國立台灣文學館-藏品資訊

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Title:Forty Years of Development in Taiwan Literature: An Exciting Life Woven of Tears

Category:Manuscript

Author:Chi Pang-yuan

No. of Item:25 sheets (25 pages)

Dimension:26.5*19cm

Keyword:Chi Pang-yuan | History of taiwan literature | Anti-communist literature | Modernist literature | Taiwanese nationalism

Description:In this 25-page essay, Chi Pang-yuan reviews the development of literature in Taiwan over the span of 40 years through both her observations and commentaries from other authors. Chi divides this time into multiple periods and describes the characteristics of each period in detail. She then introduces the three major genres that define this particular era of Taiwan literature—Anti-communist literature, modernist literature, and Taiwanese nationalism—and she provides a critical review of each genre. Chi opines that the popularization of poetry societies and the debate on poetic styles pushed the boundaries of modern poetry; the new generation of poets (such as Su Shao-lien with “Tape Recorder”) are able to criticize and protest what’s happening around them without falling into the fallacy of victimization. On the other hand, essay writing development has been closely tied to the changing times and has begun to feature an ever-diversifying range of topics. In terms of cultural commentary, there is a trend towards pure literary commentary, but Chi rejoices that there are still authors willing to continue with this form of writing (such as Yang Mu with “Focused”). Finally, Chi praises novelists in Taiwan for their strong ties to their literary and cultural roots. In conclusion, Chi marvels at the freedom enjoyed by Taiwanese authors, who have collectively built an eclectic and diverse literary scene.

主要名稱:四十年來的台灣文學—由涕淚交零到瀟灑人生

成文日期:西元1993年12月16日

類別:手稿

原件與否:原件

藏品層次:單件

數量單位:25張共25頁

尺寸大小(長*寬*高):26.5*19cm

數位化類別:影像(圖片)

是否數位化:是

關鍵詞:齊邦媛｜臺灣文學史｜反共懷鄉文學｜現代主義文學｜鄉土文學

典藏單位:國立臺灣文學館

摘要:本筆資料為作者論述四十多年來臺灣文學的發展過程，透過自身的觀察與他人的評述，為文學做斷代和寫作特質的分期，並論述反共懷鄉文學、現代主義文學和鄉土文學。接著作者對各文類作品進行綜合評介，作者認為詩社的成立、路線的爭論擴充新詩的視野，新世代詩人對世事有批判與抗議，但不落入前人感國憂時的語調，如：蘇紹連的〈錄影機〉；散文發展緊扣時代變遷，題材逐漸擴增，文化評論的文章逐漸踏入原屬文學作品的地盤，所幸仍有純文學的作者持續耕耘，如：楊牧的〈疑神〉，至於小說創作的發展，向來最蓬勃，與文學理念、社會關懷息息相關。最後作者讚嘆臺灣的自由，使文學有多元的發展。（文／何沁樺）

其他說明:1.本筆資料共25頁，使用真善美300字稿紙。
2.第1頁右上方空白處標註「已成書」，收錄在《四十年來中國文學》，台北：聯合文學，1995。
3.本筆資料檢附〈行至人生的途中〉該篇文章發表於《爾雅人》的剪報。

提供者:齊邦媛

登錄號:NMTL20110310008

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