方山石與松樹枝幹頗富嶺南派粗曠蒼勁筆意，應由范、李二人所繪。合四人之力，整件作品傳達出充滿變化的視覺美感。（506字）

This collaborative painting was created by members of the "Sande Art and Culture Club," including Kuan Ta-Chin, Tai Wu-Kuang, Li Yuan-Hai, and Fan Chien-Hai. The club members share a passion for promoting arts and culture and are skilled in various media, such as calligraphy, ink painting, bamboo carving, and glass art, spanning both Eastern and Western techniques.
The backgrounds and specialties of the collaborators are as follows: Tai Wu-Kuang (1943-), from Hsinchu, graduated from the Fine Arts Department of National Taiwan Normal University. He studied under masters such as Lin Yu-Shan, Huang Jun-Bi, and Li Ze-Fan and excels in both Eastern and Western painting, particularly modern ink painting. His works have received awards in provincial exhibitions, and he has served as a judge multiple times. Dai advocates for incorporating design and Western painting perspectives into ink painting, developing new possibilities for modern ink art through innovative composition. Li Yuan-Hai (1948-), from Miaoli, studied under Lingnan School painters Wan Yu-Qi and Yang Shan-Shen. He has repeatedly won the Ministry of Education Grand Prize at the China-Japan Art Exhibition and has held several joint exhibitions with Fan Chien-Hai. Fan Chien-Hai (1953-), also from Miaoli, studied under Yang Shan-Shen. Both Fan and Li are members of the Tangmo Painting Association and are heavily influenced by the Lingnan School. Kuan Ta-Chin (1954-), from Hsinchu, specializes in calligraphy, painting, and seal carving. He studied under Cai You, Zhou Cheng, and Wu Ping. He has won first prizes in Chinese and Japanese calligraphy and painting competitions and has held solo exhibitions in Japan multiple times.
This ink painting depicts a serene landscape of ancient pines and waterfalls, with birds singing in the empty valley. The collaborative work follows the ancient tradition of "elegant gatherings," where each artist contributes their strengths, harmoniously complementing each other to achieve a balanced composition. From the styles and brushwork, it appears that the left-side rocks were painted by Kuan Ta-Chin; the magpies and calligraphy, known for their expertise in depicting birds, by Tai Wu-Kuang; and the right-side rocks and pine tree trunks, with their robust and vigorous Lingnan style brushwork, by Fan and Li. Combining the efforts of all four artists, the piece conveys a rich and dynamic visual beauty.